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"I can't help it. I've never been able to help anything."	Brett Ashley	up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it."	goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it?	Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something.	smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all	moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table	on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear	Where have I been looking all this while? You're a lovely thing. _Have_ we met? Come along with me and Bill. We're going to festa the English." "I'll festa them," Bill said, "What the hell are they doing at this fiesta?" "Come on," Mike said. "Just us three. We're going to festa the bloody English. I hope you're not English? I'm Scotch. I hate the English. I'm going to festa them. Come on, Bill." Through the window we saw them, all three arm in arm, going toward the caf . Rockets were going up in the square. "I'm going to sit here," Brett said. "I'll stay with you," Cohn said. "Oh, don't!" Brett said. "For God's sake, go off somewhere. Can't you see Jake and I want to talk?" "I didn't," Cohn said. "I thought I'd sit here because I felt a little tight." "What a hell of a reason for sitting with any one. If you're tight, go to bed. Go on to bed." "Was I rude enough to him?" Brett asked. Cohn was gone. "My God! I'm so sick of him!" "He doesn't add much to the gayety." "He depresses me so." "He's behaved very badly." "Damned badly. He had a chance to behave so well." "He's probably waiting just outside the door now." "Yes. He would. You know I do know how he feels. He can't believe it didn't mean anything." "I know." "Nobody else would behave as badly. Oh, I'm so sick of the whole thing. And Michael. Michael's been lovely, too." "It's been damned hard on Mike." "Yes. But he didn't need to be a swine." "Everybody behaves badly," I said. "Give them the proper chance." "You wouldn't behave badly." Brett looked at me. "I'd be as big an ass as Cohn," I said. "Darling, don't let's talk a lot of rot." "All right. Talk about anything you like." "Don't be difficult. You're the only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." "Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't	The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone.	The Sun Also Rises
"that means going away and leaving you two behind. You don't seemed pleased."	Tattooed Englishman	noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him	started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I	springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you	you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can;	sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations. "What are they a-saying on, Mas' Don? I wish I could speak New Zealandee." "Two boats' crews are coming ashore from the ship. I wish you two was brown and tattooed." Jem glanced wildly at	are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations. "What are they a-saying on, Mas' Don? I wish I could speak New Zealandee." "Two boats' crews are coming ashore from the ship. I wish you two was brown and tattooed." Jem glanced wildly at Don. "Come on," said the Englishman. "I must see if I can't hide you before they come. What?" This last was to a fresh man, who ran up and said something. "Quick, my lads," said the Englishman. "Your people are close at hand." CHAPTER THIRTY FIVE. LEFT BEHIND. Tomati hurried out, followed by Don, but the latter was thrust back into the hut directly, Tomati stretching out his arms so as to spread his blanket wide to act as a screen, under cover of which Don and Jem were half pushed, half backed into the large gathering hut of the tribe, Ngati giving some orders quickly, the result of which was that Don and Jem were hustled down into a sitting position and then thrown upon their faces. "Here, I'm not going to--" "Hush, Jem. You'll be heard," whispered Don. "Yes, but--lookye here." There was no time to say more. The first lieutenant of the ship, with a middy, Bosun Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The	reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger. The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,-- "My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations. "What are they a-saying on, Mas' Don? I wish I could speak New Zealandee." "Two boats' crews are coming ashore from the ship. I wish you two was brown and tattooed." Jem glanced wildly at Don. "Come on," said the Englishman. "I must see if I can't hide you before they come. What?" This last was to a fresh man, who ran up and said something. "Quick, my lads," said the Englishman. "Your people are close at hand." CHAPTER THIRTY FIVE. LEFT BEHIND. Tomati hurried out, followed by Don, but the latter was thrust back into the hut directly, Tomati stretching out his arms so as to spread his blanket wide to act as a screen, under cover of which Don and Jem were half pushed, half backed into the large gathering hut of the tribe, Ngati giving some orders quickly, the result of which was that Don and Jem were hustled down into a sitting position and then thrown upon their faces. "Here, I'm not going to--" "Hush, Jem. You'll be heard," whispered Don. "Yes, but--lookye here." There was no time to say more. The first lieutenant of the ship, with a middy, Bosun Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The men were halted, and the lieutenant addressed the tattooed Englishman. "Well!" he said; "where are our two men?" "Ask the sharks," said the renegade, shortly. "Humph! Yes. I suppose we shall have to. Poor wretches! The captain thought we'd have a last look round. But mind this, if they turn up here, you and your men will detain them till we come back. I shall hold you responsible." The Englishman grunted after the fashion of one of the savages. "I suppose you don't want to come home, eh?" "No; I'm comfortable enough here as an emigrant." "An emigrant, eh? Look here, Master Tomati, if I did my duty, I suppose I should take you aboard, and hand you over to the authorities." "What for?" said the Englishman, surlily. "Escaping from Norfolk Island. That's right, isn't it?" "Look here!" said the Englishman; "do you know, sir, that this is one of the worst parts of the coast, and that the people here think nothing of attacking boats' crews and plundering them, and making them prisoners, and often enough killing and eating 'em?" "Threatening, eh?" said the lieutenant. "Not I. But I'm a chief, and the people here would do everything I told them, and fight for me to a man." "Then you are threatening." "No, sir; I only wanted to remind you that your boats' crews have come and gone in peace; that you have been allowed to go about ashore, and been supplied with fruit and vegetables, and never a thing missed." "That's true enough," said the lieutenant. "Well, what of that? A king's ship well-armed would keep a larger tribe than yours quiet!" "Oh! Oh!" came from the group of natives. "Yes, I repeat it," said the lieutenant sharply. "They can understand English, then?" "Of course they do," said the tattooed man calmly, though he looked uneasily at the group; "and as to your ship, sir, what's the good of that if we were to fight you ashore?" "Do you want to fight, then?" said the lieutenant sharply. "It doesn't seem like it, when I've kept my tribe peaceful toward all your crew, and made them trade honestly." "Out of respect to our guns." "Can you bring your guns along the valleys and up into the mountains?" "No; but we can bring plenty of well-drilled fighting men." "Oh! Oh!" came in quite a long-drawn groan. "Yes," said the lieutenant	that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations. "What are they a-saying on, Mas' Don? I wish I could speak New Zealandee." "Two boats' crews are coming ashore from the ship. I wish you two was brown and tattooed." Jem glanced wildly at Don. "Come on," said the Englishman. "I must see if I can't hide you before they come. What?" This last was to a fresh man, who ran up and said something. "Quick, my lads," said the Englishman. "Your people are close at hand." CHAPTER THIRTY FIVE. LEFT BEHIND. Tomati hurried out, followed by Don, but the latter was thrust back into the hut directly, Tomati stretching out his arms so as to spread his blanket wide to act as a screen, under cover of which Don and Jem were half pushed, half backed into the large gathering hut of the tribe, Ngati giving some orders quickly, the result of which was that Don and Jem were hustled down into a sitting position and then thrown upon their faces. "Here, I'm not going to--" "Hush, Jem. You'll be heard," whispered Don. "Yes, but--lookye here." There was no time to say more. The first lieutenant of the ship, with a middy, Bosun Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The men were halted, and the lieutenant addressed the tattooed Englishman. "Well!" he said; "where are our two men?" "Ask the sharks," said the renegade, shortly. "Humph! Yes. I suppose we shall have to. Poor wretches! The captain thought we'd have a last look round. But mind this, if they turn up here, you and your men will detain them till we come back. I shall hold you responsible." The Englishman grunted after the fashion of one of the savages. "I suppose you don't want to come home, eh?" "No; I'm comfortable enough here as an emigrant." "An emigrant, eh? Look here, Master Tomati, if I did my duty, I suppose I should take you aboard, and hand you over to the authorities." "What for?" said the Englishman, surlily. "Escaping from Norfolk Island. That's right, isn't it?" "Look here!" said the Englishman; "do you know, sir, that this is one of the worst parts of the coast, and that the people here think nothing of attacking boats' crews and plundering them, and making them prisoners, and often enough killing and eating 'em?" "Threatening, eh?" said the lieutenant. "Not I. But I'm a chief, and the people	Don Lavington
"No,"	Elinor	he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible	with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in	when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at	must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy,	directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw	I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke." Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket, "is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?" "I did," said Elinor, with a composure of voice, under which	him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she, "in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke." Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket, "is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?" "I did," said Elinor, with a composure of voice, under which was concealed an emotion and distress beyond any thing she had ever felt before. She was mortified, shocked, confounded. Fortunately for her, they had now reached the cottage, and the conversation could be continued no farther. After sitting with them a few minutes, the Miss Steeles returned to the Park, and Elinor was then at liberty to think and be wretched. END OF THE FIRST VOLUME CHAPTER XXIII. However small Elinor s general dependence on Lucy s veracity might be, it was impossible for her on serious reflection to suspect it in the present case, where no temptation could be answerable to the folly of inventing a falsehood of such a description. What Lucy had asserted to be true, therefore, Elinor could not, dared not longer doubt; supported as it was too on every side by such probabilities and proofs, and contradicted by nothing but her own wishes. Their opportunity of acquaintance in the house of Mr. Pratt was a foundation for the rest, at once indisputable and alarming; and Edward s visit near Plymouth, his melancholy state of mind, his dissatisfaction at his own prospects, his uncertain behaviour towards herself, the intimate knowledge of the Miss Steeles as to Norland and their family connections, which had often surprised her, the picture, the letter, the ring, formed altogether such a body of evidence, as overcame every fear of condemning him unfairly, and established as a fact, which no partiality could set aside, his ill-treatment of herself. Her resentment of such behaviour, her indignation at having been its dupe, for a short time made her feel only for herself; but other ideas, other considerations, soon arose. Had Edward been intentionally deceiving her? Had he feigned a regard for her which he did not feel? Was his engagement to Lucy an engagement of the heart? No; whatever it might once have been, she could not believe it such at present. His affection was all her own. She could not be deceived in that. Her mother, sisters, Fanny, all had been conscious of his regard for her at Norland; it was not an illusion of her own vanity. He certainly loved her. What a softener of the heart was this persuasion! How much could it not tempt her to forgive! He had been blamable, highly blamable, in remaining at Norland after he first felt her influence over him to be more than it	feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she	Sense And Sensibility
--she went through with it--	No speaker	“To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I	_act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied	word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably	again, even to the heroic, for optimism. “Ah well, you decided, I suppose, on some new personal ground.” “Yes; a reason came up, a reason I hadn’t to that extent looked for and which of a sudden--quickly, before he went--I _had_ somehow to deal with. So to give him my word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably have said, a jolly lot of this. “Ah, that was nice of you. And natural. _That’s_ all right!” “No” --she spoke from a deeper depth-- “it’s altogether wrong. For whatever happens I must now accept it.” “Well, say you must” --he really declined not to treat it almost as rather	“The last thing before he left us I let the picture go.” “You mean--?” But he could only wonder--till, however, it glimmered upon him. “You gave up your protest?” “I gave up my protest. I told him that--so far as I’m concerned!--he might do as he liked.” Her poor friend turned pale at the sharp little shock of it; but if his face thus showed the pang of too great a surprise he yet wreathed the convulsion in a gay grimace. “You leave me to struggle alone?” “I leave you to struggle alone.” He took it in bewilderingly, but tried again, even to the heroic, for optimism. “Ah well, you decided, I suppose, on some new personal ground.” “Yes; a reason came up, a reason I hadn’t to that extent looked for and which of a sudden--quickly, before he went--I _had_ somehow to deal with. So to give him my word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably have said, a jolly lot of this. “Ah, that was nice of you. And natural. _That’s_ all right!” “No” --she spoke from a deeper depth-- “it’s altogether wrong. For whatever happens I must now accept it.” “Well, say you must” --he really declined not to treat it almost as rather a “lark” -- “if we can at least go on talking.” “Ah, we _can_ at least go on talking!” she perversely sighed. “I can say anything I like so long as I don’t say it to _him_” she almost wailed. But she added with more firmness: “I can still hope--and I can still pray.” He set free again with a joyous gesture all his confidence. “Well, what more _could_ you do, anyhow? So isn’t that enough?” It took her a moment to say, and even then she didn’t. “Is it enough for _you_, Mr. Crimble?” “What _is_ enough for me”	is if he simply holds out.” “So that as she doesn’t tell you” --Hugh was clear for the inference-- “he of course does hold out.” To which he added almost accusingly while his eyes searched her: “But your case is really bad.” She confessed to it after a moment, but as if vaguely enjoying it. “My case is really bad.” He had a vividness of impatience and contrition. 197 “And it’s I who--all too blunderingly!--have made it so?” “I’ve made it so myself,” she said with a high head-shake, “and you, on the contrary--!” But here she checked her emphasis. “Ah, I’ve so _wanted_, through our horrid silence, to help you!” And he pressed to get more at the truth. “You’ve so quite fatally displeased him?” “To the last point--as I tell you. But it’s not to that I refer,” she explained; “it’s to the ground of complaint I’ve given _you_.” And then as this but left him blank, “It’s time--it was at once time--that you should know,” she pursued; “and yet if it’s hard for me to speak, as you see, it was impossible for me to write. But there it is.” She made her sad and beautiful effort. “The last thing before he left us I let the picture go.” “You mean--?” But he could only wonder--till, however, it glimmered upon him. “You gave up your protest?” “I gave up my protest. I told him that--so far as I’m concerned!--he might do as he liked.” Her poor friend turned pale at the sharp little shock of it; but if his face thus showed the pang of too great a surprise he yet wreathed the convulsion in a gay grimace. “You leave me to struggle alone?” “I leave you to struggle alone.” He took it in bewilderingly, but tried again, even to the heroic, for optimism. “Ah well, you decided, I suppose, on some new personal ground.” “Yes; a reason came up, a reason I hadn’t to that extent looked for and which of a sudden--quickly, before he went--I _had_ somehow to deal with. So to give him my word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably have said, a jolly lot of this. “Ah, that was nice of you. And natural. _That’s_ all right!” “No” --she spoke from a deeper depth-- “it’s altogether wrong. For whatever happens I must now accept it.” “Well, say you must” --he really declined not to treat it almost as rather a “lark” -- “if we can at least go on talking.” “Ah, we _can_ at least go on talking!” she perversely sighed. “I can say anything I like so long as I don’t say it to _him_” she almost wailed. But she added with more firmness: “I can still hope--and I can still pray.” He set free again with a joyous gesture all his confidence. “Well, what more _could_ you do, anyhow? So isn’t that enough?” It took her a moment to say, and even then she didn’t. “Is it enough for _you_, Mr. Crimble?” “What _is_ enough for me” --he could for his part readily name it-- “is the harm done you at our last meeting by my irruption; so that if you got his consent to see me----!” “I didn’t get his consent!” --she had turned away from the searching eyes, but she faced them again to rectify: “I see you against his express command.” “Ah then thank God I came!” --it was like a bland breath on a _feu de joie_: he flamed so much higher. “Thank God you’ve come, yes--for my deplorable exposure.” And to justify her name for it before he could protest, “I _offered_ him here not to see you,” she rigorously explained. “‘Offered him?” --Hugh did drop for it. “Not to see me--ever again?” She didn’t falter. “Never again.” Ah then he understood. “But he wouldn’t let that serve----?” “Not for the price I put on it.” “His yielding on the picture?” “His yielding on the picture.” Hugh lingered before it all. “Your proposal wasn’t ‘good enough’?” “It wasn’t good enough.” “I see,” he repeated-- “I see.” But he was in that light again mystified. “Then why are you therefore not free?” “Because--just after--you came back, and I _did_ see you again!” Ah,	when it’s a question of a life spent, like his, in waiting, acquisitively, for the cat to jump, the only thing for one, at a given moment, as against that signal, is to be found one’s self by the animal in the line of its trajectory. That’s exactly,” he laughed, “where we are!” She cast about as intelligently to note the place. “Your great idea, you mean, _has_ so worked--with the uproar truly as loud as it has seemed to come to us here?” “All beyond my wildest hope,” Hugh returned; “since the sight of the picture, flocked to every day by thousands, so beautifully _tells_. That we must at any cost keep it, that the nation must, and hang on to it tight, is the cry that fills the air--to the tune of ten letters a day in the Papers, with every three days a gorgeous leader; to say nothing of more and more passionate talk all over the place, some of it awfully wild, but all of it wind in our sails.” “I suppose it was that wind then that blew me round there to see the thing in its new light,” Lady Grace said. “But I couldn’t stay--for tears!” “Ah,” Hugh insisted on his side for comfort, “we’ll crow loudest yet! And don’t meanwhile, just _don’t_, those splendid strange eyes of the fellow seem consciously to plead? The women, bless them, adore him, cling to him, and there’s talk of a ‘Ladies’ League of Protest’--all of which keeps up the pitch.” “Poor Amy and I are a ladies’ league,” the girl joylessly joked-- “as we now take in the ‘Journal’ regardless of expense.” “Oh then you practically _have_ it all--since,” Hugh, added after a brief hesitation, “I suppose Lord Theign himself doesn’t languish uninformed.” “At far-off Salsomaggiore--by the papers? No doubt indeed he isn’t spared even the worst,” said Lady Grace-- “and no doubt too it’s a drag on his cure.” Her companion seemed struck with her lack of assurance. “Then you don’t--if I may ask--hear from him?” “I? Never a word.” “He doesn’t write?” Hugh allowed himself to insist. “He doesn’t write. And I don’t write either.” “And Lady Sandgate?” Hugh once more ventured. “Doesn’t _she_ write?” “Doesn’t _she_ hear?” said the young man, treating the other form of the question as a shade evasive. “I’ve asked her not to tell me,” his friend replied-- “that is if he simply holds out.” “So that as she doesn’t tell you” --Hugh was clear for the inference-- “he of course does hold out.” To which he added almost accusingly while his eyes searched her: “But your case is really bad.” She confessed to it after a moment, but as if vaguely enjoying it. “My case is really bad.” He had a vividness of impatience and contrition. 197 “And it’s I who--all too blunderingly!--have made it so?” “I’ve made it so myself,” she said with a high head-shake, “and you, on the contrary--!” But here she checked her emphasis. “Ah, I’ve so _wanted_, through our horrid silence, to help you!” And he pressed to get more at the truth. “You’ve so quite fatally displeased him?” “To the last point--as I tell you. But it’s not to that I refer,” she explained; “it’s to the ground of complaint I’ve given _you_.” And then as this but left him blank, “It’s time--it was at once time--that you should know,” she pursued; “and yet if it’s hard for me to speak, as you see, it was impossible for me to write. But there it is.” She made her sad and beautiful effort. “The last thing before he left us I let the picture go.” “You mean--?” But he could only wonder--till, however, it glimmered upon him. “You gave up your protest?” “I gave up my protest. I told him that--so far as I’m concerned!--he might do as he liked.” Her poor friend turned pale at the sharp little shock of it; but if his face thus showed the pang of too great a surprise he yet wreathed the convulsion in a gay grimace. “You leave me to struggle alone?” “I leave you to struggle alone.” He took it in bewilderingly, but tried again, even to the heroic, for optimism. “Ah well, you decided, I suppose, on some new personal ground.” “Yes; a reason came up, a reason I hadn’t to that extent looked for and which of a sudden--quickly, before he went--I _had_ somehow to deal with. So to give him my word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably have said, a jolly lot of this. “Ah, that was nice of you. And natural. _That’s_ all right!” “No” --she spoke from a deeper depth-- “it’s altogether wrong. For whatever happens I must now accept it.” “Well, say you must” --he really declined not to treat it almost as rather a “lark” -- “if we can at least go on talking.” “Ah, we _can_ at least go on talking!” she perversely sighed. “I can say anything I like so long as I don’t say it to _him_” she almost wailed. But she added with more firmness: “I can still hope--and I can still pray.” He set free again with a joyous gesture all his confidence. “Well, what more _could_ you do, anyhow? So isn’t that enough?” It took her a moment to say, and even then she didn’t. “Is it enough for _you_, Mr. Crimble?” “What _is_ enough for me” --he could for his part readily name it-- “is the harm done you at our last meeting by my irruption; so that if you got his consent to see me----!” “I didn’t get his consent!” --she had turned away from the searching eyes, but she faced them again to rectify: “I see you against his express command.” “Ah then thank God I came!” --it was like a bland breath on a _feu de joie_: he flamed so much higher. “Thank God you’ve come, yes--for my deplorable exposure.” And to justify her name for it before he could protest, “I _offered_ him here not to see you,” she rigorously explained. “‘Offered him?” --Hugh did drop for it. “Not to see me--ever again?” She didn’t falter. “Never again.” Ah then he understood. “But he wouldn’t let that serve----?” “Not for the price I put on it.” “His yielding on the picture?” “His yielding on the picture.” Hugh lingered before it all. “Your proposal wasn’t ‘good enough’?” “It wasn’t good enough.” “I see,” he repeated-- “I see.” But he was in that light again mystified. “Then why are you therefore not free?” “Because--just after--you came back, and I _did_ see you again!” Ah, it was all present. “You found you were too sorry for me?” “I found I was too sorry for you--as he himself found I was.” Hugh had got hold of it now. “And _that_, you mean, he couldn’t stomach?” “So little that when you had gone (and _how_ you had to go you remember) he at once proposed, rather than that I should deceive you in a way so different from his own----” “To do all we want of him?” “To do all I did at least.” “And it was _then_,” he took in, “that you wouldn’t deal?” “Well” --try though she might to keep the colour out, it all came straighter and straighter now-- “those moments had brought you home to me as they had also brought _him_; making such a difference, I felt, for what he veered round to agree to.” “The difference” --Hugh wanted it so adorably definite-- “that you didn’t see your way to accepting----?” “No, not to accepting the condition he named.” “Which was that he’d keep the picture for you if you’d treat me as too ‘low’----?” “If I’d treat you,” said Lady Grace with her eyes on his fine young face, “as impossible.” He kept her eyes--he clearly liked so to make her repeat it. “And not even for the sake of the picture--?” After he had given her time, however, her silence, with her beautiful look in it, seemed to admonish him not to force her for his pleasure; as if what she had already told him didn’t make him throb enough for the wonder of it. He _had_ it, and let her see by his high flush how he made it his own--while, the next thing, as it was but part of her avowal, the rest of that illumination called for a different intelligence. “Your father’s reprobation of me personally is on the ground that you’re all such great people?” She spared him the invidious answer to this as, a moment before, his eagerness had spared her reserve; she flung over the “ground” that his question laid bare the light veil of an evasion, “‘Great people,’ I’ve learned to see, mustn’t--to remain great--do what my father’s doing.” “It’s indeed on the theory of their not so behaving,” Hugh returned, “that we see them--all the inferior rest of us--in the grand glamour of their greatness!” If he had spoken to meet her	league,” the girl joylessly joked-- “as we now take in the ‘Journal’ regardless of expense.” “Oh then you practically _have_ it all--since,” Hugh, added after a brief hesitation, “I suppose Lord Theign himself doesn’t languish uninformed.” “At far-off Salsomaggiore--by the papers? No doubt indeed he isn’t spared even the worst,” said Lady Grace-- “and no doubt too it’s a drag on his cure.” Her companion seemed struck with her lack of assurance. “Then you don’t--if I may ask--hear from him?” “I? Never a word.” “He doesn’t write?” Hugh allowed himself to insist. “He doesn’t write. And I don’t write either.” “And Lady Sandgate?” Hugh once more ventured. “Doesn’t _she_ write?” “Doesn’t _she_ hear?” said the young man, treating the other form of the question as a shade evasive. “I’ve asked her not to tell me,” his friend replied-- “that is if he simply holds out.” “So that as she doesn’t tell you” --Hugh was clear for the inference-- “he of course does hold out.” To which he added almost accusingly while his eyes searched her: “But your case is really bad.” She confessed to it after a moment, but as if vaguely enjoying it. “My case is really bad.” He had a vividness of impatience and contrition. 197 “And it’s I who--all too blunderingly!--have made it so?” “I’ve made it so myself,” she said with a high head-shake, “and you, on the contrary--!” But here she checked her emphasis. “Ah, I’ve so _wanted_, through our horrid silence, to help you!” And he pressed to get more at the truth. “You’ve so quite fatally displeased him?” “To the last point--as I tell you. But it’s not to that I refer,” she explained; “it’s to the ground of complaint I’ve given _you_.” And then as this but left him blank, “It’s time--it was at once time--that you should know,” she pursued; “and yet if it’s hard for me to speak, as you see, it was impossible for me to write. But there it is.” She made her sad and beautiful effort. “The last thing before he left us I let the picture go.” “You mean--?” But he could only wonder--till, however, it glimmered upon him. “You gave up your protest?” “I gave up my protest. I told him that--so far as I’m concerned!--he might do as he liked.” Her poor friend turned pale at the sharp little shock of it; but if his face thus showed the pang of too great a surprise he yet wreathed the convulsion in a gay grimace. “You leave me to struggle alone?” “I leave you to struggle alone.” He took it in bewilderingly, but tried again, even to the heroic, for optimism. “Ah well, you decided, I suppose, on some new personal ground.” “Yes; a reason came up, a reason I hadn’t to that extent looked for and which of a sudden--quickly, before he went--I _had_ somehow to deal with. So to give him my word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably have said, a jolly lot of this. “Ah, that was nice of you. And natural. _That’s_ all right!” “No” --she spoke from a deeper depth-- “it’s altogether wrong. For whatever happens I must now accept it.” “Well, say you must” --he really declined not to treat it almost as rather a “lark” -- “if we can at least go on talking.” “Ah, we _can_ at least go on talking!” she perversely sighed. “I can say anything I like so long as I don’t say it to _him_” she almost wailed. But she added with more firmness: “I can still hope--and I can still pray.” He set free again with a joyous gesture all his confidence. “Well, what more _could_ you do, anyhow? So isn’t that enough?” It took her a moment to say, and even then she didn’t. “Is it enough for _you_, Mr. Crimble?” “What _is_ enough for me” --he could for his part readily name it-- “is the harm done you at our last meeting by my irruption; so that if you got his consent to see me----!” “I didn’t get his consent!” --she had turned away from the searching eyes, but she faced them again to rectify: “I see you against his express command.” “Ah then thank God I came!” --it was like a bland breath on a _feu de joie_: he flamed so much higher. “Thank God you’ve come, yes--for my deplorable exposure.” And to justify her name for it before he could protest, “I _offered_ him here not to see you,” she rigorously explained. “‘Offered him?” --Hugh did drop for it. “Not to see me--ever again?” She didn’t falter. “Never again.” Ah then he understood.	The Outcry
"We shall all be coming to you for advice about our overdrafts."	The Vicar	abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?"	time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking	that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me	flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun	question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too	you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full	So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the	with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about	A Handful Of Dust
Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.	No speaker	not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he	be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I	baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was	you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had	this morning." "Go first to the Caffe Garibaldi," said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a	one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning." "Go first to the Caffe Garibaldi," said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a new one. "Gino!" He stopped for a moment; then he came nearer. Philip stood his ground. "You are to do what you like with me, Gino. Your son is dead, Gino. He died in my arms, remember. It does not excuse me; but he did die in my arms." The left hand came forward, slowly this time. It hovered before Philip like an insect. Then it descended and gripped him by his broken elbow. Philip struck out with all the strength of his other arm. Gino fell to the blow without a cry or a word. "You brute!" exclaimed the Englishman. "Kill me if you like! But just you leave my broken arm alone." Then he was seized with remorse, and knelt beside his adversary and tried to revive him. He managed to raise him up, and propped his body against his own. He passed his arm round him. Again he was filled with pity and tenderness. He awaited the revival without fear, sure that both of them were safe at last. Gino recovered suddenly. His lips moved. For one blessed moment it seemed that he was going to speak. But he scrambled up in silence, remembering everything, and he	relit one of the lamps, and was picking her way towards him. "Silence!" he called again, and again they obeyed. He shook the bundle; he breathed into it; he opened his coat and pressed it against him. Then he listened, and heard nothing but the rain and the panting horses, and Harriet, who was somewhere chuckling to herself in the dark. Miss Abbott approached, and took it gently from him. The face was already chilly, but thanks to Philip it was no longer wet. Nor would it again be wetted by any tear. Chapter 9 The details of Harriet s crime were never known. In her illness she spoke more of the inlaid box that she lent to Lilia--lent, not given--than of recent troubles. It was clear that she had gone prepared for an interview with Gino, and finding him out, she had yielded to a grotesque temptation. But how far this was the result of ill-temper, to what extent she had been fortified by her religion, when and how she had met the poor idiot--these questions were never answered, nor did they interest Philip greatly. Detection was certain: they would have been arrested by the police of Florence or Milan, or at the frontier. As it was, they had been stopped in a simpler manner a few miles out of the town. As yet he could scarcely survey the thing. It was too great. Round the Italian baby who had died in the mud there centred deep passions and high hopes. People had been wicked or wrong in the matter; no one save himself had been trivial. Now the baby had gone, but there remained this vast apparatus of pride and pity and love. For the dead, who seemed to take away so much, really take with them nothing that is ours. The passion they have aroused lives after them, easy to transmute or to transfer, but well-nigh impossible to destroy. And Philip knew that he was still voyaging on the same magnificent, perilous sea, with the sun or the clouds above him, and the tides below. The course of the moment--that, at all events, was certain. He and no one else must take the news to Gino. It was easy to talk of Harriet s crime--easy also to blame the negligent Perfetta or Mrs. Herriton at home. Every one had contributed--even Miss Abbott and Irma. If one chose, one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning." "Go first to the Caffe Garibaldi," said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a new one. "Gino!" He stopped for a moment; then he came nearer. Philip stood his ground. "You are to do what you like with me, Gino. Your son is dead, Gino. He died in my arms, remember. It does not excuse me; but he did die in my arms." The left hand came forward, slowly this time. It hovered before Philip like an insect. Then it descended and gripped him by his broken elbow. Philip struck out with all the strength of his other arm. Gino fell to the blow without a cry or a word. "You brute!" exclaimed the Englishman. "Kill me if you like! But just you leave my broken arm alone." Then he was seized with remorse, and knelt beside his adversary and tried to revive him. He managed to raise him up, and propped his body against his own. He passed his arm round him. Again he was filled with pity and tenderness. He awaited the revival without fear, sure that both of them were safe at last. Gino recovered suddenly. His lips moved. For one blessed moment it seemed that he was going to speak. But he scrambled up in silence, remembering everything, and he made not towards Philip, but towards the lamp. "Do what you like; but think first--" The lamp was tossed across the room, out through the loggia. It broke against one of the trees below. Philip began to cry out in the dark. Gino approached from behind and gave him a sharp pinch. Philip spun round with a yell. He had only been pinched on the back, but he knew what was in store for him. He struck out, exhorting the devil to fight him, to kill him, to do anything but this. Then he stumbled to the door. It was open. He lost his head, and, instead of turning down the stairs, he ran across the landing into the room opposite. There he lay down on the floor between the stove and the skirting-board. His senses grew sharper. He could hear Gino coming in on tiptoe. He even knew what was passing in his mind, how now he was at fault, now he was hopeful, now he was wondering whether after all the victim had not escaped down the stairs. There was a quick swoop above him, and then a low growl like a dog s. Gino had broken his finger-nails against the stove. Physical pain is almost too terrible to bear. We can just bear it when it comes by accident or for our good--as it generally does in modern life--except at school. But when it is caused by the malignity of a man, full grown, fashioned like ourselves, all our control disappears. Philip s one thought was to get away from that room at whatever sacrifice of nobility or pride. Gino was now at the further end of the room, groping by the little tables. Suddenly the instinct came to him. He crawled quickly to where Philip lay and had him clean by the elbow. The whole arm seemed red-hot, and the broken bone grated in the joint, sending out shoots of the essence of pain. His other arm was pinioned against the wall, and Gino had trampled in behind the stove and was kneeling on his legs. For the space of a minute he yelled and yelled with all the force of his lungs. Then this solace was denied him. The other hand, moist and strong, began to close round his throat. At first he was glad, for here, he thought, was death at last. But it	to transfer, but well-nigh impossible to destroy. And Philip knew that he was still voyaging on the same magnificent, perilous sea, with the sun or the clouds above him, and the tides below. The course of the moment--that, at all events, was certain. He and no one else must take the news to Gino. It was easy to talk of Harriet s crime--easy also to blame the negligent Perfetta or Mrs. Herriton at home. Every one had contributed--even Miss Abbott and Irma. If one chose, one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning." "Go first to the Caffe Garibaldi," said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a new one. "Gino!" He stopped for a moment; then he came nearer. Philip stood his ground. "You are to do what you like with me, Gino. Your son is dead, Gino. He died in my arms, remember. It does not excuse me; but he did die in my arms." The left hand came forward, slowly this time. It hovered before Philip like an insect. Then it descended and gripped him by his broken elbow. Philip struck out with all the strength of his other arm. Gino fell to the blow without a cry or a word. "You brute!" exclaimed the Englishman. "Kill me if you like! But just you leave my broken arm alone." Then he was seized with remorse, and knelt beside his adversary and tried to revive him. He managed to raise him up, and propped his body against his own. He passed his arm round him. Again he was filled with pity and tenderness. He awaited the revival without fear, sure that both of them were safe at last. Gino recovered suddenly. His lips moved. For	Where Angels Fear To Tread
“Well, it _was_, to me, half an hour ago,”	Grace	ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came	from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has	anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel	our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them	turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a different note in what she brought out. “I don’t know what forces me so to _tell_ you things.” “‘Tell’ me?” he stared. “Why, you’ve told me nothing more monstrous than that I’ve been welcome!” “Well, however that may be, what did you mean just now by the chance of our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them the more it comes to me that he feels urged or tempted--” “To despoil and denude these walls?” Hugh broke in, looking about in his sharper apprehension. “Yes, to satisfy, to save my sister. _Now_ do you think our state so ideal?” she asked--but without elation for her hint of triumph. He had no answer for this save “Ah, but you terribly interest me. May I ask what’s the matter with your sister?” Oh, she wanted to go on straight now! “The matter is--in the first place--that she’s too dazzlingly, dreadfully beautiful.” “More beautiful than you?” his sincerity easily risked.	old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a different note in what she brought out. “I don’t know what forces me so to _tell_ you things.” “‘Tell’ me?” he stared. “Why, you’ve told me nothing more monstrous than that I’ve been welcome!” “Well, however that may be, what did you mean just now by the chance of our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them the more it comes to me that he feels urged or tempted--” “To despoil and denude these walls?” Hugh broke in, looking about in his sharper apprehension. “Yes, to satisfy, to save my sister. _Now_ do you think our state so ideal?” she asked--but without elation for her hint of triumph. He had no answer for this save “Ah, but you terribly interest me. May I ask what’s the matter with your sister?” Oh, she wanted to go on straight now! “The matter is--in the first place--that she’s too dazzlingly, dreadfully beautiful.” “More beautiful than you?” his sincerity easily risked. “Millions of times.” Sad, almost sombre, she hadn’t a shade of coquetry. “Kitty has debts--great heaped-up gaming debts.” “But to such amounts?” “Incredible amounts it appears. And mountains of others too. She throws herself all on our father.” “And he _has_ to pay them? There’s no one else?” Hugh asked. She waited as if he might answer himself, and then as he apparently didn’t, “He’s only afraid there _may_ be some else--that’s how she makes him do it,” she said. And “Now do you think,” she pursued, “that I don’t tell you things?” He turned them over in his young perception and pity, the things she told him. “Oh, oh, oh!” And then, in the great place, while as, just spent by the effort of her disclosure, she moved from him again, he took them all in. “That’s the situation that, as you say, may force his hand.” “It absolutely, I feel, does force it.” And the renewal of her appeal brought her round. “Isn’t it too lovely?” His frank disgust answered. “It’s too damnable!” “And it’s you,” she quite terribly smiled, “who--by the ‘irony of fate’!--have given him help.” He smote his head in the light of it. “By	about at his storied halls; any illusion to the “exposure” of the objects they so solidly sheltered was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.” “It isn’t a Rubens?” “No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a different note in what she brought out. “I don’t know what forces me so to _tell_ you things.” “‘Tell’ me?” he stared. “Why, you’ve told me nothing more monstrous than that I’ve been welcome!” “Well, however that may be, what did you mean just now by the chance of our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them the more it comes to me that he feels urged or tempted--” “To despoil and denude these walls?” Hugh broke in, looking about in his sharper apprehension. “Yes, to satisfy, to save my sister. _Now_ do you think our state so ideal?” she asked--but without elation for her hint of triumph. He had no answer for this save “Ah, but you terribly interest me. May I ask what’s the matter with your sister?” Oh, she wanted to go on straight now! “The matter is--in the first place--that she’s too dazzlingly, dreadfully beautiful.” “More beautiful than you?” his sincerity easily risked. “Millions of times.” Sad, almost sombre, she hadn’t a shade of coquetry. “Kitty has debts--great heaped-up gaming debts.” “But to such amounts?” “Incredible amounts it appears. And mountains of others too. She throws herself all on our father.” “And he _has_ to pay them? There’s no one else?” Hugh asked. She waited as if he might answer himself, and then as he apparently didn’t, “He’s only afraid there _may_ be some else--that’s how she makes him do it,” she said. And “Now do you think,” she pursued, “that I don’t tell you things?” He turned them over in his young perception and pity, the things she told him. “Oh, oh, oh!” And then, in the great place, while as, just spent by the effort of her disclosure, she moved from him again, he took them all in. “That’s the situation that, as you say, may force his hand.” “It absolutely, I feel, does force it.” And the renewal of her appeal brought her round. “Isn’t it too lovely?” His frank disgust answered. “It’s too damnable!” “And it’s you,” she quite terribly smiled, “who--by the ‘irony of fate’!--have given him help.” He smote his head in the light of it. “By the Mantovano?” “By the possible Mantovano--as a substitute for the impossible Sir Joshua. You’ve made him aware of a value.” “Ah, but the value’s to be fixed!” “Then Mr. Bender will fix it!” “Oh, but--as he himself would say--I’ll fix Mr. Bender!” Hugh declared. “And he won’t buy a pig in a poke.” This cleared the air while they looked at each other; yet she had already asked: “What in the world can you do, and how in the world can you do it?” Well, he was too excited for decision. “I don’t quite see now, but give me time.” And he took out his watch as already to measure it. “Oughtn’t I before I go to say a word to Lord Theign?” “Is it your idea to become a lion in his path?” “Well, say a cub--as that’s what I’m afraid he’ll call me! But I think I should speak to him.” She drew a conclusion momentarily dark. “He’ll have to learn in that case that I’ve told you of my fear.” “And is there any good reason why he shouldn’t?” She kept her eyes on him and the darkness seemed to clear. “No!” she at last replied, and, having gone to touch an electric bell, was with him again. “But I think I’m rather sorry for you.” “Does that represent a reason why I should be so for you?” For a little she said nothing; but after that: “None whatever!” “Then is the sister of whom you speak Lady Imber?” Lady Grace, at this, raised her hand in caution: the butler had arrived, with due gravity, in answer to her ring; to whom she made known her desire. “Please say to his lordship--in the saloon or wherever--that Mr. Crimble must go.” When Banks had departed, however, accepting the responsibility of this mission, she answered her friend’s question. “The sister of whom I speak is Lady Imber.” “She loses then so heavily at bridge?” “She loses more than she wins.” Hugh gazed as with interest at these oddities of the great. “And yet she still plays?” “What else, in her set, should she do?” This he was quite unable to say; but he could after a moment’s exhibition of the extent to which he was out of it put a question instead. “So _you’re_ not in her set?” “I’m not in her set.” “Then decidedly,” he said, “I don’t	having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a different note in what she brought out. “I don’t know what forces me so to _tell_ you things.” “‘Tell’ me?” he stared. “Why, you’ve told me nothing more monstrous than that I’ve been welcome!” “Well, however that may be, what did you mean just now by the chance of our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them the more it comes to me that he feels urged or tempted--” “To despoil and denude these walls?” Hugh broke in, looking about in his sharper apprehension. “Yes, to satisfy, to save my sister. _Now_ do you think our state so ideal?” she asked--but without elation for her hint of triumph. He had no answer for this save “Ah, but you terribly interest me. May I ask what’s the matter with your sister?” Oh, she wanted to go on straight now! “The matter is--in the first place--that she’s too dazzlingly, dreadfully beautiful.” “More beautiful than you?” his sincerity easily risked. “Millions of times.” Sad, almost sombre, she hadn’t a shade of coquetry. “Kitty has debts--great heaped-up gaming debts.” “But to such amounts?” “Incredible amounts it appears. And mountains of others too. She throws herself all on our father.” “And he _has_ to pay them? There’s no one else?” Hugh asked. She waited as if he might answer himself, and then as he apparently didn’t, “He’s only afraid there _may_ be some else--that’s how she makes him do it,” she said. And “Now do you think,” she pursued, “that I don’t tell you things?” He turned them over in his young perception and pity, the things she told him. “Oh, oh, oh!” And then, in the great place, while as, just spent by the effort of her disclosure, she moved from him again, he took them all in. “That’s the situation that, as you say, may force his hand.” “It absolutely, I feel, does force it.” And the renewal of her appeal brought her round. “Isn’t it too lovely?” His frank disgust answered. “It’s too damnable!” “And it’s you,” she quite terribly smiled, “who--by the ‘irony of fate’!--have given him help.” He smote his head in the light of it. “By the Mantovano?” “By the possible Mantovano--as a substitute for the impossible Sir Joshua. You’ve made him aware of a value.” “Ah, but the value’s to be fixed!” “Then Mr. Bender will fix it!” “Oh, but--as he himself would say--I’ll fix Mr. Bender!” Hugh declared. “And he won’t buy a pig in a poke.” This cleared the air while they looked at each other; yet she had already asked: “What in the world can you do, and how in the world can you do it?” Well, he was too excited for decision. “I don’t quite see now, but give me time.” And he took out his watch as already to measure it. “Oughtn’t I before I go to say a word to Lord Theign?” “Is it your idea to become a lion in his path?” “Well, say a cub--as that’s what I’m afraid he’ll call me! But I think I should speak to him.” She drew a conclusion momentarily dark. “He’ll have to learn in that case that	The Outcry
the drummer chanted. Then turned to his sticks.	No speaker	. . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had	I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a	Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . .	him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for	the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said	place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said at the hotel. She had rung and the door was unlatched. "Really?" "No. Please." "Good night, Brett," I said. "I'm sorry you feel rotten." "Good night, Jake. Good night, darling. I won't see you again." We kissed standing at the door. She pushed me away. We kissed again. "Oh, don't!" Brett said. She turned quickly and went into the hotel. The chauffeur drove me around to my flat. I gave him twenty francs and he touched his cap and said: "Good night, sir," and drove off. I rang the bell. The door opened and I went up-stairs and went to bed. BOOK II CHAPTER 8 I did not see Brett again until she came back from San Sebastian. One card came from her from there. It had a picture of the Concha, and said: "Darling. Very quiet and healthy. Love to all the chaps. BRETT." Nor did I see Robert Cohn again. I heard Frances had left for England and I had a note from Cohn saying he was going out in the country for a couple of weeks, he did not know where, but that he wanted to hold me to the fishing-trip in Spain we had talked about	enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said. "We have our careers," Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, smoky, and noisy. The music hit you as you went in. Brett and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said at the hotel. She had rung and the door was unlatched. "Really?" "No. Please." "Good night, Brett," I said. "I'm sorry you feel rotten." "Good night, Jake. Good night, darling. I won't see you again." We kissed standing at the door. She pushed me away. We kissed again. "Oh, don't!" Brett said. She turned quickly and went into the hotel. The chauffeur drove me around to my flat. I gave him twenty francs and he touched his cap and said: "Good night, sir," and drove off. I rang the bell. The door opened and I went up-stairs and went to bed. BOOK II CHAPTER 8 I did not see Brett again until she came back from San Sebastian. One card came from her from there. It had a picture of the Concha, and said: "Darling. Very quiet and healthy. Love to all the chaps. BRETT." Nor did I see Robert Cohn again. I heard Frances had left for England and I had a note from Cohn saying he was going out in the country for a couple of weeks, he did not know where, but that he wanted to hold me to the fishing-trip in Spain we had talked about last winter. I could reach him always, he wrote, through his bankers. Brett was gone, I was not bothered by Cohn's troubles, I rather enjoyed not having to play tennis, there was plenty of work to do, I went often to the races, dined with friends, and put in some extra time at the office getting things ahead so I could leave it in charge of my secretary when Bill Gorton and I should shove off to Spain the end of June. Bill Gorton arrived, put up a couple of days at the flat and went off to Vienna. He was very cheerful and said the States were wonderful. New York was wonderful. There had been a grand theatrical season and a whole crop of great young light heavyweights. Any one of them was a good prospect to grow up, put on weight and trim Dempsey. Bill was very happy. He had made a lot of money on his last book, and was going to make a lot more. We had a good time while he was in Paris, and then he went off to Vienna. He was coming back in three weeks and we would leave for Spain to get in some fishing and go to the fiesta at Pamplona. He wrote that Vienna was wonderful. Then a card from Budapest: "Jake, Budapest is wonderful." Then I got a wire: "Back on Monday." Monday evening he turned up at the flat. I heard his taxi stop and went to the window and called to him; he waved and started up-stairs carrying his bags. I met him on the stairs, and took one of the bags. "Well," I said, "I hear you had a wonderful trip." "Wonderful," he said. "Budapest is absolutely wonderful." "How about Vienna?" "Not so good, Jake. Not so good. It seemed better than it was." "How do you mean?" I was getting glasses and a siphon. "Tight, Jake. I was tight." "That's strange. Better have a drink." Bill rubbed his forehead. "Remarkable thing," he said. "Don't know how it happened. Suddenly it happened." "Last long?" "Four days, Jake. Lasted just four days." "Where did you go?" "Don't remember. Wrote you a post-card. Remember that perfectly." "Do anything else?" "Not so sure. Possible." "Go on. Tell me about it." "Can't remember. Tell you anything I could remember." "Go on. Take that drink and remember." "Might remember a	get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, smoky, and noisy. The music hit you as you went in. Brett and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said at the hotel. She had rung and the door was unlatched. "Really?" "No. Please." "Good night, Brett," I said. "I'm sorry you feel rotten." "Good night, Jake. Good night, darling. I won't see you again." We kissed standing at the door. She pushed me away. We kissed again. "Oh, don't!" Brett said. She turned quickly and went into the hotel. The chauffeur drove me around to my flat. I gave him twenty francs and he touched his cap and said: "Good night, sir," and drove off. I rang the bell. The door opened and I went up-stairs and went to bed. BOOK II CHAPTER 8 I did not see Brett again until she came back from San Sebastian. One card came from her from there. It had a picture of the Concha, and said: "Darling. Very quiet and healthy. Love to all the chaps. BRETT." Nor did I see Robert Cohn again. I heard Frances had left for England and I had a note from Cohn saying he was going out in the country for a couple of weeks, he did not know where, but that he wanted to hold me to	The Sun Also Rises
"This is it, sir, and if you wouldn't mind, sir this is the house."	Cecilia Jupe	Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at	narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean	it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of	'em by posture-making, but by being banged about. There was no rope-dancing for me; I danced on the bare ground and was larruped with the rope." Mr. Gradgrind, though hard enough, was by no means so rough a man as Mr. Bounderby. His character was not unkind, all things considered; it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of it. "It's only crossing the bar, sir, and up the stairs, if you wouldn't mind, and waiting there for a moment till I get a candle. If you should hear a dog, sir, it's only Merrylegs, and he only barks." "Merrylegs and nine oils, eh!" said Mr. Bounderby, entering last	do you rub your father with nine oils for?" "It's what our people aways use, sir, when they get any hurts in the ring," replied the girl, looking over her shoulder, to assure herself that her pursuer was gone. "They bruise themselves very bad sometimes." "Serve 'em right," said Mr. Bounderby, "for being idle." She glanced up at his face, with mingled astonishment and dread. "By George!" said Mr. Bounderby, "when I was four or five years younger than you, I had worse bruises upon me than ten oils, twenty oils, forty oils, would have rubbed off. I didn't get 'em by posture-making, but by being banged about. There was no rope-dancing for me; I danced on the bare ground and was larruped with the rope." Mr. Gradgrind, though hard enough, was by no means so rough a man as Mr. Bounderby. His character was not unkind, all things considered; it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of it. "It's only crossing the bar, sir, and up the stairs, if you wouldn't mind, and waiting there for a moment till I get a candle. If you should hear a dog, sir, it's only Merrylegs, and he only barks." "Merrylegs and nine oils, eh!" said Mr. Bounderby, entering last with his metallic laugh. "Pretty well this, for a self-made man!" CHAPTER VI SLEARY'S HORSEMANSHIP THE name of the public-house was the Pegasus's Arms. The Pegasus's legs might have been more to the purpose; but, underneath the winged horse upon the sign-board, the Pegasus's Arms was inscribed in Roman letters. Beneath that inscription again, in a flowing scroll, the painter had touched off the lines: Good malt makes good beer, Walk in, and they'll draw it here; Good wine makes good brandy, Give us a call, and you'll find it handy. Framed and glazed upon the wall behind the dingy	to-morrow, and offered to tell her again, and she ran away, and I ran after her, sir, that she might know how to answer when she was asked. You wouldn't have thought of saying such mischief if you hadn't been a horse-rider?" "Her calling seems to be pretty well known among 'em," observed Mr. Bounderby. "You'd have had the whole school peeping in a row, in a week." "Truly, I think so," returned his friend. "Bitzer, turn you about and take yourself home. Jupe, stay here a moment. Let me hear of your running in this manner any more, boy, and you will hear of me through the master of the school. You understand what I mean. Go along." The boy stopped in his rapid blinking, knuckled his forehead again, glanced at Sissy, turned about, and retreated. "Now, girl," said Mr. Gradgrind, "take this gentleman and me to your father's; we are going there. What have you got in that bottle you are carrying?" "Gin," said Mr. Bounderby. "Dear, no, sir! It's the nine oils." "The what?" cried Mr. Bounderby. "The nine oils, sir, to rub father with." "Then," said Mr. Bounderby, with a loud short laugh, "what the devil do you rub your father with nine oils for?" "It's what our people aways use, sir, when they get any hurts in the ring," replied the girl, looking over her shoulder, to assure herself that her pursuer was gone. "They bruise themselves very bad sometimes." "Serve 'em right," said Mr. Bounderby, "for being idle." She glanced up at his face, with mingled astonishment and dread. "By George!" said Mr. Bounderby, "when I was four or five years younger than you, I had worse bruises upon me than ten oils, twenty oils, forty oils, would have rubbed off. I didn't get 'em by posture-making, but by being banged about. There was no rope-dancing for me; I danced on the bare ground and was larruped with the rope." Mr. Gradgrind, though hard enough, was by no means so rough a man as Mr. Bounderby. His character was not unkind, all things considered; it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of it. "It's only crossing the bar, sir, and up the stairs, if you wouldn't mind, and waiting there for a moment till I get a candle. If you should hear a dog, sir, it's only Merrylegs, and he only barks." "Merrylegs and nine oils, eh!" said Mr. Bounderby, entering last with his metallic laugh. "Pretty well this, for a self-made man!" CHAPTER VI SLEARY'S HORSEMANSHIP THE name of the public-house was the Pegasus's Arms. The Pegasus's legs might have been more to the purpose; but, underneath the winged horse upon the sign-board, the Pegasus's Arms was inscribed in Roman letters. Beneath that inscription again, in a flowing scroll, the painter had touched off the lines: Good malt makes good beer, Walk in, and they'll draw it here; Good wine makes good brandy, Give us a call, and you'll find it handy. Framed and glazed upon the wall behind the dingy little bar, was another Pegasus a theatrical one with real gauze let in for his wings, golden stars stuck on all over him, and his ethereal harness made of red silk. As it had grown too dusky without, to see the sign, and as it had not grown light enough within to see the picture, Mr. Gradgrind and Mr. Bounderby received no offence from these idealities. They followed the girl up some steep corner-stairs without meeting any one, and stopped in the dark while she went on for a candle. They expected every moment to hear Merrylegs give tongue, but the highly trained performing dog had not barked when the girl and the candle appeared together. "Father is not in our room, sir," she said, with a face of great surprise. "If you wouldn't mind walking in, I'll find him directly." They walked in; and Sissy, having set two chairs for them, sped away with a quick light step. It was a mean, shabbily furnished room, with a bed in it. The white night-cap, embellished with two peacock's feathers and a pigtail bolt upright, in which Signor Jupe had that very afternoon enlivened the varied performances with his chaste Shaksperean	giving them a vent some recognized holiday, though it were but for an honest dance to a stirring band of music some occasional light pie in which even M'Choakumchild had no finger which craving must and would be satisfied aright, or must and would inevitably go wrong, until the laws of the Creation were repealed? "This man lives at Pod's End, and I don't quite know Pod's End," said Mr. Gradgrind. "Which is it, Bounderby?" Mr. Bounderby knew it was somewhere down town, but knew no more respecting it. So they stopped for a moment, looking about. Almost as they did so, there came running round the corner of the street at a quick pace and with a frightened look, a girl whom Mr. Gradgrind recognized. "Halloa!" said he. "Stop! Where are you going! Stop!" Girl number twenty stopped then, palpitating, and made him a curtsey. "Why are you tearing about the streets," said Mr. Gradgrind, "in this improper manner?" "I was I was run after, sir," the girl panted, "and I wanted to get away." "Run after?" repeated Mr. Gradgrind. "Who would run after _you_?" The question was unexpectedly and suddenly answered for her, by the colourless boy, Bitzer, who came round the corner with such blind speed and so little anticipating a stoppage on the pavement, that he brought himself up against Mr. Gradgrind's waistcoat and rebounded into the road. "What do you mean, boy?" said Mr. Gradgrind. "What are you doing? How dare you dash against everybody in this manner?" Bitzer picked up his cap, which the concussion had knocked off; and backing, and knuckling his forehead, pleaded that it was an accident. "Was this boy running after you, Jupe?" asked Mr. Gradgrind. "Yes, sir," said the girl reluctantly. "No, I wasn't, sir!" cried Bitzer. "Not till she run away from me. But the horse-riders never mind what they say, sir; they're famous for it. You know the horse-riders are famous for never minding what they say," addressing Sissy. "It's as well known in the town as please, sir, as the multiplication table isn't known to the horse-riders." Bitzer tried Mr. Bounderby with this. "He frightened me so," said the girl, "with his cruel faces!" "Oh!" cried Bitzer. "Oh! An't you one of the rest! An't you a horse-rider! I never looked at her, sir. I asked her if she would know how to define a horse to-morrow, and offered to tell her again, and she ran away, and I ran after her, sir, that she might know how to answer when she was asked. You wouldn't have thought of saying such mischief if you hadn't been a horse-rider?" "Her calling seems to be pretty well known among 'em," observed Mr. Bounderby. "You'd have had the whole school peeping in a row, in a week." "Truly, I think so," returned his friend. "Bitzer, turn you about and take yourself home. Jupe, stay here a moment. Let me hear of your running in this manner any more, boy, and you will hear of me through the master of the school. You understand what I mean. Go along." The boy stopped in his rapid blinking, knuckled his forehead again, glanced at Sissy, turned about, and retreated. "Now, girl," said Mr. Gradgrind, "take this gentleman and me to your father's; we are going there. What have you got in that bottle you are carrying?" "Gin," said Mr. Bounderby. "Dear, no, sir! It's the nine oils." "The what?" cried Mr. Bounderby. "The nine oils, sir, to rub father with." "Then," said Mr. Bounderby, with a loud short laugh, "what the devil do you rub your father with nine oils for?" "It's what our people aways use, sir, when they get any hurts in the ring," replied the girl, looking over her shoulder, to assure herself that her pursuer was gone. "They bruise themselves very bad sometimes." "Serve 'em right," said Mr. Bounderby, "for being idle." She glanced up at his face, with mingled astonishment and dread. "By George!" said Mr. Bounderby, "when I was four or five years younger than you, I had worse bruises upon me than ten oils, twenty oils, forty oils, would have rubbed off. I didn't get 'em by posture-making, but by being banged about. There was no rope-dancing for me; I danced on the bare ground and was larruped with the rope." Mr. Gradgrind, though hard enough, was by no means so rough a man as Mr. Bounderby. His character was not unkind, all things considered; it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of it. "It's only crossing the bar, sir, and up the stairs, if you wouldn't mind, and waiting there for a moment till I get a candle. If you should hear a dog, sir, it's only Merrylegs, and he only barks." "Merrylegs and nine oils, eh!" said Mr. Bounderby, entering last with his metallic laugh. "Pretty well this, for a self-made man!" CHAPTER VI SLEARY'S HORSEMANSHIP THE name of the public-house was the Pegasus's Arms. The Pegasus's legs might have been more to the purpose; but, underneath the winged horse upon the sign-board, the Pegasus's Arms was inscribed in Roman letters. Beneath that inscription again, in a flowing scroll, the painter had touched off the lines: Good malt makes good beer, Walk in, and they'll draw it here; Good wine makes good brandy, Give us a call, and you'll find it handy. Framed and glazed upon the wall behind the dingy little bar, was another Pegasus a theatrical one with real gauze let in for his wings, golden stars stuck on all over him, and his ethereal harness made of red silk. As it had grown too dusky without, to see the sign, and as it had not grown light enough within to see the picture, Mr. Gradgrind and Mr. Bounderby received no offence from these idealities. They followed the girl up some steep corner-stairs without meeting any one, and stopped in the dark while she went on for a candle. They expected every moment to hear Merrylegs give tongue, but the highly trained performing dog had not barked when the girl and the candle appeared together. "Father is not in our room, sir," she said, with a face of great surprise. "If you wouldn't mind walking in, I'll find him directly." They walked in; and Sissy, having set two chairs for them, sped away with a quick light step. It was a mean, shabbily furnished room, with a bed in it. The white night-cap, embellished with two peacock's feathers and a pigtail bolt upright, in which Signor Jupe had that very afternoon enlivened the varied performances with his chaste Shaksperean quips and retorts, hung upon a nail; but no other portion of his wardrobe, or other token of himself or his pursuits, was to be seen anywhere. As to Merrylegs, that respectable ancestor of the highly trained animal who went aboard the ark, might have been accidentally shut out of it, for any sign of a dog that was manifest to eye or ear in the Pegasus's Arms. They heard the doors of rooms above, opening and shutting as Sissy went from one to another in quest of her father; and presently they heard voices expressing surprise. She came bounding down again in a great hurry, opened a battered and mangy old hair trunk, found it empty, and looked round with her hands clasped and her face full of terror. "Father must have gone down to the Booth, sir. I don't know why he should go there, but he must be there; I'll bring him in a minute!" She was gone directly, without her bonnet; with her long, dark, childish hair streaming behind her. "What does she mean!" said Mr. Gradgrind. "Back in a minute? It's more than a mile off." Before Mr. Bounderby could reply, a young man appeared at the door, and introducing himself with the words, "By your leaves, gentlemen!" walked in with his hands in his pockets. His face, close-shaven, thin, and sallow, was shaded by a great quantity of dark hair, brushed into a roll all round his head, and parted up the centre. His legs were very robust, but shorter than legs of good proportions should have been. His chest and back were as much too broad, as his legs were too short. He was dressed in a Newmarket coat and tight-fitting trousers; wore a shawl round his neck; smelt of lamp-oil, straw, orange-peel, horses' provender, and sawdust; and looked a most remarkable sort of Centaur, compounded of the stable and the play-house. Where the one began, and the other ended, nobody could have told with any precision. This gentleman was mentioned in the bills of the day as Mr. E. W. B. Childers, so justly celebrated for his daring vaulting act as the Wild Huntsman of the North American Prairies; in which popular performance, a diminutive boy with an old face, who now accompanied him, assisted as his infant son: being carried upside down over his father's shoulder, by one foot, and held	the girl, "with his cruel faces!" "Oh!" cried Bitzer. "Oh! An't you one of the rest! An't you a horse-rider! I never looked at her, sir. I asked her if she would know how to define a horse to-morrow, and offered to tell her again, and she ran away, and I ran after her, sir, that she might know how to answer when she was asked. You wouldn't have thought of saying such mischief if you hadn't been a horse-rider?" "Her calling seems to be pretty well known among 'em," observed Mr. Bounderby. "You'd have had the whole school peeping in a row, in a week." "Truly, I think so," returned his friend. "Bitzer, turn you about and take yourself home. Jupe, stay here a moment. Let me hear of your running in this manner any more, boy, and you will hear of me through the master of the school. You understand what I mean. Go along." The boy stopped in his rapid blinking, knuckled his forehead again, glanced at Sissy, turned about, and retreated. "Now, girl," said Mr. Gradgrind, "take this gentleman and me to your father's; we are going there. What have you got in that bottle you are carrying?" "Gin," said Mr. Bounderby. "Dear, no, sir! It's the nine oils." "The what?" cried Mr. Bounderby. "The nine oils, sir, to rub father with." "Then," said Mr. Bounderby, with a loud short laugh, "what the devil do you rub your father with nine oils for?" "It's what our people aways use, sir, when they get any hurts in the ring," replied the girl, looking over her shoulder, to assure herself that her pursuer was gone. "They bruise themselves very bad sometimes." "Serve 'em right," said Mr. Bounderby, "for being idle." She glanced up at his face, with mingled astonishment and dread. "By George!" said Mr. Bounderby, "when I was four or five years younger than you, I had worse bruises upon me than ten oils, twenty oils, forty oils, would have rubbed off. I didn't get 'em by posture-making, but by being banged about. There was no rope-dancing for me; I danced on the bare ground and was larruped with the rope." Mr. Gradgrind, though hard enough, was by no means so rough a man as Mr. Bounderby. His character was not unkind, all things considered; it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of it. "It's only crossing the bar, sir, and up the stairs, if you wouldn't mind, and waiting there for a moment till I get a candle. If you should hear a dog, sir, it's only Merrylegs, and he only barks." "Merrylegs and nine oils, eh!" said Mr. Bounderby, entering last with his metallic laugh. "Pretty well this, for a self-made man!" CHAPTER VI SLEARY'S HORSEMANSHIP THE name of the public-house was the Pegasus's Arms. The Pegasus's legs might have been more to the purpose; but, underneath the winged horse upon the sign-board, the Pegasus's Arms was inscribed in Roman letters. Beneath that inscription again, in a flowing scroll, the painter had touched off the lines: Good malt makes good beer, Walk in, and they'll draw it here; Good wine makes good brandy, Give us a call, and you'll find it handy. Framed and glazed upon the wall behind the dingy little bar, was another Pegasus a	Hard Times
"How are you now?"	George Emerson	fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she	what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile.	one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale	above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must	look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had	already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was	her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing	debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but	A Room With A View
"Not much."	Cyril Fielding	you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in	affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you	thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my	interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That	in the civil station kept watch a little, fearing an attack, but presently they too entered the world of dreams that world in which a third of each man's life is spent, and which is thought by some pessimists to be a premonition of eternity. CHAPTER XXVI Evening approached by the time Fielding and Miss Quested met and had the first of their numerous curious conversations. He had hoped, when he woke up, to find someone had fetched her away, but the College remained isolated from the rest of the universe. She asked whether she could have "a sort of interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell	Justice, Courage, Liberty, and Prudence, ranged under heads, which cooled the passion of the crowd. He further announced that he should give up his British-conferred title, and live as a private gentleman, plain Mr. Zulfiqar, for which reason he was instantly proceeding to his country seat. The landau turned, the crowd accompanied it, the crisis was over. The Marabar caves had been a terrible strain on the local administration; they altered a good many lives and wrecked several careers, but they did not break up a continent or even dislocate a district. "We will have rejoicings to-night," the old man said. "Mr. Hamidullah, I depute you to bring out our friends Fielding and Amritrao, and to discover whether the latter will require special food. The others will keep with me. We shall not go out to Dilkusha until the cool of the evening, of course. I do not know the feelings of other gentlemen; for my own part, I have a slight headache, and I wish I had thought to ask our good Panna Lal for aspirin." For the heat was claiming its own. Unable to madden, it stupefied, and before long most of the Chandrapore combatants were asleep. Those in the civil station kept watch a little, fearing an attack, but presently they too entered the world of dreams that world in which a third of each man's life is spent, and which is thought by some pessimists to be a premonition of eternity. CHAPTER XXVI Evening approached by the time Fielding and Miss Quested met and had the first of their numerous curious conversations. He had hoped, when he woke up, to find someone had fetched her away, but the College remained isolated from the rest of the universe. She asked whether she could have "a sort of interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself broke the strap of the field-glasses; you were alone in that cave the whole time." "Perhaps. . . ." "Can you remember when you first felt out of sorts?" "When I came to tea with you there, in that garden-house." "A somewhat unlucky party. Aziz and old Godbole were both ill after it too." "I was not ill it is far too vague to mention: it is all mixed up with my private affairs. I enjoyed the singing . . . but just about then a sort of sadness began that I couldn't detect at the time . . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've	the court before Mr. Das had finished, and drove Dapple off through the bazaars, in flight from the wrath to come. In the hospital he should be safe, for Major Callendar would protect him. But the Major had not come, and now things were worse than ever, for here was a mob, entirely desirous of his blood, and the orderlies were mutinous and would not help him over the back wall, or rather hoisted him and let him drop back, to the satisfaction of the patients. In agony he cried, "Man can but die the once," and waddled across the compound to meet the invasion, salaaming with one hand and holding up a pale yellow umbrella in the other. "Oh, forgive me," he whined as he approached the victorious landau. "Oh, Dr. Aziz, forgive the wicked lies I told." Aziz was silent, the others thickened their throats and threw up their chins in token of scorn. "I was afraid, I was mislaid," the suppliant continued. "I was mislaid here, there, and everywhere as regards your character. Oh, forgive the poor old hakim who gave you milk when ill! Oh, Nawab Bahadur, whoever merciful, is it my poor little dispensary you require? Take every cursed bottle." Agitated, but alert, he saw them smile at his indifferent English, and suddenly he started playing the buffoon, flung down his umbrella, trod through it, and struck himself upon the nose. He knew what he was doing, and so did they. There was nothing pathetic or eternal in the degradation of such a man. Of ignoble origin, Dr. Panna Lal possessed nothing that could be disgraced, and he wisely decided to make the other Indians feel like kings, because it would put them into better tempers. When he found they wanted Nureddin, he skipped like a goat, he scuttled like a hen to do their bidding, the hospital was saved, and to the end of his life he could not understand why he had not obtained promotion on the morning's work. "Promptness, sir, promptness similar to you," was the argument he employed to Major Callendar when claiming it. When Nureddin emerged, his face all bandaged, there was a roar of relief as though the Bastille had fallen. It was the crisis of the march, and the Nawab Bahadur managed to get the situation into hand. Embracing the young man publicly, he began a speech about Justice, Courage, Liberty, and Prudence, ranged under heads, which cooled the passion of the crowd. He further announced that he should give up his British-conferred title, and live as a private gentleman, plain Mr. Zulfiqar, for which reason he was instantly proceeding to his country seat. The landau turned, the crowd accompanied it, the crisis was over. The Marabar caves had been a terrible strain on the local administration; they altered a good many lives and wrecked several careers, but they did not break up a continent or even dislocate a district. "We will have rejoicings to-night," the old man said. "Mr. Hamidullah, I depute you to bring out our friends Fielding and Amritrao, and to discover whether the latter will require special food. The others will keep with me. We shall not go out to Dilkusha until the cool of the evening, of course. I do not know the feelings of other gentlemen; for my own part, I have a slight headache, and I wish I had thought to ask our good Panna Lal for aspirin." For the heat was claiming its own. Unable to madden, it stupefied, and before long most of the Chandrapore combatants were asleep. Those in the civil station kept watch a little, fearing an attack, but presently they too entered the world of dreams that world in which a third of each man's life is spent, and which is thought by some pessimists to be a premonition of eternity. CHAPTER XXVI Evening approached by the time Fielding and Miss Quested met and had the first of their numerous curious conversations. He had hoped, when he woke up, to find someone had fetched her away, but the College remained isolated from the rest of the universe. She asked whether she could have "a sort of interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself broke the strap of the field-glasses; you were alone in that cave the whole time." "Perhaps. . . ." "Can you remember when you first felt out of sorts?" "When I came to tea with you there, in that garden-house." "A somewhat unlucky party. Aziz and old Godbole were both ill after it too." "I was not ill it is far too vague to mention: it is all mixed up with my private affairs. I enjoyed the singing . . . but just about then a sort of sadness began that I couldn't detect at the time . . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've had an offer of marriage when none was made." "You put it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly." She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all. "My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend to be rude. I only meant it is difficult, as we get on in life, to resist the supernatural. I've felt it coming on me myself. I still jog on without it, but what a temptation, at forty-five, to pretend that the dead live again; one's own dead; no one else's matter." "Because the dead don't live again." "I fear not." "So do I." There was a moment's silence, such as often follows the triumph of rationalism. Then he apologized handsomely enough for his behaviour to Heaslop at the club. "What does Dr. Aziz say of me?" she asked, after another pause. "He he has not been capable of thought in his misery, naturally he's very bitter," said Fielding, a little awkward, because such remarks as Aziz had made were not merely bitter, they were foul. The underlying notion was, "It disgraces me to have been mentioned	the morning's work. "Promptness, sir, promptness similar to you," was the argument he employed to Major Callendar when claiming it. When Nureddin emerged, his face all bandaged, there was a roar of relief as though the Bastille had fallen. It was the crisis of the march, and the Nawab Bahadur managed to get the situation into hand. Embracing the young man publicly, he began a speech about Justice, Courage, Liberty, and Prudence, ranged under heads, which cooled the passion of the crowd. He further announced that he should give up his British-conferred title, and live as a private gentleman, plain Mr. Zulfiqar, for which reason he was instantly proceeding to his country seat. The landau turned, the crowd accompanied it, the crisis was over. The Marabar caves had been a terrible strain on the local administration; they altered a good many lives and wrecked several careers, but they did not break up a continent or even dislocate a district. "We will have rejoicings to-night," the old man said. "Mr. Hamidullah, I depute you to bring out our friends Fielding and Amritrao, and to discover whether the latter will require special food. The others will keep with me. We shall not go out to Dilkusha until the cool of the evening, of course. I do not know the feelings of other gentlemen; for my own part, I have a slight headache, and I wish I had thought to ask our good Panna Lal for aspirin." For the heat was claiming its own. Unable to madden, it stupefied, and before long most of the Chandrapore combatants were asleep. Those in the civil station kept watch a little, fearing an attack, but presently they too entered the world of dreams that world in which a third of each man's life is spent, and which is thought by some pessimists to be a premonition of eternity. CHAPTER XXVI Evening approached by the time Fielding and Miss Quested met and had the first of their numerous curious conversations. He had hoped, when he woke up, to find someone had fetched her away, but the College remained isolated from the rest of the universe. She asked whether she could have "a sort of interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself	A Passage To India
"what do you say now to Mr. Knightley's marrying Jane Fairfax?"	Emma	triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I	"Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so	than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about	are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see	enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in those delightful exploring parties which are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see how it is," said she. "I see what a life I am to lead among you. Upon my word we shall be absolutely dissipated. We really seem quite the fashion. If this is living in the country, it is nothing very formidable. From Monday next to Saturday, I assure you we have not a disengaged day!--A woman with fewer resources than I have, need not have been at a loss." No invitation came amiss to her. Her Bath habits made evening-parties perfectly natural to her, and Maple Grove had given her a taste for dinners. She was a little shocked	for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity? She calls you, Knightley--what can she do for Mr. Cole? And so I am not to be surprized that Jane Fairfax accepts her civilities and consents to be with her. Mrs. Weston, your argument weighs most with me. I can much more readily enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in those delightful exploring parties which are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see how it is," said she. "I see what a life I am to lead among you. Upon my word we shall be absolutely dissipated. We really seem quite the fashion. If this is living in the country, it is nothing very formidable. From Monday next to Saturday, I assure you we have not a disengaged day!--A woman with fewer resources than I have, need not have been at a loss." No invitation came amiss to her. Her Bath habits made evening-parties perfectly natural to her, and Maple Grove had given her a taste for dinners. She was a little shocked at the want of two drawing rooms, at the poor attempt at rout-cakes, and there being no ice in the Highbury card-parties. Mrs. Bates, Mrs. Perry, Mrs. Goddard and others, were a good deal behind-hand in knowledge of the world, but she would soon shew them how every thing ought to be arranged. In the course of the spring she must return their civilities by one very superior party--in which her card-tables should be set out with their separate candles and unbroken packs in the true style--and more waiters engaged for the evening than their own establishment could furnish, to carry round the refreshments at exactly the proper hour, and in the proper order. Emma, in the meanwhile, could not be satisfied without a dinner at Hartfield for the Eltons. They must not do less than others, or she should be exposed to odious suspicions, and imagined capable of pitiful resentment. A dinner there must be. After Emma had talked about it for ten minutes, Mr. Woodhouse felt no unwillingness, and only made the usual stipulation of not sitting at the bottom of the table himself, with the usual regular difficulty of deciding who should do it for him. The	Such a woman as Jane Fairfax probably never fell in Mrs. Elton's way before--and no degree of vanity can prevent her acknowledging her own comparative littleness in action, if not in consciousness." "I know how highly you think of Jane Fairfax," said Emma. Little Henry was in her thoughts, and a mixture of alarm and delicacy made her irresolute what else to say. "Yes," he replied, "any body may know how highly I think of her." "And yet," said Emma, beginning hastily and with an arch look, but soon stopping--it was better, however, to know the worst at once--she hurried on--" "And yet, perhaps, you may hardly be aware yourself how highly it is. The extent of your admiration may take you by surprize some day or other." Mr. Knightley was hard at work upon the lower buttons of his thick leather gaiters, and either the exertion of getting them together, or some other cause, brought the colour into his face, as he answered, "Oh! are you there?--But you are miserably behindhand. Mr. Cole gave me a hint of it six weeks ago." He stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said, "So you have been settling that I should marry Jane Fairfax?" "No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think the extent of my admiration for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity? She calls you, Knightley--what can she do for Mr. Cole? And so I am not to be surprized that Jane Fairfax accepts her civilities and consents to be with her. Mrs. Weston, your argument weighs most with me. I can much more readily enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in those delightful exploring parties which are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see how it is," said she. "I see what a life I am to lead among you. Upon my word we shall be absolutely dissipated. We really seem quite the fashion. If this is living in the country, it is nothing very formidable. From Monday next to Saturday, I assure you we have not a disengaged day!--A woman with fewer resources than I have, need not have been at a loss." No invitation came amiss to her. Her Bath habits made evening-parties perfectly natural to her, and Maple Grove had given her a taste for dinners. She was a little shocked at the want of two drawing rooms, at the poor attempt at rout-cakes, and there being no ice in the Highbury card-parties. Mrs. Bates, Mrs. Perry, Mrs. Goddard and others, were a good deal behind-hand in knowledge of the world, but she would soon shew them how every thing ought to be arranged. In the course of the spring she must return their civilities by one very superior party--in which her card-tables should be set out with their separate candles and unbroken packs in the true style--and more waiters engaged for the evening than their own establishment could furnish, to carry round the refreshments at exactly the proper hour, and in the proper order. Emma, in the meanwhile, could not be satisfied without a dinner at Hartfield for the Eltons. They must not do less than others, or she should be exposed to odious suspicions, and imagined capable of pitiful resentment. A dinner there must be. After Emma had talked about it for ten minutes, Mr. Woodhouse felt no unwillingness, and only made the usual stipulation of not sitting at the bottom of the table himself, with the usual regular difficulty of deciding who should do it for him. The persons to be invited, required little thought. Besides the Eltons, it must be the Westons and Mr. Knightley; so far it was all of course--and it was hardly less inevitable that poor little Harriet must be asked to make the eighth:--but this invitation was not given with equal satisfaction, and on many accounts Emma was particularly pleased by Harriet's begging to be allowed to decline it. "She would rather not be in his company more than she could help. She was not yet quite able to see him and his charming happy wife together, without feeling uncomfortable. If Miss Woodhouse would not be displeased, she would rather stay at home." It was precisely what Emma would have wished, had she deemed it possible enough for wishing. She was delighted with the fortitude of her little friend--for fortitude she knew it was in her to give up being in company and stay at home; and she could now invite the very person whom she really wanted to make the eighth, Jane Fairfax.-- Since her last conversation with Mrs. Weston and Mr. Knightley, she was more conscience-stricken about Jane Fairfax than she had often been.--Mr. Knightley's words dwelt with her. He had said that Jane Fairfax received attentions from Mrs. Elton which nobody else paid her. "This is very true," said she, "at least as far as relates to me, which was all that was meant--and it is very shameful.--Of the same age--and always knowing her--I ought to have been more her friend.--She will never like me now. I have neglected her too long. But I will shew her greater attention than I have done." Every invitation was successful. They were all disengaged and all happy.--The preparatory interest of this dinner, however, was not yet over. A circumstance rather unlucky occurred. The two eldest little Knightleys were engaged to pay their grandpapa and aunt a visit of some weeks in the spring, and their papa now proposed bringing them, and staying one whole day at Hartfield--which one day would be the very day of this party.--His professional engagements did not allow of his being put off, but both father and daughter were disturbed by its happening so. Mr. Woodhouse considered eight persons at dinner together as the utmost that his nerves could bear--and here would be a ninth--and Emma apprehended that it would be a ninth very much out of humour at	suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity? She calls you, Knightley--what can she do for Mr. Cole? And so I am not to be surprized that Jane Fairfax accepts her civilities and consents to be with her. Mrs. Weston, your argument weighs most with me. I can much more readily enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in those delightful exploring parties which are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see how it is," said she. "I see what a life I am to lead among you. Upon my word we shall be absolutely dissipated. We really seem quite the fashion. If this is living in the country, it is nothing very formidable. From Monday next to Saturday, I assure you we have not a disengaged day!--A woman with fewer resources than I have, need not have been at a loss." No invitation came amiss to her. Her Bath habits made evening-parties perfectly natural to her, and Maple Grove had given her a taste for dinners. She was a little shocked at the want of two drawing rooms, at the poor attempt at rout-cakes, and there being no ice in the Highbury card-parties. Mrs. Bates, Mrs. Perry, Mrs. Goddard and others, were a good deal behind-hand in knowledge of the world, but she would soon shew them how every thing ought to be arranged. In the course of the spring she must return their civilities by one very superior party--in which her card-tables should be set out with their separate candles and unbroken packs in the true style--and more waiters engaged for the evening than their own establishment could furnish, to carry round the refreshments at exactly the proper hour, and in the proper order. Emma, in the meanwhile, could not be satisfied without a dinner at Hartfield for the Eltons. They must not do less than others, or she should be exposed to odious suspicions, and imagined capable of pitiful resentment. A dinner there must be. After Emma had talked about it for ten minutes, Mr. Woodhouse felt no unwillingness, and only made the usual stipulation of not sitting at the bottom of the table himself, with the usual regular difficulty of deciding who should do it for him. The persons to be invited, required little thought. Besides the Eltons, it must be the Westons and Mr. Knightley; so far it was all of course--and it was hardly less inevitable that poor little Harriet must be asked to make the eighth:--but this invitation was not given with equal satisfaction, and on many accounts Emma was particularly pleased by Harriet's begging to be allowed to decline it. "She would rather not be in his company more than she could help. She was not yet quite able to see him and his charming happy wife together, without feeling uncomfortable. If Miss Woodhouse would not be	Emma
"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."	Lucy Steele	"Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the	have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the	But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest,	meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better. Not so the Miss Steeles. They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was	and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For my part, I think they are vastly agreeable, provided they dress smart and behave civil. But I can t bear to see them dirty and nasty. Now there s Mr. Rose at Exeter, a prodigious smart young man, quite a beau, clerk to Mr. Simpson, you know, and yet if you do but meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better. Not so the Miss Steeles. They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was now dealt out to his fair cousins, whom they declared to be the most beautiful, elegant, accomplished, and agreeable girls they had ever beheld, and with whom they were particularly anxious to be better acquainted. And to be better acquainted therefore, Elinor soon found was their inevitable lot, for as Sir John was entirely on the side of the Miss Steeles, their party would be too strong for opposition, and that kind of intimacy must be submitted to, which consists of sitting an hour or two together in the same room almost every day. Sir John could do no more;	suppose you were very sorry to leave Sussex." In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was. "Norland is a prodigious beautiful place, is not it?" added Miss Steele. "We have heard Sir John admire it excessively," said Lucy, who seemed to think some apology necessary for the freedom of her sister. "I think every one _must_ admire it," replied Elinor, "who ever saw the place; though it is not to be supposed that any one can estimate its beauties as we do." "And had you a great many smart beaux there? I suppose you have not so many in this part of the world; for my part, I think they are a vast addition always." "But why should you think," said Lucy, looking ashamed of her sister, "that there are not as many genteel young men in Devonshire as Sussex?" "Nay, my dear, I m sure I don t pretend to say that there an t. I m sure there s a vast many smart beaux in Exeter; but you know, how could I tell what smart beaux there might be about Norland; and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For my part, I think they are vastly agreeable, provided they dress smart and behave civil. But I can t bear to see them dirty and nasty. Now there s Mr. Rose at Exeter, a prodigious smart young man, quite a beau, clerk to Mr. Simpson, you know, and yet if you do but meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better. Not so the Miss Steeles. They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was now dealt out to his fair cousins, whom they declared to be the most beautiful, elegant, accomplished, and agreeable girls they had ever beheld, and with whom they were particularly anxious to be better acquainted. And to be better acquainted therefore, Elinor soon found was their inevitable lot, for as Sir John was entirely on the side of the Miss Steeles, their party would be too strong for opposition, and that kind of intimacy must be submitted to, which consists of sitting an hour or two together in the same room almost every day. Sir John could do no more; but he did not know that any more was required: to be together was, in his opinion, to be intimate, and while his continual schemes for their meeting were effectual, he had not a doubt of their being established friends. To do him justice, he did every thing in his power to promote their unreserve, by making the Miss Steeles acquainted with whatever he knew or supposed of his cousins situations in the most delicate particulars; and Elinor had not seen them more than twice, before the eldest of them wished her joy on her sister s having been so lucky as to make a conquest of a very smart beau since she came to Barton. "Twill be a fine thing to have her married so young to be sure," said she, "and I hear he is quite a beau, and prodigious handsome. And I hope you may have as good luck yourself soon, but perhaps you may have a friend in the corner already." Elinor could not suppose that Sir John would be more nice in proclaiming his suspicions of her regard for Edward, than he had been with respect to Marianne; indeed it was rather his favourite joke	screams in the young lady on hearing it, gave them reason to hope that it would not be rejected. She was carried out of the room therefore in her mother s arms, in quest of this medicine, and as the two boys chose to follow, though earnestly entreated by their mother to stay behind, the four young ladies were left in a quietness which the room had not known for many hours. "Poor little creatures!" said Miss Steele, as soon as they were gone. "It might have been a very sad accident." "Yet I hardly know how," cried Marianne, "unless it had been under totally different circumstances. But this is the usual way of heightening alarm, where there is nothing to be alarmed at in reality." "What a sweet woman Lady Middleton is!" said Lucy Steele. Marianne was silent; it was impossible for her to say what she did not feel, however trivial the occasion; and upon Elinor therefore the whole task of telling lies when politeness required it, always fell. She did her best when thus called on, by speaking of Lady Middleton with more warmth than she felt, though with far less than Miss Lucy. "And Sir John too," cried the elder sister, "what a charming man he is!" Here too, Miss Dashwood s commendation, being only simple and just, came in without any eclat. She merely observed that he was perfectly good humoured and friendly. "And what a charming little family they have! I never saw such fine children in my life. I declare I quite doat upon them already, and indeed I am always distractedly fond of children." "I should guess so," said Elinor, with a smile, "from what I have witnessed this morning." "I have a notion," said Lucy, "you think the little Middletons rather too much indulged; perhaps they may be the outside of enough; but it is so natural in Lady Middleton; and for my part, I love to see children full of life and spirits; I cannot bear them if they are tame and quiet." "I confess," replied Elinor, "that while I am at Barton Park, I never think of tame and quiet children with any abhorrence." A short pause succeeded this speech, which was first broken by Miss Steele, who seemed very much disposed for conversation, and who now said rather abruptly, "And how do you like Devonshire, Miss Dashwood? I suppose you were very sorry to leave Sussex." In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was. "Norland is a prodigious beautiful place, is not it?" added Miss Steele. "We have heard Sir John admire it excessively," said Lucy, who seemed to think some apology necessary for the freedom of her sister. "I think every one _must_ admire it," replied Elinor, "who ever saw the place; though it is not to be supposed that any one can estimate its beauties as we do." "And had you a great many smart beaux there? I suppose you have not so many in this part of the world; for my part, I think they are a vast addition always." "But why should you think," said Lucy, looking ashamed of her sister, "that there are not as many genteel young men in Devonshire as Sussex?" "Nay, my dear, I m sure I don t pretend to say that there an t. I m sure there s a vast many smart beaux in Exeter; but you know, how could I tell what smart beaux there might be about Norland; and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For my part, I think they are vastly agreeable, provided they dress smart and behave civil. But I can t bear to see them dirty and nasty. Now there s Mr. Rose at Exeter, a prodigious smart young man, quite a beau, clerk to Mr. Simpson, you know, and yet if you do but meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better. Not so the Miss Steeles. They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was now dealt out to his fair cousins, whom they declared to be the most beautiful, elegant, accomplished, and agreeable girls they had ever beheld, and with whom they were particularly anxious to be better acquainted. And to be better acquainted therefore, Elinor soon found was their inevitable lot, for as Sir John was entirely on the side of the Miss Steeles, their party would be too strong for opposition, and that kind of intimacy must be submitted to, which consists of sitting an hour or two together in the same room almost every day. Sir John could do no more; but he did not know that any more was required: to be together was, in his opinion, to be intimate, and while his continual schemes for their meeting were effectual, he had not a doubt of their being established friends. To do him justice, he did every thing in his power to promote their unreserve, by making the Miss Steeles acquainted with whatever he knew or supposed of his cousins situations in the most delicate particulars; and Elinor had not seen them more than twice, before the eldest of them wished her joy on her sister s having been so lucky as to make a conquest of a very smart beau since she came to Barton. "Twill be a fine thing to have her married so young to be sure," said she, "and I hear he is quite a beau, and prodigious handsome. And I hope you may have as good luck yourself soon, but perhaps you may have a friend in the corner already." Elinor could not suppose that Sir John would be more nice in proclaiming his suspicions of her regard for Edward, than he had been with respect to Marianne; indeed it was rather his favourite joke of the two, as being somewhat newer and more conjectural; and since Edward s visit, they had never dined together without his drinking to her best affections with so much significancy and so many nods and winks, as to excite general attention. The letter F had been likewise invariably brought forward, and found productive of such countless jokes, that its character as the wittiest letter in the alphabet had been long established with Elinor. The Miss Steeles, as she expected, had now all the benefit of these jokes, and in the eldest of them they raised a curiosity to know the name of the gentleman alluded to, which, though often impertinently expressed, was perfectly of a piece with her general inquisitiveness into the concerns of their family. But Sir John did not sport long with the curiosity which he delighted to raise, for he had at least as much pleasure in telling the name, as Miss Steele had in hearing it. "His name is Ferrars," said he, in a very audible whisper; "but pray do not tell it, for it s a great secret." "Ferrars!" repeated Miss Steele; "Mr. Ferrars is the happy man, is he? What! your sister-in-law s brother, Miss Dashwood? a very agreeable young man to be sure; I know him very well." "How can you say so, Anne?" cried Lucy, who generally made an amendment to all her sister s assertions. "Though we have seen him once or twice at my uncle s, it is rather too much to pretend to know him very well." Elinor heard all this with attention and surprise. "And who was this uncle? Where did he live? How came they acquainted?" She wished very much to have the subject continued, though she did not chuse to join in it herself; but nothing more of it was said, and for the first time in her life, she thought Mrs. Jennings deficient either in curiosity after petty information, or in a disposition to communicate it. The manner in which Miss Steele had spoken of Edward, increased her curiosity; for it struck her as being rather ill-natured, and suggested the suspicion of that lady s knowing, or fancying herself to know something to his disadvantage. But her curiosity was unavailing, for no farther notice was taken of Mr. Ferrars s name by Miss Steele when alluded to, or even openly mentioned by Sir John.	A short pause succeeded this speech, which was first broken by Miss Steele, who seemed very much disposed for conversation, and who now said rather abruptly, "And how do you like Devonshire, Miss Dashwood? I suppose you were very sorry to leave Sussex." In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was. "Norland is a prodigious beautiful place, is not it?" added Miss Steele. "We have heard Sir John admire it excessively," said Lucy, who seemed to think some apology necessary for the freedom of her sister. "I think every one _must_ admire it," replied Elinor, "who ever saw the place; though it is not to be supposed that any one can estimate its beauties as we do." "And had you a great many smart beaux there? I suppose you have not so many in this part of the world; for my part, I think they are a vast addition always." "But why should you think," said Lucy, looking ashamed of her sister, "that there are not as many genteel young men in Devonshire as Sussex?" "Nay, my dear, I m sure I don t pretend to say that there an t. I m sure there s a vast many smart beaux in Exeter; but you know, how could I tell what smart beaux there might be about Norland; and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For my part, I think they are vastly agreeable, provided they dress smart and behave civil. But I can t bear to see them dirty and nasty. Now there s Mr. Rose at Exeter, a prodigious smart young man, quite a beau, clerk to Mr. Simpson, you know, and yet if you do but meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better. Not so the Miss Steeles. They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was now dealt out to his fair cousins, whom they declared to be the most beautiful, elegant, accomplished, and agreeable girls they had ever beheld, and with whom they were particularly anxious to be better acquainted. And to be better acquainted therefore, Elinor soon found was their inevitable lot, for as Sir John was entirely on the side of the Miss Steeles, their party would be too strong for opposition, and that kind of intimacy must be submitted to, which consists of sitting an hour or two together in the same room almost every day. Sir John could do no more; but he did not know that any more was required: to be together was, in his opinion, to be intimate, and while his continual schemes for their meeting were effectual, he had not a doubt of their being established friends. To do him justice, he did every thing in his power to promote their unreserve, by making the Miss Steeles acquainted with whatever he knew or supposed of his cousins situations in the most delicate particulars; and Elinor had not seen them more than twice, before the eldest of them wished her joy on her sister s having been so lucky as to make a conquest of a very smart beau since she came to Barton. "Twill be a fine thing to have her married so young to be sure," said she, "and I hear he is quite a beau, and prodigious handsome. And I hope you may have as good luck yourself soon, but perhaps you may have a friend in the corner already." Elinor could not suppose that Sir John would be more nice in proclaiming his suspicions of her regard for Edward, than he had been with respect to Marianne; indeed it was rather his favourite joke of the two, as being somewhat newer and more conjectural; and since Edward s visit, they had never dined together without his drinking to her best affections with so much significancy and so many nods and winks, as to excite general attention. The letter F had been likewise invariably brought forward, and found productive of such countless jokes, that its character as the wittiest letter in the alphabet had been long established with Elinor. The Miss Steeles, as she expected, had now all the benefit of these jokes, and in the eldest of them they raised a curiosity to know the name of the gentleman alluded to, which, though often impertinently expressed, was perfectly of a piece with her general inquisitiveness into the concerns of their family. But Sir John did not sport long with the curiosity which he delighted to raise, for he had at least as much pleasure	Sense And Sensibility
"I nodded. He suddenly lifted his lion's voice."	Mr. Lucian Gregory	ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as	in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he	the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and	been children in his hands." He was silent and even pale for a moment, and then resumed "But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him, What disguise will hide me from the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and murder to those women day and night, and by God! they would let me wheel their perambulators." Syme sat watching him with some respect in his large, blue eyes. "You took me in," he said. "It is really a smart dodge." Then after a pause he added "What do you	it seems majors don't do this. I was nabbed again. At last I went in despair to the President of the Central Anarchist Council, who is the greatest man in Europe." "What is his name?" asked Syme. "You would not know it," answered Gregory. "That is his greatness. Caesar and Napoleon put all their genius into being heard of, and they _were_ heard of. He puts all his genius into not being heard of, and he is not heard of. But you cannot be for five minutes in the room with him without feeling that Caesar and Napoleon would have been children in his hands." He was silent and even pale for a moment, and then resumed "But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him, What disguise will hide me from the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and murder to those women day and night, and by God! they would let me wheel their perambulators." Syme sat watching him with some respect in his large, blue eyes. "You took me in," he said. "It is really a smart dodge." Then after a pause he added "What do you call this tremendous President of yours?" "We generally call him Sunday," replied Gregory with simplicity. "You see, there are seven members of the Central Anarchist Council, and they are named after days of the week. He is called Sunday, by some of his admirers Bloody Sunday. It is curious you should mention the matter, because the very night you have dropped in (if I may so express it) is the night on which our London branch, which assembles in this room, has to elect its own deputy to fill a vacancy in the Council. The gentleman who has for some	tried all kinds of respectable disguises. I dressed up as a bishop. I read up all about bishops in our anarchist pamphlets, in _Superstition the Vampire_ and _Priests of Prey_. I certainly understood from them that bishops are strange and terrible old men keeping a cruel secret from mankind. I was misinformed. When on my first appearing in episcopal gaiters in a drawing-room I cried out in a voice of thunder, Down! down! presumptuous human reason!' they found out in some way that I was not a bishop at all. I was nabbed at once. Then I made up as a millionaire; but I defended Capital with so much intelligence that a fool could see that I was quite poor. Then I tried being a major. Now I am a humanitarian myself, but I have, I hope, enough intellectual breadth to understand the position of those who, like Nietzsche, admire violence the proud, mad war of Nature and all that, you know. I threw myself into the major. I drew my sword and waved it constantly. I called out Blood!' abstractedly, like a man calling for wine. I often said, Let the weak perish; it is the Law.' Well, well, it seems majors don't do this. I was nabbed again. At last I went in despair to the President of the Central Anarchist Council, who is the greatest man in Europe." "What is his name?" asked Syme. "You would not know it," answered Gregory. "That is his greatness. Caesar and Napoleon put all their genius into being heard of, and they _were_ heard of. He puts all his genius into not being heard of, and he is not heard of. But you cannot be for five minutes in the room with him without feeling that Caesar and Napoleon would have been children in his hands." He was silent and even pale for a moment, and then resumed "But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him, What disguise will hide me from the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and murder to those women day and night, and by God! they would let me wheel their perambulators." Syme sat watching him with some respect in his large, blue eyes. "You took me in," he said. "It is really a smart dodge." Then after a pause he added "What do you call this tremendous President of yours?" "We generally call him Sunday," replied Gregory with simplicity. "You see, there are seven members of the Central Anarchist Council, and they are named after days of the week. He is called Sunday, by some of his admirers Bloody Sunday. It is curious you should mention the matter, because the very night you have dropped in (if I may so express it) is the night on which our London branch, which assembles in this room, has to elect its own deputy to fill a vacancy in the Council. The gentleman who has for some time past played, with propriety and general applause, the difficult part of Thursday, has died quite suddenly. Consequently, we have called a meeting this very evening to elect a successor." He got to his feet and strolled across the room with a sort of smiling embarrassment. "I feel somehow as if you were my mother, Syme," he continued casually. "I feel that I can confide anything to you, as you have promised to tell nobody. In fact, I will confide to you something that I would not say in so many words to the anarchists who will be coming to the room in about ten minutes. We shall, of course, go through a form of election; but I don't mind telling you that it is practically certain what the result will be." He looked down for a moment modestly. "It is almost a settled thing that I am to be Thursday." "My dear fellow." said Syme heartily, "I congratulate you. A great career!" Gregory smiled in deprecation, and walked across the room, talking rapidly. "As a matter of fact, everything is ready for me on this table," he said, "and the ceremony will probably be the shortest possible." Syme also	as being serious?" "It does seem to have a moral under all its gaiety," assented Syme; "but may I ask you two questions? You need not fear to give me information, because, as you remember, you very wisely extorted from me a promise not to tell the police, a promise I shall certainly keep. So it is in mere curiosity that I make my queries. First of all, what is it really all about? What is it you object to? You want to abolish Government?" "To abolish God!" said Gregory, opening the eyes of a fanatic. "We do not only want to upset a few despotisms and police regulations; that sort of anarchism does exist, but it is a mere branch of the Nonconformists. We dig deeper and we blow you higher. We wish to deny all those arbitrary distinctions of vice and virtue, honour and treachery, upon which mere rebels base themselves. The silly sentimentalists of the French Revolution talked of the Rights of Man! We hate Rights as we hate Wrongs. We have abolished Right and Wrong." "And Right and Left," said Syme with a simple eagerness, "I hope you will abolish them too. They are much more troublesome to me." "You spoke of a second question," snapped Gregory. "With pleasure," resumed Syme. "In all your present acts and surroundings there is a scientific attempt at secrecy. I have an aunt who lived over a shop, but this is the first time I have found people living from preference under a public-house. You have a heavy iron door. You cannot pass it without submitting to the humiliation of calling yourself Mr. Chamberlain. You surround yourself with steel instruments which make the place, if I may say so, more impressive than homelike. May I ask why, after taking all this trouble to barricade yourselves in the bowels of the earth, you then parade your whole secret by talking about anarchism to every silly woman in Saffron Park?" Gregory smiled. "The answer is simple," he said. "I told you I was a serious anarchist, and you did not believe me. Nor do _they_ believe me. Unless I took them into this infernal room they would not believe me." Syme smoked thoughtfully, and looked at him with interest. Gregory went on. "The history of the thing might amuse you," he said. "When first I became one of the New Anarchists I tried all kinds of respectable disguises. I dressed up as a bishop. I read up all about bishops in our anarchist pamphlets, in _Superstition the Vampire_ and _Priests of Prey_. I certainly understood from them that bishops are strange and terrible old men keeping a cruel secret from mankind. I was misinformed. When on my first appearing in episcopal gaiters in a drawing-room I cried out in a voice of thunder, Down! down! presumptuous human reason!' they found out in some way that I was not a bishop at all. I was nabbed at once. Then I made up as a millionaire; but I defended Capital with so much intelligence that a fool could see that I was quite poor. Then I tried being a major. Now I am a humanitarian myself, but I have, I hope, enough intellectual breadth to understand the position of those who, like Nietzsche, admire violence the proud, mad war of Nature and all that, you know. I threw myself into the major. I drew my sword and waved it constantly. I called out Blood!' abstractedly, like a man calling for wine. I often said, Let the weak perish; it is the Law.' Well, well, it seems majors don't do this. I was nabbed again. At last I went in despair to the President of the Central Anarchist Council, who is the greatest man in Europe." "What is his name?" asked Syme. "You would not know it," answered Gregory. "That is his greatness. Caesar and Napoleon put all their genius into being heard of, and they _were_ heard of. He puts all his genius into not being heard of, and he is not heard of. But you cannot be for five minutes in the room with him without feeling that Caesar and Napoleon would have been children in his hands." He was silent and even pale for a moment, and then resumed "But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him, What disguise will hide me from the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and murder to those women day and night, and by God! they would let me wheel their perambulators." Syme sat watching him with some respect in his large, blue eyes. "You took me in," he said. "It is really a smart dodge." Then after a pause he added "What do you call this tremendous President of yours?" "We generally call him Sunday," replied Gregory with simplicity. "You see, there are seven members of the Central Anarchist Council, and they are named after days of the week. He is called Sunday, by some of his admirers Bloody Sunday. It is curious you should mention the matter, because the very night you have dropped in (if I may so express it) is the night on which our London branch, which assembles in this room, has to elect its own deputy to fill a vacancy in the Council. The gentleman who has for some time past played, with propriety and general applause, the difficult part of Thursday, has died quite suddenly. Consequently, we have called a meeting this very evening to elect a successor." He got to his feet and strolled across the room with a sort of smiling embarrassment. "I feel somehow as if you were my mother, Syme," he continued casually. "I feel that I can confide anything to you, as you have promised to tell nobody. In fact, I will confide to you something that I would not say in so many words to the anarchists who will be coming to the room in about ten minutes. We shall, of course, go through a form of election; but I don't mind telling you that it is practically certain what the result will be." He looked down for a moment modestly. "It is almost a settled thing that I am to be Thursday." "My dear fellow." said Syme heartily, "I congratulate you. A great career!" Gregory smiled in deprecation, and walked across the room, talking rapidly. "As a matter of fact, everything is ready for me on this table," he said, "and the ceremony will probably be the shortest possible." Syme also strolled across to the table, and found lying across it a walking-stick, which turned out on examination to be a sword-stick, a large Colt's revolver, a sandwich case, and a formidable flask of brandy. Over the chair, beside the table, was thrown a heavy-looking cape or cloak. "I have only to get the form of election finished," continued Gregory with animation, "then I snatch up this cloak and stick, stuff these other things into my pocket, step out of a door in this cavern, which opens on the river, where there is a steam-tug already waiting for me, and then then oh, the wild joy of being Thursday!" And he clasped his hands. Syme, who had sat down once more with his usual insolent languor, got to his feet with an unusual air of hesitation. "Why is it," he asked vaguely, "that I think you are quite a decent fellow? Why do I positively like you, Gregory?" He paused a moment, and then added with a sort of fresh curiosity, "Is it because you are such an ass?" There was a thoughtful silence again, and then he cried out "Well, damn it all! this is the funniest situation I have ever been in in my life, and I am going to act accordingly. Gregory, I gave you a promise before I came into this place. That promise I would keep under red-hot pincers. Would you give me, for my own safety, a little promise of the same kind?" "A promise?" asked Gregory, wondering. "Yes," said Syme very seriously, "a promise. I swore before God that I would not tell your secret to the police. Will you swear by Humanity, or whatever beastly thing you believe in, that you will not tell my secret to the anarchists?" "Your secret?" asked the staring Gregory. "Have you got a secret?" "Yes," said Syme, "I have a secret." Then after a pause, "Will you swear?" Gregory glared at him gravely for a few moments, and then said abruptly "You must have bewitched me, but I feel a furious curiosity about you. Yes, I will swear not to tell the anarchists anything you tell me. But look sharp, for they will be here in a couple of minutes." Syme rose slowly to his feet and thrust his long, white hands into his long, grey trousers' pockets. Almost as he did so there came five knocks	I was a serious anarchist, and you did not believe me. Nor do _they_ believe me. Unless I took them into this infernal room they would not believe me." Syme smoked thoughtfully, and looked at him with interest. Gregory went on. "The history of the thing might amuse you," he said. "When first I became one of the New Anarchists I tried all kinds of respectable disguises. I dressed up as a bishop. I read up all about bishops in our anarchist pamphlets, in _Superstition the Vampire_ and _Priests of Prey_. I certainly understood from them that bishops are strange and terrible old men keeping a cruel secret from mankind. I was misinformed. When on my first appearing in episcopal gaiters in a drawing-room I cried out in a voice of thunder, Down! down! presumptuous human reason!' they found out in some way that I was not a bishop at all. I was nabbed at once. Then I made up as a millionaire; but I defended Capital with so much intelligence that a fool could see that I was quite poor. Then I tried being a major. Now I am a humanitarian myself, but I have, I hope, enough intellectual breadth to understand the position of those who, like Nietzsche, admire violence the proud, mad war of Nature and all that, you know. I threw myself into the major. I drew my sword and waved it constantly. I called out Blood!' abstractedly, like a man calling for wine. I often said, Let the weak perish; it is the Law.' Well, well, it seems majors don't do this. I was nabbed again. At last I went in despair to the President of the Central Anarchist Council, who is the greatest man in Europe." "What is his name?" asked Syme. "You would not know it," answered Gregory. "That is his greatness. Caesar and Napoleon put all their genius into being heard of, and they _were_ heard of. He puts all his genius into not being heard of, and he is not heard of. But you cannot be for five minutes in the room with him without feeling that Caesar and Napoleon would have been children in his hands." He was silent and even pale for a moment, and then resumed "But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him, What disguise will hide me from the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and murder to those women day and night, and by God! they would let me wheel their perambulators." Syme sat watching him with some respect in his large, blue eyes. "You took me in," he said. "It is really a smart dodge." Then after a pause he added "What do you call this tremendous President of yours?" "We generally call him Sunday," replied Gregory with simplicity. "You see, there are seven members of the Central Anarchist Council, and they are named after days of the week. He is called Sunday, by some of his admirers Bloody Sunday. It is curious you should mention the matter, because the very night you have dropped in (if I may so express it) is the night on which our London branch, which assembles in this room, has to elect its own deputy to fill a vacancy in the Council. The gentleman who has for some time past played, with propriety and general applause, the difficult part of Thursday, has died quite suddenly. Consequently, we have called a meeting this very evening to elect a successor." He got to his feet and strolled across the room with a sort of smiling embarrassment. "I feel somehow as if you were my mother, Syme," he continued casually. "I feel that I can confide anything to you, as you have promised to tell nobody. In fact, I will confide to you something that I would not say in so many words to the anarchists who will be coming to the room in about ten minutes. We shall, of course, go through a form of election; but I don't mind telling you that it is practically certain what the result will be." He looked down for a moment modestly. "It is almost a settled thing that I am to be Thursday." "My dear fellow." said Syme heartily, "I congratulate you. A great career!" Gregory smiled in deprecation, and walked across the room, talking rapidly. "As a matter of fact, everything is ready for me on this table," he said, "and the ceremony will probably be the shortest possible." Syme also strolled across to the table, and found lying across it a walking-stick, which turned out on examination to be a sword-stick, a large Colt's revolver, a sandwich case, and a formidable flask of brandy. Over the chair, beside the table, was thrown a heavy-looking cape or cloak. "I have only to get the form of election finished," continued Gregory with animation, "then I snatch up this cloak and stick, stuff these other things into my pocket, step out of a door in this cavern, which opens on the river, where there is a steam-tug already waiting for me, and then then oh, the wild joy of being Thursday!" And he clasped his hands. Syme, who	The Man Who Was Thursday
"Go on,"	Katharine Hilbery	first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused,	or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard	soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are	through her fingers, while her background was made up equally of lustrous blue-and-white paint, and crimson books with gilt lines on them. The vitality and composure of her attitude, as of a bright-plumed bird poised easily before further flights, roused him to show her the limitations of her lot. So soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are writing a life of your grandfather, aren t you? And this kind of thing" he nodded towards the other room, where they could hear bursts of cultivated laughter "must take up a lot of time." She looked at him expectantly, as if between them they were decorating a small figure	you speak the truth. I don t see why you should despise us." Mr. Denham carefully sheathed the sword which the Hilberys said belonged to Clive. "I shouldn t like to be you; that s all I said," he replied, as if he were saying what he thought as accurately as he could. "No, but one never would like to be any one else." "I should. I should like to be lots of other people." "Then why not us?" Katharine asked. Denham looked at her as she sat in her grandfather s arm-chair, drawing her great-uncle s malacca cane smoothly through her fingers, while her background was made up equally of lustrous blue-and-white paint, and crimson books with gilt lines on them. The vitality and composure of her attitude, as of a bright-plumed bird poised easily before further flights, roused him to show her the limitations of her lot. So soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are writing a life of your grandfather, aren t you? And this kind of thing" he nodded towards the other room, where they could hear bursts of cultivated laughter "must take up a lot of time." She looked at him expectantly, as if between them they were decorating a small figure of herself, and she saw him hesitating in the disposition of some bow or sash. "You ve got it very nearly right," she said, "but I only help my mother. I don t write myself." "Do you do anything yourself?" he demanded. "What do you mean?" she asked. "I don t leave the house at ten and come back at six." "I don t mean that." Mr. Denham had recovered his self-control; he spoke with a quietness which made Katharine rather anxious that he should explain himself, but at the same time she wished to annoy him, to waft him	belonged to the soldier. "But aren t you proud of your family?" Katharine demanded. "No," said Denham. "We ve never done anything to be proud of unless you count paying one s bills a matter for pride." "That sounds rather dull," Katharine remarked. "You would think us horribly dull," Denham agreed. "Yes, I might find you dull, but I don t think I should find you ridiculous," Katharine added, as if Denham had actually brought that charge against her family. "No because we re not in the least ridiculous. We re a respectable middle-class family, living at Highgate." "We don t live at Highgate, but we re middle class too, I suppose." Denham merely smiled, and replacing the malacca cane on the rack, he drew a sword from its ornamental sheath. "That belonged to Clive, so we say," said Katharine, taking up her duties as hostess again automatically. "Is it a lie?" Denham inquired. "It s a family tradition. I don t know that we can prove it." "You see, we don t have traditions in our family," said Denham. "You sound very dull," Katharine remarked, for the second time. "Merely middle class," Denham replied. "You pay your bills, and you speak the truth. I don t see why you should despise us." Mr. Denham carefully sheathed the sword which the Hilberys said belonged to Clive. "I shouldn t like to be you; that s all I said," he replied, as if he were saying what he thought as accurately as he could. "No, but one never would like to be any one else." "I should. I should like to be lots of other people." "Then why not us?" Katharine asked. Denham looked at her as she sat in her grandfather s arm-chair, drawing her great-uncle s malacca cane smoothly through her fingers, while her background was made up equally of lustrous blue-and-white paint, and crimson books with gilt lines on them. The vitality and composure of her attitude, as of a bright-plumed bird poised easily before further flights, roused him to show her the limitations of her lot. So soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are writing a life of your grandfather, aren t you? And this kind of thing" he nodded towards the other room, where they could hear bursts of cultivated laughter "must take up a lot of time." She looked at him expectantly, as if between them they were decorating a small figure of herself, and she saw him hesitating in the disposition of some bow or sash. "You ve got it very nearly right," she said, "but I only help my mother. I don t write myself." "Do you do anything yourself?" he demanded. "What do you mean?" she asked. "I don t leave the house at ten and come back at six." "I don t mean that." Mr. Denham had recovered his self-control; he spoke with a quietness which made Katharine rather anxious that he should explain himself, but at the same time she wished to annoy him, to waft him away from her on some light current of ridicule or satire, as she was wont to do with these intermittent young men of her father s. "Nobody ever does do anything worth doing nowadays," she remarked. "You see" she tapped the volume of her grandfather s poems "we don t even print as well as they did, and as for poets or painters or novelists there are none; so, at any rate, I m not singular." "No, we haven t any great men," Denham replied. "I m very glad that we haven t. I hate great men. The worship of greatness in the nineteenth century seems to me to explain the worthlessness of that generation." Katharine opened her lips and drew in her breath, as if to reply with equal vigor, when the shutting of a door in the next room withdrew her attention, and they both became conscious that the voices, which had been rising and falling round the tea-table, had fallen silent; the light, even, seemed to have sunk lower. A moment later Mrs. Hilbery appeared in the doorway of the ante-room. She stood looking at them with a smile of expectancy on her face, as if a	In his spare build and thin, though healthy, cheeks, she saw tokens of an angular and acrid soul. His voice, she noticed, had a slight vibrating or creaking sound in it, as he laid down the manuscript and said: "You must be very proud of your family, Miss Hilbery." "Yes, I am," Katharine answered, and she added, "Do you think there s anything wrong in that?" "Wrong? How should it be wrong? It must be a bore, though, showing your things to visitors," he added reflectively. "Not if the visitors like them." "Isn t it difficult to live up to your ancestors?" he proceeded. "I dare say I shouldn t try to write poetry," Katharine replied. "No. And that s what I should hate. I couldn t bear my grandfather to cut me out. And, after all," Denham went on, glancing round him satirically, as Katharine thought, "it s not your grandfather only. You re cut out all the way round. I suppose you come of one of the most distinguished families in England. There are the Warburtons and the Mannings and you re related to the Otways, aren t you? I read it all in some magazine," he added. "The Otways are my cousins," Katharine replied. "Well," said Denham, in a final tone of voice, as if his argument were proved. "Well," said Katharine, "I don t see that you ve proved anything." Denham smiled, in a peculiarly provoking way. He was amused and gratified to find that he had the power to annoy his oblivious, supercilious hostess, if he could not impress her; though he would have preferred to impress her. He sat silent, holding the precious little book of poems unopened in his hands, and Katharine watched him, the melancholy or contemplative expression deepening in her eyes as her annoyance faded. She appeared to be considering many things. She had forgotten her duties. "Well," said Denham again, suddenly opening the little book of poems, as though he had said all that he meant to say or could, with propriety, say. He turned over the pages with great decision, as if he were judging the book in its entirety, the printing and paper and binding, as well as the poetry, and then, having satisfied himself of its good or bad quality, he placed it on the writing-table, and examined the malacca cane with the gold knob which had belonged to the soldier. "But aren t you proud of your family?" Katharine demanded. "No," said Denham. "We ve never done anything to be proud of unless you count paying one s bills a matter for pride." "That sounds rather dull," Katharine remarked. "You would think us horribly dull," Denham agreed. "Yes, I might find you dull, but I don t think I should find you ridiculous," Katharine added, as if Denham had actually brought that charge against her family. "No because we re not in the least ridiculous. We re a respectable middle-class family, living at Highgate." "We don t live at Highgate, but we re middle class too, I suppose." Denham merely smiled, and replacing the malacca cane on the rack, he drew a sword from its ornamental sheath. "That belonged to Clive, so we say," said Katharine, taking up her duties as hostess again automatically. "Is it a lie?" Denham inquired. "It s a family tradition. I don t know that we can prove it." "You see, we don t have traditions in our family," said Denham. "You sound very dull," Katharine remarked, for the second time. "Merely middle class," Denham replied. "You pay your bills, and you speak the truth. I don t see why you should despise us." Mr. Denham carefully sheathed the sword which the Hilberys said belonged to Clive. "I shouldn t like to be you; that s all I said," he replied, as if he were saying what he thought as accurately as he could. "No, but one never would like to be any one else." "I should. I should like to be lots of other people." "Then why not us?" Katharine asked. Denham looked at her as she sat in her grandfather s arm-chair, drawing her great-uncle s malacca cane smoothly through her fingers, while her background was made up equally of lustrous blue-and-white paint, and crimson books with gilt lines on them. The vitality and composure of her attitude, as of a bright-plumed bird poised easily before further flights, roused him to show her the limitations of her lot. So soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are writing a life of your grandfather, aren t you? And this kind of thing" he nodded towards the other room, where they could hear bursts of cultivated laughter "must take up a lot of time." She looked at him expectantly, as if between them they were decorating a small figure of herself, and she saw him hesitating in the disposition of some bow or sash. "You ve got it very nearly right," she said, "but I only help my mother. I don t write myself." "Do you do anything yourself?" he demanded. "What do you mean?" she asked. "I don t leave the house at ten and come back at six." "I don t mean that." Mr. Denham had recovered his self-control; he spoke with a quietness which made Katharine rather anxious that he should explain himself, but at the same time she wished to annoy him, to waft him away from her on some light current of ridicule or satire, as she was wont to do with these intermittent young men of her father s. "Nobody ever does do anything worth doing nowadays," she remarked. "You see" she tapped the volume of her grandfather s poems "we don t even print as well as they did, and as for poets or painters or novelists there are none; so, at any rate, I m not singular." "No, we haven t any great men," Denham replied. "I m very glad that we haven t. I hate great men. The worship of greatness in the nineteenth century seems to me to explain the worthlessness of that generation." Katharine opened her lips and drew in her breath, as if to reply with equal vigor, when the shutting of a door in the next room withdrew her attention, and they both became conscious that the voices, which had been rising and falling round the tea-table, had fallen silent; the light, even, seemed to have sunk lower. A moment later Mrs. Hilbery appeared in the doorway of the ante-room. She stood looking at them with a smile of expectancy on her face, as if a scene from the drama of the younger generation were being played for her benefit. She was a remarkable-looking woman, well advanced in the sixties, but owing to the lightness of her frame and the brightness of her eyes she seemed to have been wafted over the surface of the years without taking much harm in the passage. Her face was shrunken and aquiline, but any hint of sharpness was dispelled by the large blue eyes, at once sagacious and innocent, which seemed to regard the world with an enormous desire that it should behave itself nobly, and an entire confidence that it could do so, if it would only take the pains. Certain lines on the broad forehead and about the lips might be taken to suggest that she had known moments of some difficulty and perplexity in the course of her career, but these had not destroyed her trustfulness, and she was clearly still prepared to give every one any number of fresh chances and the whole system the benefit of the doubt. She wore a great resemblance to her father, and suggested, as he did, the fresh airs and open spaces of a younger world. "Well," she said, "how do you like our things, Mr. Denham?" Mr. Denham rose, put his book down, opened his mouth, but said nothing, as Katharine observed, with some amusement. Mrs. Hilbery handled the book he had laid down. "There are some books that _live_," she mused. "They are young with us, and they grow old with us. Are you fond of poetry, Mr. Denham? But what an absurd question to ask! The truth is, dear Mr. Fortescue has almost tired me out. He is so eloquent and so witty, so searching and so profound that, after half an hour or so, I feel inclined to turn out all the lights. But perhaps he d be more wonderful than ever in the dark. What d you think, Katharine? Shall we give a little party in complete darkness? There d have to be bright rooms for the bores...." Here Mr. Denham held out his hand. "But we ve any number of things to show you!" Mrs. Hilbery exclaimed, taking no notice of it. "Books, pictures, china, manuscripts, and the very chair that Mary Queen of Scots sat in when she heard of Darnley s murder. I must lie down for a little, and Katharine	in its entirety, the printing and paper and binding, as well as the poetry, and then, having satisfied himself of its good or bad quality, he placed it on the writing-table, and examined the malacca cane with the gold knob which had belonged to the soldier. "But aren t you proud of your family?" Katharine demanded. "No," said Denham. "We ve never done anything to be proud of unless you count paying one s bills a matter for pride." "That sounds rather dull," Katharine remarked. "You would think us horribly dull," Denham agreed. "Yes, I might find you dull, but I don t think I should find you ridiculous," Katharine added, as if Denham had actually brought that charge against her family. "No because we re not in the least ridiculous. We re a respectable middle-class family, living at Highgate." "We don t live at Highgate, but we re middle class too, I suppose." Denham merely smiled, and replacing the malacca cane on the rack, he drew a sword from its ornamental sheath. "That belonged to Clive, so we say," said Katharine, taking up her duties as hostess again automatically. "Is it a lie?" Denham inquired. "It s a family tradition. I don t know that we can prove it." "You see, we don t have traditions in our family," said Denham. "You sound very dull," Katharine remarked, for the second time. "Merely middle class," Denham replied. "You pay your bills, and you speak the truth. I don t see why you should despise us." Mr. Denham carefully sheathed the sword which the Hilberys said belonged to Clive. "I shouldn t like to be you; that s all I said," he replied, as if he were saying what he thought as accurately as he could. "No, but one never would like to be any one else." "I should. I should like to be lots of other people." "Then why not us?" Katharine asked. Denham looked at her as she sat in her grandfather s arm-chair, drawing her great-uncle s malacca cane smoothly through her fingers, while her background was made up equally of lustrous blue-and-white paint, and crimson books with gilt lines on them. The vitality and composure of her attitude, as of a bright-plumed bird poised easily before further flights, roused him to show her the limitations of her lot. So soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are writing a life of your grandfather, aren t you? And this kind of thing" he nodded towards the other room, where they could hear bursts of cultivated laughter "must take up a lot of time." She looked at him expectantly, as if between them they were decorating a small figure of herself, and she saw him hesitating in the disposition of some bow or sash. "You ve got it very nearly right," she said, "but I only help my mother. I don t write myself." "Do you do anything yourself?" he demanded. "What do you mean?" she asked. "I don t leave the house at ten and come back at six." "I don t mean that." Mr. Denham had recovered his self-control; he spoke with a quietness which made Katharine rather anxious that he should explain himself, but at the same time she wished to annoy him, to waft him away from her on some light current of ridicule or satire, as she was wont to do with these intermittent young men of her father s. "Nobody ever does do anything worth doing nowadays," she remarked. "You see" she tapped the volume of her grandfather s poems "we don t even print as well as they did, and as for poets or painters or novelists there are none; so, at any rate, I m not singular." "No, we haven t any great men," Denham replied. "I m very glad that we haven t. I hate great men. The worship of greatness in the nineteenth century seems to me to explain the worthlessness of that generation." Katharine opened her lips and drew in her breath, as if to reply with equal vigor, when the shutting of a door in the next room withdrew her attention, and they both became conscious that the voices, which had been rising and falling round the tea-table, had fallen silent; the light, even, seemed to have sunk lower. A moment later Mrs. Hilbery appeared in the doorway of the ante-room. She stood looking at them with a smile of expectancy on her face, as if a scene from the drama of the younger generation were being played for her benefit. She was a remarkable-looking woman, well advanced in the sixties, but owing to the lightness of her frame and the brightness of her eyes she seemed to have been wafted over the surface of the years without taking much harm in the	Night And Day
"If she still needs me, she's determined not to let me see it,"	Newland Archer	a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her	gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank	muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the	leave you to find that out! He's been down to Florida to see his sweetheart." "Yes, I know." She still looked at him. "I went to see your mother, to ask where you'd gone. I sent a note that you never answered, and I was afraid you were ill." He muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the silly girl on his knees! That's something like a lover--that's the way handsome Bob Spicer carried off my poor mother; and then got tired of her before I was weaned--though they only had to wait eight months for me! But there--you're not a Spicer, young man; luckily for you and	boy I've no doubt you liked to be helped first." She threw back her head with a laugh that made her chins ripple like little waves. "Ah, here's my Ellen now!" she exclaimed, as the portieres parted behind her. Madame Olenska came forward with a smile. Her face looked vivid and happy, and she held out her hand gaily to Archer while she stooped to her grandmother's kiss. "I was just saying to him, my dear: 'Now, why didn't you marry my little Ellen?'" Madame Olenska looked at Archer, still smiling. "And what did he answer?" "Oh, my darling, I leave you to find that out! He's been down to Florida to see his sweetheart." "Yes, I know." She still looked at him. "I went to see your mother, to ask where you'd gone. I sent a note that you never answered, and I was afraid you were ill." He muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the silly girl on his knees! That's something like a lover--that's the way handsome Bob Spicer carried off my poor mother; and then got tired of her before I was weaned--though they only had to wait eight months for me! But there--you're not a Spicer, young man; luckily for you and for May. It's only my poor Ellen that has kept any of their wicked blood; the rest of them are all model Mingotts," cried the old lady scornfully. Archer was aware that Madame Olenska, who had seated herself at her grandmother's side, was still thoughtfully scrutinising him. The gaiety had faded from her eyes, and she said with great gentleness: "Surely, Granny, we can persuade them between us to do as he wishes." Archer rose to go, and as his hand met Madame Olenska's he felt that she was waiting for him to make some allusion to her unanswered letter.	I built this house you'd have thought I was moving to California! Nobody ever HAD built above Fortieth Street--no, says I, nor above the Battery either, before Christopher Columbus discovered America. No, no; not one of them wants to be different; they're as scared of it as the small-pox. Ah, my dear Mr. Archer, I thank my stars I'm nothing but a vulgar Spicer; but there's not one of my own children that takes after me but my little Ellen." She broke off, still twinkling at him, and asked, with the casual irrelevance of old age: "Now, why in the world didn't you marry my little Ellen?" Archer laughed. "For one thing, she wasn't there to be married." "No--to be sure; more's the pity. And now it's too late; her life is finished." She spoke with the cold-blooded complacency of the aged throwing earth into the grave of young hopes. The young man's heart grew chill, and he said hurriedly: "Can't I persuade you to use your influence with the Wellands, Mrs. Mingott? I wasn't made for long engagements." Old Catherine beamed on him approvingly. "No; I can see that. You've got a quick eye. When you were a little boy I've no doubt you liked to be helped first." She threw back her head with a laugh that made her chins ripple like little waves. "Ah, here's my Ellen now!" she exclaimed, as the portieres parted behind her. Madame Olenska came forward with a smile. Her face looked vivid and happy, and she held out her hand gaily to Archer while she stooped to her grandmother's kiss. "I was just saying to him, my dear: 'Now, why didn't you marry my little Ellen?'" Madame Olenska looked at Archer, still smiling. "And what did he answer?" "Oh, my darling, I leave you to find that out! He's been down to Florida to see his sweetheart." "Yes, I know." She still looked at him. "I went to see your mother, to ask where you'd gone. I sent a note that you never answered, and I was afraid you were ill." He muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the silly girl on his knees! That's something like a lover--that's the way handsome Bob Spicer carried off my poor mother; and then got tired of her before I was weaned--though they only had to wait eight months for me! But there--you're not a Spicer, young man; luckily for you and for May. It's only my poor Ellen that has kept any of their wicked blood; the rest of them are all model Mingotts," cried the old lady scornfully. Archer was aware that Madame Olenska, who had seated herself at her grandmother's side, was still thoughtfully scrutinising him. The gaiety had faded from her eyes, and she said with great gentleness: "Surely, Granny, we can persuade them between us to do as he wishes." Archer rose to go, and as his hand met Madame Olenska's he felt that she was waiting for him to make some allusion to her unanswered letter. "When can I see you?" he asked, as she walked with him to the door of the room. "Whenever you like; but it must be soon if you want to see the little house again. I am moving next week." A pang shot through him at the memory of his lamplit hours in the low-studded drawing-room. Few as they had been, they were thick with memories. "Tomorrow evening?" She nodded. "Tomorrow; yes; but early. I'm going out." The next day was a Sunday, and if she were "going out" on a Sunday evening it could, of course, be only to Mrs. Lemuel Struthers's. He felt a slight movement of annoyance, not so much at her going there (for he rather liked her going where she pleased in spite of the van der Luydens), but because it was the kind of house at which she was sure to meet Beaufort, where she must have known beforehand that she would meet him--and where she was probably going for that purpose. "Very well; tomorrow evening," he repeated, inwardly resolved that he would not go early, and that by reaching her door late he would either prevent her from going to Mrs. Struthers's, or	by it; and Newland guessed that she was slightly annoyed that he should be surprised by Madame Olenska's visit. "She had on a black velvet polonaise with jet buttons, and a tiny green monkey muff; I never saw her so stylishly dressed," Janey continued. "She came alone, early on Sunday afternoon; luckily the fire was lit in the drawing-room. She had one of those new card-cases. She said she wanted to know us because you'd been so good to her." Newland laughed. "Madame Olenska always takes that tone about her friends. She's very happy at being among her own people again." "Yes, so she told us," said Mrs. Archer. "I must say she seems thankful to be here." "I hope you liked her, mother." Mrs. Archer drew her lips together. "She certainly lays herself out to please, even when she is calling on an old lady." "Mother doesn't think her simple," Janey interjected, her eyes screwed upon her brother's face. "It's just my old-fashioned feeling; dear May is my ideal," said Mrs. Archer. "Ah," said her son, "they're not alike." Archer had left St. Augustine charged with many messages for old Mrs. Mingott; and a day or two after his return to town he called on her. The old lady received him with unusual warmth; she was grateful to him for persuading the Countess Olenska to give up the idea of a divorce; and when he told her that he had deserted the office without leave, and rushed down to St. Augustine simply because he wanted to see May, she gave an adipose chuckle and patted his knee with her puff-ball hand. "Ah, ah--so you kicked over the traces, did you? And I suppose Augusta and Welland pulled long faces, and behaved as if the end of the world had come? But little May--she knew better, I'll be bound?" "I hoped she did; but after all she wouldn't agree to what I'd gone down to ask for." "Wouldn't she indeed? And what was that?" "I wanted to get her to promise that we should be married in April. What's the use of our wasting another year?" Mrs. Manson Mingott screwed up her little mouth into a grimace of mimic prudery and twinkled at him through malicious lids. "'Ask Mamma,' I suppose--the usual story. Ah, these Mingotts--all alike! Born in a rut, and you can't root 'em out of it. When I built this house you'd have thought I was moving to California! Nobody ever HAD built above Fortieth Street--no, says I, nor above the Battery either, before Christopher Columbus discovered America. No, no; not one of them wants to be different; they're as scared of it as the small-pox. Ah, my dear Mr. Archer, I thank my stars I'm nothing but a vulgar Spicer; but there's not one of my own children that takes after me but my little Ellen." She broke off, still twinkling at him, and asked, with the casual irrelevance of old age: "Now, why in the world didn't you marry my little Ellen?" Archer laughed. "For one thing, she wasn't there to be married." "No--to be sure; more's the pity. And now it's too late; her life is finished." She spoke with the cold-blooded complacency of the aged throwing earth into the grave of young hopes. The young man's heart grew chill, and he said hurriedly: "Can't I persuade you to use your influence with the Wellands, Mrs. Mingott? I wasn't made for long engagements." Old Catherine beamed on him approvingly. "No; I can see that. You've got a quick eye. When you were a little boy I've no doubt you liked to be helped first." She threw back her head with a laugh that made her chins ripple like little waves. "Ah, here's my Ellen now!" she exclaimed, as the portieres parted behind her. Madame Olenska came forward with a smile. Her face looked vivid and happy, and she held out her hand gaily to Archer while she stooped to her grandmother's kiss. "I was just saying to him, my dear: 'Now, why didn't you marry my little Ellen?'" Madame Olenska looked at Archer, still smiling. "And what did he answer?" "Oh, my darling, I leave you to find that out! He's been down to Florida to see his sweetheart." "Yes, I know." She still looked at him. "I went to see your mother, to ask where you'd gone. I sent a note that you never answered, and I was afraid you were ill." He muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the silly girl on his knees! That's something like a lover--that's the way handsome Bob Spicer carried off my poor mother; and then got tired of her before I was weaned--though they only had to wait eight months for me! But there--you're not a Spicer, young man; luckily for you and for May. It's only my poor Ellen that has kept any of their wicked blood; the rest of them are all model Mingotts," cried the old lady scornfully. Archer was aware that Madame Olenska, who had seated herself at her grandmother's side, was still thoughtfully scrutinising him. The gaiety had faded from her eyes, and she said with great gentleness: "Surely, Granny, we can persuade them between us to do as he wishes." Archer rose to go, and as his hand met Madame Olenska's he felt that she was waiting for him to make some allusion to her unanswered letter. "When can I see you?" he asked, as she walked with him to the door of the room. "Whenever you like; but it must be soon if you want to see the little house again. I am moving next week." A pang shot through him at the memory of his lamplit hours in the low-studded drawing-room. Few as they had been, they were thick with memories. "Tomorrow evening?" She nodded. "Tomorrow; yes; but early. I'm going out." The next day was a Sunday, and if she were "going out" on a Sunday evening it could, of course, be only to Mrs. Lemuel Struthers's. He felt a slight movement of annoyance, not so much at her going there (for he rather liked her going where she pleased in spite of the van der Luydens), but because it was the kind of house at which she was sure to meet Beaufort, where she must have known beforehand that she would meet him--and where she was probably going for that purpose. "Very well; tomorrow evening," he repeated, inwardly resolved that he would not go early, and that by reaching her door late he would either prevent her from going to Mrs. Struthers's, or else arrive after she had started--which, all things considered, would no doubt be the simplest solution. It was only half-past eight, after all, when he rang the bell under the wisteria; not as late as he had intended by half an hour--but a singular restlessness had driven him to her door. He reflected, however, that Mrs. Struthers's Sunday evenings were not like a ball, and that her guests, as if to minimise their delinquency, usually went early. The one thing he had not counted on, in entering Madame Olenska's hall, was to find hats and overcoats there. Why had she bidden him to come early if she was having people to dine? On a closer inspection of the garments besides which Nastasia was laying his own, his resentment gave way to curiosity. The overcoats were in fact the very strangest he had ever seen under a polite roof; and it took but a glance to assure himself that neither of them belonged to Julius Beaufort. One was a shaggy yellow ulster of "reach-me-down" cut, the other a very old and rusty cloak with a cape--something like what the French called a "Macfarlane." This garment, which appeared to be made for a person of prodigious size, had evidently seen long and hard wear, and its greenish-black folds gave out a moist sawdusty smell suggestive of prolonged sessions against bar-room walls. On it lay a ragged grey scarf and an odd felt hat of semiclerical shape. Archer raised his eyebrows enquiringly at Nastasia, who raised hers in return with a fatalistic "Gia!" as she threw open the drawing-room door. The young man saw at once that his hostess was not in the room; then, with surprise, he discovered another lady standing by the fire. This lady, who was long, lean and loosely put together, was clad in raiment intricately looped and fringed, with plaids and stripes and bands of plain colour disposed in a design to which the clue seemed missing. Her hair, which had tried to turn white and only succeeded in fading, was surmounted by a Spanish comb and black lace scarf, and silk mittens, visibly darned, covered her rheumatic hands. Beside her, in a cloud of cigar-smoke, stood the owners of the two overcoats, both in morning clothes that they had evidently not taken off since morning. In one of the two, Archer, to his surprise, recognised Ned Winsett;	that?" "I wanted to get her to promise that we should be married in April. What's the use of our wasting another year?" Mrs. Manson Mingott screwed up her little mouth into a grimace of mimic prudery and twinkled at him through malicious lids. "'Ask Mamma,' I suppose--the usual story. Ah, these Mingotts--all alike! Born in a rut, and you can't root 'em out of it. When I built this house you'd have thought I was moving to California! Nobody ever HAD built above Fortieth Street--no, says I, nor above the Battery either, before Christopher Columbus discovered America. No, no; not one of them wants to be different; they're as scared of it as the small-pox. Ah, my dear Mr. Archer, I thank my stars I'm nothing but a vulgar Spicer; but there's not one of my own children that takes after me but my little Ellen." She broke off, still twinkling at him, and asked, with the casual irrelevance of old age: "Now, why in the world didn't you marry my little Ellen?" Archer laughed. "For one thing, she wasn't there to be married." "No--to be sure; more's the pity. And now it's too late; her life is finished." She spoke with the cold-blooded complacency of the aged throwing earth into the grave of young hopes. The young man's heart grew chill, and he said hurriedly: "Can't I persuade you to use your influence with the Wellands, Mrs. Mingott? I wasn't made for long engagements." Old Catherine beamed on him approvingly. "No; I can see that. You've got a quick eye. When you were a little boy I've no doubt you liked to be helped first." She threw back her head with a laugh that made her chins ripple like little waves. "Ah, here's my Ellen now!" she exclaimed, as the portieres parted behind her. Madame Olenska came forward with a smile. Her face looked vivid and happy, and she held out her hand gaily to Archer while she stooped to her grandmother's kiss. "I was just saying to him, my dear: 'Now, why didn't you marry my little Ellen?'" Madame Olenska looked at Archer, still smiling. "And what did he answer?" "Oh, my darling, I leave you to find that out! He's been down to Florida to see his sweetheart." "Yes, I know." She still looked at him. "I went to see your mother, to ask where you'd gone. I sent a note that you never answered, and I was afraid you were ill." He muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the silly girl on his knees! That's something like a lover--that's the way handsome Bob Spicer carried off my poor mother; and then got tired of her before I was weaned--though they only had to wait eight months for me! But there--you're not a Spicer, young man; luckily for you and for May. It's only my poor Ellen that has kept any of their wicked blood; the rest of them are all model Mingotts," cried the old lady scornfully. Archer was aware that Madame Olenska, who had seated herself at her grandmother's side, was still thoughtfully scrutinising him. The gaiety had faded from her eyes, and she said with great gentleness: "Surely, Granny, we can persuade them between us to do as he wishes." Archer rose to go, and as his hand met Madame Olenska's he felt that she was waiting for him to make some allusion to her unanswered letter. "When can I see you?" he asked, as she walked with him to the door of the room. "Whenever you like; but it must be soon if you want to see the little house again. I am moving next week." A pang shot through him at the memory of his lamplit hours in the low-studded drawing-room. Few as they had been, they were thick with memories. "Tomorrow evening?" She nodded. "Tomorrow; yes; but early. I'm going out." The next day was a Sunday, and if she were "going out" on a Sunday evening it could, of course, be only to Mrs. Lemuel Struthers's. He	The Age Of Innocence
"It arn't bad,"	Jem Wimble	TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling."	a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who	them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to	"G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth. "It's all very well, Mas' Don," he said, with his mouth full; "but if he comes and says `my	they'll send to look for us, Mas' Don?" "I should say they would." "Well, somehow," said Jem, "I seem to fancy they'll think we're drowned, and never send at all. But, look here; what's all this yaller stuff?" "Sulphur." "What, brimstone? Why, so it is. Think o' their buying brimstone to lay down about their hot baths. I know!" cried Jem, slapping his thigh, "they uses it instead of coal, Mas' Don; burns it to make the water hot." "No, no, Jem; that's natural sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth. "It's all very well, Mas' Don," he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search	Mas' Don," said Jem; "I feel as fresh as a daisy, and--well, I never did! Mas' Don, what a guy you do look!" Don, after a momentary thought that he looked something like one of the old Romans in a toga, just as he had seen them in an engraving, had been so taken up with the beauty of the ferny gully, with the sun gilding here and there the steamy vapour which rose from the hot springs, that he had thought no more of his personal appearance till Jem spoke. "Guy?" he said, laughing, as he ran his eye over Jem. "I say, did you ever hear the story of the pot and the kettle?" "Yes, of course; but I say, my lad, I don't look so rum as you, do I?" "I suppose you look just about the same, Jem." "Then the sooner they gets our clothes dry and we're into 'em again, the sooner we shall look like human beings. Say, Mas' Don, it's werry awkward; you can't say anything to that big savage without him shouting `pakeha.' How shall we ask for our clothes?" "Wait," said Don. "We've got to think about getting further away." "Think they'll send to look for us, Mas' Don?" "I should say they would." "Well, somehow," said Jem, "I seem to fancy they'll think we're drowned, and never send at all. But, look here; what's all this yaller stuff?" "Sulphur." "What, brimstone? Why, so it is. Think o' their buying brimstone to lay down about their hot baths. I know!" cried Jem, slapping his thigh, "they uses it instead of coal, Mas' Don; burns it to make the water hot." "No, no, Jem; that's natural sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth. "It's all very well, Mas' Don," he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search for you," he said quickly, and then turned to Ngati and spoke a few words with the result that the chief rushed at the escaped pair, and signed to them to rise. "Yes," said the Englishman, "you had better go with him and hide for a bit. We'll let you know when they are gone." "Tell them to give us our clothes," said Jem sourly. "Yes, of course. They would tell tales," said the Englishman; and he turned again to Ngati, who sent two men out of the _whare_ to return directly with the dried garments. Ngati signed to them to follow, and he led them, by a faintly marked track, in and out among the trees and the cleared patches which formed the natives' gardens, and all the while carefully avoiding any openings through which the harbour could be seen. Every now and then he turned to speak volubly, but though he interpolated a few English words, his meaning would have been incomprehensible but for his gestures and the warnings nature kept giving of danger. For every here and there, as they wound in and out among the trees, they came upon soft, boggy places, where the ground was	Did you hear me holler?" "Hear you? Yes.--How delicious and restful it feels." "Ah, it do, my lad; but don't you let any on it get into your mouth. I did, and arn't good. But I say; what's it mean? Seems so rum to me coming to meet us in a canoe and bringing us ashore, and giving us hot baths. I don't seem to understand it. Nobody does such things over at home." As they lay in the roughly-made stone slab baths, into which the volcanic water effervesced and gurgled, the followers of Ngati came and went busily, and a curious transformation came over the scene--the darkness seemed to undergo a change and become grey. Then as Don watched, he saw that above his head quite a cloud of steam was floating, through which a pale, sad light began to penetrate; and as he watched this, so pleasant and restful was the sensation that he felt as if he could sleep, till he took into consideration the fact that if he did, his body would become relaxed, and he would slip down with his head beneath the surface. As it grew lighter rapidly now, he could make out that the roughly thatched roof was merely stretched over a rough rocky nook in which the hot spring bubbled out of the mountain slope, and here a few rough slabs had been laid together, box-fashion, to retain the water and form the bath. Before he had more than realised the fact that Jem was in a shelter very similar to his own, the huge New Zealander was back with about a dozen of his men, and himself bearing a great native flax cloth marked with a broad pattern. Just as the sun had transformed everything without, and Don was gazing on a glorious prospect of lace-like tree-fern rising out of the steaming gully in which he stood, Jem Wimble came stalking out of the shelter where he had been dressing--a very simple operation, for it had consisted in draping himself in a great unbleached cloth--and looking squat and comical as a man in his circumstances could look. Ngati was close at hand with his men all standing in a group, and at first sight it seemed as if they were laughing at the little, stoutly-built, pink-faced man, but, on the contrary, they were smiles of admiration. "I couldn't ha' believed it, Mas' Don," said Jem; "I feel as fresh as a daisy, and--well, I never did! Mas' Don, what a guy you do look!" Don, after a momentary thought that he looked something like one of the old Romans in a toga, just as he had seen them in an engraving, had been so taken up with the beauty of the ferny gully, with the sun gilding here and there the steamy vapour which rose from the hot springs, that he had thought no more of his personal appearance till Jem spoke. "Guy?" he said, laughing, as he ran his eye over Jem. "I say, did you ever hear the story of the pot and the kettle?" "Yes, of course; but I say, my lad, I don't look so rum as you, do I?" "I suppose you look just about the same, Jem." "Then the sooner they gets our clothes dry and we're into 'em again, the sooner we shall look like human beings. Say, Mas' Don, it's werry awkward; you can't say anything to that big savage without him shouting `pakeha.' How shall we ask for our clothes?" "Wait," said Don. "We've got to think about getting further away." "Think they'll send to look for us, Mas' Don?" "I should say they would." "Well, somehow," said Jem, "I seem to fancy they'll think we're drowned, and never send at all. But, look here; what's all this yaller stuff?" "Sulphur." "What, brimstone? Why, so it is. Think o' their buying brimstone to lay down about their hot baths. I know!" cried Jem, slapping his thigh, "they uses it instead of coal, Mas' Don; burns it to make the water hot." "No, no, Jem; that's natural sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth. "It's all very well, Mas' Don," he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search for you," he said quickly, and then turned to Ngati and spoke a few words with the result that the chief rushed at the escaped pair, and signed to them to rise. "Yes," said the Englishman, "you had better go with him and hide for a bit. We'll let you know when they are gone." "Tell them to give us our clothes," said Jem sourly. "Yes, of course. They would tell tales," said the Englishman; and he turned again to Ngati, who sent two men out of the _whare_ to return directly with the dried garments. Ngati signed to them to follow, and he led them, by a faintly marked track, in and out among the trees and the cleared patches which formed the natives' gardens, and all the while carefully avoiding any openings through which the harbour could be seen. Every now and then he turned to speak volubly, but though he interpolated a few English words, his meaning would have been incomprehensible but for his gestures and the warnings nature kept giving of danger. For every here and there, as they wound in and out among the trees, they came upon soft, boggy places, where the ground was hot; and as the pressure of the foot sent hissing forth a jet of steam, it was evident that a step to right or left of the narrow track meant being plunged into a pool of heated mud of unknown depth. In other places the hot mud bubbled up in rounded pools, spitting, hissing, and bursting with faint cracks that were terribly suggestive of danger. Over these heated spots the fertility and growth of the plants was astounding. They seemed to be shooting up out of a natural hothouse, but where to attempt to pass them meant a terrible and instant death. "Look out, Mas' Don! This here's what I once heard a clown say, `It's dangerous to be safe.' I say, figgerhead, arn't there no other way?" "Ship! Men! Catchee, catchee," said Ngati, in a whisper. "Hear that, Mas' Don? Any one'd think we was babbies. Ketchy, ketchy, indeed! You ask him if there arn't no other way. I don't like walking in a place that's like so much hot soup." "Be quiet, and follow. Hist! Hark!" Don stopped short, for, from a distance, came a faint hail, followed by another nearer, which seemed to be in answer. "They're arter us, sir, and if we're to be ketched I don't mean to be ketched like this." "What are you going to do, Jem?" "Do?" said Jem, unrolling his bundled-up clothes, and preparing to sit down, "make myself look like an ornery Chrishtun." "Don't sit down there, Jem!" cried Don, as Ngati gave a warning cry at the same moment, and started back. But they were too late, for Jem had chosen a delicately green mossy and ferny patch, and plumped himself down, to utter a cry of horror, and snatch at the extended hands. For the green ferny patch was a thin covering over a noisome hole full of black boiling mud, into which the poor fellow was settling as he was dragged out. "Fah!" ejaculated Jem, pinching his nose. "Here, I've had 'most enough o' this place. Nice sort o' spot this would be to turn a donkey out to graze. Why, you wouldn't find nothing but the tips of his ears to-morrow morning." Another hail rang out, and was answered in two places. "I say, Mas' Don, they're hunting for us, and we shall have to run." He made signs to the chief indicative of a desire	with about a dozen of his men, and himself bearing a great native flax cloth marked with a broad pattern. Just as the sun had transformed everything without, and Don was gazing on a glorious prospect of lace-like tree-fern rising out of the steaming gully in which he stood, Jem Wimble came stalking out of the shelter where he had been dressing--a very simple operation, for it had consisted in draping himself in a great unbleached cloth--and looking squat and comical as a man in his circumstances could look. Ngati was close at hand with his men all standing in a group, and at first sight it seemed as if they were laughing at the little, stoutly-built, pink-faced man, but, on the contrary, they were smiles of admiration. "I couldn't ha' believed it, Mas' Don," said Jem; "I feel as fresh as a daisy, and--well, I never did! Mas' Don, what a guy you do look!" Don, after a momentary thought that he looked something like one of the old Romans in a toga, just as he had seen them in an engraving, had been so taken up with the beauty of the ferny gully, with the sun gilding here and there the steamy vapour which rose from the hot springs, that he had thought no more of his personal appearance till Jem spoke. "Guy?" he said, laughing, as he ran his eye over Jem. "I say, did you ever hear the story of the pot and the kettle?" "Yes, of course; but I say, my lad, I don't look so rum as you, do I?" "I suppose you look just about the same, Jem." "Then the sooner they gets our clothes dry and we're into 'em again, the sooner we shall look like human beings. Say, Mas' Don, it's werry awkward; you can't say anything to that big savage without him shouting `pakeha.' How shall we ask for our clothes?" "Wait," said Don. "We've got to think about getting further away." "Think they'll send to look for us, Mas' Don?" "I should say they would." "Well, somehow," said Jem, "I seem to fancy they'll think we're drowned, and never send at all. But, look here; what's all this yaller stuff?" "Sulphur." "What, brimstone? Why, so it is. Think o' their buying brimstone to lay down about their hot baths. I know!" cried Jem, slapping his thigh, "they uses it instead of coal, Mas' Don; burns it to make the water hot." "No, no, Jem; that's natural sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth. "It's all very well, Mas' Don," he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search for you," he said quickly, and then turned to Ngati and spoke a few words with the result that the chief rushed at the escaped pair, and signed to them to rise. "Yes," said the Englishman, "you had better go with him and hide for a bit. We'll let you know when they are gone." "Tell them to give us our clothes," said Jem sourly. "Yes, of course. They would tell tales," said the Englishman; and he turned again to Ngati, who sent two men out of the _whare_ to return directly with the dried garments. Ngati signed to them to follow, and he led them, by a faintly marked track, in and out among the trees and the cleared patches which formed the natives' gardens, and all the while carefully avoiding any openings through which the harbour could be seen. Every now and then he turned to speak volubly, but though he interpolated a few English words, his meaning would have been incomprehensible but for his gestures and the warnings nature kept giving of danger. For every here and there, as they wound in and out among the trees, they came upon soft, boggy places, where the ground was hot; and as the pressure of the foot sent hissing forth a jet of steam, it was evident that a step to right or left of the narrow track meant being plunged into a pool of heated mud of unknown depth. In other places the hot mud bubbled up in rounded pools, spitting, hissing, and bursting with faint cracks that were terribly suggestive of danger. Over these heated spots the fertility and growth of the plants was astounding. They seemed to be shooting up out of a natural hothouse, but where to attempt to pass them meant a terrible and instant death. "Look out, Mas' Don! This here's what I once heard a clown say, `It's dangerous to be safe.' I say, figgerhead, arn't there no other way?" "Ship! Men! Catchee, catchee," said Ngati, in a whisper. "Hear that, Mas' Don? Any one'd think we was babbies. Ketchy, ketchy, indeed! You ask him if there arn't no other way. I don't like walking in a place that's like so much hot soup." "Be quiet, and follow. Hist! Hark!" Don	Don Lavington
A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.	No speaker	exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he	un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take	you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well,	my nephew," -- "I will be answerable for his appearance before the magistrates. That will be sufficient, I presume." "Yes, sir, I suppose that will do," said the constable. "But I s'pose it won't," said Mike. "He's the monkey and I'm only the cat. You've got to take him if you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well, sir, you could," said the constable, grimly; "but if you'd have in three or four of your men, and a short step ladder, we could soon carry him off." "No man sha'n't carry me off," roared Mike, as Jem ran out of the office with great alacrity, and returned in	Not now!" Lindon's heart leapt at that word "_no_!" But it sank again at the "_not now_." "But the case is awkward, sir," said the constable. "After what this man has said we shall be obliged to take some notice of the matter." "'Bliged to? Course you will. Here, bring 'im along. Come on, mate. I can tell you stories all night now about my bygones. Keep up yer sperrits, and I daresay the magistrits 'll let you off pretty easy." "If there is any charge made against my young clerk," --Don winced, for his uncle did not say, "against my nephew," -- "I will be answerable for his appearance before the magistrates. That will be sufficient, I presume." "Yes, sir, I suppose that will do," said the constable. "But I s'pose it won't," said Mike. "He's the monkey and I'm only the cat. You've got to take him if you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well, sir, you could," said the constable, grimly; "but if you'd have in three or four of your men, and a short step ladder, we could soon carry him off." "No man sha'n't carry me off," roared Mike, as Jem ran out of the office with great alacrity, and returned in a very short time with three men and a stout ladder, about nine feet long. "That's the sort, Wimble," said the constable. "Didn't think of a rope, did you?" "Did I think of two ropes?" said Jem, grinning. "Ah!" ejaculated the constable. "Now, Mike Bannock, I just warn you that any violence will make your case worse. Take my advice, get up and come quietly." "Take young Don Lavington too, then, and I will." "Get up, and walk quietly." "Not 'less you takes him." "Sorry to make a rumpus, sir," said the constable, apologetically; "but I must have him out."	a ferocious glare at Don. "All right, Mike, you tell the magistrates that," said the constable, "and don't forget." "I arn't going 'fore no magistrits," grumbled Mike. "Yes, you are," said the constable, taking a pair of handcuffs from his pocket. "Now then, is it to be quietly?" Mike made a furious gesture. "Just as you like," said the constable. "Jem Wimble, I call you in the King's name to help." "Which I just will," cried Jem, with alacrity; and he made at Mike, while Don felt a strange desire tingling in his veins as he longed to help as well. "I gives in," growled Mike. "I could chuck the whole lot on you outer winder, but I won't. It would only make it seem as if I was guilty, and it's not guilty, and so I tell you. Master says I took the money, and I says it was that young Don Lavington as is the thief. Come on, youngster. I'll talk to you when we're in the lock-up." Don looked wildly from Mike to his uncle, whose eyes were fixed on the constable. "Do you charge the boy too, sir?" Uncle Josiah was silent for some moments. "No! Not now!" Lindon's heart leapt at that word "_no_!" But it sank again at the "_not now_." "But the case is awkward, sir," said the constable. "After what this man has said we shall be obliged to take some notice of the matter." "'Bliged to? Course you will. Here, bring 'im along. Come on, mate. I can tell you stories all night now about my bygones. Keep up yer sperrits, and I daresay the magistrits 'll let you off pretty easy." "If there is any charge made against my young clerk," --Don winced, for his uncle did not say, "against my nephew," -- "I will be answerable for his appearance before the magistrates. That will be sufficient, I presume." "Yes, sir, I suppose that will do," said the constable. "But I s'pose it won't," said Mike. "He's the monkey and I'm only the cat. You've got to take him if you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well, sir, you could," said the constable, grimly; "but if you'd have in three or four of your men, and a short step ladder, we could soon carry him off." "No man sha'n't carry me off," roared Mike, as Jem ran out of the office with great alacrity, and returned in a very short time with three men and a stout ladder, about nine feet long. "That's the sort, Wimble," said the constable. "Didn't think of a rope, did you?" "Did I think of two ropes?" said Jem, grinning. "Ah!" ejaculated the constable. "Now, Mike Bannock, I just warn you that any violence will make your case worse. Take my advice, get up and come quietly." "Take young Don Lavington too, then, and I will." "Get up, and walk quietly." "Not 'less you takes him." "Sorry to make a rumpus, sir," said the constable, apologetically; "but I must have him out." "The sooner the better," said Uncle Josiah, grimly. "I am ready to go, uncle," said Don, quietly. "I am not afraid." "Hold your tongue, sir!" said the merchant, sternly; "and stand out of the way." "Now, Mike," said the constable, "this is the third time of asking. Will you come quiet?" "Take him too," cried Mike. "Ready with those ropes, Wimble. You two, ready with that there. Now, Mike Bannock, you've been asked three times, and now you've got to mount that ladder." "Any man comes a-nigh me," roared Mike, "I'll--" He did not say what, for the constable dashed at him, and by an ingenious twist avoided a savage kick, threw the scoundrel over on his face, as he lay on the floor, and sat upon him, retaining his seat in spite of his struggles. "Step the first," said the constable, coolly. "Now, Wimble, I want that ladder passed under me, so as to lie right along on his back. Do you see?" "Yes, sir," cried Jem, eagerly; and taking the ladder as the constable sat astride the prostrate scoundrel, holding down his shoulders, and easing himself up, the ladder was passed between the officer's legs, and, in spite	genelmen, and I'm sorry I didn't speak out afore like a man, for he don't deserve what I did for him." "Hah!" ejaculated Uncle Josiah, and Don's face was full of despair. "You charge Mike Bannock, then, with stealing this money, sir," said the constable. "Yes, certainly." "What?" roared Mike, savagely, "charge me?" "That will do," said the constable, taking a little staff with a brass crown on the end from his pocket. "No nonsense, or I shall call in help. In the King's name, my lad. Do you give in?" "Give in? What for? I arn't done nothing. Charge him; he's the thief." Don started as if the word _thief_ were a stinging lash. Jem loosed his hold, and with double fists dashed at the scoundrel. "You say Master Don's a thief!" "Silence, Wimble! Stand back, sir," cried Uncle Josiah, sternly. "But, sir--" "Silence, man! Am I master here?" Jem drew back muttering. "Charge him, I say," continued Mike, boisterously; "and if you won't, I will. Look here, Mr Smithers, I charge this 'ere boy with going to his uncle's desk and taking all the gold, and leaving all the silver in a little hogamee bowl." "You seem to know all about it, Mike," said the constable, grimly. "Course I do, my lad. I seed him. Caught him in the werry act, and he dropped one o' the guineas, and it run away under the desk, and he couldn't find it." "You saw all that, eh?" said the constable. "Every bit of it. I swears to it, sir." "And how came you to be in the office to see it?" "How come I in the office to see it?" said Mike, staring; "how come I in the office to see it?" "Yes. Your work's in the yard, isn't it?" "Course it is," said Mike, with plenty of effrontery; "but I heerd the money jingling like, and I went in to see." "And very kind of you too, Mike," said the constable, jocularly. "Don't you forget to tell that to the magistrates." "Magistrits? What magistrits? Master arn't going to give me in custody, I know." "Indeed, but I am, you scoundrel," cried Uncle Josiah, wrathfully. "You are one of the worst kind of thieves--" "Here, take that back, master." "Worst kind of scoundrels--dogs who bite the hand that has fed them." "I tell yer it was him," said Mike, with a ferocious glare at Don. "All right, Mike, you tell the magistrates that," said the constable, "and don't forget." "I arn't going 'fore no magistrits," grumbled Mike. "Yes, you are," said the constable, taking a pair of handcuffs from his pocket. "Now then, is it to be quietly?" Mike made a furious gesture. "Just as you like," said the constable. "Jem Wimble, I call you in the King's name to help." "Which I just will," cried Jem, with alacrity; and he made at Mike, while Don felt a strange desire tingling in his veins as he longed to help as well. "I gives in," growled Mike. "I could chuck the whole lot on you outer winder, but I won't. It would only make it seem as if I was guilty, and it's not guilty, and so I tell you. Master says I took the money, and I says it was that young Don Lavington as is the thief. Come on, youngster. I'll talk to you when we're in the lock-up." Don looked wildly from Mike to his uncle, whose eyes were fixed on the constable. "Do you charge the boy too, sir?" Uncle Josiah was silent for some moments. "No! Not now!" Lindon's heart leapt at that word "_no_!" But it sank again at the "_not now_." "But the case is awkward, sir," said the constable. "After what this man has said we shall be obliged to take some notice of the matter." "'Bliged to? Course you will. Here, bring 'im along. Come on, mate. I can tell you stories all night now about my bygones. Keep up yer sperrits, and I daresay the magistrits 'll let you off pretty easy." "If there is any charge made against my young clerk," --Don winced, for his uncle did not say, "against my nephew," -- "I will be answerable for his appearance before the magistrates. That will be sufficient, I presume." "Yes, sir, I suppose that will do," said the constable. "But I s'pose it won't," said Mike. "He's the monkey and I'm only the cat. You've got to take him if you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well, sir, you could," said the constable, grimly; "but if you'd have in three or four of your men, and a short step ladder, we could soon carry him off." "No man sha'n't carry me off," roared Mike, as Jem ran out of the office with great alacrity, and returned in a very short time with three men and a stout ladder, about nine feet long. "That's the sort, Wimble," said the constable. "Didn't think of a rope, did you?" "Did I think of two ropes?" said Jem, grinning. "Ah!" ejaculated the constable. "Now, Mike Bannock, I just warn you that any violence will make your case worse. Take my advice, get up and come quietly." "Take young Don Lavington too, then, and I will." "Get up, and walk quietly." "Not 'less you takes him." "Sorry to make a rumpus, sir," said the constable, apologetically; "but I must have him out." "The sooner the better," said Uncle Josiah, grimly. "I am ready to go, uncle," said Don, quietly. "I am not afraid." "Hold your tongue, sir!" said the merchant, sternly; "and stand out of the way." "Now, Mike," said the constable, "this is the third time of asking. Will you come quiet?" "Take him too," cried Mike. "Ready with those ropes, Wimble. You two, ready with that there. Now, Mike Bannock, you've been asked three times, and now you've got to mount that ladder." "Any man comes a-nigh me," roared Mike, "I'll--" He did not say what, for the constable dashed at him, and by an ingenious twist avoided a savage kick, threw the scoundrel over on his face, as he lay on the floor, and sat upon him, retaining his seat in spite of his struggles. "Step the first," said the constable, coolly. "Now, Wimble, I want that ladder passed under me, so as to lie right along on his back. Do you see?" "Yes, sir," cried Jem, eagerly; and taking the ladder as the constable sat astride the prostrate scoundrel, holding down his shoulders, and easing himself up, the ladder was passed between the officer's legs, and, in spite of a good deal of heaving, savage kicking, and one or two fierce attempts to bite, right along till it was upon Mike's back, projecting nearly two feet beyond his head and feet. "Murder!" yelled Mike, hoarsely. "What? Does it hurt, my lad? Never mind; you'll soon get used to it." The constable seated himself upon the ladder, whose sides and rounds thoroughly imprisoned the scoundrel in spite of his yells and struggles to get free. "Now then, Wimble, I've got him. You tie his ankles, one each side, tightly to the ladder, and one of you bind his arms same way to the ladder sides. Cut the rope. Mr Christmas will not mind." The men grinned, and set to work so handily that in a few moments Mike was securely bound. "Now then," said the constable, "I'll have one round his middle; give me a piece of rope; I'll soon do that." He seized the rope, and, without rising, rapidly secured it to one side of the ladder. "Now," he said, "raise that end." This was done, the rope passed under Mike, drawn up on the other side, hauled upon till Mike yelled for mercy, and then knotted twice. "There, my lads," said the constable, rising; "now turn him over." The ladder was seized, turned, and there lay Mike on his back, safely secured. "Here, undo these," he said, sullenly. "I'll walk." "Too late, Mike, my boy. Now then, a couple of men head and tail. Let the ladder hang at arm's length. Best have given in quietly, and not have made yourself a show, Mike." "Don't I tell you I'll walk?" growled the prisoner. "And let us have all our trouble for nothing? No, my lad, it's too late. Ready there! Up with him. Good morning, sir. March!" The men lent themselves eagerly to the task, for Mike was thoroughly disliked; and a few minutes later there was a crowd gathering and following Mike Bannock as he was borne off, spread-eagled and half tipsy, to ponder on the theft and his chances in the cold damp place known in Bristol as the lock-up. Don Lavington stood in the office, waiting for his uncle to speak. CHAPTER FIVE. A STUBBORN DISPOSITION. "Stop!" Don had taken his hat, and, seeing his uncle apparently immersed in a letter, was about to yield to his curiosity and follow the constable, when, as	scoundrel," cried Uncle Josiah, wrathfully. "You are one of the worst kind of thieves--" "Here, take that back, master." "Worst kind of scoundrels--dogs who bite the hand that has fed them." "I tell yer it was him," said Mike, with a ferocious glare at Don. "All right, Mike, you tell the magistrates that," said the constable, "and don't forget." "I arn't going 'fore no magistrits," grumbled Mike. "Yes, you are," said the constable, taking a pair of handcuffs from his pocket. "Now then, is it to be quietly?" Mike made a furious gesture. "Just as you like," said the constable. "Jem Wimble, I call you in the King's name to help." "Which I just will," cried Jem, with alacrity; and he made at Mike, while Don felt a strange desire tingling in his veins as he longed to help as well. "I gives in," growled Mike. "I could chuck the whole lot on you outer winder, but I won't. It would only make it seem as if I was guilty, and it's not guilty, and so I tell you. Master says I took the money, and I says it was that young Don Lavington as is the thief. Come on, youngster. I'll talk to you when we're in the lock-up." Don looked wildly from Mike to his uncle, whose eyes were fixed on the constable. "Do you charge the boy too, sir?" Uncle Josiah was silent for some moments. "No! Not now!" Lindon's heart leapt at that word "_no_!" But it sank again at the "_not now_." "But the case is awkward, sir," said the constable. "After what this man has said we shall be obliged to take some notice of the matter." "'Bliged to? Course you will. Here, bring 'im along. Come on, mate. I can tell you stories all night now about my bygones. Keep up yer sperrits, and I daresay the magistrits 'll let you off pretty easy." "If there is any charge made against my young clerk," --Don winced, for his uncle did not say, "against my nephew," -- "I will be answerable for his appearance before the magistrates. That will be sufficient, I presume." "Yes, sir, I suppose that will do," said the constable. "But I s'pose it won't," said Mike. "He's the monkey and I'm only the cat. You've got to take him if you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well, sir, you could," said the constable, grimly; "but if you'd have in three or four of your men, and a short step ladder, we could soon carry him off." "No man sha'n't carry me off," roared Mike, as Jem ran out of the office with great alacrity, and returned in a very short time with three men and a stout ladder, about nine feet long. "That's the sort, Wimble," said the constable. "Didn't think of a rope, did you?" "Did I think of two ropes?" said Jem, grinning. "Ah!" ejaculated the constable. "Now, Mike Bannock, I just warn you that any violence will make your case worse. Take my advice, get up and come quietly." "Take young Don Lavington too, then, and I will." "Get up, and walk quietly." "Not 'less you takes him." "Sorry to make a rumpus, sir," said the constable, apologetically; "but I must have him out." "The sooner the better," said Uncle Josiah, grimly. "I am ready to go, uncle," said Don, quietly. "I am not afraid." "Hold your tongue, sir!" said the merchant, sternly; "and stand out of the way." "Now, Mike," said the constable, "this is the third time of asking. Will you come quiet?" "Take him too," cried Mike. "Ready with those ropes, Wimble. You two, ready with that there. Now, Mike Bannock, you've been asked three times, and now you've got to mount that ladder." "Any man comes a-nigh me," roared Mike, "I'll--" He did not say what, for the constable dashed at him, and by an ingenious twist avoided a savage kick, threw the scoundrel over on his face, as he lay on the floor, and sat upon him, retaining his seat in spite of his struggles. "Step the first," said the constable, coolly. "Now, Wimble, I want that ladder passed under me, so as to lie right along on his back. Do you see?" "Yes, sir," cried Jem, eagerly; and taking the ladder as the constable sat astride	Don Lavington
retorted Brittles, plucking up a little.	No speaker	the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr.	it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly;	" but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen	word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect	"I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles," murmured the tinker. "Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he	corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise." At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles," murmured the tinker. "Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way upstairs; with the dogs in front. The two women, who were afraid to stay below, brought up the rear. By the advice of Mr. Giles, they all talked very loud, to warn any evil-disposed person outside, that they were strong in numbers; and by a master-stoke of policy, originating in the brain of the same ingenious gentleman, the dogs' tails were well pinched, in the hall, to make them bark savagely. These precautions having been taken, Mr. Giles held on fast by the tinker's arm (to prevent his running away, as he pleasantly said), and gave the word of command to open the door. Brittles obeyed; the group, peeping timorously over each other's shoulders, beheld no more formidable object than	reach. Pitying his condition, they might have compassion on him; and if they did not, it would be better, he thought, to die near human beings, than in the lonely open fields. He summoned up all his strength for one last trial, and bent his faltering steps towards it. As he drew nearer to this house, a feeling come over him that he had seen it before. He remembered nothing of its details; but the shape and aspect of the building seemed familiar to him. That garden wall! On the grass inside, he had fallen on his knees last night, and prayed the two men's mercy. It was the very house they had attempted to rob. Oliver felt such fear come over him when he recognised the place, that, for the instant, he forgot the agony of his wound, and thought only of flight. Flight! He could scarcely stand: and if he were in full possession of all the best powers of his slight and youthful frame, whither could he fly? He pushed against the garden-gate; it was unlocked, and swung open on its hinges. He tottered across the lawn; climbed the steps; knocked faintly at the door; and, his whole strength failing him, sunk down against one of the pillars of the little portico. It happened that about this time, Mr. Giles, Brittles, and the tinker, were recruiting themselves, after the fatigues and terrors of the night, with tea and sundries, in the kitchen. Not that it was Mr. Giles's habit to admit to too great familiarity the humbler servants: towards whom it was rather his wont to deport himself with a lofty affability, which, while it gratified, could not fail to remind them of his superior position in society. But, death, fires, and burglary, make all men equals; so Mr. Giles sat with his legs stretched out before the kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles, "or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise." At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles," murmured the tinker. "Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way upstairs; with the dogs in front. The two women, who were afraid to stay below, brought up the rear. By the advice of Mr. Giles, they all talked very loud, to warn any evil-disposed person outside, that they were strong in numbers; and by a master-stoke of policy, originating in the brain of the same ingenious gentleman, the dogs' tails were well pinched, in the hall, to make them bark savagely. These precautions having been taken, Mr. Giles held on fast by the tinker's arm (to prevent his running away, as he pleasantly said), and gave the word of command to open the door. Brittles obeyed; the group, peeping timorously over each other's shoulders, beheld no more formidable object than poor little Oliver Twist, speechless and exhausted, who raised his heavy eyes, and mutely solicited their compassion. "A boy!" exclaimed Mr. Giles, valiantly, pushing the tinker into the background. "What's the matter with the eh? Why Brittles look here don't you know?" Brittles, who had got behind the door to open it, no sooner saw Oliver, than he uttered a loud cry. Mr. Giles, seizing the boy by one leg and one arm (fortunately not the broken limb) lugged him straight into the hall, and deposited him at full length on the floor thereof. "Here he is!" bawled Giles, calling in a state of great excitement, up the staircase; "here's one of the thieves, ma'am! Here's a thief, miss! Wounded, miss! I shot him, miss; and Brittles held the light." "In a lantern, miss," cried Brittles, applying one hand to the side of his mouth, so that his voice might travel the better. The two women-servants ran upstairs to carry the intelligence that Mr. Giles had captured a robber; and the tinker busied himself in endeavouring to restore Oliver, lest he should die before he could be hanged. In the midst of all this noise and commotion, there was heard a sweet female voice, which quelled it in an instant. "Giles!" whispered the voice from the stair-head. "I'm here, miss," replied Mr. Giles. "Don't be frightened, miss; I ain't much injured. He didn't make a very desperate resistance, miss! I was soon too many for him." "Hush!" replied the young lady; "you frighten my aunt as much as the thieves did. Is the poor creature much hurt?" "Wounded desperate, miss," replied Giles, with indescribable complacency. "He looks as if he was a-going, miss," bawled Brittles, in the same manner as before. "Wouldn't you like to come and look at him, miss, in case he should?" "Hush, pray; there's a good man!" rejoined the lady. "Wait quietly only one instant, while I speak to aunt." With a footstep as soft and gentle as the voice, the speaker tripped away. She soon returned, with the direction that the wounded person was to be carried, carefully, upstairs to Mr. Giles's room; and that Brittles was to saddle the pony and betake himself instantly to Chertsey: from which place, he was to despatch, with all speed, a constable and doctor. "But won't you take one look at him, first, miss?" asked Mr. Giles, with	says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles," murmured the tinker. "Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way upstairs; with the dogs in front. The two women, who were afraid to stay below, brought up the rear. By the advice of Mr. Giles, they all talked very loud, to warn any evil-disposed person outside, that they were strong in numbers; and by a master-stoke of policy, originating in the brain of the same ingenious gentleman, the dogs' tails were well pinched, in the hall, to make them bark savagely. These precautions having been taken, Mr. Giles held on fast by the tinker's arm (to prevent his running away, as he pleasantly said), and gave the word of command to open the	Oliver Twist
“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”	Theign	_know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the	clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have	on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join	preoccupied, made nothing of this. “We’ve had other fish to fry, and you know the freedom I allow her.” His friend had a vivid gesture. “My dear man, I only ask to profit by it!” With which there might well have been in Lord John’s face a light of comment on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join him, that, seizing my opportunity, I have just very definitely, in fact very pressingly, spoken to Lady Grace. It hasn’t been perhaps,” he continued, “quite the pick of a chance; but that seemed never to come, and if I’m not too fondly mistaken, at any rate, she listened to me	“What the deuce is the matter with her?” Lord John took his time. “I think perhaps a little Mr. Crimble.” “And who the deuce is a little Mr. Crimble?” “A young man who was just with her--and whom she appears to have invited.” “Where is he then?” Lord Theign demanded. “Off there among the pictures--which he seems partly to have come for.” “Oh!” --it made his lordship easier. “Then he’s all right--on such a day.” His companion could none the less just wonder. “Hadn’t Lady Grace told you?” “That he was coming? Not that I remember.” But Lord Theign, perceptibly preoccupied, made nothing of this. “We’ve had other fish to fry, and you know the freedom I allow her.” His friend had a vivid gesture. “My dear man, I only ask to profit by it!” With which there might well have been in Lord John’s face a light of comment on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join him, that, seizing my opportunity, I have just very definitely, in fact very pressingly, spoken to Lady Grace. It hasn’t been perhaps,” he continued, “quite the pick of a chance; but that seemed never to come, and if I’m not too fondly mistaken, at any rate, she listened to me without abhorrence. Only I’ve led her to expect--for our case--that you’ll be so good, without loss of time, as to say the clinching word to her yourself.” “Without loss, you mean, of--a--my daughter’s time?” Lord Theign, confessedly and amiably interested, had accepted these intimations--yet with the very blandness that was not accessible to hustling and was never forgetful of its standing privilege of criticism. He had come in from his public duty, a few minutes before, somewhat flushed and blown; but that had presently dropped--to the effect, we should have guessed, of his appearing to Lord John at least as	bucket, under the stream--” “Was bound to overflow?” Lady Grace suggested. “Well, the strong recoil of the wave of intelligence has been not unnaturally followed by the formidable break. You must really,” Lord Theign insisted, “go and deal with it.” His daughter’s smile, for all this, was perceptibly cold. “You work people up, father, and then leave others to let them down.” “The two things,” he promptly replied, “require different natures.” To which he simply added, as with the habit of authority, though not of harshness, “Go!” It was absolute and she yielded; only pausing an instant to look as with a certain gathered meaning from one of the men to the other. Faintly and resignedly sighing she passed away to the terrace and disappeared. “The nature that _can_ let you down--I rather like it, you know!” Lord John threw off. Which, for an airy elegance in them, were perhaps just slightly rash words--his companion gave him so sharp a look as the two were left together. VI Face to face with his visitor the master of Dedborough betrayed the impression his daughter appeared to have given him. “She didn’t want to go?” And then before Lord John could reply: “What the deuce is the matter with her?” Lord John took his time. “I think perhaps a little Mr. Crimble.” “And who the deuce is a little Mr. Crimble?” “A young man who was just with her--and whom she appears to have invited.” “Where is he then?” Lord Theign demanded. “Off there among the pictures--which he seems partly to have come for.” “Oh!” --it made his lordship easier. “Then he’s all right--on such a day.” His companion could none the less just wonder. “Hadn’t Lady Grace told you?” “That he was coming? Not that I remember.” But Lord Theign, perceptibly preoccupied, made nothing of this. “We’ve had other fish to fry, and you know the freedom I allow her.” His friend had a vivid gesture. “My dear man, I only ask to profit by it!” With which there might well have been in Lord John’s face a light of comment on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join him, that, seizing my opportunity, I have just very definitely, in fact very pressingly, spoken to Lady Grace. It hasn’t been perhaps,” he continued, “quite the pick of a chance; but that seemed never to come, and if I’m not too fondly mistaken, at any rate, she listened to me without abhorrence. Only I’ve led her to expect--for our case--that you’ll be so good, without loss of time, as to say the clinching word to her yourself.” “Without loss, you mean, of--a--my daughter’s time?” Lord Theign, confessedly and amiably interested, had accepted these intimations--yet with the very blandness that was not accessible to hustling and was never forgetful of its standing privilege of criticism. He had come in from his public duty, a few minutes before, somewhat flushed and blown; but that had presently dropped--to the effect, we should have guessed, of his appearing to Lord John at least as cool as the occasion required. His appearance, we ourselves certainly should have felt, was in all respects charming--with the great note of it the beautiful restless, almost suspicious, challenge to you, on the part of deep and mixed things in him, his pride and his shyness, his conscience, his taste and his temper, to deny that he was admirably simple. Obviously, at this rate, he had a passion for simplicity--simplicity, above all, of relation with you, and would show you, with the last subtlety of displeasure, his impatience of your attempting anything more with himself. With such an ideal of decent ease he would, confound you, “sink” a hundred other attributes--or the recognition at least and the formulation of them--that you might abjectly have taken for granted in him: just to show you that in a beastly vulgar age you had, and small wonder, a beastly vulgar imagination. He sank thus, surely, in defiance of insistent vulgarity, half his consciousness of his advantages, flattering himself that mere facility and amiability, a true effective, a positively ideal suppression of reference in any one to anything that might complicate, alone floated above. This would be quite his religion, you might infer--to cause	you are right about your being nice, but because _he_ is!” “You mean that if I were wrong about it he would still insist that he isn’t?” Lady Grace was indeed sure. “Absolutely--if he had begun so! He began so with Kitty--that is with allowing her everything.” Lord John appeared struck. “Yes--and he still allows her two thousand.” “I’m glad to hear it--she has never told me how much!” the girl undisguisedly smiled. “Then perhaps I oughtn’t!” --he glowed with the light of contrition. “Well, you can’t help it now,” his companion remarked with amusement. “You mean that he ought to allow _you_ as much?” Lord John inquired. “I’m sure you’re right, and that he will,” he continued quite as in good faith; “but I want you to understand that I don’t care in the least what it may be!” The subject of his suit took the longest look at him she had taken yet. “You’re very good to say so!” If this was ironic the touch fell short, thanks to his perception that they had practically just ceased to be alone. They were in presence of a third figure, who had arrived from the terrace, but whose approach to them was not so immediate as to deprive Lord John of time for another question. “Will you let _him_ tell you, at all events, how good he thinks me?--and then let me come back and have it from you again?” Lady Grace’s answer to this was to turn, as he drew nearer, to the person by whom they were now joined. “Lord John desires you should tell me, father, how good you think him.” “‘Good,’ my dear?--good for what?” said Lord Theign a trifle absurdly, but looking from one of them to the other. “I feel I must ask _him_ to tell you.” “Then I shall give him a chance--as I should particularly like you to go back and deal with those overwhelming children.” “Ah, they don’t overwhelm _you_, father!” --the girl put it with some point. “If you mean to say I overwhelmed _them_, I dare say I did,” he replied-- “from my view of that vast collective gape of six hundred painfully plain and perfectly expressionless faces. But that was only for the time: I pumped advice--oh _such_ advice!--and they held the large bucket as still as my pet pointer, when I scratch him, holds his back. The bucket, under the stream--” “Was bound to overflow?” Lady Grace suggested. “Well, the strong recoil of the wave of intelligence has been not unnaturally followed by the formidable break. You must really,” Lord Theign insisted, “go and deal with it.” His daughter’s smile, for all this, was perceptibly cold. “You work people up, father, and then leave others to let them down.” “The two things,” he promptly replied, “require different natures.” To which he simply added, as with the habit of authority, though not of harshness, “Go!” It was absolute and she yielded; only pausing an instant to look as with a certain gathered meaning from one of the men to the other. Faintly and resignedly sighing she passed away to the terrace and disappeared. “The nature that _can_ let you down--I rather like it, you know!” Lord John threw off. Which, for an airy elegance in them, were perhaps just slightly rash words--his companion gave him so sharp a look as the two were left together. VI Face to face with his visitor the master of Dedborough betrayed the impression his daughter appeared to have given him. “She didn’t want to go?” And then before Lord John could reply: “What the deuce is the matter with her?” Lord John took his time. “I think perhaps a little Mr. Crimble.” “And who the deuce is a little Mr. Crimble?” “A young man who was just with her--and whom she appears to have invited.” “Where is he then?” Lord Theign demanded. “Off there among the pictures--which he seems partly to have come for.” “Oh!” --it made his lordship easier. “Then he’s all right--on such a day.” His companion could none the less just wonder. “Hadn’t Lady Grace told you?” “That he was coming? Not that I remember.” But Lord Theign, perceptibly preoccupied, made nothing of this. “We’ve had other fish to fry, and you know the freedom I allow her.” His friend had a vivid gesture. “My dear man, I only ask to profit by it!” With which there might well have been in Lord John’s face a light of comment on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join him, that, seizing my opportunity, I have just very definitely, in fact very pressingly, spoken to Lady Grace. It hasn’t been perhaps,” he continued, “quite the pick of a chance; but that seemed never to come, and if I’m not too fondly mistaken, at any rate, she listened to me without abhorrence. Only I’ve led her to expect--for our case--that you’ll be so good, without loss of time, as to say the clinching word to her yourself.” “Without loss, you mean, of--a--my daughter’s time?” Lord Theign, confessedly and amiably interested, had accepted these intimations--yet with the very blandness that was not accessible to hustling and was never forgetful of its standing privilege of criticism. He had come in from his public duty, a few minutes before, somewhat flushed and blown; but that had presently dropped--to the effect, we should have guessed, of his appearing to Lord John at least as cool as the occasion required. His appearance, we ourselves certainly should have felt, was in all respects charming--with the great note of it the beautiful restless, almost suspicious, challenge to you, on the part of deep and mixed things in him, his pride and his shyness, his conscience, his taste and his temper, to deny that he was admirably simple. Obviously, at this rate, he had a passion for simplicity--simplicity, above all, of relation with you, and would show you, with the last subtlety of displeasure, his impatience of your attempting anything more with himself. With such an ideal of decent ease he would, confound you, “sink” a hundred other attributes--or the recognition at least and the formulation of them--that you might abjectly have taken for granted in him: just to show you that in a beastly vulgar age you had, and small wonder, a beastly vulgar imagination. He sank thus, surely, in defiance of insistent vulgarity, half his consciousness of his advantages, flattering himself that mere facility and amiability, a true effective, a positively ideal suppression of reference in any one to anything that might complicate, alone floated above. This would be quite his religion, you might infer--to cause his hands to ignore in whatever contact any opportunity, however convenient, for an unfair pull. Which habit it was that must have produced in him a sort of ripe and radiant fairness; if it be allowed us, that is, to figure in so shining an air a nobleman of fifty-three, of an undecided rather than a certified frame or outline, of a head thinly though neatly covered and not measureably massive, of an almost trivial freshness, of a face marked but by a fine inwrought line or two and lighted by a merely charming expression. You might somehow have traced back the whole character so presented to an ideal privately invoked--that of his establishing in the formal garden of his suffered greatness such easy seats and short perspectives, such winding paths and natural-looking waters, as would mercifully break up the scale. You would perhaps indeed have reflected at the same time that the thought of so much mercy was almost more than anything else the thought of a great option and a great margin--in fine of fifty alternatives. Which remarks of ours, however, leave his lordship with his last immediate question on his hands. “Well, yes--_that_, of course, in all propriety,” his companion has meanwhile replied to it. “But I was thinking a little, you understand, of the importance of our own time.” Divinably Lord Theign put himself out less, as we may say, for the comparatively matter-of-course haunters of his garden than for interlopers even but slightly accredited. He seemed thus not at all to strain to “understand” in this particular connection--it would be his familiarly amusing friend Lord John, clearly, who must do most of the work for him. “‘Our own’ in the sense of yours and mine?” “Of yours and mine and Lady Imber’s, yes--and a good bit, last not least, in that of my watching and waiting mother’s.” This struck no prompt spark of apprehension from his listener, so that Lord John went on: “The last thing she did this morning was to remind me, with her fine old frankness, that she would like to learn without more delay where, on the whole question, she _is_, don’t you know? What she put to me” --the younger man felt his ground a little, but proceeded further-- “what she put to me, with her rather grand way of looking _all_ questions straight in the face, you see, was:	“What the deuce is the matter with her?” Lord John took his time. “I think perhaps a little Mr. Crimble.” “And who the deuce is a little Mr. Crimble?” “A young man who was just with her--and whom she appears to have invited.” “Where is he then?” Lord Theign demanded. “Off there among the pictures--which he seems partly to have come for.” “Oh!” --it made his lordship easier. “Then he’s all right--on such a day.” His companion could none the less just wonder. “Hadn’t Lady Grace told you?” “That he was coming? Not that I remember.” But Lord Theign, perceptibly preoccupied, made nothing of this. “We’ve had other fish to fry, and you know the freedom I allow her.” His friend had a vivid gesture. “My dear man, I only ask to profit by it!” With which there might well have been in Lord John’s face a light of comment on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join him, that, seizing my opportunity, I have just very definitely, in fact very pressingly, spoken to Lady Grace. It hasn’t been perhaps,” he continued, “quite the pick of a chance; but that seemed never to come, and if I’m not too fondly mistaken, at any rate, she listened to me without abhorrence. Only I’ve led her to expect--for our case--that you’ll be so good, without loss of time, as to say the clinching word to her yourself.” “Without loss, you mean, of--a--my daughter’s time?” Lord Theign, confessedly and amiably interested, had accepted these intimations--yet with the very blandness that was not accessible to hustling and was never forgetful of its standing privilege of criticism. He had come in from his public duty, a few minutes before, somewhat flushed and blown; but that had presently dropped--to the effect, we should have guessed, of his appearing to Lord John at least as cool as the occasion required. His appearance, we ourselves certainly should have felt, was in all respects charming--with the great note of it the beautiful restless, almost suspicious, challenge to you, on the part of deep and mixed things in him, his pride and his shyness, his conscience, his taste and his temper, to deny that he was admirably simple. Obviously, at this rate, he had a passion for simplicity--simplicity, above all, of relation with you, and would show you, with the last subtlety of displeasure, his impatience of your attempting anything more with himself. With such an ideal of decent ease he would, confound you, “sink” a hundred other attributes--or the recognition at least and the formulation of them--that you might abjectly have taken for granted in him: just to show you that in a beastly vulgar age you had, and small wonder, a beastly vulgar imagination. He sank thus, surely, in defiance of insistent vulgarity, half his consciousness of his advantages, flattering himself that mere facility and amiability, a true effective, a positively ideal suppression of reference in any one to anything that might complicate, alone floated above. This would be quite his religion, you might infer--to cause his hands to ignore in whatever contact any opportunity, however convenient, for an unfair pull. Which habit it was that must have produced in him a sort of ripe and radiant fairness; if it be allowed us, that is, to figure in so shining an air a nobleman of fifty-three, of an undecided rather than a certified frame or outline, of a head thinly though neatly covered and not measureably massive, of an almost trivial freshness, of a face marked but by a fine inwrought line or two and lighted by a merely charming expression. You might somehow have traced back the whole character so presented to an ideal privately invoked--that of his establishing in the formal garden of his suffered greatness such easy seats and short	The Outcry
"I am not able yet to-morrow."	Thomas Gradgrind	in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day,	the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after	like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed	for, he had found it necessary to employ his son at a distance for a little while. Also, that he was charged with the duty of vindicating Stephen Blackpool's memory, and declaring the thief. Mr. Bounderby quite confounded, stood stock-still in the street after his father-in-law had left him, swelling like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed down; and yet he looked a wiser man, and a better man, than in the days when in this life he wanted nothing but Facts. Before he left the room, he appointed a time for them to come to him; and so, with his gray head drooping, went away. "Dear	the crowd, and seeing nothing of him since, had supposed him to be at Stone Lodge. "I believe, father," said Louisa, "he will not come back to town to-night." Mr. Gradgrind turned away, and said no more. In the morning, he went down to the Bank himself as soon as it was opened, and seeing his son's place empty (he had not the courage to look in at first) went back along the street to meet Mr. Bounderby on his way there. To whom he said that, for reasons he would soon explain, but entreated not then to be asked for, he had found it necessary to employ his son at a distance for a little while. Also, that he was charged with the duty of vindicating Stephen Blackpool's memory, and declaring the thief. Mr. Bounderby quite confounded, stood stock-still in the street after his father-in-law had left him, swelling like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed down; and yet he looked a wiser man, and a better man, than in the days when in this life he wanted nothing but Facts. Before he left the room, he appointed a time for them to come to him; and so, with his gray head drooping, went away. "Dear father," said Louisa, when they kept their appointment, "you have three young children left. They will be different, I will be different yet, with Heaven's help." She gave her hand to Sissy, as if she meant with her help too. "Your wretched brother," said Mr. Gradgrind. "Do you think he had planned this robbery, when he went with you to the lodging?" "I fear so, father. I know he had wanted money very much, and had spent a great deal." "The poor man being about to leave the town, it came into his evil brain to cast suspicion on him?"	the fields, and down the lanes, and over the wide landscape; Rachael always holding the hand in hers. Very few whispers broke the mournful silence. It was soon a funeral procession. The star had shown him where to find the God of the poor; and through humility, and sorrow, and forgiveness, he had gone to his Redeemer's rest. CHAPTER VII WHELP-HUNTING BEFORE the ring formed round the Old Hell Shaft was broken, one figure had disappeared from within it. Mr. Bounderby and his shadow had not stood near Louisa, who held her father's arm, but in a retired place by themselves. When Mr. Gradgrind was summoned to the couch, Sissy, attentive to all that happened, slipped behind that wicked shadow a sight in the horror of his face, if there had been eyes there for any sight but one and whispered in his ear. Without turning his head, he conferred with her a few moments, and vanished. Thus the whelp had gone out of the circle before the people moved. When the father reached home, he sent a message to Mr. Bounderby's, desiring his son to come to him directly. The reply was, that Mr. Bounderby having missed him in the crowd, and seeing nothing of him since, had supposed him to be at Stone Lodge. "I believe, father," said Louisa, "he will not come back to town to-night." Mr. Gradgrind turned away, and said no more. In the morning, he went down to the Bank himself as soon as it was opened, and seeing his son's place empty (he had not the courage to look in at first) went back along the street to meet Mr. Bounderby on his way there. To whom he said that, for reasons he would soon explain, but entreated not then to be asked for, he had found it necessary to employ his son at a distance for a little while. Also, that he was charged with the duty of vindicating Stephen Blackpool's memory, and declaring the thief. Mr. Bounderby quite confounded, stood stock-still in the street after his father-in-law had left him, swelling like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed down; and yet he looked a wiser man, and a better man, than in the days when in this life he wanted nothing but Facts. Before he left the room, he appointed a time for them to come to him; and so, with his gray head drooping, went away. "Dear father," said Louisa, when they kept their appointment, "you have three young children left. They will be different, I will be different yet, with Heaven's help." She gave her hand to Sissy, as if she meant with her help too. "Your wretched brother," said Mr. Gradgrind. "Do you think he had planned this robbery, when he went with you to the lodging?" "I fear so, father. I know he had wanted money very much, and had spent a great deal." "The poor man being about to leave the town, it came into his evil brain to cast suspicion on him?" "I think it must have flashed upon him while he sat there, father. For I asked him to go there with me. The visit did not originate with him." "He had some conversation with the poor man. Did he take him aside?" "He took him out of the room. I asked him afterwards, why he had done so, and he made a plausible excuse; but since last night, father, and when I remember the circumstances by its light, I am afraid I can imagine too truly what passed between them." "Let me know," said her father, "if your thoughts present your guilty brother in the same dark view as mine." "I fear, father," hesitated Louisa, "that he must have made some representation to Stephen Blackpool perhaps in my name, perhaps in his own which induced him to do in good faith and honesty, what he had never done before, and to wait about the Bank those two or three nights before he left the town." "Too plain!" returned the father. "Too plain!" He shaded his face, and remained silent for some moments. Recovering himself, he said: "And now, how is he to be found? How is he to be saved	as oothers was t' me. But in our judgments, like as in our doins, we mun bear and forbear. In my pain an' trouble, lookin up yonder, wi' it shinin on me I ha' seen more clear, and ha' made it my dyin prayer that aw th' world may on'y coom toogether more, an' get a better unnerstan'in o' one another, than when I were in 't my own weak seln." Louisa hearing what he said, bent over him on the opposite side to Rachael, so that he could see her. "You ha' heard?" he said, after a few moments' silence. "I ha' not forgot you, ledy." "Yes, Stephen, I have heard you. And your prayer is mine." "You ha' a father. Will yo tak' a message to him?" "He is here," said Louisa, with dread. "Shall I bring him to you?" "If yo please." Louisa returned with her father. Standing hand-in-hand, they both looked down upon the solemn countenance. "Sir, yo will clear me an' mak my name good wi' aw men. This I leave to yo." Mr. Gradgrind was troubled and asked how? "Sir," was the reply: "yor son will tell yo how. Ask him. I mak no charges: I leave none ahint me: not a single word. I ha' seen an' spok'n wi' yor son, one night. I ask no more o' yo than that yo clear me an' I trust to yo to do 't." The bearers being now ready to carry him away, and the surgeon being anxious for his removal, those who had torches or lanterns, prepared to go in front of the litter. Before it was raised, and while they were arranging how to go, he said to Rachael, looking upward at the star: "Often as I coom to myseln, and found it shinin' on me down there in my trouble, I thowt it were the star as guided to Our Saviour's home. I awmust think it be the very star!" They lifted him up, and he was overjoyed to find that they were about to take him in the direction whither the star seemed to him to lead. "Rachael, beloved lass! Don't let go my hand. We may walk toogether t'night, my dear!" "I will hold thy hand, and keep beside thee, Stephen, all the way." "Bless thee! Will soombody be pleased to coover my face!" They carried him very gently along the fields, and down the lanes, and over the wide landscape; Rachael always holding the hand in hers. Very few whispers broke the mournful silence. It was soon a funeral procession. The star had shown him where to find the God of the poor; and through humility, and sorrow, and forgiveness, he had gone to his Redeemer's rest. CHAPTER VII WHELP-HUNTING BEFORE the ring formed round the Old Hell Shaft was broken, one figure had disappeared from within it. Mr. Bounderby and his shadow had not stood near Louisa, who held her father's arm, but in a retired place by themselves. When Mr. Gradgrind was summoned to the couch, Sissy, attentive to all that happened, slipped behind that wicked shadow a sight in the horror of his face, if there had been eyes there for any sight but one and whispered in his ear. Without turning his head, he conferred with her a few moments, and vanished. Thus the whelp had gone out of the circle before the people moved. When the father reached home, he sent a message to Mr. Bounderby's, desiring his son to come to him directly. The reply was, that Mr. Bounderby having missed him in the crowd, and seeing nothing of him since, had supposed him to be at Stone Lodge. "I believe, father," said Louisa, "he will not come back to town to-night." Mr. Gradgrind turned away, and said no more. In the morning, he went down to the Bank himself as soon as it was opened, and seeing his son's place empty (he had not the courage to look in at first) went back along the street to meet Mr. Bounderby on his way there. To whom he said that, for reasons he would soon explain, but entreated not then to be asked for, he had found it necessary to employ his son at a distance for a little while. Also, that he was charged with the duty of vindicating Stephen Blackpool's memory, and declaring the thief. Mr. Bounderby quite confounded, stood stock-still in the street after his father-in-law had left him, swelling like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed down; and yet he looked a wiser man, and a better man, than in the days when in this life he wanted nothing but Facts. Before he left the room, he appointed a time for them to come to him; and so, with his gray head drooping, went away. "Dear father," said Louisa, when they kept their appointment, "you have three young children left. They will be different, I will be different yet, with Heaven's help." She gave her hand to Sissy, as if she meant with her help too. "Your wretched brother," said Mr. Gradgrind. "Do you think he had planned this robbery, when he went with you to the lodging?" "I fear so, father. I know he had wanted money very much, and had spent a great deal." "The poor man being about to leave the town, it came into his evil brain to cast suspicion on him?" "I think it must have flashed upon him while he sat there, father. For I asked him to go there with me. The visit did not originate with him." "He had some conversation with the poor man. Did he take him aside?" "He took him out of the room. I asked him afterwards, why he had done so, and he made a plausible excuse; but since last night, father, and when I remember the circumstances by its light, I am afraid I can imagine too truly what passed between them." "Let me know," said her father, "if your thoughts present your guilty brother in the same dark view as mine." "I fear, father," hesitated Louisa, "that he must have made some representation to Stephen Blackpool perhaps in my name, perhaps in his own which induced him to do in good faith and honesty, what he had never done before, and to wait about the Bank those two or three nights before he left the town." "Too plain!" returned the father. "Too plain!" He shaded his face, and remained silent for some moments. Recovering himself, he said: "And now, how is he to be found? How is he to be saved from justice? In the few hours that I can possibly allow to elapse before I publish the truth, how is he to be found by us, and only by us? Ten thousand pounds could not effect it." "Sissy has effected it, father." He raised his eyes to where she stood, like a good fairy in his house, and said in a tone of softened gratitude and grateful kindness, "It is always you, my child!" "We had our fears," Sissy explained, glancing at Louisa, "before yesterday; and when I saw you brought to the side of the litter last night, and heard what passed (being close to Rachael all the time), I went to him when no one saw, and said to him," "Don't look at me. See where your father is. Escape at once, for his sake and your own!" "He was in a tremble before I whispered to him, and he started and trembled more then, and said," "Where can I go? I have very little money, and I don't know who will hide me!" "I thought of father's old circus. I have not forgotten where Mr. Sleary goes at this time of year, and I read of him in a paper only the other day. I told him to hurry there, and tell his name, and ask Mr. Sleary to hide him till I came." "I'll get to him before the morning," "he said. And I saw him shrink away among the people." "Thank Heaven!" exclaimed his father. "He may be got abroad yet." It was the more hopeful as the town to which Sissy had directed him was within three hours' journey of Liverpool, whence he could be swiftly dispatched to any part of the world. But, caution being necessary in communicating with him for there was a greater danger every moment of his being suspected now, and nobody could be sure at heart but that Mr. Bounderby himself, in a bullying vein of public zeal, might play a Roman part it was consented that Sissy and Louisa should repair to the place in question, by a circuitous course, alone; and that the unhappy father, setting forth in an opposite direction, should get round to the same bourne by another and wider route. It was further agreed that he should not present himself to Mr. Sleary, lest his intentions should be mistrusted, or the intelligence of his	awmust think it be the very star!" They lifted him up, and he was overjoyed to find that they were about to take him in the direction whither the star seemed to him to lead. "Rachael, beloved lass! Don't let go my hand. We may walk toogether t'night, my dear!" "I will hold thy hand, and keep beside thee, Stephen, all the way." "Bless thee! Will soombody be pleased to coover my face!" They carried him very gently along the fields, and down the lanes, and over the wide landscape; Rachael always holding the hand in hers. Very few whispers broke the mournful silence. It was soon a funeral procession. The star had shown him where to find the God of the poor; and through humility, and sorrow, and forgiveness, he had gone to his Redeemer's rest. CHAPTER VII WHELP-HUNTING BEFORE the ring formed round the Old Hell Shaft was broken, one figure had disappeared from within it. Mr. Bounderby and his shadow had not stood near Louisa, who held her father's arm, but in a retired place by themselves. When Mr. Gradgrind was summoned to the couch, Sissy, attentive to all that happened, slipped behind that wicked shadow a sight in the horror of his face, if there had been eyes there for any sight but one and whispered in his ear. Without turning his head, he conferred with her a few moments, and vanished. Thus the whelp had gone out of the circle before the people moved. When the father reached home, he sent a message to Mr. Bounderby's, desiring his son to come to him directly. The reply was, that Mr. Bounderby having missed him in the crowd, and seeing nothing of him since, had supposed him to be at Stone Lodge. "I believe, father," said Louisa, "he will not come back to town to-night." Mr. Gradgrind turned away, and said no more. In the morning, he went down to the Bank himself as soon as it was opened, and seeing his son's place empty (he had not the courage to look in at first) went back along the street to meet Mr. Bounderby on his way there. To whom he said that, for reasons he would soon explain, but entreated not then to be asked for, he had found it necessary to employ his son at a distance for a little while. Also, that he was charged with the duty of vindicating Stephen Blackpool's memory, and declaring the thief. Mr. Bounderby quite confounded, stood stock-still in the street after his father-in-law had left him, swelling like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed down; and yet he looked a wiser man, and a better man, than in the days when in this life he wanted nothing but Facts. Before he left the room, he appointed a time for them to come to him; and so, with his gray head drooping, went away. "Dear father," said Louisa, when they kept their appointment, "you have three young children left. They will be different, I will be different yet, with Heaven's help." She gave her hand to Sissy, as if she meant with her help too. "Your wretched brother," said Mr. Gradgrind. "Do you think he had planned this robbery, when he went with you to the lodging?" "I fear so, father. I know he had wanted money very much, and had spent a great deal." "The poor man being about to leave the town, it came into his evil brain to cast suspicion on him?" "I think it must have flashed upon him while he sat there, father. For I asked him to go there with me. The visit did not originate with him." "He had some conversation with the poor man. Did he take him aside?" "He took him out of the room. I asked him afterwards, why he had done so, and he made a plausible excuse; but since last night, father, and when I remember the circumstances by its light, I am afraid I can imagine too truly what passed between them." "Let me know," said her father, "if your thoughts present your guilty brother in the same dark view as mine." "I fear, father," hesitated Louisa, "that he must have made some representation to Stephen Blackpool perhaps in my name, perhaps in his own which induced him to do in good faith and honesty, what he had never done before, and to wait about the Bank those two or three nights before he left the town." "Too plain!" returned the father. "Too plain!" He	Hard Times
"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."	Emma	found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes	talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other	the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a	believed, would scarcely try to conceal any thing relative to the Churchills from her, excepting those views on the young man, of which her own imagination had already given her such instinctive knowledge. But at present there was nothing more to be said. Mr. Woodhouse very soon followed them into the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a great wish on the Churchills' to keep him to themselves. There is jealousy. They are jealous even of his regard for his father. In short, I can feel no dependence on his coming, and I wish Mr. Weston were less sanguine." "He ought to come," said Emma. "If he could	I am sure I never think of that poor young man without the greatest compassion. To be constantly living with an ill-tempered person, must be dreadful. It is what we happily have never known any thing of; but it must be a life of misery. What a blessing, that she never had any children! Poor little creatures, how unhappy she would have made them!" Emma wished she had been alone with Mrs. Weston. She should then have heard more: Mrs. Weston would speak to her, with a degree of unreserve which she would not hazard with Isabella; and, she really believed, would scarcely try to conceal any thing relative to the Churchills from her, excepting those views on the young man, of which her own imagination had already given her such instinctive knowledge. But at present there was nothing more to be said. Mr. Woodhouse very soon followed them into the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a great wish on the Churchills' to keep him to themselves. There is jealousy. They are jealous even of his regard for his father. In short, I can feel no dependence on his coming, and I wish Mr. Weston were less sanguine." "He ought to come," said Emma. "If he could stay only a couple of days, he ought to come; and one can hardly conceive a young man's not having it in his power to do as much as that. A young _woman_, if she fall into bad hands, may be teased, and kept at a distance from those she wants to be with; but one cannot comprehend a young _man_'s being under such restraint, as not to be able to spend a week with his father, if he likes it." "One ought to be at Enscombe, and know the ways of the family, before one decides upon what he	Weston agreed to it; but added, that she should be very glad to be secure of undergoing the anxiety of a first meeting at the time talked of: "for I cannot depend upon his coming. I cannot be so sanguine as Mr. Weston. I am very much afraid that it will all end in nothing. Mr. Weston, I dare say, has been telling you exactly how the matter stands?" "Yes--it seems to depend upon nothing but the ill-humour of Mrs. Churchill, which I imagine to be the most certain thing in the world." "My Emma!" replied Mrs. Weston, smiling, "what is the certainty of caprice?" Then turning to Isabella, who had not been attending before--" "You must know, my dear Mrs. Knightley, that we are by no means so sure of seeing Mr. Frank Churchill, in my opinion, as his father thinks. It depends entirely upon his aunt's spirits and pleasure; in short, upon her temper. To you--to my two daughters--I may venture on the truth. Mrs. Churchill rules at Enscombe, and is a very odd-tempered woman; and his coming now, depends upon her being willing to spare him." "Oh, Mrs. Churchill; every body knows Mrs. Churchill," replied Isabella: "and I am sure I never think of that poor young man without the greatest compassion. To be constantly living with an ill-tempered person, must be dreadful. It is what we happily have never known any thing of; but it must be a life of misery. What a blessing, that she never had any children! Poor little creatures, how unhappy she would have made them!" Emma wished she had been alone with Mrs. Weston. She should then have heard more: Mrs. Weston would speak to her, with a degree of unreserve which she would not hazard with Isabella; and, she really believed, would scarcely try to conceal any thing relative to the Churchills from her, excepting those views on the young man, of which her own imagination had already given her such instinctive knowledge. But at present there was nothing more to be said. Mr. Woodhouse very soon followed them into the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a great wish on the Churchills' to keep him to themselves. There is jealousy. They are jealous even of his regard for his father. In short, I can feel no dependence on his coming, and I wish Mr. Weston were less sanguine." "He ought to come," said Emma. "If he could stay only a couple of days, he ought to come; and one can hardly conceive a young man's not having it in his power to do as much as that. A young _woman_, if she fall into bad hands, may be teased, and kept at a distance from those she wants to be with; but one cannot comprehend a young _man_'s being under such restraint, as not to be able to spend a week with his father, if he likes it." "One ought to be at Enscombe, and know the ways of the family, before one decides upon what he can do," replied Mrs. Weston. "One ought to use the same caution, perhaps, in judging of the conduct of any one individual of any one family; but Enscombe, I believe, certainly must not be judged by general rules: _she_ is so very unreasonable; and every thing gives way to her." "But she is so fond of the nephew: he is so very great a favourite. Now, according to my idea of Mrs. Churchill, it would be most natural, that while she makes no sacrifice for the comfort of the husband, to whom she owes every thing, while she exercises incessant caprice towards _him_, she should frequently be governed by the nephew, to whom she owes nothing at all." "My dearest Emma, do not pretend, with your sweet temper, to understand a bad one, or to lay down rules for it: you must let it go its own way. I have no doubt of his having, at times, considerable influence; but it may be perfectly impossible for him to know beforehand _when_ it will be." Emma listened, and then coolly said, "I shall not be satisfied, unless he comes." "He may have a great deal of influence on some points," continued	do. The case, you see, is--(but this is quite between ourselves: I did not mention a syllable of it in the other room. There are secrets in all families, you know)--The case is, that a party of friends are invited to pay a visit at Enscombe in January; and that Frank's coming depends upon their being put off. If they are not put off, he cannot stir. But I know they will, because it is a family that a certain lady, of some consequence, at Enscombe, has a particular dislike to: and though it is thought necessary to invite them once in two or three years, they always are put off when it comes to the point. I have not the smallest doubt of the issue. I am as confident of seeing Frank here before the middle of January, as I am of being here myself: but your good friend there" (nodding towards the upper end of the table) "has so few vagaries herself, and has been so little used to them at Hartfield, that she cannot calculate on their effects, as I have been long in the practice of doing." "I am sorry there should be any thing like doubt in the case," replied Emma; "but am disposed to side with you, Mr. Weston. If you think he will come, I shall think so too; for you know Enscombe." "Yes--I have some right to that knowledge; though I have never been at the place in my life.--She is an odd woman!--But I never allow myself to speak ill of her, on Frank's account; for I do believe her to be very fond of him. I used to think she was not capable of being fond of any body, except herself: but she has always been kind to him (in her way--allowing for little whims and caprices, and expecting every thing to be as she likes). And it is no small credit, in my opinion, to him, that he should excite such an affection; for, though I would not say it to any body else, she has no more heart than a stone to people in general; and the devil of a temper." Emma liked the subject so well, that she began upon it, to Mrs. Weston, very soon after their moving into the drawing-room: wishing her joy--yet observing, that she knew the first meeting must be rather alarming.-- Mrs. Weston agreed to it; but added, that she should be very glad to be secure of undergoing the anxiety of a first meeting at the time talked of: "for I cannot depend upon his coming. I cannot be so sanguine as Mr. Weston. I am very much afraid that it will all end in nothing. Mr. Weston, I dare say, has been telling you exactly how the matter stands?" "Yes--it seems to depend upon nothing but the ill-humour of Mrs. Churchill, which I imagine to be the most certain thing in the world." "My Emma!" replied Mrs. Weston, smiling, "what is the certainty of caprice?" Then turning to Isabella, who had not been attending before--" "You must know, my dear Mrs. Knightley, that we are by no means so sure of seeing Mr. Frank Churchill, in my opinion, as his father thinks. It depends entirely upon his aunt's spirits and pleasure; in short, upon her temper. To you--to my two daughters--I may venture on the truth. Mrs. Churchill rules at Enscombe, and is a very odd-tempered woman; and his coming now, depends upon her being willing to spare him." "Oh, Mrs. Churchill; every body knows Mrs. Churchill," replied Isabella: "and I am sure I never think of that poor young man without the greatest compassion. To be constantly living with an ill-tempered person, must be dreadful. It is what we happily have never known any thing of; but it must be a life of misery. What a blessing, that she never had any children! Poor little creatures, how unhappy she would have made them!" Emma wished she had been alone with Mrs. Weston. She should then have heard more: Mrs. Weston would speak to her, with a degree of unreserve which she would not hazard with Isabella; and, she really believed, would scarcely try to conceal any thing relative to the Churchills from her, excepting those views on the young man, of which her own imagination had already given her such instinctive knowledge. But at present there was nothing more to be said. Mr. Woodhouse very soon followed them into the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a great wish on the Churchills' to keep him to themselves. There is jealousy. They are jealous even of his regard for his father. In short, I can feel no dependence on his coming, and I wish Mr. Weston were less sanguine." "He ought to come," said Emma. "If he could stay only a couple of days, he ought to come; and one can hardly conceive a young man's not having it in his power to do as much as that. A young _woman_, if she fall into bad hands, may be teased, and kept at a distance from those she wants to be with; but one cannot comprehend a young _man_'s being under such restraint, as not to be able to spend a week with his father, if he likes it." "One ought to be at Enscombe, and know the ways of the family, before one decides upon what he can do," replied Mrs. Weston. "One ought to use the same caution, perhaps, in judging of the conduct of any one individual of any one family; but Enscombe, I believe, certainly must not be judged by general rules: _she_ is so very unreasonable; and every thing gives way to her." "But she is so fond of the nephew: he is so very great a favourite. Now, according to my idea of Mrs. Churchill, it would be most natural, that while she makes no sacrifice for the comfort of the husband, to whom she owes every thing, while she exercises incessant caprice towards _him_, she should frequently be governed by the nephew, to whom she owes nothing at all." "My dearest Emma, do not pretend, with your sweet temper, to understand a bad one, or to lay down rules for it: you must let it go its own way. I have no doubt of his having, at times, considerable influence; but it may be perfectly impossible for him to know beforehand _when_ it will be." Emma listened, and then coolly said, "I shall not be satisfied, unless he comes." "He may have a great deal of influence on some points," continued Mrs. Weston, "and on others, very little: and among those, on which she is beyond his reach, it is but too likely, may be this very circumstance of his coming away from them to visit us." CHAPTER XV Mr. Woodhouse was soon ready for his tea; and when he had drank his tea he was quite ready to go home; and it was as much as his three companions could do, to entertain away his notice of the lateness of the hour, before the other gentlemen appeared. Mr. Weston was chatty and convivial, and no friend to early separations of any sort; but at last the drawing-room party did receive an augmentation. Mr. Elton, in very good spirits, was one of the first to walk in. Mrs. Weston and Emma were sitting together on a sofa. He joined them immediately, and, with scarcely an invitation, seated himself between them. Emma, in good spirits too, from the amusement afforded her mind by the expectation of Mr. Frank Churchill, was willing to forget his late improprieties, and be as well satisfied with him as before, and on his making Harriet his very first subject, was ready to listen with most friendly smiles. He professed himself extremely anxious about her fair friend--her fair, lovely, amiable friend. "Did she know?--had she heard any thing about her, since their being at Randalls?--he felt much anxiety--he must confess that the nature of her complaint alarmed him considerably." And in this style he talked on for some time very properly, not much attending to any answer, but altogether sufficiently awake to the terror of a bad sore throat; and Emma was quite in charity with him. But at last there seemed a perverse turn; it seemed all at once as if he were more afraid of its being a bad sore throat on her account, than on Harriet's--more anxious that she should escape the infection, than that there should be no infection in the complaint. He began with great earnestness to entreat her to refrain from visiting the sick-chamber again, for the present--to entreat her to _promise_ _him_ not to venture into such hazard till he had seen Mr. Perry and learnt his opinion; and though she tried to laugh it off and bring the subject back into its proper course, there was no putting an end to his extreme solicitude about her. She was vexed. It	nothing. Mr. Weston, I dare say, has been telling you exactly how the matter stands?" "Yes--it seems to depend upon nothing but the ill-humour of Mrs. Churchill, which I imagine to be the most certain thing in the world." "My Emma!" replied Mrs. Weston, smiling, "what is the certainty of caprice?" Then turning to Isabella, who had not been attending before--" "You must know, my dear Mrs. Knightley, that we are by no means so sure of seeing Mr. Frank Churchill, in my opinion, as his father thinks. It depends entirely upon his aunt's spirits and pleasure; in short, upon her temper. To you--to my two daughters--I may venture on the truth. Mrs. Churchill rules at Enscombe, and is a very odd-tempered woman; and his coming now, depends upon her being willing to spare him." "Oh, Mrs. Churchill; every body knows Mrs. Churchill," replied Isabella: "and I am sure I never think of that poor young man without the greatest compassion. To be constantly living with an ill-tempered person, must be dreadful. It is what we happily have never known any thing of; but it must be a life of misery. What a blessing, that she never had any children! Poor little creatures, how unhappy she would have made them!" Emma wished she had been alone with Mrs. Weston. She should then have heard more: Mrs. Weston would speak to her, with a degree of unreserve which she would not hazard with Isabella; and, she really believed, would scarcely try to conceal any thing relative to the Churchills from her, excepting those views on the young man, of which her own imagination had already given her such instinctive knowledge. But at present there was nothing more to be said. Mr. Woodhouse very soon followed them into the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a great wish on the Churchills' to keep him to themselves. There is jealousy. They are jealous even of his regard for his father. In short, I can feel no dependence on his coming, and I wish Mr. Weston were less sanguine." "He ought to come," said Emma. "If he could stay only a couple of days, he ought to come; and one can hardly conceive a young man's not having it in his power to do as much as that. A young _woman_, if she fall into bad hands, may be teased, and kept at a distance from those she wants to be with; but one cannot comprehend a young _man_'s being under such restraint, as not to be able to spend a week with his father, if he likes it." "One ought to be at Enscombe, and know the ways of the family, before one decides upon what he can do," replied Mrs. Weston. "One ought to use the same caution, perhaps, in judging of the conduct of any one individual of any one family; but Enscombe, I believe, certainly must not be judged by general rules: _she_ is so very unreasonable; and every thing gives way to her." "But she is so fond of the nephew: he is so very great a favourite. Now, according to my idea of Mrs. Churchill, it would be most natural, that while she makes no sacrifice for the comfort of the husband, to whom she owes every thing, while she exercises incessant caprice towards _him_, she should frequently be governed by the nephew, to whom she owes nothing at all." "My dearest Emma, do not pretend, with your sweet temper, to understand a bad one, or to lay down rules for it: you must let it go its own way. I have no doubt of his having, at times, considerable influence; but it may be perfectly impossible for him to know beforehand _when_ it will be." Emma listened, and then coolly said, "I shall not be satisfied, unless he comes." "He may have a great deal of influence on some points," continued Mrs. Weston, "and on others, very little: and among those, on which she is beyond his reach, it is but too likely, may be this very circumstance of his coming away from them to visit us." CHAPTER XV Mr. Woodhouse was soon ready for his tea; and when he had drank his tea	Emma
said Anne eagerly.	No speaker	"Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight,	all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give	said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said	to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't	to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her	Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed	ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so," she said frankly. "I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed of picnics, but I've never--" "Yes, I told you to come at two o'clock. And it's a quarter to three. I'd like to know why you didn't obey me, Anne." "Why, I meant to, Marilla, as much as could be. But you have no idea how fascinating Idlewild is. And then, of course, I had to tell Matthew about the picnic. Matthew is such a sympathetic listener. Please can I go?" "You'll have to learn to resist the fascination of Idle-whatever-you-call-it. When I tell you to come in at a certain time I mean that time and not half an hour later. And you needn't stop to discourse with sympathetic listeners on your way, either. As for the picnic, of course you can go. You're a Sunday-school scholar, and it's not likely I'd refuse to let you go when all the other little girls are going." "But--but," faltered Anne, "Diana says that everybody must take a basket of things to eat. I can't cook, as you know, Marilla, and--and--I don't mind going to a picnic without puffed sleeves so much, but I'd feel terribly humiliated if I had to go without a basket. It's been preying on my mind ever since Diana told me." "Well, it needn't prey any longer. I'll bake you a basket." "Oh, you dear good Marilla. Oh, you are so kind to me. Oh, I'm so much obliged to you." Getting through with her "ohs" Anne cast herself into Marilla's arms and rapturously kissed her sallow cheek. It was the first time in her whole life that childish lips had voluntarily touched Marilla's face. Again that sudden sensation of startling sweetness thrilled her. She was secretly vastly pleased at Anne's impulsive caress, which was probably the reason why she said brusquely: "There, there, never mind your kissing nonsense. I'd sooner see you doing strictly as you're told. As for cooking, I mean to begin giving you lessons in that some of these days. But you're so featherbrained, Anne, I've been waiting to see if you'd sober down a little and learn to be steady before I begin. You've got to keep your wits about you in cooking and not stop in the middle of things to let your thoughts rove all over creation. Now, get out your patchwork and have your square done before teatime." "I do _not_ like patchwork," said Anne dolefully, hunting out her	and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I	Anne Of Green Gables
cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.	No speaker	am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you	you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you	as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain	not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was	to myself, "every one seems to know about that affair. Or perhaps I am the only one who does not know about it?" "Now, now! Do not frown," continued the Grandmother. "But I do not intend to slur things over. You will take care that no harm befalls you, will you not? For you are a girl of sense, and I am sorry for you I regard you in a different light to the rest of them. And now, please, leave me. Good-bye." "But let me stay with you a little longer," said Polina. "No," replied the other; "you need not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir," he said, "my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The	I cannot make up my mind just yet. If you would let me have, say, a couple of weeks to decide in ?" "You mean that you are _not_ coming?" "I mean only that I cannot come just yet. At all events, I could not well leave my little brother and sister here, since, since if I were to leave them they would be abandoned altogether. But if, Grandmamma, you would take the little ones _and_ myself, then, of course, I could come with you, and would do all I could to serve you" (this she said with great earnestness). "Only, without the little ones I _cannot_ come." "Do not make a fuss" (as a matter of fact Polina never at any time either fussed or wept). "The Great Foster-Father" [3] "can find for all his chicks a place. You are not coming without the children? But see here, Prascovia. I wish you well, and nothing but well: yet I have divined the reason why you will not come. Yes, I know all, Prascovia. That Frenchman will never bring you good of any sort." [3] Translated literally The Great Poulterer. Polina coloured hotly, and even I started. "For," thought I to myself, "every one seems to know about that affair. Or perhaps I am the only one who does not know about it?" "Now, now! Do not frown," continued the Grandmother. "But I do not intend to slur things over. You will take care that no harm befalls you, will you not? For you are a girl of sense, and I am sorry for you I regard you in a different light to the rest of them. And now, please, leave me. Good-bye." "But let me stay with you a little longer," said Polina. "No," replied the other; "you need not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir," he said, "my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of bank-notes. "Alexis Ivanovitch," she cried, "walk on ahead, and we will set out again." "But whither, Madame?" "I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does it not?" For a moment I stood stupefied stood deep in thought; but it was not long before I had made up my mind. "With your leave, Madame," I said, "I will not go with you." "And why not? What do you mean? Is every one here a stupid good-for-nothing?" "Pardon me, but I have nothing to reproach myself with. I merely will not go. I merely intend neither to witness nor to join in your play. I also beg to return you your five hundred g lden. Farewell." Laying the money upon a little table which the Grandmother s chair happened to be passing, I bowed and withdrew. "What folly!" the Grandmother shouted after me. "Very well, then. Do not come, and I will find my way alone. Potapitch, you must come with me. Lift up the chair, and carry	and his false teeth no, not even for him to be her lacquey since she herself, they say, possesses a pile of money, and lends it on interest, and makes a good thing out of it. However, it is not _you_, Prascovia, that I am blaming; it was not _you_ who sent those telegrams. Nor, for that matter, do I wish to recall old scores. True, I know that you are a vixen by nature that you are a wasp which will sting one if one touches it yet, my heart is sore for you, for I loved your mother, Katerina. Now, will you leave everything here, and come away with me? Otherwise, I do not know what is to become of you, and it is not right that you should continue living with these people. Nay," she interposed, the moment that Polina attempted to speak, "I have not yet finished. I ask of you nothing in return. My house in Moscow is, as you know, large enough for a palace, and you could occupy a whole floor of it if you liked, and keep away from me for weeks together. Will you come with me or will you not?" "First of all, let me ask of _you_," replied Polina, "whether you are intending to depart at once?" "What? You suppose me to be jesting? I have said that I am going, and I _am_ going. Today I have squandered fifteen thousand roubles at that accursed roulette of yours, and though, five years ago, I promised the people of a certain suburb of Moscow to build them a stone church in place of a wooden one, I have been fooling away my money here! However, I am going back now to build my church." "But what about the waters, Grandmamma? Surely you came here to take the waters?" "You and your waters! Do not anger me, Prascovia. Surely you are trying to? Say, then: will you, or will you not, come with me?" "Grandmamma," Polina replied with deep feeling, "I am very, very grateful to you for the shelter which you have so kindly offered me. Also, to a certain extent you have guessed my position aright, and I am beholden to you to such an extent that it may be that I _will_ come and live with you, and that very soon; yet there are important reasons why why I cannot make up my mind just yet. If you would let me have, say, a couple of weeks to decide in ?" "You mean that you are _not_ coming?" "I mean only that I cannot come just yet. At all events, I could not well leave my little brother and sister here, since, since if I were to leave them they would be abandoned altogether. But if, Grandmamma, you would take the little ones _and_ myself, then, of course, I could come with you, and would do all I could to serve you" (this she said with great earnestness). "Only, without the little ones I _cannot_ come." "Do not make a fuss" (as a matter of fact Polina never at any time either fussed or wept). "The Great Foster-Father" [3] "can find for all his chicks a place. You are not coming without the children? But see here, Prascovia. I wish you well, and nothing but well: yet I have divined the reason why you will not come. Yes, I know all, Prascovia. That Frenchman will never bring you good of any sort." [3] Translated literally The Great Poulterer. Polina coloured hotly, and even I started. "For," thought I to myself, "every one seems to know about that affair. Or perhaps I am the only one who does not know about it?" "Now, now! Do not frown," continued the Grandmother. "But I do not intend to slur things over. You will take care that no harm befalls you, will you not? For you are a girl of sense, and I am sorry for you I regard you in a different light to the rest of them. And now, please, leave me. Good-bye." "But let me stay with you a little longer," said Polina. "No," replied the other; "you need not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir," he said, "my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of bank-notes. "Alexis Ivanovitch," she cried, "walk on ahead, and we will set out again." "But whither, Madame?" "I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does it not?" For a moment I stood stupefied stood deep in thought; but it was not long before I had made up my mind. "With your leave, Madame," I said, "I will not go with you." "And why not? What do you mean? Is every one here a stupid good-for-nothing?" "Pardon me, but I have nothing to reproach myself with. I merely will not go. I merely intend neither to witness nor to join in your play. I also beg to return you your five hundred g lden. Farewell." Laying the money upon a little table which the Grandmother s chair happened to be passing, I bowed and withdrew. "What folly!" the Grandmother shouted after me. "Very well, then. Do not come, and I will find my way alone. Potapitch, you must come with me. Lift up the chair, and carry me along." I failed to find Mr. Astley, and returned home. It was now growing late it was past midnight, but I subsequently learnt from Potapitch how the Grandmother s day had ended. She had lost all the money which, earlier in the day, I had got for her paper securities a sum amounting to about ten thousand roubles. This she did under the direction of the Pole whom, that afternoon, she had dowered with two ten-g lden pieces. But before his arrival on the scene, she had commanded Potapitch to stake for her; until at length she had told him also to go about his business. Upon that the Pole had leapt into the breach. Not only did it happen that he knew the Russian language, but also he could speak a mixture of three different dialects, so that the pair were able to understand one another. Yet the old lady never ceased to abuse him, despite his deferential manner, and to compare him unfavourably with myself (so, at all events, Potapitch declared). "_You_," the old chamberlain said to me, "treated her as a gentleman should, but he he robbed her right and left, as I could see with my own eyes. Twice she caught him at it, and rated him soundly. On one occasion she even pulled his hair, so that the bystanders burst out laughing. Yet she lost everything, sir that is to say, she lost all that you had changed for her. Then we brought her home, and, after asking for some water and saying her prayers, she went to bed. So worn out was she that she fell asleep at once. May God send her dreams of angels! And _this_ is all that foreign travel has done for us! Oh, my own Moscow! For what have we not at home there, in Moscow? Such a garden and flowers as you could never see here, and fresh air and apple-trees coming into blossom, and a beautiful view to look upon. Ah, but what must she do but go travelling abroad? Alack, alack!" XIII Almost a month has passed since I last touched these notes notes which I began under the influence of impressions at once poignant and disordered. The crisis which I then felt to be approaching has now arrived, but in a form a hundred times more extensive and unexpected than I had looked for.	make up my mind just yet. If you would let me have, say, a couple of weeks to decide in ?" "You mean that you are _not_ coming?" "I mean only that I cannot come just yet. At all events, I could not well leave my little brother and sister here, since, since if I were to leave them they would be abandoned altogether. But if, Grandmamma, you would take the little ones _and_ myself, then, of course, I could come with you, and would do all I could to serve you" (this she said with great earnestness). "Only, without the little ones I _cannot_ come." "Do not make a fuss" (as a matter of fact Polina never at any time either fussed or wept). "The Great Foster-Father" [3] "can find for all his chicks a place. You are not coming without the children? But see here, Prascovia. I wish you well, and nothing but well: yet I have divined the reason why you will not come. Yes, I know all, Prascovia. That Frenchman will never bring you good of any sort." [3] Translated literally The Great Poulterer. Polina coloured hotly, and even I started. "For," thought I to myself, "every one seems to know about that affair. Or perhaps I am the only one who does not know about it?" "Now, now! Do not frown," continued the Grandmother. "But I do not intend to slur things over. You will take care that no harm befalls you, will you not? For you are a girl of sense, and I am sorry for you I regard you in a different light to the rest of them. And now, please, leave me. Good-bye." "But let me stay with you a little longer," said Polina. "No," replied the other; "you need not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir," he said, "my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of bank-notes. "Alexis Ivanovitch," she cried, "walk on ahead, and we will set out again." "But whither, Madame?" "I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does it not?" For a moment I stood stupefied stood deep in thought; but it was not long before I had made up my mind. "With your leave, Madame," I said, "I will not go with you." "And why not? What do you mean? Is every one here a stupid good-for-nothing?" "Pardon me, but I have nothing to reproach myself with. I merely will not go. I merely intend neither to witness nor to join in your play. I also beg to return you your five hundred g lden. Farewell." Laying the money upon a little table which the Grandmother s chair happened to be passing, I bowed and withdrew. "What folly!" the Grandmother shouted after me. "Very well, then. Do not come, and I will find my way alone. Potapitch, you must come with me. Lift up the chair, and carry me along." I failed to find Mr. Astley, and returned home. It was now growing late it was past midnight, but I subsequently learnt from Potapitch how the Grandmother s day had ended. She had lost all the money which, earlier in the day, I had got for her paper securities a sum amounting to about ten thousand roubles. This she did under the direction of the Pole whom, that afternoon, she had dowered with two ten-g lden pieces. But before his arrival on the scene, she had commanded Potapitch to stake for her; until at length she had	The Gambler
He looked at Mary Cavendish.	No speaker	come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She	no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right,	awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or	out into the passage, for the servants must not find her where she is. But it is too late! Already footsteps are echoing along the gallery which connects the two wings. What can she do? Quick as thought, she hurries back to the young girl's room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also.	given." I shot a quick glance at Mary. She was very pale, but smiling. "I proceeded to reason on that assumption. Mrs. Cavendish is in her mother-in-law's room. We will say that she is seeking for something and has not yet found it. Suddenly Mrs. Inglethorp awakens and is seized with an alarming paroxysm. She flings out her arm, overturning the bed table, and then pulls desperately at the bell. Mrs. Cavendish, startled, drops her candle, scattering the grease on the carpet. She picks it up, and retreats quickly to Mademoiselle Cynthia's room, closing the door behind her. She hurries out into the passage, for the servants must not find her where she is. But it is too late! Already footsteps are echoing along the gallery which connects the two wings. What can she do? Quick as thought, she hurries back to the young girl's room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also. "No," he said quietly. "There is only one person who could possibly have destroyed that will Mrs. Inglethorp herself!" "Impossible!" I exclaimed. "She had only made it out that very afternoon!" "Nevertheless, _mon ami_, it was Mrs. Inglethorp. Because, in no other way can you account for the fact that, on one of the hottest days of the year, Mrs. Inglethorp ordered a fire to be lighted in her room." I gave a gasp. What idiots we had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees	only her word for it, since it was she who tried that particular door and reported it fastened. In the ensuing confusion she would have had ample opportunity to shoot the bolt across. I took an early opportunity of verifying my conjectures. To begin with, the fragment corresponds exactly with a tear in Mrs. Cavendish's armlet. Also, at the inquest, Mrs. Cavendish declared that she had heard, from her own room, the fall of the table by the bed. I took an early opportunity of testing that statement by stationing my friend Monsieur Hastings in the left wing of the building, just outside Mrs. Cavendish's door. I myself, in company with the police, went to the deceased's room, and whilst there I, apparently accidentally, knocked over the table in question, but found that, as I had expected, Monsieur Hastings had heard no sound at all. This confirmed my belief that Mrs. Cavendish was not speaking the truth when she declared that she had been dressing in her room at the time of the tragedy. In fact, I was convinced that, far from having been in her own room, Mrs. Cavendish was actually in the deceased's room when the alarm was given." I shot a quick glance at Mary. She was very pale, but smiling. "I proceeded to reason on that assumption. Mrs. Cavendish is in her mother-in-law's room. We will say that she is seeking for something and has not yet found it. Suddenly Mrs. Inglethorp awakens and is seized with an alarming paroxysm. She flings out her arm, overturning the bed table, and then pulls desperately at the bell. Mrs. Cavendish, startled, drops her candle, scattering the grease on the carpet. She picks it up, and retreats quickly to Mademoiselle Cynthia's room, closing the door behind her. She hurries out into the passage, for the servants must not find her where she is. But it is too late! Already footsteps are echoing along the gallery which connects the two wings. What can she do? Quick as thought, she hurries back to the young girl's room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also. "No," he said quietly. "There is only one person who could possibly have destroyed that will Mrs. Inglethorp herself!" "Impossible!" I exclaimed. "She had only made it out that very afternoon!" "Nevertheless, _mon ami_, it was Mrs. Inglethorp. Because, in no other way can you account for the fact that, on one of the hottest days of the year, Mrs. Inglethorp ordered a fire to be lighted in her room." I gave a gasp. What idiots we had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees in the shade. Yet Mrs. Inglethorp ordered a fire! Why? Because she wished to destroy something, and could think of no other way. You will remember that, in consequence of the War economics practiced at Styles, no waste paper was thrown away. There was therefore no means of destroying a thick document such as a will. The moment I heard of a fire being lighted in Mrs. Inglethorp's room, I leaped to the conclusion that it was to destroy some important document possibly a will. So the discovery of the charred fragment in the grate was no surprise to me. I did not, of course, know at the time that the will in question had only been made this afternoon, and I will admit that, when I learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will." "Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint.	prolonged hooting outside drove us to the window, to see Poirot alighting from a car, accompanied by Japp and Summerhaye. The little man was transformed. He radiated an absurd complacency. He bowed with exaggerated respect to Mary Cavendish. "Madame, I have your permission to hold a little _r union_ in the _salon_? It is necessary for everyone to attend." Mary smiled sadly. "You know, Monsieur Poirot, that you have _carte blanche_ in every way." "You are too amiable, madame." Still beaming, Poirot marshalled us all into the drawing-room, bringing forward chairs as he did so. "Miss Howard here. Mademoiselle Cynthia. Monsieur Lawrence. The good Dorcas. And Annie. _Bien!_ We must delay our proceedings a few minutes until Mr. Inglethorp arrives. I have sent him a note." Miss Howard rose immediately from her seat. "If that man comes into the house, I leave it!" "No, no!" Poirot went up to her and pleaded in a low voice. Finally Miss Howard consented to return to her chair. A few minutes later Alfred Inglethorp entered the room. The company once assembled, Poirot rose from his seat with the air of a popular lecturer, and bowed politely to his audience. "_Messieurs, mesdames_, as you all know, I was called in by Monsieur John Cavendish to investigate this case. I at once examined the bedroom of the deceased which, by the advice of the doctors, had been kept locked, and was consequently exactly as it had been when the tragedy occurred. I found: first, a fragment of green material; second, a stain on the carpet near the window, still damp; thirdly, an empty box of bromide powders." "To take the fragment of green material first, I found it caught in the bolt of the communicating door between that room and the adjoining one occupied by Mademoiselle Cynthia. I handed the fragment over to the police who did not consider it of much importance. Nor did they recognize it for what it was a piece torn from a green land armlet." There was a little stir of excitement. "Now there was only one person at Styles who worked on the land Mrs. Cavendish. Therefore it must have been Mrs. Cavendish who entered the deceased's room through the door communicating with Mademoiselle Cynthia's room." "But that door was bolted on the inside!" I cried. "When I examined the room, yes. But in the first place we have only her word for it, since it was she who tried that particular door and reported it fastened. In the ensuing confusion she would have had ample opportunity to shoot the bolt across. I took an early opportunity of verifying my conjectures. To begin with, the fragment corresponds exactly with a tear in Mrs. Cavendish's armlet. Also, at the inquest, Mrs. Cavendish declared that she had heard, from her own room, the fall of the table by the bed. I took an early opportunity of testing that statement by stationing my friend Monsieur Hastings in the left wing of the building, just outside Mrs. Cavendish's door. I myself, in company with the police, went to the deceased's room, and whilst there I, apparently accidentally, knocked over the table in question, but found that, as I had expected, Monsieur Hastings had heard no sound at all. This confirmed my belief that Mrs. Cavendish was not speaking the truth when she declared that she had been dressing in her room at the time of the tragedy. In fact, I was convinced that, far from having been in her own room, Mrs. Cavendish was actually in the deceased's room when the alarm was given." I shot a quick glance at Mary. She was very pale, but smiling. "I proceeded to reason on that assumption. Mrs. Cavendish is in her mother-in-law's room. We will say that she is seeking for something and has not yet found it. Suddenly Mrs. Inglethorp awakens and is seized with an alarming paroxysm. She flings out her arm, overturning the bed table, and then pulls desperately at the bell. Mrs. Cavendish, startled, drops her candle, scattering the grease on the carpet. She picks it up, and retreats quickly to Mademoiselle Cynthia's room, closing the door behind her. She hurries out into the passage, for the servants must not find her where she is. But it is too late! Already footsteps are echoing along the gallery which connects the two wings. What can she do? Quick as thought, she hurries back to the young girl's room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also. "No," he said quietly. "There is only one person who could possibly have destroyed that will Mrs. Inglethorp herself!" "Impossible!" I exclaimed. "She had only made it out that very afternoon!" "Nevertheless, _mon ami_, it was Mrs. Inglethorp. Because, in no other way can you account for the fact that, on one of the hottest days of the year, Mrs. Inglethorp ordered a fire to be lighted in her room." I gave a gasp. What idiots we had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees in the shade. Yet Mrs. Inglethorp ordered a fire! Why? Because she wished to destroy something, and could think of no other way. You will remember that, in consequence of the War economics practiced at Styles, no waste paper was thrown away. There was therefore no means of destroying a thick document such as a will. The moment I heard of a fire being lighted in Mrs. Inglethorp's room, I leaped to the conclusion that it was to destroy some important document possibly a will. So the discovery of the charred fragment in the grate was no surprise to me. I did not, of course, know at the time that the will in question had only been made this afternoon, and I will admit that, when I learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will." "Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:" You need not think that any fear of publicity, or scandal between husband and wife will deter me." "I conjectured, and conjectured rightly, that these words were addressed, not to her husband, but to Mr. John Cavendish. At five o'clock, an hour later, she uses almost the same words, but the standpoint is different. She admits to Dorcas," I don't know what to do; scandal between husband and wife is a dreadful thing.' "At four o'clock she has been angry, but completely mistress of herself. At five o'clock she is in violent distress, and speaks of having had a great shock." "Looking at the matter psychologically, I drew one deduction which I was convinced was correct. The second scandal' she spoke of was not the same as the first and it concerned herself!" "Let us reconstruct. At four o'clock, Mrs. Inglethorp quarrels with her son, and threatens to denounce him to his wife who, by the way, overheard the greater part of the conversation. At four-thirty, Mrs. Inglethorp, in consequence of a conversation on the validity of wills, makes a will in favour of her husband, which the two gardeners witness. At five o'clock, Dorcas finds her mistress in a state of considerable agitation, with a slip of paper a letter,' Dorcas thinks in her hand, and it is then that she orders the fire in her room to be lighted. Presumably, then, between four-thirty and five o'clock, something has occurred to occasion a complete revolution of feeling, since she is now as anxious to destroy the will, as she was before to make it. What was that something?" "As far as we know, she was quite alone during that half-hour. Nobody entered or left that boudoir. What then occasioned this sudden change of sentiment?" "One can only guess, but I believe my guess to be correct. Mrs. Inglethorp had no stamps in her desk. We know this, because later she asked Dorcas to bring her some. Now in the opposite corner of the room stood her husband's desk locked. She was anxious to find some stamps, and, according to my theory, she tried her own keys in the desk. That one of them fitted I know. She therefore opened the desk, and in searching for the stamps she came across something else that slip of paper which Dorcas saw	room at the time of the tragedy. In fact, I was convinced that, far from having been in her own room, Mrs. Cavendish was actually in the deceased's room when the alarm was given." I shot a quick glance at Mary. She was very pale, but smiling. "I proceeded to reason on that assumption. Mrs. Cavendish is in her mother-in-law's room. We will say that she is seeking for something and has not yet found it. Suddenly Mrs. Inglethorp awakens and is seized with an alarming paroxysm. She flings out her arm, overturning the bed table, and then pulls desperately at the bell. Mrs. Cavendish, startled, drops her candle, scattering the grease on the carpet. She picks it up, and retreats quickly to Mademoiselle Cynthia's room, closing the door behind her. She hurries out into the passage, for the servants must not find her where she is. But it is too late! Already footsteps are echoing along the gallery which connects the two wings. What can she do? Quick as thought, she hurries back to the young girl's room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also. "No," he said quietly. "There is only one person who could possibly have destroyed that will Mrs. Inglethorp herself!" "Impossible!" I exclaimed. "She had only made it out that very afternoon!" "Nevertheless, _mon ami_, it was Mrs. Inglethorp. Because, in no other way can you account for the fact that, on one of the hottest days of the year, Mrs. Inglethorp ordered a fire to be lighted in her room." I gave a gasp. What idiots we had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees in the shade. Yet Mrs. Inglethorp ordered a fire! Why? Because she wished to destroy something, and could think of no other way. You will remember that, in consequence of the War economics practiced at Styles, no waste paper was thrown away. There was therefore no means of destroying a thick document such as a will. The moment I heard of a fire being lighted in Mrs. Inglethorp's room, I leaped to the conclusion that it was to destroy some important document possibly a will. So the discovery of the charred fragment in the grate was no surprise to me. I did not, of course, know at the time that the will in question had only been made this afternoon, and I will admit that, when I learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will." "Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:" You need not think that any fear of publicity, or scandal between husband and wife will deter me." "I conjectured, and conjectured rightly, that these words were addressed, not to her husband, but to Mr. John Cavendish. At five o'clock, an hour later, she uses almost the same words, but the standpoint is different. She admits to Dorcas," I don't know what to do; scandal between husband and wife is a dreadful thing.' "At four o'clock she has been angry, but completely mistress of herself. At	The Mysterious Affair At Styles
"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"	Ralph Denham	the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing	wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren	engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession."	know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose	that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose I have an opinion" she hesitated. He controlled his wish to ask her to explain herself, and much to his pleasure she went on, appearing to search her mind. "I thought that you criticized me perhaps disliked me. I thought of you as a person who judges" "No; I m a person who feels," he said, in a low voice. "Tell me, then, what has made you do this?" she asked, after a break. He told her in an orderly way, betokening careful preparation, all that he had meant to say at first; how he stood with regard to his	plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose I have an opinion" she hesitated. He controlled his wish to ask her to explain herself, and much to his pleasure she went on, appearing to search her mind. "I thought that you criticized me perhaps disliked me. I thought of you as a person who judges" "No; I m a person who feels," he said, in a low voice. "Tell me, then, what has made you do this?" she asked, after a break. He told her in an orderly way, betokening careful preparation, all that he had meant to say at first; how he stood with regard to his brothers and sisters; what his mother had said, and his sister Joan had refrained from saying; exactly how many pounds stood in his name at the bank; what prospect his brother had of earning a livelihood in America; how much of their income went on rent, and other details known to him by heart. She listened to all this, so that she could have passed an examination in it by the time Waterloo Bridge was in sight; and yet she was no more listening to it than she was counting the paving-stones at her feet. She was feeling happier than she had felt in her life. If Denham could have seen how visibly books of algebraic symbols, pages all speckled with dots and dashes and twisted bars, came before her eyes as they trod the Embankment, his secret joy in her attention might have been dispersed. She went on, saying, "Yes, I see.... But how would that help you?... Your brother has passed his examination?" so sensibly, that he had constantly to keep his brain in check; and all the time she was in fancy looking up through a telescope at white shadow-cleft disks which were other worlds, until she	come to such a pass that, unless I can speak to you openly, I believe I shall go mad. I think of you as the most beautiful, the truest thing in the world," he continued, filled with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment: "She told you that I had asked her to marry me, I suppose?" "No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose I have an opinion" she hesitated. He controlled his wish to ask her to explain herself, and much to his pleasure she went on, appearing to search her mind. "I thought that you criticized me perhaps disliked me. I thought of you as a person who judges" "No; I m a person who feels," he said, in a low voice. "Tell me, then, what has made you do this?" she asked, after a break. He told her in an orderly way, betokening careful preparation, all that he had meant to say at first; how he stood with regard to his brothers and sisters; what his mother had said, and his sister Joan had refrained from saying; exactly how many pounds stood in his name at the bank; what prospect his brother had of earning a livelihood in America; how much of their income went on rent, and other details known to him by heart. She listened to all this, so that she could have passed an examination in it by the time Waterloo Bridge was in sight; and yet she was no more listening to it than she was counting the paving-stones at her feet. She was feeling happier than she had felt in her life. If Denham could have seen how visibly books of algebraic symbols, pages all speckled with dots and dashes and twisted bars, came before her eyes as they trod the Embankment, his secret joy in her attention might have been dispersed. She went on, saying, "Yes, I see.... But how would that help you?... Your brother has passed his examination?" so sensibly, that he had constantly to keep his brain in check; and all the time she was in fancy looking up through a telescope at white shadow-cleft disks which were other worlds, until she felt herself possessed of two bodies, one walking by the river with Denham, the other concentrated to a silver globe aloft in the fine blue space above the scum of vapors that was covering the visible world. She looked at the sky once, and saw that no star was keen enough to pierce the flight of watery clouds now coursing rapidly before the west wind. She looked down hurriedly again. There was no reason, she assured herself, for this feeling of happiness; she was not free; she was not alone; she was still bound to earth by a million fibres; every step took her nearer home. Nevertheless, she exulted as she had never exulted before. The air was fresher, the lights more distinct, the cold stone of the balustrade colder and harder, when by chance or purpose she struck her hand against it. No feeling of annoyance with Denham remained; he certainly did not hinder any flight she might choose to make, whether in the direction of the sky or of her home; but that her condition was due to him, or to anything that he had said, she had no consciousness at all. They were now within sight of the stream of cabs and omnibuses crossing to and from the Surrey side of the river; the sound of the traffic, the hooting of motor-horns, and the light chime of tram-bells sounded more and more distinctly, and, with the increase of noise, they both became silent. With a common instinct they slackened their pace, as if to lengthen the time of semi-privacy allowed them. To Ralph, the pleasure of these last yards of the walk with Katharine was so great that he could not look beyond the present moment to the time when she should have left him. He had no wish to use the last moments of their companionship in adding fresh words to what he had already said. Since they had stopped talking, she had become to him not so much a real person, as the very woman he dreamt of; but his solitary dreams had never produced any such keenness of sensation as that which he felt in her presence. He himself was also strangely transfigured. He had complete mastery of all his faculties. For the first time he was in possession of his full powers. The vistas which opened before him seemed to have no perceptible	she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose I have an opinion" she hesitated. He controlled his wish to ask her to explain herself, and much to his pleasure she went on, appearing to search her mind. "I thought that you criticized me perhaps disliked me. I thought of you as a person who judges" "No; I m a person who feels," he said, in a low voice. "Tell me, then, what has made you do this?" she asked, after a break. He told her in an orderly way, betokening careful preparation, all that he had meant to say at first; how he stood with regard to his brothers and sisters; what his mother had said, and his sister Joan had refrained from saying; exactly how many pounds stood in his name at the bank; what prospect his brother had of earning a livelihood in America; how much of their income went on rent, and other details known to him by heart. She listened to all this, so that she could have passed an examination in it by the time Waterloo Bridge was in sight; and yet she was no more listening to it than she was counting the paving-stones at her feet. She was feeling happier than she had felt in her life. If Denham could have seen how visibly books of algebraic symbols, pages all speckled with dots and dashes and twisted bars, came before her eyes as they trod the Embankment, his secret joy in her attention might have been dispersed. She went on, saying, "Yes, I see.... But how would that help you?... Your brother has passed his examination?" so sensibly, that he had constantly to keep his brain in check; and all the time she was in fancy looking up through a telescope at white shadow-cleft disks which were other worlds, until she felt herself possessed of two bodies, one walking by the river with Denham, the other concentrated to a silver globe aloft in the fine blue space above the scum of vapors that was covering the visible world. She looked at the sky once, and saw that no star was keen enough to pierce the flight of watery clouds now coursing rapidly before the west wind. She looked down hurriedly again. There was no reason, she assured herself, for this feeling of happiness; she was not free; she was not alone; she was still bound to earth by a million fibres; every step took her nearer home. Nevertheless, she exulted as she had never exulted before. The air was fresher, the lights more distinct, the cold stone of the balustrade colder and harder, when by chance or purpose she struck her hand against it. No feeling of annoyance with Denham	Night And Day
replied a man's voice.	No speaker	now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron,	air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone,	she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in	Corney, pettishly; "I shall never get another like him." Whether this remark bore reference to the husband, or the teapot, is uncertain. It might have been the latter; for Mrs. Corney looked at it as she spoke; and took it up afterwards. She had just tasted her first cup, when she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in one hand and a bundle in the other. "Shall I shut the door, ma'am?" The lady modestly hesitated to reply, lest there should be any impropriety in holding an interview with Mr. Bumble, with closed doors. Mr. Bumble taking advantage of the hesitation, and being very cold himself, shut it	it down very hastily on the hob; "a little stupid thing, that only holds a couple of cups! What use is it of, to anybody! Except," said Mrs. Corney, pausing, "except to a poor desolate creature like me. Oh dear!" With these words, the matron dropped into her chair, and, once more resting her elbow on the table, thought of her solitary fate. The small teapot, and the single cup, had awakened in her mind sad recollections of Mr. Corney (who had not been dead more than five-and-twenty years); and she was overpowered. "I shall never get another!" said Mrs. Corney, pettishly; "I shall never get another like him." Whether this remark bore reference to the husband, or the teapot, is uncertain. It might have been the latter; for Mrs. Corney looked at it as she spoke; and took it up afterwards. She had just tasted her first cup, when she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in one hand and a bundle in the other. "Shall I shut the door, ma'am?" The lady modestly hesitated to reply, lest there should be any impropriety in holding an interview with Mr. Bumble, with closed doors. Mr. Bumble taking advantage of the hesitation, and being very cold himself, shut it without permission. "Hard weather, Mr. Bumble," said the matron. "Hard, indeed, ma'am," replied the beadle. "Anti-porochial weather this, ma'am. We have given away, Mrs. Corney, we have given away a matter of twenty quartern loaves and a cheese and a half, this very blessed afternoon; and yet them paupers are not contented." "Of course not. When would they be, Mr. Bumble?" said the matron, sipping her tea. "When, indeed, ma'am!" rejoined Mr. Bumble. "Why here's one man that, in consideration of his wife and large family, has a quartern loaf and a good pound of cheese, full weight. Is he	round table: on which stood a tray of corresponding size, furnished with all necessary materials for the most grateful meal that matrons enjoy. In fact, Mrs. Corney was about to solace herself with a cup of tea. As she glanced from the table to the fireplace, where the smallest of all possible kettles was singing a small song in a small voice, her inward satisfaction evidently increased, so much so, indeed, that Mrs. Corney smiled. "Well!" said the matron, leaning her elbow on the table, and looking reflectively at the fire; "I'm sure we have all on us a great deal to be grateful for! A great deal, if we did but know it. Ah!" Mrs. Corney shook her head mournfully, as if deploring the mental blindness of those paupers who did not know it; and thrusting a silver spoon (private property) into the inmost recesses of a two-ounce tin tea-caddy, proceeded to make the tea. How slight a thing will disturb the equanimity of our frail minds! The black teapot, being very small and easily filled, ran over while Mrs. Corney was moralising; and the water slightly scalded Mrs. Corney's hand. "Drat the pot!" said the worthy matron, setting it down very hastily on the hob; "a little stupid thing, that only holds a couple of cups! What use is it of, to anybody! Except," said Mrs. Corney, pausing, "except to a poor desolate creature like me. Oh dear!" With these words, the matron dropped into her chair, and, once more resting her elbow on the table, thought of her solitary fate. The small teapot, and the single cup, had awakened in her mind sad recollections of Mr. Corney (who had not been dead more than five-and-twenty years); and she was overpowered. "I shall never get another!" said Mrs. Corney, pettishly; "I shall never get another like him." Whether this remark bore reference to the husband, or the teapot, is uncertain. It might have been the latter; for Mrs. Corney looked at it as she spoke; and took it up afterwards. She had just tasted her first cup, when she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in one hand and a bundle in the other. "Shall I shut the door, ma'am?" The lady modestly hesitated to reply, lest there should be any impropriety in holding an interview with Mr. Bumble, with closed doors. Mr. Bumble taking advantage of the hesitation, and being very cold himself, shut it without permission. "Hard weather, Mr. Bumble," said the matron. "Hard, indeed, ma'am," replied the beadle. "Anti-porochial weather this, ma'am. We have given away, Mrs. Corney, we have given away a matter of twenty quartern loaves and a cheese and a half, this very blessed afternoon; and yet them paupers are not contented." "Of course not. When would they be, Mr. Bumble?" said the matron, sipping her tea. "When, indeed, ma'am!" rejoined Mr. Bumble. "Why here's one man that, in consideration of his wife and large family, has a quartern loaf and a good pound of cheese, full weight. Is he grateful, ma'am? Is he grateful? Not a copper farthing's worth of it! What does he do, ma'am, but ask for a few coals; if it's only a pocket handkerchief full, he says! Coals! What would he do with coals? Toast his cheese with 'em and then come back for more. That's the way with these people, ma'am; give 'em a apron full of coals to-day, and they'll come back for another, the day after to-morrow, as brazen as alabaster." The matron expressed her entire concurrence in this intelligible simile; and the beadle went on. "I never," said Mr. Bumble, "see anything like the pitch it's got to. The day afore yesterday, a man you have been a married woman, ma'am, and I may mention it to you a man, with hardly a rag upon his back (here Mrs. Corney looked at the floor), goes to our overseer's door when he has got company coming to dinner; and says, he must be relieved, Mrs. Corney. As he wouldn't go away, and shocked the company very much, our overseer sent him out a pound of potatoes and half a pint of oatmeal. My heart!' says the ungrateful villain, what's the use of	followed it, Oliver let his lantern fall, and knew not whether to advance or fly. The cry was repeated a light appeared a vision of two terrified half-dressed men at the top of the stairs swam before his eyes a flash a loud noise a smoke a crash somewhere, but where he knew not, and he staggered back. Sikes had disappeared for an instant; but he was up again, and had him by the collar before the smoke had cleared away. He fired his own pistol after the men, who were already retreating; and dragged the boy up. "Clasp your arm tighter," said Sikes, as he drew him through the window. "Give me a shawl here. They've hit him. Quick! How the boy bleeds!" Then came the loud ringing of a bell, mingled with the noise of fire-arms, and the shouts of men, and the sensation of being carried over uneven ground at a rapid pace. And then, the noises grew confused in the distance; and a cold deadly feeling crept over the boy's heart; and he saw or heard no more. CHAPTER XXIII. WHICH CONTAINS THE SUBSTANCE OF A PLEASANT CONVERSATION BETWEEN MR. BUMBLE AND A LADY; AND SHOWS THAT EVEN A BEADLE MAY BE SUSCEPTIBLE ON SOME POINTS The night was bitter cold. The snow lay on the ground, frozen into a hard thick crust, so that only the heaps that had drifted into byways and corners were affected by the sharp wind that howled abroad: which, as if expending increased fury on such prey as it found, caught it savagely up in clouds, and, whirling it into a thousand misty eddies, scattered it in air. Bleak, dark, and piercing cold, it was a night for the well-housed and fed to draw round the bright fire and thank God they were at home; and for the homeless, starving wretch to lay him down and die. Many hunger-worn outcasts close their eyes in our bare streets, at such times, who, let their crimes have been what they may, can hardly open them in a more bitter world. Such was the aspect of out-of-doors affairs, when Mrs. Corney, the matron of the workhouse to which our readers have been already introduced as the birthplace of Oliver Twist, sat herself down before a cheerful fire in her own little room, and glanced, with no small degree of complacency, at a small round table: on which stood a tray of corresponding size, furnished with all necessary materials for the most grateful meal that matrons enjoy. In fact, Mrs. Corney was about to solace herself with a cup of tea. As she glanced from the table to the fireplace, where the smallest of all possible kettles was singing a small song in a small voice, her inward satisfaction evidently increased, so much so, indeed, that Mrs. Corney smiled. "Well!" said the matron, leaning her elbow on the table, and looking reflectively at the fire; "I'm sure we have all on us a great deal to be grateful for! A great deal, if we did but know it. Ah!" Mrs. Corney shook her head mournfully, as if deploring the mental blindness of those paupers who did not know it; and thrusting a silver spoon (private property) into the inmost recesses of a two-ounce tin tea-caddy, proceeded to make the tea. How slight a thing will disturb the equanimity of our frail minds! The black teapot, being very small and easily filled, ran over while Mrs. Corney was moralising; and the water slightly scalded Mrs. Corney's hand. "Drat the pot!" said the worthy matron, setting it down very hastily on the hob; "a little stupid thing, that only holds a couple of cups! What use is it of, to anybody! Except," said Mrs. Corney, pausing, "except to a poor desolate creature like me. Oh dear!" With these words, the matron dropped into her chair, and, once more resting her elbow on the table, thought of her solitary fate. The small teapot, and the single cup, had awakened in her mind sad recollections of Mr. Corney (who had not been dead more than five-and-twenty years); and she was overpowered. "I shall never get another!" said Mrs. Corney, pettishly; "I shall never get another like him." Whether this remark bore reference to the husband, or the teapot, is uncertain. It might have been the latter; for Mrs. Corney looked at it as she spoke; and took it up afterwards. She had just tasted her first cup, when she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in one hand and a bundle in the other. "Shall I shut the door, ma'am?" The lady modestly hesitated to reply, lest there should be any impropriety in holding an interview with Mr. Bumble, with closed doors. Mr. Bumble taking advantage of the hesitation, and being very cold himself, shut it without permission. "Hard weather, Mr. Bumble," said the matron. "Hard, indeed, ma'am," replied the beadle. "Anti-porochial weather this, ma'am. We have given away, Mrs. Corney, we have given away a matter of twenty quartern loaves and a cheese and a half, this very blessed afternoon; and yet them paupers are not contented." "Of course not. When would they be, Mr. Bumble?" said the matron, sipping her tea. "When, indeed, ma'am!" rejoined Mr. Bumble. "Why here's one man that, in consideration of his wife and large family, has a quartern loaf and a good pound of cheese, full weight. Is he grateful, ma'am? Is he grateful? Not a copper farthing's worth of it! What does he do, ma'am, but ask for a few coals; if it's only a pocket handkerchief full, he says! Coals! What would he do with coals? Toast his cheese with 'em and then come back for more. That's the way with these people, ma'am; give 'em a apron full of coals to-day, and they'll come back for another, the day after to-morrow, as brazen as alabaster." The matron expressed her entire concurrence in this intelligible simile; and the beadle went on. "I never," said Mr. Bumble, "see anything like the pitch it's got to. The day afore yesterday, a man you have been a married woman, ma'am, and I may mention it to you a man, with hardly a rag upon his back (here Mrs. Corney looked at the floor), goes to our overseer's door when he has got company coming to dinner; and says, he must be relieved, Mrs. Corney. As he wouldn't go away, and shocked the company very much, our overseer sent him out a pound of potatoes and half a pint of oatmeal. My heart!' says the ungrateful villain, what's the use of _this_ to me? You might as well give me a pair of iron spectacles!' Very good,' says our overseer, taking 'em away again, you won't get anything else here.' Then I'll die in the streets!' says the vagrant. Oh no, you won't,' says our overseer." "Ha! ha! That was very good! So like Mr. Grannett, wasn't it?" interposed the matron. "Well, Mr. Bumble?" "Well, ma'am," rejoined the beadle, "he went away; and he _did_ die in the streets. There's a obstinate pauper for you!" "It beats anything I could have believed," observed the matron emphatically. "But don't you think out-of-door relief a very bad thing, any way, Mr. Bumble? You're a gentleman of experience, and ought to know. Come." "Mrs. Corney," said the beadle, smiling as men smile who are conscious of superior information, "out-of-door relief, properly managed: properly managed, ma'am: is the porochial safeguard. The great principle of out-of-door relief is, to give the paupers exactly what they don't want; and then they get tired of coming." "Dear me!" exclaimed Mrs. Corney. "Well, that is a good one, too!" "Yes. Betwixt you and me, ma'am," returned Mr. Bumble, "that's the great principle; and that's the reason why, if you look at any cases that get into them owdacious newspapers, you'll always observe that sick families have been relieved with slices of cheese. That's the rule now, Mrs. Corney, all over the country. But, however," said the beadle, stopping to unpack his bundle, "these are official secrets, ma'am; not to be spoken of; except, as I may say, among the porochial officers, such as ourselves. This is the port wine, ma'am, that the board ordered for the infirmary; real, fresh, genuine port wine; only out of the cask this forenoon; clear as a bell, and no sediment!" Having held the first bottle up to the light, and shaken it well to test its excellence, Mr. Bumble placed them both on top of a chest of drawers; folded the handkerchief in which they had been wrapped; put it carefully in his pocket; and took up his hat, as if to go. "You'll have a very cold walk, Mr. Bumble," said the matron. "It blows, ma'am," replied Mr. Bumble, turning up his coat-collar, "enough to cut one's ears off." The matron looked, from the little kettle, to the beadle, who was moving towards the door; and as the beadle coughed, preparatory to	teapot, being very small and easily filled, ran over while Mrs. Corney was moralising; and the water slightly scalded Mrs. Corney's hand. "Drat the pot!" said the worthy matron, setting it down very hastily on the hob; "a little stupid thing, that only holds a couple of cups! What use is it of, to anybody! Except," said Mrs. Corney, pausing, "except to a poor desolate creature like me. Oh dear!" With these words, the matron dropped into her chair, and, once more resting her elbow on the table, thought of her solitary fate. The small teapot, and the single cup, had awakened in her mind sad recollections of Mr. Corney (who had not been dead more than five-and-twenty years); and she was overpowered. "I shall never get another!" said Mrs. Corney, pettishly; "I shall never get another like him." Whether this remark bore reference to the husband, or the teapot, is uncertain. It might have been the latter; for Mrs. Corney looked at it as she spoke; and took it up afterwards. She had just tasted her first cup, when she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in one hand and a bundle in the other. "Shall I shut the door, ma'am?" The lady modestly hesitated to reply, lest there should be any impropriety in holding an interview with Mr. Bumble, with closed doors. Mr. Bumble taking advantage of the hesitation, and being very cold himself, shut it without permission. "Hard weather, Mr. Bumble," said the matron. "Hard, indeed, ma'am," replied the beadle. "Anti-porochial weather this, ma'am. We have given away, Mrs. Corney, we have given away a matter of twenty quartern loaves and a cheese and a half, this very blessed afternoon; and yet them paupers are not contented." "Of course not. When would they be, Mr. Bumble?" said the matron, sipping her tea. "When, indeed, ma'am!" rejoined Mr. Bumble. "Why here's one man that, in consideration of his wife and large family, has a quartern loaf and a good pound of cheese, full weight. Is he grateful, ma'am? Is he grateful? Not a copper farthing's worth of it! What does he do, ma'am, but ask for a few coals; if it's only a pocket handkerchief full, he says! Coals! What would he do with coals? Toast his cheese with 'em and then come back for more. That's the way with these people, ma'am; give 'em a apron full of coals to-day, and they'll come back for another, the day after to-morrow, as brazen as alabaster." The matron expressed her entire concurrence in this intelligible simile; and the beadle went on. "I never," said	Oliver Twist
"My father would understand even less than my mother."	Katharine Hilbery	is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected	"Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but	think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister."	must face it, Katharine that we let our engagement stand for the time nominally; in fact, of course, your freedom would be absolute." "And yours too." "Yes, we should both be free. Let us say that I saw Cassandra once, twice, perhaps, under these conditions; and then if, as I think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister." "We re not brothers and sisters," she said impatiently, "and if we can t decide, who can? I m not talking nonsense," she proceeded. "I ve done my best to think this out from every point of view, and I ve come to the conclusion that there are risks which	s useless to pretend that I don t understand what you re offering, Katharine. I admit what you say. Speaking to you perfectly frankly, I believe at this moment that I do love your cousin; there is a chance that, with your help, I might but no," he broke off, "it s impossible, it s wrong I m infinitely to blame for having allowed this situation to arise." "Sit beside me. Let s consider sensibly" "Your sense has been our undoing" he groaned. "I accept the responsibility." "Ah, but can I allow that?" he exclaimed. "It would mean for we must face it, Katharine that we let our engagement stand for the time nominally; in fact, of course, your freedom would be absolute." "And yours too." "Yes, we should both be free. Let us say that I saw Cassandra once, twice, perhaps, under these conditions; and then if, as I think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister." "We re not brothers and sisters," she said impatiently, "and if we can t decide, who can? I m not talking nonsense," she proceeded. "I ve done my best to think this out from every point of view, and I ve come to the conclusion that there are risks which have to be taken, though I don t deny that they hurt horribly." "Katharine, you mind? You ll mind too much." "No I shan t," she said stoutly. "I shall mind a good deal, but I m prepared for that; I shall get through it, because you will help me. You ll both help me. In fact, we ll help each other. That s a Christian doctrine, isn t it?" "It sounds more like Paganism to me," Rodney groaned, as he reviewed the situation into which her Christian doctrine was plunging them. And yet he could not deny that a	have been inconceivable to him. That a relationship such as he had glanced at with desire could be possible between him and Katharine, he would have been the first, two days ago, to deny with indignation. But now his life had changed; his attitude had changed; his feelings were different; new aims and possibilities had been shown him, and they had an almost irresistible fascination and force. The training of a life of thirty-five years had not left him defenceless; he was still master of his dignity; he rose, with a mind made up to an irrevocable farewell. "I leave you, then," he said, standing up and holding out his hand with an effort that left him pale, but lent him dignity, "to tell your mother that our engagement is ended by your desire." She took his hand and held it. "You don t trust me?" she said. "I do, absolutely," he replied. "No. You don t trust me to help you.... I could help you?" "I m hopeless without your help!" he exclaimed passionately, but withdrew his hand and turned his back. When he faced her, she thought that she saw him for the first time without disguise. "It s useless to pretend that I don t understand what you re offering, Katharine. I admit what you say. Speaking to you perfectly frankly, I believe at this moment that I do love your cousin; there is a chance that, with your help, I might but no," he broke off, "it s impossible, it s wrong I m infinitely to blame for having allowed this situation to arise." "Sit beside me. Let s consider sensibly" "Your sense has been our undoing" he groaned. "I accept the responsibility." "Ah, but can I allow that?" he exclaimed. "It would mean for we must face it, Katharine that we let our engagement stand for the time nominally; in fact, of course, your freedom would be absolute." "And yours too." "Yes, we should both be free. Let us say that I saw Cassandra once, twice, perhaps, under these conditions; and then if, as I think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister." "We re not brothers and sisters," she said impatiently, "and if we can t decide, who can? I m not talking nonsense," she proceeded. "I ve done my best to think this out from every point of view, and I ve come to the conclusion that there are risks which have to be taken, though I don t deny that they hurt horribly." "Katharine, you mind? You ll mind too much." "No I shan t," she said stoutly. "I shall mind a good deal, but I m prepared for that; I shall get through it, because you will help me. You ll both help me. In fact, we ll help each other. That s a Christian doctrine, isn t it?" "It sounds more like Paganism to me," Rodney groaned, as he reviewed the situation into which her Christian doctrine was plunging them. And yet he could not deny that a divine relief possessed him, and that the future, instead of wearing a lead-colored mask, now blossomed with a thousand varied gaieties and excitements. He was actually to see Cassandra within a week or perhaps less, and he was more anxious to know the date of her arrival than he could own even to himself. It seemed base to be so anxious to pluck this fruit of Katharine s unexampled generosity and of his own contemptible baseness. And yet, though he used these words automatically, they had now no meaning. He was not debased in his own eyes by what he had done, and as for praising Katharine, were they not partners, conspirators, people bent upon the same quest together, so that to praise the pursuit of a common end as an act of generosity was meaningless. He took her hand and pressed it, not in thanks so much as in an ecstasy of comradeship. "We will help each other," he said, repeating her words, seeking her eyes in an enthusiasm of friendship. Her eyes were grave but dark with sadness as they rested on him. "He s already gone," she thought, "far away he thinks of me no more." And	at an end or it might be better that they should go together? "But, Katharine," Rodney began, nervously attempting to stuff Cassandra s sheets back into their envelope; "if Cassandra should Cassandra you ve asked Cassandra to stay with you." "Yes; but I ve not posted the letter." He crossed his knees in a discomfited silence. By all his codes it was impossible to ask a woman with whom he had just broken off his engagement to help him to become acquainted with another woman with a view to his falling in love with her. If it was announced that their engagement was over, a long and complete separation would inevitably follow; in those circumstances, letters and gifts were returned; after years of distance the severed couple met, perhaps at an evening party, and touched hands uncomfortably with an indifferent word or two. He would be cast off completely; he would have to trust to his own resources. He could never mention Cassandra to Katharine again; for months, and doubtless years, he would never see Katharine again; anything might happen to her in his absence. Katharine was almost as well aware of his perplexities as he was. She knew in what direction complete generosity pointed the way; but pride for to remain engaged to Rodney and to cover his experiments hurt what was nobler in her than mere vanity fought for its life. "I m to give up my freedom for an indefinite time," she thought, "in order that William may see Cassandra here at his ease. He s not the courage to manage it without my help he s too much of a coward to tell me openly what he wants. He hates the notion of a public breach. He wants to keep us both." When she reached this point, Rodney pocketed the letter and elaborately looked at his watch. Although the action meant that he resigned Cassandra, for he knew his own incompetence and distrusted himself entirely, and lost Katharine, for whom his feeling was profound though unsatisfactory, still it appeared to him that there was nothing else left for him to do. He was forced to go, leaving Katharine free, as he had said, to tell her mother that the engagement was at an end. But to do what plain duty required of an honorable man, cost an effort which only a day or two ago would have been inconceivable to him. That a relationship such as he had glanced at with desire could be possible between him and Katharine, he would have been the first, two days ago, to deny with indignation. But now his life had changed; his attitude had changed; his feelings were different; new aims and possibilities had been shown him, and they had an almost irresistible fascination and force. The training of a life of thirty-five years had not left him defenceless; he was still master of his dignity; he rose, with a mind made up to an irrevocable farewell. "I leave you, then," he said, standing up and holding out his hand with an effort that left him pale, but lent him dignity, "to tell your mother that our engagement is ended by your desire." She took his hand and held it. "You don t trust me?" she said. "I do, absolutely," he replied. "No. You don t trust me to help you.... I could help you?" "I m hopeless without your help!" he exclaimed passionately, but withdrew his hand and turned his back. When he faced her, she thought that she saw him for the first time without disguise. "It s useless to pretend that I don t understand what you re offering, Katharine. I admit what you say. Speaking to you perfectly frankly, I believe at this moment that I do love your cousin; there is a chance that, with your help, I might but no," he broke off, "it s impossible, it s wrong I m infinitely to blame for having allowed this situation to arise." "Sit beside me. Let s consider sensibly" "Your sense has been our undoing" he groaned. "I accept the responsibility." "Ah, but can I allow that?" he exclaimed. "It would mean for we must face it, Katharine that we let our engagement stand for the time nominally; in fact, of course, your freedom would be absolute." "And yours too." "Yes, we should both be free. Let us say that I saw Cassandra once, twice, perhaps, under these conditions; and then if, as I think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister." "We re not brothers and sisters," she said impatiently, "and if we can t decide, who can? I m not talking nonsense," she proceeded. "I ve done my best to think this out from every point of view, and I ve come to the conclusion that there are risks which have to be taken, though I don t deny that they hurt horribly." "Katharine, you mind? You ll mind too much." "No I shan t," she said stoutly. "I shall mind a good deal, but I m prepared for that; I shall get through it, because you will help me. You ll both help me. In fact, we ll help each other. That s a Christian doctrine, isn t it?" "It sounds more like Paganism to me," Rodney groaned, as he reviewed the situation into which her Christian doctrine was plunging them. And yet he could not deny that a divine relief possessed him, and that the future, instead of wearing a lead-colored mask, now blossomed with a thousand varied gaieties and excitements. He was actually to see Cassandra within a week or perhaps less, and he was more anxious to know the date of her arrival than he could own even to himself. It seemed base to be so anxious to pluck this fruit of Katharine s unexampled generosity and of his own contemptible baseness. And yet, though he used these words automatically, they had now no meaning. He was not debased in his own eyes by what he had done, and as for praising Katharine, were they not partners, conspirators, people bent upon the same quest together, so that to praise the pursuit of a common end as an act of generosity was meaningless. He took her hand and pressed it, not in thanks so much as in an ecstasy of comradeship. "We will help each other," he said, repeating her words, seeking her eyes in an enthusiasm of friendship. Her eyes were grave but dark with sadness as they rested on him. "He s already gone," she thought, "far away he thinks of me no more." And the fancy came to her that, as they sat side by side, hand in hand, she could hear the earth pouring from above to make a barrier between them, so that, as they sat, they were separated second by second by an impenetrable wall. The process, which affected her as that of being sealed away and for ever from all companionship with the person she cared for most, came to an end at last, and by common consent they unclasped their fingers, Rodney touching hers with his lips, as the curtain parted, and Mrs. Hilbery peered through the opening with her benevolent and sarcastic expression to ask whether Katharine could remember was it Tuesday or Wednesday, and did she dine in Westminster? "Dearest William," she said, pausing, as if she could not resist the pleasure of encroaching for a second upon this wonderful world of love and confidence and romance. "Dearest children," she added, disappearing with an impulsive gesture, as if she forced herself to draw the curtain upon a scene which she refused all temptation to interrupt. CHAPTER XXV At a quarter-past three in the afternoon of the following Saturday Ralph Denham sat on the bank of the lake in Kew Gardens, dividing the dial-plate of his watch into sections with his forefinger. The just and inexorable nature of time itself was reflected in his face. He might have been composing a hymn to the unhasting and unresting march of that divinity. He seemed to greet the lapse of minute after minute with stern acquiescence in the inevitable order. His expression was so severe, so serene, so immobile, that it seemed obvious that for him at least there was a grandeur in the departing hour which no petty irritation on his part was to mar, although the wasting time wasted also high private hopes of his own. His face was no bad index to what went on within him. He was in a condition of mind rather too exalted for the trivialities of daily life. He could not accept the fact that a lady was fifteen minutes late in keeping her appointment without seeing in that accident the frustration of his entire life. Looking at his watch, he seemed to look deep into the springs of human existence, and by the light of what he saw there altered his course towards the north and the midnight.... Yes, one s	lent him dignity, "to tell your mother that our engagement is ended by your desire." She took his hand and held it. "You don t trust me?" she said. "I do, absolutely," he replied. "No. You don t trust me to help you.... I could help you?" "I m hopeless without your help!" he exclaimed passionately, but withdrew his hand and turned his back. When he faced her, she thought that she saw him for the first time without disguise. "It s useless to pretend that I don t understand what you re offering, Katharine. I admit what you say. Speaking to you perfectly frankly, I believe at this moment that I do love your cousin; there is a chance that, with your help, I might but no," he broke off, "it s impossible, it s wrong I m infinitely to blame for having allowed this situation to arise." "Sit beside me. Let s consider sensibly" "Your sense has been our undoing" he groaned. "I accept the responsibility." "Ah, but can I allow that?" he exclaimed. "It would mean for we must face it, Katharine that we let our engagement stand for the time nominally; in fact, of course, your freedom would be absolute." "And yours too." "Yes, we should both be free. Let us say that I saw Cassandra once, twice, perhaps, under these conditions; and then if, as I think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister." "We re not brothers and sisters," she said impatiently, "and if we can t decide, who can? I m not talking nonsense," she proceeded. "I ve done my best to think this out from every point of view, and I ve come to the conclusion that there are risks which have to be taken, though I don t deny that they hurt horribly." "Katharine, you mind? You ll mind too much." "No I shan t," she said stoutly. "I shall mind a good deal, but I m prepared for that; I shall get through it, because you will help me. You ll both help me. In fact, we ll help each other. That s a Christian doctrine, isn t it?" "It sounds more like Paganism to me," Rodney groaned, as he reviewed the situation into which her Christian doctrine was plunging them. And yet he could not deny that a divine relief possessed him, and that the future, instead of wearing a lead-colored mask, now blossomed with a thousand varied gaieties and excitements. He was actually to see Cassandra within a week or perhaps less, and he was more anxious to know the date of her arrival than he could own even to himself. It seemed base to be so anxious to pluck this fruit of Katharine s unexampled generosity and of his own contemptible baseness. And yet, though he used these words automatically, they had now no meaning. He was not debased in his own eyes by what he had done, and as for praising Katharine, were they not partners, conspirators, people bent upon the same quest together,	Night And Day
The Secretary started up, and stood crushing his costly robe in his hand.	No speaker	am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean,"	the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is	the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also	you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls and you are the peace of God! Oh, I can forgive God His anger,	is nothing), or at the beginning of the world, I sent you out to war. I sat in the darkness, where there is not any created thing, and to you I was only a voice commanding valour and an unnatural virtue. You heard the voice in the dark, and you never heard it again. The sun in heaven denied it, the earth and sky denied it, all human wisdom denied it. And when I met you in the daylight I denied it myself." Syme stirred sharply in his seat, but otherwise there was silence, and the incomprehensible went on. "But you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls and you are the peace of God! Oh, I can forgive God His anger, though it destroyed nations; but I cannot forgive Him His peace." Sunday answered not a word, but very slowly he turned his face of stone upon Syme as if asking a question. "No," said Syme, "I do not feel fierce like that. I am grateful to you, not only for wine and hospitality here, but for many a fine scamper and free fight. But I should like to know. My soul and heart are as happy and quiet here as this old garden, but my reason is still crying out. I should like to know." Sunday looked at Ratcliffe, whose	upper night. Yet this also, after a time, was allowed to grow fainter; the dim groups gathered more and more round the great cauldrons, or passed, laughing and clattering, into the inner passages of that ancient house. Soon there were only some ten loiterers in the garden; soon only four. Finally the last stray merry-maker ran into the house whooping to his companions. The fire faded, and the slow, strong stars came out. And the seven strange men were left alone, like seven stone statues on their chairs of stone. Not one of them had spoken a word. They seemed in no haste to do so, but heard in silence the hum of insects and the distant song of one bird. Then Sunday spoke, but so dreamily that he might have been continuing a conversation rather than beginning one. "We will eat and drink later," he said. "Let us remain together a little, we who have loved each other so sadly, and have fought so long. I seem to remember only centuries of heroic war, in which you were always heroes epic on epic, iliad on iliad, and you always brothers in arms. Whether it was but recently (for time is nothing), or at the beginning of the world, I sent you out to war. I sat in the darkness, where there is not any created thing, and to you I was only a voice commanding valour and an unnatural virtue. You heard the voice in the dark, and you never heard it again. The sun in heaven denied it, the earth and sky denied it, all human wisdom denied it. And when I met you in the daylight I denied it myself." Syme stirred sharply in his seat, but otherwise there was silence, and the incomprehensible went on. "But you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls and you are the peace of God! Oh, I can forgive God His anger, though it destroyed nations; but I cannot forgive Him His peace." Sunday answered not a word, but very slowly he turned his face of stone upon Syme as if asking a question. "No," said Syme, "I do not feel fierce like that. I am grateful to you, not only for wine and hospitality here, but for many a fine scamper and free fight. But I should like to know. My soul and heart are as happy and quiet here as this old garden, but my reason is still crying out. I should like to know." Sunday looked at Ratcliffe, whose clear voice said "It seems so _silly_ that you should have been on both sides and fought yourself." Bull said "I understand nothing, but I am happy. In fact, I am going to sleep." "I am not happy," said the Professor with his head in his hands, "because I do not understand. You let me stray a little too near to hell." And then Gogol said, with the absolute simplicity of a child "I wish I knew why I was hurt so much." Still Sunday said nothing, but only sat with his mighty chin upon his hand, and gazed at the distance. Then at last he said "I have heard your complaints in order. And here, I think, comes another to complain, and we will hear him also." The falling fire in the great cresset threw a last long gleam, like a bar of burning gold, across the dim grass. Against this fiery band was outlined in utter black the advancing legs of a black-clad figure. He seemed to have a fine close suit with knee-breeches such as that which was worn by the servants of the house, only that it was not blue, but of this absolute sable. He	of doubt. Dr. Bull, the last day of Creation, wore a coat covered with heraldic animals in red and gold, and on his crest a man rampant. He lay back in his chair with a broad smile, the picture of an optimist in his element. One by one the wanderers ascended the bank and sat in their strange seats. As each of them sat down a roar of enthusiasm rose from the carnival, such as that with which crowds receive kings. Cups were clashed and torches shaken, and feathered hats flung in the air. The men for whom these thrones were reserved were men crowned with some extraordinary laurels. But the central chair was empty. Syme was on the left hand of it and the Secretary on the right. The Secretary looked across the empty throne at Syme, and said, compressing his lips "We do not know yet that he is not dead in a field." Almost as Syme heard the words, he saw on the sea of human faces in front of him a frightful and beautiful alteration, as if heaven had opened behind his head. But Sunday had only passed silently along the front like a shadow, and had sat in the central seat. He was draped plainly, in a pure and terrible white, and his hair was like a silver flame on his forehead. For a long time it seemed for hours that huge masquerade of mankind swayed and stamped in front of them to marching and exultant music. Every couple dancing seemed a separate romance; it might be a fairy dancing with a pillar-box, or a peasant girl dancing with the moon; but in each case it was, somehow, as absurd as Alice in Wonderland, yet as grave and kind as a love story. At last, however, the thick crowd began to thin itself. Couples strolled away into the garden-walks, or began to drift towards that end of the building where stood smoking, in huge pots like fish-kettles, some hot and scented mixtures of old ale or wine. Above all these, upon a sort of black framework on the roof of the house, roared in its iron basket a gigantic bonfire, which lit up the land for miles. It flung the homely effect of firelight over the face of vast forests of grey or brown, and it seemed to fill with warmth even the emptiness of upper night. Yet this also, after a time, was allowed to grow fainter; the dim groups gathered more and more round the great cauldrons, or passed, laughing and clattering, into the inner passages of that ancient house. Soon there were only some ten loiterers in the garden; soon only four. Finally the last stray merry-maker ran into the house whooping to his companions. The fire faded, and the slow, strong stars came out. And the seven strange men were left alone, like seven stone statues on their chairs of stone. Not one of them had spoken a word. They seemed in no haste to do so, but heard in silence the hum of insects and the distant song of one bird. Then Sunday spoke, but so dreamily that he might have been continuing a conversation rather than beginning one. "We will eat and drink later," he said. "Let us remain together a little, we who have loved each other so sadly, and have fought so long. I seem to remember only centuries of heroic war, in which you were always heroes epic on epic, iliad on iliad, and you always brothers in arms. Whether it was but recently (for time is nothing), or at the beginning of the world, I sent you out to war. I sat in the darkness, where there is not any created thing, and to you I was only a voice commanding valour and an unnatural virtue. You heard the voice in the dark, and you never heard it again. The sun in heaven denied it, the earth and sky denied it, all human wisdom denied it. And when I met you in the daylight I denied it myself." Syme stirred sharply in his seat, but otherwise there was silence, and the incomprehensible went on. "But you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls and you are the peace of God! Oh, I can forgive God His anger, though it destroyed nations; but I cannot forgive Him His peace." Sunday answered not a word, but very slowly he turned his face of stone upon Syme as if asking a question. "No," said Syme, "I do not feel fierce like that. I am grateful to you, not only for wine and hospitality here, but for many a fine scamper and free fight. But I should like to know. My soul and heart are as happy and quiet here as this old garden, but my reason is still crying out. I should like to know." Sunday looked at Ratcliffe, whose clear voice said "It seems so _silly_ that you should have been on both sides and fought yourself." Bull said "I understand nothing, but I am happy. In fact, I am going to sleep." "I am not happy," said the Professor with his head in his hands, "because I do not understand. You let me stray a little too near to hell." And then Gogol said, with the absolute simplicity of a child "I wish I knew why I was hurt so much." Still Sunday said nothing, but only sat with his mighty chin upon his hand, and gazed at the distance. Then at last he said "I have heard your complaints in order. And here, I think, comes another to complain, and we will hear him also." The falling fire in the great cresset threw a last long gleam, like a bar of burning gold, across the dim grass. Against this fiery band was outlined in utter black the advancing legs of a black-clad figure. He seemed to have a fine close suit with knee-breeches such as that which was worn by the servants of the house, only that it was not blue, but of this absolute sable. He had, like the servants, a kind of sword by his side. It was only when he had come quite close to the crescent of the seven and flung up his face to look at them, that Syme saw, with thunder-struck clearness, that the face was the broad, almost ape-like face of his old friend Gregory, with its rank red hair and its insulting smile. "Gregory!" gasped Syme, half-rising from his seat. "Why, this is the real anarchist!" "Yes," said Gregory, with a great and dangerous restraint, "I am the real anarchist." "'Now there was a day,'" murmured Bull, who seemed really to have fallen asleep, "'when the sons of God came to present themselves before the Lord, and Satan came also among them.'" "You are right," said Gregory, and gazed all round. "I am a destroyer. I would destroy the world if I could." A sense of a pathos far under the earth stirred up in Syme, and he spoke brokenly and without sequence. "Oh, most unhappy man," he cried, "try to be happy! You have red hair like your sister." "My red hair, like red flames, shall burn up the world," said Gregory. "I thought I hated everything more than common men can hate anything; but I find that I do not hate everything so much as I hate you!" "I never hated you," said Syme very sadly. Then out of this unintelligible creature the last thunders broke. "You!" he cried. "You never hated because you never lived. I know what you are all of you, from first to last you are the people in power! You are the police the great fat, smiling men in blue and buttons! You are the Law, and you have never been broken. But is there a free soul alive that does not long to break you, only because you have never been broken? We in revolt talk all kind of nonsense doubtless about this crime or that crime of the Government. It is all folly! The only crime of the Government is that it governs. The unpardonable sin of the supreme power is that it is supreme. I do not curse you for being cruel. I do not curse you (though I might) for being kind. I curse you for being safe! You sit in your chairs of stone, and have never come down from them. You are the seven angels of	strolled away into the garden-walks, or began to drift towards that end of the building where stood smoking, in huge pots like fish-kettles, some hot and scented mixtures of old ale or wine. Above all these, upon a sort of black framework on the roof of the house, roared in its iron basket a gigantic bonfire, which lit up the land for miles. It flung the homely effect of firelight over the face of vast forests of grey or brown, and it seemed to fill with warmth even the emptiness of upper night. Yet this also, after a time, was allowed to grow fainter; the dim groups gathered more and more round the great cauldrons, or passed, laughing and clattering, into the inner passages of that ancient house. Soon there were only some ten loiterers in the garden; soon only four. Finally the last stray merry-maker ran into the house whooping to his companions. The fire faded, and the slow, strong stars came out. And the seven strange men were left alone, like seven stone statues on their chairs of stone. Not one of them had spoken a word. They seemed in no haste to do so, but heard in silence the hum of insects and the distant song of one bird. Then Sunday spoke, but so dreamily that he might have been continuing a conversation rather than beginning one. "We will eat and drink later," he said. "Let us remain together a little, we who have loved each other so sadly, and have fought so long. I seem to remember only centuries of heroic war, in which you were always heroes epic on epic, iliad on iliad, and you always brothers in arms. Whether it was but recently (for time is nothing), or at the beginning of the world, I sent you out to war. I sat in the darkness, where there is not any created thing, and to you I was only a voice commanding valour and an unnatural virtue. You heard the voice in the dark, and you never heard it again. The sun in heaven denied it, the earth and sky denied it, all human wisdom denied it. And when I met you in the daylight I denied it myself." Syme stirred sharply in his seat, but otherwise there was silence, and the incomprehensible went on. "But you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls and you are the peace of God! Oh, I can forgive God His anger, though it destroyed nations; but I cannot forgive Him His peace." Sunday answered not a word, but very slowly he turned his face of stone upon Syme as if asking a question. "No," said Syme, "I do not feel fierce like that. I am grateful to you, not only for wine and hospitality here, but for many a fine scamper and free fight. But I should like to know. My soul and heart are as happy and quiet here as this old garden, but my reason is still crying out. I should like to know." Sunday looked at Ratcliffe, whose clear voice said "It seems so _silly_ that you should have been on both sides and fought yourself." Bull said "I understand nothing, but I am happy. In fact, I am going to sleep." "I am not happy," said the Professor with his head in his hands, "because I do not understand. You let me stray a little too near to hell." And then Gogol said, with the absolute simplicity of a child "I wish I knew why I was hurt so much." Still Sunday said nothing, but only sat with his mighty chin upon his hand, and gazed at the distance. Then at last he said "I have heard your complaints in order. And here, I think, comes another to complain, and we will hear him also." The falling fire in the	The Man Who Was Thursday
"They are torturing him."	Mahmoud Ali	. . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . .	with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was	their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I	on its prey. "Forward, forward," shrieked Mahmoud Ali, whose every utterance had become a yell. "Down with the Collector, down with the Superintendent of Police." "Mr. Mahmoud Ali, this is not wise," implored the Nawab Bahadur: he knew that nothing was gained by attacking the English, who had fallen into their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I have tortured that nigger.'" "Oh, my God, my God. . . . He called him a nigger, did he?" "They put pepper instead of antiseptic on the wounds." "Mr. Mahmoud Ali, impossible; a little roughness will not hurt the boy, he needs discipline." "Pepper. Civil Surgeon said so. They hope	he had despaired, not through cowardice, but because he knew that an Englishwoman's word would always outweigh his own. "It is fate," he said; and, "It is fate," when he was imprisoned anew after Mohurram. All that existed, in that terrible time, was affection, and affection was all that he felt in the first painful moments of his freedom. "Why isn't Cyril following? Let us turn back." But the procession could not turn back. Like a snake in a drain, it advanced down the narrow bazaar towards the basin of the Maidan, where it would turn about itself, and decide on its prey. "Forward, forward," shrieked Mahmoud Ali, whose every utterance had become a yell. "Down with the Collector, down with the Superintendent of Police." "Mr. Mahmoud Ali, this is not wise," implored the Nawab Bahadur: he knew that nothing was gained by attacking the English, who had fallen into their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I have tortured that nigger.'" "Oh, my God, my God. . . . He called him a nigger, did he?" "They put pepper instead of antiseptic on the wounds." "Mr. Mahmoud Ali, impossible; a little roughness will not hurt the boy, he needs discipline." "Pepper. Civil Surgeon said so. They hope to destroy us one by one; they shall fail." The new injury lashed the crowd to fury. It had been aimless hitherto, and had lacked a grievance. When they reached the Maidan and saw the sallow arcades of the Minto they shambled towards it howling. It was near midday. The earth and sky were insanely ugly, the spirit of evil again strode abroad. The Nawab Bahadur alone struggled against it, and told himself that the rumour must be untrue. He had seen his grandson in the ward only last week. But he too was carried forward over the new precipice.	tank slumbered; and beyond it rose the exquisite blue arches of the garden-house. "Sir, we fetch the others; sir, it is a somewhat heavy load for our arms," were heard. Fielding took the refugee to his office, and tried to telephone to McBryde. But this he could not do; the wires had been cut. All his servants had decamped. Once more he was unable to desert her. He assigned her a couple of rooms, provided her with ice and drinks and biscuits, advised her to lie down, and lay down himself there was nothing else to do. He felt restless and thwarted as he listened to the retreating sounds of the procession, and his joy was rather spoilt by bewilderment. It was a victory, but such a queer one. At that moment Aziz was crying, "Cyril, Cyril . . ." Crammed into a carriage with the Nawab Bahadur, Hamidullah, Mahmoud Ali, his own little boys, and a heap of flowers, he was not content; he wanted to be surrounded by all who loved him. Victory gave no pleasure, he had suffered too much. From the moment of his arrest he was done for, he had dropped like a wounded animal; he had despaired, not through cowardice, but because he knew that an Englishwoman's word would always outweigh his own. "It is fate," he said; and, "It is fate," when he was imprisoned anew after Mohurram. All that existed, in that terrible time, was affection, and affection was all that he felt in the first painful moments of his freedom. "Why isn't Cyril following? Let us turn back." But the procession could not turn back. Like a snake in a drain, it advanced down the narrow bazaar towards the basin of the Maidan, where it would turn about itself, and decide on its prey. "Forward, forward," shrieked Mahmoud Ali, whose every utterance had become a yell. "Down with the Collector, down with the Superintendent of Police." "Mr. Mahmoud Ali, this is not wise," implored the Nawab Bahadur: he knew that nothing was gained by attacking the English, who had fallen into their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I have tortured that nigger.'" "Oh, my God, my God. . . . He called him a nigger, did he?" "They put pepper instead of antiseptic on the wounds." "Mr. Mahmoud Ali, impossible; a little roughness will not hurt the boy, he needs discipline." "Pepper. Civil Surgeon said so. They hope to destroy us one by one; they shall fail." The new injury lashed the crowd to fury. It had been aimless hitherto, and had lacked a grievance. When they reached the Maidan and saw the sallow arcades of the Minto they shambled towards it howling. It was near midday. The earth and sky were insanely ugly, the spirit of evil again strode abroad. The Nawab Bahadur alone struggled against it, and told himself that the rumour must be untrue. He had seen his grandson in the ward only last week. But he too was carried forward over the new precipice. To rescue, to maltreat Major Callendar in revenge, and then was to come the turn of the civil station generally. But disaster was averted, and averted by Dr. Panna Lal. Dr. Panna Lal had offered to give evidence for the prosecution in the hope of pleasing the English, also because he hated Aziz. When the case broke down, he was in a very painful position. He saw the crash coming sooner than most people, slipped from the court before Mr. Das had finished, and drove Dapple off through the bazaars, in flight from the wrath to come. In the hospital he should be safe, for Major Callendar would protect him. But the Major had not come, and now things were worse than ever, for here was a mob, entirely desirous of his blood, and the orderlies were mutinous and would not help him over the back wall, or rather hoisted him and let him drop back, to the satisfaction of the patients. In agony he cried, "Man can but die the once," and waddled across the compound to meet the invasion, salaaming with one hand and holding up a pale yellow umbrella in the other. "Oh, forgive me," he whined	what?" "Sir, I intend these for you, sir," interrupted a student, running down the lane with a garland of jasmine on his arm. "I don't want the rubbish; get out." "Sir, I am a horse, we shall be your horses," another cried as he lifted the shafts of the victoria into the air. "Fetch my sais, Rafi; there's a good chap." "No, sir, this is an honour for us." Fielding wearied of his students. The more they honoured him the less they obeyed. They lassoed him with jasmine and roses, scratched the splash-board against a wall, and recited a poem, the noise of which filled the lane with a crowd. "Hurry up, sir; we pull you in a procession." And, half affectionate, half impudent, they bundled him in. "I don't know whether this suits you, but anyhow you're safe," he remarked. The carriage jerked into the main bazaar, where it created some sensation. Miss Quested was so loathed in Chandrapore that her recantation was discredited, and the rumour ran that she had been stricken by the Deity in the middle of her lies. But they cheered when they saw her sitting by the heroic Principal (some addressed her as Mrs. Moore!), and they garlanded her to match him. Half gods, half guys, with sausages of flowers round their necks, the pair were dragged in the wake of Aziz' victorious landau. In the applause that greeted them some derision mingled. The English always stick together! That was the criticism. Nor was it unjust. Fielding shared it himself, and knew that if some misunderstanding occurred, and an attack was made on the girl by his allies, he would be obliged to die in her defence. He didn't want to die for her, he wanted to be rejoicing with Aziz. Where was the procession going? To friends, to enemies, to Aziz' bungalow, to the Collector's bungalow, to the Minto Hospital where the Civil Surgeon would eat dust and the patients (confused with prisoners) be released, to Delhi, Simla. The students thought it was going to Government College. When they reached a turning, they twisted the victoria to the right, ran it by side lanes down a hill and through a garden gate into the mango plantation, and, as far as Fielding and Miss Quested were concerned, all was peace and quiet. The trees were full of glossy foliage and slim green fruit, the tank slumbered; and beyond it rose the exquisite blue arches of the garden-house. "Sir, we fetch the others; sir, it is a somewhat heavy load for our arms," were heard. Fielding took the refugee to his office, and tried to telephone to McBryde. But this he could not do; the wires had been cut. All his servants had decamped. Once more he was unable to desert her. He assigned her a couple of rooms, provided her with ice and drinks and biscuits, advised her to lie down, and lay down himself there was nothing else to do. He felt restless and thwarted as he listened to the retreating sounds of the procession, and his joy was rather spoilt by bewilderment. It was a victory, but such a queer one. At that moment Aziz was crying, "Cyril, Cyril . . ." Crammed into a carriage with the Nawab Bahadur, Hamidullah, Mahmoud Ali, his own little boys, and a heap of flowers, he was not content; he wanted to be surrounded by all who loved him. Victory gave no pleasure, he had suffered too much. From the moment of his arrest he was done for, he had dropped like a wounded animal; he had despaired, not through cowardice, but because he knew that an Englishwoman's word would always outweigh his own. "It is fate," he said; and, "It is fate," when he was imprisoned anew after Mohurram. All that existed, in that terrible time, was affection, and affection was all that he felt in the first painful moments of his freedom. "Why isn't Cyril following? Let us turn back." But the procession could not turn back. Like a snake in a drain, it advanced down the narrow bazaar towards the basin of the Maidan, where it would turn about itself, and decide on its prey. "Forward, forward," shrieked Mahmoud Ali, whose every utterance had become a yell. "Down with the Collector, down with the Superintendent of Police." "Mr. Mahmoud Ali, this is not wise," implored the Nawab Bahadur: he knew that nothing was gained by attacking the English, who had fallen into their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I have tortured that nigger.'" "Oh, my God, my God. . . . He called him a nigger, did he?" "They put pepper instead of antiseptic on the wounds." "Mr. Mahmoud Ali, impossible; a little roughness will not hurt the boy, he needs discipline." "Pepper. Civil Surgeon said so. They hope to destroy us one by one; they shall fail." The new injury lashed the crowd to fury. It had been aimless hitherto, and had lacked a grievance. When they reached the Maidan and saw the sallow arcades of the Minto they shambled towards it howling. It was near midday. The earth and sky were insanely ugly, the spirit of evil again strode abroad. The Nawab Bahadur alone struggled against it, and told himself that the rumour must be untrue. He had seen his grandson in the ward only last week. But he too was carried forward over the new precipice. To rescue, to maltreat Major Callendar in revenge, and then was to come the turn of the civil station generally. But disaster was averted, and averted by Dr. Panna Lal. Dr. Panna Lal had offered to give evidence for the prosecution in the hope of pleasing the English, also because he hated Aziz. When the case broke down, he was in a very painful position. He saw the crash coming sooner than most people, slipped from the court before Mr. Das had finished, and drove Dapple off through the bazaars, in flight from the wrath to come. In the hospital he should be safe, for Major Callendar would protect him. But the Major had not come, and now things were worse than ever, for here was a mob, entirely desirous of his blood, and the orderlies were mutinous and would not help him over the back wall, or rather hoisted him and let him drop back, to the satisfaction of the patients. In agony he cried, "Man can but die the once," and waddled across the compound to meet the invasion, salaaming with one hand and holding up a pale yellow umbrella in the other. "Oh, forgive me," he whined as he approached the victorious landau. "Oh, Dr. Aziz, forgive the wicked lies I told." Aziz was silent, the others thickened their throats and threw up their chins in token of scorn. "I was afraid, I was mislaid," the suppliant continued. "I was mislaid here, there, and everywhere as regards your character. Oh, forgive the poor old hakim who gave you milk when ill! Oh, Nawab Bahadur, whoever merciful, is it my poor little dispensary you require? Take every cursed bottle." Agitated, but alert, he saw them smile at his indifferent English, and suddenly he started playing the buffoon, flung down his umbrella, trod through it, and struck himself upon the nose. He knew what he was doing, and so did they. There was nothing pathetic or eternal in the degradation of such a man. Of ignoble origin, Dr. Panna Lal possessed nothing that could be disgraced, and he wisely decided to make the other Indians feel like kings, because it would put them into better tempers. When he found they wanted Nureddin, he skipped like a goat, he scuttled like a hen to do their bidding, the hospital was saved, and to the end of his life he could not understand why he had not obtained promotion on the morning's work. "Promptness, sir, promptness similar to you," was the argument he employed to Major Callendar when claiming it. When Nureddin emerged, his face all bandaged, there was a roar of relief as though the Bastille had fallen. It was the crisis of the march, and the Nawab Bahadur managed to get the situation into hand. Embracing the young man publicly, he began a speech about Justice, Courage, Liberty, and Prudence, ranged under heads, which cooled the passion of the crowd. He further announced that he should give up his British-conferred title, and live as a private gentleman, plain Mr. Zulfiqar, for which reason he was instantly proceeding to his country seat. The landau turned, the crowd accompanied it, the crisis was over. The Marabar caves had been a terrible strain on the local administration; they altered a good many lives and wrecked several careers, but they did not break up a continent or even dislocate a district. "We will have rejoicings to-night," the old man said. "Mr. Hamidullah, I depute you to bring out our friends Fielding and Amritrao, and to discover whether the latter will require special food.	and quiet. The trees were full of glossy foliage and slim green fruit, the tank slumbered; and beyond it rose the exquisite blue arches of the garden-house. "Sir, we fetch the others; sir, it is a somewhat heavy load for our arms," were heard. Fielding took the refugee to his office, and tried to telephone to McBryde. But this he could not do; the wires had been cut. All his servants had decamped. Once more he was unable to desert her. He assigned her a couple of rooms, provided her with ice and drinks and biscuits, advised her to lie down, and lay down himself there was nothing else to do. He felt restless and thwarted as he listened to the retreating sounds of the procession, and his joy was rather spoilt by bewilderment. It was a victory, but such a queer one. At that moment Aziz was crying, "Cyril, Cyril . . ." Crammed into a carriage with the Nawab Bahadur, Hamidullah, Mahmoud Ali, his own little boys, and a heap of flowers, he was not content; he wanted to be surrounded by all who loved him. Victory gave no pleasure, he had suffered too much. From the moment of his arrest he was done for, he had dropped like a wounded animal; he had despaired, not through cowardice, but because he knew that an Englishwoman's word would always outweigh his own. "It is fate," he said; and, "It is fate," when he was imprisoned anew after Mohurram. All that existed, in that terrible time, was affection, and affection was all that he felt in the first painful moments of his freedom. "Why isn't Cyril following? Let us turn back." But the procession could not turn back. Like a snake in a drain, it advanced down the narrow bazaar towards the basin of the Maidan, where it would turn about itself, and decide on its prey. "Forward, forward," shrieked Mahmoud Ali, whose every utterance had become a yell. "Down with the Collector, down with the Superintendent of Police." "Mr. Mahmoud Ali, this is not wise," implored the Nawab Bahadur: he knew that nothing was gained by attacking the English, who had fallen into their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I have tortured that nigger.'" "Oh, my God, my God. . . . He called him a nigger, did he?" "They put pepper instead of antiseptic on the wounds." "Mr. Mahmoud Ali, impossible; a little roughness will not hurt the boy, he needs discipline." "Pepper. Civil Surgeon said so. They hope to destroy us one by one; they shall fail." The new injury lashed the crowd to fury. It had been aimless hitherto, and had lacked a grievance. When they reached the Maidan and saw the sallow arcades of the Minto they shambled towards it howling. It was near midday. The earth and sky were insanely ugly, the spirit of evil again strode abroad. The Nawab Bahadur alone struggled against it, and told himself that the rumour must be untrue. He had seen his grandson in the ward only last week. But he too was carried forward over the new precipice. To rescue, to maltreat Major Callendar in revenge, and then was to come the turn of the civil station generally. But disaster was averted, and averted by Dr. Panna Lal. Dr. Panna Lal had offered to give evidence for the prosecution in the hope of pleasing the English, also because he hated Aziz. When the case broke down, he was in a very painful position. He saw the crash coming sooner than most people, slipped from the court before Mr. Das had finished, and drove Dapple off through the bazaars, in flight from the wrath to come. In the hospital he should be safe, for Major Callendar would protect him. But the Major had not come, and now things were worse than ever, for here was a mob, entirely desirous of his blood, and the orderlies were mutinous and would not help him over the back wall, or rather hoisted him and let him drop back, to the satisfaction of the patients. In agony he cried, "Man can but die the once," and waddled across the compound to meet the invasion, salaaming with one hand and holding up a pale yellow umbrella in the other. "Oh, forgive me," he whined as he approached the victorious landau. "Oh, Dr. Aziz, forgive the wicked lies I told." Aziz was silent, the others thickened their throats and threw up their chins in token of scorn. "I was afraid, I was mislaid," the suppliant continued. "I was	A Passage To India
When they were settled in front of the fire in the empty smoking-room, he answered,	No speaker	go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with	does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the	I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her	what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan	think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you.	his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable	royal family. When he came to London he was regular in attendance at the House of Lords; all his friends were well over forty and for some years now he had established himself as a member of their generation; few mothers still regarded him as a possible son-in-law. * * * * * "This whole business of Brenda is _very_ unfortunate," said Reggie St Cloud. Tony agreed. "My mother is extremely upset about it, naturally. I'm upset myself. I don't mind admitting, perfectly frankly, that I think she has behaved very foolishly, foolishly and wrongly. I can quite understand your being upset about it too." "Yes," said Tony. "But all the same, making every allowance for your feelings, I do think that you are behaving rather vindictively in the matter." "I'm doing exactly what Brenda wanted." "My dear fellow, she doesn't know what she wants. I saw this chap Beaver yesterday. I didn't like him _at all_. Do you?" "I hardly know him." "Well, I can assure you I didn't like him. Now you're just throwing Brenda into his arms. That's what it amounts to, as I see it, and I call it vindictive. Of course, at the moment Brenda's got the idea that she's in love with him. But it won't last. It couldn't with a chap like Beaver. She'll want to come back in a year, just you see. Allan says the same." "I've told Allan. I don't want her back." "Well, that's vindictive." "No, I just couldn't feel the same about her again." "Well, why feel _the same_? One has to change as one gets older. Why, ten years ago I couldn't be interested in anything later than the Sumerian age and I assure you that now I find even the Christian era full of significance." For some time he spoke about some _tabulae exsecrationum_ that he had lately unearthed. "Almost every grave had them," he said, "mostly referring to the circus factions, scratched on lead. They used to be dropped in through a funnel. We had found forty-three up-to-date, before this wretched business happened, and I had to come back. Naturally I'm upset." He sat for a little, eating silently. This last observation had brought the conversation back to its point of departure. He clearly had more to say on the subject and was meditating the most convenient approach. He ate in a ruthless manner, champing his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use	conversation back to its point of departure. He clearly had more to say on the subject and was meditating the most convenient approach. He ate in a ruthless manner, champing his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting	A Handful Of Dust
"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"	Rose Maylie	you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful	happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!"	a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew	pleasure by watering your flowers, or watching your birds, or running up and down the whole day long, to make you happy; what would I give to do it!" "You shall give nothing at all," said Miss Maylie, smiling; "for, as I told you before, we shall employ you in a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew how happy I am, they would be pleased, I am sure." "I am sure they would," rejoined Oliver's benefactress; "and Mr. Losberne has already been kind enough to promise that when you are well enough to bear the journey, he will carry you to see them." "Has he, ma'am?" cried	Oliver had been one day feebly endeavouring to utter the words of thankfulness that rose to his pale lips; "you shall have many opportunities of serving us, if you will. We are going into the country, and my aunt intends that you shall accompany us. The quiet place, the pure air, and all the pleasure and beauties of spring, will restore you in a few days. We will employ you in a hundred ways, when you can bear the trouble." "The trouble!" cried Oliver. "Oh! dear lady, if I could but work for you; if I could only give you pleasure by watering your flowers, or watching your birds, or running up and down the whole day long, to make you happy; what would I give to do it!" "You shall give nothing at all," said Miss Maylie, smiling; "for, as I told you before, we shall employ you in a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew how happy I am, they would be pleased, I am sure." "I am sure they would," rejoined Oliver's benefactress; "and Mr. Losberne has already been kind enough to promise that when you are well enough to bear the journey, he will carry you to see them." "Has he, ma'am?" cried Oliver, his face brightening with pleasure. "I don't know what I shall do for joy when I see their kind faces once again!" In a short time Oliver was sufficiently recovered to undergo the fatigue of this expedition. One morning he and Mr. Losberne set out, accordingly, in a little carriage which belonged to Mrs. Maylie. When they came to Chertsey Bridge, Oliver turned very pale, and uttered a loud exclamation. "What's the matter with the boy?" cried the doctor, as usual, all in a bustle. "Do you see anything hear anything feel anything eh?" "That, sir," cried Oliver, pointing	they be not, what prayers are! the blessings which the orphan child called down upon them, sunk into their souls, diffusing peace and happiness. CHAPTER XXXII. OF THE HAPPY LIFE OLIVER BEGAN TO LEAD WITH HIS KIND FRIENDS Oliver's ailings were neither slight nor few. In addition to the pain and delay attendant on a broken limb, his exposure to the wet and cold had brought on fever and ague: which hung about him for many weeks, and reduced him sadly. But, at length, he began, by slow degrees, to get better, and to be able to say sometimes, in a few tearful words, how deeply he felt the goodness of the two sweet ladies, and how ardently he hoped that when he grew strong and well again, he could do something to show his gratitude; only something, which would let them see the love and duty with which his breast was full; something, however slight, which would prove to them that their gentle kindness had not been cast away; but that the poor boy whom their charity had rescued from misery, or death, was eager to serve them with his whole heart and soul. "Poor fellow!" said Rose, when Oliver had been one day feebly endeavouring to utter the words of thankfulness that rose to his pale lips; "you shall have many opportunities of serving us, if you will. We are going into the country, and my aunt intends that you shall accompany us. The quiet place, the pure air, and all the pleasure and beauties of spring, will restore you in a few days. We will employ you in a hundred ways, when you can bear the trouble." "The trouble!" cried Oliver. "Oh! dear lady, if I could but work for you; if I could only give you pleasure by watering your flowers, or watching your birds, or running up and down the whole day long, to make you happy; what would I give to do it!" "You shall give nothing at all," said Miss Maylie, smiling; "for, as I told you before, we shall employ you in a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew how happy I am, they would be pleased, I am sure." "I am sure they would," rejoined Oliver's benefactress; "and Mr. Losberne has already been kind enough to promise that when you are well enough to bear the journey, he will carry you to see them." "Has he, ma'am?" cried Oliver, his face brightening with pleasure. "I don't know what I shall do for joy when I see their kind faces once again!" In a short time Oliver was sufficiently recovered to undergo the fatigue of this expedition. One morning he and Mr. Losberne set out, accordingly, in a little carriage which belonged to Mrs. Maylie. When they came to Chertsey Bridge, Oliver turned very pale, and uttered a loud exclamation. "What's the matter with the boy?" cried the doctor, as usual, all in a bustle. "Do you see anything hear anything feel anything eh?" "That, sir," cried Oliver, pointing out of the carriage window. "That house!" "Yes; well, what of it? Stop coachman. Pull up here," cried the doctor. "What of the house, my man; eh?" "The thieves the house they took me to!" whispered Oliver. "The devil it is!" cried the doctor. "Hallo, there! let me out!" But, before the coachman could dismount from his box, he had tumbled out of the coach, by some means or other; and, running down to the deserted tenement, began kicking at the door like a madman. "Halloa?" said a little ugly hump-backed man: opening the door so suddenly, that the doctor, from the very impetus of his last kick, nearly fell forward into the passage. "What's the matter here?" "Matter!" exclaimed the other, collaring him, without a moment's reflection. "A good deal. Robbery is the matter." "There'll be Murder the matter, too," replied the hump-backed man, coolly, "if you don't take your hands off. Do you hear me?" "I hear you," said the doctor, giving his captive a hearty shake. "Where's confound the fellow, what's his rascally name Sikes; that's it. Where's Sikes, you thief?" The hump-backed man stared, as if in excess of amazement and indignation; then, twisting himself, dexterously,	anybody; and upon examination of the fellow pistol to that which he had fired, it turned out to have no more destructive loading than gunpowder and brown paper: a discovery which made a considerable impression on everybody but the doctor, who had drawn the ball about ten minutes before. Upon no one, however, did it make a greater impression than on Mr. Giles himself; who, after labouring, for some hours, under the fear of having mortally wounded a fellow-creature, eagerly caught at this new idea, and favoured it to the utmost. Finally, the officers, without troubling themselves very much about Oliver, left the Chertsey constable in the house, and took up their rest for that night in the town; promising to return the next morning. With the next morning, there came a rumour, that two men and a boy were in the cage at Kingston, who had been apprehended over night under suspicious circumstances; and to Kingston Messrs. Blathers and Duff journeyed accordingly. The suspicious circumstances, however, resolving themselves, on investigation, into the one fact, that they had been discovered sleeping under a haystack; which, although a great crime, is only punishable by imprisonment, and is, in the merciful eye of the English law, and its comprehensive love of all the King's subjects, held to be no satisfactory proof, in the absence of all other evidence, that the sleeper, or sleepers, have committed burglary accompanied with violence, and have therefore rendered themselves liable to the punishment of death; Messrs. Blathers and Duff came back again, as wise as they went. In short, after some more examination, and a great deal more conversation, a neighbouring magistrate was readily induced to take the joint bail of Mrs. Maylie and Mr. Losberne for Oliver's appearance if he should ever be called upon; and Blathers and Duff, being rewarded with a couple of guineas, returned to town with divided opinions on the subject of their expedition: the latter gentleman on a mature consideration of all the circumstances, inclining to the belief that the burglarious attempt had originated with the Family Pet; and the former being equally disposed to concede the full merit of it to the great Mr. Conkey Chickweed. Meanwhile, Oliver gradually throve and prospered under the united care of Mrs. Maylie, Rose, and the kind-hearted Mr. Losberne. If fervent prayers, gushing from hearts overcharged with gratitude, be heard in heaven and if they be not, what prayers are! the blessings which the orphan child called down upon them, sunk into their souls, diffusing peace and happiness. CHAPTER XXXII. OF THE HAPPY LIFE OLIVER BEGAN TO LEAD WITH HIS KIND FRIENDS Oliver's ailings were neither slight nor few. In addition to the pain and delay attendant on a broken limb, his exposure to the wet and cold had brought on fever and ague: which hung about him for many weeks, and reduced him sadly. But, at length, he began, by slow degrees, to get better, and to be able to say sometimes, in a few tearful words, how deeply he felt the goodness of the two sweet ladies, and how ardently he hoped that when he grew strong and well again, he could do something to show his gratitude; only something, which would let them see the love and duty with which his breast was full; something, however slight, which would prove to them that their gentle kindness had not been cast away; but that the poor boy whom their charity had rescued from misery, or death, was eager to serve them with his whole heart and soul. "Poor fellow!" said Rose, when Oliver had been one day feebly endeavouring to utter the words of thankfulness that rose to his pale lips; "you shall have many opportunities of serving us, if you will. We are going into the country, and my aunt intends that you shall accompany us. The quiet place, the pure air, and all the pleasure and beauties of spring, will restore you in a few days. We will employ you in a hundred ways, when you can bear the trouble." "The trouble!" cried Oliver. "Oh! dear lady, if I could but work for you; if I could only give you pleasure by watering your flowers, or watching your birds, or running up and down the whole day long, to make you happy; what would I give to do it!" "You shall give nothing at all," said Miss Maylie, smiling; "for, as I told you before, we shall employ you in a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew how happy I am, they would be pleased, I am sure." "I am sure they would," rejoined Oliver's benefactress; "and Mr. Losberne has already been kind enough to promise that when you are well enough to bear the journey, he will carry you to see them." "Has he, ma'am?" cried Oliver, his face brightening with pleasure. "I don't know what I shall do for joy when I see their kind faces once again!" In a short time Oliver was sufficiently recovered to undergo the fatigue of this expedition. One morning he and Mr. Losberne set out, accordingly, in a little carriage which belonged to Mrs. Maylie. When they came to Chertsey Bridge, Oliver turned very pale, and uttered a loud exclamation. "What's the matter with the boy?" cried the doctor, as usual, all in a bustle. "Do you see anything hear anything feel anything eh?" "That, sir," cried Oliver, pointing out of the carriage window. "That house!" "Yes; well, what of it? Stop coachman. Pull up here," cried the doctor. "What of the house, my man; eh?" "The thieves the house they took me to!" whispered Oliver. "The devil it is!" cried the doctor. "Hallo, there! let me out!" But, before the coachman could dismount from his box, he had tumbled out of the coach, by some means or other; and, running down to the deserted tenement, began kicking at the door like a madman. "Halloa?" said a little ugly hump-backed man: opening the door so suddenly, that the doctor, from the very impetus of his last kick, nearly fell forward into the passage. "What's the matter here?" "Matter!" exclaimed the other, collaring him, without a moment's reflection. "A good deal. Robbery is the matter." "There'll be Murder the matter, too," replied the hump-backed man, coolly, "if you don't take your hands off. Do you hear me?" "I hear you," said the doctor, giving his captive a hearty shake. "Where's confound the fellow, what's his rascally name Sikes; that's it. Where's Sikes, you thief?" The hump-backed man stared, as if in excess of amazement and indignation; then, twisting himself, dexterously, from the doctor's grasp, growled forth a volley of horrid oaths, and retired into the house. Before he could shut the door, however, the doctor had passed into the parlour, without a word of parley. He looked anxiously round; not an article of furniture; not a vestige of anything, animate or inanimate; not even the position of the cupboards; answered Oliver's description! "Now!" said the hump-backed man, who had watched him keenly, "what do you mean by coming into my house, in this violent way? Do you want to rob me, or to murder me? Which is it?" "Did you ever know a man come out to do either, in a chariot and pair, you ridiculous old vampire?" said the irritable doctor. "What do you want, then?" demanded the hunchback. "Will you take yourself off, before I do you a mischief? Curse you!" "As soon as I think proper," said Mr. Losberne, looking into the other parlour; which, like the first, bore no resemblance whatever to Oliver's account of it. "I shall find you out, some day, my friend." "Will you?" sneered the ill-favoured cripple. "If you ever want me, I'm here. I haven't lived here mad and all alone, for five-and-twenty years, to be scared by you. You shall pay for this; you shall pay for this." And so saying, the mis-shapen little demon set up a yell, and danced upon the ground, as if wild with rage. "Stupid enough, this," muttered the doctor to himself; "the boy must have made a mistake. Here! Put that in your pocket, and shut yourself up again." With these words he flung the hunchback a piece of money, and returned to the carriage. The man followed to the chariot door, uttering the wildest imprecations and curses all the way; but as Mr. Losberne turned to speak to the driver, he looked into the carriage, and eyed Oliver for an instant with a glance so sharp and fierce and at the same time so furious and vindictive, that, waking or sleeping, he could not forget it for months afterwards. He continued to utter the most fearful imprecations, until the driver had resumed his seat; and when they were once more on their way, they could see him some distance behind: beating his feet upon the ground, and tearing his hair, in transports of real or pretended rage. "I am an ass!" said the	his breast was full; something, however slight, which would prove to them that their gentle kindness had not been cast away; but that the poor boy whom their charity had rescued from misery, or death, was eager to serve them with his whole heart and soul. "Poor fellow!" said Rose, when Oliver had been one day feebly endeavouring to utter the words of thankfulness that rose to his pale lips; "you shall have many opportunities of serving us, if you will. We are going into the country, and my aunt intends that you shall accompany us. The quiet place, the pure air, and all the pleasure and beauties of spring, will restore you in a few days. We will employ you in a hundred ways, when you can bear the trouble." "The trouble!" cried Oliver. "Oh! dear lady, if I could but work for you; if I could only give you pleasure by watering your flowers, or watching your birds, or running up and down the whole day long, to make you happy; what would I give to do it!" "You shall give nothing at all," said Miss Maylie, smiling; "for, as I told you before, we shall employ you in a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew how happy I am, they would be pleased, I am sure." "I am sure they would," rejoined Oliver's benefactress; "and Mr. Losberne has already been kind enough to promise that when you are well enough to bear the journey, he will carry you to see them." "Has he, ma'am?" cried Oliver, his face brightening with pleasure. "I don't know what I shall do for joy when I see their kind faces once again!" In a short time Oliver was sufficiently recovered to undergo the fatigue of this expedition. One morning he and Mr. Losberne set out, accordingly, in a little carriage which belonged to Mrs. Maylie. When they came to Chertsey Bridge, Oliver turned very pale, and uttered a loud exclamation. "What's the matter with the boy?" cried the doctor, as usual, all in a bustle. "Do you see anything hear anything feel anything eh?" "That, sir," cried Oliver, pointing out of the	Oliver Twist
She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.	No speaker	feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about	rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever	personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked	After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well.	He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar	time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks." "I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip. "It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a lady a drink?" "We'll have two more Martinis." "As they were before, sir?" "They were very good." Brett smiled at him. "Thank you, ma'am." "Well, bung-o," Brett	the elevator. I could not make the elevator work, so I walked up. On the second floor up was a cut brass sign: HOTEL MONTANA. I rang and no one came to the door. I rang again and a maid with a sullen face opened the door. "Is Lady Ashley here?" I asked. She looked at me dully. "Is an Englishwoman here?" She turned and called some one inside. A very fat woman came to the door. Her hair was gray and stiffly oiled in scallops around her face. She was short and commanding. "Muy buenos," I said. "Is there an Englishwoman here? I would like to see this English lady." "Muy buenos. Yes, there is a female English. Certainly you can see her if she wishes to see you." "She wishes to see me." "The chica will ask her." "It is very hot." "It is very hot in the summer in Madrid." "And how cold in winter." "Yes, it is very cold in winter." Did I want to stay myself in person in the Hotel Montana? Of that as yet I was undecided, but it would give me pleasure if my bags were brought up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello," said Brett. "Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks." "I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip. "It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a lady a drink?" "We'll have two more Martinis." "As they were before, sir?" "They were very good." Brett smiled at him. "Thank you, ma'am." "Well, bung-o," Brett said. "Bung-o!" "You know," Brett said, "he'd only been with two women before. He never cared about anything but bull-fighting." "He's got plenty of time." "I don't know. He thinks it was me. Not the show in general." "Well, it was you." "Yes. It was me." "I thought you weren't going to ever talk about it." "How can I help it?" "You'll lose it if you talk about it." "I just talk around it. You know I feel rather damned good, Jake." "You should." "You know it makes one feel rather good deciding not to be a bitch." "Yes." "It's sort of what we have instead of God." "Some people have God," I said. "Quite a lot." "He never worked very well with me." "Should we have another Martini?" The barman shook up two more Martinis and poured them out into fresh glasses. "Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window. "Here?" asked Brett. "It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman. "Yes, sir. Would you like to have me write out the address?" "Thank you." We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a very big meal and drank three bottles of _rioja alta_. "How do you feel, Jake?" Brett asked. "My God! what a meal you've eaten." "I feel fine. Do you want a dessert?" "Lord, no." Brett was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. "So I did. Let's have another bottle of _rioja alta_." "It's very good." "You haven't drunk much of it," I said. "I have. You haven't seen." "Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she	in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello," said Brett. "Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on	The Sun Also Rises
She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.	No speaker	have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a	some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such	give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt	On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some	I have not an instant to lose." "Good God! what is the matter?" cried he, with more feeling than politeness; then recollecting himself, "I will not detain you a minute, but let me, or let the servant, go after Mr. and Mrs. Gardiner. You are not well enough;--you cannot go yourself." Elizabeth hesitated, but her knees trembled under her, and she felt how little would be gained by her attempting to pursue them. Calling back the servant, therefore, she commissioned him, though in so breathless an accent as made her almost unintelligible, to fetch his master and mistress home, instantly. On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be	of requesting it, though I have still something more to ask of the former. My father is going to London with Colonel Forster instantly, to try to discover her. What he means to do, I am sure I know not; but his excessive distress will not allow him to pursue any measure in the best and safest way, and Colonel Forster is obliged to be at Brighton again to-morrow evening. In such an exigence my uncle's advice and assistance would be every thing in the world; he will immediately comprehend what I must feel, and I rely upon his goodness." "Oh! where, where is my uncle?" cried Elizabeth, darting from her seat as she finished the letter, in eagerness to follow him, without losing a moment of the time so precious; but as she reached the door, it was opened by a servant, and Mr. Darcy appeared. Her pale face and impetuous manner made him start, and before he could recover himself enough to speak, she, in whose mind every idea was superseded by Lydia's situation, hastily exclaimed, "I beg your pardon, but I must leave you. I must find Mr. Gardiner this moment, on business that cannot be delayed; I have not an instant to lose." "Good God! what is the matter?" cried he, with more feeling than politeness; then recollecting himself, "I will not detain you a minute, but let me, or let the servant, go after Mr. and Mrs. Gardiner. You are not well enough;--you cannot go yourself." Elizabeth hesitated, but her knees trembled under her, and she felt how little would be gained by her attempting to pursue them. Calling back the servant, therefore, she commissioned him, though in so breathless an accent as made her almost unintelligible, to fetch his master and mistress home, instantly. On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!" Darcy shook his head in silent acquiesence. "When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the room in earnest meditation; his brow contracted, his air gloomy. Elizabeth soon observed, and instantly understood it. Her power was sinking; every thing _must_ sink under such a proof of family weakness, such an assurance of the deepest disgrace. She could neither wonder nor condemn, but the belief of his self-conquest brought nothing consolatory to her bosom, afforded no palliation of her distress. It was, on the contrary, exactly calculated to make her understand her own wishes; and never had she so honestly felt that she could have loved him, as now, when all love	did trace them easily to Clapham, but no farther; for on entering that place they removed into a hackney-coach and dismissed the chaise that brought them from Epsom. All that is known after this is, that they were seen to continue the London road. I know not what to think. After making every possible enquiry on that side London, Colonel F. came on into Hertfordshire, anxiously renewing them at all the turnpikes, and at the inns in Barnet and Hatfield, but without any success, no such people had been seen to pass through. With the kindest concern he came on to Longbourn, and broke his apprehensions to us in a manner most creditable to his heart. I am sincerely grieved for him and Mrs. F. but no one can throw any blame on them. Our distress, my dear Lizzy, is very great. My father and mother believe the worst, but I cannot think so ill of him. Many circumstances might make it more eligible for them to be married privately in town than to pursue their first plan; and even if _he_ could form such a design against a young woman of Lydia's connections, which is not likely, can I suppose her so lost to every thing?--Impossible. I grieve to find, however, that Colonel F. is not disposed to depend upon their marriage; he shook his head when I expressed my hopes, and said he feared W. was not a man to be trusted. My poor mother is really ill and keeps her room. Could she exert herself it would be better, but this is not to be expected; and as to my father, I never in my life saw him so affected. Poor Kitty has anger for having concealed their attachment; but as it was a matter of confidence one cannot wonder. I am truly glad, dearest Lizzy, that you have been spared something of these distressing scenes; but now as the first shock is over, shall I own that I long for your return? I am not so selfish, however, as to press for it, if inconvenient. Adieu. I take up my pen again to do, what I have just told you I would not, but circumstances are such, that I cannot help earnestly begging you all to come here, as soon as possible. I know my dear uncle and aunt so well, that I am not afraid of requesting it, though I have still something more to ask of the former. My father is going to London with Colonel Forster instantly, to try to discover her. What he means to do, I am sure I know not; but his excessive distress will not allow him to pursue any measure in the best and safest way, and Colonel Forster is obliged to be at Brighton again to-morrow evening. In such an exigence my uncle's advice and assistance would be every thing in the world; he will immediately comprehend what I must feel, and I rely upon his goodness." "Oh! where, where is my uncle?" cried Elizabeth, darting from her seat as she finished the letter, in eagerness to follow him, without losing a moment of the time so precious; but as she reached the door, it was opened by a servant, and Mr. Darcy appeared. Her pale face and impetuous manner made him start, and before he could recover himself enough to speak, she, in whose mind every idea was superseded by Lydia's situation, hastily exclaimed, "I beg your pardon, but I must leave you. I must find Mr. Gardiner this moment, on business that cannot be delayed; I have not an instant to lose." "Good God! what is the matter?" cried he, with more feeling than politeness; then recollecting himself, "I will not detain you a minute, but let me, or let the servant, go after Mr. and Mrs. Gardiner. You are not well enough;--you cannot go yourself." Elizabeth hesitated, but her knees trembled under her, and she felt how little would be gained by her attempting to pursue them. Calling back the servant, therefore, she commissioned him, though in so breathless an accent as made her almost unintelligible, to fetch his master and mistress home, instantly. On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!" Darcy shook his head in silent acquiesence. "When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the room in earnest meditation; his brow contracted, his air gloomy. Elizabeth soon observed, and instantly understood it. Her power was sinking; every thing _must_ sink under such a proof of family weakness, such an assurance of the deepest disgrace. She could neither wonder nor condemn, but the belief of his self-conquest brought nothing consolatory to her bosom, afforded no palliation of her distress. It was, on the contrary, exactly calculated to make her understand her own wishes; and never had she so honestly felt that she could have loved him, as now, when all love must be vain. But self, though it would intrude, could not engross her. Lydia--the humiliation, the misery, she was bringing on them all, soon swallowed up every private care; and covering her face with her handkerchief, Elizabeth was soon lost to every thing else; and, after a pause of several minutes, was only recalled to a sense of her situation by the voice of her companion, who, in a manner, which though it spoke compassion, spoke likewise restraint, said, "I am afraid you have been long desiring my absence, nor have I any thing to plead in excuse of my stay, but real, though unavailing, concern. Would to heaven that any thing could be either said or done on my part, that might offer consolation to such distress.--But I will not torment you with vain wishes, which may seem purposely to ask for your thanks. This unfortunate affair will, I fear, prevent my sister's having the pleasure of seeing you at Pemberley to-day." "Oh, yes. Be so kind as to apologize for us to Miss Darcy. Say that urgent business calls us home immediately. Conceal the unhappy truth as long as it is possible.--I know it cannot be long." He readily assured her of his secrecy--again expressed his sorrow for her distress, wished it a happier conclusion than there was at present reason to hope, and leaving his compliments for her relations, with only one serious, parting, look, went away. As he quitted the room, Elizabeth felt how improbable it was that they should ever see each other again on such terms of cordiality as had marked their several meetings in Derbyshire; and as she threw a retrospective glance over the whole of their acquaintance, so full of contradictions and varieties, sighed at the perverseness of those feelings which would now have promoted its continuance, and would formerly have rejoiced in its termination. If gratitude and esteem are good foundations of affection, Elizabeth's change of sentiment will be neither improbable nor faulty. But if otherwise, if the regard springing from such sources is unreasonable or unnatural, in comparison of what is so often described as arising on a first interview with its object, and even before two words have been exchanged, nothing can be said in her defence, except that she had given somewhat of a trial to the latter method, in her partiality for Wickham, and that its ill-success	"I beg your pardon, but I must leave you. I must find Mr. Gardiner this moment, on business that cannot be delayed; I have not an instant to lose." "Good God! what is the matter?" cried he, with more feeling than politeness; then recollecting himself, "I will not detain you a minute, but let me, or let the servant, go after Mr. and Mrs. Gardiner. You are not well enough;--you cannot go yourself." Elizabeth hesitated, but her knees trembled under her, and she felt how little would be gained by her attempting to pursue them. Calling back the servant, therefore, she commissioned him, though in so breathless an accent as made her almost unintelligible, to fetch his master and mistress home, instantly. On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!" Darcy shook his head in silent acquiesence. "When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the room in earnest meditation; his brow contracted, his air gloomy. Elizabeth soon observed, and instantly understood it. Her power was sinking; every thing _must_ sink under such a proof of family weakness, such an assurance of the deepest disgrace. She could neither wonder nor condemn, but the belief of his self-conquest brought nothing consolatory to her bosom, afforded no palliation of her distress. It was, on the contrary, exactly calculated to make her understand her own wishes; and never had she so honestly felt that she could have loved him, as now, when all love must be vain. But self, though it would intrude, could not engross her. Lydia--the humiliation, the misery, she was bringing on them all, soon swallowed up every private care; and covering her face with her handkerchief, Elizabeth was soon lost to every thing else; and, after a pause of several minutes, was only recalled to a sense of her situation by the voice of her companion,	Pride And Prejudice
"Does _your_ watch tell you what year it is?"	The Hatter	should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied	what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because	better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it	crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just	remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you	like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the	a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked;	"it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason	Alices Adventures In Wonderland
"You girls are so wonderful in always having--Oh dear! one mustn t talk."	Aunt Juley	young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very	takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family	she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once,	you before the rest of the orchestra arrives, it is still cheap. "Whom is Margaret talking to?" said Mrs. Munt, at the conclusion of the first movement. She was again in London on a visit to Wickham Place. Helen looked down the long line of their party, and said that she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once, and then her attention wandered, and she gazed at the audience, or the organ, or the architecture. Much did she censure the attenuated Cupids who encircle the ceiling of the Queen s Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons, on which the October sunlight	like their cousin, Fraulein Mosebach, who remembers all the time that Beethoven is echt Deutsch; or like Fraulein Mosebach s young man, who can remember nothing but Fraulein Mosebach: in any case, the passion of your life becomes more vivid, and you are bound to admit that such a noise is cheap at two shillings. It is cheap, even if you hear it in the Queen s Hall, dreariest music-room in London, though not as dreary as the Free Trade Hall, Manchester; and even if you sit on the extreme left of that hall, so that the brass bumps at you before the rest of the orchestra arrives, it is still cheap. "Whom is Margaret talking to?" said Mrs. Munt, at the conclusion of the first movement. She was again in London on a visit to Wickham Place. Helen looked down the long line of their party, and said that she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once, and then her attention wandered, and she gazed at the audience, or the organ, or the architecture. Much did she censure the attenuated Cupids who encircle the ceiling of the Queen s Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons, on which the October sunlight struck. "How awful to marry a man like those Cupids!" thought Helen. Here Beethoven started decorating his tune, so she heard him through once more, and then she smiled at her Cousin Frieda. But Frieda, listening to Classical Music, could not respond. Herr Liesecke, too, looked as if wild horses could not make him inattentive; there were lines across his forehead, his lips were parted, his pince-nez at right angles to his nose, and he had laid a thick, white hand on either knee. And next to her was Aunt Juley, so British, and wanting to tap. How interesting that	the whole of the company, while Margaret--both were tremendous talkers--fell flat. Neither sister bothered about this. Helen never apologised afterwards, Margaret did not feel the slightest rancour. But looks have their influence upon character. The sisters were alike as little girls, but at the time of the Wilcox episode their methods were beginning to diverge; the younger was rather apt to entice people, and, in enticing them, to be herself enticed; the elder went straight ahead, and accepted an occasional failure as part of the game. Little need be premised about Tibby. He was now an intelligent man of sixteen, but dyspeptic and difficile. CHAPTER V It will be generally admitted that Beethoven s Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man. All sorts and conditions are satisfied by it. Whether you are like Mrs. Munt, and tap surreptitiously when the tunes come--of course, not so as to disturb the others--or like Helen, who can see heroes and shipwrecks in the music s flood; or like Margaret, who can only see the music; or like Tibby, who is profoundly versed in counterpoint, and holds the full score open on his knee; or like their cousin, Fraulein Mosebach, who remembers all the time that Beethoven is echt Deutsch; or like Fraulein Mosebach s young man, who can remember nothing but Fraulein Mosebach: in any case, the passion of your life becomes more vivid, and you are bound to admit that such a noise is cheap at two shillings. It is cheap, even if you hear it in the Queen s Hall, dreariest music-room in London, though not as dreary as the Free Trade Hall, Manchester; and even if you sit on the extreme left of that hall, so that the brass bumps at you before the rest of the orchestra arrives, it is still cheap. "Whom is Margaret talking to?" said Mrs. Munt, at the conclusion of the first movement. She was again in London on a visit to Wickham Place. Helen looked down the long line of their party, and said that she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once, and then her attention wandered, and she gazed at the audience, or the organ, or the architecture. Much did she censure the attenuated Cupids who encircle the ceiling of the Queen s Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons, on which the October sunlight struck. "How awful to marry a man like those Cupids!" thought Helen. Here Beethoven started decorating his tune, so she heard him through once more, and then she smiled at her Cousin Frieda. But Frieda, listening to Classical Music, could not respond. Herr Liesecke, too, looked as if wild horses could not make him inattentive; there were lines across his forehead, his lips were parted, his pince-nez at right angles to his nose, and he had laid a thick, white hand on either knee. And next to her was Aunt Juley, so British, and wanting to tap. How interesting that row of people was! What diverse influences had gone to the making! Here Beethoven, after humming and hawing with great sweetness, said "Heigho," and the Andante came to an end. Applause, and a round of "wunderschoning" and pracht volleying from the German contingent. Margaret started talking to her new young man; Helen said to her aunt: "Now comes the wonderful movement: first of all the goblins, and then a trio of elephants dancing" "; and Tibby implored the company generally to look out for the transitional passage on the drum. "On the what, dear?" "On the drum, Aunt Juley." "No; look out for the part where you think you have done with the goblins and they come back," breathed Helen, as the music started with a goblin walking quietly over the universe, from end to end. Others followed him. They were not aggressive creatures; it was that that made them so terrible to Helen. They merely observed in passing that there was no such thing as splendour or heroism in the world. After the interlude of elephants dancing, they returned and made the observation for the second time. Helen could not contradict them, for, once at all events, she had	miles are almost the same as heaven. That is not imagination. No, it kills it. When their poets over here try to celebrate bigness they are dead at once, and naturally. Your poets too are dying, your philosophers, your musicians, to whom Europe has listened for two hundred years. Gone. Gone with the little courts that nurtured them--gone with Esterhazy and Weimar. What? What s that? Your universities? Oh yes, you have learned men, who collect more facts than do the learned men of England. They collect facts, and facts, and empires of facts. But which of them will rekindle the light within?" To all this Margaret listened, sitting on the haughty nephew s knee. It was a unique education for the little girls. The haughty nephew would be at Wickham Place one day, bringing with him an even haughtier wife, both convinced that Germany was appointed by God to govern the world. Aunt Juley would come the next day, convinced that Great Britain had been appointed to the same post by the same authority. Were both these loud-voiced parties right? On one occasion they had met and Margaret with clasped hands had implored them to argue the subject out in her presence. Whereat they blushed, and began to talk about the weather. "Papa," she cried--she was a most offensive child--" "why will they not discuss this most clear question?" Her father, surveying the parties grimly, replied that he did not know. Putting her head on one side, Margaret then remarked, "To me one of two things is very clear; either God does not know his own mind about England and Germany, or else these do not know the mind of God." A hateful little girl, but at thirteen she had grasped a dilemma that most people travel through life without perceiving. Her brain darted up and down; it grew pliant and strong. Her conclusion was, that any human being lies nearer to the unseen than any organisation, and from this she never varied. Helen advanced along the same lines, though with a more irresponsible tread. In character she resembled her sister, but she was pretty, and so apt to have a more amusing time. People gathered round her more readily, especially when they were new acquaintances, and she did enjoy a little homage very much. When their father died and they ruled alone at Wickham Place, she often absorbed the whole of the company, while Margaret--both were tremendous talkers--fell flat. Neither sister bothered about this. Helen never apologised afterwards, Margaret did not feel the slightest rancour. But looks have their influence upon character. The sisters were alike as little girls, but at the time of the Wilcox episode their methods were beginning to diverge; the younger was rather apt to entice people, and, in enticing them, to be herself enticed; the elder went straight ahead, and accepted an occasional failure as part of the game. Little need be premised about Tibby. He was now an intelligent man of sixteen, but dyspeptic and difficile. CHAPTER V It will be generally admitted that Beethoven s Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man. All sorts and conditions are satisfied by it. Whether you are like Mrs. Munt, and tap surreptitiously when the tunes come--of course, not so as to disturb the others--or like Helen, who can see heroes and shipwrecks in the music s flood; or like Margaret, who can only see the music; or like Tibby, who is profoundly versed in counterpoint, and holds the full score open on his knee; or like their cousin, Fraulein Mosebach, who remembers all the time that Beethoven is echt Deutsch; or like Fraulein Mosebach s young man, who can remember nothing but Fraulein Mosebach: in any case, the passion of your life becomes more vivid, and you are bound to admit that such a noise is cheap at two shillings. It is cheap, even if you hear it in the Queen s Hall, dreariest music-room in London, though not as dreary as the Free Trade Hall, Manchester; and even if you sit on the extreme left of that hall, so that the brass bumps at you before the rest of the orchestra arrives, it is still cheap. "Whom is Margaret talking to?" said Mrs. Munt, at the conclusion of the first movement. She was again in London on a visit to Wickham Place. Helen looked down the long line of their party, and said that she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once, and then her attention wandered, and she gazed at the audience, or the organ, or the architecture. Much did she censure the attenuated Cupids who encircle the ceiling of the Queen s Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons, on which the October sunlight struck. "How awful to marry a man like those Cupids!" thought Helen. Here Beethoven started decorating his tune, so she heard him through once more, and then she smiled at her Cousin Frieda. But Frieda, listening to Classical Music, could not respond. Herr Liesecke, too, looked as if wild horses could not make him inattentive; there were lines across his forehead, his lips were parted, his pince-nez at right angles to his nose, and he had laid a thick, white hand on either knee. And next to her was Aunt Juley, so British, and wanting to tap. How interesting that row of people was! What diverse influences had gone to the making! Here Beethoven, after humming and hawing with great sweetness, said "Heigho," and the Andante came to an end. Applause, and a round of "wunderschoning" and pracht volleying from the German contingent. Margaret started talking to her new young man; Helen said to her aunt: "Now comes the wonderful movement: first of all the goblins, and then a trio of elephants dancing" "; and Tibby implored the company generally to look out for the transitional passage on the drum. "On the what, dear?" "On the drum, Aunt Juley." "No; look out for the part where you think you have done with the goblins and they come back," breathed Helen, as the music started with a goblin walking quietly over the universe, from end to end. Others followed him. They were not aggressive creatures; it was that that made them so terrible to Helen. They merely observed in passing that there was no such thing as splendour or heroism in the world. After the interlude of elephants dancing, they returned and made the observation for the second time. Helen could not contradict them, for, once at all events, she had felt the same, and had seen the reliable walls of youth collapse. Panic and emptiness! Panic and emptiness! The goblins were right. Her brother raised his finger; it was the transitional passage on the drum. For, as if things were going too far, Beethoven took hold of the goblins and made them do what he wanted. He appeared in person. He gave them a little push, and they began to walk in a major key instead of in a minor, and then--he blew with his mouth and they were scattered! Gusts of splendour, gods and demigods contending with vast swords, colour and fragrance broadcast on the field of battle, magnificent victory, magnificent death! Oh, it all burst before the girl, and she even stretched out her gloved hands as if it was tangible. Any fate was titanic; any contest desirable; conqueror and conquered would alike be applauded by the angels of the utmost stars. And the goblins--they had not really been there at all? They were only the phantoms of cowardice and unbelief? One healthy human impulse would dispel them? Men like the Wilcoxes, or ex-President Roosevelt, would say yes. Beethoven knew better. The goblins really had been there. They might return--and they did. It was as if the splendour of life might boil over and waste to steam and froth. In its dissolution one heard the terrible, ominous note, and a goblin, with increased malignity, walked quietly over the universe from end to end. Panic and emptiness! Panic and emptiness! Even the flaming ramparts of the world might fall. Beethoven chose to make all right in the end. He built the ramparts up. He blew with his mouth for the second time, and again the goblins were scattered. He brought back the gusts of splendour, the heroism, the youth, the magnificence of life and of death, and, amid vast roarings of a superhuman joy, he led his Fifth Symphony to its conclusion. But the goblins were there. They could return. He had said so bravely, and that is why one can trust Beethoven when he says other things. Helen pushed her way out during the applause. She desired to be alone. The music had summed up to her all that had happened or could happen in her career. She read it as a tangible statement, which could never be superseded. The notes meant this and that to her, and	me one of two things is very clear; either God does not know his own mind about England and Germany, or else these do not know the mind of God." A hateful little girl, but at thirteen she had grasped a dilemma that most people travel through life without perceiving. Her brain darted up and down; it grew pliant and strong. Her conclusion was, that any human being lies nearer to the unseen than any organisation, and from this she never varied. Helen advanced along the same lines, though with a more irresponsible tread. In character she resembled her sister, but she was pretty, and so apt to have a more amusing time. People gathered round her more readily, especially when they were new acquaintances, and she did enjoy a little homage very much. When their father died and they ruled alone at Wickham Place, she often absorbed the whole of the company, while Margaret--both were tremendous talkers--fell flat. Neither sister bothered about this. Helen never apologised afterwards, Margaret did not feel the slightest rancour. But looks have their influence upon character. The sisters were alike as little girls, but at the time of the Wilcox episode their methods were beginning to diverge; the younger was rather apt to entice people, and, in enticing them, to be herself enticed; the elder went straight ahead, and accepted an occasional failure as part of the game. Little need be premised about Tibby. He was now an intelligent man of sixteen, but dyspeptic and difficile. CHAPTER V It will be generally admitted that Beethoven s Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man. All sorts and conditions are satisfied by it. Whether you are like Mrs. Munt, and tap surreptitiously when the tunes come--of course, not so as to disturb the others--or like Helen, who can see heroes and shipwrecks in the music s flood; or like Margaret, who can only see the music; or like Tibby, who is profoundly versed in counterpoint, and holds the full score open on his knee; or like their cousin, Fraulein Mosebach, who remembers all the time that Beethoven is echt Deutsch; or like Fraulein Mosebach s young man, who can remember nothing but Fraulein Mosebach: in any case, the passion of your life becomes more vivid, and you are bound to admit that such a noise is cheap at two shillings. It is cheap, even if you hear it in the Queen s Hall, dreariest music-room in London, though not as dreary as the Free Trade Hall, Manchester; and even if you sit on the extreme left of that hall, so that the brass bumps at you before the rest of the orchestra arrives, it is still cheap. "Whom is Margaret talking to?" said Mrs. Munt, at the conclusion of the first movement. She was again in London on a visit to Wickham Place. Helen looked down the long line of their party, and said that she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once, and then her attention wandered, and she gazed at the audience, or the organ, or the architecture. Much did she censure the attenuated Cupids who encircle the ceiling of the Queen s Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons, on which the October sunlight struck. "How awful to marry a man like those Cupids!" thought Helen. Here Beethoven started decorating his tune, so she heard him through once more, and then she smiled at her Cousin Frieda. But Frieda, listening to Classical Music, could not respond. Herr Liesecke, too, looked as if wild horses could not make him inattentive; there were lines across his forehead, his lips were parted, his pince-nez at right angles to his nose, and he had laid a thick, white hand on either knee. And next to her was Aunt Juley, so British, and wanting to tap. How interesting that row of people was! What diverse influences had gone to the making! Here Beethoven, after humming and hawing with great sweetness, said "Heigho," and the Andante came to an end. Applause, and a round of "wunderschoning" and pracht volleying from the German contingent. Margaret started talking to her new young man; Helen said to her aunt: "Now comes the wonderful movement: first of all the goblins, and then a trio of elephants dancing" "; and Tibby implored the company generally to look out for the transitional passage on the drum. "On the what, dear?" "On the drum, Aunt Juley." "No; look out for the part where you think you have done with the goblins and they come back," breathed Helen, as the music started with a goblin walking quietly over the universe, from end to end. Others followed him. They were not aggressive creatures; it was that that made them so terrible to Helen. They merely observed in passing that there was no such thing as splendour or heroism in	Howards End
said the gentleman.	No speaker	be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it!	girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!"	whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell	you were to be implicitly relied upon, but now I firmly believe you are." "I am," said the girl earnestly. "I repeat that I firmly believe it. To prove to you that I am disposed to trust you, I tell you without reserve, that we propose to extort the secret, whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell me why?" "For one reason," rejoined the girl firmly, "for one reason, that the lady knows and will stand by me in, I know she will, for I have her promise: and for this other reason, besides, that, bad life as he has led, I have led a bad life	easy for me to leave him unless he knows why; I couldn't give him a drink of laudanum before I came away." "Did he awake before you returned?" inquired the gentleman. "No; and neither he nor any of them suspect me." "Good," said the gentleman. "Now listen to me." "I am ready," replied the girl, as he paused for a moment. "This young lady," the gentleman began, "has communicated to me, and to some other friends who can be safely trusted, what you told her nearly a fortnight since. I confess to you that I had doubts, at first, whether you were to be implicitly relied upon, but now I firmly believe you are." "I am," said the girl earnestly. "I repeat that I firmly believe it. To prove to you that I am disposed to trust you, I tell you without reserve, that we propose to extort the secret, whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell me why?" "For one reason," rejoined the girl firmly, "for one reason, that the lady knows and will stand by me in, I know she will, for I have her promise: and for this other reason, besides, that, bad life as he has led, I have led a bad life too; there are many of us who have kept the same courses together, and I'll not turn upon them, who might any of them have turned upon me, but didn't, bad as they are." "Then," said the gentleman, quickly, as if this had been the point he had been aiming to attain; "put Monks into my hands, and leave him to me to deal with." "What if he turns against the others?" "I promise you that in that case, if the truth is forced from him, there the matter will rest; there must be circumstances in Oliver's little history which	ar'n't those who claim to be God's own folks as gentle and as kind to us poor wretches as you, who, having youth, and beauty, and all that they have lost, might be a little proud instead of so much humbler?" "Ah!" said the gentleman. "A Turk turns his face, after washing it well, to the East, when he says his prayers; these good people, after giving their faces such a rub against the World as to take the smiles off, turn with no less regularity, to the darkest side of Heaven. Between the Mussulman and the Pharisee, commend me to the first!" These words appeared to be addressed to the young lady, and were perhaps uttered with the view of affording Nancy time to recover herself. The gentleman, shortly afterwards, addressed himself to her. "You were not here last Sunday night," he said. "I couldn't come," replied Nancy; "I was kept by force." "By whom?" "Him that I told the young lady of before." "You were not suspected of holding any communication with anybody on the subject which has brought us here to-night, I hope?" asked the old gentleman. "No," replied the girl, shaking her head. "It's not very easy for me to leave him unless he knows why; I couldn't give him a drink of laudanum before I came away." "Did he awake before you returned?" inquired the gentleman. "No; and neither he nor any of them suspect me." "Good," said the gentleman. "Now listen to me." "I am ready," replied the girl, as he paused for a moment. "This young lady," the gentleman began, "has communicated to me, and to some other friends who can be safely trusted, what you told her nearly a fortnight since. I confess to you that I had doubts, at first, whether you were to be implicitly relied upon, but now I firmly believe you are." "I am," said the girl earnestly. "I repeat that I firmly believe it. To prove to you that I am disposed to trust you, I tell you without reserve, that we propose to extort the secret, whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell me why?" "For one reason," rejoined the girl firmly, "for one reason, that the lady knows and will stand by me in, I know she will, for I have her promise: and for this other reason, besides, that, bad life as he has led, I have led a bad life too; there are many of us who have kept the same courses together, and I'll not turn upon them, who might any of them have turned upon me, but didn't, bad as they are." "Then," said the gentleman, quickly, as if this had been the point he had been aiming to attain; "put Monks into my hands, and leave him to me to deal with." "What if he turns against the others?" "I promise you that in that case, if the truth is forced from him, there the matter will rest; there must be circumstances in Oliver's little history which it would be painful to drag before the public eye, and if the truth is once elicited, they shall go scot free." "And if it is not?" suggested the girl. "Then," pursued the gentleman, "this Fagin shall not be brought to justice without your consent. In such a case I could show you reasons, I think, which would induce you to yield it." "Have I the lady's promise for that?" asked the girl. "You have," replied Rose. "My true and faithful pledge." "Monks would never learn how you knew what you do?" said the girl, after a short pause. "Never," replied the gentleman. "The intelligence should be brought to bear upon him, that he could never even guess." "I have been a liar, and among liars from a little child," said the girl after another interval of silence, "but I will take your words." After receiving an assurance from both, that she might safely do so, she proceeded in a voice so low that it was often difficult for the listener to discover even the purport of what she said, to describe, by name and situation, the public-house whence she had been followed that night. From the manner in which	suffer the young lady to go any farther. Many people would have distrusted you too much to have come even so far, but you see I am willing to humour you." "To humour me!" cried the voice of the girl whom he had followed. "You're considerate, indeed, sir. To humour me! Well, well, it's no matter." "Why, for what," said the gentleman in a kinder tone, "for what purpose can you have brought us to this strange place? Why not have let me speak to you, above there, where it is light, and there is something stirring, instead of bringing us to this dark and dismal hole?" "I told you before," replied Nancy, "that I was afraid to speak to you there. I don't know why it is," said the girl, shuddering, "but I have such a fear and dread upon me to-night that I can hardly stand." "A fear of what?" asked the gentleman, who seemed to pity her. "I scarcely know of what," replied the girl. "I wish I did. Horrible thoughts of death, and shrouds with blood upon them, and a fear that has made me burn as if I was on fire, have been upon me all day. I was reading a book to-night, to wile the time away, and the same things came into the print." "Imagination," said the gentleman, soothing her. "No imagination," replied the girl in a hoarse voice. "I'll swear I saw coffin' written in every page of the book in large black letters, aye, and they carried one close to me, in the streets to-night." "There is nothing unusual in that," said the gentleman. "They have passed me often." "_Real ones_," rejoined the girl. "This was not." There was something so uncommon in her manner, that the flesh of the concealed listener crept as he heard the girl utter these words, and the blood chilled within him. He had never experienced a greater relief than in hearing the sweet voice of the young lady as she begged her to be calm, and not allow herself to become the prey of such fearful fancies. "Speak to her kindly," said the young lady to her companion. "Poor creature! She seems to need it." "Your haughty religious people would have held their heads up to see me as I am to-night, and preached of flames and vengeance," cried the girl. "Oh, dear lady, why ar'n't those who claim to be God's own folks as gentle and as kind to us poor wretches as you, who, having youth, and beauty, and all that they have lost, might be a little proud instead of so much humbler?" "Ah!" said the gentleman. "A Turk turns his face, after washing it well, to the East, when he says his prayers; these good people, after giving their faces such a rub against the World as to take the smiles off, turn with no less regularity, to the darkest side of Heaven. Between the Mussulman and the Pharisee, commend me to the first!" These words appeared to be addressed to the young lady, and were perhaps uttered with the view of affording Nancy time to recover herself. The gentleman, shortly afterwards, addressed himself to her. "You were not here last Sunday night," he said. "I couldn't come," replied Nancy; "I was kept by force." "By whom?" "Him that I told the young lady of before." "You were not suspected of holding any communication with anybody on the subject which has brought us here to-night, I hope?" asked the old gentleman. "No," replied the girl, shaking her head. "It's not very easy for me to leave him unless he knows why; I couldn't give him a drink of laudanum before I came away." "Did he awake before you returned?" inquired the gentleman. "No; and neither he nor any of them suspect me." "Good," said the gentleman. "Now listen to me." "I am ready," replied the girl, as he paused for a moment. "This young lady," the gentleman began, "has communicated to me, and to some other friends who can be safely trusted, what you told her nearly a fortnight since. I confess to you that I had doubts, at first, whether you were to be implicitly relied upon, but now I firmly believe you are." "I am," said the girl earnestly. "I repeat that I firmly believe it. To prove to you that I am disposed to trust you, I tell you without reserve, that we propose to extort the secret, whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell me why?" "For one reason," rejoined the girl firmly, "for one reason, that the lady knows and will stand by me in, I know she will, for I have her promise: and for this other reason, besides, that, bad life as he has led, I have led a bad life too; there are many of us who have kept the same courses together, and I'll not turn upon them, who might any of them have turned upon me, but didn't, bad as they are." "Then," said the gentleman, quickly, as if this had been the point he had been aiming to attain; "put Monks into my hands, and leave him to me to deal with." "What if he turns against the others?" "I promise you that in that case, if the truth is forced from him, there the matter will rest; there must be circumstances in Oliver's little history which it would be painful to drag before the public eye, and if the truth is once elicited, they shall go scot free." "And if it is not?" suggested the girl. "Then," pursued the gentleman, "this Fagin shall not be brought to justice without your consent. In such a case I could show you reasons, I think, which would induce you to yield it." "Have I the lady's promise for that?" asked the girl. "You have," replied Rose. "My true and faithful pledge." "Monks would never learn how you knew what you do?" said the girl, after a short pause. "Never," replied the gentleman. "The intelligence should be brought to bear upon him, that he could never even guess." "I have been a liar, and among liars from a little child," said the girl after another interval of silence, "but I will take your words." After receiving an assurance from both, that she might safely do so, she proceeded in a voice so low that it was often difficult for the listener to discover even the purport of what she said, to describe, by name and situation, the public-house whence she had been followed that night. From the manner in which she occasionally paused, it appeared as if the gentleman were making some hasty notes of the information she communicated. When she had thoroughly explained the localities of the place, the best position from which to watch it without exciting observation, and the night and hour on which Monks was most in the habit of frequenting it, she seemed to consider for a few moments, for the purpose of recalling his features and appearances more forcibly to her recollection. "He is tall," said the girl, "and a strongly made man, but not stout; he has a lurking walk; and as he walks, constantly looks over his shoulder, first on one side, and then on the other. Don't forget that, for his eyes are sunk in his head so much deeper than any other man's, that you might almost tell him by that alone. His face is dark, like his hair and eyes; and, although he can't be more than six or eight and twenty, withered and haggard. His lips are often discoloured and disfigured with the marks of teeth; for he has desperate fits, and sometimes even bites his hands and covers them with wounds why did you start?" said the girl, stopping suddenly. The gentleman replied, in a hurried manner, that he was not conscious of having done so, and begged her to proceed. "Part of this," said the girl, "I have drawn out from other people at the house I tell you of, for I have only seen him twice, and both times he was covered up in a large cloak. I think that's all I can give you to know him by. Stay though," she added. "Upon his throat: so high that you can see a part of it below his neckerchief when he turns his face: there is" "A broad red mark, like a burn or scald?" cried the gentleman. "How's this?" said the girl. "You know him!" The young lady uttered a cry of surprise, and for a few moments they were so still that the listener could distinctly hear them breathe. "I think I do," said the gentleman, breaking silence. "I should by your description. We shall see. Many people are singularly like each other. It may not be the same." As he expressed himself to this effect, with assumed carelessness, he took a step or two nearer the concealed spy, as the latter could	one close to me, in the streets to-night." "There is nothing unusual in that," said the gentleman. "They have passed me often." "_Real ones_," rejoined the girl. "This was not." There was something so uncommon in her manner, that the flesh of the concealed listener crept as he heard the girl utter these words, and the blood chilled within him. He had never experienced a greater relief than in hearing the sweet voice of the young lady as she begged her to be calm, and not allow herself to become the prey of such fearful fancies. "Speak to her kindly," said the young lady to her companion. "Poor creature! She seems to need it." "Your haughty religious people would have held their heads up to see me as I am to-night, and preached of flames and vengeance," cried the girl. "Oh, dear lady, why ar'n't those who claim to be God's own folks as gentle and as kind to us poor wretches as you, who, having youth, and beauty, and all that they have lost, might be a little proud instead of so much humbler?" "Ah!" said the gentleman. "A Turk turns his face, after washing it well, to the East, when he says his prayers; these good people, after giving their faces such a rub against the World as to take the smiles off, turn with no less regularity, to the darkest side of Heaven. Between the Mussulman and the Pharisee, commend me to the first!" These words appeared to be addressed to the young lady, and were perhaps uttered with the view of affording Nancy time to recover herself. The gentleman, shortly afterwards, addressed himself to her. "You were not here last Sunday night," he said. "I couldn't come," replied Nancy; "I was kept by force." "By whom?" "Him that I told the young lady of before." "You were not suspected of holding any communication with anybody on the subject which has brought us here to-night, I hope?" asked the old gentleman. "No," replied the girl, shaking her head. "It's not very easy for me to leave him unless he knows why; I couldn't give him a drink of laudanum before I came away." "Did he awake before you returned?" inquired the gentleman. "No; and neither he nor any of them suspect me." "Good," said the gentleman. "Now listen to me." "I am ready," replied the girl, as he paused for a moment. "This young lady," the gentleman began, "has communicated to me, and to some other friends who can be safely trusted, what you told her nearly a fortnight since. I confess to you that I had doubts, at first, whether you were to be implicitly relied upon, but now I firmly believe you are." "I am," said the girl earnestly. "I repeat that I firmly believe it. To prove to you that I am disposed to trust you, I tell you without reserve, that we propose to extort the secret, whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell me why?" "For one reason," rejoined the girl firmly, "for one reason, that the lady knows and will stand by me in, I know she will, for I have her promise: and for this other reason, besides, that, bad life as he has led, I have led a bad life too; there are many of us who have kept the same courses together, and I'll not turn upon them, who might any of them have turned upon me, but didn't, bad as they are." "Then," said the gentleman, quickly, as if this had been the point he had been aiming to attain; "put Monks into my hands, and leave him to me to deal with." "What if he turns against the others?" "I promise you that in that case, if the truth is forced from him, there the matter will rest; there must be circumstances in Oliver's little history which it would be painful to drag before the public eye, and if the truth is once elicited, they shall go scot free." "And if it is not?" suggested the girl. "Then," pursued the gentleman, "this Fagin shall not be brought to justice without your consent. In such a case I could show you reasons, I think, which would induce you to yield it." "Have I the lady's promise for that?" asked the girl. "You have," replied Rose. "My true and faithful pledge." "Monks would never learn how you knew what you do?" said the girl, after a short pause. "Never," replied the gentleman. "The intelligence should be brought to bear upon him, that he could never even guess." "I have been a liar, and among liars from a little child," said the girl after another interval of silence, "but I will take your words." After receiving an assurance from both, that she might safely do so, she proceeded in a	Oliver Twist
he thought to himself.	No speaker	hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but	window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any	by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books,	soon. "It's a little Anxious," he said to himself, "to be a Very Small Animal Entirely Surrounded by Water. Christopher Robin and Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't	this time." It would have been jolly to talk like this, and really, it wasn't much good having anything exciting like floods, if you couldn't share them with somebody. For it was rather exciting. The little dry ditches in which Piglet had nosed about so often had become streams, the little streams across which he had splashed were rivers, and the river, between whose steep banks they had played so happily, had sprawled out of its own bed and was taking up so much room everywhere, that Piglet was beginning to wonder whether it would be coming into _his_ bed soon. "It's a little Anxious," he said to himself, "to be a Very Small Animal Entirely Surrounded by Water. Christopher Robin and Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't mind about this. But I wonder what Christopher Robin would do?" Then suddenly he remembered a story which Christopher Robin had told him about a man on a desert island who had written something in a bottle and thrown it in the sea; and Piglet thought that if he wrote something in a bottle and threw it in the water, perhaps somebody would come and rescue _him_! He left the window and began to search his house, all of it that wasn't under water, and at last he found a pencil and a small piece of dry paper, and a	Then they all went home again. And I think, but I am not quite sure, that Roo had a hot bath and went straight to bed. But Pooh went back to his own house, and feeling very proud of what he had done, had a little something to revive himself. CHAPTER IX IN WHICH PIGLET IS ENTIRELY SURROUNDED BY WATER It rained and it rained and it rained. Piglet told himself that never in all his life, and _he_ was goodness knows _how_ old--three, was it, or four?--never had he seen so much rain. Days and days and days. "If only," he thought, as he looked out of the window, "I had been in Pooh's house, or Christopher Robin's house, or Rabbit's house when it began to rain, then I should have had Company all this time, instead of being here all alone, with nothing to do except wonder when it will stop." And he imagined himself with Pooh, saying, "Did you ever see such rain, Pooh?" and Pooh saying, "Isn't it _awful_, Piglet?" and Piglet saying, "I wonder how it is over Christopher Robin's way" and Pooh saying, "I should think poor old Rabbit is about flooded out by this time." It would have been jolly to talk like this, and really, it wasn't much good having anything exciting like floods, if you couldn't share them with somebody. For it was rather exciting. The little dry ditches in which Piglet had nosed about so often had become streams, the little streams across which he had splashed were rivers, and the river, between whose steep banks they had played so happily, had sprawled out of its own bed and was taking up so much room everywhere, that Piglet was beginning to wonder whether it would be coming into _his_ bed soon. "It's a little Anxious," he said to himself, "to be a Very Small Animal Entirely Surrounded by Water. Christopher Robin and Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't mind about this. But I wonder what Christopher Robin would do?" Then suddenly he remembered a story which Christopher Robin had told him about a man on a desert island who had written something in a bottle and thrown it in the sea; and Piglet thought that if he wrote something in a bottle and threw it in the water, perhaps somebody would come and rescue _him_! He left the window and began to search his house, all of it that wasn't under water, and at last he found a pencil and a small piece of dry paper, and a bottle with a cork to it. And he wrote on one side of the paper: HELP! PIGLET (ME) and on the other side: IT'S ME PIGLET, HELP HELP. Then he put the paper in the bottle, and he corked the bottle up as tightly as he could, and he leant out of his window as far as he could lean without falling in, and he threw the bottle as far as he could throw--_splash!_--and in a little while it bobbed up again on the water; and he watched it floating slowly away in the distance, until his eyes ached with looking, and sometimes he thought it was the bottle, and sometimes he thought it was just a ripple on the water which he was following, and then suddenly he knew that he would never see it again and that he had done all that he could do to save himself. "So now," he thought, "somebody else will have to do something, and I hope they will do it soon, because if they don't I shall have to swim, which I can't, so I hope they do it soon." And then he gave a very long sigh and said, "I wish	just picked it up." "Pooh," said Christopher Robin solemnly, "the Expedition is over. You have found the North Pole!" "Oh!" said Pooh. Eeyore was sitting with his tail in the water when they all got back to him. "Tell Roo to be quick, somebody," he said. "My tail's getting cold. I don't want to mention it, but I just mention it. I don't want to complain but there it is. My tail's cold." "Here I am!" squeaked Roo. "Oh, there you are." "Did you see me swimming?" Eeyore took his tail out of the water, and swished it from side to side. "As I expected," he said. "Lost all feeling. Numbed it. That's what it's done. Numbed it. Well, as long as nobody minds, I suppose it's all right." "Poor old Eeyore. I'll dry it for you," said Christopher Robin, and he took out his handkerchief and rubbed it up. "Thank you, Christopher Robin. You're the only one who seems to understand about tails. They don't think--that's what the matter with some of these others. They've no imagination. A tail isn't a tail to _them_, it's just a Little Bit Extra at the back." "Never mind, Eeyore," said Christopher Robin, rubbing his hardest. "Is _that_ better?" "It's feeling more like a tail perhaps. It Belongs again, if you know what I mean." "Hullo, Eeyore," said Pooh, coming up to them with his pole. "Hullo, Pooh. Thank you for asking, but I shall be able to use it again in a day or two." "Use what?" said Pooh. "What we are talking about." "I wasn't talking about anything," said Pooh, looking puzzled. "My mistake again. I thought you were saying how sorry you were about my tail, being all numb, and could you do anything to help?" "No," said Pooh. "That wasn't me," he said. He thought for a little and then suggested helpfully, "Perhaps it was somebody else." "Well, thank him for me when you see him." Pooh looked anxiously at Christopher Robin. "Pooh's found the North Pole," said Christopher Robin. "Isn't that lovely?" Pooh looked modestly down. "Is that it?" said Eeyore. "Yes," said Christopher Robin. "Is that what we were looking for?" "Yes," said Pooh. "Oh!" said Eeyore. "Well, anyhow--it didn't rain," he said. They stuck the pole in the ground, and Christopher Robin tied a message on to it. NORTH POLE DISCOVERED BY POOH POOH FOUND IT. Then they all went home again. And I think, but I am not quite sure, that Roo had a hot bath and went straight to bed. But Pooh went back to his own house, and feeling very proud of what he had done, had a little something to revive himself. CHAPTER IX IN WHICH PIGLET IS ENTIRELY SURROUNDED BY WATER It rained and it rained and it rained. Piglet told himself that never in all his life, and _he_ was goodness knows _how_ old--three, was it, or four?--never had he seen so much rain. Days and days and days. "If only," he thought, as he looked out of the window, "I had been in Pooh's house, or Christopher Robin's house, or Rabbit's house when it began to rain, then I should have had Company all this time, instead of being here all alone, with nothing to do except wonder when it will stop." And he imagined himself with Pooh, saying, "Did you ever see such rain, Pooh?" and Pooh saying, "Isn't it _awful_, Piglet?" and Piglet saying, "I wonder how it is over Christopher Robin's way" and Pooh saying, "I should think poor old Rabbit is about flooded out by this time." It would have been jolly to talk like this, and really, it wasn't much good having anything exciting like floods, if you couldn't share them with somebody. For it was rather exciting. The little dry ditches in which Piglet had nosed about so often had become streams, the little streams across which he had splashed were rivers, and the river, between whose steep banks they had played so happily, had sprawled out of its own bed and was taking up so much room everywhere, that Piglet was beginning to wonder whether it would be coming into _his_ bed soon. "It's a little Anxious," he said to himself, "to be a Very Small Animal Entirely Surrounded by Water. Christopher Robin and Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't mind about this. But I wonder what Christopher Robin would do?" Then suddenly he remembered a story which Christopher Robin had told him about a man on a desert island who had written something in a bottle and thrown it in the sea; and Piglet thought that if he wrote something in a bottle and threw it in the water, perhaps somebody would come and rescue _him_! He left the window and began to search his house, all of it that wasn't under water, and at last he found a pencil and a small piece of dry paper, and a bottle with a cork to it. And he wrote on one side of the paper: HELP! PIGLET (ME) and on the other side: IT'S ME PIGLET, HELP HELP. Then he put the paper in the bottle, and he corked the bottle up as tightly as he could, and he leant out of his window as far as he could lean without falling in, and he threw the bottle as far as he could throw--_splash!_--and in a little while it bobbed up again on the water; and he watched it floating slowly away in the distance, until his eyes ached with looking, and sometimes he thought it was the bottle, and sometimes he thought it was just a ripple on the water which he was following, and then suddenly he knew that he would never see it again and that he had done all that he could do to save himself. "So now," he thought, "somebody else will have to do something, and I hope they will do it soon, because if they don't I shall have to swim, which I can't, so I hope they do it soon." And then he gave a very long sigh and said, "I wish Pooh were here. It's so much more friendly with two." * * * * * When the rain began Pooh was asleep. It rained, and it rained, and it rained, and he slept and he slept and he slept. He had had a tiring day. You remember how he discovered the North Pole; well, he was so proud of this that he asked Christopher Robin if there were any other Poles such as a Bear of Little Brain might discover. "There's a South Pole," said Christopher Robin, "and I expect there's an East Pole and a West Pole, though people don't like talking about them." Pooh was very excited when he heard this, and suggested that they should have an Expotition to discover the East Pole, but Christopher Robin had thought of something else to do with Kanga; so Pooh went out to discover the East Pole by himself. Whether he discovered it or not, I forget; but he was so tired when he got home that, in the very middle of his supper, after he had been eating for little more than half-an-hour, he fell fast asleep in his chair, and slept and slept and slept. Then suddenly he was dreaming. He was at the East Pole, and it was a very cold pole with the coldest sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious," said Pooh. "I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and	"Isn't it _awful_, Piglet?" and Piglet saying, "I wonder how it is over Christopher Robin's way" and Pooh saying, "I should think poor old Rabbit is about flooded out by this time." It would have been jolly to talk like this, and really, it wasn't much good having anything exciting like floods, if you couldn't share them with somebody. For it was rather exciting. The little dry ditches in which Piglet had nosed about so often had become streams, the little streams across which he had splashed were rivers, and the river, between whose steep banks they had played so happily, had sprawled out of its own bed and was taking up so much room everywhere, that Piglet was beginning to wonder whether it would be coming into _his_ bed soon. "It's a little Anxious," he said to himself, "to be a Very Small Animal Entirely Surrounded by Water. Christopher Robin and Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't mind about this. But I wonder what Christopher Robin would do?" Then suddenly he remembered a story which Christopher Robin had told him about a man on a desert island who had written something in a bottle and thrown it in the sea; and Piglet thought that if he wrote something in a bottle and threw it in the water, perhaps somebody would come and rescue _him_! He left the window and began to search his house, all of it that wasn't under water, and at last he found a pencil and a small piece of dry paper, and a bottle with a cork to it. And he wrote on one side of the paper: HELP! PIGLET (ME) and on the other side: IT'S ME PIGLET, HELP HELP. Then he put the paper in the bottle, and he corked the bottle up as tightly as he could, and he leant out of his window as far as he could lean without falling in, and he threw the bottle as far as he could throw--_splash!_--and in a little while it bobbed up again on the water; and he watched it floating slowly away in the distance, until his eyes ached with looking, and sometimes he thought it was the bottle, and sometimes he thought it was just a ripple on the water which he was following, and then suddenly he knew that he would never see it again and that he had done all that he could do to save himself. "So now," he thought, "somebody else will have to do something, and I hope they will do it soon, because if they don't I shall have to swim, which I can't, so I hope they do it soon." And then he gave a very long sigh and said, "I wish Pooh were here. It's so much more friendly with two." * * * * * When the rain began Pooh was asleep. It rained, and it rained, and it rained, and he slept and he slept and he slept. He had had a tiring day. You	Winnie The Pooh
She indicated her little finger.	No speaker	you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she	a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle.	this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her	my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she	of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother	in the middle of a word, and, with jaw dropping, stared hard at the old lady his eyes almost starting out of his head, and his expression as spellbound as though he had just seen a basilisk. In return, the Grandmother stared at him silently and without moving though with a look of mingled challenge, triumph, and ridicule in her eyes. For ten seconds did the pair remain thus eyeing one another, amid the profound silence of the company; and even De Griers sat petrified an extraordinary look of uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your	its keen, rugged features, remained always erect as she glanced about her in an imperious, challenging sort of way, with looks and gestures that clearly were unstudied. Though she had reached her seventy-sixth year, her face was still fresh, and her teeth had not decayed. Lastly, she was dressed in a black silk gown and white mobcap. "She interests me tremendously," whispered Mr. Astley as, still smoking, he walked by my side. Meanwhile I was reflecting that probably the old lady knew all about the telegrams, and even about De Griers, though little or nothing about Mlle. Blanche. I said as much to Mr. Astley. But what a frail creature is man! No sooner was my first surprise abated than I found myself rejoicing in the shock which we were about to administer to the General. So much did the thought inspire me that I marched ahead in the gayest of fashions. Our party was lodging on the third floor. Without knocking at the door, or in any way announcing our presence, I threw open the portals, and the Grandmother was borne through them in triumph. As though of set purpose, the whole party chanced at that moment to be assembled in the General s study. The time was eleven o clock, and it seemed that an outing of some sort (at which a portion of the party were to drive in carriages, and others to ride on horseback, accompanied by one or two extraneous acquaintances) was being planned. The General was present, and also Polina, the children, the latter s nurses, De Griers, Mlle. Blanche (attired in a riding-habit), her mother, the young Prince, and a learned German whom I beheld for the first time. Into the midst of this assembly the lacqueys conveyed Madame in her chair, and set her down within three paces of the General! Good heavens! Never shall I forget the spectacle which ensued! Just before our entry, the General had been holding forth to the company, with De Griers in support of him. I may also mention that, for the last two or three days, Mlle. Blanche and De Griers had been making a great deal of the young Prince, under the very nose of the poor General. In short, the company, though decorous and conventional, was in a gay, familiar mood. But no sooner did the Grandmother appear than the General stopped dead in the middle of a word, and, with jaw dropping, stared hard at the old lady his eyes almost starting out of his head, and his expression as spellbound as though he had just seen a basilisk. In return, the Grandmother stared at him silently and without moving though with a look of mingled challenge, triumph, and ridicule in her eyes. For ten seconds did the pair remain thus eyeing one another, amid the profound silence of the company; and even De Griers sat petrified an extraordinary look of uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your stay here as pleasant as possible." "Enough! All this is empty chatter. You are talking the usual nonsense. I shall know quite well how to spend my time. How did I come to undertake the journey, you ask? Well, is there anything so very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and lay, and was doctored and doctored, until at last I drove the physicians from me, and called in an apothecary from Nicolai who had cured an old woman of a malady similar to my own cured her merely with a little hayseed. Well, he did me a great deal of good, for on the third day I broke into a sweat, and was able to leave my bed. Then my German doctors held another consultation, put on their spectacles, and told me that if I would go abroad, and take a course of the waters, the indisposition would finally pass away. Why should it not? I thought to myself. So I had got things ready, and on the following day, a Friday, set out for here. I occupied a special compartment in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do	a great deal of the young Prince, under the very nose of the poor General. In short, the company, though decorous and conventional, was in a gay, familiar mood. But no sooner did the Grandmother appear than the General stopped dead in the middle of a word, and, with jaw dropping, stared hard at the old lady his eyes almost starting out of his head, and his expression as spellbound as though he had just seen a basilisk. In return, the Grandmother stared at him silently and without moving though with a look of mingled challenge, triumph, and ridicule in her eyes. For ten seconds did the pair remain thus eyeing one another, amid the profound silence of the company; and even De Griers sat petrified an extraordinary look of uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother,	The Gambler
"Am I to understand that you will continue to see Bauerstein against my express wishes?"	John Cavendish	died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy	did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny	It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said	Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary"	with a start. At once I realized that I was in a very awkward predicament. For, about twelve feet away from me, John and Mary Cavendish were standing facing each other, and they were evidently quarrelling. And, quite as evidently, they were unaware of my vicinity, for before I could move or speak John repeated the words which had aroused me from my dream. "I tell you, Mary, I won't have it." Mary's voice came, cool and liquid: "Have _you_ any right to criticize my actions?" "It will be the talk of the village! My mother was only buried on Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly	"I wondered. That is all. Will you come in?" We had reached the cottage. "No. I think I'll be getting back. I shall go round the long way through the woods." The woods round Styles were very beautiful. After the walk across the open park, it was pleasant to saunter lazily through the cool glades. There was hardly a breath of wind, the very chirp of the birds was faint and subdued. I strolled on a little way, and finally flung myself down at the foot of a grand old beech-tree. My thoughts of mankind were kindly and charitable. I even forgave Poirot for his absurd secrecy. In fact, I was at peace with the world. Then I yawned. I thought about the crime, and it struck me as being very unreal and far off. I yawned again. Probably, I thought, it really never happened. Of course, it was all a bad dream. The truth of the matter was that it was Lawrence who had murdered Alfred Inglethorp with a croquet mallet. But it was absurd of John to make such a fuss about it, and to go shouting out: "I tell you I won't have it!" I woke up with a start. At once I realized that I was in a very awkward predicament. For, about twelve feet away from me, John and Mary Cavendish were standing facing each other, and they were evidently quarrelling. And, quite as evidently, they were unaware of my vicinity, for before I could move or speak John repeated the words which had aroused me from my dream. "I tell you, Mary, I won't have it." Mary's voice came, cool and liquid: "Have _you_ any right to criticize my actions?" "It will be the talk of the village! My mother was only buried on Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It	it was." "But you did not see it?" "No. I never looked." "But _I_ did," interrupted Lawrence suddenly. "I happened to notice that it _was_ bolted." "Ah, that settles it." And Poirot looked crestfallen. I could not help rejoicing that, for once, one of his "little ideas" had come to naught. After lunch Poirot begged me to accompany him home. I consented rather stiffly. "You are annoyed, is it not so?" he asked anxiously, as we walked through the park. "Not at all," I said coldly. "That is well. That lifts a great load from my mind." This was not quite what I had intended. I had hoped that he would have observed the stiffness of my manner. Still, the fervour of his words went towards the appeasing of my just displeasure. I thawed. "I gave Lawrence your message," I said. "And what did he say? He was entirely puzzled?" "Yes. I am quite sure he had no idea of what you meant." I had expected Poirot to be disappointed; but, to my surprise, he replied that that was as he had thought, and that he was very glad. My pride forbade me to ask any questions. Poirot switched off on another tack. "Mademoiselle Cynthia was not at lunch to-day? How was that?" "She is at the hospital again. She resumed work to-day." "Ah, she is an industrious little demoiselle. And pretty too. She is like pictures I have seen in Italy. I would rather like to see that dispensary of hers. Do you think she would show it to me?" "I am sure she would be delighted. It's an interesting little place." "Does she go there every day?" "She has all Wednesdays off, and comes back to lunch on Saturdays. Those are her only times off." "I will remember. Women are doing great work nowadays, and Mademoiselle Cynthia is clever oh, yes, she has brains, that little one." "Yes. I believe she has passed quite a stiff exam." "Without doubt. After all, it is very responsible work. I suppose they have very strong poisons there?" "Yes, she showed them to us. They are kept locked up in a little cupboard. I believe they have to be very careful. They always take out the key before leaving the room." "Indeed. It is near the window, this cupboard?" "No, right the other side of the room. Why?" Poirot shrugged his shoulders. "I wondered. That is all. Will you come in?" We had reached the cottage. "No. I think I'll be getting back. I shall go round the long way through the woods." The woods round Styles were very beautiful. After the walk across the open park, it was pleasant to saunter lazily through the cool glades. There was hardly a breath of wind, the very chirp of the birds was faint and subdued. I strolled on a little way, and finally flung myself down at the foot of a grand old beech-tree. My thoughts of mankind were kindly and charitable. I even forgave Poirot for his absurd secrecy. In fact, I was at peace with the world. Then I yawned. I thought about the crime, and it struck me as being very unreal and far off. I yawned again. Probably, I thought, it really never happened. Of course, it was all a bad dream. The truth of the matter was that it was Lawrence who had murdered Alfred Inglethorp with a croquet mallet. But it was absurd of John to make such a fuss about it, and to go shouting out: "I tell you I won't have it!" I woke up with a start. At once I realized that I was in a very awkward predicament. For, about twelve feet away from me, John and Mary Cavendish were standing facing each other, and they were evidently quarrelling. And, quite as evidently, they were unaware of my vicinity, for before I could move or speak John repeated the words which had aroused me from my dream. "I tell you, Mary, I won't have it." Mary's voice came, cool and liquid: "Have _you_ any right to criticize my actions?" "It will be the talk of the village! My mother was only buried on Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point.	far off. I yawned again. Probably, I thought, it really never happened. Of course, it was all a bad dream. The truth of the matter was that it was Lawrence who had murdered Alfred Inglethorp with a croquet mallet. But it was absurd of John to make such a fuss about it, and to go shouting out: "I tell you I won't have it!" I woke up with a start. At once I realized that I was in a very awkward predicament. For, about twelve feet away from me, John and Mary Cavendish were standing facing each other, and they were evidently quarrelling. And, quite as evidently, they were unaware of my vicinity, for before I could move or speak John repeated the words which had aroused me from my dream. "I tell you, Mary, I won't have it." Mary's voice came, cool and liquid: "Have _you_ any right to criticize my actions?" "It will be the talk of the village! My mother was only buried on Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be	The Mysterious Affair At Styles
"She told you that I had asked her to marry me, I suppose?"	Ralph Denham	but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise.	were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was	he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to	She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think	with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have	he asked. "There s something I want to say to you." "Very well," she replied, guessing that his request had something to do with Mary Datchet. "It s quieter by the river," he said, and instantly he crossed over. "I want to ask you merely this," he began. But he paused so long that she could see his head against the sky; the slope of his thin cheek and his large, strong nose were clearly marked against it. While he paused, words that were quite different from those he intended to use presented themselves. "I ve made you my standard ever since I saw you. I ve dreamt about you; I ve thought of nothing but you; you represent to me the only reality in the world." His words, and the queer strained voice in which he spoke them, made it appear as if he addressed some person who was not the woman beside him, but some one far away. "And now things have come to such a pass that, unless I can speak to you openly, I believe I shall go mad. I think of you as the most beautiful, the truest thing in the world," he continued, filled with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you.	him. Aware of her preoccupation, or absorbed in his own thoughts, Ralph said nothing further; and in silence they walked some distance along the Strand. Ralph was doing his best to put his thoughts into such order that one came before the rest, and the determination that when he spoke he should speak worthily, made him put off the moment of speaking till he had found the exact words and even the place that best suited him. The Strand was too busy. There was too much risk, also, of finding an empty cab. Without a word of explanation he turned to the left, down one of the side streets leading to the river. On no account must they part until something of the very greatest importance had happened. He knew perfectly well what he wished to say, and had arranged not only the substance, but the order in which he was to say it. Now, however, that he was alone with her, not only did he find the difficulty of speaking almost insurmountable, but he was aware that he was angry with her for thus disturbing him, and casting, as it was so easy for a person of her advantages to do, these phantoms and pitfalls across his path. He was determined that he would question her as severely as he would question himself; and make them both, once and for all, either justify her dominance or renounce it. But the longer they walked thus alone, the more he was disturbed by the sense of her actual presence. Her skirt blew; the feathers in her hat waved; sometimes he saw her a step or two ahead of him, or had to wait for her to catch him up. The silence was prolonged, and at length drew her attention to him. First she was annoyed that there was no cab to free her from his company; then she recalled vaguely something that Mary had said to make her think ill of him; she could not remember what, but the recollection, combined with his masterful ways why did he walk so fast down this side street? made her more and more conscious of a person of marked, though disagreeable, force by her side. She stopped and, looking round her for a cab, sighted one in the distance. He was thus precipitated into speech. "Should you mind if we walked a little farther?" he asked. "There s something I want to say to you." "Very well," she replied, guessing that his request had something to do with Mary Datchet. "It s quieter by the river," he said, and instantly he crossed over. "I want to ask you merely this," he began. But he paused so long that she could see his head against the sky; the slope of his thin cheek and his large, strong nose were clearly marked against it. While he paused, words that were quite different from those he intended to use presented themselves. "I ve made you my standard ever since I saw you. I ve dreamt about you; I ve thought of nothing but you; you represent to me the only reality in the world." His words, and the queer strained voice in which he spoke them, made it appear as if he addressed some person who was not the woman beside him, but some one far away. "And now things have come to such a pass that, unless I can speak to you openly, I believe I shall go mad. I think of you as the most beautiful, the truest thing in the world," he continued, filled with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly. "It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still," he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose I have an opinion" she hesitated. He controlled his wish to ask her to explain herself, and much to his pleasure she went on, appearing to search her mind. "I thought that you criticized me perhaps disliked me. I thought of you as a person who judges" "No; I m a person who feels," he said, in a low voice. "Tell me, then, what has made you do this?" she asked, after a break. He told her in an orderly way, betokening careful preparation, all that he had meant to say at first; how he stood with regard to his brothers and sisters; what his mother had said, and his sister Joan had refrained from	recalled vaguely something that Mary had said to make her think ill of him; she could not remember what, but the recollection, combined with his masterful ways why did he walk so fast down this side street? made her more and more conscious of a person of marked, though disagreeable, force by her side. She stopped and, looking round her for a cab, sighted one in the distance. He was thus precipitated into speech. "Should you mind if we walked a little farther?" he asked. "There s something I want to say to you." "Very well," she replied, guessing that his request had something to do with Mary Datchet. "It s quieter by the river," he said, and instantly he crossed over. "I want to ask you merely this," he began. But he paused so long that she could see his head against the sky; the slope of his thin cheek and his large, strong nose were clearly marked against it. While he paused, words that were quite different from those he intended to use presented themselves. "I ve made you my standard ever since I saw you. I ve dreamt about you; I ve thought of nothing but you; you represent to me the only reality in the world." His words, and the queer strained voice in which he spoke them, made it appear as if he addressed some person who was not the woman beside him, but some one far away. "And now things have come to such a pass that, unless I can speak to you openly, I believe I shall go mad. I think of you as the most beautiful, the truest thing in the world," he continued, filled with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should	Night And Day
I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.	No speaker	see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we	haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a	I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she said. "You don't have to." "How do you know?" "Don't," she said. "You'll be all right." "I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. "So I did. Let's have another bottle of _rioja alta_." "It's very good." "You haven't drunk much of it," I said. "I have. You haven't seen." "Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she said. "You don't have to." "How do you know?" "Don't," she said. "You'll be all right." "I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	just talk around it. You know I feel rather damned good, Jake." "You should." "You know it makes one feel rather good deciding not to be a bitch." "Yes." "It's sort of what we have instead of God." "Some people have God," I said. "Quite a lot." "He never worked very well with me." "Should we have another Martini?" The barman shook up two more Martinis and poured them out into fresh glasses. "Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window. "Here?" asked Brett. "It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman. "Yes, sir. Would you like to have me write out the address?" "Thank you." We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a very big meal and drank three bottles of _rioja alta_. "How do you feel, Jake?" Brett asked. "My God! what a meal you've eaten." "I feel fine. Do you want a dessert?" "Lord, no." Brett was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. "So I did. Let's have another bottle of _rioja alta_." "It's very good." "You haven't drunk much of it," I said. "I have. You haven't seen." "Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she said. "You don't have to." "How do you know?" "Don't," she said. "You'll be all right." "I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks." "I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip. "It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a lady a drink?" "We'll have two more Martinis." "As they were before, sir?" "They were very good." Brett smiled at him. "Thank you, ma'am." "Well, bung-o," Brett said. "Bung-o!" "You know," Brett said, "he'd only been with two women before. He never cared about anything but bull-fighting." "He's got plenty of time." "I don't know. He thinks it was me. Not the show in general." "Well, it was you." "Yes. It was me." "I thought you weren't going to ever talk about it." "How can I help it?" "You'll lose it if you talk about it." "I just talk around it. You know I feel rather damned good, Jake." "You should." "You know it makes one feel rather good deciding not to be a bitch." "Yes." "It's sort of what we have instead of God." "Some people have God," I said. "Quite a lot." "He never worked very well with me." "Should we have another Martini?" The barman shook up two more Martinis and poured them out into fresh glasses. "Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window. "Here?" asked Brett. "It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman. "Yes, sir. Would you like to have me write out the address?" "Thank you." We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a very big meal and drank three bottles of _rioja alta_. "How do you feel, Jake?" Brett asked. "My God! what a meal you've eaten." "I feel fine. Do you want a dessert?" "Lord, no." Brett was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. "So I did. Let's have another bottle of _rioja alta_." "It's very good." "You haven't drunk much of it," I said. "I have. You haven't seen." "Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she said. "You don't have to." "How do you know?" "Don't," she said. "You'll be all right." "I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	we have another Martini?" The barman shook up two more Martinis and poured them out into fresh glasses. "Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window. "Here?" asked Brett. "It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman. "Yes, sir. Would you like to have me write out the address?" "Thank you." We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a very big meal and drank three bottles of _rioja alta_. "How do you feel, Jake?" Brett asked. "My God! what a meal you've eaten." "I feel fine. Do you want a dessert?" "Lord, no." Brett was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. "So I did. Let's have another bottle of _rioja alta_." "It's very good." "You haven't drunk much of it," I said. "I have. You haven't seen." "Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she said. "You don't have to." "How do you know?" "Don't," she said. "You'll be all right." "I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	The Sun Also Rises
"No, not yet,"	Jem Wimble	place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you	must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on	make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only	I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas'	there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas' Don." "Let's knock and ask for a pencil and paper to send a message." Jem uttered a loud chuckle as he seated himself on the floor. "I like that, Mas' Don. 'Pon my word I do. Might just as well hit your head again the wall." "Better use yours for a battering ram, Jem," said Don, angrily. "It's thicker than mine." There was silence after this. "He's sulky because of what I've said," thought Don. "Oh, my poor head!" thought Jem. "How it do ache!" Then he began to think about Sally, and what she would say or do when	but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas' Don." "Let's knock and ask for a pencil and paper to send a message." Jem uttered a loud chuckle as he seated himself on the floor. "I like that, Mas' Don. 'Pon my word I do. Might just as well hit your head again the wall." "Better use yours for a battering ram, Jem," said Don, angrily. "It's thicker than mine." There was silence after this. "He's sulky because of what I've said," thought Don. "Oh, my poor head!" thought Jem. "How it do ache!" Then he began to think about Sally, and what she would say or do when she found that he did not come back. Just at the same time Don was reflecting upon his life of late, and how discontented he had been, and how he had longed to go away, while now he felt as if he would give anything to be back on his old stool in the office, writing hard, and trying his best to be satisfied with what seemed to be a peaceful, happy life. A terrible sensation of despair came over him, and the idea of being dragged off to a ship, and carried right away, was unbearable. What were glorious foreign lands with their wonders to one who would be thought of as a cowardly thief? As he leaned against a wall there in the darkness his busy brain pictured his stern-looking uncle telling his weeping mother that it was a disgrace to her to mourn over the loss of a son who could be guilty of such a crime, and then run away to avoid his punishment. "Oh! If I had only been a little wiser," thought Don, "how much happier I might have been." Then he forced himself to think out a way of escape, a little further	a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How dark it is? Where's your hand?" "Gently, my lad; that's my hye. Arn't much use here in the dark, but may want 'em by-and-by. That's better. Thank ye, sir. Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem. "Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle." _Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas' Don." "Let's knock and ask for a pencil and paper to send a message." Jem uttered a loud chuckle as he seated himself on the floor. "I like that, Mas' Don. 'Pon my word I do. Might just as well hit your head again the wall." "Better use yours for a battering ram, Jem," said Don, angrily. "It's thicker than mine." There was silence after this. "He's sulky because of what I've said," thought Don. "Oh, my poor head!" thought Jem. "How it do ache!" Then he began to think about Sally, and what she would say or do when she found that he did not come back. Just at the same time Don was reflecting upon his life of late, and how discontented he had been, and how he had longed to go away, while now he felt as if he would give anything to be back on his old stool in the office, writing hard, and trying his best to be satisfied with what seemed to be a peaceful, happy life. A terrible sensation of despair came over him, and the idea of being dragged off to a ship, and carried right away, was unbearable. What were glorious foreign lands with their wonders to one who would be thought of as a cowardly thief? As he leaned against a wall there in the darkness his busy brain pictured his stern-looking uncle telling his weeping mother that it was a disgrace to her to mourn over the loss of a son who could be guilty of such a crime, and then run away to avoid his punishment. "Oh! If I had only been a little wiser," thought Don, "how much happier I might have been." Then he forced himself to think out a way of escape, a little further conversation with Jem making him feel that he must depend upon himself, for poor Jem's injury seemed to make him at times confused; in fact, he quite startled his fellow-prisoner by exclaiming suddenly,-- "Now where did I put them keys?" "Jem!" "Eh? All right, Sally. 'Tarn't daylight yet." "Jem, my lad, don't you know where you are?" "Don't I tell you? Phew! My head. You there, Mas' Don?" "Yes, Jem. How are you?" "Oh, lively, sir, lively; been asleep, I think. Keep a good heart, Mas' Don, and--" "Hist! Here they come," cried Don, as he saw the gleam of a light through the cracks of the door. "Jem, do you think you could make a dash of it as soon as they open the door?" "No, Mas' Don, not now. My head's all of a boom-whooz, and I seem to have no use in my legs." "Oh!" ejaculated Don despairingly. "But never you mind me, my lad. You make a run for it, dive down low as soon as the door's open. That's how to get away." _Cling_! _clang_! Two bolts were shot back and a flood--or after the intense darkness what seemed to be a flood--of light flashed into the cellar, as the bluff man entered with another bearing the lanthorn. Then there was a great deal of shuffling of feet as if heavy loads were being borne down some stone steps; and as Don looked eagerly at the party, it was to see four sailors, apparently wounded, perhaps dead, carried in and laid upon the floor. A thrill of horror ran through Don. He had heard of the acts of the press-gangs as he might have heard of any legend, and then they had passed from his mind; but now all this was being brought before him and exemplified in a way that was terribly real. These four men just carried in were the last victims of outrage, and his indignation seemed to be boiling up within him when the bluff-looking man said good-humouredly,-- "That's the way to get them, my lad. Those four fellows made themselves tipsy and went to sleep, merchant sailors; they'll wake up to-morrow morning with bad headaches and in His Majesty's Service. Fine lesson for them to keep sober." Don looked at the men with disgust. A few moments before he felt indignant, and full of commiseration for them; but the bluff	right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas' Don." "Let's knock and ask for a pencil and paper to send a message." Jem uttered a loud chuckle as he seated himself on the floor. "I like that, Mas' Don. 'Pon my word I do. Might just as well hit your head again the wall." "Better use yours for a battering ram, Jem," said Don, angrily. "It's thicker than mine." There was silence after this. "He's sulky because of what I've said," thought Don. "Oh, my poor head!" thought Jem. "How it do ache!" Then he began to think about Sally, and what she would say or do when she found that he did not come back. Just at the same time Don was reflecting upon his life of late, and how discontented he had been, and how he had longed to go away, while now he felt as if he would give anything to be back on his old stool in the office, writing hard, and trying his best to be satisfied with what seemed to be a peaceful, happy life. A terrible sensation of despair came over him, and the idea of being dragged off to a ship, and carried right away, was unbearable. What were glorious foreign lands with their wonders to one who would be thought of as a cowardly thief? As he leaned against a wall there in the darkness his busy brain pictured his stern-looking uncle telling his weeping mother that it was a disgrace to her to mourn over the loss of a son who could be guilty of such a crime, and then run away to avoid his punishment. "Oh! If I had only been a little wiser," thought Don, "how much happier I might have been." Then he forced himself to think out a way of escape, a little further conversation with Jem making him feel that he must depend upon himself, for poor Jem's injury seemed to make him at times confused; in fact, he quite startled his fellow-prisoner by exclaiming suddenly,-- "Now where did I put them keys?" "Jem!" "Eh? All right, Sally. 'Tarn't daylight yet." "Jem, my lad, don't you know where you are?" "Don't I tell you? Phew! My head. You there, Mas' Don?" "Yes, Jem. How are you?" "Oh, lively, sir, lively; been asleep, I think. Keep a good heart, Mas' Don, and--" "Hist! Here they come," cried Don, as he saw the gleam of a light through the cracks of the door. "Jem, do you think you could make a dash of it as soon as they open the door?" "No, Mas' Don, not now. My head's all of a boom-whooz, and I seem to have no use in my legs." "Oh!" ejaculated Don despairingly. "But never you mind me, my lad. You make a run for	Don Lavington
“Well,”	Theign	gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if	from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve	hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my	to my regret, to give you, Mr. Bender, and if you’ve been unavoidably detained, as you great bustling people are so apt to be, it will perhaps still be soon enough for your comfort to hear from me that I’ve just given order to close our exhibition. From the present hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my estimate.” “But what, Lord Theign, all this time,” Mr. Bender almost pathetically pleaded, “_is_ your estimate?” The parting guest had another pause, which prolonged itself, after he had reached the door, in a deep solicitation of their hostess’s conscious eyes. This brief passage apparently inspired his answer. “Lady Sandgate will	indeed perhaps a little that she went on while Gotch did her bidding. “Does the kind of relation you’d be condemned to with Mr. Crimble let you down, down, down, as you say, more than the relation you’ve been having with Mr. Bender?” Lord Theign had for it the most uninforming of stares. “Do you mean don’t I hate ‘em equally both?” She cut his further reply short, however, by a “Hush!” of warning--Mr. Bender was there and his introducer had left them. Lord Theign, full of his purpose of departure, sacrificed hereupon little to ceremony. “I’ve but a moment, to my regret, to give you, Mr. Bender, and if you’ve been unavoidably detained, as you great bustling people are so apt to be, it will perhaps still be soon enough for your comfort to hear from me that I’ve just given order to close our exhibition. From the present hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my estimate.” “But what, Lord Theign, all this time,” Mr. Bender almost pathetically pleaded, “_is_ your estimate?” The parting guest had another pause, which prolonged itself, after he had reached the door, in a deep solicitation of their hostess’s conscious eyes. This brief passage apparently inspired his answer. “Lady Sandgate will tell you.” The door closed behind him. The charming woman smiled then at her other friend, whose comprehensive presence appeared now to demand of her some account of these strange proceedings. “He means that your own valuation is much too shockingly high.” “But how can I know _how_ much unless I find out what he’ll take?” The great collector’s spirit had, in spite of its volume, clearly not reached its limit of expansion. “Is he crazily waiting for the thing to be proved _not_ what Mr. Crimble claims?” “No, he’s waiting for nothing--since he holds that claim demolished by Pappendick’s	me I’m in danger of helplessly to swallow the dose?” “Do you find Mr. Crimble,” Lady Sandgate as if there might really be something to say, “so utterly out of the question?” “I found him on the two occasions before I went away in the last degree offensive and outrageous; but even if he charged one and one’s poor dear decent old defences with less rabid a fury everything about him would forbid _that_ kind of relation.” What kind of relation, if any, Hugh’s deficiencies might still render thinkable Lord Theign was kept from going on to mention by the voice of Mr. Gotch, who had thrown open the door to the not altogether assured sound of “Mr. Breckenridge Bender.” The guest in possession gave a cry of impatience, but Lady Sandgate said “Coming up?” “If his lordship will see him.” “Oh, he’s beyond his time,” his lordship pronounced-- “I can’t see him now!” “Ah, but _mustn’t_ you--and mayn’t _I_ then?” She waited, however, for no response to signify to her servant “Let him come,” and her companion could but exhale a groan of reluctant accommodation as if he wondered at the point she made of it. It enlightened him indeed perhaps a little that she went on while Gotch did her bidding. “Does the kind of relation you’d be condemned to with Mr. Crimble let you down, down, down, as you say, more than the relation you’ve been having with Mr. Bender?” Lord Theign had for it the most uninforming of stares. “Do you mean don’t I hate ‘em equally both?” She cut his further reply short, however, by a “Hush!” of warning--Mr. Bender was there and his introducer had left them. Lord Theign, full of his purpose of departure, sacrificed hereupon little to ceremony. “I’ve but a moment, to my regret, to give you, Mr. Bender, and if you’ve been unavoidably detained, as you great bustling people are so apt to be, it will perhaps still be soon enough for your comfort to hear from me that I’ve just given order to close our exhibition. From the present hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my estimate.” “But what, Lord Theign, all this time,” Mr. Bender almost pathetically pleaded, “_is_ your estimate?” The parting guest had another pause, which prolonged itself, after he had reached the door, in a deep solicitation of their hostess’s conscious eyes. This brief passage apparently inspired his answer. “Lady Sandgate will tell you.” The door closed behind him. The charming woman smiled then at her other friend, whose comprehensive presence appeared now to demand of her some account of these strange proceedings. “He means that your own valuation is much too shockingly high.” “But how can I know _how_ much unless I find out what he’ll take?” The great collector’s spirit had, in spite of its volume, clearly not reached its limit of expansion. “Is he crazily waiting for the thing to be proved _not_ what Mr. Crimble claims?” “No, he’s waiting for nothing--since he holds that claim demolished by Pappendick’s tremendous negative, which you wrote to tell him of.” Vast, undeveloped and suddenly grave, Mr. Bender’s countenance showed like a barren tract under a black cloud. “I wrote to _report_, fair and square, on Pap-pendick, but to tell him I’d take the picture just the same, negative and all.” “Ah, but take it in that way not for what it is but for what it isn’t.” “We know nothing about what it ‘isn’t,’” said Mr. Bender, “after all that has happened--we’ve only learned a little better every day what it is.” “You mean,” his companion asked, “the biggest bone of artistic contention----?” “Yes,” --he took it from her-- “the biggest that has been thrown into the arena for quite a while. I guess I can do with it for _that_.” Lady Sandgate, on this, after a moment, renewed her personal advance; it was as if she had now made sure of the soundness of her main bridge. “Well, if it’s the biggest bone I won’t touch it; I’ll leave it to be mauled by my betters. But since his lordship has asked me to name a price, dear Mr. Bender, I’ll name one--and as you prefer big prices I’ll try	“But there’s one thing,” he remembered as he came back with it: “where’s my too, _too_ unnatural daughter?” “If you mean Grace and really want her I’ll send and find out.” “Not now” --he bethought himself. “But does she _see_ that chatterbox?” “Mr. Crimble? Yes, she sees him.” He kept his eyes on her. “Then how far has it gone?” Lady Sandgate overcame an embarrassment. “Well, not even yet, I think, so far as they’d like.” “They’d ‘like’--heaven save the mark!--to marry?” “I suspect them of it. What line, if it should come to that,” she asked, “would you then take?” He was perfectly prompt. “The line that for Grace it’s simply ignoble.” The force of her deprecation of such language was qualified by tact. “Ah, darling, as dreadful as _that?_” He could but view the possibility with dark resentment. “It lets us so down--from what we’ve always been and done; so down, down, down that I’m amazed you don’t feel it!” “Oh, I feel there’s still plenty to keep you up!” she soothingly laughed. He seemed to consider this vague amount--which he apparently judged, however, not so vast as to provide for the whole yearning of his nature. “Well, my dear,” he thus more blandly professed, “I shall need all the extra _agrément_ that your affection can supply.” If nothing could have been, on this, richer response, nothing could at the same time have bee more pleasing than her modesty. “Ah, my affectionate Theign, is, as I think you know, a fountain always in flood; but in any more worldly element than that--as you’ve ever seen for yourself--a poor strand with my own sad affairs, a broken reed; not ‘great’ as they used so finely to call it! You _are_--with the natural sense of greatness and, for supreme support, the instinctive grand man doing and taking things.” He sighed, none the less, he groaned, with his thoughts of trouble, for the strain he foresaw on these resolutions. “If you mean that I hold up my head, on higher grounds, I grant that I always have. But how much longer possible when my children commit such vulgarities? Why in the name of goodness are such children? What the devil has got into them, and is it really the case that when Grace offers as a proof of her license and a specimen of her taste a son-in-law as you tell me I’m in danger of helplessly to swallow the dose?” “Do you find Mr. Crimble,” Lady Sandgate as if there might really be something to say, “so utterly out of the question?” “I found him on the two occasions before I went away in the last degree offensive and outrageous; but even if he charged one and one’s poor dear decent old defences with less rabid a fury everything about him would forbid _that_ kind of relation.” What kind of relation, if any, Hugh’s deficiencies might still render thinkable Lord Theign was kept from going on to mention by the voice of Mr. Gotch, who had thrown open the door to the not altogether assured sound of “Mr. Breckenridge Bender.” The guest in possession gave a cry of impatience, but Lady Sandgate said “Coming up?” “If his lordship will see him.” “Oh, he’s beyond his time,” his lordship pronounced-- “I can’t see him now!” “Ah, but _mustn’t_ you--and mayn’t _I_ then?” She waited, however, for no response to signify to her servant “Let him come,” and her companion could but exhale a groan of reluctant accommodation as if he wondered at the point she made of it. It enlightened him indeed perhaps a little that she went on while Gotch did her bidding. “Does the kind of relation you’d be condemned to with Mr. Crimble let you down, down, down, as you say, more than the relation you’ve been having with Mr. Bender?” Lord Theign had for it the most uninforming of stares. “Do you mean don’t I hate ‘em equally both?” She cut his further reply short, however, by a “Hush!” of warning--Mr. Bender was there and his introducer had left them. Lord Theign, full of his purpose of departure, sacrificed hereupon little to ceremony. “I’ve but a moment, to my regret, to give you, Mr. Bender, and if you’ve been unavoidably detained, as you great bustling people are so apt to be, it will perhaps still be soon enough for your comfort to hear from me that I’ve just given order to close our exhibition. From the present hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my estimate.” “But what, Lord Theign, all this time,” Mr. Bender almost pathetically pleaded, “_is_ your estimate?” The parting guest had another pause, which prolonged itself, after he had reached the door, in a deep solicitation of their hostess’s conscious eyes. This brief passage apparently inspired his answer. “Lady Sandgate will tell you.” The door closed behind him. The charming woman smiled then at her other friend, whose comprehensive presence appeared now to demand of her some account of these strange proceedings. “He means that your own valuation is much too shockingly high.” “But how can I know _how_ much unless I find out what he’ll take?” The great collector’s spirit had, in spite of its volume, clearly not reached its limit of expansion. “Is he crazily waiting for the thing to be proved _not_ what Mr. Crimble claims?” “No, he’s waiting for nothing--since he holds that claim demolished by Pappendick’s tremendous negative, which you wrote to tell him of.” Vast, undeveloped and suddenly grave, Mr. Bender’s countenance showed like a barren tract under a black cloud. “I wrote to _report_, fair and square, on Pap-pendick, but to tell him I’d take the picture just the same, negative and all.” “Ah, but take it in that way not for what it is but for what it isn’t.” “We know nothing about what it ‘isn’t,’” said Mr. Bender, “after all that has happened--we’ve only learned a little better every day what it is.” “You mean,” his companion asked, “the biggest bone of artistic contention----?” “Yes,” --he took it from her-- “the biggest that has been thrown into the arena for quite a while. I guess I can do with it for _that_.” Lady Sandgate, on this, after a moment, renewed her personal advance; it was as if she had now made sure of the soundness of her main bridge. “Well, if it’s the biggest bone I won’t touch it; I’ll leave it to be mauled by my betters. But since his lordship has asked me to name a price, dear Mr. Bender, I’ll name one--and as you prefer big prices I’ll try to make it suit you. Only it won’t be for the portrait of a person nobody is agreed about. The whole world is agreed, you know, about my great-grandmother.” “Oh, shucks, Lady Sandgate!” --and her visitor turned from her with the hunch of overcharged shoulders. But she apparently felt that she held him, or at least that even if such a conviction might be fatuous she must now put it to the touch. “You’ve been delivered into my hands--too charmingly; and you won’t really pretend that you don’t recognise that and in fact rather like it.” He faced about to her again as to a case of coolness unparalleled--though indeed with a quick lapse of real interest in the question of whether he had been artfully practised upon; an indifference to bad debts or peculation like that of some huge hotel or other business involving a margin for waste. He could afford, he could work waste too, clearly--and what was it, that term, you might have felt him ask, but a mean measure, anyway? quite as the “artful,” opposed to his larger game, would be the hiding and pouncing of children at play. “Do I gather that those uncanny words of his were just meant to put me off?” he inquired. And then as she but boldly and smilingly shrugged, repudiating responsibility, “Look here, Lady Sandgate, ain’t you honestly going to help me?” he pursued. This engaged her sincerity without affecting her gaiety. “Mr. Bender, Mr. Bender, I’ll help you if you’ll help _me!_” “You’ll really get me something from him to go on with?” “I’ll get you something from him to go on with.” “That’s all I ask--to get _that_. Then I can move the way I want. But without it I’m held up.” “You shall have it,” she replied, “if I in turn may look to _you_ for a trifle on account.” “Well,” he dryly gloomed at her, “what do you call a trifle?” “I mean” --she waited but an instant-- “what you would feel as one.” “That won’t do. You haven’t the least idea, Lady Sandgate,” he earnestly said, “_how_ I feel at these foolish times. I’ve never got used to them yet.” “Ah, don’t you understand,” she pressed, “that if I give you an advantage I’m completely at your mercy?” “Well, what mercy,” he groaned, “do you deserve?” She waited a little, brightly composed--then she indicated	possession gave a cry of impatience, but Lady Sandgate said “Coming up?” “If his lordship will see him.” “Oh, he’s beyond his time,” his lordship pronounced-- “I can’t see him now!” “Ah, but _mustn’t_ you--and mayn’t _I_ then?” She waited, however, for no response to signify to her servant “Let him come,” and her companion could but exhale a groan of reluctant accommodation as if he wondered at the point she made of it. It enlightened him indeed perhaps a little that she went on while Gotch did her bidding. “Does the kind of relation you’d be condemned to with Mr. Crimble let you down, down, down, as you say, more than the relation you’ve been having with Mr. Bender?” Lord Theign had for it the most uninforming of stares. “Do you mean don’t I hate ‘em equally both?” She cut his further reply short, however, by a “Hush!” of warning--Mr. Bender was there and his introducer had left them. Lord Theign, full of his purpose of departure, sacrificed hereupon little to ceremony. “I’ve but a moment, to my regret, to give you, Mr. Bender, and if you’ve been unavoidably detained, as you great bustling people are so apt to be, it will perhaps still be soon enough for your comfort to hear from me that I’ve just given order to close our exhibition. From the present hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my estimate.” “But what, Lord Theign, all this time,” Mr. Bender almost pathetically pleaded, “_is_ your estimate?” The parting guest had another pause, which prolonged itself, after he had reached the door, in a deep solicitation of their hostess’s conscious eyes. This brief passage apparently inspired his answer. “Lady Sandgate will tell you.” The door closed behind him. The charming woman smiled then at her other friend, whose comprehensive presence appeared now to demand of her some account of these strange proceedings. “He means that your own valuation is much too shockingly high.” “But how can I know _how_ much unless I find out what he’ll take?” The great collector’s spirit had, in spite of its volume, clearly not reached its limit of expansion. “Is he crazily waiting for the thing to be proved _not_ what Mr. Crimble claims?” “No, he’s waiting for nothing--since he holds that claim demolished by Pappendick’s tremendous negative, which you wrote to tell him of.” Vast, undeveloped and suddenly grave, Mr. Bender’s countenance showed like a barren tract under a black cloud. “I wrote to _report_, fair and square, on Pap-pendick, but to tell him I’d take the picture just the same, negative and all.” “Ah, but take it in that way not for what it is but for what it isn’t.” “We know nothing about what it ‘isn’t,’” said Mr. Bender, “after all that has happened--we’ve only learned a little better every day what it is.” “You mean,” his companion asked, “the biggest bone of artistic contention----?” “Yes,” --he took it from her-- “the biggest that has been thrown into the arena for quite a while. I guess I can do with it for _that_.” Lady Sandgate, on this, after a moment, renewed her personal advance; it was as if she had now made sure of the soundness of her main bridge. “Well, if it’s the biggest bone I won’t touch it; I’ll leave it to be mauled by my betters. But since his lordship has asked me to name a price, dear Mr. Bender, I’ll name one--and as you prefer big prices I’ll try to make it suit you. Only it won’t be for the portrait of a person nobody is agreed about. The whole world is agreed, you know, about my great-grandmother.” “Oh, shucks, Lady Sandgate!” --and her visitor turned from her with the hunch of overcharged shoulders. But she	The Outcry
"I'm not sure we shan't both be soon."	Tony Last	that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small,	Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre	but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda	do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their	about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good."	Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam and jellied eels... What are your plans for the afternoon?" "Nothing much. Carter's coming up at five to go over a few things. I may go to Pigstanton after luncheon. I think we've got a tenant for Lowater Farm but it's been empty some time and I ought to see how much needs doing to it." "I wouldn't say "no" to going in to the "movies"." "All right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh	mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam and jellied eels... What are your plans for the afternoon?" "Nothing much. Carter's coming up at five to go over a few things. I may go to Pigstanton after luncheon. I think we've got a tenant for Lowater Farm but it's been empty some time and I ought to see how much needs doing to it." "I wouldn't say "no" to going in to the "movies"." "All right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh no it's not. Wait till you see him." "What's he coming here for? Did you ask him to stay?" "I suppose I did in a vague kind of way. I went to Bratt's one evening and he was the only chap there so we had some drinks and he said something about wanting to see the house..." "I suppose you were tight." "Not really, but I never thought he'd hold it against me." "Well, it jolly well serves you right. That's what comes of going up to London on business and leaving me alone here... Who is he anyway?" "Just a young man. His mother keeps that shop." "I used to know her. She's hell. Come to think of it we owe her some money." "Look here, we must put a call through and say we're ill." "Too late, he's in the train now, recklessly mixing starch and protein in the Great Western three and sixpenny lunch... Anyway, he can go into Galahad. No one who sleeps there ever comes again--the bed's agony I believe." "What on earth are we going to do with him? It's too late to get anyone else." "You go over to Pigstanton. I'll look after him. It's easier alone. We can take him to the movies to-night, and to-morrow he can see over the house. If we're lucky he may go up by the evening train. Does he have to work on Monday morning?" "I shouldn't know." * * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark	of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam	A Handful Of Dust
"Is it Mr. Giovanelli?"	Mrs. Walker	the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was	t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at	had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said	carriages and of contemplative pedestrians. "I don t think it s safe, my dear," said Mrs. Walker. "Neither do I," subjoined Mrs. Miller. "You ll get the fever, as sure as you live. Remember what Dr. Davis told you!" "Give her some medicine before she goes," said Randolph. The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said Mrs. Walker, taking her hand pleadingly, "don t walk off to the Pincio at this hour to meet a beautiful Italian." "Well, he speaks English," said Mrs. Miller. "Gracious me!" Daisy exclaimed, "I don t to do anything improper. There s an easy way to settle it." She continued to	tremendously clever. He s perfectly lovely!" It was settled that this brilliant personage should be brought to Mrs. Walker s party, and then Mrs. Miller prepared to take her leave. "I guess we ll go back to the hotel," she said. "You may go back to the hotel, Mother, but I m going to take a walk," said Daisy. "She s going to walk with Mr. Giovanelli," Randolph proclaimed. "I am going to the Pincio," said Daisy, smiling. "Alone, my dear--at this hour?" Mrs. Walker asked. The afternoon was drawing to a close--it was the hour for the throng of carriages and of contemplative pedestrians. "I don t think it s safe, my dear," said Mrs. Walker. "Neither do I," subjoined Mrs. Miller. "You ll get the fever, as sure as you live. Remember what Dr. Davis told you!" "Give her some medicine before she goes," said Randolph. The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said Mrs. Walker, taking her hand pleadingly, "don t walk off to the Pincio at this hour to meet a beautiful Italian." "Well, he speaks English," said Mrs. Miller. "Gracious me!" Daisy exclaimed, "I don t to do anything improper. There s an easy way to settle it." She continued to glance at Winterbourne. "The Pincio is only a hundred yards distant; and if Mr. Winterbourne were as polite as he pretends, he would offer to walk with me!" Winterbourne s politeness hastened to affirm itself, and the young girl gave him gracious leave to accompany her. They passed downstairs before her mother, and at the door Winterbourne perceived Mrs. Miller s carriage drawn up, with the ornamental courier whose acquaintance he had made at Vevey seated within. "Goodbye, Eugenio!" cried Daisy; "I m going to take a walk." The distance from the Via Gregoriana to the beautiful garden at the	Eugenio ll raise--something!" "I m not afraid of Eugenio," said Daisy with a toss of her head. "Look here, Mrs. Walker," she went on, "you know I m coming to your party." "I am delighted to hear it." "I ve got a lovely dress!" "I am very sure of that." "But I want to ask a favor--permission to bring a friend." "I shall be happy to see any of your friends," said Mrs. Walker, turning with a smile to Mrs. Miller. "Oh, they are not my friends," answered Daisy s mamma, smiling shyly in her own fashion. "I never spoke to them." "It s an intimate friend of mine--Mr. Giovanelli," said Daisy without a tremor in her clear little voice or a shadow on her brilliant little face. Mrs. Walker was silent a moment; she gave a rapid glance at Winterbourne. "I shall be glad to see Mr. Giovanelli," she then said. "He s an Italian," Daisy pursued with the prettiest serenity. "He s a great friend of mine; he s the handsomest man in the world--except Mr. Winterbourne! He knows plenty of Italians, but he wants to know some Americans. He thinks ever so much of Americans. He s tremendously clever. He s perfectly lovely!" It was settled that this brilliant personage should be brought to Mrs. Walker s party, and then Mrs. Miller prepared to take her leave. "I guess we ll go back to the hotel," she said. "You may go back to the hotel, Mother, but I m going to take a walk," said Daisy. "She s going to walk with Mr. Giovanelli," Randolph proclaimed. "I am going to the Pincio," said Daisy, smiling. "Alone, my dear--at this hour?" Mrs. Walker asked. The afternoon was drawing to a close--it was the hour for the throng of carriages and of contemplative pedestrians. "I don t think it s safe, my dear," said Mrs. Walker. "Neither do I," subjoined Mrs. Miller. "You ll get the fever, as sure as you live. Remember what Dr. Davis told you!" "Give her some medicine before she goes," said Randolph. The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said Mrs. Walker, taking her hand pleadingly, "don t walk off to the Pincio at this hour to meet a beautiful Italian." "Well, he speaks English," said Mrs. Miller. "Gracious me!" Daisy exclaimed, "I don t to do anything improper. There s an easy way to settle it." She continued to glance at Winterbourne. "The Pincio is only a hundred yards distant; and if Mr. Winterbourne were as polite as he pretends, he would offer to walk with me!" Winterbourne s politeness hastened to affirm itself, and the young girl gave him gracious leave to accompany her. They passed downstairs before her mother, and at the door Winterbourne perceived Mrs. Miller s carriage drawn up, with the ornamental courier whose acquaintance he had made at Vevey seated within. "Goodbye, Eugenio!" cried Daisy; "I m going to take a walk." The distance from the Via Gregoriana to the beautiful garden at the other end of the Pincian Hill is, in fact, rapidly traversed. As the day was splendid, however, and the concourse of vehicles, walkers, and loungers numerous, the young Americans found their progress much delayed. This fact was highly agreeable to Winterbourne, in spite of his consciousness of his singular situation. The slow-moving, idly gazing Roman crowd bestowed much attention upon the extremely pretty young foreign lady who was passing through it upon his arm; and he wondered what on earth had been in Daisy s mind when she proposed to expose herself, unattended, to its appreciation. His own mission, to her sense, apparently, was to consign her to the hands of Mr. Giovanelli; but Winterbourne, at once annoyed and gratified, resolved that he would do no such thing. "Why haven t you been to see me?" asked Daisy. "You can t get out of that." "I have had the honor of telling you that I have only just stepped out of the train." "You must have stayed in the train a good while after it stopped!" cried the young girl with her little laugh. "I suppose you were asleep. You have had time to go to see Mrs. Walker." "I	of Richmond!" said Randolph. "He means the ship," his mother explained. "We crossed in that ship. Randolph had a good time on the City of Richmond." "It s the best place I ve seen," the child repeated. "Only it was turned the wrong way." "Well, we ve got to turn the right way some time," said Mrs. Miller with a little laugh. Winterbourne expressed the hope that her daughter at least found some gratification in Rome, and she declared that Daisy was quite carried away. "It s on account of the society--the society s splendid. She goes round everywhere; she has made a great number of acquaintances. Of course she goes round more than I do. I must say they have been very sociable; they have taken her right in. And then she knows a great many gentlemen. Oh, she thinks there s nothing like Rome. Of course, it s a great deal pleasanter for a young lady if she knows plenty of gentlemen." By this time Daisy had turned her attention again to Winterbourne. "I ve been telling Mrs. Walker how mean you were!" the young girl announced. "And what is the evidence you have offered?" asked Winterbourne, rather annoyed at Miss Miller s want of appreciation of the zeal of an admirer who on his way down to Rome had stopped neither at Bologna nor at Florence, simply because of a certain sentimental impatience. He remembered that a cynical compatriot had once told him that American women--the pretty ones, and this gave a largeness to the axiom--were at once the most exacting in the world and the least endowed with a sense of indebtedness. "Why, you were awfully mean at Vevey," said Daisy. "You wouldn t do anything. You wouldn t stay there when I asked you." "My dearest young lady," cried Winterbourne, with eloquence, "have I come all the way to Rome to encounter your reproaches?" "Just hear him say that!" said Daisy to her hostess, giving a twist to a bow on this lady s dress. "Did you ever hear anything so quaint?" "So quaint, my dear?" murmured Mrs. Walker in the tone of a partisan of Winterbourne. "Well, I don t know," said Daisy, fingering Mrs. Walker s ribbons. "Mrs. Walker, I want to tell you something." "Mother-r," interposed Randolph, with his rough ends to his words, "I tell you you ve got to go. Eugenio ll raise--something!" "I m not afraid of Eugenio," said Daisy with a toss of her head. "Look here, Mrs. Walker," she went on, "you know I m coming to your party." "I am delighted to hear it." "I ve got a lovely dress!" "I am very sure of that." "But I want to ask a favor--permission to bring a friend." "I shall be happy to see any of your friends," said Mrs. Walker, turning with a smile to Mrs. Miller. "Oh, they are not my friends," answered Daisy s mamma, smiling shyly in her own fashion. "I never spoke to them." "It s an intimate friend of mine--Mr. Giovanelli," said Daisy without a tremor in her clear little voice or a shadow on her brilliant little face. Mrs. Walker was silent a moment; she gave a rapid glance at Winterbourne. "I shall be glad to see Mr. Giovanelli," she then said. "He s an Italian," Daisy pursued with the prettiest serenity. "He s a great friend of mine; he s the handsomest man in the world--except Mr. Winterbourne! He knows plenty of Italians, but he wants to know some Americans. He thinks ever so much of Americans. He s tremendously clever. He s perfectly lovely!" It was settled that this brilliant personage should be brought to Mrs. Walker s party, and then Mrs. Miller prepared to take her leave. "I guess we ll go back to the hotel," she said. "You may go back to the hotel, Mother, but I m going to take a walk," said Daisy. "She s going to walk with Mr. Giovanelli," Randolph proclaimed. "I am going to the Pincio," said Daisy, smiling. "Alone, my dear--at this hour?" Mrs. Walker asked. The afternoon was drawing to a close--it was the hour for the throng of carriages and of contemplative pedestrians. "I don t think it s safe, my dear," said Mrs. Walker. "Neither do I," subjoined Mrs. Miller. "You ll get the fever, as sure as you live. Remember what Dr. Davis told you!" "Give her some medicine before she goes," said Randolph. The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said Mrs. Walker, taking her hand pleadingly, "don t walk off to the Pincio at this hour to meet a beautiful Italian." "Well, he speaks English," said Mrs. Miller. "Gracious me!" Daisy exclaimed, "I don t to do anything improper. There s an easy way to settle it." She continued to glance at Winterbourne. "The Pincio is only a hundred yards distant; and if Mr. Winterbourne were as polite as he pretends, he would offer to walk with me!" Winterbourne s politeness hastened to affirm itself, and the young girl gave him gracious leave to accompany her. They passed downstairs before her mother, and at the door Winterbourne perceived Mrs. Miller s carriage drawn up, with the ornamental courier whose acquaintance he had made at Vevey seated within. "Goodbye, Eugenio!" cried Daisy; "I m going to take a walk." The distance from the Via Gregoriana to the beautiful garden at the other end of the Pincian Hill is, in fact, rapidly traversed. As the day was splendid, however, and the concourse of vehicles, walkers, and loungers numerous, the young Americans found their progress much delayed. This fact was highly agreeable to Winterbourne, in spite of his consciousness of his singular situation. The slow-moving, idly gazing Roman crowd bestowed much attention upon the extremely pretty young foreign lady who was passing through it upon his arm; and he wondered what on earth had been in Daisy s mind when she proposed to expose herself, unattended, to its appreciation. His own mission, to her sense, apparently, was to consign her to the hands of Mr. Giovanelli; but Winterbourne, at once annoyed and gratified, resolved that he would do no such thing. "Why haven t you been to see me?" asked Daisy. "You can t get out of that." "I have had the honor of telling you that I have only just stepped out of the train." "You must have stayed in the train a good while after it stopped!" cried the young girl with her little laugh. "I suppose you were asleep. You have had time to go to see Mrs. Walker." "I knew Mrs. Walker--" Winterbourne began to explain. "I know where you knew her. You knew her at Geneva. She told me so. Well, you knew me at Vevey. That s just as good. So you ought to have come." She asked him no other question than this; she began to prattle about her own affairs. "We ve got splendid rooms at the hotel; Eugenio says they re the best rooms in Rome. We are going to stay all winter, if we don t die of the fever; and I guess we ll stay then. It s a great deal nicer than I thought; I thought it would be fearfully quiet; I was sure it would be awfully poky. I was sure we should be going round all the time with one of those dreadful old men that explain about the pictures and things. But we only had about a week of that, and now I m enjoying myself. I know ever so many people, and they are all so charming. The society s extremely select. There are all kinds--English, and Germans, and Italians. I think I like the English best. I like their style of conversation. But there are some lovely Americans. I never saw anything so hospitable. There s something or other every day. There s not much dancing; but I must say I never thought dancing was everything. I was always fond of conversation. I guess I shall have plenty at Mrs. Walker s, her rooms are so small." When they had passed the gate of the Pincian Gardens, Miss Miller began to wonder where Mr. Giovanelli might be. "We had better go straight to that place in front," she said, "where you look at the view." "I certainly shall not help you to find him," Winterbourne declared. "Then I shall find him without you," cried Miss Daisy. "You certainly won t leave me!" cried Winterbourne. She burst into her little laugh. "Are you afraid you ll get lost--or run over? But there s Giovanelli, leaning against that tree. He s staring at the women in the carriages: did you ever see anything so cool?" Winterbourne perceived at some distance a little man standing with folded arms nursing his cane. He had a handsome face, an artfully poised hat, a glass in one eye, and a nosegay in his buttonhole. Winterbourne looked at him a moment and then	cynical compatriot had once told him that American women--the pretty ones, and this gave a largeness to the axiom--were at once the most exacting in the world and the least endowed with a sense of indebtedness. "Why, you were awfully mean at Vevey," said Daisy. "You wouldn t do anything. You wouldn t stay there when I asked you." "My dearest young lady," cried Winterbourne, with eloquence, "have I come all the way to Rome to encounter your reproaches?" "Just hear him say that!" said Daisy to her hostess, giving a twist to a bow on this lady s dress. "Did you ever hear anything so quaint?" "So quaint, my dear?" murmured Mrs. Walker in the tone of a partisan of Winterbourne. "Well, I don t know," said Daisy, fingering Mrs. Walker s ribbons. "Mrs. Walker, I want to tell you something." "Mother-r," interposed Randolph, with his rough ends to his words, "I tell you you ve got to go. Eugenio ll raise--something!" "I m not afraid of Eugenio," said Daisy with a toss of her head. "Look here, Mrs. Walker," she went on, "you know I m coming to your party." "I am delighted to hear it." "I ve got a lovely dress!" "I am very sure of that." "But I want to ask a favor--permission to bring a friend." "I shall be happy to see any of your friends," said Mrs. Walker, turning with a smile to Mrs. Miller. "Oh, they are not my friends," answered Daisy s mamma, smiling shyly in her own fashion. "I never spoke to them." "It s an intimate friend of mine--Mr. Giovanelli," said Daisy without a tremor in her clear little voice or a shadow on her brilliant little face. Mrs. Walker was silent a moment; she gave a rapid glance at Winterbourne. "I shall be glad to see Mr. Giovanelli," she then said. "He s an Italian," Daisy pursued with the prettiest serenity. "He s a great friend of mine; he s the handsomest man in the world--except Mr. Winterbourne! He knows plenty of Italians, but he wants to know some Americans. He thinks ever so much of Americans. He s tremendously clever. He s perfectly lovely!" It was settled that this brilliant personage should be brought to Mrs. Walker s party, and then Mrs. Miller prepared to take her leave. "I guess we ll go back to the hotel," she said. "You may go back to the hotel, Mother, but I m going to take a walk," said Daisy. "She s going to walk with Mr. Giovanelli," Randolph proclaimed. "I am going to the Pincio," said Daisy, smiling. "Alone, my dear--at this hour?" Mrs. Walker asked. The afternoon was drawing to a close--it was the hour for the throng of carriages and of contemplative pedestrians. "I don t think it s safe, my dear," said Mrs. Walker. "Neither do I," subjoined Mrs. Miller. "You ll get the fever, as sure as you live. Remember what Dr. Davis told you!" "Give her some medicine before she goes," said Randolph. The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said Mrs. Walker, taking her hand pleadingly, "don t walk off to the Pincio at this hour to meet a beautiful Italian." "Well, he speaks English," said Mrs. Miller. "Gracious me!" Daisy exclaimed, "I don t to do anything improper. There s an easy way to settle it." She continued to glance at Winterbourne. "The Pincio is only a hundred yards distant; and if Mr. Winterbourne were as polite as he pretends, he would offer to walk with me!" Winterbourne s politeness hastened to affirm itself, and the young girl gave him gracious leave to accompany her. They passed downstairs before her mother, and at the door Winterbourne perceived Mrs. Miller s carriage drawn up, with the ornamental courier whose acquaintance he had made at Vevey seated within. "Goodbye, Eugenio!" cried Daisy; "I m going to take a walk." The distance from the Via Gregoriana to the beautiful garden at the other end of the Pincian Hill is, in fact, rapidly traversed. As the day was splendid, however, and the concourse of vehicles, walkers, and loungers numerous, the young Americans found their progress much delayed. This fact was highly agreeable to Winterbourne, in spite of his consciousness of his singular situation. The slow-moving, idly gazing Roman crowd bestowed much attention upon the extremely pretty young foreign lady who was passing through it upon his arm; and he wondered what on earth had been in Daisy s mind when she proposed to expose herself, unattended, to its appreciation. His own mission, to her sense, apparently, was to consign her to the hands of Mr. Giovanelli; but Winterbourne, at once annoyed and gratified, resolved that he would do no such thing. "Why haven t you been to see me?" asked Daisy. "You can t get out of that." "I have had the honor of telling you that I have only just stepped out of the train." "You must have stayed in the train a good while after it stopped!" cried the young girl with her little laugh. "I suppose you were asleep. You have had time to go to see Mrs. Walker." "I knew Mrs. Walker--" Winterbourne began to explain. "I know where you knew her. You knew her at Geneva. She told me so. Well, you knew me at Vevey. That s just as good. So you ought to have come." She asked him no other question than this; she began to prattle about her own affairs. "We ve got splendid rooms at the hotel; Eugenio says they re the best rooms in Rome. We are going to stay all winter, if we don t die of the fever; and I guess we ll	Daisy Miller
[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of	No speaker	to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a	Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide	a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek	Two half-grown boys and a girl stood holding oil-cloth bundles, and a little girl clung to her mother’s skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian’s. Surely this was the face of a desperado. As he walked about the platform in his high-heeled boots, looking for our trunks,	about with lanterns. I could n’t see any town, or even distant lights; we were surrounded by utter darkness. The engine was panting heavily after its long run. In the red glow from the fire-box, a group of people stood huddled together on the platform, encumbered by bundles and boxes. I knew this must be the immigrant family the conductor had told us about. The woman wore a fringed shawl tied over her head, and she carried a little tin trunk in her arms, hugging it as if it were a baby. There was an old man, tall and stooped. Two half-grown boys and a girl stood holding oil-cloth bundles, and a little girl clung to her mother’s skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian’s. Surely this was the face of a desperado. As he walked about the platform in his high-heeled boots, looking for our trunks, I saw that he was a rather slight man, quick and wiry, and light on his feet. He told us we had a long night drive ahead of us, and had better be on the hike. He led us to a hitching-bar where two farm wagons were tied, and I saw the foreign family crowding into one of them. The other was for us. Jake got on the front seat with Otto Fuchs, and I rode on the straw in the bottom of the wagon-box, covered up with a buffalo hide. The immigrants rumbled off into the empty darkness, and	the immigrant car ahead there was a family from “across the water” whose destination was the same as ours. “They can’t any of them speak English, except one little girl, and all she can say is ‘We go Black Hawk, Nebraska.’ She’s not much older than you, twelve or thirteen, maybe, and she’s as bright as a new dollar. Don’t you want to go ahead and see her, Jimmy? She’s got the pretty brown eyes, too!” This last remark made me bashful, and I shook my head and settled down to “Jesse James.” Jake nodded at me approvingly and said you were likely to get diseases from foreigners. I do not remember crossing the Missouri River, or anything about the long day’s journey through Nebraska. Probably by that time I had crossed so many rivers that I was dull to them. The only thing very noticeable about Nebraska was that it was still, all day long, Nebraska. I had been sleeping, curled up in a red plush seat, for a long while when we reached Black Hawk. Jake roused me and took me by the hand. We stumbled down from the train to a wooden siding, where men were running about with lanterns. I could n’t see any town, or even distant lights; we were surrounded by utter darkness. The engine was panting heavily after its long run. In the red glow from the fire-box, a group of people stood huddled together on the platform, encumbered by bundles and boxes. I knew this must be the immigrant family the conductor had told us about. The woman wore a fringed shawl tied over her head, and she carried a little tin trunk in her arms, hugging it as if it were a baby. There was an old man, tall and stooped. Two half-grown boys and a girl stood holding oil-cloth bundles, and a little girl clung to her mother’s skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian’s. Surely this was the face of a desperado. As he walked about the platform in his high-heeled boots, looking for our trunks, I saw that he was a rather slight man, quick and wiry, and light on his feet. He told us we had a long night drive ahead of us, and had better be on the hike. He led us to a hitching-bar where two farm wagons were tied, and I saw the foreign family crowding into one of them. The other was for us. Jake got on the front seat with Otto Fuchs, and I rode on the straw in the bottom of the wagon-box, covered up with a buffalo hide. The immigrants rumbled off into the empty darkness, and we followed them. I tried to go to sleep, but the jolting made me bite my tongue, and I soon began to ache all over. When the straw settled down I had a hard bed. Cautiously I slipped from under the buffalo hide, got up on my knees and peered over the side of the wagon. There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made. No, there was nothing but land—slightly undulating, I knew, because often our wheels ground against the brake as we went down into a hollow and lurched up again on the other side. I had the feeling that the world was left behind, that we had got over the edge of it, and were outside man’s jurisdiction. I had never before looked up at the sky when there was not a familiar mountain ridge against it. But this was the complete dome of heaven, all there was of it. I did not believe that	rearrange. I simply wrote down what of herself and myself and other people Ántonia’s name recalls to me. I suppose it has n’t any form. It has n’t any title, either.” He went into the next room, sat down at my desk and wrote on the pinkish face of the portfolio the word, “Ántonia.” He frowned at this a moment, then prefixed another word, making it “My Ántonia.” That seemed to satisfy him. “Read it as soon as you can,” he said, rising, “but don’t let it influence your own story.” My own story was never written, but the following narrative is Jim’s manuscript, substantially as he brought it to me. BOOK I— THE SHIMERDAS I I FIRST heard of Ántonia(1) on what seemed to me an interminable journey across the great midland plain of North America. I was ten years old then; I had lost both my father and mother within a year, and my Virginia relatives were sending me out to my grandparents, who lived in Nebraska. I traveled in the care of a mountain boy, Jake Marpole, one of the “hands” on my father’s old farm under the Blue Ridge, who was now going West to work for my grandfather. Jake’s experience of the world was not much wider than mine. He had never been in a railway train until the morning when we set out together to try our fortunes in a new world. We went all the way in day-coaches, becoming more sticky and grimy with each stage of the journey. Jake bought everything the newsboys offered him: candy, oranges, brass collar buttons, a watch-charm, and for me a “Life of Jesse James,” which I remember as one of the most satisfactory books I have ever read. Beyond Chicago we were under the protection of a friendly passenger conductor, who knew all about the country to which we were going and gave us a great deal of advice in exchange for our confidence. He seemed to us an experienced and worldly man who had been almost everywhere; in his conversation he threw out lightly the names of distant States and cities. He wore the rings and pins and badges of different fraternal orders to which he belonged. Even his cuff-buttons were engraved with hieroglyphics, and he was more inscribed than an Egyptian obelisk. Once when he sat down to chat, he told us that in the immigrant car ahead there was a family from “across the water” whose destination was the same as ours. “They can’t any of them speak English, except one little girl, and all she can say is ‘We go Black Hawk, Nebraska.’ She’s not much older than you, twelve or thirteen, maybe, and she’s as bright as a new dollar. Don’t you want to go ahead and see her, Jimmy? She’s got the pretty brown eyes, too!” This last remark made me bashful, and I shook my head and settled down to “Jesse James.” Jake nodded at me approvingly and said you were likely to get diseases from foreigners. I do not remember crossing the Missouri River, or anything about the long day’s journey through Nebraska. Probably by that time I had crossed so many rivers that I was dull to them. The only thing very noticeable about Nebraska was that it was still, all day long, Nebraska. I had been sleeping, curled up in a red plush seat, for a long while when we reached Black Hawk. Jake roused me and took me by the hand. We stumbled down from the train to a wooden siding, where men were running about with lanterns. I could n’t see any town, or even distant lights; we were surrounded by utter darkness. The engine was panting heavily after its long run. In the red glow from the fire-box, a group of people stood huddled together on the platform, encumbered by bundles and boxes. I knew this must be the immigrant family the conductor had told us about. The woman wore a fringed shawl tied over her head, and she carried a little tin trunk in her arms, hugging it as if it were a baby. There was an old man, tall and stooped. Two half-grown boys and a girl stood holding oil-cloth bundles, and a little girl clung to her mother’s skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian’s. Surely this was the face of a desperado. As he walked about the platform in his high-heeled boots, looking for our trunks, I saw that he was a rather slight man, quick and wiry, and light on his feet. He told us we had a long night drive ahead of us, and had better be on the hike. He led us to a hitching-bar where two farm wagons were tied, and I saw the foreign family crowding into one of them. The other was for us. Jake got on the front seat with Otto Fuchs, and I rode on the straw in the bottom of the wagon-box, covered up with a buffalo hide. The immigrants rumbled off into the empty darkness, and we followed them. I tried to go to sleep, but the jolting made me bite my tongue, and I soon began to ache all over. When the straw settled down I had a hard bed. Cautiously I slipped from under the buffalo hide, got up on my knees and peered over the side of the wagon. There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made. No, there was nothing but land—slightly undulating, I knew, because often our wheels ground against the brake as we went down into a hollow and lurched up again on the other side. I had the feeling that the world was left behind, that we had got over the edge of it, and were outside man’s jurisdiction. I had never before looked up at the sky when there was not a familiar mountain ridge against it. But this was the complete dome of heaven, all there was of it. I did not believe that my dead father and mother were watching me from up there; they would still be looking for me at the sheep-fold down by the creek, or along the white road that led to the mountain pastures. I had left even their spirits behind me. The wagon jolted on, carrying me I knew not whither. I don’t think I was homesick. If we never arrived anywhere, it did not matter. Between that earth and that sky I felt erased, blotted out. I did not say my prayers that night: here, I felt, what would be would be. II I DO not remember our arrival at my grandfather’s farm sometime before daybreak, after a drive of nearly twenty miles with heavy work-horses. When I awoke, it was afternoon. I was lying in a little room, scarcely larger than the bed that held me, and the window-shade at my head was flapping softly in a warm wind. A tall woman, with wrinkled brown skin and black hair, stood looking down at me; I knew that she must be my grandmother. She had been crying, I could see, but when I opened my eyes she smiled, peered at me anxiously, and sat down on the foot of my bed. “Had a good sleep, Jimmy?” she asked briskly. Then in a very different tone she said, as if to herself, “My, how you do look like your father!” I remembered that my father had been her little boy; she must often have come to wake him like this when he overslept. “Here are your clean clothes,” she went on, stroking my coverlid with her brown hand as she talked. “But first you come down to the kitchen with me, and have a nice warm bath behind the stove. Bring your things; there’s nobody about.” “Down to the kitchen” struck me as curious; it was always “out in the kitchen” at home. I picked up my shoes and stockings and followed her through the living-room and down a flight of stairs into a basement. This basement was divided into a dining-room at the right of the stairs and a kitchen at the left. Both rooms were plastered and whitewashed—the plaster laid directly upon the earth walls, as it used to be in dugouts. The floor was of hard cement. Up under the wooden ceiling there were little half-windows with white curtains, and pots of geraniums and	twelve or thirteen, maybe, and she’s as bright as a new dollar. Don’t you want to go ahead and see her, Jimmy? She’s got the pretty brown eyes, too!” This last remark made me bashful, and I shook my head and settled down to “Jesse James.” Jake nodded at me approvingly and said you were likely to get diseases from foreigners. I do not remember crossing the Missouri River, or anything about the long day’s journey through Nebraska. Probably by that time I had crossed so many rivers that I was dull to them. The only thing very noticeable about Nebraska was that it was still, all day long, Nebraska. I had been sleeping, curled up in a red plush seat, for a long while when we reached Black Hawk. Jake roused me and took me by the hand. We stumbled down from the train to a wooden siding, where men were running about with lanterns. I could n’t see any town, or even distant lights; we were surrounded by utter darkness. The engine was panting heavily after its long run. In the red glow from the fire-box, a group of people stood huddled together on the platform, encumbered by bundles and boxes. I knew this must be the immigrant family the conductor had told us about. The woman wore a fringed shawl tied over her head, and she carried a little tin trunk in her arms, hugging it as if it were a baby. There was an old man, tall and stooped. Two half-grown boys and a girl stood holding oil-cloth bundles, and a little girl clung to her mother’s skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian’s. Surely this was the face of a desperado. As he walked about the platform in his high-heeled boots, looking for our trunks, I saw that he was a rather slight man, quick and wiry, and light on his feet. He told us we had a long night drive ahead of us, and had better be on the hike. He led us to a hitching-bar where two farm wagons were tied, and I saw the foreign family crowding into one of them. The other was for us. Jake got on the front seat with Otto Fuchs, and I rode on the straw in the bottom of the wagon-box, covered up with a buffalo hide. The immigrants rumbled off into the empty darkness, and we followed them. I tried to go to sleep, but the jolting made me bite my tongue, and I soon began to ache all over. When the straw settled down I had a hard bed. Cautiously I slipped from under the buffalo hide, got up on my knees and peered over the side of the wagon. There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made. No, there was nothing but land—slightly undulating, I knew, because often our wheels ground against the brake as we went down into a hollow and lurched up again on the other side. I had the feeling that the world was left behind, that we had got over the edge of it, and were outside man’s jurisdiction. I had never before looked up at the sky when there was not a familiar mountain ridge against it. But this was the complete dome of heaven, all there was of it. I did not believe that my dead father and mother were watching me from up there; they would still be looking for me at the sheep-fold down by the creek, or along the white road that led to the mountain pastures. I had left even their spirits behind me. The wagon jolted on, carrying me I knew not whither. I don’t think I was homesick. If we never arrived anywhere, it did not matter. Between that earth and that sky I felt erased, blotted out. I did not say my prayers that night: here, I felt, what would be would be. II I DO not remember our arrival at my grandfather’s farm sometime before daybreak, after a drive of nearly twenty miles with heavy work-horses. When I awoke, it was afternoon. I was lying in a little room, scarcely larger than the bed that held me, and the window-shade at my head was flapping softly in a warm wind. A tall woman, with wrinkled brown skin and black hair, stood looking down at me; I knew that she must be my grandmother. She had been crying, I could see, but when I opened my eyes she smiled, peered at me	My Antonia
he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.	No speaker	it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis:	success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life	Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no	as a second secretaryship at Bucharest. Sometimes I feel I must make a plunge: an immense plunge. Do you suppose, for instance, there would be any opening for me in America--in New York?" Archer looked at him with startled eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and	Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing. And so I have never regretted giving up either diplomacy or journalism--two different forms of the same self-abdication." He fixed his vivid eyes on Archer as he lit another cigarette. "Voyez-vous, Monsieur, to be able to look life in the face: that's worth living in a garret for, isn't it? But, after all, one must earn enough to pay for the garret; and I confess that to grow old as a private tutor--or a 'private' anything--is almost as chilling to the imagination as a second secretaryship at Bucharest. Sometimes I feel I must make a plunge: an immense plunge. Do you suppose, for instance, there would be any opening for me in America--in New York?" Archer looked at him with startled eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and his first impulse had been to invite him to dine the next day; but he was beginning to understand why married men did not always immediately yield to their first impulses. "That young tutor is an interesting fellow: we had some awfully good talk after dinner about books and things," he threw out tentatively in the hansom. May roused herself from one of the dreamy silences into which he had read so many meanings before six months of marriage had given him the key to them. "The little Frenchman? Wasn't he dreadfully common?" she questioned coldly; and he guessed that	had often talked with Merimee in his mother's house. He had obviously always been desperately poor and anxious (having a mother and an unmarried sister to provide for), and it was apparent that his literary ambitions had failed. His situation, in fact, seemed, materially speaking, no more brilliant than Ned Winsett's; but he had lived in a world in which, as he said, no one who loved ideas need hunger mentally. As it was precisely of that love that poor Winsett was starving to death, Archer looked with a sort of vicarious envy at this eager impecunious young man who had fared so richly in his poverty. "You see, Monsieur, it's worth everything, isn't it, to keep one's intellectual liberty, not to enslave one's powers of appreciation, one's critical independence? It was because of that that I abandoned journalism, and took to so much duller work: tutoring and private secretaryship. There is a good deal of drudgery, of course; but one preserves one's moral freedom, what we call in French one's quant a soi. And when one hears good talk one can join in it without compromising any opinions but one's own; or one can listen, and answer it inwardly. Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing. And so I have never regretted giving up either diplomacy or journalism--two different forms of the same self-abdication." He fixed his vivid eyes on Archer as he lit another cigarette. "Voyez-vous, Monsieur, to be able to look life in the face: that's worth living in a garret for, isn't it? But, after all, one must earn enough to pay for the garret; and I confess that to grow old as a private tutor--or a 'private' anything--is almost as chilling to the imagination as a second secretaryship at Bucharest. Sometimes I feel I must make a plunge: an immense plunge. Do you suppose, for instance, there would be any opening for me in America--in New York?" Archer looked at him with startled eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and his first impulse had been to invite him to dine the next day; but he was beginning to understand why married men did not always immediately yield to their first impulses. "That young tutor is an interesting fellow: we had some awfully good talk after dinner about books and things," he threw out tentatively in the hansom. May roused herself from one of the dreamy silences into which he had read so many meanings before six months of marriage had given him the key to them. "The little Frenchman? Wasn't he dreadfully common?" she questioned coldly; and he guessed that she nursed a secret disappointment at having been invited out in London to meet a clergyman and a French tutor. The disappointment was not occasioned by the sentiment ordinarily defined as snobbishness, but by old New York's sense of what was due to it when it risked its dignity in foreign lands. If May's parents had entertained the Carfrys in Fifth Avenue they would have offered them something more substantial than a parson and a schoolmaster. But Archer was on edge, and took her up. "Common--common WHERE?" he queried; and she returned with unusual readiness: "Why, I should say anywhere but in his school-room. Those people are always awkward in society. But then," she added disarmingly, "I suppose I shouldn't have known if he was clever." Archer disliked her use of the word "clever" almost as much as her use of the word "common"; but he was beginning to fear his tendency to dwell on the things he disliked in her. After all, her point of view had always been the same. It was that of all the people he had grown up among, and he had always regarded it as necessary but negligible. Until a few months ago he	were soon manifesting to May their desire to put her at her ease. In spite of their best efforts, however, the dinner was a languishing affair. Archer noticed that his wife's way of showing herself at her ease with foreigners was to become more uncompromisingly local in her references, so that, though her loveliness was an encouragement to admiration, her conversation was a chill to repartee. The Vicar soon abandoned the struggle; but the tutor, who spoke the most fluent and accomplished English, gallantly continued to pour it out to her until the ladies, to the manifest relief of all concerned, went up to the drawing-room. The Vicar, after a glass of port, was obliged to hurry away to a meeting, and the shy nephew, who appeared to be an invalid, was packed off to bed. But Archer and the tutor continued to sit over their wine, and suddenly Archer found himself talking as he had not done since his last symposium with Ned Winsett. The Carfry nephew, it turned out, had been threatened with consumption, and had had to leave Harrow for Switzerland, where he had spent two years in the milder air of Lake Leman. Being a bookish youth, he had been entrusted to M. Riviere, who had brought him back to England, and was to remain with him till he went up to Oxford the following spring; and M. Riviere added with simplicity that he should then have to look out for another job. It seemed impossible, Archer thought, that he should be long without one, so varied were his interests and so many his gifts. He was a man of about thirty, with a thin ugly face (May would certainly have called him common-looking) to which the play of his ideas gave an intense expressiveness; but there was nothing frivolous or cheap in his animation. His father, who had died young, had filled a small diplomatic post, and it had been intended that the son should follow the same career; but an insatiable taste for letters had thrown the young man into journalism, then into authorship (apparently unsuccessful), and at length--after other experiments and vicissitudes which he spared his listener--into tutoring English youths in Switzerland. Before that, however, he had lived much in Paris, frequented the Goncourt grenier, been advised by Maupassant not to attempt to write (even that seemed to Archer a dazzling honour!), and had often talked with Merimee in his mother's house. He had obviously always been desperately poor and anxious (having a mother and an unmarried sister to provide for), and it was apparent that his literary ambitions had failed. His situation, in fact, seemed, materially speaking, no more brilliant than Ned Winsett's; but he had lived in a world in which, as he said, no one who loved ideas need hunger mentally. As it was precisely of that love that poor Winsett was starving to death, Archer looked with a sort of vicarious envy at this eager impecunious young man who had fared so richly in his poverty. "You see, Monsieur, it's worth everything, isn't it, to keep one's intellectual liberty, not to enslave one's powers of appreciation, one's critical independence? It was because of that that I abandoned journalism, and took to so much duller work: tutoring and private secretaryship. There is a good deal of drudgery, of course; but one preserves one's moral freedom, what we call in French one's quant a soi. And when one hears good talk one can join in it without compromising any opinions but one's own; or one can listen, and answer it inwardly. Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing. And so I have never regretted giving up either diplomacy or journalism--two different forms of the same self-abdication." He fixed his vivid eyes on Archer as he lit another cigarette. "Voyez-vous, Monsieur, to be able to look life in the face: that's worth living in a garret for, isn't it? But, after all, one must earn enough to pay for the garret; and I confess that to grow old as a private tutor--or a 'private' anything--is almost as chilling to the imagination as a second secretaryship at Bucharest. Sometimes I feel I must make a plunge: an immense plunge. Do you suppose, for instance, there would be any opening for me in America--in New York?" Archer looked at him with startled eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and his first impulse had been to invite him to dine the next day; but he was beginning to understand why married men did not always immediately yield to their first impulses. "That young tutor is an interesting fellow: we had some awfully good talk after dinner about books and things," he threw out tentatively in the hansom. May roused herself from one of the dreamy silences into which he had read so many meanings before six months of marriage had given him the key to them. "The little Frenchman? Wasn't he dreadfully common?" she questioned coldly; and he guessed that she nursed a secret disappointment at having been invited out in London to meet a clergyman and a French tutor. The disappointment was not occasioned by the sentiment ordinarily defined as snobbishness, but by old New York's sense of what was due to it when it risked its dignity in foreign lands. If May's parents had entertained the Carfrys in Fifth Avenue they would have offered them something more substantial than a parson and a schoolmaster. But Archer was on edge, and took her up. "Common--common WHERE?" he queried; and she returned with unusual readiness: "Why, I should say anywhere but in his school-room. Those people are always awkward in society. But then," she added disarmingly, "I suppose I shouldn't have known if he was clever." Archer disliked her use of the word "clever" almost as much as her use of the word "common"; but he was beginning to fear his tendency to dwell on the things he disliked in her. After all, her point of view had always been the same. It was that of all the people he had grown up among, and he had always regarded it as necessary but negligible. Until a few months ago he had never known a "nice" woman who looked at life differently; and if a man married it must necessarily be among the nice. "Ah--then I won't ask him to dine!" he concluded with a laugh; and May echoed, bewildered: "Goodness--ask the Carfrys' tutor?" "Well, not on the same day with the Carfrys, if you prefer I shouldn't. But I did rather want another talk with him. He's looking for a job in New York." Her surprise increased with her indifference: he almost fancied that she suspected him of being tainted with "foreignness." "A job in New York? What sort of a job? People don't have French tutors: what does he want to do?" "Chiefly to enjoy good conversation, I understand," her husband retorted perversely; and she broke into an appreciative laugh. "Oh, Newland, how funny! Isn't that FRENCH?" On the whole, he was glad to have the matter settled for him by her refusing to take seriously his wish to invite M. Riviere. Another after-dinner talk would have made it difficult to avoid the question of New York; and the more Archer considered it the less he was able to fit M. Riviere into any conceivable picture of New York as he knew it. He perceived with a flash of chilling insight that in future many problems would be thus negatively solved for him; but as he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. "After that I suppose we shall have pretty nearly finished rubbing off each other's angles," he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose sharpness he most wanted to keep. XXI. The small bright lawn stretched away smoothly to the big bright sea. The turf was hemmed with an edge of scarlet geranium and coleus, and cast-iron vases painted in chocolate colour, standing at intervals along the winding path that led to the sea, looped their garlands of petunia and ivy geranium above the neatly raked gravel. Half way between the edge of the cliff and the square wooden house (which was also chocolate-coloured, but with the tin roof of the verandah striped in yellow and brown to represent an awning) two large targets had been placed against a background of shrubbery.	back to England, and was to remain with him till he went up to Oxford the following spring; and M. Riviere added with simplicity that he should then have to look out for another job. It seemed impossible, Archer thought, that he should be long without one, so varied were his interests and so many his gifts. He was a man of about thirty, with a thin ugly face (May would certainly have called him common-looking) to which the play of his ideas gave an intense expressiveness; but there was nothing frivolous or cheap in his animation. His father, who had died young, had filled a small diplomatic post, and it had been intended that the son should follow the same career; but an insatiable taste for letters had thrown the young man into journalism, then into authorship (apparently unsuccessful), and at length--after other experiments and vicissitudes which he spared his listener--into tutoring English youths in Switzerland. Before that, however, he had lived much in Paris, frequented the Goncourt grenier, been advised by Maupassant not to attempt to write (even that seemed to Archer a dazzling honour!), and had often talked with Merimee in his mother's house. He had obviously always been desperately poor and anxious (having a mother and an unmarried sister to provide for), and it was apparent that his literary ambitions had failed. His situation, in fact, seemed, materially speaking, no more brilliant than Ned Winsett's; but he had lived in a world in which, as he said, no one who loved ideas need hunger mentally. As it was precisely of that love that poor Winsett was starving to death, Archer looked with a sort of vicarious envy at this eager impecunious young man who had fared so richly in his poverty. "You see, Monsieur, it's worth everything, isn't it, to keep one's intellectual liberty, not to enslave one's powers of appreciation, one's critical independence? It was because of that that I abandoned journalism, and took to so much duller work: tutoring and private secretaryship. There is a good deal of drudgery, of course; but one preserves one's moral freedom, what we call in French one's quant a soi. And when one hears good talk one can join in it without compromising any opinions but one's own; or one can listen, and answer it inwardly. Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing. And so I have never regretted giving up either diplomacy or journalism--two different forms of the same self-abdication." He fixed his vivid eyes on Archer as he lit another cigarette. "Voyez-vous, Monsieur, to be able to look life in the face: that's worth living in a garret for, isn't it? But, after all, one must earn enough to pay for the garret; and I confess that to grow old as a private tutor--or a 'private' anything--is almost as chilling to the imagination as a second secretaryship at Bucharest. Sometimes I feel I must make a plunge: an immense plunge. Do you suppose, for instance, there would be any opening for me in America--in New York?" Archer looked at him with startled eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and his first impulse had been to invite him to dine the next day; but he was beginning to understand why married men did not always immediately yield to their first impulses. "That young tutor is an interesting fellow: we had some awfully good talk after dinner about books and things," he threw out tentatively in the hansom. May roused herself from one of the dreamy silences into which he had read so many meanings before six months of marriage had given him the key to them. "The little Frenchman? Wasn't he dreadfully common?" she questioned coldly; and he guessed that she nursed a secret disappointment at having been invited out in London to meet a clergyman and a French tutor. The disappointment was not occasioned by the sentiment ordinarily defined as snobbishness, but by old New York's sense of what was due to it when it risked its dignity in foreign lands. If May's parents had entertained the Carfrys in Fifth Avenue they would have offered them something more substantial than a parson and a schoolmaster. But Archer was on edge, and took her up. "Common--common WHERE?" he queried; and she returned with unusual readiness: "Why, I should say anywhere but in his school-room. Those people are always awkward in society. But then," she added disarmingly, "I suppose I shouldn't have known if he was clever." Archer disliked her use of the word "clever" almost as much as her use of the word "common"; but he was beginning to fear his tendency to dwell on the things he disliked in her. After all, her point of view had always been the same. It was that of all the people he had grown up among, and he had always regarded it as necessary but negligible. Until a few months ago he had never	The Age Of Innocence
"Me!"	The Artful Dodger	cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the	this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What	the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what	the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" With these words, he pushed them from the room: and carefully double-locking and barring the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what to do next; never fear." The boy murmured a reply of intelligence: and hurried downstairs after his companions. "He has not peached so far," said the Jew as he pursued his occupation. "If he means to blab us among his new friends, we may stop his mouth yet." CHAPTER XIV.	of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" With these words, he pushed them from the room: and carefully double-locking and barring the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what to do next; never fear." The boy murmured a reply of intelligence: and hurried downstairs after his companions. "He has not peached so far," said the Jew as he pursued his occupation. "If he means to blab us among his new friends, we may stop his mouth yet." CHAPTER XIV. COMPRISING FURTHER PARTICULARS OF OLIVER'S STAY AT MR. BROWNLOW'S, WITH THE REMARKABLE PREDICTION WHICH ONE MR. GRIMWIG UTTERED CONCERNING HIM, WHEN HE WENT OUT ON AN ERRAND Oliver soon recovering from the fainting-fit into which Mr. Brownlow's abrupt exclamation had thrown him, the subject of the picture was carefully avoided, both by the old gentleman and Mrs. Bedwin, in the conversation that ensued: which indeed bore no reference to Oliver's history or prospects, but was confined to such topics as might amuse without exciting him. He was still too weak to get up to breakfast; but, when he came down	In reply to this incoherent questioning, the old man informed the deeply affected sister that Oliver had been taken ill in the office, and discharged in consequence of a witness having proved the robbery to have been committed by another boy, not in custody; and that the prosecutor had carried him away, in an insensible condition, to his own residence: of and concerning which, all the informant knew was, that it was somewhere in Pentonville, he having heard that word mentioned in the directions to the coachman. In a dreadful state of doubt and uncertainty, the agonised young woman staggered to the gate, and then, exchanging her faltering walk for a swift run, returned by the most devious and complicated route she could think of, to the domicile of the Jew. Mr. Bill Sikes no sooner heard the account of the expedition delivered, than he very hastily called up the white dog, and, putting on his hat, expeditiously departed: without devoting any time to the formality of wishing the company good-morning. "We must know where he is, my dears; he must be found," said the Jew greatly excited. "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" With these words, he pushed them from the room: and carefully double-locking and barring the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what to do next; never fear." The boy murmured a reply of intelligence: and hurried downstairs after his companions. "He has not peached so far," said the Jew as he pursued his occupation. "If he means to blab us among his new friends, we may stop his mouth yet." CHAPTER XIV. COMPRISING FURTHER PARTICULARS OF OLIVER'S STAY AT MR. BROWNLOW'S, WITH THE REMARKABLE PREDICTION WHICH ONE MR. GRIMWIG UTTERED CONCERNING HIM, WHEN HE WENT OUT ON AN ERRAND Oliver soon recovering from the fainting-fit into which Mr. Brownlow's abrupt exclamation had thrown him, the subject of the picture was carefully avoided, both by the old gentleman and Mrs. Bedwin, in the conversation that ensued: which indeed bore no reference to Oliver's history or prospects, but was confined to such topics as might amuse without exciting him. He was still too weak to get up to breakfast; but, when he came down into the housekeeper's room next day, his first act was to cast an eager glance at the wall, in the hope of again looking on the face of the beautiful lady. His expectations were disappointed, however, for the picture had been removed. "Ah!" said the housekeeper, watching the direction of Oliver's eyes. "It is gone, you see." "I see it is ma'am," replied Oliver. "Why have they taken it away?" "It has been taken down, child, because Mr. Brownlow said, that as it seemed to worry you, perhaps it might prevent your getting well, you know," rejoined the old lady. "Oh, no, indeed. It didn't worry me, ma'am," said Oliver. "I liked to see it. I quite loved it." "Well, well!" said the old lady, good-humouredly; "you get well as fast as ever you can, dear, and it shall be hung up again. There! I promise you that! Now, let us talk about something else." This was all the information Oliver could obtain about the picture at that time. As the old lady had been so kind to him in his illness, he endeavoured to think no more of the subject just then; so he listened attentively to a great	and smiting the table with his enormous fist. "Here's her health, and wishing they was all like her!" While these, and many other encomiums, were being passed on the accomplished Nancy, that young lady made the best of her way to the police-office; whither, notwithstanding a little natural timidity consequent upon walking through the streets alone and unprotected, she arrived in perfect safety shortly afterwards. Entering by the back way, she tapped softly with the key at one of the cell-doors, and listened. There was no sound within: so she coughed and listened again. Still there was no reply: so she spoke. "Nolly, dear?" murmured Nancy in a gentle voice; "Nolly?" There was nobody inside but a miserable shoeless criminal, who had been taken up for playing the flute, and who, the offence against society having been clearly proved, had been very properly committed by Mr. Fang to the House of Correction for one month; with the appropriate and amusing remark that since he had so much breath to spare, it would be more wholesomely expended on the treadmill than in a musical instrument. He made no answer: being occupied mentally bewailing the loss of the flute, which had been confiscated for the use of the county: so Nancy passed on to the next cell, and knocked there. "Well!" cried a faint and feeble voice. "Is there a little boy here?" inquired Nancy, with a preliminary sob. "No," replied the voice; "God forbid." This was a vagrant of sixty-five, who was going to prison for _not_ playing the flute; or, in other words, for begging in the streets, and doing nothing for his livelihood. In the next cell was another man, who was going to the same prison for hawking tin saucepans without license; thereby doing something for his living, in defiance of the Stamp-office. But, as neither of these criminals answered to the name of Oliver, or knew anything about him, Nancy made straight up to the bluff officer in the striped waistcoat; and with the most piteous wailings and lamentations, rendered more piteous by a prompt and efficient use of the street-door key and the little basket, demanded her own dear brother. "I haven't got him, my dear," said the old man. "Where is he?" screamed Nancy, in a distracted manner. "Why, the gentleman's got him," replied the officer. "What gentleman! Oh, gracious heavens! What gentleman?" exclaimed Nancy. In reply to this incoherent questioning, the old man informed the deeply affected sister that Oliver had been taken ill in the office, and discharged in consequence of a witness having proved the robbery to have been committed by another boy, not in custody; and that the prosecutor had carried him away, in an insensible condition, to his own residence: of and concerning which, all the informant knew was, that it was somewhere in Pentonville, he having heard that word mentioned in the directions to the coachman. In a dreadful state of doubt and uncertainty, the agonised young woman staggered to the gate, and then, exchanging her faltering walk for a swift run, returned by the most devious and complicated route she could think of, to the domicile of the Jew. Mr. Bill Sikes no sooner heard the account of the expedition delivered, than he very hastily called up the white dog, and, putting on his hat, expeditiously departed: without devoting any time to the formality of wishing the company good-morning. "We must know where he is, my dears; he must be found," said the Jew greatly excited. "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" With these words, he pushed them from the room: and carefully double-locking and barring the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what to do next; never fear." The boy murmured a reply of intelligence: and hurried downstairs after his companions. "He has not peached so far," said the Jew as he pursued his occupation. "If he means to blab us among his new friends, we may stop his mouth yet." CHAPTER XIV. COMPRISING FURTHER PARTICULARS OF OLIVER'S STAY AT MR. BROWNLOW'S, WITH THE REMARKABLE PREDICTION WHICH ONE MR. GRIMWIG UTTERED CONCERNING HIM, WHEN HE WENT OUT ON AN ERRAND Oliver soon recovering from the fainting-fit into which Mr. Brownlow's abrupt exclamation had thrown him, the subject of the picture was carefully avoided, both by the old gentleman and Mrs. Bedwin, in the conversation that ensued: which indeed bore no reference to Oliver's history or prospects, but was confined to such topics as might amuse without exciting him. He was still too weak to get up to breakfast; but, when he came down into the housekeeper's room next day, his first act was to cast an eager glance at the wall, in the hope of again looking on the face of the beautiful lady. His expectations were disappointed, however, for the picture had been removed. "Ah!" said the housekeeper, watching the direction of Oliver's eyes. "It is gone, you see." "I see it is ma'am," replied Oliver. "Why have they taken it away?" "It has been taken down, child, because Mr. Brownlow said, that as it seemed to worry you, perhaps it might prevent your getting well, you know," rejoined the old lady. "Oh, no, indeed. It didn't worry me, ma'am," said Oliver. "I liked to see it. I quite loved it." "Well, well!" said the old lady, good-humouredly; "you get well as fast as ever you can, dear, and it shall be hung up again. There! I promise you that! Now, let us talk about something else." This was all the information Oliver could obtain about the picture at that time. As the old lady had been so kind to him in his illness, he endeavoured to think no more of the subject just then; so he listened attentively to a great many stories she told him, about an amiable and handsome daughter of hers, who was married to an amiable and handsome man, and lived in the country; and about a son, who was clerk to a merchant in the West Indies; and who was, also, such a good young man, and wrote such dutiful letters home four times a-year, that it brought the tears into her eyes to talk about them. When the old lady had expatiated, a long time, on the excellences of her children, and the merits of her kind good husband besides, who had been dead and gone, poor dear soul! just six-and-twenty years, it was time to have tea. After tea she began to teach Oliver cribbage: which he learnt as quickly as she could teach: and at which game they played, with great interest and gravity, until it was time for the invalid to have some warm wine and water, with a slice of dry toast, and then to go cosily to bed. They were happy days, those of Oliver's recovery. Everything was so quiet, and neat, and orderly; everybody so kind and gentle; that after the noise and turbulence in the midst of which he had always lived, it seemed like Heaven itself. He was no sooner strong enough to put his clothes on, properly, than Mr. Brownlow caused a complete new suit, and a new cap, and a new pair of shoes, to be provided for him. As Oliver was told that he might do what he liked with the old clothes, he gave them to a servant who had been very kind to him, and asked her to sell them to a Jew, and keep the money for herself. This she very readily did; and, as Oliver looked out of the parlour window, and saw the Jew roll them up in his bag and walk away, he felt quite delighted to think that they were safely gone, and that there was now no possible danger of his ever being able to wear them again. They were sad rags, to tell the truth; and Oliver had never had a new suit before. One evening, about a week after the affair of the picture, as he was sitting talking to Mrs. Bedwin, there came a message down from Mr. Brownlow, that if Oliver Twist felt pretty well, he should like to see him in	waistcoat; and with the most piteous wailings and lamentations, rendered more piteous by a prompt and efficient use of the street-door key and the little basket, demanded her own dear brother. "I haven't got him, my dear," said the old man. "Where is he?" screamed Nancy, in a distracted manner. "Why, the gentleman's got him," replied the officer. "What gentleman! Oh, gracious heavens! What gentleman?" exclaimed Nancy. In reply to this incoherent questioning, the old man informed the deeply affected sister that Oliver had been taken ill in the office, and discharged in consequence of a witness having proved the robbery to have been committed by another boy, not in custody; and that the prosecutor had carried him away, in an insensible condition, to his own residence: of and concerning which, all the informant knew was, that it was somewhere in Pentonville, he having heard that word mentioned in the directions to the coachman. In a dreadful state of doubt and uncertainty, the agonised young woman staggered to the gate, and then, exchanging her faltering walk for a swift run, returned by the most devious and complicated route she could think of, to the domicile of the Jew. Mr. Bill Sikes no sooner heard the account of the expedition delivered, than he very hastily called up the white dog, and, putting on his hat, expeditiously departed: without devoting any time to the formality of wishing the company good-morning. "We must know where he is, my dears; he must be found," said the Jew greatly excited. "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" With these words, he pushed them from the room: and carefully double-locking and barring the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what to do next; never fear." The boy murmured a reply of intelligence: and hurried downstairs after his companions. "He has not peached so far," said the Jew as he pursued his occupation. "If he means to blab us among his new friends, we may stop his mouth yet." CHAPTER XIV. COMPRISING FURTHER PARTICULARS OF OLIVER'S STAY AT MR. BROWNLOW'S, WITH THE REMARKABLE PREDICTION WHICH ONE MR. GRIMWIG UTTERED CONCERNING HIM, WHEN HE WENT OUT ON AN ERRAND Oliver soon recovering from the fainting-fit into which Mr. Brownlow's abrupt exclamation had thrown him, the subject of the picture was carefully avoided, both by the old gentleman and Mrs. Bedwin, in the conversation that ensued: which indeed bore no reference to Oliver's history or prospects, but was confined to such topics as might amuse without exciting him. He was still too weak to get up to breakfast; but, when he came down into the housekeeper's room next day, his first act was to cast an eager glance at the wall, in the hope of again looking on the face of the beautiful lady. His expectations were disappointed, however, for the picture had been removed. "Ah!" said the housekeeper, watching the direction of Oliver's eyes. "It is gone, you see." "I see it is ma'am," replied Oliver. "Why have they taken it away?" "It has been taken down, child, because Mr. Brownlow said, that as it seemed to worry you, perhaps it might prevent your getting well, you know," rejoined the old lady. "Oh, no, indeed. It didn't worry me, ma'am," said Oliver. "I liked to see it. I quite loved it." "Well, well!" said the old lady, good-humouredly; "you get well as fast as ever you can, dear, and it shall be hung up again. There! I promise you that! Now, let us talk about something else." This was all the information Oliver could obtain about the picture at that time. As the old lady had been so kind to him in his illness, he endeavoured to think no more of the subject just then; so he listened attentively to a great many stories she told him, about an amiable and handsome daughter of hers, who was married to an amiable and handsome man, and lived in the country; and about a son, who was clerk to a merchant in the West Indies; and who was, also, such a good young man, and wrote such dutiful letters home four times a-year, that it brought the tears into her eyes to talk about them. When the old lady had expatiated, a long time, on the excellences of her children, and the merits of her kind good husband besides, who had been dead and gone, poor dear soul! just six-and-twenty years, it	Oliver Twist
"I think one might venture now. No, Lucy, do not stir. I will superintend the move."	Miss Bartlett	with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything,"	at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It	either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to	little old lady, and shuddered as if all the winds of heaven had entered the apartment. "Gentlemen sometimes do not realize--" Her voice faded away, but Miss Bartlett seemed to understand and a conversation developed, in which gentlemen who did not thoroughly realize played a principal part. Lucy, not realizing either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to feel. And yet--there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy. "I want to explain," said Miss Bartlett, "why it is that I have taken	the bath. All her barbed civilities came forth wrong end first. Young Mr. Emerson scored a notable triumph to the delight of Mr. Beebe and to the secret delight of Lucy. "Poor young man!" said Miss Bartlett, as soon as he had gone. "How angry he is with his father about the rooms! It is all he can do to keep polite." "In half an hour or so your rooms will be ready," said Mr. Beebe. Then looking rather thoughtfully at the two cousins, he retired to his own rooms, to write up his philosophic diary. "Oh, dear!" breathed the little old lady, and shuddered as if all the winds of heaven had entered the apartment. "Gentlemen sometimes do not realize--" Her voice faded away, but Miss Bartlett seemed to understand and a conversation developed, in which gentlemen who did not thoroughly realize played a principal part. Lucy, not realizing either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to feel. And yet--there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy. "I want to explain," said Miss Bartlett, "why it is that I have taken the largest room. Naturally, of course, I should have given it to you; but I happen to know that it belongs to the young man, and I was sure your mother would not like it." Lucy was bewildered. "If you are to accept a favour it is more suitable you should be under an obligation to his father than to him. I am a woman of the world, in my small way, and I know where things lead to. However, Mr. Beebe is a guarantee of a sort that they will not presume on this." "Mother wouldn't mind I'm sure,"	hard indeed if I stopped you doing as you liked at Florence, when I am only here through your kindness. If you wish me to turn these gentlemen out of their rooms, I will do it. Would you then, Mr. Beebe, kindly tell Mr. Emerson that I accept his kind offer, and then conduct him to me, in order that I may thank him personally?" She raised her voice as she spoke; it was heard all over the drawing-room, and silenced the Guelfs and the Ghibellines. The clergyman, inwardly cursing the female sex, bowed, and departed with her message. "Remember, Lucy, I alone am implicated in this. I do not wish the acceptance to come from you. Grant me that, at all events." Mr. Beebe was back, saying rather nervously: "Mr. Emerson is engaged, but here is his son instead." The young man gazed down on the three ladies, who felt seated on the floor, so low were their chairs. "My father," he said, "is in his bath, so you cannot thank him personally. But any message given by you to me will be given by me to him as soon as he comes out." Miss Bartlett was unequal to the bath. All her barbed civilities came forth wrong end first. Young Mr. Emerson scored a notable triumph to the delight of Mr. Beebe and to the secret delight of Lucy. "Poor young man!" said Miss Bartlett, as soon as he had gone. "How angry he is with his father about the rooms! It is all he can do to keep polite." "In half an hour or so your rooms will be ready," said Mr. Beebe. Then looking rather thoughtfully at the two cousins, he retired to his own rooms, to write up his philosophic diary. "Oh, dear!" breathed the little old lady, and shuddered as if all the winds of heaven had entered the apartment. "Gentlemen sometimes do not realize--" Her voice faded away, but Miss Bartlett seemed to understand and a conversation developed, in which gentlemen who did not thoroughly realize played a principal part. Lucy, not realizing either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to feel. And yet--there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy. "I want to explain," said Miss Bartlett, "why it is that I have taken the largest room. Naturally, of course, I should have given it to you; but I happen to know that it belongs to the young man, and I was sure your mother would not like it." Lucy was bewildered. "If you are to accept a favour it is more suitable you should be under an obligation to his father than to him. I am a woman of the world, in my small way, and I know where things lead to. However, Mr. Beebe is a guarantee of a sort that they will not presume on this." "Mother wouldn't mind I'm sure," said Lucy, but again had the sense of larger and unsuspected issues. Miss Bartlett only sighed, and enveloped her in a protecting embrace as she wished her good-night. It gave Lucy the sensation of a fog, and when she reached her own room she opened the window and breathed the clean night air, thinking of the kind old man who had enabled her to see the lights dancing in the Arno and the cypresses of San Miniato, and the foot-hills of the Apennines, black against the rising moon. Miss Bartlett, in her room, fastened the window-shutters and locked the door, and then made a tour of the apartment to see where the cupboards led, and whether there were any oubliettes or secret entrances. It was then that she saw, pinned up over the washstand, a sheet of paper on which was scrawled an enormous note of interrogation. Nothing more. "What does it mean?" she thought, and she examined it carefully by the light of a candle. Meaningless at first, it gradually became menacing, obnoxious, portentous with evil. She was seized with an impulse to destroy it, but fortunately remembered that she had no right to do so, since it must	they were, perhaps, more worthy of attention than the high discourse upon Guelfs and Ghibellines which was proceeding tempestuously at the other end of the room. It was a real catastrophe, not a mere episode, that evening of hers at Venice, when she had found in her bedroom something that is one worse than a flea, though one better than something else. "But here you are as safe as in England. Signora Bertolini is so English." "Yet our rooms smell," said poor Lucy. "We dread going to bed." "Ah, then you look into the court." She sighed. "If only Mr. Emerson was more tactful! We were so sorry for you at dinner." "I think he was meaning to be kind." "Undoubtedly he was," said Miss Bartlett. "Mr. Beebe has just been scolding me for my suspicious nature. Of course, I was holding back on my cousin's account." "Of course," said the little old lady; and they murmured that one could not be too careful with a young girl. Lucy tried to look demure, but could not help feeling a great fool. No one was careful with her at home; or, at all events, she had not noticed it. "About old Mr. Emerson--I hardly know. No, he is not tactful; yet, have you ever noticed that there are people who do things which are most indelicate, and yet at the same time--beautiful?" "Beautiful?" said Miss Bartlett, puzzled at the word. "Are not beauty and delicacy the same?" "So one would have thought," said the other helplessly. "But things are so difficult, I sometimes think." She proceeded no further into things, for Mr. Beebe reappeared, looking extremely pleasant. "Miss Bartlett," he cried, "it's all right about the rooms. I'm so glad. Mr. Emerson was talking about it in the smoking-room, and knowing what I did, I encouraged him to make the offer again. He has let me come and ask you. He would be so pleased." "Oh, Charlotte," cried Lucy to her cousin, "we must have the rooms now. The old man is just as nice and kind as he can be." Miss Bartlett was silent. "I fear," said Mr. Beebe, after a pause, "that I have been officious. I must apologize for my interference." Gravely displeased, he turned to go. Not till then did Miss Bartlett reply: "My own wishes, dearest Lucy, are unimportant in comparison with yours. It would be hard indeed if I stopped you doing as you liked at Florence, when I am only here through your kindness. If you wish me to turn these gentlemen out of their rooms, I will do it. Would you then, Mr. Beebe, kindly tell Mr. Emerson that I accept his kind offer, and then conduct him to me, in order that I may thank him personally?" She raised her voice as she spoke; it was heard all over the drawing-room, and silenced the Guelfs and the Ghibellines. The clergyman, inwardly cursing the female sex, bowed, and departed with her message. "Remember, Lucy, I alone am implicated in this. I do not wish the acceptance to come from you. Grant me that, at all events." Mr. Beebe was back, saying rather nervously: "Mr. Emerson is engaged, but here is his son instead." The young man gazed down on the three ladies, who felt seated on the floor, so low were their chairs. "My father," he said, "is in his bath, so you cannot thank him personally. But any message given by you to me will be given by me to him as soon as he comes out." Miss Bartlett was unequal to the bath. All her barbed civilities came forth wrong end first. Young Mr. Emerson scored a notable triumph to the delight of Mr. Beebe and to the secret delight of Lucy. "Poor young man!" said Miss Bartlett, as soon as he had gone. "How angry he is with his father about the rooms! It is all he can do to keep polite." "In half an hour or so your rooms will be ready," said Mr. Beebe. Then looking rather thoughtfully at the two cousins, he retired to his own rooms, to write up his philosophic diary. "Oh, dear!" breathed the little old lady, and shuddered as if all the winds of heaven had entered the apartment. "Gentlemen sometimes do not realize--" Her voice faded away, but Miss Bartlett seemed to understand and a conversation developed, in which gentlemen who did not thoroughly realize played a principal part. Lucy, not realizing either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to feel. And yet--there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy. "I want to explain," said Miss Bartlett, "why it is that I have taken the largest room. Naturally, of course, I should have given it to you; but I happen to know that it belongs to the young man, and I was sure your mother would not like it." Lucy was bewildered. "If you are to accept a favour it is more suitable you should be under an obligation to his father than to him. I am a woman of the world, in my small way, and I know where things lead to. However, Mr. Beebe is a guarantee of a sort that they will not presume on this." "Mother wouldn't mind I'm sure," said Lucy, but again had the sense of larger and unsuspected issues. Miss Bartlett only sighed, and enveloped her in a protecting embrace as she wished her good-night. It gave Lucy the sensation of a fog, and when she reached her own room she opened the window and breathed the clean night air, thinking of the kind old man who had enabled her to see the lights dancing in the Arno and the cypresses of San Miniato, and the foot-hills of the Apennines, black against the rising moon. Miss Bartlett, in her room, fastened the window-shutters and locked the door, and then made a tour of the apartment to see where the cupboards led, and whether there were any oubliettes or secret entrances. It was then that she saw, pinned up over the washstand, a sheet of paper on which was scrawled an enormous note of interrogation. Nothing more. "What does it mean?" she thought, and she examined it carefully by the light of a candle. Meaningless at first, it gradually became menacing, obnoxious, portentous with evil. She was seized with an impulse to destroy it, but fortunately remembered that she had no right to do so, since it must be the property of young Mr. Emerson. So she unpinned it carefully, and put it between two pieces of blotting-paper to keep it clean for him. Then she completed her inspection of the room, sighed heavily according to her habit, and went to bed. Chapter II: In Santa Croce with No Baedeker It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too, to fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and close below, the Arno, gurgling against the embankment of the road. Over the river men were at work with spades and sieves on the sandy foreshore, and on the river was a boat, also diligently employed for some mysterious end. An electric tram came rushing underneath the window. No one was inside it, except one tourist; but its platforms were overflowing with Italians, who preferred to stand. Children tried to hang on behind, and the conductor, with no malice, spat in their faces to make them let go. Then soldiers appeared--good-looking, undersized men--wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants. One of the little boys fell down, and some white bullocks came out of an archway. Indeed, if it had not been for the good advice of an old man who was selling button-hooks, the road might never have got clear. Over such trivialities as these many a valuable hour may slip away, and the traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it. So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy's leaving the door unlocked, and on her leaning out	rooms. I'm so glad. Mr. Emerson was talking about it in the smoking-room, and knowing what I did, I encouraged him to make the offer again. He has let me come and ask you. He would be so pleased." "Oh, Charlotte," cried Lucy to her cousin, "we must have the rooms now. The old man is just as nice and kind as he can be." Miss Bartlett was silent. "I fear," said Mr. Beebe, after a pause, "that I have been officious. I must apologize for my interference." Gravely displeased, he turned to go. Not till then did Miss Bartlett reply: "My own wishes, dearest Lucy, are unimportant in comparison with yours. It would be hard indeed if I stopped you doing as you liked at Florence, when I am only here through your kindness. If you wish me to turn these gentlemen out of their rooms, I will do it. Would you then, Mr. Beebe, kindly tell Mr. Emerson that I accept his kind offer, and then conduct him to me, in order that I may thank him personally?" She raised her voice as she spoke; it was heard all over the drawing-room, and silenced the Guelfs and the Ghibellines. The clergyman, inwardly cursing the female sex, bowed, and departed with her message. "Remember, Lucy, I alone am implicated in this. I do not wish the acceptance to come from you. Grant me that, at all events." Mr. Beebe was back, saying rather nervously: "Mr. Emerson is engaged, but here is his son instead." The young man gazed down on the three ladies, who felt seated on the floor, so low were their chairs. "My father," he said, "is in his bath, so you cannot thank him personally. But any message given by you to me will be given by me to him as soon as he comes out." Miss Bartlett was unequal to the bath. All her barbed civilities came forth wrong end first. Young Mr. Emerson scored a notable triumph to the delight of Mr. Beebe and to the secret delight of Lucy. "Poor young man!" said Miss Bartlett, as soon as he had gone. "How angry he is with his father about the rooms! It is all he can do to keep polite." "In half an hour or so your rooms will be ready," said Mr. Beebe. Then looking rather thoughtfully at the two cousins, he retired to his own rooms, to write up his philosophic diary. "Oh, dear!" breathed the little old lady, and shuddered as if all the winds of heaven had entered the apartment. "Gentlemen sometimes do not realize--" Her voice faded away, but Miss Bartlett seemed to understand and a conversation developed, in which gentlemen who did not thoroughly realize played a principal part. Lucy, not realizing either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to feel. And yet--there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy. "I want to explain," said Miss Bartlett, "why it is that I have taken the largest room. Naturally, of course, I should have given it to you; but I happen to know that it belongs to the young man, and I was sure your mother would not like it." Lucy was bewildered. "If you are to accept a favour it is more suitable you should be under an obligation to his father than to him. I am a woman of the world, in my small way, and I know where things lead to. However, Mr. Beebe is a guarantee of a sort that they will not presume on this." "Mother wouldn't mind I'm sure," said Lucy, but again had the sense of larger and unsuspected issues. Miss Bartlett only sighed, and enveloped her in a protecting embrace as she wished her good-night. It gave Lucy the sensation of a fog, and when she reached her own room she opened the window and breathed the clean night air, thinking of the kind old man who had enabled her to see the lights dancing in the Arno and the cypresses of San Miniato, and the foot-hills of the Apennines, black against the rising moon. Miss Bartlett, in her room, fastened the window-shutters and locked the door, and then made a tour of the apartment to see where the cupboards led, and whether there were any oubliettes or secret entrances. It was then that she saw, pinned up over the washstand, a sheet of paper on which was scrawled an enormous note of interrogation. Nothing more. "What does it mean?" she thought, and she examined	A Room With A View
here she turned to Mlle. Blanche	No speaker	beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are	here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered	For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon	General later? And who is to repay De Griers? Clearly Mlle. Blanche would never consent to wait until the Grandmother was dead, but would at once elope with the Prince or someone else. So they had all gathered together endeavouring to calm and dissuade the Grandmother. Only Polina was absent. For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon my death, have you?" fumed the old lady. "Away with you! Clear them out of the room, Alexis Ivanovitch. What business is it of _theirs?_ It is not _their_ money that I have been squandering, but my own." The General shrugged his shoulders, bowed, and withdrew, with De Griers behind	time now?" "Half-past eight." "How vexing! But, never mind. Alexis Ivanovitch, I have not a kopeck left; I have but these two bank notes. Please run to the office and get them changed. Otherwise I shall have nothing to travel with." Departing on her errand, I returned half an hour later to find the whole party gathered in her rooms. It appeared that the news of her impending departure for Moscow had thrown the conspirators into consternation even greater than her losses had done. For, said they, even if her departure should save her fortune, what will become of the General later? And who is to repay De Griers? Clearly Mlle. Blanche would never consent to wait until the Grandmother was dead, but would at once elope with the Prince or someone else. So they had all gathered together endeavouring to calm and dissuade the Grandmother. Only Polina was absent. For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon my death, have you?" fumed the old lady. "Away with you! Clear them out of the room, Alexis Ivanovitch. What business is it of _theirs?_ It is not _their_ money that I have been squandering, but my own." The General shrugged his shoulders, bowed, and withdrew, with De Griers behind him. "Call Prascovia," commanded the Grandmother, and in five minutes Martha reappeared with Polina, who had been sitting with the children in her own room (having purposely determined not to leave it that day). Her face looked grave and careworn. "Prascovia," began the Grandmother, "is what I have just heard through a side wind true namely, that this fool of a stepfather of yours is going to marry that silly whirligig of a Frenchwoman that actress, or something worse? Tell me, is it true?" "I do not know _for certain_, Grandmamma," replied Polina; "but from Mlle. Blanche s account (for	hour later we had lost everything in hand. "Home!" cried the Grandmother. Not until we had turned into the Avenue did she utter a word; but from that point onwards, until we arrived at the hotel, she kept venting exclamations of "What a fool I am! What a silly old fool I am, to be sure!" Arrived at the hotel, she called for tea, and then gave orders for her luggage to be packed. "We are off again," she announced. "But whither, Madame?" inquired Martha. "What business is that of _yours?_ Let the cricket stick to its hearth." [2] "Potapitch, have everything packed, for we are returning to Moscow at once. I have fooled away fifteen thousand roubles." [2] The Russian form of "Mind your own business." "Fifteen thousand roubles, good mistress? My God!" And Potapitch spat upon his hands probably to show that he was ready to serve her in any way he could. "Now then, you fool! At once you begin with your weeping and wailing! Be quiet, and pack. Also, run downstairs, and get my hotel bill." "The next train leaves at 9:30, Madame," I interposed, with a view to checking her agitation. "And what is the time now?" "Half-past eight." "How vexing! But, never mind. Alexis Ivanovitch, I have not a kopeck left; I have but these two bank notes. Please run to the office and get them changed. Otherwise I shall have nothing to travel with." Departing on her errand, I returned half an hour later to find the whole party gathered in her rooms. It appeared that the news of her impending departure for Moscow had thrown the conspirators into consternation even greater than her losses had done. For, said they, even if her departure should save her fortune, what will become of the General later? And who is to repay De Griers? Clearly Mlle. Blanche would never consent to wait until the Grandmother was dead, but would at once elope with the Prince or someone else. So they had all gathered together endeavouring to calm and dissuade the Grandmother. Only Polina was absent. For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon my death, have you?" fumed the old lady. "Away with you! Clear them out of the room, Alexis Ivanovitch. What business is it of _theirs?_ It is not _their_ money that I have been squandering, but my own." The General shrugged his shoulders, bowed, and withdrew, with De Griers behind him. "Call Prascovia," commanded the Grandmother, and in five minutes Martha reappeared with Polina, who had been sitting with the children in her own room (having purposely determined not to leave it that day). Her face looked grave and careworn. "Prascovia," began the Grandmother, "is what I have just heard through a side wind true namely, that this fool of a stepfather of yours is going to marry that silly whirligig of a Frenchwoman that actress, or something worse? Tell me, is it true?" "I do not know _for certain_, Grandmamma," replied Polina; "but from Mlle. Blanche s account (for she does not appear to think it necessary to conceal anything) I conclude that" "You need not say any more," interrupted the Grandmother energetically. "I understand the situation. I always thought we should get something like this from him, for I always looked upon him as a futile, frivolous fellow who gave himself unconscionable airs on the fact of his being a general (though he only became one because he retired as a colonel). Yes, I know _all_ about the sending of the telegrams to inquire whether the old woman is likely to turn up her toes soon. Ah, they were looking for the legacies! Without money that wretched woman (what is her name? Oh, De Cominges) would never dream of accepting the General and his false teeth no, not even for him to be her lacquey since she herself, they say, possesses a pile of money, and lends it on interest, and makes a good thing out of it. However, it is not _you_, Prascovia, that I am blaming; it was not _you_ who sent those telegrams. Nor, for that matter, do I wish to recall old scores. True, I know that you are a vixen by nature that	scarcely follow the old lady s play. At length Mlle. and the Prince took their departure, and the General followed them. "Madame, Madame," sounded the honeyed accents of De Griers as he leant over to whisper in the Grandmother s ear. "That stake will never win. No, no, it is impossible," he added in Russian with a writhe. "No, no!" "But why not?" asked the Grandmother, turning round. "Show me what I ought to do." Instantly De Griers burst into a babble of French as he advised, jumped about, declared that such and such chances ought to be waited for, and started to make calculations of figures. All this he addressed to me in my capacity as translator tapping the table the while with his finger, and pointing hither and thither. At length he seized a pencil, and began to reckon sums on paper until he had exhausted the Grandmother s patience. "Away with you!" she interrupted. "You talk sheer nonsense, for, though you keep on saying" Madame, Madame, "you haven t the least notion what ought to be done. Away with you, I say!" "Mais, Madame," cooed De Griers and straightway started afresh with his fussy instructions. "Stake just _once_, as he advises," the Grandmother said to me, "and then we shall see what we _shall_ see. Of course, his stake _might_ win." As a matter of fact, De Grier s one object was to distract the old lady from staking large sums; wherefore, he now suggested to her that she should stake upon certain numbers, singly and in groups. Consequently, in accordance with his instructions, I staked a ten-g lden piece upon several odd numbers in the first twenty, and five ten-g lden pieces upon certain groups of numbers-groups of from twelve to eighteen, and from eighteen to twenty-four. The total staked amounted to 160 g lden. The wheel revolved. "Zero!" cried the croupier. We had lost it all! "The fool!" cried the old lady as she turned upon De Griers. "You infernal Frenchman, to think that _you_ should advise! Away with you! Though you fuss and fuss, you don t even know what you re talking about." Deeply offended, De Griers shrugged his shoulders, favoured the Grandmother with a look of contempt, and departed. For some time past he had been feeling ashamed of being seen in such company, and this had proved the last straw. An hour later we had lost everything in hand. "Home!" cried the Grandmother. Not until we had turned into the Avenue did she utter a word; but from that point onwards, until we arrived at the hotel, she kept venting exclamations of "What a fool I am! What a silly old fool I am, to be sure!" Arrived at the hotel, she called for tea, and then gave orders for her luggage to be packed. "We are off again," she announced. "But whither, Madame?" inquired Martha. "What business is that of _yours?_ Let the cricket stick to its hearth." [2] "Potapitch, have everything packed, for we are returning to Moscow at once. I have fooled away fifteen thousand roubles." [2] The Russian form of "Mind your own business." "Fifteen thousand roubles, good mistress? My God!" And Potapitch spat upon his hands probably to show that he was ready to serve her in any way he could. "Now then, you fool! At once you begin with your weeping and wailing! Be quiet, and pack. Also, run downstairs, and get my hotel bill." "The next train leaves at 9:30, Madame," I interposed, with a view to checking her agitation. "And what is the time now?" "Half-past eight." "How vexing! But, never mind. Alexis Ivanovitch, I have not a kopeck left; I have but these two bank notes. Please run to the office and get them changed. Otherwise I shall have nothing to travel with." Departing on her errand, I returned half an hour later to find the whole party gathered in her rooms. It appeared that the news of her impending departure for Moscow had thrown the conspirators into consternation even greater than her losses had done. For, said they, even if her departure should save her fortune, what will become of the General later? And who is to repay De Griers? Clearly Mlle. Blanche would never consent to wait until the Grandmother was dead, but would at once elope with the Prince or someone else. So they had all gathered together endeavouring to calm and dissuade the Grandmother. Only Polina was absent. For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon my death, have you?" fumed the old lady. "Away with you! Clear them out of the room, Alexis Ivanovitch. What business is it of _theirs?_ It is not _their_ money that I have been squandering, but my own." The General shrugged his shoulders, bowed, and withdrew, with De Griers behind him. "Call Prascovia," commanded the Grandmother, and in five minutes Martha reappeared with Polina, who had been sitting with the children in her own room (having purposely determined not to leave it that day). Her face looked grave and careworn. "Prascovia," began the Grandmother, "is what I have just heard through a side wind true namely, that this fool of a stepfather of yours is going to marry that silly whirligig of a Frenchwoman that actress, or something worse? Tell me, is it true?" "I do not know _for certain_, Grandmamma," replied Polina; "but from Mlle. Blanche s account (for she does not appear to think it necessary to conceal anything) I conclude that" "You need not say any more," interrupted the Grandmother energetically. "I understand the situation. I always thought we should get something like this from him, for I always looked upon him as a futile, frivolous fellow who gave himself unconscionable airs on the fact of his being a general (though he only became one because he retired as a colonel). Yes, I know _all_ about the sending of the telegrams to inquire whether the old woman is likely to turn up her toes soon. Ah, they were looking for the legacies! Without money that wretched woman (what is her name? Oh, De Cominges) would never dream of accepting the General and his false teeth no, not even for him to be her lacquey since she herself, they say, possesses a pile of money, and lends it on interest, and makes a good thing out of it. However, it is not _you_, Prascovia, that I am blaming; it was not _you_ who sent those telegrams. Nor, for that matter, do I wish to recall old scores. True, I know that you are a vixen by nature that you are a wasp which will sting one if one touches it yet, my heart is sore for you, for I loved your mother, Katerina. Now, will you leave everything here, and come away with me? Otherwise, I do not know what is to become of you, and it is not right that you should continue living with these people. Nay," she interposed, the moment that Polina attempted to speak, "I have not yet finished. I ask of you nothing in return. My house in Moscow is, as you know, large enough for a palace, and you could occupy a whole floor of it if you liked, and keep away from me for weeks together. Will you come with me or will you not?" "First of all, let me ask of _you_," replied Polina, "whether you are intending to depart at once?" "What? You suppose me to be jesting? I have said that I am going, and I _am_ going. Today I have squandered fifteen thousand roubles at that accursed roulette of yours, and though, five years ago, I promised the people of a certain suburb of Moscow to build them a stone church in place of a wooden one, I have been fooling away my money here! However, I am going back now to build my church." "But what about the waters, Grandmamma? Surely you came here to take the waters?" "You and your waters! Do not anger me, Prascovia. Surely you are trying to? Say, then: will you, or will you not, come with me?" "Grandmamma," Polina replied with deep feeling, "I am very, very grateful to you for the shelter which you have so kindly offered me. Also, to a certain extent you have guessed my position aright, and I am beholden to you to such an extent that it may be that I _will_ come and live with you, and that very soon; yet there are important reasons why why I cannot make up my mind just yet. If you would let me have, say, a couple of weeks to decide in ?" "You mean that you are _not_ coming?" "I mean only that I cannot come just yet. At all events, I could not well leave my little brother and sister here, since, since if I were to leave them they would be abandoned altogether. But if, Grandmamma, you would take the little ones _and_	As a matter of fact, De Grier s one object was to distract the old lady from staking large sums; wherefore, he now suggested to her that she should stake upon certain numbers, singly and in groups. Consequently, in accordance with his instructions, I staked a ten-g lden piece upon several odd numbers in the first twenty, and five ten-g lden pieces upon certain groups of numbers-groups of from twelve to eighteen, and from eighteen to twenty-four. The total staked amounted to 160 g lden. The wheel revolved. "Zero!" cried the croupier. We had lost it all! "The fool!" cried the old lady as she turned upon De Griers. "You infernal Frenchman, to think that _you_ should advise! Away with you! Though you fuss and fuss, you don t even know what you re talking about." Deeply offended, De Griers shrugged his shoulders, favoured the Grandmother with a look of contempt, and departed. For some time past he had been feeling ashamed of being seen in such company, and this had proved the last straw. An hour later we had lost everything in hand. "Home!" cried the Grandmother. Not until we had turned into the Avenue did she utter a word; but from that point onwards, until we arrived at the hotel, she kept venting exclamations of "What a fool I am! What a silly old fool I am, to be sure!" Arrived at the hotel, she called for tea, and then gave orders for her luggage to be packed. "We are off again," she announced. "But whither, Madame?" inquired Martha. "What business is that of _yours?_ Let the cricket stick to its hearth." [2] "Potapitch, have everything packed, for we are returning to Moscow at once. I have fooled away fifteen thousand roubles." [2] The Russian form of "Mind your own business." "Fifteen thousand roubles, good mistress? My God!" And Potapitch spat upon his hands probably to show that he was ready to serve her in any way he could. "Now then, you fool! At once you begin with your weeping and wailing! Be quiet, and pack. Also, run downstairs, and get my hotel bill." "The next train leaves at 9:30, Madame," I interposed, with a view to checking her agitation. "And what is the time now?" "Half-past eight." "How vexing! But, never mind. Alexis Ivanovitch, I have not a kopeck left; I have but these two bank notes. Please run to the office and get them changed. Otherwise I shall have nothing to travel with." Departing on her errand, I returned half an hour later to find the whole party gathered in her rooms. It appeared that the news of her impending departure for Moscow had thrown the conspirators into consternation even greater than her losses had done. For, said they, even if her departure should save her fortune, what will become of the General later? And who is to repay De Griers? Clearly Mlle. Blanche would never consent to wait until the Grandmother was dead, but would at once elope with the Prince or someone else. So they had all gathered together endeavouring to calm and dissuade the Grandmother. Only Polina was absent. For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon my death, have you?" fumed the old lady. "Away with you! Clear them out of the room, Alexis Ivanovitch. What business is it of _theirs?_ It is not _their_ money that I have been squandering, but my own." The General shrugged his shoulders, bowed, and withdrew, with De Griers behind him. "Call Prascovia," commanded the Grandmother, and in five minutes Martha reappeared with Polina, who had been sitting with the children in her own room (having purposely determined not to leave it that day). Her face looked grave and careworn. "Prascovia," began the Grandmother, "is what I have just heard through a side wind true namely, that this fool of a stepfather of yours is going to marry that silly whirligig of a Frenchwoman that actress, or something worse? Tell me, is it true?" "I do not know _for certain_, Grandmamma," replied Polina; "but from Mlle. Blanche s account (for she does not appear to think it necessary to conceal anything) I conclude that" "You need not say any more," interrupted the Grandmother energetically. "I understand the situation. I always thought we should get something like this from him, for I always looked upon him as a futile, frivolous fellow who gave himself unconscionable airs on the fact of his being a general (though he only became one because he retired as a colonel). Yes, I know _all_ about the sending of the telegrams to inquire whether the old woman is likely to turn up her toes soon. Ah, they were looking for the legacies! Without money that wretched woman (what is her name? Oh, De Cominges) would never dream of accepting the General and his false teeth no, not even for him to be her lacquey since she herself, they say, possesses	The Gambler
"The composure of an army is the anger of a nation."	The Policeman	the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!"	calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational	to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering.	evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head.	Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for	no nearer a living. As he paced the Thames embankment, bitterly biting a cheap cigar and brooding on the advance of Anarchy, there was no anarchist with a bomb in his pocket so savage or so solitary as he. Indeed, he always felt that Government stood alone and desperate, with its back to the wall. He was too quixotic to have cared for it otherwise. He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country. Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton. Also his yellow beard and hair were more unkempt and leonine than when they appeared long afterwards, cut and pointed, on the lawns of Saffron Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for making yourself clear, it is the last thing you do. How comes a man like you to be talking philosophy in a blue helmet on the Thames embankment?" "You have evidently not heard of the latest development in our police system," replied the other. "I am not surprised at it. We are keeping it rather dark from the educated class, because that class contains most of our enemies. But you seem to be exactly in the right frame of mind. I think you might almost join us." "Join you in what?" asked Syme. "I will tell you," said the policeman slowly. "This is the situation: The head of one of our departments, one of the most celebrated detectives in Europe, has long been of opinion that a purely intellectual conspiracy would soon threaten the very existence of civilisation. He is certain that the scientific and artistic worlds are silently bound in a crusade against the Family and the State. He has, therefore, formed a special corps of policemen, policemen who are also philosophers. It is their business to watch the beginnings of this conspiracy, not merely in a criminal but in a controversial sense. I am a democrat myself, and	was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion. He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realisation; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinth and cocoa, of both of which he had a healthy dislike. The more his mother preached a more than Puritan abstinence the more did his father expand into a more than pagan latitude; and by the time the former had come to enforcing vegetarianism, the latter had pretty well reached the point of defending cannibalism. Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible. His hatred of modern lawlessness had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the broken windows and the bleeding faces. After that he went about as usual quiet, courteous, rather gentle; but there was a spot on his mind that was not sane. He did not regard anarchists, as most of us do, as a handful of morbid men, combining ignorance with intellectualism. He regarded them as a huge and pitiless peril, like a Chinese invasion. He poured perpetually into newspapers and their waste-paper baskets a torrent of tales, verses and violent articles, warning men of this deluge of barbaric denial. But he seemed to be getting no nearer his enemy, and, what was worse, no nearer a living. As he paced the Thames embankment, bitterly biting a cheap cigar and brooding on the advance of Anarchy, there was no anarchist with a bomb in his pocket so savage or so solitary as he. Indeed, he always felt that Government stood alone and desperate, with its back to the wall. He was too quixotic to have cared for it otherwise. He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country. Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton. Also his yellow beard and hair were more unkempt and leonine than when they appeared long afterwards, cut and pointed, on the lawns of Saffron Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for making yourself clear, it is the last thing you do. How comes a man like you to be talking philosophy in a blue helmet on the Thames embankment?" "You have evidently not heard of the latest development in our police system," replied the other. "I am not surprised at it. We are keeping it rather dark from the educated class, because that class contains most of our enemies. But you seem to be exactly in the right frame of mind. I think you might almost join us." "Join you in what?" asked Syme. "I will tell you," said the policeman slowly. "This is the situation: The head of one of our departments, one of the most celebrated detectives in Europe, has long been of opinion that a purely intellectual conspiracy would soon threaten the very existence of civilisation. He is certain that the scientific and artistic worlds are silently bound in a crusade against the Family and the State. He has, therefore, formed a special corps of policemen, policemen who are also philosophers. It is their business to watch the beginnings of this conspiracy, not merely in a criminal but in a controversial sense. I am a democrat myself, and I am fully aware of the value of the ordinary man in matters of ordinary valour or virtue. But it would obviously be undesirable to employ the common policeman in an investigation which is also a heresy hunt." Syme's eyes were bright with a sympathetic curiosity. "What do you do, then?" he said. "The work of the philosophical policeman," replied the man in blue, "is at once bolder and more subtle than that of the ordinary detective. The ordinary detective goes to pot-houses to arrest thieves; we go to artistic tea-parties to detect pessimists. The ordinary detective discovers from a ledger or a diary that a crime has been committed. We discover from a book of sonnets that a crime will be committed. We have to trace the origin of those dreadful thoughts that drive men on at last to intellectual fanaticism and intellectual crime. We were only just in time to prevent the assassination at Hartlepool, and that was entirely due to the fact that our Mr. Wilks (a smart young fellow) thoroughly understood a triolet." "Do you mean," asked Syme, "that there is really as much connection between crime and the modern intellect as all that?" "You are not sufficiently democratic," answered the policeman, "but you were right when you said just now that our ordinary treatment of the poor criminal was a pretty brutal business. I tell you I am sometimes sick of my trade when I see how perpetually it means merely a war upon the ignorant and the desperate. But this new movement of ours is a very different affair. We deny the snobbish English assumption that the uneducated are the dangerous criminals. We remember the Roman Emperors. We remember the great poisoning princes of the Renaissance. We say that the dangerous criminal is the educated criminal. We say that the most dangerous criminal now is the entirely lawless modern philosopher. Compared to him, burglars and bigamists are essentially moral men; my heart goes out to them. They accept the essential ideal of man; they merely seek it wrongly. Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it. But philosophers dislike property as property; they wish to destroy the very idea of personal possession. Bigamists respect marriage, or they would not go through the highly ceremonial and even ritualistic formality of bigamy. But philosophers despise	had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the broken windows and the bleeding faces. After that he went about as usual quiet, courteous, rather gentle; but there was a spot on his mind that was not sane. He did not regard anarchists, as most of us do, as a handful of morbid men, combining ignorance with intellectualism. He regarded them as a huge and pitiless peril, like a Chinese invasion. He poured perpetually into newspapers and their waste-paper baskets a torrent of tales, verses and violent articles, warning men of this deluge of barbaric denial. But he seemed to be getting no nearer his enemy, and, what was worse, no nearer a living. As he paced the Thames embankment, bitterly biting a cheap cigar and brooding on the advance of Anarchy, there was no anarchist with a bomb in his pocket so savage or so solitary as he. Indeed, he always felt that Government stood alone and desperate, with its back to the wall. He was too quixotic to have cared for it otherwise. He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country. Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton. Also his yellow beard and hair were more unkempt and leonine than when they appeared long afterwards, cut and pointed, on the lawns of Saffron Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for making yourself clear, it is the last thing you do. How comes a man like you to be talking philosophy in a blue helmet on the Thames embankment?" "You have evidently not heard of the latest development in our police system," replied the other. "I am not surprised at it. We are keeping it rather dark from the educated class, because that class contains most of our enemies. But you seem to be exactly in the right frame of mind. I think you might almost join us." "Join you in what?" asked Syme. "I will tell you," said the policeman slowly. "This is the situation: The head of one of our departments, one of the most celebrated detectives in Europe, has long been of opinion that a purely intellectual conspiracy would soon threaten the very existence of civilisation. He is certain that the scientific and artistic worlds are silently bound in a crusade against the Family and the State. He has, therefore, formed a special corps of policemen, policemen who are also philosophers. It is their business to watch the beginnings of this conspiracy, not merely in a criminal but in a controversial sense. I am a democrat myself, and I am fully aware of the value of the ordinary man in matters of ordinary	The Man Who Was Thursday
None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.	No speaker	up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch	a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main	nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same	I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But	in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say	the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly,	off and I return to the camp. In the evening I spread the jam on the cakes and eat some. But I have no taste for them. So I go out to give them to the Russians. Then it occurs to me that my mother cooked them herself and that she was probably in pain as she stood before the hot stove. I put the bag back in my pack and take only two cakes to the Russians. CHAPTER IX We travel for several days. The first aeroplanes appear in the sky. We roll on past transport lines. Guns, guns. The light railway picks us up. I search for my regiment. No one knows exactly where it lies. Somewhere or other I put up for the night, somewhere or other I receive provisions and a few vague instructions. And so with my pack and my rifle I set out again on the way. By the time I come up they are no longer in that devastated place. I hear we have become one of the flying divisions that are pushed in wherever it is hottest. That does not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better	we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then	All Quiet on the Western Front
"do you think me most a knave or a fool?"	Mr. Willoughby	deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with	gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She	_am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return	would not speak. He repeated the inquiry with yet greater eagerness. "For God s sake tell me, is she out of danger, or is she not?" "We hope she is." He rose up, and walked across the room. "Had I known as much half an hour ago; but since I _am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return to Combe. I am not at leisure to remain with you longer. Whatever your business may be with me, it will be better recollected and explained to-morrow." "I understand you," he replied, with an expressive smile, and a voice perfectly calm; "yes, I am very drunk. A pint of porter	recollection, therefore, concluding that prudence required dispatch, and that her acquiescence would best promote it, she walked silently towards the table, and sat down. He took the opposite chair, and for half a minute not a word was said by either. "Pray be quick, sir," said Elinor, impatiently; "I have no time to spare." He was sitting in an attitude of deep meditation, and seemed not to hear her. "Your sister," said he, with abruptness, a moment afterwards "is out of danger. I heard it from the servant. God be praised! But is it true? is it really true?" Elinor would not speak. He repeated the inquiry with yet greater eagerness. "For God s sake tell me, is she out of danger, or is she not?" "We hope she is." He rose up, and walked across the room. "Had I known as much half an hour ago; but since I _am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return to Combe. I am not at leisure to remain with you longer. Whatever your business may be with me, it will be better recollected and explained to-morrow." "I understand you," he replied, with an expressive smile, and a voice perfectly calm; "yes, I am very drunk. A pint of porter with my cold beef at Marlborough was enough to over-set me." "At Marlborough!" cried Elinor, more and more at a loss to understand what he would be at. "Yes, I left London this morning at eight o clock, and the only ten minutes I have spent out of my chaise since that time procured me a nuncheon at Marlborough." The steadiness of his manner, and the intelligence of his eye as he spoke, convincing Elinor, that whatever other unpardonable folly might bring him to Cleveland, he was not brought there by intoxication, she said, after a moment s recollection, "Mr.	back with a look of horror at the sight of him, obeyed the first impulse of her heart in turning instantly to quit the room, and her hand was already on the lock, when its action was suspended by his hastily advancing, and saying, in a voice rather of command than supplication, "Miss Dashwood, for half an hour for ten minutes I entreat you to stay." "No, sir," she replied with firmness, "I shall _not_ stay. Your business cannot be with _me_. The servants, I suppose, forgot to tell you that Mr. Palmer was not in the house." "Had they told me," he cried with vehemence, "that Mr. Palmer and all his relations were at the devil, it would not have turned me from the door. My business is with you, and only you." "With me!" in the utmost amazement "well, sir, be quick and if you can less violent." "Sit down, and I will be both." She hesitated; she knew not what to do. The possibility of Colonel Brandon s arriving and finding her there, came across her. But she had promised to hear him, and her curiosity no less than her honor was engaged. After a moment s recollection, therefore, concluding that prudence required dispatch, and that her acquiescence would best promote it, she walked silently towards the table, and sat down. He took the opposite chair, and for half a minute not a word was said by either. "Pray be quick, sir," said Elinor, impatiently; "I have no time to spare." He was sitting in an attitude of deep meditation, and seemed not to hear her. "Your sister," said he, with abruptness, a moment afterwards "is out of danger. I heard it from the servant. God be praised! But is it true? is it really true?" Elinor would not speak. He repeated the inquiry with yet greater eagerness. "For God s sake tell me, is she out of danger, or is she not?" "We hope she is." He rose up, and walked across the room. "Had I known as much half an hour ago; but since I _am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return to Combe. I am not at leisure to remain with you longer. Whatever your business may be with me, it will be better recollected and explained to-morrow." "I understand you," he replied, with an expressive smile, and a voice perfectly calm; "yes, I am very drunk. A pint of porter with my cold beef at Marlborough was enough to over-set me." "At Marlborough!" cried Elinor, more and more at a loss to understand what he would be at. "Yes, I left London this morning at eight o clock, and the only ten minutes I have spent out of my chaise since that time procured me a nuncheon at Marlborough." The steadiness of his manner, and the intelligence of his eye as he spoke, convincing Elinor, that whatever other unpardonable folly might bring him to Cleveland, he was not brought there by intoxication, she said, after a moment s recollection, "Mr. Willoughby, you _ought_ to feel, and I certainly _do_, that after what has passed, your coming here in this manner, and forcing yourself upon my notice, requires a very particular excuse. What is it, that you mean by it?" "I mean," said he, with serious energy, "if I can, to make you hate me one degree less than you do _now_. I mean to offer some kind of explanation, some kind of apology, for the past; to open my whole heart to you, and by convincing you, that though I have been always a blockhead, I have not been always a rascal, to obtain something like forgiveness from Ma from your sister." "Is this the real reason of your coming?" "Upon my soul it is," was his answer, with a warmth which brought all the former Willoughby to her remembrance, and in spite of herself made her think him sincere. "If that is all, you may be satisfied already; for Marianne _does_, she has _long_ forgiven you." "Has she?" he cried, in the same eager tone. "Then she has forgiven me before she ought to have done it. But she shall forgive me again, and on more reasonable grounds. _Now_	refreshment, therefore, with such feelings of content as she brought to it, was particularly welcome. Mrs. Jennings would have persuaded her, at its conclusion, to take some rest before her mother s arrival, and allow _her_ to take her place by Marianne; but Elinor had no sense of fatigue, no capability of sleep at that moment about her, and she was not to be kept away from her sister an unnecessary instant. Mrs. Jennings therefore attending her up stairs into the sick chamber, to satisfy herself that all continued right, left her there again to her charge and her thoughts, and retired to her own room to write letters and sleep. The night was cold and stormy. The wind roared round the house, and the rain beat against the windows; but Elinor, all happiness within, regarded it not. Marianne slept through every blast; and the travellers they had a rich reward in store, for every present inconvenience. The clock struck eight. Had it been ten, Elinor would have been convinced that at that moment she heard a carriage driving up to the house; and so strong was the persuasion that she _did_, in spite of the _almost_ impossibility of their being already come, that she moved into the adjoining dressing-closet and opened a window shutter, to be satisfied of the truth. She instantly saw that her ears had not deceived her. The flaring lamps of a carriage were immediately in view. By their uncertain light she thought she could discern it to be drawn by four horses; and this, while it told the excess of her poor mother s alarm, gave some explanation to such unexpected rapidity. Never in her life had Elinor found it so difficult to be calm, as at that moment. The knowledge of what her mother must be feeling as the carriage stopt at the door of her doubt her dread perhaps her despair! and of what _she_ had to tell! with such knowledge it was impossible to be calm. All that remained to be done was to be speedy; and, therefore staying only till she could leave Mrs. Jennings s maid with her sister, she hurried down stairs. The bustle in the vestibule, as she passed along an inner lobby, assured her that they were already in the house. She rushed to the drawing-room, she entered it, and saw only Willoughby. CHAPTER XLIV. Elinor, starting back with a look of horror at the sight of him, obeyed the first impulse of her heart in turning instantly to quit the room, and her hand was already on the lock, when its action was suspended by his hastily advancing, and saying, in a voice rather of command than supplication, "Miss Dashwood, for half an hour for ten minutes I entreat you to stay." "No, sir," she replied with firmness, "I shall _not_ stay. Your business cannot be with _me_. The servants, I suppose, forgot to tell you that Mr. Palmer was not in the house." "Had they told me," he cried with vehemence, "that Mr. Palmer and all his relations were at the devil, it would not have turned me from the door. My business is with you, and only you." "With me!" in the utmost amazement "well, sir, be quick and if you can less violent." "Sit down, and I will be both." She hesitated; she knew not what to do. The possibility of Colonel Brandon s arriving and finding her there, came across her. But she had promised to hear him, and her curiosity no less than her honor was engaged. After a moment s recollection, therefore, concluding that prudence required dispatch, and that her acquiescence would best promote it, she walked silently towards the table, and sat down. He took the opposite chair, and for half a minute not a word was said by either. "Pray be quick, sir," said Elinor, impatiently; "I have no time to spare." He was sitting in an attitude of deep meditation, and seemed not to hear her. "Your sister," said he, with abruptness, a moment afterwards "is out of danger. I heard it from the servant. God be praised! But is it true? is it really true?" Elinor would not speak. He repeated the inquiry with yet greater eagerness. "For God s sake tell me, is she out of danger, or is she not?" "We hope she is." He rose up, and walked across the room. "Had I known as much half an hour ago; but since I _am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return to Combe. I am not at leisure to remain with you longer. Whatever your business may be with me, it will be better recollected and explained to-morrow." "I understand you," he replied, with an expressive smile, and a voice perfectly calm; "yes, I am very drunk. A pint of porter with my cold beef at Marlborough was enough to over-set me." "At Marlborough!" cried Elinor, more and more at a loss to understand what he would be at. "Yes, I left London this morning at eight o clock, and the only ten minutes I have spent out of my chaise since that time procured me a nuncheon at Marlborough." The steadiness of his manner, and the intelligence of his eye as he spoke, convincing Elinor, that whatever other unpardonable folly might bring him to Cleveland, he was not brought there by intoxication, she said, after a moment s recollection, "Mr. Willoughby, you _ought_ to feel, and I certainly _do_, that after what has passed, your coming here in this manner, and forcing yourself upon my notice, requires a very particular excuse. What is it, that you mean by it?" "I mean," said he, with serious energy, "if I can, to make you hate me one degree less than you do _now_. I mean to offer some kind of explanation, some kind of apology, for the past; to open my whole heart to you, and by convincing you, that though I have been always a blockhead, I have not been always a rascal, to obtain something like forgiveness from Ma from your sister." "Is this the real reason of your coming?" "Upon my soul it is," was his answer, with a warmth which brought all the former Willoughby to her remembrance, and in spite of herself made her think him sincere. "If that is all, you may be satisfied already; for Marianne _does_, she has _long_ forgiven you." "Has she?" he cried, in the same eager tone. "Then she has forgiven me before she ought to have done it. But she shall forgive me again, and on more reasonable grounds. _Now_ will you listen to me?" Elinor bowed her assent. "I do not know," said he, after a pause of expectation on her side, and thoughtfulness on his own, "how _you_ may have accounted for my behaviour to your sister, or what diabolical motive you may have imputed to me. Perhaps you will hardly think the better of me, it is worth the trial however, and you shall hear every thing. When I first became intimate in your family, I had no other intention, no other view in the acquaintance than to pass my time pleasantly while I was obliged to remain in Devonshire, more pleasantly than I had ever done before. Your sister s lovely person and interesting manners could not but please me; and her behaviour to me almost from the first, was of a kind it is astonishing, when I reflect on what it was, and what _she_ was, that my heart should have been so insensible! But at first I must confess, my vanity only was elevated by it. Careless of her happiness, thinking only of my own amusement, giving way to feelings which I had always been too much in the habit of indulging, I endeavoured, by every means in my power, to make myself pleasing to her, without any design of returning her affection." Miss Dashwood, at this point, turning her eyes on him with the most angry contempt, stopped him, by saying, "It is hardly worth while, Mr. Willoughby, for you to relate, or for me to listen any longer. Such a beginning as this cannot be followed by any thing. Do not let me be pained by hearing any thing more on the subject." "I insist on you hearing the whole of it," he replied, "My fortune was never large, and I had always been expensive, always in the habit of associating with people of better income than myself. Every year since my coming of age, or even before, I believe, had added to my debts; and though the death of my old cousin, Mrs. Smith, was to set me free; yet that event being uncertain, and possibly far distant, it had been for some time my intention to re-establish my circumstances by marrying a woman of fortune. To attach myself to your sister, therefore, was not a thing to be thought of; and with a meanness, selfishness, cruelty, which no indignant, no	her dread perhaps her despair! and of what _she_ had to tell! with such knowledge it was impossible to be calm. All that remained to be done was to be speedy; and, therefore staying only till she could leave Mrs. Jennings s maid with her sister, she hurried down stairs. The bustle in the vestibule, as she passed along an inner lobby, assured her that they were already in the house. She rushed to the drawing-room, she entered it, and saw only Willoughby. CHAPTER XLIV. Elinor, starting back with a look of horror at the sight of him, obeyed the first impulse of her heart in turning instantly to quit the room, and her hand was already on the lock, when its action was suspended by his hastily advancing, and saying, in a voice rather of command than supplication, "Miss Dashwood, for half an hour for ten minutes I entreat you to stay." "No, sir," she replied with firmness, "I shall _not_ stay. Your business cannot be with _me_. The servants, I suppose, forgot to tell you that Mr. Palmer was not in the house." "Had they told me," he cried with vehemence, "that Mr. Palmer and all his relations were at the devil, it would not have turned me from the door. My business is with you, and only you." "With me!" in the utmost amazement "well, sir, be quick and if you can less violent." "Sit down, and I will be both." She hesitated; she knew not what to do. The possibility of Colonel Brandon s arriving and finding her there, came across her. But she had promised to hear him, and her curiosity no less than her honor was engaged. After a moment s recollection, therefore, concluding that prudence required dispatch, and that her acquiescence would best promote it, she walked silently towards the table, and sat down. He took the opposite chair, and for half a minute not a word was said by either. "Pray be quick, sir," said Elinor, impatiently; "I have no time to spare." He was sitting in an attitude of deep meditation, and seemed not to hear her. "Your sister," said he, with abruptness, a moment afterwards "is out of danger. I heard it from the servant. God be praised! But is it true? is it really true?" Elinor would not speak. He repeated the inquiry with yet greater eagerness. "For God s sake tell me, is she out of danger, or is she not?" "We hope she is." He rose up, and walked across the room. "Had I known as much half an hour ago; but since I _am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return to Combe. I am not at leisure to remain with you longer. Whatever your business may be with me, it will be better recollected and explained to-morrow." "I understand you," he replied, with an expressive smile, and a voice perfectly calm; "yes, I am very drunk. A pint of porter with my cold beef at Marlborough was enough to over-set me." "At Marlborough!" cried Elinor, more and more at a loss to understand what he would be at. "Yes, I left London this morning at eight o clock, and the only ten minutes I have spent out of my chaise since that time procured me a nuncheon at Marlborough." The steadiness of his manner, and the intelligence of his eye as he spoke, convincing Elinor, that whatever other unpardonable folly might bring him to Cleveland, he was not brought there by intoxication, she said, after a moment s recollection, "Mr. Willoughby, you _ought_ to feel, and I certainly _do_, that after what has passed, your coming here in this manner, and forcing yourself upon my notice, requires a very particular excuse. What is it, that you mean by it?" "I mean," said he, with serious energy, "if I can, to make you hate me one degree less than you do _now_.	Sense And Sensibility
"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."	The Black Monk	_Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what	"The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind,"	healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not	goal towards which all divinely endowed, noble natures strive." "If I know I am mentally affected, can I trust myself?" "And are you sure that the men of genius, whom all men trust, did not see phantoms, too? The learned say now that genius is allied to madness. My friend, healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not distinguish his face. His features grew blurred and misty. Then the monk's head and arms disappeared; his body seemed merged into the seat and the evening twilight, and he vanished altogether. "The hallucination is over," said Kovrin; and he laughed. "It's a pity." He went back to the house, light-hearted	pleasant it is to hear you!" said Kovrin, rubbing his hands with satisfaction. "I am very glad." "But I know that when you go away I shall be worried by the question of your reality. You are a phantom, an hallucination. So I am mentally deranged, not normal?" "What if you are? Why trouble yourself? You are ill because you have overworked and exhausted yourself, and that means that you have sacrificed your health to the idea, and the time is near at hand when you will give up life itself to it. What could be better? That is the goal towards which all divinely endowed, noble natures strive." "If I know I am mentally affected, can I trust myself?" "And are you sure that the men of genius, whom all men trust, did not see phantoms, too? The learned say now that genius is allied to madness. My friend, healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not distinguish his face. His features grew blurred and misty. Then the monk's head and arms disappeared; his body seemed merged into the seat and the evening twilight, and he vanished altogether. "The hallucination is over," said Kovrin; and he laughed. "It's a pity." He went back to the house, light-hearted and happy. The little the monk had said to him had flattered, not his vanity, but his whole soul, his whole being. To be one of the chosen, to serve eternal truth, to stand in the ranks of those who could make mankind worthy of the kingdom of God some thousands of years sooner--that is, to free men from some thousands of years of unnecessary struggle, sin, and suffering; to sacrifice to the idea everything--youth, strength, health; to be ready to die for the common weal--what an exalted, what a happy lot! He recalled his past--pure, chaste, laborious; he remembered	the rational and the beautiful--that is, to what is eternal." "You said 'eternal truth.' ... But is eternal truth of use to man and within his reach, if there is no eternal life?" "There is eternal life," said the monk. "Do you believe in the immortality of man?" "Yes, of course. A grand, brilliant future is in store for you men. And the more there are like you on earth, the sooner will this future be realised. Without you who serve the higher principle and live in full understanding and freedom, mankind would be of little account; developing in a natural way, it would have to wait a long time for the end of its earthly history. You will lead it some thousands of years earlier into the kingdom of eternal truth--and therein lies your supreme service. You are the incarnation of the blessing of God, which rests upon men." "And what is the object of eternal life?" asked Kovrin. "As of all life--enjoyment. True enjoyment lies in knowledge, and eternal life provides innumerable and inexhaustible sources of knowledge, and in that sense it has been said: 'In My Father's house there are many mansions.'" "If only you knew how pleasant it is to hear you!" said Kovrin, rubbing his hands with satisfaction. "I am very glad." "But I know that when you go away I shall be worried by the question of your reality. You are a phantom, an hallucination. So I am mentally deranged, not normal?" "What if you are? Why trouble yourself? You are ill because you have overworked and exhausted yourself, and that means that you have sacrificed your health to the idea, and the time is near at hand when you will give up life itself to it. What could be better? That is the goal towards which all divinely endowed, noble natures strive." "If I know I am mentally affected, can I trust myself?" "And are you sure that the men of genius, whom all men trust, did not see phantoms, too? The learned say now that genius is allied to madness. My friend, healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not distinguish his face. His features grew blurred and misty. Then the monk's head and arms disappeared; his body seemed merged into the seat and the evening twilight, and he vanished altogether. "The hallucination is over," said Kovrin; and he laughed. "It's a pity." He went back to the house, light-hearted and happy. The little the monk had said to him had flattered, not his vanity, but his whole soul, his whole being. To be one of the chosen, to serve eternal truth, to stand in the ranks of those who could make mankind worthy of the kingdom of God some thousands of years sooner--that is, to free men from some thousands of years of unnecessary struggle, sin, and suffering; to sacrifice to the idea everything--youth, strength, health; to be ready to die for the common weal--what an exalted, what a happy lot! He recalled his past--pure, chaste, laborious; he remembered what he had learned himself and what he had taught to others, and decided that there was no exaggeration in the monk's words. Tanya came to meet him in the park: she was by now wearing a different dress. "Are you here?" she said. "And we have been looking and looking for you.... But what is the matter with you?" she asked in wonder, glancing at his radiant, ecstatic face and eyes full of tears. "How strange you are, Andryusha!" "I am pleased, Tanya," said Kovrin, laying his hand on her shoulders. "I am more than pleased: I am happy. Tanya, darling Tanya, you are an extraordinary, nice creature. Dear Tanya, I am so glad, I am so glad!" He kissed both her hands ardently, and went on: "I have just passed through an exalted, wonderful, unearthly moment. But I can't tell you all about it or you would call me mad and not believe me. Let us talk of you. Dear, delightful Tanya! I love you, and am used to loving you. To have you near me, to meet you a dozen times a day, has become a necessity of my existence; I don't know how I shall get	with salt on it, as both were hungry. V Glad that he had been so successful in the part of peacemaker, Kovrin went into the park. Sitting on a garden seat, thinking, he heard the rattle of a carriage and a feminine laugh--visitors were arriving. When the shades of evening began falling on the garden, the sounds of the violin and singing voices reached him indistinctly, and that reminded him of the black monk. Where, in what land or in what planet, was that optical absurdity moving now? Hardly had he recalled the legend and pictured in his imagination the dark apparition he had seen in the rye-field, when, from behind a pine-tree exactly opposite, there came out noiselessly, without the slightest rustle, a man of medium height with uncovered grey head, all in black, and barefooted like a beggar, and his black eyebrows stood out conspicuously on his pale, death-like face. Nodding his head graciously, this beggar or pilgrim came noiselessly to the seat and sat down, and Kovrin recognised him as the black monk. For a minute they looked at one another, Kovrin with amazement, and the monk with friendliness, and, just as before, a little slyness, as though he were thinking something to himself. "But you are a mirage," said Kovrin. "Why are you here and sitting still? That does not fit in with the legend." "That does not matter," the monk answered in a low voice, not immediately turning his face towards him. "The legend, the mirage, and I are all the products of your excited imagination. I am a phantom." "Then you don't exist?" said Kovrin. "You can think as you like," said the monk, with a faint smile. "I exist in your imagination, and your imagination is part of nature, so I exist in nature." "You have a very old, wise, and extremely expressive face, as though you really had lived more than a thousand years," said Kovrin. "I did not know that my imagination was capable of creating such phenomena. But why do you look at me with such enthusiasm? Do you like me?" "Yes, you are one of those few who are justly called the chosen of God. You do the service of eternal truth. Your thoughts, your designs, the marvellous studies you are engaged in, and all your life, bear the Divine, the heavenly stamp, seeing that they are consecrated to the rational and the beautiful--that is, to what is eternal." "You said 'eternal truth.' ... But is eternal truth of use to man and within his reach, if there is no eternal life?" "There is eternal life," said the monk. "Do you believe in the immortality of man?" "Yes, of course. A grand, brilliant future is in store for you men. And the more there are like you on earth, the sooner will this future be realised. Without you who serve the higher principle and live in full understanding and freedom, mankind would be of little account; developing in a natural way, it would have to wait a long time for the end of its earthly history. You will lead it some thousands of years earlier into the kingdom of eternal truth--and therein lies your supreme service. You are the incarnation of the blessing of God, which rests upon men." "And what is the object of eternal life?" asked Kovrin. "As of all life--enjoyment. True enjoyment lies in knowledge, and eternal life provides innumerable and inexhaustible sources of knowledge, and in that sense it has been said: 'In My Father's house there are many mansions.'" "If only you knew how pleasant it is to hear you!" said Kovrin, rubbing his hands with satisfaction. "I am very glad." "But I know that when you go away I shall be worried by the question of your reality. You are a phantom, an hallucination. So I am mentally deranged, not normal?" "What if you are? Why trouble yourself? You are ill because you have overworked and exhausted yourself, and that means that you have sacrificed your health to the idea, and the time is near at hand when you will give up life itself to it. What could be better? That is the goal towards which all divinely endowed, noble natures strive." "If I know I am mentally affected, can I trust myself?" "And are you sure that the men of genius, whom all men trust, did not see phantoms, too? The learned say now that genius is allied to madness. My friend, healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not distinguish his face. His features grew blurred and misty. Then the monk's head and arms disappeared; his body seemed merged into the seat and the evening twilight, and he vanished altogether. "The hallucination is over," said Kovrin; and he laughed. "It's a pity." He went back to the house, light-hearted and happy. The little the monk had said to him had flattered, not his vanity, but his whole soul, his whole being. To be one of the chosen, to serve eternal truth, to stand in the ranks of those who could make mankind worthy of the kingdom of God some thousands of years sooner--that is, to free men from some thousands of years of unnecessary struggle, sin, and suffering; to sacrifice to the idea everything--youth, strength, health; to be ready to die for the common weal--what an exalted, what a happy lot! He recalled his past--pure, chaste, laborious; he remembered what he had learned himself and what he had taught to others, and decided that there was no exaggeration in the monk's words. Tanya came to meet him in the park: she was by now wearing a different dress. "Are you here?" she said. "And we have been looking and looking for you.... But what is the matter with you?" she asked in wonder, glancing at his radiant, ecstatic face and eyes full of tears. "How strange you are, Andryusha!" "I am pleased, Tanya," said Kovrin, laying his hand on her shoulders. "I am more than pleased: I am happy. Tanya, darling Tanya, you are an extraordinary, nice creature. Dear Tanya, I am so glad, I am so glad!" He kissed both her hands ardently, and went on: "I have just passed through an exalted, wonderful, unearthly moment. But I can't tell you all about it or you would call me mad and not believe me. Let us talk of you. Dear, delightful Tanya! I love you, and am used to loving you. To have you near me, to meet you a dozen times a day, has become a necessity of my existence; I don't know how I shall get on without you when I go back home." "Oh," laughed Tanya, "you will forget about us in two days. We are humble people and you are a great man." "No; let us talk in earnest!" he said. "I shall take you with me, Tanya. Yes? Will you come with me? Will you be mine?" "Come," said Tanya, and tried to laugh again, but the laugh would not come, and patches of colour came into her face. She began breathing quickly and walked very quickly, but not to the house, but further into the park. "I was not thinking of it ... I was not thinking of it," she said, wringing her hands in despair. And Kovrin followed her and went on talking, with the same radiant, enthusiastic face: "I want a love that will dominate me altogether; and that love only you, Tanya, can give me. I am happy! I am happy!" She was overwhelmed, and huddling and shrinking together, seemed ten years older all at once, while he thought her beautiful and expressed his rapture aloud: "How lovely she is!" VI Learning from Kovrin that not only a romance had been got up, but that there would even be a wedding, Yegor Semyonitch spent a long time in pacing from one corner of the room to the other, trying to conceal his agitation. His hands began trembling, his neck swelled and turned purple, he ordered his racing droshky and drove off somewhere. Tanya, seeing how he lashed the horse, and seeing how he pulled his cap over his ears, understood what he was feeling, shut herself up in her room, and cried the whole day. In the hot-houses the peaches and plums were already ripe; the packing and sending off of these tender and fragile goods to Moscow took a great deal of care, work, and trouble. Owing to the fact that the summer was very hot and dry, it was necessary to water every tree, and a great deal of time and labour was spent on doing it. Numbers of caterpillars made their appearance, which, to Kovrin's disgust, the labourers and even Yegor Semyonitch and Tanya squashed with their fingers. In spite of all that, they had already to book autumn orders for fruit and trees, and to carry on a great deal of correspondence. And at the very busiest time, when no one seemed to have a	and the beautiful--that is, to what is eternal." "You said 'eternal truth.' ... But is eternal truth of use to man and within his reach, if there is no eternal life?" "There is eternal life," said the monk. "Do you believe in the immortality of man?" "Yes, of course. A grand, brilliant future is in store for you men. And the more there are like you on earth, the sooner will this future be realised. Without you who serve the higher principle and live in full understanding and freedom, mankind would be of little account; developing in a natural way, it would have to wait a long time for the end of its earthly history. You will lead it some thousands of years earlier into the kingdom of eternal truth--and therein lies your supreme service. You are the incarnation of the blessing of God, which rests upon men." "And what is the object of eternal life?" asked Kovrin. "As of all life--enjoyment. True enjoyment lies in knowledge, and eternal life provides innumerable and inexhaustible sources of knowledge, and in that sense it has been said: 'In My Father's house there are many mansions.'" "If only you knew how pleasant it is to hear you!" said Kovrin, rubbing his hands with satisfaction. "I am very glad." "But I know that when you go away I shall be worried by the question of your reality. You are a phantom, an hallucination. So I am mentally deranged, not normal?" "What if you are? Why trouble yourself? You are ill because you have overworked and exhausted yourself, and that means that you have sacrificed your health to the idea, and the time is near at hand when you will give up life itself to it. What could be better? That is the goal towards which all divinely endowed, noble natures strive." "If I know I am mentally affected, can I trust myself?" "And are you sure that the men of genius, whom all men trust, did not see phantoms, too? The learned say now that genius is allied to madness. My friend, healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not distinguish his face. His features grew blurred and misty. Then the monk's head and arms disappeared; his body seemed merged into the seat and the evening twilight, and he vanished altogether. "The hallucination is over," said Kovrin; and he laughed. "It's a pity." He went back to the house, light-hearted and happy. The little the monk had said to him had flattered, not his vanity, but his whole soul, his whole being. To be one of the chosen, to serve eternal truth, to stand in the ranks of those who could make mankind worthy of the kingdom of God some thousands of years sooner--that is, to free men from some thousands of years of unnecessary struggle, sin, and suffering; to sacrifice to the idea everything--youth, strength, health; to be ready to die for the common weal--what an exalted, what a happy lot! He recalled his past--pure, chaste, laborious; he remembered what he had learned himself and what he had taught to others, and decided that there was no exaggeration in the monk's words. Tanya came to meet him in the park: she was by now wearing a different dress. "Are you here?" she said. "And we have been looking and looking for you.... But what is the matter with you?" she asked in wonder, glancing at his radiant, ecstatic face and eyes full of tears. "How strange you are, Andryusha!" "I am pleased, Tanya," said Kovrin, laying his hand on her shoulders. "I am more than pleased: I am happy. Tanya, darling Tanya, you are an extraordinary, nice creature. Dear Tanya, I am so glad, I am so glad!" He kissed both her hands ardently, and went on: "I have just passed through an exalted, wonderful, unearthly moment. But I can't tell you all about it or you would call me mad and not believe me. Let us talk of you. Dear, delightful Tanya! I love you, and am used to loving you. To have you near me, to meet you a dozen times a day, has become a necessity of my existence; I don't know how I shall get on without you when I go back home." "Oh," laughed Tanya, "you will forget about us in two days. We are humble people and you are a great man." "No; let us talk in earnest!" he said. "I shall take you with me, Tanya. Yes? Will you come with me? Will you be	The Lady and the Dog and Other Stories (6)
"They won't let us go."	Don Lavington	"Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they	stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the	soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let	He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore	like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go.	till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?" cried Jem. "Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they say?" "Dunno what they'll say," said Jem dolefully, "but I know what my Sally will say. I used to talk about going and leaving her, but that was because I too was a hidyut. I didn't want to go and leave her, poor little lass. Too fond on her, Mas' Don. She only shows a bit o' temper." "Jem, she'll think you've run away and deserted her." "Safe, Mas' Don. You see, I made up a bundle o' wittles as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the	to the prisoners. "Hold the lanthorn here," he said sharply. "Now let's have a look at you." He examined their injuries in an experienced way, roughly, but not unkindly. "All right, my lad," he said to Don; "you will not die this time. Now you." He spent longer over Jem, who roused up and looked at him curiously, as if he did not quite understand. "Been rather rough with this one, my lads." "Couldn't help it," said one of the sailors; "he fote so hard. So did this young chap too." "Nothing wrong with him, I daresay," said the bluff man. "No bones broken. All right in a day or two." Don had been silent while Jem was examined, for he felt that this man was either a doctor, or one who knew something about surgery; but as soon as he had finished, the boy, whose indignation had been growing, turned to him haughtily. "Now, sir!" he exclaimed, "have the goodness to explain the meaning of this outrage." "Cock-a-doodle-doo!" cried the bluff man. "It is nothing to laugh at, sir. I insist upon knowing why we have been ill-used and dragged here by your men." "Well crowed, my young cockerel," said the bluff man, laughing. "They said you fought well with your fists, so you can with your tongue." "Insulting us now you have us down will not save you," cried Don fiercely. "No, my lord," said the bluff man, as Jem rose up, shook his head, and stood by Don. The men laughed. "You coward!" cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?" cried Jem. "Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they say?" "Dunno what they'll say," said Jem dolefully, "but I know what my Sally will say. I used to talk about going and leaving her, but that was because I too was a hidyut. I didn't want to go and leave her, poor little lass. Too fond on her, Mas' Don. She only shows a bit o' temper." "Jem, she'll think you've run away and deserted her." "Safe, Mas' Don. You see, I made up a bundle o' wittles as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How dark it is? Where's your hand?" "Gently, my lad; that's my hye. Arn't much use here in the dark, but may want 'em by-and-by. That's better. Thank ye, sir. Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem. "Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle." _Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel	anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they	Don Lavington
said the White Rabbit,	No speaker	the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing	prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all	isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the	opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King	miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim.	open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom	said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?" said Alice, (she had grown to her full size by this time.) "You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down	to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find	Alices Adventures In Wonderland
"It's delightful your coming down. What d'you think of Tony?"	Jock Grant-Menzies	were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that	* * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw	spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice	deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here	and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep	except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work in the morning-room is going on well. The foreman told me to-day he thought he would begin on the chromium plating by the end of the week. You know what I think about that. John can talk of nothing except his hunting to-morrow. I hope he doesn't break his neck. Jock and his S.B. are going out too. Hetton lay	* * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work in the morning-room is going on well. The foreman told me to-day he thought he would begin on the chromium plating by the end of the week. You know what I think about that. John can talk of nothing except his hunting to-morrow. I hope he doesn't break his neck. Jock and his S.B. are going out too. Hetton lay near the boundary of three packs; the Pigstanton, who hunted it, had, in the division of territory, come off with the worst country and they cherished a permanent resentment about some woods near Bayton. They were a somewhat ill-tempered lot, contemptuous of each other's performance, hostile to strangers, torn by internal rancour, united only in their dislike of the Master. In the case of Colonel Inch this unpopularity, traditional to the hunt, was quite undeserved; he was a timid, inconspicuous man who provided the neighbourhood with sport of a kind at great personal expense. He himself was seldom in sight of hounds and could often be found in another part of the country morosely nibbling ginger-nut biscuits in a lane or towards the end of the day cantering heavily across country, quite lost, a lonely scarlet figure against the ploughed land, staring about him in the deepening twilight and shouting at yokels for information. The only pleasure he gained from his position, but that a substantial one, was in referring to it casually at Board Meetings of the various companies he directed. The Pigstanton met twice a week. There was seldom a large field on Wednesday, but the Hetton meet was popular; it lay in their best country and the prospect of stirrup-cups had drawn many leathery old ladies from the neighbouring packs. There were also followers on foot and in every kind of vehicle, some hanging back diffidently, others, more or less known to Tony, crowding round the refreshment table. Mr Tendril had a niece staying with him, who appeared on a motor bicycle. John stood beside Thunderclap, solemn with excitement. Ben had secured a powerful, square-headed mare from a neighbouring farmer; he hoped to have a hunt after John had been taken home; at John's earnest entreaty nanny was confined indoors, among the housemaids whose heads obtruded at the upper windows; it was not her day. She had been out of temper while dressing him. "If I'm in at the death I expect Colonel Inch will blood me." "You won't see any death," said nanny. Now she stood with her eyes at an arrow slit gazing rather resentfully at the animated scene below. "It's all a lot of nonsense of Ben Hacket's," she thought. She deplored it all, hounds, Master, field, huntsman and whippers-in, Mr Tendril's niece in her mackintosh, Jock in a rat-catcher, Mrs Rattery in tall	vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work	A Handful Of Dust
"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."	Mrs. Moore	definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his	and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding,	there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we	used to judge people like this at home." "India isn't home," he retorted, rather rudely, but in order to silence her he had been using phrases and arguments that he had picked up from older officials, and he did not feel quite sure of himself. When he said "of course there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we treat the natives properly, and all that sort of nonsense." "But she came out to be worried that's exactly why she's here. She discussed it all on the boat. We had a long talk when we went on shore at Aden. She knows you in play, as she put it,	he said. My personal belief is that the remark wasn't true." "How not true?" "He abused the Major in order to impress you." "I don't know what you mean, dear." "It's the educated native's latest dodge. They used to cringe, but the younger generation believe in a show of manly independence. They think it will pay better with the itinerant M.P. But whether the native swaggers or cringes, there's always something behind every remark he makes, always something, and if nothing else he's trying to increase his izzat in plain Anglo-Saxon, to score. Of course there are exceptions." "You never used to judge people like this at home." "India isn't home," he retorted, rather rudely, but in order to silence her he had been using phrases and arguments that he had picked up from older officials, and he did not feel quite sure of himself. When he said "of course there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we treat the natives properly, and all that sort of nonsense." "But she came out to be worried that's exactly why she's here. She discussed it all on the boat. We had a long talk when we went on shore at Aden. She knows you in play, as she put it, but not in work, and she felt she must come and look round, before she decided and before you decided. She is very, very fair-minded." "I know," he said dejectedly. The note of anxiety in his voice made her feel that he was still a little boy, who must have what he liked, so she promised to do as he wished, and they kissed good night. He had not forbidden her to think about Aziz, however, and she did this when she retired to her room. In the light of her son's comment she reconsidered the scene at the mosque,	she told him that it was someone connected with the Minto Hospital, he was relieved, and said that the fellow's name must be Aziz, and that he was quite all right, nothing against him at all. "Aziz! what a charming name!" "So you and he had a talk. Did you gather he was well disposed?" Ignorant of the force of this question, she replied, "Yes, quite, after the first moment." "I meant, generally. Did he seem to tolerate us the brutal conqueror, the sundried bureaucrat, that sort of thing?" "Oh, yes, I think so, except the Callendars he doesn't care for the Callendars at all." "Oh. So he told you that, did he? The Major will be interested. I wonder what was the aim of the remark." "Ronny, Ronny! you're never going to pass it on to Major Callendar?" "Yes, rather. I must, in fact!" "But, my dear boy" "If the Major heard I was disliked by any native subordinate of mine, I should expect him to pass it on to me." "But, my dear boy a private conversation!" "Nothing's private in India. Aziz knew that when he spoke out, so don't you worry. He had some motive in what he said. My personal belief is that the remark wasn't true." "How not true?" "He abused the Major in order to impress you." "I don't know what you mean, dear." "It's the educated native's latest dodge. They used to cringe, but the younger generation believe in a show of manly independence. They think it will pay better with the itinerant M.P. But whether the native swaggers or cringes, there's always something behind every remark he makes, always something, and if nothing else he's trying to increase his izzat in plain Anglo-Saxon, to score. Of course there are exceptions." "You never used to judge people like this at home." "India isn't home," he retorted, rather rudely, but in order to silence her he had been using phrases and arguments that he had picked up from older officials, and he did not feel quite sure of himself. When he said "of course there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we treat the natives properly, and all that sort of nonsense." "But she came out to be worried that's exactly why she's here. She discussed it all on the boat. We had a long talk when we went on shore at Aden. She knows you in play, as she put it, but not in work, and she felt she must come and look round, before she decided and before you decided. She is very, very fair-minded." "I know," he said dejectedly. The note of anxiety in his voice made her feel that he was still a little boy, who must have what he liked, so she promised to do as he wished, and they kissed good night. He had not forbidden her to think about Aziz, however, and she did this when she retired to her room. In the light of her son's comment she reconsidered the scene at the mosque, to see whose impression was correct. Yes, it could be worked into quite an unpleasant scene. The doctor had begun by bullying her, had said Mrs. Callendar was nice, and then finding the ground safe had changed; he had alternately whined over his grievances and patronized her, had run a dozen ways in a single sentence, had been unreliable, inquisitive, vain. Yes, it was all true, but how false as a summary of the man; the essential life of him had been slain. Going to hang up her cloak, she found that the tip of the peg was occupied by a small wasp. She had known this wasp or his relatives by day; they were not as English wasps, but had long yellow legs which hung down behind when they flew. Perhaps he mistook the peg for a branch no Indian animal has any sense of an interior. Bats, rats, birds, insects will as soon nest inside a house as out; it is to them a normal growth of the eternal jungle, which alternately produces houses trees, houses trees. There he clung, asleep, while jackals in the plain bayed their desires and mingled with the percussion of drums. "Pretty dear,"	was impudence, but I don't know about a trick," said Mrs. Moore. "His nerves were all on edge I could tell from his voice. As soon as I answered he altered." "You oughtn't to have answered." "Now look here," said the logical girl, "wouldn't you expect a Mohammedan to answer if you asked him to take off his hat in church?" "It's different, it's different; you don't understand." "I know I don't, and I want to. What is the difference, please?" He wished she wouldn't interfere. His mother did not signify she was just a globe-trotter, a temporary escort, who could retire to England with what impressions she chose. But Adela, who meditated spending her life in the country, was a more serious matter; it would be tiresome if she started crooked over the native question. Pulling up the mare, he said, "There's your Ganges." Their attention was diverted. Below them a radiance had suddenly appeared. It belonged neither to water nor moonlight, but stood like a luminous sheaf upon the fields of darkness. He told them that it was where the new sand-bank was forming, and that the dark ravelled bit at the top was the sand, and that the dead bodies floated down that way from Benares, or would if the crocodiles let them. "It's not much of a dead body that gets down to Chandrapore." "Crocodiles down in it too, how terrible!" his mother murmured. The young people glanced at each other and smiled; it amused them when the old lady got these gentle creeps, and harmony was restored between them consequently. She continued: "What a terrible river! what a wonderful river!" and sighed. The radiance was already altering, whether through shifting of the moon or of the sand; soon the bright sheaf would be gone, and a circlet, itself to alter, be burnished upon the streaming void. The women discussed whether they would wait for the change or not, while the silence broke into patches of unquietness and the mare shivered. On her account they did not wait, but drove on to the City Magistrate's bungalow, where Miss Quested went to bed, and Mrs. Moore had a short interview with her son. He wanted to enquire about the Mohammedan doctor in the mosque. It was his duty to report suspicious characters and conceivably it was some disreputable hakim who had prowled up from the bazaar. When she told him that it was someone connected with the Minto Hospital, he was relieved, and said that the fellow's name must be Aziz, and that he was quite all right, nothing against him at all. "Aziz! what a charming name!" "So you and he had a talk. Did you gather he was well disposed?" Ignorant of the force of this question, she replied, "Yes, quite, after the first moment." "I meant, generally. Did he seem to tolerate us the brutal conqueror, the sundried bureaucrat, that sort of thing?" "Oh, yes, I think so, except the Callendars he doesn't care for the Callendars at all." "Oh. So he told you that, did he? The Major will be interested. I wonder what was the aim of the remark." "Ronny, Ronny! you're never going to pass it on to Major Callendar?" "Yes, rather. I must, in fact!" "But, my dear boy" "If the Major heard I was disliked by any native subordinate of mine, I should expect him to pass it on to me." "But, my dear boy a private conversation!" "Nothing's private in India. Aziz knew that when he spoke out, so don't you worry. He had some motive in what he said. My personal belief is that the remark wasn't true." "How not true?" "He abused the Major in order to impress you." "I don't know what you mean, dear." "It's the educated native's latest dodge. They used to cringe, but the younger generation believe in a show of manly independence. They think it will pay better with the itinerant M.P. But whether the native swaggers or cringes, there's always something behind every remark he makes, always something, and if nothing else he's trying to increase his izzat in plain Anglo-Saxon, to score. Of course there are exceptions." "You never used to judge people like this at home." "India isn't home," he retorted, rather rudely, but in order to silence her he had been using phrases and arguments that he had picked up from older officials, and he did not feel quite sure of himself. When he said "of course there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we treat the natives properly, and all that sort of nonsense." "But she came out to be worried that's exactly why she's here. She discussed it all on the boat. We had a long talk when we went on shore at Aden. She knows you in play, as she put it, but not in work, and she felt she must come and look round, before she decided and before you decided. She is very, very fair-minded." "I know," he said dejectedly. The note of anxiety in his voice made her feel that he was still a little boy, who must have what he liked, so she promised to do as he wished, and they kissed good night. He had not forbidden her to think about Aziz, however, and she did this when she retired to her room. In the light of her son's comment she reconsidered the scene at the mosque, to see whose impression was correct. Yes, it could be worked into quite an unpleasant scene. The doctor had begun by bullying her, had said Mrs. Callendar was nice, and then finding the ground safe had changed; he had alternately whined over his grievances and patronized her, had run a dozen ways in a single sentence, had been unreliable, inquisitive, vain. Yes, it was all true, but how false as a summary of the man; the essential life of him had been slain. Going to hang up her cloak, she found that the tip of the peg was occupied by a small wasp. She had known this wasp or his relatives by day; they were not as English wasps, but had long yellow legs which hung down behind when they flew. Perhaps he mistook the peg for a branch no Indian animal has any sense of an interior. Bats, rats, birds, insects will as soon nest inside a house as out; it is to them a normal growth of the eternal jungle, which alternately produces houses trees, houses trees. There he clung, asleep, while jackals in the plain bayed their desires and mingled with the percussion of drums. "Pretty dear," said Mrs. Moore to the wasp. He did not wake, but her voice floated out, to swell the night's uneasiness. CHAPTER IV The Collector kept his word. Next day he issued invitation cards to numerous Indian gentlemen in the neighbourhood, stating that he would be at home in the garden of the club between the hours of five and seven on the following Tuesday, also that Mrs. Turton would be glad to receive any ladies of their families who were out of purdah. His action caused much excitement and was discussed in several worlds. "It is owing to orders from the L.G.," was Mahmoud Ali's explanation. "Turton would never do this unless compelled. Those high officials are different they sympathize, the Viceroy sympathizes, they would have us treated properly. But they come too seldom and live too far away. Meanwhile" "It is easy to sympathize at a distance," said an old gentleman with a beard. "I value more the kind word that is spoken close to my ear. Mr. Turton has spoken it, from whatever cause. He speaks, we hear. I do not see why we need discuss it further." Quotations followed from the Koran. "We have not all your sweet nature, Nawab Bahadur, nor your learning." "The Lieutenant-Governor may be my very good friend, but I give him no trouble." How do you do, Nawab Bahadur? Quite well, thank you, Sir Gilbert; how are you? "And all is over. But I can be a thorn in Mr. Turton's flesh, and if he asks me I accept the invitation. I shall come in from Dilkusha specially, though I have to postpone other business." "You will make yourself chip," suddenly said a little black man. There was a stir of disapproval. Who was this ill-bred upstart, that he should criticize the leading Mohammedan landowner of the district? Mahmoud Ali, though sharing his opinion, felt bound to oppose it. "Mr. Ram Chand!" he said, swaying forward stiffly with his hands on his hips. "Mr. Mahmoud Ali!" "Mr. Ram Chand, the Nawab Bahadur can decide what is cheap without our valuation, I think." "I do not expect I shall make myself cheap," said the Nawab Bahadur to Mr. Ram Chand, speaking very pleasantly, for he was aware that the man had been impolite and he desired to shield him from the consequences. It had passed through his mind to reply, "I expect I	the sand; soon the bright sheaf would be gone, and a circlet, itself to alter, be burnished upon the streaming void. The women discussed whether they would wait for the change or not, while the silence broke into patches of unquietness and the mare shivered. On her account they did not wait, but drove on to the City Magistrate's bungalow, where Miss Quested went to bed, and Mrs. Moore had a short interview with her son. He wanted to enquire about the Mohammedan doctor in the mosque. It was his duty to report suspicious characters and conceivably it was some disreputable hakim who had prowled up from the bazaar. When she told him that it was someone connected with the Minto Hospital, he was relieved, and said that the fellow's name must be Aziz, and that he was quite all right, nothing against him at all. "Aziz! what a charming name!" "So you and he had a talk. Did you gather he was well disposed?" Ignorant of the force of this question, she replied, "Yes, quite, after the first moment." "I meant, generally. Did he seem to tolerate us the brutal conqueror, the sundried bureaucrat, that sort of thing?" "Oh, yes, I think so, except the Callendars he doesn't care for the Callendars at all." "Oh. So he told you that, did he? The Major will be interested. I wonder what was the aim of the remark." "Ronny, Ronny! you're never going to pass it on to Major Callendar?" "Yes, rather. I must, in fact!" "But, my dear boy" "If the Major heard I was disliked by any native subordinate of mine, I should expect him to pass it on to me." "But, my dear boy a private conversation!" "Nothing's private in India. Aziz knew that when he spoke out, so don't you worry. He had some motive in what he said. My personal belief is that the remark wasn't true." "How not true?" "He abused the Major in order to impress you." "I don't know what you mean, dear." "It's the educated native's latest dodge. They used to cringe, but the younger generation believe in a show of manly independence. They think it will pay better with the itinerant M.P. But whether the native swaggers or cringes, there's always something behind every remark he makes, always something, and if nothing else he's trying to increase his izzat in plain Anglo-Saxon, to score. Of course there are exceptions." "You never used to judge people like this at home." "India isn't home," he retorted, rather rudely, but in order to silence her he had been using phrases and arguments that he had picked up from older officials, and he did not feel quite sure of himself. When he said "of course there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we treat the natives properly, and all that sort of nonsense." "But she came out to be worried that's exactly why she's here. She discussed it all on the boat. We had a long talk when we went on shore at Aden. She knows you in play, as she put it, but not in work, and she felt she must come and look round, before she decided and before you decided. She is very, very fair-minded." "I know," he said dejectedly. The note of anxiety in his voice made her feel that he was still a little boy, who must have what he liked, so she promised to do as he wished, and they kissed good night. He had not forbidden her to think about Aziz, however, and she did this when she retired to her room. In the light of her son's comment she reconsidered the scene at the mosque, to see whose impression was correct. Yes, it could be worked into quite an unpleasant scene. The doctor had begun by bullying her, had said Mrs. Callendar was nice, and then finding the ground safe had changed; he had alternately whined over his grievances and patronized her, had run a dozen ways in a single sentence, had been unreliable, inquisitive, vain. Yes, it was all true, but how false as a summary of the man; the essential life of him had been slain. Going to hang up her cloak, she found that the tip of the peg was occupied by a small wasp. She had known this wasp or his relatives by day; they were not as English wasps, but had long yellow legs which hung down behind when they flew. Perhaps he mistook the peg for a branch no Indian animal has any sense of an interior. Bats, rats, birds, insects will as soon nest inside a house as out; it is to them a normal growth of the eternal jungle, which alternately produces houses trees, houses trees. There he clung, asleep, while jackals in the plain bayed their desires and mingled with the percussion of drums. "Pretty dear," said Mrs. Moore to the	A Passage To India
“In two weeks it’ll be the longest day in the year.”	Daisy	them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all	objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch	another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if	somebody there.” “I don’t know a single—” “You must know Gatsby.” “Gatsby?” demanded Daisy. “What Gatsby?” Before I could reply that he was my neighbour dinner was announced; wedging his tense arm imperatively under mine, Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if she were getting into bed. “All right,” said Daisy. “What’ll we plan?” She turned to me helplessly: “What do people plan?” Before I could answer her eyes fastened with an awed expression on her little finger. “Look!” she complained; “I hurt it.” We all looked—the knuckle was black and blue.	of a glass. “How you ever get anything done is beyond me.” I looked at Miss Baker, wondering what it was she “got done.” I enjoyed looking at her. She was a slender, small-breasted girl, with an erect carriage, which she accentuated by throwing her body backward at the shoulders like a young cadet. Her grey sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming, discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before. “You live in West Egg,” she remarked contemptuously. “I know somebody there.” “I don’t know a single—” “You must know Gatsby.” “Gatsby?” demanded Daisy. “What Gatsby?” Before I could reply that he was my neighbour dinner was announced; wedging his tense arm imperatively under mine, Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if she were getting into bed. “All right,” said Daisy. “What’ll we plan?” She turned to me helplessly: “What do people plan?” Before I could answer her eyes fastened with an awed expression on her little finger. “Look!” she complained; “I hurt it.” We all looked—the knuckle was black and blue. “You did it, Tom,” she said accusingly. “I know you didn’t mean to, but you did do it. That’s what I get for marrying a brute of a man, a great, big, hulking physical specimen of a—” “I hate that word ‘hulking,’ ” objected Tom crossly, “even in kidding.” “Hulking,” insisted Daisy. Sometimes she and Miss Baker talked at once, unobtrusively and with a bantering inconsequence that was never quite chatter, that was as cool as their white dresses and their impersonal eyes in the absence of all desire. They were here, and they accepted Tom and me, making only	shoulder. “What you doing, Nick?” “I’m a bond man.” “Who with?” I told him. “Never heard of them,” he remarked decisively. This annoyed me. “You will,” I answered shortly. “You will if you stay in the East.” “Oh, I’ll stay in the East, don’t you worry,” he said, glancing at Daisy and then back at me, as if he were alert for something more. “I’d be a God damned fool to live anywhere else.” At this point Miss Baker said: “Absolutely!” with such suddenness that I started—it was the first word she had uttered since I came into the room. Evidently it surprised her as much as it did me, for she yawned and with a series of rapid, deft movements stood up into the room. “I’m stiff,” she complained, “I’ve been lying on that sofa for as long as I can remember.” “Don’t look at me,” Daisy retorted, “I’ve been trying to get you to New York all afternoon.” “No, thanks,” said Miss Baker to the four cocktails just in from the pantry. “I’m absolutely in training.” Her host looked at her incredulously. “You are!” He took down his drink as if it were a drop in the bottom of a glass. “How you ever get anything done is beyond me.” I looked at Miss Baker, wondering what it was she “got done.” I enjoyed looking at her. She was a slender, small-breasted girl, with an erect carriage, which she accentuated by throwing her body backward at the shoulders like a young cadet. Her grey sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming, discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before. “You live in West Egg,” she remarked contemptuously. “I know somebody there.” “I don’t know a single—” “You must know Gatsby.” “Gatsby?” demanded Daisy. “What Gatsby?” Before I could reply that he was my neighbour dinner was announced; wedging his tense arm imperatively under mine, Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if she were getting into bed. “All right,” said Daisy. “What’ll we plan?” She turned to me helplessly: “What do people plan?” Before I could answer her eyes fastened with an awed expression on her little finger. “Look!” she complained; “I hurt it.” We all looked—the knuckle was black and blue. “You did it, Tom,” she said accusingly. “I know you didn’t mean to, but you did do it. That’s what I get for marrying a brute of a man, a great, big, hulking physical specimen of a—” “I hate that word ‘hulking,’ ” objected Tom crossly, “even in kidding.” “Hulking,” insisted Daisy. Sometimes she and Miss Baker talked at once, unobtrusively and with a bantering inconsequence that was never quite chatter, that was as cool as their white dresses and their impersonal eyes in the absence of all desire. They were here, and they accepted Tom and me, making only a polite pleasant effort to entertain or to be entertained. They knew that presently dinner would be over and a little later the evening too would be over and casually put away. It was sharply different from the West, where an evening was hurried from phase to phase towards its close, in a continually disappointed anticipation or else in sheer nervous dread of the moment itself. “You make me feel uncivilized, Daisy,” I confessed on my second glass of corky but rather impressive claret. “Can’t you talk about crops or something?” I meant nothing in particular by this remark, but it was taken up in an unexpected way. “Civilization’s going to pieces,” broke out Tom violently. “I’ve gotten to be a terrible pessimist about things. Have you read The Rise of the Coloured Empires by this man Goddard?” “Why, no,” I answered, rather surprised by his tone. “Well, it’s a fine book, and everybody ought to read it. The idea is if we don’t look out the white race will be—will be utterly submerged. It’s all scientific stuff; it’s been proved.” “Tom’s getting very profound,” said Daisy, with an expression of unthoughtful sadness. “He reads deep books with long words	slightly forward with a conscientious expression—then she laughed, an absurd, charming little laugh, and I laughed too and came forward into the room. “I’m p-paralysed with happiness.” She laughed again, as if she said something very witty, and held my hand for a moment, looking up into my face, promising that there was no one in the world she so much wanted to see. That was a way she had. She hinted in a murmur that the surname of the balancing girl was Baker. (I’ve heard it said that Daisy’s murmur was only to make people lean toward her; an irrelevant criticism that made it no less charming.) At any rate, Miss Baker’s lips fluttered, she nodded at me almost imperceptibly, and then quickly tipped her head back again—the object she was balancing had obviously tottered a little and given her something of a fright. Again a sort of apology arose to my lips. Almost any exhibition of complete self-sufficiency draws a stunned tribute from me. I looked back at my cousin, who began to ask me questions in her low, thrilling voice. It was the kind of voice that the ear follows up and down, as if each speech is an arrangement of notes that will never be played again. Her face was sad and lovely with bright things in it, bright eyes and a bright passionate mouth, but there was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered “Listen,” a promise that she had done gay, exciting things just a while since and that there were gay, exciting things hovering in the next hour. I told her how I had stopped off in Chicago for a day on my way East, and how a dozen people had sent their love through me. “Do they miss me?” she cried ecstatically. “The whole town is desolate. All the cars have the left rear wheel painted black as a mourning wreath, and there’s a persistent wail all night along the north shore.” “How gorgeous! Let’s go back, Tom. Tomorrow!” Then she added irrelevantly: “You ought to see the baby.” “I’d like to.” “She’s asleep. She’s three years old. Haven’t you ever seen her?” “Never.” “Well, you ought to see her. She’s—” Tom Buchanan, who had been hovering restlessly about the room, stopped and rested his hand on my shoulder. “What you doing, Nick?” “I’m a bond man.” “Who with?” I told him. “Never heard of them,” he remarked decisively. This annoyed me. “You will,” I answered shortly. “You will if you stay in the East.” “Oh, I’ll stay in the East, don’t you worry,” he said, glancing at Daisy and then back at me, as if he were alert for something more. “I’d be a God damned fool to live anywhere else.” At this point Miss Baker said: “Absolutely!” with such suddenness that I started—it was the first word she had uttered since I came into the room. Evidently it surprised her as much as it did me, for she yawned and with a series of rapid, deft movements stood up into the room. “I’m stiff,” she complained, “I’ve been lying on that sofa for as long as I can remember.” “Don’t look at me,” Daisy retorted, “I’ve been trying to get you to New York all afternoon.” “No, thanks,” said Miss Baker to the four cocktails just in from the pantry. “I’m absolutely in training.” Her host looked at her incredulously. “You are!” He took down his drink as if it were a drop in the bottom of a glass. “How you ever get anything done is beyond me.” I looked at Miss Baker, wondering what it was she “got done.” I enjoyed looking at her. She was a slender, small-breasted girl, with an erect carriage, which she accentuated by throwing her body backward at the shoulders like a young cadet. Her grey sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming, discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before. “You live in West Egg,” she remarked contemptuously. “I know somebody there.” “I don’t know a single—” “You must know Gatsby.” “Gatsby?” demanded Daisy. “What Gatsby?” Before I could reply that he was my neighbour dinner was announced; wedging his tense arm imperatively under mine, Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if she were getting into bed. “All right,” said Daisy. “What’ll we plan?” She turned to me helplessly: “What do people plan?” Before I could answer her eyes fastened with an awed expression on her little finger. “Look!” she complained; “I hurt it.” We all looked—the knuckle was black and blue. “You did it, Tom,” she said accusingly. “I know you didn’t mean to, but you did do it. That’s what I get for marrying a brute of a man, a great, big, hulking physical specimen of a—” “I hate that word ‘hulking,’ ” objected Tom crossly, “even in kidding.” “Hulking,” insisted Daisy. Sometimes she and Miss Baker talked at once, unobtrusively and with a bantering inconsequence that was never quite chatter, that was as cool as their white dresses and their impersonal eyes in the absence of all desire. They were here, and they accepted Tom and me, making only a polite pleasant effort to entertain or to be entertained. They knew that presently dinner would be over and a little later the evening too would be over and casually put away. It was sharply different from the West, where an evening was hurried from phase to phase towards its close, in a continually disappointed anticipation or else in sheer nervous dread of the moment itself. “You make me feel uncivilized, Daisy,” I confessed on my second glass of corky but rather impressive claret. “Can’t you talk about crops or something?” I meant nothing in particular by this remark, but it was taken up in an unexpected way. “Civilization’s going to pieces,” broke out Tom violently. “I’ve gotten to be a terrible pessimist about things. Have you read The Rise of the Coloured Empires by this man Goddard?” “Why, no,” I answered, rather surprised by his tone. “Well, it’s a fine book, and everybody ought to read it. The idea is if we don’t look out the white race will be—will be utterly submerged. It’s all scientific stuff; it’s been proved.” “Tom’s getting very profound,” said Daisy, with an expression of unthoughtful sadness. “He reads deep books with long words in them. What was that word we—” “Well, these books are all scientific,” insisted Tom, glancing at her impatiently. “This fellow has worked out the whole thing. It’s up to us, who are the dominant race, to watch out or these other races will have control of things.” “We’ve got to beat them down,” whispered Daisy, winking ferociously toward the fervent sun. “You ought to live in California—” began Miss Baker, but Tom interrupted her by shifting heavily in his chair. “This idea is that we’re Nordics. I am, and you are, and you are, and—” After an infinitesimal hesitation he included Daisy with a slight nod, and she winked at me again. “—And we’ve produced all the things that go to make civilization—oh, science and art, and all that. Do you see?” There was something pathetic in his concentration, as if his complacency, more acute than of old, was not enough to him any more. When, almost immediately, the telephone rang inside and the butler left the porch Daisy seized upon the momentary interruption and leaned towards me. “I’ll tell you a family secret,” she whispered enthusiastically. “It’s about the butler’s nose. Do you want to hear about the butler’s nose?” “That’s why I came over tonight.” “Well, he wasn’t always a butler; he used to be the silver polisher for some people in New York that had a silver service for two hundred people. He had to polish it from morning till night, until finally it began to affect his nose—” “Things went from bad to worse,” suggested Miss Baker. “Yes. Things went from bad to worse, until finally he had to give up his position.” For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened—then the glow faded, each light deserting her with lingering regret, like children leaving a pleasant street at dusk. The butler came back and murmured something close to Tom’s ear, whereupon Tom frowned, pushed back his chair, and without a word went inside. As if his absence quickened something within her, Daisy leaned forward again, her voice glowing and singing. “I love to see you at my table, Nick. You remind me of a—of a rose, an absolute rose. Doesn’t he?” She turned to Miss Baker for confirmation: “An absolute rose?” This was untrue. I am not even faintly like	with a series of rapid, deft movements stood up into the room. “I’m stiff,” she complained, “I’ve been lying on that sofa for as long as I can remember.” “Don’t look at me,” Daisy retorted, “I’ve been trying to get you to New York all afternoon.” “No, thanks,” said Miss Baker to the four cocktails just in from the pantry. “I’m absolutely in training.” Her host looked at her incredulously. “You are!” He took down his drink as if it were a drop in the bottom of a glass. “How you ever get anything done is beyond me.” I looked at Miss Baker, wondering what it was she “got done.” I enjoyed looking at her. She was a slender, small-breasted girl, with an erect carriage, which she accentuated by throwing her body backward at the shoulders like a young cadet. Her grey sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming, discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before. “You live in West Egg,” she remarked contemptuously. “I know somebody there.” “I don’t know a single—” “You must know Gatsby.” “Gatsby?” demanded Daisy. “What Gatsby?” Before I could reply that he was my neighbour dinner was announced; wedging his tense arm imperatively under mine, Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if she were getting into bed. “All right,” said Daisy. “What’ll we plan?” She turned to me helplessly: “What do people plan?” Before I could answer her eyes fastened with an awed expression on her little finger. “Look!” she complained; “I hurt it.” We all looked—the knuckle was black and blue. “You did it, Tom,” she said accusingly. “I know you didn’t mean to, but you did do it. That’s what I get for marrying a brute of a man, a great, big, hulking physical specimen of a—” “I hate that word ‘hulking,’ ” objected Tom crossly, “even in kidding.” “Hulking,” insisted Daisy. Sometimes she and Miss Baker talked at once, unobtrusively and with a bantering inconsequence that was never quite chatter, that was as cool as their white dresses and their impersonal eyes in the absence of all desire. They were here, and they accepted Tom and me, making only a polite pleasant effort to entertain or to be entertained. They knew that presently dinner would be over and a little later the evening too would be over and casually put away. It was sharply different from the West, where an evening was hurried from phase to phase towards its close, in a continually disappointed anticipation or else in sheer nervous dread of the moment itself. “You make me feel uncivilized, Daisy,” I confessed on my second glass of corky but rather impressive claret. “Can’t you talk about crops or something?” I meant nothing in particular by this remark, but it was taken up in an unexpected way. “Civilization’s going to pieces,” broke out Tom violently. “I’ve gotten to be a terrible pessimist about things. Have you read The Rise of the Coloured Empires by this man Goddard?” “Why, no,” I answered, rather surprised by his tone. “Well, it’s a fine book, and everybody ought to read it. The idea is if we don’t look out the white race will be—will be utterly submerged. It’s all scientific stuff; it’s been proved.” “Tom’s getting very profound,” said Daisy, with an expression of unthoughtful sadness. “He reads deep books with long words in them. What was that word we—” “Well, these books are all scientific,” insisted Tom, glancing at her impatiently. “This fellow has worked out the whole thing. It’s up to us, who are the dominant race, to watch out or these other races will have control	The Great Gatsby
Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.	No speaker	and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the	your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most	I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas,	understand you to mean!” “You don’t understand me at all--evidently; and above all I see you don’t want to!” she had the bravery to add, “By ‘our’ sense of what’s due to the nation in such a case I mean Mr. Crimble’s and mine--and nobody’s else at all; since, as I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas, I gather, to have arrived at such unanimity.” And then, as if to fall into no trap he might somehow be laying for her, she dropped all eagerness and rebutted nothing: “You must see a great deal of your fellow-critic not to be able to speak of yourself without him!”	the country: people walking--and riding!--straight; doing, disinterestedly, most of the difficult and all the thankless jobs; minding their own business, above all, and expecting others to mind theirs?” So he let her “have” the stout sound truth, as it were--and so the direct force of it clearly might, by his view, have made her reel. “You and I, my lady, and your two decent brothers, God be thanked for them, and mine into the bargain, and all the rest, the jolly lot of us, take us together--make us numerous enough without any foreign aid or mixture: if that’s what I understand you to mean!” “You don’t understand me at all--evidently; and above all I see you don’t want to!” she had the bravery to add, “By ‘our’ sense of what’s due to the nation in such a case I mean Mr. Crimble’s and mine--and nobody’s else at all; since, as I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas, I gather, to have arrived at such unanimity.” And then, as if to fall into no trap he might somehow be laying for her, she dropped all eagerness and rebutted nothing: “You must see a great deal of your fellow-critic not to be able to speak of yourself without him!” “Yes, we’re fellow-critics, father” --she accepted this opening. “I perfectly adopt your term.” But it took her a minute to go further. “I saw Mr. Crim-ble here half an hour ago.” “Saw him ‘here’?” Lord Theign amazedly asked. “He _comes_ to you here--and Amy Sandgate has been silent?” “It wasn’t her business to tell you--since, you see, she could leave it to me. And I quite expect,” Lady Grace then produced, “that he’ll come again.” It brought down with a bang all her father’s authority. “Then I simply exact of you that you don’t see him.” The pause of which	frankly now, as for a rift in the gloom. “Well, how can we help it if you _will_ be a case?” And then as her tone but visibly darkened his wonder: “What we’ve set our hearts on is saving the picture.” “What you’ve set your hearts on, in other words, is working straight against me?” But she persisted without heat. “What we’ve set our hearts on is working for England.” “And pray who in the world’s ‘England,’” he cried in his stupefaction, “unless I am?” “Dear, dear father,” she pleaded, “that’s all we _want_ you to be! I mean” --she didn’t fear firmly to force it home-- “in the real, the right, the grand sense; the sense that, you see, is so intensely ours.” “‘Ours’?” --he couldn’t but again throw back her word at her. “Isn’t it, damn you, just _in_ ours--?” “No, no,” she interrupted-- “not in _ours!_” She smiled at him still, though it was strained, as if he really ought to perceive. But he glared as at a senseless juggle. “What and who the devil are you talking about? What are ‘we,’ the whole blest lot of us, pray, but the best and most English thing in the country: people walking--and riding!--straight; doing, disinterestedly, most of the difficult and all the thankless jobs; minding their own business, above all, and expecting others to mind theirs?” So he let her “have” the stout sound truth, as it were--and so the direct force of it clearly might, by his view, have made her reel. “You and I, my lady, and your two decent brothers, God be thanked for them, and mine into the bargain, and all the rest, the jolly lot of us, take us together--make us numerous enough without any foreign aid or mixture: if that’s what I understand you to mean!” “You don’t understand me at all--evidently; and above all I see you don’t want to!” she had the bravery to add, “By ‘our’ sense of what’s due to the nation in such a case I mean Mr. Crimble’s and mine--and nobody’s else at all; since, as I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas, I gather, to have arrived at such unanimity.” And then, as if to fall into no trap he might somehow be laying for her, she dropped all eagerness and rebutted nothing: “You must see a great deal of your fellow-critic not to be able to speak of yourself without him!” “Yes, we’re fellow-critics, father” --she accepted this opening. “I perfectly adopt your term.” But it took her a minute to go further. “I saw Mr. Crim-ble here half an hour ago.” “Saw him ‘here’?” Lord Theign amazedly asked. “He _comes_ to you here--and Amy Sandgate has been silent?” “It wasn’t her business to tell you--since, you see, she could leave it to me. And I quite expect,” Lady Grace then produced, “that he’ll come again.” It brought down with a bang all her father’s authority. “Then I simply exact of you that you don’t see him.” The pause of which she paid it the deference was charged like a brimming cup. “Is that what you _really_ meant by your condition just now--that when I do see him I shall not speak to him?” “What I ‘really meant’ is what I really mean--that you bow to the law I lay upon you and drop the man altogether.” “Have nothing to do with him at all?” “Have nothing to do with him at all.” “In fact” --she took it in-- “give him wholly up.” He had an impatient gesture. “You sound as if I asked you to give up a fortune!” And then, though she had phrased his idea without consternation--verily as if it had been in the balance for her--he might have been moved by something that gathered in her eyes. “You’re so wrapped up in him that the precious sacrifice is like _that_ sort of thing?” Lady Grace took her time--but showed, as her eyes continued to hold him, what _had_ gathered. “I like Mr. Crimble exceedingly, father--I think him clever, intelligent, good; I want what he wants--I want it, I think, really, as much; and I don’t at all deny that he has helped to make me so want	recovered the name with relief. “Mr. Hugh Crimble--that’s it!--whom you so amazingly caused to be present, and apparently invited to be active, at a business that so little concerned him.” “He certainly took upon himself to be interested, as I had hoped he would. But it was because I had taken upon _my_ self--” “To act, yes,” Lord Theign broke in, “with the grossest want of delicacy! Well, it’s from that exactly that you’ll now forbear; and ‘interested’ as he may be--for which I’m deucedly obliged to him!--you’ll not speak to Mr. Crimble again.” “Never again?” --the girl put it as for full certitude. “Never of the question that I thus exclude. You may chatter your fill,” said his lordship curtly, “about any others.” “Why, the particular question you forbid,” Grace returned with great force, but as if saying something very reasonable-- “that question is _the_ question we care about: it’s our very ground of conversation.” “Then,” her father decreed, “your conversation will please to _dispense_ with a ground; or you’ll perhaps, better still--if that’s the only way!--dispense with your conversation.” Lady Grace took a moment as if to examine this more closely. “You require of me not to communicate with Mr. Crimble at all?” “Most assuredly I require it--since it’s to that you insist on reducing me.” He didn’t look reduced, the master of Dedborough, as he spoke--which was doubtless precisely because he held his head so high to affirm what he suffered. “Is it so essential to your comfort,” he demanded, “to hear him, or to make him, abuse me?” “‘Abusing’ you, father dear, has nothing whatever to do with it!” --his daughter had fairly lapsed, with a despairing gesture, to the tenderness involved in her compassion for his perversity. “We look at the thing in a much larger way,” she pursued, not heeding that she drew from him a sound of scorn for her “larger.” “It’s of our Treasure itself we talk--and of what can be _done_ in such cases; though with a close application, I admit, to the case that you embody.” “Ah,” Lord Theign asked as with absurd curiosity, “I embody a case?” “Wonderfully, father--as you do everything; and it’s the fact of its being exceptional,” she explained, “that makes it so difficult to deal with.” His lordship had a gape for it. “‘To deal with’? You’re undertaking to ‘deal’ with me?” She smiled more frankly now, as for a rift in the gloom. “Well, how can we help it if you _will_ be a case?” And then as her tone but visibly darkened his wonder: “What we’ve set our hearts on is saving the picture.” “What you’ve set your hearts on, in other words, is working straight against me?” But she persisted without heat. “What we’ve set our hearts on is working for England.” “And pray who in the world’s ‘England,’” he cried in his stupefaction, “unless I am?” “Dear, dear father,” she pleaded, “that’s all we _want_ you to be! I mean” --she didn’t fear firmly to force it home-- “in the real, the right, the grand sense; the sense that, you see, is so intensely ours.” “‘Ours’?” --he couldn’t but again throw back her word at her. “Isn’t it, damn you, just _in_ ours--?” “No, no,” she interrupted-- “not in _ours!_” She smiled at him still, though it was strained, as if he really ought to perceive. But he glared as at a senseless juggle. “What and who the devil are you talking about? What are ‘we,’ the whole blest lot of us, pray, but the best and most English thing in the country: people walking--and riding!--straight; doing, disinterestedly, most of the difficult and all the thankless jobs; minding their own business, above all, and expecting others to mind theirs?” So he let her “have” the stout sound truth, as it were--and so the direct force of it clearly might, by his view, have made her reel. “You and I, my lady, and your two decent brothers, God be thanked for them, and mine into the bargain, and all the rest, the jolly lot of us, take us together--make us numerous enough without any foreign aid or mixture: if that’s what I understand you to mean!” “You don’t understand me at all--evidently; and above all I see you don’t want to!” she had the bravery to add, “By ‘our’ sense of what’s due to the nation in such a case I mean Mr. Crimble’s and mine--and nobody’s else at all; since, as I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas, I gather, to have arrived at such unanimity.” And then, as if to fall into no trap he might somehow be laying for her, she dropped all eagerness and rebutted nothing: “You must see a great deal of your fellow-critic not to be able to speak of yourself without him!” “Yes, we’re fellow-critics, father” --she accepted this opening. “I perfectly adopt your term.” But it took her a minute to go further. “I saw Mr. Crim-ble here half an hour ago.” “Saw him ‘here’?” Lord Theign amazedly asked. “He _comes_ to you here--and Amy Sandgate has been silent?” “It wasn’t her business to tell you--since, you see, she could leave it to me. And I quite expect,” Lady Grace then produced, “that he’ll come again.” It brought down with a bang all her father’s authority. “Then I simply exact of you that you don’t see him.” The pause of which she paid it the deference was charged like a brimming cup. “Is that what you _really_ meant by your condition just now--that when I do see him I shall not speak to him?” “What I ‘really meant’ is what I really mean--that you bow to the law I lay upon you and drop the man altogether.” “Have nothing to do with him at all?” “Have nothing to do with him at all.” “In fact” --she took it in-- “give him wholly up.” He had an impatient gesture. “You sound as if I asked you to give up a fortune!” And then, though she had phrased his idea without consternation--verily as if it had been in the balance for her--he might have been moved by something that gathered in her eyes. “You’re so wrapped up in him that the precious sacrifice is like _that_ sort of thing?” Lady Grace took her time--but showed, as her eyes continued to hold him, what _had_ gathered. “I like Mr. Crimble exceedingly, father--I think him clever, intelligent, good; I want what he wants--I want it, I think, really, as much; and I don’t at all deny that he has helped to make me so want it. But that doesn’t matter. I’ll wholly cease to see him, I’ll give him up forever, if--if--!” She faltered, however, she hung fire with a smile that anxiously, intensely appealed. Then she began and stopped again, “If--if--!” while her father caught her up with irritation. “‘If,’ my lady? If _what_, please?” “If you’ll withdraw the offer of our picture to Mr. Bender--and never make another to any one else!” He stood staring as at the size of it--then translated it into his own terms. “If I’ll obligingly announce to the world that I’ve made an ass of myself you’ll kindly forbear from your united effort--the charming pair of you--to show me up for one?” Lady Grace, as if consciously not caring or attempting to answer this, simply gave the first flare of his criticism time to drop. It wasn’t till a minute passed that she said: “You don’t agree to my compromise?” Ah, the question but fatally sharpened at a stroke the stiffness of his spirit. “Good God, I’m to ‘compromise’ on top of everything?--I’m to let you browbeat me, haggle and bargain with me, over a thing that I’m entitled to settle with you as things have ever _been_ settled among us, by uttering to you my last parental word?” “You don’t care enough then for what you name?” --she took it up as scarce heeding now what he said. “For putting an end to your odious commerce--? I give you the measure, on the contrary,” said Lord Theign, “of how much I care: as you give me, very strangely indeed, it strikes me, that of what it costs you--!” But his other words were lost in the hard long look at her from which he broke off in turn as for disgust. It was with an effect of decently shielding herself--the unuttered meaning came so straight--that she substituted words of her own. “Of what it costs me to redeem the picture?” “To lose your tenth-rate friend” --he spoke without scruple now. She instantly broke into ardent deprecation, pleading at once and warning. “Father, father, oh--! You hold the thing in your hands.” He pulled up before her again as to thrust the responsibility straight back. “My orders then are so much rubbish to you?” Lady Grace held her ground, and they remained face to face in opposition and accusation, neither making the other the sign of peace. But	throw back her word at her. “Isn’t it, damn you, just _in_ ours--?” “No, no,” she interrupted-- “not in _ours!_” She smiled at him still, though it was strained, as if he really ought to perceive. But he glared as at a senseless juggle. “What and who the devil are you talking about? What are ‘we,’ the whole blest lot of us, pray, but the best and most English thing in the country: people walking--and riding!--straight; doing, disinterestedly, most of the difficult and all the thankless jobs; minding their own business, above all, and expecting others to mind theirs?” So he let her “have” the stout sound truth, as it were--and so the direct force of it clearly might, by his view, have made her reel. “You and I, my lady, and your two decent brothers, God be thanked for them, and mine into the bargain, and all the rest, the jolly lot of us, take us together--make us numerous enough without any foreign aid or mixture: if that’s what I understand you to mean!” “You don’t understand me at all--evidently; and above all I see you don’t want to!” she had the bravery to add, “By ‘our’ sense of what’s due to the nation in such a case I mean Mr. Crimble’s and mine--and nobody’s else at all; since, as I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas, I gather, to have arrived at such unanimity.” And then, as if to fall into no trap he might somehow be laying for her, she dropped all eagerness and rebutted nothing: “You must see a great deal of your fellow-critic not to be able to speak of yourself without him!” “Yes, we’re fellow-critics, father” --she accepted this opening. “I perfectly adopt your term.” But it took her a minute to go further. “I saw Mr. Crim-ble here half an hour ago.” “Saw him ‘here’?” Lord Theign amazedly asked. “He _comes_ to you here--and Amy Sandgate has been silent?” “It wasn’t her business to tell you--since, you see, she could leave it to me. And I quite expect,” Lady Grace then produced, “that he’ll come again.” It brought down with a bang all her father’s authority. “Then I simply exact of you that you don’t see him.” The pause of which she paid it the deference was charged like a brimming cup. “Is that what you _really_ meant by your condition just now--that when I do see him I shall not speak to him?” “What I ‘really meant’ is what I really mean--that you bow to the law I lay upon you and drop the man altogether.” “Have nothing to do with him at all?” “Have nothing to do with him at all.” “In fact” --she took it in-- “give him wholly up.” He had an impatient gesture. “You sound as if I asked you to give up a fortune!” And then, though she	The Outcry
"You wouldn't read any letters, darling. You wouldn't read mine."	Brett Ashley	letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike	"She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You	you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's	around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is	and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed	wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners," Brett said. "You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing	way for several drinks. We were sitting in the caf . "That's an extraordinary business," Brett said. "Will those last ones fight as well as the first?" Robert Cohn asked. "They seemed to quiet down awfully fast." "They all know each other," I said. "They're only dangerous when they're alone, or only two or three of them together." "What do you mean, dangerous?" Bill said. "They all looked dangerous to me." "They only want to kill when they're alone. Of course, if you went in there you'd probably detach one of them from the herd, and he'd be dangerous." "That's too complicated," Bill said. "Don't you ever detach me from the herd, Mike." "I say," Mike said, "they _were_ fine bulls, weren't they? Did you see their horns?" "Did I not," said Brett. "I had no idea what they were like." "Did you see the one hit that steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said. "I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?" "Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners," Brett said. "You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?" As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new.	say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said. "I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?" "Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners," Brett said. "You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to	The Sun Also Rises
he said, as he tied them up tightly as small as he could,	No speaker	four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more.	clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair,	himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's	me, and Mike Bannock's right, scoundrel as he is. Uncle has robbed me, and I'll go and fight for myself in the world, and when I get well off I'll come back and seize him by the throat and make him give up all he has taken." Don talked to himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's going to seek his fortune!" and he wished that he was not obliged to take it. But, setting his teeth, he left the room with the drawers open, and his best suit, which he had felt disposed to take, tossed on a chair, and then began to descend. It was	little chamber,-- "I can't bear it, and I will not. Every one's against me. If I stop I shall be punished, and I can't face all that to-morrow. Good-bye, mother. Some day you'll think differently, and be sorry for all this injustice, and then--" A tear moistened Don's eye as he thought of his mother and her tender, loving ways, and of what a pity it was that they ever came there to his uncle's, and it was not the tear that made Don see so blindly. "I can't stand it, and I will not," he cried, passionately. "Uncle hates me, and Mike Bannock's right, scoundrel as he is. Uncle has robbed me, and I'll go and fight for myself in the world, and when I get well off I'll come back and seize him by the throat and make him give up all he has taken." Don talked to himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's going to seek his fortune!" and he wished that he was not obliged to take it. But, setting his teeth, he left the room with the drawers open, and his best suit, which he had felt disposed to take, tossed on a chair, and then began to descend. It was a glorious summer evening, and though he was in dirty, smoky Bristol, everything seemed to look bright and attractive, and to produce a sensation of low-spiritedness such as he had never felt before. He descended and passed his mother's room, and then went down more slowly, for he could hear the murmur of voices in the dining-room, which he had to pass to reach the front door, outside which he did not care what happened; but now he had to pass that dining-room, and go along the passage and by the stand upon which his cocked hat hung. It was	"Yes, Jem, I'm going--home," said Don; and then to himself, "Ah, I wish I had a home." "Poor Mas' Don!" said Jem, as he watched the lad go out through the gate; "he's down in the dumps now, and no mistake; and dumps is the lot o' all on us, more or less." Then Jem went in to his tea, and Don went slowly home to his, and matters were exactly as he had foreseen. His uncle was scarcely polite; Kitty gave him sharp, indignant glances when their eyes met, and then averted hers; and from time to time his mother looked at him in so pitiful and imploring a manner that one moment he felt as if he were an utter scoundrel, and the next that he would do anything to take her in his arms and try and convince her that he was not so bad as she thought. It was a curious mental encounter between pride, obstinacy, and the better feelings of his nature; and unfortunately the former won, for soon after the meal was over he hurried out of the room. "I can't bear it," he cried to himself, as he went up to his own little chamber,-- "I can't bear it, and I will not. Every one's against me. If I stop I shall be punished, and I can't face all that to-morrow. Good-bye, mother. Some day you'll think differently, and be sorry for all this injustice, and then--" A tear moistened Don's eye as he thought of his mother and her tender, loving ways, and of what a pity it was that they ever came there to his uncle's, and it was not the tear that made Don see so blindly. "I can't stand it, and I will not," he cried, passionately. "Uncle hates me, and Mike Bannock's right, scoundrel as he is. Uncle has robbed me, and I'll go and fight for myself in the world, and when I get well off I'll come back and seize him by the throat and make him give up all he has taken." Don talked to himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's going to seek his fortune!" and he wished that he was not obliged to take it. But, setting his teeth, he left the room with the drawers open, and his best suit, which he had felt disposed to take, tossed on a chair, and then began to descend. It was a glorious summer evening, and though he was in dirty, smoky Bristol, everything seemed to look bright and attractive, and to produce a sensation of low-spiritedness such as he had never felt before. He descended and passed his mother's room, and then went down more slowly, for he could hear the murmur of voices in the dining-room, which he had to pass to reach the front door, outside which he did not care what happened; but now he had to pass that dining-room, and go along the passage and by the stand upon which his cocked hat hung. It was nervous work, but he went on down the first flight, running his hand slowly along the hand-balustrade, all down which he had so often slid while Kitty looked on laughing, and yet alarmed lest he should fall. And what a long time ago that seemed! He had just reached the bottom flight, and was wondering what to say if the door should open and his uncle meet him with the blue bundle under his arm, when the dining-room door did open, and he dashed back to the landing and stood in the doorway of his mother's room, listening as a step was heard upon the stairs. "Kitty!" he said to himself, as he thrust against the door, which yielded to his pressure, and he backed in softly till he could push the door to, and stand inside, watching through the crack. There was the light, soft step coming up and up, and his heart began to beat, he knew not why, till something seemed to rise in his throat, and made his breath come short and painfully. His mother! She was coming to her room, and in another moment she would be there, and would find him with the bundle	not speak to him beyond saying a few distant words, such as were absolutely necessary. Kitty would avert her eyes, and his mother keep giving him reproachful looks, every one of which was a silent prayer to him to speak. The afternoon had worn away, and he had done little work for thinking. His uncle had not been back, and at last Jem's footstep was heard outside, and he passed the window to tap lightly on the door and then open it. "Come, Mas' Don," he said, cheerily, "going to work all night?" "No, Jem, no. I was just thinking of going." "That's right, my lad, because it's past shutting-up time. Feel better now, don't you?" "No, Jem, I feel worse." "Are you going to keep the yard open all the evening, Jem?" cried a shrill voice. "Why don't you lock-up and come in to tea?" "There! Hear that!" said Jem, anxiously. "Do go, Mas' Don, or I sha'n't get to the end on it. 'Nuff to make a man talk as you do." "Jem!" "Here, I'm a-coming, arn't I?" he cried, giving the door a thump with his fist. "Don't shout the ware'us down!" "Jem!" "Now did you ever hear such a aggrawatin' woman?" cried Jem. "She's such a little un that I could pick her up, same as you do a kitten, Mas' Don--nothing on her as you may say; but the works as is inside her is that strong that I'm 'fraid of her." "Jem!" He opened the door with a rush. "Ya-a-a-as!" he roared; "don't you know as Mas' Don arn't gone?" Little Mrs Wimble, who was coming fiercely up, flounced round, and the wind of her skirts whirled up a dust of scraps of matting and cooper's chips as she went back to the cottage. "See that, Mas' Don? Now you think you've all the trouble in the world on your shoulders, but look at me. Talk about a woman's temper turning the milk sour in a house. Why, just now there's about three hundred hogsheads o' sugar in our ware'us--two hundred and ninety-three, and four damages not quite full, which is as good as saying three hundred-- see the books whether I arn't right. Well, Mas' Don, I tell you for the truth that I quite frights it--I do, indeed--as she'll turn all that there sweetness into sour varjus 'fore she's done. Going, sir?" "Yes, Jem, I'm going--home," said Don; and then to himself, "Ah, I wish I had a home." "Poor Mas' Don!" said Jem, as he watched the lad go out through the gate; "he's down in the dumps now, and no mistake; and dumps is the lot o' all on us, more or less." Then Jem went in to his tea, and Don went slowly home to his, and matters were exactly as he had foreseen. His uncle was scarcely polite; Kitty gave him sharp, indignant glances when their eyes met, and then averted hers; and from time to time his mother looked at him in so pitiful and imploring a manner that one moment he felt as if he were an utter scoundrel, and the next that he would do anything to take her in his arms and try and convince her that he was not so bad as she thought. It was a curious mental encounter between pride, obstinacy, and the better feelings of his nature; and unfortunately the former won, for soon after the meal was over he hurried out of the room. "I can't bear it," he cried to himself, as he went up to his own little chamber,-- "I can't bear it, and I will not. Every one's against me. If I stop I shall be punished, and I can't face all that to-morrow. Good-bye, mother. Some day you'll think differently, and be sorry for all this injustice, and then--" A tear moistened Don's eye as he thought of his mother and her tender, loving ways, and of what a pity it was that they ever came there to his uncle's, and it was not the tear that made Don see so blindly. "I can't stand it, and I will not," he cried, passionately. "Uncle hates me, and Mike Bannock's right, scoundrel as he is. Uncle has robbed me, and I'll go and fight for myself in the world, and when I get well off I'll come back and seize him by the throat and make him give up all he has taken." Don talked to himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's going to seek his fortune!" and he wished that he was not obliged to take it. But, setting his teeth, he left the room with the drawers open, and his best suit, which he had felt disposed to take, tossed on a chair, and then began to descend. It was a glorious summer evening, and though he was in dirty, smoky Bristol, everything seemed to look bright and attractive, and to produce a sensation of low-spiritedness such as he had never felt before. He descended and passed his mother's room, and then went down more slowly, for he could hear the murmur of voices in the dining-room, which he had to pass to reach the front door, outside which he did not care what happened; but now he had to pass that dining-room, and go along the passage and by the stand upon which his cocked hat hung. It was nervous work, but he went on down the first flight, running his hand slowly along the hand-balustrade, all down which he had so often slid while Kitty looked on laughing, and yet alarmed lest he should fall. And what a long time ago that seemed! He had just reached the bottom flight, and was wondering what to say if the door should open and his uncle meet him with the blue bundle under his arm, when the dining-room door did open, and he dashed back to the landing and stood in the doorway of his mother's room, listening as a step was heard upon the stairs. "Kitty!" he said to himself, as he thrust against the door, which yielded to his pressure, and he backed in softly till he could push the door to, and stand inside, watching through the crack. There was the light, soft step coming up and up, and his heart began to beat, he knew not why, till something seemed to rise in his throat, and made his breath come short and painfully. His mother! She was coming to her room, and in another moment she would be there, and would find him with the bundle under his arm, about to run away. Quick as thought he looked sharply round, bundle in hand, when, obeying the first impulse, he was about to push it beneath the bedclothes, but cast aside the plan because he felt that it would be noticed, and quick as thought he tossed the light bundle up on the top of the great canopy of the old-fashioned bedstead, to lie among the gathering of flue and dust. By that time the footsteps were at the door. "What shall I say?" Don asked himself; "she will want to know why I am here." He felt confused, and rack his brains as he would, no excuse would come. But it was not wanted, for the light footstep with the rustle of silk passed on upstairs, and Don opened the door slightly to listen. His breath came thickly with emotion as he realised where his mother had gone. It was to his bedroom door, and as he listened he heard her tap lightly. "Don! Don, my boy!" came in low, gentle tones. For one moment the boy's heart prompted him to rush up and fling himself in her arms, but again his worse half suggested that he was to be scolded and disbelieved, and mentally thrusting his fingers into his ears, he stepped out, glided down the staircase in the old boyish fashion of sliding down the banister, snatched his hat from the stand, and softly stole out to hurry down the street as hard as he could go. He had been walking swiftly some five minutes, moved by only one desire--that of getting away from the house--when he awoke to the fact that he was going straight towards the constable's quarters and the old-fashioned lock-up where Mike must be lying, getting rid of the consequences of his holiday-making that morning. Don turned sharply round in another direction, one which led him towards the wharves where the shipping lay. While this was taking place, Jem Wimble had been banging the doors and rattling his keys as he locked up the various stores, feeling particularly proud and self-satisfied with the confidence placed in him. After this was done he had a wash at the pump, fetching a piece of soap from a ledge inside the workshop where the cooper's tools were kept, and when he had duly rubbed and scrubbed and dried his face and hands, he	soon after the meal was over he hurried out of the room. "I can't bear it," he cried to himself, as he went up to his own little chamber,-- "I can't bear it, and I will not. Every one's against me. If I stop I shall be punished, and I can't face all that to-morrow. Good-bye, mother. Some day you'll think differently, and be sorry for all this injustice, and then--" A tear moistened Don's eye as he thought of his mother and her tender, loving ways, and of what a pity it was that they ever came there to his uncle's, and it was not the tear that made Don see so blindly. "I can't stand it, and I will not," he cried, passionately. "Uncle hates me, and Mike Bannock's right, scoundrel as he is. Uncle has robbed me, and I'll go and fight for myself in the world, and when I get well off I'll come back and seize him by the throat and make him give up all he has taken." Don talked to himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's going to seek his fortune!" and he wished that he was not obliged to take it. But, setting his teeth, he left the room with the drawers open, and his best suit, which he had felt disposed to take, tossed on a chair, and then began to descend. It was a glorious summer evening, and though he was in dirty, smoky Bristol, everything seemed to look bright and attractive, and to produce a sensation of low-spiritedness such as he had never felt before. He descended and passed his mother's room, and then went down more slowly, for he could hear the murmur of voices in the dining-room, which he had to pass to reach the front door, outside which he did not care what happened; but now he had to pass that dining-room, and go along the passage and by the stand upon which his cocked hat hung. It was nervous work, but he went on down the first flight, running his hand slowly along the hand-balustrade, all down which he had so often slid while Kitty looked on laughing, and yet alarmed lest he	Don Lavington
Cassandra burst out.	No speaker	you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love	can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t	and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We	reach, as so much of Katharine was beyond her reach. She thought suddenly that she had been playing with very dangerous tools. Looking at her at length, Katharine asked slowly, as if she found the question very difficult to ask. "But do you care for William?" She marked the agitation and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We re not engaged," said Katharine, after a pause. "Katharine!" Cassandra cried. "No, we re not engaged," Katharine repeated. "But no one knows it but ourselves." "But why I don t understand you re not engaged!" Cassandra said again. "Oh, that explains it! You re not in love with him! You	incredulity, would agree that Cassandra must return home as soon as possible. But Katharine, on the contrary, accepted her statement at once, seemed neither shocked nor surprised, and merely looked rather more thoughtful than usual. From being a mature woman charged with an important mission, Cassandra shrunk to the stature of an inexperienced child. "Do you think I ve been very foolish about it?" she asked. Katharine made no answer, but still sat deliberating silently, and a certain feeling of alarm took possession of Cassandra. Perhaps her words had struck far deeper than she had thought, into depths beyond her reach, as so much of Katharine was beyond her reach. She thought suddenly that she had been playing with very dangerous tools. Looking at her at length, Katharine asked slowly, as if she found the question very difficult to ask. "But do you care for William?" She marked the agitation and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We re not engaged," said Katharine, after a pause. "Katharine!" Cassandra cried. "No, we re not engaged," Katharine repeated. "But no one knows it but ourselves." "But why I don t understand you re not engaged!" Cassandra said again. "Oh, that explains it! You re not in love with him! You don t want to marry him!" "We aren t in love with each other any longer," said Katharine, as if disposing of something for ever and ever. "How queer, how strange, how unlike other people you are, Katharine," Cassandra said, her whole body and voice seeming to fall and collapse together, and no trace of anger or excitement remaining, but only a dreamy quietude. "You re not in love with him?" "But I love him," said Katharine. Cassandra remained bowed, as if by the weight of the revelation, for some little while longer. Nor did Katharine speak. Her attitude was	little frown on her brow, to be thinking closely upon a matter of indifference to her. "Because I can t allow any man to behave to me in that way," Cassandra replied, and she added, "particularly when I know that he is engaged to some one else." "But you like him, don t you?" Katharine inquired. "That s got nothing to do with it," Cassandra exclaimed indignantly. "I consider his conduct, under the circumstances, most disgraceful." This was the last of the sentences of her premeditated speech; and having spoken it she was left unprovided with any more to say in that particular style. When Katharine remarked: "I should say it had everything to do with it," Cassandra s self-possession deserted her. "I don t understand you in the least, Katharine. How can you behave as you behave? Ever since I came here I ve been amazed by you!" "You ve enjoyed yourself, haven t you?" Katharine asked. "Yes, I have," Cassandra admitted. "Anyhow, my behavior hasn t spoiled your visit." "No," Cassandra allowed once more. She was completely at a loss. In her forecast of the interview she had taken it for granted that Katharine, after an outburst of incredulity, would agree that Cassandra must return home as soon as possible. But Katharine, on the contrary, accepted her statement at once, seemed neither shocked nor surprised, and merely looked rather more thoughtful than usual. From being a mature woman charged with an important mission, Cassandra shrunk to the stature of an inexperienced child. "Do you think I ve been very foolish about it?" she asked. Katharine made no answer, but still sat deliberating silently, and a certain feeling of alarm took possession of Cassandra. Perhaps her words had struck far deeper than she had thought, into depths beyond her reach, as so much of Katharine was beyond her reach. She thought suddenly that she had been playing with very dangerous tools. Looking at her at length, Katharine asked slowly, as if she found the question very difficult to ask. "But do you care for William?" She marked the agitation and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We re not engaged," said Katharine, after a pause. "Katharine!" Cassandra cried. "No, we re not engaged," Katharine repeated. "But no one knows it but ourselves." "But why I don t understand you re not engaged!" Cassandra said again. "Oh, that explains it! You re not in love with him! You don t want to marry him!" "We aren t in love with each other any longer," said Katharine, as if disposing of something for ever and ever. "How queer, how strange, how unlike other people you are, Katharine," Cassandra said, her whole body and voice seeming to fall and collapse together, and no trace of anger or excitement remaining, but only a dreamy quietude. "You re not in love with him?" "But I love him," said Katharine. Cassandra remained bowed, as if by the weight of the revelation, for some little while longer. Nor did Katharine speak. Her attitude was that of some one who wishes to be concealed as much as possible from observation. She sighed profoundly; she was absolutely silent, and apparently overcome by her thoughts. "D you know what time it is?" she said at length, and shook her pillow, as if making ready for sleep. Cassandra rose obediently, and once more took up her candle. Perhaps the white dressing-gown, and the loosened hair, and something unseeing in the expression of the eyes gave her a likeness to a woman walking in her sleep. Katharine, at least, thought so. "There s no reason why I should go home, then?" Cassandra said, pausing. "Unless you want me to go, Katharine? What _do_ you want me to do?" For the first time their eyes met. "You wanted us to fall in love," Cassandra exclaimed, as if she read the certainty there. But as she looked she saw a sight that surprised her. The tears rose slowly in Katharine s eyes and stood there, brimming but contained the tears of some profound emotion, happiness, grief, renunciation; an emotion so complex in its nature that to express it was impossible, and Cassandra, bending her head and receiving the tears upon her	humorous view of our own lot is possible; or if we must be serious, our seriousness is tempered by the swift oncome of slumber and oblivion. She saw the forms of Ralph, William, Cassandra, and herself, as if they were all equally unsubstantial, and, in putting off reality, had gained a kind of dignity which rested upon each impartially. Thus rid of any uncomfortable warmth of partisanship or load of obligation, she was dropping off to sleep when a light tap sounded upon her door. A moment later Cassandra stood beside her, holding a candle and speaking in the low tones proper to the time of night. "Are you awake, Katharine?" "Yes, I m awake. What is it?" She roused herself, sat up, and asked what in Heaven s name Cassandra was doing? "I couldn t sleep, and I thought I d come and speak to you only for a moment, though. I m going home to-morrow." "Home? Why, what has happened?" "Something happened to-day which makes it impossible for me to stay here." Cassandra spoke formally, almost solemnly; the announcement was clearly prepared and marked a crisis of the utmost gravity. She continued what seemed to be part of a set speech. "I have decided to tell you the whole truth, Katharine. William allowed himself to behave in a way which made me extremely uncomfortable to-day." Katharine seemed to waken completely, and at once to be in control of herself. "At the Zoo?" she asked. "No, on the way home. When we had tea." As if foreseeing that the interview might be long, and the night chilly, Katharine advised Cassandra to wrap herself in a quilt. Cassandra did so with unbroken solemnity. "There s a train at eleven," she said. "I shall tell Aunt Maggie that I have to go suddenly.... I shall make Violet s visit an excuse. But, after thinking it over, I don t see how I can go without telling you the truth." She was careful to abstain from looking in Katharine s direction. There was a slight pause. "But I don t see the least reason why you should go," said Katharine eventually. Her voice sounded so astonishingly equable that Cassandra glanced at her. It was impossible to suppose that she was either indignant or surprised; she seemed, on the contrary, sitting up in bed, with her arms clasped round her knees and a little frown on her brow, to be thinking closely upon a matter of indifference to her. "Because I can t allow any man to behave to me in that way," Cassandra replied, and she added, "particularly when I know that he is engaged to some one else." "But you like him, don t you?" Katharine inquired. "That s got nothing to do with it," Cassandra exclaimed indignantly. "I consider his conduct, under the circumstances, most disgraceful." This was the last of the sentences of her premeditated speech; and having spoken it she was left unprovided with any more to say in that particular style. When Katharine remarked: "I should say it had everything to do with it," Cassandra s self-possession deserted her. "I don t understand you in the least, Katharine. How can you behave as you behave? Ever since I came here I ve been amazed by you!" "You ve enjoyed yourself, haven t you?" Katharine asked. "Yes, I have," Cassandra admitted. "Anyhow, my behavior hasn t spoiled your visit." "No," Cassandra allowed once more. She was completely at a loss. In her forecast of the interview she had taken it for granted that Katharine, after an outburst of incredulity, would agree that Cassandra must return home as soon as possible. But Katharine, on the contrary, accepted her statement at once, seemed neither shocked nor surprised, and merely looked rather more thoughtful than usual. From being a mature woman charged with an important mission, Cassandra shrunk to the stature of an inexperienced child. "Do you think I ve been very foolish about it?" she asked. Katharine made no answer, but still sat deliberating silently, and a certain feeling of alarm took possession of Cassandra. Perhaps her words had struck far deeper than she had thought, into depths beyond her reach, as so much of Katharine was beyond her reach. She thought suddenly that she had been playing with very dangerous tools. Looking at her at length, Katharine asked slowly, as if she found the question very difficult to ask. "But do you care for William?" She marked the agitation and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We re not engaged," said Katharine, after a pause. "Katharine!" Cassandra cried. "No, we re not engaged," Katharine repeated. "But no one knows it but ourselves." "But why I don t understand you re not engaged!" Cassandra said again. "Oh, that explains it! You re not in love with him! You don t want to marry him!" "We aren t in love with each other any longer," said Katharine, as if disposing of something for ever and ever. "How queer, how strange, how unlike other people you are, Katharine," Cassandra said, her whole body and voice seeming to fall and collapse together, and no trace of anger or excitement remaining, but only a dreamy quietude. "You re not in love with him?" "But I love him," said Katharine. Cassandra remained bowed, as if by the weight of the revelation, for some little while longer. Nor did Katharine speak. Her attitude was that of some one who wishes to be concealed as much as possible from observation. She sighed profoundly; she was absolutely silent, and apparently overcome by her thoughts. "D you know what time it is?" she said at length, and shook her pillow, as if making ready for sleep. Cassandra rose obediently, and once more took up her candle. Perhaps the white dressing-gown, and the loosened hair, and something unseeing in the expression of the eyes gave her a likeness to a woman walking in her sleep. Katharine, at least, thought so. "There s no reason why I should go home, then?" Cassandra said, pausing. "Unless you want me to go, Katharine? What _do_ you want me to do?" For the first time their eyes met. "You wanted us to fall in love," Cassandra exclaimed, as if she read the certainty there. But as she looked she saw a sight that surprised her. The tears rose slowly in Katharine s eyes and stood there, brimming but contained the tears of some profound emotion, happiness, grief, renunciation; an emotion so complex in its nature that to express it was impossible, and Cassandra, bending her head and receiving the tears upon her cheek, accepted them in silence as the consecration of her love. "Please, miss," said the maid, about eleven o clock on the following morning, "Mrs. Milvain is in the kitchen." A long wicker basket of flowers and branches had arrived from the country, and Katharine, kneeling upon the floor of the drawing-room, was sorting them while Cassandra watched her from an arm-chair, and absent-mindedly made spasmodic offers of help which were not accepted. The maid s message had a curious effect upon Katharine. She rose, walked to the window, and, the maid being gone, said emphatically and even tragically: "You know what that means." Cassandra had understood nothing. "Aunt Celia is in the kitchen," Katharine repeated. "Why in the kitchen?" Cassandra asked, not unnaturally. "Probably because she s discovered something," Katharine replied. Cassandra s thoughts flew to the subject of her preoccupation. "About us?" she inquired. "Heaven knows," Katharine replied. "I shan t let her stay in the kitchen, though. I shall bring her up here." The sternness with which this was said suggested that to bring Aunt Celia upstairs was, for some reason, a disciplinary measure. "For goodness sake, Katharine," Cassandra exclaimed, jumping from her chair and showing signs of agitation, "don t be rash. Don t let her suspect. Remember, nothing s certain" Katharine assured her by nodding her head several times, but the manner in which she left the room was not calculated to inspire complete confidence in her diplomacy. Mrs. Milvain was sitting, or rather perching, upon the edge of a chair in the servants room. Whether there was any sound reason for her choice of a subterranean chamber, or whether it corresponded with the spirit of her quest, Mrs. Milvain invariably came in by the back door and sat in the servants room when she was engaged in confidential family transactions. The ostensible reason she gave was that neither Mr. nor Mrs. Hilbery should be disturbed. But, in truth, Mrs. Milvain depended even more than most elderly women of her generation upon the delicious emotions of intimacy, agony, and secrecy, and the additional thrill provided by the basement was one not lightly to be forfeited. She protested almost plaintively when Katharine proposed to go upstairs. "I ve something that I want to say to you in _private_," she said, hesitating reluctantly upon the threshold of her ambush. "The drawing-room is empty" "But we might meet	Cassandra allowed once more. She was completely at a loss. In her forecast of the interview she had taken it for granted that Katharine, after an outburst of incredulity, would agree that Cassandra must return home as soon as possible. But Katharine, on the contrary, accepted her statement at once, seemed neither shocked nor surprised, and merely looked rather more thoughtful than usual. From being a mature woman charged with an important mission, Cassandra shrunk to the stature of an inexperienced child. "Do you think I ve been very foolish about it?" she asked. Katharine made no answer, but still sat deliberating silently, and a certain feeling of alarm took possession of Cassandra. Perhaps her words had struck far deeper than she had thought, into depths beyond her reach, as so much of Katharine was beyond her reach. She thought suddenly that she had been playing with very dangerous tools. Looking at her at length, Katharine asked slowly, as if she found the question very difficult to ask. "But do you care for William?" She marked the agitation and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We re not engaged," said Katharine, after a pause. "Katharine!" Cassandra cried. "No, we re not engaged," Katharine repeated. "But no one knows it but ourselves." "But why I don t understand you re not engaged!" Cassandra said again. "Oh, that explains it! You re not in love with him! You don t want to marry him!" "We aren t in love with each other any longer," said Katharine, as if disposing of something for ever and ever. "How queer, how strange, how unlike other people you are, Katharine," Cassandra said, her whole body and voice seeming to fall and collapse together, and no trace of anger or excitement remaining, but only a dreamy quietude. "You re not in love with him?" "But I love him," said Katharine. Cassandra remained bowed, as if by the weight of the revelation, for some little while longer. Nor did Katharine speak. Her attitude was that of some one who wishes to be concealed as much as possible from observation. She sighed profoundly; she was absolutely silent, and apparently overcome by her thoughts. "D you know what time it is?" she said at length, and shook her pillow, as if making ready for sleep. Cassandra rose obediently, and once more took up her candle. Perhaps the white dressing-gown, and the loosened hair, and something unseeing in the expression of the eyes gave her a likeness to a woman walking in her sleep. Katharine, at least, thought so. "There s no reason why I should go home, then?" Cassandra said, pausing. "Unless you want me to go, Katharine? What _do_ you want me to do?" For the first time their eyes met. "You wanted us to fall in love," Cassandra exclaimed, as if she read the certainty there. But as she looked she saw a sight that surprised her. The tears rose slowly in Katharine s eyes and stood there, brimming but contained the tears of some profound emotion, happiness, grief, renunciation; an emotion so complex in its nature that to express it was impossible, and Cassandra, bending her head and receiving the tears upon her cheek, accepted them in silence as the consecration of her love. "Please, miss," said the maid, about eleven o clock on the following morning, "Mrs. Milvain is in the kitchen." A long wicker basket of flowers and branches had arrived from the country, and Katharine, kneeling upon the floor of the drawing-room, was sorting them while Cassandra watched her from an arm-chair, and absent-mindedly made spasmodic offers of help which were not accepted. The maid s message had a curious effect upon Katharine. She rose, walked to the window, and, the maid being gone, said emphatically and even tragically: "You know what that means." Cassandra had understood	Night And Day
and May's eager voice broke out, covering the embarrassed silence:	No speaker	sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The	"It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will	sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on	accident has occurred at the Miss du Lacs': a leak in the water-tank. It happened yesterday, and Mr. van der Luyden, who heard of it this morning, sent a housemaid up by the early train to get the Patroon's house ready. It will be quite comfortable, I think you'll find, sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on the seat before them, she went on excitedly: "Only fancy, I've never been inside it--have you? The van der Luydens show it to so few people. But they opened it for Ellen, it seems, and she told me what a darling little place it was: she says it's the only	and her mind rushed away instantly to the magnificent tea and coffee service of Baltimore silver which the Beauforts had sent, and which "went" so perfectly with uncle Lovell Mingott's trays and side-dishes. In the spring twilight the train stopped at the Rhinebeck station, and they walked along the platform to the waiting carriage. "Ah, how awfully kind of the van der Luydens--they've sent their man over from Skuytercliff to meet us," Archer exclaimed, as a sedate person out of livery approached them and relieved the maid of her bags. "I'm extremely sorry, sir," said this emissary, "that a little accident has occurred at the Miss du Lacs': a leak in the water-tank. It happened yesterday, and Mr. van der Luyden, who heard of it this morning, sent a housemaid up by the early train to get the Patroon's house ready. It will be quite comfortable, I think you'll find, sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on the seat before them, she went on excitedly: "Only fancy, I've never been inside it--have you? The van der Luydens show it to so few people. But they opened it for Ellen, it seems, and she told me what a darling little place it was: she says it's the only house she's seen in America that she could imagine being perfectly happy in." "Well--that's what we're going to be, isn't it?" cried her husband gaily; and she answered with her boyish smile: "Ah, it's just our luck beginning--the wonderful luck we're always going to have together!" XX. "Of course we must dine with Mrs. Carfry, dearest," Archer said; and his wife looked at him with an anxious frown across the monumental Britannia ware of their lodging house breakfast-table. In all the rainy desert of autumnal London there were only two people whom the Newland Archers knew; and these two they	yet her look of indestructible youthfulness made her seem neither hard nor dull, but only primitive and pure. In the thick of this meditation Archer suddenly felt himself looking at her with the startled gaze of a stranger, and plunged into a reminiscence of the wedding-breakfast and of Granny Mingott's immense and triumphant pervasion of it. May settled down to frank enjoyment of the subject. "I was surprised, though--weren't you?--that aunt Medora came after all. Ellen wrote that they were neither of them well enough to take the journey; I do wish it had been she who had recovered! Did you see the exquisite old lace she sent me?" He had known that the moment must come sooner or later, but he had somewhat imagined that by force of willing he might hold it at bay. "Yes--I--no: yes, it was beautiful," he said, looking at her blindly, and wondering if, whenever he heard those two syllables, all his carefully built-up world would tumble about him like a house of cards. "Aren't you tired? It will be good to have some tea when we arrive--I'm sure the aunts have got everything beautifully ready," he rattled on, taking her hand in his; and her mind rushed away instantly to the magnificent tea and coffee service of Baltimore silver which the Beauforts had sent, and which "went" so perfectly with uncle Lovell Mingott's trays and side-dishes. In the spring twilight the train stopped at the Rhinebeck station, and they walked along the platform to the waiting carriage. "Ah, how awfully kind of the van der Luydens--they've sent their man over from Skuytercliff to meet us," Archer exclaimed, as a sedate person out of livery approached them and relieved the maid of her bags. "I'm extremely sorry, sir," said this emissary, "that a little accident has occurred at the Miss du Lacs': a leak in the water-tank. It happened yesterday, and Mr. van der Luyden, who heard of it this morning, sent a housemaid up by the early train to get the Patroon's house ready. It will be quite comfortable, I think you'll find, sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on the seat before them, she went on excitedly: "Only fancy, I've never been inside it--have you? The van der Luydens show it to so few people. But they opened it for Ellen, it seems, and she told me what a darling little place it was: she says it's the only house she's seen in America that she could imagine being perfectly happy in." "Well--that's what we're going to be, isn't it?" cried her husband gaily; and she answered with her boyish smile: "Ah, it's just our luck beginning--the wonderful luck we're always going to have together!" XX. "Of course we must dine with Mrs. Carfry, dearest," Archer said; and his wife looked at him with an anxious frown across the monumental Britannia ware of their lodging house breakfast-table. In all the rainy desert of autumnal London there were only two people whom the Newland Archers knew; and these two they had sedulously avoided, in conformity with the old New York tradition that it was not "dignified" to force one's self on the notice of one's acquaintances in foreign countries. Mrs. Archer and Janey, in the course of their visits to Europe, had so unflinchingly lived up to this principle, and met the friendly advances of their fellow-travellers with an air of such impenetrable reserve, that they had almost achieved the record of never having exchanged a word with a "foreigner" other than those employed in hotels and railway-stations. Their own compatriots--save those previously known or properly accredited--they treated with an even more pronounced disdain; so that, unless they ran across a Chivers, a Dagonet or a Mingott, their months abroad were spent in an unbroken tete-a-tete. But the utmost precautions are sometimes unavailing; and one night at Botzen one of the two English ladies in the room across the passage (whose names, dress and social situation were already intimately known to Janey) had knocked on the door and asked if Mrs. Archer had a bottle of liniment. The other lady--the intruder's sister, Mrs. Carfry--had been seized with a sudden attack of bronchitis; and Mrs. Archer, who never travelled without a	where their mysterious retreat was situated. It was thought "very English" to have a country-house lent to one, and the fact gave a last touch of distinction to what was generally conceded to be the most brilliant wedding of the year; but where the house was no one was permitted to know, except the parents of bride and groom, who, when taxed with the knowledge, pursed their lips and said mysteriously: "Ah, they didn't tell us--" which was manifestly true, since there was no need to. Once they were settled in their compartment, and the train, shaking off the endless wooden suburbs, had pushed out into the pale landscape of spring, talk became easier than Archer had expected. May was still, in look and tone, the simple girl of yesterday, eager to compare notes with him as to the incidents of the wedding, and discussing them as impartially as a bridesmaid talking it all over with an usher. At first Archer had fancied that this detachment was the disguise of an inward tremor; but her clear eyes revealed only the most tranquil unawareness. She was alone for the first time with her husband; but her husband was only the charming comrade of yesterday. There was no one whom she liked as much, no one whom she trusted as completely, and the culminating "lark" of the whole delightful adventure of engagement and marriage was to be off with him alone on a journey, like a grownup person, like a "married woman," in fact. It was wonderful that--as he had learned in the Mission garden at St. Augustine--such depths of feeling could coexist with such absence of imagination. But he remembered how, even then, she had surprised him by dropping back to inexpressive girlishness as soon as her conscience had been eased of its burden; and he saw that she would probably go through life dealing to the best of her ability with each experience as it came, but never anticipating any by so much as a stolen glance. Perhaps that faculty of unawareness was what gave her eyes their transparency, and her face the look of representing a type rather than a person; as if she might have been chosen to pose for a Civic Virtue or a Greek goddess. The blood that ran so close to her fair skin might have been a preserving fluid rather than a ravaging element; yet her look of indestructible youthfulness made her seem neither hard nor dull, but only primitive and pure. In the thick of this meditation Archer suddenly felt himself looking at her with the startled gaze of a stranger, and plunged into a reminiscence of the wedding-breakfast and of Granny Mingott's immense and triumphant pervasion of it. May settled down to frank enjoyment of the subject. "I was surprised, though--weren't you?--that aunt Medora came after all. Ellen wrote that they were neither of them well enough to take the journey; I do wish it had been she who had recovered! Did you see the exquisite old lace she sent me?" He had known that the moment must come sooner or later, but he had somewhat imagined that by force of willing he might hold it at bay. "Yes--I--no: yes, it was beautiful," he said, looking at her blindly, and wondering if, whenever he heard those two syllables, all his carefully built-up world would tumble about him like a house of cards. "Aren't you tired? It will be good to have some tea when we arrive--I'm sure the aunts have got everything beautifully ready," he rattled on, taking her hand in his; and her mind rushed away instantly to the magnificent tea and coffee service of Baltimore silver which the Beauforts had sent, and which "went" so perfectly with uncle Lovell Mingott's trays and side-dishes. In the spring twilight the train stopped at the Rhinebeck station, and they walked along the platform to the waiting carriage. "Ah, how awfully kind of the van der Luydens--they've sent their man over from Skuytercliff to meet us," Archer exclaimed, as a sedate person out of livery approached them and relieved the maid of her bags. "I'm extremely sorry, sir," said this emissary, "that a little accident has occurred at the Miss du Lacs': a leak in the water-tank. It happened yesterday, and Mr. van der Luyden, who heard of it this morning, sent a housemaid up by the early train to get the Patroon's house ready. It will be quite comfortable, I think you'll find, sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on the seat before them, she went on excitedly: "Only fancy, I've never been inside it--have you? The van der Luydens show it to so few people. But they opened it for Ellen, it seems, and she told me what a darling little place it was: she says it's the only house she's seen in America that she could imagine being perfectly happy in." "Well--that's what we're going to be, isn't it?" cried her husband gaily; and she answered with her boyish smile: "Ah, it's just our luck beginning--the wonderful luck we're always going to have together!" XX. "Of course we must dine with Mrs. Carfry, dearest," Archer said; and his wife looked at him with an anxious frown across the monumental Britannia ware of their lodging house breakfast-table. In all the rainy desert of autumnal London there were only two people whom the Newland Archers knew; and these two they had sedulously avoided, in conformity with the old New York tradition that it was not "dignified" to force one's self on the notice of one's acquaintances in foreign countries. Mrs. Archer and Janey, in the course of their visits to Europe, had so unflinchingly lived up to this principle, and met the friendly advances of their fellow-travellers with an air of such impenetrable reserve, that they had almost achieved the record of never having exchanged a word with a "foreigner" other than those employed in hotels and railway-stations. Their own compatriots--save those previously known or properly accredited--they treated with an even more pronounced disdain; so that, unless they ran across a Chivers, a Dagonet or a Mingott, their months abroad were spent in an unbroken tete-a-tete. But the utmost precautions are sometimes unavailing; and one night at Botzen one of the two English ladies in the room across the passage (whose names, dress and social situation were already intimately known to Janey) had knocked on the door and asked if Mrs. Archer had a bottle of liniment. The other lady--the intruder's sister, Mrs. Carfry--had been seized with a sudden attack of bronchitis; and Mrs. Archer, who never travelled without a complete family pharmacy, was fortunately able to produce the required remedy. Mrs. Carfry was very ill, and as she and her sister Miss Harle were travelling alone they were profoundly grateful to the Archer ladies, who supplied them with ingenious comforts and whose efficient maid helped to nurse the invalid back to health. When the Archers left Botzen they had no idea of ever seeing Mrs. Carfry and Miss Harle again. Nothing, to Mrs. Archer's mind, would have been more "undignified" than to force one's self on the notice of a "foreigner" to whom one had happened to render an accidental service. But Mrs. Carfry and her sister, to whom this point of view was unknown, and who would have found it utterly incomprehensible, felt themselves linked by an eternal gratitude to the "delightful Americans" who had been so kind at Botzen. With touching fidelity they seized every chance of meeting Mrs. Archer and Janey in the course of their continental travels, and displayed a supernatural acuteness in finding out when they were to pass through London on their way to or from the States. The intimacy became indissoluble, and Mrs. Archer and Janey, whenever they alighted at Brown's Hotel, found themselves awaited by two affectionate friends who, like themselves, cultivated ferns in Wardian cases, made macrame lace, read the memoirs of the Baroness Bunsen and had views about the occupants of the leading London pulpits. As Mrs. Archer said, it made "another thing of London" to know Mrs. Carfry and Miss Harle; and by the time that Newland became engaged the tie between the families was so firmly established that it was thought "only right" to send a wedding invitation to the two English ladies, who sent, in return, a pretty bouquet of pressed Alpine flowers under glass. And on the dock, when Newland and his wife sailed for England, Mrs. Archer's last word had been: "You must take May to see Mrs. Carfry." Newland and his wife had had no idea of obeying this injunction; but Mrs. Carfry, with her usual acuteness, had run them down and sent them an invitation to dine; and it was over this invitation that May Archer was wrinkling her brows across the tea and muffins. "It's all very well for you, Newland; you KNOW them. But I shall feel so shy among a lot of people I've never met. And what shall	rattled on, taking her hand in his; and her mind rushed away instantly to the magnificent tea and coffee service of Baltimore silver which the Beauforts had sent, and which "went" so perfectly with uncle Lovell Mingott's trays and side-dishes. In the spring twilight the train stopped at the Rhinebeck station, and they walked along the platform to the waiting carriage. "Ah, how awfully kind of the van der Luydens--they've sent their man over from Skuytercliff to meet us," Archer exclaimed, as a sedate person out of livery approached them and relieved the maid of her bags. "I'm extremely sorry, sir," said this emissary, "that a little accident has occurred at the Miss du Lacs': a leak in the water-tank. It happened yesterday, and Mr. van der Luyden, who heard of it this morning, sent a housemaid up by the early train to get the Patroon's house ready. It will be quite comfortable, I think you'll find, sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on the seat before them, she went on excitedly: "Only fancy, I've never been inside it--have you? The van der Luydens show it to so few people. But they opened it for Ellen, it seems, and she told me what a darling little place it was: she says it's the only house she's seen in America that she could imagine being perfectly happy in." "Well--that's what we're going to be, isn't it?" cried her husband gaily; and she answered with her boyish smile: "Ah, it's just our luck beginning--the wonderful luck we're always going to have together!" XX. "Of course we must dine with Mrs. Carfry, dearest," Archer said; and his wife looked at him with an anxious frown across the monumental Britannia ware of their lodging house breakfast-table. In all the rainy desert of autumnal London there were only two people whom the Newland Archers knew; and these two they had sedulously avoided, in conformity with the old New York tradition that it was not "dignified" to force one's self on the notice of one's acquaintances in foreign countries. Mrs. Archer and Janey, in the course of their visits to Europe, had so unflinchingly lived up to this principle, and met the friendly advances of their fellow-travellers with an air of such impenetrable reserve, that they had almost achieved the record of never having exchanged a word with a	The Age Of Innocence
said Pooh.	No speaker	looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape."	splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest	for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh	sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and there, beside him, were four pots of honey.... Three days later, there was Pooh, sitting on his branch, dangling his	have an Expotition to discover the East Pole, but Christopher Robin had thought of something else to do with Kanga; so Pooh went out to discover the East Pole by himself. Whether he discovered it or not, I forget; but he was so tired when he got home that, in the very middle of his supper, after he had been eating for little more than half-an-hour, he fell fast asleep in his chair, and slept and slept and slept. Then suddenly he was dreaming. He was at the East Pole, and it was a very cold pole with the coldest sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and there, beside him, were four pots of honey.... Three days later, there was Pooh, sitting on his branch, dangling his legs, and there beside him, was one pot of honey. Four days later, there was Pooh ... And it was on the morning of the fourth day that Piglet's bottle came floating past him, and with one loud cry of "Honey!" Pooh plunged into the water, seized the bottle, and struggled back to his tree again. "Bother!" said Pooh, as he opened it. "All that wet for nothing. What's that bit of paper doing?" He took it out and looked at it. "It's a Missage," he said to himself, "that's what it is. And that letter is a 'P,' and	on the water which he was following, and then suddenly he knew that he would never see it again and that he had done all that he could do to save himself. "So now," he thought, "somebody else will have to do something, and I hope they will do it soon, because if they don't I shall have to swim, which I can't, so I hope they do it soon." And then he gave a very long sigh and said, "I wish Pooh were here. It's so much more friendly with two." * * * * * When the rain began Pooh was asleep. It rained, and it rained, and it rained, and he slept and he slept and he slept. He had had a tiring day. You remember how he discovered the North Pole; well, he was so proud of this that he asked Christopher Robin if there were any other Poles such as a Bear of Little Brain might discover. "There's a South Pole," said Christopher Robin, "and I expect there's an East Pole and a West Pole, though people don't like talking about them." Pooh was very excited when he heard this, and suggested that they should have an Expotition to discover the East Pole, but Christopher Robin had thought of something else to do with Kanga; so Pooh went out to discover the East Pole by himself. Whether he discovered it or not, I forget; but he was so tired when he got home that, in the very middle of his supper, after he had been eating for little more than half-an-hour, he fell fast asleep in his chair, and slept and slept and slept. Then suddenly he was dreaming. He was at the East Pole, and it was a very cold pole with the coldest sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and there, beside him, were four pots of honey.... Three days later, there was Pooh, sitting on his branch, dangling his legs, and there beside him, was one pot of honey. Four days later, there was Pooh ... And it was on the morning of the fourth day that Piglet's bottle came floating past him, and with one loud cry of "Honey!" Pooh plunged into the water, seized the bottle, and struggled back to his tree again. "Bother!" said Pooh, as he opened it. "All that wet for nothing. What's that bit of paper doing?" He took it out and looked at it. "It's a Missage," he said to himself, "that's what it is. And that letter is a 'P,' and so is that, and so is that, and 'P' means 'Pooh,' so it's a very important Missage to me, and I can't read it. I must find Christopher Robin or Owl or Piglet, one of those Clever Readers who can read things, and they will tell me what this missage means. Only I can't swim. Bother!" Then he had an idea, and I think that for a Bear of Very Little Brain, it was a good idea. He said to himself: "If a bottle can float, then a jar can float, and if a jar floats, I can sit on the top of it, if it's a very big jar." So he took his biggest jar, and corked it up. "All boats have to have a name," he said, "so I shall call mine _The Floating Bear_." And with these words he dropped his boat into the water and jumped in after it. For a little while Pooh and _The Floating Bear_ were uncertain as to which of them was meant to be on the top, but after trying one or two different positions, they settled down with _The Floating Bear_ underneath and Pooh triumphantly astride it, paddling vigorously with	Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh," he thought to himself. "Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't mind about this. But I wonder what Christopher Robin would do?" Then suddenly he remembered a story which Christopher Robin had told him about a man on a desert island who had written something in a bottle and thrown it in the sea; and Piglet thought that if he wrote something in a bottle and threw it in the water, perhaps somebody would come and rescue _him_! He left the window and began to search his house, all of it that wasn't under water, and at last he found a pencil and a small piece of dry paper, and a bottle with a cork to it. And he wrote on one side of the paper: HELP! PIGLET (ME) and on the other side: IT'S ME PIGLET, HELP HELP. Then he put the paper in the bottle, and he corked the bottle up as tightly as he could, and he leant out of his window as far as he could lean without falling in, and he threw the bottle as far as he could throw--_splash!_--and in a little while it bobbed up again on the water; and he watched it floating slowly away in the distance, until his eyes ached with looking, and sometimes he thought it was the bottle, and sometimes he thought it was just a ripple on the water which he was following, and then suddenly he knew that he would never see it again and that he had done all that he could do to save himself. "So now," he thought, "somebody else will have to do something, and I hope they will do it soon, because if they don't I shall have to swim, which I can't, so I hope they do it soon." And then he gave a very long sigh and said, "I wish Pooh were here. It's so much more friendly with two." * * * * * When the rain began Pooh was asleep. It rained, and it rained, and it rained, and he slept and he slept and he slept. He had had a tiring day. You remember how he discovered the North Pole; well, he was so proud of this that he asked Christopher Robin if there were any other Poles such as a Bear of Little Brain might discover. "There's a South Pole," said Christopher Robin, "and I expect there's an East Pole and a West Pole, though people don't like talking about them." Pooh was very excited when he heard this, and suggested that they should have an Expotition to discover the East Pole, but Christopher Robin had thought of something else to do with Kanga; so Pooh went out to discover the East Pole by himself. Whether he discovered it or not, I forget; but he was so tired when he got home that, in the very middle of his supper, after he had been eating for little more than half-an-hour, he fell fast asleep in his chair, and slept and slept and slept. Then suddenly he was dreaming. He was at the East Pole, and it was a very cold pole with the coldest sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and there, beside him, were four pots of honey.... Three days later, there was Pooh, sitting on his branch, dangling his legs, and there beside him, was one pot of honey. Four days later, there was Pooh ... And it was on the morning of the fourth day that Piglet's bottle came floating past him, and with one loud cry of "Honey!" Pooh plunged into the water, seized the bottle, and struggled back to his tree again. "Bother!" said Pooh, as he opened it. "All that wet for nothing. What's that bit of paper doing?" He took it out and looked at it. "It's a Missage," he said to himself, "that's what it is. And that letter is a 'P,' and so is that, and so is that, and 'P' means 'Pooh,' so it's a very important Missage to me, and I can't read it. I must find Christopher Robin or Owl or Piglet, one of those Clever Readers who can read things, and they will tell me what this missage means. Only I can't swim. Bother!" Then he had an idea, and I think that for a Bear of Very Little Brain, it was a good idea. He said to himself: "If a bottle can float, then a jar can float, and if a jar floats, I can sit on the top of it, if it's a very big jar." So he took his biggest jar, and corked it up. "All boats have to have a name," he said, "so I shall call mine _The Floating Bear_." And with these words he dropped his boat into the water and jumped in after it. For a little while Pooh and _The Floating Bear_ were uncertain as to which of them was meant to be on the top, but after trying one or two different positions, they settled down with _The Floating Bear_ underneath and Pooh triumphantly astride it, paddling vigorously with his feet. * * * * * Christopher Robin lived at the very top of the Forest. It rained, and it rained, and it rained, but the water couldn't come up to _his_ house. It was rather jolly to look down into the valleys and see the water all round him, but it rained so hard that he stayed indoors most of the time, and thought about things. Every morning he went out with his umbrella and put a stick in the place where the water came up to, and every next morning he went out and couldn't see his stick any more, so he put another stick in the place where the water came up to, and then he walked home again, and each morning he had a shorter way to walk than he had had the morning before. On the morning of the fifth day he saw the water all round him, and knew that for the first time in his life he was on a real island. Which was very exciting. It was on this morning that Owl came flying over the water to say "How do you do," to his friend Christopher Robin. "I say, Owl," said Christopher Robin, "isn't this fun? I'm on an island!" "The atmospheric conditions have been very unfavourable lately," said Owl. "The what?" "It has been raining," explained Owl. "Yes," said Christopher Robin. "It has." "The flood-level has reached an unprecedented height." "The who?" "There's a lot of water about," explained Owl. "Yes," said Christopher Robin, "there is." "However, the prospects are rapidly becoming more favourable. At any moment----" "Have you seen Pooh?" "No. At any moment----" "I hope he's all right," said Christopher Robin. "I've been wondering about him. I expect Piglet's with him. Do you think they're all right, Owl?" "I expect so. You see, at any moment----" "Do go and see, Owl. Because Pooh hasn't got very much brain, and he might do something silly, and I do love him so, Owl. Do you see, Owl?" "That's all right," said Owl. "I'll go. Back directly." And he flew off. In a little while he was back again. "Pooh isn't there," he said. "Not there?" "Has _been_ there. He's been sitting on a branch of his tree outside his house with nine pots of honey. But he isn't there now." "Oh, Pooh!" cried Christopher Robin. "Where _are_ you?" "Here	he gave a very long sigh and said, "I wish Pooh were here. It's so much more friendly with two." * * * * * When the rain began Pooh was asleep. It rained, and it rained, and it rained, and he slept and he slept and he slept. He had had a tiring day. You remember how he discovered the North Pole; well, he was so proud of this that he asked Christopher Robin if there were any other Poles such as a Bear of Little Brain might discover. "There's a South Pole," said Christopher Robin, "and I expect there's an East Pole and a West Pole, though people don't like talking about them." Pooh was very excited when he heard this, and suggested that they should have an Expotition to discover the East Pole, but Christopher Robin had thought of something else to do with Kanga; so Pooh went out to discover the East Pole by himself. Whether he discovered it or not, I forget; but he was so tired when he got home that, in the very middle of his supper, after he had been eating for little more than half-an-hour, he fell fast asleep in his chair, and slept and slept and slept. Then suddenly he was dreaming. He was at the East Pole, and it was a very cold pole with the coldest sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and there, beside him, were four pots of honey.... Three days later, there was Pooh, sitting on his branch, dangling his legs, and there beside him, was one pot of honey. Four days later, there was Pooh ... And it was on the morning of the fourth day that Piglet's bottle came floating past him, and with one loud cry of "Honey!" Pooh plunged into the water, seized the bottle, and struggled back to his tree again. "Bother!" said Pooh, as he opened it. "All that wet for nothing. What's that bit of paper doing?" He took it out and looked at it. "It's a Missage," he said to himself, "that's what it is. And that letter is a 'P,' and so is that, and so is that, and 'P' means 'Pooh,' so it's a very important Missage to me, and I can't read it. I must find Christopher Robin or Owl or Piglet, one of those Clever Readers who can read things, and they will tell me what this missage means. Only I can't swim. Bother!" Then he had an idea, and I think that for a Bear of Very Little Brain, it was a good idea. He said to himself: "If a bottle can float, then a jar can float, and if a jar floats, I can sit on the top of it, if it's a very big jar." So he took his biggest jar, and corked it up. "All boats have to have a name," he said, "so I shall call mine _The Floating Bear_." And with these words he dropped his boat into the water and jumped in after it. For a little while Pooh and _The Floating Bear_ were uncertain as to which of them was meant to be on the top, but after trying one or two different positions, they settled down with _The Floating Bear_ underneath and Pooh triumphantly astride it, paddling vigorously with his feet. * * * * * Christopher Robin lived at the very top of the Forest. It rained, and it rained, and it rained, but the water couldn't come up to _his_ house. It was rather jolly to look down into the valleys and see the water all round him, but it rained so hard that he	Winnie The Pooh
"Since this profession is agreeable to you,"	Magician	to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I	he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me	greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no	a shop for you, furnish it with all sorts of fine stuffs and linens; and with the money you make of them lay in fresh goods, and then you will live in an honourable way. Consult your inclination, and tell me freely what you think of my proposal." This plan greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no longer doubted after his promises of kindness to her son. She thanked him for his good intentions; and after having exhorted Aladdin to render himself worthy of his uncle's favour by good behaviour, served up supper, at which they talked of several indifferent matters; and then the magician, who saw	days to turn him out of doors, and let him provide for himself." After these words, Aladdin's mother burst into tears; and the magician said: "This is not well, nephew; you must think of getting your livelihood. There are many sorts of trades, consider if you have not an inclination to some of them; perhaps you did not like your father's and would prefer another; come, do not disguise your sentiments from me; I will endeavour to help you." But finding that Aladdin returned no answer, "If you have no mind," continued he, "to learn any handicraft, I will take a shop for you, furnish it with all sorts of fine stuffs and linens; and with the money you make of them lay in fresh goods, and then you will live in an honourable way. Consult your inclination, and tell me freely what you think of my proposal." This plan greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no longer doubted after his promises of kindness to her son. She thanked him for his good intentions; and after having exhorted Aladdin to render himself worthy of his uncle's favour by good behaviour, served up supper, at which they talked of several indifferent matters; and then the magician, who saw that the night was pretty far advanced, took his leave, and retired. He came again the next day, as he had promised, and took Aladdin with him to a merchant, who sold all sorts of clothes for different ages and ranks ready made, and a variety of fine stuffs. He asked to see some that suited Aladdin in size; and Aladdin, charmed with the liberality of his new uncle, made choice of one, and the magician immediately paid for it. When the boy found himself so handsomely equipped, he returned his uncle thanks; who promised never to forsake him, but	melancholy news that ever reached my ears. But God be praised for all things! it is a comfort for me to find, as it were, my brother in a son, who has his most remarkable features." The African magician, perceiving that the widow began to weep at the remembrance of her husband, changed the conversation, and turning toward her son, asked him his name. "I am called Aladdin," said he. "Well, Aladdin," replied the magician, "what business do you follow? Are you of any trade?" At this question the youth hung down his head, and was not a little abashed when his mother answered: "Aladdin is an idle fellow; his father, when alive, strove all he could to teach him his trade, but could not succeed; and since his death he does nothing but idle away his time in the streets, as you saw him, without considering he is no longer a child; and if you do not make him ashamed of it, I despair of his ever coming to any good. He knows that his father left him no fortune, and sees me endeavour to get bread by spinning cotton; for my part, I am resolved one of these days to turn him out of doors, and let him provide for himself." After these words, Aladdin's mother burst into tears; and the magician said: "This is not well, nephew; you must think of getting your livelihood. There are many sorts of trades, consider if you have not an inclination to some of them; perhaps you did not like your father's and would prefer another; come, do not disguise your sentiments from me; I will endeavour to help you." But finding that Aladdin returned no answer, "If you have no mind," continued he, "to learn any handicraft, I will take a shop for you, furnish it with all sorts of fine stuffs and linens; and with the money you make of them lay in fresh goods, and then you will live in an honourable way. Consult your inclination, and tell me freely what you think of my proposal." This plan greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no longer doubted after his promises of kindness to her son. She thanked him for his good intentions; and after having exhorted Aladdin to render himself worthy of his uncle's favour by good behaviour, served up supper, at which they talked of several indifferent matters; and then the magician, who saw that the night was pretty far advanced, took his leave, and retired. He came again the next day, as he had promised, and took Aladdin with him to a merchant, who sold all sorts of clothes for different ages and ranks ready made, and a variety of fine stuffs. He asked to see some that suited Aladdin in size; and Aladdin, charmed with the liberality of his new uncle, made choice of one, and the magician immediately paid for it. When the boy found himself so handsomely equipped, he returned his uncle thanks; who promised never to forsake him, but always to take him along with him; which he did to the most frequented places in the city, and particularly where the principal merchants kept their shops. When he brought him into the street where they sold the richest stuffs and finest linens, he said to Aladdin: "As you are soon to be a merchant, it is proper you should frequent these shops, and be acquainted with them." He then showed him the largest and finest mosques, carried him to the khans or inns where the merchants and travellers lodged, and afterward to the sultan's palace, where he had free access; and at last brought him to his own khan, where, meeting with some merchants he had become acquainted with since his arrival, he gave them a treat, to bring them and his pretended nephew acquainted. This entertainment lasted till night, when Aladdin would have taken leave of his uncle to go home, but the magician would not let him go by himself, but conducted him to his mother, who, as soon as she saw him so well dressed, was transported with joy, and bestowed a thousand blessings upon the magician, for being at so great an expense for her	our house; go and bring him if you meet with him." Though Aladdin had showed the magician the house, he was ready to go, when somebody knocked at the door, which he immediately opened; and the magician came in loaded with wine, and all sorts of fruits, which he brought for a dessert. After the African magician had given what he brought into Aladdin's hands, he saluted his mother, and desired her to shew him the place where his brother Mustapha used to sit on the sofa; and when she had so done, he fell down and kissed it several times, crying out with tears in his eyes: "My poor brother! how unhappy am I, not to have come soon enough to give you one last embrace." Aladdin's mother desired him to sit down in the same place, but he declined. "No," said he, "but give me leave to sit opposite, that although I am deprived of the satisfaction of seeing one so dear to me, I may at least have the pleasure of beholding the place where he used to sit." When the magician had sat down, he began to enter into discourse with Aladdin's mother: "My good sister," said he, "do not be surprised at your never having seen me all the time you were married to my brother Mustapha. I have been forty years absent from this country, which is my native place, as well as my late brother's; and during that time have travelled into the Indies, Persia, Arabia, Syria, and Egypt; have resided in the finest towns of those countries; and afterward crossed over into Africa, where I made a longer stay. At last, as it is natural for a man to remember his native country, I was desirous to see mine again, and to embrace my dear brother; and finding I had strength enough to undertake so long a journey, I immediately made the necessary preparations, and set out. I will not tell you the length of time it took me, all the obstacles I met with, and what fatigues I have endured to come hither; but nothing ever afflicted me so much, as hearing of my brother's death. I observed his features in the face of my nephew, your son, and distinguished him among a number of lads with whom he was at play; he can tell you how I received the most melancholy news that ever reached my ears. But God be praised for all things! it is a comfort for me to find, as it were, my brother in a son, who has his most remarkable features." The African magician, perceiving that the widow began to weep at the remembrance of her husband, changed the conversation, and turning toward her son, asked him his name. "I am called Aladdin," said he. "Well, Aladdin," replied the magician, "what business do you follow? Are you of any trade?" At this question the youth hung down his head, and was not a little abashed when his mother answered: "Aladdin is an idle fellow; his father, when alive, strove all he could to teach him his trade, but could not succeed; and since his death he does nothing but idle away his time in the streets, as you saw him, without considering he is no longer a child; and if you do not make him ashamed of it, I despair of his ever coming to any good. He knows that his father left him no fortune, and sees me endeavour to get bread by spinning cotton; for my part, I am resolved one of these days to turn him out of doors, and let him provide for himself." After these words, Aladdin's mother burst into tears; and the magician said: "This is not well, nephew; you must think of getting your livelihood. There are many sorts of trades, consider if you have not an inclination to some of them; perhaps you did not like your father's and would prefer another; come, do not disguise your sentiments from me; I will endeavour to help you." But finding that Aladdin returned no answer, "If you have no mind," continued he, "to learn any handicraft, I will take a shop for you, furnish it with all sorts of fine stuffs and linens; and with the money you make of them lay in fresh goods, and then you will live in an honourable way. Consult your inclination, and tell me freely what you think of my proposal." This plan greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no longer doubted after his promises of kindness to her son. She thanked him for his good intentions; and after having exhorted Aladdin to render himself worthy of his uncle's favour by good behaviour, served up supper, at which they talked of several indifferent matters; and then the magician, who saw that the night was pretty far advanced, took his leave, and retired. He came again the next day, as he had promised, and took Aladdin with him to a merchant, who sold all sorts of clothes for different ages and ranks ready made, and a variety of fine stuffs. He asked to see some that suited Aladdin in size; and Aladdin, charmed with the liberality of his new uncle, made choice of one, and the magician immediately paid for it. When the boy found himself so handsomely equipped, he returned his uncle thanks; who promised never to forsake him, but always to take him along with him; which he did to the most frequented places in the city, and particularly where the principal merchants kept their shops. When he brought him into the street where they sold the richest stuffs and finest linens, he said to Aladdin: "As you are soon to be a merchant, it is proper you should frequent these shops, and be acquainted with them." He then showed him the largest and finest mosques, carried him to the khans or inns where the merchants and travellers lodged, and afterward to the sultan's palace, where he had free access; and at last brought him to his own khan, where, meeting with some merchants he had become acquainted with since his arrival, he gave them a treat, to bring them and his pretended nephew acquainted. This entertainment lasted till night, when Aladdin would have taken leave of his uncle to go home, but the magician would not let him go by himself, but conducted him to his mother, who, as soon as she saw him so well dressed, was transported with joy, and bestowed a thousand blessings upon the magician, for being at so great an expense for her child. "Generous relation!" said she, "I know not how to thank you for your liberality! I wish you may live long enough to witness my son's gratitude, which he cannot better shew than by regulating his conduct by your good advice." "Aladdin," replied the magician, "is a good boy, and I believe we shall do very well; but I am sorry for one thing, which is, that I cannot perform to-morrow what I promised, because, as it is Friday, the shops will be shut up, and therefore we cannot hire or furnish one till Saturday. I will, however, call on him to-morrow and take him to walk in the gardens, where people of the best fashion generally resort. Perhaps he has never seen these amusements, he has only hitherto been among children; but now he must see men." The African magician then took his leave of the mother and the son, and retired. Aladdin rose early the next morning, dressed himself to be ready, and after he had waited some time began to be impatient and stood watching at the door; but as soon as he perceived his uncle coming, he told his mother, took his leave of her, and ran to meet him. The magician caressed Aladdin, and said: "Come, my dear child, and I will shew you fine things." He then led him out at one of the gates of the city, to some magnificent palaces, to each of which belonged beautiful gardens, into which anybody might enter. At every building he came to, he asked Aladdin if he did not think it fine; and the youth was ready to answer when any one presented itself, crying out: "Here is a finer house, uncle, than any we have seen yet." By this artifice, the cunning magician led Aladdin some way into the country; and as he meant to carry him farther, pretending to be tired, he took an opportunity to sit down in one of the gardens on the brink of a fountain of clear water, which discharged itself by a lion's mouth of bronze into a basin: "Come, nephew," said he, "you must be weary as well as I; let us rest ourselves, and we shall be better able to pursue our walk." After they had sat down, the magician pulled from his girdle a handkerchief with cakes and fruit, which he had provided, and laid them	as it were, my brother in a son, who has his most remarkable features." The African magician, perceiving that the widow began to weep at the remembrance of her husband, changed the conversation, and turning toward her son, asked him his name. "I am called Aladdin," said he. "Well, Aladdin," replied the magician, "what business do you follow? Are you of any trade?" At this question the youth hung down his head, and was not a little abashed when his mother answered: "Aladdin is an idle fellow; his father, when alive, strove all he could to teach him his trade, but could not succeed; and since his death he does nothing but idle away his time in the streets, as you saw him, without considering he is no longer a child; and if you do not make him ashamed of it, I despair of his ever coming to any good. He knows that his father left him no fortune, and sees me endeavour to get bread by spinning cotton; for my part, I am resolved one of these days to turn him out of doors, and let him provide for himself." After these words, Aladdin's mother burst into tears; and the magician said: "This is not well, nephew; you must think of getting your livelihood. There are many sorts of trades, consider if you have not an inclination to some of them; perhaps you did not like your father's and would prefer another; come, do not disguise your sentiments from me; I will endeavour to help you." But finding that Aladdin returned no answer, "If you have no mind," continued he, "to learn any handicraft, I will take a shop for you, furnish it with all sorts of fine stuffs and linens; and with the money you make of them lay in fresh goods, and then you will live in an honourable way. Consult your inclination, and tell me freely what you think of my proposal." This plan greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no longer doubted after his promises of kindness to her son. She thanked him for his good intentions; and after having exhorted Aladdin to render himself worthy of his uncle's favour by good behaviour, served up supper, at which they talked of several indifferent matters; and then the magician, who saw that the night was pretty far advanced, took his leave, and retired. He came again the next day, as he had promised, and took Aladdin with him to a merchant, who sold all sorts of clothes for different ages and ranks ready made, and a variety of fine stuffs. He asked to see some that suited Aladdin in size; and Aladdin, charmed with the liberality of his new uncle, made choice of one, and the magician immediately paid for it. When the boy found himself so handsomely equipped, he returned his uncle thanks; who promised never to forsake him, but always to take him along with him; which he did to the most frequented places in the city, and particularly where the principal merchants kept their shops. When he brought him into the street where they sold the richest stuffs and finest linens, he said to Aladdin: "As you are soon to be a merchant, it is proper you should frequent these shops, and be acquainted with them." He then showed him the largest and finest mosques, carried him to the khans or inns where the merchants and travellers lodged, and afterward to the sultan's palace, where he had free access; and at last brought him to his own khan, where, meeting with some merchants he had become acquainted with since his arrival, he gave them a treat, to bring them and his pretended nephew acquainted. This entertainment lasted till night, when Aladdin would have taken leave of his uncle to go home, but the magician would not let him go by himself, but conducted him to his mother, who, as soon as she saw him so well dressed, was transported with joy, and bestowed a thousand blessings upon the magician, for being at so great an expense for her child. "Generous relation!" said she, "I know not how to thank you for your liberality! I wish you may live long enough to witness my son's gratitude, which he cannot better shew than by regulating his conduct by your good advice." "Aladdin," replied the magician, "is a good boy, and I believe we shall do very well; but I am sorry for one thing, which is, that I cannot perform to-morrow what I promised, because, as it is Friday, the shops will be shut up, and therefore we cannot hire or furnish one till Saturday. I will, however, call on him to-morrow and take him to walk in the gardens, where people of the best fashion generally resort. Perhaps he has never seen these amusements, he has only hitherto been among children; but now he must see men." The African magician then took his leave of the mother and the son, and retired. Aladdin rose early the next morning, dressed himself to be ready, and after	Arabian Nights (4)
and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.	No speaker	"Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch	now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck	who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some	under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have	with a faint smile, and her whole figure was expressive of triumph. "Splendid, superb!" "Splendid," said Startsev, too, carried away by the general enthusiasm. "Where have you studied?" he asked Ekaterina Ivanovna. "At the Conservatoire?" "No, I am only preparing for the Conservatoire, and till now have been working with Madame Zavlovsky." "Have you finished at the high school here?" "Oh, no," Vera Iosifovna answered for her, "We have teachers for her at home; there might be bad influences at the high school or a boarding school, you know. While a young girl is growing up, she ought to be under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome," he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks	notes, and it sounded as if she would not leave off until she had hammered the keys into the piano. The drawing-room was filled with the din; everything was resounding; the floor, the ceiling, the furniture.... Ekaterina Ivanovna was playing a difficult passage, interesting simply on account of its difficulty, long and monotonous, and Startsev, listening, pictured stones dropping down a steep hill and going on dropping, and he wished they would leave off dropping; and at the same time Ekaterina Ivanovna, rosy from the violent exercise, strong and vigorous, with a lock of hair falling over her forehead, attracted him very much. After the winter spent at Dyalizh among patients and peasants, to sit in a drawing-room, to watch this young, elegant, and, in all probability, pure creature, and to listen to these noisy, tedious but still cultured sounds, was so pleasant, so novel.... "Well, Kitten, you have never played that before," said Ivan Petrovitch, with tears in his eyes, when his daughter had finished and stood up. "Die, Denis; you won't write anything better." All flocked round her, congratulated her, expressed astonishment, declared that it was long since they had heard such music, and she listened in silence with a faint smile, and her whole figure was expressive of triumph. "Splendid, superb!" "Splendid," said Startsev, too, carried away by the general enthusiasm. "Where have you studied?" he asked Ekaterina Ivanovna. "At the Conservatoire?" "No, I am only preparing for the Conservatoire, and till now have been working with Madame Zavlovsky." "Have you finished at the high school here?" "Oh, no," Vera Iosifovna answered for her, "We have teachers for her at home; there might be bad influences at the high school or a boarding school, you know. While a young girl is growing up, she ought to be under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome," he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation: "For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano	melted in the mouth. As the evening came on, other visitors gradually arrived, and Ivan Petrovitch fixed his laughing eyes on each of them and said: "How do you do, if you please?" Then they all sat down in the drawing-room with very serious faces, and Vera Iosifovna read her novel. It began like this: "The frost was intense...." The windows were wide open; from the kitchen came the clatter of knives and the smell of fried onions.... It was comfortable in the soft deep arm-chair; the lights had such a friendly twinkle in the twilight of the drawing-room, and at the moment on a summer evening when sounds of voices and laughter floated in from the street and whiffs of lilac from the yard, it was difficult to grasp that the frost was intense, and that the setting sun was lighting with its chilly rays a solitary wayfarer on the snowy plain. Vera Iosifovna read how a beautiful young countess founded a school, a hospital, a library, in her village, and fell in love with a wandering artist; she read of what never happens in real life, and yet it was pleasant to listen--it was comfortable, and such agreeable, serene thoughts kept coming into the mind, one had no desire to get up. "Not badsome ..." Ivan Petrovitch said softly. And one of the visitors hearing, with his thoughts far away, said hardly audibly: "Yes ... truly...." One hour passed, another. In the town gardens close by a band was playing and a chorus was singing. When Vera Iosifovna shut her manuscript book, the company was silent for five minutes, listening to "Lutchina" being sung by the chorus, and the song gave what was not in the novel and is in real life. "Do you publish your stories in magazines?" Startsev asked Vera Iosifovna. "No," she answered. "I never publish. I write it and put it away in my cupboard. Why publish?" she explained. "We have enough to live on." And for some reason every one sighed. "And now, Kitten, you play something," Ivan Petrovitch said to his daughter. The lid of the piano was raised and the music lying ready was opened. Ekaterina Ivanovna sat down and banged on the piano with both hands, and then banged again with all her might, and then again and again; her shoulders and bosom shook. She obstinately banged on the same notes, and it sounded as if she would not leave off until she had hammered the keys into the piano. The drawing-room was filled with the din; everything was resounding; the floor, the ceiling, the furniture.... Ekaterina Ivanovna was playing a difficult passage, interesting simply on account of its difficulty, long and monotonous, and Startsev, listening, pictured stones dropping down a steep hill and going on dropping, and he wished they would leave off dropping; and at the same time Ekaterina Ivanovna, rosy from the violent exercise, strong and vigorous, with a lock of hair falling over her forehead, attracted him very much. After the winter spent at Dyalizh among patients and peasants, to sit in a drawing-room, to watch this young, elegant, and, in all probability, pure creature, and to listen to these noisy, tedious but still cultured sounds, was so pleasant, so novel.... "Well, Kitten, you have never played that before," said Ivan Petrovitch, with tears in his eyes, when his daughter had finished and stood up. "Die, Denis; you won't write anything better." All flocked round her, congratulated her, expressed astonishment, declared that it was long since they had heard such music, and she listened in silence with a faint smile, and her whole figure was expressive of triumph. "Splendid, superb!" "Splendid," said Startsev, too, carried away by the general enthusiasm. "Where have you studied?" he asked Ekaterina Ivanovna. "At the Conservatoire?" "No, I am only preparing for the Conservatoire, and till now have been working with Madame Zavlovsky." "Have you finished at the high school here?" "Oh, no," Vera Iosifovna answered for her, "We have teachers for her at home; there might be bad influences at the high school or a boarding school, you know. While a young girl is growing up, she ought to be under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome," he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation: "For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano for three or four hours," he said, following her; "then you sit with your mother, and there is no possibility of speaking to you. Give me a quarter of an hour at least, I beseech you." Autumn was approaching, and it was quiet and melancholy in the old garden; the dark leaves lay thick in the walks. It was already beginning to get dark early. "I haven't seen you for a whole week," Startsev went on, "and if you only knew what suffering it is! Let us sit down. Listen to me." They had a favourite place in the garden; a seat under an old spreading maple. And now they sat down on this seat. "What do you want?" said Ekaterina Ivanovna drily, in a matter-of-fact tone. "I have not seen you for a whole week; I have not heard you for so long. I long passionately, I thirst for your voice. Speak." She fascinated him by her freshness, the naïve expression of her eyes and cheeks. Even in the way her dress hung on her, he saw something extraordinarily charming, touching in its simplicity and naïve grace; and at the same time, in spite of this naïveté, she seemed to him intelligent and developed beyond her years. He could talk with her about literature, about art, about anything he liked; could complain to her of life, of people, though it sometimes happened in the middle of serious conversation she would laugh inappropriately or run away into the house. Like almost all girls of her neighbourhood, she had read a great deal (as a rule, people read very little in S----, and at the lending library they said if it were not for the girls and the young Jews, they might as well shut up the library). This afforded Startsev infinite delight; he used to ask her eagerly every time what she had been reading the last few days, and listened enthralled while she told him. "What have you been reading this week since I saw you last?" he asked now. "Do please tell me." "I have been reading Pisemsky." "What exactly?" "'A Thousand Souls,'" answered Kitten. "And what a funny name Pisemsky had--Alexey Feofilaktitch!" "Where are you going?" cried Startsev in horror, as she suddenly got up and walked towards the house. "I must talk to you; I want to explain myself.... Stay with me just five minutes, I	silence with a faint smile, and her whole figure was expressive of triumph. "Splendid, superb!" "Splendid," said Startsev, too, carried away by the general enthusiasm. "Where have you studied?" he asked Ekaterina Ivanovna. "At the Conservatoire?" "No, I am only preparing for the Conservatoire, and till now have been working with Madame Zavlovsky." "Have you finished at the high school here?" "Oh, no," Vera Iosifovna answered for her, "We have teachers for her at home; there might be bad influences at the high school or a boarding school, you know. While a young girl is growing up, she ought to be under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome," he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation: "For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano for three or four hours," he said, following her; "then you sit with your mother, and there is no possibility of speaking to you. Give	The Lady and the Dog and Other Stories (4)
Mike said. He was almost crying.	No speaker	a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen,	It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn:	said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly	for God's sake. Take that sad Jewish face away. Don't you think I'm right?" He looked at us. "Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up	think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?" He looked at us. "Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or	Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?" He looked at us. "Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us. We stood in the crowd and watched Don Manuel Orquito, the fireworks king, standing on a little platform, carefully starting the balloons with sticks, standing above the heads of the crowd to launch the balloons off into the wind. The wind brought them all down, and Don Manuel Orquito's face was sweaty in the light of his complicated fireworks that fell into the crowd and charged and chased, sputtering and cracking, between the legs of the people. The people shouted as each new luminous paper bubble careened, caught fire, and fell. "They're razzing Don Manuel," Bill said. "How do you know he's Don Manuel?" Brett said. "His name's on the programme. Don Manuel Orquito, the pirotecnico of esta ciudad." "Globos illuminados," Mike said. "A collection of globos illuminados. That's what the paper said." The wind blew the band music away. "I say, I wish one would go up," Brett said. "That Don Manuel chap	bananas." "I say, Jake," Brett called from the next table, "you _have_ deserted us." "Just temporarily," I said. "We're talking bulls." "You _are_ superior." "Tell him that bulls have no balls," Mike shouted. He was drunk. Romero looked at me inquiringly. "Drunk," I said. "Borracho! Muy borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said. "Go on, tell him. Tell him I'm ashamed of being a writer." Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't he look like Villalta?" "I can't see it," the critic said. "Really," Romero said in Spanish. "He looks a lot like Villalta. What does the drunken one do?" "Nothing." "Is that why he drinks?" "No. He's waiting to marry this lady." "Tell him bulls have no balls!" Mike shouted, very drunk, from the other end of the table. "What does he say?" "He's drunk." "Jake," Mike called. "Tell him bulls have no balls!" "You understand?" I said. "Yes." I was sure he didn't, so it was all right. "Tell him Brett wants to see him put on those green pants." "Pipe down, Mike." "Tell him Brett is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett. Brett was talking French and he was talking Spanish and a little English, and laughing. Bill was filling the glasses. "Tell him Brett wants to come into----" "Oh, pipe down, Mike, for Christ's sake!" Romero looked up smiling. "Pipe down! I know that," he said. Just then Montoya came into the room. He started to smile at me, then he saw Pedro Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?" He looked at us. "Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us. We stood in the crowd and watched Don Manuel Orquito, the fireworks king, standing on a little platform, carefully starting the balloons with sticks, standing above the heads of the crowd to launch the balloons off into the wind. The wind brought them all down, and Don Manuel Orquito's face was sweaty in the light of his complicated fireworks that fell into the crowd and charged and chased, sputtering and cracking, between the legs of the people. The people shouted as each new luminous paper bubble careened, caught fire, and fell. "They're razzing Don Manuel," Bill said. "How do you know he's Don Manuel?" Brett said. "His name's on the programme. Don Manuel Orquito, the pirotecnico of esta ciudad." "Globos illuminados," Mike said. "A collection of globos illuminados. That's what the paper said." The wind blew the band music away. "I say, I wish one would go up," Brett said. "That Don Manuel chap is furious." "He's probably worked for weeks fixing them to go off, spelling out 'Hail to San Fermin,'" Bill said. "Globos illuminados," Mike said. "A bunch of bloody globos illuminados." "Come on," said Brett. "We can't stand here." "Her ladyship wants a drink," Mike said. "How you know things," Brett said. Inside, the caf was crowded and very noisy. No one noticed us come in. We could not find a table. There was a great noise going on. "Come on, let's get out of here," Bill said. Outside the paseo was going in under the arcade. There were some English and Americans from Biarritz in sport clothes scattered at the tables. Some of the women stared at the people going by with lorgnons. We had acquired, at some time, a friend of Bill's from Biarritz. She was staying with another girl at the Grand Hotel. The other girl had a headache and had gone to bed. "Here's the pub," Mike said. It was the Bar Milano, a small, tough bar where you could get food and where they danced in the back room. We all sat down at a table and ordered a bottle of Fundador. The bar was not full. There was nothing going on. "This is a hell of a place," Bill said. "It's too early." "Let's take the bottle and come back later," Bill said. "I don't want to sit here on a night like this." "Let's go and look at the English," Mike said. "I love to look at the English." "They're awful," Bill said. "Where did they all come from?" "They come from Biarritz," Mike said, "They come to see the last day of the quaint little Spanish fiesta." "I'll festa them," Bill said. "You're an extraordinarily beautiful girl." Mike turned to Bill's friend. "When did you come here?" "Come off it, Michael." "I say, she _is_ a lovely girl. Where have I been? Where have I been looking all this while? You're a lovely thing. _Have_ we met? Come along with me and Bill. We're going to festa the English." "I'll festa them," Bill said, "What the hell are they doing at this fiesta?" "Come on," Mike said. "Just us three. We're going to festa the bloody English. I hope you're not English? I'm Scotch. I hate the English. I'm going to festa them. Come on, Bill." Through the window we saw them, all	it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?" He looked at us. "Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us. We stood in the crowd and watched Don Manuel Orquito, the fireworks king, standing on a little platform, carefully starting the balloons with sticks, standing above the heads of the crowd to launch the balloons off into the wind. The wind brought them all down, and Don Manuel Orquito's face was sweaty in the light of his complicated fireworks that fell into the crowd and charged and chased, sputtering and cracking, between the legs of the people. The people shouted as each new luminous paper bubble careened, caught fire, and fell. "They're razzing Don Manuel," Bill said. "How do you know he's Don Manuel?" Brett said.	The Sun Also Rises
"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."	Mrs. Weston	done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe	thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been	in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known	Churchill take it?" "Most favourably for his nephew--gave his consent with scarcely a difficulty. Conceive what the events of a week have done in that family! While poor Mrs. Churchill lived, I suppose there could not have been a hope, a chance, a possibility;--but scarcely are her remains at rest in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known to no being in the world but their two selves." "Well," said Emma, "I suppose we shall gradually grow reconciled to the idea, and I wish them very happy. But I shall always think it a very abominable sort of proceeding. What has it been but a system of hypocrisy	many things intelligible and excusable which now are not to be understood. Don't let us be severe, don't let us be in a hurry to condemn him. Let us have patience. I must love him; and now that I am satisfied on one point, the one material point, I am sincerely anxious for its all turning out well, and ready to hope that it may. They must both have suffered a great deal under such a system of secresy and concealment." "_His_ sufferings," replied Emma dryly, "do not appear to have done him much harm. Well, and how did Mr. Churchill take it?" "Most favourably for his nephew--gave his consent with scarcely a difficulty. Conceive what the events of a week have done in that family! While poor Mrs. Churchill lived, I suppose there could not have been a hope, a chance, a possibility;--but scarcely are her remains at rest in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known to no being in the world but their two selves." "Well," said Emma, "I suppose we shall gradually grow reconciled to the idea, and I wish them very happy. But I shall always think it a very abominable sort of proceeding. What has it been but a system of hypocrisy and deceit,--espionage, and treachery?--To come among us with professions of openness and simplicity; and such a league in secret to judge us all!--Here have we been, the whole winter and spring, completely duped, fancying ourselves all on an equal footing of truth and honour, with two people in the midst of us who may have been carrying round, comparing and sitting in judgment on sentiments and words that were never meant for both to hear.--They must take the consequence, if they have heard each other spoken of in a way not perfectly agreeable!" "I am quite easy on that head,"	governess! What could he mean by such horrible indelicacy? To suffer her to engage herself--to suffer her even to think of such a measure!" "He knew nothing about it, Emma. On this article I can fully acquit him. It was a private resolution of hers, not communicated to him--or at least not communicated in a way to carry conviction.--Till yesterday, I know he said he was in the dark as to her plans. They burst on him, I do not know how, but by some letter or message--and it was the discovery of what she was doing, of this very project of hers, which determined him to come forward at once, own it all to his uncle, throw himself on his kindness, and, in short, put an end to the miserable state of concealment that had been carrying on so long." Emma began to listen better. "I am to hear from him soon," continued Mrs. Weston. "He told me at parting, that he should soon write; and he spoke in a manner which seemed to promise me many particulars that could not be given now. Let us wait, therefore, for this letter. It may bring many extenuations. It may make many things intelligible and excusable which now are not to be understood. Don't let us be severe, don't let us be in a hurry to condemn him. Let us have patience. I must love him; and now that I am satisfied on one point, the one material point, I am sincerely anxious for its all turning out well, and ready to hope that it may. They must both have suffered a great deal under such a system of secresy and concealment." "_His_ sufferings," replied Emma dryly, "do not appear to have done him much harm. Well, and how did Mr. Churchill take it?" "Most favourably for his nephew--gave his consent with scarcely a difficulty. Conceive what the events of a week have done in that family! While poor Mrs. Churchill lived, I suppose there could not have been a hope, a chance, a possibility;--but scarcely are her remains at rest in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known to no being in the world but their two selves." "Well," said Emma, "I suppose we shall gradually grow reconciled to the idea, and I wish them very happy. But I shall always think it a very abominable sort of proceeding. What has it been but a system of hypocrisy and deceit,--espionage, and treachery?--To come among us with professions of openness and simplicity; and such a league in secret to judge us all!--Here have we been, the whole winter and spring, completely duped, fancying ourselves all on an equal footing of truth and honour, with two people in the midst of us who may have been carrying round, comparing and sitting in judgment on sentiments and words that were never meant for both to hear.--They must take the consequence, if they have heard each other spoken of in a way not perfectly agreeable!" "I am quite easy on that head," replied Mrs. Weston. "I am very sure that I never said any thing of either to the other, which both might not have heard." "You are in luck.--Your only blunder was confined to my ear, when you imagined a certain friend of ours in love with the lady." "True. But as I have always had a thoroughly good opinion of Miss Fairfax, I never could, under any blunder, have spoken ill of her; and as to speaking ill of him, there I must have been safe." At this moment Mr. Weston appeared at a little distance from the window, evidently on the watch. His wife gave him a look which invited him in; and, while he was coming round, added, "Now, dearest Emma, let me intreat you to say and look every thing that may set his heart at ease, and incline him to be satisfied with the match. Let us make the best of it--and, indeed, almost every thing may be fairly said in her favour. It is not a connexion to gratify; but if Mr. Churchill does not feel that, why should we? and it may be a very fortunate circumstance for him, for Frank, I mean, that	myself," said she. "On this point we have been wretched. It was our darling wish that you might be attached to each other--and we were persuaded that it was so.-- Imagine what we have been feeling on your account." "I have escaped; and that I should escape, may be a matter of grateful wonder to you and myself. But this does not acquit _him_, Mrs. Weston; and I must say, that I think him greatly to blame. What right had he to come among us with affection and faith engaged, and with manners so _very_ disengaged? What right had he to endeavour to please, as he certainly did--to distinguish any one young woman with persevering attention, as he certainly did--while he really belonged to another?--How could he tell what mischief he might be doing?--How could he tell that he might not be making me in love with him?--very wrong, very wrong indeed." "From something that he said, my dear Emma, I rather imagine--" "And how could _she_ bear such behaviour! Composure with a witness! to look on, while repeated attentions were offering to another woman, before her face, and not resent it.--That is a degree of placidity, which I can neither comprehend nor respect." "There were misunderstandings between them, Emma; he said so expressly. He had not time to enter into much explanation. He was here only a quarter of an hour, and in a state of agitation which did not allow the full use even of the time he could stay--but that there had been misunderstandings he decidedly said. The present crisis, indeed, seemed to be brought on by them; and those misunderstandings might very possibly arise from the impropriety of his conduct." "Impropriety! Oh! Mrs. Weston--it is too calm a censure. Much, much beyond impropriety!--It has sunk him, I cannot say how it has sunk him in my opinion. So unlike what a man should be!--None of that upright integrity, that strict adherence to truth and principle, that disdain of trick and littleness, which a man should display in every transaction of his life." "Nay, dear Emma, now I must take his part; for though he has been wrong in this instance, I have known him long enough to answer for his having many, very many, good qualities; and--" "Good God!" cried Emma, not attending to her.--" "Mrs. Smallridge, too! Jane actually on the point of going as governess! What could he mean by such horrible indelicacy? To suffer her to engage herself--to suffer her even to think of such a measure!" "He knew nothing about it, Emma. On this article I can fully acquit him. It was a private resolution of hers, not communicated to him--or at least not communicated in a way to carry conviction.--Till yesterday, I know he said he was in the dark as to her plans. They burst on him, I do not know how, but by some letter or message--and it was the discovery of what she was doing, of this very project of hers, which determined him to come forward at once, own it all to his uncle, throw himself on his kindness, and, in short, put an end to the miserable state of concealment that had been carrying on so long." Emma began to listen better. "I am to hear from him soon," continued Mrs. Weston. "He told me at parting, that he should soon write; and he spoke in a manner which seemed to promise me many particulars that could not be given now. Let us wait, therefore, for this letter. It may bring many extenuations. It may make many things intelligible and excusable which now are not to be understood. Don't let us be severe, don't let us be in a hurry to condemn him. Let us have patience. I must love him; and now that I am satisfied on one point, the one material point, I am sincerely anxious for its all turning out well, and ready to hope that it may. They must both have suffered a great deal under such a system of secresy and concealment." "_His_ sufferings," replied Emma dryly, "do not appear to have done him much harm. Well, and how did Mr. Churchill take it?" "Most favourably for his nephew--gave his consent with scarcely a difficulty. Conceive what the events of a week have done in that family! While poor Mrs. Churchill lived, I suppose there could not have been a hope, a chance, a possibility;--but scarcely are her remains at rest in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known to no being in the world but their two selves." "Well," said Emma, "I suppose we shall gradually grow reconciled to the idea, and I wish them very happy. But I shall always think it a very abominable sort of proceeding. What has it been but a system of hypocrisy and deceit,--espionage, and treachery?--To come among us with professions of openness and simplicity; and such a league in secret to judge us all!--Here have we been, the whole winter and spring, completely duped, fancying ourselves all on an equal footing of truth and honour, with two people in the midst of us who may have been carrying round, comparing and sitting in judgment on sentiments and words that were never meant for both to hear.--They must take the consequence, if they have heard each other spoken of in a way not perfectly agreeable!" "I am quite easy on that head," replied Mrs. Weston. "I am very sure that I never said any thing of either to the other, which both might not have heard." "You are in luck.--Your only blunder was confined to my ear, when you imagined a certain friend of ours in love with the lady." "True. But as I have always had a thoroughly good opinion of Miss Fairfax, I never could, under any blunder, have spoken ill of her; and as to speaking ill of him, there I must have been safe." At this moment Mr. Weston appeared at a little distance from the window, evidently on the watch. His wife gave him a look which invited him in; and, while he was coming round, added, "Now, dearest Emma, let me intreat you to say and look every thing that may set his heart at ease, and incline him to be satisfied with the match. Let us make the best of it--and, indeed, almost every thing may be fairly said in her favour. It is not a connexion to gratify; but if Mr. Churchill does not feel that, why should we? and it may be a very fortunate circumstance for him, for Frank, I mean, that he should have attached himself to a girl of such steadiness of character and good judgment as I have always given her credit for--and still am disposed to give her credit for, in spite of this one great deviation from the strict rule of right. And how much may be said in her situation for even that error!" "Much, indeed!" cried Emma feelingly. "If a woman can ever be excused for thinking only of herself, it is in a situation like Jane Fairfax's.--Of such, one may almost say, that" 'the world is not their's, nor the world's law.'" She met Mr. Weston on his entrance, with a smiling countenance, exclaiming, "A very pretty trick you have been playing me, upon my word! This was a device, I suppose, to sport with my curiosity, and exercise my talent of guessing. But you really frightened me. I thought you had lost half your property, at least. And here, instead of its being a matter of condolence, it turns out to be one of congratulation.--I congratulate you, Mr. Weston, with all my heart, on the prospect of having one of the most lovely and accomplished young women in England for your daughter." A glance or two between him and his wife, convinced him that all was as right as this speech proclaimed; and its happy effect on his spirits was immediate. His air and voice recovered their usual briskness: he shook her heartily and gratefully by the hand, and entered on the subject in a manner to prove, that he now only wanted time and persuasion to think the engagement no very bad thing. His companions suggested only what could palliate imprudence, or smooth objections; and by the time they had talked it all over together, and he had talked it all over again with Emma, in their walk back to Hartfield, he was become perfectly reconciled, and not far from thinking it the very best thing that Frank could possibly have done. CHAPTER XI "Harriet, poor Harriet!" "--Those were the words; in them lay the tormenting ideas which Emma could not get rid of, and which constituted the real misery of the business to her. Frank Churchill had behaved very ill by herself--very ill in many ways,--but it was not so much _his_ behaviour as her _own_, which made her so angry with him. It was the scrape which he had drawn	hear from him soon," continued Mrs. Weston. "He told me at parting, that he should soon write; and he spoke in a manner which seemed to promise me many particulars that could not be given now. Let us wait, therefore, for this letter. It may bring many extenuations. It may make many things intelligible and excusable which now are not to be understood. Don't let us be severe, don't let us be in a hurry to condemn him. Let us have patience. I must love him; and now that I am satisfied on one point, the one material point, I am sincerely anxious for its all turning out well, and ready to hope that it may. They must both have suffered a great deal under such a system of secresy and concealment." "_His_ sufferings," replied Emma dryly, "do not appear to have done him much harm. Well, and how did Mr. Churchill take it?" "Most favourably for his nephew--gave his consent with scarcely a difficulty. Conceive what the events of a week have done in that family! While poor Mrs. Churchill lived, I suppose there could not have been a hope, a chance, a possibility;--but scarcely are her remains at rest in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known to no being in the world but their two selves." "Well," said Emma, "I suppose we shall gradually grow reconciled to the idea, and I wish them very happy. But I shall always think it a very abominable sort of proceeding. What has it been but a system of hypocrisy and deceit,--espionage, and treachery?--To come among us with professions of openness and simplicity; and such a league in secret to judge us all!--Here have we been, the whole winter and spring, completely duped, fancying ourselves all on an equal footing of truth and honour, with two people in the midst of us who may have been carrying round, comparing and sitting in judgment on sentiments and words that were never meant for both to hear.--They must take the consequence, if they have heard each other spoken of in a way not perfectly agreeable!" "I am quite easy on that head," replied Mrs. Weston. "I am very sure that I never said any thing of either to the other, which both might not have heard." "You are in luck.--Your only blunder was confined to my ear, when you imagined a certain friend of ours in love with the lady." "True. But as I have always had a thoroughly good opinion of Miss Fairfax, I never could, under any blunder, have spoken ill of her; and as to speaking ill of him, there I must have been safe." At this moment Mr. Weston appeared at a little distance from the window, evidently on the watch. His wife gave him a look which invited him in; and, while he was coming round, added, "Now, dearest Emma, let me intreat you to say and look every thing that may set his heart at ease, and incline him to be satisfied with the match. Let us make the best of it--and, indeed, almost every thing may be fairly said in her favour. It is not a connexion to gratify; but if Mr. Churchill does not feel that, why should we? and it may be a very fortunate circumstance for him, for Frank, I mean, that he should have attached himself to a girl of such steadiness of character and good judgment as I have always given her credit for--and still am disposed to give her credit for, in spite of this one great deviation from the strict rule of right. And how much may be said in her situation for even that error!" "Much, indeed!" cried Emma feelingly. "If a woman can ever be excused for thinking only of herself, it is in a situation like Jane Fairfax's.--Of such, one may almost say, that" 'the world is not their's, nor the world's law.'" She met Mr. Weston on his entrance, with a smiling countenance, exclaiming, "A very pretty trick you have been	Emma
returned Sikes with a malicious grin.	No speaker	into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And	something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added	conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and	caution not wholly unnecessary, or the wish (at all events) to improve upon the distiller's ingenuity not very far from the old gentleman's merry heart. After swallowing two of three glasses of spirits, Mr. Sikes condescended to take some notice of the young gentlemen; which gracious act led to a conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and that it would come out rather worse for you than it would for me, my dear." The man started, and turned round upon the Jew. But the old gentleman's shoulders were shrugged up to his ears; and his eyes were vacantly staring on the opposite wall. There was a long	and jerking his head over on the right shoulder; a piece of dumb show which the Jew appeared to understand perfectly. He then, in cant terms, with which his whole conversation was plentifully besprinkled, but which would be quite unintelligible if they were recorded here, demanded a glass of liquor. "And mind you don't poison it," said Mr. Sikes, laying his hat upon the table. This was said in jest; but if the speaker could have seen the evil leer with which the Jew bit his pale lip as he turned round to the cupboard, he might have thought the caution not wholly unnecessary, or the wish (at all events) to improve upon the distiller's ingenuity not very far from the old gentleman's merry heart. After swallowing two of three glasses of spirits, Mr. Sikes condescended to take some notice of the young gentlemen; which gracious act led to a conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and that it would come out rather worse for you than it would for me, my dear." The man started, and turned round upon the Jew. But the old gentleman's shoulders were shrugged up to his ears; and his eyes were vacantly staring on the opposite wall. There was a long pause. Every member of the respectable coterie appeared plunged in his own reflections; not excepting the dog, who by a certain malicious licking of his lips seemed to be meditating an attack upon the legs of the first gentleman or lady he might encounter in the streets when he went out. "Somebody must find out wot's been done at the office," said Mr. Sikes in a much lower tone than he had taken since he came in. The Jew nodded assent. "If he hasn't peached, and is committed, there's no fear till he comes out again," said Mr. Sikes, "and	"What are you up to? Ill-treating the boys, you covetous, avaricious, in-sa-ti-a-ble old fence?" said the man, seating himself deliberately. "I wonder they don't murder you! I would if I was them. If I'd been your 'prentice, I'd have done it long ago, and no, I couldn't have sold you afterwards, for you're fit for nothing but keeping as a curiousity of ugliness in a glass bottle, and I suppose they don't blow glass bottles large enough." "Hush! hush! Mr. Sikes," said the Jew, trembling; "don't speak so loud!" "None of your mistering," replied the ruffian; "you always mean mischief when you come that. You know my name: out with it! I shan't disgrace it when the time comes." "Well, well, then Bill Sikes," said the Jew, with abject humility. "You seem out of humour, Bill." "Perhaps I am," replied Sikes; "I should think you was rather out of sorts too, unless you mean as little harm when you throw pewter pots about, as you do when you blab and" "Are you mad?" said the Jew, catching the man by the sleeve, and pointing towards the boys. Mr. Sikes contented himself with tying an imaginary knot under his left ear, and jerking his head over on the right shoulder; a piece of dumb show which the Jew appeared to understand perfectly. He then, in cant terms, with which his whole conversation was plentifully besprinkled, but which would be quite unintelligible if they were recorded here, demanded a glass of liquor. "And mind you don't poison it," said Mr. Sikes, laying his hat upon the table. This was said in jest; but if the speaker could have seen the evil leer with which the Jew bit his pale lip as he turned round to the cupboard, he might have thought the caution not wholly unnecessary, or the wish (at all events) to improve upon the distiller's ingenuity not very far from the old gentleman's merry heart. After swallowing two of three glasses of spirits, Mr. Sikes condescended to take some notice of the young gentlemen; which gracious act led to a conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and that it would come out rather worse for you than it would for me, my dear." The man started, and turned round upon the Jew. But the old gentleman's shoulders were shrugged up to his ears; and his eyes were vacantly staring on the opposite wall. There was a long pause. Every member of the respectable coterie appeared plunged in his own reflections; not excepting the dog, who by a certain malicious licking of his lips seemed to be meditating an attack upon the legs of the first gentleman or lady he might encounter in the streets when he went out. "Somebody must find out wot's been done at the office," said Mr. Sikes in a much lower tone than he had taken since he came in. The Jew nodded assent. "If he hasn't peached, and is committed, there's no fear till he comes out again," said Mr. Sikes, "and then he must be taken care on. You must get hold of him somehow." Again the Jew nodded. The prudence of this line of action, indeed, was obvious; but, unfortunately, there was one very strong objection to its being adopted. This was, that the Dodger, and Charley Bates, and Fagin, and Mr. William Sikes, happened, one and all, to entertain a violent and deeply-rooted antipathy to going near a police-office on any ground or pretext whatever. How long they might have sat and looked at each other, in a state of uncertainty not the most pleasant of its kind, it is difficult to guess. It is not necessary to make any guesses on the subject, however; for the sudden entrance of the two young ladies whom Oliver had seen on a former occasion, caused the conversation to flow afresh. "The very thing!" said the Jew. "Bet will go; won't you, my dear?" "Wheres?" inquired the young lady. "Only just up to the office, my dear," said the Jew coaxingly. It is due to the young lady to say that she did not positively affirm that she would not, but that she merely expressed an emphatic and earnest desire to be	could have been anticipated in a man of his apparent decrepitude; and, seizing up the pot, prepared to hurl it at his assailant's head. But Charley Bates, at this moment, calling his attention by a perfectly terrific howl, he suddenly altered its destination, and flung it full at that young gentleman. "Why, what the blazes is in the wind now!" growled a deep voice. "Who pitched that 'ere at me? It's well it's the beer, and not the pot, as hit me, or I'd have settled somebody. I might have know'd, as nobody but an infernal, rich, plundering, thundering old Jew could afford to throw away any drink but water and not that, unless he done the River Company every quarter. Wot's it all about, Fagin? D me, if my neck-handkercher an't lined with beer! Come in, you sneaking warmint; wot are you stopping outside for, as if you was ashamed of your master! Come in!" The man who growled out these words, was a stoutly-built fellow of about five-and-thirty, in a black velveteen coat, very soiled drab breeches, lace-up half boots, and grey cotton stockings which inclosed a bulky pair of legs, with large swelling calves; the kind of legs, which in such costume, always look in an unfinished and incomplete state without a set of fetters to garnish them. He had a brown hat on his head, and a dirty belcher handkerchief round his neck: with the long frayed ends of which he smeared the beer from his face as he spoke. He disclosed, when he had done so, a broad heavy countenance with a beard of three days' growth, and two scowling eyes; one of which displayed various parti-coloured symptoms of having been recently damaged by a blow. "Come in, d'ye hear?" growled this engaging ruffian. A white shaggy dog, with his face scratched and torn in twenty different places, skulked into the room. "Why didn't you come in afore?" said the man. "You're getting too proud to own me afore company, are you? Lie down!" This command was accompanied with a kick, which sent the animal to the other end of the room. He appeared well used to it, however; for he coiled himself up in a corner very quietly, without uttering a sound, and winking his very ill-looking eyes twenty times in a minute, appeared to occupy himself in taking a survey of the apartment. "What are you up to? Ill-treating the boys, you covetous, avaricious, in-sa-ti-a-ble old fence?" said the man, seating himself deliberately. "I wonder they don't murder you! I would if I was them. If I'd been your 'prentice, I'd have done it long ago, and no, I couldn't have sold you afterwards, for you're fit for nothing but keeping as a curiousity of ugliness in a glass bottle, and I suppose they don't blow glass bottles large enough." "Hush! hush! Mr. Sikes," said the Jew, trembling; "don't speak so loud!" "None of your mistering," replied the ruffian; "you always mean mischief when you come that. You know my name: out with it! I shan't disgrace it when the time comes." "Well, well, then Bill Sikes," said the Jew, with abject humility. "You seem out of humour, Bill." "Perhaps I am," replied Sikes; "I should think you was rather out of sorts too, unless you mean as little harm when you throw pewter pots about, as you do when you blab and" "Are you mad?" said the Jew, catching the man by the sleeve, and pointing towards the boys. Mr. Sikes contented himself with tying an imaginary knot under his left ear, and jerking his head over on the right shoulder; a piece of dumb show which the Jew appeared to understand perfectly. He then, in cant terms, with which his whole conversation was plentifully besprinkled, but which would be quite unintelligible if they were recorded here, demanded a glass of liquor. "And mind you don't poison it," said Mr. Sikes, laying his hat upon the table. This was said in jest; but if the speaker could have seen the evil leer with which the Jew bit his pale lip as he turned round to the cupboard, he might have thought the caution not wholly unnecessary, or the wish (at all events) to improve upon the distiller's ingenuity not very far from the old gentleman's merry heart. After swallowing two of three glasses of spirits, Mr. Sikes condescended to take some notice of the young gentlemen; which gracious act led to a conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and that it would come out rather worse for you than it would for me, my dear." The man started, and turned round upon the Jew. But the old gentleman's shoulders were shrugged up to his ears; and his eyes were vacantly staring on the opposite wall. There was a long pause. Every member of the respectable coterie appeared plunged in his own reflections; not excepting the dog, who by a certain malicious licking of his lips seemed to be meditating an attack upon the legs of the first gentleman or lady he might encounter in the streets when he went out. "Somebody must find out wot's been done at the office," said Mr. Sikes in a much lower tone than he had taken since he came in. The Jew nodded assent. "If he hasn't peached, and is committed, there's no fear till he comes out again," said Mr. Sikes, "and then he must be taken care on. You must get hold of him somehow." Again the Jew nodded. The prudence of this line of action, indeed, was obvious; but, unfortunately, there was one very strong objection to its being adopted. This was, that the Dodger, and Charley Bates, and Fagin, and Mr. William Sikes, happened, one and all, to entertain a violent and deeply-rooted antipathy to going near a police-office on any ground or pretext whatever. How long they might have sat and looked at each other, in a state of uncertainty not the most pleasant of its kind, it is difficult to guess. It is not necessary to make any guesses on the subject, however; for the sudden entrance of the two young ladies whom Oliver had seen on a former occasion, caused the conversation to flow afresh. "The very thing!" said the Jew. "Bet will go; won't you, my dear?" "Wheres?" inquired the young lady. "Only just up to the office, my dear," said the Jew coaxingly. It is due to the young lady to say that she did not positively affirm that she would not, but that she merely expressed an emphatic and earnest desire to be "blessed" if she would; a polite and delicate evasion of the request, which shows the young lady to have been possessed of that natural good breeding which cannot bear to inflict upon a fellow-creature, the pain of a direct and pointed refusal. The Jew's countenance fell. He turned from this young lady, who was gaily, not to say gorgeously attired, in a red gown, green boots, and yellow curl-papers, to the other female. "Nancy, my dear," said the Jew in a soothing manner, "what do _you_ say?" "That it won't do; so it's no use a-trying it on, Fagin," replied Nancy. "What do you mean by that?" said Mr. Sikes, looking up in a surly manner. "What I say, Bill," replied the lady collectedly. "Why, you're just the very person for it," reasoned Mr. Sikes: "nobody about here knows anything of you." "And as I don't want 'em to, neither," replied Nancy in the same composed manner, "it's rather more no than yes with me, Bill." "She'll go, Fagin," said Sikes. "No, she won't, Fagin," said Nancy. "Yes, she will, Fagin," said Sikes. And Mr. Sikes was right. By dint of alternate threats, promises, and bribes, the lady in question was ultimately prevailed upon to undertake the commission. She was not, indeed, withheld by the same considerations as her agreeable friend; for, having recently removed into the neighborhood of Field Lane from the remote but genteel suburb of Ratcliffe, she was not under the same apprehension of being recognised by any of her numerous acquaintances. Accordingly, with a clean white apron tied over her gown, and her curl-papers tucked up under a straw bonnet, both articles of dress being provided from the Jew's inexhaustible stock, Miss Nancy prepared to issue forth on her errand. "Stop a minute, my dear," said the Jew, producing, a little covered basket. "Carry that in one hand. It looks more respectable, my dear." "Give her a door-key to carry in her t'other one, Fagin," said Sikes; "it looks real and genivine like." "Yes, yes, my dear, so it does," said the Jew, hanging a large street-door key on the forefinger of the young lady's right hand. "There; very good! Very good indeed, my dear!" said the Jew, rubbing his hands. "Oh, my brother! My poor, dear, sweet, innocent little brother!" exclaimed Nancy, bursting into tears, and wringing the little basket and the street-door key in	mistering," replied the ruffian; "you always mean mischief when you come that. You know my name: out with it! I shan't disgrace it when the time comes." "Well, well, then Bill Sikes," said the Jew, with abject humility. "You seem out of humour, Bill." "Perhaps I am," replied Sikes; "I should think you was rather out of sorts too, unless you mean as little harm when you throw pewter pots about, as you do when you blab and" "Are you mad?" said the Jew, catching the man by the sleeve, and pointing towards the boys. Mr. Sikes contented himself with tying an imaginary knot under his left ear, and jerking his head over on the right shoulder; a piece of dumb show which the Jew appeared to understand perfectly. He then, in cant terms, with which his whole conversation was plentifully besprinkled, but which would be quite unintelligible if they were recorded here, demanded a glass of liquor. "And mind you don't poison it," said Mr. Sikes, laying his hat upon the table. This was said in jest; but if the speaker could have seen the evil leer with which the Jew bit his pale lip as he turned round to the cupboard, he might have thought the caution not wholly unnecessary, or the wish (at all events) to improve upon the distiller's ingenuity not very far from the old gentleman's merry heart. After swallowing two of three glasses of spirits, Mr. Sikes condescended to take some notice of the young gentlemen; which gracious act led to a conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and that it would come out rather worse for you than it would for me, my dear." The man started, and turned round upon the Jew. But the old gentleman's shoulders were shrugged up to his ears; and his eyes were vacantly staring on the opposite wall. There was a long pause. Every member of the respectable coterie appeared plunged in his own reflections; not excepting the dog, who by a certain malicious licking of his lips seemed to be meditating an attack upon the legs of the first gentleman or lady he might encounter in the streets when he went out. "Somebody must find out wot's been done at the office," said Mr. Sikes in a much lower tone than he had taken since he came in. The Jew nodded assent. "If he hasn't peached, and is committed, there's no fear till he comes out again," said Mr. Sikes, "and then he must be taken care on. You must get hold of him somehow." Again the Jew nodded. The prudence of this line of action, indeed, was obvious; but, unfortunately, there was one very strong objection to its being adopted. This was, that the Dodger, and Charley Bates, and Fagin, and Mr. William Sikes, happened, one and all, to entertain a violent and deeply-rooted antipathy to going near a police-office on any ground or pretext whatever. How long they might have sat and looked at each other, in a state of uncertainty not the most pleasant of its kind, it is difficult to guess. It is not necessary to make any guesses on the subject, however; for the sudden entrance of the two young ladies whom Oliver had seen on a former occasion, caused the conversation to flow afresh. "The very thing!" said the Jew. "Bet will go; won't you, my dear?" "Wheres?" inquired the young lady. "Only just up to the office, my dear," said the Jew coaxingly. It is due to the young lady to say that she did not positively affirm that she would not,	Oliver Twist
she continued after a long pause, during which the landlady served them with coffee.	No speaker	"But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the	She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to	sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to	is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one	she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?" "It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside	helped himself, he put it down to warm in the hearth. His hand stretched towards the Grammar, and soon he was turning over the pages, raising his eyebrows scornfully, perhaps at human nature, perhaps at Chinese. To him thus employed Helen returned. She had pulled herself together, but the grave appeal had not vanished from her eyes. "Now for the explanation," she said. "Why didn t I begin with it? I have found out something about Mr. Wilcox. He has behaved very wrongly indeed, and ruined two people s lives. It all came on me very suddenly last night; I am very much upset, and I do not know what to do. Mrs. Bast--" "Oh, those people!" Helen seemed silenced. "Shall I lock the door again?" "No thanks, Tibbikins. You re being very good to me. I want to tell you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?" "It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if his sister had not been ceaselessly beautiful. "You see, Helen--have a cigarette--I don t see what I m to do." "Then there s nothing to be done. I dare say you	submissively at the table. "Why such an early start?" he asked. "Sunrise or something--when I could get away." "So I surmise. Why?" "I don t know what s to be done, Tibby. I am very much upset at a piece of news that concerns Meg, and do not want to face her, and I am not going back to Wickham Place. I stopped here to tell you this." The landlady came in with the cutlets. Tibby put a marker in the leaves of his Chinese Grammar and helped them. Oxford--the Oxford of the vacation--dreamed and rustled outside, and indoors the little fire was coated with grey where the sunshine touched it. Helen continued her odd story. "Give Meg my love and say that I want to be alone. I mean to go to Munich or else Bonn." "Such a message is easily given," said her brother. "As regards Wickham Place and my share of the furniture, you and she are to do exactly as you like. My own feeling is that everything may just as well be sold. What does one want with dusty economic books, which have made the world no better, or with mother s hideous chiffoniers? I have also another commission for you. I want you to deliver a letter." She got up. "I haven t written it yet. Why shouldn t I post it, though?" She sat down again. "My head is rather wretched. I hope that none of your friends are likely to come in." Tibby locked the door. His friends often found it in this condition. Then he asked whether anything had gone wrong at Evie s wedding. "Not there," said Helen, and burst into tears. He had known her hysterical--it was one of her aspects with which he had no concern--and yet these tears touched him as something unusual. They were nearer the things that did concern him, such as music. He laid down his knife and looked at her curiously. Then, as she continued to sob, he went on with his lunch. The time came for the second course, and she was still crying. Apple Charlotte was to follow, which spoils by waiting. "Do you mind Mrs. Martlett coming in?" he asked, "or shall I take it from her at the door?" "Could I bathe my eyes, Tibby?" He took her to his bedroom, and introduced the pudding in her absence. Having helped himself, he put it down to warm in the hearth. His hand stretched towards the Grammar, and soon he was turning over the pages, raising his eyebrows scornfully, perhaps at human nature, perhaps at Chinese. To him thus employed Helen returned. She had pulled herself together, but the grave appeal had not vanished from her eyes. "Now for the explanation," she said. "Why didn t I begin with it? I have found out something about Mr. Wilcox. He has behaved very wrongly indeed, and ruined two people s lives. It all came on me very suddenly last night; I am very much upset, and I do not know what to do. Mrs. Bast--" "Oh, those people!" Helen seemed silenced. "Shall I lock the door again?" "No thanks, Tibbikins. You re being very good to me. I want to tell you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?" "It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if his sister had not been ceaselessly beautiful. "You see, Helen--have a cigarette--I don t see what I m to do." "Then there s nothing to be done. I dare say you are right. Let them marry. There remains the question of compensation." "Do you want me to adjudicate that too? Had you not better consult an expert?" "This part is in confidence," said Helen. "It has nothing to do with Meg, and do not mention it to her. The compensation--I do not see who is to pay it if I don t, and I have already decided on the minimum sum. As soon as possible I am placing it to your account, and when I am in Germany you will pay it over for me. I shall never forget your kindness, Tibbikins, if you do this." "What is the sum?" "Five thousand." "Good God alive!" said Tibby, and went crimson. "Now, what is the good of driblets? To go through life having done one thing--to have raised one person from the abyss; not these puny gifts of shillings and blankets--making the grey more grey. No doubt people will think me extraordinary." "I don t care an iota what people think!" cried he, heated to unusual manliness of diction. "But it s half what you have." "Not nearly half." She spread out her hands over her soiled skirt. "I have far too much, and we settled at Chelsea last spring that three hundred a year is necessary to set a man on his feet. What I give will bring in a hundred and fifty between two. It isn t enough." He could not recover. He was not angry or even shocked, and he saw that Helen would still have plenty to live on. But it amazed him to think what haycocks people can make of their lives. His delicate intonations would not work, and he could only blurt out that the five thousand pounds would mean a great deal of bother for him personally. "I didn t expect you to understand me." "I? I understand nobody." "But you ll do it?" "Apparently." "I leave you two commissions, then. The first concerns Mr. Wilcox, and you are to use your discretion. The second concerns the money, and is to be mentioned to no one, and carried out literally. You will send a hundred pounds on account to-morrow." He walked with her to the station, passing through those streets whose serried beauty never bewildered him and never fatigued. The lovely creature raised domes and spires into the cloudless blue, and only the ganglion of	known her hysterical--it was one of her aspects with which he had no concern--and yet these tears touched him as something unusual. They were nearer the things that did concern him, such as music. He laid down his knife and looked at her curiously. Then, as she continued to sob, he went on with his lunch. The time came for the second course, and she was still crying. Apple Charlotte was to follow, which spoils by waiting. "Do you mind Mrs. Martlett coming in?" he asked, "or shall I take it from her at the door?" "Could I bathe my eyes, Tibby?" He took her to his bedroom, and introduced the pudding in her absence. Having helped himself, he put it down to warm in the hearth. His hand stretched towards the Grammar, and soon he was turning over the pages, raising his eyebrows scornfully, perhaps at human nature, perhaps at Chinese. To him thus employed Helen returned. She had pulled herself together, but the grave appeal had not vanished from her eyes. "Now for the explanation," she said. "Why didn t I begin with it? I have found out something about Mr. Wilcox. He has behaved very wrongly indeed, and ruined two people s lives. It all came on me very suddenly last night; I am very much upset, and I do not know what to do. Mrs. Bast--" "Oh, those people!" Helen seemed silenced. "Shall I lock the door again?" "No thanks, Tibbikins. You re being very good to me. I want to tell you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?" "It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever	Howards End
"Morning"	Charles Wilcox	chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man	He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over	Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The	to London and work--he felt too miserable hanging about. He and Dolly would have the furnished flat while his father rested quietly in the country with Evie. He could also keep an eye on his own little house, which was being painted and decorated for him in one of the Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The man went for the cloths without a word. He was a chauffeur as ugly as sin--not that this did him disservice with Charles, who thought charm in a man rather rot, and had soon got rid of the little Italian beast with whom they had started. "Charles--" His bride was	lace. How easily she slipped out of life! Charles thought the habit laudable, though he did not intend to adopt it himself, whereas Margaret would have seen in it an almost culpable indifference to earthly fame. Cynicism--not the superficial cynicism that snarls and sneers, but the cynicism that can go with courtesy and tenderness--that was the note of Mrs. Wilcox s will. She wanted not to vex people. That accomplished, the earth might freeze over her for ever. No, there was nothing for Charles to wait for. He could not go on with his honeymoon, so he would go up to London and work--he felt too miserable hanging about. He and Dolly would have the furnished flat while his father rested quietly in the country with Evie. He could also keep an eye on his own little house, which was being painted and decorated for him in one of the Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The man went for the cloths without a word. He was a chauffeur as ugly as sin--not that this did him disservice with Charles, who thought charm in a man rather rot, and had soon got rid of the little Italian beast with whom they had started. "Charles--" His bride was tripping after him over the hoar-frost, a dainty black column, her little face and elaborate mourning hat forming the capital thereof. "One minute, I m busy. Well, Crane, who s been driving it, do you suppose?" "Don t know, I m sure, sir. No one s driven it since I ve been back, but, of course, there s the fortnight I ve been away with the other car in Yorkshire." The mud came off easily. "Charles, your father s down. Something s happened. He wants you in the house at once. Oh, Charles!" "Wait, dear, wait a minute. Who had	what difficulty had they persuaded her to yield them the paddock for it--the paddock that she loved more dearly than the garden itself! The vine--she had got her way about the vine. It still encumbered the south wall with its unproductive branches. And so with Evie, as she stood talking to the cook. Though she could take up her mother s work inside the house, just as the man could take it up without, she felt that something unique had fallen out of her life. Their grief, though less poignant than their father s, grew from deeper roots, for a wife may be replaced; a mother never. Charles would go back to the office. There was little at Howards End. The contents of his mother s will had long been known to them. There were no legacies, no annuities, none of the posthumous bustle with which some of the dead prolong their activities. Trusting her husband, she had left him everything without reserve. She was quite a poor woman--the house had been all her dowry, and the house would come to Charles in time. Her watercolours Mr. Wilcox intended to reserve for Paul, while Evie would take the jewellery and lace. How easily she slipped out of life! Charles thought the habit laudable, though he did not intend to adopt it himself, whereas Margaret would have seen in it an almost culpable indifference to earthly fame. Cynicism--not the superficial cynicism that snarls and sneers, but the cynicism that can go with courtesy and tenderness--that was the note of Mrs. Wilcox s will. She wanted not to vex people. That accomplished, the earth might freeze over her for ever. No, there was nothing for Charles to wait for. He could not go on with his honeymoon, so he would go up to London and work--he felt too miserable hanging about. He and Dolly would have the furnished flat while his father rested quietly in the country with Evie. He could also keep an eye on his own little house, which was being painted and decorated for him in one of the Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The man went for the cloths without a word. He was a chauffeur as ugly as sin--not that this did him disservice with Charles, who thought charm in a man rather rot, and had soon got rid of the little Italian beast with whom they had started. "Charles--" His bride was tripping after him over the hoar-frost, a dainty black column, her little face and elaborate mourning hat forming the capital thereof. "One minute, I m busy. Well, Crane, who s been driving it, do you suppose?" "Don t know, I m sure, sir. No one s driven it since I ve been back, but, of course, there s the fortnight I ve been away with the other car in Yorkshire." The mud came off easily. "Charles, your father s down. Something s happened. He wants you in the house at once. Oh, Charles!" "Wait, dear, wait a minute. Who had the key of the garage while you were away, Crane?" "The gardener, sir." "Do you mean to tell me that old Penny can drive a motor?" "No, sir; no one s had the motor out, sir." "Then how do you account for the mud on the axle?" "I can t, of course, say for the time I ve been in Yorkshire. No more mud now, sir." Charles was vexed. The man was treating him as a fool, and if his heart had not been so heavy he would have reported him to his father. But it was not a morning for complaints. Ordering the motor to be round after lunch, he joined his wife, who had all the while been pouring out some incoherent story about a letter and a Miss Schlegel. "Now, Dolly, I can attend to you. Miss Schlegel? What does she want?" When people wrote a letter Charles always asked what they wanted. Want was to him the only cause of action. And the question in this case was correct, for his wife replied, "She wants Howards End." "Howards End? Now, Crane, just don t forget to put on the Stepney wheel." "No, sir." "Now, mind you	and she knew it. A telegram had dragged her from Naples to the death-bed of a woman whom she had scarcely known. A word from her husband had plunged her into mourning. She desired to mourn inwardly as well, but she wished that Mrs. Wilcox, since fated to die, could have died before the marriage, for then less would have been expected of her. Crumbling her toast, and too nervous to ask for the butter, she remained almost motionless, thankful only for this, that her father-in-law was having his breakfast upstairs. At last Charles spoke. "They had no business to be pollarding those elms yesterday," he said to his sister. "No, indeed." "I must make a note of that," he continued. "I am surprised that the rector allowed it." "Perhaps it may not be the rector s affair." "Whose else could it be?" "The lord of the manor." "Impossible." "Butter, Dolly?" "Thank you, Evie dear. Charles--" "Yes, dear?" "I didn t know one could pollard elms. I thought one only pollarded willows." "Oh no, one can pollard elms." "Then why oughtn t the elms in the churchyard to be pollarded?" Charles frowned a little, and turned again to his sister. "Another point. I must speak to Chalkeley." "Yes, rather; you must complain to Chalkeley." "It s no good his saying he is not responsible for those men. He is responsible." "Yes, rather." Brother and sister were not callous. They spoke thus, partly because they desired to keep Chalkeley up to the mark--a healthy desire in its way--partly because they avoided the personal note in life. All Wilcoxes did. It did not seem to them of supreme importance. Or it may be as Helen supposed: they realised its importance, but were afraid of it. Panic and emptiness, could one glance behind. They were not callous, and they left the breakfast-table with aching hearts. Their mother never had come in to breakfast. It was in the other rooms, and especially in the garden, that they felt her loss most. As Charles went out to the garage, he was reminded at every step of the woman who had loved him and whom he could never replace. What battles he had fought against her gentle conservatism! How she had disliked improvements, yet how loyally she had accepted them when made! He and his father--what trouble they had had to get this very garage! With what difficulty had they persuaded her to yield them the paddock for it--the paddock that she loved more dearly than the garden itself! The vine--she had got her way about the vine. It still encumbered the south wall with its unproductive branches. And so with Evie, as she stood talking to the cook. Though she could take up her mother s work inside the house, just as the man could take it up without, she felt that something unique had fallen out of her life. Their grief, though less poignant than their father s, grew from deeper roots, for a wife may be replaced; a mother never. Charles would go back to the office. There was little at Howards End. The contents of his mother s will had long been known to them. There were no legacies, no annuities, none of the posthumous bustle with which some of the dead prolong their activities. Trusting her husband, she had left him everything without reserve. She was quite a poor woman--the house had been all her dowry, and the house would come to Charles in time. Her watercolours Mr. Wilcox intended to reserve for Paul, while Evie would take the jewellery and lace. How easily she slipped out of life! Charles thought the habit laudable, though he did not intend to adopt it himself, whereas Margaret would have seen in it an almost culpable indifference to earthly fame. Cynicism--not the superficial cynicism that snarls and sneers, but the cynicism that can go with courtesy and tenderness--that was the note of Mrs. Wilcox s will. She wanted not to vex people. That accomplished, the earth might freeze over her for ever. No, there was nothing for Charles to wait for. He could not go on with his honeymoon, so he would go up to London and work--he felt too miserable hanging about. He and Dolly would have the furnished flat while his father rested quietly in the country with Evie. He could also keep an eye on his own little house, which was being painted and decorated for him in one of the Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The man went for the cloths without a word. He was a chauffeur as ugly as sin--not that this did him disservice with Charles, who thought charm in a man rather rot, and had soon got rid of the little Italian beast with whom they had started. "Charles--" His bride was tripping after him over the hoar-frost, a dainty black column, her little face and elaborate mourning hat forming the capital thereof. "One minute, I m busy. Well, Crane, who s been driving it, do you suppose?" "Don t know, I m sure, sir. No one s driven it since I ve been back, but, of course, there s the fortnight I ve been away with the other car in Yorkshire." The mud came off easily. "Charles, your father s down. Something s happened. He wants you in the house at once. Oh, Charles!" "Wait, dear, wait a minute. Who had the key of the garage while you were away, Crane?" "The gardener, sir." "Do you mean to tell me that old Penny can drive a motor?" "No, sir; no one s had the motor out, sir." "Then how do you account for the mud on the axle?" "I can t, of course, say for the time I ve been in Yorkshire. No more mud now, sir." Charles was vexed. The man was treating him as a fool, and if his heart had not been so heavy he would have reported him to his father. But it was not a morning for complaints. Ordering the motor to be round after lunch, he joined his wife, who had all the while been pouring out some incoherent story about a letter and a Miss Schlegel. "Now, Dolly, I can attend to you. Miss Schlegel? What does she want?" When people wrote a letter Charles always asked what they wanted. Want was to him the only cause of action. And the question in this case was correct, for his wife replied, "She wants Howards End." "Howards End? Now, Crane, just don t forget to put on the Stepney wheel." "No, sir." "Now, mind you don t forget, for I--Come, little woman." When they were out of the chauffeur s sight he put his arm round her waist and pressed her against him. All his affection and half his attention--it was what he granted her throughout their happy married life. "But you haven t listened, Charles." "What s wrong?" "I keep on telling you--Howards End. Miss Schlegel s got it." "Got what?" said Charles, unclasping her. "What the dickens are you talking about?" "Now, Charles, you promised not to say those naughty--" "Look here, I m in no mood for foolery. It s no morning for it either." "I tell you--I keep on telling you--Miss Schlegel--she s got it--your mother s left it to her--and you ve all got to move out!" "HOWARDS END?" "HOWARDS END!" she screamed, mimicking him, and as she did so Evie came dashing out of the shubbery. "Dolly, go back at once! My father s much annoyed with you. Charles" "--she hit herself wildly--" "come in at once to father. He s had a letter that s too awful." Charles began to run, but checked himself, and stepped heavily across the gravel path. There the house was with the nine windows, the unprolific vine. He exclaimed, "Schlegels again!" and as if to complete chaos, Dolly said, "Oh no, the matron of the nursing home has written instead of her." "Come in, all three of you!" cried his father, no longer inert. "Dolly, why have you disobeyed me?" "Oh, Mr. Wilcox--" "I told you not to go out to the garage. I ve heard you all shouting in the garden. I won t have it. Come in." He stood in the porch, transformed, letters in his hand. "Into the dining-room, every one of you. We can t discuss private matters in the middle of all the servants. Here, Charles, here; read these. See what you make." Charles took two letters, and read them as he followed the procession. The first was a covering note from the matron. Mrs. Wilcox had desired her, when the funeral should be over, to forward the enclosed. The enclosed--it was from his mother herself. She had written: "To my husband: I should like Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let	spoke thus, partly because they desired to keep Chalkeley up to the mark--a healthy desire in its way--partly because they avoided the personal note in life. All Wilcoxes did. It did not seem to them of supreme importance. Or it may be as Helen supposed: they realised its importance, but were afraid of it. Panic and emptiness, could one glance behind. They were not callous, and they left the breakfast-table with aching hearts. Their mother never had come in to breakfast. It was in the other rooms, and especially in the garden, that they felt her loss most. As Charles went out to the garage, he was reminded at every step of the woman who had loved him and whom he could never replace. What battles he had fought against her gentle conservatism! How she had disliked improvements, yet how loyally she had accepted them when made! He and his father--what trouble they had had to get this very garage! With what difficulty had they persuaded her to yield them the paddock for it--the paddock that she loved more dearly than the garden itself! The vine--she had got her way about the vine. It still encumbered the south wall with its unproductive branches. And so with Evie, as she stood talking to the cook. Though she could take up her mother s work inside the house, just as the man could take it up without, she felt that something unique had fallen out of her life. Their grief, though less poignant than their father s, grew from deeper roots, for a wife may be replaced; a mother never. Charles would go back to the office. There was little at Howards End. The contents of his mother s will had long been known to them. There were no legacies, no annuities, none of the posthumous bustle with which some of the dead prolong their activities. Trusting her husband, she had left him everything without reserve. She was quite a poor woman--the house had been all her dowry, and the house would come to Charles in time. Her watercolours Mr. Wilcox intended to reserve for Paul, while Evie would take the jewellery and lace. How easily she slipped out of life! Charles thought the habit laudable, though he did not intend to adopt it himself, whereas Margaret would have seen in it an almost culpable indifference to earthly fame. Cynicism--not the superficial cynicism that snarls and sneers, but the cynicism that can go with courtesy and tenderness--that was the note of Mrs. Wilcox s will. She wanted not to vex people. That accomplished, the earth might freeze over her for ever. No, there was nothing for Charles to wait for. He could not go on with his honeymoon, so he would go up to London and work--he felt too miserable hanging about. He and Dolly would have the furnished flat while his father rested quietly in the country with Evie. He could also keep an eye on his own little house, which was being painted and decorated for him in one of the Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The man went for the cloths without a word. He was a chauffeur as ugly as sin--not that this did him disservice with Charles, who thought charm in a man rather rot, and had soon got rid of the little Italian beast with whom they had started. "Charles--" His bride was tripping after him over the hoar-frost, a dainty black column, her little face and elaborate mourning hat forming the capital thereof. "One minute, I m busy. Well, Crane, who s been driving it, do you suppose?" "Don t know, I m sure, sir. No one s driven it since I ve been back, but, of course, there s the fortnight I ve been away with the other car in Yorkshire." The mud came off easily. "Charles, your father s down. Something s happened. He wants you in the house at once. Oh, Charles!" "Wait, dear, wait a minute. Who had the key of the garage while you were away, Crane?" "The gardener, sir." "Do you mean to tell me that old Penny can drive a motor?" "No, sir; no one s had the motor out, sir." "Then how do you account for the mud on the axle?" "I can t, of course, say for the time I ve been in Yorkshire. No more mud now, sir." Charles was vexed. The man was treating him as a fool, and if his heart had not been so heavy he would have reported him to his father. But it was not a morning for complaints. Ordering the motor to be round after lunch, he joined his wife, who had all the while been pouring out some incoherent story about a letter and a Miss Schlegel. "Now, Dolly, I can attend to you. Miss Schlegel? What does she want?" When people wrote a letter	Howards End
"Yes, my dear. Now I'll open it."	Count Mippipopolous	might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I	the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett	and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was	they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy	"I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear,	on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?"	to the door and there was the count. Behind him was the chauffeur carrying a basket of champagne. "Where should I have him put it, sir?" asked the count. "In the kitchen," Brett said. "Put it in there, Henry," the count motioned. "Now go down and get the ice." He stood looking after the basket inside the kitchen door. "I think you'll find that's very good wine," he said. "I know we don't get much of a chance to judge good wine in the States now, but I got this from a friend of mine that's in the business." "Oh, you always have some one in the trade," Brett said. "This fellow raises the grapes. He's got thousands of acres of them." "What's his name?" asked Brett. "Veuve Cliquot?" "No," said the count. "Mumms. He's a baron." "Isn't it wonderful," said Brett. "We all have titles. Why haven't you a title, Jake?" "I assure you, sir," the count put his hand on my arm. "It never does a man any good. Most of the time it costs you money." "Oh, I don't know. It's damned useful sometimes," Brett said. "I've never known it to do me any good." "You haven't used it properly. I've had hell's own amount of credit on mine." "Do sit down, count," I said. "Let me take that stick." The count was looking at Brett across the table under the gas-light. She was smoking a cigarette and flicking the ashes on the rug. She saw me notice it. "I say, Jake, I don't want to ruin your rugs. Can't you give a chap an ash-tray?" I found some ash-trays and spread them around. The chauffeur came up with a bucket full of salted ice. "Put two bottles in it, Henry," the count called. "Anything else, sir?" "No. Wait down in the car." He turned to Brett and to me. "We'll want to ride out to the Bois for dinner?" "If you like," Brett said. "I couldn't eat a thing." "I always like a good meal," said the count. "Should I bring the wine in, sir?" asked the chauffeur. "Yes. Bring it in, Henry," said the count. He took out a heavy pigskin cigar-case and offered it to me. "Like to try a real American cigar?" "Thanks," I said. "I'll finish the cigarette." He cut off the end of his cigar with a gold cutter he wore on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?" Brett turned to me. "I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said. "We have our careers," Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside	them around. The chauffeur came up with a bucket full of salted ice. "Put two bottles in it, Henry," the count called. "Anything else, sir?" "No. Wait down in the car." He turned to Brett and to me. "We'll want to ride out to the Bois for dinner?" "If you like," Brett said. "I couldn't eat a thing." "I always like a good meal," said the count. "Should I bring the wine in, sir?" asked the chauffeur. "Yes. Bring it in, Henry," said the count. He took out a heavy pigskin cigar-case and offered it to me. "Like to try a real American cigar?" "Thanks," I said. "I'll finish the cigarette." He cut off the end of his cigar with a gold cutter he wore on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest	The Sun Also Rises
"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."	Lady Bertram	take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on	so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant	to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be	cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be accepted." "I do not know. We will ask him. But he will be very much surprised that Mrs. Grant should ask Fanny at all." There was nothing more to be said, or that could be said to any purpose, till Sir Thomas were present; but the subject involving, as it	the warmest satisfaction, as so particularly desirable for her in the intimacy which he saw with so much pleasure established, it was a silent walk; for having finished that subject, he grew thoughtful and indisposed for any other. CHAPTER XXIII "But why should Mrs. Grant ask Fanny?" said Lady Bertram. "How came she to think of asking Fanny? Fanny never dines there, you know, in this sort of way. I cannot spare her, and I am sure she does not want to go. Fanny, you do not want to go, do you?" "If you put such a question to her," cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be accepted." "I do not know. We will ask him. But he will be very much surprised that Mrs. Grant should ask Fanny at all." There was nothing more to be said, or that could be said to any purpose, till Sir Thomas were present; but the subject involving, as it did, her own evening's comfort for the morrow, was so much uppermost in Lady Bertram's mind, that half an hour afterwards, on his looking in for a minute in his way from his plantation to his dressing-room, she called him back again, when he had almost closed the door, with "Sir Thomas, stop a moment I have something to say to you." Her tone of calm languor, for she never took the trouble of raising her voice, was always heard and attended to; and Sir Thomas came back. Her story began; and Fanny immediately slipped out of the room; for	account, could not imagine that his mother would make any difficulty of sparing her, and therefore gave his decided open advice that the invitation should be accepted; and though Fanny would not venture, even on his encouragement, to such a flight of audacious independence, it was soon settled, that if nothing were heard to the contrary, Mrs. Grant might expect her. "And you know what your dinner will be," said Mrs. Grant, smiling "the turkey, and I assure you a very fine one; for, my dear," turning to her husband, "cook insists upon the turkey's being dressed to-morrow." "Very well, very well," cried Dr. Grant, "all the better; I am glad to hear you have anything so good in the house. But Miss Price and Mr. Edmund Bertram, I dare say, would take their chance. We none of us want to hear the bill of fare. A friendly meeting, and not a fine dinner, is all we have in view. A turkey, or a goose, or a leg of mutton, or whatever you and your cook chuse to give us." The two cousins walked home together; and, except in the immediate discussion of this engagement, which Edmund spoke of with the warmest satisfaction, as so particularly desirable for her in the intimacy which he saw with so much pleasure established, it was a silent walk; for having finished that subject, he grew thoughtful and indisposed for any other. CHAPTER XXIII "But why should Mrs. Grant ask Fanny?" said Lady Bertram. "How came she to think of asking Fanny? Fanny never dines there, you know, in this sort of way. I cannot spare her, and I am sure she does not want to go. Fanny, you do not want to go, do you?" "If you put such a question to her," cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be accepted." "I do not know. We will ask him. But he will be very much surprised that Mrs. Grant should ask Fanny at all." There was nothing more to be said, or that could be said to any purpose, till Sir Thomas were present; but the subject involving, as it did, her own evening's comfort for the morrow, was so much uppermost in Lady Bertram's mind, that half an hour afterwards, on his looking in for a minute in his way from his plantation to his dressing-room, she called him back again, when he had almost closed the door, with "Sir Thomas, stop a moment I have something to say to you." Her tone of calm languor, for she never took the trouble of raising her voice, was always heard and attended to; and Sir Thomas came back. Her story began; and Fanny immediately slipped out of the room; for to hear herself the subject of any discussion with her uncle was more than her nerves could bear. She was anxious, she knew more anxious perhaps than she ought to be for what was it after all whether she went or staid? but if her uncle were to be a great while considering and deciding, and with very grave looks, and those grave looks directed to her, and at last decide against her, she might not be able to appear properly submissive and indifferent. Her cause, meanwhile, went on well. It began, on Lady Bertram's part, with "I have something to tell you that will surprise you. Mrs. Grant has asked Fanny to dinner." "Well," said Sir Thomas, as if waiting more to accomplish the surprise. "Edmund wants her to go. But how can I spare her?" "She will be late," said Sir Thomas, taking out his watch; "but what is your difficulty?" Edmund found himself obliged to speak and fill up the blanks in his mother's story. He told the whole; and she had only to add, "So strange! for Mrs. Grant never used to ask her." "But is it not very natural," observed Edmund, "that Mrs. Grant should	Crawford," he added, in a more serious tone, "there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound of the great clock at Mansfield Park, striking three, made her feel that she had really been much longer absent than usual, and brought the previous self-inquiry of whether she should take leave or not just then, and how, to a very speedy issue. With undoubting decision she directly began her adieus; and Edmund began at the same time to recollect that his mother had been inquiring for her, and that he had walked down to the Parsonage on purpose to bring her back. Fanny's hurry increased; and without in the least expecting Edmund's attendance, she would have hastened away alone; but the general pace was quickened, and they all accompanied her into the house, through which it was necessary to pass. Dr. Grant was in the vestibule, and as they stopt to speak to him she found, from Edmund's manner, that he _did_ mean to go with her. He too was taking leave. She could not but be thankful. In the moment of parting, Edmund was invited by Dr. Grant to eat his mutton with him the next day; and Fanny had barely time for an unpleasant feeling on the occasion, when Mrs. Grant, with sudden recollection, turned to her and asked for the pleasure of her company too. This was so new an attention, so perfectly new a circumstance in the events of Fanny's life, that she was all surprise and embarrassment; and while stammering out her great obligation, and her "but she did not suppose it would be in her power," was looking at Edmund for his opinion and help. But Edmund, delighted with her having such an happiness offered, and ascertaining with half a look, and half a sentence, that she had no objection but on her aunt's account, could not imagine that his mother would make any difficulty of sparing her, and therefore gave his decided open advice that the invitation should be accepted; and though Fanny would not venture, even on his encouragement, to such a flight of audacious independence, it was soon settled, that if nothing were heard to the contrary, Mrs. Grant might expect her. "And you know what your dinner will be," said Mrs. Grant, smiling "the turkey, and I assure you a very fine one; for, my dear," turning to her husband, "cook insists upon the turkey's being dressed to-morrow." "Very well, very well," cried Dr. Grant, "all the better; I am glad to hear you have anything so good in the house. But Miss Price and Mr. Edmund Bertram, I dare say, would take their chance. We none of us want to hear the bill of fare. A friendly meeting, and not a fine dinner, is all we have in view. A turkey, or a goose, or a leg of mutton, or whatever you and your cook chuse to give us." The two cousins walked home together; and, except in the immediate discussion of this engagement, which Edmund spoke of with the warmest satisfaction, as so particularly desirable for her in the intimacy which he saw with so much pleasure established, it was a silent walk; for having finished that subject, he grew thoughtful and indisposed for any other. CHAPTER XXIII "But why should Mrs. Grant ask Fanny?" said Lady Bertram. "How came she to think of asking Fanny? Fanny never dines there, you know, in this sort of way. I cannot spare her, and I am sure she does not want to go. Fanny, you do not want to go, do you?" "If you put such a question to her," cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be accepted." "I do not know. We will ask him. But he will be very much surprised that Mrs. Grant should ask Fanny at all." There was nothing more to be said, or that could be said to any purpose, till Sir Thomas were present; but the subject involving, as it did, her own evening's comfort for the morrow, was so much uppermost in Lady Bertram's mind, that half an hour afterwards, on his looking in for a minute in his way from his plantation to his dressing-room, she called him back again, when he had almost closed the door, with "Sir Thomas, stop a moment I have something to say to you." Her tone of calm languor, for she never took the trouble of raising her voice, was always heard and attended to; and Sir Thomas came back. Her story began; and Fanny immediately slipped out of the room; for to hear herself the subject of any discussion with her uncle was more than her nerves could bear. She was anxious, she knew more anxious perhaps than she ought to be for what was it after all whether she went or staid? but if her uncle were to be a great while considering and deciding, and with very grave looks, and those grave looks directed to her, and at last decide against her, she might not be able to appear properly submissive and indifferent. Her cause, meanwhile, went on well. It began, on Lady Bertram's part, with "I have something to tell you that will surprise you. Mrs. Grant has asked Fanny to dinner." "Well," said Sir Thomas, as if waiting more to accomplish the surprise. "Edmund wants her to go. But how can I spare her?" "She will be late," said Sir Thomas, taking out his watch; "but what is your difficulty?" Edmund found himself obliged to speak and fill up the blanks in his mother's story. He told the whole; and she had only to add, "So strange! for Mrs. Grant never used to ask her." "But is it not very natural," observed Edmund, "that Mrs. Grant should wish to procure so agreeable a visitor for her sister?" "Nothing can be more natural," said Sir Thomas, after a short deliberation; "nor, were there no sister in the case, could anything, in my opinion, be more natural. Mrs. Grant's shewing civility to Miss Price, to Lady Bertram's niece, could never want explanation. The only surprise I can feel is, that this should be the _first_ time of its being paid. Fanny was perfectly right in giving only a conditional answer. She appears to feel as she ought. But as I conclude that she must wish to go, since all young people like to be together, I can see no reason why she should be denied the indulgence." "But can I do without her, Sir Thomas?" "Indeed I think you may." "She always makes tea, you know, when my sister is not here." "Your sister, perhaps, may be prevailed on to spend the day with us, and I shall certainly be at home." "Very well, then, Fanny may go, Edmund." The good news soon followed her. Edmund knocked at her door in his way to his own. "Well, Fanny, it is all happily settled, and without the smallest hesitation on your uncle's side. He had but one opinion. You are to go." "Thank you, I am _so_ glad," was Fanny's instinctive reply; though when she had turned from him and shut the door, she could not help feeling, "And yet why should I be glad? for am I not certain of seeing or hearing something there to pain me?" In spite of this conviction, however, she was glad. Simple as such an engagement might appear in other eyes, it had novelty and importance in hers, for excepting the day at Sotherton, she had scarcely ever dined out before; and though now going only half a mile, and only to three people, still it was dining out, and all the little interests of preparation were enjoyments in themselves. She had neither sympathy nor assistance from those who ought to have entered into her feelings and directed her taste; for Lady Bertram never thought of being useful to anybody, and Mrs. Norris, when she came on the morrow, in consequence of an early call and invitation from Sir Thomas, was in a very ill humour, and seemed intent only on lessening her niece's pleasure, both present and future, as much as possible.	Grant, "all the better; I am glad to hear you have anything so good in the house. But Miss Price and Mr. Edmund Bertram, I dare say, would take their chance. We none of us want to hear the bill of fare. A friendly meeting, and not a fine dinner, is all we have in view. A turkey, or a goose, or a leg of mutton, or whatever you and your cook chuse to give us." The two cousins walked home together; and, except in the immediate discussion of this engagement, which Edmund spoke of with the warmest satisfaction, as so particularly desirable for her in the intimacy which he saw with so much pleasure established, it was a silent walk; for having finished that subject, he grew thoughtful and indisposed for any other. CHAPTER XXIII "But why should Mrs. Grant ask Fanny?" said Lady Bertram. "How came she to think of asking Fanny? Fanny never dines there, you know, in this sort of way. I cannot spare her, and I am sure she does not want to go. Fanny, you do not want to go, do you?" "If you put such a question to her," cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be accepted." "I do not know. We will ask him. But he will be very much surprised that Mrs. Grant should ask Fanny at all." There was nothing more to be said, or that could be said to any purpose, till Sir Thomas were present; but the subject involving, as it did, her own evening's comfort for the morrow, was so much uppermost in Lady Bertram's mind, that half an hour afterwards, on his looking in for a minute in his way from his plantation to his dressing-room, she called him back again, when he had almost closed the door, with "Sir Thomas, stop a moment I have something to say to you." Her tone of calm languor, for she never took the trouble of raising her voice, was always heard and attended to; and Sir Thomas came back. Her story began; and Fanny immediately slipped out of the room; for to hear herself the subject of any discussion with her uncle was more than her nerves could bear. She was anxious, she knew more anxious perhaps than she ought to be for what was it after all whether she went or staid? but if her uncle were to be a great while considering and deciding, and with very grave looks, and those	Mansfield Park
"how am I to get in?"	Alice	pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense	kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman	they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time	the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I	and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like	open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze,	as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly," said Alice, who was a very truthful child; "but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to	trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she	Alices Adventures In Wonderland
"Yes, Jem,"	Don Lavington	tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first."	see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at	couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only	don't," said Jem, fiercely; "so don't talk like that, Mas' Don. Why, even I couldn't ha' stole that money--me, as is only yard-man, and nothing o' no consequence t'other day. So if I couldn't ha' done it, I'm quite sure as you, as is a young gentleman born and bred, couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only man, but I shakes hands with you in my 'art, my lad, and I says, don't be down over it." "You couldn't shake hands with a thief, you mean, Jem," said Don, bitterly. "Look here, Mas' Don, I can't punch your head because, as aforesaid, you're young master, and I'm	were many and strange. What should he do? Go right away, and--and-- "Mas' Don." He looked up, and Jem stood at the door. CHAPTER SIX. JEM WIMBLE TALKS SENSE. "May I come in?" Don nodded. "The master's gone, and took the ladies 'long with him. Why, don't look like that, my lad. Your uncle don't think you took the money?" Don nodded. "But your mother don't, sir?" "Yes, Jem, she believes me guilty too." "I never did!" cried Jem, excitedly. "But sure-_lie_ Miss Kitty don't?" "Yes, Jem, they all think I'm a thief. Everybody does," cried Don, passionately. "No, everybody don't," said Jem, fiercely; "so don't talk like that, Mas' Don. Why, even I couldn't ha' stole that money--me, as is only yard-man, and nothing o' no consequence t'other day. So if I couldn't ha' done it, I'm quite sure as you, as is a young gentleman born and bred, couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only man, but I shakes hands with you in my 'art, my lad, and I says, don't be down over it." "You couldn't shake hands with a thief, you mean, Jem," said Don, bitterly. "Look here, Mas' Don, I can't punch your head because, as aforesaid, you're young master, and I'm only man; but for that there same what you said just now I hits you in my 'art. Thief indeed! But ah, my lad, it was a pity as you ever let Mike come into the office to tell you his lies about furren parts." "Yes, Jem, it was." "When you might ha' got all he told you out o' books, and the stories wouldn't ha' been quite so black." "Ah, well, it's all over now." "What's all over?" "My life here, Jem. I shall go right away." "Go? What?" "Right away. Abroad, I think." "And what'll your mother do?"	but his uncle's words had raised up an obstinacy that was stronger than ever, and while longing to throw himself in his mother's arms--passionately longing so to do--his indignant pride held him back, and he stood with his head bent, as in obedience to her brother Mrs Lavington took his arm, and allowed him to lead her out of the office, weeping bitterly the while. Don did not look up to meet his mother's yearning gaze, but for months and years after he seemed to see that look when far away in the midst of peril, and too late he bitterly upbraided himself for his want of frankness and power to subdue his obstinate pride. "He thinks me guilty!" he said to himself, as he stood with his head bent, listening, and unaware of the fact that some one was still in the room, till a light step came towards him, his hand was caught, and his cheek rapidly kissed. "Kitty!" "Coming, father." Then there was a rapid step, the door closed, and Don stood in the same attitude, listening to the steps on the gravel, and then to the bang of the wicket-gate. Alone with his thoughts, and they were many and strange. What should he do? Go right away, and--and-- "Mas' Don." He looked up, and Jem stood at the door. CHAPTER SIX. JEM WIMBLE TALKS SENSE. "May I come in?" Don nodded. "The master's gone, and took the ladies 'long with him. Why, don't look like that, my lad. Your uncle don't think you took the money?" Don nodded. "But your mother don't, sir?" "Yes, Jem, she believes me guilty too." "I never did!" cried Jem, excitedly. "But sure-_lie_ Miss Kitty don't?" "Yes, Jem, they all think I'm a thief. Everybody does," cried Don, passionately. "No, everybody don't," said Jem, fiercely; "so don't talk like that, Mas' Don. Why, even I couldn't ha' stole that money--me, as is only yard-man, and nothing o' no consequence t'other day. So if I couldn't ha' done it, I'm quite sure as you, as is a young gentleman born and bred, couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only man, but I shakes hands with you in my 'art, my lad, and I says, don't be down over it." "You couldn't shake hands with a thief, you mean, Jem," said Don, bitterly. "Look here, Mas' Don, I can't punch your head because, as aforesaid, you're young master, and I'm only man; but for that there same what you said just now I hits you in my 'art. Thief indeed! But ah, my lad, it was a pity as you ever let Mike come into the office to tell you his lies about furren parts." "Yes, Jem, it was." "When you might ha' got all he told you out o' books, and the stories wouldn't ha' been quite so black." "Ah, well, it's all over now." "What's all over?" "My life here, Jem. I shall go right away." "Go? What?" "Right away. Abroad, I think." "And what'll your mother do?" "Forget me, I hope. I always was an unlucky fellow Jem." "What d'yer mean? Run away?" "Yes, I shall go away." "Well, that's clever, that is. Why, that's just the way to make 'em think you did it. Tshah! You stop like a man and face it out." "When everybody believes me guilty?" "Don't be so precious aggrawatin', my lad," cried Jem, plaintively. "Don't I keep on a-telling you that I don't believe you guilty. Why, I'd just as soon believe that I stole our sugar and sold bundles of tobacco-leaves to the marine store shops." Don shook his head. "Well, of all the aggrawatin' chaps I ever did see, you're 'bout the worst, Mas' Don. Don't I tell you it'll be all right?" "No, Jem, it will not be all right. I shall have to go before the magistrates." "Well, what of that?" "What of that?" cried Don, passionately. "Why, that scoundrel Mike will keep to his story." "Let him!" cried Jem, contemptuously. "Why, who'd ever believe him i' preference to you?" "My uncle--my mother--my cousin." "Not they, my boy. They don't believe it. They only think they do. They're sore just now, while it's all fresh. To-morrow by	he had said something like that, Don would have melted, and all would have been well; but accustomed to manage men with an iron rule, Uncle Josiah had somehow, in spite of his straightforward, manly, and just character, seemed to repel the boy whose charge he had taken, and instead now of making the slightest advance, he said to himself, "It is not my duty to eat humble pie before the obstinate young cub. It will be a severe lesson for him, and will do him good." So the breach widened. Don seemed to grow sulky and sullen, when he was longing to cast himself upon his mother's neck. The poor woman felt indignant at her son's conduct, and the last straw which broke the camel's back was laid on the top of the load by Kitty, who, moved by a desire to do good, made matters far worse by running across to Don, and in an impetuous way catching his hands and kissing him. "Don, dear!" she cried. The boy's face lit up. Here was some one who would believe him after all, and he responded to her advances by grasping her hands tightly in his. "Do, do speak, Don dear, and beg father to forgive you," she cried. "Tell him it was a mistake, and that you will never do so again." Don let fall her hands, the deep scowl came over his brow again, and he half turned away. "No, no, Don, dear," she whispered; "pray don't be obstinate. Confess that you did it, and promise father to do better in the future. He will forgive you; I know he will." Don turned his back with an impatient gesture, and Kitty burst into tears, and went slowly to her aunt, to whose hands she clung. "Laura, dear," said Uncle Josiah, gravely, "I think we had better bring this painful interview to an end. You may rest assured that I shall do what is just and right by Don. He shall have every opportunity for clearing himself." "I am not guilty," cried Don, fiercely throwing back his head. "I thought so this morning, my boy," said the old merchant, gravely. "Your conduct now is making me think very differently. Laura, I will walk home with you, if you please." "Josiah! Don, my boy, pray, pray speak," cried Mrs Lavington, piteously. Don heard her appeal, and it thrilled him, but his uncle's words had raised up an obstinacy that was stronger than ever, and while longing to throw himself in his mother's arms--passionately longing so to do--his indignant pride held him back, and he stood with his head bent, as in obedience to her brother Mrs Lavington took his arm, and allowed him to lead her out of the office, weeping bitterly the while. Don did not look up to meet his mother's yearning gaze, but for months and years after he seemed to see that look when far away in the midst of peril, and too late he bitterly upbraided himself for his want of frankness and power to subdue his obstinate pride. "He thinks me guilty!" he said to himself, as he stood with his head bent, listening, and unaware of the fact that some one was still in the room, till a light step came towards him, his hand was caught, and his cheek rapidly kissed. "Kitty!" "Coming, father." Then there was a rapid step, the door closed, and Don stood in the same attitude, listening to the steps on the gravel, and then to the bang of the wicket-gate. Alone with his thoughts, and they were many and strange. What should he do? Go right away, and--and-- "Mas' Don." He looked up, and Jem stood at the door. CHAPTER SIX. JEM WIMBLE TALKS SENSE. "May I come in?" Don nodded. "The master's gone, and took the ladies 'long with him. Why, don't look like that, my lad. Your uncle don't think you took the money?" Don nodded. "But your mother don't, sir?" "Yes, Jem, she believes me guilty too." "I never did!" cried Jem, excitedly. "But sure-_lie_ Miss Kitty don't?" "Yes, Jem, they all think I'm a thief. Everybody does," cried Don, passionately. "No, everybody don't," said Jem, fiercely; "so don't talk like that, Mas' Don. Why, even I couldn't ha' stole that money--me, as is only yard-man, and nothing o' no consequence t'other day. So if I couldn't ha' done it, I'm quite sure as you, as is a young gentleman born and bred, couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only man, but I shakes hands with you in my 'art, my lad, and I says, don't be down over it." "You couldn't shake hands with a thief, you mean, Jem," said Don, bitterly. "Look here, Mas' Don, I can't punch your head because, as aforesaid, you're young master, and I'm only man; but for that there same what you said just now I hits you in my 'art. Thief indeed! But ah, my lad, it was a pity as you ever let Mike come into the office to tell you his lies about furren parts." "Yes, Jem, it was." "When you might ha' got all he told you out o' books, and the stories wouldn't ha' been quite so black." "Ah, well, it's all over now." "What's all over?" "My life here, Jem. I shall go right away." "Go? What?" "Right away. Abroad, I think." "And what'll your mother do?" "Forget me, I hope. I always was an unlucky fellow Jem." "What d'yer mean? Run away?" "Yes, I shall go away." "Well, that's clever, that is. Why, that's just the way to make 'em think you did it. Tshah! You stop like a man and face it out." "When everybody believes me guilty?" "Don't be so precious aggrawatin', my lad," cried Jem, plaintively. "Don't I keep on a-telling you that I don't believe you guilty. Why, I'd just as soon believe that I stole our sugar and sold bundles of tobacco-leaves to the marine store shops." Don shook his head. "Well, of all the aggrawatin' chaps I ever did see, you're 'bout the worst, Mas' Don. Don't I tell you it'll be all right?" "No, Jem, it will not be all right. I shall have to go before the magistrates." "Well, what of that?" "What of that?" cried Don, passionately. "Why, that scoundrel Mike will keep to his story." "Let him!" cried Jem, contemptuously. "Why, who'd ever believe him i' preference to you?" "My uncle--my mother--my cousin." "Not they, my boy. They don't believe it. They only think they do. They're sore just now, while it's all fresh. To-morrow by this time they will be a-hanging o' themselves round about your neck, and a-askin' of your pardon, and kissin' of you." "No, Jem, no." "Well, I don't mean as your uncle will be kissin' of you, of course; but he'll be sorry too, and a-shaking of your hand." Don shook his head. "There, don't get wagging your head like a Chinee figger, my lad. Take it like a man." "It seems that the only thing for me to do, Jem, is to tie up a bundle and take a stick, and go and try my luck somewhere else." "And you free and independent! Why, what would you say if you was me, tied up and married, and allus getting into trouble at home." "Not such trouble as this, Jem." "Not such trouble as this, my lad? Worser ever so much, for you don't deserve it, and I do, leastwise, my Sally says I do, and I suppose I do for being such a fool as to marry her." "You ought to be ashamed to talk like that, Jem." "So ought you, Mas' Don. I've often felt as if I should like to do as you say and run right off, but I don't do it." "You have felt like that, Jem?" cried Don, eagerly. "Yes, often, my lad." "Then let's go, Jem. Nobody cares for us here. Let's go right away to one of the beautiful foreign countries Mike told me about, and begin a new life." "Shall us, Mas' Don?" "Yes; why not? Get a passage in some ship, and stop where we like. He has told me of dozens of places that must be glorious." "Then we won't go," said Jem, decidedly. "If Mike Bannock says they're fine spots, don't you believe him; they're bad 'uns." "Then let's go and select a place for ourselves," cried Don. "Lor! I do wonder at you, Mas' Don, wantin' to leave such a mother as you've got, and asking me to leave my wife. Why, what would they do?" "I don't know," said Don, sadly. "They care very little for us now. You can do as you like; I shall go." "Nay, nay, you won't, my lad." "Yes, Jem, I think I shall." "Ah, that's better! Think about it." "I should have thought that you'd be glad to come with me, Jem." "So I should, my lad; but there's a some'at	a rapid step, the door closed, and Don stood in the same attitude, listening to the steps on the gravel, and then to the bang of the wicket-gate. Alone with his thoughts, and they were many and strange. What should he do? Go right away, and--and-- "Mas' Don." He looked up, and Jem stood at the door. CHAPTER SIX. JEM WIMBLE TALKS SENSE. "May I come in?" Don nodded. "The master's gone, and took the ladies 'long with him. Why, don't look like that, my lad. Your uncle don't think you took the money?" Don nodded. "But your mother don't, sir?" "Yes, Jem, she believes me guilty too." "I never did!" cried Jem, excitedly. "But sure-_lie_ Miss Kitty don't?" "Yes, Jem, they all think I'm a thief. Everybody does," cried Don, passionately. "No, everybody don't," said Jem, fiercely; "so don't talk like that, Mas' Don. Why, even I couldn't ha' stole that money--me, as is only yard-man, and nothing o' no consequence t'other day. So if I couldn't ha' done it, I'm quite sure as you, as is a young gentleman born and bred, couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only man, but I shakes hands with you in my 'art, my lad, and I says, don't be down over it." "You couldn't shake hands with a thief, you mean, Jem," said Don, bitterly. "Look here, Mas' Don, I can't punch your head because, as aforesaid, you're young master, and I'm only man; but for that there same what you said just now I hits you in my 'art. Thief indeed! But ah, my lad, it was a pity as you ever let Mike come into the office to tell you his lies about furren parts." "Yes, Jem, it was." "When you might ha' got all he told you out o' books, and the stories wouldn't ha' been quite so black." "Ah, well, it's all over now." "What's all over?" "My life here, Jem. I shall go right away." "Go? What?" "Right away. Abroad, I think." "And what'll your mother do?" "Forget me, I hope. I always was an unlucky fellow Jem." "What d'yer mean? Run away?" "Yes, I shall go away." "Well, that's clever, that is. Why, that's just the way to make 'em think you did it. Tshah! You stop like a man and face it out." "When everybody believes me guilty?" "Don't be so precious aggrawatin', my lad," cried Jem, plaintively. "Don't I keep on a-telling you that I don't believe you guilty. Why, I'd just as soon believe that I stole our sugar and sold bundles of tobacco-leaves to the marine store shops." Don shook his head. "Well, of all the aggrawatin' chaps I ever did see, you're 'bout the worst, Mas' Don. Don't I tell you it'll be all right?" "No, Jem, it will not	Don Lavington
"I am glad, Jem,"	Don Lavington	don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a	I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if	without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear!	way, Jem, to the right of the mountain." "Ah, I suppose you're right, Mas' Don. I say, I can walk." "Does it hurt you very much?" "Oh, yes; it hurts me horrid. But I say, Mas' Don, there arn't many chaps in Bristol as could have failed down like that without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear! Think we shall be in time?" "I don't know, Jem. I was in such trouble about you that I had almost forgotten the people at the village." "So had I. Pain always makes me forget everything, 'speshly toothache. Why, that's the right way," he cried, as they turned the corner	as the village? I don't like to leave you." "Oh, yes; I think I can walk. Anyhow I'm going to try. I say, if you hear me squeak or crack anywhere, you'll stop me, won't you?" "Of course." "Come on then, and let's get there. Oh, crumpets! What a pain." "Lean on me." "No; I'm going to lean on myself," said Jem, stoutly. "I'm pretty sure I arn't broke, Mas' Don; but feel just as if I was cracked all over like an old pot, and that's werry bad, you know, arn't it? Now then, which way is it?" "This way, Jem, to the right of the mountain." "Ah, I suppose you're right, Mas' Don. I say, I can walk." "Does it hurt you very much?" "Oh, yes; it hurts me horrid. But I say, Mas' Don, there arn't many chaps in Bristol as could have failed down like that without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear! Think we shall be in time?" "I don't know, Jem. I was in such trouble about you that I had almost forgotten the people at the village." "So had I. Pain always makes me forget everything, 'speshly toothache. Why, that's the right way," he cried, as they turned the corner of a steep bluff. "Yes, and in a quarter of an hour we can be there; that is, if you can walk fast?" "I can walk fast, my lad: look. But what's quarter of a hour? I got muddled enough over the bells board ship--three bells, and four bells, and the rest of it; but out here there don't seem to be no time at all. Wonder how near those fellows are as we see. I am glad I arn't broke." In about the time Don had said, they came to the path leading to the ravine, where the cave	leg, and see if it's broke." Don raised it tenderly, and replaced it gently. "I don't think it's broken, Jem." "Arn't it? Well, it feels like it. P'r'aps it's t'other one. Try." Don raised and replaced Jem's right leg. "That isn't broken either, Jem." "P'r'aps they're only crushed. Try my arms, my lad." These were tried in turn, and laid down. "No, Jem." "Seems stoopid," said Jem. "I thought I was broke all over. It must be my back, and when a man's back's broke, he feels it all over. Here, lend us a hand, my lad; and I'll try and walk. Soon see whether a man's back's broke." Don offered his arm, and Jem, after a good deal of grunting and groaning, rose to his feet, gave himself a wrench, and then stamped with first one leg and then with the other. "Why, I seems all right, Mas' Don," he said, eagerly. "Yes, Jem." "Think it's my ribs? I've heared say that a man don't always know when his ribs is broke." "Do you feel as if they were, Jem?" "Oh, yes; just exactly. All down one side, and up the other." "Could you manage to walk as far as the village? I don't like to leave you." "Oh, yes; I think I can walk. Anyhow I'm going to try. I say, if you hear me squeak or crack anywhere, you'll stop me, won't you?" "Of course." "Come on then, and let's get there. Oh, crumpets! What a pain." "Lean on me." "No; I'm going to lean on myself," said Jem, stoutly. "I'm pretty sure I arn't broke, Mas' Don; but feel just as if I was cracked all over like an old pot, and that's werry bad, you know, arn't it? Now then, which way is it?" "This way, Jem, to the right of the mountain." "Ah, I suppose you're right, Mas' Don. I say, I can walk." "Does it hurt you very much?" "Oh, yes; it hurts me horrid. But I say, Mas' Don, there arn't many chaps in Bristol as could have failed down like that without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear! Think we shall be in time?" "I don't know, Jem. I was in such trouble about you that I had almost forgotten the people at the village." "So had I. Pain always makes me forget everything, 'speshly toothache. Why, that's the right way," he cried, as they turned the corner of a steep bluff. "Yes, and in a quarter of an hour we can be there; that is, if you can walk fast?" "I can walk fast, my lad: look. But what's quarter of a hour? I got muddled enough over the bells board ship--three bells, and four bells, and the rest of it; but out here there don't seem to be no time at all. Wonder how near those fellows are as we see. I am glad I arn't broke." In about the time Don had said, they came to the path leading to the ravine, where the cave pierced the mountain side. A few minutes later they were by the hot bath spring, and directly after, to Don's great delight, they came upon Tomati. "I was coming to look for you two," he said. "You had better not go far from the _whare_. Two of the tribes have turned savage, and are talking about war." Don interrupted him, and told him what they had seen. "So soon!" he said hurriedly. "Is it bad news, then?" asked Don, anxiously. "Bad, my lads! Bad as it can be." "Then that was a war-party we saw?" "Yes; come on." He then put his hands to his mouth and uttered a wildly savage yell, whose effect was instantaneous. It was answered in all directions, and followed by a shrieking and wailing chorus from the women and children, who came trooping out of their huts, laden with household treasures, and hurrying up one particular path at the back of the village, one which neither Don nor Jem had intruded upon, from the belief that it led to some temple or place connected with the Maoris' religion. A few minutes before the men were idling about, lying on the black sand, sleeping, or eating	gave such plain intimation of coming out by the roots, that he thought it better to leap than fall, and gathering himself up, he plunged right into the second kauri pine, and went headlong down with a tremendous crash. For he had been right in his doubts. The pine was not so able to bear his weight as its fellow had been to carry Don. He caught it tightly, and the tree bent right down, carrying him nearly to the earth, where he would have done well to have let go; but he clung to it fast, and the tree sprang up again, bent once more, and broke short off, Jem falling at least twenty feet into the bushes below. "Hurt, Jem?" cried Don, forcing his way to his side. "Hurt? Now is it likely, Mas' Don? Hurt? No. I feel just like a babby that's been lifted gently down and laid on a feather cushion. That's 'bout how I feel. Oh, dear! Oh, dear! Here, give's a hand. Gently, dear lad; I'm like a skin full o' broken bones. Help me out o' this tangle, and let's see how much of me's good, and how much 'll have to be throwed away. Eggs and bacon! What a state I'm in!" Don helped him as tenderly as he could out into an open space, and softly assisted him to lie down, which Jem did, groaning, and was perfectly still for a few moments flat there on his back. "Are you in much pain, Jem?" said Don, anxiously. "Horrid, lad, horrid. I think you'd better go on and warn 'em, and come and fetch me arterwards; only don't forget where I am, and not find me. Look! There's two o' them birds coming to see what's the matter." "I can't leave you, Jem. You're of more consequence to me than all the New Zealanders in the place." "Am I, Mas' Don? Come, that's kindly spoke of you. But bother that tree! Might ha' behaved as well to me as t'other did to you." "Where do you feel in pain, Jem?" "Where? It's one big solid slapping pain all over me, but it's worst where there's a big thorn stuck in my arm." "Let me see." "No; wait a bit. I don't mean to be left alone out here if I can help it. Now, Mas' Don, you lift that there left leg, and see if it's broke." Don raised it tenderly, and replaced it gently. "I don't think it's broken, Jem." "Arn't it? Well, it feels like it. P'r'aps it's t'other one. Try." Don raised and replaced Jem's right leg. "That isn't broken either, Jem." "P'r'aps they're only crushed. Try my arms, my lad." These were tried in turn, and laid down. "No, Jem." "Seems stoopid," said Jem. "I thought I was broke all over. It must be my back, and when a man's back's broke, he feels it all over. Here, lend us a hand, my lad; and I'll try and walk. Soon see whether a man's back's broke." Don offered his arm, and Jem, after a good deal of grunting and groaning, rose to his feet, gave himself a wrench, and then stamped with first one leg and then with the other. "Why, I seems all right, Mas' Don," he said, eagerly. "Yes, Jem." "Think it's my ribs? I've heared say that a man don't always know when his ribs is broke." "Do you feel as if they were, Jem?" "Oh, yes; just exactly. All down one side, and up the other." "Could you manage to walk as far as the village? I don't like to leave you." "Oh, yes; I think I can walk. Anyhow I'm going to try. I say, if you hear me squeak or crack anywhere, you'll stop me, won't you?" "Of course." "Come on then, and let's get there. Oh, crumpets! What a pain." "Lean on me." "No; I'm going to lean on myself," said Jem, stoutly. "I'm pretty sure I arn't broke, Mas' Don; but feel just as if I was cracked all over like an old pot, and that's werry bad, you know, arn't it? Now then, which way is it?" "This way, Jem, to the right of the mountain." "Ah, I suppose you're right, Mas' Don. I say, I can walk." "Does it hurt you very much?" "Oh, yes; it hurts me horrid. But I say, Mas' Don, there arn't many chaps in Bristol as could have failed down like that without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear! Think we shall be in time?" "I don't know, Jem. I was in such trouble about you that I had almost forgotten the people at the village." "So had I. Pain always makes me forget everything, 'speshly toothache. Why, that's the right way," he cried, as they turned the corner of a steep bluff. "Yes, and in a quarter of an hour we can be there; that is, if you can walk fast?" "I can walk fast, my lad: look. But what's quarter of a hour? I got muddled enough over the bells board ship--three bells, and four bells, and the rest of it; but out here there don't seem to be no time at all. Wonder how near those fellows are as we see. I am glad I arn't broke." In about the time Don had said, they came to the path leading to the ravine, where the cave pierced the mountain side. A few minutes later they were by the hot bath spring, and directly after, to Don's great delight, they came upon Tomati. "I was coming to look for you two," he said. "You had better not go far from the _whare_. Two of the tribes have turned savage, and are talking about war." Don interrupted him, and told him what they had seen. "So soon!" he said hurriedly. "Is it bad news, then?" asked Don, anxiously. "Bad, my lads! Bad as it can be." "Then that was a war-party we saw?" "Yes; come on." He then put his hands to his mouth and uttered a wildly savage yell, whose effect was instantaneous. It was answered in all directions, and followed by a shrieking and wailing chorus from the women and children, who came trooping out of their huts, laden with household treasures, and hurrying up one particular path at the back of the village, one which neither Don nor Jem had intruded upon, from the belief that it led to some temple or place connected with the Maoris' religion. A few minutes before the men were idling about, lying on the black sand, sleeping, or eating and drinking in the most careless, indolent way. Now all were in a state of the wildest excitement, and as Don saw the great stalwart fellows come running here and there, armed with spear and stone axe, he felt that he had misjudged them, and thought that they looked like so many grand bronze figures, suddenly come to life. Their faces and nearly naked bodies were made hideous with tattooing marks; but their skins shone and the muscles stood out, and as they all grouped together under the orders of Tomati and Ngati, both Don and Jem thought that if the party they had seen were coming on to the attack, the fighting might be desperate after all. In less time than it takes to tell, men had been sent out as scouts; and pending their return, Tomati led the way up the path, after the women and children, to where, to Don's astonishment, there was a strong blockaded enclosure, or _pah_, made by binding great stakes together at the tops, after they had been driven into the ground. There was but one entrance to the enclosure, which was on the summit of a rock with exceedingly steep sides, save where the path zigzagged to the top; and here every one was soon busy trying to strengthen the place, the spears of the men being laid against the stockade. "May as well help," said Jem, sturdily. "I'm not going to fight, but I don't mind helping them to take care of themselves." They set to and aided in every way they could, Ngati smiling approval, patting Don on the back, and then hurrying away to return with two spears, which he handed to the two young men. "My pakeha!" he said; and Jem gave an angry stamp, and was about to refuse to take the weapon, when there was a yell of excitement from all in the _pah_, for one of the scouts came running in, and as he came nearer, it could be seen that he was bleeding from a wound in the shoulder, and that he had lost his spear. As if nerved by this sight, Don and Jem seized the spears offered for their defence. "Yes, Mas' Don," said Jem; "we shall have to try and fight; seems to me as if the war's begun!" A wild shriek followed his words, and Don saw that they were	Look! There's two o' them birds coming to see what's the matter." "I can't leave you, Jem. You're of more consequence to me than all the New Zealanders in the place." "Am I, Mas' Don? Come, that's kindly spoke of you. But bother that tree! Might ha' behaved as well to me as t'other did to you." "Where do you feel in pain, Jem?" "Where? It's one big solid slapping pain all over me, but it's worst where there's a big thorn stuck in my arm." "Let me see." "No; wait a bit. I don't mean to be left alone out here if I can help it. Now, Mas' Don, you lift that there left leg, and see if it's broke." Don raised it tenderly, and replaced it gently. "I don't think it's broken, Jem." "Arn't it? Well, it feels like it. P'r'aps it's t'other one. Try." Don raised and replaced Jem's right leg. "That isn't broken either, Jem." "P'r'aps they're only crushed. Try my arms, my lad." These were tried in turn, and laid down. "No, Jem." "Seems stoopid," said Jem. "I thought I was broke all over. It must be my back, and when a man's back's broke, he feels it all over. Here, lend us a hand, my lad; and I'll try and walk. Soon see whether a man's back's broke." Don offered his arm, and Jem, after a good deal of grunting and groaning, rose to his feet, gave himself a wrench, and then stamped with first one leg and then with the other. "Why, I seems all right, Mas' Don," he said, eagerly. "Yes, Jem." "Think it's my ribs? I've heared say that a man don't always know when his ribs is broke." "Do you feel as if they were, Jem?" "Oh, yes; just exactly. All down one side, and up the other." "Could you manage to walk as far as the village? I don't like to leave you." "Oh, yes; I think I can walk. Anyhow I'm going to try. I say, if you hear me squeak or crack anywhere, you'll stop me, won't you?" "Of course." "Come on then, and let's get there. Oh, crumpets! What a pain." "Lean on me." "No; I'm going to lean on myself," said Jem, stoutly. "I'm pretty sure I arn't broke, Mas' Don; but feel just as if I was cracked all over like an old pot, and that's werry bad, you know, arn't it? Now then, which way is it?" "This way, Jem, to the right of the mountain." "Ah, I suppose you're right, Mas' Don. I say, I can walk." "Does it hurt you very much?" "Oh, yes; it hurts me horrid. But I say, Mas' Don, there arn't many chaps in Bristol as could have failed down like that without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear! Think we shall be in time?" "I don't know, Jem. I was in such trouble about you that I had almost forgotten the people at the village." "So had I. Pain always makes me forget everything, 'speshly toothache. Why, that's the right way," he cried, as they turned the corner of a steep bluff. "Yes, and in a quarter of an hour we can be there; that is, if you can walk fast?" "I can walk fast, my lad: look. But what's quarter of a hour? I got muddled enough over the bells board ship--three bells, and four bells, and the rest of it; but out here there don't seem to be no time at all. Wonder how near those fellows are as we see. I am glad I arn't broke." In about the time Don had said, they came to the path leading to the ravine, where the cave pierced the mountain side. A few minutes later they were by the hot bath spring, and directly after, to Don's great delight, they came upon Tomati. "I was coming to look for you two," he said. "You had better not go far from the _whare_. Two of the tribes have turned savage, and are talking about war." Don interrupted him, and told him what they had seen. "So soon!" he said hurriedly. "Is it bad news, then?" asked Don, anxiously. "Bad, my lads! Bad as it can be." "Then that was a war-party we saw?" "Yes; come on." He then put his hands to his mouth and uttered a wildly savage yell, whose effect was instantaneous. It was answered in all directions, and followed by a shrieking and wailing chorus from the women and children, who came trooping out of their huts, laden with household treasures, and hurrying up one particular path at the back of the village, one which neither Don nor Jem had intruded upon, from the belief that it led to some temple or place connected with the Maoris' religion. A few minutes before the men were idling about, lying on the black sand, sleeping, or eating and drinking in the most careless, indolent way. Now all were in a state of the wildest excitement, and as Don saw the great stalwart fellows come running here and there, armed with spear and stone axe, he felt that he had misjudged them, and thought that they looked like so many grand bronze figures, suddenly come to life. Their faces and nearly naked bodies were made hideous with tattooing marks; but their skins shone and the muscles stood out, and as they all grouped together under the orders of Tomati and Ngati, both Don and Jem thought that if the party they had seen were coming on to the attack,	Don Lavington
"Dear old Godbole,"	Professor Godbole	wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He	Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and	visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped	to think about him, because it disturbed his life, and he still trusted the floods to prevent him from arriving. A fine little river issued from his garden gate and gave him much hope. It was impossible that anyone could get across from Deora in such weather as this. Fielding's visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped problems so totally different from those of Chandrapore. For here the cleavage was between Brahman and non-Brahman; Moslems and English were quite out of the running, and sometimes not mentioned for days. Since Godbole was a Brahman, Aziz was one also for purposes of intrigue: they would often joke about	capering in the slush ahead. "Hullo!" he called, and it was the wrong remark, for the devotee indicated by circular gestures of his arms that he did not desire to be disturbed. He added, "Sorry," which was right, for Godbole twisted his head till it didn't belong to his body, and said in a strained voice that had no connection with his mind: "He arrived at the European Guest House perhaps at least possibly." "Did he? Since when?" But time was too definite. He waved his arm more dimly and disappeared. Aziz knew who "he" was Fielding but he refused to think about him, because it disturbed his life, and he still trusted the floods to prevent him from arriving. A fine little river issued from his garden gate and gave him much hope. It was impossible that anyone could get across from Deora in such weather as this. Fielding's visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped problems so totally different from those of Chandrapore. For here the cleavage was between Brahman and non-Brahman; Moslems and English were quite out of the running, and sometimes not mentioned for days. Since Godbole was a Brahman, Aziz was one also for purposes of intrigue: they would often joke about it together. The fissures in the Indian soil are infinite: Hinduism, so solid from a distance, is riven into sects and clans, which radiate and join, and change their names according to the aspect from which they are approached. Study it for years with the best teachers, and when you raise your head, nothing they have told you quite fits. Aziz, the day of his inauguration, had remarked: "I study nothing, I respect" making an excellent impression. There was now a minimum of prejudice against him. Nominally under a Hindu doctor, he was really chief medicine man to the court.	thoughts. Covered with grease and dust, Professor Godbole had once more developed the life of his spirit. He had, with increasing vividness, again seen Mrs. Moore, and round her faintly clinging forms of trouble. He was a Brahman, she Christian, but it made no difference, it made no difference whether she was a trick of his memory or a telepathic appeal. It was his duty, as it was his desire, to place himself in the position of the God and to love her, and to place himself in her position and to say to the God, "Come, come, come, come." This was all he could do. How inadequate! But each according to his own capacities, and he knew that his own were small. "One old Englishwoman and one little, little wasp," he thought, as he stepped out of the temple into the grey of a pouring wet morning. "It does not seem much, still it is more than I am myself." CHAPTER XXXIV Dr. Aziz left the palace at the same time. As he returned to his house which stood in a pleasant garden further up the main street of the town he could see his old patron paddling and capering in the slush ahead. "Hullo!" he called, and it was the wrong remark, for the devotee indicated by circular gestures of his arms that he did not desire to be disturbed. He added, "Sorry," which was right, for Godbole twisted his head till it didn't belong to his body, and said in a strained voice that had no connection with his mind: "He arrived at the European Guest House perhaps at least possibly." "Did he? Since when?" But time was too definite. He waved his arm more dimly and disappeared. Aziz knew who "he" was Fielding but he refused to think about him, because it disturbed his life, and he still trusted the floods to prevent him from arriving. A fine little river issued from his garden gate and gave him much hope. It was impossible that anyone could get across from Deora in such weather as this. Fielding's visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped problems so totally different from those of Chandrapore. For here the cleavage was between Brahman and non-Brahman; Moslems and English were quite out of the running, and sometimes not mentioned for days. Since Godbole was a Brahman, Aziz was one also for purposes of intrigue: they would often joke about it together. The fissures in the Indian soil are infinite: Hinduism, so solid from a distance, is riven into sects and clans, which radiate and join, and change their names according to the aspect from which they are approached. Study it for years with the best teachers, and when you raise your head, nothing they have told you quite fits. Aziz, the day of his inauguration, had remarked: "I study nothing, I respect" making an excellent impression. There was now a minimum of prejudice against him. Nominally under a Hindu doctor, he was really chief medicine man to the court. He had to drop inoculation and such Western whims, but even at Chandrapore his profession had been a game, centring round the operating table, and here in the backwoods he let his instruments rust, ran his little hospital at half steam, and caused no undue alarm. His impulse to escape from the English was sound. They had frightened him permanently, and there are only two reactions against fright: to kick and scream on committees, or to retreat to a remote jungle, where the sahib seldom comes. His old lawyer friends wanted him to stop in British India and help agitate, and might have prevailed, but for the treachery of Fielding. The news had not surprised him in the least. A rift had opened between them after the trial when Cyril had not joined in his procession; those advocacies of the girl had increased it; then came the post-cards from Venice, so cold, so unfriendly that all agreed that something was wrong; and finally, after a silence, the expected letter from Hampstead. Mahmoud Ali was with him at the time. "Some news that will surprise you. I am to marry someone whom you know. . ." He did not read further.	the butter, they played another game which chanced to be graceful: the fondling of Shri Krishna under the similitude of a child. A pretty red and gold ball is thrown, and he who catches it chooses a child from the crowd, raises it in his arms, and carries it round to be caressed. All stroke the darling creature for the Creator's sake, and murmur happy words. The child is restored to his parents, the ball thrown on, and another child becomes for a moment the World's Desire. And the Lord bounds hither and thither through the aisles, chance, and the sport of chance, irradiating little mortals with His immortality. . . . When they had played this long enough and being exempt from boredom, they played it again and again, they played it again and again they took many sticks and hit them together, whack smack, as though they fought the Pandava wars, and threshed and churned with them, and later on they hung from the roof of the temple, in a net, a great black earthenware jar, which was painted here and there with red, and wreathed with dried figs. Now came a rousing sport. Springing up, they struck at the jar with their sticks. It cracked, broke, and a mass of greasy rice and milk poured on to their faces. They ate and smeared one another's mouths, and dived between each other's legs for what had been pashed upon the carpet. This way and that spread the divine mess, until the line of schoolboys, who had somewhat fended off the crowd, broke for their share. The corridors, the courtyard, were filled with benign confusion. Also the flies awoke and claimed their share of God's bounty. There was no quarrelling, owing to the nature of the gift, for blessed is the man who confers it on another, he imitates God. And those "imitations," those "substitutions," continued to flicker through the assembly for many hours, awaking in each man, according to his capacity, an emotion that he would not have had otherwise. No definite image survived; at the Birth it was questionable whether a silver doll or a mud village, or a silk napkin, or an intangible spirit, or a pious resolution, had been born. Perhaps all these things! Perhaps none! Perhaps all birth is an allegory! Still, it was the main event of the religious year. It caused strange thoughts. Covered with grease and dust, Professor Godbole had once more developed the life of his spirit. He had, with increasing vividness, again seen Mrs. Moore, and round her faintly clinging forms of trouble. He was a Brahman, she Christian, but it made no difference, it made no difference whether she was a trick of his memory or a telepathic appeal. It was his duty, as it was his desire, to place himself in the position of the God and to love her, and to place himself in her position and to say to the God, "Come, come, come, come." This was all he could do. How inadequate! But each according to his own capacities, and he knew that his own were small. "One old Englishwoman and one little, little wasp," he thought, as he stepped out of the temple into the grey of a pouring wet morning. "It does not seem much, still it is more than I am myself." CHAPTER XXXIV Dr. Aziz left the palace at the same time. As he returned to his house which stood in a pleasant garden further up the main street of the town he could see his old patron paddling and capering in the slush ahead. "Hullo!" he called, and it was the wrong remark, for the devotee indicated by circular gestures of his arms that he did not desire to be disturbed. He added, "Sorry," which was right, for Godbole twisted his head till it didn't belong to his body, and said in a strained voice that had no connection with his mind: "He arrived at the European Guest House perhaps at least possibly." "Did he? Since when?" But time was too definite. He waved his arm more dimly and disappeared. Aziz knew who "he" was Fielding but he refused to think about him, because it disturbed his life, and he still trusted the floods to prevent him from arriving. A fine little river issued from his garden gate and gave him much hope. It was impossible that anyone could get across from Deora in such weather as this. Fielding's visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped problems so totally different from those of Chandrapore. For here the cleavage was between Brahman and non-Brahman; Moslems and English were quite out of the running, and sometimes not mentioned for days. Since Godbole was a Brahman, Aziz was one also for purposes of intrigue: they would often joke about it together. The fissures in the Indian soil are infinite: Hinduism, so solid from a distance, is riven into sects and clans, which radiate and join, and change their names according to the aspect from which they are approached. Study it for years with the best teachers, and when you raise your head, nothing they have told you quite fits. Aziz, the day of his inauguration, had remarked: "I study nothing, I respect" making an excellent impression. There was now a minimum of prejudice against him. Nominally under a Hindu doctor, he was really chief medicine man to the court. He had to drop inoculation and such Western whims, but even at Chandrapore his profession had been a game, centring round the operating table, and here in the backwoods he let his instruments rust, ran his little hospital at half steam, and caused no undue alarm. His impulse to escape from the English was sound. They had frightened him permanently, and there are only two reactions against fright: to kick and scream on committees, or to retreat to a remote jungle, where the sahib seldom comes. His old lawyer friends wanted him to stop in British India and help agitate, and might have prevailed, but for the treachery of Fielding. The news had not surprised him in the least. A rift had opened between them after the trial when Cyril had not joined in his procession; those advocacies of the girl had increased it; then came the post-cards from Venice, so cold, so unfriendly that all agreed that something was wrong; and finally, after a silence, the expected letter from Hampstead. Mahmoud Ali was with him at the time. "Some news that will surprise you. I am to marry someone whom you know. . ." He did not read further. "Here it comes, answer for me " and he threw it to Mahmoud Ali. Subsequent letters he destroyed unopened. It was the end of a foolish experiment. And though sometimes at the back of his mind he felt that Fielding had made sacrifices for him, it was now all confused with his genuine hatred of the English. "I am an Indian at last," he thought, standing motionless in the rain. Life passed pleasantly, the climate was healthy so that the children could be with him all the year round, and he had married again not exactly a marriage, but he liked to regard it as one and he read his Persian, wrote his poetry, had his horse, and sometimes got some shikar while the good Hindus looked the other way. His poems were all on one topic Oriental womanhood. "The purdah must go," was their burden, "otherwise we shall never be free." And he declared (fantastically) that India would not have been conquered if women as well as men had fought at Plassy. "But we do not show our women to the foreigner" not explaining how this was to be managed, for he was writing a poem. Bulbuls and roses would still persist, the pathos of defeated Islam remained in his blood and could not be expelled by modernities. Illogical poems like their writer. Yet they struck a true note: there cannot be a mother-land without new homes. In one poem the only one funny old Godbole liked he had skipped over the mother-land (whom he did not truly love) and gone straight to internationality. "Ah, that is bhakti; ah, my young friend, that is different and very good. Ah, India, who seems not to move, will go straight there while the other nations waste their time. May I translate this particular one into Hindi? In fact, it might be rendered into Sanskrit almost, it is so enlightened. Yes, of course, all your other poems are very good too. His Highness was saying to Colonel Maggs last time he came that we are proud of you" simpering slightly. Colonel Maggs was the Political Agent for the neighbourhood and Aziz' dejected opponent. The Criminal Investigation Department kept an eye on Aziz ever since the trial they had nothing actionable against him, but Indians who have been unfortunate must be watched, and to the end of his life he remained under observation,	into the grey of a pouring wet morning. "It does not seem much, still it is more than I am myself." CHAPTER XXXIV Dr. Aziz left the palace at the same time. As he returned to his house which stood in a pleasant garden further up the main street of the town he could see his old patron paddling and capering in the slush ahead. "Hullo!" he called, and it was the wrong remark, for the devotee indicated by circular gestures of his arms that he did not desire to be disturbed. He added, "Sorry," which was right, for Godbole twisted his head till it didn't belong to his body, and said in a strained voice that had no connection with his mind: "He arrived at the European Guest House perhaps at least possibly." "Did he? Since when?" But time was too definite. He waved his arm more dimly and disappeared. Aziz knew who "he" was Fielding but he refused to think about him, because it disturbed his life, and he still trusted the floods to prevent him from arriving. A fine little river issued from his garden gate and gave him much hope. It was impossible that anyone could get across from Deora in such weather as this. Fielding's visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped problems so totally different from those of Chandrapore. For here the cleavage was between Brahman and non-Brahman; Moslems and English were quite out of the running, and sometimes not mentioned for days. Since Godbole was a Brahman, Aziz was one also for purposes of intrigue: they would often joke about it together. The fissures in the Indian soil are infinite: Hinduism, so solid from a distance, is riven into sects and clans, which radiate and join, and change their names according to the aspect from which they are approached. Study it for years with the best teachers, and when you raise your head, nothing they have told you quite fits. Aziz, the day of his inauguration, had remarked: "I study nothing, I respect" making an excellent impression. There was now a minimum of prejudice against him. Nominally under a Hindu doctor, he was really chief medicine man to the court. He had to drop inoculation and such Western whims, but even at Chandrapore his profession had been a game, centring round the operating table, and here in the backwoods he let his instruments rust, ran his little hospital at half steam, and caused no undue alarm. His impulse to escape from the English was sound. They had frightened him permanently, and there are only two reactions against fright: to kick and scream on committees, or to retreat to a remote jungle, where the sahib seldom comes. His old lawyer friends wanted him to stop in British India and help agitate, and might have prevailed, but for the treachery of Fielding. The news had not surprised him in the least. A rift had opened between them after the trial when Cyril had not joined in his procession; those advocacies of the girl had increased it; then came the post-cards from Venice, so cold, so unfriendly that all agreed that something was wrong; and finally, after a silence,	A Passage To India
The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--	No speaker	make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you,	nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted	He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what	Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it,	the bad air is; poison us both. Good-bye, Sally, my gal. It's all over now; but I forgives you. Shake hands, Mas' Don. I don't bear you no ill-will, nor nobody else. Here they come." There was a rustling and panting noise, and they were on the tip-toe of expectation, when there was a heavy concussion, a deep-toned roar, and then an echoing rumble as the sound reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a	"Let's hope not, Jem." "Yah! What's the good o' hoping." _Churr-urrt_ shrieked the cockatoo from far below. "There now," said Jem. "Hark at that! He's telling 'em we're in here, and coming on before to show 'em the way." "What nonsense, Jem!" _Churr-ur_! Shrieked the cockatoo, ever so much nearer. "Well, do you call that nonsense?" whispered Jem. "The bird's being cheered on; some one coming." _Churr_--_churr_--_churr-ur-ur_! Shrieked the cockatoo nearer, nearer, and then right in front of the cave, as it flew by. "All right, Mas' Don; I arn't going to hargue. You think your way, and I'll think mine; but if that wasn't saying in New Zealandee as those two misfortunate chaps is hiding in this here hole, I never lived in Bristol city, and I don't know sugar from tobacker." "Hist!" whispered Don. _Hiss-s-s-s_ came from far in the depths of the cave. _Gurgle-urgle-gugg-pap_! Went something of a liquid kind. "Here, I can't stand this here, Mas' Don," whispered Jem; "let's make a rush of it; and get right away in the woods." "Hush! There's some one coming," whispered Don, drawing his companion farther back into the darkness. "All right, Mas' Don! Take me in again where the bad air is; poison us both. Good-bye, Sally, my gal. It's all over now; but I forgives you. Shake hands, Mas' Don. I don't bear you no ill-will, nor nobody else. Here they come." There was a rustling and panting noise, and they were on the tip-toe of expectation, when there was a heavy concussion, a deep-toned roar, and then an echoing rumble as the sound reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and	you may say nonsense, but parrots and cockatoos is werry strange birds. Wonderful what they knows and what they says." "I don't believe they know what they say, Jem." "Ah! That's because you're so young, Mas' Don. You'll know better some day. Parrots is as cunning as cunning. Well, now, did you ever see the likes of that? He's laughing and jeering at us." For at that moment the bird began to bob its head up and down rapidly, gradually growing more excited, and chattering all the while, as it ended by dancing first on one leg and then on the other, in the most eccentric fashion. "I should like to have that bird, Jem," said Don at last. "Should you? Then you wouldn't have me along with you." "I don't like him. I like a bird as can behave itself and whistle and sing and perch; but I don't like one as goes through all them monkey tricks. Wish I'd got a stone, I'd try and knock him off his perch." _Chur-r-r-r_! Shrieked the bird, and it let itself fall over backwards, dropping down head over heels like a tumbler pigeon, or an unfortunate which had been shot, and disappearing among the leaves far below. "There!" cried Jem, triumphantly; "now, what do you say to that? Heard what I said, he did, and thought I was going to throw." "Nonsense, Jem!" "Ah! You may call it nonsense, Mas' Don, because you don't know better, but you didn't see him fall." "Yes, I saw him fall, and--hist! Creep back; there's some one coming!" The secret of the bird's sudden disappearance was explained for there was a rustling among the ferns far behind, as if some large body was forcing its way along the ravine; and as Jem backed slowly into the cavern, Don cautiously peered from behind a mass of stone into the hollow, to see that some one or something was approaching rapidly, as if with the intention of scaling the rock, and climbing to where they lay. CHAPTER THIRTY FOUR. AMONG FRIENDS AGAIN. "It's all over with us, Mas' Don," whispered Jem, as soon as they were some little distance in the retreat. "That blackguard Ramsden's sure, after all, that we're in here, and that Tom Hoppers has come to his senses, and felt it was me as hissed at him, and they're coming to hunt us out." "Let's hope not, Jem." "Yah! What's the good o' hoping." _Churr-urrt_ shrieked the cockatoo from far below. "There now," said Jem. "Hark at that! He's telling 'em we're in here, and coming on before to show 'em the way." "What nonsense, Jem!" _Churr-ur_! Shrieked the cockatoo, ever so much nearer. "Well, do you call that nonsense?" whispered Jem. "The bird's being cheered on; some one coming." _Churr_--_churr_--_churr-ur-ur_! Shrieked the cockatoo nearer, nearer, and then right in front of the cave, as it flew by. "All right, Mas' Don; I arn't going to hargue. You think your way, and I'll think mine; but if that wasn't saying in New Zealandee as those two misfortunate chaps is hiding in this here hole, I never lived in Bristol city, and I don't know sugar from tobacker." "Hist!" whispered Don. _Hiss-s-s-s_ came from far in the depths of the cave. _Gurgle-urgle-gugg-pap_! Went something of a liquid kind. "Here, I can't stand this here, Mas' Don," whispered Jem; "let's make a rush of it; and get right away in the woods." "Hush! There's some one coming," whispered Don, drawing his companion farther back into the darkness. "All right, Mas' Don! Take me in again where the bad air is; poison us both. Good-bye, Sally, my gal. It's all over now; but I forgives you. Shake hands, Mas' Don. I don't bear you no ill-will, nor nobody else. Here they come." There was a rustling and panting noise, and they were on the tip-toe of expectation, when there was a heavy concussion, a deep-toned roar, and then an echoing rumble as the sound reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said; "that means going away and leaving you two behind. You don't seemed pleased." Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations.	far behind, as if some large body was forcing its way along the ravine; and as Jem backed slowly into the cavern, Don cautiously peered from behind a mass of stone into the hollow, to see that some one or something was approaching rapidly, as if with the intention of scaling the rock, and climbing to where they lay. CHAPTER THIRTY FOUR. AMONG FRIENDS AGAIN. "It's all over with us, Mas' Don," whispered Jem, as soon as they were some little distance in the retreat. "That blackguard Ramsden's sure, after all, that we're in here, and that Tom Hoppers has come to his senses, and felt it was me as hissed at him, and they're coming to hunt us out." "Let's hope not, Jem." "Yah! What's the good o' hoping." _Churr-urrt_ shrieked the cockatoo from far below. "There now," said Jem. "Hark at that! He's telling 'em we're in here, and coming on before to show 'em the way." "What nonsense, Jem!" _Churr-ur_! Shrieked the cockatoo, ever so much nearer. "Well, do you call that nonsense?" whispered Jem. "The bird's being cheered on; some one coming." _Churr_--_churr_--_churr-ur-ur_! Shrieked the cockatoo nearer, nearer, and then right in front of the cave, as it flew by. "All right, Mas' Don; I arn't going to hargue. You think your way, and I'll think mine; but if that wasn't saying in New Zealandee as those two misfortunate chaps is hiding in this here hole, I never lived in Bristol city, and I don't know sugar from tobacker." "Hist!" whispered Don. _Hiss-s-s-s_ came from far in the depths of the cave. _Gurgle-urgle-gugg-pap_! Went something of a liquid kind. "Here, I can't stand this here, Mas' Don," whispered Jem; "let's make a rush of it; and get right away in the woods." "Hush! There's some one coming," whispered Don, drawing his companion farther back into the darkness. "All right, Mas' Don! Take me in again where the bad air is; poison us both. Good-bye, Sally, my gal. It's all over now; but I forgives you. Shake hands, Mas' Don. I don't bear you no ill-will, nor nobody else. Here they come." There was a rustling and panting noise, and they were on the tip-toe of expectation, when there was a heavy concussion, a deep-toned roar, and then an echoing rumble as the sound reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!"	Don Lavington
he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.	No speaker	voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in	full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He	anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was	and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked	out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the	ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me keenly, realizing that Jordan and I must have known all along. “You think I’m pretty dumb, don’t you?” he suggested. “Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don’t believe that, but science—” He paused. The immediate contingency overtook him, pulled him back from the edge of theoretical abyss. “I’ve made a small investigation of this fellow,” he continued. “I could have gone deeper if I’d known—” “Do you mean you’ve been to a medium?” inquired Jordan humorously. “What?” Confused, he stared at us as we laughed. “A medium?” “About Gatsby.” “About Gatsby! No, I haven’t. I said I’d been making a small investigation of his past.” “And you found he was an Oxford man,” said Jordan helpfully. “An Oxford man!” He was incredulous. “Like hell he is! He wears a pink suit.” “Nevertheless he’s an Oxford man.” “Oxford, New Mexico,” snorted Tom contemptuously, “or something like that.” “Listen, Tom. If you’re such a snob, why did you invite him	“Aunt Jordan’s got on a white dress too.” “How do you like mother’s friends?” Daisy turned her around so that she faced Gatsby. “Do you think they’re pretty?” “Where’s Daddy?” “She doesn’t look like her father,” explained Daisy. “She looks like me. She’s got my hair and shape of the face.” Daisy sat back upon the couch. The nurse took a step forward and held out her hand. “Come, Pammy.” “Goodbye, sweetheart!” With a reluctant backward glance the well-disciplined child held to her nurse’s hand and was pulled out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.” We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale. “What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me keenly, realizing that Jordan and I must have known all along. “You think I’m pretty dumb, don’t you?” he suggested. “Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don’t believe that, but science—” He paused. The immediate contingency overtook him, pulled him back from the edge of theoretical abyss. “I’ve made a small investigation of this fellow,” he continued. “I could have gone deeper if I’d known—” “Do you mean you’ve been to a medium?” inquired Jordan humorously. “What?” Confused, he stared at us as we laughed. “A medium?” “About Gatsby.” “About Gatsby! No, I haven’t. I said I’d been making a small investigation of his past.” “And you found he was an Oxford man,” said Jordan helpfully. “An Oxford man!” He was incredulous. “Like hell he is! He wears a pink suit.” “Nevertheless he’s an Oxford man.” “Oxford, New Mexico,” snorted Tom contemptuously, “or something like that.” “Listen, Tom. If you’re such a snob, why did you invite him to lunch?” demanded Jordan crossly. “Daisy invited him; she knew him before we were married—God knows where!” We were all irritable now with the fading ale, and aware of it we drove for a while in silence. Then as Doctor T. J. Eckleburg’s faded eyes came into sight down the road, I remembered Gatsby’s caution about gasoline. “We’ve got enough to get us to town,” said Tom. “But there’s a garage right here,” objected Jordan. “I don’t want to get stalled in this baking heat.” Tom threw on both brakes impatiently, and we slid to an abrupt dusty stop under Wilson’s sign. After a moment the proprietor emerged from the interior of his establishment and gazed hollow-eyed at the car. “Let’s have some gas!” cried Tom roughly. “What do you think we stopped for—to admire the view?” “I’m sick,” said Wilson without moving. “Been sick all day.” “What’s the matter?” “I’m all run down.” “Well, shall I help myself?” Tom demanded. “You sounded well enough on the phone.” With an effort Wilson left the shade and support of the doorway and, breathing hard, unscrewed the cap of the tank. In the sunlight his face was green. “I didn’t mean to interrupt your lunch,” he said. “But I need money pretty bad, and I was wondering what you were going to do with your old car.” “How do you like this one?” inquired Tom. “I bought it last week.” “It’s a nice yellow one,” said Wilson, as he strained at the handle. “Like to buy it?” “Big chance,” Wilson smiled faintly. “No, but I could make some money on the other.” “What do you want money for, all of a sudden?” “I’ve been here too long. I want to get away. My wife and I want to go West.” “Your wife does,” exclaimed Tom, startled. “She’s been talking about it for ten years.” He rested for a moment against the pump, shading his eyes. “And now she’s going whether she wants to or not. I’m going to get her away.” The coupé flashed by us with a flurry of dust and the flash of a waving hand. “What do I owe you?” demanded Tom harshly. “I just got wised up to something funny the last two days,” remarked Wilson. “That’s why I want to get away. That’s why I been bothering you about the car.” “What do I owe you?” “Dollar	to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me keenly, realizing that Jordan and I must have known all along. “You think I’m pretty dumb, don’t you?” he suggested. “Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don’t believe that, but science—” He paused. The immediate contingency overtook him, pulled him back from the edge of theoretical abyss. “I’ve made a small investigation of this fellow,” he continued. “I could have gone deeper if I’d known—” “Do you mean you’ve been to a medium?” inquired Jordan humorously. “What?” Confused, he stared at us as we laughed. “A medium?” “About Gatsby.” “About Gatsby! No, I haven’t. I said I’d been making a small investigation of his past.” “And you found he was an Oxford man,” said Jordan helpfully. “An Oxford man!” He was incredulous. “Like hell he is! He wears a pink suit.” “Nevertheless he’s an Oxford man.” “Oxford, New Mexico,” snorted Tom contemptuously, “or something like that.” “Listen, Tom. If you’re such a snob, why did you invite him to lunch?” demanded Jordan crossly. “Daisy invited him; she knew him before we were married—God knows where!” We were all irritable now with the fading ale, and aware of it we drove for a while in silence. Then as Doctor T. J. Eckleburg’s faded eyes came into sight down the road, I remembered Gatsby’s caution about gasoline. “We’ve got enough to get us to town,” said Tom. “But there’s a garage right here,” objected Jordan. “I don’t want to get stalled in this baking heat.” Tom threw on both brakes impatiently, and we slid to an abrupt dusty stop under Wilson’s sign. After a moment the proprietor emerged from the interior of his establishment and gazed hollow-eyed at the car. “Let’s have some gas!” cried Tom roughly. “What do you think we stopped for—to admire the view?” “I’m sick,” said Wilson without moving. “Been sick all day.” “What’s the matter?” “I’m all run down.” “Well, shall I help myself?” Tom demanded. “You sounded well enough on the phone.” With an effort Wilson left the shade and support of the doorway and, breathing hard, unscrewed the cap of the tank. In the sunlight his	The Great Gatsby
She sprang up like a hare.	No speaker	mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and	the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the	was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for	It was wonderfully pleasant. After Ántonia had said the new words over and over, she wanted to give me a little chased silver ring she wore on her middle finger. When she coaxed and insisted, I repulsed her quite sternly. I did n’t want her ring, and I felt there was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for I was used to being taken for granted by my elders. We went with Mr. Shimerda back to the dugout, where grandmother was waiting for me. Before I got into the wagon, he took a book out of his pocket, opened it, and showed me a page with two alphabets,	what she wanted. She got up on her knees and wrung her hands. She pointed to her own eyes and shook her head, then to mine and to the sky, nodding violently. “Oh,” I exclaimed, “blue; blue sky.” She clapped her hands and murmured, “Blue sky, blue eyes,” as if it amused her. While we snuggled down there out of the wind she learned a score of words. She was quick, and very eager. We were so deep in the grass that we could see nothing but the blue sky over us and the gold tree in front of us. It was wonderfully pleasant. After Ántonia had said the new words over and over, she wanted to give me a little chased silver ring she wore on her middle finger. When she coaxed and insisted, I repulsed her quite sternly. I did n’t want her ring, and I felt there was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for I was used to being taken for granted by my elders. We went with Mr. Shimerda back to the dugout, where grandmother was waiting for me. Before I got into the wagon, he took a book out of his pocket, opened it, and showed me a page with two alphabets, one English and the other Bohemian. He placed this book in my grandmother’s hands, looked at her entreatingly, and said with an earnestness which I shall never forget, “Te-e-ach, te-e-ach my Án-tonia!” IV ON the afternoon of that same Sunday I took my first long ride on my pony, under Otto’s direction. After that Dude and I went twice a week to the post-office, six miles east of us, and I saved the men a good deal of time by riding on errands to our neighbors. When we had to borrow anything, or to send about word that there would	so strong that I had to hold my hat on, and the girls’ skirts were blown out before them. Ántonia seemed to like it; she held her little sister by the hand and chattered away in that language which seemed to me spoken so much more rapidly than mine. She looked at me, her eyes fairly blazing with things she could not say. “Name? What name?” she asked, touching me on the shoulder. I told her my name, and she repeated it after me and made Yulka say it. She pointed into the gold cottonwood tree behind whose top we stood and said again, “What name?” We sat down and made a nest in the long red grass. Yulka curled up like a baby rabbit and played with a grasshopper. Ántonia pointed up to the sky and questioned me with her glance. I gave her the word, but she was not satisfied and pointed to my eyes. I told her, and she repeated the word, making it sound like “ice.” She pointed up to the sky, then to my eyes, then back to the sky, with movements so quick and impulsive that she distracted me, and I had no idea what she wanted. She got up on her knees and wrung her hands. She pointed to her own eyes and shook her head, then to mine and to the sky, nodding violently. “Oh,” I exclaimed, “blue; blue sky.” She clapped her hands and murmured, “Blue sky, blue eyes,” as if it amused her. While we snuggled down there out of the wind she learned a score of words. She was quick, and very eager. We were so deep in the grass that we could see nothing but the blue sky over us and the gold tree in front of us. It was wonderfully pleasant. After Ántonia had said the new words over and over, she wanted to give me a little chased silver ring she wore on her middle finger. When she coaxed and insisted, I repulsed her quite sternly. I did n’t want her ring, and I felt there was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for I was used to being taken for granted by my elders. We went with Mr. Shimerda back to the dugout, where grandmother was waiting for me. Before I got into the wagon, he took a book out of his pocket, opened it, and showed me a page with two alphabets, one English and the other Bohemian. He placed this book in my grandmother’s hands, looked at her entreatingly, and said with an earnestness which I shall never forget, “Te-e-ach, te-e-ach my Án-tonia!” IV ON the afternoon of that same Sunday I took my first long ride on my pony, under Otto’s direction. After that Dude and I went twice a week to the post-office, six miles east of us, and I saved the men a good deal of time by riding on errands to our neighbors. When we had to borrow anything, or to send about word that there would be preaching at the sod schoolhouse, I was always the messenger. Formerly Fuchs attended to such things after working hours. All the years that have passed have not dimmed my memory of that first glorious autumn. The new country lay open before me: there were no fences in those days, and I could choose my own way over the grass uplands, trusting the pony to get me home again. Sometimes I followed the sunflower-bordered roads. Fuchs told me that the sunflowers were introduced into that country by the Mormons; that at the time of the persecution, when they left Missouri and struck out into the wilderness to find a place where they could worship God in their own way, the members of the first exploring party, crossing the plains to Utah, scattered sunflower seed as they went. The next summer, when the long trains of wagons came through with all the women and children, they had the sunflower trail to follow. I believe that botanists do not confirm Jake’s story, but insist that the sunflower was native to those plains. Nevertheless, that legend has stuck in my mind, and sunflower-bordered roads always seem to me the roads to freedom. I	see that there was something strange about this boy. As he approached us, he began to make uncouth noises, and held up his hands to show us his fingers, which were webbed to the first knuckle, like a duck’s foot. When he saw me draw back, he began to crow delightedly, “Hoo, hoo-hoo, hoo-hoo!” like a rooster. His mother scowled and said sternly, “Marek!” then spoke rapidly to Krajiek in Bohemian. “She wants me to tell you he won’t hurt nobody, Mrs. Burden. He was born like that. The others are smart. Ambrosch, he make good farmer.” He struck Ambrosch on the back, and the boy smiled knowingly. At that moment the father came out of the hole in the bank. He wore no hat, and his thick, iron-gray hair was brushed straight back from his forehead. It was so long that it bushed out behind his ears, and made him look like the old portraits I remembered in Virginia. He was tall and slender, and his thin shoulders stooped. He looked at us understandingly, then took grandmother’s hand and bent over it. I noticed how white and well-shaped his own hands were. They looked calm, somehow, and skilled. His eyes were melancholy, and were set back deep under his brow. His face was ruggedly formed, but it looked like ashes—like something from which all the warmth and light had died out. Everything about this old man was in keeping with his dignified manner. He was neatly dressed. Under his coat he wore a knitted gray vest, and, instead of a collar, a silk scarf of a dark bronze-green, carefully crossed and held together by a red coral pin. While Krajiek was translating for Mr. Shimerda, Ántonia came up to me and held out her hand coaxingly. In a moment we were running up the steep drawside together, Yulka trotting after us. When we reached the level and could see the gold tree-tops, I pointed toward them, and Ántonia laughed and squeezed my hand as if to tell me how glad she was I had come. We raced off toward Squaw Creek and did not stop until the ground itself stopped—fell away before us so abruptly that the next step would have been out into the tree-tops. We stood panting on the edge of the ravine, looking down at the trees and bushes that grew below us. The wind was so strong that I had to hold my hat on, and the girls’ skirts were blown out before them. Ántonia seemed to like it; she held her little sister by the hand and chattered away in that language which seemed to me spoken so much more rapidly than mine. She looked at me, her eyes fairly blazing with things she could not say. “Name? What name?” she asked, touching me on the shoulder. I told her my name, and she repeated it after me and made Yulka say it. She pointed into the gold cottonwood tree behind whose top we stood and said again, “What name?” We sat down and made a nest in the long red grass. Yulka curled up like a baby rabbit and played with a grasshopper. Ántonia pointed up to the sky and questioned me with her glance. I gave her the word, but she was not satisfied and pointed to my eyes. I told her, and she repeated the word, making it sound like “ice.” She pointed up to the sky, then to my eyes, then back to the sky, with movements so quick and impulsive that she distracted me, and I had no idea what she wanted. She got up on her knees and wrung her hands. She pointed to her own eyes and shook her head, then to mine and to the sky, nodding violently. “Oh,” I exclaimed, “blue; blue sky.” She clapped her hands and murmured, “Blue sky, blue eyes,” as if it amused her. While we snuggled down there out of the wind she learned a score of words. She was quick, and very eager. We were so deep in the grass that we could see nothing but the blue sky over us and the gold tree in front of us. It was wonderfully pleasant. After Ántonia had said the new words over and over, she wanted to give me a little chased silver ring she wore on her middle finger. When she coaxed and insisted, I repulsed her quite sternly. I did n’t want her ring, and I felt there was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for I was used to being taken for granted by my elders. We went with Mr. Shimerda back to the dugout, where grandmother was waiting for me. Before I got into the wagon, he took a book out of his pocket, opened it, and showed me a page with two alphabets, one English and the other Bohemian. He placed this book in my grandmother’s hands, looked at her entreatingly, and said with an earnestness which I shall never forget, “Te-e-ach, te-e-ach my Án-tonia!” IV ON the afternoon of that same Sunday I took my first long ride on my pony, under Otto’s direction. After that Dude and I went twice a week to the post-office, six miles east of us, and I saved the men a good deal of time by riding on errands to our neighbors. When we had to borrow anything, or to send about word that there would be preaching at the sod schoolhouse, I was always the messenger. Formerly Fuchs attended to such things after working hours. All the years that have passed have not dimmed my memory of that first glorious autumn. The new country lay open before me: there were no fences in those days, and I could choose my own way over the grass uplands, trusting the pony to get me home again. Sometimes I followed the sunflower-bordered roads. Fuchs told me that the sunflowers were introduced into that country by the Mormons; that at the time of the persecution, when they left Missouri and struck out into the wilderness to find a place where they could worship God in their own way, the members of the first exploring party, crossing the plains to Utah, scattered sunflower seed as they went. The next summer, when the long trains of wagons came through with all the women and children, they had the sunflower trail to follow. I believe that botanists do not confirm Jake’s story, but insist that the sunflower was native to those plains. Nevertheless, that legend has stuck in my mind, and sunflower-bordered roads always seem to me the roads to freedom. I used to love to drift along the pale yellow cornfields, looking for the damp spots one sometimes found at their edges, where the smartweed soon turned a rich copper color and the narrow brown leaves hung curled like cocoons about the swollen joints of the stem. Sometimes I went south to visit our German neighbors and to admire their catalpa grove, or to see the big elm tree that grew up out of a deep crack in the earth and had a hawk’s nest in its branches. Trees were so rare in that country, and they had to make such a hard fight to grow, that we used to feel anxious about them, and visit them as if they were persons. It must have been the scarcity of detail in that tawny landscape that made detail so precious. Sometimes I rode north to the big prairie-dog town to watch the brown, earth-owls fly home in the late afternoon and go down to their nests underground with the dogs. Ántonia Shimerda liked to go with me, and we used to wonder a great deal about these birds of subterranean habit. We had to be on our guard there, for rattlesnakes were always lurking about. They came to pick up an easy living among the dogs and owls, which were quite defenseless against them; took possession of their comfortable houses and ate the eggs and puppies. We felt sorry for the owls. It was always mournful to see them come flying home at sunset and disappear under the earth. But, after all, we felt, winged things who would live like that must be rather degraded creatures. The dog-town was a long way from any pond or creek. Otto Fuchs said he had seen populous dog-towns in the desert where there was no surface water for fifty miles; he insisted that some of the holes must go down to water—nearly two hundred feet, hereabouts. Ántonia said she did n’t believe it; that the dogs probably lapped up the dew in the early morning, like the rabbits. Ántonia had opinions about everything, and she was soon able to make them known. Almost every day she came running across the prairie to have her reading lesson with me. Mrs. Shimerda grumbled, but realized it was important that one member of the family should learn English. When the lesson was over, we used to go up	which all the warmth and light had died out. Everything about this old man was in keeping with his dignified manner. He was neatly dressed. Under his coat he wore a knitted gray vest, and, instead of a collar, a silk scarf of a dark bronze-green, carefully crossed and held together by a red coral pin. While Krajiek was translating for Mr. Shimerda, Ántonia came up to me and held out her hand coaxingly. In a moment we were running up the steep drawside together, Yulka trotting after us. When we reached the level and could see the gold tree-tops, I pointed toward them, and Ántonia laughed and squeezed my hand as if to tell me how glad she was I had come. We raced off toward Squaw Creek and did not stop until the ground itself stopped—fell away before us so abruptly that the next step would have been out into the tree-tops. We stood panting on the edge of the ravine, looking down at the trees and bushes that grew below us. The wind was so strong that I had to hold my hat on, and the girls’ skirts were blown out before them. Ántonia seemed to like it; she held her little sister by the hand and chattered away in that language which seemed to me spoken so much more rapidly than mine. She looked at me, her eyes fairly blazing with things she could not say. “Name? What name?” she asked, touching me on the shoulder. I told her my name, and she repeated it after me and made Yulka say it. She pointed into the gold cottonwood tree behind whose top we stood and said again, “What name?” We sat down and made a nest in the long red grass. Yulka curled up like a baby rabbit and played with a grasshopper. Ántonia pointed up to the sky and questioned me with her glance. I gave her the word, but she was not satisfied and pointed to my eyes. I told her, and she repeated the word, making it sound like “ice.” She pointed up to the sky, then to my eyes, then back to the sky, with movements so quick and impulsive that she distracted me, and I had no idea what she wanted. She got up on her knees and wrung her hands. She pointed to her own eyes and shook her head, then to mine and to the sky, nodding violently. “Oh,” I exclaimed, “blue; blue sky.” She clapped her hands and murmured, “Blue sky, blue eyes,” as if it amused her. While we snuggled down there out of the wind she learned a score of words. She was quick, and very eager. We were so deep in the grass that we could see nothing but the blue sky over us and the gold tree in front of us. It was wonderfully pleasant. After Ántonia had said the new words over and over, she wanted to give me a little chased silver ring she wore on her middle finger. When she coaxed and insisted, I repulsed her quite sternly. I did n’t want her ring, and I felt there was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for I was used to being taken for granted by my elders. We went with Mr. Shimerda back to the dugout, where grandmother was waiting for me. Before I got into the wagon, he took a book out of his pocket, opened it, and showed me a page with two alphabets, one English and the other Bohemian. He placed this book in my grandmother’s hands, looked at her entreatingly, and said with an earnestness which I shall never forget, “Te-e-ach, te-e-ach my Án-tonia!” IV ON the afternoon of that same Sunday I took my first long ride on my pony, under Otto’s direction. After that Dude and I went twice a week to the post-office, six miles east of us, and I saved the men a good deal of time by riding on errands to our neighbors. When we had to borrow anything, or to send about word that there would be preaching at the sod schoolhouse, I was always the messenger. Formerly Fuchs attended to such things after working hours. All the years that have passed have not dimmed my memory of that first glorious autumn. The new country lay open before me: there were no fences in those days, and I could choose my own way over the grass uplands, trusting the pony to get me home again. Sometimes I followed the sunflower-bordered roads. Fuchs told me that the sunflowers were introduced into that country by the Mormons; that at the time of the persecution, when they left Missouri and struck out into the wilderness to find a place where they could worship God	My Antonia
The voice continued.	No speaker	you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you	have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently.	you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened.	she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" "Bless us, what a person!" sighed Margaret, gathering up her skirts. Jacky pointed with her cake. "You re a nice boy, you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened. "I don t know what it is all about," she said. "Let s come in." But he thought she was acting. He thought he was trapped. He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of	whispered. "She s something else," said Henry. "This won t do. I can t have her in my garden in this state." "Is she--" Margaret hesitated to add "drunk." Now that she was going to marry him, he had grown particular. He discountenanced risque conversations now. Henry went up to the woman. She raised her face, which gleamed in the twilight like a puff-ball. "Madam, you will be more comfortable at the hotel," he said sharply. Jacky replied: "If it isn t Hen!" "Ne crois pas que le mari lui ressemble," apologised Margaret. "Il est tout fait diff rent." "Henry!" she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" "Bless us, what a person!" sighed Margaret, gathering up her skirts. Jacky pointed with her cake. "You re a nice boy, you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened. "I don t know what it is all about," she said. "Let s come in." But he thought she was acting. He thought he was trapped. He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of your plan." "This is Helen s plan, not mine." "I now understand your interest in the Basts. Very well thought out. I am amused at your caution, Margaret. You are quite right--it was necessary. I am a man, and have lived a man s past. I have the honour to release you from your engagement." Still she could not understand. She knew of life s seamy side as a theory; she could not grasp it as a fact. More words from Jacky were necessary--words unequivocal, undenied. "So that--" burst from her, and she went indoors. She stopped herself from saying	sunset may be but the varnish with which the unskilled artificer hides his joins. Oniton, like herself, was imperfect. Its apple-trees were stunted, its castle ruinous. It, too, had suffered in the border warfare between the Anglo-Saxon and the Celt, between things as they are and as they ought to be. Once more the west was retreating, once again the orderly stars were dotting the eastern sky. There is certainly no rest for us on the earth. But there is happiness, and as Margaret descended the mound on her lover s arm, she felt that she was having her share. To her annoyance, Mrs. Bast was still in the garden; the husband and Helen had left her there to finish her meal while they went to engage rooms. Margaret found this woman repellent. She had felt, when shaking her hand, an overpowering shame. She remembered the motive of her call at Wickham Place, and smelt again odours from the abyss--odours the more disturbing because they were involuntary. For there was no malice in Jacky. There she sat, a piece of cake in one hand, an empty champagne glass in the other, doing no harm to anybody. "She s overtired," Margaret whispered. "She s something else," said Henry. "This won t do. I can t have her in my garden in this state." "Is she--" Margaret hesitated to add "drunk." Now that she was going to marry him, he had grown particular. He discountenanced risque conversations now. Henry went up to the woman. She raised her face, which gleamed in the twilight like a puff-ball. "Madam, you will be more comfortable at the hotel," he said sharply. Jacky replied: "If it isn t Hen!" "Ne crois pas que le mari lui ressemble," apologised Margaret. "Il est tout fait diff rent." "Henry!" she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" "Bless us, what a person!" sighed Margaret, gathering up her skirts. Jacky pointed with her cake. "You re a nice boy, you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened. "I don t know what it is all about," she said. "Let s come in." But he thought she was acting. He thought he was trapped. He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of your plan." "This is Helen s plan, not mine." "I now understand your interest in the Basts. Very well thought out. I am amused at your caution, Margaret. You are quite right--it was necessary. I am a man, and have lived a man s past. I have the honour to release you from your engagement." Still she could not understand. She knew of life s seamy side as a theory; she could not grasp it as a fact. More words from Jacky were necessary--words unequivocal, undenied. "So that--" burst from her, and she went indoors. She stopped herself from saying more. "So what?" asked Colonel Fussell, who was getting ready to start in the hall. "We were saying--Henry and I were just having the fiercest argument, my point being--" Seizing his fur coat from a footman, she offered to help him on. He protested, and there was a playful little scene. "No, let me do that," said Henry, following. "Thanks so much! You see--he has forgiven me!" The Colonel said gallantly: "I don t expect there s much to forgive." He got into the car. The ladies followed him after an interval. Maids, courier, and heavier luggage had been sent on earlier by the branch-line. Still chattering, still thanking their host and patronising their future hostess, the guests were borne away. Then Margaret continued: "So that woman has been your mistress?" "You put it with your usual delicacy," he replied. "When, please?" "Why?" "When, please?" "Ten years ago." She left him without a word. For it was not her tragedy; it was Mrs. Wilcox s. CHAPTER XXVII Helen began to wonder why she had spent a matter of eight pounds in making some people ill and others angry. Now that the wave of excitement was ebbing, and had left her,	end of it, for I want you to find the man some work in your office." "What are his qualifications?" "I don t know. He s a clerk." "How old?" "Twenty-five, perhaps." "What s his name?" "Bast," said Margaret, and was about to remind him that they had met at Wickham Place, but stopped herself. It had not been a successful meeting. "Where was he before?" "Dempster s Bank." "Why did he leave?" he asked, still remembering nothing. "They reduced their staff." "All right; I ll see him." It was the reward of her tact and devotion through the day. Now she understood why some women prefer influence to rights. Mrs. Plynlimmon, when condemning suffragettes, had said: "The woman who can t influence her husband to vote the way she wants ought to be ashamed of herself." Margaret had winced, but she was influencing Henry now, and though pleased at her little victory, she knew that she had won it by the methods of the harem. "I should be glad if you took him," she said, "but I don t know whether he s qualified." "I ll do what I can. But, Margaret, this mustn t be taken as a precedent." "No, of course--of course--" "I can t fit in your proteges every day. Business would suffer." "I can promise you he s the last. He--he s rather a special case." "Proteges always are." She let it stand at that. He rose with a little extra touch of complacency, and held out his hand to help her up. How wide the gulf between Henry as he was and Henry as Helen thought he ought to be! And she herself--hovering as usual between the two, now accepting men as they are, now yearning with her sister for Truth. Love and Truth--their warfare seems eternal. Perhaps the whole visible world rests on it, and if they were one, life itself, like the spirits when Prospero was reconciled to his brother, might vanish into air, into thin air. "Your protege has made us late," said he. "The Fussells--will just be starting." On the whole she sided with men as they are. Henry would save the Basts as he had saved Howards End, while Helen and her friends were discussing the ethics of salvation. His was a slap-dash method, but the world has been built slap-dash, and the beauty of mountain and river and sunset may be but the varnish with which the unskilled artificer hides his joins. Oniton, like herself, was imperfect. Its apple-trees were stunted, its castle ruinous. It, too, had suffered in the border warfare between the Anglo-Saxon and the Celt, between things as they are and as they ought to be. Once more the west was retreating, once again the orderly stars were dotting the eastern sky. There is certainly no rest for us on the earth. But there is happiness, and as Margaret descended the mound on her lover s arm, she felt that she was having her share. To her annoyance, Mrs. Bast was still in the garden; the husband and Helen had left her there to finish her meal while they went to engage rooms. Margaret found this woman repellent. She had felt, when shaking her hand, an overpowering shame. She remembered the motive of her call at Wickham Place, and smelt again odours from the abyss--odours the more disturbing because they were involuntary. For there was no malice in Jacky. There she sat, a piece of cake in one hand, an empty champagne glass in the other, doing no harm to anybody. "She s overtired," Margaret whispered. "She s something else," said Henry. "This won t do. I can t have her in my garden in this state." "Is she--" Margaret hesitated to add "drunk." Now that she was going to marry him, he had grown particular. He discountenanced risque conversations now. Henry went up to the woman. She raised her face, which gleamed in the twilight like a puff-ball. "Madam, you will be more comfortable at the hotel," he said sharply. Jacky replied: "If it isn t Hen!" "Ne crois pas que le mari lui ressemble," apologised Margaret. "Il est tout fait diff rent." "Henry!" she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" "Bless us, what a person!" sighed Margaret, gathering up her skirts. Jacky pointed with her cake. "You re a nice boy, you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened. "I don t know what it is all about," she said. "Let s come in." But he thought she was acting. He thought he was trapped. He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of your plan." "This is Helen s plan, not mine." "I now understand your interest in the Basts. Very well thought out. I am amused at your caution, Margaret. You are quite right--it was necessary. I am a man, and have lived a man s past. I have the honour to release you from your engagement." Still she could not understand. She knew of life s seamy side as a theory; she could not grasp it as a fact. More words from Jacky were necessary--words unequivocal, undenied. "So that--" burst from her, and she went indoors. She stopped herself from saying more. "So what?" asked Colonel Fussell, who was getting ready to start in the hall. "We were saying--Henry and I were just having the fiercest argument, my point being--" Seizing his fur coat from a footman, she offered to help him on. He protested, and there was a playful little scene. "No, let me do that," said Henry, following. "Thanks so much! You see--he has forgiven me!" The Colonel said gallantly: "I don t expect there s much to forgive." He got into the car. The ladies followed him after an interval. Maids, courier, and heavier luggage had been sent on earlier by the branch-line. Still chattering, still thanking their host and patronising their future hostess, the guests were borne away. Then Margaret continued: "So that woman has been your mistress?" "You put it with your usual delicacy," he replied. "When, please?" "Why?" "When, please?" "Ten years ago." She left him without a word. For it was not her tragedy; it was Mrs. Wilcox s. CHAPTER XXVII Helen began to wonder why she had spent a matter of eight pounds in making some people ill and others angry. Now that the wave of excitement was ebbing, and had left her, Mr. Bast, and Mrs. Bast stranded for the night in a Shropshire hotel, she asked herself what forces had made the wave flow. At all events, no harm was done. Margaret would play the game properly now, and though Helen disapproved of her sister s methods, she knew that the Basts would benefit by them in the long-run. "Mr. Wilcox is so illogical," she explained to Leonard, who had put his wife to bed, and was sitting with her in the empty coffee-room. "If we told him it was his duty to take you on, he might refuse to do it. The fact is, he isn t properly educated. I don t want to set you against him, but you ll find him a trial." "I can never thank you sufficiently, Miss Schlegel," was all that Leonard felt equal to. "I believe in personal responsibility. Don t you? And in personal everything. I hate--I suppose I oughtn t to say that--but the Wilcoxes are on the wrong tack surely. Or perhaps it isn t their fault. Perhaps the little thing that says I is missing out of the middle of their heads, and then it s a waste of time to blame them. There s a nightmare of a theory that says a special race is being born which will rule the rest of us in the future just because it lacks the little thing that says I. Had you heard that?" "I get no time for reading." "Had you thought it, then? That there are two kinds of people--our kind, who live straight from the middle of their heads, and the other kind who can t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if	anybody. "She s overtired," Margaret whispered. "She s something else," said Henry. "This won t do. I can t have her in my garden in this state." "Is she--" Margaret hesitated to add "drunk." Now that she was going to marry him, he had grown particular. He discountenanced risque conversations now. Henry went up to the woman. She raised her face, which gleamed in the twilight like a puff-ball. "Madam, you will be more comfortable at the hotel," he said sharply. Jacky replied: "If it isn t Hen!" "Ne crois pas que le mari lui ressemble," apologised Margaret. "Il est tout fait diff rent." "Henry!" she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" "Bless us, what a person!" sighed Margaret, gathering up her skirts. Jacky pointed with her cake. "You re a nice boy, you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened. "I don t know what it is all about," she said. "Let s come in." But he thought she was acting. He thought he was trapped. He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of your plan." "This is Helen s plan, not mine." "I now understand your interest in the Basts. Very well thought out. I am amused at your caution, Margaret. You are quite right--it was necessary. I am a man, and have lived a man s past. I have the honour to release you from your engagement." Still she could not understand. She knew of life s seamy side as a theory; she could not grasp it as a fact. More words from Jacky were necessary--words unequivocal, undenied. "So that--" burst from her, and she went indoors. She stopped herself from saying more. "So what?" asked Colonel Fussell, who was getting ready to start in the hall. "We were saying--Henry and I were just having the fiercest argument, my point being--" Seizing his fur coat from a footman, she offered to help him on. He protested, and there was a playful little scene. "No, let me do that," said Henry, following. "Thanks so much! You see--he has forgiven me!" The Colonel said gallantly: "I don t expect there s much to forgive." He got into the car. The ladies followed him after an interval. Maids, courier, and heavier luggage had been sent on earlier by the branch-line. Still chattering, still thanking their host and patronising their future hostess, the guests were borne away. Then Margaret continued: "So that woman has been your mistress?" "You put it with your usual delicacy," he replied. "When, please?" "Why?" "When, please?" "Ten years ago." She left him without a word. For it was not her tragedy; it was Mrs. Wilcox s. CHAPTER XXVII Helen began to wonder why she had spent a matter of eight pounds in making some people ill and others angry. Now that the wave of excitement was ebbing, and had left her, Mr. Bast, and Mrs. Bast stranded for the night in a Shropshire hotel, she asked herself what forces had made the wave flow. At all events, no harm was done. Margaret would play the game properly now, and though Helen disapproved of her sister s methods, she knew that the Basts would benefit by them in the long-run. "Mr. Wilcox is so illogical," she explained to Leonard, who had put his wife to bed, and was sitting with her in the empty coffee-room. "If we told him it was his duty to take you on, he might refuse to do it. The fact is, he isn t properly educated. I don t want to set you against him, but you ll find him a trial." "I can never thank you sufficiently, Miss Schlegel," was all that Leonard felt equal to. "I believe in personal responsibility. Don t you? And in personal everything. I hate--I suppose I oughtn t to say that--but the Wilcoxes are on the wrong tack surely. Or perhaps it isn t their fault. Perhaps the little thing that says I is missing out	Howards End
"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."	The Invisible Man	the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that	a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell	them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed	stared right through me. So did the others as they joined him. The old man went and peered under the bed, and then they all made a rush for the cupboard. They had to argue about it at length in Yiddish and Cockney English. They concluded I had not answered them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed both apparatus. Then, while they were trying to explain the smash, I dodged out of the room and went softly downstairs." "I went into one of the sitting-rooms and waited until they came down, still speculating and argumentative, all a little disappointed at finding no horrors, and all a little	moment they had broken away the staples of the bolts and stood in the open doorway. It was the landlord and his two step-sons, sturdy young men of three or four and twenty. Behind them fluttered the old hag of a woman from downstairs." "You may imagine their astonishment to find the room empty. One of the younger men rushed to the window at once, flung it up and stared out. His staring eyes and thick-lipped bearded face came a foot from my face. I was half minded to hit his silly countenance, but I arrested my doubled fist. He stared right through me. So did the others as they joined him. The old man went and peered under the bed, and then they all made a rush for the cupboard. They had to argue about it at length in Yiddish and Cockney English. They concluded I had not answered them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed both apparatus. Then, while they were trying to explain the smash, I dodged out of the room and went softly downstairs." "I went into one of the sitting-rooms and waited until they came down, still speculating and argumentative, all a little disappointed at finding no horrors, and all a little puzzled how they stood legally towards me. Then I slipped up again with a box of matches, fired my heap of paper and rubbish, put the chairs and bedding thereby, led the gas to the affair, by means of an india-rubber tube, and waving a farewell to the room left it for the last time." "You fired the house!" exclaimed Kemp. "Fired the house. It was the only way to cover my trail and no doubt it was insured. I slipped the bolts of the front door quietly and went out into the street. I was invisible, and I was	of my apparatus, and to distribute it about the room, so as to destroy the suggestions of its arrangement. Presently the knocking was renewed and voices called, first my landlord s, and then two others. To gain time I answered them. The invisible rag and pillow came to hand and I opened the window and pitched them out on to the cistern cover. As the window opened, a heavy crash came at the door. Someone had charged it with the idea of smashing the lock. But the stout bolts I had screwed up some days before stopped him. That startled me, made me angry. I began to tremble and do things hurriedly." "I tossed together some loose paper, straw, packing paper and so forth, in the middle of the room, and turned on the gas. Heavy blows began to rain upon the door. I could not find the matches. I beat my hands on the wall with rage. I turned down the gas again, stepped out of the window on the cistern cover, very softly lowered the sash, and sat down, secure and invisible, but quivering with anger, to watch events. They split a panel, I saw, and in another moment they had broken away the staples of the bolts and stood in the open doorway. It was the landlord and his two step-sons, sturdy young men of three or four and twenty. Behind them fluttered the old hag of a woman from downstairs." "You may imagine their astonishment to find the room empty. One of the younger men rushed to the window at once, flung it up and stared out. His staring eyes and thick-lipped bearded face came a foot from my face. I was half minded to hit his silly countenance, but I arrested my doubled fist. He stared right through me. So did the others as they joined him. The old man went and peered under the bed, and then they all made a rush for the cupboard. They had to argue about it at length in Yiddish and Cockney English. They concluded I had not answered them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed both apparatus. Then, while they were trying to explain the smash, I dodged out of the room and went softly downstairs." "I went into one of the sitting-rooms and waited until they came down, still speculating and argumentative, all a little disappointed at finding no horrors, and all a little puzzled how they stood legally towards me. Then I slipped up again with a box of matches, fired my heap of paper and rubbish, put the chairs and bedding thereby, led the gas to the affair, by means of an india-rubber tube, and waving a farewell to the room left it for the last time." "You fired the house!" exclaimed Kemp. "Fired the house. It was the only way to cover my trail and no doubt it was insured. I slipped the bolts of the front door quietly and went out into the street. I was invisible, and I was only just beginning to realise the extraordinary advantage my invisibility gave me. My head was already teeming with plans of all the wild and wonderful things I had now impunity to do." CHAPTER XXI. IN OXFORD STREET "In going downstairs the first time I found an unexpected difficulty because I could not see my feet; indeed I stumbled twice, and there was an unaccustomed clumsiness in gripping the bolt. By not looking down, however, I managed to walk on the level passably well." "My mood, I say, was one of exaltation. I felt as a seeing man might do, with padded feet and noiseless clothes, in a city of the blind. I experienced a wild impulse to jest, to startle people, to clap men on the back, fling people s hats astray, and generally revel in my extraordinary advantage." "But hardly had I emerged upon Great Portland Street, however (my lodging was close to the big draper s shop there), when I heard a clashing concussion and was hit violently behind, and turning saw a man carrying a basket of soda-water syphons, and looking in amazement at his burden. Although the blow had really hurt me, I found something so	"For a moment he gaped. Then he gave a sort of inarticulate cry, dropped candle and writ together, and went blundering down the dark passage to the stairs. I shut the door, locked it, and went to the looking-glass. Then I understood his terror.... My face was white like white stone." "But it was all horrible. I had not expected the suffering. A night of racking anguish, sickness and fainting. I set my teeth, though my skin was presently afire, all my body afire; but I lay there like grim death. I understood now how it was the cat had howled until I chloroformed it. Lucky it was I lived alone and untended in my room. There were times when I sobbed and groaned and talked. But I stuck to it.... I became insensible and woke languid in the darkness." "The pain had passed. I thought I was killing myself and I did not care. I shall never forget that dawn, and the strange horror of seeing that my hands had become as clouded glass, and watching them grow clearer and thinner as the day went by, until at last I could see the sickly disorder of my room through them, though I closed my transparent eyelids. My limbs became glassy, the bones and arteries faded, vanished, and the little white nerves went last. I gritted my teeth and stayed there to the end. At last only the dead tips of the fingernails remained, pallid and white, and the brown stain of some acid upon my fingers." "I struggled up. At first I was as incapable as a swathed infant stepping with limbs I could not see. I was weak and very hungry. I went and stared at nothing in my shaving-glass, at nothing save where an attenuated pigment still remained behind the retina of my eyes, fainter than mist. I had to hang on to the table and press my forehead against the glass." "It was only by a frantic effort of will that I dragged myself back to the apparatus and completed the process." "I slept during the forenoon, pulling the sheet over my eyes to shut out the light, and about midday I was awakened again by a knocking. My strength had returned. I sat up and listened and heard a whispering. I sprang to my feet and as noiselessly as possible began to detach the connections of my apparatus, and to distribute it about the room, so as to destroy the suggestions of its arrangement. Presently the knocking was renewed and voices called, first my landlord s, and then two others. To gain time I answered them. The invisible rag and pillow came to hand and I opened the window and pitched them out on to the cistern cover. As the window opened, a heavy crash came at the door. Someone had charged it with the idea of smashing the lock. But the stout bolts I had screwed up some days before stopped him. That startled me, made me angry. I began to tremble and do things hurriedly." "I tossed together some loose paper, straw, packing paper and so forth, in the middle of the room, and turned on the gas. Heavy blows began to rain upon the door. I could not find the matches. I beat my hands on the wall with rage. I turned down the gas again, stepped out of the window on the cistern cover, very softly lowered the sash, and sat down, secure and invisible, but quivering with anger, to watch events. They split a panel, I saw, and in another moment they had broken away the staples of the bolts and stood in the open doorway. It was the landlord and his two step-sons, sturdy young men of three or four and twenty. Behind them fluttered the old hag of a woman from downstairs." "You may imagine their astonishment to find the room empty. One of the younger men rushed to the window at once, flung it up and stared out. His staring eyes and thick-lipped bearded face came a foot from my face. I was half minded to hit his silly countenance, but I arrested my doubled fist. He stared right through me. So did the others as they joined him. The old man went and peered under the bed, and then they all made a rush for the cupboard. They had to argue about it at length in Yiddish and Cockney English. They concluded I had not answered them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed both apparatus. Then, while they were trying to explain the smash, I dodged out of the room and went softly downstairs." "I went into one of the sitting-rooms and waited until they came down, still speculating and argumentative, all a little disappointed at finding no horrors, and all a little puzzled how they stood legally towards me. Then I slipped up again with a box of matches, fired my heap of paper and rubbish, put the chairs and bedding thereby, led the gas to the affair, by means of an india-rubber tube, and waving a farewell to the room left it for the last time." "You fired the house!" exclaimed Kemp. "Fired the house. It was the only way to cover my trail and no doubt it was insured. I slipped the bolts of the front door quietly and went out into the street. I was invisible, and I was only just beginning to realise the extraordinary advantage my invisibility gave me. My head was already teeming with plans of all the wild and wonderful things I had now impunity to do." CHAPTER XXI. IN OXFORD STREET "In going downstairs the first time I found an unexpected difficulty because I could not see my feet; indeed I stumbled twice, and there was an unaccustomed clumsiness in gripping the bolt. By not looking down, however, I managed to walk on the level passably well." "My mood, I say, was one of exaltation. I felt as a seeing man might do, with padded feet and noiseless clothes, in a city of the blind. I experienced a wild impulse to jest, to startle people, to clap men on the back, fling people s hats astray, and generally revel in my extraordinary advantage." "But hardly had I emerged upon Great Portland Street, however (my lodging was close to the big draper s shop there), when I heard a clashing concussion and was hit violently behind, and turning saw a man carrying a basket of soda-water syphons, and looking in amazement at his burden. Although the blow had really hurt me, I found something so irresistible in his astonishment that I laughed aloud." The devil s in the basket, "I said, and suddenly twisted it out of his hand. He let go incontinently, and I swung the whole weight into the air." "But a fool of a cabman, standing outside a public house, made a sudden rush for this, and his extending fingers took me with excruciating violence under the ear. I let the whole down with a smash on the cabman, and then, with shouts and the clatter of feet about me, people coming out of shops, vehicles pulling up, I realised what I had done for myself, and cursing my folly, backed against a shop window and prepared to dodge out of the confusion. In a moment I should be wedged into a crowd and inevitably discovered. I pushed by a butcher boy, who luckily did not turn to see the nothingness that shoved him aside, and dodged behind the cab-man s four-wheeler. I do not know how they settled the business. I hurried straight across the road, which was happily clear, and hardly heeding which way I went, in the fright of detection the incident had given me, plunged into the afternoon throng of Oxford Street." "I tried to get into the stream of people, but they were too thick for me, and in a moment my heels were being trodden upon. I took to the gutter, the roughness of which I found painful to my feet, and forthwith the shaft of a crawling hansom dug me forcibly under the shoulder blade, reminding me that I was already bruised severely. I staggered out of the way of the cab, avoided a perambulator by a convulsive movement, and found myself behind the hansom. A happy thought saved me, and as this drove slowly along I followed in its immediate wake, trembling and astonished at the turn of my adventure. And not only trembling, but shivering. It was a bright day in January and I was stark naked and the thin slime of mud that covered the road was freezing. Foolish as it seems to me now, I had not reckoned that, transparent or not, I was still amenable to the weather and all its consequences." "Then suddenly a bright idea came into my head. I ran round and got into the cab. And so, shivering, scared, and sniffing with the first intimations of	down the gas again, stepped out of the window on the cistern cover, very softly lowered the sash, and sat down, secure and invisible, but quivering with anger, to watch events. They split a panel, I saw, and in another moment they had broken away the staples of the bolts and stood in the open doorway. It was the landlord and his two step-sons, sturdy young men of three or four and twenty. Behind them fluttered the old hag of a woman from downstairs." "You may imagine their astonishment to find the room empty. One of the younger men rushed to the window at once, flung it up and stared out. His staring eyes and thick-lipped bearded face came a foot from my face. I was half minded to hit his silly countenance, but I arrested my doubled fist. He stared right through me. So did the others as they joined him. The old man went and peered under the bed, and then they all made a rush for the cupboard. They had to argue about it at length in Yiddish and Cockney English. They concluded I had not answered them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed both apparatus. Then, while they were trying to explain the smash, I dodged out of the room and went softly downstairs." "I went into one of the sitting-rooms and waited until they came down, still speculating and argumentative, all a little disappointed at finding no horrors, and all a little puzzled how they stood legally towards me. Then I slipped up again with a box of matches, fired my heap of paper and rubbish, put the chairs and bedding thereby, led the gas to the affair, by means of an india-rubber tube, and waving a farewell to the room left it for the last time." "You fired the house!" exclaimed Kemp. "Fired the house. It was the only way to cover my trail and no doubt it was insured. I slipped the bolts of the front door quietly and went out into the street. I was invisible, and I was only just beginning to realise the extraordinary advantage my invisibility gave me. My head was already teeming with plans of all the wild and wonderful things I had now impunity to do." CHAPTER XXI. IN OXFORD STREET "In going downstairs the first time I found an unexpected difficulty because I could	The Invisible Man
and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.	No speaker	Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of	used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her	all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my	Katharine, that s true, you know. It s more than most of us have, only we have to pretend, which was a thing neither of them could ever do. I fancy," Mrs. Hilbery mused, "that there was a kind of sincerity in those days between men and women which, with all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my father wasn t in bed three nights out of the seven, but always fresh as paint in the morning. I hear him now, come singing up the stairs to the nursery, and tossing the loaf for breakfast on his sword-stick, and then off we went for a day s pleasuring	it hadn t been for me, where would you be now? And it was true; she brought them together, you know. She said to my father, Marry her, and he did; and she said to poor little Clara, Fall down and worship him, and she did; but she got up again, of course. What else could one expect? She was a mere child eighteen and half dead with fright, too. But that old tyrant never repented. She used to say that she had given them three perfect months, and no one had a right to more; and I sometimes think, Katharine, that s true, you know. It s more than most of us have, only we have to pretend, which was a thing neither of them could ever do. I fancy," Mrs. Hilbery mused, "that there was a kind of sincerity in those days between men and women which, with all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my father wasn t in bed three nights out of the seven, but always fresh as paint in the morning. I hear him now, come singing up the stairs to the nursery, and tossing the loaf for breakfast on his sword-stick, and then off we went for a day s pleasuring Richmond, Hampton Court, the Surrey Hills. Why shouldn t we go, Katharine? It s going to be a fine day." At this moment, just as Mrs. Hilbery was examining the weather from the window, there was a knock at the door. A slight, elderly lady came in, and was saluted by Katharine, with very evident dismay, as "Aunt Celia!" She was dismayed because she guessed why Aunt Celia had come. It was certainly in order to discuss the case of Cyril and the woman who was not his wife, and owing to her procrastination Mrs. Hilbery was quite unprepared. Who	whole meal, and appeared in the drawing-room as if she d been sleeping on a bank of roses all day. She could do anything with her hands they all could make a cottage or embroider a petticoat." "And that s Queenie Colquhoun," she went on, turning the pages, "who took her coffin out with her to Jamaica, packed with lovely shawls and bonnets, because you couldn t get coffins in Jamaica, and she had a horror of dying there (as she did), and being devoured by the white ants. And there s Sabine, the loveliest of them all; ah! it was like a star rising when she came into the room. And that s Miriam, in her coachman s cloak, with all the little capes on, and she wore great top-boots underneath. You young people may say you re unconventional, but you re nothing compared with her." Turning the page, she came upon the picture of a very masculine, handsome lady, whose head the photographer had adorned with an imperial crown. "Ah, you wretch!" Mrs. Hilbery exclaimed, "what a wicked old despot you were, in your day! How we all bowed down before you! Maggie, she used to say, if it hadn t been for me, where would you be now? And it was true; she brought them together, you know. She said to my father, Marry her, and he did; and she said to poor little Clara, Fall down and worship him, and she did; but she got up again, of course. What else could one expect? She was a mere child eighteen and half dead with fright, too. But that old tyrant never repented. She used to say that she had given them three perfect months, and no one had a right to more; and I sometimes think, Katharine, that s true, you know. It s more than most of us have, only we have to pretend, which was a thing neither of them could ever do. I fancy," Mrs. Hilbery mused, "that there was a kind of sincerity in those days between men and women which, with all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my father wasn t in bed three nights out of the seven, but always fresh as paint in the morning. I hear him now, come singing up the stairs to the nursery, and tossing the loaf for breakfast on his sword-stick, and then off we went for a day s pleasuring Richmond, Hampton Court, the Surrey Hills. Why shouldn t we go, Katharine? It s going to be a fine day." At this moment, just as Mrs. Hilbery was examining the weather from the window, there was a knock at the door. A slight, elderly lady came in, and was saluted by Katharine, with very evident dismay, as "Aunt Celia!" She was dismayed because she guessed why Aunt Celia had come. It was certainly in order to discuss the case of Cyril and the woman who was not his wife, and owing to her procrastination Mrs. Hilbery was quite unprepared. Who could be more unprepared? Here she was, suggesting that all three of them should go on a jaunt to Blackfriars to inspect the site of Shakespeare s theater, for the weather was hardly settled enough for the country. To this proposal Mrs. Milvain listened with a patient smile, which indicated that for many years she had accepted such eccentricities in her sister-in-law with bland philosophy. Katharine took up her position at some distance, standing with her foot on the fender, as though by so doing she could get a better view of the matter. But, in spite of her aunt s presence, how unreal the whole question of Cyril and his morality appeared! The difficulty, it now seemed, was not to break the news gently to Mrs. Hilbery, but to make her understand it. How was one to lasso her mind, and tether it to this minute, unimportant spot? A matter-of-fact statement seemed best. "I think Aunt Celia has come to talk about Cyril, mother," she said rather brutally. "Aunt Celia has discovered that Cyril is married. He has a wife and children." "No, he is _not_ married," Mrs. Milvain interposed, in low tones, addressing herself to Mrs. Hilbery. "He	again, and Katharine felt once more full of peace and solicitude, and anxious only that her mother should be protected from pain. She crossed the room instinctively, and sat on the arm of her mother s chair. Mrs. Hilbery leant her head against her daughter s body. "What is nobler," she mused, turning over the photographs, "than to be a woman to whom every one turns, in sorrow or difficulty? How have the young women of your generation improved upon that, Katharine? I can see them now, sweeping over the lawns at Melbury House, in their flounces and furbelows, so calm and stately and imperial (and the monkey and the little black dwarf following behind), as if nothing mattered in the world but to be beautiful and kind. But they did more than we do, I sometimes think. They WERE, and that s better than doing. They seem to me like ships, like majestic ships, holding on their way, not shoving or pushing, not fretted by little things, as we are, but taking their way, like ships with white sails." Katharine tried to interrupt this discourse, but the opportunity did not come, and she could not forbear to turn over the pages of the album in which the old photographs were stored. The faces of these men and women shone forth wonderfully after the hubbub of living faces, and seemed, as her mother had said, to wear a marvelous dignity and calm, as if they had ruled their kingdoms justly and deserved great love. Some were of almost incredible beauty, others were ugly enough in a forcible way, but none were dull or bored or insignificant. The superb stiff folds of the crinolines suited the women; the cloaks and hats of the gentlemen seemed full of character. Once more Katharine felt the serene air all round her, and seemed far off to hear the solemn beating of the sea upon the shore. But she knew that she must join the present on to this past. Mrs. Hilbery was rambling on, from story to story. "That s Janie Mannering," she said, pointing to a superb, white-haired dame, whose satin robes seemed strung with pearls. "I must have told you how she found her cook drunk under the kitchen table when the Empress was coming to dinner, and tucked up her velvet sleeves (she always dressed like an Empress herself), cooked the whole meal, and appeared in the drawing-room as if she d been sleeping on a bank of roses all day. She could do anything with her hands they all could make a cottage or embroider a petticoat." "And that s Queenie Colquhoun," she went on, turning the pages, "who took her coffin out with her to Jamaica, packed with lovely shawls and bonnets, because you couldn t get coffins in Jamaica, and she had a horror of dying there (as she did), and being devoured by the white ants. And there s Sabine, the loveliest of them all; ah! it was like a star rising when she came into the room. And that s Miriam, in her coachman s cloak, with all the little capes on, and she wore great top-boots underneath. You young people may say you re unconventional, but you re nothing compared with her." Turning the page, she came upon the picture of a very masculine, handsome lady, whose head the photographer had adorned with an imperial crown. "Ah, you wretch!" Mrs. Hilbery exclaimed, "what a wicked old despot you were, in your day! How we all bowed down before you! Maggie, she used to say, if it hadn t been for me, where would you be now? And it was true; she brought them together, you know. She said to my father, Marry her, and he did; and she said to poor little Clara, Fall down and worship him, and she did; but she got up again, of course. What else could one expect? She was a mere child eighteen and half dead with fright, too. But that old tyrant never repented. She used to say that she had given them three perfect months, and no one had a right to more; and I sometimes think, Katharine, that s true, you know. It s more than most of us have, only we have to pretend, which was a thing neither of them could ever do. I fancy," Mrs. Hilbery mused, "that there was a kind of sincerity in those days between men and women which, with all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my father wasn t in bed three nights out of the seven, but always fresh as paint in the morning. I hear him now, come singing up the stairs to the nursery, and tossing the loaf for breakfast on his sword-stick, and then off we went for a day s pleasuring Richmond, Hampton Court, the Surrey Hills. Why shouldn t we go, Katharine? It s going to be a fine day." At this moment, just as Mrs. Hilbery was examining the weather from the window, there was a knock at the door. A slight, elderly lady came in, and was saluted by Katharine, with very evident dismay, as "Aunt Celia!" She was dismayed because she guessed why Aunt Celia had come. It was certainly in order to discuss the case of Cyril and the woman who was not his wife, and owing to her procrastination Mrs. Hilbery was quite unprepared. Who could be more unprepared? Here she was, suggesting that all three of them should go on a jaunt to Blackfriars to inspect the site of Shakespeare s theater, for the weather was hardly settled enough for the country. To this proposal Mrs. Milvain listened with a patient smile, which indicated that for many years she had accepted such eccentricities in her sister-in-law with bland philosophy. Katharine took up her position at some distance, standing with her foot on the fender, as though by so doing she could get a better view of the matter. But, in spite of her aunt s presence, how unreal the whole question of Cyril and his morality appeared! The difficulty, it now seemed, was not to break the news gently to Mrs. Hilbery, but to make her understand it. How was one to lasso her mind, and tether it to this minute, unimportant spot? A matter-of-fact statement seemed best. "I think Aunt Celia has come to talk about Cyril, mother," she said rather brutally. "Aunt Celia has discovered that Cyril is married. He has a wife and children." "No, he is _not_ married," Mrs. Milvain interposed, in low tones, addressing herself to Mrs. Hilbery. "He has two children, and another on the way." Mrs. Hilbery looked from one to the other in bewilderment. "We thought it better to wait until it was proved before we told you," Katharine added. "But I met Cyril only a fortnight ago at the National Gallery!" Mrs. Hilbery exclaimed. "I don t believe a word of it," and she tossed her head with a smile on her lips at Mrs. Milvain, as though she could quite understand her mistake, which was a very natural mistake, in the case of a childless woman, whose husband was something very dull in the Board of Trade. "I didn t _wish_ to believe it, Maggie," said Mrs. Milvain. "For a long time I _couldn t_ believe it. But now I ve seen, and I _have_ to believe it." "Katharine," Mrs. Hilbery demanded, "does your father know of this?" Katharine nodded. "Cyril married!" Mrs. Hilbery repeated. "And never telling us a word, though we ve had him in our house since he was a child noble William s son! I can t believe my ears!" Feeling that the burden of proof was laid upon her, Mrs. Milvain now proceeded with her story. She was elderly and fragile, but her childlessness seemed always to impose these painful duties on her, and to revere the family, and to keep it in repair, had now become the chief object of her life. She told her story in a low, spasmodic, and somewhat broken voice. "I have suspected for some time that he was not happy. There were new lines on his face. So I went to his rooms, when I knew he was engaged at the poor men s college. He lectures there Roman law, you know, or it may be Greek. The landlady said Mr. Alardyce only slept there about once a fortnight now. He looked so ill, she said. She had seen him with a young person. I suspected something directly. I went to his room, and there was an envelope on the mantelpiece, and a letter with an address in Seton Street, off the Kennington Road." Mrs. Hilbery fidgeted rather restlessly, and hummed fragments of her tune, as if to interrupt. "I went to Seton Street," Aunt Celia continued firmly. "A very low place lodging-houses, you know, with canaries in the window. Number seven just like all the others. I rang, I knocked; no one	full of character. Once more Katharine felt the serene air all round her, and seemed far off to hear the solemn beating of the sea upon the shore. But she knew that she must join the present on to this past. Mrs. Hilbery was rambling on, from story to story. "That s Janie Mannering," she said, pointing to a superb, white-haired dame, whose satin robes seemed strung with pearls. "I must have told you how she found her cook drunk under the kitchen table when the Empress was coming to dinner, and tucked up her velvet sleeves (she always dressed like an Empress herself), cooked the whole meal, and appeared in the drawing-room as if she d been sleeping on a bank of roses all day. She could do anything with her hands they all could make a cottage or embroider a petticoat." "And that s Queenie Colquhoun," she went on, turning the pages, "who took her coffin out with her to Jamaica, packed with lovely shawls and bonnets, because you couldn t get coffins in Jamaica, and she had a horror of dying there (as she did), and being devoured by the white ants. And there s Sabine, the loveliest of them all; ah! it was like a star rising when she came into the room. And that s Miriam, in her coachman s cloak, with all the little capes on, and she wore great top-boots underneath. You young people may say you re unconventional, but you re nothing compared with her." Turning the page, she came upon the picture of a very masculine, handsome lady, whose head the photographer had adorned with an imperial crown. "Ah, you wretch!" Mrs. Hilbery exclaimed, "what a wicked old despot you were, in your day! How we all bowed down before you! Maggie, she used to say, if it hadn t been for me, where would you be now? And it was true; she brought them together, you know. She said to my father, Marry her, and he did; and she said to poor little Clara, Fall down and worship him, and she did; but she got up again, of course. What else could one expect? She was a mere child eighteen and half dead with fright, too. But that old tyrant never repented. She used to say that she had given them three perfect months, and no one had a right to more; and I sometimes think, Katharine, that s true, you know. It s more than most of us have, only we have to pretend, which was a thing neither of them could ever do. I fancy," Mrs. Hilbery mused, "that there was a kind of sincerity in those days between men and women which, with all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my father wasn t in bed three nights out of the seven, but always fresh as paint in the morning. I hear him now, come singing up the stairs to the nursery, and tossing the loaf for breakfast on his sword-stick, and then off we went for a day s pleasuring Richmond, Hampton Court, the Surrey Hills. Why shouldn t we go, Katharine? It s going to be a fine day." At this moment, just as Mrs. Hilbery was examining the weather from the window, there was a knock at the door. A slight, elderly lady came in, and was saluted by Katharine, with very evident dismay, as "Aunt Celia!" She was dismayed because she guessed why Aunt Celia had come. It was certainly in order to discuss the case of Cyril and the woman who was not his wife, and owing to her procrastination Mrs. Hilbery was quite unprepared. Who could be more unprepared? Here she was, suggesting that all three of them should go on a jaunt to Blackfriars to inspect the site of Shakespeare s theater, for the weather was hardly settled enough for the country. To this proposal Mrs. Milvain listened with a patient smile, which indicated that for many years she had accepted such eccentricities in her sister-in-law with bland philosophy. Katharine took up her position at some distance, standing with her foot on the fender, as though by so doing she could get a better view of the matter. But, in spite of her aunt s presence, how unreal the whole question of Cyril and his	Night And Day
"And what a fine thing it all is!"	Alexis Ivanovitch	to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be	something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way	General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more	the case that everything is mortgaged? I have heard rumours to that effect, but was unaware how far they might be true." "Yes, they _are_ true. What then?" "Why, it will be a case of Farewell, Mlle. Blanche," I remarked; "for in such an event she would never become Madame General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more dastardly, than the sending of telegram after telegram to know if she is dead? What do you think of it, Polina Alexandrovna?" "Yes, it is very horrible," she interrupted with a shudder. "Consequently, I am the more surprised that _you_ should be so cheerful. What are _you_ so pleased about?	heard her speak so of De Griers: consequently, I was momentarily awed into silence by this expression of resentment. "Have you noticed, too, that today he is by no means on good terms with the General?" I went on. "Yes and I suppose you want to know why," she replied with dry captiousness. "You are aware, are you not, that the General is mortgaged to the Marquis, with all his property? Consequently, if the General s mother does not die, the Frenchman will become the absolute possessor of everything which he now holds only in pledge." "Then it is really the case that everything is mortgaged? I have heard rumours to that effect, but was unaware how far they might be true." "Yes, they _are_ true. What then?" "Why, it will be a case of Farewell, Mlle. Blanche," I remarked; "for in such an event she would never become Madame General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more dastardly, than the sending of telegram after telegram to know if she is dead? What do you think of it, Polina Alexandrovna?" "Yes, it is very horrible," she interrupted with a shudder. "Consequently, I am the more surprised that _you_ should be so cheerful. What are _you_ so pleased about? About the fact that you have gone and lost my money?" "What? The money that you gave me to lose? I told you I should never win for other people least of all for you. I obeyed you simply because you ordered me to; but you must not blame me for the result. I warned you that no good would ever come of it. You seem much depressed at having lost your money. Why do you need it so greatly?" "Why do _you_ ask me these questions?" "Because you promised to explain matters to me. Listen. I am certain that,	"but I _do_ know that you are becoming an insufferable _far eur_ whenever you are given the least chance." As usual, he left his sentence unfinished. Indeed, whenever he embarked upon anything that in the least exceeded the limits of daily small-talk, he left unfinished what he was saying. The Frenchman had listened to me contemptuously, with a slight protruding of his eyes; but, he could not have understood very much of my harangue. As for Polina, she had looked on with serene indifference. She seemed to have heard neither my voice nor any other during the progress of the meal. V Yes, she had been extraordinarily meditative. Yet, on leaving the table, she immediately ordered me to accompany her for a walk. We took the children with us, and set out for the fountain in the Park. I was in such an irritated frame of mind that in rude and abrupt fashion I blurted out a question as to "why our Marquis de Griers had ceased to accompany her for strolls, or to speak to her for days together." "Because he is a brute," she replied in rather a curious way. It was the first time that I had heard her speak so of De Griers: consequently, I was momentarily awed into silence by this expression of resentment. "Have you noticed, too, that today he is by no means on good terms with the General?" I went on. "Yes and I suppose you want to know why," she replied with dry captiousness. "You are aware, are you not, that the General is mortgaged to the Marquis, with all his property? Consequently, if the General s mother does not die, the Frenchman will become the absolute possessor of everything which he now holds only in pledge." "Then it is really the case that everything is mortgaged? I have heard rumours to that effect, but was unaware how far they might be true." "Yes, they _are_ true. What then?" "Why, it will be a case of Farewell, Mlle. Blanche," I remarked; "for in such an event she would never become Madame General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more dastardly, than the sending of telegram after telegram to know if she is dead? What do you think of it, Polina Alexandrovna?" "Yes, it is very horrible," she interrupted with a shudder. "Consequently, I am the more surprised that _you_ should be so cheerful. What are _you_ so pleased about? About the fact that you have gone and lost my money?" "What? The money that you gave me to lose? I told you I should never win for other people least of all for you. I obeyed you simply because you ordered me to; but you must not blame me for the result. I warned you that no good would ever come of it. You seem much depressed at having lost your money. Why do you need it so greatly?" "Why do _you_ ask me these questions?" "Because you promised to explain matters to me. Listen. I am certain that, as soon as ever I begin to play for myself (and I still have 120 g lden left), I shall win. You can then take of me what you require." She made a contemptuous grimace. "You must not be angry with me," I continued, "for making such a proposal. I am so conscious of being only a nonentity in your eyes that you need not mind accepting money from me. A gift from me could not possibly offend you. Moreover, it was I who lost your g lden." She glanced at me, but, seeing that I was in an irritable, sarcastic mood, changed the subject. "My affairs cannot possibly interest you," she said. "Still, if you _do_ wish to know, I am in debt. I borrowed some money, and must pay it back again. I have a curious, senseless idea that I am bound to win at the gaming-tables. Why I think so I cannot tell, but I do think so, and with some assurance. Perhaps it is because of that assurance that I now find myself without any other resource." "Or perhaps it is because it is so _necessary_ for you to win. It is like a drowning man	idyllic for the victim to rejoice when he is made over into pledge. What more have I to tell? Well, this that matters bear just as hardly upon the eldest son. Perhaps he has his Gretchen to whom his heart is bound; but he cannot marry her, for the reason that he has not yet amassed sufficient g lden. So, the pair wait on in a mood of sincere and virtuous expectation, and smilingly deposit themselves in pawn the while. Gretchen s cheeks grow sunken, and she begins to wither; until at last, after some twenty years, their substance has multiplied, and sufficient g lden have been honourably and virtuously accumulated. Then the Vater blesses his forty-year-old heir and the thirty-five-year-old Gretchen with the sunken bosom and the scarlet nose; after which he bursts, into tears, reads the pair a lesson on morality, and dies. In turn the eldest son becomes a virtuous Vater, and the old story begins again. In fifty or sixty years time the grandson of the original Vater will have amassed a considerable sum; and that sum he will hand over to, his son, and the latter to _his_ son, and so on for several generations; until at length there will issue a Baron Rothschild, or a Hoppe and Company, or the devil knows what! Is it not a beautiful spectacle the spectacle of a century or two of inherited labour, patience, intellect, rectitude, character, perseverance, and calculation, with a stork sitting on the roof above it all? What is more; they think there can never be anything better than this; wherefore, from _their_ point of view they begin to judge the rest of the world, and to censure all who are at fault that is to say, who are not exactly like themselves. Yes, there you have it in a nutshell. For my own part, I would rather grow fat after the Russian manner, or squander my whole substance at roulette. I have no wish to be Hoppe and Company at the end of five generations. I want the money for _myself_, for in no way do I look upon my personality as necessary to, or meet to be given over to, capital. I may be wrong, but there you have it. Those are _my_ views." "How far you may be right in what you have said I do not know," remarked the General moodily; "but I _do_ know that you are becoming an insufferable _far eur_ whenever you are given the least chance." As usual, he left his sentence unfinished. Indeed, whenever he embarked upon anything that in the least exceeded the limits of daily small-talk, he left unfinished what he was saying. The Frenchman had listened to me contemptuously, with a slight protruding of his eyes; but, he could not have understood very much of my harangue. As for Polina, she had looked on with serene indifference. She seemed to have heard neither my voice nor any other during the progress of the meal. V Yes, she had been extraordinarily meditative. Yet, on leaving the table, she immediately ordered me to accompany her for a walk. We took the children with us, and set out for the fountain in the Park. I was in such an irritated frame of mind that in rude and abrupt fashion I blurted out a question as to "why our Marquis de Griers had ceased to accompany her for strolls, or to speak to her for days together." "Because he is a brute," she replied in rather a curious way. It was the first time that I had heard her speak so of De Griers: consequently, I was momentarily awed into silence by this expression of resentment. "Have you noticed, too, that today he is by no means on good terms with the General?" I went on. "Yes and I suppose you want to know why," she replied with dry captiousness. "You are aware, are you not, that the General is mortgaged to the Marquis, with all his property? Consequently, if the General s mother does not die, the Frenchman will become the absolute possessor of everything which he now holds only in pledge." "Then it is really the case that everything is mortgaged? I have heard rumours to that effect, but was unaware how far they might be true." "Yes, they _are_ true. What then?" "Why, it will be a case of Farewell, Mlle. Blanche," I remarked; "for in such an event she would never become Madame General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more dastardly, than the sending of telegram after telegram to know if she is dead? What do you think of it, Polina Alexandrovna?" "Yes, it is very horrible," she interrupted with a shudder. "Consequently, I am the more surprised that _you_ should be so cheerful. What are _you_ so pleased about? About the fact that you have gone and lost my money?" "What? The money that you gave me to lose? I told you I should never win for other people least of all for you. I obeyed you simply because you ordered me to; but you must not blame me for the result. I warned you that no good would ever come of it. You seem much depressed at having lost your money. Why do you need it so greatly?" "Why do _you_ ask me these questions?" "Because you promised to explain matters to me. Listen. I am certain that, as soon as ever I begin to play for myself (and I still have 120 g lden left), I shall win. You can then take of me what you require." She made a contemptuous grimace. "You must not be angry with me," I continued, "for making such a proposal. I am so conscious of being only a nonentity in your eyes that you need not mind accepting money from me. A gift from me could not possibly offend you. Moreover, it was I who lost your g lden." She glanced at me, but, seeing that I was in an irritable, sarcastic mood, changed the subject. "My affairs cannot possibly interest you," she said. "Still, if you _do_ wish to know, I am in debt. I borrowed some money, and must pay it back again. I have a curious, senseless idea that I am bound to win at the gaming-tables. Why I think so I cannot tell, but I do think so, and with some assurance. Perhaps it is because of that assurance that I now find myself without any other resource." "Or perhaps it is because it is so _necessary_ for you to win. It is like a drowning man catching at a straw. You yourself will agree that, unless he were drowning he would not mistake a straw for the trunk of a tree." Polina looked surprised. "What?" she said. "Do not you also hope something from it? Did you not tell me again and again, two weeks ago, that you were certain of winning at roulette if you played here? And did you not ask me not to consider you a fool for doing so? Were you joking? You cannot have been, for I remember that you spoke with a gravity which forbade the idea of your jesting." "True," I replied gloomily. "I always felt certain that I should win. Indeed, what you say makes me ask myself Why have my absurd, senseless losses of today raised a doubt in my mind? Yet I am _still_ positive that, so soon as ever I begin to play for myself, I shall infallibly win." "And why are you so certain?" "To tell the truth, I do not know. I only know that I _must_ win that it is the one resource I have left. Yes, why do I feel so assured on the point?" "Perhaps because one cannot help winning if one is fanatically certain of doing so." "Yet I dare wager that you do not think me capable of serious feeling in the matter?" "I do not care whether you are so or not," answered Polina with calm indifference. "Well, since you ask me, I _do_ doubt your ability to take anything seriously. You are capable of worrying, but not deeply. You are too ill-regulated and unsettled a person for that. But why do you want money? Not a single one of the reasons which you have given can be looked upon as serious." "By the way," I interrupted, "you say you want to pay off a debt. It must be a large one. Is it to the Frenchman?" "What do you mean by asking all these questions? You are very clever today. Surely you are not drunk?" "You know that you and I stand on no ceremony, and that sometimes I put to you very plain questions. I repeat that I am your slave and slaves cannot be shamed or offended." "You talk like a child. It is always possible to comport oneself with dignity. If one has a quarrel it ought to elevate rather than to degrade	rather a curious way. It was the first time that I had heard her speak so of De Griers: consequently, I was momentarily awed into silence by this expression of resentment. "Have you noticed, too, that today he is by no means on good terms with the General?" I went on. "Yes and I suppose you want to know why," she replied with dry captiousness. "You are aware, are you not, that the General is mortgaged to the Marquis, with all his property? Consequently, if the General s mother does not die, the Frenchman will become the absolute possessor of everything which he now holds only in pledge." "Then it is really the case that everything is mortgaged? I have heard rumours to that effect, but was unaware how far they might be true." "Yes, they _are_ true. What then?" "Why, it will be a case of Farewell, Mlle. Blanche," I remarked; "for in such an event she would never become Madame General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more dastardly, than the sending of telegram after telegram to know if she is dead? What do you think of it, Polina Alexandrovna?" "Yes, it is very horrible," she interrupted with a shudder. "Consequently, I am the more surprised that _you_ should be so cheerful. What are _you_ so pleased about? About the fact that you have gone and lost my money?" "What? The money that you gave me to lose? I told you I should never win for other people least of all for you. I obeyed you simply because you ordered me to; but you must not blame me for the result. I warned you that no good would ever come of it. You seem much depressed at having lost your money. Why do you need it so greatly?" "Why do _you_ ask me these questions?" "Because you promised to explain matters to me. Listen. I am certain that, as soon as ever I begin to play for myself (and	The Gambler
Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.	No speaker	the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!"	take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You	is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force	was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force me to do it is not of your life that I am thinking." "Ah, Alan," murmured Dorian with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away as he spoke and stood looking out at the garden.	Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force me to do it is not of your life that I am thinking." "Ah, Alan," murmured Dorian with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away as he spoke and stood looking out at the garden. Campbell made no answer. After about ten minutes a knock came to the door, and the servant entered, carrying a large mahogany chest of chemicals, with a long coil of steel and platinum wire and two rather curiously shaped iron clamps. "Shall I leave the things here, sir?" he asked Campbell. "Yes," said Dorian. "And I am afraid, Francis, that I have another errand for you. What is the name of the man at Richmond who supplies Selby with orchids?" "Harden, sir." "Yes Harden. You must go down to Richmond at once, see Harden personally, and tell him to send	in his chair. A horrible sense of sickness came over him. He felt as if his heart was beating itself to death in some empty hollow. After two or three minutes of terrible silence, Dorian turned round and came and stood behind him, putting his hand upon his shoulder. "I am so sorry for you, Alan," he murmured, "but you leave me no alternative. I have a letter written already. Here it is. You see the address. If you don t help me, I must send it. If you don t help me, I will send it. You know what the result will be. But you are going to help me. It is impossible for you to refuse now. I tried to spare you. You will do me the justice to admit that. You were stern, harsh, offensive. You treated me as no man has ever dared to treat me no living man, at any rate. I bore it all. Now it is for me to dictate terms." Campbell buried his face in his hands, and a shudder passed through him. "Yes, it is my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force me to do it is not of your life that I am thinking." "Ah, Alan," murmured Dorian with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away as he spoke and stood looking out at the garden. Campbell made no answer. After about ten minutes a knock came to the door, and the servant entered, carrying a large mahogany chest of chemicals, with a long coil of steel and platinum wire and two rather curiously shaped iron clamps. "Shall I leave the things here, sir?" he asked Campbell. "Yes," said Dorian. "And I am afraid, Francis, that I have another errand for you. What is the name of the man at Richmond who supplies Selby with orchids?" "Harden, sir." "Yes Harden. You must go down to Richmond at once, see Harden personally, and tell him to send twice as many orchids as I ordered, and to have as few white ones as possible. In fact, I don t want any white ones. It is a lovely day, Francis, and Richmond is a very pretty place otherwise I wouldn t bother you about it." "No trouble, sir. At what time shall I be back?" Dorian looked at Campbell. "How long will your experiment take, Alan?" he said in a calm indifferent voice. The presence of a third person in the room seemed to give him extraordinary courage. Campbell frowned and bit his lip. "It will take about five hours," he answered. "It will be time enough, then, if you are back at half-past seven, Francis. Or stay: just leave my things out for dressing. You can have the evening to yourself. I am not dining at home, so I shall not want you." "Thank you, sir," said the man, leaving the room. "Now, Alan, there is not a moment to be lost. How heavy this chest is! I ll take it for you. You bring the other things." He spoke rapidly and in an authoritative manner. Campbell felt dominated by him. They left the room together. When they	subject. You would not turn a hair. You would not believe that you were doing anything wrong. On the contrary, you would probably feel that you were benefiting the human race, or increasing the sum of knowledge in the world, or gratifying intellectual curiosity, or something of that kind. What I want you to do is merely what you have often done before. Indeed, to destroy a body must be far less horrible than what you are accustomed to work at. And, remember, it is the only piece of evidence against me. If it is discovered, I am lost; and it is sure to be discovered unless you help me." "I have no desire to help you. You forget that. I am simply indifferent to the whole thing. It has nothing to do with me." "Alan, I entreat you. Think of the position I am in. Just before you came I almost fainted with terror. You may know terror yourself some day. No! don t think of that. Look at the matter purely from the scientific point of view. You don t inquire where the dead things on which you experiment come from. Don t inquire now. I have told you too much as it is. But I beg of you to do this. We were friends once, Alan." "Don t speak about those days, Dorian they are dead." "The dead linger sometimes. The man upstairs will not go away. He is sitting at the table with bowed head and outstretched arms. Alan! Alan! If you don t come to my assistance, I am ruined. Why, they will hang me, Alan! Don t you understand? They will hang me for what I have done." "There is no good in prolonging this scene. I absolutely refuse to do anything in the matter. It is insane of you to ask me." "You refuse?" "Yes." "I entreat you, Alan." "It is useless." The same look of pity came into Dorian Gray s eyes. Then he stretched out his hand, took a piece of paper, and wrote something on it. He read it over twice, folded it carefully, and pushed it across the table. Having done this, he got up and went over to the window. Campbell looked at him in surprise, and then took up the paper, and opened it. As he read it, his face became ghastly pale and he fell back in his chair. A horrible sense of sickness came over him. He felt as if his heart was beating itself to death in some empty hollow. After two or three minutes of terrible silence, Dorian turned round and came and stood behind him, putting his hand upon his shoulder. "I am so sorry for you, Alan," he murmured, "but you leave me no alternative. I have a letter written already. Here it is. You see the address. If you don t help me, I must send it. If you don t help me, I will send it. You know what the result will be. But you are going to help me. It is impossible for you to refuse now. I tried to spare you. You will do me the justice to admit that. You were stern, harsh, offensive. You treated me as no man has ever dared to treat me no living man, at any rate. I bore it all. Now it is for me to dictate terms." Campbell buried his face in his hands, and a shudder passed through him. "Yes, it is my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force me to do it is not of your life that I am thinking." "Ah, Alan," murmured Dorian with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away as he spoke and stood looking out at the garden. Campbell made no answer. After about ten minutes a knock came to the door, and the servant entered, carrying a large mahogany chest of chemicals, with a long coil of steel and platinum wire and two rather curiously shaped iron clamps. "Shall I leave the things here, sir?" he asked Campbell. "Yes," said Dorian. "And I am afraid, Francis, that I have another errand for you. What is the name of the man at Richmond who supplies Selby with orchids?" "Harden, sir." "Yes Harden. You must go down to Richmond at once, see Harden personally, and tell him to send twice as many orchids as I ordered, and to have as few white ones as possible. In fact, I don t want any white ones. It is a lovely day, Francis, and Richmond is a very pretty place otherwise I wouldn t bother you about it." "No trouble, sir. At what time shall I be back?" Dorian looked at Campbell. "How long will your experiment take, Alan?" he said in a calm indifferent voice. The presence of a third person in the room seemed to give him extraordinary courage. Campbell frowned and bit his lip. "It will take about five hours," he answered. "It will be time enough, then, if you are back at half-past seven, Francis. Or stay: just leave my things out for dressing. You can have the evening to yourself. I am not dining at home, so I shall not want you." "Thank you, sir," said the man, leaving the room. "Now, Alan, there is not a moment to be lost. How heavy this chest is! I ll take it for you. You bring the other things." He spoke rapidly and in an authoritative manner. Campbell felt dominated by him. They left the room together. When they reached the top landing, Dorian took out the key and turned it in the lock. Then he stopped, and a troubled look came into his eyes. He shuddered. "I don t think I can go in, Alan," he murmured. "It is nothing to me. I don t require you," said Campbell coldly. Dorian half opened the door. As he did so, he saw the face of his portrait leering in the sunlight. On the floor in front of it the torn curtain was lying. He remembered that the night before he had forgotten, for the first time in his life, to hide the fatal canvas, and was about to rush forward, when he drew back with a shudder. What was that loathsome red dew that gleamed, wet and glistening, on one of the hands, as though the canvas had sweated blood? How horrible it was! more horrible, it seemed to him for the moment, than the silent thing that he knew was stretched across the table, the thing whose grotesque misshapen shadow on the spotted carpet showed him that it had not stirred, but was still there, as he had left it. He heaved a deep breath, opened the door a little wider, and with half-closed eyes and averted head, walked quickly in, determined that he would not look even once upon the dead man. Then, stooping down and taking up the gold-and-purple hanging, he flung it right over the picture. There he stopped, feeling afraid to turn round, and his eyes fixed themselves on the intricacies of the pattern before him. He heard Campbell bringing in the heavy chest, and the irons, and the other things that he had required for his dreadful work. He began to wonder if he and Basil Hallward had ever met, and, if so, what they had thought of each other. "Leave me now," said a stern voice behind him. He turned and hurried out, just conscious that the dead man had been thrust back into the chair and that Campbell was gazing into a glistening yellow face. As he was going downstairs, he heard the key being turned in the lock. It was long after seven when Campbell came back into the library. He was pale, but absolutely calm. "I have done what you asked me to do," he muttered. "And now, good-bye. Let us never see each other again." "You have saved	my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force me to do it is not of your life that I am thinking." "Ah, Alan," murmured Dorian with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away as he spoke and stood looking out at the garden. Campbell made no answer. After about ten minutes a knock came to the door, and the servant entered, carrying a large mahogany chest of chemicals, with a long coil of steel and platinum wire and two rather curiously shaped iron clamps. "Shall I leave the things here, sir?" he asked Campbell. "Yes," said Dorian. "And I am afraid, Francis, that I have another errand for you. What is the name of the man at Richmond who supplies Selby with orchids?" "Harden, sir." "Yes Harden. You must go down to Richmond at once, see Harden personally, and tell him to send twice as many orchids as I ordered, and to have as few white ones as possible. In fact, I don t want any white ones. It is a lovely day, Francis, and Richmond is a very pretty place otherwise I wouldn t bother you about it." "No trouble, sir. At what time shall I be back?" Dorian looked at Campbell. "How long will your experiment take, Alan?" he said in a calm indifferent voice. The presence of a third person in the room seemed to give him extraordinary courage. Campbell frowned and bit his lip. "It will take about five hours," he answered. "It will be time enough, then, if you are back at half-past seven, Francis. Or stay: just leave my things out for dressing. You can have the evening to yourself. I am not dining at home, so I shall not want you." "Thank you, sir," said the man, leaving the room. "Now, Alan, there is not a moment to be lost. How heavy this chest is! I ll take it for you. You bring the other things." He spoke rapidly and in an authoritative manner. Campbell felt dominated by him. They left the room together. When they reached the top landing, Dorian took out the key and turned it in the lock. Then he stopped, and a troubled look came into his eyes. He shuddered. "I don t think I can go in, Alan," he murmured. "It is nothing to me. I don t require you," said Campbell coldly. Dorian half opened the door. As he did so, he saw the face of his portrait leering in the sunlight. On the floor in front of it the torn curtain was lying. He remembered that the night before he had forgotten, for the first time in his life, to hide the fatal canvas, and was about to rush forward, when he drew back with a shudder. What was that loathsome red dew that gleamed, wet and glistening, on one of the hands, as though the canvas had sweated	The Picture Of Dorian Gray
"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."	Mr. Grimwig	head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time	serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into	and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best	my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," said Mrs. Maylie, "where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to	to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," said Mrs. Maylie, "where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there,	I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose. "That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough." "Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," said Mrs. Maylie, "where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their	who waits to clasp you in his arms, poor child! See here look, look, my dear!" "Not aunt," cried Oliver, throwing his arms about her neck; "I'll never call her aunt sister, my own dear sister, that something taught my heart to love so dearly from the first! Rose, dear, darling Rose!" Let the tears which fell, and the broken words which were exchanged in the long close embrace between the orphans, be sacred. A father, sister, and mother, were gained, and lost, in that one moment. Joy and grief were mingled in the cup; but there were no bitter tears: for even grief itself arose so softened, and clothed in such sweet and tender recollections, that it became a solemn pleasure, and lost all character of pain. They were a long, long time alone. A soft tap at the door, at length announced that some one was without. Oliver opened it, glided away, and gave place to Harry Maylie. "I know it all," he said, taking a seat beside the lovely girl. "Dear Rose, I know it all." "I am not here by accident," he added after a lengthened silence; "nor have I heard all this to-night, for I knew it yesterday only yesterday. Do you guess that I have come to remind you of a promise?" "Stay," said Rose. "You _do_ know all." "All. You gave me leave, at any time within a year, to renew the subject of our last discourse." "I did." "Not to press you to alter your determination," pursued the young man, "but to hear you repeat it, if you would. I was to lay whatever of station or fortune I might possess at your feet, and if you still adhered to your former determination, I pledged myself, by no word or act, to seek to change it." "The same reasons which influenced me then, will influence me now," said Rose firmly. "If I ever owed a strict and rigid duty to her, whose goodness saved me from a life of indigence and suffering, when should I ever feel it, as I should to-night? It is a struggle," said Rose, "but one I am proud to make; it is a pang, but one my heart shall bear." "The disclosure of to-night," Harry began. "The disclosure of to-night," replied Rose softly, "leaves me in the same position, with reference to you, as that in which I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose. "That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough." "Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," said Mrs. Maylie, "where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face not even among the women, of whom there were many there could he read the faintest sympathy with himself, or any feeling but one of all-absorbing interest that he should be condemned. As he saw all this in one bewildered glance, the deathlike stillness came again, and looking back he saw that the jurymen had turned towards the judge. Hush! They only sought permission to retire. He looked, wistfully, into their faces, one by one when they passed out, as though to see which way the greater number leant; but that was fruitless. The jailer touched him on the shoulder. He followed mechanically to the end of the dock, and sat down on a chair. The man pointed it out, or he would not have seen it. He looked up into the gallery again. Some of the people were eating, and some fanning themselves with handkerchiefs; for the crowded place was very hot. There was one young man sketching his face in a little note-book. He wondered whether it was like, and looked on when the artist broke his pencil-point, and made another with his knife, as any idle spectator might have done. In the same way, when he turned his eyes towards the judge, his mind began to busy itself with the fashion of his dress, and what it cost, and how he put it on. There was an old fat gentleman on the bench, too, who had gone out, some half an hour before, and now come back. He wondered within himself whether this man had been to get his dinner, what he had had, and where he had had it; and pursued this train of careless thought until some new object caught his eye and roused another. Not that, all this time, his mind was, for an instant, free from one oppressive overwhelming sense of the grave that opened at his feet; it was ever present to him, but in a vague and general way, and he could not fix his thoughts upon it. Thus, even while he trembled, and turned burning hot at the idea of speedy death, he fell to counting the iron spikes before him, and	"Not to press you to alter your determination," pursued the young man, "but to hear you repeat it, if you would. I was to lay whatever of station or fortune I might possess at your feet, and if you still adhered to your former determination, I pledged myself, by no word or act, to seek to change it." "The same reasons which influenced me then, will influence me now," said Rose firmly. "If I ever owed a strict and rigid duty to her, whose goodness saved me from a life of indigence and suffering, when should I ever feel it, as I should to-night? It is a struggle," said Rose, "but one I am proud to make; it is a pang, but one my heart shall bear." "The disclosure of to-night," Harry began. "The disclosure of to-night," replied Rose softly, "leaves me in the same position, with reference to you, as that in which I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose. "That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough." "Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," said Mrs. Maylie, "where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face not even among the women, of whom there were many there could he read the faintest sympathy with himself, or any feeling but one of all-absorbing interest that he should be condemned.	Oliver Twist
"such a quantity of money"	Alexis Ivanovitch	actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest	got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back	I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the	she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with,	at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered threateningly. "Go! Away at once!" "Farewell, then, Madame." And I turned to depart. "No stay," she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any	round, however, the Grandmother was weary of the scheme. "To the devil with that zero!" she exclaimed. "Stake four thousand g lden upon the red." "But, Madame, that will be so much to venture!" I remonstrated. "Suppose the red should not turn up?" The Grandmother almost struck me in her excitement. Her agitation was rapidly making her quarrelsome. Consequently, there was nothing for it but to stake the whole four thousand g lden as she had directed. The wheel revolved while the Grandmother sat as bolt upright, and with as proud and quiet a mien, as though she had not the least doubt of winning. "Zero!" cried the croupier. At first the old lady failed to understand the situation; but, as soon as she saw the croupier raking in her four thousand g lden, together with everything else that happened to be lying on the table, and recognised that the zero which had been so long turning up, and on which we had lost nearly two hundred ten-g lden pieces, had at length, as though of set purpose, made a sudden reappearance why, the poor old lady fell to cursing it, and to throwing herself about, and wailing and gesticulating at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered threateningly. "Go! Away at once!" "Farewell, then, Madame." And I turned to depart. "No stay," she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any sort of paper security changed!" "Quite so; to any amount you please. But you will lose on the transaction what would frighten even a Jew." "Rubbish! I am _determined_ to retrieve my losses. Take me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of steps, Madame." At the turning from the square into the Avenue we came face to face with the whole of our party the General, De Griers, Mlle. Blanche, and her mother. Only Polina and Mr. Astley were absent. "Well, well, well!" exclaimed the Grandmother. "But we have no time to stop. What do you want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to	and inquired, "What was that?" Yet even then she did not appear to hear my reply, although at times her abstraction was interrupted by sallies and fits of sharp, impatient fidgeting. Again, when I pointed out to her the Baron and Baroness Burmergelm walking to the Casino, she merely looked at them in an absent-minded sort of way, and said with complete indifference, "Ah!" Then, turning sharply to Potapitch and Martha, who were walking behind us, she rapped out: "Why have _you_ attached yourselves to the party? We are not going to take you with us every time. Go home at once." Then, when the servants had pulled hasty bows and departed, she added to me: "You are all the escort I need." At the Casino the Grandmother seemed to be expected, for no time was lost in procuring her former place beside the croupier. It is my opinion that though croupiers seem such ordinary, humdrum officials men who care nothing whether the bank wins or loses they are, in reality, anything but indifferent to the bank s losing, and are given instructions to attract players, and to keep a watch over the bank s interests; as also, that for such services, these officials are awarded prizes and premiums. At all events, the croupiers of Roulettenberg seemed to look upon the Grandmother as their lawful prey whereafter there befell what our party had foretold. It happened thus: As soon as ever we arrived the Grandmother ordered me to stake twelve ten-g lden pieces in succession upon zero. Once, twice, and thrice I did so, yet zero never turned up. "Stake again," said the old lady with an impatient nudge of my elbow, and I obeyed. "How many times have we lost?" she inquired actually grinding her teeth in her excitement. "We have lost 144 ten-g lden pieces," I replied. "I tell you, Madame, that zero may not turn up until nightfall." "Never mind," she interrupted. "Keep on staking upon zero, and also stake a thousand g lden upon rouge. Here is a banknote with which to do so." The red turned up, but zero missed again, and we only got our thousand g lden back. "But you see, you see," whispered the old lady. "We have now recovered almost all that we staked. Try zero again. Let us do so another ten times, and then leave off." By the fifth round, however, the Grandmother was weary of the scheme. "To the devil with that zero!" she exclaimed. "Stake four thousand g lden upon the red." "But, Madame, that will be so much to venture!" I remonstrated. "Suppose the red should not turn up?" The Grandmother almost struck me in her excitement. Her agitation was rapidly making her quarrelsome. Consequently, there was nothing for it but to stake the whole four thousand g lden as she had directed. The wheel revolved while the Grandmother sat as bolt upright, and with as proud and quiet a mien, as though she had not the least doubt of winning. "Zero!" cried the croupier. At first the old lady failed to understand the situation; but, as soon as she saw the croupier raking in her four thousand g lden, together with everything else that happened to be lying on the table, and recognised that the zero which had been so long turning up, and on which we had lost nearly two hundred ten-g lden pieces, had at length, as though of set purpose, made a sudden reappearance why, the poor old lady fell to cursing it, and to throwing herself about, and wailing and gesticulating at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered threateningly. "Go! Away at once!" "Farewell, then, Madame." And I turned to depart. "No stay," she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any sort of paper security changed!" "Quite so; to any amount you please. But you will lose on the transaction what would frighten even a Jew." "Rubbish! I am _determined_ to retrieve my losses. Take me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of steps, Madame." At the turning from the square into the Avenue we came face to face with the whole of our party the General, De Griers, Mlle. Blanche, and her mother. Only Polina and Mr. Astley were absent. "Well, well, well!" exclaimed the Grandmother. "But we have no time to stop. What do you want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to the General. Meanwhile we continued to wheel the old lady along. "Stop her, stop her," whispered the General in consternation. "You had better try and stop her yourself," I returned also in a whisper. "My good mother," he said as he approached her, "my good mother, pray let, let" (his voice was beginning to tremble and sink) "let us hire a carriage, and go for a drive. Near here there is an enchanting view to be obtained. We-we-we were just coming to invite you to go and see it." "Begone with you and your views!" said the Grandmother angrily as she waved him away. "And there are trees there, and we could have tea under them," continued the General now in utter despair. "Nous boirons du lait, sur l herbe fraiche," added De Griers with the snarl almost of a wild beast. "Du lait, de l herbe fraiche" the idyll, the ideal of the Parisian bourgeois his whole outlook upon "la nature et la verit "! "Have done with you and your milk!" cried the old lady. "Go and stuff _yourself_ as much as you like, but my stomach simply recoils from the idea. What are you stopping for? I have nothing to say to you." "Here we are, Madame," I announced. "Here is the moneychanger s office." I entered to get the securities changed, while the Grandmother remained outside in the porch, and the rest waited at a little distance, in doubt as to their best course of action. At length the old lady turned such an angry stare upon them that they departed along the road towards the Casino. The process of changing involved complicated calculations which soon necessitated my return to the Grandmother for instructions. "The thieves!" she exclaimed as she clapped her hands together. "Never mind, though. Get the documents cashed No; send the banker out to me," she added as an afterthought. "Would one of the clerks do, Madame?" "Yes, one of the clerks. The thieves!" The clerk consented to come out when he perceived that he was being asked for by an old lady who was too infirm to walk; after which the Grandmother began to upbraid him at length, and with great vehemence, for his alleged usuriousness, and to bargain with him in a mixture of Russian, French, and German I acting as interpreter. Meanwhile, the grave-faced official eyed us both, and silently	the scheme. "To the devil with that zero!" she exclaimed. "Stake four thousand g lden upon the red." "But, Madame, that will be so much to venture!" I remonstrated. "Suppose the red should not turn up?" The Grandmother almost struck me in her excitement. Her agitation was rapidly making her quarrelsome. Consequently, there was nothing for it but to stake the whole four thousand g lden as she had directed. The wheel revolved while the Grandmother sat as bolt upright, and with as proud and quiet a mien, as though she had not the least doubt of winning. "Zero!" cried the croupier. At first the old lady failed to understand the situation; but, as soon as she saw the croupier raking in her four thousand g lden, together with everything else that happened to be lying on the table, and recognised that the zero which had been so long turning up, and on which we had lost nearly two hundred ten-g lden pieces, had at length, as though of set purpose, made a sudden reappearance why, the poor old lady fell to cursing it, and to throwing herself about, and wailing and gesticulating at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered threateningly. "Go! Away at once!" "Farewell, then, Madame." And I turned to depart. "No stay," she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any sort of paper security changed!" "Quite so; to any amount you please. But you will lose on the transaction what would frighten even a Jew." "Rubbish! I am _determined_ to retrieve my losses. Take me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of steps, Madame." At the turning from the square into the Avenue we came face to face with the whole of our party the General, De Griers, Mlle. Blanche, and her mother. Only Polina and Mr. Astley were absent. "Well, well, well!" exclaimed the Grandmother. "But we have no time to stop. What do you want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to the General. Meanwhile we continued	The Gambler
"the saloon must go."	Jake Barnes	class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate,"	Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must	you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You	"It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time."	your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time." "Oh, hell!" Bill said. "I'm sorry, fella." "It's all right," I said. "I don't give a damn any more." "Really?" "Really. Only I'd a hell of a lot rather not talk about it." "You aren't sore I asked you?" "Why the hell should I be?" "I'm going to sleep," Bill said. He put a newspaper over his face. "Listen, Jake," he said, "are you really a Catholic?" "Technically." "What does that mean?" "I don't know." "All right, I'll go to sleep now," he said. "Don't keep me awake by talking so much." I went to sleep, too. When I woke	unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time." "Oh, hell!" Bill said. "I'm sorry, fella." "It's all right," I said. "I don't give a damn any more." "Really?" "Really. Only I'd a hell of a lot rather not talk about it." "You aren't sore I asked you?" "Why the hell should I be?" "I'm going to sleep," Bill said. He put a newspaper over his face. "Listen, Jake," he said, "are you really a Catholic?" "Technically." "What does that mean?" "I don't know." "All right, I'll go to sleep now," he said. "Don't keep me awake by talking so much." I went to sleep, too. When I woke up Bill was packing the rucksack. It was late in the afternoon and the shadow from the trees was long and went out over the dam. I was stiff from sleeping on the ground. "What did you do? Wake up?" Bill asked. "Why didn't you spend the night?" I stretched and rubbed my eyes. "I had a lovely dream," Bill said. "I don't remember what it was about, but it was a lovely dream." "I don't think I dreamt." "You ought to dream," Bill said. "All our biggest business men have been dreamers. Look at Ford. Look at President Coolidge. Look at Rockefeller. Look at Jo Davidson." I disjointed my rod and Bill's and packed them in the rod-case. I put the reels in the tackle-bag. Bill had packed the rucksack and we put one of the trout-bags in. I carried the other. "Well," said Bill, "have we got everything?" "The worms." "Your worms. Put them in there." He had the pack on his back and I put the worm-cans in one of the outside flap pockets. "You got everything now?" I looked around on the grass at the foot of the elm-trees. "Yes." We started up the road into	the trunk of two of the trees that grew together, and read. The book was something by A. E. W. Mason, and I was reading a wonderful story about a man who had been frozen in the Alps and then fallen into a glacier and disappeared, and his bride was going to wait twenty-four years exactly for his body to come out on the moraine, while her true love waited too, and they were still waiting when Bill came up. "Get any?" he asked. He had his rod and his bag and his net all in one hand, and he was sweating. I hadn't heard him come up, because of the noise from the dam. "Six. What did you get?" Bill sat down, opened up his bag, laid a big trout on the grass. He took out three more, each one a little bigger than the last, and laid them side by side in the shade from the tree. His face was sweaty and happy. "How are yours?" "Smaller." "Let's see them." "They're packed." "How big are they really?" "They're all about the size of your smallest." "You're not holding out on me?" "I wish I were." "Get them all on worms?" "Yes." "You lazy bum!" Bill put the trout in the bag and started for the river, swinging the open bag. He was wet from the waist down and I knew he must have been wading the stream. I walked up the road and got out the two bottles of wine. They were cold. Moisture beaded on the bottles as I walked back to the trees. I spread the lunch on a newspaper, and uncorked one of the bottles and leaned the other against a tree. Bill came up drying his hands, his bag plump with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling. "Gentlemen," he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time." "Oh, hell!" Bill said. "I'm sorry, fella." "It's all right," I said. "I don't give a damn any more." "Really?" "Really. Only I'd a hell of a lot rather not talk about it." "You aren't sore I asked you?" "Why the hell should I be?" "I'm going to sleep," Bill said. He put a newspaper over his face. "Listen, Jake," he said, "are you really a Catholic?" "Technically." "What does that mean?" "I don't know." "All right, I'll go to sleep now," he said. "Don't keep me awake by talking so much." I went to sleep, too. When I woke up Bill was packing the rucksack. It was late in the afternoon and the shadow from the trees was long and went out over the dam. I was stiff from sleeping on the ground. "What did you do? Wake up?" Bill asked. "Why didn't you spend the night?" I stretched and rubbed my eyes. "I had a lovely dream," Bill said. "I don't remember what it was about, but it was a lovely dream." "I don't think I dreamt." "You ought to dream," Bill said. "All our biggest business men have been dreamers. Look at Ford. Look at President Coolidge. Look at Rockefeller. Look at Jo Davidson." I disjointed my rod and Bill's and packed them in the rod-case. I put the reels in the tackle-bag. Bill had packed the rucksack and we put one of the trout-bags in. I carried the other. "Well," said Bill, "have we got everything?" "The worms." "Your worms. Put them in there." He had the pack on his back and I put the worm-cans in one of the outside flap pockets. "You got everything now?" I looked around on the grass at the foot of the elm-trees. "Yes." We started up the road into the woods. It was a long walk home to Burguete, and it was dark when we came down across the fields to the road, and along the road between the houses of the town, their windows lighted, to the inn. We stayed five days at Burguete and had good fishing. The nights were cold and the days were hot, and there was always a breeze even in the heat of the day. It was hot enough so that it felt good to wade in a cold stream, and the sun dried you when you came out and sat on the bank. We found a stream with a pool deep enough to swim in. In the evenings we played three-handed bridge with an Englishman named Harris, who had walked over from Saint Jean Pied de Port and was stopping at the inn for the fishing. He was very pleasant and went with us twice to the Irati River. There was no word from Robert Cohn nor from Brett and Mike. CHAPTER 13 One morning I went down to breakfast and the Englishman, Harris, was already at the table. He was reading the paper through spectacles. He looked up and smiled. "Good morning," he said. "Letter for you. I stopped at the post and they gave it me with mine." The letter was at my place at the table, leaning against a coffee-cup. Harris was reading the paper again. I opened the letter. It had been forwarded from Pamplona. It was dated San Sebastian, Sunday: DEAR JAKE, We got here Friday, Brett passed out on the train, so brought her here for 3 days rest with old friends of ours. We go to Montoya Hotel Pamplona Tuesday, arriving at I don't know what hour. Will you send a note by the bus to tell us what to do to rejoin you all on Wednesday. All our love and sorry to be late, but Brett was really done in and will be quite all right by Tues. and is practically so now. I know her so well and try to look after her but it's not so easy. Love to all the chaps, MICHAEL. "What day of the week is it?" I asked Harris. "Wednesday, I think. Yes, quite. Wednesday. Wonderful how one loses track of the days up here in the mountains." "Yes. We've been here nearly a week." "I hope you're	for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time." "Oh, hell!" Bill said. "I'm sorry, fella." "It's all right," I said. "I don't give a damn any more." "Really?" "Really. Only I'd a hell of a lot rather not talk about it." "You aren't sore I asked you?" "Why the hell should I be?" "I'm going to sleep," Bill said. He put a newspaper over his face. "Listen, Jake," he said, "are you really a Catholic?" "Technically." "What does that mean?" "I don't know." "All right, I'll go to sleep now," he said. "Don't keep me awake by talking so much." I went to sleep, too. When I woke up Bill was packing the rucksack. It was late in the afternoon and the shadow from the trees was long and went out over the dam. I was stiff from sleeping on the ground. "What did you do? Wake up?" Bill asked. "Why didn't you spend the night?" I stretched and rubbed my eyes. "I had a lovely dream," Bill said. "I don't remember what it was about, but it was a lovely dream." "I don't think I dreamt." "You ought to dream," Bill said. "All our biggest business men have been dreamers. Look at Ford. Look at President Coolidge. Look at Rockefeller. Look at Jo Davidson." I disjointed my rod and Bill's and packed them in the rod-case. I put the reels in the tackle-bag. Bill had packed the rucksack and we put one of the trout-bags in. I carried the other. "Well," said Bill, "have we got everything?" "The worms." "Your worms. Put them in there."	The Sun Also Rises
"How then?"	Dr. Watson	had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not	too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said,	this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney.	ever. How about this mysterious ally? How came he into the room?" "Yes, the ally!" repeated Holmes, pensively. "There are features of interest about this ally. He lifts the case from the regions of the commonplace. I fancy that this ally breaks fresh ground in the annals of crime in this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. Whence, then, did he come?" "He came through the hole in the roof," I cried. "Of course he did. He must have done so. If you will have the kindness to	from the hook, shut the window, snib it on the inside, and get away in the way that he originally came. As a minor point it may be noted," he continued, fingering the rope, "that our wooden-legged friend, though a fair climber, was not a professional sailor. His hands were far from horny. My lens discloses more than one blood-mark, especially towards the end of the rope, from which I gather that he slipped down with such velocity that he took the skin off his hand." "This is all very well," said I, "but the thing becomes more unintelligible than ever. How about this mysterious ally? How came he into the room?" "Yes, the ally!" repeated Holmes, pensively. "There are features of interest about this ally. He lifts the case from the regions of the commonplace. I fancy that this ally breaks fresh ground in the annals of crime in this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. Whence, then, did he come?" "He came through the hole in the roof," I cried. "Of course he did. He must have done so. If you will have the kindness to hold the lamp for me, we shall now extend our researches to the room above, the secret room in which the treasure was found." He mounted the steps, and, seizing a rafter with either hand, he swung himself up into the garret. Then, lying on his face, he reached down for the lamp and held it while I followed him. The chamber in which we found ourselves was about ten feet one way and six the other. The floor was formed by the rafters, with thin lath-and-plaster between, so that in walking one had to step from beam to beam.	is not a footmark," said I. "It is something much more valuable to us. It is the impression of a wooden stump. You see here on the sill is the boot-mark, a heavy boot with the broad metal heel, and beside it is the mark of the timber-toe." "It is the wooden-legged man." "Quite so. But there has been some one else, a very able and efficient ally. Could you scale that wall, doctor?" I looked out of the open window. The moon still shone brightly on that angle of the house. We were a good sixty feet from the ground, and, look where I would, I could see no foothold, nor as much as a crevice in the brick-work. "It is absolutely impossible," I answered. "Without aid it is so. But suppose you had a friend up here who lowered you this good stout rope which I see in the corner, securing one end of it to this great hook in the wall. Then, I think, if you were an active man, You might swarm up, wooden leg and all. You would depart, of course, in the same fashion, and your ally would draw up the rope, untie it from the hook, shut the window, snib it on the inside, and get away in the way that he originally came. As a minor point it may be noted," he continued, fingering the rope, "that our wooden-legged friend, though a fair climber, was not a professional sailor. His hands were far from horny. My lens discloses more than one blood-mark, especially towards the end of the rope, from which I gather that he slipped down with such velocity that he took the skin off his hand." "This is all very well," said I, "but the thing becomes more unintelligible than ever. How about this mysterious ally? How came he into the room?" "Yes, the ally!" repeated Holmes, pensively. "There are features of interest about this ally. He lifts the case from the regions of the commonplace. I fancy that this ally breaks fresh ground in the annals of crime in this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. Whence, then, did he come?" "He came through the hole in the roof," I cried. "Of course he did. He must have done so. If you will have the kindness to hold the lamp for me, we shall now extend our researches to the room above, the secret room in which the treasure was found." He mounted the steps, and, seizing a rafter with either hand, he swung himself up into the garret. Then, lying on his face, he reached down for the lamp and held it while I followed him. The chamber in which we found ourselves was about ten feet one way and six the other. The floor was formed by the rafters, with thin lath-and-plaster between, so that in walking one had to step from beam to beam. The roof ran up to an apex, and was evidently the inner shell of the true roof of the house. There was no furniture of any sort, and the accumulated dust of years lay thick upon the floor. "Here you are, you see," said Sherlock Holmes, putting his hand against the sloping wall. "This is a trap-door which leads out on to the roof. I can press it back, and here is the roof itself, sloping at a gentle angle. This, then, is the way by which Number One entered. Let us see if we can find any other traces of his individuality." He held down the lamp to the floor, and as he did so I saw for the second time that night a startled, surprised look come over his face. For myself, as I followed his gaze my skin was cold under my clothes. The floor was covered thickly with the prints of a naked foot, clear, well defined, perfectly formed, but scarce half the size of those of an ordinary man. "Holmes," I said, in a whisper, "a child has done the horrid thing." He had recovered his self-possession in an instant. "I was staggered for the	I came downstairs." "What time was that?" "It was ten o clock. And now he is dead, and the police will be called in, and I shall be suspected of having had a hand in it. Oh, yes, I am sure I shall. But you don t think so, gentlemen? Surely you don t think that it was I? Is it likely that I would have brought you here if it were I? Oh, dear! oh, dear! I know that I shall go mad!" He jerked his arms and stamped his feet in a kind of convulsive frenzy. "You have no reason for fear, Mr. Sholto," said Holmes, kindly, putting his hand upon his shoulder. "Take my advice, and drive down to the station to report this matter to the police. Offer to assist them in every way. We shall wait here until your return." The little man obeyed in a half-stupefied fashion, and we heard him stumbling down the stairs in the dark. Chapter VI Sherlock Holmes Gives a Demonstration "Now, Watson," said Holmes, rubbing his hands, "we have half an hour to ourselves. Let us make good use of it. My case is, as I have told you, almost complete; but we must not err on the side of over-confidence. Simple as the case seems now, there may be something deeper underlying it." "Simple!" I ejaculated. "Surely," said he, with something of the air of a clinical professor expounding to his class. "Just sit in the corner there, that your footprints may not complicate matters. Now to work! In the first place, how did these folk come, and how did they go? The door has not been opened since last night. How of the window?" He carried the lamp across to it, muttering his observations aloud the while, but addressing them to himself rather than to me. "Window is snibbed on the inner side. Framework is solid. No hinges at the side. Let us open it. No water-pipe near. Roof quite out of reach. Yet a man has mounted by the window. It rained a little last night. Here is the print of a foot in mould upon the sill. And here is a circular muddy mark, and here again upon the floor, and here again by the table. See here, Watson! This is really a very pretty demonstration." I looked at the round, well-defined muddy discs. "This is not a footmark," said I. "It is something much more valuable to us. It is the impression of a wooden stump. You see here on the sill is the boot-mark, a heavy boot with the broad metal heel, and beside it is the mark of the timber-toe." "It is the wooden-legged man." "Quite so. But there has been some one else, a very able and efficient ally. Could you scale that wall, doctor?" I looked out of the open window. The moon still shone brightly on that angle of the house. We were a good sixty feet from the ground, and, look where I would, I could see no foothold, nor as much as a crevice in the brick-work. "It is absolutely impossible," I answered. "Without aid it is so. But suppose you had a friend up here who lowered you this good stout rope which I see in the corner, securing one end of it to this great hook in the wall. Then, I think, if you were an active man, You might swarm up, wooden leg and all. You would depart, of course, in the same fashion, and your ally would draw up the rope, untie it from the hook, shut the window, snib it on the inside, and get away in the way that he originally came. As a minor point it may be noted," he continued, fingering the rope, "that our wooden-legged friend, though a fair climber, was not a professional sailor. His hands were far from horny. My lens discloses more than one blood-mark, especially towards the end of the rope, from which I gather that he slipped down with such velocity that he took the skin off his hand." "This is all very well," said I, "but the thing becomes more unintelligible than ever. How about this mysterious ally? How came he into the room?" "Yes, the ally!" repeated Holmes, pensively. "There are features of interest about this ally. He lifts the case from the regions of the commonplace. I fancy that this ally breaks fresh ground in the annals of crime in this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. Whence, then, did he come?" "He came through the hole in the roof," I cried. "Of course he did. He must have done so. If you will have the kindness to hold the lamp for me, we shall now extend our researches to the room above, the secret room in which the treasure was found." He mounted the steps, and, seizing a rafter with either hand, he swung himself up into the garret. Then, lying on his face, he reached down for the lamp and held it while I followed him. The chamber in which we found ourselves was about ten feet one way and six the other. The floor was formed by the rafters, with thin lath-and-plaster between, so that in walking one had to step from beam to beam. The roof ran up to an apex, and was evidently the inner shell of the true roof of the house. There was no furniture of any sort, and the accumulated dust of years lay thick upon the floor. "Here you are, you see," said Sherlock Holmes, putting his hand against the sloping wall. "This is a trap-door which leads out on to the roof. I can press it back, and here is the roof itself, sloping at a gentle angle. This, then, is the way by which Number One entered. Let us see if we can find any other traces of his individuality." He held down the lamp to the floor, and as he did so I saw for the second time that night a startled, surprised look come over his face. For myself, as I followed his gaze my skin was cold under my clothes. The floor was covered thickly with the prints of a naked foot, clear, well defined, perfectly formed, but scarce half the size of those of an ordinary man. "Holmes," I said, in a whisper, "a child has done the horrid thing." He had recovered his self-possession in an instant. "I was staggered for the moment," he said, "but the thing is quite natural. My memory failed me, or I should have been able to foretell it. There is nothing more to be learned here. Let us go down." "What is your theory, then, as to those footmarks?" I asked, eagerly, when we had regained the lower room once more. "My dear Watson, try a little analysis yourself," said he, with a touch of impatience. "You know my methods. Apply them, and it will be instructive to compare results." "I cannot conceive anything which will cover the facts," I answered. "It will be clear enough to you soon," he said, in an off-hand way. "I think that there is nothing else of importance here, but I will look." He whipped out his lens and a tape measure, and hurried about the room on his knees, measuring, comparing, examining, with his long thin nose only a few inches from the planks, and his beady eyes gleaming and deep-set like those of a bird. So swift, silent, and furtive were his movements, like those of a trained blood-hound picking out a scent, that I could not but think what a terrible criminal he would have made had he turned his energy and sagacity against the law, instead of exerting them in its defence. As he hunted about, he kept muttering to himself, and finally he broke out into a loud crow of delight. "We are certainly in luck," said he. "We ought to have very little trouble now. Number One has had the misfortune to tread in the creosote. You can see the outline of the edge of his small foot here at the side of this evil-smelling mess. The carboy has been cracked, You see, and the stuff has leaked out." "What then?" I asked. "Why, we have got him, that s all," said he. "I know a dog that would follow that scent to the world s end. If a pack can track a trailed herring across a shire, how far can a specially-trained hound follow so pungent a smell as this? It sounds like a sum in the rule of three. The answer should give us the But halloa! here are the accredited representatives of the law." Heavy steps and the clamour of loud voices were audible from below, and the hall door shut with a loud crash. "Before they come," said Holmes, "just	heel, and beside it is the mark of the timber-toe." "It is the wooden-legged man." "Quite so. But there has been some one else, a very able and efficient ally. Could you scale that wall, doctor?" I looked out of the open window. The moon still shone brightly on that angle of the house. We were a good sixty feet from the ground, and, look where I would, I could see no foothold, nor as much as a crevice in the brick-work. "It is absolutely impossible," I answered. "Without aid it is so. But suppose you had a friend up here who lowered you this good stout rope which I see in the corner, securing one end of it to this great hook in the wall. Then, I think, if you were an active man, You might swarm up, wooden leg and all. You would depart, of course, in the same fashion, and your ally would draw up the rope, untie it from the hook, shut the window, snib it on the inside, and get away in the way that he originally came. As a minor point it may be noted," he continued, fingering the rope, "that our wooden-legged friend, though a fair climber, was not a professional sailor. His hands were far from horny. My lens discloses more than one blood-mark, especially towards the end of the rope, from which I gather that he slipped down with such velocity that he took the skin off his hand." "This is all very well," said I, "but the thing becomes more unintelligible than ever. How about this mysterious ally? How came he into the room?" "Yes, the ally!" repeated Holmes, pensively. "There are features of interest about this ally. He lifts the case from the regions of the commonplace. I fancy that this ally breaks fresh ground in the annals of crime in this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. Whence, then, did he come?" "He came through the hole in the roof," I cried. "Of course he did. He must have done so. If you will have the kindness to hold the lamp for me, we shall now extend our researches to the room above, the secret room in which the treasure was found." He mounted the steps, and, seizing a rafter with either hand, he swung himself up into the garret. Then, lying on his face, he reached down for the lamp and held it while I followed him. The chamber in which we found ourselves was about ten feet one way and six the other. The floor was formed by the rafters, with thin lath-and-plaster between, so that in walking one had to step from beam to beam. The roof ran up to an apex, and was evidently the inner shell of the true roof of the house. There was no furniture of any sort, and the accumulated dust of years lay thick upon the floor. "Here you are, you see," said Sherlock Holmes, putting his hand against the sloping wall. "This is a trap-door which leads out on to the roof. I can press it back, and here is the roof itself, sloping at a gentle angle. This, then, is the way by which Number One entered. Let us see if we can find any other traces	The Sign Of The Four
"Then drink my health,"	Princess	more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will	to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He	drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each	to him: "If you please, I will entertain you with a concert of vocal and instrumental music; but as we are only two, I think conversation may be more agreeable." This the magician took as a new favour. After they had eaten some time, the princess called for some wine, drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each drunk two or three cups more, the princess, who had completely charmed the African magician by her obliging behaviour, gave the signal to the slave who served them with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a	back; for the longer you stay the greater will be my impatience, and we shall sit down to supper as soon as you return." The African magician, full of hopes of his expected happiness, rather flew than ran, and returned quickly with the wine. The princess, not doubting but he would make haste, put with her own hand the powder Aladdin had given her into the cup set apart for that purpose. They sat down at the table opposite to each other, the magician's back toward the buffet. The princess presented him with the best at the table, and said to him: "If you please, I will entertain you with a concert of vocal and instrumental music; but as we are only two, I think conversation may be more agreeable." This the magician took as a new favour. After they had eaten some time, the princess called for some wine, drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each drunk two or three cups more, the princess, who had completely charmed the African magician by her obliging behaviour, gave the signal to the slave who served them with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a full goblet. When they both had their cups in their hands, she said to him: "I know not how you express your loves in these parts when drinking together. With us in China lovers reciprocally exchange cups, and drink each other's health:" at the same time she presented to him the cup which was in her hand, and held out her hand to receive his. He hastened to make the exchange with the more pleasure, because he looked upon this favour as a token of conquest over the princess, which raised his rapture to the highest pitch. Before he drank,	magician, who had looked upon the happiness of getting so soon and so easily into the Princess Badroulboudour's good graces as impossible, could not think of words expressive enough to testify how sensible he was of her favours: but to put an end the sooner to a conversation which would have embarrassed him, if he had engaged farther in it, he turned it upon the wines of Africa, and said: "Of all the advantages Africa can boast, that of producing the most excellent wines is one of the principal. I have a vessel of seven years old, which has never been broached; and it is indeed not praising it too much to say it is the finest wine in the world. If my princess," added he, "will give me leave, I will go and fetch two bottles, and return again immediately." "I should be sorry to give you that trouble," replied the princess; "you had better send for them." "It is necessary I should go myself," answered the African magician, "for nobody but myself knows where the key of the cellar is laid, or has the secret to unlock the door." "If it be so," said the princess, "make haste back; for the longer you stay the greater will be my impatience, and we shall sit down to supper as soon as you return." The African magician, full of hopes of his expected happiness, rather flew than ran, and returned quickly with the wine. The princess, not doubting but he would make haste, put with her own hand the powder Aladdin had given her into the cup set apart for that purpose. They sat down at the table opposite to each other, the magician's back toward the buffet. The princess presented him with the best at the table, and said to him: "If you please, I will entertain you with a concert of vocal and instrumental music; but as we are only two, I think conversation may be more agreeable." This the magician took as a new favour. After they had eaten some time, the princess called for some wine, drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each drunk two or three cups more, the princess, who had completely charmed the African magician by her obliging behaviour, gave the signal to the slave who served them with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a full goblet. When they both had their cups in their hands, she said to him: "I know not how you express your loves in these parts when drinking together. With us in China lovers reciprocally exchange cups, and drink each other's health:" at the same time she presented to him the cup which was in her hand, and held out her hand to receive his. He hastened to make the exchange with the more pleasure, because he looked upon this favour as a token of conquest over the princess, which raised his rapture to the highest pitch. Before he drank, he said to her, with the cup in his hand: "Indeed, princess, we Africans are not so refined in the art of love as you Chinese: and your instructing me in a lesson I was ignorant of, informs me how sensible I ought to be of the favour done me. I shall never, lovely princess, forget my recovering, by drinking out of your cup, that life, which your cruelty, had it continued, must have made me despair of." The princess, who began to be tired with his declarations, interrupted him and said: "Let us drink first, and then say what you will afterward:" at the same time she set the cup to her lips, while the African magician, who was eager to get his wine off first, drank up the very last drop. In finishing it, he leaned his head back to show his eagerness, and remained some time in that state. The princess kept the cup at her lips till she saw his eyes turn in his head, when he fell backward lifeless on the sofa. The princess had no occasion to order the private door to be opened to Aladdin; for her women were so disposed from the	When the Princess Badroulboudour was completely dressed, she consulted her glass and women upon her adjustment; and when she found she wanted no charms to flatter the foolish passion of the African magician, she sat down on a sofa expecting his arrival. The magician came at the usual hour, and as soon as he entered the great hall where the princess waited to receive him, she rose with an enchanting grace and smile, and pointed with her hand to the most honourable place, waiting till he sat down, that she might sit at the same time, which was a civility she had never shown him before. The African magician, dazzled more with the lustre of the princess's eyes than the glittering of her jewels, was much surprised. The smiling air with which she received him, so opposite to her former behaviour, quite fascinated his heart. When he was seated, the princess, to free him from his embarrassment, broke silence first, looking at him all the time in such a manner as to make him believe that he was not so odious to her as she had given him to understand hitherto, and said; "You are doubtless amazed to find me so much altered to-day; but your surprise will not be so great when I acquaint you, that I am naturally of a disposition so opposite to melancholy and grief, that I always strive to put them as far away as possible when I find the subject of them is past. I have reflected on what you told me of Aladdin's fate, and know my father's temper so well that I am persuaded, with you, he could not escape the terrible effects of the sultan's rage: therefore, should I continue to lament him all my life, my tears cannot recall him. For this reason, since I have paid all the duties decency requires of me to his memory, now he is in the grave I think I ought to endeavour to comfort myself. These are the motives of the change you see in me; I am resolved to banish melancholy entirely; and persuaded that you will bear me company to-night, I have ordered a supper to be prepared; but as I have no wines but those of China, I have a great desire to taste of the produce of Africa, and doubt not your procuring some of the best." The African magician, who had looked upon the happiness of getting so soon and so easily into the Princess Badroulboudour's good graces as impossible, could not think of words expressive enough to testify how sensible he was of her favours: but to put an end the sooner to a conversation which would have embarrassed him, if he had engaged farther in it, he turned it upon the wines of Africa, and said: "Of all the advantages Africa can boast, that of producing the most excellent wines is one of the principal. I have a vessel of seven years old, which has never been broached; and it is indeed not praising it too much to say it is the finest wine in the world. If my princess," added he, "will give me leave, I will go and fetch two bottles, and return again immediately." "I should be sorry to give you that trouble," replied the princess; "you had better send for them." "It is necessary I should go myself," answered the African magician, "for nobody but myself knows where the key of the cellar is laid, or has the secret to unlock the door." "If it be so," said the princess, "make haste back; for the longer you stay the greater will be my impatience, and we shall sit down to supper as soon as you return." The African magician, full of hopes of his expected happiness, rather flew than ran, and returned quickly with the wine. The princess, not doubting but he would make haste, put with her own hand the powder Aladdin had given her into the cup set apart for that purpose. They sat down at the table opposite to each other, the magician's back toward the buffet. The princess presented him with the best at the table, and said to him: "If you please, I will entertain you with a concert of vocal and instrumental music; but as we are only two, I think conversation may be more agreeable." This the magician took as a new favour. After they had eaten some time, the princess called for some wine, drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each drunk two or three cups more, the princess, who had completely charmed the African magician by her obliging behaviour, gave the signal to the slave who served them with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a full goblet. When they both had their cups in their hands, she said to him: "I know not how you express your loves in these parts when drinking together. With us in China lovers reciprocally exchange cups, and drink each other's health:" at the same time she presented to him the cup which was in her hand, and held out her hand to receive his. He hastened to make the exchange with the more pleasure, because he looked upon this favour as a token of conquest over the princess, which raised his rapture to the highest pitch. Before he drank, he said to her, with the cup in his hand: "Indeed, princess, we Africans are not so refined in the art of love as you Chinese: and your instructing me in a lesson I was ignorant of, informs me how sensible I ought to be of the favour done me. I shall never, lovely princess, forget my recovering, by drinking out of your cup, that life, which your cruelty, had it continued, must have made me despair of." The princess, who began to be tired with his declarations, interrupted him and said: "Let us drink first, and then say what you will afterward:" at the same time she set the cup to her lips, while the African magician, who was eager to get his wine off first, drank up the very last drop. In finishing it, he leaned his head back to show his eagerness, and remained some time in that state. The princess kept the cup at her lips till she saw his eyes turn in his head, when he fell backward lifeless on the sofa. The princess had no occasion to order the private door to be opened to Aladdin; for her women were so disposed from the great hall to the foot of the staircase, that the word was no sooner given that the magician was fallen, than the door was immediately opened. As soon as Aladdin entered the hall, he saw the magician stretched backward on the sofa. The princess rose from her seat, and ran overjoyed to embrace him; but he stopped her and said: "Princess, it is not yet time; let me be left alone a moment, while I endeavour to transport you back to China as speedily as you were brought from thence." When the princess, her women and eunuchs, were gone out of the hall, Aladdin shut the door, and, going directly to the dead body of the magician, opened his vest, took out the lamp which was carefully wrapped up, as the princess had told him, and unfolding and rubbing it, the genie immediately appeared. "Genie," said Aladdin, "I have called to command thee, on the part of thy good mistress, this lamp, to transport this palace instantly into China, to the place from whence it was brought hither." The genie bowed his head in token of obedience, and disappeared. Immediately the palace was transported into China, and its removal was only felt by two little shocks, the one when it was lifted up, the other when it was set down, and both in a very short interval of time. From the time of the transportation of Aladdin's palace, the princess's father had been inconsolable for the loss of her. Before the disaster he used to go every morning into his closet to please himself with viewing the palace; he went now many times in the day to renew his tears, and plunge himself into the deepest melancholy, by reflecting how he had lost what was most dear to him in this world. The very morning of the return to the palace, the sultan went into his closet to indulge his sorrows. Absorbed in himself, and in a pensive mood, he cast his eyes toward the spot, expecting only to see an open space; but perceiving the vacancy filled up, he at first imagined the appearance to be the effect of a fog; looking more attentively, he was convinced beyond the power of doubt that it was his son-in-law's palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled	cannot recall him. For this reason, since I have paid all the duties decency requires of me to his memory, now he is in the grave I think I ought to endeavour to comfort myself. These are the motives of the change you see in me; I am resolved to banish melancholy entirely; and persuaded that you will bear me company to-night, I have ordered a supper to be prepared; but as I have no wines but those of China, I have a great desire to taste of the produce of Africa, and doubt not your procuring some of the best." The African magician, who had looked upon the happiness of getting so soon and so easily into the Princess Badroulboudour's good graces as impossible, could not think of words expressive enough to testify how sensible he was of her favours: but to put an end the sooner to a conversation which would have embarrassed him, if he had engaged farther in it, he turned it upon the wines of Africa, and said: "Of all the advantages Africa can boast, that of producing the most excellent wines is one of the principal. I have a vessel of seven years old, which has never been broached; and it is indeed not praising it too much to say it is the finest wine in the world. If my princess," added he, "will give me leave, I will go and fetch two bottles, and return again immediately." "I should be sorry to give you that trouble," replied the princess; "you had better send for them." "It is necessary I should go myself," answered the African magician, "for nobody but myself knows where the key of the cellar is laid, or has the secret to unlock the door." "If it be so," said the princess, "make haste back; for the longer you stay the greater will be my impatience, and we shall sit down to supper as soon as you return." The African magician, full of hopes of his expected happiness, rather flew than ran, and returned quickly with the wine. The princess, not doubting but he would make haste, put with her own hand the powder Aladdin had given her into the cup set apart for that purpose. They sat down at the table opposite to each other, the magician's back toward the buffet. The princess presented him with the best at the table, and said to him: "If you please, I will entertain you with a concert of vocal and instrumental music; but as we are only two, I think conversation may be more agreeable." This the magician took as a new favour. After they had eaten some time, the princess called for some wine, drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each drunk two or three cups more, the princess, who had completely charmed the African magician by her obliging behaviour, gave the signal to the slave who served them with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a full goblet. When they both had their cups in their hands, she said to him: "I know not how you express your loves in these parts when drinking together. With us in China lovers reciprocally exchange cups, and drink each other's health:" at the same time she presented to him the cup which was in her hand, and held out her hand to receive his. He hastened to make the exchange with the more pleasure, because he looked upon this favour as a token of conquest over the princess, which raised his rapture to the highest pitch. Before he drank, he said to her, with the cup in his hand: "Indeed, princess, we Africans are not so refined in the art of love as you Chinese: and your instructing me in a lesson I was ignorant of, informs me how sensible I ought to be of the favour done me. I shall never, lovely princess, forget my recovering, by drinking out of your cup, that life, which your cruelty, had it continued, must have made me despair of." The princess, who began to be tired with his declarations, interrupted him and said: "Let us drink first, and then say what you will afterward:" at the same time she set the cup to her lips, while the African magician, who was eager to get his wine off first, drank up the very last drop. In finishing it, he leaned his head back to show his eagerness, and remained some time in that state. The princess kept the cup at her lips till she saw his eyes turn in his head, when he fell backward lifeless on the sofa. The princess had no occasion to order the private door to be opened to Aladdin; for her women were so disposed from the great hall to the foot of the staircase, that the word was no sooner given that the magician was fallen, than the door was immediately opened. As soon as Aladdin entered the hall, he saw the magician stretched backward on the sofa. The princess rose from her seat, and ran overjoyed to embrace him; but he stopped her and said: "Princess, it is not yet time; let me be left alone a moment, while I endeavour to transport you back to China as speedily as you were brought from thence." When the princess, her women and eunuchs, were gone out of the hall, Aladdin shut the door, and, going directly to the dead body of the magician, opened his vest, took out the lamp which was carefully wrapped up, as the princess had told him, and unfolding and rubbing it, the genie immediately appeared. "Genie," said Aladdin, "I have called to command thee, on the part of thy good mistress, this lamp, to transport this palace instantly into China, to the place from whence it was brought hither." The genie bowed his head in token of obedience, and disappeared.	Arabian Nights (4)
cried Jem.	No speaker	now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at	"Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash	my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything.	Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only	cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're	him curiously, as if he did not quite understand. "Been rather rough with this one, my lads." "Couldn't help it," said one of the sailors; "he fote so hard. So did this young chap too." "Nothing wrong with him, I daresay," said the bluff man. "No bones broken. All right in a day or two." Don had been silent while Jem was examined, for he felt that this man was either a doctor, or one who knew something about surgery; but as soon as he had finished, the boy, whose indignation had been growing, turned to him haughtily. "Now, sir!" he exclaimed, "have the goodness to explain the meaning of this outrage." "Cock-a-doodle-doo!" cried the bluff man. "It is nothing to laugh at, sir. I insist upon knowing why we have been ill-used and dragged here by your men." "Well crowed, my young cockerel," said the bluff man, laughing. "They said you fought well with your fists, so you can with your tongue." "Insulting us now you have us down will not save you," cried Don fiercely. "No, my lord," said the bluff man, as Jem rose up, shook his head, and stood by Don. The men laughed. "You coward!" cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don." "They won't let us go." "No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know	and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured Don Lavington's brain. He could think now, and he saw once more the dark lane, the swinging lanthorn, and felt, as it were, the struggle going on; and then, sitting up with his hands to his throbbing head, he listened to a low moaning sound close at hand. "Jem," he said. "Jem! Why don't you speak?" There was no answer, for it was poor Jem's turn now; the injuries he had received in his desperate struggle for liberty had had their effect, and he lay there insensible to the great trouble which had come upon him, while it grew more terrible to Don, in the darkness of that cellar, with every breath he drew. CHAPTER TWELVE. PRISONERS. "What's the matter?" cried Don, starting up, as there was the sound of bolts being shot back, and a light shone in upon the darkness. Don could hardly believe it possible, but it was quite true. In spite of pain and anxiety, weariness had mastered him, and he had been asleep. As the light shone in, Don could see Jem lying, apparently asleep, but in a very uncomfortable position, and that they were in a low, arched cellar, one which at some time had been used for storing casks; for in one corner there were some mouldy staves, and, close by, a barrel, whose hoops seemed to have slipped down, so that it was in a state of collapse. He had no time to see more, for half a dozen well-armed sailors came in after a bluff-looking man, who crossed at once to the prisoners. "Hold the lanthorn here," he said sharply. "Now let's have a look at you." He examined their injuries in an experienced way, roughly, but not unkindly. "All right, my lad," he said to Don; "you will not die this time. Now you." He spent longer over Jem, who roused up and looked at him curiously, as if he did not quite understand. "Been rather rough with this one, my lads." "Couldn't help it," said one of the sailors; "he fote so hard. So did this young chap too." "Nothing wrong with him, I daresay," said the bluff man. "No bones broken. All right in a day or two." Don had been silent while Jem was examined, for he felt that this man was either a doctor, or one who knew something about surgery; but as soon as he had finished, the boy, whose indignation had been growing, turned to him haughtily. "Now, sir!" he exclaimed, "have the goodness to explain the meaning of this outrage." "Cock-a-doodle-doo!" cried the bluff man. "It is nothing to laugh at, sir. I insist upon knowing why we have been ill-used and dragged here by your men." "Well crowed, my young cockerel," said the bluff man, laughing. "They said you fought well with your fists, so you can with your tongue." "Insulting us now you have us down will not save you," cried Don fiercely. "No, my lord," said the bluff man, as Jem rose up, shook his head, and stood by Don. The men laughed. "You coward!" cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don." "They won't let us go." "No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they say?" "Dunno what they'll say," said Jem dolefully, "but I know what my Sally will say. I used to talk about going and leaving her, but that was because I too was a hidyut. I didn't want to go and leave her, poor little lass. Too fond on her, Mas' Don. She only shows a bit o' temper." "Jem, she'll think you've run away and deserted her." "Safe, Mas' Don. You see, I made up a bundle o' wittles as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How	by your men." "Well crowed, my young cockerel," said the bluff man, laughing. "They said you fought well with your fists, so you can with your tongue." "Insulting us now you have us down will not save you," cried Don fiercely. "No, my lord," said the bluff man, as Jem rose up, shook his head, and stood by Don. The men laughed. "You coward!" cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don." "They won't let us go." "No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the	Don Lavington
she replied.	No speaker	fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great	were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking	on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at	remote Canadian forests and on the plains of India, when their thoughts turned to England. The nine mellow strokes, by which she was now apprised of the hour, were a message from the great clock at Westminster itself. As the last of them died away, there was a firm knocking on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at the fire, which was flapping bravely in the grate, while Mary took up her stocking again. "I suppose you are the only woman in London who darns her own stockings," he observed. "I m only one of a great many thousands really," she replied, "though I must admit that I	seem the culmination of successive miracles. She thought of her clerical father in his country parsonage, and of her mother s death, and of her own determination to obtain education, and of her college life, which had merged, not so very long ago, in the wonderful maze of London, which still seemed to her, in spite of her constitutional level-headedness, like a vast electric light, casting radiance upon the myriads of men and women who crowded round it. And here she was at the very center of it all, that center which was constantly in the minds of people in remote Canadian forests and on the plains of India, when their thoughts turned to England. The nine mellow strokes, by which she was now apprised of the hour, were a message from the great clock at Westminster itself. As the last of them died away, there was a firm knocking on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at the fire, which was flapping bravely in the grate, while Mary took up her stocking again. "I suppose you are the only woman in London who darns her own stockings," he observed. "I m only one of a great many thousands really," she replied, "though I must admit that I was thinking myself very remarkable when you came in. And now that you re here I don t think myself remarkable at all. How horrid of you! But I m afraid you re much more remarkable than I am. You ve done much more than I ve done." "If that s your standard, you ve nothing to be proud of," said Ralph grimly. "Well, I must reflect with Emerson that it s being and not doing that matters," she continued. "Emerson?" Ralph exclaimed, with derision. "You don t mean to say you read Emerson?" "Perhaps it wasn t Emerson; but	silver upon the wrinkled skin of the sea. "And here we are," she said, half aloud, half satirically, yet with evident pride, "talking about art." She pulled a basket containing balls of differently colored wools and a pair of stockings which needed darning towards her, and began to set her fingers to work; while her mind, reflecting the lassitude of her body, went on perversely, conjuring up visions of solitude and quiet, and she pictured herself laying aside her knitting and walking out on to the down, and hearing nothing but the sheep cropping the grass close to the roots, while the shadows of the little trees moved very slightly this way and that in the moonlight, as the breeze went through them. But she was perfectly conscious of her present situation, and derived some pleasure from the reflection that she could rejoice equally in solitude, and in the presence of the many very different people who were now making their way, by divers paths, across London to the spot where she was sitting. As she ran her needle in and out of the wool, she thought of the various stages in her own life which made her present position seem the culmination of successive miracles. She thought of her clerical father in his country parsonage, and of her mother s death, and of her own determination to obtain education, and of her college life, which had merged, not so very long ago, in the wonderful maze of London, which still seemed to her, in spite of her constitutional level-headedness, like a vast electric light, casting radiance upon the myriads of men and women who crowded round it. And here she was at the very center of it all, that center which was constantly in the minds of people in remote Canadian forests and on the plains of India, when their thoughts turned to England. The nine mellow strokes, by which she was now apprised of the hour, were a message from the great clock at Westminster itself. As the last of them died away, there was a firm knocking on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at the fire, which was flapping bravely in the grate, while Mary took up her stocking again. "I suppose you are the only woman in London who darns her own stockings," he observed. "I m only one of a great many thousands really," she replied, "though I must admit that I was thinking myself very remarkable when you came in. And now that you re here I don t think myself remarkable at all. How horrid of you! But I m afraid you re much more remarkable than I am. You ve done much more than I ve done." "If that s your standard, you ve nothing to be proud of," said Ralph grimly. "Well, I must reflect with Emerson that it s being and not doing that matters," she continued. "Emerson?" Ralph exclaimed, with derision. "You don t mean to say you read Emerson?" "Perhaps it wasn t Emerson; but why shouldn t I read Emerson?" she asked, with a tinge of anxiety. "There s no reason that I know of. It s the combination that s odd books and stockings. The combination is very odd." But it seemed to recommend itself to him. Mary gave a little laugh, expressive of happiness, and the particular stitches that she was now putting into her work appeared to her to be done with singular grace and felicity. She held out the stocking and looked at it approvingly. "You always say that," she said. "I assure you it s a common combination, as you call it, in the houses of the clergy. The only thing that s odd about me is that I enjoy them both Emerson and the stocking." A knock was heard, and Ralph exclaimed: "Damn those people! I wish they weren t coming!" "It s only Mr. Turner, on the floor below," said Mary, and she felt grateful to Mr. Turner for having alarmed Ralph, and for having given a false alarm. "Will there be a crowd?" Ralph asked, after a pause. "There ll be the Morrises and the Crashaws, and Dick Osborne, and Septimus, and all that set. Katharine	deal of moving, and pulling, and ranging of furniture against the wall, and placing of breakable and precious things in safe places. Miss Datchet was quite capable of lifting a kitchen table on her back, if need were, for although well-proportioned and dressed becomingly, she had the appearance of unusual strength and determination. She was some twenty-five years of age, but looked older because she earned, or intended to earn, her own living, and had already lost the look of the irresponsible spectator, and taken on that of the private in the army of workers. Her gestures seemed to have a certain purpose, the muscles round eyes and lips were set rather firmly, as though the senses had undergone some discipline, and were held ready for a call on them. She had contracted two faint lines between her eyebrows, not from anxiety but from thought, and it was quite evident that all the feminine instincts of pleasing, soothing, and charming were crossed by others in no way peculiar to her sex. For the rest she was brown-eyed, a little clumsy in movement, and suggested country birth and a descent from respectable hard-working ancestors, who had been men of faith and integrity rather than doubters or fanatics. At the end of a fairly hard day s work it was certainly something of an effort to clear one s room, to pull the mattress off one s bed, and lay it on the floor, to fill a pitcher with cold coffee, and to sweep a long table clear for plates and cups and saucers, with pyramids of little pink biscuits between them; but when these alterations were effected, Mary felt a lightness of spirit come to her, as if she had put off the stout stuff of her working hours and slipped over her entire being some vesture of thin, bright silk. She knelt before the fire and looked out into the room. The light fell softly, but with clear radiance, through shades of yellow and blue paper, and the room, which was set with one or two sofas resembling grassy mounds in their lack of shape, looked unusually large and quiet. Mary was led to think of the heights of a Sussex down, and the swelling green circle of some camp of ancient warriors. The moonlight would be falling there so peacefully now, and she could fancy the rough pathway of silver upon the wrinkled skin of the sea. "And here we are," she said, half aloud, half satirically, yet with evident pride, "talking about art." She pulled a basket containing balls of differently colored wools and a pair of stockings which needed darning towards her, and began to set her fingers to work; while her mind, reflecting the lassitude of her body, went on perversely, conjuring up visions of solitude and quiet, and she pictured herself laying aside her knitting and walking out on to the down, and hearing nothing but the sheep cropping the grass close to the roots, while the shadows of the little trees moved very slightly this way and that in the moonlight, as the breeze went through them. But she was perfectly conscious of her present situation, and derived some pleasure from the reflection that she could rejoice equally in solitude, and in the presence of the many very different people who were now making their way, by divers paths, across London to the spot where she was sitting. As she ran her needle in and out of the wool, she thought of the various stages in her own life which made her present position seem the culmination of successive miracles. She thought of her clerical father in his country parsonage, and of her mother s death, and of her own determination to obtain education, and of her college life, which had merged, not so very long ago, in the wonderful maze of London, which still seemed to her, in spite of her constitutional level-headedness, like a vast electric light, casting radiance upon the myriads of men and women who crowded round it. And here she was at the very center of it all, that center which was constantly in the minds of people in remote Canadian forests and on the plains of India, when their thoughts turned to England. The nine mellow strokes, by which she was now apprised of the hour, were a message from the great clock at Westminster itself. As the last of them died away, there was a firm knocking on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at the fire, which was flapping bravely in the grate, while Mary took up her stocking again. "I suppose you are the only woman in London who darns her own stockings," he observed. "I m only one of a great many thousands really," she replied, "though I must admit that I was thinking myself very remarkable when you came in. And now that you re here I don t think myself remarkable at all. How horrid of you! But I m afraid you re much more remarkable than I am. You ve done much more than I ve done." "If that s your standard, you ve nothing to be proud of," said Ralph grimly. "Well, I must reflect with Emerson that it s being and not doing that matters," she continued. "Emerson?" Ralph exclaimed, with derision. "You don t mean to say you read Emerson?" "Perhaps it wasn t Emerson; but why shouldn t I read Emerson?" she asked, with a tinge of anxiety. "There s no reason that I know of. It s the combination that s odd books and stockings. The combination is very odd." But it seemed to recommend itself to him. Mary gave a little laugh, expressive of happiness, and the particular stitches that she was now putting into her work appeared to her to be done with singular grace and felicity. She held out the stocking and looked at it approvingly. "You always say that," she said. "I assure you it s a common combination, as you call it, in the houses of the clergy. The only thing that s odd about me is that I enjoy them both Emerson and the stocking." A knock was heard, and Ralph exclaimed: "Damn those people! I wish they weren t coming!" "It s only Mr. Turner, on the floor below," said Mary, and she felt grateful to Mr. Turner for having alarmed Ralph, and for having given a false alarm. "Will there be a crowd?" Ralph asked, after a pause. "There ll be the Morrises and the Crashaws, and Dick Osborne, and Septimus, and all that set. Katharine Hilbery is coming, by the way, so William Rodney told me." "Katharine Hilbery!" Ralph exclaimed. "You know her?" Mary asked, with some surprise. "I went to a tea-party at her house." Mary pressed him to tell her all about it, and Ralph was not at all unwilling to exhibit proofs of the extent of his knowledge. He described the scene with certain additions and exaggerations which interested Mary very much. "But, in spite of what you say, I do admire her," she said. "I ve only seen her once or twice, but she seems to me to be what one calls a personality." "I didn t mean to abuse her. I only felt that she wasn t very sympathetic to me." "They say she s going to marry that queer creature Rodney." "Marry Rodney? Then she must be more deluded than I thought her." "Now that s my door, all right," Mary exclaimed, carefully putting her wools away, as a succession of knocks reverberated unnecessarily, accompanied by a sound of people stamping their feet and laughing. A moment later the room was full of young men and women, who came in with a peculiar look of expectation, exclaimed "Oh!" when they saw Denham, and then stood still, gaping rather foolishly. The room very soon contained between twenty and thirty people, who found seats for the most part upon the floor, occupying the mattresses, and hunching themselves together into triangular shapes. They were all young and some of them seemed to make a protest by their hair and dress, and something somber and truculent in the expression of their faces, against the more normal type, who would have passed unnoticed in an omnibus or an underground railway. It was notable that the talk was confined to groups, and was, at first, entirely spasmodic in character, and muttered in undertones as if the speakers were suspicious of their fellow-guests. Katharine Hilbery came in rather late, and took up a position on the floor, with her back against the wall. She looked round quickly, recognized about half a dozen people, to whom she nodded, but failed to see Ralph, or, if so, had already forgotten to attach any name to him. But in a second these heterogeneous elements were all united by the voice of Mr. Rodney, who suddenly strode up to the table, and began very rapidly in high-strained tones: "In undertaking	a pair of stockings which needed darning towards her, and began to set her fingers to work; while her mind, reflecting the lassitude of her body, went on perversely, conjuring up visions of solitude and quiet, and she pictured herself laying aside her knitting and walking out on to the down, and hearing nothing but the sheep cropping the grass close to the roots, while the shadows of the little trees moved very slightly this way and that in the moonlight, as the breeze went through them. But she was perfectly conscious of her present situation, and derived some pleasure from the reflection that she could rejoice equally in solitude, and in the presence of the many very different people who were now making their way, by divers paths, across London to the spot where she was sitting. As she ran her needle in and out of the wool, she thought of the various stages in her own life which made her present position seem the culmination of successive miracles. She thought of her clerical father in his country parsonage, and of her mother s death, and of her own determination to obtain education, and of her college life, which had merged, not so very long ago, in the wonderful maze of London, which still seemed to her, in spite of her constitutional level-headedness, like a vast electric light, casting radiance upon the myriads of men and women who crowded round it. And here she was at the very center of it all, that center which was constantly in the minds of people in remote Canadian forests and on the plains of India, when their thoughts turned to England. The nine mellow strokes, by which she was now apprised of the hour, were a message from the great clock at Westminster itself. As the last of them died away, there was a firm knocking on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at the fire, which was flapping bravely in the grate, while Mary took up her stocking again. "I suppose you are the only woman in London who darns her own stockings," he observed. "I m only one of a great many thousands really," she replied, "though I must admit that I was thinking myself very remarkable when you came in. And now that you re here I don t think myself remarkable at all. How horrid of you! But I m afraid you re much more remarkable than I am. You ve done much more than I ve done." "If that s your standard, you ve nothing to be proud of," said Ralph grimly. "Well, I must reflect with Emerson that it s being and not doing that matters," she continued. "Emerson?" Ralph exclaimed, with derision. "You don t mean to say you read Emerson?" "Perhaps it wasn t Emerson; but why shouldn t I read Emerson?" she asked, with a tinge of anxiety. "There s no reason that I know of. It s the combination that s odd books and stockings. The combination is very odd." But it seemed to recommend itself to him. Mary gave a little laugh, expressive of happiness, and the particular stitches that she was now putting into her work appeared to her to be done with singular grace and felicity. She held out the stocking and looked at it approvingly. "You always say that," she said. "I assure you it s a common combination, as you call it, in the houses of the clergy. The only thing that s odd about me is that I enjoy them both Emerson and the stocking." A knock was heard, and Ralph exclaimed: "Damn those people! I wish they weren t coming!" "It s only Mr. Turner, on the floor below," said Mary, and she felt grateful to Mr. Turner for having alarmed Ralph, and for having given a false alarm. "Will there be a crowd?" Ralph asked, after a pause. "There ll be the Morrises and the Crashaws, and Dick Osborne, and Septimus, and all that set. Katharine Hilbery is coming, by the way, so William Rodney told me." "Katharine Hilbery!" Ralph exclaimed. "You know her?" Mary asked, with some surprise. "I went to a tea-party at her house." Mary pressed him to tell her all about it, and Ralph was not at all unwilling to exhibit proofs of the extent of his knowledge. He described the scene with certain additions and exaggerations which interested Mary very much. "But, in spite of what you say, I do admire her," she said. "I ve only seen her once or twice, but she seems to me to be what one calls a personality." "I didn t mean to abuse her. I only felt that she wasn t very sympathetic to me." "They say she s going to marry that queer creature Rodney." "Marry Rodney? Then she must be more deluded than I thought her." "Now that s	Night And Day
Happily, it was now time to be gone. They were off; and Emma could breathe.	No speaker	think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate	him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had	had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and	old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should	about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much beyond my hopes. Harriet is disgraced by any comparison. Oh! what would Frank Churchill say to her, if he were here? How angry and how diverted he would be! Ah! there I am--thinking of him directly. Always the first person to be thought of! How I catch myself out! Frank Churchill comes as regularly into my mind!" "-- All this ran so	among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject. "We have been calling at Randalls," said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much beyond my hopes. Harriet is disgraced by any comparison. Oh! what would Frank Churchill say to her, if he were here? How angry and how diverted he would be! Ah! there I am--thinking of him directly. Always the first person to be thought of! How I catch myself out! Frank Churchill comes as regularly into my mind!" "-- All this ran so glibly through her thoughts, that by the time her father had arranged himself, after the bustle of the Eltons' departure, and was ready to speak, she was very tolerably capable of attending. "Well, my dear," he deliberately began, "considering we never saw her before, she seems a very pretty sort of young lady; and I dare say she was very much pleased with you. She speaks a little too quick. A little quickness of voice there is which rather hurts the ear. But I believe I am nice; I do not like strange voices; and nobody speaks like you and poor Miss Taylor. However, she seems a very obliging, pretty-behaved young lady, and no doubt will make him a very good wife. Though I think he had better not have married. I made the best excuses I could for not having been able to wait on him and Mrs. Elton on this happy occasion; I said that I hoped I _should_ in the course of the summer. But I ought to have gone before. Not to wait upon a bride is very remiss. Ah! it shews what a sad invalid I am! But I do not like the corner into	would have been a most serious sacrifice. I honestly said as much to Mr. E. when he was speaking of my future home, and expressing his fears lest the retirement of it should be disagreeable; and the inferiority of the house too--knowing what I had been accustomed to--of course he was not wholly without apprehension. When he was speaking of it in that way, I honestly said that _the_ _world_ I could give up--parties, balls, plays--for I had no fear of retirement. Blessed with so many resources within myself, the world was not necessary to _me_. I could do very well without it. To those who had no resources it was a different thing; but my resources made me quite independent. And as to smaller-sized rooms than I had been used to, I really could not give it a thought. I hoped I was perfectly equal to any sacrifice of that description. Certainly I had been accustomed to every luxury at Maple Grove; but I did assure him that two carriages were not necessary to my happiness, nor were spacious apartments." 'But,' "said I," 'to be quite honest, I do not think I can live without something of a musical society. I condition for nothing else; but without music, life would be a blank to me.'" "We cannot suppose," said Emma, smiling, "that Mr. Elton would hesitate to assure you of there being a _very_ musical society in Highbury; and I hope you will not find he has outstepped the truth more than may be pardoned, in consideration of the motive." "No, indeed, I have no doubts at all on that head. I am delighted to find myself in such a circle. I hope we shall have many sweet little concerts together. I think, Miss Woodhouse, you and I must establish a musical club, and have regular weekly meetings at your house, or ours. Will not it be a good plan? If _we_ exert ourselves, I think we shall not be long in want of allies. Something of that nature would be particularly desirable for _me_, as an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject. "We have been calling at Randalls," said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much beyond my hopes. Harriet is disgraced by any comparison. Oh! what would Frank Churchill say to her, if he were here? How angry and how diverted he would be! Ah! there I am--thinking of him directly. Always the first person to be thought of! How I catch myself out! Frank Churchill comes as regularly into my mind!" "-- All this ran so glibly through her thoughts, that by the time her father had arranged himself, after the bustle of the Eltons' departure, and was ready to speak, she was very tolerably capable of attending. "Well, my dear," he deliberately began, "considering we never saw her before, she seems a very pretty sort of young lady; and I dare say she was very much pleased with you. She speaks a little too quick. A little quickness of voice there is which rather hurts the ear. But I believe I am nice; I do not like strange voices; and nobody speaks like you and poor Miss Taylor. However, she seems a very obliging, pretty-behaved young lady, and no doubt will make him a very good wife. Though I think he had better not have married. I made the best excuses I could for not having been able to wait on him and Mrs. Elton on this happy occasion; I said that I hoped I _should_ in the course of the summer. But I ought to have gone before. Not to wait upon a bride is very remiss. Ah! it shews what a sad invalid I am! But I do not like the corner into Vicarage Lane." "I dare say your apologies were accepted, sir. Mr. Elton knows you." "Yes: but a young lady--a bride--I ought to have paid my respects to her if possible. It was being very deficient." "But, my dear papa, you are no friend to matrimony; and therefore why should you be so anxious to pay your respects to a _bride_? It ought to be no recommendation to _you_. It is encouraging people to marry if you make so much of them." "No, my dear, I never encouraged any body to marry, but I would always wish to pay every proper attention to a lady--and a bride, especially, is never to be neglected. More is avowedly due to _her_. A bride, you know, my dear, is always the first in company, let the others be who they may." "Well, papa, if this is not encouragement to marry, I do not know what is. And I should never have expected you to be lending your sanction to such vanity-baits for poor young ladies." "My dear, you do not understand me. This is a matter of mere common politeness and good-breeding, and has nothing to do with any encouragement to people to marry." Emma had done. Her father was growing nervous, and could not understand _her_. Her mind returned to Mrs. Elton's offences, and long, very long, did they occupy her. CHAPTER XV Emma was not required, by any subsequent discovery, to retract her ill opinion of Mrs. Elton. Her observation had been pretty correct. Such as Mrs. Elton appeared to her on this second interview, such she appeared whenever they met again,--self-important, presuming, familiar, ignorant, and ill-bred. She had a little beauty and a little accomplishment, but so little judgment that she thought herself coming with superior knowledge of the world, to enliven and improve a country neighbourhood; and conceived Miss Hawkins to have held such a place in society as Mrs. Elton's consequence only could surpass. There was no reason to suppose Mr. Elton thought at all differently from his wife. He seemed not merely happy with her, but proud. He had the air of congratulating himself on having brought such a woman to Highbury, as not even Miss Woodhouse could equal; and the greater part of her new acquaintance, disposed to commend, or not in the habit of judging, following the lead of Miss Bates's good-will, or taking it for	society in Highbury; and I hope you will not find he has outstepped the truth more than may be pardoned, in consideration of the motive." "No, indeed, I have no doubts at all on that head. I am delighted to find myself in such a circle. I hope we shall have many sweet little concerts together. I think, Miss Woodhouse, you and I must establish a musical club, and have regular weekly meetings at your house, or ours. Will not it be a good plan? If _we_ exert ourselves, I think we shall not be long in want of allies. Something of that nature would be particularly desirable for _me_, as an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject. "We have been calling at Randalls," said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much beyond my hopes. Harriet is disgraced by any comparison. Oh! what would Frank Churchill say to her, if he were here? How angry and how diverted he would be! Ah! there I am--thinking of him directly. Always the first person to be thought of! How I catch myself out! Frank Churchill comes as regularly into my mind!" "-- All this ran so glibly through her thoughts, that by the time her father had arranged himself, after the bustle of the Eltons' departure, and was ready to speak, she was very tolerably capable of attending. "Well, my dear," he deliberately began, "considering we never saw her before, she seems a very pretty sort of young lady; and I dare say she was very much pleased with you. She speaks a little too quick. A little quickness of voice there is which rather hurts the ear. But I believe I am nice; I do not like strange voices; and nobody speaks like you and poor Miss Taylor. However, she seems a very obliging, pretty-behaved young lady, and no doubt will make him a very good wife. Though I think he had better not have married. I made the best excuses I could for not having been able to wait on him and Mrs. Elton on this happy occasion; I said that I hoped I _should_ in the course of the summer. But I ought to have gone before. Not to wait upon a bride is very remiss. Ah! it shews what a sad invalid I am! But I do not like the corner into	Emma
"I don t think I shall send it anywhere,"	Basil Hallward	is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head	which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way	vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in	sought to imprison within his brain some curious dream from which he feared he might awake. "It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy, opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away.	easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement and gave rise to so many strange conjectures. As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake. "It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy, opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion." "I know you will laugh at me," he replied, "but I really can t exhibit it. I have put too much of myself into it." Lord Henry stretched himself out on the divan and laughed. "Yes, I knew you would; but it is	garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn. From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flamelike as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ. In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement and gave rise to so many strange conjectures. As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake. "It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy, opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion." "I know you will laugh at me," he replied, "but I really can t exhibit it. I have put too much of myself into it." Lord Henry stretched himself out on the divan and laughed. "Yes, I knew you would; but it is quite true, all the same." "Too much of yourself in it! Upon my word, Basil, I didn t know you were so vain; and I really can t see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you well, of course you have an intellectual expression and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don t think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really	things. To reveal art and conceal the artist is art s aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor s craft is the type. All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely. All art is quite useless. OSCAR WILDE CHAPTER I. The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn. From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flamelike as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ. In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement and gave rise to so many strange conjectures. As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake. "It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy, opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion." "I know you will laugh at me," he replied, "but I really can t exhibit it. I have put too much of myself into it." Lord Henry stretched himself out on the divan and laughed. "Yes, I knew you would; but it is quite true, all the same." "Too much of yourself in it! Upon my word, Basil, I didn t know you were so vain; and I really can t see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you well, of course you have an intellectual expression and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don t think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless beautiful creature who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don t flatter yourself, Basil: you are not in the least like him." "You don t understand me, Harry," answered the artist. "Of course I am not like him. I know that perfectly well. Indeed, I should be sorry to look like him. You shrug your shoulders? I am telling you the truth. There is a fatality about all physical and intellectual distinction, the sort of fatality that seems to dog through history the faltering steps of kings. It is better not to be different from one s fellows. The ugly and the stupid have the best of it in this world. They can sit at their ease and gape at the play. If they know nothing of victory, they are at least spared the knowledge of defeat. They live as we all should live undisturbed, indifferent, and without disquiet. They neither bring ruin upon others, nor ever receive it from alien hands. Your rank and wealth, Harry; my brains, such as they are my art, whatever it may be worth; Dorian Gray s good looks we shall all suffer for what the gods have given us, suffer terribly." "Dorian Gray? Is that his name?" asked Lord Henry, walking across the studio towards Basil Hallward. "Yes, that is his name. I didn t intend to tell it to you." "But why not?" "Oh, I can t explain. When I like people immensely, I never tell their names to any one. It is like surrendering a part of them. I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvellous to us. The commonest thing is delightful if one only hides it. When I leave town now I never tell my people where I am going. If I did, I would lose all my pleasure. It is a silly habit, I dare say, but somehow it seems to bring a great deal of romance into one s life. I suppose you think me awfully foolish about it?" "Not at all," answered Lord Henry, "not at all, my dear Basil. You seem to forget that I am married,	oppressive. The dim roar of London was like the bourdon note of a distant organ. In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement and gave rise to so many strange conjectures. As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake. "It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy, opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion." "I know you will laugh at me," he replied, "but I really can t exhibit it. I have put too much of myself into it." Lord Henry stretched himself out on the divan and laughed. "Yes, I knew you would; but it is quite true, all the same." "Too much of yourself in	The Picture Of Dorian Gray
"A dog, I suppose."	Dr. Watson	in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with	You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of	on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a	work the case out independently, and leave this fellow Jones to exult over any mare s-nest which he may choose to construct. When you have dropped Miss Morstan I wish you to go on to No. 3, Pinchin Lane, down near the water s edge at Lambeth. The third house on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a fresh horse." "And I," said Holmes, "shall see what I can learn from Mrs. Bernstone, and from the Indian servant, who, Mr. Thaddeus tell me, sleeps in the next garret. Then I shall study the great Jones s methods and listen to his not too delicate sarcasms." _Wir sind gewohnt	is not very far. I will wait for you here if you will drive out again. Or perhaps you are too tired?" "By no means. I don t think I could rest until I know more of this fantastic business. I have seen something of the rough side of life, but I give you my word that this quick succession of strange surprises to-night has shaken my nerve completely. I should like, however, to see the matter through with you, now that I have got so far." "Your presence will be of great service to me," he answered. "We shall work the case out independently, and leave this fellow Jones to exult over any mare s-nest which he may choose to construct. When you have dropped Miss Morstan I wish you to go on to No. 3, Pinchin Lane, down near the water s edge at Lambeth. The third house on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a fresh horse." "And I," said Holmes, "shall see what I can learn from Mrs. Bernstone, and from the Indian servant, who, Mr. Thaddeus tell me, sleeps in the next garret. Then I shall study the great Jones s methods and listen to his not too delicate sarcasms." _Wir sind gewohnt das die Menschen verh hnen was sie nicht verstehen._ "Goethe is always pithy." Chapter VII The Episode of the Barrel The police had brought a cab with them, and in this I escorted Miss Morstan back to her home. After the angelic fashion of women, she had borne trouble with a calm face as long as there was some one weaker than herself to support, and I had found her bright and placid by the side of the frightened housekeeper. In the cab, however, she first turned faint, and then burst into a passion of weeping, so sorely had she	a wooden stump which is worn away upon the inner side. His left boot has a coarse, square-toed sole, with an iron band round the heel. He is a middle-aged man, much sunburned, and has been a convict. These few indications may be of some assistance to you, coupled with the fact that there is a good deal of skin missing from the palm of his hand. The other man" "Ah! the other man ?" asked Athelney Jones, in a sneering voice, but impressed none the less, as I could easily see, by the precision of the other s manner. "Is a rather curious person," said Sherlock Holmes, turning upon his heel. "I hope before very long to be able to introduce you to the pair of them. A word with you, Watson." He led me out to the head of the stair. "This unexpected occurrence," he said, "has caused us rather to lose sight of the original purpose of our journey." "I have just been thinking so," I answered. "It is not right that Miss Morstan should remain in this stricken house." "No. You must escort her home. She lives with Mrs. Cecil Forrester, in Lower Camberwell: so it is not very far. I will wait for you here if you will drive out again. Or perhaps you are too tired?" "By no means. I don t think I could rest until I know more of this fantastic business. I have seen something of the rough side of life, but I give you my word that this quick succession of strange surprises to-night has shaken my nerve completely. I should like, however, to see the matter through with you, now that I have got so far." "Your presence will be of great service to me," he answered. "We shall work the case out independently, and leave this fellow Jones to exult over any mare s-nest which he may choose to construct. When you have dropped Miss Morstan I wish you to go on to No. 3, Pinchin Lane, down near the water s edge at Lambeth. The third house on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a fresh horse." "And I," said Holmes, "shall see what I can learn from Mrs. Bernstone, and from the Indian servant, who, Mr. Thaddeus tell me, sleeps in the next garret. Then I shall study the great Jones s methods and listen to his not too delicate sarcasms." _Wir sind gewohnt das die Menschen verh hnen was sie nicht verstehen._ "Goethe is always pithy." Chapter VII The Episode of the Barrel The police had brought a cab with them, and in this I escorted Miss Morstan back to her home. After the angelic fashion of women, she had borne trouble with a calm face as long as there was some one weaker than herself to support, and I had found her bright and placid by the side of the frightened housekeeper. In the cab, however, she first turned faint, and then burst into a passion of weeping, so sorely had she been tried by the adventures of the night. She has told me since that she thought me cold and distant upon that journey. She little guessed the struggle within my breast, or the effort of self-restraint which held me back. My sympathies and my love went out to her, even as my hand had in the garden. I felt that years of the conventionalities of life could not teach me to know her sweet, brave nature as had this one day of strange experiences. Yet there were two thoughts which sealed the words of affection upon my lips. She was weak and helpless, shaken in mind and nerve. It was to take her at a disadvantage to obtrude love upon her at such a time. Worse still, she was rich. If Holmes s researches were successful, she would be an heiress. Was it fair, was it honourable, that a half-pay surgeon should take such advantage of an intimacy which chance had brought about? Might she not look upon me as a mere vulgar fortune-seeker? I could not bear to risk that such a thought should cross her mind. This Agra treasure intervened like an impassable barrier between us. It was	and beside it lay this rather curious stone-headed instrument. How does all that fit into your theory?" "Confirms it in every respect," said the fat detective, pompously. "House is full of Indian curiosities. Thaddeus brought this up, and if this splinter be poisonous Thaddeus may as well have made murderous use of it as any other man. The card is some hocus-pocus, a blind, as like as not. The only question is, how did he depart? Ah, of course, here is a hole in the roof." With great activity, considering his bulk, he sprang up the steps and squeezed through into the garret, and immediately afterwards we heard his exulting voice proclaiming that he had found the trap-door. "He can find something," remarked Holmes, shrugging his shoulders. "He has occasional glimmerings of reason. _Il n y a pas des sots si incommodes que ceux qui ont de l esprit!_" "You see!" said Athelney Jones, reappearing down the steps again. "Facts are better than mere theories, after all. My view of the case is confirmed. There is a trap-door communicating with the roof, and it is partly open." "It was I who opened it." "Oh, indeed! You did notice it, then?" He seemed a little crestfallen at the discovery. "Well, whoever noticed it, it shows how our gentleman got away. Inspector!" "Yes, sir," from the passage. "Ask Mr. Sholto to step this way. Mr. Sholto, it is my duty to inform you that anything which you may say will be used against you. I arrest you in the Queen s name as being concerned in the death of your brother." "There, now! Didn t I tell you!" cried the poor little man, throwing out his hands, and looking from one to the other of us. "Don t trouble yourself about it, Mr. Sholto," said Holmes. "I think that I can engage to clear you of the charge." "Don t promise too much, Mr. Theorist, don t promise too much!" snapped the detective. "You may find it a harder matter than you think." "Not only will I clear him, Mr. Jones, but I will make you a free present of the name and description of one of the two people who were in this room last night. His name, I have every reason to believe, is Jonathan Small. He is a poorly-educated man, small, active, with his right leg off, and wearing a wooden stump which is worn away upon the inner side. His left boot has a coarse, square-toed sole, with an iron band round the heel. He is a middle-aged man, much sunburned, and has been a convict. These few indications may be of some assistance to you, coupled with the fact that there is a good deal of skin missing from the palm of his hand. The other man" "Ah! the other man ?" asked Athelney Jones, in a sneering voice, but impressed none the less, as I could easily see, by the precision of the other s manner. "Is a rather curious person," said Sherlock Holmes, turning upon his heel. "I hope before very long to be able to introduce you to the pair of them. A word with you, Watson." He led me out to the head of the stair. "This unexpected occurrence," he said, "has caused us rather to lose sight of the original purpose of our journey." "I have just been thinking so," I answered. "It is not right that Miss Morstan should remain in this stricken house." "No. You must escort her home. She lives with Mrs. Cecil Forrester, in Lower Camberwell: so it is not very far. I will wait for you here if you will drive out again. Or perhaps you are too tired?" "By no means. I don t think I could rest until I know more of this fantastic business. I have seen something of the rough side of life, but I give you my word that this quick succession of strange surprises to-night has shaken my nerve completely. I should like, however, to see the matter through with you, now that I have got so far." "Your presence will be of great service to me," he answered. "We shall work the case out independently, and leave this fellow Jones to exult over any mare s-nest which he may choose to construct. When you have dropped Miss Morstan I wish you to go on to No. 3, Pinchin Lane, down near the water s edge at Lambeth. The third house on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a fresh horse." "And I," said Holmes, "shall see what I can learn from Mrs. Bernstone, and from the Indian servant, who, Mr. Thaddeus tell me, sleeps in the next garret. Then I shall study the great Jones s methods and listen to his not too delicate sarcasms." _Wir sind gewohnt das die Menschen verh hnen was sie nicht verstehen._ "Goethe is always pithy." Chapter VII The Episode of the Barrel The police had brought a cab with them, and in this I escorted Miss Morstan back to her home. After the angelic fashion of women, she had borne trouble with a calm face as long as there was some one weaker than herself to support, and I had found her bright and placid by the side of the frightened housekeeper. In the cab, however, she first turned faint, and then burst into a passion of weeping, so sorely had she been tried by the adventures of the night. She has told me since that she thought me cold and distant upon that journey. She little guessed the struggle within my breast, or the effort of self-restraint which held me back. My sympathies and my love went out to her, even as my hand had in the garden. I felt that years of the conventionalities of life could not teach me to know her sweet, brave nature as had this one day of strange experiences. Yet there were two thoughts which sealed the words of affection upon my lips. She was weak and helpless, shaken in mind and nerve. It was to take her at a disadvantage to obtrude love upon her at such a time. Worse still, she was rich. If Holmes s researches were successful, she would be an heiress. Was it fair, was it honourable, that a half-pay surgeon should take such advantage of an intimacy which chance had brought about? Might she not look upon me as a mere vulgar fortune-seeker? I could not bear to risk that such a thought should cross her mind. This Agra treasure intervened like an impassable barrier between us. It was nearly two o clock when we reached Mrs. Cecil Forrester s. The servants had retired hours ago, but Mrs. Forrester had been so interested by the strange message which Miss Morstan had received that she had sat up in the hope of her return. She opened the door herself, a middle-aged, graceful woman, and it gave me joy to see how tenderly her arm stole round the other s waist and how motherly was the voice in which she greeted her. She was clearly no mere paid dependant, but an honoured friend. I was introduced, and Mrs. Forrester earnestly begged me to step in and tell her our adventures. I explained, however, the importance of my errand, and promised faithfully to call and report any progress which we might make with the case. As we drove away I stole a glance back, and I still seem to see that little group on the step, the two graceful, clinging figures, the half-opened door, the hall-light shining through stained glass, the barometer, and the bright stair-rods. It was soothing to catch even that passing glimpse of a tranquil English home in the midst of the wild, dark business which had absorbed us. And the more I thought of what had happened, the wilder and darker it grew. I reviewed the whole extraordinary sequence of events as I rattled on through the silent gas-lit streets. There was the original problem: that at least was pretty clear now. The death of Captain Morstan, the sending of the pearls, the advertisement, the letter, we had had light upon all those events. They had only led us, however, to a deeper and far more tragic mystery. The Indian treasure, the curious plan found among Morstan s baggage, the strange scene at Major Sholto s death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan s chart, here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue. Pinchin Lane was a row of shabby two-storied brick houses in the lower quarter of Lambeth. I had to knock for some time at No. 3 before I could make my impression. At last, however, there was the glint of	His left boot has a coarse, square-toed sole, with an iron band round the heel. He is a middle-aged man, much sunburned, and has been a convict. These few indications may be of some assistance to you, coupled with the fact that there is a good deal of skin missing from the palm of his hand. The other man" "Ah! the other man ?" asked Athelney Jones, in a sneering voice, but impressed none the less, as I could easily see, by the precision of the other s manner. "Is a rather curious person," said Sherlock Holmes, turning upon his heel. "I hope before very long to be able to introduce you to the pair of them. A word with you, Watson." He led me out to the head of the stair. "This unexpected occurrence," he said, "has caused us rather to lose sight of the original purpose of our journey." "I have just been thinking so," I answered. "It is not right that Miss Morstan should remain in this stricken house." "No. You must escort her home. She lives with Mrs. Cecil Forrester, in Lower Camberwell: so it is not very far. I will wait for you here if you will drive out again. Or perhaps you are too tired?" "By no means. I don t think I could rest until I know more of this fantastic business. I have seen something of the rough side of life, but I give you my word that this quick succession of strange surprises to-night has shaken my nerve completely. I should like, however, to see the matter through with you, now that I have got so far." "Your presence will be of great service to me," he answered. "We shall work the case out independently, and leave this fellow Jones to exult over any mare s-nest which he may choose to construct. When you have dropped Miss Morstan I wish you to go on to No. 3, Pinchin Lane, down near the water s edge at Lambeth. The third house on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a fresh horse." "And I," said Holmes, "shall see what I can learn from Mrs. Bernstone, and from the Indian servant, who, Mr. Thaddeus tell me, sleeps in the next garret. Then I shall study the great Jones s methods and listen to his not too delicate sarcasms." _Wir sind gewohnt das die Menschen verh hnen was sie nicht verstehen._ "Goethe is always pithy." Chapter VII The Episode of the Barrel The police had brought a cab with them, and in this I escorted Miss Morstan back to her home. After the angelic fashion of women, she had borne trouble with a calm face as long as there was some one weaker than herself to support, and I had found her bright and placid by the side of the frightened housekeeper. In the cab, however, she first turned faint, and then burst into a passion of weeping, so sorely had she been tried by the adventures of the night. She has told me since that she thought me cold and distant upon that journey. She little guessed the struggle within my breast, or the effort of self-restraint which held me back. My sympathies and my love went out to her, even as my hand had in the garden. I felt that years of the conventionalities of life could not teach me to know her sweet, brave nature as had this one day of strange experiences. Yet there were two thoughts which sealed the words of affection upon my lips. She was weak and helpless, shaken in mind and nerve. It was to take her at a disadvantage to obtrude love upon her at such a time. Worse still, she was rich. If	The Sign Of The Four
"These?"	Hercule Poirot	sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box	I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She	me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before	"You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately	of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately thought that Poirot was rather too much given to these fantastic ideas. In this case, surely, the truth was only too plain and apparent. "So that is the explanation of the blank label on the box," I remarked. "Very simple, as you said. I really wonder that I did not think of it myself." Poirot did not appear to be listening to me. "They have made one more discovery, _l -bas_," he observed, jerking his thumb over his shoulder in the direction of Styles. "Mr. Wells told me as we were going upstairs." "What was it?" "Locked up in the	friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately thought that Poirot was rather too much given to these fantastic ideas. In this case, surely, the truth was only too plain and apparent. "So that is the explanation of the blank label on the box," I remarked. "Very simple, as you said. I really wonder that I did not think of it myself." Poirot did not appear to be listening to me. "They have made one more discovery, _l -bas_," he observed, jerking his thumb over his shoulder in the direction of Styles. "Mr. Wells told me as we were going upstairs." "What was it?" "Locked up in the desk in the boudoir, they found a will of Mrs. Inglethorp's, dated before her marriage, leaving her fortune to Alfred Inglethorp. It must have been made just at the time they were engaged. It came quite as a surprise to Wells and to John Cavendish also. It was written on one of those printed will forms, and witnessed by two of the servants not Dorcas." "Did Mr. Inglethorp know of it?" "He says not." "One might take that with a grain of salt," I remarked sceptically. "All these wills are very confusing. Tell me, how did those scribbled words on the envelope help you to discover that a will was made yesterday afternoon?" Poirot smiled. "_Mon ami_, have you ever, when writing a letter, been arrested by the fact that you did not know how to spell a certain word?" "Yes, often. I suppose everyone has." "Exactly. And have you not, in such a case, tried the word once or twice on the edge of the blotting-paper, or a spare scrap of paper, to see if it looked right? Well, that is what Mrs. Inglethorp did. You will notice that the word possessed' is spelt first with one s' and	should be destroyed before it was discovered and its significance appreciated. Therefore, he took the risk, the great risk, of coming in here. Finding the case locked, he was obliged to force it, thus betraying his presence. For him to take that risk, it must have been something of great importance." "But what was it?" "Ah!" cried Poirot, with a gesture of anger. "That, I do not know! A document of some kind, without doubt, possibly the scrap of paper Dorcas saw in her hand yesterday afternoon. And I" his anger burst forth freely "miserable animal that I am! I guessed nothing! I have behaved like an imbecile! I should never have left that case here. I should have carried it away with me. Ah, triple pig! And now it is gone. It is destroyed but is it destroyed? Is there not yet a chance we must leave no stone unturned" He rushed like a madman from the room, and I followed him as soon as I had sufficiently recovered my wits. But, by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying: "They haven't met yet, have they?" "Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately thought that Poirot was rather too much given to these fantastic ideas. In this case, surely, the truth was only too plain and apparent. "So that is the explanation of the blank label on the box," I remarked. "Very simple, as you said. I really wonder that I did not think of it myself." Poirot did not appear to be listening to me. "They have made one more discovery, _l -bas_," he observed, jerking his thumb over his shoulder in the direction of Styles. "Mr. Wells told me as we were going upstairs." "What was it?" "Locked up in the desk in the boudoir, they found a will of Mrs. Inglethorp's, dated before her marriage, leaving her fortune to Alfred Inglethorp. It must have been made just at the time they were engaged. It came quite as a surprise to Wells and to John Cavendish also. It was written on one of those printed will forms, and witnessed by two of the servants not Dorcas." "Did Mr. Inglethorp know of it?" "He says not." "One might take that with a grain of salt," I remarked sceptically. "All these wills are very confusing. Tell me, how did those scribbled words on the envelope help you to discover that a will was made yesterday afternoon?" Poirot smiled. "_Mon ami_, have you ever, when writing a letter, been arrested by the fact that you did not know how to spell a certain word?" "Yes, often. I suppose everyone has." "Exactly. And have you not, in such a case, tried the word once or twice on the edge of the blotting-paper, or a spare scrap of paper, to see if it looked right? Well, that is what Mrs. Inglethorp did. You will notice that the word possessed' is spelt first with one s' and subsequently with two correctly. To make sure, she had further tried it in a sentence, thus:" I am possessed.' "Now, what did that tell me? It told me that Mrs. Inglethorp had been writing the word possessed' that afternoon, and, having the fragment of paper found in the grate fresh in my mind, the possibility of a will (a document almost certain to contain that word) occurred to me at once. This possibility was confirmed by a further circumstance. In the general confusion, the boudoir had not been swept that morning, and near the desk were several traces of brown mould and earth. The weather had been perfectly fine for some days, and no ordinary boots would have left such a heavy deposit." "I strolled to the window, and saw at once that the begonia beds had been newly planted. The mould in the beds was exactly similar to that on the floor of the boudoir, and also I learnt from you that they _had_ been planted yesterday afternoon. I was now sure that one, or possibly both of the gardeners for there were two sets of footprints in the bed had entered the boudoir, for if Mrs. Inglethorp had merely wished to speak to them she would in all probability have stood at the window, and they would not have come into the room at all. I was now quite convinced that she had made a fresh will, and had called the two gardeners in to witness her signature. Events proved that I was right in my supposition." "That was very ingenious," I could not help admitting. "I must confess that the conclusions I drew from those few scribbled words were quite erroneous." He smiled. "You gave too much rein to your imagination. Imagination is a good servant, and a bad master. The simplest explanation is always the most likely." "Another point how did you know that the key of the despatch-case had been lost?" "I did not know it. It was a guess that turned out to be correct. You observed that it had a piece of twisted wire through the handle. That suggested to me at once that it had possibly been wrenched off a flimsy key-ring. Now, if it had been lost and recovered, Mrs. Inglethorp would at once have replaced it on her bunch; but on her bunch I found what was obviously the duplicate	"I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately thought that Poirot was rather too much given to these fantastic ideas. In this case, surely, the truth was only too plain and apparent. "So that is the explanation of the blank label on the box," I remarked. "Very simple, as you said. I really wonder that I did not think of it myself." Poirot did not appear to be listening to me. "They have made one more discovery, _l -bas_," he observed, jerking his thumb over his shoulder in the direction of Styles. "Mr. Wells told me as we were going upstairs." "What was it?" "Locked up in the desk in the boudoir, they found a will of Mrs. Inglethorp's, dated before her marriage, leaving her fortune to Alfred Inglethorp. It must have been made just at the time they were engaged. It came quite as a surprise to Wells and to John Cavendish also. It was written on one of those printed will forms, and witnessed by two of the servants not Dorcas." "Did Mr. Inglethorp know of it?" "He says not." "One might take that with a grain of salt," I remarked sceptically. "All these wills are very confusing. Tell me, how did those scribbled words on the envelope help you to discover that a will was made yesterday afternoon?" Poirot smiled. "_Mon ami_, have you ever, when writing a letter, been arrested by the fact that you did not know how to spell a certain word?" "Yes, often. I suppose everyone has." "Exactly. And have you not, in such a case, tried the word once or twice on the edge of the blotting-paper, or a spare scrap of paper, to see	The Mysterious Affair At Styles
"Traitor!"	The Invisible Man	Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly	to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting	footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came	playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The	kill, and kill all who would defend them." "Humph!" said Kemp, no longer listening to Griffin but to the sound of his front door opening and closing. "It seems to me, Griffin," he said, to cover his wandering attention, "that your confederate would be in a difficult position." "No one would know he was a confederate," said the Invisible Man, eagerly. And then suddenly, "Hush! What s that downstairs?" "Nothing," said Kemp, and suddenly began to speak loud and fast. "I don t agree to this, Griffin," he said. "Understand me, I don t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of	on the other hand I am hard to catch. This invisibility, in fact, is only good in two cases: It s useful in getting away, it s useful in approaching. It s particularly useful, therefore, in killing. I can walk round a man, whatever weapon he has, choose my point, strike as I like. Dodge as I like. Escape as I like." Kemp s hand went to his moustache. Was that a movement downstairs? "And it is killing we must do, Kemp." "It is killing we must do," repeated Kemp. "I m listening to your plan, Griffin, but I m not agreeing, mind. _Why_ killing?" "Not wanton killing, but a judicious slaying. The point is, they know there is an Invisible Man as well as we know there is an Invisible Man. And that Invisible Man, Kemp, must now establish a Reign of Terror. Yes; no doubt it s startling. But I mean it. A Reign of Terror. He must take some town like your Burdock and terrify and dominate it. He must issue his orders. He can do that in a thousand ways scraps of paper thrust under doors would suffice. And all who disobey his orders he must kill, and kill all who would defend them." "Humph!" said Kemp, no longer listening to Griffin but to the sound of his front door opening and closing. "It seems to me, Griffin," he said, to cover his wandering attention, "that your confederate would be in a difficult position." "No one would know he was a confederate," said the Invisible Man, eagerly. And then suddenly, "Hush! What s that downstairs?" "Nothing," said Kemp, and suddenly began to speak loud and fast. "I don t agree to this, Griffin," he said. "Understand me, I don t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF	I decided how to get my books and things sent over to meet me." "That s clear." "And then the filthy brute must needs try and rob me! He _has_ hidden my books, Kemp. Hidden my books! If I can lay my hands on him!" "Best plan to get the books out of him first." "But where is he? Do you know?" "He s in the town police station, locked up, by his own request, in the strongest cell in the place." "Cur!" said the Invisible Man. "But that hangs up your plans a little." "We must get those books; those books are vital." "Certainly," said Kemp, a little nervously, wondering if he heard footsteps outside. "Certainly we must get those books. But that won t be difficult, if he doesn t know they re for you." "No," said the Invisible Man, and thought. Kemp tried to think of something to keep the talk going, but the Invisible Man resumed of his own accord. "Blundering into your house, Kemp," he said, "changes all my plans. For you are a man that can understand. In spite of all that has happened, in spite of this publicity, of the loss of my books, of what I have suffered, there still remain great possibilities, huge possibilities" "You have told no one I am here?" he asked abruptly. Kemp hesitated. "That was implied," he said. "No one?" insisted Griffin. "Not a soul." "Ah! Now" The Invisible Man stood up, and sticking his arms akimbo began to pace the study. "I made a mistake, Kemp, a huge mistake, in carrying this thing through alone. I have wasted strength, time, opportunities. Alone it is wonderful how little a man can do alone! To rob a little, to hurt a little, and there is the end." "What I want, Kemp, is a goal-keeper, a helper, and a hiding-place, an arrangement whereby I can sleep and eat and rest in peace, and unsuspected. I must have a confederate. With a confederate, with food and rest a thousand things are possible." "Hitherto I have gone on vague lines. We have to consider all that invisibility means, all that it does not mean. It means little advantage for eavesdropping and so forth one makes sounds. It s of little help a little help perhaps in housebreaking and so forth. Once you ve caught me you could easily imprison me. But on the other hand I am hard to catch. This invisibility, in fact, is only good in two cases: It s useful in getting away, it s useful in approaching. It s particularly useful, therefore, in killing. I can walk round a man, whatever weapon he has, choose my point, strike as I like. Dodge as I like. Escape as I like." Kemp s hand went to his moustache. Was that a movement downstairs? "And it is killing we must do, Kemp." "It is killing we must do," repeated Kemp. "I m listening to your plan, Griffin, but I m not agreeing, mind. _Why_ killing?" "Not wanton killing, but a judicious slaying. The point is, they know there is an Invisible Man as well as we know there is an Invisible Man. And that Invisible Man, Kemp, must now establish a Reign of Terror. Yes; no doubt it s startling. But I mean it. A Reign of Terror. He must take some town like your Burdock and terrify and dominate it. He must issue his orders. He can do that in a thousand ways scraps of paper thrust under doors would suffice. And all who disobey his orders he must kill, and kill all who would defend them." "Humph!" said Kemp, no longer listening to Griffin but to the sound of his front door opening and closing. "It seems to me, Griffin," he said, to cover his wandering attention, "that your confederate would be in a difficult position." "No one would know he was a confederate," said the Invisible Man, eagerly. And then suddenly, "Hush! What s that downstairs?" "Nothing," said Kemp, and suddenly began to speak loud and fast. "I don t agree to this, Griffin," he said. "Understand me, I don t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF THE INVISIBLE MAN For a space Kemp was too inarticulate to make Adye understand the swift things that had just happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?" cried Kemp, and suddenly became full of ideas. "You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a man in your police station Marvel." "I know," said Adye, "I know. Those books yes. But the tramp...." "Says he hasn t them. But he thinks the tramp has. And you must prevent him from eating or sleeping; day and night the country must be astir for him. Food must be locked up and secured, all food, so that he will have to break his way to it. The houses everywhere must be barred against him. Heaven send us cold nights and rain! The whole country-side must begin hunting and keep hunting. I tell you, Adye, he is a danger, a disaster; unless he is pinned and secured, it is frightful to think of the things that may happen." "What else can we do?" said Adye. "I must go down at once and begin organising. But why not come? Yes you come too! Come, and we must hold a sort of council of war get Hopps to help and the railway managers. By Jove! it s urgent. Come along tell me as	Man stood up, and sticking his arms akimbo began to pace the study. "I made a mistake, Kemp, a huge mistake, in carrying this thing through alone. I have wasted strength, time, opportunities. Alone it is wonderful how little a man can do alone! To rob a little, to hurt a little, and there is the end." "What I want, Kemp, is a goal-keeper, a helper, and a hiding-place, an arrangement whereby I can sleep and eat and rest in peace, and unsuspected. I must have a confederate. With a confederate, with food and rest a thousand things are possible." "Hitherto I have gone on vague lines. We have to consider all that invisibility means, all that it does not mean. It means little advantage for eavesdropping and so forth one makes sounds. It s of little help a little help perhaps in housebreaking and so forth. Once you ve caught me you could easily imprison me. But on the other hand I am hard to catch. This invisibility, in fact, is only good in two cases: It s useful in getting away, it s useful in approaching. It s particularly useful, therefore, in killing. I can walk round a man, whatever weapon he has, choose my point, strike as I like. Dodge as I like. Escape as I like." Kemp s hand went to his moustache. Was that a movement downstairs? "And it is killing we must do, Kemp." "It is killing we must do," repeated Kemp. "I m listening to your plan, Griffin, but I m not agreeing, mind. _Why_ killing?" "Not wanton killing, but a judicious slaying. The point is, they know there is an Invisible Man as well as we know there is an Invisible Man. And that Invisible Man, Kemp, must now establish a Reign of Terror. Yes; no doubt it s startling. But I mean it. A Reign of Terror. He must take some town like your Burdock and terrify and dominate it. He must issue his orders. He can do that in a thousand ways scraps of paper thrust under doors would suffice. And all who disobey his orders he must kill, and kill all who would defend them." "Humph!" said Kemp, no longer listening to Griffin but to the sound of his front door opening and closing. "It seems to me, Griffin," he said, to cover his wandering attention, "that your confederate would be in a difficult position." "No one would know he was a confederate," said the Invisible Man, eagerly. And then suddenly, "Hush! What s that downstairs?" "Nothing," said Kemp, and suddenly began to speak loud and fast. "I don t agree to this, Griffin," he said. "Understand me, I don t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of	The Invisible Man
he continued more rapidly	No speaker	"I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast,"	a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a	were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I	enough," Helen laughed, "for I steal umbrellas even oftener than I hear Beethoven. Did you get it back?" "Yes, thank you, Miss Schlegel." "The mistake arose out of my card, did it?" interposed Margaret. "Yes, the mistake arose--it was a mistake." "The lady who called here yesterday thought that you were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I beg to tender my apologies, and hers as well, for any inconvenience we may have inadvertently caused you." "No inconvenience," said Helen; "but I still don t understand." An air of evasion characterised Mr. Bast. He explained again, but was obviously lying, and Helen didn t see why he should	For the minute I don t remember." "It was a concert at the Queen s Hall. I think you will recollect," he added pretentiously, "when I tell you that it included a performance of the Fifth Symphony of Beethoven." "We hear the Fifth practically every time it s done, so I m not sure--do you remember, Helen?" "Was it the time the sandy cat walked round the balustrade?" He thought not. "Then I don t remember. That s the only Beethoven I ever remember specially." "And you, if I may say so, took away my umbrella, inadvertently of course." "Likely enough," Helen laughed, "for I steal umbrellas even oftener than I hear Beethoven. Did you get it back?" "Yes, thank you, Miss Schlegel." "The mistake arose out of my card, did it?" interposed Margaret. "Yes, the mistake arose--it was a mistake." "The lady who called here yesterday thought that you were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I beg to tender my apologies, and hers as well, for any inconvenience we may have inadvertently caused you." "No inconvenience," said Helen; "but I still don t understand." An air of evasion characterised Mr. Bast. He explained again, but was obviously lying, and Helen didn t see why he should get off. She had the cruelty of youth. Neglecting her sister s pressure, she said, "I still don t understand. When did you say you paid this call?" "Call? What call?" said he, staring as if her question had been a foolish one, a favourite device of those in mid-stream. "This afternoon call." "In the afternoon, of course!" he replied, and looked at Tibby to see how the repartee went. But Tibby was unsympathetic, and said, "Saturday afternoon or Sunday afternoon?" "S--Saturday." "Really!" said Helen; "and you were still calling on Sunday, when your wife came here. A long visit."	town; as one of the thousands who have lost the life of the body and failed to reach the life of the spirit. Hints of robustness survived in him, more than a hint of primitive good looks, and Margaret, noting the spine that might have been straight, and the chest that might have broadened, wondered whether it paid to give up the glory of the animal for a tail coat and a couple of ideas. Culture had worked in her own case, but during the last few weeks she had doubted whether it humanised the majority, so wide and so widening is the gulf that stretches between the natural and the philosophic man, so many the good chaps who are wrecked in trying to cross it. She knew this type very well--the vague aspirations, the mental dishonesty, the familiarity with the outsides of books. She knew the very tones in which he would address her. She was only unprepared for an example of her own visiting-card. "You wouldn t remember giving me this, Miss Schlegel?" said he, uneasily familiar. "No; I can t say I do." "Well, that was how it happened, you see." "Where did we meet, Mr. Bast? For the minute I don t remember." "It was a concert at the Queen s Hall. I think you will recollect," he added pretentiously, "when I tell you that it included a performance of the Fifth Symphony of Beethoven." "We hear the Fifth practically every time it s done, so I m not sure--do you remember, Helen?" "Was it the time the sandy cat walked round the balustrade?" He thought not. "Then I don t remember. That s the only Beethoven I ever remember specially." "And you, if I may say so, took away my umbrella, inadvertently of course." "Likely enough," Helen laughed, "for I steal umbrellas even oftener than I hear Beethoven. Did you get it back?" "Yes, thank you, Miss Schlegel." "The mistake arose out of my card, did it?" interposed Margaret. "Yes, the mistake arose--it was a mistake." "The lady who called here yesterday thought that you were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I beg to tender my apologies, and hers as well, for any inconvenience we may have inadvertently caused you." "No inconvenience," said Helen; "but I still don t understand." An air of evasion characterised Mr. Bast. He explained again, but was obviously lying, and Helen didn t see why he should get off. She had the cruelty of youth. Neglecting her sister s pressure, she said, "I still don t understand. When did you say you paid this call?" "Call? What call?" said he, staring as if her question had been a foolish one, a favourite device of those in mid-stream. "This afternoon call." "In the afternoon, of course!" he replied, and looked at Tibby to see how the repartee went. But Tibby was unsympathetic, and said, "Saturday afternoon or Sunday afternoon?" "S--Saturday." "Really!" said Helen; "and you were still calling on Sunday, when your wife came here. A long visit." "I don t call that fair," said Mr. Bast, going scarlet and handsome. There was fight in his eyes. "I know what you mean, and it isn t so." "Oh, don t let us mind," said Margaret, distressed again by odours from the abyss. "It was something else," he asserted, his elaborate manner breaking down. "I was somewhere else to what you think, so there!" "It was good of you to come and explain," she said. "The rest is naturally no concern of ours." "Yes, but I want--I wanted--have you ever read The Ordeal of Richard Feverel?" Margaret nodded. "It s a beautiful book. I wanted to get back to the earth, don t you see, like Richard does in the end. Or have you ever read Stevenson s Prince Otto?" Helen and Tibby groaned gently. "That s another beautiful book. You get back to the earth in that. I wanted--" He mouthed affectedly. Then through the mists of his culture came a hard fact, hard as a pebble. "I walked all the Saturday night," said Leonard. "I walked." A thrill of approval ran through the sisters. But culture closed in again. He asked whether they had ever read E.	and hasn t no business to go on the lardy-da. But I think she suspected me up to the last. Bags I writing to Aunt Juley about this. Now, Meg, remember--bags I." "Bag it by all means," murmured Margaret, putting down her work. "I m not sure that this is so funny, Helen. It means some horrible volcano smoking somewhere, doesn t it?" "I don t think so--she doesn t really mind. The admirable creature isn t capable of tragedy." "Her husband may be, though," said Margaret, moving to the window. "Oh no, not likely. No one capable of tragedy could have married Mrs. Lanoline." "Was she pretty?" "Her figure may have been good once." The flats, their only outlook, hung like an ornate curtain between Margaret and the welter of London. Her thoughts turned sadly to house-hunting. Wickham Place had been so safe. She feared, fantastically, that her own little flock might be moving into turmoil and squalor, into nearer contact with such episodes as these. "Tibby and I have again been wondering where we ll live next September," she said at last. "Tibby had better first wonder what he ll do," retorted Helen; and that topic was resumed, but with acrimony. Then tea came, and after tea Helen went on preparing her speech, and Margaret prepared one, too, for they were going out to a discussion society on the morrow. But her thoughts were poisoned. Mrs. Lanoline had risen out of the abyss, like a faint smell, a goblin football, telling of a life where love and hatred had both decayed. CHAPTER XIV The mystery, like so many mysteries, was explained. Next day, just as they were dressed to go out to dinner, a Mr. Bast called. He was a clerk in the employment of the Porphyrion Fire Insurance Company. Thus much from his card. He had come "about the lady yesterday." Thus much from Annie, who had shown him into the dining-room. "Cheers, children!" cried Helen. "It s Mrs. Lanoline." Tibby was interested. The three hurried downstairs, to find, not the gay dog they expected, but a young man, colourless, toneless, who had already the mournful eyes above a drooping moustache that are so common in London, and that haunt some streets of the city like accusing presences. One guessed him as the third generation, grandson to the shepherd or ploughboy whom civilisation had sucked into the town; as one of the thousands who have lost the life of the body and failed to reach the life of the spirit. Hints of robustness survived in him, more than a hint of primitive good looks, and Margaret, noting the spine that might have been straight, and the chest that might have broadened, wondered whether it paid to give up the glory of the animal for a tail coat and a couple of ideas. Culture had worked in her own case, but during the last few weeks she had doubted whether it humanised the majority, so wide and so widening is the gulf that stretches between the natural and the philosophic man, so many the good chaps who are wrecked in trying to cross it. She knew this type very well--the vague aspirations, the mental dishonesty, the familiarity with the outsides of books. She knew the very tones in which he would address her. She was only unprepared for an example of her own visiting-card. "You wouldn t remember giving me this, Miss Schlegel?" said he, uneasily familiar. "No; I can t say I do." "Well, that was how it happened, you see." "Where did we meet, Mr. Bast? For the minute I don t remember." "It was a concert at the Queen s Hall. I think you will recollect," he added pretentiously, "when I tell you that it included a performance of the Fifth Symphony of Beethoven." "We hear the Fifth practically every time it s done, so I m not sure--do you remember, Helen?" "Was it the time the sandy cat walked round the balustrade?" He thought not. "Then I don t remember. That s the only Beethoven I ever remember specially." "And you, if I may say so, took away my umbrella, inadvertently of course." "Likely enough," Helen laughed, "for I steal umbrellas even oftener than I hear Beethoven. Did you get it back?" "Yes, thank you, Miss Schlegel." "The mistake arose out of my card, did it?" interposed Margaret. "Yes, the mistake arose--it was a mistake." "The lady who called here yesterday thought that you were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I beg to tender my apologies, and hers as well, for any inconvenience we may have inadvertently caused you." "No inconvenience," said Helen; "but I still don t understand." An air of evasion characterised Mr. Bast. He explained again, but was obviously lying, and Helen didn t see why he should get off. She had the cruelty of youth. Neglecting her sister s pressure, she said, "I still don t understand. When did you say you paid this call?" "Call? What call?" said he, staring as if her question had been a foolish one, a favourite device of those in mid-stream. "This afternoon call." "In the afternoon, of course!" he replied, and looked at Tibby to see how the repartee went. But Tibby was unsympathetic, and said, "Saturday afternoon or Sunday afternoon?" "S--Saturday." "Really!" said Helen; "and you were still calling on Sunday, when your wife came here. A long visit." "I don t call that fair," said Mr. Bast, going scarlet and handsome. There was fight in his eyes. "I know what you mean, and it isn t so." "Oh, don t let us mind," said Margaret, distressed again by odours from the abyss. "It was something else," he asserted, his elaborate manner breaking down. "I was somewhere else to what you think, so there!" "It was good of you to come and explain," she said. "The rest is naturally no concern of ours." "Yes, but I want--I wanted--have you ever read The Ordeal of Richard Feverel?" Margaret nodded. "It s a beautiful book. I wanted to get back to the earth, don t you see, like Richard does in the end. Or have you ever read Stevenson s Prince Otto?" Helen and Tibby groaned gently. "That s another beautiful book. You get back to the earth in that. I wanted--" He mouthed affectedly. Then through the mists of his culture came a hard fact, hard as a pebble. "I walked all the Saturday night," said Leonard. "I walked." A thrill of approval ran through the sisters. But culture closed in again. He asked whether they had ever read E. V. Lucas s Open Road. Said Helen, "No doubt it s another beautiful book, but I d rather hear about your road." "Oh, I walked." "How far?" "I don t know, nor for how long. It got too dark to see my watch." "Were you walking alone, may I ask?" "Yes," he said, straightening himself; "but we d been talking it over at the office. There s been a lot of talk at the office lately about these things. The fellows there said one steers by the Pole Star, and I looked it up in the celestial atlas, but once out of doors everything gets so mixed." "Don t talk to me about the Pole Star," interrupted Helen, who was becoming interested. "I know its little ways. It goes round and round, and you go round after it." "Well, I lost it entirely. First of all the street lamps, then the trees, and towards morning it got cloudy." Tibby, who preferred his comedy undiluted, slipped from the room. He knew that this fellow would never attain to poetry, and did not want to hear him trying. Margaret and Helen remained. Their brother influenced them more than they knew; in his absence they were stirred to enthusiasm more easily. "Where did you start from?" cried Margaret. "Do tell us more." "I took the Underground to Wimbledon. As I came out of the office I said to myself, I must have a walk once in a way. If I don t take this walk now, I shall never take it. I had a bit of dinner at Wimbledon, and then--" "But not good country there, is it?" "It was gas-lamps for hours. Still, I had all the night, and being out was the great thing. I did get into woods, too, presently." "Yes, go on," said Helen. "You ve no idea how difficult uneven ground is when it s dark." "Did you actually go off the roads?" "Oh yes. I always meant to go off the roads, but the worst of it is that it s more difficult to find one s way." "Mr. Bast, you re a born adventurer," laughed Margaret. "No professional athlete would have attempted what you ve done. It s a wonder your walk didn t end in a broken neck. Whatever did your wife say?" "Professional athletes never move without lanterns and compasses," said Helen. "Besides, they	Fire Insurance Company. Thus much from his card. He had come "about the lady yesterday." Thus much from Annie, who had shown him into the dining-room. "Cheers, children!" cried Helen. "It s Mrs. Lanoline." Tibby was interested. The three hurried downstairs, to find, not the gay dog they expected, but a young man, colourless, toneless, who had already the mournful eyes above a drooping moustache that are so common in London, and that haunt some streets of the city like accusing presences. One guessed him as the third generation, grandson to the shepherd or ploughboy whom civilisation had sucked into the town; as one of the thousands who have lost the life of the body and failed to reach the life of the spirit. Hints of robustness survived in him, more than a hint of primitive good looks, and Margaret, noting the spine that might have been straight, and the chest that might have broadened, wondered whether it paid to give up the glory of the animal for a tail coat and a couple of ideas. Culture had worked in her own case, but during the last few weeks she had doubted whether it humanised the majority, so wide and so widening is the gulf that stretches between the natural and the philosophic man, so many the good chaps who are wrecked in trying to cross it. She knew this type very well--the vague aspirations, the mental dishonesty, the familiarity with the outsides of books. She knew the very tones in which he would address her. She was only unprepared for an example of her own visiting-card. "You wouldn t remember giving me this, Miss Schlegel?" said he, uneasily familiar. "No; I can t say I do." "Well, that was how it happened, you see." "Where did we meet, Mr. Bast? For the minute I don t remember." "It was a concert at the Queen s Hall. I think you will recollect," he added pretentiously, "when I tell you that it included a performance of the Fifth Symphony of Beethoven." "We hear the Fifth practically every time it s done, so I m not sure--do you remember, Helen?" "Was it the time the sandy cat walked round the balustrade?" He thought not. "Then I don t remember. That s the only Beethoven I ever remember specially." "And you, if I may say so, took away my umbrella, inadvertently of course." "Likely enough," Helen laughed, "for I steal umbrellas even oftener than I hear Beethoven. Did you get it back?" "Yes, thank you, Miss Schlegel." "The mistake arose out of my card, did it?" interposed Margaret. "Yes, the mistake arose--it was a mistake." "The lady who called here yesterday thought that you were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I beg to tender my apologies, and hers as well, for any inconvenience we may have inadvertently caused you." "No inconvenience," said Helen; "but I still don t understand." An air of evasion characterised Mr. Bast. He explained again, but was obviously lying, and Helen didn t see why he should get off. She had the cruelty of youth. Neglecting her sister s pressure, she said, "I still don t understand. When did you say you paid this call?" "Call? What call?" said he, staring as if her question had been a foolish one, a favourite device of those in mid-stream. "This afternoon call." "In the afternoon, of course!" he replied, and looked at Tibby to see how the repartee went. But Tibby was unsympathetic, and said, "Saturday afternoon or Sunday afternoon?" "S--Saturday." "Really!" said Helen; "and you were still calling on Sunday, when your wife came here. A long visit." "I don t call that fair," said Mr. Bast, going scarlet and handsome. There was fight in his eyes. "I know what you mean, and it isn t so." "Oh, don t let us mind," said Margaret, distressed again by odours from the abyss. "It was something else," he asserted, his elaborate manner breaking down. "I was somewhere else to what you think, so there!" "It was good of you to come and explain," she said. "The rest is naturally no concern of ours." "Yes, but I want--I wanted--have you ever read The Ordeal of Richard Feverel?" Margaret nodded. "It s a beautiful book. I wanted to get back to the earth, don t you see, like Richard does in the end. Or have you ever read Stevenson s Prince Otto?" Helen and Tibby groaned gently. "That s another beautiful book. You get back to the earth in that. I wanted--" He mouthed affectedly. Then through the mists of his culture came a hard fact, hard as a pebble. "I walked all the Saturday night," said Leonard. "I walked." A thrill of approval ran through the sisters. But culture closed in again. He asked whether they had ever read E. V. Lucas s Open Road. Said Helen, "No doubt it s another beautiful book, but I d rather hear about your road." "Oh, I walked." "How far?" "I don t know, nor for how long.	Howards End

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"I can't help it. I've never been able to help anything."	Brett Ashley	up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it."	goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it?	Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something.	smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all	moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table	on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear	Where have I been looking all this while? You're a lovely thing. _Have_ we met? Come along with me and Bill. We're going to festa the English." "I'll festa them," Bill said, "What the hell are they doing at this fiesta?" "Come on," Mike said. "Just us three. We're going to festa the bloody English. I hope you're not English? I'm Scotch. I hate the English. I'm going to festa them. Come on, Bill." Through the window we saw them, all three arm in arm, going toward the caf . Rockets were going up in the square. "I'm going to sit here," Brett said. "I'll stay with you," Cohn said. "Oh, don't!" Brett said. "For God's sake, go off somewhere. Can't you see Jake and I want to talk?" "I didn't," Cohn said. "I thought I'd sit here because I felt a little tight." "What a hell of a reason for sitting with any one. If you're tight, go to bed. Go on to bed." "Was I rude enough to him?" Brett asked. Cohn was gone. "My God! I'm so sick of him!" "He doesn't add much to the gayety." "He depresses me so." "He's behaved very badly." "Damned badly. He had a chance to behave so well." "He's probably waiting just outside the door now." "Yes. He would. You know I do know how he feels. He can't believe it didn't mean anything." "I know." "Nobody else would behave as badly. Oh, I'm so sick of the whole thing. And Michael. Michael's been lovely, too." "It's been damned hard on Mike." "Yes. But he didn't need to be a swine." "Everybody behaves badly," I said. "Give them the proper chance." "You wouldn't behave badly." Brett looked at me. "I'd be as big an ass as Cohn," I said. "Darling, don't let's talk a lot of rot." "All right. Talk about anything you like." "Don't be difficult. You're the only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." "Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't	The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it."<\|quote\|>"I can't help it. I've never been able to help anything."</\|quote\|>"You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through." "You oughtn't to do it." "I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone.	The Sun Also Rises
"that means going away and leaving you two behind. You don't seemed pleased."	Tattooed Englishman	noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him	started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I	springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you	you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can;	sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations. "What are they a-saying on, Mas' Don? I wish I could speak New Zealandee." "Two boats' crews are coming ashore from the ship. I wish you two was brown and tattooed." Jem glanced wildly at	are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations. "What are they a-saying on, Mas' Don? I wish I could speak New Zealandee." "Two boats' crews are coming ashore from the ship. I wish you two was brown and tattooed." Jem glanced wildly at Don. "Come on," said the Englishman. "I must see if I can't hide you before they come. What?" This last was to a fresh man, who ran up and said something. "Quick, my lads," said the Englishman. "Your people are close at hand." CHAPTER THIRTY FIVE. LEFT BEHIND. Tomati hurried out, followed by Don, but the latter was thrust back into the hut directly, Tomati stretching out his arms so as to spread his blanket wide to act as a screen, under cover of which Don and Jem were half pushed, half backed into the large gathering hut of the tribe, Ngati giving some orders quickly, the result of which was that Don and Jem were hustled down into a sitting position and then thrown upon their faces. "Here, I'm not going to--" "Hush, Jem. You'll be heard," whispered Don. "Yes, but--lookye here." There was no time to say more. The first lieutenant of the ship, with a middy, Bosun Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The	reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger. The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,-- "My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations. "What are they a-saying on, Mas' Don? I wish I could speak New Zealandee." "Two boats' crews are coming ashore from the ship. I wish you two was brown and tattooed." Jem glanced wildly at Don. "Come on," said the Englishman. "I must see if I can't hide you before they come. What?" This last was to a fresh man, who ran up and said something. "Quick, my lads," said the Englishman. "Your people are close at hand." CHAPTER THIRTY FIVE. LEFT BEHIND. Tomati hurried out, followed by Don, but the latter was thrust back into the hut directly, Tomati stretching out his arms so as to spread his blanket wide to act as a screen, under cover of which Don and Jem were half pushed, half backed into the large gathering hut of the tribe, Ngati giving some orders quickly, the result of which was that Don and Jem were hustled down into a sitting position and then thrown upon their faces. "Here, I'm not going to--" "Hush, Jem. You'll be heard," whispered Don. "Yes, but--lookye here." There was no time to say more. The first lieutenant of the ship, with a middy, Bosun Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The men were halted, and the lieutenant addressed the tattooed Englishman. "Well!" he said; "where are our two men?" "Ask the sharks," said the renegade, shortly. "Humph! Yes. I suppose we shall have to. Poor wretches! The captain thought we'd have a last look round. But mind this, if they turn up here, you and your men will detain them till we come back. I shall hold you responsible." The Englishman grunted after the fashion of one of the savages. "I suppose you don't want to come home, eh?" "No; I'm comfortable enough here as an emigrant." "An emigrant, eh? Look here, Master Tomati, if I did my duty, I suppose I should take you aboard, and hand you over to the authorities." "What for?" said the Englishman, surlily. "Escaping from Norfolk Island. That's right, isn't it?" "Look here!" said the Englishman; "do you know, sir, that this is one of the worst parts of the coast, and that the people here think nothing of attacking boats' crews and plundering them, and making them prisoners, and often enough killing and eating 'em?" "Threatening, eh?" said the lieutenant. "Not I. But I'm a chief, and the people here would do everything I told them, and fight for me to a man." "Then you are threatening." "No, sir; I only wanted to remind you that your boats' crews have come and gone in peace; that you have been allowed to go about ashore, and been supplied with fruit and vegetables, and never a thing missed." "That's true enough," said the lieutenant. "Well, what of that? A king's ship well-armed would keep a larger tribe than yours quiet!" "Oh! Oh!" came from the group of natives. "Yes, I repeat it," said the lieutenant sharply. "They can understand English, then?" "Of course they do," said the tattooed man calmly, though he looked uneasily at the group; "and as to your ship, sir, what's the good of that if we were to fight you ashore?" "Do you want to fight, then?" said the lieutenant sharply. "It doesn't seem like it, when I've kept my tribe peaceful toward all your crew, and made them trade honestly." "Out of respect to our guns." "Can you bring your guns along the valleys and up into the mountains?" "No; but we can bring plenty of well-drilled fighting men." "Oh! Oh!" came in quite a long-drawn groan. "Yes," said the lieutenant	that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said;<\|quote\|>"that means going away and leaving you two behind. You don't seemed pleased."</\|quote\|>Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations. "What are they a-saying on, Mas' Don? I wish I could speak New Zealandee." "Two boats' crews are coming ashore from the ship. I wish you two was brown and tattooed." Jem glanced wildly at Don. "Come on," said the Englishman. "I must see if I can't hide you before they come. What?" This last was to a fresh man, who ran up and said something. "Quick, my lads," said the Englishman. "Your people are close at hand." CHAPTER THIRTY FIVE. LEFT BEHIND. Tomati hurried out, followed by Don, but the latter was thrust back into the hut directly, Tomati stretching out his arms so as to spread his blanket wide to act as a screen, under cover of which Don and Jem were half pushed, half backed into the large gathering hut of the tribe, Ngati giving some orders quickly, the result of which was that Don and Jem were hustled down into a sitting position and then thrown upon their faces. "Here, I'm not going to--" "Hush, Jem. You'll be heard," whispered Don. "Yes, but--lookye here." There was no time to say more. The first lieutenant of the ship, with a middy, Bosun Jones, and about twenty men came marching up, to find a group of Ngati's men seated in a close circle, their blankets spread about them and their heads bent forward, grunting together, and not so much as looking round. The men were halted, and the lieutenant addressed the tattooed Englishman. "Well!" he said; "where are our two men?" "Ask the sharks," said the renegade, shortly. "Humph! Yes. I suppose we shall have to. Poor wretches! The captain thought we'd have a last look round. But mind this, if they turn up here, you and your men will detain them till we come back. I shall hold you responsible." The Englishman grunted after the fashion of one of the savages. "I suppose you don't want to come home, eh?" "No; I'm comfortable enough here as an emigrant." "An emigrant, eh? Look here, Master Tomati, if I did my duty, I suppose I should take you aboard, and hand you over to the authorities." "What for?" said the Englishman, surlily. "Escaping from Norfolk Island. That's right, isn't it?" "Look here!" said the Englishman; "do you know, sir, that this is one of the worst parts of the coast, and that the people here think nothing of attacking boats' crews and plundering them, and making them prisoners, and often enough killing and eating 'em?" "Threatening, eh?" said the lieutenant. "Not I. But I'm a chief, and the people	Don Lavington
"No,"	Elinor	he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible	with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in	when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at	must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy,	directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw	I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke." Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket, "is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?" "I did," said Elinor, with a composure of voice, under which	him justice, to be sure, but yet I think you cannot be deceived as to the person it was drew for. I have had it above these three years." She put it into her hands as she spoke; and when Elinor saw the painting, whatever other doubts her fear of a too hasty decision, or her wish of detecting falsehood might suffer to linger in her mind, she could have none of its being Edward s face. She returned it almost instantly, acknowledging the likeness. "I have never been able," continued Lucy, "to give him my picture in return, which I am very much vexed at, for he has been always so anxious to get it! But I am determined to set for it the very first opportunity." "You are quite in the right," replied Elinor calmly. They then proceeded a few paces in silence. Lucy spoke first. "I am sure," said she, "I have no doubt in the world of your faithfully keeping this secret, because you must know of what importance it is to us, not to have it reach his mother; for she would never approve of it, I dare say. I shall have no fortune, and I fancy she is an exceeding proud woman." "I certainly did not seek your confidence," said Elinor; "but you do me no more than justice in imagining that I may be depended on. Your secret is safe with me; but pardon me if I express some surprise at so unnecessary a communication. You must at least have felt that my being acquainted with it could not add to its safety." As she said this, she looked earnestly at Lucy, hoping to discover something in her countenance; perhaps the falsehood of the greatest part of what she had been saying; but Lucy s countenance suffered no change. "I was afraid you would think I was taking a great liberty with you," said she, "in telling you all this. I have not known you long to be sure, personally at least, but I have known you and all your family by description a great while; and as soon as I saw you, I felt almost as if you was an old acquaintance. Besides in the present case, I really thought some explanation was due to you after my making such particular inquiries about Edward s mother; and I am so unfortunate, that I have not a creature whose advice I can ask. Anne is the only person that knows of it, and she has no judgment at all; indeed, she does me a great deal more harm than good, for I am in constant fear of her betraying me. She does not know how to hold her tongue, as you must perceive, and I am sure I was in the greatest fright in the world t other day, when Edward s name was mentioned by Sir John, lest she should out with it all. You can t think how much I go through in my mind from it altogether. I only wonder that I am alive after what I have suffered for Edward s sake these last four years. Every thing in such suspense and uncertainty; and seeing him so seldom we can hardly meet above twice a-year. I am sure I wonder my heart is not quite broke." Here she took out her handkerchief; but Elinor did not feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she had allowed herself to believe, might have been accidentally obtained; it might not have been Edward s gift; but a correspondence between them by letter, could subsist only under a positive engagement, could be authorised by nothing else; for a few moments, she was almost overcome her heart sunk within her, and she could hardly stand; but exertion was indispensably necessary; and she struggled so resolutely against the oppression of her feelings, that her success was speedy, and for the time complete. "Writing to each other," said Lucy, returning the letter into her pocket, "is the only comfort we have in such long separations. Yes, _I_ have one other comfort in his picture, but poor Edward has not even _that_. If he had but my picture, he says he should be easy. I gave him a lock of my hair set in a ring when he was at Longstaple last, and that was some comfort to him, he said, but not equal to a picture. Perhaps you might notice the ring when you saw him?" "I did," said Elinor, with a composure of voice, under which was concealed an emotion and distress beyond any thing she had ever felt before. She was mortified, shocked, confounded. Fortunately for her, they had now reached the cottage, and the conversation could be continued no farther. After sitting with them a few minutes, the Miss Steeles returned to the Park, and Elinor was then at liberty to think and be wretched. END OF THE FIRST VOLUME CHAPTER XXIII. However small Elinor s general dependence on Lucy s veracity might be, it was impossible for her on serious reflection to suspect it in the present case, where no temptation could be answerable to the folly of inventing a falsehood of such a description. What Lucy had asserted to be true, therefore, Elinor could not, dared not longer doubt; supported as it was too on every side by such probabilities and proofs, and contradicted by nothing but her own wishes. Their opportunity of acquaintance in the house of Mr. Pratt was a foundation for the rest, at once indisputable and alarming; and Edward s visit near Plymouth, his melancholy state of mind, his dissatisfaction at his own prospects, his uncertain behaviour towards herself, the intimate knowledge of the Miss Steeles as to Norland and their family connections, which had often surprised her, the picture, the letter, the ring, formed altogether such a body of evidence, as overcame every fear of condemning him unfairly, and established as a fact, which no partiality could set aside, his ill-treatment of herself. Her resentment of such behaviour, her indignation at having been its dupe, for a short time made her feel only for herself; but other ideas, other considerations, soon arose. Had Edward been intentionally deceiving her? Had he feigned a regard for her which he did not feel? Was his engagement to Lucy an engagement of the heart? No; whatever it might once have been, she could not believe it such at present. His affection was all her own. She could not be deceived in that. Her mother, sisters, Fanny, all had been conscious of his regard for her at Norland; it was not an illusion of her own vanity. He certainly loved her. What a softener of the heart was this persuasion! How much could it not tempt her to forgive! He had been blamable, highly blamable, in remaining at Norland after he first felt her influence over him to be more than it	feel very compassionate. "Sometimes." continued Lucy, after wiping her eyes, "I think whether it would not be better for us both to break off the matter entirely." As she said this, she looked directly at her companion. "But then at other times I have not resolution enough for it. I cannot bear the thoughts of making him so miserable, as I know the very mention of such a thing would do. And on my own account too so dear as he is to me I don t think I could be equal to it. What would you advise me to do in such a case, Miss Dashwood? What would you do yourself?" "Pardon me," replied Elinor, startled by the question; "but I can give you no advice under such circumstances. Your own judgment must direct you." "To be sure," continued Lucy, after a few minutes silence on both sides, "his mother must provide for him sometime or other; but poor Edward is so cast down by it! Did you not think him dreadful low-spirited when he was at Barton? He was so miserable when he left us at Longstaple, to go to you, that I was afraid you would think him quite ill." "Did he come from your uncle s, then, when he visited us?" "Oh, yes; he had been staying a fortnight with us. Did you think he came directly from town?"<\|quote\|>"No,"</\|quote\|>replied Elinor, most feelingly sensible of every fresh circumstance in favour of Lucy s veracity; "I remember he told us, that he had been staying a fortnight with some friends near Plymouth." She remembered too, her own surprise at the time, at his mentioning nothing farther of those friends, at his total silence with respect even to their names. "Did not you think him sadly out of spirits?" repeated Lucy. "We did, indeed, particularly so when he first arrived." "I begged him to exert himself for fear you should suspect what was the matter; but it made him so melancholy, not being able to stay more than a fortnight with us, and seeing me so much affected. Poor fellow! I am afraid it is just the same with him now; for he writes in wretched spirits. I heard from him just before I left Exeter;" taking a letter from her pocket and carelessly showing the direction to Elinor. "You know his hand, I dare say, a charming one it is; but that is not written so well as usual. He was tired, I dare say, for he had just filled the sheet to me as full as possible." Elinor saw that it _was_ his hand, and she could doubt no longer. This picture, she	Sense And Sensibility
--she went through with it--	No speaker	“To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I	_act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied	word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably	again, even to the heroic, for optimism. “Ah well, you decided, I suppose, on some new personal ground.” “Yes; a reason came up, a reason I hadn’t to that extent looked for and which of a sudden--quickly, before he went--I _had_ somehow to deal with. So to give him my word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably have said, a jolly lot of this. “Ah, that was nice of you. And natural. _That’s_ all right!” “No” --she spoke from a deeper depth-- “it’s altogether wrong. For whatever happens I must now accept it.” “Well, say you must” --he really declined not to treat it almost as rather	“The last thing before he left us I let the picture go.” “You mean--?” But he could only wonder--till, however, it glimmered upon him. “You gave up your protest?” “I gave up my protest. I told him that--so far as I’m concerned!--he might do as he liked.” Her poor friend turned pale at the sharp little shock of it; but if his face thus showed the pang of too great a surprise he yet wreathed the convulsion in a gay grimace. “You leave me to struggle alone?” “I leave you to struggle alone.” He took it in bewilderingly, but tried again, even to the heroic, for optimism. “Ah well, you decided, I suppose, on some new personal ground.” “Yes; a reason came up, a reason I hadn’t to that extent looked for and which of a sudden--quickly, before he went--I _had_ somehow to deal with. So to give him my word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably have said, a jolly lot of this. “Ah, that was nice of you. And natural. _That’s_ all right!” “No” --she spoke from a deeper depth-- “it’s altogether wrong. For whatever happens I must now accept it.” “Well, say you must” --he really declined not to treat it almost as rather a “lark” -- “if we can at least go on talking.” “Ah, we _can_ at least go on talking!” she perversely sighed. “I can say anything I like so long as I don’t say it to _him_” she almost wailed. But she added with more firmness: “I can still hope--and I can still pray.” He set free again with a joyous gesture all his confidence. “Well, what more _could_ you do, anyhow? So isn’t that enough?” It took her a moment to say, and even then she didn’t. “Is it enough for _you_, Mr. Crimble?” “What _is_ enough for me”	is if he simply holds out.” “So that as she doesn’t tell you” --Hugh was clear for the inference-- “he of course does hold out.” To which he added almost accusingly while his eyes searched her: “But your case is really bad.” She confessed to it after a moment, but as if vaguely enjoying it. “My case is really bad.” He had a vividness of impatience and contrition. 197 “And it’s I who--all too blunderingly!--have made it so?” “I’ve made it so myself,” she said with a high head-shake, “and you, on the contrary--!” But here she checked her emphasis. “Ah, I’ve so _wanted_, through our horrid silence, to help you!” And he pressed to get more at the truth. “You’ve so quite fatally displeased him?” “To the last point--as I tell you. But it’s not to that I refer,” she explained; “it’s to the ground of complaint I’ve given _you_.” And then as this but left him blank, “It’s time--it was at once time--that you should know,” she pursued; “and yet if it’s hard for me to speak, as you see, it was impossible for me to write. But there it is.” She made her sad and beautiful effort. “The last thing before he left us I let the picture go.” “You mean--?” But he could only wonder--till, however, it glimmered upon him. “You gave up your protest?” “I gave up my protest. I told him that--so far as I’m concerned!--he might do as he liked.” Her poor friend turned pale at the sharp little shock of it; but if his face thus showed the pang of too great a surprise he yet wreathed the convulsion in a gay grimace. “You leave me to struggle alone?” “I leave you to struggle alone.” He took it in bewilderingly, but tried again, even to the heroic, for optimism. “Ah well, you decided, I suppose, on some new personal ground.” “Yes; a reason came up, a reason I hadn’t to that extent looked for and which of a sudden--quickly, before he went--I _had_ somehow to deal with. So to give him my word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably have said, a jolly lot of this. “Ah, that was nice of you. And natural. _That’s_ all right!” “No” --she spoke from a deeper depth-- “it’s altogether wrong. For whatever happens I must now accept it.” “Well, say you must” --he really declined not to treat it almost as rather a “lark” -- “if we can at least go on talking.” “Ah, we _can_ at least go on talking!” she perversely sighed. “I can say anything I like so long as I don’t say it to _him_” she almost wailed. But she added with more firmness: “I can still hope--and I can still pray.” He set free again with a joyous gesture all his confidence. “Well, what more _could_ you do, anyhow? So isn’t that enough?” It took her a moment to say, and even then she didn’t. “Is it enough for _you_, Mr. Crimble?” “What _is_ enough for me” --he could for his part readily name it-- “is the harm done you at our last meeting by my irruption; so that if you got his consent to see me----!” “I didn’t get his consent!” --she had turned away from the searching eyes, but she faced them again to rectify: “I see you against his express command.” “Ah then thank God I came!” --it was like a bland breath on a _feu de joie_: he flamed so much higher. “Thank God you’ve come, yes--for my deplorable exposure.” And to justify her name for it before he could protest, “I _offered_ him here not to see you,” she rigorously explained. “‘Offered him?” --Hugh did drop for it. “Not to see me--ever again?” She didn’t falter. “Never again.” Ah then he understood. “But he wouldn’t let that serve----?” “Not for the price I put on it.” “His yielding on the picture?” “His yielding on the picture.” Hugh lingered before it all. “Your proposal wasn’t ‘good enough’?” “It wasn’t good enough.” “I see,” he repeated-- “I see.” But he was in that light again mystified. “Then why are you therefore not free?” “Because--just after--you came back, and I _did_ see you again!” Ah,	when it’s a question of a life spent, like his, in waiting, acquisitively, for the cat to jump, the only thing for one, at a given moment, as against that signal, is to be found one’s self by the animal in the line of its trajectory. That’s exactly,” he laughed, “where we are!” She cast about as intelligently to note the place. “Your great idea, you mean, _has_ so worked--with the uproar truly as loud as it has seemed to come to us here?” “All beyond my wildest hope,” Hugh returned; “since the sight of the picture, flocked to every day by thousands, so beautifully _tells_. That we must at any cost keep it, that the nation must, and hang on to it tight, is the cry that fills the air--to the tune of ten letters a day in the Papers, with every three days a gorgeous leader; to say nothing of more and more passionate talk all over the place, some of it awfully wild, but all of it wind in our sails.” “I suppose it was that wind then that blew me round there to see the thing in its new light,” Lady Grace said. “But I couldn’t stay--for tears!” “Ah,” Hugh insisted on his side for comfort, “we’ll crow loudest yet! And don’t meanwhile, just _don’t_, those splendid strange eyes of the fellow seem consciously to plead? The women, bless them, adore him, cling to him, and there’s talk of a ‘Ladies’ League of Protest’--all of which keeps up the pitch.” “Poor Amy and I are a ladies’ league,” the girl joylessly joked-- “as we now take in the ‘Journal’ regardless of expense.” “Oh then you practically _have_ it all--since,” Hugh, added after a brief hesitation, “I suppose Lord Theign himself doesn’t languish uninformed.” “At far-off Salsomaggiore--by the papers? No doubt indeed he isn’t spared even the worst,” said Lady Grace-- “and no doubt too it’s a drag on his cure.” Her companion seemed struck with her lack of assurance. “Then you don’t--if I may ask--hear from him?” “I? Never a word.” “He doesn’t write?” Hugh allowed himself to insist. “He doesn’t write. And I don’t write either.” “And Lady Sandgate?” Hugh once more ventured. “Doesn’t _she_ write?” “Doesn’t _she_ hear?” said the young man, treating the other form of the question as a shade evasive. “I’ve asked her not to tell me,” his friend replied-- “that is if he simply holds out.” “So that as she doesn’t tell you” --Hugh was clear for the inference-- “he of course does hold out.” To which he added almost accusingly while his eyes searched her: “But your case is really bad.” She confessed to it after a moment, but as if vaguely enjoying it. “My case is really bad.” He had a vividness of impatience and contrition. 197 “And it’s I who--all too blunderingly!--have made it so?” “I’ve made it so myself,” she said with a high head-shake, “and you, on the contrary--!” But here she checked her emphasis. “Ah, I’ve so _wanted_, through our horrid silence, to help you!” And he pressed to get more at the truth. “You’ve so quite fatally displeased him?” “To the last point--as I tell you. But it’s not to that I refer,” she explained; “it’s to the ground of complaint I’ve given _you_.” And then as this but left him blank, “It’s time--it was at once time--that you should know,” she pursued; “and yet if it’s hard for me to speak, as you see, it was impossible for me to write. But there it is.” She made her sad and beautiful effort. “The last thing before he left us I let the picture go.” “You mean--?” But he could only wonder--till, however, it glimmered upon him. “You gave up your protest?” “I gave up my protest. I told him that--so far as I’m concerned!--he might do as he liked.” Her poor friend turned pale at the sharp little shock of it; but if his face thus showed the pang of too great a surprise he yet wreathed the convulsion in a gay grimace. “You leave me to struggle alone?” “I leave you to struggle alone.” He took it in bewilderingly, but tried again, even to the heroic, for optimism. “Ah well, you decided, I suppose, on some new personal ground.” “Yes; a reason came up, a reason I hadn’t to that extent looked for and which of a sudden--quickly, before he went--I _had_ somehow to deal with. So to give him my word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably have said, a jolly lot of this. “Ah, that was nice of you. And natural. _That’s_ all right!” “No” --she spoke from a deeper depth-- “it’s altogether wrong. For whatever happens I must now accept it.” “Well, say you must” --he really declined not to treat it almost as rather a “lark” -- “if we can at least go on talking.” “Ah, we _can_ at least go on talking!” she perversely sighed. “I can say anything I like so long as I don’t say it to _him_” she almost wailed. But she added with more firmness: “I can still hope--and I can still pray.” He set free again with a joyous gesture all his confidence. “Well, what more _could_ you do, anyhow? So isn’t that enough?” It took her a moment to say, and even then she didn’t. “Is it enough for _you_, Mr. Crimble?” “What _is_ enough for me” --he could for his part readily name it-- “is the harm done you at our last meeting by my irruption; so that if you got his consent to see me----!” “I didn’t get his consent!” --she had turned away from the searching eyes, but she faced them again to rectify: “I see you against his express command.” “Ah then thank God I came!” --it was like a bland breath on a _feu de joie_: he flamed so much higher. “Thank God you’ve come, yes--for my deplorable exposure.” And to justify her name for it before he could protest, “I _offered_ him here not to see you,” she rigorously explained. “‘Offered him?” --Hugh did drop for it. “Not to see me--ever again?” She didn’t falter. “Never again.” Ah then he understood. “But he wouldn’t let that serve----?” “Not for the price I put on it.” “His yielding on the picture?” “His yielding on the picture.” Hugh lingered before it all. “Your proposal wasn’t ‘good enough’?” “It wasn’t good enough.” “I see,” he repeated-- “I see.” But he was in that light again mystified. “Then why are you therefore not free?” “Because--just after--you came back, and I _did_ see you again!” Ah, it was all present. “You found you were too sorry for me?” “I found I was too sorry for you--as he himself found I was.” Hugh had got hold of it now. “And _that_, you mean, he couldn’t stomach?” “So little that when you had gone (and _how_ you had to go you remember) he at once proposed, rather than that I should deceive you in a way so different from his own----” “To do all we want of him?” “To do all I did at least.” “And it was _then_,” he took in, “that you wouldn’t deal?” “Well” --try though she might to keep the colour out, it all came straighter and straighter now-- “those moments had brought you home to me as they had also brought _him_; making such a difference, I felt, for what he veered round to agree to.” “The difference” --Hugh wanted it so adorably definite-- “that you didn’t see your way to accepting----?” “No, not to accepting the condition he named.” “Which was that he’d keep the picture for you if you’d treat me as too ‘low’----?” “If I’d treat you,” said Lady Grace with her eyes on his fine young face, “as impossible.” He kept her eyes--he clearly liked so to make her repeat it. “And not even for the sake of the picture--?” After he had given her time, however, her silence, with her beautiful look in it, seemed to admonish him not to force her for his pleasure; as if what she had already told him didn’t make him throb enough for the wonder of it. He _had_ it, and let her see by his high flush how he made it his own--while, the next thing, as it was but part of her avowal, the rest of that illumination called for a different intelligence. “Your father’s reprobation of me personally is on the ground that you’re all such great people?” She spared him the invidious answer to this as, a moment before, his eagerness had spared her reserve; she flung over the “ground” that his question laid bare the light veil of an evasion, “‘Great people,’ I’ve learned to see, mustn’t--to remain great--do what my father’s doing.” “It’s indeed on the theory of their not so behaving,” Hugh returned, “that we see them--all the inferior rest of us--in the grand glamour of their greatness!” If he had spoken to meet her	league,” the girl joylessly joked-- “as we now take in the ‘Journal’ regardless of expense.” “Oh then you practically _have_ it all--since,” Hugh, added after a brief hesitation, “I suppose Lord Theign himself doesn’t languish uninformed.” “At far-off Salsomaggiore--by the papers? No doubt indeed he isn’t spared even the worst,” said Lady Grace-- “and no doubt too it’s a drag on his cure.” Her companion seemed struck with her lack of assurance. “Then you don’t--if I may ask--hear from him?” “I? Never a word.” “He doesn’t write?” Hugh allowed himself to insist. “He doesn’t write. And I don’t write either.” “And Lady Sandgate?” Hugh once more ventured. “Doesn’t _she_ write?” “Doesn’t _she_ hear?” said the young man, treating the other form of the question as a shade evasive. “I’ve asked her not to tell me,” his friend replied-- “that is if he simply holds out.” “So that as she doesn’t tell you” --Hugh was clear for the inference-- “he of course does hold out.” To which he added almost accusingly while his eyes searched her: “But your case is really bad.” She confessed to it after a moment, but as if vaguely enjoying it. “My case is really bad.” He had a vividness of impatience and contrition. 197 “And it’s I who--all too blunderingly!--have made it so?” “I’ve made it so myself,” she said with a high head-shake, “and you, on the contrary--!” But here she checked her emphasis. “Ah, I’ve so _wanted_, through our horrid silence, to help you!” And he pressed to get more at the truth. “You’ve so quite fatally displeased him?” “To the last point--as I tell you. But it’s not to that I refer,” she explained; “it’s to the ground of complaint I’ve given _you_.” And then as this but left him blank, “It’s time--it was at once time--that you should know,” she pursued; “and yet if it’s hard for me to speak, as you see, it was impossible for me to write. But there it is.” She made her sad and beautiful effort. “The last thing before he left us I let the picture go.” “You mean--?” But he could only wonder--till, however, it glimmered upon him. “You gave up your protest?” “I gave up my protest. I told him that--so far as I’m concerned!--he might do as he liked.” Her poor friend turned pale at the sharp little shock of it; but if his face thus showed the pang of too great a surprise he yet wreathed the convulsion in a gay grimace. “You leave me to struggle alone?” “I leave you to struggle alone.” He took it in bewilderingly, but tried again, even to the heroic, for optimism. “Ah well, you decided, I suppose, on some new personal ground.” “Yes; a reason came up, a reason I hadn’t to that extent looked for and which of a sudden--quickly, before he went--I _had_ somehow to deal with. So to give him my word in the dismal sense I mention was my only way to meet the strain.” She paused; Hugh waited for something further, and “I gave him my word I wouldn’t help you,” she wound up. He turned it over. “To _act_ in the matter--I see.” “To act in the matter”<\|quote\|>--she went through with it--</\|quote\|>“after the high stand I had taken.” Still he studied it. “I see--I see. It’s between you and your father.” “It’s between him and me--yes. An engagement not again to trouble him.” Hugh, from his face, might have feared a still greater complication; so he made, as he would probably have said, a jolly lot of this. “Ah, that was nice of you. And natural. _That’s_ all right!” “No” --she spoke from a deeper depth-- “it’s altogether wrong. For whatever happens I must now accept it.” “Well, say you must” --he really declined not to treat it almost as rather a “lark” -- “if we can at least go on talking.” “Ah, we _can_ at least go on talking!” she perversely sighed. “I can say anything I like so long as I don’t say it to _him_” she almost wailed. But she added with more firmness: “I can still hope--and I can still pray.” He set free again with a joyous gesture all his confidence. “Well, what more _could_ you do, anyhow? So isn’t that enough?” It took her a moment to say, and even then she didn’t. “Is it enough for _you_, Mr. Crimble?” “What _is_ enough for me” --he could for his part readily name it-- “is the harm done you at our last meeting by my irruption; so that if you got his consent to see me----!” “I didn’t get his consent!” --she had turned away from the searching eyes, but she faced them again to rectify: “I see you against his express command.” “Ah then thank God I came!” --it was like a bland breath on a _feu de joie_: he flamed so much higher. “Thank God you’ve come, yes--for my deplorable exposure.” And to justify her name for it before he could protest, “I _offered_ him here not to see you,” she rigorously explained. “‘Offered him?” --Hugh did drop for it. “Not to see me--ever again?” She didn’t falter. “Never again.” Ah then he understood.	The Outcry
"We shall all be coming to you for advice about our overdrafts."	The Vicar	abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?"	time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking	that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me	flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun	question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too	you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full	So Tony returned alone with the buttonholes. After luncheon Brenda said, "Why don't you show Jenny the house?" "Oh yes, _do_." When they reached the morning-room he said, "Brenda's having it done up." There were planks and ladders and heaps of plaster about. "Oh, Teddy, what a shame. I do hate seeing things modernized." "It isn't a room we used very much." "No, but still..." She stirred the mouldings of fleur-de-lis that littered the floor, fragments of tarnished gilding and dusty stencil-work. "You know, Brenda's been a wonderful friend to me. I wouldn't say anything against her... but ever since I came here I've been wondering whether she really understands this beautiful place and all it means to you." "Tell me more about your terrible life," said Tony, leading her back to the central hall. "You _are_ shy of talking about yourself, aren't you, Teddy? It's a mistake, you know, to keep things bottled up. I've been very unhappy too." Tony looked about him desperately in search of help; and help came. "Oh, there you are," said a firm, child's voice. "Come on. We're going down to the woods now. We must hurry, otherwise it will be dark." "Oh, Johnny-boy, must I really? I was just talking to daddy." "_Come on._ It's all arranged. And afterwards you're to be allowed to have tea with me upstairs." Tony crept into the library, habitable to-day, since the workmen were at rest. Brenda found him there two hours later. "_Tony_, here all alone? We thought you were with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the	with Jenny. What have you done with her?" "John took her off... just in time before I said something rude." "Oh dear... well there's only me and Polly in the smoking-room. Come and have some tea. You look all funny--have you been asleep?" * * * * * "We must write it down a failure, definitely." "What _does_ the old boy expect? It isn't as though he was everybody's money." "I daresay it would have been all right, if she hadn't got his name wrong." "Anyway, this lets _you_ out. You've done far more than most wives would to cheer the old boy up." "Yes, that's certainly true," said Brenda. [IV] Another five days; then Brenda came to Hetton again. "I shan't be here next week-end," she said, "I'm going to stay with Veronica." "Am I asked?" "Well, you _were_, of course, but I refused for you. You know you always hate staying away." "I wouldn't mind coming." "Oh, darling, I wish I'd known. Veronica would have loved it so... but I'm afraid it will be too late now. She's only got a tiny house... to tell you the truth I didn't think you liked her much." "I hated her like hell." "Well, then...?" "Oh, it doesn't matter. I suppose you must go back on Monday? The hounds are meeting on Wednesday, you know." "Are we giving them a lawner?" "Yes, darling, you know we do every year." "So we do." "You couldn't stay down till then?" "Not possibly, darling. You see if I miss one lecture I get right behind and can't follow the next. Besides, I am not mad keen to see the hounds." "Ben was asking if we'd let John go out." "Oh, he's far too young." "Not to hunt. But I thought he might bring his pony to the meet and ride with them to the first covert. He'd love it so." "Is it quite safe?" "Oh, yes, surely?" "Bless his heart, I wish I could be here to see him." "Do change your mind." "Oh no, that's quite out of the question. Don't make a thing about it, Tony." That was when she first arrived; later everything got better. Jock was there that week-end, also Allan and Marjorie and another married couple whom Tony had known all his life. Brenda had arranged the party for him and he enjoyed it. He and Allan went out with rook rifles and shot rabbits in the twilight; after dinner the four men played billiard fives while one wife watched. "The old boy's happy as a lark," said Brenda to Marjorie. "He's settling down wonderfully to the new r?gime." They came in breathless and rather flushed for whisky and soda. "Tony nearly had one through the window," said Jock. That night Tony slept in Guinevere. "Everything _is_ all right, isn't it?" he said once. "Yes, of course, darling." "I get depressed down here all alone and imagine things." "You aren't to _brood_, Tony. You know that's one of the things that aren't allowed." "I won't brood any more," said Tony. Next day Brenda came to church with him. She had decided to devote the week-end wholly to him; it would be the last for some time. "And how are the abstruse sciences, Lady Brenda?" "Absorbing."<\|quote\|>"We shall all be coming to you for advice about our overdrafts."</\|quote\|>"Ha, ha." "And how's Thunderclap?" asked Miss Tendril. "I'm taking her out hunting on Wednesday," said John. He had forgotten Princess Abdul Akbar in the excitement of the coming meet. "Please God make there be a good scent. Please God make me see the kill. Please God don't let me do anything wrong. God bless Ben and Thunderclap. Please God make me jump an enormous great oxer," he had kept repeating throughout the service. Brenda did the round with Tony of cottages and hothouses; she helped him choose his buttonhole. Tony was in high spirits at luncheon. Brenda had begun to forget how amusing he could be. Afterwards he changed into other clothes and went with Jock to play golf. They stayed some time at the clubhouse. Tony said, "We've got the hounds meeting at Hetton on Wednesday. Couldn't you stay down till then?" "Must be back. There's going to be a debate on the Pig Scheme." "I wish you'd stay. Look here, why don't you ask that girl down? Everyone goes to-morrow. You could ring her up, couldn't you?" "I _could_." "Would she hate it? She could have Lyonesse--Polly slept there two week-ends running, so it can't be too uncomfortable." "She'd probably love it. I'll ring up and ask her." "Why don't you hunt too? There's a chap called Brinkwell who's got some quite decent hirelings, I believe." "Yes, I might." * * * * * "Jock's staying on. He's having the Shameless Blonde down. You don't mind?" "Me? Of course not." "This _has_ been a jolly week-end." "I thought you were enjoying it." "Just like old times--before the economics began." * * * * * Marjorie said to Jock, "D'you think Tony knows about	A Handful Of Dust
Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.	No speaker	not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he	be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I	baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was	you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had	this morning." "Go first to the Caffe Garibaldi," said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a	one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning." "Go first to the Caffe Garibaldi," said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a new one. "Gino!" He stopped for a moment; then he came nearer. Philip stood his ground. "You are to do what you like with me, Gino. Your son is dead, Gino. He died in my arms, remember. It does not excuse me; but he did die in my arms." The left hand came forward, slowly this time. It hovered before Philip like an insect. Then it descended and gripped him by his broken elbow. Philip struck out with all the strength of his other arm. Gino fell to the blow without a cry or a word. "You brute!" exclaimed the Englishman. "Kill me if you like! But just you leave my broken arm alone." Then he was seized with remorse, and knelt beside his adversary and tried to revive him. He managed to raise him up, and propped his body against his own. He passed his arm round him. Again he was filled with pity and tenderness. He awaited the revival without fear, sure that both of them were safe at last. Gino recovered suddenly. His lips moved. For one blessed moment it seemed that he was going to speak. But he scrambled up in silence, remembering everything, and he	relit one of the lamps, and was picking her way towards him. "Silence!" he called again, and again they obeyed. He shook the bundle; he breathed into it; he opened his coat and pressed it against him. Then he listened, and heard nothing but the rain and the panting horses, and Harriet, who was somewhere chuckling to herself in the dark. Miss Abbott approached, and took it gently from him. The face was already chilly, but thanks to Philip it was no longer wet. Nor would it again be wetted by any tear. Chapter 9 The details of Harriet s crime were never known. In her illness she spoke more of the inlaid box that she lent to Lilia--lent, not given--than of recent troubles. It was clear that she had gone prepared for an interview with Gino, and finding him out, she had yielded to a grotesque temptation. But how far this was the result of ill-temper, to what extent she had been fortified by her religion, when and how she had met the poor idiot--these questions were never answered, nor did they interest Philip greatly. Detection was certain: they would have been arrested by the police of Florence or Milan, or at the frontier. As it was, they had been stopped in a simpler manner a few miles out of the town. As yet he could scarcely survey the thing. It was too great. Round the Italian baby who had died in the mud there centred deep passions and high hopes. People had been wicked or wrong in the matter; no one save himself had been trivial. Now the baby had gone, but there remained this vast apparatus of pride and pity and love. For the dead, who seemed to take away so much, really take with them nothing that is ours. The passion they have aroused lives after them, easy to transmute or to transfer, but well-nigh impossible to destroy. And Philip knew that he was still voyaging on the same magnificent, perilous sea, with the sun or the clouds above him, and the tides below. The course of the moment--that, at all events, was certain. He and no one else must take the news to Gino. It was easy to talk of Harriet s crime--easy also to blame the negligent Perfetta or Mrs. Herriton at home. Every one had contributed--even Miss Abbott and Irma. If one chose, one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning." "Go first to the Caffe Garibaldi," said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a new one. "Gino!" He stopped for a moment; then he came nearer. Philip stood his ground. "You are to do what you like with me, Gino. Your son is dead, Gino. He died in my arms, remember. It does not excuse me; but he did die in my arms." The left hand came forward, slowly this time. It hovered before Philip like an insect. Then it descended and gripped him by his broken elbow. Philip struck out with all the strength of his other arm. Gino fell to the blow without a cry or a word. "You brute!" exclaimed the Englishman. "Kill me if you like! But just you leave my broken arm alone." Then he was seized with remorse, and knelt beside his adversary and tried to revive him. He managed to raise him up, and propped his body against his own. He passed his arm round him. Again he was filled with pity and tenderness. He awaited the revival without fear, sure that both of them were safe at last. Gino recovered suddenly. His lips moved. For one blessed moment it seemed that he was going to speak. But he scrambled up in silence, remembering everything, and he made not towards Philip, but towards the lamp. "Do what you like; but think first--" The lamp was tossed across the room, out through the loggia. It broke against one of the trees below. Philip began to cry out in the dark. Gino approached from behind and gave him a sharp pinch. Philip spun round with a yell. He had only been pinched on the back, but he knew what was in store for him. He struck out, exhorting the devil to fight him, to kill him, to do anything but this. Then he stumbled to the door. It was open. He lost his head, and, instead of turning down the stairs, he ran across the landing into the room opposite. There he lay down on the floor between the stove and the skirting-board. His senses grew sharper. He could hear Gino coming in on tiptoe. He even knew what was passing in his mind, how now he was at fault, now he was hopeful, now he was wondering whether after all the victim had not escaped down the stairs. There was a quick swoop above him, and then a low growl like a dog s. Gino had broken his finger-nails against the stove. Physical pain is almost too terrible to bear. We can just bear it when it comes by accident or for our good--as it generally does in modern life--except at school. But when it is caused by the malignity of a man, full grown, fashioned like ourselves, all our control disappears. Philip s one thought was to get away from that room at whatever sacrifice of nobility or pride. Gino was now at the further end of the room, groping by the little tables. Suddenly the instinct came to him. He crawled quickly to where Philip lay and had him clean by the elbow. The whole arm seemed red-hot, and the broken bone grated in the joint, sending out shoots of the essence of pain. His other arm was pinioned against the wall, and Gino had trampled in behind the stove and was kneeling on his legs. For the space of a minute he yelled and yelled with all the force of his lungs. Then this solace was denied him. The other hand, moist and strong, began to close round his throat. At first he was glad, for here, he thought, was death at last. But it	to transfer, but well-nigh impossible to destroy. And Philip knew that he was still voyaging on the same magnificent, perilous sea, with the sun or the clouds above him, and the tides below. The course of the moment--that, at all events, was certain. He and no one else must take the news to Gino. It was easy to talk of Harriet s crime--easy also to blame the negligent Perfetta or Mrs. Herriton at home. Every one had contributed--even Miss Abbott and Irma. If one chose, one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning." "Go first to the Caffe Garibaldi," said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them."<\|quote\|>Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip.</\|quote\|>"It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a new one. "Gino!" He stopped for a moment; then he came nearer. Philip stood his ground. "You are to do what you like with me, Gino. Your son is dead, Gino. He died in my arms, remember. It does not excuse me; but he did die in my arms." The left hand came forward, slowly this time. It hovered before Philip like an insect. Then it descended and gripped him by his broken elbow. Philip struck out with all the strength of his other arm. Gino fell to the blow without a cry or a word. "You brute!" exclaimed the Englishman. "Kill me if you like! But just you leave my broken arm alone." Then he was seized with remorse, and knelt beside his adversary and tried to revive him. He managed to raise him up, and propped his body against his own. He passed his arm round him. Again he was filled with pity and tenderness. He awaited the revival without fear, sure that both of them were safe at last. Gino recovered suddenly. His lips moved. For	Where Angels Fear To Tread
“Well, it _was_, to me, half an hour ago,”	Grace	ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came	from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has	anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel	our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them	turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a different note in what she brought out. “I don’t know what forces me so to _tell_ you things.” “‘Tell’ me?” he stared. “Why, you’ve told me nothing more monstrous than that I’ve been welcome!” “Well, however that may be, what did you mean just now by the chance of our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them the more it comes to me that he feels urged or tempted--” “To despoil and denude these walls?” Hugh broke in, looking about in his sharper apprehension. “Yes, to satisfy, to save my sister. _Now_ do you think our state so ideal?” she asked--but without elation for her hint of triumph. He had no answer for this save “Ah, but you terribly interest me. May I ask what’s the matter with your sister?” Oh, she wanted to go on straight now! “The matter is--in the first place--that she’s too dazzlingly, dreadfully beautiful.” “More beautiful than you?” his sincerity easily risked.	old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a different note in what she brought out. “I don’t know what forces me so to _tell_ you things.” “‘Tell’ me?” he stared. “Why, you’ve told me nothing more monstrous than that I’ve been welcome!” “Well, however that may be, what did you mean just now by the chance of our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them the more it comes to me that he feels urged or tempted--” “To despoil and denude these walls?” Hugh broke in, looking about in his sharper apprehension. “Yes, to satisfy, to save my sister. _Now_ do you think our state so ideal?” she asked--but without elation for her hint of triumph. He had no answer for this save “Ah, but you terribly interest me. May I ask what’s the matter with your sister?” Oh, she wanted to go on straight now! “The matter is--in the first place--that she’s too dazzlingly, dreadfully beautiful.” “More beautiful than you?” his sincerity easily risked. “Millions of times.” Sad, almost sombre, she hadn’t a shade of coquetry. “Kitty has debts--great heaped-up gaming debts.” “But to such amounts?” “Incredible amounts it appears. And mountains of others too. She throws herself all on our father.” “And he _has_ to pay them? There’s no one else?” Hugh asked. She waited as if he might answer himself, and then as he apparently didn’t, “He’s only afraid there _may_ be some else--that’s how she makes him do it,” she said. And “Now do you think,” she pursued, “that I don’t tell you things?” He turned them over in his young perception and pity, the things she told him. “Oh, oh, oh!” And then, in the great place, while as, just spent by the effort of her disclosure, she moved from him again, he took them all in. “That’s the situation that, as you say, may force his hand.” “It absolutely, I feel, does force it.” And the renewal of her appeal brought her round. “Isn’t it too lovely?” His frank disgust answered. “It’s too damnable!” “And it’s you,” she quite terribly smiled, “who--by the ‘irony of fate’!--have given him help.” He smote his head in the light of it. “By	about at his storied halls; any illusion to the “exposure” of the objects they so solidly sheltered was obviously unpleasant to him. But then it was as if he found at a stroke both his own reassurance and his daughter’s. “How can there be a question of it when he only wants Sir Joshuas?” “He wants ours?” the girl gasped. “At absolutely any price.” “But you’re not,” she cried, “discussing it?” He hesitated as between chiding and contenting her--then he handsomely chose. “My dear child, for what do you take me?” With which he impatiently started, through the long and stately perspective, for the saloon. She sank into a chair when he had gone; she sat there some moments in a visible tension of thought, her hands clasped in her lap and her dropped eyes fixed and unperceiving; but she sprang up as Hugh Crimble, in search of her, again stood before her. He presented himself as with winged sandals. “What luck to find you! I must take my spin back.” “You’ve seen everything as you wished?” “Oh,” he smiled, “I’ve seen wonders.” She showed her pleasure. “Yes, we’ve got some things.” “So Mr. Bender says!” he laughed. “You’ve got five or six--” “Only five or six?” she cried in bright alarm. “‘Only’?” he continued to laugh. “Why, that’s enormous, five or six things of the first importance! But I think I ought to mention to you,” he added, “a most barefaced ‘Rubens’ there in the library.” “It isn’t a Rubens?” “No more than I’m a Ruskin.” “Then you’ll brand us--expose us for it?” “No, I’ll let you off--I’ll be quiet if you’re good, if you go straight. I’ll only hold it _in terrorem_. One can’t be sure in these dreadful days--that’s always to remember; so that if you’re not good I’ll come down on you with it. But to balance against that threat,” he went on, “I’ve made the very grandest find. At least I believe I have!” She was all there for this news. “Of the Manto-vano--hidden in the other thing?” Hugh wondered--almost as if she had been before him. “You don’t mean to say _you’ve_ had the idea of that?” “No, but my father has told me.” “And is your father,” he eagerly asked, “really gratified?” With her conscious eyes on him--her eyes could clearly be very conscious about her father--she considered a moment. “He always prefers old associations and appearances to new; but I’m sure he’ll resign himself if you see your way to a certainty.” “Well, it will be a question of the weight of expert opinion that I shall invoke. But I’m not afraid,” he resolutely said, “and I shall make the thing, from its splendid rarity, the crown and flower of your glory.” Her serious face shone at him with a charmed gratitude. “It’s awfully beautiful then your having come to us so. It’s awfully beautiful your having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a different note in what she brought out. “I don’t know what forces me so to _tell_ you things.” “‘Tell’ me?” he stared. “Why, you’ve told me nothing more monstrous than that I’ve been welcome!” “Well, however that may be, what did you mean just now by the chance of our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them the more it comes to me that he feels urged or tempted--” “To despoil and denude these walls?” Hugh broke in, looking about in his sharper apprehension. “Yes, to satisfy, to save my sister. _Now_ do you think our state so ideal?” she asked--but without elation for her hint of triumph. He had no answer for this save “Ah, but you terribly interest me. May I ask what’s the matter with your sister?” Oh, she wanted to go on straight now! “The matter is--in the first place--that she’s too dazzlingly, dreadfully beautiful.” “More beautiful than you?” his sincerity easily risked. “Millions of times.” Sad, almost sombre, she hadn’t a shade of coquetry. “Kitty has debts--great heaped-up gaming debts.” “But to such amounts?” “Incredible amounts it appears. And mountains of others too. She throws herself all on our father.” “And he _has_ to pay them? There’s no one else?” Hugh asked. She waited as if he might answer himself, and then as he apparently didn’t, “He’s only afraid there _may_ be some else--that’s how she makes him do it,” she said. And “Now do you think,” she pursued, “that I don’t tell you things?” He turned them over in his young perception and pity, the things she told him. “Oh, oh, oh!” And then, in the great place, while as, just spent by the effort of her disclosure, she moved from him again, he took them all in. “That’s the situation that, as you say, may force his hand.” “It absolutely, I feel, does force it.” And the renewal of her appeal brought her round. “Isn’t it too lovely?” His frank disgust answered. “It’s too damnable!” “And it’s you,” she quite terribly smiled, “who--by the ‘irony of fate’!--have given him help.” He smote his head in the light of it. “By the Mantovano?” “By the possible Mantovano--as a substitute for the impossible Sir Joshua. You’ve made him aware of a value.” “Ah, but the value’s to be fixed!” “Then Mr. Bender will fix it!” “Oh, but--as he himself would say--I’ll fix Mr. Bender!” Hugh declared. “And he won’t buy a pig in a poke.” This cleared the air while they looked at each other; yet she had already asked: “What in the world can you do, and how in the world can you do it?” Well, he was too excited for decision. “I don’t quite see now, but give me time.” And he took out his watch as already to measure it. “Oughtn’t I before I go to say a word to Lord Theign?” “Is it your idea to become a lion in his path?” “Well, say a cub--as that’s what I’m afraid he’ll call me! But I think I should speak to him.” She drew a conclusion momentarily dark. “He’ll have to learn in that case that I’ve told you of my fear.” “And is there any good reason why he shouldn’t?” She kept her eyes on him and the darkness seemed to clear. “No!” she at last replied, and, having gone to touch an electric bell, was with him again. “But I think I’m rather sorry for you.” “Does that represent a reason why I should be so for you?” For a little she said nothing; but after that: “None whatever!” “Then is the sister of whom you speak Lady Imber?” Lady Grace, at this, raised her hand in caution: the butler had arrived, with due gravity, in answer to her ring; to whom she made known her desire. “Please say to his lordship--in the saloon or wherever--that Mr. Crimble must go.” When Banks had departed, however, accepting the responsibility of this mission, she answered her friend’s question. “The sister of whom I speak is Lady Imber.” “She loses then so heavily at bridge?” “She loses more than she wins.” Hugh gazed as with interest at these oddities of the great. “And yet she still plays?” “What else, in her set, should she do?” This he was quite unable to say; but he could after a moment’s exhibition of the extent to which he was out of it put a question instead. “So _you’re_ not in her set?” “I’m not in her set.” “Then decidedly,” he said, “I don’t	having brought us this way, in a flash--as dropping out of a chariot of fire--more light and what you apparently feel with myself as more honour.” “Ah, the beauty’s in your having yourself done it!” he returned. He gave way to the positive joy of it. “If I’ve brought the ‘light’ and the rest--that’s to say the very useful information--who in the world was it brought _me?_” She had a gesture of protest “You’d have come in some other way.” “I’m not so sure! I’m beastly shy--little as I may seem to show it: save in great causes, when I’m horridly bold and hideously offensive. Now at any rate I only know what _has_ been.” She turned off for it, moving away from him as with a sense of mingled things that made for unrest; and he had the next moment grown graver under the impression. “But does anything in it all,” he asked, “trouble you?” She faced about across the wider space, and there was a different note in what she brought out. “I don’t know what forces me so to _tell_ you things.” “‘Tell’ me?” he stared. “Why, you’ve told me nothing more monstrous than that I’ve been welcome!” “Well, however that may be, what did you mean just now by the chance of our not ‘going straight’? When you said you’d expose our bad--or is it our false?--Rubens in the event of a certain danger.” “Oh, in the event of your ever being bribed” --he laughed again as with relief. And then as her face seemed to challenge the word: “Why, to let anything--of your best!--ever leave Dedborough. By which I mean really of course leave the country.” She turned again on this, and something in her air made him wonder. “I hope you don’t feel there _is_ such a danger? I understood from you half an hour ago that it was unthinkable.”<\|quote\|>“Well, it _was_, to me, half an hour ago,”</\|quote\|>she said as she came nearer. “But if it has since come up?” “‘If’ it has! But _has_ it? In the form of that monster? What Mr. Bender wants is the great Duchess,” he recalled. “And my father won’t sell _her_? No, he won’t sell the great Duchess--there I feel safe. But he greatly needs a certain sum of money--or he thinks he does--and I’ve just had a talk with him.” “In which he has told you that?” “He has told me nothing,” Lady Grace said-- “or else told me quite other things. But the more I think of them the more it comes to me that he feels urged or tempted--” “To despoil and denude these walls?” Hugh broke in, looking about in his sharper apprehension. “Yes, to satisfy, to save my sister. _Now_ do you think our state so ideal?” she asked--but without elation for her hint of triumph. He had no answer for this save “Ah, but you terribly interest me. May I ask what’s the matter with your sister?” Oh, she wanted to go on straight now! “The matter is--in the first place--that she’s too dazzlingly, dreadfully beautiful.” “More beautiful than you?” his sincerity easily risked. “Millions of times.” Sad, almost sombre, she hadn’t a shade of coquetry. “Kitty has debts--great heaped-up gaming debts.” “But to such amounts?” “Incredible amounts it appears. And mountains of others too. She throws herself all on our father.” “And he _has_ to pay them? There’s no one else?” Hugh asked. She waited as if he might answer himself, and then as he apparently didn’t, “He’s only afraid there _may_ be some else--that’s how she makes him do it,” she said. And “Now do you think,” she pursued, “that I don’t tell you things?” He turned them over in his young perception and pity, the things she told him. “Oh, oh, oh!” And then, in the great place, while as, just spent by the effort of her disclosure, she moved from him again, he took them all in. “That’s the situation that, as you say, may force his hand.” “It absolutely, I feel, does force it.” And the renewal of her appeal brought her round. “Isn’t it too lovely?” His frank disgust answered. “It’s too damnable!” “And it’s you,” she quite terribly smiled, “who--by the ‘irony of fate’!--have given him help.” He smote his head in the light of it. “By the Mantovano?” “By the possible Mantovano--as a substitute for the impossible Sir Joshua. You’ve made him aware of a value.” “Ah, but the value’s to be fixed!” “Then Mr. Bender will fix it!” “Oh, but--as he himself would say--I’ll fix Mr. Bender!” Hugh declared. “And he won’t buy a pig in a poke.” This cleared the air while they looked at each other; yet she had already asked: “What in the world can you do, and how in the world can you do it?” Well, he was too excited for decision. “I don’t quite see now, but give me time.” And he took out his watch as already to measure it. “Oughtn’t I before I go to say a word to Lord Theign?” “Is it your idea to become a lion in his path?” “Well, say a cub--as that’s what I’m afraid he’ll call me! But I think I should speak to him.” She drew a conclusion momentarily dark. “He’ll have to learn in that case that	The Outcry
the drummer chanted. Then turned to his sticks.	No speaker	. . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had	I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a	Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . .	him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for	the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said	place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said at the hotel. She had rung and the door was unlatched. "Really?" "No. Please." "Good night, Brett," I said. "I'm sorry you feel rotten." "Good night, Jake. Good night, darling. I won't see you again." We kissed standing at the door. She pushed me away. We kissed again. "Oh, don't!" Brett said. She turned quickly and went into the hotel. The chauffeur drove me around to my flat. I gave him twenty francs and he touched his cap and said: "Good night, sir," and drove off. I rang the bell. The door opened and I went up-stairs and went to bed. BOOK II CHAPTER 8 I did not see Brett again until she came back from San Sebastian. One card came from her from there. It had a picture of the Concha, and said: "Darling. Very quiet and healthy. Love to all the chaps. BRETT." Nor did I see Robert Cohn again. I heard Frances had left for England and I had a note from Cohn saying he was going out in the country for a couple of weeks, he did not know where, but that he wanted to hold me to the fishing-trip in Spain we had talked about	enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said. "We have our careers," Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, smoky, and noisy. The music hit you as you went in. Brett and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said at the hotel. She had rung and the door was unlatched. "Really?" "No. Please." "Good night, Brett," I said. "I'm sorry you feel rotten." "Good night, Jake. Good night, darling. I won't see you again." We kissed standing at the door. She pushed me away. We kissed again. "Oh, don't!" Brett said. She turned quickly and went into the hotel. The chauffeur drove me around to my flat. I gave him twenty francs and he touched his cap and said: "Good night, sir," and drove off. I rang the bell. The door opened and I went up-stairs and went to bed. BOOK II CHAPTER 8 I did not see Brett again until she came back from San Sebastian. One card came from her from there. It had a picture of the Concha, and said: "Darling. Very quiet and healthy. Love to all the chaps. BRETT." Nor did I see Robert Cohn again. I heard Frances had left for England and I had a note from Cohn saying he was going out in the country for a couple of weeks, he did not know where, but that he wanted to hold me to the fishing-trip in Spain we had talked about last winter. I could reach him always, he wrote, through his bankers. Brett was gone, I was not bothered by Cohn's troubles, I rather enjoyed not having to play tennis, there was plenty of work to do, I went often to the races, dined with friends, and put in some extra time at the office getting things ahead so I could leave it in charge of my secretary when Bill Gorton and I should shove off to Spain the end of June. Bill Gorton arrived, put up a couple of days at the flat and went off to Vienna. He was very cheerful and said the States were wonderful. New York was wonderful. There had been a grand theatrical season and a whole crop of great young light heavyweights. Any one of them was a good prospect to grow up, put on weight and trim Dempsey. Bill was very happy. He had made a lot of money on his last book, and was going to make a lot more. We had a good time while he was in Paris, and then he went off to Vienna. He was coming back in three weeks and we would leave for Spain to get in some fishing and go to the fiesta at Pamplona. He wrote that Vienna was wonderful. Then a card from Budapest: "Jake, Budapest is wonderful." Then I got a wire: "Back on Monday." Monday evening he turned up at the flat. I heard his taxi stop and went to the window and called to him; he waved and started up-stairs carrying his bags. I met him on the stairs, and took one of the bags. "Well," I said, "I hear you had a wonderful trip." "Wonderful," he said. "Budapest is absolutely wonderful." "How about Vienna?" "Not so good, Jake. Not so good. It seemed better than it was." "How do you mean?" I was getting glasses and a siphon. "Tight, Jake. I was tight." "That's strange. Better have a drink." Bill rubbed his forehead. "Remarkable thing," he said. "Don't know how it happened. Suddenly it happened." "Last long?" "Four days, Jake. Lasted just four days." "Where did you go?" "Don't remember. Wrote you a post-card. Remember that perfectly." "Do anything else?" "Not so sure. Possible." "Go on. Tell me about it." "Can't remember. Tell you anything I could remember." "Go on. Take that drink and remember." "Might remember a	get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside Zelli's it was crowded, smoky, and noisy. The music hit you as you went in. Brett and I danced. It was so crowded we could barely move. The nigger drummer waved at Brett. We were caught in the jam, dancing in one place in front of him. "Hahre you?" "Great." "Thaats good." He was all teeth and lips. "He's a great friend of mine," Brett said. "Damn good drummer." The music stopped and we started toward the table where the count sat. Then the music started again and we danced. I looked at the count. He was sitting at the table smoking a cigar. The music stopped again. "Let's go over." Brett started toward the table. The music started and again we danced, tight in the crowd. "You are a rotten dancer, Jake. Michael's the best dancer I know." "He's splendid." "He's got his points." "I like him," I said. "I'm damned fond of him." "I'm going to marry him," Brett said. "Funny. I haven't thought about him for a week." "Don't you write him?" "Not I. Never write letters." "I'll bet he writes to you." "Rather. Damned good letters, too." "When are you going to get married?" "How do I know? As soon as we can get the divorce. Michael's trying to get his mother to put up for it." "Could I help you?" "Don't be an ass. Michael's people have loads of money." The music stopped. We walked over to the table. The count stood up. "Very nice," he said. "You looked very, very nice." "Don't you dance, count?" I asked. "No. I'm too old." "Oh, come off it," Brett said. "My dear, I would do it if I would enjoy it. I enjoy to watch you dance." "Splendid," Brett said. "I'll dance again for you some time. I say. What about your little friend, Zizi?" "Let me tell you. I support that boy, but I don't want to have him around." "He is rather hard." "You know I think that boy's got a future. But personally I don't want him around." "Jake's rather the same way." "He gives me the willys." "Well," the count shrugged his shoulders. "About his future you can't ever tell. Anyhow, his father was a great friend of my father." "Come on. Let's dance," Brett said. We danced. It was crowded and close. "Oh, darling," Brett said, "I'm so miserable." I had that feeling of going through something that has all happened before. "You were happy a minute ago." The drummer shouted: "You can't two time--" "It's all gone." "What's the matter?" "I don't know. I just feel terribly." ". . . . . ."<\|quote\|>the drummer chanted. Then turned to his sticks.</\|quote\|>"Want to go?" I had the feeling as in a nightmare of it all being something repeated, something I had been through and that now I must go through again. ". . . . . ." the drummer sang softly. "Let's go," said Brett. "You don't mind." ". . . . . ." the drummer shouted and grinned at Brett. "All right," I said. We got out from the crowd. Brett went to the dressing-room. "Brett wants to go," I said to the count. He nodded. "Does she? That's fine. You take the car. I'm going to stay here for a while, Mr. Barnes." We shook hands. "It was a wonderful time," I said. "I wish you would let me get this." I took a note out of my pocket. "Mr. Barnes, don't be ridiculous," the count said. Brett came over with her wrap on. She kissed the count and put her hand on his shoulder to keep him from standing up. As we went out the door I looked back and there were three girls at his table. We got into the big car. Brett gave the chauffeur the address of her hotel. "No, don't come up," she said at the hotel. She had rung and the door was unlatched. "Really?" "No. Please." "Good night, Brett," I said. "I'm sorry you feel rotten." "Good night, Jake. Good night, darling. I won't see you again." We kissed standing at the door. She pushed me away. We kissed again. "Oh, don't!" Brett said. She turned quickly and went into the hotel. The chauffeur drove me around to my flat. I gave him twenty francs and he touched his cap and said: "Good night, sir," and drove off. I rang the bell. The door opened and I went up-stairs and went to bed. BOOK II CHAPTER 8 I did not see Brett again until she came back from San Sebastian. One card came from her from there. It had a picture of the Concha, and said: "Darling. Very quiet and healthy. Love to all the chaps. BRETT." Nor did I see Robert Cohn again. I heard Frances had left for England and I had a note from Cohn saying he was going out in the country for a couple of weeks, he did not know where, but that he wanted to hold me to	The Sun Also Rises
"This is it, sir, and if you wouldn't mind, sir this is the house."	Cecilia Jupe	Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at	narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean	it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of	'em by posture-making, but by being banged about. There was no rope-dancing for me; I danced on the bare ground and was larruped with the rope." Mr. Gradgrind, though hard enough, was by no means so rough a man as Mr. Bounderby. His character was not unkind, all things considered; it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of it. "It's only crossing the bar, sir, and up the stairs, if you wouldn't mind, and waiting there for a moment till I get a candle. If you should hear a dog, sir, it's only Merrylegs, and he only barks." "Merrylegs and nine oils, eh!" said Mr. Bounderby, entering last	do you rub your father with nine oils for?" "It's what our people aways use, sir, when they get any hurts in the ring," replied the girl, looking over her shoulder, to assure herself that her pursuer was gone. "They bruise themselves very bad sometimes." "Serve 'em right," said Mr. Bounderby, "for being idle." She glanced up at his face, with mingled astonishment and dread. "By George!" said Mr. Bounderby, "when I was four or five years younger than you, I had worse bruises upon me than ten oils, twenty oils, forty oils, would have rubbed off. I didn't get 'em by posture-making, but by being banged about. There was no rope-dancing for me; I danced on the bare ground and was larruped with the rope." Mr. Gradgrind, though hard enough, was by no means so rough a man as Mr. Bounderby. His character was not unkind, all things considered; it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of it. "It's only crossing the bar, sir, and up the stairs, if you wouldn't mind, and waiting there for a moment till I get a candle. If you should hear a dog, sir, it's only Merrylegs, and he only barks." "Merrylegs and nine oils, eh!" said Mr. Bounderby, entering last with his metallic laugh. "Pretty well this, for a self-made man!" CHAPTER VI SLEARY'S HORSEMANSHIP THE name of the public-house was the Pegasus's Arms. The Pegasus's legs might have been more to the purpose; but, underneath the winged horse upon the sign-board, the Pegasus's Arms was inscribed in Roman letters. Beneath that inscription again, in a flowing scroll, the painter had touched off the lines: Good malt makes good beer, Walk in, and they'll draw it here; Good wine makes good brandy, Give us a call, and you'll find it handy. Framed and glazed upon the wall behind the dingy	to-morrow, and offered to tell her again, and she ran away, and I ran after her, sir, that she might know how to answer when she was asked. You wouldn't have thought of saying such mischief if you hadn't been a horse-rider?" "Her calling seems to be pretty well known among 'em," observed Mr. Bounderby. "You'd have had the whole school peeping in a row, in a week." "Truly, I think so," returned his friend. "Bitzer, turn you about and take yourself home. Jupe, stay here a moment. Let me hear of your running in this manner any more, boy, and you will hear of me through the master of the school. You understand what I mean. Go along." The boy stopped in his rapid blinking, knuckled his forehead again, glanced at Sissy, turned about, and retreated. "Now, girl," said Mr. Gradgrind, "take this gentleman and me to your father's; we are going there. What have you got in that bottle you are carrying?" "Gin," said Mr. Bounderby. "Dear, no, sir! It's the nine oils." "The what?" cried Mr. Bounderby. "The nine oils, sir, to rub father with." "Then," said Mr. Bounderby, with a loud short laugh, "what the devil do you rub your father with nine oils for?" "It's what our people aways use, sir, when they get any hurts in the ring," replied the girl, looking over her shoulder, to assure herself that her pursuer was gone. "They bruise themselves very bad sometimes." "Serve 'em right," said Mr. Bounderby, "for being idle." She glanced up at his face, with mingled astonishment and dread. "By George!" said Mr. Bounderby, "when I was four or five years younger than you, I had worse bruises upon me than ten oils, twenty oils, forty oils, would have rubbed off. I didn't get 'em by posture-making, but by being banged about. There was no rope-dancing for me; I danced on the bare ground and was larruped with the rope." Mr. Gradgrind, though hard enough, was by no means so rough a man as Mr. Bounderby. His character was not unkind, all things considered; it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of it. "It's only crossing the bar, sir, and up the stairs, if you wouldn't mind, and waiting there for a moment till I get a candle. If you should hear a dog, sir, it's only Merrylegs, and he only barks." "Merrylegs and nine oils, eh!" said Mr. Bounderby, entering last with his metallic laugh. "Pretty well this, for a self-made man!" CHAPTER VI SLEARY'S HORSEMANSHIP THE name of the public-house was the Pegasus's Arms. The Pegasus's legs might have been more to the purpose; but, underneath the winged horse upon the sign-board, the Pegasus's Arms was inscribed in Roman letters. Beneath that inscription again, in a flowing scroll, the painter had touched off the lines: Good malt makes good beer, Walk in, and they'll draw it here; Good wine makes good brandy, Give us a call, and you'll find it handy. Framed and glazed upon the wall behind the dingy little bar, was another Pegasus a theatrical one with real gauze let in for his wings, golden stars stuck on all over him, and his ethereal harness made of red silk. As it had grown too dusky without, to see the sign, and as it had not grown light enough within to see the picture, Mr. Gradgrind and Mr. Bounderby received no offence from these idealities. They followed the girl up some steep corner-stairs without meeting any one, and stopped in the dark while she went on for a candle. They expected every moment to hear Merrylegs give tongue, but the highly trained performing dog had not barked when the girl and the candle appeared together. "Father is not in our room, sir," she said, with a face of great surprise. "If you wouldn't mind walking in, I'll find him directly." They walked in; and Sissy, having set two chairs for them, sped away with a quick light step. It was a mean, shabbily furnished room, with a bed in it. The white night-cap, embellished with two peacock's feathers and a pigtail bolt upright, in which Signor Jupe had that very afternoon enlivened the varied performances with his chaste Shaksperean	giving them a vent some recognized holiday, though it were but for an honest dance to a stirring band of music some occasional light pie in which even M'Choakumchild had no finger which craving must and would be satisfied aright, or must and would inevitably go wrong, until the laws of the Creation were repealed? "This man lives at Pod's End, and I don't quite know Pod's End," said Mr. Gradgrind. "Which is it, Bounderby?" Mr. Bounderby knew it was somewhere down town, but knew no more respecting it. So they stopped for a moment, looking about. Almost as they did so, there came running round the corner of the street at a quick pace and with a frightened look, a girl whom Mr. Gradgrind recognized. "Halloa!" said he. "Stop! Where are you going! Stop!" Girl number twenty stopped then, palpitating, and made him a curtsey. "Why are you tearing about the streets," said Mr. Gradgrind, "in this improper manner?" "I was I was run after, sir," the girl panted, "and I wanted to get away." "Run after?" repeated Mr. Gradgrind. "Who would run after _you_?" The question was unexpectedly and suddenly answered for her, by the colourless boy, Bitzer, who came round the corner with such blind speed and so little anticipating a stoppage on the pavement, that he brought himself up against Mr. Gradgrind's waistcoat and rebounded into the road. "What do you mean, boy?" said Mr. Gradgrind. "What are you doing? How dare you dash against everybody in this manner?" Bitzer picked up his cap, which the concussion had knocked off; and backing, and knuckling his forehead, pleaded that it was an accident. "Was this boy running after you, Jupe?" asked Mr. Gradgrind. "Yes, sir," said the girl reluctantly. "No, I wasn't, sir!" cried Bitzer. "Not till she run away from me. But the horse-riders never mind what they say, sir; they're famous for it. You know the horse-riders are famous for never minding what they say," addressing Sissy. "It's as well known in the town as please, sir, as the multiplication table isn't known to the horse-riders." Bitzer tried Mr. Bounderby with this. "He frightened me so," said the girl, "with his cruel faces!" "Oh!" cried Bitzer. "Oh! An't you one of the rest! An't you a horse-rider! I never looked at her, sir. I asked her if she would know how to define a horse to-morrow, and offered to tell her again, and she ran away, and I ran after her, sir, that she might know how to answer when she was asked. You wouldn't have thought of saying such mischief if you hadn't been a horse-rider?" "Her calling seems to be pretty well known among 'em," observed Mr. Bounderby. "You'd have had the whole school peeping in a row, in a week." "Truly, I think so," returned his friend. "Bitzer, turn you about and take yourself home. Jupe, stay here a moment. Let me hear of your running in this manner any more, boy, and you will hear of me through the master of the school. You understand what I mean. Go along." The boy stopped in his rapid blinking, knuckled his forehead again, glanced at Sissy, turned about, and retreated. "Now, girl," said Mr. Gradgrind, "take this gentleman and me to your father's; we are going there. What have you got in that bottle you are carrying?" "Gin," said Mr. Bounderby. "Dear, no, sir! It's the nine oils." "The what?" cried Mr. Bounderby. "The nine oils, sir, to rub father with." "Then," said Mr. Bounderby, with a loud short laugh, "what the devil do you rub your father with nine oils for?" "It's what our people aways use, sir, when they get any hurts in the ring," replied the girl, looking over her shoulder, to assure herself that her pursuer was gone. "They bruise themselves very bad sometimes." "Serve 'em right," said Mr. Bounderby, "for being idle." She glanced up at his face, with mingled astonishment and dread. "By George!" said Mr. Bounderby, "when I was four or five years younger than you, I had worse bruises upon me than ten oils, twenty oils, forty oils, would have rubbed off. I didn't get 'em by posture-making, but by being banged about. There was no rope-dancing for me; I danced on the bare ground and was larruped with the rope." Mr. Gradgrind, though hard enough, was by no means so rough a man as Mr. Bounderby. His character was not unkind, all things considered; it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of it. "It's only crossing the bar, sir, and up the stairs, if you wouldn't mind, and waiting there for a moment till I get a candle. If you should hear a dog, sir, it's only Merrylegs, and he only barks." "Merrylegs and nine oils, eh!" said Mr. Bounderby, entering last with his metallic laugh. "Pretty well this, for a self-made man!" CHAPTER VI SLEARY'S HORSEMANSHIP THE name of the public-house was the Pegasus's Arms. The Pegasus's legs might have been more to the purpose; but, underneath the winged horse upon the sign-board, the Pegasus's Arms was inscribed in Roman letters. Beneath that inscription again, in a flowing scroll, the painter had touched off the lines: Good malt makes good beer, Walk in, and they'll draw it here; Good wine makes good brandy, Give us a call, and you'll find it handy. Framed and glazed upon the wall behind the dingy little bar, was another Pegasus a theatrical one with real gauze let in for his wings, golden stars stuck on all over him, and his ethereal harness made of red silk. As it had grown too dusky without, to see the sign, and as it had not grown light enough within to see the picture, Mr. Gradgrind and Mr. Bounderby received no offence from these idealities. They followed the girl up some steep corner-stairs without meeting any one, and stopped in the dark while she went on for a candle. They expected every moment to hear Merrylegs give tongue, but the highly trained performing dog had not barked when the girl and the candle appeared together. "Father is not in our room, sir," she said, with a face of great surprise. "If you wouldn't mind walking in, I'll find him directly." They walked in; and Sissy, having set two chairs for them, sped away with a quick light step. It was a mean, shabbily furnished room, with a bed in it. The white night-cap, embellished with two peacock's feathers and a pigtail bolt upright, in which Signor Jupe had that very afternoon enlivened the varied performances with his chaste Shaksperean quips and retorts, hung upon a nail; but no other portion of his wardrobe, or other token of himself or his pursuits, was to be seen anywhere. As to Merrylegs, that respectable ancestor of the highly trained animal who went aboard the ark, might have been accidentally shut out of it, for any sign of a dog that was manifest to eye or ear in the Pegasus's Arms. They heard the doors of rooms above, opening and shutting as Sissy went from one to another in quest of her father; and presently they heard voices expressing surprise. She came bounding down again in a great hurry, opened a battered and mangy old hair trunk, found it empty, and looked round with her hands clasped and her face full of terror. "Father must have gone down to the Booth, sir. I don't know why he should go there, but he must be there; I'll bring him in a minute!" She was gone directly, without her bonnet; with her long, dark, childish hair streaming behind her. "What does she mean!" said Mr. Gradgrind. "Back in a minute? It's more than a mile off." Before Mr. Bounderby could reply, a young man appeared at the door, and introducing himself with the words, "By your leaves, gentlemen!" walked in with his hands in his pockets. His face, close-shaven, thin, and sallow, was shaded by a great quantity of dark hair, brushed into a roll all round his head, and parted up the centre. His legs were very robust, but shorter than legs of good proportions should have been. His chest and back were as much too broad, as his legs were too short. He was dressed in a Newmarket coat and tight-fitting trousers; wore a shawl round his neck; smelt of lamp-oil, straw, orange-peel, horses' provender, and sawdust; and looked a most remarkable sort of Centaur, compounded of the stable and the play-house. Where the one began, and the other ended, nobody could have told with any precision. This gentleman was mentioned in the bills of the day as Mr. E. W. B. Childers, so justly celebrated for his daring vaulting act as the Wild Huntsman of the North American Prairies; in which popular performance, a diminutive boy with an old face, who now accompanied him, assisted as his infant son: being carried upside down over his father's shoulder, by one foot, and held	the girl, "with his cruel faces!" "Oh!" cried Bitzer. "Oh! An't you one of the rest! An't you a horse-rider! I never looked at her, sir. I asked her if she would know how to define a horse to-morrow, and offered to tell her again, and she ran away, and I ran after her, sir, that she might know how to answer when she was asked. You wouldn't have thought of saying such mischief if you hadn't been a horse-rider?" "Her calling seems to be pretty well known among 'em," observed Mr. Bounderby. "You'd have had the whole school peeping in a row, in a week." "Truly, I think so," returned his friend. "Bitzer, turn you about and take yourself home. Jupe, stay here a moment. Let me hear of your running in this manner any more, boy, and you will hear of me through the master of the school. You understand what I mean. Go along." The boy stopped in his rapid blinking, knuckled his forehead again, glanced at Sissy, turned about, and retreated. "Now, girl," said Mr. Gradgrind, "take this gentleman and me to your father's; we are going there. What have you got in that bottle you are carrying?" "Gin," said Mr. Bounderby. "Dear, no, sir! It's the nine oils." "The what?" cried Mr. Bounderby. "The nine oils, sir, to rub father with." "Then," said Mr. Bounderby, with a loud short laugh, "what the devil do you rub your father with nine oils for?" "It's what our people aways use, sir, when they get any hurts in the ring," replied the girl, looking over her shoulder, to assure herself that her pursuer was gone. "They bruise themselves very bad sometimes." "Serve 'em right," said Mr. Bounderby, "for being idle." She glanced up at his face, with mingled astonishment and dread. "By George!" said Mr. Bounderby, "when I was four or five years younger than you, I had worse bruises upon me than ten oils, twenty oils, forty oils, would have rubbed off. I didn't get 'em by posture-making, but by being banged about. There was no rope-dancing for me; I danced on the bare ground and was larruped with the rope." Mr. Gradgrind, though hard enough, was by no means so rough a man as Mr. Bounderby. His character was not unkind, all things considered; it might have been a very kind one indeed, if he had only made some round mistake in the arithmetic that balanced it, years ago. He said, in what he meant for a reassuring tone, as they turned down a narrow road, "And this is Pod's End; is it, Jupe?"<\|quote\|>"This is it, sir, and if you wouldn't mind, sir this is the house."</\|quote\|>She stopped, at twilight, at the door of a mean little public-house, with dim red lights in it. As haggard and as shabby, as if, for want of custom, it had itself taken to drinking, and had gone the way all drunkards go, and was very near the end of it. "It's only crossing the bar, sir, and up the stairs, if you wouldn't mind, and waiting there for a moment till I get a candle. If you should hear a dog, sir, it's only Merrylegs, and he only barks." "Merrylegs and nine oils, eh!" said Mr. Bounderby, entering last with his metallic laugh. "Pretty well this, for a self-made man!" CHAPTER VI SLEARY'S HORSEMANSHIP THE name of the public-house was the Pegasus's Arms. The Pegasus's legs might have been more to the purpose; but, underneath the winged horse upon the sign-board, the Pegasus's Arms was inscribed in Roman letters. Beneath that inscription again, in a flowing scroll, the painter had touched off the lines: Good malt makes good beer, Walk in, and they'll draw it here; Good wine makes good brandy, Give us a call, and you'll find it handy. Framed and glazed upon the wall behind the dingy little bar, was another Pegasus a	Hard Times
"How are you now?"	George Emerson	fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she	what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile.	one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale	above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must	look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had	already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was	her heart also there are springing up strange desires. She too is enamoured of heavy winds, and vast panoramas, and green expanses of the sea. She has marked the kingdom of this world, how full it is of wealth, and beauty, and war--a radiant crust, built around the central fires, spinning towards the receding heavens. Men, declaring that she inspires them to it, move joyfully over the surface, having the most delightful meetings with other men, happy, not because they are masculine, but because they are alive. Before the show breaks up she would like to drop the august title of the Eternal Woman, and go there as her transitory self. Lucy does not stand for the medieval lady, who was rather an ideal to which she was bidden to lift her eyes when feeling serious. Nor has she any system of revolt. Here and there a restriction annoyed her particularly, and she would transgress it, and perhaps be sorry that she had done so. This afternoon she was peculiarly restive. She would really like to do something of which her well-wishers disapproved. As she might not go on the electric tram, she went to Alinari's shop. There she bought a photograph of Botticelli's "Birth of Venus." Venus, being a pity, spoilt the picture, otherwise so charming, and Miss Bartlett had persuaded her to do without it. (A pity in art of course signified the nude.) Giorgione's "Tempesta," the "Idolino," some of the Sistine frescoes and the Apoxyomenos, were added to it. She felt a little calmer then, and bought Fra Angelico's "Coronation," Giotto's "Ascension of St. John," some Della Robbia babies, and some Guido Reni Madonnas. For her taste was catholic, and she extended uncritical approval to every well-known name. But though she spent nearly seven lire, the gates of liberty seemed still unopened. She was conscious of her discontent; it was new to her to be conscious of it. "The world," she thought, "is certainly full of beautiful things, if only I could come across them." It was not surprising that Mrs. Honeychurch disapproved of music, declaring that it always left her daughter peevish, unpractical, and touchy. "Nothing ever happens to me," she reflected, as she entered the Piazza Signoria and looked nonchalantly at its marvels, now fairly familiar to her. The great square was in shadow; the sunshine had come too late to strike it. Neptune was already unsubstantial in the twilight, half god, half ghost, and his fountain plashed dreamily to the men and satyrs who idled together on its marge. The Loggia showed as the triple entrance of a cave, wherein many a deity, shadowy, but immortal, looking forth upon the arrivals and departures of mankind. It was the hour of unreality--the hour, that is, when unfamiliar things are real. An older person at such an hour and in such a place might think that sufficient was happening to him, and rest content. Lucy desired more. She fixed her eyes wistfully on the tower of the palace, which rose out of the lower darkness like a pillar of roughened gold. It seemed no longer a tower, no longer supported by earth, but some unattainable treasure throbbing in the tranquil sky. Its brightness mesmerized her, still dancing before her eyes when she bent them to the ground and started towards home. Then something did happen. Two Italians by the Loggia had been bickering about a debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but I think they are rather childish. When my cousin and I were at the Pitti yesterday--What was that?" He had thrown something into the stream. "What did you throw in?" "Things I didn't want," he said crossly. "Mr. Emerson!" "Well?" "Where are the photographs?" He was silent. "I believe it was my photographs that you threw away." "I didn't know what to do with them," he cried, and his voice was that of an anxious boy. Her heart warmed towards him for the first time. "They were covered with blood. There! I'm glad I've told you; and all the time we were making conversation I was wondering what to do with them." He pointed down-stream. "They've gone." The river swirled under the bridge, "I did mind them so, and one is so foolish, it seemed better that they should go out to the sea--I don't know; I may just mean that they frightened me." Then the boy verged into a man. "For something tremendous has happened; I must face it without getting muddled. It isn't exactly that a man has died." Something warned Lucy that she must stop him. "It has happened," he repeated, "and I mean to find out what it is." "Mr. Emerson--" He turned towards her frowning, as if she had disturbed him in some abstract quest. "I want to ask you something before we go in." They were close to their pension. She stopped and leant her elbows against the parapet of the embankment. He did likewise. There is at times a magic in identity of position; it is one of the things that have suggested to us eternal comradeship. She moved her elbows before saying: "I have behaved ridiculously." He was following his own thoughts. "I was never so much ashamed of myself in my life; I cannot think what came over me." "I nearly fainted myself," he said; but she felt that her attitude repelled him. "Well, I owe you a thousand apologies." "Oh, all right." "And--this is the real point--you know how silly people are gossiping--ladies especially, I am afraid--you understand what I mean?" "I'm afraid I don't." "I mean, would you not mention it to any one, my foolish behaviour?" "Your behaviour? Oh, yes, all right--all right." "Thank you so much. And would you--" She could not carry her request any further. The river was rushing	debt. "Cinque lire," they had cried, "cinque lire!" They sparred at each other, and one of them was hit lightly upon the chest. He frowned; he bent towards Lucy with a look of interest, as if he had an important message for her. He opened his lips to deliver it, and a stream of red came out between them and trickled down his unshaven chin. That was all. A crowd rose out of the dusk. It hid this extraordinary man from her, and bore him away to the fountain. Mr. George Emerson happened to be a few paces away, looking at her across the spot where the man had been. How very odd! Across something. Even as she caught sight of him he grew dim; the palace itself grew dim, swayed above her, fell on to her softly, slowly, noiselessly, and the sky fell with it. She thought: "Oh, what have I done?" "Oh, what have I done?" she murmured, and opened her eyes. George Emerson still looked at her, but not across anything. She had complained of dullness, and lo! one man was stabbed, and another held her in his arms. They were sitting on some steps in the Uffizi Arcade. He must have carried her. He rose when she spoke, and began to dust his knees. She repeated: "Oh, what have I done?" "You fainted." "I--I am very sorry."<\|quote\|>"How are you now?"</\|quote\|>"Perfectly well--absolutely well." And she began to nod and smile. "Then let us come home. There's no point in our stopping." He held out his hand to pull her up. She pretended not to see it. The cries from the fountain--they had never ceased--rang emptily. The whole world seemed pale and void of its original meaning. "How very kind you have been! I might have hurt myself falling. But now I am well. I can go alone, thank you." His hand was still extended. "Oh, my photographs!" she exclaimed suddenly. "What photographs?" "I bought some photographs at Alinari's. I must have dropped them out there in the square." She looked at him cautiously. "Would you add to your kindness by fetching them?" He added to his kindness. As soon as he had turned his back, Lucy arose with the running of a maniac and stole down the arcade towards the Arno. "Miss Honeychurch!" She stopped with her hand on her heart. "You sit still; you aren't fit to go home alone." "Yes, I am, thank you so very much." "No, you aren't. You'd go openly if you were." "But I had rather--" "Then I don't fetch your photographs." "I had rather be alone." He said imperiously: "The man is dead--the man is probably dead; sit down till you are rested." She was bewildered, and obeyed him. "And don't move till I come back." In the distance she saw creatures with black hoods, such as appear in dreams. The palace tower had lost the reflection of the declining day, and joined itself to earth. How should she talk to Mr. Emerson when he returned from the shadowy square? Again the thought occurred to her, "Oh, what have I done?" "--the thought that she, as well as the dying man, had crossed some spiritual boundary. He returned, and she talked of the murder. Oddly enough, it was an easy topic. She spoke of the Italian character; she became almost garrulous over the incident that had made her faint five minutes before. Being strong physically, she soon overcame the horror of blood. She rose without his assistance, and though wings seemed to flutter inside her, she walked firmly enough towards the Arno. There a cabman signalled to them; they refused him. "And the murderer tried to kiss him, you say--how very odd Italians are!--and gave himself up to the police! Mr. Beebe was saying that Italians know everything, but	A Room With A View
"Not much."	Cyril Fielding	you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in	affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you	thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my	interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That	in the civil station kept watch a little, fearing an attack, but presently they too entered the world of dreams that world in which a third of each man's life is spent, and which is thought by some pessimists to be a premonition of eternity. CHAPTER XXVI Evening approached by the time Fielding and Miss Quested met and had the first of their numerous curious conversations. He had hoped, when he woke up, to find someone had fetched her away, but the College remained isolated from the rest of the universe. She asked whether she could have "a sort of interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell	Justice, Courage, Liberty, and Prudence, ranged under heads, which cooled the passion of the crowd. He further announced that he should give up his British-conferred title, and live as a private gentleman, plain Mr. Zulfiqar, for which reason he was instantly proceeding to his country seat. The landau turned, the crowd accompanied it, the crisis was over. The Marabar caves had been a terrible strain on the local administration; they altered a good many lives and wrecked several careers, but they did not break up a continent or even dislocate a district. "We will have rejoicings to-night," the old man said. "Mr. Hamidullah, I depute you to bring out our friends Fielding and Amritrao, and to discover whether the latter will require special food. The others will keep with me. We shall not go out to Dilkusha until the cool of the evening, of course. I do not know the feelings of other gentlemen; for my own part, I have a slight headache, and I wish I had thought to ask our good Panna Lal for aspirin." For the heat was claiming its own. Unable to madden, it stupefied, and before long most of the Chandrapore combatants were asleep. Those in the civil station kept watch a little, fearing an attack, but presently they too entered the world of dreams that world in which a third of each man's life is spent, and which is thought by some pessimists to be a premonition of eternity. CHAPTER XXVI Evening approached by the time Fielding and Miss Quested met and had the first of their numerous curious conversations. He had hoped, when he woke up, to find someone had fetched her away, but the College remained isolated from the rest of the universe. She asked whether she could have "a sort of interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself broke the strap of the field-glasses; you were alone in that cave the whole time." "Perhaps. . . ." "Can you remember when you first felt out of sorts?" "When I came to tea with you there, in that garden-house." "A somewhat unlucky party. Aziz and old Godbole were both ill after it too." "I was not ill it is far too vague to mention: it is all mixed up with my private affairs. I enjoyed the singing . . . but just about then a sort of sadness began that I couldn't detect at the time . . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've	the court before Mr. Das had finished, and drove Dapple off through the bazaars, in flight from the wrath to come. In the hospital he should be safe, for Major Callendar would protect him. But the Major had not come, and now things were worse than ever, for here was a mob, entirely desirous of his blood, and the orderlies were mutinous and would not help him over the back wall, or rather hoisted him and let him drop back, to the satisfaction of the patients. In agony he cried, "Man can but die the once," and waddled across the compound to meet the invasion, salaaming with one hand and holding up a pale yellow umbrella in the other. "Oh, forgive me," he whined as he approached the victorious landau. "Oh, Dr. Aziz, forgive the wicked lies I told." Aziz was silent, the others thickened their throats and threw up their chins in token of scorn. "I was afraid, I was mislaid," the suppliant continued. "I was mislaid here, there, and everywhere as regards your character. Oh, forgive the poor old hakim who gave you milk when ill! Oh, Nawab Bahadur, whoever merciful, is it my poor little dispensary you require? Take every cursed bottle." Agitated, but alert, he saw them smile at his indifferent English, and suddenly he started playing the buffoon, flung down his umbrella, trod through it, and struck himself upon the nose. He knew what he was doing, and so did they. There was nothing pathetic or eternal in the degradation of such a man. Of ignoble origin, Dr. Panna Lal possessed nothing that could be disgraced, and he wisely decided to make the other Indians feel like kings, because it would put them into better tempers. When he found they wanted Nureddin, he skipped like a goat, he scuttled like a hen to do their bidding, the hospital was saved, and to the end of his life he could not understand why he had not obtained promotion on the morning's work. "Promptness, sir, promptness similar to you," was the argument he employed to Major Callendar when claiming it. When Nureddin emerged, his face all bandaged, there was a roar of relief as though the Bastille had fallen. It was the crisis of the march, and the Nawab Bahadur managed to get the situation into hand. Embracing the young man publicly, he began a speech about Justice, Courage, Liberty, and Prudence, ranged under heads, which cooled the passion of the crowd. He further announced that he should give up his British-conferred title, and live as a private gentleman, plain Mr. Zulfiqar, for which reason he was instantly proceeding to his country seat. The landau turned, the crowd accompanied it, the crisis was over. The Marabar caves had been a terrible strain on the local administration; they altered a good many lives and wrecked several careers, but they did not break up a continent or even dislocate a district. "We will have rejoicings to-night," the old man said. "Mr. Hamidullah, I depute you to bring out our friends Fielding and Amritrao, and to discover whether the latter will require special food. The others will keep with me. We shall not go out to Dilkusha until the cool of the evening, of course. I do not know the feelings of other gentlemen; for my own part, I have a slight headache, and I wish I had thought to ask our good Panna Lal for aspirin." For the heat was claiming its own. Unable to madden, it stupefied, and before long most of the Chandrapore combatants were asleep. Those in the civil station kept watch a little, fearing an attack, but presently they too entered the world of dreams that world in which a third of each man's life is spent, and which is thought by some pessimists to be a premonition of eternity. CHAPTER XXVI Evening approached by the time Fielding and Miss Quested met and had the first of their numerous curious conversations. He had hoped, when he woke up, to find someone had fetched her away, but the College remained isolated from the rest of the universe. She asked whether she could have "a sort of interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself broke the strap of the field-glasses; you were alone in that cave the whole time." "Perhaps. . . ." "Can you remember when you first felt out of sorts?" "When I came to tea with you there, in that garden-house." "A somewhat unlucky party. Aziz and old Godbole were both ill after it too." "I was not ill it is far too vague to mention: it is all mixed up with my private affairs. I enjoyed the singing . . . but just about then a sort of sadness began that I couldn't detect at the time . . . no, nothing as solid as sadness: living at half pressure expresses it best. Half pressure. I remember going on to polo with Mr. Heaslop at the Maidan. Various other things happened it doesn't matter what, but I was under par for all of them. I was certainly in that state when I saw the caves, and you suggest (nothing shocks or hurts me) you suggest that I had an hallucination there, the sort of thing though in an awful form that makes some women think they've had an offer of marriage when none was made." "You put it honestly, anyhow." "I was brought up to be honest; the trouble is it gets me nowhere." Liking her better, he smiled and said, "It'll get us to heaven." "Will it?" "If heaven existed." "Do you not believe in heaven, Mr. Fielding, may I ask?" she said, looking at him shyly. "I do not. Yet I believe that honesty gets us there." "How can that be?" "Let us go back to hallucinations. I was watching you carefully through your evidence this morning, and if I'm right, the hallucination (what you call half pressure quite as good a word) disappeared suddenly." She tried to remember what she had felt in court, but could not; the vision disappeared whenever she wished to interpret it. "Events presented themselves to me in their logical sequence," was what she said, but it hadn't been that at all. "My belief and of course I was listening carefully, in hope you would make some slip my belief is that poor McBryde exorcised you. As soon as he asked you a straightforward question, you gave a straightforward answer, and broke down." "Exorcise in that sense. I thought you meant I'd seen a ghost." "I don't go to that length!" "People whom I respect very much believe in ghosts," she said rather sharply. "My friend Mrs. Moore does." "She's an old lady." "I think you need not be impolite to her, as well as to her son." "I did not intend to be rude. I only meant it is difficult, as we get on in life, to resist the supernatural. I've felt it coming on me myself. I still jog on without it, but what a temptation, at forty-five, to pretend that the dead live again; one's own dead; no one else's matter." "Because the dead don't live again." "I fear not." "So do I." There was a moment's silence, such as often follows the triumph of rationalism. Then he apologized handsomely enough for his behaviour to Heaslop at the club. "What does Dr. Aziz say of me?" she asked, after another pause. "He he has not been capable of thought in his misery, naturally he's very bitter," said Fielding, a little awkward, because such remarks as Aziz had made were not merely bitter, they were foul. The underlying notion was, "It disgraces me to have been mentioned	the morning's work. "Promptness, sir, promptness similar to you," was the argument he employed to Major Callendar when claiming it. When Nureddin emerged, his face all bandaged, there was a roar of relief as though the Bastille had fallen. It was the crisis of the march, and the Nawab Bahadur managed to get the situation into hand. Embracing the young man publicly, he began a speech about Justice, Courage, Liberty, and Prudence, ranged under heads, which cooled the passion of the crowd. He further announced that he should give up his British-conferred title, and live as a private gentleman, plain Mr. Zulfiqar, for which reason he was instantly proceeding to his country seat. The landau turned, the crowd accompanied it, the crisis was over. The Marabar caves had been a terrible strain on the local administration; they altered a good many lives and wrecked several careers, but they did not break up a continent or even dislocate a district. "We will have rejoicings to-night," the old man said. "Mr. Hamidullah, I depute you to bring out our friends Fielding and Amritrao, and to discover whether the latter will require special food. The others will keep with me. We shall not go out to Dilkusha until the cool of the evening, of course. I do not know the feelings of other gentlemen; for my own part, I have a slight headache, and I wish I had thought to ask our good Panna Lal for aspirin." For the heat was claiming its own. Unable to madden, it stupefied, and before long most of the Chandrapore combatants were asleep. Those in the civil station kept watch a little, fearing an attack, but presently they too entered the world of dreams that world in which a third of each man's life is spent, and which is thought by some pessimists to be a premonition of eternity. CHAPTER XXVI Evening approached by the time Fielding and Miss Quested met and had the first of their numerous curious conversations. He had hoped, when he woke up, to find someone had fetched her away, but the College remained isolated from the rest of the universe. She asked whether she could have "a sort of interview," and, when he made no reply, said, "Have you any explanation of my extraordinary behaviour?" "None," he said curtly. "Why make such a charge if you were going to withdraw it?" "Why, indeed." "I ought to feel grateful to you, I suppose, but" "I don't expect gratitude. I only thought you might care to hear what I have to say." "Oh, well," he grumbled, feeling rather schoolboyish. "I don't think a discussion between us is desirable. To put it frankly, I belong to the other side in this ghastly affair." "Would it not interest you to hear my side?"<\|quote\|>"Not much."</\|quote\|>"I shouldn't tell you in confidence, of course. So you can hand on all my remarks to your side, for there is one great mercy that has come out of all to-day's misery: I have no longer any secrets. My echo has gone I call the buzzing sound in my ears an echo. You see, I have been unwell ever since that expedition to the caves, and possibly before it." The remark interested him rather; it was what he had sometimes suspected himself. "What kind of illness?" he enquired. She touched her head at the side, then shook it. "That was my first thought, the day of the arrest: hallucination." "Do you think that would be so?" she asked with great humility. "What should have given me an hallucination?" "One of three things certainly happened in the Marabar," he said, getting drawn into a discussion against his will. "One of four things. Either Aziz is guilty, which is what your friends think; or you invented the charge out of malice, which is what my friends think; or you have had an hallucination. I'm very much inclined" getting up and striding about "now that you tell me that you felt unwell before the expedition it's an important piece of evidence I believe that you yourself	A Passage To India
"what do you say now to Mr. Knightley's marrying Jane Fairfax?"	Emma	triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I	"Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so	than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about	are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see	enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in those delightful exploring parties which are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see how it is," said she. "I see what a life I am to lead among you. Upon my word we shall be absolutely dissipated. We really seem quite the fashion. If this is living in the country, it is nothing very formidable. From Monday next to Saturday, I assure you we have not a disengaged day!--A woman with fewer resources than I have, need not have been at a loss." No invitation came amiss to her. Her Bath habits made evening-parties perfectly natural to her, and Maple Grove had given her a taste for dinners. She was a little shocked	for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity? She calls you, Knightley--what can she do for Mr. Cole? And so I am not to be surprized that Jane Fairfax accepts her civilities and consents to be with her. Mrs. Weston, your argument weighs most with me. I can much more readily enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in those delightful exploring parties which are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see how it is," said she. "I see what a life I am to lead among you. Upon my word we shall be absolutely dissipated. We really seem quite the fashion. If this is living in the country, it is nothing very formidable. From Monday next to Saturday, I assure you we have not a disengaged day!--A woman with fewer resources than I have, need not have been at a loss." No invitation came amiss to her. Her Bath habits made evening-parties perfectly natural to her, and Maple Grove had given her a taste for dinners. She was a little shocked at the want of two drawing rooms, at the poor attempt at rout-cakes, and there being no ice in the Highbury card-parties. Mrs. Bates, Mrs. Perry, Mrs. Goddard and others, were a good deal behind-hand in knowledge of the world, but she would soon shew them how every thing ought to be arranged. In the course of the spring she must return their civilities by one very superior party--in which her card-tables should be set out with their separate candles and unbroken packs in the true style--and more waiters engaged for the evening than their own establishment could furnish, to carry round the refreshments at exactly the proper hour, and in the proper order. Emma, in the meanwhile, could not be satisfied without a dinner at Hartfield for the Eltons. They must not do less than others, or she should be exposed to odious suspicions, and imagined capable of pitiful resentment. A dinner there must be. After Emma had talked about it for ten minutes, Mr. Woodhouse felt no unwillingness, and only made the usual stipulation of not sitting at the bottom of the table himself, with the usual regular difficulty of deciding who should do it for him. The	Such a woman as Jane Fairfax probably never fell in Mrs. Elton's way before--and no degree of vanity can prevent her acknowledging her own comparative littleness in action, if not in consciousness." "I know how highly you think of Jane Fairfax," said Emma. Little Henry was in her thoughts, and a mixture of alarm and delicacy made her irresolute what else to say. "Yes," he replied, "any body may know how highly I think of her." "And yet," said Emma, beginning hastily and with an arch look, but soon stopping--it was better, however, to know the worst at once--she hurried on--" "And yet, perhaps, you may hardly be aware yourself how highly it is. The extent of your admiration may take you by surprize some day or other." Mr. Knightley was hard at work upon the lower buttons of his thick leather gaiters, and either the exertion of getting them together, or some other cause, brought the colour into his face, as he answered, "Oh! are you there?--But you are miserably behindhand. Mr. Cole gave me a hint of it six weeks ago." He stopped.--Emma felt her foot pressed by Mrs. Weston, and did not herself know what to think. In a moment he went on-- "That will never be, however, I can assure you. Miss Fairfax, I dare say, would not have me if I were to ask her--and I am very sure I shall never ask her." Emma returned her friend's pressure with interest; and was pleased enough to exclaim, "You are not vain, Mr. Knightley. I will say that for you." He seemed hardly to hear her; he was thoughtful--and in a manner which shewed him not pleased, soon afterwards said, "So you have been settling that I should marry Jane Fairfax?" "No indeed I have not. You have scolded me too much for match-making, for me to presume to take such a liberty with you. What I said just now, meant nothing. One says those sort of things, of course, without any idea of a serious meaning. Oh! no, upon my word I have not the smallest wish for your marrying Jane Fairfax or Jane any body. You would not come in and sit with us in this comfortable way, if you were married." Mr. Knightley was thoughtful again. The result of his reverie was, "No, Emma, I do not think the extent of my admiration for her will ever take me by surprize.--I never had a thought of her in that way, I assure you." And soon afterwards, "Jane Fairfax is a very charming young woman--but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife." Emma could not but rejoice to hear that she had a fault. "Well," said she, "and you soon silenced Mr. Cole, I suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity? She calls you, Knightley--what can she do for Mr. Cole? And so I am not to be surprized that Jane Fairfax accepts her civilities and consents to be with her. Mrs. Weston, your argument weighs most with me. I can much more readily enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in those delightful exploring parties which are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see how it is," said she. "I see what a life I am to lead among you. Upon my word we shall be absolutely dissipated. We really seem quite the fashion. If this is living in the country, it is nothing very formidable. From Monday next to Saturday, I assure you we have not a disengaged day!--A woman with fewer resources than I have, need not have been at a loss." No invitation came amiss to her. Her Bath habits made evening-parties perfectly natural to her, and Maple Grove had given her a taste for dinners. She was a little shocked at the want of two drawing rooms, at the poor attempt at rout-cakes, and there being no ice in the Highbury card-parties. Mrs. Bates, Mrs. Perry, Mrs. Goddard and others, were a good deal behind-hand in knowledge of the world, but she would soon shew them how every thing ought to be arranged. In the course of the spring she must return their civilities by one very superior party--in which her card-tables should be set out with their separate candles and unbroken packs in the true style--and more waiters engaged for the evening than their own establishment could furnish, to carry round the refreshments at exactly the proper hour, and in the proper order. Emma, in the meanwhile, could not be satisfied without a dinner at Hartfield for the Eltons. They must not do less than others, or she should be exposed to odious suspicions, and imagined capable of pitiful resentment. A dinner there must be. After Emma had talked about it for ten minutes, Mr. Woodhouse felt no unwillingness, and only made the usual stipulation of not sitting at the bottom of the table himself, with the usual regular difficulty of deciding who should do it for him. The persons to be invited, required little thought. Besides the Eltons, it must be the Westons and Mr. Knightley; so far it was all of course--and it was hardly less inevitable that poor little Harriet must be asked to make the eighth:--but this invitation was not given with equal satisfaction, and on many accounts Emma was particularly pleased by Harriet's begging to be allowed to decline it. "She would rather not be in his company more than she could help. She was not yet quite able to see him and his charming happy wife together, without feeling uncomfortable. If Miss Woodhouse would not be displeased, she would rather stay at home." It was precisely what Emma would have wished, had she deemed it possible enough for wishing. She was delighted with the fortitude of her little friend--for fortitude she knew it was in her to give up being in company and stay at home; and she could now invite the very person whom she really wanted to make the eighth, Jane Fairfax.-- Since her last conversation with Mrs. Weston and Mr. Knightley, she was more conscience-stricken about Jane Fairfax than she had often been.--Mr. Knightley's words dwelt with her. He had said that Jane Fairfax received attentions from Mrs. Elton which nobody else paid her. "This is very true," said she, "at least as far as relates to me, which was all that was meant--and it is very shameful.--Of the same age--and always knowing her--I ought to have been more her friend.--She will never like me now. I have neglected her too long. But I will shew her greater attention than I have done." Every invitation was successful. They were all disengaged and all happy.--The preparatory interest of this dinner, however, was not yet over. A circumstance rather unlucky occurred. The two eldest little Knightleys were engaged to pay their grandpapa and aunt a visit of some weeks in the spring, and their papa now proposed bringing them, and staying one whole day at Hartfield--which one day would be the very day of this party.--His professional engagements did not allow of his being put off, but both father and daughter were disturbed by its happening so. Mr. Woodhouse considered eight persons at dinner together as the utmost that his nerves could bear--and here would be a ninth--and Emma apprehended that it would be a ninth very much out of humour at	suppose?" "Yes, very soon. He gave me a quiet hint; I told him he was mistaken; he asked my pardon and said no more. Cole does not want to be wiser or wittier than his neighbours." "In that respect how unlike dear Mrs. Elton, who wants to be wiser and wittier than all the world! I wonder how she speaks of the Coles--what she calls them! How can she find any appellation for them, deep enough in familiar vulgarity? She calls you, Knightley--what can she do for Mr. Cole? And so I am not to be surprized that Jane Fairfax accepts her civilities and consents to be with her. Mrs. Weston, your argument weighs most with me. I can much more readily enter into the temptation of getting away from Miss Bates, than I can believe in the triumph of Miss Fairfax's mind over Mrs. Elton. I have no faith in Mrs. Elton's acknowledging herself the inferior in thought, word, or deed; or in her being under any restraint beyond her own scanty rule of good-breeding. I cannot imagine that she will not be continually insulting her visitor with praise, encouragement, and offers of service; that she will not be continually detailing her magnificent intentions, from the procuring her a permanent situation to the including her in those delightful exploring parties which are to take place in the barouche-landau." "Jane Fairfax has feeling," said Mr. Knightley--" "I do not accuse her of want of feeling. Her sensibilities, I suspect, are strong--and her temper excellent in its power of forbearance, patience, self-control; but it wants openness. She is reserved, more reserved, I think, than she used to be--And I love an open temper. No--till Cole alluded to my supposed attachment, it had never entered my head. I saw Jane Fairfax and conversed with her, with admiration and pleasure always--but with no thought beyond." "Well, Mrs. Weston," said Emma triumphantly when he left them,<\|quote\|>"what do you say now to Mr. Knightley's marrying Jane Fairfax?"</\|quote\|>"Why, really, dear Emma, I say that he is so very much occupied by the idea of _not_ being in love with her, that I should not wonder if it were to end in his being so at last. Do not beat me." CHAPTER XVI Every body in and about Highbury who had ever visited Mr. Elton, was disposed to pay him attention on his marriage. Dinner-parties and evening-parties were made for him and his lady; and invitations flowed in so fast that she had soon the pleasure of apprehending they were never to have a disengaged day. "I see how it is," said she. "I see what a life I am to lead among you. Upon my word we shall be absolutely dissipated. We really seem quite the fashion. If this is living in the country, it is nothing very formidable. From Monday next to Saturday, I assure you we have not a disengaged day!--A woman with fewer resources than I have, need not have been at a loss." No invitation came amiss to her. Her Bath habits made evening-parties perfectly natural to her, and Maple Grove had given her a taste for dinners. She was a little shocked at the want of two drawing rooms, at the poor attempt at rout-cakes, and there being no ice in the Highbury card-parties. Mrs. Bates, Mrs. Perry, Mrs. Goddard and others, were a good deal behind-hand in knowledge of the world, but she would soon shew them how every thing ought to be arranged. In the course of the spring she must return their civilities by one very superior party--in which her card-tables should be set out with their separate candles and unbroken packs in the true style--and more waiters engaged for the evening than their own establishment could furnish, to carry round the refreshments at exactly the proper hour, and in the proper order. Emma, in the meanwhile, could not be satisfied without a dinner at Hartfield for the Eltons. They must not do less than others, or she should be exposed to odious suspicions, and imagined capable of pitiful resentment. A dinner there must be. After Emma had talked about it for ten minutes, Mr. Woodhouse felt no unwillingness, and only made the usual stipulation of not sitting at the bottom of the table himself, with the usual regular difficulty of deciding who should do it for him. The persons to be invited, required little thought. Besides the Eltons, it must be the Westons and Mr. Knightley; so far it was all of course--and it was hardly less inevitable that poor little Harriet must be asked to make the eighth:--but this invitation was not given with equal satisfaction, and on many accounts Emma was particularly pleased by Harriet's begging to be allowed to decline it. "She would rather not be in his company more than she could help. She was not yet quite able to see him and his charming happy wife together, without feeling uncomfortable. If Miss Woodhouse would not be	Emma
"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."	Lucy Steele	"Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the	have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the	But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest,	meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better. Not so the Miss Steeles. They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was	and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For my part, I think they are vastly agreeable, provided they dress smart and behave civil. But I can t bear to see them dirty and nasty. Now there s Mr. Rose at Exeter, a prodigious smart young man, quite a beau, clerk to Mr. Simpson, you know, and yet if you do but meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better. Not so the Miss Steeles. They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was now dealt out to his fair cousins, whom they declared to be the most beautiful, elegant, accomplished, and agreeable girls they had ever beheld, and with whom they were particularly anxious to be better acquainted. And to be better acquainted therefore, Elinor soon found was their inevitable lot, for as Sir John was entirely on the side of the Miss Steeles, their party would be too strong for opposition, and that kind of intimacy must be submitted to, which consists of sitting an hour or two together in the same room almost every day. Sir John could do no more;	suppose you were very sorry to leave Sussex." In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was. "Norland is a prodigious beautiful place, is not it?" added Miss Steele. "We have heard Sir John admire it excessively," said Lucy, who seemed to think some apology necessary for the freedom of her sister. "I think every one _must_ admire it," replied Elinor, "who ever saw the place; though it is not to be supposed that any one can estimate its beauties as we do." "And had you a great many smart beaux there? I suppose you have not so many in this part of the world; for my part, I think they are a vast addition always." "But why should you think," said Lucy, looking ashamed of her sister, "that there are not as many genteel young men in Devonshire as Sussex?" "Nay, my dear, I m sure I don t pretend to say that there an t. I m sure there s a vast many smart beaux in Exeter; but you know, how could I tell what smart beaux there might be about Norland; and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For my part, I think they are vastly agreeable, provided they dress smart and behave civil. But I can t bear to see them dirty and nasty. Now there s Mr. Rose at Exeter, a prodigious smart young man, quite a beau, clerk to Mr. Simpson, you know, and yet if you do but meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better. Not so the Miss Steeles. They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was now dealt out to his fair cousins, whom they declared to be the most beautiful, elegant, accomplished, and agreeable girls they had ever beheld, and with whom they were particularly anxious to be better acquainted. And to be better acquainted therefore, Elinor soon found was their inevitable lot, for as Sir John was entirely on the side of the Miss Steeles, their party would be too strong for opposition, and that kind of intimacy must be submitted to, which consists of sitting an hour or two together in the same room almost every day. Sir John could do no more; but he did not know that any more was required: to be together was, in his opinion, to be intimate, and while his continual schemes for their meeting were effectual, he had not a doubt of their being established friends. To do him justice, he did every thing in his power to promote their unreserve, by making the Miss Steeles acquainted with whatever he knew or supposed of his cousins situations in the most delicate particulars; and Elinor had not seen them more than twice, before the eldest of them wished her joy on her sister s having been so lucky as to make a conquest of a very smart beau since she came to Barton. "Twill be a fine thing to have her married so young to be sure," said she, "and I hear he is quite a beau, and prodigious handsome. And I hope you may have as good luck yourself soon, but perhaps you may have a friend in the corner already." Elinor could not suppose that Sir John would be more nice in proclaiming his suspicions of her regard for Edward, than he had been with respect to Marianne; indeed it was rather his favourite joke	screams in the young lady on hearing it, gave them reason to hope that it would not be rejected. She was carried out of the room therefore in her mother s arms, in quest of this medicine, and as the two boys chose to follow, though earnestly entreated by their mother to stay behind, the four young ladies were left in a quietness which the room had not known for many hours. "Poor little creatures!" said Miss Steele, as soon as they were gone. "It might have been a very sad accident." "Yet I hardly know how," cried Marianne, "unless it had been under totally different circumstances. But this is the usual way of heightening alarm, where there is nothing to be alarmed at in reality." "What a sweet woman Lady Middleton is!" said Lucy Steele. Marianne was silent; it was impossible for her to say what she did not feel, however trivial the occasion; and upon Elinor therefore the whole task of telling lies when politeness required it, always fell. She did her best when thus called on, by speaking of Lady Middleton with more warmth than she felt, though with far less than Miss Lucy. "And Sir John too," cried the elder sister, "what a charming man he is!" Here too, Miss Dashwood s commendation, being only simple and just, came in without any eclat. She merely observed that he was perfectly good humoured and friendly. "And what a charming little family they have! I never saw such fine children in my life. I declare I quite doat upon them already, and indeed I am always distractedly fond of children." "I should guess so," said Elinor, with a smile, "from what I have witnessed this morning." "I have a notion," said Lucy, "you think the little Middletons rather too much indulged; perhaps they may be the outside of enough; but it is so natural in Lady Middleton; and for my part, I love to see children full of life and spirits; I cannot bear them if they are tame and quiet." "I confess," replied Elinor, "that while I am at Barton Park, I never think of tame and quiet children with any abhorrence." A short pause succeeded this speech, which was first broken by Miss Steele, who seemed very much disposed for conversation, and who now said rather abruptly, "And how do you like Devonshire, Miss Dashwood? I suppose you were very sorry to leave Sussex." In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was. "Norland is a prodigious beautiful place, is not it?" added Miss Steele. "We have heard Sir John admire it excessively," said Lucy, who seemed to think some apology necessary for the freedom of her sister. "I think every one _must_ admire it," replied Elinor, "who ever saw the place; though it is not to be supposed that any one can estimate its beauties as we do." "And had you a great many smart beaux there? I suppose you have not so many in this part of the world; for my part, I think they are a vast addition always." "But why should you think," said Lucy, looking ashamed of her sister, "that there are not as many genteel young men in Devonshire as Sussex?" "Nay, my dear, I m sure I don t pretend to say that there an t. I m sure there s a vast many smart beaux in Exeter; but you know, how could I tell what smart beaux there might be about Norland; and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For my part, I think they are vastly agreeable, provided they dress smart and behave civil. But I can t bear to see them dirty and nasty. Now there s Mr. Rose at Exeter, a prodigious smart young man, quite a beau, clerk to Mr. Simpson, you know, and yet if you do but meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better. Not so the Miss Steeles. They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was now dealt out to his fair cousins, whom they declared to be the most beautiful, elegant, accomplished, and agreeable girls they had ever beheld, and with whom they were particularly anxious to be better acquainted. And to be better acquainted therefore, Elinor soon found was their inevitable lot, for as Sir John was entirely on the side of the Miss Steeles, their party would be too strong for opposition, and that kind of intimacy must be submitted to, which consists of sitting an hour or two together in the same room almost every day. Sir John could do no more; but he did not know that any more was required: to be together was, in his opinion, to be intimate, and while his continual schemes for their meeting were effectual, he had not a doubt of their being established friends. To do him justice, he did every thing in his power to promote their unreserve, by making the Miss Steeles acquainted with whatever he knew or supposed of his cousins situations in the most delicate particulars; and Elinor had not seen them more than twice, before the eldest of them wished her joy on her sister s having been so lucky as to make a conquest of a very smart beau since she came to Barton. "Twill be a fine thing to have her married so young to be sure," said she, "and I hear he is quite a beau, and prodigious handsome. And I hope you may have as good luck yourself soon, but perhaps you may have a friend in the corner already." Elinor could not suppose that Sir John would be more nice in proclaiming his suspicions of her regard for Edward, than he had been with respect to Marianne; indeed it was rather his favourite joke of the two, as being somewhat newer and more conjectural; and since Edward s visit, they had never dined together without his drinking to her best affections with so much significancy and so many nods and winks, as to excite general attention. The letter F had been likewise invariably brought forward, and found productive of such countless jokes, that its character as the wittiest letter in the alphabet had been long established with Elinor. The Miss Steeles, as she expected, had now all the benefit of these jokes, and in the eldest of them they raised a curiosity to know the name of the gentleman alluded to, which, though often impertinently expressed, was perfectly of a piece with her general inquisitiveness into the concerns of their family. But Sir John did not sport long with the curiosity which he delighted to raise, for he had at least as much pleasure in telling the name, as Miss Steele had in hearing it. "His name is Ferrars," said he, in a very audible whisper; "but pray do not tell it, for it s a great secret." "Ferrars!" repeated Miss Steele; "Mr. Ferrars is the happy man, is he? What! your sister-in-law s brother, Miss Dashwood? a very agreeable young man to be sure; I know him very well." "How can you say so, Anne?" cried Lucy, who generally made an amendment to all her sister s assertions. "Though we have seen him once or twice at my uncle s, it is rather too much to pretend to know him very well." Elinor heard all this with attention and surprise. "And who was this uncle? Where did he live? How came they acquainted?" She wished very much to have the subject continued, though she did not chuse to join in it herself; but nothing more of it was said, and for the first time in her life, she thought Mrs. Jennings deficient either in curiosity after petty information, or in a disposition to communicate it. The manner in which Miss Steele had spoken of Edward, increased her curiosity; for it struck her as being rather ill-natured, and suggested the suspicion of that lady s knowing, or fancying herself to know something to his disadvantage. But her curiosity was unavailing, for no farther notice was taken of Mr. Ferrars s name by Miss Steele when alluded to, or even openly mentioned by Sir John.	A short pause succeeded this speech, which was first broken by Miss Steele, who seemed very much disposed for conversation, and who now said rather abruptly, "And how do you like Devonshire, Miss Dashwood? I suppose you were very sorry to leave Sussex." In some surprise at the familiarity of this question, or at least of the manner in which it was spoken, Elinor replied that she was. "Norland is a prodigious beautiful place, is not it?" added Miss Steele. "We have heard Sir John admire it excessively," said Lucy, who seemed to think some apology necessary for the freedom of her sister. "I think every one _must_ admire it," replied Elinor, "who ever saw the place; though it is not to be supposed that any one can estimate its beauties as we do." "And had you a great many smart beaux there? I suppose you have not so many in this part of the world; for my part, I think they are a vast addition always." "But why should you think," said Lucy, looking ashamed of her sister, "that there are not as many genteel young men in Devonshire as Sussex?" "Nay, my dear, I m sure I don t pretend to say that there an t. I m sure there s a vast many smart beaux in Exeter; but you know, how could I tell what smart beaux there might be about Norland; and I was only afraid the Miss Dashwoods might find it dull at Barton, if they had not so many as they used to have. But perhaps you young ladies may not care about the beaux, and had as lief be without them as with them. For my part, I think they are vastly agreeable, provided they dress smart and behave civil. But I can t bear to see them dirty and nasty. Now there s Mr. Rose at Exeter, a prodigious smart young man, quite a beau, clerk to Mr. Simpson, you know, and yet if you do but meet him of a morning, he is not fit to be seen. I suppose your brother was quite a beau, Miss Dashwood, before he married, as he was so rich?" "Upon my word," replied Elinor, "I cannot tell you, for I do not perfectly comprehend the meaning of the word. But this I can say, that if he ever was a beau before he married, he is one still for there is not the smallest alteration in him." "Oh! dear! one never thinks of married men s being beaux they have something else to do." "Lord! Anne," cried her sister,<\|quote\|>"you can talk of nothing but beaux; you will make Miss Dashwood believe you think of nothing else."</\|quote\|>And then to turn the discourse, she began admiring the house and the furniture. This specimen of the Miss Steeles was enough. The vulgar freedom and folly of the eldest left her no recommendation, and as Elinor was not blinded by the beauty, or the shrewd look of the youngest, to her want of real elegance and artlessness, she left the house without any wish of knowing them better. Not so the Miss Steeles. They came from Exeter, well provided with admiration for the use of Sir John Middleton, his family, and all his relations, and no niggardly proportion was now dealt out to his fair cousins, whom they declared to be the most beautiful, elegant, accomplished, and agreeable girls they had ever beheld, and with whom they were particularly anxious to be better acquainted. And to be better acquainted therefore, Elinor soon found was their inevitable lot, for as Sir John was entirely on the side of the Miss Steeles, their party would be too strong for opposition, and that kind of intimacy must be submitted to, which consists of sitting an hour or two together in the same room almost every day. Sir John could do no more; but he did not know that any more was required: to be together was, in his opinion, to be intimate, and while his continual schemes for their meeting were effectual, he had not a doubt of their being established friends. To do him justice, he did every thing in his power to promote their unreserve, by making the Miss Steeles acquainted with whatever he knew or supposed of his cousins situations in the most delicate particulars; and Elinor had not seen them more than twice, before the eldest of them wished her joy on her sister s having been so lucky as to make a conquest of a very smart beau since she came to Barton. "Twill be a fine thing to have her married so young to be sure," said she, "and I hear he is quite a beau, and prodigious handsome. And I hope you may have as good luck yourself soon, but perhaps you may have a friend in the corner already." Elinor could not suppose that Sir John would be more nice in proclaiming his suspicions of her regard for Edward, than he had been with respect to Marianne; indeed it was rather his favourite joke of the two, as being somewhat newer and more conjectural; and since Edward s visit, they had never dined together without his drinking to her best affections with so much significancy and so many nods and winks, as to excite general attention. The letter F had been likewise invariably brought forward, and found productive of such countless jokes, that its character as the wittiest letter in the alphabet had been long established with Elinor. The Miss Steeles, as she expected, had now all the benefit of these jokes, and in the eldest of them they raised a curiosity to know the name of the gentleman alluded to, which, though often impertinently expressed, was perfectly of a piece with her general inquisitiveness into the concerns of their family. But Sir John did not sport long with the curiosity which he delighted to raise, for he had at least as much pleasure	Sense And Sensibility
"I nodded. He suddenly lifted his lion's voice."	Mr. Lucian Gregory	ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as	in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he	the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and	been children in his hands." He was silent and even pale for a moment, and then resumed "But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him, What disguise will hide me from the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and murder to those women day and night, and by God! they would let me wheel their perambulators." Syme sat watching him with some respect in his large, blue eyes. "You took me in," he said. "It is really a smart dodge." Then after a pause he added "What do you	it seems majors don't do this. I was nabbed again. At last I went in despair to the President of the Central Anarchist Council, who is the greatest man in Europe." "What is his name?" asked Syme. "You would not know it," answered Gregory. "That is his greatness. Caesar and Napoleon put all their genius into being heard of, and they _were_ heard of. He puts all his genius into not being heard of, and he is not heard of. But you cannot be for five minutes in the room with him without feeling that Caesar and Napoleon would have been children in his hands." He was silent and even pale for a moment, and then resumed "But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him, What disguise will hide me from the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and murder to those women day and night, and by God! they would let me wheel their perambulators." Syme sat watching him with some respect in his large, blue eyes. "You took me in," he said. "It is really a smart dodge." Then after a pause he added "What do you call this tremendous President of yours?" "We generally call him Sunday," replied Gregory with simplicity. "You see, there are seven members of the Central Anarchist Council, and they are named after days of the week. He is called Sunday, by some of his admirers Bloody Sunday. It is curious you should mention the matter, because the very night you have dropped in (if I may so express it) is the night on which our London branch, which assembles in this room, has to elect its own deputy to fill a vacancy in the Council. The gentleman who has for some	tried all kinds of respectable disguises. I dressed up as a bishop. I read up all about bishops in our anarchist pamphlets, in _Superstition the Vampire_ and _Priests of Prey_. I certainly understood from them that bishops are strange and terrible old men keeping a cruel secret from mankind. I was misinformed. When on my first appearing in episcopal gaiters in a drawing-room I cried out in a voice of thunder, Down! down! presumptuous human reason!' they found out in some way that I was not a bishop at all. I was nabbed at once. Then I made up as a millionaire; but I defended Capital with so much intelligence that a fool could see that I was quite poor. Then I tried being a major. Now I am a humanitarian myself, but I have, I hope, enough intellectual breadth to understand the position of those who, like Nietzsche, admire violence the proud, mad war of Nature and all that, you know. I threw myself into the major. I drew my sword and waved it constantly. I called out Blood!' abstractedly, like a man calling for wine. I often said, Let the weak perish; it is the Law.' Well, well, it seems majors don't do this. I was nabbed again. At last I went in despair to the President of the Central Anarchist Council, who is the greatest man in Europe." "What is his name?" asked Syme. "You would not know it," answered Gregory. "That is his greatness. Caesar and Napoleon put all their genius into being heard of, and they _were_ heard of. He puts all his genius into not being heard of, and he is not heard of. But you cannot be for five minutes in the room with him without feeling that Caesar and Napoleon would have been children in his hands." He was silent and even pale for a moment, and then resumed "But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him, What disguise will hide me from the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and murder to those women day and night, and by God! they would let me wheel their perambulators." Syme sat watching him with some respect in his large, blue eyes. "You took me in," he said. "It is really a smart dodge." Then after a pause he added "What do you call this tremendous President of yours?" "We generally call him Sunday," replied Gregory with simplicity. "You see, there are seven members of the Central Anarchist Council, and they are named after days of the week. He is called Sunday, by some of his admirers Bloody Sunday. It is curious you should mention the matter, because the very night you have dropped in (if I may so express it) is the night on which our London branch, which assembles in this room, has to elect its own deputy to fill a vacancy in the Council. The gentleman who has for some time past played, with propriety and general applause, the difficult part of Thursday, has died quite suddenly. Consequently, we have called a meeting this very evening to elect a successor." He got to his feet and strolled across the room with a sort of smiling embarrassment. "I feel somehow as if you were my mother, Syme," he continued casually. "I feel that I can confide anything to you, as you have promised to tell nobody. In fact, I will confide to you something that I would not say in so many words to the anarchists who will be coming to the room in about ten minutes. We shall, of course, go through a form of election; but I don't mind telling you that it is practically certain what the result will be." He looked down for a moment modestly. "It is almost a settled thing that I am to be Thursday." "My dear fellow." said Syme heartily, "I congratulate you. A great career!" Gregory smiled in deprecation, and walked across the room, talking rapidly. "As a matter of fact, everything is ready for me on this table," he said, "and the ceremony will probably be the shortest possible." Syme also	as being serious?" "It does seem to have a moral under all its gaiety," assented Syme; "but may I ask you two questions? You need not fear to give me information, because, as you remember, you very wisely extorted from me a promise not to tell the police, a promise I shall certainly keep. So it is in mere curiosity that I make my queries. First of all, what is it really all about? What is it you object to? You want to abolish Government?" "To abolish God!" said Gregory, opening the eyes of a fanatic. "We do not only want to upset a few despotisms and police regulations; that sort of anarchism does exist, but it is a mere branch of the Nonconformists. We dig deeper and we blow you higher. We wish to deny all those arbitrary distinctions of vice and virtue, honour and treachery, upon which mere rebels base themselves. The silly sentimentalists of the French Revolution talked of the Rights of Man! We hate Rights as we hate Wrongs. We have abolished Right and Wrong." "And Right and Left," said Syme with a simple eagerness, "I hope you will abolish them too. They are much more troublesome to me." "You spoke of a second question," snapped Gregory. "With pleasure," resumed Syme. "In all your present acts and surroundings there is a scientific attempt at secrecy. I have an aunt who lived over a shop, but this is the first time I have found people living from preference under a public-house. You have a heavy iron door. You cannot pass it without submitting to the humiliation of calling yourself Mr. Chamberlain. You surround yourself with steel instruments which make the place, if I may say so, more impressive than homelike. May I ask why, after taking all this trouble to barricade yourselves in the bowels of the earth, you then parade your whole secret by talking about anarchism to every silly woman in Saffron Park?" Gregory smiled. "The answer is simple," he said. "I told you I was a serious anarchist, and you did not believe me. Nor do _they_ believe me. Unless I took them into this infernal room they would not believe me." Syme smoked thoughtfully, and looked at him with interest. Gregory went on. "The history of the thing might amuse you," he said. "When first I became one of the New Anarchists I tried all kinds of respectable disguises. I dressed up as a bishop. I read up all about bishops in our anarchist pamphlets, in _Superstition the Vampire_ and _Priests of Prey_. I certainly understood from them that bishops are strange and terrible old men keeping a cruel secret from mankind. I was misinformed. When on my first appearing in episcopal gaiters in a drawing-room I cried out in a voice of thunder, Down! down! presumptuous human reason!' they found out in some way that I was not a bishop at all. I was nabbed at once. Then I made up as a millionaire; but I defended Capital with so much intelligence that a fool could see that I was quite poor. Then I tried being a major. Now I am a humanitarian myself, but I have, I hope, enough intellectual breadth to understand the position of those who, like Nietzsche, admire violence the proud, mad war of Nature and all that, you know. I threw myself into the major. I drew my sword and waved it constantly. I called out Blood!' abstractedly, like a man calling for wine. I often said, Let the weak perish; it is the Law.' Well, well, it seems majors don't do this. I was nabbed again. At last I went in despair to the President of the Central Anarchist Council, who is the greatest man in Europe." "What is his name?" asked Syme. "You would not know it," answered Gregory. "That is his greatness. Caesar and Napoleon put all their genius into being heard of, and they _were_ heard of. He puts all his genius into not being heard of, and he is not heard of. But you cannot be for five minutes in the room with him without feeling that Caesar and Napoleon would have been children in his hands." He was silent and even pale for a moment, and then resumed "But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him, What disguise will hide me from the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and murder to those women day and night, and by God! they would let me wheel their perambulators." Syme sat watching him with some respect in his large, blue eyes. "You took me in," he said. "It is really a smart dodge." Then after a pause he added "What do you call this tremendous President of yours?" "We generally call him Sunday," replied Gregory with simplicity. "You see, there are seven members of the Central Anarchist Council, and they are named after days of the week. He is called Sunday, by some of his admirers Bloody Sunday. It is curious you should mention the matter, because the very night you have dropped in (if I may so express it) is the night on which our London branch, which assembles in this room, has to elect its own deputy to fill a vacancy in the Council. The gentleman who has for some time past played, with propriety and general applause, the difficult part of Thursday, has died quite suddenly. Consequently, we have called a meeting this very evening to elect a successor." He got to his feet and strolled across the room with a sort of smiling embarrassment. "I feel somehow as if you were my mother, Syme," he continued casually. "I feel that I can confide anything to you, as you have promised to tell nobody. In fact, I will confide to you something that I would not say in so many words to the anarchists who will be coming to the room in about ten minutes. We shall, of course, go through a form of election; but I don't mind telling you that it is practically certain what the result will be." He looked down for a moment modestly. "It is almost a settled thing that I am to be Thursday." "My dear fellow." said Syme heartily, "I congratulate you. A great career!" Gregory smiled in deprecation, and walked across the room, talking rapidly. "As a matter of fact, everything is ready for me on this table," he said, "and the ceremony will probably be the shortest possible." Syme also strolled across to the table, and found lying across it a walking-stick, which turned out on examination to be a sword-stick, a large Colt's revolver, a sandwich case, and a formidable flask of brandy. Over the chair, beside the table, was thrown a heavy-looking cape or cloak. "I have only to get the form of election finished," continued Gregory with animation, "then I snatch up this cloak and stick, stuff these other things into my pocket, step out of a door in this cavern, which opens on the river, where there is a steam-tug already waiting for me, and then then oh, the wild joy of being Thursday!" And he clasped his hands. Syme, who had sat down once more with his usual insolent languor, got to his feet with an unusual air of hesitation. "Why is it," he asked vaguely, "that I think you are quite a decent fellow? Why do I positively like you, Gregory?" He paused a moment, and then added with a sort of fresh curiosity, "Is it because you are such an ass?" There was a thoughtful silence again, and then he cried out "Well, damn it all! this is the funniest situation I have ever been in in my life, and I am going to act accordingly. Gregory, I gave you a promise before I came into this place. That promise I would keep under red-hot pincers. Would you give me, for my own safety, a little promise of the same kind?" "A promise?" asked Gregory, wondering. "Yes," said Syme very seriously, "a promise. I swore before God that I would not tell your secret to the police. Will you swear by Humanity, or whatever beastly thing you believe in, that you will not tell my secret to the anarchists?" "Your secret?" asked the staring Gregory. "Have you got a secret?" "Yes," said Syme, "I have a secret." Then after a pause, "Will you swear?" Gregory glared at him gravely for a few moments, and then said abruptly "You must have bewitched me, but I feel a furious curiosity about you. Yes, I will swear not to tell the anarchists anything you tell me. But look sharp, for they will be here in a couple of minutes." Syme rose slowly to his feet and thrust his long, white hands into his long, grey trousers' pockets. Almost as he did so there came five knocks	I was a serious anarchist, and you did not believe me. Nor do _they_ believe me. Unless I took them into this infernal room they would not believe me." Syme smoked thoughtfully, and looked at him with interest. Gregory went on. "The history of the thing might amuse you," he said. "When first I became one of the New Anarchists I tried all kinds of respectable disguises. I dressed up as a bishop. I read up all about bishops in our anarchist pamphlets, in _Superstition the Vampire_ and _Priests of Prey_. I certainly understood from them that bishops are strange and terrible old men keeping a cruel secret from mankind. I was misinformed. When on my first appearing in episcopal gaiters in a drawing-room I cried out in a voice of thunder, Down! down! presumptuous human reason!' they found out in some way that I was not a bishop at all. I was nabbed at once. Then I made up as a millionaire; but I defended Capital with so much intelligence that a fool could see that I was quite poor. Then I tried being a major. Now I am a humanitarian myself, but I have, I hope, enough intellectual breadth to understand the position of those who, like Nietzsche, admire violence the proud, mad war of Nature and all that, you know. I threw myself into the major. I drew my sword and waved it constantly. I called out Blood!' abstractedly, like a man calling for wine. I often said, Let the weak perish; it is the Law.' Well, well, it seems majors don't do this. I was nabbed again. At last I went in despair to the President of the Central Anarchist Council, who is the greatest man in Europe." "What is his name?" asked Syme. "You would not know it," answered Gregory. "That is his greatness. Caesar and Napoleon put all their genius into being heard of, and they _were_ heard of. He puts all his genius into not being heard of, and he is not heard of. But you cannot be for five minutes in the room with him without feeling that Caesar and Napoleon would have been children in his hands." He was silent and even pale for a moment, and then resumed "But whenever he gives advice it is always something as startling as an epigram, and yet as practical as the Bank of England. I said to him, What disguise will hide me from the world? What can I find more respectable than bishops and majors?' He looked at me with his large but indecipherable face." You want a safe disguise, do you? You want a dress which will guarantee you harmless; a dress in which no one would ever look for a bomb?'<\|quote\|>"I nodded. He suddenly lifted his lion's voice."</\|quote\|>Why, then, dress up as an _anarchist_, you fool!' "he roared so that the room shook." Nobody will ever expect you to do anything dangerous then.' "And he turned his broad back on me without another word. I took his advice, and have never regretted it. I preached blood and murder to those women day and night, and by God! they would let me wheel their perambulators." Syme sat watching him with some respect in his large, blue eyes. "You took me in," he said. "It is really a smart dodge." Then after a pause he added "What do you call this tremendous President of yours?" "We generally call him Sunday," replied Gregory with simplicity. "You see, there are seven members of the Central Anarchist Council, and they are named after days of the week. He is called Sunday, by some of his admirers Bloody Sunday. It is curious you should mention the matter, because the very night you have dropped in (if I may so express it) is the night on which our London branch, which assembles in this room, has to elect its own deputy to fill a vacancy in the Council. The gentleman who has for some time past played, with propriety and general applause, the difficult part of Thursday, has died quite suddenly. Consequently, we have called a meeting this very evening to elect a successor." He got to his feet and strolled across the room with a sort of smiling embarrassment. "I feel somehow as if you were my mother, Syme," he continued casually. "I feel that I can confide anything to you, as you have promised to tell nobody. In fact, I will confide to you something that I would not say in so many words to the anarchists who will be coming to the room in about ten minutes. We shall, of course, go through a form of election; but I don't mind telling you that it is practically certain what the result will be." He looked down for a moment modestly. "It is almost a settled thing that I am to be Thursday." "My dear fellow." said Syme heartily, "I congratulate you. A great career!" Gregory smiled in deprecation, and walked across the room, talking rapidly. "As a matter of fact, everything is ready for me on this table," he said, "and the ceremony will probably be the shortest possible." Syme also strolled across to the table, and found lying across it a walking-stick, which turned out on examination to be a sword-stick, a large Colt's revolver, a sandwich case, and a formidable flask of brandy. Over the chair, beside the table, was thrown a heavy-looking cape or cloak. "I have only to get the form of election finished," continued Gregory with animation, "then I snatch up this cloak and stick, stuff these other things into my pocket, step out of a door in this cavern, which opens on the river, where there is a steam-tug already waiting for me, and then then oh, the wild joy of being Thursday!" And he clasped his hands. Syme, who	The Man Who Was Thursday
"Go on,"	Katharine Hilbery	first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused,	or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard	soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are	through her fingers, while her background was made up equally of lustrous blue-and-white paint, and crimson books with gilt lines on them. The vitality and composure of her attitude, as of a bright-plumed bird poised easily before further flights, roused him to show her the limitations of her lot. So soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are writing a life of your grandfather, aren t you? And this kind of thing" he nodded towards the other room, where they could hear bursts of cultivated laughter "must take up a lot of time." She looked at him expectantly, as if between them they were decorating a small figure	you speak the truth. I don t see why you should despise us." Mr. Denham carefully sheathed the sword which the Hilberys said belonged to Clive. "I shouldn t like to be you; that s all I said," he replied, as if he were saying what he thought as accurately as he could. "No, but one never would like to be any one else." "I should. I should like to be lots of other people." "Then why not us?" Katharine asked. Denham looked at her as she sat in her grandfather s arm-chair, drawing her great-uncle s malacca cane smoothly through her fingers, while her background was made up equally of lustrous blue-and-white paint, and crimson books with gilt lines on them. The vitality and composure of her attitude, as of a bright-plumed bird poised easily before further flights, roused him to show her the limitations of her lot. So soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are writing a life of your grandfather, aren t you? And this kind of thing" he nodded towards the other room, where they could hear bursts of cultivated laughter "must take up a lot of time." She looked at him expectantly, as if between them they were decorating a small figure of herself, and she saw him hesitating in the disposition of some bow or sash. "You ve got it very nearly right," she said, "but I only help my mother. I don t write myself." "Do you do anything yourself?" he demanded. "What do you mean?" she asked. "I don t leave the house at ten and come back at six." "I don t mean that." Mr. Denham had recovered his self-control; he spoke with a quietness which made Katharine rather anxious that he should explain himself, but at the same time she wished to annoy him, to waft him	belonged to the soldier. "But aren t you proud of your family?" Katharine demanded. "No," said Denham. "We ve never done anything to be proud of unless you count paying one s bills a matter for pride." "That sounds rather dull," Katharine remarked. "You would think us horribly dull," Denham agreed. "Yes, I might find you dull, but I don t think I should find you ridiculous," Katharine added, as if Denham had actually brought that charge against her family. "No because we re not in the least ridiculous. We re a respectable middle-class family, living at Highgate." "We don t live at Highgate, but we re middle class too, I suppose." Denham merely smiled, and replacing the malacca cane on the rack, he drew a sword from its ornamental sheath. "That belonged to Clive, so we say," said Katharine, taking up her duties as hostess again automatically. "Is it a lie?" Denham inquired. "It s a family tradition. I don t know that we can prove it." "You see, we don t have traditions in our family," said Denham. "You sound very dull," Katharine remarked, for the second time. "Merely middle class," Denham replied. "You pay your bills, and you speak the truth. I don t see why you should despise us." Mr. Denham carefully sheathed the sword which the Hilberys said belonged to Clive. "I shouldn t like to be you; that s all I said," he replied, as if he were saying what he thought as accurately as he could. "No, but one never would like to be any one else." "I should. I should like to be lots of other people." "Then why not us?" Katharine asked. Denham looked at her as she sat in her grandfather s arm-chair, drawing her great-uncle s malacca cane smoothly through her fingers, while her background was made up equally of lustrous blue-and-white paint, and crimson books with gilt lines on them. The vitality and composure of her attitude, as of a bright-plumed bird poised easily before further flights, roused him to show her the limitations of her lot. So soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are writing a life of your grandfather, aren t you? And this kind of thing" he nodded towards the other room, where they could hear bursts of cultivated laughter "must take up a lot of time." She looked at him expectantly, as if between them they were decorating a small figure of herself, and she saw him hesitating in the disposition of some bow or sash. "You ve got it very nearly right," she said, "but I only help my mother. I don t write myself." "Do you do anything yourself?" he demanded. "What do you mean?" she asked. "I don t leave the house at ten and come back at six." "I don t mean that." Mr. Denham had recovered his self-control; he spoke with a quietness which made Katharine rather anxious that he should explain himself, but at the same time she wished to annoy him, to waft him away from her on some light current of ridicule or satire, as she was wont to do with these intermittent young men of her father s. "Nobody ever does do anything worth doing nowadays," she remarked. "You see" she tapped the volume of her grandfather s poems "we don t even print as well as they did, and as for poets or painters or novelists there are none; so, at any rate, I m not singular." "No, we haven t any great men," Denham replied. "I m very glad that we haven t. I hate great men. The worship of greatness in the nineteenth century seems to me to explain the worthlessness of that generation." Katharine opened her lips and drew in her breath, as if to reply with equal vigor, when the shutting of a door in the next room withdrew her attention, and they both became conscious that the voices, which had been rising and falling round the tea-table, had fallen silent; the light, even, seemed to have sunk lower. A moment later Mrs. Hilbery appeared in the doorway of the ante-room. She stood looking at them with a smile of expectancy on her face, as if a	In his spare build and thin, though healthy, cheeks, she saw tokens of an angular and acrid soul. His voice, she noticed, had a slight vibrating or creaking sound in it, as he laid down the manuscript and said: "You must be very proud of your family, Miss Hilbery." "Yes, I am," Katharine answered, and she added, "Do you think there s anything wrong in that?" "Wrong? How should it be wrong? It must be a bore, though, showing your things to visitors," he added reflectively. "Not if the visitors like them." "Isn t it difficult to live up to your ancestors?" he proceeded. "I dare say I shouldn t try to write poetry," Katharine replied. "No. And that s what I should hate. I couldn t bear my grandfather to cut me out. And, after all," Denham went on, glancing round him satirically, as Katharine thought, "it s not your grandfather only. You re cut out all the way round. I suppose you come of one of the most distinguished families in England. There are the Warburtons and the Mannings and you re related to the Otways, aren t you? I read it all in some magazine," he added. "The Otways are my cousins," Katharine replied. "Well," said Denham, in a final tone of voice, as if his argument were proved. "Well," said Katharine, "I don t see that you ve proved anything." Denham smiled, in a peculiarly provoking way. He was amused and gratified to find that he had the power to annoy his oblivious, supercilious hostess, if he could not impress her; though he would have preferred to impress her. He sat silent, holding the precious little book of poems unopened in his hands, and Katharine watched him, the melancholy or contemplative expression deepening in her eyes as her annoyance faded. She appeared to be considering many things. She had forgotten her duties. "Well," said Denham again, suddenly opening the little book of poems, as though he had said all that he meant to say or could, with propriety, say. He turned over the pages with great decision, as if he were judging the book in its entirety, the printing and paper and binding, as well as the poetry, and then, having satisfied himself of its good or bad quality, he placed it on the writing-table, and examined the malacca cane with the gold knob which had belonged to the soldier. "But aren t you proud of your family?" Katharine demanded. "No," said Denham. "We ve never done anything to be proud of unless you count paying one s bills a matter for pride." "That sounds rather dull," Katharine remarked. "You would think us horribly dull," Denham agreed. "Yes, I might find you dull, but I don t think I should find you ridiculous," Katharine added, as if Denham had actually brought that charge against her family. "No because we re not in the least ridiculous. We re a respectable middle-class family, living at Highgate." "We don t live at Highgate, but we re middle class too, I suppose." Denham merely smiled, and replacing the malacca cane on the rack, he drew a sword from its ornamental sheath. "That belonged to Clive, so we say," said Katharine, taking up her duties as hostess again automatically. "Is it a lie?" Denham inquired. "It s a family tradition. I don t know that we can prove it." "You see, we don t have traditions in our family," said Denham. "You sound very dull," Katharine remarked, for the second time. "Merely middle class," Denham replied. "You pay your bills, and you speak the truth. I don t see why you should despise us." Mr. Denham carefully sheathed the sword which the Hilberys said belonged to Clive. "I shouldn t like to be you; that s all I said," he replied, as if he were saying what he thought as accurately as he could. "No, but one never would like to be any one else." "I should. I should like to be lots of other people." "Then why not us?" Katharine asked. Denham looked at her as she sat in her grandfather s arm-chair, drawing her great-uncle s malacca cane smoothly through her fingers, while her background was made up equally of lustrous blue-and-white paint, and crimson books with gilt lines on them. The vitality and composure of her attitude, as of a bright-plumed bird poised easily before further flights, roused him to show her the limitations of her lot. So soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are writing a life of your grandfather, aren t you? And this kind of thing" he nodded towards the other room, where they could hear bursts of cultivated laughter "must take up a lot of time." She looked at him expectantly, as if between them they were decorating a small figure of herself, and she saw him hesitating in the disposition of some bow or sash. "You ve got it very nearly right," she said, "but I only help my mother. I don t write myself." "Do you do anything yourself?" he demanded. "What do you mean?" she asked. "I don t leave the house at ten and come back at six." "I don t mean that." Mr. Denham had recovered his self-control; he spoke with a quietness which made Katharine rather anxious that he should explain himself, but at the same time she wished to annoy him, to waft him away from her on some light current of ridicule or satire, as she was wont to do with these intermittent young men of her father s. "Nobody ever does do anything worth doing nowadays," she remarked. "You see" she tapped the volume of her grandfather s poems "we don t even print as well as they did, and as for poets or painters or novelists there are none; so, at any rate, I m not singular." "No, we haven t any great men," Denham replied. "I m very glad that we haven t. I hate great men. The worship of greatness in the nineteenth century seems to me to explain the worthlessness of that generation." Katharine opened her lips and drew in her breath, as if to reply with equal vigor, when the shutting of a door in the next room withdrew her attention, and they both became conscious that the voices, which had been rising and falling round the tea-table, had fallen silent; the light, even, seemed to have sunk lower. A moment later Mrs. Hilbery appeared in the doorway of the ante-room. She stood looking at them with a smile of expectancy on her face, as if a scene from the drama of the younger generation were being played for her benefit. She was a remarkable-looking woman, well advanced in the sixties, but owing to the lightness of her frame and the brightness of her eyes she seemed to have been wafted over the surface of the years without taking much harm in the passage. Her face was shrunken and aquiline, but any hint of sharpness was dispelled by the large blue eyes, at once sagacious and innocent, which seemed to regard the world with an enormous desire that it should behave itself nobly, and an entire confidence that it could do so, if it would only take the pains. Certain lines on the broad forehead and about the lips might be taken to suggest that she had known moments of some difficulty and perplexity in the course of her career, but these had not destroyed her trustfulness, and she was clearly still prepared to give every one any number of fresh chances and the whole system the benefit of the doubt. She wore a great resemblance to her father, and suggested, as he did, the fresh airs and open spaces of a younger world. "Well," she said, "how do you like our things, Mr. Denham?" Mr. Denham rose, put his book down, opened his mouth, but said nothing, as Katharine observed, with some amusement. Mrs. Hilbery handled the book he had laid down. "There are some books that _live_," she mused. "They are young with us, and they grow old with us. Are you fond of poetry, Mr. Denham? But what an absurd question to ask! The truth is, dear Mr. Fortescue has almost tired me out. He is so eloquent and so witty, so searching and so profound that, after half an hour or so, I feel inclined to turn out all the lights. But perhaps he d be more wonderful than ever in the dark. What d you think, Katharine? Shall we give a little party in complete darkness? There d have to be bright rooms for the bores...." Here Mr. Denham held out his hand. "But we ve any number of things to show you!" Mrs. Hilbery exclaimed, taking no notice of it. "Books, pictures, china, manuscripts, and the very chair that Mary Queen of Scots sat in when she heard of Darnley s murder. I must lie down for a little, and Katharine	in its entirety, the printing and paper and binding, as well as the poetry, and then, having satisfied himself of its good or bad quality, he placed it on the writing-table, and examined the malacca cane with the gold knob which had belonged to the soldier. "But aren t you proud of your family?" Katharine demanded. "No," said Denham. "We ve never done anything to be proud of unless you count paying one s bills a matter for pride." "That sounds rather dull," Katharine remarked. "You would think us horribly dull," Denham agreed. "Yes, I might find you dull, but I don t think I should find you ridiculous," Katharine added, as if Denham had actually brought that charge against her family. "No because we re not in the least ridiculous. We re a respectable middle-class family, living at Highgate." "We don t live at Highgate, but we re middle class too, I suppose." Denham merely smiled, and replacing the malacca cane on the rack, he drew a sword from its ornamental sheath. "That belonged to Clive, so we say," said Katharine, taking up her duties as hostess again automatically. "Is it a lie?" Denham inquired. "It s a family tradition. I don t know that we can prove it." "You see, we don t have traditions in our family," said Denham. "You sound very dull," Katharine remarked, for the second time. "Merely middle class," Denham replied. "You pay your bills, and you speak the truth. I don t see why you should despise us." Mr. Denham carefully sheathed the sword which the Hilberys said belonged to Clive. "I shouldn t like to be you; that s all I said," he replied, as if he were saying what he thought as accurately as he could. "No, but one never would like to be any one else." "I should. I should like to be lots of other people." "Then why not us?" Katharine asked. Denham looked at her as she sat in her grandfather s arm-chair, drawing her great-uncle s malacca cane smoothly through her fingers, while her background was made up equally of lustrous blue-and-white paint, and crimson books with gilt lines on them. The vitality and composure of her attitude, as of a bright-plumed bird poised easily before further flights, roused him to show her the limitations of her lot. So soon, so easily, would he be forgotten. "You ll never know anything at first hand," he began, almost savagely. "It s all been done for you. You ll never know the pleasure of buying things after saving up for them, or reading books for the first time, or making discoveries."<\|quote\|>"Go on,"</\|quote\|>Katharine observed, as he paused, suddenly doubtful, when he heard his voice proclaiming aloud these facts, whether there was any truth in them. "Of course, I don t know how you spend your time," he continued, a little stiffly, "but I suppose you have to show people round. You are writing a life of your grandfather, aren t you? And this kind of thing" he nodded towards the other room, where they could hear bursts of cultivated laughter "must take up a lot of time." She looked at him expectantly, as if between them they were decorating a small figure of herself, and she saw him hesitating in the disposition of some bow or sash. "You ve got it very nearly right," she said, "but I only help my mother. I don t write myself." "Do you do anything yourself?" he demanded. "What do you mean?" she asked. "I don t leave the house at ten and come back at six." "I don t mean that." Mr. Denham had recovered his self-control; he spoke with a quietness which made Katharine rather anxious that he should explain himself, but at the same time she wished to annoy him, to waft him away from her on some light current of ridicule or satire, as she was wont to do with these intermittent young men of her father s. "Nobody ever does do anything worth doing nowadays," she remarked. "You see" she tapped the volume of her grandfather s poems "we don t even print as well as they did, and as for poets or painters or novelists there are none; so, at any rate, I m not singular." "No, we haven t any great men," Denham replied. "I m very glad that we haven t. I hate great men. The worship of greatness in the nineteenth century seems to me to explain the worthlessness of that generation." Katharine opened her lips and drew in her breath, as if to reply with equal vigor, when the shutting of a door in the next room withdrew her attention, and they both became conscious that the voices, which had been rising and falling round the tea-table, had fallen silent; the light, even, seemed to have sunk lower. A moment later Mrs. Hilbery appeared in the doorway of the ante-room. She stood looking at them with a smile of expectancy on her face, as if a scene from the drama of the younger generation were being played for her benefit. She was a remarkable-looking woman, well advanced in the sixties, but owing to the lightness of her frame and the brightness of her eyes she seemed to have been wafted over the surface of the years without taking much harm in the	Night And Day
"If she still needs me, she's determined not to let me see it,"	Newland Archer	a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her	gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank	muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the	leave you to find that out! He's been down to Florida to see his sweetheart." "Yes, I know." She still looked at him. "I went to see your mother, to ask where you'd gone. I sent a note that you never answered, and I was afraid you were ill." He muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the silly girl on his knees! That's something like a lover--that's the way handsome Bob Spicer carried off my poor mother; and then got tired of her before I was weaned--though they only had to wait eight months for me! But there--you're not a Spicer, young man; luckily for you and	boy I've no doubt you liked to be helped first." She threw back her head with a laugh that made her chins ripple like little waves. "Ah, here's my Ellen now!" she exclaimed, as the portieres parted behind her. Madame Olenska came forward with a smile. Her face looked vivid and happy, and she held out her hand gaily to Archer while she stooped to her grandmother's kiss. "I was just saying to him, my dear: 'Now, why didn't you marry my little Ellen?'" Madame Olenska looked at Archer, still smiling. "And what did he answer?" "Oh, my darling, I leave you to find that out! He's been down to Florida to see his sweetheart." "Yes, I know." She still looked at him. "I went to see your mother, to ask where you'd gone. I sent a note that you never answered, and I was afraid you were ill." He muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the silly girl on his knees! That's something like a lover--that's the way handsome Bob Spicer carried off my poor mother; and then got tired of her before I was weaned--though they only had to wait eight months for me! But there--you're not a Spicer, young man; luckily for you and for May. It's only my poor Ellen that has kept any of their wicked blood; the rest of them are all model Mingotts," cried the old lady scornfully. Archer was aware that Madame Olenska, who had seated herself at her grandmother's side, was still thoughtfully scrutinising him. The gaiety had faded from her eyes, and she said with great gentleness: "Surely, Granny, we can persuade them between us to do as he wishes." Archer rose to go, and as his hand met Madame Olenska's he felt that she was waiting for him to make some allusion to her unanswered letter.	I built this house you'd have thought I was moving to California! Nobody ever HAD built above Fortieth Street--no, says I, nor above the Battery either, before Christopher Columbus discovered America. No, no; not one of them wants to be different; they're as scared of it as the small-pox. Ah, my dear Mr. Archer, I thank my stars I'm nothing but a vulgar Spicer; but there's not one of my own children that takes after me but my little Ellen." She broke off, still twinkling at him, and asked, with the casual irrelevance of old age: "Now, why in the world didn't you marry my little Ellen?" Archer laughed. "For one thing, she wasn't there to be married." "No--to be sure; more's the pity. And now it's too late; her life is finished." She spoke with the cold-blooded complacency of the aged throwing earth into the grave of young hopes. The young man's heart grew chill, and he said hurriedly: "Can't I persuade you to use your influence with the Wellands, Mrs. Mingott? I wasn't made for long engagements." Old Catherine beamed on him approvingly. "No; I can see that. You've got a quick eye. When you were a little boy I've no doubt you liked to be helped first." She threw back her head with a laugh that made her chins ripple like little waves. "Ah, here's my Ellen now!" she exclaimed, as the portieres parted behind her. Madame Olenska came forward with a smile. Her face looked vivid and happy, and she held out her hand gaily to Archer while she stooped to her grandmother's kiss. "I was just saying to him, my dear: 'Now, why didn't you marry my little Ellen?'" Madame Olenska looked at Archer, still smiling. "And what did he answer?" "Oh, my darling, I leave you to find that out! He's been down to Florida to see his sweetheart." "Yes, I know." She still looked at him. "I went to see your mother, to ask where you'd gone. I sent a note that you never answered, and I was afraid you were ill." He muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the silly girl on his knees! That's something like a lover--that's the way handsome Bob Spicer carried off my poor mother; and then got tired of her before I was weaned--though they only had to wait eight months for me! But there--you're not a Spicer, young man; luckily for you and for May. It's only my poor Ellen that has kept any of their wicked blood; the rest of them are all model Mingotts," cried the old lady scornfully. Archer was aware that Madame Olenska, who had seated herself at her grandmother's side, was still thoughtfully scrutinising him. The gaiety had faded from her eyes, and she said with great gentleness: "Surely, Granny, we can persuade them between us to do as he wishes." Archer rose to go, and as his hand met Madame Olenska's he felt that she was waiting for him to make some allusion to her unanswered letter. "When can I see you?" he asked, as she walked with him to the door of the room. "Whenever you like; but it must be soon if you want to see the little house again. I am moving next week." A pang shot through him at the memory of his lamplit hours in the low-studded drawing-room. Few as they had been, they were thick with memories. "Tomorrow evening?" She nodded. "Tomorrow; yes; but early. I'm going out." The next day was a Sunday, and if she were "going out" on a Sunday evening it could, of course, be only to Mrs. Lemuel Struthers's. He felt a slight movement of annoyance, not so much at her going there (for he rather liked her going where she pleased in spite of the van der Luydens), but because it was the kind of house at which she was sure to meet Beaufort, where she must have known beforehand that she would meet him--and where she was probably going for that purpose. "Very well; tomorrow evening," he repeated, inwardly resolved that he would not go early, and that by reaching her door late he would either prevent her from going to Mrs. Struthers's, or	by it; and Newland guessed that she was slightly annoyed that he should be surprised by Madame Olenska's visit. "She had on a black velvet polonaise with jet buttons, and a tiny green monkey muff; I never saw her so stylishly dressed," Janey continued. "She came alone, early on Sunday afternoon; luckily the fire was lit in the drawing-room. She had one of those new card-cases. She said she wanted to know us because you'd been so good to her." Newland laughed. "Madame Olenska always takes that tone about her friends. She's very happy at being among her own people again." "Yes, so she told us," said Mrs. Archer. "I must say she seems thankful to be here." "I hope you liked her, mother." Mrs. Archer drew her lips together. "She certainly lays herself out to please, even when she is calling on an old lady." "Mother doesn't think her simple," Janey interjected, her eyes screwed upon her brother's face. "It's just my old-fashioned feeling; dear May is my ideal," said Mrs. Archer. "Ah," said her son, "they're not alike." Archer had left St. Augustine charged with many messages for old Mrs. Mingott; and a day or two after his return to town he called on her. The old lady received him with unusual warmth; she was grateful to him for persuading the Countess Olenska to give up the idea of a divorce; and when he told her that he had deserted the office without leave, and rushed down to St. Augustine simply because he wanted to see May, she gave an adipose chuckle and patted his knee with her puff-ball hand. "Ah, ah--so you kicked over the traces, did you? And I suppose Augusta and Welland pulled long faces, and behaved as if the end of the world had come? But little May--she knew better, I'll be bound?" "I hoped she did; but after all she wouldn't agree to what I'd gone down to ask for." "Wouldn't she indeed? And what was that?" "I wanted to get her to promise that we should be married in April. What's the use of our wasting another year?" Mrs. Manson Mingott screwed up her little mouth into a grimace of mimic prudery and twinkled at him through malicious lids. "'Ask Mamma,' I suppose--the usual story. Ah, these Mingotts--all alike! Born in a rut, and you can't root 'em out of it. When I built this house you'd have thought I was moving to California! Nobody ever HAD built above Fortieth Street--no, says I, nor above the Battery either, before Christopher Columbus discovered America. No, no; not one of them wants to be different; they're as scared of it as the small-pox. Ah, my dear Mr. Archer, I thank my stars I'm nothing but a vulgar Spicer; but there's not one of my own children that takes after me but my little Ellen." She broke off, still twinkling at him, and asked, with the casual irrelevance of old age: "Now, why in the world didn't you marry my little Ellen?" Archer laughed. "For one thing, she wasn't there to be married." "No--to be sure; more's the pity. And now it's too late; her life is finished." She spoke with the cold-blooded complacency of the aged throwing earth into the grave of young hopes. The young man's heart grew chill, and he said hurriedly: "Can't I persuade you to use your influence with the Wellands, Mrs. Mingott? I wasn't made for long engagements." Old Catherine beamed on him approvingly. "No; I can see that. You've got a quick eye. When you were a little boy I've no doubt you liked to be helped first." She threw back her head with a laugh that made her chins ripple like little waves. "Ah, here's my Ellen now!" she exclaimed, as the portieres parted behind her. Madame Olenska came forward with a smile. Her face looked vivid and happy, and she held out her hand gaily to Archer while she stooped to her grandmother's kiss. "I was just saying to him, my dear: 'Now, why didn't you marry my little Ellen?'" Madame Olenska looked at Archer, still smiling. "And what did he answer?" "Oh, my darling, I leave you to find that out! He's been down to Florida to see his sweetheart." "Yes, I know." She still looked at him. "I went to see your mother, to ask where you'd gone. I sent a note that you never answered, and I was afraid you were ill." He muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the silly girl on his knees! That's something like a lover--that's the way handsome Bob Spicer carried off my poor mother; and then got tired of her before I was weaned--though they only had to wait eight months for me! But there--you're not a Spicer, young man; luckily for you and for May. It's only my poor Ellen that has kept any of their wicked blood; the rest of them are all model Mingotts," cried the old lady scornfully. Archer was aware that Madame Olenska, who had seated herself at her grandmother's side, was still thoughtfully scrutinising him. The gaiety had faded from her eyes, and she said with great gentleness: "Surely, Granny, we can persuade them between us to do as he wishes." Archer rose to go, and as his hand met Madame Olenska's he felt that she was waiting for him to make some allusion to her unanswered letter. "When can I see you?" he asked, as she walked with him to the door of the room. "Whenever you like; but it must be soon if you want to see the little house again. I am moving next week." A pang shot through him at the memory of his lamplit hours in the low-studded drawing-room. Few as they had been, they were thick with memories. "Tomorrow evening?" She nodded. "Tomorrow; yes; but early. I'm going out." The next day was a Sunday, and if she were "going out" on a Sunday evening it could, of course, be only to Mrs. Lemuel Struthers's. He felt a slight movement of annoyance, not so much at her going there (for he rather liked her going where she pleased in spite of the van der Luydens), but because it was the kind of house at which she was sure to meet Beaufort, where she must have known beforehand that she would meet him--and where she was probably going for that purpose. "Very well; tomorrow evening," he repeated, inwardly resolved that he would not go early, and that by reaching her door late he would either prevent her from going to Mrs. Struthers's, or else arrive after she had started--which, all things considered, would no doubt be the simplest solution. It was only half-past eight, after all, when he rang the bell under the wisteria; not as late as he had intended by half an hour--but a singular restlessness had driven him to her door. He reflected, however, that Mrs. Struthers's Sunday evenings were not like a ball, and that her guests, as if to minimise their delinquency, usually went early. The one thing he had not counted on, in entering Madame Olenska's hall, was to find hats and overcoats there. Why had she bidden him to come early if she was having people to dine? On a closer inspection of the garments besides which Nastasia was laying his own, his resentment gave way to curiosity. The overcoats were in fact the very strangest he had ever seen under a polite roof; and it took but a glance to assure himself that neither of them belonged to Julius Beaufort. One was a shaggy yellow ulster of "reach-me-down" cut, the other a very old and rusty cloak with a cape--something like what the French called a "Macfarlane." This garment, which appeared to be made for a person of prodigious size, had evidently seen long and hard wear, and its greenish-black folds gave out a moist sawdusty smell suggestive of prolonged sessions against bar-room walls. On it lay a ragged grey scarf and an odd felt hat of semiclerical shape. Archer raised his eyebrows enquiringly at Nastasia, who raised hers in return with a fatalistic "Gia!" as she threw open the drawing-room door. The young man saw at once that his hostess was not in the room; then, with surprise, he discovered another lady standing by the fire. This lady, who was long, lean and loosely put together, was clad in raiment intricately looped and fringed, with plaids and stripes and bands of plain colour disposed in a design to which the clue seemed missing. Her hair, which had tried to turn white and only succeeded in fading, was surmounted by a Spanish comb and black lace scarf, and silk mittens, visibly darned, covered her rheumatic hands. Beside her, in a cloud of cigar-smoke, stood the owners of the two overcoats, both in morning clothes that they had evidently not taken off since morning. In one of the two, Archer, to his surprise, recognised Ned Winsett;	that?" "I wanted to get her to promise that we should be married in April. What's the use of our wasting another year?" Mrs. Manson Mingott screwed up her little mouth into a grimace of mimic prudery and twinkled at him through malicious lids. "'Ask Mamma,' I suppose--the usual story. Ah, these Mingotts--all alike! Born in a rut, and you can't root 'em out of it. When I built this house you'd have thought I was moving to California! Nobody ever HAD built above Fortieth Street--no, says I, nor above the Battery either, before Christopher Columbus discovered America. No, no; not one of them wants to be different; they're as scared of it as the small-pox. Ah, my dear Mr. Archer, I thank my stars I'm nothing but a vulgar Spicer; but there's not one of my own children that takes after me but my little Ellen." She broke off, still twinkling at him, and asked, with the casual irrelevance of old age: "Now, why in the world didn't you marry my little Ellen?" Archer laughed. "For one thing, she wasn't there to be married." "No--to be sure; more's the pity. And now it's too late; her life is finished." She spoke with the cold-blooded complacency of the aged throwing earth into the grave of young hopes. The young man's heart grew chill, and he said hurriedly: "Can't I persuade you to use your influence with the Wellands, Mrs. Mingott? I wasn't made for long engagements." Old Catherine beamed on him approvingly. "No; I can see that. You've got a quick eye. When you were a little boy I've no doubt you liked to be helped first." She threw back her head with a laugh that made her chins ripple like little waves. "Ah, here's my Ellen now!" she exclaimed, as the portieres parted behind her. Madame Olenska came forward with a smile. Her face looked vivid and happy, and she held out her hand gaily to Archer while she stooped to her grandmother's kiss. "I was just saying to him, my dear: 'Now, why didn't you marry my little Ellen?'" Madame Olenska looked at Archer, still smiling. "And what did he answer?" "Oh, my darling, I leave you to find that out! He's been down to Florida to see his sweetheart." "Yes, I know." She still looked at him. "I went to see your mother, to ask where you'd gone. I sent a note that you never answered, and I was afraid you were ill." He muttered something about leaving unexpectedly, in a great hurry, and having intended to write to her from St. Augustine. "And of course once you were there you never thought of me again!" She continued to beam on him with a gaiety that might have been a studied assumption of indifference.<\|quote\|>"If she still needs me, she's determined not to let me see it,"</\|quote\|>he thought, stung by her manner. He wanted to thank her for having been to see his mother, but under the ancestress's malicious eye he felt himself tongue-tied and constrained. "Look at him--in such hot haste to get married that he took French leave and rushed down to implore the silly girl on his knees! That's something like a lover--that's the way handsome Bob Spicer carried off my poor mother; and then got tired of her before I was weaned--though they only had to wait eight months for me! But there--you're not a Spicer, young man; luckily for you and for May. It's only my poor Ellen that has kept any of their wicked blood; the rest of them are all model Mingotts," cried the old lady scornfully. Archer was aware that Madame Olenska, who had seated herself at her grandmother's side, was still thoughtfully scrutinising him. The gaiety had faded from her eyes, and she said with great gentleness: "Surely, Granny, we can persuade them between us to do as he wishes." Archer rose to go, and as his hand met Madame Olenska's he felt that she was waiting for him to make some allusion to her unanswered letter. "When can I see you?" he asked, as she walked with him to the door of the room. "Whenever you like; but it must be soon if you want to see the little house again. I am moving next week." A pang shot through him at the memory of his lamplit hours in the low-studded drawing-room. Few as they had been, they were thick with memories. "Tomorrow evening?" She nodded. "Tomorrow; yes; but early. I'm going out." The next day was a Sunday, and if she were "going out" on a Sunday evening it could, of course, be only to Mrs. Lemuel Struthers's. He	The Age Of Innocence
"It arn't bad,"	Jem Wimble	TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling."	a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who	them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to	"G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth. "It's all very well, Mas' Don," he said, with his mouth full; "but if he comes and says `my	they'll send to look for us, Mas' Don?" "I should say they would." "Well, somehow," said Jem, "I seem to fancy they'll think we're drowned, and never send at all. But, look here; what's all this yaller stuff?" "Sulphur." "What, brimstone? Why, so it is. Think o' their buying brimstone to lay down about their hot baths. I know!" cried Jem, slapping his thigh, "they uses it instead of coal, Mas' Don; burns it to make the water hot." "No, no, Jem; that's natural sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth. "It's all very well, Mas' Don," he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search	Mas' Don," said Jem; "I feel as fresh as a daisy, and--well, I never did! Mas' Don, what a guy you do look!" Don, after a momentary thought that he looked something like one of the old Romans in a toga, just as he had seen them in an engraving, had been so taken up with the beauty of the ferny gully, with the sun gilding here and there the steamy vapour which rose from the hot springs, that he had thought no more of his personal appearance till Jem spoke. "Guy?" he said, laughing, as he ran his eye over Jem. "I say, did you ever hear the story of the pot and the kettle?" "Yes, of course; but I say, my lad, I don't look so rum as you, do I?" "I suppose you look just about the same, Jem." "Then the sooner they gets our clothes dry and we're into 'em again, the sooner we shall look like human beings. Say, Mas' Don, it's werry awkward; you can't say anything to that big savage without him shouting `pakeha.' How shall we ask for our clothes?" "Wait," said Don. "We've got to think about getting further away." "Think they'll send to look for us, Mas' Don?" "I should say they would." "Well, somehow," said Jem, "I seem to fancy they'll think we're drowned, and never send at all. But, look here; what's all this yaller stuff?" "Sulphur." "What, brimstone? Why, so it is. Think o' their buying brimstone to lay down about their hot baths. I know!" cried Jem, slapping his thigh, "they uses it instead of coal, Mas' Don; burns it to make the water hot." "No, no, Jem; that's natural sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth. "It's all very well, Mas' Don," he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search for you," he said quickly, and then turned to Ngati and spoke a few words with the result that the chief rushed at the escaped pair, and signed to them to rise. "Yes," said the Englishman, "you had better go with him and hide for a bit. We'll let you know when they are gone." "Tell them to give us our clothes," said Jem sourly. "Yes, of course. They would tell tales," said the Englishman; and he turned again to Ngati, who sent two men out of the _whare_ to return directly with the dried garments. Ngati signed to them to follow, and he led them, by a faintly marked track, in and out among the trees and the cleared patches which formed the natives' gardens, and all the while carefully avoiding any openings through which the harbour could be seen. Every now and then he turned to speak volubly, but though he interpolated a few English words, his meaning would have been incomprehensible but for his gestures and the warnings nature kept giving of danger. For every here and there, as they wound in and out among the trees, they came upon soft, boggy places, where the ground was	Did you hear me holler?" "Hear you? Yes.--How delicious and restful it feels." "Ah, it do, my lad; but don't you let any on it get into your mouth. I did, and arn't good. But I say; what's it mean? Seems so rum to me coming to meet us in a canoe and bringing us ashore, and giving us hot baths. I don't seem to understand it. Nobody does such things over at home." As they lay in the roughly-made stone slab baths, into which the volcanic water effervesced and gurgled, the followers of Ngati came and went busily, and a curious transformation came over the scene--the darkness seemed to undergo a change and become grey. Then as Don watched, he saw that above his head quite a cloud of steam was floating, through which a pale, sad light began to penetrate; and as he watched this, so pleasant and restful was the sensation that he felt as if he could sleep, till he took into consideration the fact that if he did, his body would become relaxed, and he would slip down with his head beneath the surface. As it grew lighter rapidly now, he could make out that the roughly thatched roof was merely stretched over a rough rocky nook in which the hot spring bubbled out of the mountain slope, and here a few rough slabs had been laid together, box-fashion, to retain the water and form the bath. Before he had more than realised the fact that Jem was in a shelter very similar to his own, the huge New Zealander was back with about a dozen of his men, and himself bearing a great native flax cloth marked with a broad pattern. Just as the sun had transformed everything without, and Don was gazing on a glorious prospect of lace-like tree-fern rising out of the steaming gully in which he stood, Jem Wimble came stalking out of the shelter where he had been dressing--a very simple operation, for it had consisted in draping himself in a great unbleached cloth--and looking squat and comical as a man in his circumstances could look. Ngati was close at hand with his men all standing in a group, and at first sight it seemed as if they were laughing at the little, stoutly-built, pink-faced man, but, on the contrary, they were smiles of admiration. "I couldn't ha' believed it, Mas' Don," said Jem; "I feel as fresh as a daisy, and--well, I never did! Mas' Don, what a guy you do look!" Don, after a momentary thought that he looked something like one of the old Romans in a toga, just as he had seen them in an engraving, had been so taken up with the beauty of the ferny gully, with the sun gilding here and there the steamy vapour which rose from the hot springs, that he had thought no more of his personal appearance till Jem spoke. "Guy?" he said, laughing, as he ran his eye over Jem. "I say, did you ever hear the story of the pot and the kettle?" "Yes, of course; but I say, my lad, I don't look so rum as you, do I?" "I suppose you look just about the same, Jem." "Then the sooner they gets our clothes dry and we're into 'em again, the sooner we shall look like human beings. Say, Mas' Don, it's werry awkward; you can't say anything to that big savage without him shouting `pakeha.' How shall we ask for our clothes?" "Wait," said Don. "We've got to think about getting further away." "Think they'll send to look for us, Mas' Don?" "I should say they would." "Well, somehow," said Jem, "I seem to fancy they'll think we're drowned, and never send at all. But, look here; what's all this yaller stuff?" "Sulphur." "What, brimstone? Why, so it is. Think o' their buying brimstone to lay down about their hot baths. I know!" cried Jem, slapping his thigh, "they uses it instead of coal, Mas' Don; burns it to make the water hot." "No, no, Jem; that's natural sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth. "It's all very well, Mas' Don," he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search for you," he said quickly, and then turned to Ngati and spoke a few words with the result that the chief rushed at the escaped pair, and signed to them to rise. "Yes," said the Englishman, "you had better go with him and hide for a bit. We'll let you know when they are gone." "Tell them to give us our clothes," said Jem sourly. "Yes, of course. They would tell tales," said the Englishman; and he turned again to Ngati, who sent two men out of the _whare_ to return directly with the dried garments. Ngati signed to them to follow, and he led them, by a faintly marked track, in and out among the trees and the cleared patches which formed the natives' gardens, and all the while carefully avoiding any openings through which the harbour could be seen. Every now and then he turned to speak volubly, but though he interpolated a few English words, his meaning would have been incomprehensible but for his gestures and the warnings nature kept giving of danger. For every here and there, as they wound in and out among the trees, they came upon soft, boggy places, where the ground was hot; and as the pressure of the foot sent hissing forth a jet of steam, it was evident that a step to right or left of the narrow track meant being plunged into a pool of heated mud of unknown depth. In other places the hot mud bubbled up in rounded pools, spitting, hissing, and bursting with faint cracks that were terribly suggestive of danger. Over these heated spots the fertility and growth of the plants was astounding. They seemed to be shooting up out of a natural hothouse, but where to attempt to pass them meant a terrible and instant death. "Look out, Mas' Don! This here's what I once heard a clown say, `It's dangerous to be safe.' I say, figgerhead, arn't there no other way?" "Ship! Men! Catchee, catchee," said Ngati, in a whisper. "Hear that, Mas' Don? Any one'd think we was babbies. Ketchy, ketchy, indeed! You ask him if there arn't no other way. I don't like walking in a place that's like so much hot soup." "Be quiet, and follow. Hist! Hark!" Don stopped short, for, from a distance, came a faint hail, followed by another nearer, which seemed to be in answer. "They're arter us, sir, and if we're to be ketched I don't mean to be ketched like this." "What are you going to do, Jem?" "Do?" said Jem, unrolling his bundled-up clothes, and preparing to sit down, "make myself look like an ornery Chrishtun." "Don't sit down there, Jem!" cried Don, as Ngati gave a warning cry at the same moment, and started back. But they were too late, for Jem had chosen a delicately green mossy and ferny patch, and plumped himself down, to utter a cry of horror, and snatch at the extended hands. For the green ferny patch was a thin covering over a noisome hole full of black boiling mud, into which the poor fellow was settling as he was dragged out. "Fah!" ejaculated Jem, pinching his nose. "Here, I've had 'most enough o' this place. Nice sort o' spot this would be to turn a donkey out to graze. Why, you wouldn't find nothing but the tips of his ears to-morrow morning." Another hail rang out, and was answered in two places. "I say, Mas' Don, they're hunting for us, and we shall have to run." He made signs to the chief indicative of a desire	with about a dozen of his men, and himself bearing a great native flax cloth marked with a broad pattern. Just as the sun had transformed everything without, and Don was gazing on a glorious prospect of lace-like tree-fern rising out of the steaming gully in which he stood, Jem Wimble came stalking out of the shelter where he had been dressing--a very simple operation, for it had consisted in draping himself in a great unbleached cloth--and looking squat and comical as a man in his circumstances could look. Ngati was close at hand with his men all standing in a group, and at first sight it seemed as if they were laughing at the little, stoutly-built, pink-faced man, but, on the contrary, they were smiles of admiration. "I couldn't ha' believed it, Mas' Don," said Jem; "I feel as fresh as a daisy, and--well, I never did! Mas' Don, what a guy you do look!" Don, after a momentary thought that he looked something like one of the old Romans in a toga, just as he had seen them in an engraving, had been so taken up with the beauty of the ferny gully, with the sun gilding here and there the steamy vapour which rose from the hot springs, that he had thought no more of his personal appearance till Jem spoke. "Guy?" he said, laughing, as he ran his eye over Jem. "I say, did you ever hear the story of the pot and the kettle?" "Yes, of course; but I say, my lad, I don't look so rum as you, do I?" "I suppose you look just about the same, Jem." "Then the sooner they gets our clothes dry and we're into 'em again, the sooner we shall look like human beings. Say, Mas' Don, it's werry awkward; you can't say anything to that big savage without him shouting `pakeha.' How shall we ask for our clothes?" "Wait," said Don. "We've got to think about getting further away." "Think they'll send to look for us, Mas' Don?" "I should say they would." "Well, somehow," said Jem, "I seem to fancy they'll think we're drowned, and never send at all. But, look here; what's all this yaller stuff?" "Sulphur." "What, brimstone? Why, so it is. Think o' their buying brimstone to lay down about their hot baths. I know!" cried Jem, slapping his thigh, "they uses it instead of coal, Mas' Don; burns it to make the water hot." "No, no, Jem; that's natural sulphur." "So's all sulphur nat'ral." "But I mean this is where it is found, or comes." "G'long with you." "It is, Jem; and that water is naturally hot." "What, like it is at Bath?" "To be sure." "Well, that caps all. Some one said so the other day aboard ship, but I didn't believe it. Fancy a set o' savages having hot water all ready for them. I say, though, Mas' Don, it's very nice." Just then Ngati came up smiling, but as Jem afterwards said, looking like a figure-head that was going to bite, and they were led off to a _whare_ and furnished with a good substantial meal. CHAPTER TWENTY NINE. AN UNWELCOME RECOGNITION.<\|quote\|>"It arn't bad,"</\|quote\|>said Jem; "but it's puzzling." "What is?" said Don, who was partaking of broiled fish with no little appetite. "Why, how savages like these here should know all about cooking." The breakfast was eaten with an admiring circle of spectators at hand, while Ngati kept on going from Don to his tribesmen and back again, patting the lad's shoulder, and seeming to play the part of showman with no little satisfaction to himself, but with the effect of making Jem wroth. "It's all very well, Mas' Don," he said, with his mouth full; "but if he comes and says `my pakeha' to me, I shall throw something at him." "Oh, it's all kindly meant, Jem." "Oh, is it? I don't know so much about that. If it is, why don't they give us back our clothes? Suppose any of our fellows was to see us like this?" "I hope none of our fellows will see us, Jem." "Tomati Paroni! Tomati Paroni!" shouted several of the men in chorus. "Hark at 'em!" cried Jem scornfully. "What does that mean?" The explanation was given directly, for the tattooed Englishmen came running up to the _whare_. "Boats coming from the ship to search for you," he said quickly, and then turned to Ngati and spoke a few words with the result that the chief rushed at the escaped pair, and signed to them to rise. "Yes," said the Englishman, "you had better go with him and hide for a bit. We'll let you know when they are gone." "Tell them to give us our clothes," said Jem sourly. "Yes, of course. They would tell tales," said the Englishman; and he turned again to Ngati, who sent two men out of the _whare_ to return directly with the dried garments. Ngati signed to them to follow, and he led them, by a faintly marked track, in and out among the trees and the cleared patches which formed the natives' gardens, and all the while carefully avoiding any openings through which the harbour could be seen. Every now and then he turned to speak volubly, but though he interpolated a few English words, his meaning would have been incomprehensible but for his gestures and the warnings nature kept giving of danger. For every here and there, as they wound in and out among the trees, they came upon soft, boggy places, where the ground was hot; and as the pressure of the foot sent hissing forth a jet of steam, it was evident that a step to right or left of the narrow track meant being plunged into a pool of heated mud of unknown depth. In other places the hot mud bubbled up in rounded pools, spitting, hissing, and bursting with faint cracks that were terribly suggestive of danger. Over these heated spots the fertility and growth of the plants was astounding. They seemed to be shooting up out of a natural hothouse, but where to attempt to pass them meant a terrible and instant death. "Look out, Mas' Don! This here's what I once heard a clown say, `It's dangerous to be safe.' I say, figgerhead, arn't there no other way?" "Ship! Men! Catchee, catchee," said Ngati, in a whisper. "Hear that, Mas' Don? Any one'd think we was babbies. Ketchy, ketchy, indeed! You ask him if there arn't no other way. I don't like walking in a place that's like so much hot soup." "Be quiet, and follow. Hist! Hark!" Don	Don Lavington
A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.	No speaker	exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he	un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take	you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well,	my nephew," -- "I will be answerable for his appearance before the magistrates. That will be sufficient, I presume." "Yes, sir, I suppose that will do," said the constable. "But I s'pose it won't," said Mike. "He's the monkey and I'm only the cat. You've got to take him if you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well, sir, you could," said the constable, grimly; "but if you'd have in three or four of your men, and a short step ladder, we could soon carry him off." "No man sha'n't carry me off," roared Mike, as Jem ran out of the office with great alacrity, and returned in	Not now!" Lindon's heart leapt at that word "_no_!" But it sank again at the "_not now_." "But the case is awkward, sir," said the constable. "After what this man has said we shall be obliged to take some notice of the matter." "'Bliged to? Course you will. Here, bring 'im along. Come on, mate. I can tell you stories all night now about my bygones. Keep up yer sperrits, and I daresay the magistrits 'll let you off pretty easy." "If there is any charge made against my young clerk," --Don winced, for his uncle did not say, "against my nephew," -- "I will be answerable for his appearance before the magistrates. That will be sufficient, I presume." "Yes, sir, I suppose that will do," said the constable. "But I s'pose it won't," said Mike. "He's the monkey and I'm only the cat. You've got to take him if you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well, sir, you could," said the constable, grimly; "but if you'd have in three or four of your men, and a short step ladder, we could soon carry him off." "No man sha'n't carry me off," roared Mike, as Jem ran out of the office with great alacrity, and returned in a very short time with three men and a stout ladder, about nine feet long. "That's the sort, Wimble," said the constable. "Didn't think of a rope, did you?" "Did I think of two ropes?" said Jem, grinning. "Ah!" ejaculated the constable. "Now, Mike Bannock, I just warn you that any violence will make your case worse. Take my advice, get up and come quietly." "Take young Don Lavington too, then, and I will." "Get up, and walk quietly." "Not 'less you takes him." "Sorry to make a rumpus, sir," said the constable, apologetically; "but I must have him out."	a ferocious glare at Don. "All right, Mike, you tell the magistrates that," said the constable, "and don't forget." "I arn't going 'fore no magistrits," grumbled Mike. "Yes, you are," said the constable, taking a pair of handcuffs from his pocket. "Now then, is it to be quietly?" Mike made a furious gesture. "Just as you like," said the constable. "Jem Wimble, I call you in the King's name to help." "Which I just will," cried Jem, with alacrity; and he made at Mike, while Don felt a strange desire tingling in his veins as he longed to help as well. "I gives in," growled Mike. "I could chuck the whole lot on you outer winder, but I won't. It would only make it seem as if I was guilty, and it's not guilty, and so I tell you. Master says I took the money, and I says it was that young Don Lavington as is the thief. Come on, youngster. I'll talk to you when we're in the lock-up." Don looked wildly from Mike to his uncle, whose eyes were fixed on the constable. "Do you charge the boy too, sir?" Uncle Josiah was silent for some moments. "No! Not now!" Lindon's heart leapt at that word "_no_!" But it sank again at the "_not now_." "But the case is awkward, sir," said the constable. "After what this man has said we shall be obliged to take some notice of the matter." "'Bliged to? Course you will. Here, bring 'im along. Come on, mate. I can tell you stories all night now about my bygones. Keep up yer sperrits, and I daresay the magistrits 'll let you off pretty easy." "If there is any charge made against my young clerk," --Don winced, for his uncle did not say, "against my nephew," -- "I will be answerable for his appearance before the magistrates. That will be sufficient, I presume." "Yes, sir, I suppose that will do," said the constable. "But I s'pose it won't," said Mike. "He's the monkey and I'm only the cat. You've got to take him if you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well, sir, you could," said the constable, grimly; "but if you'd have in three or four of your men, and a short step ladder, we could soon carry him off." "No man sha'n't carry me off," roared Mike, as Jem ran out of the office with great alacrity, and returned in a very short time with three men and a stout ladder, about nine feet long. "That's the sort, Wimble," said the constable. "Didn't think of a rope, did you?" "Did I think of two ropes?" said Jem, grinning. "Ah!" ejaculated the constable. "Now, Mike Bannock, I just warn you that any violence will make your case worse. Take my advice, get up and come quietly." "Take young Don Lavington too, then, and I will." "Get up, and walk quietly." "Not 'less you takes him." "Sorry to make a rumpus, sir," said the constable, apologetically; "but I must have him out." "The sooner the better," said Uncle Josiah, grimly. "I am ready to go, uncle," said Don, quietly. "I am not afraid." "Hold your tongue, sir!" said the merchant, sternly; "and stand out of the way." "Now, Mike," said the constable, "this is the third time of asking. Will you come quiet?" "Take him too," cried Mike. "Ready with those ropes, Wimble. You two, ready with that there. Now, Mike Bannock, you've been asked three times, and now you've got to mount that ladder." "Any man comes a-nigh me," roared Mike, "I'll--" He did not say what, for the constable dashed at him, and by an ingenious twist avoided a savage kick, threw the scoundrel over on his face, as he lay on the floor, and sat upon him, retaining his seat in spite of his struggles. "Step the first," said the constable, coolly. "Now, Wimble, I want that ladder passed under me, so as to lie right along on his back. Do you see?" "Yes, sir," cried Jem, eagerly; and taking the ladder as the constable sat astride the prostrate scoundrel, holding down his shoulders, and easing himself up, the ladder was passed between the officer's legs, and, in spite	genelmen, and I'm sorry I didn't speak out afore like a man, for he don't deserve what I did for him." "Hah!" ejaculated Uncle Josiah, and Don's face was full of despair. "You charge Mike Bannock, then, with stealing this money, sir," said the constable. "Yes, certainly." "What?" roared Mike, savagely, "charge me?" "That will do," said the constable, taking a little staff with a brass crown on the end from his pocket. "No nonsense, or I shall call in help. In the King's name, my lad. Do you give in?" "Give in? What for? I arn't done nothing. Charge him; he's the thief." Don started as if the word _thief_ were a stinging lash. Jem loosed his hold, and with double fists dashed at the scoundrel. "You say Master Don's a thief!" "Silence, Wimble! Stand back, sir," cried Uncle Josiah, sternly. "But, sir--" "Silence, man! Am I master here?" Jem drew back muttering. "Charge him, I say," continued Mike, boisterously; "and if you won't, I will. Look here, Mr Smithers, I charge this 'ere boy with going to his uncle's desk and taking all the gold, and leaving all the silver in a little hogamee bowl." "You seem to know all about it, Mike," said the constable, grimly. "Course I do, my lad. I seed him. Caught him in the werry act, and he dropped one o' the guineas, and it run away under the desk, and he couldn't find it." "You saw all that, eh?" said the constable. "Every bit of it. I swears to it, sir." "And how came you to be in the office to see it?" "How come I in the office to see it?" said Mike, staring; "how come I in the office to see it?" "Yes. Your work's in the yard, isn't it?" "Course it is," said Mike, with plenty of effrontery; "but I heerd the money jingling like, and I went in to see." "And very kind of you too, Mike," said the constable, jocularly. "Don't you forget to tell that to the magistrates." "Magistrits? What magistrits? Master arn't going to give me in custody, I know." "Indeed, but I am, you scoundrel," cried Uncle Josiah, wrathfully. "You are one of the worst kind of thieves--" "Here, take that back, master." "Worst kind of scoundrels--dogs who bite the hand that has fed them." "I tell yer it was him," said Mike, with a ferocious glare at Don. "All right, Mike, you tell the magistrates that," said the constable, "and don't forget." "I arn't going 'fore no magistrits," grumbled Mike. "Yes, you are," said the constable, taking a pair of handcuffs from his pocket. "Now then, is it to be quietly?" Mike made a furious gesture. "Just as you like," said the constable. "Jem Wimble, I call you in the King's name to help." "Which I just will," cried Jem, with alacrity; and he made at Mike, while Don felt a strange desire tingling in his veins as he longed to help as well. "I gives in," growled Mike. "I could chuck the whole lot on you outer winder, but I won't. It would only make it seem as if I was guilty, and it's not guilty, and so I tell you. Master says I took the money, and I says it was that young Don Lavington as is the thief. Come on, youngster. I'll talk to you when we're in the lock-up." Don looked wildly from Mike to his uncle, whose eyes were fixed on the constable. "Do you charge the boy too, sir?" Uncle Josiah was silent for some moments. "No! Not now!" Lindon's heart leapt at that word "_no_!" But it sank again at the "_not now_." "But the case is awkward, sir," said the constable. "After what this man has said we shall be obliged to take some notice of the matter." "'Bliged to? Course you will. Here, bring 'im along. Come on, mate. I can tell you stories all night now about my bygones. Keep up yer sperrits, and I daresay the magistrits 'll let you off pretty easy." "If there is any charge made against my young clerk," --Don winced, for his uncle did not say, "against my nephew," -- "I will be answerable for his appearance before the magistrates. That will be sufficient, I presume." "Yes, sir, I suppose that will do," said the constable. "But I s'pose it won't," said Mike. "He's the monkey and I'm only the cat. You've got to take him if you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well, sir, you could," said the constable, grimly; "but if you'd have in three or four of your men, and a short step ladder, we could soon carry him off." "No man sha'n't carry me off," roared Mike, as Jem ran out of the office with great alacrity, and returned in a very short time with three men and a stout ladder, about nine feet long. "That's the sort, Wimble," said the constable. "Didn't think of a rope, did you?" "Did I think of two ropes?" said Jem, grinning. "Ah!" ejaculated the constable. "Now, Mike Bannock, I just warn you that any violence will make your case worse. Take my advice, get up and come quietly." "Take young Don Lavington too, then, and I will." "Get up, and walk quietly." "Not 'less you takes him." "Sorry to make a rumpus, sir," said the constable, apologetically; "but I must have him out." "The sooner the better," said Uncle Josiah, grimly. "I am ready to go, uncle," said Don, quietly. "I am not afraid." "Hold your tongue, sir!" said the merchant, sternly; "and stand out of the way." "Now, Mike," said the constable, "this is the third time of asking. Will you come quiet?" "Take him too," cried Mike. "Ready with those ropes, Wimble. You two, ready with that there. Now, Mike Bannock, you've been asked three times, and now you've got to mount that ladder." "Any man comes a-nigh me," roared Mike, "I'll--" He did not say what, for the constable dashed at him, and by an ingenious twist avoided a savage kick, threw the scoundrel over on his face, as he lay on the floor, and sat upon him, retaining his seat in spite of his struggles. "Step the first," said the constable, coolly. "Now, Wimble, I want that ladder passed under me, so as to lie right along on his back. Do you see?" "Yes, sir," cried Jem, eagerly; and taking the ladder as the constable sat astride the prostrate scoundrel, holding down his shoulders, and easing himself up, the ladder was passed between the officer's legs, and, in spite of a good deal of heaving, savage kicking, and one or two fierce attempts to bite, right along till it was upon Mike's back, projecting nearly two feet beyond his head and feet. "Murder!" yelled Mike, hoarsely. "What? Does it hurt, my lad? Never mind; you'll soon get used to it." The constable seated himself upon the ladder, whose sides and rounds thoroughly imprisoned the scoundrel in spite of his yells and struggles to get free. "Now then, Wimble, I've got him. You tie his ankles, one each side, tightly to the ladder, and one of you bind his arms same way to the ladder sides. Cut the rope. Mr Christmas will not mind." The men grinned, and set to work so handily that in a few moments Mike was securely bound. "Now then," said the constable, "I'll have one round his middle; give me a piece of rope; I'll soon do that." He seized the rope, and, without rising, rapidly secured it to one side of the ladder. "Now," he said, "raise that end." This was done, the rope passed under Mike, drawn up on the other side, hauled upon till Mike yelled for mercy, and then knotted twice. "There, my lads," said the constable, rising; "now turn him over." The ladder was seized, turned, and there lay Mike on his back, safely secured. "Here, undo these," he said, sullenly. "I'll walk." "Too late, Mike, my boy. Now then, a couple of men head and tail. Let the ladder hang at arm's length. Best have given in quietly, and not have made yourself a show, Mike." "Don't I tell you I'll walk?" growled the prisoner. "And let us have all our trouble for nothing? No, my lad, it's too late. Ready there! Up with him. Good morning, sir. March!" The men lent themselves eagerly to the task, for Mike was thoroughly disliked; and a few minutes later there was a crowd gathering and following Mike Bannock as he was borne off, spread-eagled and half tipsy, to ponder on the theft and his chances in the cold damp place known in Bristol as the lock-up. Don Lavington stood in the office, waiting for his uncle to speak. CHAPTER FIVE. A STUBBORN DISPOSITION. "Stop!" Don had taken his hat, and, seeing his uncle apparently immersed in a letter, was about to yield to his curiosity and follow the constable, when, as	scoundrel," cried Uncle Josiah, wrathfully. "You are one of the worst kind of thieves--" "Here, take that back, master." "Worst kind of scoundrels--dogs who bite the hand that has fed them." "I tell yer it was him," said Mike, with a ferocious glare at Don. "All right, Mike, you tell the magistrates that," said the constable, "and don't forget." "I arn't going 'fore no magistrits," grumbled Mike. "Yes, you are," said the constable, taking a pair of handcuffs from his pocket. "Now then, is it to be quietly?" Mike made a furious gesture. "Just as you like," said the constable. "Jem Wimble, I call you in the King's name to help." "Which I just will," cried Jem, with alacrity; and he made at Mike, while Don felt a strange desire tingling in his veins as he longed to help as well. "I gives in," growled Mike. "I could chuck the whole lot on you outer winder, but I won't. It would only make it seem as if I was guilty, and it's not guilty, and so I tell you. Master says I took the money, and I says it was that young Don Lavington as is the thief. Come on, youngster. I'll talk to you when we're in the lock-up." Don looked wildly from Mike to his uncle, whose eyes were fixed on the constable. "Do you charge the boy too, sir?" Uncle Josiah was silent for some moments. "No! Not now!" Lindon's heart leapt at that word "_no_!" But it sank again at the "_not now_." "But the case is awkward, sir," said the constable. "After what this man has said we shall be obliged to take some notice of the matter." "'Bliged to? Course you will. Here, bring 'im along. Come on, mate. I can tell you stories all night now about my bygones. Keep up yer sperrits, and I daresay the magistrits 'll let you off pretty easy." "If there is any charge made against my young clerk," --Don winced, for his uncle did not say, "against my nephew," -- "I will be answerable for his appearance before the magistrates. That will be sufficient, I presume." "Yes, sir, I suppose that will do," said the constable. "But I s'pose it won't," said Mike. "He's the monkey and I'm only the cat. You've got to take him if you does your dooty, and master 'll be answerable for me." "Exactly," said the constable; "come along." "Nay, but this arn't fair, master. Take one, take all. You bring us both." "Come along." "If you don't bring that there young un too, I won't go," exclaimed the scoundrel, fiercely. _Click_!<\|quote\|>A short struggle, and then _click_ again, and Mike Bannock's hands were useless, but he threw himself down.</\|quote\|>"Fair play, fair play," he cried, savagely; "take one, take all. Are you going to charge him, master?" "Take the scoundrel away, Smithers, and once more I will be bail--before the magistrates, if necessary--for my clerk's appearance," cried Uncle Josiah, who was now out of patience. "Can I help?" "Well, sir, you could," said the constable, grimly; "but if you'd have in three or four of your men, and a short step ladder, we could soon carry him off." "No man sha'n't carry me off," roared Mike, as Jem ran out of the office with great alacrity, and returned in a very short time with three men and a stout ladder, about nine feet long. "That's the sort, Wimble," said the constable. "Didn't think of a rope, did you?" "Did I think of two ropes?" said Jem, grinning. "Ah!" ejaculated the constable. "Now, Mike Bannock, I just warn you that any violence will make your case worse. Take my advice, get up and come quietly." "Take young Don Lavington too, then, and I will." "Get up, and walk quietly." "Not 'less you takes him." "Sorry to make a rumpus, sir," said the constable, apologetically; "but I must have him out." "The sooner the better," said Uncle Josiah, grimly. "I am ready to go, uncle," said Don, quietly. "I am not afraid." "Hold your tongue, sir!" said the merchant, sternly; "and stand out of the way." "Now, Mike," said the constable, "this is the third time of asking. Will you come quiet?" "Take him too," cried Mike. "Ready with those ropes, Wimble. You two, ready with that there. Now, Mike Bannock, you've been asked three times, and now you've got to mount that ladder." "Any man comes a-nigh me," roared Mike, "I'll--" He did not say what, for the constable dashed at him, and by an ingenious twist avoided a savage kick, threw the scoundrel over on his face, as he lay on the floor, and sat upon him, retaining his seat in spite of his struggles. "Step the first," said the constable, coolly. "Now, Wimble, I want that ladder passed under me, so as to lie right along on his back. Do you see?" "Yes, sir," cried Jem, eagerly; and taking the ladder as the constable sat astride	Don Lavington
retorted Brittles, plucking up a little.	No speaker	the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr.	it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly;	" but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen	word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect	"I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles," murmured the tinker. "Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he	corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise." At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles," murmured the tinker. "Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way upstairs; with the dogs in front. The two women, who were afraid to stay below, brought up the rear. By the advice of Mr. Giles, they all talked very loud, to warn any evil-disposed person outside, that they were strong in numbers; and by a master-stoke of policy, originating in the brain of the same ingenious gentleman, the dogs' tails were well pinched, in the hall, to make them bark savagely. These precautions having been taken, Mr. Giles held on fast by the tinker's arm (to prevent his running away, as he pleasantly said), and gave the word of command to open the door. Brittles obeyed; the group, peeping timorously over each other's shoulders, beheld no more formidable object than	reach. Pitying his condition, they might have compassion on him; and if they did not, it would be better, he thought, to die near human beings, than in the lonely open fields. He summoned up all his strength for one last trial, and bent his faltering steps towards it. As he drew nearer to this house, a feeling come over him that he had seen it before. He remembered nothing of its details; but the shape and aspect of the building seemed familiar to him. That garden wall! On the grass inside, he had fallen on his knees last night, and prayed the two men's mercy. It was the very house they had attempted to rob. Oliver felt such fear come over him when he recognised the place, that, for the instant, he forgot the agony of his wound, and thought only of flight. Flight! He could scarcely stand: and if he were in full possession of all the best powers of his slight and youthful frame, whither could he fly? He pushed against the garden-gate; it was unlocked, and swung open on its hinges. He tottered across the lawn; climbed the steps; knocked faintly at the door; and, his whole strength failing him, sunk down against one of the pillars of the little portico. It happened that about this time, Mr. Giles, Brittles, and the tinker, were recruiting themselves, after the fatigues and terrors of the night, with tea and sundries, in the kitchen. Not that it was Mr. Giles's habit to admit to too great familiarity the humbler servants: towards whom it was rather his wont to deport himself with a lofty affability, which, while it gratified, could not fail to remind them of his superior position in society. But, death, fires, and burglary, make all men equals; so Mr. Giles sat with his legs stretched out before the kitchen fender, leaning his left arm on the table, while, with his right, he illustrated a circumstantial and minute account of the robbery, to which his bearers (but especially the cook and housemaid, who were of the party) listened with breathless interest. "It was about half-past two," said Mr. Giles, "or I wouldn't swear that it mightn't have been a little nearer three, when I woke up, and, turning round in my bed, as it might be so, (here Mr. Giles turned round in his chair, and pulled the corner of the table-cloth over him to imitate bed-clothes,) I fancied I heerd a noise." At this point of the narrative the cook turned pale, and asked the housemaid to shut the door: who asked Brittles, who asked the tinker, who pretended not to hear. "Heerd a noise," continued Mr. Giles. "I says, at first," This is illusion'; "and was composing myself off to sleep, when I heerd the noise again, distinct." "What sort of a noise?" asked the cook. "A kind of a busting noise," replied Mr. Giles, looking round him. "More like the noise of powdering a iron bar on a nutmeg-grater," suggested Brittles. "It was, when _you_ heerd it, sir," rejoined Mr. Giles; "but, at this time, it had a busting sound. I turned down the clothes" "; continued Giles, rolling back the table-cloth, "sat up in bed; and listened." The cook and housemaid simultaneously ejaculated "Lor!" and drew their chairs closer together. "I heerd it now, quite apparent," resumed Mr. Giles. " Somebody,' "I says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles," murmured the tinker. "Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way upstairs; with the dogs in front. The two women, who were afraid to stay below, brought up the rear. By the advice of Mr. Giles, they all talked very loud, to warn any evil-disposed person outside, that they were strong in numbers; and by a master-stoke of policy, originating in the brain of the same ingenious gentleman, the dogs' tails were well pinched, in the hall, to make them bark savagely. These precautions having been taken, Mr. Giles held on fast by the tinker's arm (to prevent his running away, as he pleasantly said), and gave the word of command to open the door. Brittles obeyed; the group, peeping timorously over each other's shoulders, beheld no more formidable object than poor little Oliver Twist, speechless and exhausted, who raised his heavy eyes, and mutely solicited their compassion. "A boy!" exclaimed Mr. Giles, valiantly, pushing the tinker into the background. "What's the matter with the eh? Why Brittles look here don't you know?" Brittles, who had got behind the door to open it, no sooner saw Oliver, than he uttered a loud cry. Mr. Giles, seizing the boy by one leg and one arm (fortunately not the broken limb) lugged him straight into the hall, and deposited him at full length on the floor thereof. "Here he is!" bawled Giles, calling in a state of great excitement, up the staircase; "here's one of the thieves, ma'am! Here's a thief, miss! Wounded, miss! I shot him, miss; and Brittles held the light." "In a lantern, miss," cried Brittles, applying one hand to the side of his mouth, so that his voice might travel the better. The two women-servants ran upstairs to carry the intelligence that Mr. Giles had captured a robber; and the tinker busied himself in endeavouring to restore Oliver, lest he should die before he could be hanged. In the midst of all this noise and commotion, there was heard a sweet female voice, which quelled it in an instant. "Giles!" whispered the voice from the stair-head. "I'm here, miss," replied Mr. Giles. "Don't be frightened, miss; I ain't much injured. He didn't make a very desperate resistance, miss! I was soon too many for him." "Hush!" replied the young lady; "you frighten my aunt as much as the thieves did. Is the poor creature much hurt?" "Wounded desperate, miss," replied Giles, with indescribable complacency. "He looks as if he was a-going, miss," bawled Brittles, in the same manner as before. "Wouldn't you like to come and look at him, miss, in case he should?" "Hush, pray; there's a good man!" rejoined the lady. "Wait quietly only one instant, while I speak to aunt." With a footstep as soft and gentle as the voice, the speaker tripped away. She soon returned, with the direction that the wounded person was to be carried, carefully, upstairs to Mr. Giles's room; and that Brittles was to saddle the pony and betake himself instantly to Chertsey: from which place, he was to despatch, with all speed, a constable and doctor. "But won't you take one look at him, first, miss?" asked Mr. Giles, with	says" , is forcing of a door, or window; what's to be done? I'll call up that poor lad, Brittles, and save him from being murdered in his bed; or his throat,' "I says" , may be cut from his right ear to his left, without his ever knowing it.'" Here, all eyes were turned upon Brittles, who fixed his upon the speaker, and stared at him, with his mouth wide open, and his face expressive of the most unmitigated horror. "I tossed off the clothes," said Giles, throwing away the table-cloth, and looking very hard at the cook and housemaid, "got softly out of bed; drew on a pair of" "Ladies present, Mr. Giles," murmured the tinker. "Of _shoes_, sir," said Giles, turning upon him, and laying great emphasis on the word; "seized the loaded pistol that always goes upstairs with the plate-basket; and walked on tiptoes to his room." Brittles,' "I says, when I had woke him," don't be frightened!'" "So you did," observed Brittles, in a low voice. " We're dead men, I think, Brittles,' "I says," continued Giles; " but don't be frightened.'" "_Was_ he frightened?" asked the cook. "Not a bit of it," replied Mr. Giles. "He was as firm ah! pretty near as firm as I was." "I should have died at once, I'm sure, if it had been me," observed the housemaid. "You're a woman,"<\|quote\|>retorted Brittles, plucking up a little.</\|quote\|>"Brittles is right," said Mr. Giles, nodding his head, approvingly; "from a woman, nothing else was to be expected. We, being men, took a dark lantern that was standing on Brittle's hob, and groped our way downstairs in the pitch dark, as it might be so." Mr. Giles had risen from his seat, and taken two steps with his eyes shut, to accompany his description with appropriate action, when he started violently, in common with the rest of the company, and hurried back to his chair. The cook and housemaid screamed. "It was a knock," said Mr. Giles, assuming perfect serenity. "Open the door, somebody." Nobody moved. "It seems a strange sort of a thing, a knock coming at such a time in the morning," said Mr. Giles, surveying the pale faces which surrounded him, and looking very blank himself; "but the door must be opened. Do you hear, somebody?" Mr. Giles, as he spoke, looked at Brittles; but that young man, being naturally modest, probably considered himself nobody, and so held that the inquiry could not have any application to him; at all events, he tendered no reply. Mr. Giles directed an appealing glance at the tinker; but he had suddenly fallen asleep. The women were out of the question. "If Brittles would rather open the door, in the presence of witnesses," said Mr. Giles, after a short silence, "I am ready to make one." "So am I," said the tinker, waking up, as suddenly as he had fallen asleep. Brittles capitulated on these terms; and the party being somewhat re-assured by the discovery (made on throwing open the shutters) that it was now broad day, took their way upstairs; with the dogs in front. The two women, who were afraid to stay below, brought up the rear. By the advice of Mr. Giles, they all talked very loud, to warn any evil-disposed person outside, that they were strong in numbers; and by a master-stoke of policy, originating in the brain of the same ingenious gentleman, the dogs' tails were well pinched, in the hall, to make them bark savagely. These precautions having been taken, Mr. Giles held on fast by the tinker's arm (to prevent his running away, as he pleasantly said), and gave the word of command to open the	Oliver Twist
“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”	Theign	_know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the	clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have	on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join	preoccupied, made nothing of this. “We’ve had other fish to fry, and you know the freedom I allow her.” His friend had a vivid gesture. “My dear man, I only ask to profit by it!” With which there might well have been in Lord John’s face a light of comment on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join him, that, seizing my opportunity, I have just very definitely, in fact very pressingly, spoken to Lady Grace. It hasn’t been perhaps,” he continued, “quite the pick of a chance; but that seemed never to come, and if I’m not too fondly mistaken, at any rate, she listened to me	“What the deuce is the matter with her?” Lord John took his time. “I think perhaps a little Mr. Crimble.” “And who the deuce is a little Mr. Crimble?” “A young man who was just with her--and whom she appears to have invited.” “Where is he then?” Lord Theign demanded. “Off there among the pictures--which he seems partly to have come for.” “Oh!” --it made his lordship easier. “Then he’s all right--on such a day.” His companion could none the less just wonder. “Hadn’t Lady Grace told you?” “That he was coming? Not that I remember.” But Lord Theign, perceptibly preoccupied, made nothing of this. “We’ve had other fish to fry, and you know the freedom I allow her.” His friend had a vivid gesture. “My dear man, I only ask to profit by it!” With which there might well have been in Lord John’s face a light of comment on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join him, that, seizing my opportunity, I have just very definitely, in fact very pressingly, spoken to Lady Grace. It hasn’t been perhaps,” he continued, “quite the pick of a chance; but that seemed never to come, and if I’m not too fondly mistaken, at any rate, she listened to me without abhorrence. Only I’ve led her to expect--for our case--that you’ll be so good, without loss of time, as to say the clinching word to her yourself.” “Without loss, you mean, of--a--my daughter’s time?” Lord Theign, confessedly and amiably interested, had accepted these intimations--yet with the very blandness that was not accessible to hustling and was never forgetful of its standing privilege of criticism. He had come in from his public duty, a few minutes before, somewhat flushed and blown; but that had presently dropped--to the effect, we should have guessed, of his appearing to Lord John at least as	bucket, under the stream--” “Was bound to overflow?” Lady Grace suggested. “Well, the strong recoil of the wave of intelligence has been not unnaturally followed by the formidable break. You must really,” Lord Theign insisted, “go and deal with it.” His daughter’s smile, for all this, was perceptibly cold. “You work people up, father, and then leave others to let them down.” “The two things,” he promptly replied, “require different natures.” To which he simply added, as with the habit of authority, though not of harshness, “Go!” It was absolute and she yielded; only pausing an instant to look as with a certain gathered meaning from one of the men to the other. Faintly and resignedly sighing she passed away to the terrace and disappeared. “The nature that _can_ let you down--I rather like it, you know!” Lord John threw off. Which, for an airy elegance in them, were perhaps just slightly rash words--his companion gave him so sharp a look as the two were left together. VI Face to face with his visitor the master of Dedborough betrayed the impression his daughter appeared to have given him. “She didn’t want to go?” And then before Lord John could reply: “What the deuce is the matter with her?” Lord John took his time. “I think perhaps a little Mr. Crimble.” “And who the deuce is a little Mr. Crimble?” “A young man who was just with her--and whom she appears to have invited.” “Where is he then?” Lord Theign demanded. “Off there among the pictures--which he seems partly to have come for.” “Oh!” --it made his lordship easier. “Then he’s all right--on such a day.” His companion could none the less just wonder. “Hadn’t Lady Grace told you?” “That he was coming? Not that I remember.” But Lord Theign, perceptibly preoccupied, made nothing of this. “We’ve had other fish to fry, and you know the freedom I allow her.” His friend had a vivid gesture. “My dear man, I only ask to profit by it!” With which there might well have been in Lord John’s face a light of comment on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join him, that, seizing my opportunity, I have just very definitely, in fact very pressingly, spoken to Lady Grace. It hasn’t been perhaps,” he continued, “quite the pick of a chance; but that seemed never to come, and if I’m not too fondly mistaken, at any rate, she listened to me without abhorrence. Only I’ve led her to expect--for our case--that you’ll be so good, without loss of time, as to say the clinching word to her yourself.” “Without loss, you mean, of--a--my daughter’s time?” Lord Theign, confessedly and amiably interested, had accepted these intimations--yet with the very blandness that was not accessible to hustling and was never forgetful of its standing privilege of criticism. He had come in from his public duty, a few minutes before, somewhat flushed and blown; but that had presently dropped--to the effect, we should have guessed, of his appearing to Lord John at least as cool as the occasion required. His appearance, we ourselves certainly should have felt, was in all respects charming--with the great note of it the beautiful restless, almost suspicious, challenge to you, on the part of deep and mixed things in him, his pride and his shyness, his conscience, his taste and his temper, to deny that he was admirably simple. Obviously, at this rate, he had a passion for simplicity--simplicity, above all, of relation with you, and would show you, with the last subtlety of displeasure, his impatience of your attempting anything more with himself. With such an ideal of decent ease he would, confound you, “sink” a hundred other attributes--or the recognition at least and the formulation of them--that you might abjectly have taken for granted in him: just to show you that in a beastly vulgar age you had, and small wonder, a beastly vulgar imagination. He sank thus, surely, in defiance of insistent vulgarity, half his consciousness of his advantages, flattering himself that mere facility and amiability, a true effective, a positively ideal suppression of reference in any one to anything that might complicate, alone floated above. This would be quite his religion, you might infer--to cause	you are right about your being nice, but because _he_ is!” “You mean that if I were wrong about it he would still insist that he isn’t?” Lady Grace was indeed sure. “Absolutely--if he had begun so! He began so with Kitty--that is with allowing her everything.” Lord John appeared struck. “Yes--and he still allows her two thousand.” “I’m glad to hear it--she has never told me how much!” the girl undisguisedly smiled. “Then perhaps I oughtn’t!” --he glowed with the light of contrition. “Well, you can’t help it now,” his companion remarked with amusement. “You mean that he ought to allow _you_ as much?” Lord John inquired. “I’m sure you’re right, and that he will,” he continued quite as in good faith; “but I want you to understand that I don’t care in the least what it may be!” The subject of his suit took the longest look at him she had taken yet. “You’re very good to say so!” If this was ironic the touch fell short, thanks to his perception that they had practically just ceased to be alone. They were in presence of a third figure, who had arrived from the terrace, but whose approach to them was not so immediate as to deprive Lord John of time for another question. “Will you let _him_ tell you, at all events, how good he thinks me?--and then let me come back and have it from you again?” Lady Grace’s answer to this was to turn, as he drew nearer, to the person by whom they were now joined. “Lord John desires you should tell me, father, how good you think him.” “‘Good,’ my dear?--good for what?” said Lord Theign a trifle absurdly, but looking from one of them to the other. “I feel I must ask _him_ to tell you.” “Then I shall give him a chance--as I should particularly like you to go back and deal with those overwhelming children.” “Ah, they don’t overwhelm _you_, father!” --the girl put it with some point. “If you mean to say I overwhelmed _them_, I dare say I did,” he replied-- “from my view of that vast collective gape of six hundred painfully plain and perfectly expressionless faces. But that was only for the time: I pumped advice--oh _such_ advice!--and they held the large bucket as still as my pet pointer, when I scratch him, holds his back. The bucket, under the stream--” “Was bound to overflow?” Lady Grace suggested. “Well, the strong recoil of the wave of intelligence has been not unnaturally followed by the formidable break. You must really,” Lord Theign insisted, “go and deal with it.” His daughter’s smile, for all this, was perceptibly cold. “You work people up, father, and then leave others to let them down.” “The two things,” he promptly replied, “require different natures.” To which he simply added, as with the habit of authority, though not of harshness, “Go!” It was absolute and she yielded; only pausing an instant to look as with a certain gathered meaning from one of the men to the other. Faintly and resignedly sighing she passed away to the terrace and disappeared. “The nature that _can_ let you down--I rather like it, you know!” Lord John threw off. Which, for an airy elegance in them, were perhaps just slightly rash words--his companion gave him so sharp a look as the two were left together. VI Face to face with his visitor the master of Dedborough betrayed the impression his daughter appeared to have given him. “She didn’t want to go?” And then before Lord John could reply: “What the deuce is the matter with her?” Lord John took his time. “I think perhaps a little Mr. Crimble.” “And who the deuce is a little Mr. Crimble?” “A young man who was just with her--and whom she appears to have invited.” “Where is he then?” Lord Theign demanded. “Off there among the pictures--which he seems partly to have come for.” “Oh!” --it made his lordship easier. “Then he’s all right--on such a day.” His companion could none the less just wonder. “Hadn’t Lady Grace told you?” “That he was coming? Not that I remember.” But Lord Theign, perceptibly preoccupied, made nothing of this. “We’ve had other fish to fry, and you know the freedom I allow her.” His friend had a vivid gesture. “My dear man, I only ask to profit by it!” With which there might well have been in Lord John’s face a light of comment on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join him, that, seizing my opportunity, I have just very definitely, in fact very pressingly, spoken to Lady Grace. It hasn’t been perhaps,” he continued, “quite the pick of a chance; but that seemed never to come, and if I’m not too fondly mistaken, at any rate, she listened to me without abhorrence. Only I’ve led her to expect--for our case--that you’ll be so good, without loss of time, as to say the clinching word to her yourself.” “Without loss, you mean, of--a--my daughter’s time?” Lord Theign, confessedly and amiably interested, had accepted these intimations--yet with the very blandness that was not accessible to hustling and was never forgetful of its standing privilege of criticism. He had come in from his public duty, a few minutes before, somewhat flushed and blown; but that had presently dropped--to the effect, we should have guessed, of his appearing to Lord John at least as cool as the occasion required. His appearance, we ourselves certainly should have felt, was in all respects charming--with the great note of it the beautiful restless, almost suspicious, challenge to you, on the part of deep and mixed things in him, his pride and his shyness, his conscience, his taste and his temper, to deny that he was admirably simple. Obviously, at this rate, he had a passion for simplicity--simplicity, above all, of relation with you, and would show you, with the last subtlety of displeasure, his impatience of your attempting anything more with himself. With such an ideal of decent ease he would, confound you, “sink” a hundred other attributes--or the recognition at least and the formulation of them--that you might abjectly have taken for granted in him: just to show you that in a beastly vulgar age you had, and small wonder, a beastly vulgar imagination. He sank thus, surely, in defiance of insistent vulgarity, half his consciousness of his advantages, flattering himself that mere facility and amiability, a true effective, a positively ideal suppression of reference in any one to anything that might complicate, alone floated above. This would be quite his religion, you might infer--to cause his hands to ignore in whatever contact any opportunity, however convenient, for an unfair pull. Which habit it was that must have produced in him a sort of ripe and radiant fairness; if it be allowed us, that is, to figure in so shining an air a nobleman of fifty-three, of an undecided rather than a certified frame or outline, of a head thinly though neatly covered and not measureably massive, of an almost trivial freshness, of a face marked but by a fine inwrought line or two and lighted by a merely charming expression. You might somehow have traced back the whole character so presented to an ideal privately invoked--that of his establishing in the formal garden of his suffered greatness such easy seats and short perspectives, such winding paths and natural-looking waters, as would mercifully break up the scale. You would perhaps indeed have reflected at the same time that the thought of so much mercy was almost more than anything else the thought of a great option and a great margin--in fine of fifty alternatives. Which remarks of ours, however, leave his lordship with his last immediate question on his hands. “Well, yes--_that_, of course, in all propriety,” his companion has meanwhile replied to it. “But I was thinking a little, you understand, of the importance of our own time.” Divinably Lord Theign put himself out less, as we may say, for the comparatively matter-of-course haunters of his garden than for interlopers even but slightly accredited. He seemed thus not at all to strain to “understand” in this particular connection--it would be his familiarly amusing friend Lord John, clearly, who must do most of the work for him. “‘Our own’ in the sense of yours and mine?” “Of yours and mine and Lady Imber’s, yes--and a good bit, last not least, in that of my watching and waiting mother’s.” This struck no prompt spark of apprehension from his listener, so that Lord John went on: “The last thing she did this morning was to remind me, with her fine old frankness, that she would like to learn without more delay where, on the whole question, she _is_, don’t you know? What she put to me” --the younger man felt his ground a little, but proceeded further-- “what she put to me, with her rather grand way of looking _all_ questions straight in the face, you see, was:	“What the deuce is the matter with her?” Lord John took his time. “I think perhaps a little Mr. Crimble.” “And who the deuce is a little Mr. Crimble?” “A young man who was just with her--and whom she appears to have invited.” “Where is he then?” Lord Theign demanded. “Off there among the pictures--which he seems partly to have come for.” “Oh!” --it made his lordship easier. “Then he’s all right--on such a day.” His companion could none the less just wonder. “Hadn’t Lady Grace told you?” “That he was coming? Not that I remember.” But Lord Theign, perceptibly preoccupied, made nothing of this. “We’ve had other fish to fry, and you know the freedom I allow her.” His friend had a vivid gesture. “My dear man, I only ask to profit by it!” With which there might well have been in Lord John’s face a light of comment on the pretension in such a quarter to allow freedom. Yet it was a pretension that Lord Theign sustained--as to show himself far from all bourgeois narrowness. “She has her friends by the score--at this time of day.” There was clearly a claim here also--to _know_ the time of day.<\|quote\|>“But in the matter of friends where, by the way, is your own--of whom I’ve but just heard?”</\|quote\|>“Oh, off there among the pictures too; so they’ll have met and taken care of each other.” Accounting for this inquirer would be clearly the least of Lord John’s difficulties. “I mustn’t appear to Bender to have failed him; but I must at once let you know, before I join him, that, seizing my opportunity, I have just very definitely, in fact very pressingly, spoken to Lady Grace. It hasn’t been perhaps,” he continued, “quite the pick of a chance; but that seemed never to come, and if I’m not too fondly mistaken, at any rate, she listened to me without abhorrence. Only I’ve led her to expect--for our case--that you’ll be so good, without loss of time, as to say the clinching word to her yourself.” “Without loss, you mean, of--a--my daughter’s time?” Lord Theign, confessedly and amiably interested, had accepted these intimations--yet with the very blandness that was not accessible to hustling and was never forgetful of its standing privilege of criticism. He had come in from his public duty, a few minutes before, somewhat flushed and blown; but that had presently dropped--to the effect, we should have guessed, of his appearing to Lord John at least as cool as the occasion required. His appearance, we ourselves certainly should have felt, was in all respects charming--with the great note of it the beautiful restless, almost suspicious, challenge to you, on the part of deep and mixed things in him, his pride and his shyness, his conscience, his taste and his temper, to deny that he was admirably simple. Obviously, at this rate, he had a passion for simplicity--simplicity, above all, of relation with you, and would show you, with the last subtlety of displeasure, his impatience of your attempting anything more with himself. With such an ideal of decent ease he would, confound you, “sink” a hundred other attributes--or the recognition at least and the formulation of them--that you might abjectly have taken for granted in him: just to show you that in a beastly vulgar age you had, and small wonder, a beastly vulgar imagination. He sank thus, surely, in defiance of insistent vulgarity, half his consciousness of his advantages, flattering himself that mere facility and amiability, a true effective, a positively ideal suppression of reference in any one to anything that might complicate, alone floated above. This would be quite his religion, you might infer--to cause his hands to ignore in whatever contact any opportunity, however convenient, for an unfair pull. Which habit it was that must have produced in him a sort of ripe and radiant fairness; if it be allowed us, that is, to figure in so shining an air a nobleman of fifty-three, of an undecided rather than a certified frame or outline, of a head thinly though neatly covered and not measureably massive, of an almost trivial freshness, of a face marked but by a fine inwrought line or two and lighted by a merely charming expression. You might somehow have traced back the whole character so presented to an ideal privately invoked--that of his establishing in the formal garden of his suffered greatness such easy seats and short	The Outcry
"I am not able yet to-morrow."	Thomas Gradgrind	in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day,	the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after	like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed	for, he had found it necessary to employ his son at a distance for a little while. Also, that he was charged with the duty of vindicating Stephen Blackpool's memory, and declaring the thief. Mr. Bounderby quite confounded, stood stock-still in the street after his father-in-law had left him, swelling like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed down; and yet he looked a wiser man, and a better man, than in the days when in this life he wanted nothing but Facts. Before he left the room, he appointed a time for them to come to him; and so, with his gray head drooping, went away. "Dear	the crowd, and seeing nothing of him since, had supposed him to be at Stone Lodge. "I believe, father," said Louisa, "he will not come back to town to-night." Mr. Gradgrind turned away, and said no more. In the morning, he went down to the Bank himself as soon as it was opened, and seeing his son's place empty (he had not the courage to look in at first) went back along the street to meet Mr. Bounderby on his way there. To whom he said that, for reasons he would soon explain, but entreated not then to be asked for, he had found it necessary to employ his son at a distance for a little while. Also, that he was charged with the duty of vindicating Stephen Blackpool's memory, and declaring the thief. Mr. Bounderby quite confounded, stood stock-still in the street after his father-in-law had left him, swelling like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed down; and yet he looked a wiser man, and a better man, than in the days when in this life he wanted nothing but Facts. Before he left the room, he appointed a time for them to come to him; and so, with his gray head drooping, went away. "Dear father," said Louisa, when they kept their appointment, "you have three young children left. They will be different, I will be different yet, with Heaven's help." She gave her hand to Sissy, as if she meant with her help too. "Your wretched brother," said Mr. Gradgrind. "Do you think he had planned this robbery, when he went with you to the lodging?" "I fear so, father. I know he had wanted money very much, and had spent a great deal." "The poor man being about to leave the town, it came into his evil brain to cast suspicion on him?"	the fields, and down the lanes, and over the wide landscape; Rachael always holding the hand in hers. Very few whispers broke the mournful silence. It was soon a funeral procession. The star had shown him where to find the God of the poor; and through humility, and sorrow, and forgiveness, he had gone to his Redeemer's rest. CHAPTER VII WHELP-HUNTING BEFORE the ring formed round the Old Hell Shaft was broken, one figure had disappeared from within it. Mr. Bounderby and his shadow had not stood near Louisa, who held her father's arm, but in a retired place by themselves. When Mr. Gradgrind was summoned to the couch, Sissy, attentive to all that happened, slipped behind that wicked shadow a sight in the horror of his face, if there had been eyes there for any sight but one and whispered in his ear. Without turning his head, he conferred with her a few moments, and vanished. Thus the whelp had gone out of the circle before the people moved. When the father reached home, he sent a message to Mr. Bounderby's, desiring his son to come to him directly. The reply was, that Mr. Bounderby having missed him in the crowd, and seeing nothing of him since, had supposed him to be at Stone Lodge. "I believe, father," said Louisa, "he will not come back to town to-night." Mr. Gradgrind turned away, and said no more. In the morning, he went down to the Bank himself as soon as it was opened, and seeing his son's place empty (he had not the courage to look in at first) went back along the street to meet Mr. Bounderby on his way there. To whom he said that, for reasons he would soon explain, but entreated not then to be asked for, he had found it necessary to employ his son at a distance for a little while. Also, that he was charged with the duty of vindicating Stephen Blackpool's memory, and declaring the thief. Mr. Bounderby quite confounded, stood stock-still in the street after his father-in-law had left him, swelling like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed down; and yet he looked a wiser man, and a better man, than in the days when in this life he wanted nothing but Facts. Before he left the room, he appointed a time for them to come to him; and so, with his gray head drooping, went away. "Dear father," said Louisa, when they kept their appointment, "you have three young children left. They will be different, I will be different yet, with Heaven's help." She gave her hand to Sissy, as if she meant with her help too. "Your wretched brother," said Mr. Gradgrind. "Do you think he had planned this robbery, when he went with you to the lodging?" "I fear so, father. I know he had wanted money very much, and had spent a great deal." "The poor man being about to leave the town, it came into his evil brain to cast suspicion on him?" "I think it must have flashed upon him while he sat there, father. For I asked him to go there with me. The visit did not originate with him." "He had some conversation with the poor man. Did he take him aside?" "He took him out of the room. I asked him afterwards, why he had done so, and he made a plausible excuse; but since last night, father, and when I remember the circumstances by its light, I am afraid I can imagine too truly what passed between them." "Let me know," said her father, "if your thoughts present your guilty brother in the same dark view as mine." "I fear, father," hesitated Louisa, "that he must have made some representation to Stephen Blackpool perhaps in my name, perhaps in his own which induced him to do in good faith and honesty, what he had never done before, and to wait about the Bank those two or three nights before he left the town." "Too plain!" returned the father. "Too plain!" He shaded his face, and remained silent for some moments. Recovering himself, he said: "And now, how is he to be found? How is he to be saved	as oothers was t' me. But in our judgments, like as in our doins, we mun bear and forbear. In my pain an' trouble, lookin up yonder, wi' it shinin on me I ha' seen more clear, and ha' made it my dyin prayer that aw th' world may on'y coom toogether more, an' get a better unnerstan'in o' one another, than when I were in 't my own weak seln." Louisa hearing what he said, bent over him on the opposite side to Rachael, so that he could see her. "You ha' heard?" he said, after a few moments' silence. "I ha' not forgot you, ledy." "Yes, Stephen, I have heard you. And your prayer is mine." "You ha' a father. Will yo tak' a message to him?" "He is here," said Louisa, with dread. "Shall I bring him to you?" "If yo please." Louisa returned with her father. Standing hand-in-hand, they both looked down upon the solemn countenance. "Sir, yo will clear me an' mak my name good wi' aw men. This I leave to yo." Mr. Gradgrind was troubled and asked how? "Sir," was the reply: "yor son will tell yo how. Ask him. I mak no charges: I leave none ahint me: not a single word. I ha' seen an' spok'n wi' yor son, one night. I ask no more o' yo than that yo clear me an' I trust to yo to do 't." The bearers being now ready to carry him away, and the surgeon being anxious for his removal, those who had torches or lanterns, prepared to go in front of the litter. Before it was raised, and while they were arranging how to go, he said to Rachael, looking upward at the star: "Often as I coom to myseln, and found it shinin' on me down there in my trouble, I thowt it were the star as guided to Our Saviour's home. I awmust think it be the very star!" They lifted him up, and he was overjoyed to find that they were about to take him in the direction whither the star seemed to him to lead. "Rachael, beloved lass! Don't let go my hand. We may walk toogether t'night, my dear!" "I will hold thy hand, and keep beside thee, Stephen, all the way." "Bless thee! Will soombody be pleased to coover my face!" They carried him very gently along the fields, and down the lanes, and over the wide landscape; Rachael always holding the hand in hers. Very few whispers broke the mournful silence. It was soon a funeral procession. The star had shown him where to find the God of the poor; and through humility, and sorrow, and forgiveness, he had gone to his Redeemer's rest. CHAPTER VII WHELP-HUNTING BEFORE the ring formed round the Old Hell Shaft was broken, one figure had disappeared from within it. Mr. Bounderby and his shadow had not stood near Louisa, who held her father's arm, but in a retired place by themselves. When Mr. Gradgrind was summoned to the couch, Sissy, attentive to all that happened, slipped behind that wicked shadow a sight in the horror of his face, if there had been eyes there for any sight but one and whispered in his ear. Without turning his head, he conferred with her a few moments, and vanished. Thus the whelp had gone out of the circle before the people moved. When the father reached home, he sent a message to Mr. Bounderby's, desiring his son to come to him directly. The reply was, that Mr. Bounderby having missed him in the crowd, and seeing nothing of him since, had supposed him to be at Stone Lodge. "I believe, father," said Louisa, "he will not come back to town to-night." Mr. Gradgrind turned away, and said no more. In the morning, he went down to the Bank himself as soon as it was opened, and seeing his son's place empty (he had not the courage to look in at first) went back along the street to meet Mr. Bounderby on his way there. To whom he said that, for reasons he would soon explain, but entreated not then to be asked for, he had found it necessary to employ his son at a distance for a little while. Also, that he was charged with the duty of vindicating Stephen Blackpool's memory, and declaring the thief. Mr. Bounderby quite confounded, stood stock-still in the street after his father-in-law had left him, swelling like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed down; and yet he looked a wiser man, and a better man, than in the days when in this life he wanted nothing but Facts. Before he left the room, he appointed a time for them to come to him; and so, with his gray head drooping, went away. "Dear father," said Louisa, when they kept their appointment, "you have three young children left. They will be different, I will be different yet, with Heaven's help." She gave her hand to Sissy, as if she meant with her help too. "Your wretched brother," said Mr. Gradgrind. "Do you think he had planned this robbery, when he went with you to the lodging?" "I fear so, father. I know he had wanted money very much, and had spent a great deal." "The poor man being about to leave the town, it came into his evil brain to cast suspicion on him?" "I think it must have flashed upon him while he sat there, father. For I asked him to go there with me. The visit did not originate with him." "He had some conversation with the poor man. Did he take him aside?" "He took him out of the room. I asked him afterwards, why he had done so, and he made a plausible excuse; but since last night, father, and when I remember the circumstances by its light, I am afraid I can imagine too truly what passed between them." "Let me know," said her father, "if your thoughts present your guilty brother in the same dark view as mine." "I fear, father," hesitated Louisa, "that he must have made some representation to Stephen Blackpool perhaps in my name, perhaps in his own which induced him to do in good faith and honesty, what he had never done before, and to wait about the Bank those two or three nights before he left the town." "Too plain!" returned the father. "Too plain!" He shaded his face, and remained silent for some moments. Recovering himself, he said: "And now, how is he to be found? How is he to be saved from justice? In the few hours that I can possibly allow to elapse before I publish the truth, how is he to be found by us, and only by us? Ten thousand pounds could not effect it." "Sissy has effected it, father." He raised his eyes to where she stood, like a good fairy in his house, and said in a tone of softened gratitude and grateful kindness, "It is always you, my child!" "We had our fears," Sissy explained, glancing at Louisa, "before yesterday; and when I saw you brought to the side of the litter last night, and heard what passed (being close to Rachael all the time), I went to him when no one saw, and said to him," "Don't look at me. See where your father is. Escape at once, for his sake and your own!" "He was in a tremble before I whispered to him, and he started and trembled more then, and said," "Where can I go? I have very little money, and I don't know who will hide me!" "I thought of father's old circus. I have not forgotten where Mr. Sleary goes at this time of year, and I read of him in a paper only the other day. I told him to hurry there, and tell his name, and ask Mr. Sleary to hide him till I came." "I'll get to him before the morning," "he said. And I saw him shrink away among the people." "Thank Heaven!" exclaimed his father. "He may be got abroad yet." It was the more hopeful as the town to which Sissy had directed him was within three hours' journey of Liverpool, whence he could be swiftly dispatched to any part of the world. But, caution being necessary in communicating with him for there was a greater danger every moment of his being suspected now, and nobody could be sure at heart but that Mr. Bounderby himself, in a bullying vein of public zeal, might play a Roman part it was consented that Sissy and Louisa should repair to the place in question, by a circuitous course, alone; and that the unhappy father, setting forth in an opposite direction, should get round to the same bourne by another and wider route. It was further agreed that he should not present himself to Mr. Sleary, lest his intentions should be mistrusted, or the intelligence of his	awmust think it be the very star!" They lifted him up, and he was overjoyed to find that they were about to take him in the direction whither the star seemed to him to lead. "Rachael, beloved lass! Don't let go my hand. We may walk toogether t'night, my dear!" "I will hold thy hand, and keep beside thee, Stephen, all the way." "Bless thee! Will soombody be pleased to coover my face!" They carried him very gently along the fields, and down the lanes, and over the wide landscape; Rachael always holding the hand in hers. Very few whispers broke the mournful silence. It was soon a funeral procession. The star had shown him where to find the God of the poor; and through humility, and sorrow, and forgiveness, he had gone to his Redeemer's rest. CHAPTER VII WHELP-HUNTING BEFORE the ring formed round the Old Hell Shaft was broken, one figure had disappeared from within it. Mr. Bounderby and his shadow had not stood near Louisa, who held her father's arm, but in a retired place by themselves. When Mr. Gradgrind was summoned to the couch, Sissy, attentive to all that happened, slipped behind that wicked shadow a sight in the horror of his face, if there had been eyes there for any sight but one and whispered in his ear. Without turning his head, he conferred with her a few moments, and vanished. Thus the whelp had gone out of the circle before the people moved. When the father reached home, he sent a message to Mr. Bounderby's, desiring his son to come to him directly. The reply was, that Mr. Bounderby having missed him in the crowd, and seeing nothing of him since, had supposed him to be at Stone Lodge. "I believe, father," said Louisa, "he will not come back to town to-night." Mr. Gradgrind turned away, and said no more. In the morning, he went down to the Bank himself as soon as it was opened, and seeing his son's place empty (he had not the courage to look in at first) went back along the street to meet Mr. Bounderby on his way there. To whom he said that, for reasons he would soon explain, but entreated not then to be asked for, he had found it necessary to employ his son at a distance for a little while. Also, that he was charged with the duty of vindicating Stephen Blackpool's memory, and declaring the thief. Mr. Bounderby quite confounded, stood stock-still in the street after his father-in-law had left him, swelling like an immense soap-bubble, without its beauty. Mr. Gradgrind went home, locked himself in his room, and kept it all that day. When Sissy and Louisa tapped at his door, he said, without opening it, "Not now, my dears; in the evening." On their return in the evening, he said,<\|quote\|>"I am not able yet to-morrow."</\|quote\|>He ate nothing all day, and had no candle after dark; and they heard him walking to and fro late at night. But, in the morning he appeared at breakfast at the usual hour, and took his usual place at the table. Aged and bent he looked, and quite bowed down; and yet he looked a wiser man, and a better man, than in the days when in this life he wanted nothing but Facts. Before he left the room, he appointed a time for them to come to him; and so, with his gray head drooping, went away. "Dear father," said Louisa, when they kept their appointment, "you have three young children left. They will be different, I will be different yet, with Heaven's help." She gave her hand to Sissy, as if she meant with her help too. "Your wretched brother," said Mr. Gradgrind. "Do you think he had planned this robbery, when he went with you to the lodging?" "I fear so, father. I know he had wanted money very much, and had spent a great deal." "The poor man being about to leave the town, it came into his evil brain to cast suspicion on him?" "I think it must have flashed upon him while he sat there, father. For I asked him to go there with me. The visit did not originate with him." "He had some conversation with the poor man. Did he take him aside?" "He took him out of the room. I asked him afterwards, why he had done so, and he made a plausible excuse; but since last night, father, and when I remember the circumstances by its light, I am afraid I can imagine too truly what passed between them." "Let me know," said her father, "if your thoughts present your guilty brother in the same dark view as mine." "I fear, father," hesitated Louisa, "that he must have made some representation to Stephen Blackpool perhaps in my name, perhaps in his own which induced him to do in good faith and honesty, what he had never done before, and to wait about the Bank those two or three nights before he left the town." "Too plain!" returned the father. "Too plain!" He	Hard Times
"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."	Emma	found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes	talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other	the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a	believed, would scarcely try to conceal any thing relative to the Churchills from her, excepting those views on the young man, of which her own imagination had already given her such instinctive knowledge. But at present there was nothing more to be said. Mr. Woodhouse very soon followed them into the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a great wish on the Churchills' to keep him to themselves. There is jealousy. They are jealous even of his regard for his father. In short, I can feel no dependence on his coming, and I wish Mr. Weston were less sanguine." "He ought to come," said Emma. "If he could	I am sure I never think of that poor young man without the greatest compassion. To be constantly living with an ill-tempered person, must be dreadful. It is what we happily have never known any thing of; but it must be a life of misery. What a blessing, that she never had any children! Poor little creatures, how unhappy she would have made them!" Emma wished she had been alone with Mrs. Weston. She should then have heard more: Mrs. Weston would speak to her, with a degree of unreserve which she would not hazard with Isabella; and, she really believed, would scarcely try to conceal any thing relative to the Churchills from her, excepting those views on the young man, of which her own imagination had already given her such instinctive knowledge. But at present there was nothing more to be said. Mr. Woodhouse very soon followed them into the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a great wish on the Churchills' to keep him to themselves. There is jealousy. They are jealous even of his regard for his father. In short, I can feel no dependence on his coming, and I wish Mr. Weston were less sanguine." "He ought to come," said Emma. "If he could stay only a couple of days, he ought to come; and one can hardly conceive a young man's not having it in his power to do as much as that. A young _woman_, if she fall into bad hands, may be teased, and kept at a distance from those she wants to be with; but one cannot comprehend a young _man_'s being under such restraint, as not to be able to spend a week with his father, if he likes it." "One ought to be at Enscombe, and know the ways of the family, before one decides upon what he	Weston agreed to it; but added, that she should be very glad to be secure of undergoing the anxiety of a first meeting at the time talked of: "for I cannot depend upon his coming. I cannot be so sanguine as Mr. Weston. I am very much afraid that it will all end in nothing. Mr. Weston, I dare say, has been telling you exactly how the matter stands?" "Yes--it seems to depend upon nothing but the ill-humour of Mrs. Churchill, which I imagine to be the most certain thing in the world." "My Emma!" replied Mrs. Weston, smiling, "what is the certainty of caprice?" Then turning to Isabella, who had not been attending before--" "You must know, my dear Mrs. Knightley, that we are by no means so sure of seeing Mr. Frank Churchill, in my opinion, as his father thinks. It depends entirely upon his aunt's spirits and pleasure; in short, upon her temper. To you--to my two daughters--I may venture on the truth. Mrs. Churchill rules at Enscombe, and is a very odd-tempered woman; and his coming now, depends upon her being willing to spare him." "Oh, Mrs. Churchill; every body knows Mrs. Churchill," replied Isabella: "and I am sure I never think of that poor young man without the greatest compassion. To be constantly living with an ill-tempered person, must be dreadful. It is what we happily have never known any thing of; but it must be a life of misery. What a blessing, that she never had any children! Poor little creatures, how unhappy she would have made them!" Emma wished she had been alone with Mrs. Weston. She should then have heard more: Mrs. Weston would speak to her, with a degree of unreserve which she would not hazard with Isabella; and, she really believed, would scarcely try to conceal any thing relative to the Churchills from her, excepting those views on the young man, of which her own imagination had already given her such instinctive knowledge. But at present there was nothing more to be said. Mr. Woodhouse very soon followed them into the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a great wish on the Churchills' to keep him to themselves. There is jealousy. They are jealous even of his regard for his father. In short, I can feel no dependence on his coming, and I wish Mr. Weston were less sanguine." "He ought to come," said Emma. "If he could stay only a couple of days, he ought to come; and one can hardly conceive a young man's not having it in his power to do as much as that. A young _woman_, if she fall into bad hands, may be teased, and kept at a distance from those she wants to be with; but one cannot comprehend a young _man_'s being under such restraint, as not to be able to spend a week with his father, if he likes it." "One ought to be at Enscombe, and know the ways of the family, before one decides upon what he can do," replied Mrs. Weston. "One ought to use the same caution, perhaps, in judging of the conduct of any one individual of any one family; but Enscombe, I believe, certainly must not be judged by general rules: _she_ is so very unreasonable; and every thing gives way to her." "But she is so fond of the nephew: he is so very great a favourite. Now, according to my idea of Mrs. Churchill, it would be most natural, that while she makes no sacrifice for the comfort of the husband, to whom she owes every thing, while she exercises incessant caprice towards _him_, she should frequently be governed by the nephew, to whom she owes nothing at all." "My dearest Emma, do not pretend, with your sweet temper, to understand a bad one, or to lay down rules for it: you must let it go its own way. I have no doubt of his having, at times, considerable influence; but it may be perfectly impossible for him to know beforehand _when_ it will be." Emma listened, and then coolly said, "I shall not be satisfied, unless he comes." "He may have a great deal of influence on some points," continued	do. The case, you see, is--(but this is quite between ourselves: I did not mention a syllable of it in the other room. There are secrets in all families, you know)--The case is, that a party of friends are invited to pay a visit at Enscombe in January; and that Frank's coming depends upon their being put off. If they are not put off, he cannot stir. But I know they will, because it is a family that a certain lady, of some consequence, at Enscombe, has a particular dislike to: and though it is thought necessary to invite them once in two or three years, they always are put off when it comes to the point. I have not the smallest doubt of the issue. I am as confident of seeing Frank here before the middle of January, as I am of being here myself: but your good friend there" (nodding towards the upper end of the table) "has so few vagaries herself, and has been so little used to them at Hartfield, that she cannot calculate on their effects, as I have been long in the practice of doing." "I am sorry there should be any thing like doubt in the case," replied Emma; "but am disposed to side with you, Mr. Weston. If you think he will come, I shall think so too; for you know Enscombe." "Yes--I have some right to that knowledge; though I have never been at the place in my life.--She is an odd woman!--But I never allow myself to speak ill of her, on Frank's account; for I do believe her to be very fond of him. I used to think she was not capable of being fond of any body, except herself: but she has always been kind to him (in her way--allowing for little whims and caprices, and expecting every thing to be as she likes). And it is no small credit, in my opinion, to him, that he should excite such an affection; for, though I would not say it to any body else, she has no more heart than a stone to people in general; and the devil of a temper." Emma liked the subject so well, that she began upon it, to Mrs. Weston, very soon after their moving into the drawing-room: wishing her joy--yet observing, that she knew the first meeting must be rather alarming.-- Mrs. Weston agreed to it; but added, that she should be very glad to be secure of undergoing the anxiety of a first meeting at the time talked of: "for I cannot depend upon his coming. I cannot be so sanguine as Mr. Weston. I am very much afraid that it will all end in nothing. Mr. Weston, I dare say, has been telling you exactly how the matter stands?" "Yes--it seems to depend upon nothing but the ill-humour of Mrs. Churchill, which I imagine to be the most certain thing in the world." "My Emma!" replied Mrs. Weston, smiling, "what is the certainty of caprice?" Then turning to Isabella, who had not been attending before--" "You must know, my dear Mrs. Knightley, that we are by no means so sure of seeing Mr. Frank Churchill, in my opinion, as his father thinks. It depends entirely upon his aunt's spirits and pleasure; in short, upon her temper. To you--to my two daughters--I may venture on the truth. Mrs. Churchill rules at Enscombe, and is a very odd-tempered woman; and his coming now, depends upon her being willing to spare him." "Oh, Mrs. Churchill; every body knows Mrs. Churchill," replied Isabella: "and I am sure I never think of that poor young man without the greatest compassion. To be constantly living with an ill-tempered person, must be dreadful. It is what we happily have never known any thing of; but it must be a life of misery. What a blessing, that she never had any children! Poor little creatures, how unhappy she would have made them!" Emma wished she had been alone with Mrs. Weston. She should then have heard more: Mrs. Weston would speak to her, with a degree of unreserve which she would not hazard with Isabella; and, she really believed, would scarcely try to conceal any thing relative to the Churchills from her, excepting those views on the young man, of which her own imagination had already given her such instinctive knowledge. But at present there was nothing more to be said. Mr. Woodhouse very soon followed them into the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a great wish on the Churchills' to keep him to themselves. There is jealousy. They are jealous even of his regard for his father. In short, I can feel no dependence on his coming, and I wish Mr. Weston were less sanguine." "He ought to come," said Emma. "If he could stay only a couple of days, he ought to come; and one can hardly conceive a young man's not having it in his power to do as much as that. A young _woman_, if she fall into bad hands, may be teased, and kept at a distance from those she wants to be with; but one cannot comprehend a young _man_'s being under such restraint, as not to be able to spend a week with his father, if he likes it." "One ought to be at Enscombe, and know the ways of the family, before one decides upon what he can do," replied Mrs. Weston. "One ought to use the same caution, perhaps, in judging of the conduct of any one individual of any one family; but Enscombe, I believe, certainly must not be judged by general rules: _she_ is so very unreasonable; and every thing gives way to her." "But she is so fond of the nephew: he is so very great a favourite. Now, according to my idea of Mrs. Churchill, it would be most natural, that while she makes no sacrifice for the comfort of the husband, to whom she owes every thing, while she exercises incessant caprice towards _him_, she should frequently be governed by the nephew, to whom she owes nothing at all." "My dearest Emma, do not pretend, with your sweet temper, to understand a bad one, or to lay down rules for it: you must let it go its own way. I have no doubt of his having, at times, considerable influence; but it may be perfectly impossible for him to know beforehand _when_ it will be." Emma listened, and then coolly said, "I shall not be satisfied, unless he comes." "He may have a great deal of influence on some points," continued Mrs. Weston, "and on others, very little: and among those, on which she is beyond his reach, it is but too likely, may be this very circumstance of his coming away from them to visit us." CHAPTER XV Mr. Woodhouse was soon ready for his tea; and when he had drank his tea he was quite ready to go home; and it was as much as his three companions could do, to entertain away his notice of the lateness of the hour, before the other gentlemen appeared. Mr. Weston was chatty and convivial, and no friend to early separations of any sort; but at last the drawing-room party did receive an augmentation. Mr. Elton, in very good spirits, was one of the first to walk in. Mrs. Weston and Emma were sitting together on a sofa. He joined them immediately, and, with scarcely an invitation, seated himself between them. Emma, in good spirits too, from the amusement afforded her mind by the expectation of Mr. Frank Churchill, was willing to forget his late improprieties, and be as well satisfied with him as before, and on his making Harriet his very first subject, was ready to listen with most friendly smiles. He professed himself extremely anxious about her fair friend--her fair, lovely, amiable friend. "Did she know?--had she heard any thing about her, since their being at Randalls?--he felt much anxiety--he must confess that the nature of her complaint alarmed him considerably." And in this style he talked on for some time very properly, not much attending to any answer, but altogether sufficiently awake to the terror of a bad sore throat; and Emma was quite in charity with him. But at last there seemed a perverse turn; it seemed all at once as if he were more afraid of its being a bad sore throat on her account, than on Harriet's--more anxious that she should escape the infection, than that there should be no infection in the complaint. He began with great earnestness to entreat her to refrain from visiting the sick-chamber again, for the present--to entreat her to _promise_ _him_ not to venture into such hazard till he had seen Mr. Perry and learnt his opinion; and though she tried to laugh it off and bring the subject back into its proper course, there was no putting an end to his extreme solicitude about her. She was vexed. It	nothing. Mr. Weston, I dare say, has been telling you exactly how the matter stands?" "Yes--it seems to depend upon nothing but the ill-humour of Mrs. Churchill, which I imagine to be the most certain thing in the world." "My Emma!" replied Mrs. Weston, smiling, "what is the certainty of caprice?" Then turning to Isabella, who had not been attending before--" "You must know, my dear Mrs. Knightley, that we are by no means so sure of seeing Mr. Frank Churchill, in my opinion, as his father thinks. It depends entirely upon his aunt's spirits and pleasure; in short, upon her temper. To you--to my two daughters--I may venture on the truth. Mrs. Churchill rules at Enscombe, and is a very odd-tempered woman; and his coming now, depends upon her being willing to spare him." "Oh, Mrs. Churchill; every body knows Mrs. Churchill," replied Isabella: "and I am sure I never think of that poor young man without the greatest compassion. To be constantly living with an ill-tempered person, must be dreadful. It is what we happily have never known any thing of; but it must be a life of misery. What a blessing, that she never had any children! Poor little creatures, how unhappy she would have made them!" Emma wished she had been alone with Mrs. Weston. She should then have heard more: Mrs. Weston would speak to her, with a degree of unreserve which she would not hazard with Isabella; and, she really believed, would scarcely try to conceal any thing relative to the Churchills from her, excepting those views on the young man, of which her own imagination had already given her such instinctive knowledge. But at present there was nothing more to be said. Mr. Woodhouse very soon followed them into the drawing-room. To be sitting long after dinner, was a confinement that he could not endure. Neither wine nor conversation was any thing to him; and gladly did he move to those with whom he was always comfortable. While he talked to Isabella, however, Emma found an opportunity of saying,<\|quote\|>"And so you do not consider this visit from your son as by any means certain. I am sorry for it. The introduction must be unpleasant, whenever it takes place; and the sooner it could be over, the better."</\|quote\|>"Yes; and every delay makes one more apprehensive of other delays. Even if this family, the Braithwaites, are put off, I am still afraid that some excuse may be found for disappointing us. I cannot bear to imagine any reluctance on his side; but I am sure there is a great wish on the Churchills' to keep him to themselves. There is jealousy. They are jealous even of his regard for his father. In short, I can feel no dependence on his coming, and I wish Mr. Weston were less sanguine." "He ought to come," said Emma. "If he could stay only a couple of days, he ought to come; and one can hardly conceive a young man's not having it in his power to do as much as that. A young _woman_, if she fall into bad hands, may be teased, and kept at a distance from those she wants to be with; but one cannot comprehend a young _man_'s being under such restraint, as not to be able to spend a week with his father, if he likes it." "One ought to be at Enscombe, and know the ways of the family, before one decides upon what he can do," replied Mrs. Weston. "One ought to use the same caution, perhaps, in judging of the conduct of any one individual of any one family; but Enscombe, I believe, certainly must not be judged by general rules: _she_ is so very unreasonable; and every thing gives way to her." "But she is so fond of the nephew: he is so very great a favourite. Now, according to my idea of Mrs. Churchill, it would be most natural, that while she makes no sacrifice for the comfort of the husband, to whom she owes every thing, while she exercises incessant caprice towards _him_, she should frequently be governed by the nephew, to whom she owes nothing at all." "My dearest Emma, do not pretend, with your sweet temper, to understand a bad one, or to lay down rules for it: you must let it go its own way. I have no doubt of his having, at times, considerable influence; but it may be perfectly impossible for him to know beforehand _when_ it will be." Emma listened, and then coolly said, "I shall not be satisfied, unless he comes." "He may have a great deal of influence on some points," continued Mrs. Weston, "and on others, very little: and among those, on which she is beyond his reach, it is but too likely, may be this very circumstance of his coming away from them to visit us." CHAPTER XV Mr. Woodhouse was soon ready for his tea; and when he had drank his tea	Emma
said Anne eagerly.	No speaker	"Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight,	all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give	said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said	to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't	to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her	Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed	ribbon grass and mint; purple Adam-and-Eve, daffodils, and masses of sweet clover white with its delicate, fragrant, feathery sprays; scarlet lightning that shot its fiery lances over prim white musk-flowers; a garden it was where sunshine lingered and bees hummed, and winds, beguiled into loitering, purred and rustled. "Oh, Diana," said Anne at last, clasping her hands and speaking almost in a whisper, "oh, do you think you can like me a little--enough to be my bosom friend?" Diana laughed. Diana always laughed before she spoke. "Why, I guess so," she said frankly. "I'm awfully glad you've come to live at Green Gables. It will be jolly to have somebody to play with. There isn't any other girl who lives near enough to play with, and I've no sisters big enough." "Will you swear to be my friend forever and ever?" demanded Anne eagerly. Diana looked shocked. "Why it's dreadfully wicked to swear," she said rebukingly. "Oh no, not my kind of swearing. There are two kinds, you know." "I never heard of but one kind," said Diana doubtfully. "There really is another. Oh, it isn't wicked at all. It just means vowing and promising solemnly." "Well, I don't mind doing that," agreed Diana, relieved. "How do you do it?" "We must join hands--so," said Anne gravely. "It ought to be over running water. We'll just imagine this path is running water. I'll repeat the oath first. I solemnly swear to be faithful to my bosom friend, Diana Barry, as long as the sun and moon shall endure. Now you say it and put my name in." Diana repeated the "oath" with a laugh fore and aft. Then she said: "You're a queer girl, Anne. I heard before that you were queer. But I believe I'm going to like you real well." When Marilla and Anne went home Diana went with them as far as the log bridge. The two little girls walked with their arms about each other. At the brook they parted with many promises to spend the next afternoon together. "Well, did you find Diana a kindred spirit?" asked Marilla as they went up through the garden of Green Gables. "Oh yes," sighed Anne, blissfully unconscious of any sarcasm on Marilla's part. "Oh Marilla, I'm the happiest girl on Prince Edward Island this very moment. I assure you I'll say my prayers with a right good-will tonight. Diana and I are going to build a playhouse in Mr. William Bell's birch grove tomorrow. Can I have those broken pieces of china that are out in the woodshed? Diana's birthday is in February and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I go to it?" "Just look at the clock, if you please, Anne. What time did I tell you to come in?" "Two o'clock--but isn't it splendid about the picnic, Marilla? Please can I go? Oh, I've never been to a picnic--I've dreamed of picnics, but I've never--" "Yes, I told you to come at two o'clock. And it's a quarter to three. I'd like to know why you didn't obey me, Anne." "Why, I meant to, Marilla, as much as could be. But you have no idea how fascinating Idlewild is. And then, of course, I had to tell Matthew about the picnic. Matthew is such a sympathetic listener. Please can I go?" "You'll have to learn to resist the fascination of Idle-whatever-you-call-it. When I tell you to come in at a certain time I mean that time and not half an hour later. And you needn't stop to discourse with sympathetic listeners on your way, either. As for the picnic, of course you can go. You're a Sunday-school scholar, and it's not likely I'd refuse to let you go when all the other little girls are going." "But--but," faltered Anne, "Diana says that everybody must take a basket of things to eat. I can't cook, as you know, Marilla, and--and--I don't mind going to a picnic without puffed sleeves so much, but I'd feel terribly humiliated if I had to go without a basket. It's been preying on my mind ever since Diana told me." "Well, it needn't prey any longer. I'll bake you a basket." "Oh, you dear good Marilla. Oh, you are so kind to me. Oh, I'm so much obliged to you." Getting through with her "ohs" Anne cast herself into Marilla's arms and rapturously kissed her sallow cheek. It was the first time in her whole life that childish lips had voluntarily touched Marilla's face. Again that sudden sensation of startling sweetness thrilled her. She was secretly vastly pleased at Anne's impulsive caress, which was probably the reason why she said brusquely: "There, there, never mind your kissing nonsense. I'd sooner see you doing strictly as you're told. As for cooking, I mean to begin giving you lessons in that some of these days. But you're so featherbrained, Anne, I've been waiting to see if you'd sober down a little and learn to be steady before I begin. You've got to keep your wits about you in cooking and not stop in the middle of things to let your thoughts rove all over creation. Now, get out your patchwork and have your square done before teatime." "I do _not_ like patchwork," said Anne dolefully, hunting out her	and mine is in March. Don't you think that is a very strange coincidence? Diana is going to lend me a book to read. She says it's perfectly splendid and tremendously exciting. She's going to show me a place back in the woods where rice lilies grow. Don't you think Diana has got very soulful eyes? I wish I had soulful eyes. Diana is going to teach me to sing a song called ?Nelly in the Hazel Dell.' She's going to give me a picture to put up in my room; it's a perfectly beautiful picture, she says--a lovely lady in a pale blue silk dress. A sewing-machine agent gave it to her. I wish I had something to give Diana. I'm an inch taller than Diana, but she is ever so much fatter; she says she'd like to be thin because it's so much more graceful, but I'm afraid she only said it to soothe my feelings. We're going to the shore some day to gather shells. We have agreed to call the spring down by the log bridge the Dryad's Bubble. Isn't that a perfectly elegant name? I read a story once about a spring called that. A dryad is sort of a grown-up fairy, I think." "Well, all I hope is you won't talk Diana to death," said Marilla. "But remember this in all your planning, Anne. You're not going to play all the time nor most of it. You'll have your work to do and it'll have to be done first." Anne's cup of happiness was full, and Matthew caused it to overflow. He had just got home from a trip to the store at Carmody, and he sheepishly produced a small parcel from his pocket and handed it to Anne, with a deprecatory look at Marilla. "I heard you say you liked chocolate sweeties, so I got you some," he said. "Humph," sniffed Marilla. "It'll ruin her teeth and stomach. There, there, child, don't look so dismal. You can eat those, since Matthew has gone and got them. He'd better have brought you peppermints. They're wholesomer. Don't sicken yourself eating all them at once now." "Oh, no, indeed, I won't,"<\|quote\|>said Anne eagerly.</\|quote\|>"I'll just eat one tonight, Marilla. And I can give Diana half of them, can't I? The other half will taste twice as sweet to me if I give some to her. It's delightful to think I have something to give her." "I will say it for the child," said Marilla when Anne had gone to her gable, "she isn't stingy. I'm glad, for of all faults I detest stinginess in a child. Dear me, it's only three weeks since she came, and it seems as if she'd been here always. I can't imagine the place without her. Now, don't be looking I told-you-so, Matthew. That's bad enough in a woman, but it isn't to be endured in a man. I'm perfectly willing to own up that I'm glad I consented to keep the child and that I'm getting fond of her, but don't you rub it in, Matthew Cuthbert." CHAPTER XIII. The Delights of Anticipation "IT'S time Anne was in to do her sewing," said Marilla, glancing at the clock and then out into the yellow August afternoon where everything drowsed in the heat. "She stayed playing with Diana more than half an hour more ?n I gave her leave to; and now she's perched out there on the woodpile talking to Matthew, nineteen to the dozen, when she knows perfectly well she ought to be at her work. And of course he's listening to her like a perfect ninny. I never saw such an infatuated man. The more she talks and the odder the things she says, the more he's delighted evidently." "Anne Shirley, you come right in here this minute, do you hear me!" A series of staccato taps on the west window brought Anne flying in from the yard, eyes shining, cheeks faintly flushed with pink, unbraided hair streaming behind her in a torrent of brightness. "Oh, Marilla," she exclaimed breathlessly, "there's going to be a Sunday-school picnic next week--in Mr. Harmon Andrews's field, right near the lake of Shining Waters. And Mrs. Superintendent Bell and Mrs. Rachel Lynde are going to make ice cream--think of it, Marilla--_ice cream!_ And, oh, Marilla, can I	Anne Of Green Gables
cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.	No speaker	am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you	you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you	as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain	not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was	to myself, "every one seems to know about that affair. Or perhaps I am the only one who does not know about it?" "Now, now! Do not frown," continued the Grandmother. "But I do not intend to slur things over. You will take care that no harm befalls you, will you not? For you are a girl of sense, and I am sorry for you I regard you in a different light to the rest of them. And now, please, leave me. Good-bye." "But let me stay with you a little longer," said Polina. "No," replied the other; "you need not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir," he said, "my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The	I cannot make up my mind just yet. If you would let me have, say, a couple of weeks to decide in ?" "You mean that you are _not_ coming?" "I mean only that I cannot come just yet. At all events, I could not well leave my little brother and sister here, since, since if I were to leave them they would be abandoned altogether. But if, Grandmamma, you would take the little ones _and_ myself, then, of course, I could come with you, and would do all I could to serve you" (this she said with great earnestness). "Only, without the little ones I _cannot_ come." "Do not make a fuss" (as a matter of fact Polina never at any time either fussed or wept). "The Great Foster-Father" [3] "can find for all his chicks a place. You are not coming without the children? But see here, Prascovia. I wish you well, and nothing but well: yet I have divined the reason why you will not come. Yes, I know all, Prascovia. That Frenchman will never bring you good of any sort." [3] Translated literally The Great Poulterer. Polina coloured hotly, and even I started. "For," thought I to myself, "every one seems to know about that affair. Or perhaps I am the only one who does not know about it?" "Now, now! Do not frown," continued the Grandmother. "But I do not intend to slur things over. You will take care that no harm befalls you, will you not? For you are a girl of sense, and I am sorry for you I regard you in a different light to the rest of them. And now, please, leave me. Good-bye." "But let me stay with you a little longer," said Polina. "No," replied the other; "you need not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir," he said, "my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of bank-notes. "Alexis Ivanovitch," she cried, "walk on ahead, and we will set out again." "But whither, Madame?" "I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does it not?" For a moment I stood stupefied stood deep in thought; but it was not long before I had made up my mind. "With your leave, Madame," I said, "I will not go with you." "And why not? What do you mean? Is every one here a stupid good-for-nothing?" "Pardon me, but I have nothing to reproach myself with. I merely will not go. I merely intend neither to witness nor to join in your play. I also beg to return you your five hundred g lden. Farewell." Laying the money upon a little table which the Grandmother s chair happened to be passing, I bowed and withdrew. "What folly!" the Grandmother shouted after me. "Very well, then. Do not come, and I will find my way alone. Potapitch, you must come with me. Lift up the chair, and carry	and his false teeth no, not even for him to be her lacquey since she herself, they say, possesses a pile of money, and lends it on interest, and makes a good thing out of it. However, it is not _you_, Prascovia, that I am blaming; it was not _you_ who sent those telegrams. Nor, for that matter, do I wish to recall old scores. True, I know that you are a vixen by nature that you are a wasp which will sting one if one touches it yet, my heart is sore for you, for I loved your mother, Katerina. Now, will you leave everything here, and come away with me? Otherwise, I do not know what is to become of you, and it is not right that you should continue living with these people. Nay," she interposed, the moment that Polina attempted to speak, "I have not yet finished. I ask of you nothing in return. My house in Moscow is, as you know, large enough for a palace, and you could occupy a whole floor of it if you liked, and keep away from me for weeks together. Will you come with me or will you not?" "First of all, let me ask of _you_," replied Polina, "whether you are intending to depart at once?" "What? You suppose me to be jesting? I have said that I am going, and I _am_ going. Today I have squandered fifteen thousand roubles at that accursed roulette of yours, and though, five years ago, I promised the people of a certain suburb of Moscow to build them a stone church in place of a wooden one, I have been fooling away my money here! However, I am going back now to build my church." "But what about the waters, Grandmamma? Surely you came here to take the waters?" "You and your waters! Do not anger me, Prascovia. Surely you are trying to? Say, then: will you, or will you not, come with me?" "Grandmamma," Polina replied with deep feeling, "I am very, very grateful to you for the shelter which you have so kindly offered me. Also, to a certain extent you have guessed my position aright, and I am beholden to you to such an extent that it may be that I _will_ come and live with you, and that very soon; yet there are important reasons why why I cannot make up my mind just yet. If you would let me have, say, a couple of weeks to decide in ?" "You mean that you are _not_ coming?" "I mean only that I cannot come just yet. At all events, I could not well leave my little brother and sister here, since, since if I were to leave them they would be abandoned altogether. But if, Grandmamma, you would take the little ones _and_ myself, then, of course, I could come with you, and would do all I could to serve you" (this she said with great earnestness). "Only, without the little ones I _cannot_ come." "Do not make a fuss" (as a matter of fact Polina never at any time either fussed or wept). "The Great Foster-Father" [3] "can find for all his chicks a place. You are not coming without the children? But see here, Prascovia. I wish you well, and nothing but well: yet I have divined the reason why you will not come. Yes, I know all, Prascovia. That Frenchman will never bring you good of any sort." [3] Translated literally The Great Poulterer. Polina coloured hotly, and even I started. "For," thought I to myself, "every one seems to know about that affair. Or perhaps I am the only one who does not know about it?" "Now, now! Do not frown," continued the Grandmother. "But I do not intend to slur things over. You will take care that no harm befalls you, will you not? For you are a girl of sense, and I am sorry for you I regard you in a different light to the rest of them. And now, please, leave me. Good-bye." "But let me stay with you a little longer," said Polina. "No," replied the other; "you need not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir," he said, "my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of bank-notes. "Alexis Ivanovitch," she cried, "walk on ahead, and we will set out again." "But whither, Madame?" "I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does it not?" For a moment I stood stupefied stood deep in thought; but it was not long before I had made up my mind. "With your leave, Madame," I said, "I will not go with you." "And why not? What do you mean? Is every one here a stupid good-for-nothing?" "Pardon me, but I have nothing to reproach myself with. I merely will not go. I merely intend neither to witness nor to join in your play. I also beg to return you your five hundred g lden. Farewell." Laying the money upon a little table which the Grandmother s chair happened to be passing, I bowed and withdrew. "What folly!" the Grandmother shouted after me. "Very well, then. Do not come, and I will find my way alone. Potapitch, you must come with me. Lift up the chair, and carry me along." I failed to find Mr. Astley, and returned home. It was now growing late it was past midnight, but I subsequently learnt from Potapitch how the Grandmother s day had ended. She had lost all the money which, earlier in the day, I had got for her paper securities a sum amounting to about ten thousand roubles. This she did under the direction of the Pole whom, that afternoon, she had dowered with two ten-g lden pieces. But before his arrival on the scene, she had commanded Potapitch to stake for her; until at length she had told him also to go about his business. Upon that the Pole had leapt into the breach. Not only did it happen that he knew the Russian language, but also he could speak a mixture of three different dialects, so that the pair were able to understand one another. Yet the old lady never ceased to abuse him, despite his deferential manner, and to compare him unfavourably with myself (so, at all events, Potapitch declared). "_You_," the old chamberlain said to me, "treated her as a gentleman should, but he he robbed her right and left, as I could see with my own eyes. Twice she caught him at it, and rated him soundly. On one occasion she even pulled his hair, so that the bystanders burst out laughing. Yet she lost everything, sir that is to say, she lost all that you had changed for her. Then we brought her home, and, after asking for some water and saying her prayers, she went to bed. So worn out was she that she fell asleep at once. May God send her dreams of angels! And _this_ is all that foreign travel has done for us! Oh, my own Moscow! For what have we not at home there, in Moscow? Such a garden and flowers as you could never see here, and fresh air and apple-trees coming into blossom, and a beautiful view to look upon. Ah, but what must she do but go travelling abroad? Alack, alack!" XIII Almost a month has passed since I last touched these notes notes which I began under the influence of impressions at once poignant and disordered. The crisis which I then felt to be approaching has now arrived, but in a form a hundred times more extensive and unexpected than I had looked for.	make up my mind just yet. If you would let me have, say, a couple of weeks to decide in ?" "You mean that you are _not_ coming?" "I mean only that I cannot come just yet. At all events, I could not well leave my little brother and sister here, since, since if I were to leave them they would be abandoned altogether. But if, Grandmamma, you would take the little ones _and_ myself, then, of course, I could come with you, and would do all I could to serve you" (this she said with great earnestness). "Only, without the little ones I _cannot_ come." "Do not make a fuss" (as a matter of fact Polina never at any time either fussed or wept). "The Great Foster-Father" [3] "can find for all his chicks a place. You are not coming without the children? But see here, Prascovia. I wish you well, and nothing but well: yet I have divined the reason why you will not come. Yes, I know all, Prascovia. That Frenchman will never bring you good of any sort." [3] Translated literally The Great Poulterer. Polina coloured hotly, and even I started. "For," thought I to myself, "every one seems to know about that affair. Or perhaps I am the only one who does not know about it?" "Now, now! Do not frown," continued the Grandmother. "But I do not intend to slur things over. You will take care that no harm befalls you, will you not? For you are a girl of sense, and I am sorry for you I regard you in a different light to the rest of them. And now, please, leave me. Good-bye." "But let me stay with you a little longer," said Polina. "No," replied the other; "you need not. Do not bother me, for you and all of them have tired me out." Yet when Polina tried to kiss the Grandmother s hand, the old lady withdrew it, and herself kissed the girl on the cheek. As she passed me, Polina gave me a momentary glance, and then as swiftly averted her eyes. "And good-bye to you, also, Alexis Ivanovitch. The train starts in an hour s time, and I think that you must be weary of me. Take these five hundred g lden for yourself." "I thank you humbly, Madame, but I am ashamed to" "Come, come!"<\|quote\|>cried the Grandmother so energetically, and with such an air of menace, that I did not dare refuse the money further.</\|quote\|>"If, when in Moscow, you have no place where you can lay your head," she added, "come and see me, and I will give you a recommendation. Now, Potapitch, get things ready." I ascended to my room, and lay down upon the bed. A whole hour I must have lain thus, with my head resting upon my hand. So the crisis had come! I needed time for its consideration. To-morrow I would have a talk with Polina. Ah! The Frenchman! So, it was true? But how could it be so? Polina and De Griers! What a combination! No, it was too improbable. Suddenly I leapt up with the idea of seeking Astley and forcing him to speak. There could be no doubt that he knew more than I did. Astley? Well, he was another problem for me to solve. Suddenly there came a knock at the door, and I opened it to find Potapitch awaiting me. "Sir," he said, "my mistress is asking for you." "Indeed? But she is just departing, is she not? The train leaves in ten minutes time." "She is uneasy, sir; she cannot rest. Come quickly, sir; do not delay." I ran downstairs at once. The Grandmother was just being carried out of her rooms into the corridor. In her hands she held a roll of bank-notes. "Alexis Ivanovitch," she cried, "walk on ahead, and we will set out again." "But whither, Madame?" "I cannot rest until I have retrieved my losses. March on ahead, and ask me no questions. Play continues until midnight, does it not?" For a moment I stood stupefied stood deep in thought; but it was not long before I had made up my mind. "With your leave, Madame," I said, "I will not go with you." "And why not? What do you mean? Is every one here a stupid good-for-nothing?" "Pardon me, but I have nothing to reproach myself with. I merely will not go. I merely intend neither to witness nor to join in your play. I also beg to return you your five hundred g lden. Farewell." Laying the money upon a little table which the Grandmother s chair happened to be passing, I bowed and withdrew. "What folly!" the Grandmother shouted after me. "Very well, then. Do not come, and I will find my way alone. Potapitch, you must come with me. Lift up the chair, and carry me along." I failed to find Mr. Astley, and returned home. It was now growing late it was past midnight, but I subsequently learnt from Potapitch how the Grandmother s day had ended. She had lost all the money which, earlier in the day, I had got for her paper securities a sum amounting to about ten thousand roubles. This she did under the direction of the Pole whom, that afternoon, she had dowered with two ten-g lden pieces. But before his arrival on the scene, she had commanded Potapitch to stake for her; until at length she had	The Gambler
He looked at Mary Cavendish.	No speaker	come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She	no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right,	awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or	out into the passage, for the servants must not find her where she is. But it is too late! Already footsteps are echoing along the gallery which connects the two wings. What can she do? Quick as thought, she hurries back to the young girl's room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also.	given." I shot a quick glance at Mary. She was very pale, but smiling. "I proceeded to reason on that assumption. Mrs. Cavendish is in her mother-in-law's room. We will say that she is seeking for something and has not yet found it. Suddenly Mrs. Inglethorp awakens and is seized with an alarming paroxysm. She flings out her arm, overturning the bed table, and then pulls desperately at the bell. Mrs. Cavendish, startled, drops her candle, scattering the grease on the carpet. She picks it up, and retreats quickly to Mademoiselle Cynthia's room, closing the door behind her. She hurries out into the passage, for the servants must not find her where she is. But it is too late! Already footsteps are echoing along the gallery which connects the two wings. What can she do? Quick as thought, she hurries back to the young girl's room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also. "No," he said quietly. "There is only one person who could possibly have destroyed that will Mrs. Inglethorp herself!" "Impossible!" I exclaimed. "She had only made it out that very afternoon!" "Nevertheless, _mon ami_, it was Mrs. Inglethorp. Because, in no other way can you account for the fact that, on one of the hottest days of the year, Mrs. Inglethorp ordered a fire to be lighted in her room." I gave a gasp. What idiots we had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees	only her word for it, since it was she who tried that particular door and reported it fastened. In the ensuing confusion she would have had ample opportunity to shoot the bolt across. I took an early opportunity of verifying my conjectures. To begin with, the fragment corresponds exactly with a tear in Mrs. Cavendish's armlet. Also, at the inquest, Mrs. Cavendish declared that she had heard, from her own room, the fall of the table by the bed. I took an early opportunity of testing that statement by stationing my friend Monsieur Hastings in the left wing of the building, just outside Mrs. Cavendish's door. I myself, in company with the police, went to the deceased's room, and whilst there I, apparently accidentally, knocked over the table in question, but found that, as I had expected, Monsieur Hastings had heard no sound at all. This confirmed my belief that Mrs. Cavendish was not speaking the truth when she declared that she had been dressing in her room at the time of the tragedy. In fact, I was convinced that, far from having been in her own room, Mrs. Cavendish was actually in the deceased's room when the alarm was given." I shot a quick glance at Mary. She was very pale, but smiling. "I proceeded to reason on that assumption. Mrs. Cavendish is in her mother-in-law's room. We will say that she is seeking for something and has not yet found it. Suddenly Mrs. Inglethorp awakens and is seized with an alarming paroxysm. She flings out her arm, overturning the bed table, and then pulls desperately at the bell. Mrs. Cavendish, startled, drops her candle, scattering the grease on the carpet. She picks it up, and retreats quickly to Mademoiselle Cynthia's room, closing the door behind her. She hurries out into the passage, for the servants must not find her where she is. But it is too late! Already footsteps are echoing along the gallery which connects the two wings. What can she do? Quick as thought, she hurries back to the young girl's room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also. "No," he said quietly. "There is only one person who could possibly have destroyed that will Mrs. Inglethorp herself!" "Impossible!" I exclaimed. "She had only made it out that very afternoon!" "Nevertheless, _mon ami_, it was Mrs. Inglethorp. Because, in no other way can you account for the fact that, on one of the hottest days of the year, Mrs. Inglethorp ordered a fire to be lighted in her room." I gave a gasp. What idiots we had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees in the shade. Yet Mrs. Inglethorp ordered a fire! Why? Because she wished to destroy something, and could think of no other way. You will remember that, in consequence of the War economics practiced at Styles, no waste paper was thrown away. There was therefore no means of destroying a thick document such as a will. The moment I heard of a fire being lighted in Mrs. Inglethorp's room, I leaped to the conclusion that it was to destroy some important document possibly a will. So the discovery of the charred fragment in the grate was no surprise to me. I did not, of course, know at the time that the will in question had only been made this afternoon, and I will admit that, when I learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will." "Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint.	prolonged hooting outside drove us to the window, to see Poirot alighting from a car, accompanied by Japp and Summerhaye. The little man was transformed. He radiated an absurd complacency. He bowed with exaggerated respect to Mary Cavendish. "Madame, I have your permission to hold a little _r union_ in the _salon_? It is necessary for everyone to attend." Mary smiled sadly. "You know, Monsieur Poirot, that you have _carte blanche_ in every way." "You are too amiable, madame." Still beaming, Poirot marshalled us all into the drawing-room, bringing forward chairs as he did so. "Miss Howard here. Mademoiselle Cynthia. Monsieur Lawrence. The good Dorcas. And Annie. _Bien!_ We must delay our proceedings a few minutes until Mr. Inglethorp arrives. I have sent him a note." Miss Howard rose immediately from her seat. "If that man comes into the house, I leave it!" "No, no!" Poirot went up to her and pleaded in a low voice. Finally Miss Howard consented to return to her chair. A few minutes later Alfred Inglethorp entered the room. The company once assembled, Poirot rose from his seat with the air of a popular lecturer, and bowed politely to his audience. "_Messieurs, mesdames_, as you all know, I was called in by Monsieur John Cavendish to investigate this case. I at once examined the bedroom of the deceased which, by the advice of the doctors, had been kept locked, and was consequently exactly as it had been when the tragedy occurred. I found: first, a fragment of green material; second, a stain on the carpet near the window, still damp; thirdly, an empty box of bromide powders." "To take the fragment of green material first, I found it caught in the bolt of the communicating door between that room and the adjoining one occupied by Mademoiselle Cynthia. I handed the fragment over to the police who did not consider it of much importance. Nor did they recognize it for what it was a piece torn from a green land armlet." There was a little stir of excitement. "Now there was only one person at Styles who worked on the land Mrs. Cavendish. Therefore it must have been Mrs. Cavendish who entered the deceased's room through the door communicating with Mademoiselle Cynthia's room." "But that door was bolted on the inside!" I cried. "When I examined the room, yes. But in the first place we have only her word for it, since it was she who tried that particular door and reported it fastened. In the ensuing confusion she would have had ample opportunity to shoot the bolt across. I took an early opportunity of verifying my conjectures. To begin with, the fragment corresponds exactly with a tear in Mrs. Cavendish's armlet. Also, at the inquest, Mrs. Cavendish declared that she had heard, from her own room, the fall of the table by the bed. I took an early opportunity of testing that statement by stationing my friend Monsieur Hastings in the left wing of the building, just outside Mrs. Cavendish's door. I myself, in company with the police, went to the deceased's room, and whilst there I, apparently accidentally, knocked over the table in question, but found that, as I had expected, Monsieur Hastings had heard no sound at all. This confirmed my belief that Mrs. Cavendish was not speaking the truth when she declared that she had been dressing in her room at the time of the tragedy. In fact, I was convinced that, far from having been in her own room, Mrs. Cavendish was actually in the deceased's room when the alarm was given." I shot a quick glance at Mary. She was very pale, but smiling. "I proceeded to reason on that assumption. Mrs. Cavendish is in her mother-in-law's room. We will say that she is seeking for something and has not yet found it. Suddenly Mrs. Inglethorp awakens and is seized with an alarming paroxysm. She flings out her arm, overturning the bed table, and then pulls desperately at the bell. Mrs. Cavendish, startled, drops her candle, scattering the grease on the carpet. She picks it up, and retreats quickly to Mademoiselle Cynthia's room, closing the door behind her. She hurries out into the passage, for the servants must not find her where she is. But it is too late! Already footsteps are echoing along the gallery which connects the two wings. What can she do? Quick as thought, she hurries back to the young girl's room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also. "No," he said quietly. "There is only one person who could possibly have destroyed that will Mrs. Inglethorp herself!" "Impossible!" I exclaimed. "She had only made it out that very afternoon!" "Nevertheless, _mon ami_, it was Mrs. Inglethorp. Because, in no other way can you account for the fact that, on one of the hottest days of the year, Mrs. Inglethorp ordered a fire to be lighted in her room." I gave a gasp. What idiots we had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees in the shade. Yet Mrs. Inglethorp ordered a fire! Why? Because she wished to destroy something, and could think of no other way. You will remember that, in consequence of the War economics practiced at Styles, no waste paper was thrown away. There was therefore no means of destroying a thick document such as a will. The moment I heard of a fire being lighted in Mrs. Inglethorp's room, I leaped to the conclusion that it was to destroy some important document possibly a will. So the discovery of the charred fragment in the grate was no surprise to me. I did not, of course, know at the time that the will in question had only been made this afternoon, and I will admit that, when I learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will." "Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:" You need not think that any fear of publicity, or scandal between husband and wife will deter me." "I conjectured, and conjectured rightly, that these words were addressed, not to her husband, but to Mr. John Cavendish. At five o'clock, an hour later, she uses almost the same words, but the standpoint is different. She admits to Dorcas," I don't know what to do; scandal between husband and wife is a dreadful thing.' "At four o'clock she has been angry, but completely mistress of herself. At five o'clock she is in violent distress, and speaks of having had a great shock." "Looking at the matter psychologically, I drew one deduction which I was convinced was correct. The second scandal' she spoke of was not the same as the first and it concerned herself!" "Let us reconstruct. At four o'clock, Mrs. Inglethorp quarrels with her son, and threatens to denounce him to his wife who, by the way, overheard the greater part of the conversation. At four-thirty, Mrs. Inglethorp, in consequence of a conversation on the validity of wills, makes a will in favour of her husband, which the two gardeners witness. At five o'clock, Dorcas finds her mistress in a state of considerable agitation, with a slip of paper a letter,' Dorcas thinks in her hand, and it is then that she orders the fire in her room to be lighted. Presumably, then, between four-thirty and five o'clock, something has occurred to occasion a complete revolution of feeling, since she is now as anxious to destroy the will, as she was before to make it. What was that something?" "As far as we know, she was quite alone during that half-hour. Nobody entered or left that boudoir. What then occasioned this sudden change of sentiment?" "One can only guess, but I believe my guess to be correct. Mrs. Inglethorp had no stamps in her desk. We know this, because later she asked Dorcas to bring her some. Now in the opposite corner of the room stood her husband's desk locked. She was anxious to find some stamps, and, according to my theory, she tried her own keys in the desk. That one of them fitted I know. She therefore opened the desk, and in searching for the stamps she came across something else that slip of paper which Dorcas saw	room at the time of the tragedy. In fact, I was convinced that, far from having been in her own room, Mrs. Cavendish was actually in the deceased's room when the alarm was given." I shot a quick glance at Mary. She was very pale, but smiling. "I proceeded to reason on that assumption. Mrs. Cavendish is in her mother-in-law's room. We will say that she is seeking for something and has not yet found it. Suddenly Mrs. Inglethorp awakens and is seized with an alarming paroxysm. She flings out her arm, overturning the bed table, and then pulls desperately at the bell. Mrs. Cavendish, startled, drops her candle, scattering the grease on the carpet. She picks it up, and retreats quickly to Mademoiselle Cynthia's room, closing the door behind her. She hurries out into the passage, for the servants must not find her where she is. But it is too late! Already footsteps are echoing along the gallery which connects the two wings. What can she do? Quick as thought, she hurries back to the young girl's room, and starts shaking her awake. The hastily aroused household come trooping down the passage. They are all busily battering at Mrs. Inglethorp's door. It occurs to nobody that Mrs. Cavendish has not arrived with the rest, but and this is significant I can find no one who saw her come from the other wing."<\|quote\|>He looked at Mary Cavendish.</\|quote\|>"Am I right, madame?" She bowed her head. "Quite right, monsieur. You understand that, if I had thought I would do my husband any good by revealing these facts, I would have done so. But it did not seem to me to bear upon the question of his guilt or innocence." "In a sense, that is correct, madame. But it cleared my mind of many misconceptions, and left me free to see other facts in their true significance." "The will!" cried Lawrence. "Then it was you, Mary, who destroyed the will?" She shook her head, and Poirot shook his also. "No," he said quietly. "There is only one person who could possibly have destroyed that will Mrs. Inglethorp herself!" "Impossible!" I exclaimed. "She had only made it out that very afternoon!" "Nevertheless, _mon ami_, it was Mrs. Inglethorp. Because, in no other way can you account for the fact that, on one of the hottest days of the year, Mrs. Inglethorp ordered a fire to be lighted in her room." I gave a gasp. What idiots we had been never to think of that fire as being incongruous! Poirot was continuing: "The temperature on that day, messieurs, was 80 degrees in the shade. Yet Mrs. Inglethorp ordered a fire! Why? Because she wished to destroy something, and could think of no other way. You will remember that, in consequence of the War economics practiced at Styles, no waste paper was thrown away. There was therefore no means of destroying a thick document such as a will. The moment I heard of a fire being lighted in Mrs. Inglethorp's room, I leaped to the conclusion that it was to destroy some important document possibly a will. So the discovery of the charred fragment in the grate was no surprise to me. I did not, of course, know at the time that the will in question had only been made this afternoon, and I will admit that, when I learnt that fact, I fell into a grievous error. I came to the conclusion that Mrs. Inglethorp's determination to destroy her will arose as a direct consequence of the quarrel she had that afternoon, and that therefore the quarrel took place after, and not before the making of the will." "Here, as we know, I was wrong, and I was forced to abandon that idea. I faced the problem from a new standpoint. Now, at four o'clock, Dorcas overheard her mistress saying angrily:" You need not think that any fear of publicity, or scandal between husband and wife will deter me." "I conjectured, and conjectured rightly, that these words were addressed, not to her husband, but to Mr. John Cavendish. At five o'clock, an hour later, she uses almost the same words, but the standpoint is different. She admits to Dorcas," I don't know what to do; scandal between husband and wife is a dreadful thing.' "At four o'clock she has been angry, but completely mistress of herself. At	The Mysterious Affair At Styles
"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"	Ralph Denham	the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing	wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren	engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession."	know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose	that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose I have an opinion" she hesitated. He controlled his wish to ask her to explain herself, and much to his pleasure she went on, appearing to search her mind. "I thought that you criticized me perhaps disliked me. I thought of you as a person who judges" "No; I m a person who feels," he said, in a low voice. "Tell me, then, what has made you do this?" she asked, after a break. He told her in an orderly way, betokening careful preparation, all that he had meant to say at first; how he stood with regard to his	plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose I have an opinion" she hesitated. He controlled his wish to ask her to explain herself, and much to his pleasure she went on, appearing to search her mind. "I thought that you criticized me perhaps disliked me. I thought of you as a person who judges" "No; I m a person who feels," he said, in a low voice. "Tell me, then, what has made you do this?" she asked, after a break. He told her in an orderly way, betokening careful preparation, all that he had meant to say at first; how he stood with regard to his brothers and sisters; what his mother had said, and his sister Joan had refrained from saying; exactly how many pounds stood in his name at the bank; what prospect his brother had of earning a livelihood in America; how much of their income went on rent, and other details known to him by heart. She listened to all this, so that she could have passed an examination in it by the time Waterloo Bridge was in sight; and yet she was no more listening to it than she was counting the paving-stones at her feet. She was feeling happier than she had felt in her life. If Denham could have seen how visibly books of algebraic symbols, pages all speckled with dots and dashes and twisted bars, came before her eyes as they trod the Embankment, his secret joy in her attention might have been dispersed. She went on, saying, "Yes, I see.... But how would that help you?... Your brother has passed his examination?" so sensibly, that he had constantly to keep his brain in check; and all the time she was in fancy looking up through a telescope at white shadow-cleft disks which were other worlds, until she	come to such a pass that, unless I can speak to you openly, I believe I shall go mad. I think of you as the most beautiful, the truest thing in the world," he continued, filled with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment: "She told you that I had asked her to marry me, I suppose?" "No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose I have an opinion" she hesitated. He controlled his wish to ask her to explain herself, and much to his pleasure she went on, appearing to search her mind. "I thought that you criticized me perhaps disliked me. I thought of you as a person who judges" "No; I m a person who feels," he said, in a low voice. "Tell me, then, what has made you do this?" she asked, after a break. He told her in an orderly way, betokening careful preparation, all that he had meant to say at first; how he stood with regard to his brothers and sisters; what his mother had said, and his sister Joan had refrained from saying; exactly how many pounds stood in his name at the bank; what prospect his brother had of earning a livelihood in America; how much of their income went on rent, and other details known to him by heart. She listened to all this, so that she could have passed an examination in it by the time Waterloo Bridge was in sight; and yet she was no more listening to it than she was counting the paving-stones at her feet. She was feeling happier than she had felt in her life. If Denham could have seen how visibly books of algebraic symbols, pages all speckled with dots and dashes and twisted bars, came before her eyes as they trod the Embankment, his secret joy in her attention might have been dispersed. She went on, saying, "Yes, I see.... But how would that help you?... Your brother has passed his examination?" so sensibly, that he had constantly to keep his brain in check; and all the time she was in fancy looking up through a telescope at white shadow-cleft disks which were other worlds, until she felt herself possessed of two bodies, one walking by the river with Denham, the other concentrated to a silver globe aloft in the fine blue space above the scum of vapors that was covering the visible world. She looked at the sky once, and saw that no star was keen enough to pierce the flight of watery clouds now coursing rapidly before the west wind. She looked down hurriedly again. There was no reason, she assured herself, for this feeling of happiness; she was not free; she was not alone; she was still bound to earth by a million fibres; every step took her nearer home. Nevertheless, she exulted as she had never exulted before. The air was fresher, the lights more distinct, the cold stone of the balustrade colder and harder, when by chance or purpose she struck her hand against it. No feeling of annoyance with Denham remained; he certainly did not hinder any flight she might choose to make, whether in the direction of the sky or of her home; but that her condition was due to him, or to anything that he had said, she had no consciousness at all. They were now within sight of the stream of cabs and omnibuses crossing to and from the Surrey side of the river; the sound of the traffic, the hooting of motor-horns, and the light chime of tram-bells sounded more and more distinctly, and, with the increase of noise, they both became silent. With a common instinct they slackened their pace, as if to lengthen the time of semi-privacy allowed them. To Ralph, the pleasure of these last yards of the walk with Katharine was so great that he could not look beyond the present moment to the time when she should have left him. He had no wish to use the last moments of their companionship in adding fresh words to what he had already said. Since they had stopped talking, she had become to him not so much a real person, as the very woman he dreamt of; but his solitary dreams had never produced any such keenness of sensation as that which he felt in her presence. He himself was also strangely transfigured. He had complete mastery of all his faculties. For the first time he was in possession of his full powers. The vistas which opened before him seemed to have no perceptible	she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly.<\|quote\|>"It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still,"</\|quote\|>he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose I have an opinion" she hesitated. He controlled his wish to ask her to explain herself, and much to his pleasure she went on, appearing to search her mind. "I thought that you criticized me perhaps disliked me. I thought of you as a person who judges" "No; I m a person who feels," he said, in a low voice. "Tell me, then, what has made you do this?" she asked, after a break. He told her in an orderly way, betokening careful preparation, all that he had meant to say at first; how he stood with regard to his brothers and sisters; what his mother had said, and his sister Joan had refrained from saying; exactly how many pounds stood in his name at the bank; what prospect his brother had of earning a livelihood in America; how much of their income went on rent, and other details known to him by heart. She listened to all this, so that she could have passed an examination in it by the time Waterloo Bridge was in sight; and yet she was no more listening to it than she was counting the paving-stones at her feet. She was feeling happier than she had felt in her life. If Denham could have seen how visibly books of algebraic symbols, pages all speckled with dots and dashes and twisted bars, came before her eyes as they trod the Embankment, his secret joy in her attention might have been dispersed. She went on, saying, "Yes, I see.... But how would that help you?... Your brother has passed his examination?" so sensibly, that he had constantly to keep his brain in check; and all the time she was in fancy looking up through a telescope at white shadow-cleft disks which were other worlds, until she felt herself possessed of two bodies, one walking by the river with Denham, the other concentrated to a silver globe aloft in the fine blue space above the scum of vapors that was covering the visible world. She looked at the sky once, and saw that no star was keen enough to pierce the flight of watery clouds now coursing rapidly before the west wind. She looked down hurriedly again. There was no reason, she assured herself, for this feeling of happiness; she was not free; she was not alone; she was still bound to earth by a million fibres; every step took her nearer home. Nevertheless, she exulted as she had never exulted before. The air was fresher, the lights more distinct, the cold stone of the balustrade colder and harder, when by chance or purpose she struck her hand against it. No feeling of annoyance with Denham	Night And Day
replied a man's voice.	No speaker	now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron,	air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone,	she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in	Corney, pettishly; "I shall never get another like him." Whether this remark bore reference to the husband, or the teapot, is uncertain. It might have been the latter; for Mrs. Corney looked at it as she spoke; and took it up afterwards. She had just tasted her first cup, when she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in one hand and a bundle in the other. "Shall I shut the door, ma'am?" The lady modestly hesitated to reply, lest there should be any impropriety in holding an interview with Mr. Bumble, with closed doors. Mr. Bumble taking advantage of the hesitation, and being very cold himself, shut it	it down very hastily on the hob; "a little stupid thing, that only holds a couple of cups! What use is it of, to anybody! Except," said Mrs. Corney, pausing, "except to a poor desolate creature like me. Oh dear!" With these words, the matron dropped into her chair, and, once more resting her elbow on the table, thought of her solitary fate. The small teapot, and the single cup, had awakened in her mind sad recollections of Mr. Corney (who had not been dead more than five-and-twenty years); and she was overpowered. "I shall never get another!" said Mrs. Corney, pettishly; "I shall never get another like him." Whether this remark bore reference to the husband, or the teapot, is uncertain. It might have been the latter; for Mrs. Corney looked at it as she spoke; and took it up afterwards. She had just tasted her first cup, when she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in one hand and a bundle in the other. "Shall I shut the door, ma'am?" The lady modestly hesitated to reply, lest there should be any impropriety in holding an interview with Mr. Bumble, with closed doors. Mr. Bumble taking advantage of the hesitation, and being very cold himself, shut it without permission. "Hard weather, Mr. Bumble," said the matron. "Hard, indeed, ma'am," replied the beadle. "Anti-porochial weather this, ma'am. We have given away, Mrs. Corney, we have given away a matter of twenty quartern loaves and a cheese and a half, this very blessed afternoon; and yet them paupers are not contented." "Of course not. When would they be, Mr. Bumble?" said the matron, sipping her tea. "When, indeed, ma'am!" rejoined Mr. Bumble. "Why here's one man that, in consideration of his wife and large family, has a quartern loaf and a good pound of cheese, full weight. Is he	round table: on which stood a tray of corresponding size, furnished with all necessary materials for the most grateful meal that matrons enjoy. In fact, Mrs. Corney was about to solace herself with a cup of tea. As she glanced from the table to the fireplace, where the smallest of all possible kettles was singing a small song in a small voice, her inward satisfaction evidently increased, so much so, indeed, that Mrs. Corney smiled. "Well!" said the matron, leaning her elbow on the table, and looking reflectively at the fire; "I'm sure we have all on us a great deal to be grateful for! A great deal, if we did but know it. Ah!" Mrs. Corney shook her head mournfully, as if deploring the mental blindness of those paupers who did not know it; and thrusting a silver spoon (private property) into the inmost recesses of a two-ounce tin tea-caddy, proceeded to make the tea. How slight a thing will disturb the equanimity of our frail minds! The black teapot, being very small and easily filled, ran over while Mrs. Corney was moralising; and the water slightly scalded Mrs. Corney's hand. "Drat the pot!" said the worthy matron, setting it down very hastily on the hob; "a little stupid thing, that only holds a couple of cups! What use is it of, to anybody! Except," said Mrs. Corney, pausing, "except to a poor desolate creature like me. Oh dear!" With these words, the matron dropped into her chair, and, once more resting her elbow on the table, thought of her solitary fate. The small teapot, and the single cup, had awakened in her mind sad recollections of Mr. Corney (who had not been dead more than five-and-twenty years); and she was overpowered. "I shall never get another!" said Mrs. Corney, pettishly; "I shall never get another like him." Whether this remark bore reference to the husband, or the teapot, is uncertain. It might have been the latter; for Mrs. Corney looked at it as she spoke; and took it up afterwards. She had just tasted her first cup, when she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in one hand and a bundle in the other. "Shall I shut the door, ma'am?" The lady modestly hesitated to reply, lest there should be any impropriety in holding an interview with Mr. Bumble, with closed doors. Mr. Bumble taking advantage of the hesitation, and being very cold himself, shut it without permission. "Hard weather, Mr. Bumble," said the matron. "Hard, indeed, ma'am," replied the beadle. "Anti-porochial weather this, ma'am. We have given away, Mrs. Corney, we have given away a matter of twenty quartern loaves and a cheese and a half, this very blessed afternoon; and yet them paupers are not contented." "Of course not. When would they be, Mr. Bumble?" said the matron, sipping her tea. "When, indeed, ma'am!" rejoined Mr. Bumble. "Why here's one man that, in consideration of his wife and large family, has a quartern loaf and a good pound of cheese, full weight. Is he grateful, ma'am? Is he grateful? Not a copper farthing's worth of it! What does he do, ma'am, but ask for a few coals; if it's only a pocket handkerchief full, he says! Coals! What would he do with coals? Toast his cheese with 'em and then come back for more. That's the way with these people, ma'am; give 'em a apron full of coals to-day, and they'll come back for another, the day after to-morrow, as brazen as alabaster." The matron expressed her entire concurrence in this intelligible simile; and the beadle went on. "I never," said Mr. Bumble, "see anything like the pitch it's got to. The day afore yesterday, a man you have been a married woman, ma'am, and I may mention it to you a man, with hardly a rag upon his back (here Mrs. Corney looked at the floor), goes to our overseer's door when he has got company coming to dinner; and says, he must be relieved, Mrs. Corney. As he wouldn't go away, and shocked the company very much, our overseer sent him out a pound of potatoes and half a pint of oatmeal. My heart!' says the ungrateful villain, what's the use of	followed it, Oliver let his lantern fall, and knew not whether to advance or fly. The cry was repeated a light appeared a vision of two terrified half-dressed men at the top of the stairs swam before his eyes a flash a loud noise a smoke a crash somewhere, but where he knew not, and he staggered back. Sikes had disappeared for an instant; but he was up again, and had him by the collar before the smoke had cleared away. He fired his own pistol after the men, who were already retreating; and dragged the boy up. "Clasp your arm tighter," said Sikes, as he drew him through the window. "Give me a shawl here. They've hit him. Quick! How the boy bleeds!" Then came the loud ringing of a bell, mingled with the noise of fire-arms, and the shouts of men, and the sensation of being carried over uneven ground at a rapid pace. And then, the noises grew confused in the distance; and a cold deadly feeling crept over the boy's heart; and he saw or heard no more. CHAPTER XXIII. WHICH CONTAINS THE SUBSTANCE OF A PLEASANT CONVERSATION BETWEEN MR. BUMBLE AND A LADY; AND SHOWS THAT EVEN A BEADLE MAY BE SUSCEPTIBLE ON SOME POINTS The night was bitter cold. The snow lay on the ground, frozen into a hard thick crust, so that only the heaps that had drifted into byways and corners were affected by the sharp wind that howled abroad: which, as if expending increased fury on such prey as it found, caught it savagely up in clouds, and, whirling it into a thousand misty eddies, scattered it in air. Bleak, dark, and piercing cold, it was a night for the well-housed and fed to draw round the bright fire and thank God they were at home; and for the homeless, starving wretch to lay him down and die. Many hunger-worn outcasts close their eyes in our bare streets, at such times, who, let their crimes have been what they may, can hardly open them in a more bitter world. Such was the aspect of out-of-doors affairs, when Mrs. Corney, the matron of the workhouse to which our readers have been already introduced as the birthplace of Oliver Twist, sat herself down before a cheerful fire in her own little room, and glanced, with no small degree of complacency, at a small round table: on which stood a tray of corresponding size, furnished with all necessary materials for the most grateful meal that matrons enjoy. In fact, Mrs. Corney was about to solace herself with a cup of tea. As she glanced from the table to the fireplace, where the smallest of all possible kettles was singing a small song in a small voice, her inward satisfaction evidently increased, so much so, indeed, that Mrs. Corney smiled. "Well!" said the matron, leaning her elbow on the table, and looking reflectively at the fire; "I'm sure we have all on us a great deal to be grateful for! A great deal, if we did but know it. Ah!" Mrs. Corney shook her head mournfully, as if deploring the mental blindness of those paupers who did not know it; and thrusting a silver spoon (private property) into the inmost recesses of a two-ounce tin tea-caddy, proceeded to make the tea. How slight a thing will disturb the equanimity of our frail minds! The black teapot, being very small and easily filled, ran over while Mrs. Corney was moralising; and the water slightly scalded Mrs. Corney's hand. "Drat the pot!" said the worthy matron, setting it down very hastily on the hob; "a little stupid thing, that only holds a couple of cups! What use is it of, to anybody! Except," said Mrs. Corney, pausing, "except to a poor desolate creature like me. Oh dear!" With these words, the matron dropped into her chair, and, once more resting her elbow on the table, thought of her solitary fate. The small teapot, and the single cup, had awakened in her mind sad recollections of Mr. Corney (who had not been dead more than five-and-twenty years); and she was overpowered. "I shall never get another!" said Mrs. Corney, pettishly; "I shall never get another like him." Whether this remark bore reference to the husband, or the teapot, is uncertain. It might have been the latter; for Mrs. Corney looked at it as she spoke; and took it up afterwards. She had just tasted her first cup, when she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in one hand and a bundle in the other. "Shall I shut the door, ma'am?" The lady modestly hesitated to reply, lest there should be any impropriety in holding an interview with Mr. Bumble, with closed doors. Mr. Bumble taking advantage of the hesitation, and being very cold himself, shut it without permission. "Hard weather, Mr. Bumble," said the matron. "Hard, indeed, ma'am," replied the beadle. "Anti-porochial weather this, ma'am. We have given away, Mrs. Corney, we have given away a matter of twenty quartern loaves and a cheese and a half, this very blessed afternoon; and yet them paupers are not contented." "Of course not. When would they be, Mr. Bumble?" said the matron, sipping her tea. "When, indeed, ma'am!" rejoined Mr. Bumble. "Why here's one man that, in consideration of his wife and large family, has a quartern loaf and a good pound of cheese, full weight. Is he grateful, ma'am? Is he grateful? Not a copper farthing's worth of it! What does he do, ma'am, but ask for a few coals; if it's only a pocket handkerchief full, he says! Coals! What would he do with coals? Toast his cheese with 'em and then come back for more. That's the way with these people, ma'am; give 'em a apron full of coals to-day, and they'll come back for another, the day after to-morrow, as brazen as alabaster." The matron expressed her entire concurrence in this intelligible simile; and the beadle went on. "I never," said Mr. Bumble, "see anything like the pitch it's got to. The day afore yesterday, a man you have been a married woman, ma'am, and I may mention it to you a man, with hardly a rag upon his back (here Mrs. Corney looked at the floor), goes to our overseer's door when he has got company coming to dinner; and says, he must be relieved, Mrs. Corney. As he wouldn't go away, and shocked the company very much, our overseer sent him out a pound of potatoes and half a pint of oatmeal. My heart!' says the ungrateful villain, what's the use of _this_ to me? You might as well give me a pair of iron spectacles!' Very good,' says our overseer, taking 'em away again, you won't get anything else here.' Then I'll die in the streets!' says the vagrant. Oh no, you won't,' says our overseer." "Ha! ha! That was very good! So like Mr. Grannett, wasn't it?" interposed the matron. "Well, Mr. Bumble?" "Well, ma'am," rejoined the beadle, "he went away; and he _did_ die in the streets. There's a obstinate pauper for you!" "It beats anything I could have believed," observed the matron emphatically. "But don't you think out-of-door relief a very bad thing, any way, Mr. Bumble? You're a gentleman of experience, and ought to know. Come." "Mrs. Corney," said the beadle, smiling as men smile who are conscious of superior information, "out-of-door relief, properly managed: properly managed, ma'am: is the porochial safeguard. The great principle of out-of-door relief is, to give the paupers exactly what they don't want; and then they get tired of coming." "Dear me!" exclaimed Mrs. Corney. "Well, that is a good one, too!" "Yes. Betwixt you and me, ma'am," returned Mr. Bumble, "that's the great principle; and that's the reason why, if you look at any cases that get into them owdacious newspapers, you'll always observe that sick families have been relieved with slices of cheese. That's the rule now, Mrs. Corney, all over the country. But, however," said the beadle, stopping to unpack his bundle, "these are official secrets, ma'am; not to be spoken of; except, as I may say, among the porochial officers, such as ourselves. This is the port wine, ma'am, that the board ordered for the infirmary; real, fresh, genuine port wine; only out of the cask this forenoon; clear as a bell, and no sediment!" Having held the first bottle up to the light, and shaken it well to test its excellence, Mr. Bumble placed them both on top of a chest of drawers; folded the handkerchief in which they had been wrapped; put it carefully in his pocket; and took up his hat, as if to go. "You'll have a very cold walk, Mr. Bumble," said the matron. "It blows, ma'am," replied Mr. Bumble, turning up his coat-collar, "enough to cut one's ears off." The matron looked, from the little kettle, to the beadle, who was moving towards the door; and as the beadle coughed, preparatory to	teapot, being very small and easily filled, ran over while Mrs. Corney was moralising; and the water slightly scalded Mrs. Corney's hand. "Drat the pot!" said the worthy matron, setting it down very hastily on the hob; "a little stupid thing, that only holds a couple of cups! What use is it of, to anybody! Except," said Mrs. Corney, pausing, "except to a poor desolate creature like me. Oh dear!" With these words, the matron dropped into her chair, and, once more resting her elbow on the table, thought of her solitary fate. The small teapot, and the single cup, had awakened in her mind sad recollections of Mr. Corney (who had not been dead more than five-and-twenty years); and she was overpowered. "I shall never get another!" said Mrs. Corney, pettishly; "I shall never get another like him." Whether this remark bore reference to the husband, or the teapot, is uncertain. It might have been the latter; for Mrs. Corney looked at it as she spoke; and took it up afterwards. She had just tasted her first cup, when she was disturbed by a soft tap at the room-door. "Oh, come in with you!" said Mrs. Corney, sharply. "Some of the old women dying, I suppose. They always die when I'm at meals. Don't stand there, letting the cold air in, don't. What's amiss now, eh?" "Nothing, ma'am, nothing,"<\|quote\|>replied a man's voice.</\|quote\|>"Dear me!" exclaimed the matron, in a much sweeter tone, "is that Mr. Bumble?" "At your service, ma'am," said Mr. Bumble, who had been stopping outside to rub his shoes clean, and to shake the snow off his coat; and who now made his appearance, bearing the cocked hat in one hand and a bundle in the other. "Shall I shut the door, ma'am?" The lady modestly hesitated to reply, lest there should be any impropriety in holding an interview with Mr. Bumble, with closed doors. Mr. Bumble taking advantage of the hesitation, and being very cold himself, shut it without permission. "Hard weather, Mr. Bumble," said the matron. "Hard, indeed, ma'am," replied the beadle. "Anti-porochial weather this, ma'am. We have given away, Mrs. Corney, we have given away a matter of twenty quartern loaves and a cheese and a half, this very blessed afternoon; and yet them paupers are not contented." "Of course not. When would they be, Mr. Bumble?" said the matron, sipping her tea. "When, indeed, ma'am!" rejoined Mr. Bumble. "Why here's one man that, in consideration of his wife and large family, has a quartern loaf and a good pound of cheese, full weight. Is he grateful, ma'am? Is he grateful? Not a copper farthing's worth of it! What does he do, ma'am, but ask for a few coals; if it's only a pocket handkerchief full, he says! Coals! What would he do with coals? Toast his cheese with 'em and then come back for more. That's the way with these people, ma'am; give 'em a apron full of coals to-day, and they'll come back for another, the day after to-morrow, as brazen as alabaster." The matron expressed her entire concurrence in this intelligible simile; and the beadle went on. "I never," said	Oliver Twist
"My father would understand even less than my mother."	Katharine Hilbery	is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected	"Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but	think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister."	must face it, Katharine that we let our engagement stand for the time nominally; in fact, of course, your freedom would be absolute." "And yours too." "Yes, we should both be free. Let us say that I saw Cassandra once, twice, perhaps, under these conditions; and then if, as I think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister." "We re not brothers and sisters," she said impatiently, "and if we can t decide, who can? I m not talking nonsense," she proceeded. "I ve done my best to think this out from every point of view, and I ve come to the conclusion that there are risks which	s useless to pretend that I don t understand what you re offering, Katharine. I admit what you say. Speaking to you perfectly frankly, I believe at this moment that I do love your cousin; there is a chance that, with your help, I might but no," he broke off, "it s impossible, it s wrong I m infinitely to blame for having allowed this situation to arise." "Sit beside me. Let s consider sensibly" "Your sense has been our undoing" he groaned. "I accept the responsibility." "Ah, but can I allow that?" he exclaimed. "It would mean for we must face it, Katharine that we let our engagement stand for the time nominally; in fact, of course, your freedom would be absolute." "And yours too." "Yes, we should both be free. Let us say that I saw Cassandra once, twice, perhaps, under these conditions; and then if, as I think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister." "We re not brothers and sisters," she said impatiently, "and if we can t decide, who can? I m not talking nonsense," she proceeded. "I ve done my best to think this out from every point of view, and I ve come to the conclusion that there are risks which have to be taken, though I don t deny that they hurt horribly." "Katharine, you mind? You ll mind too much." "No I shan t," she said stoutly. "I shall mind a good deal, but I m prepared for that; I shall get through it, because you will help me. You ll both help me. In fact, we ll help each other. That s a Christian doctrine, isn t it?" "It sounds more like Paganism to me," Rodney groaned, as he reviewed the situation into which her Christian doctrine was plunging them. And yet he could not deny that a	have been inconceivable to him. That a relationship such as he had glanced at with desire could be possible between him and Katharine, he would have been the first, two days ago, to deny with indignation. But now his life had changed; his attitude had changed; his feelings were different; new aims and possibilities had been shown him, and they had an almost irresistible fascination and force. The training of a life of thirty-five years had not left him defenceless; he was still master of his dignity; he rose, with a mind made up to an irrevocable farewell. "I leave you, then," he said, standing up and holding out his hand with an effort that left him pale, but lent him dignity, "to tell your mother that our engagement is ended by your desire." She took his hand and held it. "You don t trust me?" she said. "I do, absolutely," he replied. "No. You don t trust me to help you.... I could help you?" "I m hopeless without your help!" he exclaimed passionately, but withdrew his hand and turned his back. When he faced her, she thought that she saw him for the first time without disguise. "It s useless to pretend that I don t understand what you re offering, Katharine. I admit what you say. Speaking to you perfectly frankly, I believe at this moment that I do love your cousin; there is a chance that, with your help, I might but no," he broke off, "it s impossible, it s wrong I m infinitely to blame for having allowed this situation to arise." "Sit beside me. Let s consider sensibly" "Your sense has been our undoing" he groaned. "I accept the responsibility." "Ah, but can I allow that?" he exclaimed. "It would mean for we must face it, Katharine that we let our engagement stand for the time nominally; in fact, of course, your freedom would be absolute." "And yours too." "Yes, we should both be free. Let us say that I saw Cassandra once, twice, perhaps, under these conditions; and then if, as I think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister." "We re not brothers and sisters," she said impatiently, "and if we can t decide, who can? I m not talking nonsense," she proceeded. "I ve done my best to think this out from every point of view, and I ve come to the conclusion that there are risks which have to be taken, though I don t deny that they hurt horribly." "Katharine, you mind? You ll mind too much." "No I shan t," she said stoutly. "I shall mind a good deal, but I m prepared for that; I shall get through it, because you will help me. You ll both help me. In fact, we ll help each other. That s a Christian doctrine, isn t it?" "It sounds more like Paganism to me," Rodney groaned, as he reviewed the situation into which her Christian doctrine was plunging them. And yet he could not deny that a divine relief possessed him, and that the future, instead of wearing a lead-colored mask, now blossomed with a thousand varied gaieties and excitements. He was actually to see Cassandra within a week or perhaps less, and he was more anxious to know the date of her arrival than he could own even to himself. It seemed base to be so anxious to pluck this fruit of Katharine s unexampled generosity and of his own contemptible baseness. And yet, though he used these words automatically, they had now no meaning. He was not debased in his own eyes by what he had done, and as for praising Katharine, were they not partners, conspirators, people bent upon the same quest together, so that to praise the pursuit of a common end as an act of generosity was meaningless. He took her hand and pressed it, not in thanks so much as in an ecstasy of comradeship. "We will help each other," he said, repeating her words, seeking her eyes in an enthusiasm of friendship. Her eyes were grave but dark with sadness as they rested on him. "He s already gone," she thought, "far away he thinks of me no more." And	at an end or it might be better that they should go together? "But, Katharine," Rodney began, nervously attempting to stuff Cassandra s sheets back into their envelope; "if Cassandra should Cassandra you ve asked Cassandra to stay with you." "Yes; but I ve not posted the letter." He crossed his knees in a discomfited silence. By all his codes it was impossible to ask a woman with whom he had just broken off his engagement to help him to become acquainted with another woman with a view to his falling in love with her. If it was announced that their engagement was over, a long and complete separation would inevitably follow; in those circumstances, letters and gifts were returned; after years of distance the severed couple met, perhaps at an evening party, and touched hands uncomfortably with an indifferent word or two. He would be cast off completely; he would have to trust to his own resources. He could never mention Cassandra to Katharine again; for months, and doubtless years, he would never see Katharine again; anything might happen to her in his absence. Katharine was almost as well aware of his perplexities as he was. She knew in what direction complete generosity pointed the way; but pride for to remain engaged to Rodney and to cover his experiments hurt what was nobler in her than mere vanity fought for its life. "I m to give up my freedom for an indefinite time," she thought, "in order that William may see Cassandra here at his ease. He s not the courage to manage it without my help he s too much of a coward to tell me openly what he wants. He hates the notion of a public breach. He wants to keep us both." When she reached this point, Rodney pocketed the letter and elaborately looked at his watch. Although the action meant that he resigned Cassandra, for he knew his own incompetence and distrusted himself entirely, and lost Katharine, for whom his feeling was profound though unsatisfactory, still it appeared to him that there was nothing else left for him to do. He was forced to go, leaving Katharine free, as he had said, to tell her mother that the engagement was at an end. But to do what plain duty required of an honorable man, cost an effort which only a day or two ago would have been inconceivable to him. That a relationship such as he had glanced at with desire could be possible between him and Katharine, he would have been the first, two days ago, to deny with indignation. But now his life had changed; his attitude had changed; his feelings were different; new aims and possibilities had been shown him, and they had an almost irresistible fascination and force. The training of a life of thirty-five years had not left him defenceless; he was still master of his dignity; he rose, with a mind made up to an irrevocable farewell. "I leave you, then," he said, standing up and holding out his hand with an effort that left him pale, but lent him dignity, "to tell your mother that our engagement is ended by your desire." She took his hand and held it. "You don t trust me?" she said. "I do, absolutely," he replied. "No. You don t trust me to help you.... I could help you?" "I m hopeless without your help!" he exclaimed passionately, but withdrew his hand and turned his back. When he faced her, she thought that she saw him for the first time without disguise. "It s useless to pretend that I don t understand what you re offering, Katharine. I admit what you say. Speaking to you perfectly frankly, I believe at this moment that I do love your cousin; there is a chance that, with your help, I might but no," he broke off, "it s impossible, it s wrong I m infinitely to blame for having allowed this situation to arise." "Sit beside me. Let s consider sensibly" "Your sense has been our undoing" he groaned. "I accept the responsibility." "Ah, but can I allow that?" he exclaimed. "It would mean for we must face it, Katharine that we let our engagement stand for the time nominally; in fact, of course, your freedom would be absolute." "And yours too." "Yes, we should both be free. Let us say that I saw Cassandra once, twice, perhaps, under these conditions; and then if, as I think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister." "We re not brothers and sisters," she said impatiently, "and if we can t decide, who can? I m not talking nonsense," she proceeded. "I ve done my best to think this out from every point of view, and I ve come to the conclusion that there are risks which have to be taken, though I don t deny that they hurt horribly." "Katharine, you mind? You ll mind too much." "No I shan t," she said stoutly. "I shall mind a good deal, but I m prepared for that; I shall get through it, because you will help me. You ll both help me. In fact, we ll help each other. That s a Christian doctrine, isn t it?" "It sounds more like Paganism to me," Rodney groaned, as he reviewed the situation into which her Christian doctrine was plunging them. And yet he could not deny that a divine relief possessed him, and that the future, instead of wearing a lead-colored mask, now blossomed with a thousand varied gaieties and excitements. He was actually to see Cassandra within a week or perhaps less, and he was more anxious to know the date of her arrival than he could own even to himself. It seemed base to be so anxious to pluck this fruit of Katharine s unexampled generosity and of his own contemptible baseness. And yet, though he used these words automatically, they had now no meaning. He was not debased in his own eyes by what he had done, and as for praising Katharine, were they not partners, conspirators, people bent upon the same quest together, so that to praise the pursuit of a common end as an act of generosity was meaningless. He took her hand and pressed it, not in thanks so much as in an ecstasy of comradeship. "We will help each other," he said, repeating her words, seeking her eyes in an enthusiasm of friendship. Her eyes were grave but dark with sadness as they rested on him. "He s already gone," she thought, "far away he thinks of me no more." And the fancy came to her that, as they sat side by side, hand in hand, she could hear the earth pouring from above to make a barrier between them, so that, as they sat, they were separated second by second by an impenetrable wall. The process, which affected her as that of being sealed away and for ever from all companionship with the person she cared for most, came to an end at last, and by common consent they unclasped their fingers, Rodney touching hers with his lips, as the curtain parted, and Mrs. Hilbery peered through the opening with her benevolent and sarcastic expression to ask whether Katharine could remember was it Tuesday or Wednesday, and did she dine in Westminster? "Dearest William," she said, pausing, as if she could not resist the pleasure of encroaching for a second upon this wonderful world of love and confidence and romance. "Dearest children," she added, disappearing with an impulsive gesture, as if she forced herself to draw the curtain upon a scene which she refused all temptation to interrupt. CHAPTER XXV At a quarter-past three in the afternoon of the following Saturday Ralph Denham sat on the bank of the lake in Kew Gardens, dividing the dial-plate of his watch into sections with his forefinger. The just and inexorable nature of time itself was reflected in his face. He might have been composing a hymn to the unhasting and unresting march of that divinity. He seemed to greet the lapse of minute after minute with stern acquiescence in the inevitable order. His expression was so severe, so serene, so immobile, that it seemed obvious that for him at least there was a grandeur in the departing hour which no petty irritation on his part was to mar, although the wasting time wasted also high private hopes of his own. His face was no bad index to what went on within him. He was in a condition of mind rather too exalted for the trivialities of daily life. He could not accept the fact that a lady was fifteen minutes late in keeping her appointment without seeing in that accident the frustration of his entire life. Looking at his watch, he seemed to look deep into the springs of human existence, and by the light of what he saw there altered his course towards the north and the midnight.... Yes, one s	lent him dignity, "to tell your mother that our engagement is ended by your desire." She took his hand and held it. "You don t trust me?" she said. "I do, absolutely," he replied. "No. You don t trust me to help you.... I could help you?" "I m hopeless without your help!" he exclaimed passionately, but withdrew his hand and turned his back. When he faced her, she thought that she saw him for the first time without disguise. "It s useless to pretend that I don t understand what you re offering, Katharine. I admit what you say. Speaking to you perfectly frankly, I believe at this moment that I do love your cousin; there is a chance that, with your help, I might but no," he broke off, "it s impossible, it s wrong I m infinitely to blame for having allowed this situation to arise." "Sit beside me. Let s consider sensibly" "Your sense has been our undoing" he groaned. "I accept the responsibility." "Ah, but can I allow that?" he exclaimed. "It would mean for we must face it, Katharine that we let our engagement stand for the time nominally; in fact, of course, your freedom would be absolute." "And yours too." "Yes, we should both be free. Let us say that I saw Cassandra once, twice, perhaps, under these conditions; and then if, as I think certain, the whole thing proves a dream, we tell your mother instantly. Why not tell her now, indeed, under pledge of secrecy?" "Why not? It would be over London in ten minutes, besides, she would never even remotely understand." "Your father, then? This secrecy is detestable it s dishonorable."<\|quote\|>"My father would understand even less than my mother."</\|quote\|>"Ah, who could be expected to understand?" Rodney groaned; "but it s from your point of view that we must look at it. It s not only asking too much, it s putting you into a position a position in which I could not endure to see my own sister." "We re not brothers and sisters," she said impatiently, "and if we can t decide, who can? I m not talking nonsense," she proceeded. "I ve done my best to think this out from every point of view, and I ve come to the conclusion that there are risks which have to be taken, though I don t deny that they hurt horribly." "Katharine, you mind? You ll mind too much." "No I shan t," she said stoutly. "I shall mind a good deal, but I m prepared for that; I shall get through it, because you will help me. You ll both help me. In fact, we ll help each other. That s a Christian doctrine, isn t it?" "It sounds more like Paganism to me," Rodney groaned, as he reviewed the situation into which her Christian doctrine was plunging them. And yet he could not deny that a divine relief possessed him, and that the future, instead of wearing a lead-colored mask, now blossomed with a thousand varied gaieties and excitements. He was actually to see Cassandra within a week or perhaps less, and he was more anxious to know the date of her arrival than he could own even to himself. It seemed base to be so anxious to pluck this fruit of Katharine s unexampled generosity and of his own contemptible baseness. And yet, though he used these words automatically, they had now no meaning. He was not debased in his own eyes by what he had done, and as for praising Katharine, were they not partners, conspirators, people bent upon the same quest together,	Night And Day
The Secretary started up, and stood crushing his costly robe in his hand.	No speaker	am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean,"	the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is	the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also	you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls and you are the peace of God! Oh, I can forgive God His anger,	is nothing), or at the beginning of the world, I sent you out to war. I sat in the darkness, where there is not any created thing, and to you I was only a voice commanding valour and an unnatural virtue. You heard the voice in the dark, and you never heard it again. The sun in heaven denied it, the earth and sky denied it, all human wisdom denied it. And when I met you in the daylight I denied it myself." Syme stirred sharply in his seat, but otherwise there was silence, and the incomprehensible went on. "But you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls and you are the peace of God! Oh, I can forgive God His anger, though it destroyed nations; but I cannot forgive Him His peace." Sunday answered not a word, but very slowly he turned his face of stone upon Syme as if asking a question. "No," said Syme, "I do not feel fierce like that. I am grateful to you, not only for wine and hospitality here, but for many a fine scamper and free fight. But I should like to know. My soul and heart are as happy and quiet here as this old garden, but my reason is still crying out. I should like to know." Sunday looked at Ratcliffe, whose	upper night. Yet this also, after a time, was allowed to grow fainter; the dim groups gathered more and more round the great cauldrons, or passed, laughing and clattering, into the inner passages of that ancient house. Soon there were only some ten loiterers in the garden; soon only four. Finally the last stray merry-maker ran into the house whooping to his companions. The fire faded, and the slow, strong stars came out. And the seven strange men were left alone, like seven stone statues on their chairs of stone. Not one of them had spoken a word. They seemed in no haste to do so, but heard in silence the hum of insects and the distant song of one bird. Then Sunday spoke, but so dreamily that he might have been continuing a conversation rather than beginning one. "We will eat and drink later," he said. "Let us remain together a little, we who have loved each other so sadly, and have fought so long. I seem to remember only centuries of heroic war, in which you were always heroes epic on epic, iliad on iliad, and you always brothers in arms. Whether it was but recently (for time is nothing), or at the beginning of the world, I sent you out to war. I sat in the darkness, where there is not any created thing, and to you I was only a voice commanding valour and an unnatural virtue. You heard the voice in the dark, and you never heard it again. The sun in heaven denied it, the earth and sky denied it, all human wisdom denied it. And when I met you in the daylight I denied it myself." Syme stirred sharply in his seat, but otherwise there was silence, and the incomprehensible went on. "But you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls and you are the peace of God! Oh, I can forgive God His anger, though it destroyed nations; but I cannot forgive Him His peace." Sunday answered not a word, but very slowly he turned his face of stone upon Syme as if asking a question. "No," said Syme, "I do not feel fierce like that. I am grateful to you, not only for wine and hospitality here, but for many a fine scamper and free fight. But I should like to know. My soul and heart are as happy and quiet here as this old garden, but my reason is still crying out. I should like to know." Sunday looked at Ratcliffe, whose clear voice said "It seems so _silly_ that you should have been on both sides and fought yourself." Bull said "I understand nothing, but I am happy. In fact, I am going to sleep." "I am not happy," said the Professor with his head in his hands, "because I do not understand. You let me stray a little too near to hell." And then Gogol said, with the absolute simplicity of a child "I wish I knew why I was hurt so much." Still Sunday said nothing, but only sat with his mighty chin upon his hand, and gazed at the distance. Then at last he said "I have heard your complaints in order. And here, I think, comes another to complain, and we will hear him also." The falling fire in the great cresset threw a last long gleam, like a bar of burning gold, across the dim grass. Against this fiery band was outlined in utter black the advancing legs of a black-clad figure. He seemed to have a fine close suit with knee-breeches such as that which was worn by the servants of the house, only that it was not blue, but of this absolute sable. He	of doubt. Dr. Bull, the last day of Creation, wore a coat covered with heraldic animals in red and gold, and on his crest a man rampant. He lay back in his chair with a broad smile, the picture of an optimist in his element. One by one the wanderers ascended the bank and sat in their strange seats. As each of them sat down a roar of enthusiasm rose from the carnival, such as that with which crowds receive kings. Cups were clashed and torches shaken, and feathered hats flung in the air. The men for whom these thrones were reserved were men crowned with some extraordinary laurels. But the central chair was empty. Syme was on the left hand of it and the Secretary on the right. The Secretary looked across the empty throne at Syme, and said, compressing his lips "We do not know yet that he is not dead in a field." Almost as Syme heard the words, he saw on the sea of human faces in front of him a frightful and beautiful alteration, as if heaven had opened behind his head. But Sunday had only passed silently along the front like a shadow, and had sat in the central seat. He was draped plainly, in a pure and terrible white, and his hair was like a silver flame on his forehead. For a long time it seemed for hours that huge masquerade of mankind swayed and stamped in front of them to marching and exultant music. Every couple dancing seemed a separate romance; it might be a fairy dancing with a pillar-box, or a peasant girl dancing with the moon; but in each case it was, somehow, as absurd as Alice in Wonderland, yet as grave and kind as a love story. At last, however, the thick crowd began to thin itself. Couples strolled away into the garden-walks, or began to drift towards that end of the building where stood smoking, in huge pots like fish-kettles, some hot and scented mixtures of old ale or wine. Above all these, upon a sort of black framework on the roof of the house, roared in its iron basket a gigantic bonfire, which lit up the land for miles. It flung the homely effect of firelight over the face of vast forests of grey or brown, and it seemed to fill with warmth even the emptiness of upper night. Yet this also, after a time, was allowed to grow fainter; the dim groups gathered more and more round the great cauldrons, or passed, laughing and clattering, into the inner passages of that ancient house. Soon there were only some ten loiterers in the garden; soon only four. Finally the last stray merry-maker ran into the house whooping to his companions. The fire faded, and the slow, strong stars came out. And the seven strange men were left alone, like seven stone statues on their chairs of stone. Not one of them had spoken a word. They seemed in no haste to do so, but heard in silence the hum of insects and the distant song of one bird. Then Sunday spoke, but so dreamily that he might have been continuing a conversation rather than beginning one. "We will eat and drink later," he said. "Let us remain together a little, we who have loved each other so sadly, and have fought so long. I seem to remember only centuries of heroic war, in which you were always heroes epic on epic, iliad on iliad, and you always brothers in arms. Whether it was but recently (for time is nothing), or at the beginning of the world, I sent you out to war. I sat in the darkness, where there is not any created thing, and to you I was only a voice commanding valour and an unnatural virtue. You heard the voice in the dark, and you never heard it again. The sun in heaven denied it, the earth and sky denied it, all human wisdom denied it. And when I met you in the daylight I denied it myself." Syme stirred sharply in his seat, but otherwise there was silence, and the incomprehensible went on. "But you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls and you are the peace of God! Oh, I can forgive God His anger, though it destroyed nations; but I cannot forgive Him His peace." Sunday answered not a word, but very slowly he turned his face of stone upon Syme as if asking a question. "No," said Syme, "I do not feel fierce like that. I am grateful to you, not only for wine and hospitality here, but for many a fine scamper and free fight. But I should like to know. My soul and heart are as happy and quiet here as this old garden, but my reason is still crying out. I should like to know." Sunday looked at Ratcliffe, whose clear voice said "It seems so _silly_ that you should have been on both sides and fought yourself." Bull said "I understand nothing, but I am happy. In fact, I am going to sleep." "I am not happy," said the Professor with his head in his hands, "because I do not understand. You let me stray a little too near to hell." And then Gogol said, with the absolute simplicity of a child "I wish I knew why I was hurt so much." Still Sunday said nothing, but only sat with his mighty chin upon his hand, and gazed at the distance. Then at last he said "I have heard your complaints in order. And here, I think, comes another to complain, and we will hear him also." The falling fire in the great cresset threw a last long gleam, like a bar of burning gold, across the dim grass. Against this fiery band was outlined in utter black the advancing legs of a black-clad figure. He seemed to have a fine close suit with knee-breeches such as that which was worn by the servants of the house, only that it was not blue, but of this absolute sable. He had, like the servants, a kind of sword by his side. It was only when he had come quite close to the crescent of the seven and flung up his face to look at them, that Syme saw, with thunder-struck clearness, that the face was the broad, almost ape-like face of his old friend Gregory, with its rank red hair and its insulting smile. "Gregory!" gasped Syme, half-rising from his seat. "Why, this is the real anarchist!" "Yes," said Gregory, with a great and dangerous restraint, "I am the real anarchist." "'Now there was a day,'" murmured Bull, who seemed really to have fallen asleep, "'when the sons of God came to present themselves before the Lord, and Satan came also among them.'" "You are right," said Gregory, and gazed all round. "I am a destroyer. I would destroy the world if I could." A sense of a pathos far under the earth stirred up in Syme, and he spoke brokenly and without sequence. "Oh, most unhappy man," he cried, "try to be happy! You have red hair like your sister." "My red hair, like red flames, shall burn up the world," said Gregory. "I thought I hated everything more than common men can hate anything; but I find that I do not hate everything so much as I hate you!" "I never hated you," said Syme very sadly. Then out of this unintelligible creature the last thunders broke. "You!" he cried. "You never hated because you never lived. I know what you are all of you, from first to last you are the people in power! You are the police the great fat, smiling men in blue and buttons! You are the Law, and you have never been broken. But is there a free soul alive that does not long to break you, only because you have never been broken? We in revolt talk all kind of nonsense doubtless about this crime or that crime of the Government. It is all folly! The only crime of the Government is that it governs. The unpardonable sin of the supreme power is that it is supreme. I do not curse you for being cruel. I do not curse you (though I might) for being kind. I curse you for being safe! You sit in your chairs of stone, and have never come down from them. You are the seven angels of	strolled away into the garden-walks, or began to drift towards that end of the building where stood smoking, in huge pots like fish-kettles, some hot and scented mixtures of old ale or wine. Above all these, upon a sort of black framework on the roof of the house, roared in its iron basket a gigantic bonfire, which lit up the land for miles. It flung the homely effect of firelight over the face of vast forests of grey or brown, and it seemed to fill with warmth even the emptiness of upper night. Yet this also, after a time, was allowed to grow fainter; the dim groups gathered more and more round the great cauldrons, or passed, laughing and clattering, into the inner passages of that ancient house. Soon there were only some ten loiterers in the garden; soon only four. Finally the last stray merry-maker ran into the house whooping to his companions. The fire faded, and the slow, strong stars came out. And the seven strange men were left alone, like seven stone statues on their chairs of stone. Not one of them had spoken a word. They seemed in no haste to do so, but heard in silence the hum of insects and the distant song of one bird. Then Sunday spoke, but so dreamily that he might have been continuing a conversation rather than beginning one. "We will eat and drink later," he said. "Let us remain together a little, we who have loved each other so sadly, and have fought so long. I seem to remember only centuries of heroic war, in which you were always heroes epic on epic, iliad on iliad, and you always brothers in arms. Whether it was but recently (for time is nothing), or at the beginning of the world, I sent you out to war. I sat in the darkness, where there is not any created thing, and to you I was only a voice commanding valour and an unnatural virtue. You heard the voice in the dark, and you never heard it again. The sun in heaven denied it, the earth and sky denied it, all human wisdom denied it. And when I met you in the daylight I denied it myself." Syme stirred sharply in his seat, but otherwise there was silence, and the incomprehensible went on. "But you were men. You did not forget your secret honour, though the whole cosmos turned an engine of torture to tear it out of you. I knew how near you were to hell. I know how you, Thursday, crossed swords with King Satan, and how you, Wednesday, named me in the hour without hope." There was complete silence in the starlit garden, and then the black-browed Secretary, implacable, turned in his chair towards Sunday, and said in a harsh voice "Who and what are you?" "I am the Sabbath," said the other without moving. "I am the peace of God."<\|quote\|>The Secretary started up, and stood crushing his costly robe in his hand.</\|quote\|>"I know what you mean," he cried, "and it is exactly that that I cannot forgive you. I know you are contentment, optimism, what do they call the thing, an ultimate reconciliation. Well, I am not reconciled. If you were the man in the dark room, why were you also Sunday, an offense to the sunlight? If you were from the first our father and our friend, why were you also our greatest enemy? We wept, we fled in terror; the iron entered into our souls and you are the peace of God! Oh, I can forgive God His anger, though it destroyed nations; but I cannot forgive Him His peace." Sunday answered not a word, but very slowly he turned his face of stone upon Syme as if asking a question. "No," said Syme, "I do not feel fierce like that. I am grateful to you, not only for wine and hospitality here, but for many a fine scamper and free fight. But I should like to know. My soul and heart are as happy and quiet here as this old garden, but my reason is still crying out. I should like to know." Sunday looked at Ratcliffe, whose clear voice said "It seems so _silly_ that you should have been on both sides and fought yourself." Bull said "I understand nothing, but I am happy. In fact, I am going to sleep." "I am not happy," said the Professor with his head in his hands, "because I do not understand. You let me stray a little too near to hell." And then Gogol said, with the absolute simplicity of a child "I wish I knew why I was hurt so much." Still Sunday said nothing, but only sat with his mighty chin upon his hand, and gazed at the distance. Then at last he said "I have heard your complaints in order. And here, I think, comes another to complain, and we will hear him also." The falling fire in the	The Man Who Was Thursday
"They are torturing him."	Mahmoud Ali	. . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . .	with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was	their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I	on its prey. "Forward, forward," shrieked Mahmoud Ali, whose every utterance had become a yell. "Down with the Collector, down with the Superintendent of Police." "Mr. Mahmoud Ali, this is not wise," implored the Nawab Bahadur: he knew that nothing was gained by attacking the English, who had fallen into their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I have tortured that nigger.'" "Oh, my God, my God. . . . He called him a nigger, did he?" "They put pepper instead of antiseptic on the wounds." "Mr. Mahmoud Ali, impossible; a little roughness will not hurt the boy, he needs discipline." "Pepper. Civil Surgeon said so. They hope	he had despaired, not through cowardice, but because he knew that an Englishwoman's word would always outweigh his own. "It is fate," he said; and, "It is fate," when he was imprisoned anew after Mohurram. All that existed, in that terrible time, was affection, and affection was all that he felt in the first painful moments of his freedom. "Why isn't Cyril following? Let us turn back." But the procession could not turn back. Like a snake in a drain, it advanced down the narrow bazaar towards the basin of the Maidan, where it would turn about itself, and decide on its prey. "Forward, forward," shrieked Mahmoud Ali, whose every utterance had become a yell. "Down with the Collector, down with the Superintendent of Police." "Mr. Mahmoud Ali, this is not wise," implored the Nawab Bahadur: he knew that nothing was gained by attacking the English, who had fallen into their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I have tortured that nigger.'" "Oh, my God, my God. . . . He called him a nigger, did he?" "They put pepper instead of antiseptic on the wounds." "Mr. Mahmoud Ali, impossible; a little roughness will not hurt the boy, he needs discipline." "Pepper. Civil Surgeon said so. They hope to destroy us one by one; they shall fail." The new injury lashed the crowd to fury. It had been aimless hitherto, and had lacked a grievance. When they reached the Maidan and saw the sallow arcades of the Minto they shambled towards it howling. It was near midday. The earth and sky were insanely ugly, the spirit of evil again strode abroad. The Nawab Bahadur alone struggled against it, and told himself that the rumour must be untrue. He had seen his grandson in the ward only last week. But he too was carried forward over the new precipice.	tank slumbered; and beyond it rose the exquisite blue arches of the garden-house. "Sir, we fetch the others; sir, it is a somewhat heavy load for our arms," were heard. Fielding took the refugee to his office, and tried to telephone to McBryde. But this he could not do; the wires had been cut. All his servants had decamped. Once more he was unable to desert her. He assigned her a couple of rooms, provided her with ice and drinks and biscuits, advised her to lie down, and lay down himself there was nothing else to do. He felt restless and thwarted as he listened to the retreating sounds of the procession, and his joy was rather spoilt by bewilderment. It was a victory, but such a queer one. At that moment Aziz was crying, "Cyril, Cyril . . ." Crammed into a carriage with the Nawab Bahadur, Hamidullah, Mahmoud Ali, his own little boys, and a heap of flowers, he was not content; he wanted to be surrounded by all who loved him. Victory gave no pleasure, he had suffered too much. From the moment of his arrest he was done for, he had dropped like a wounded animal; he had despaired, not through cowardice, but because he knew that an Englishwoman's word would always outweigh his own. "It is fate," he said; and, "It is fate," when he was imprisoned anew after Mohurram. All that existed, in that terrible time, was affection, and affection was all that he felt in the first painful moments of his freedom. "Why isn't Cyril following? Let us turn back." But the procession could not turn back. Like a snake in a drain, it advanced down the narrow bazaar towards the basin of the Maidan, where it would turn about itself, and decide on its prey. "Forward, forward," shrieked Mahmoud Ali, whose every utterance had become a yell. "Down with the Collector, down with the Superintendent of Police." "Mr. Mahmoud Ali, this is not wise," implored the Nawab Bahadur: he knew that nothing was gained by attacking the English, who had fallen into their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I have tortured that nigger.'" "Oh, my God, my God. . . . He called him a nigger, did he?" "They put pepper instead of antiseptic on the wounds." "Mr. Mahmoud Ali, impossible; a little roughness will not hurt the boy, he needs discipline." "Pepper. Civil Surgeon said so. They hope to destroy us one by one; they shall fail." The new injury lashed the crowd to fury. It had been aimless hitherto, and had lacked a grievance. When they reached the Maidan and saw the sallow arcades of the Minto they shambled towards it howling. It was near midday. The earth and sky were insanely ugly, the spirit of evil again strode abroad. The Nawab Bahadur alone struggled against it, and told himself that the rumour must be untrue. He had seen his grandson in the ward only last week. But he too was carried forward over the new precipice. To rescue, to maltreat Major Callendar in revenge, and then was to come the turn of the civil station generally. But disaster was averted, and averted by Dr. Panna Lal. Dr. Panna Lal had offered to give evidence for the prosecution in the hope of pleasing the English, also because he hated Aziz. When the case broke down, he was in a very painful position. He saw the crash coming sooner than most people, slipped from the court before Mr. Das had finished, and drove Dapple off through the bazaars, in flight from the wrath to come. In the hospital he should be safe, for Major Callendar would protect him. But the Major had not come, and now things were worse than ever, for here was a mob, entirely desirous of his blood, and the orderlies were mutinous and would not help him over the back wall, or rather hoisted him and let him drop back, to the satisfaction of the patients. In agony he cried, "Man can but die the once," and waddled across the compound to meet the invasion, salaaming with one hand and holding up a pale yellow umbrella in the other. "Oh, forgive me," he whined	what?" "Sir, I intend these for you, sir," interrupted a student, running down the lane with a garland of jasmine on his arm. "I don't want the rubbish; get out." "Sir, I am a horse, we shall be your horses," another cried as he lifted the shafts of the victoria into the air. "Fetch my sais, Rafi; there's a good chap." "No, sir, this is an honour for us." Fielding wearied of his students. The more they honoured him the less they obeyed. They lassoed him with jasmine and roses, scratched the splash-board against a wall, and recited a poem, the noise of which filled the lane with a crowd. "Hurry up, sir; we pull you in a procession." And, half affectionate, half impudent, they bundled him in. "I don't know whether this suits you, but anyhow you're safe," he remarked. The carriage jerked into the main bazaar, where it created some sensation. Miss Quested was so loathed in Chandrapore that her recantation was discredited, and the rumour ran that she had been stricken by the Deity in the middle of her lies. But they cheered when they saw her sitting by the heroic Principal (some addressed her as Mrs. Moore!), and they garlanded her to match him. Half gods, half guys, with sausages of flowers round their necks, the pair were dragged in the wake of Aziz' victorious landau. In the applause that greeted them some derision mingled. The English always stick together! That was the criticism. Nor was it unjust. Fielding shared it himself, and knew that if some misunderstanding occurred, and an attack was made on the girl by his allies, he would be obliged to die in her defence. He didn't want to die for her, he wanted to be rejoicing with Aziz. Where was the procession going? To friends, to enemies, to Aziz' bungalow, to the Collector's bungalow, to the Minto Hospital where the Civil Surgeon would eat dust and the patients (confused with prisoners) be released, to Delhi, Simla. The students thought it was going to Government College. When they reached a turning, they twisted the victoria to the right, ran it by side lanes down a hill and through a garden gate into the mango plantation, and, as far as Fielding and Miss Quested were concerned, all was peace and quiet. The trees were full of glossy foliage and slim green fruit, the tank slumbered; and beyond it rose the exquisite blue arches of the garden-house. "Sir, we fetch the others; sir, it is a somewhat heavy load for our arms," were heard. Fielding took the refugee to his office, and tried to telephone to McBryde. But this he could not do; the wires had been cut. All his servants had decamped. Once more he was unable to desert her. He assigned her a couple of rooms, provided her with ice and drinks and biscuits, advised her to lie down, and lay down himself there was nothing else to do. He felt restless and thwarted as he listened to the retreating sounds of the procession, and his joy was rather spoilt by bewilderment. It was a victory, but such a queer one. At that moment Aziz was crying, "Cyril, Cyril . . ." Crammed into a carriage with the Nawab Bahadur, Hamidullah, Mahmoud Ali, his own little boys, and a heap of flowers, he was not content; he wanted to be surrounded by all who loved him. Victory gave no pleasure, he had suffered too much. From the moment of his arrest he was done for, he had dropped like a wounded animal; he had despaired, not through cowardice, but because he knew that an Englishwoman's word would always outweigh his own. "It is fate," he said; and, "It is fate," when he was imprisoned anew after Mohurram. All that existed, in that terrible time, was affection, and affection was all that he felt in the first painful moments of his freedom. "Why isn't Cyril following? Let us turn back." But the procession could not turn back. Like a snake in a drain, it advanced down the narrow bazaar towards the basin of the Maidan, where it would turn about itself, and decide on its prey. "Forward, forward," shrieked Mahmoud Ali, whose every utterance had become a yell. "Down with the Collector, down with the Superintendent of Police." "Mr. Mahmoud Ali, this is not wise," implored the Nawab Bahadur: he knew that nothing was gained by attacking the English, who had fallen into their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I have tortured that nigger.'" "Oh, my God, my God. . . . He called him a nigger, did he?" "They put pepper instead of antiseptic on the wounds." "Mr. Mahmoud Ali, impossible; a little roughness will not hurt the boy, he needs discipline." "Pepper. Civil Surgeon said so. They hope to destroy us one by one; they shall fail." The new injury lashed the crowd to fury. It had been aimless hitherto, and had lacked a grievance. When they reached the Maidan and saw the sallow arcades of the Minto they shambled towards it howling. It was near midday. The earth and sky were insanely ugly, the spirit of evil again strode abroad. The Nawab Bahadur alone struggled against it, and told himself that the rumour must be untrue. He had seen his grandson in the ward only last week. But he too was carried forward over the new precipice. To rescue, to maltreat Major Callendar in revenge, and then was to come the turn of the civil station generally. But disaster was averted, and averted by Dr. Panna Lal. Dr. Panna Lal had offered to give evidence for the prosecution in the hope of pleasing the English, also because he hated Aziz. When the case broke down, he was in a very painful position. He saw the crash coming sooner than most people, slipped from the court before Mr. Das had finished, and drove Dapple off through the bazaars, in flight from the wrath to come. In the hospital he should be safe, for Major Callendar would protect him. But the Major had not come, and now things were worse than ever, for here was a mob, entirely desirous of his blood, and the orderlies were mutinous and would not help him over the back wall, or rather hoisted him and let him drop back, to the satisfaction of the patients. In agony he cried, "Man can but die the once," and waddled across the compound to meet the invasion, salaaming with one hand and holding up a pale yellow umbrella in the other. "Oh, forgive me," he whined as he approached the victorious landau. "Oh, Dr. Aziz, forgive the wicked lies I told." Aziz was silent, the others thickened their throats and threw up their chins in token of scorn. "I was afraid, I was mislaid," the suppliant continued. "I was mislaid here, there, and everywhere as regards your character. Oh, forgive the poor old hakim who gave you milk when ill! Oh, Nawab Bahadur, whoever merciful, is it my poor little dispensary you require? Take every cursed bottle." Agitated, but alert, he saw them smile at his indifferent English, and suddenly he started playing the buffoon, flung down his umbrella, trod through it, and struck himself upon the nose. He knew what he was doing, and so did they. There was nothing pathetic or eternal in the degradation of such a man. Of ignoble origin, Dr. Panna Lal possessed nothing that could be disgraced, and he wisely decided to make the other Indians feel like kings, because it would put them into better tempers. When he found they wanted Nureddin, he skipped like a goat, he scuttled like a hen to do their bidding, the hospital was saved, and to the end of his life he could not understand why he had not obtained promotion on the morning's work. "Promptness, sir, promptness similar to you," was the argument he employed to Major Callendar when claiming it. When Nureddin emerged, his face all bandaged, there was a roar of relief as though the Bastille had fallen. It was the crisis of the march, and the Nawab Bahadur managed to get the situation into hand. Embracing the young man publicly, he began a speech about Justice, Courage, Liberty, and Prudence, ranged under heads, which cooled the passion of the crowd. He further announced that he should give up his British-conferred title, and live as a private gentleman, plain Mr. Zulfiqar, for which reason he was instantly proceeding to his country seat. The landau turned, the crowd accompanied it, the crisis was over. The Marabar caves had been a terrible strain on the local administration; they altered a good many lives and wrecked several careers, but they did not break up a continent or even dislocate a district. "We will have rejoicings to-night," the old man said. "Mr. Hamidullah, I depute you to bring out our friends Fielding and Amritrao, and to discover whether the latter will require special food.	and quiet. The trees were full of glossy foliage and slim green fruit, the tank slumbered; and beyond it rose the exquisite blue arches of the garden-house. "Sir, we fetch the others; sir, it is a somewhat heavy load for our arms," were heard. Fielding took the refugee to his office, and tried to telephone to McBryde. But this he could not do; the wires had been cut. All his servants had decamped. Once more he was unable to desert her. He assigned her a couple of rooms, provided her with ice and drinks and biscuits, advised her to lie down, and lay down himself there was nothing else to do. He felt restless and thwarted as he listened to the retreating sounds of the procession, and his joy was rather spoilt by bewilderment. It was a victory, but such a queer one. At that moment Aziz was crying, "Cyril, Cyril . . ." Crammed into a carriage with the Nawab Bahadur, Hamidullah, Mahmoud Ali, his own little boys, and a heap of flowers, he was not content; he wanted to be surrounded by all who loved him. Victory gave no pleasure, he had suffered too much. From the moment of his arrest he was done for, he had dropped like a wounded animal; he had despaired, not through cowardice, but because he knew that an Englishwoman's word would always outweigh his own. "It is fate," he said; and, "It is fate," when he was imprisoned anew after Mohurram. All that existed, in that terrible time, was affection, and affection was all that he felt in the first painful moments of his freedom. "Why isn't Cyril following? Let us turn back." But the procession could not turn back. Like a snake in a drain, it advanced down the narrow bazaar towards the basin of the Maidan, where it would turn about itself, and decide on its prey. "Forward, forward," shrieked Mahmoud Ali, whose every utterance had become a yell. "Down with the Collector, down with the Superintendent of Police." "Mr. Mahmoud Ali, this is not wise," implored the Nawab Bahadur: he knew that nothing was gained by attacking the English, who had fallen into their own pit and had better be left there; moreover, he had great possessions and deprecated anarchy. "Cyril, again you desert," cried Aziz. "Yet some orderly demonstration is necessary," said Hamidullah, "otherwise they will still think we are afraid." "Down with the Civil Surgeon . . . rescue Nureddin." "Nureddin?"<\|quote\|>"They are torturing him."</\|quote\|>"Oh, my God . . ." for this, too, was a friend. "They are not. I will not have my grandson made an excuse for an attack on the hospital," the old man protested. "They are. Callendar boasted so before the trial. I heard through the tatties; he said," I have tortured that nigger.'" "Oh, my God, my God. . . . He called him a nigger, did he?" "They put pepper instead of antiseptic on the wounds." "Mr. Mahmoud Ali, impossible; a little roughness will not hurt the boy, he needs discipline." "Pepper. Civil Surgeon said so. They hope to destroy us one by one; they shall fail." The new injury lashed the crowd to fury. It had been aimless hitherto, and had lacked a grievance. When they reached the Maidan and saw the sallow arcades of the Minto they shambled towards it howling. It was near midday. The earth and sky were insanely ugly, the spirit of evil again strode abroad. The Nawab Bahadur alone struggled against it, and told himself that the rumour must be untrue. He had seen his grandson in the ward only last week. But he too was carried forward over the new precipice. To rescue, to maltreat Major Callendar in revenge, and then was to come the turn of the civil station generally. But disaster was averted, and averted by Dr. Panna Lal. Dr. Panna Lal had offered to give evidence for the prosecution in the hope of pleasing the English, also because he hated Aziz. When the case broke down, he was in a very painful position. He saw the crash coming sooner than most people, slipped from the court before Mr. Das had finished, and drove Dapple off through the bazaars, in flight from the wrath to come. In the hospital he should be safe, for Major Callendar would protect him. But the Major had not come, and now things were worse than ever, for here was a mob, entirely desirous of his blood, and the orderlies were mutinous and would not help him over the back wall, or rather hoisted him and let him drop back, to the satisfaction of the patients. In agony he cried, "Man can but die the once," and waddled across the compound to meet the invasion, salaaming with one hand and holding up a pale yellow umbrella in the other. "Oh, forgive me," he whined as he approached the victorious landau. "Oh, Dr. Aziz, forgive the wicked lies I told." Aziz was silent, the others thickened their throats and threw up their chins in token of scorn. "I was afraid, I was mislaid," the suppliant continued. "I was	A Passage To India
When they were settled in front of the fire in the empty smoking-room, he answered,	No speaker	go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with	does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the	I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her	what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan	think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you.	his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable	royal family. When he came to London he was regular in attendance at the House of Lords; all his friends were well over forty and for some years now he had established himself as a member of their generation; few mothers still regarded him as a possible son-in-law. * * * * * "This whole business of Brenda is _very_ unfortunate," said Reggie St Cloud. Tony agreed. "My mother is extremely upset about it, naturally. I'm upset myself. I don't mind admitting, perfectly frankly, that I think she has behaved very foolishly, foolishly and wrongly. I can quite understand your being upset about it too." "Yes," said Tony. "But all the same, making every allowance for your feelings, I do think that you are behaving rather vindictively in the matter." "I'm doing exactly what Brenda wanted." "My dear fellow, she doesn't know what she wants. I saw this chap Beaver yesterday. I didn't like him _at all_. Do you?" "I hardly know him." "Well, I can assure you I didn't like him. Now you're just throwing Brenda into his arms. That's what it amounts to, as I see it, and I call it vindictive. Of course, at the moment Brenda's got the idea that she's in love with him. But it won't last. It couldn't with a chap like Beaver. She'll want to come back in a year, just you see. Allan says the same." "I've told Allan. I don't want her back." "Well, that's vindictive." "No, I just couldn't feel the same about her again." "Well, why feel _the same_? One has to change as one gets older. Why, ten years ago I couldn't be interested in anything later than the Sumerian age and I assure you that now I find even the Christian era full of significance." For some time he spoke about some _tabulae exsecrationum_ that he had lately unearthed. "Almost every grave had them," he said, "mostly referring to the circus factions, scratched on lead. They used to be dropped in through a funnel. We had found forty-three up-to-date, before this wretched business happened, and I had to come back. Naturally I'm upset." He sat for a little, eating silently. This last observation had brought the conversation back to its point of departure. He clearly had more to say on the subject and was meditating the most convenient approach. He ate in a ruthless manner, champing his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting up nasty. He says he can't marry Brenda unless she's properly provided for. Not fair on her, he says. I quite see his point in a way." "Yes, I see his point," said Tony. "So what your proposal really amounts to, is that I should give up Hetton in order to buy Beaver for Brenda." "It's not how I should have put it," said Reggie. "Well, I'm not going to and that's the end of it. If that's all you wanted to say, I may as well leave you." "No, it isn't quite all I wanted to say. In fact I think I must have put things rather badly. It comes from trying to respect people's feelings too much. You see, I wasn't so much asking you to agree to anything as explaining what our side propose to do. I've tried to keep everything on a friendly basis but I see it's not possible. Brenda will ask for alimony of two thousand a year from the Court and on our evidence we shall get it. I'm sorry you oblige me to put it so bluntly." "I hadn't thought of that." "No, nor had we, to be quite frank. It was Beaver's idea." "You seem to have got me in a fairly hopeless position." "It's not how I should have put it." "I should like to make absolutely sure that Brenda is in on this. D'you mind if I ring her up?" "Not at all, my dear fellow. I happen to know she's at Marjorie's to-night." * * * * * "Brenda, this is Tony... I've just been dining with Reggie." "Yes, he said something about it." "He tells me that you are going to sue for alimony. Is that so?" "Tony, don't be so bullying. The lawyers are doing everything. It's no use	conversation back to its point of departure. He clearly had more to say on the subject and was meditating the most convenient approach. He ate in a ruthless manner, champing his food (it was his habit, often, without noticing it, to consume things that others usually left on their plates, the heads and tails of whiting, whole mouthfuls of chicken bone, peach stones and apple cores, cheese rinds and the fibrous parts of the artichoke). "Besides, you know," he said, "it isn't as though it was all Brenda's fault." "I haven't been thinking particularly whose fault it is." "Well, that's all very well, but you seem rather to be taking the line of the injured husband--saying you can't feel the same again, and all that. I mean to say, it takes two to make a quarrel and I gather things had been going wrong for some time. For instance, you'd been drinking a lot--have some more burgundy, by the way." "Did Brenda say that?" "Yes. And then you'd been going round a bit with other girls yourself. There was some woman with a Moorish name you had to stay at Hetton while Brenda was there. Well, that's a bit thick, you know. I'm all for people going their own way, but if they do they can't blame others, if you see what I mean." "Did Brenda say that?" "Yes. Don't think I'm trying to lecture you or anything, but all I feel is that you haven't any right to be vindictive to Brenda, as things are." "She said I drank and was having an affair with the woman with a Moorish name?" "Well, I don't know she actually said that, but she said you'd been getting tight lately and that you were certainly interested in that girl." The fat young man opposite Tony ordered prunes and cream. Tony said he had finished dinner. He had imagined during the preceding week-end that nothing could now surprise him. "So that really explains what I want to say," continued Reggie blandly. "It's about money. I understand that when Brenda was in a very agitated state just after the death of her child, she consented to some verbal arrangement with you about settlements." "Yes, I'm allowing her five hundred a year." "Well, you know, I don't think that you have any right to take advantage of her generosity in that way. It was most imprudent of her to consider your proposal--she admits now that she was not really herself when she did so." "What does she suggest instead?" "Let's go outside and have coffee."<\|quote\|>When they were settled in front of the fire in the empty smoking-room, he answered,</\|quote\|>"Well, I've discussed it with the lawyers and with the family and we decided that the sum should be increased to two thousand." "That's quite out of the question. I couldn't begin to afford it." "Well, you know, I have to consider Brenda's interests. She has very little of her own and there will be no more coming to her. My mother's income is an allowance which I pay under my father's will. I shan't be able to give her anything. I am trying to raise everything I can for an expedition to one of the oases in the Libyan desert. This chap Beaver has got practically nothing and doesn't look like earning any. So you see--" "But, my dear Reggie, you know as well as I do that it's out of the question." "It's rather less than a third of your income." "Yes, but almost every penny goes straight back to the estate. Do you realize that Brenda and I together haven't spent half that amount a year on our personal expenses? It's all I can do to keep things going as it is." "I didn't expect you'd take this line, Tony. I think it's extremely unreasonable of you. After all, it's absurd to pretend in these days that a single man can't be perfectly comfortable on four thousand a year. It's as much as I've ever had." "It would mean giving up Hetton." "Well, I gave up Brakeleigh, and I assure you, my dear fellow, I never regret it. It was a nasty wrench at the time, of course, old association and everything like that, but I can tell you this, that when the sale was finally through I felt a different man, free to go where I liked..." "But I don't happen to want to go anywhere else except Hetton." "There's a lot in what these Labour fellows say, you know. Big houses are a thing of the past in England." "Tell me, did Brenda realize when she agreed to this proposal that it meant my leaving Hetton?" "Yes, it was mentioned, I think. I daresay you'll find it quite easy to sell to a school or something like that. I remember the agent said when I was trying to get rid of Brakeleigh that it was a pity it wasn't Gothic, because schools and convents always go for Gothic. I daresay you'll get a very comfortable price and find yourself better off in the end than you are now." "No. It's impossible," said Tony. "You're making things extremely awkward for everyone," said Reggie. "I can't understand why you are taking up this attitude." "What is more, I don't believe that Brenda ever expected or wanted me to agree." "Oh yes, she did, my dear fellow. I assure you of that." "It's inconceivable." "Well," said Reggie, puffing at his cigar, "there's more to it than just money. Perhaps I'd better tell you everything. I hadn't meant to. The truth is that Beaver is cutting	A Handful Of Dust
"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"	Rose Maylie	you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful	happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!"	a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew	pleasure by watering your flowers, or watching your birds, or running up and down the whole day long, to make you happy; what would I give to do it!" "You shall give nothing at all," said Miss Maylie, smiling; "for, as I told you before, we shall employ you in a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew how happy I am, they would be pleased, I am sure." "I am sure they would," rejoined Oliver's benefactress; "and Mr. Losberne has already been kind enough to promise that when you are well enough to bear the journey, he will carry you to see them." "Has he, ma'am?" cried	Oliver had been one day feebly endeavouring to utter the words of thankfulness that rose to his pale lips; "you shall have many opportunities of serving us, if you will. We are going into the country, and my aunt intends that you shall accompany us. The quiet place, the pure air, and all the pleasure and beauties of spring, will restore you in a few days. We will employ you in a hundred ways, when you can bear the trouble." "The trouble!" cried Oliver. "Oh! dear lady, if I could but work for you; if I could only give you pleasure by watering your flowers, or watching your birds, or running up and down the whole day long, to make you happy; what would I give to do it!" "You shall give nothing at all," said Miss Maylie, smiling; "for, as I told you before, we shall employ you in a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew how happy I am, they would be pleased, I am sure." "I am sure they would," rejoined Oliver's benefactress; "and Mr. Losberne has already been kind enough to promise that when you are well enough to bear the journey, he will carry you to see them." "Has he, ma'am?" cried Oliver, his face brightening with pleasure. "I don't know what I shall do for joy when I see their kind faces once again!" In a short time Oliver was sufficiently recovered to undergo the fatigue of this expedition. One morning he and Mr. Losberne set out, accordingly, in a little carriage which belonged to Mrs. Maylie. When they came to Chertsey Bridge, Oliver turned very pale, and uttered a loud exclamation. "What's the matter with the boy?" cried the doctor, as usual, all in a bustle. "Do you see anything hear anything feel anything eh?" "That, sir," cried Oliver, pointing	they be not, what prayers are! the blessings which the orphan child called down upon them, sunk into their souls, diffusing peace and happiness. CHAPTER XXXII. OF THE HAPPY LIFE OLIVER BEGAN TO LEAD WITH HIS KIND FRIENDS Oliver's ailings were neither slight nor few. In addition to the pain and delay attendant on a broken limb, his exposure to the wet and cold had brought on fever and ague: which hung about him for many weeks, and reduced him sadly. But, at length, he began, by slow degrees, to get better, and to be able to say sometimes, in a few tearful words, how deeply he felt the goodness of the two sweet ladies, and how ardently he hoped that when he grew strong and well again, he could do something to show his gratitude; only something, which would let them see the love and duty with which his breast was full; something, however slight, which would prove to them that their gentle kindness had not been cast away; but that the poor boy whom their charity had rescued from misery, or death, was eager to serve them with his whole heart and soul. "Poor fellow!" said Rose, when Oliver had been one day feebly endeavouring to utter the words of thankfulness that rose to his pale lips; "you shall have many opportunities of serving us, if you will. We are going into the country, and my aunt intends that you shall accompany us. The quiet place, the pure air, and all the pleasure and beauties of spring, will restore you in a few days. We will employ you in a hundred ways, when you can bear the trouble." "The trouble!" cried Oliver. "Oh! dear lady, if I could but work for you; if I could only give you pleasure by watering your flowers, or watching your birds, or running up and down the whole day long, to make you happy; what would I give to do it!" "You shall give nothing at all," said Miss Maylie, smiling; "for, as I told you before, we shall employ you in a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew how happy I am, they would be pleased, I am sure." "I am sure they would," rejoined Oliver's benefactress; "and Mr. Losberne has already been kind enough to promise that when you are well enough to bear the journey, he will carry you to see them." "Has he, ma'am?" cried Oliver, his face brightening with pleasure. "I don't know what I shall do for joy when I see their kind faces once again!" In a short time Oliver was sufficiently recovered to undergo the fatigue of this expedition. One morning he and Mr. Losberne set out, accordingly, in a little carriage which belonged to Mrs. Maylie. When they came to Chertsey Bridge, Oliver turned very pale, and uttered a loud exclamation. "What's the matter with the boy?" cried the doctor, as usual, all in a bustle. "Do you see anything hear anything feel anything eh?" "That, sir," cried Oliver, pointing out of the carriage window. "That house!" "Yes; well, what of it? Stop coachman. Pull up here," cried the doctor. "What of the house, my man; eh?" "The thieves the house they took me to!" whispered Oliver. "The devil it is!" cried the doctor. "Hallo, there! let me out!" But, before the coachman could dismount from his box, he had tumbled out of the coach, by some means or other; and, running down to the deserted tenement, began kicking at the door like a madman. "Halloa?" said a little ugly hump-backed man: opening the door so suddenly, that the doctor, from the very impetus of his last kick, nearly fell forward into the passage. "What's the matter here?" "Matter!" exclaimed the other, collaring him, without a moment's reflection. "A good deal. Robbery is the matter." "There'll be Murder the matter, too," replied the hump-backed man, coolly, "if you don't take your hands off. Do you hear me?" "I hear you," said the doctor, giving his captive a hearty shake. "Where's confound the fellow, what's his rascally name Sikes; that's it. Where's Sikes, you thief?" The hump-backed man stared, as if in excess of amazement and indignation; then, twisting himself, dexterously,	anybody; and upon examination of the fellow pistol to that which he had fired, it turned out to have no more destructive loading than gunpowder and brown paper: a discovery which made a considerable impression on everybody but the doctor, who had drawn the ball about ten minutes before. Upon no one, however, did it make a greater impression than on Mr. Giles himself; who, after labouring, for some hours, under the fear of having mortally wounded a fellow-creature, eagerly caught at this new idea, and favoured it to the utmost. Finally, the officers, without troubling themselves very much about Oliver, left the Chertsey constable in the house, and took up their rest for that night in the town; promising to return the next morning. With the next morning, there came a rumour, that two men and a boy were in the cage at Kingston, who had been apprehended over night under suspicious circumstances; and to Kingston Messrs. Blathers and Duff journeyed accordingly. The suspicious circumstances, however, resolving themselves, on investigation, into the one fact, that they had been discovered sleeping under a haystack; which, although a great crime, is only punishable by imprisonment, and is, in the merciful eye of the English law, and its comprehensive love of all the King's subjects, held to be no satisfactory proof, in the absence of all other evidence, that the sleeper, or sleepers, have committed burglary accompanied with violence, and have therefore rendered themselves liable to the punishment of death; Messrs. Blathers and Duff came back again, as wise as they went. In short, after some more examination, and a great deal more conversation, a neighbouring magistrate was readily induced to take the joint bail of Mrs. Maylie and Mr. Losberne for Oliver's appearance if he should ever be called upon; and Blathers and Duff, being rewarded with a couple of guineas, returned to town with divided opinions on the subject of their expedition: the latter gentleman on a mature consideration of all the circumstances, inclining to the belief that the burglarious attempt had originated with the Family Pet; and the former being equally disposed to concede the full merit of it to the great Mr. Conkey Chickweed. Meanwhile, Oliver gradually throve and prospered under the united care of Mrs. Maylie, Rose, and the kind-hearted Mr. Losberne. If fervent prayers, gushing from hearts overcharged with gratitude, be heard in heaven and if they be not, what prayers are! the blessings which the orphan child called down upon them, sunk into their souls, diffusing peace and happiness. CHAPTER XXXII. OF THE HAPPY LIFE OLIVER BEGAN TO LEAD WITH HIS KIND FRIENDS Oliver's ailings were neither slight nor few. In addition to the pain and delay attendant on a broken limb, his exposure to the wet and cold had brought on fever and ague: which hung about him for many weeks, and reduced him sadly. But, at length, he began, by slow degrees, to get better, and to be able to say sometimes, in a few tearful words, how deeply he felt the goodness of the two sweet ladies, and how ardently he hoped that when he grew strong and well again, he could do something to show his gratitude; only something, which would let them see the love and duty with which his breast was full; something, however slight, which would prove to them that their gentle kindness had not been cast away; but that the poor boy whom their charity had rescued from misery, or death, was eager to serve them with his whole heart and soul. "Poor fellow!" said Rose, when Oliver had been one day feebly endeavouring to utter the words of thankfulness that rose to his pale lips; "you shall have many opportunities of serving us, if you will. We are going into the country, and my aunt intends that you shall accompany us. The quiet place, the pure air, and all the pleasure and beauties of spring, will restore you in a few days. We will employ you in a hundred ways, when you can bear the trouble." "The trouble!" cried Oliver. "Oh! dear lady, if I could but work for you; if I could only give you pleasure by watering your flowers, or watching your birds, or running up and down the whole day long, to make you happy; what would I give to do it!" "You shall give nothing at all," said Miss Maylie, smiling; "for, as I told you before, we shall employ you in a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew how happy I am, they would be pleased, I am sure." "I am sure they would," rejoined Oliver's benefactress; "and Mr. Losberne has already been kind enough to promise that when you are well enough to bear the journey, he will carry you to see them." "Has he, ma'am?" cried Oliver, his face brightening with pleasure. "I don't know what I shall do for joy when I see their kind faces once again!" In a short time Oliver was sufficiently recovered to undergo the fatigue of this expedition. One morning he and Mr. Losberne set out, accordingly, in a little carriage which belonged to Mrs. Maylie. When they came to Chertsey Bridge, Oliver turned very pale, and uttered a loud exclamation. "What's the matter with the boy?" cried the doctor, as usual, all in a bustle. "Do you see anything hear anything feel anything eh?" "That, sir," cried Oliver, pointing out of the carriage window. "That house!" "Yes; well, what of it? Stop coachman. Pull up here," cried the doctor. "What of the house, my man; eh?" "The thieves the house they took me to!" whispered Oliver. "The devil it is!" cried the doctor. "Hallo, there! let me out!" But, before the coachman could dismount from his box, he had tumbled out of the coach, by some means or other; and, running down to the deserted tenement, began kicking at the door like a madman. "Halloa?" said a little ugly hump-backed man: opening the door so suddenly, that the doctor, from the very impetus of his last kick, nearly fell forward into the passage. "What's the matter here?" "Matter!" exclaimed the other, collaring him, without a moment's reflection. "A good deal. Robbery is the matter." "There'll be Murder the matter, too," replied the hump-backed man, coolly, "if you don't take your hands off. Do you hear me?" "I hear you," said the doctor, giving his captive a hearty shake. "Where's confound the fellow, what's his rascally name Sikes; that's it. Where's Sikes, you thief?" The hump-backed man stared, as if in excess of amazement and indignation; then, twisting himself, dexterously, from the doctor's grasp, growled forth a volley of horrid oaths, and retired into the house. Before he could shut the door, however, the doctor had passed into the parlour, without a word of parley. He looked anxiously round; not an article of furniture; not a vestige of anything, animate or inanimate; not even the position of the cupboards; answered Oliver's description! "Now!" said the hump-backed man, who had watched him keenly, "what do you mean by coming into my house, in this violent way? Do you want to rob me, or to murder me? Which is it?" "Did you ever know a man come out to do either, in a chariot and pair, you ridiculous old vampire?" said the irritable doctor. "What do you want, then?" demanded the hunchback. "Will you take yourself off, before I do you a mischief? Curse you!" "As soon as I think proper," said Mr. Losberne, looking into the other parlour; which, like the first, bore no resemblance whatever to Oliver's account of it. "I shall find you out, some day, my friend." "Will you?" sneered the ill-favoured cripple. "If you ever want me, I'm here. I haven't lived here mad and all alone, for five-and-twenty years, to be scared by you. You shall pay for this; you shall pay for this." And so saying, the mis-shapen little demon set up a yell, and danced upon the ground, as if wild with rage. "Stupid enough, this," muttered the doctor to himself; "the boy must have made a mistake. Here! Put that in your pocket, and shut yourself up again." With these words he flung the hunchback a piece of money, and returned to the carriage. The man followed to the chariot door, uttering the wildest imprecations and curses all the way; but as Mr. Losberne turned to speak to the driver, he looked into the carriage, and eyed Oliver for an instant with a glance so sharp and fierce and at the same time so furious and vindictive, that, waking or sleeping, he could not forget it for months afterwards. He continued to utter the most fearful imprecations, until the driver had resumed his seat; and when they were once more on their way, they could see him some distance behind: beating his feet upon the ground, and tearing his hair, in transports of real or pretended rage. "I am an ass!" said the	his breast was full; something, however slight, which would prove to them that their gentle kindness had not been cast away; but that the poor boy whom their charity had rescued from misery, or death, was eager to serve them with his whole heart and soul. "Poor fellow!" said Rose, when Oliver had been one day feebly endeavouring to utter the words of thankfulness that rose to his pale lips; "you shall have many opportunities of serving us, if you will. We are going into the country, and my aunt intends that you shall accompany us. The quiet place, the pure air, and all the pleasure and beauties of spring, will restore you in a few days. We will employ you in a hundred ways, when you can bear the trouble." "The trouble!" cried Oliver. "Oh! dear lady, if I could but work for you; if I could only give you pleasure by watering your flowers, or watching your birds, or running up and down the whole day long, to make you happy; what would I give to do it!" "You shall give nothing at all," said Miss Maylie, smiling; "for, as I told you before, we shall employ you in a hundred ways; and if you only take half the trouble to please us, that you promise now, you will make me very happy indeed." "Happy, ma'am!" cried Oliver; "how kind of you to say so!" "You will make me happier than I can tell you," replied the young lady.<\|quote\|>"To think that my dear good aunt should have been the means of rescuing any one from such sad misery as you have described to us, would be an unspeakable pleasure to me; but to know that the object of her goodness and compassion was sincerely grateful and attached, in consequence, would delight me, more than you can well imagine. Do you understand me?"</\|quote\|>she inquired, watching Oliver's thoughtful face. "Oh yes, ma'am, yes!" replied Oliver eagerly; "but I was thinking that I am ungrateful now." "To whom?" inquired the young lady. "To the kind gentleman, and the dear old nurse, who took so much care of me before," rejoined Oliver. "If they knew how happy I am, they would be pleased, I am sure." "I am sure they would," rejoined Oliver's benefactress; "and Mr. Losberne has already been kind enough to promise that when you are well enough to bear the journey, he will carry you to see them." "Has he, ma'am?" cried Oliver, his face brightening with pleasure. "I don't know what I shall do for joy when I see their kind faces once again!" In a short time Oliver was sufficiently recovered to undergo the fatigue of this expedition. One morning he and Mr. Losberne set out, accordingly, in a little carriage which belonged to Mrs. Maylie. When they came to Chertsey Bridge, Oliver turned very pale, and uttered a loud exclamation. "What's the matter with the boy?" cried the doctor, as usual, all in a bustle. "Do you see anything hear anything feel anything eh?" "That, sir," cried Oliver, pointing out of the	Oliver Twist
She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.	No speaker	feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about	rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever	personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked	After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well.	He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar	time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks." "I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip. "It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a lady a drink?" "We'll have two more Martinis." "As they were before, sir?" "They were very good." Brett smiled at him. "Thank you, ma'am." "Well, bung-o," Brett	the elevator. I could not make the elevator work, so I walked up. On the second floor up was a cut brass sign: HOTEL MONTANA. I rang and no one came to the door. I rang again and a maid with a sullen face opened the door. "Is Lady Ashley here?" I asked. She looked at me dully. "Is an Englishwoman here?" She turned and called some one inside. A very fat woman came to the door. Her hair was gray and stiffly oiled in scallops around her face. She was short and commanding. "Muy buenos," I said. "Is there an Englishwoman here? I would like to see this English lady." "Muy buenos. Yes, there is a female English. Certainly you can see her if she wishes to see you." "She wishes to see me." "The chica will ask her." "It is very hot." "It is very hot in the summer in Madrid." "And how cold in winter." "Yes, it is very cold in winter." Did I want to stay myself in person in the Hotel Montana? Of that as yet I was undecided, but it would give me pleasure if my bags were brought up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello," said Brett. "Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks." "I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip. "It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a lady a drink?" "We'll have two more Martinis." "As they were before, sir?" "They were very good." Brett smiled at him. "Thank you, ma'am." "Well, bung-o," Brett said. "Bung-o!" "You know," Brett said, "he'd only been with two women before. He never cared about anything but bull-fighting." "He's got plenty of time." "I don't know. He thinks it was me. Not the show in general." "Well, it was you." "Yes. It was me." "I thought you weren't going to ever talk about it." "How can I help it?" "You'll lose it if you talk about it." "I just talk around it. You know I feel rather damned good, Jake." "You should." "You know it makes one feel rather good deciding not to be a bitch." "Yes." "It's sort of what we have instead of God." "Some people have God," I said. "Quite a lot." "He never worked very well with me." "Should we have another Martini?" The barman shook up two more Martinis and poured them out into fresh glasses. "Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window. "Here?" asked Brett. "It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman. "Yes, sir. Would you like to have me write out the address?" "Thank you." We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a very big meal and drank three bottles of _rioja alta_. "How do you feel, Jake?" Brett asked. "My God! what a meal you've eaten." "I feel fine. Do you want a dessert?" "Lord, no." Brett was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. "So I did. Let's have another bottle of _rioja alta_." "It's very good." "You haven't drunk much of it," I said. "I have. You haven't seen." "Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she	in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello," said Brett. "Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good."<\|quote\|>She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her.</\|quote\|>"Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on	The Sun Also Rises
She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.	No speaker	have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a	some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such	give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt	On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some	I have not an instant to lose." "Good God! what is the matter?" cried he, with more feeling than politeness; then recollecting himself, "I will not detain you a minute, but let me, or let the servant, go after Mr. and Mrs. Gardiner. You are not well enough;--you cannot go yourself." Elizabeth hesitated, but her knees trembled under her, and she felt how little would be gained by her attempting to pursue them. Calling back the servant, therefore, she commissioned him, though in so breathless an accent as made her almost unintelligible, to fetch his master and mistress home, instantly. On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be	of requesting it, though I have still something more to ask of the former. My father is going to London with Colonel Forster instantly, to try to discover her. What he means to do, I am sure I know not; but his excessive distress will not allow him to pursue any measure in the best and safest way, and Colonel Forster is obliged to be at Brighton again to-morrow evening. In such an exigence my uncle's advice and assistance would be every thing in the world; he will immediately comprehend what I must feel, and I rely upon his goodness." "Oh! where, where is my uncle?" cried Elizabeth, darting from her seat as she finished the letter, in eagerness to follow him, without losing a moment of the time so precious; but as she reached the door, it was opened by a servant, and Mr. Darcy appeared. Her pale face and impetuous manner made him start, and before he could recover himself enough to speak, she, in whose mind every idea was superseded by Lydia's situation, hastily exclaimed, "I beg your pardon, but I must leave you. I must find Mr. Gardiner this moment, on business that cannot be delayed; I have not an instant to lose." "Good God! what is the matter?" cried he, with more feeling than politeness; then recollecting himself, "I will not detain you a minute, but let me, or let the servant, go after Mr. and Mrs. Gardiner. You are not well enough;--you cannot go yourself." Elizabeth hesitated, but her knees trembled under her, and she felt how little would be gained by her attempting to pursue them. Calling back the servant, therefore, she commissioned him, though in so breathless an accent as made her almost unintelligible, to fetch his master and mistress home, instantly. On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!" Darcy shook his head in silent acquiesence. "When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the room in earnest meditation; his brow contracted, his air gloomy. Elizabeth soon observed, and instantly understood it. Her power was sinking; every thing _must_ sink under such a proof of family weakness, such an assurance of the deepest disgrace. She could neither wonder nor condemn, but the belief of his self-conquest brought nothing consolatory to her bosom, afforded no palliation of her distress. It was, on the contrary, exactly calculated to make her understand her own wishes; and never had she so honestly felt that she could have loved him, as now, when all love	did trace them easily to Clapham, but no farther; for on entering that place they removed into a hackney-coach and dismissed the chaise that brought them from Epsom. All that is known after this is, that they were seen to continue the London road. I know not what to think. After making every possible enquiry on that side London, Colonel F. came on into Hertfordshire, anxiously renewing them at all the turnpikes, and at the inns in Barnet and Hatfield, but without any success, no such people had been seen to pass through. With the kindest concern he came on to Longbourn, and broke his apprehensions to us in a manner most creditable to his heart. I am sincerely grieved for him and Mrs. F. but no one can throw any blame on them. Our distress, my dear Lizzy, is very great. My father and mother believe the worst, but I cannot think so ill of him. Many circumstances might make it more eligible for them to be married privately in town than to pursue their first plan; and even if _he_ could form such a design against a young woman of Lydia's connections, which is not likely, can I suppose her so lost to every thing?--Impossible. I grieve to find, however, that Colonel F. is not disposed to depend upon their marriage; he shook his head when I expressed my hopes, and said he feared W. was not a man to be trusted. My poor mother is really ill and keeps her room. Could she exert herself it would be better, but this is not to be expected; and as to my father, I never in my life saw him so affected. Poor Kitty has anger for having concealed their attachment; but as it was a matter of confidence one cannot wonder. I am truly glad, dearest Lizzy, that you have been spared something of these distressing scenes; but now as the first shock is over, shall I own that I long for your return? I am not so selfish, however, as to press for it, if inconvenient. Adieu. I take up my pen again to do, what I have just told you I would not, but circumstances are such, that I cannot help earnestly begging you all to come here, as soon as possible. I know my dear uncle and aunt so well, that I am not afraid of requesting it, though I have still something more to ask of the former. My father is going to London with Colonel Forster instantly, to try to discover her. What he means to do, I am sure I know not; but his excessive distress will not allow him to pursue any measure in the best and safest way, and Colonel Forster is obliged to be at Brighton again to-morrow evening. In such an exigence my uncle's advice and assistance would be every thing in the world; he will immediately comprehend what I must feel, and I rely upon his goodness." "Oh! where, where is my uncle?" cried Elizabeth, darting from her seat as she finished the letter, in eagerness to follow him, without losing a moment of the time so precious; but as she reached the door, it was opened by a servant, and Mr. Darcy appeared. Her pale face and impetuous manner made him start, and before he could recover himself enough to speak, she, in whose mind every idea was superseded by Lydia's situation, hastily exclaimed, "I beg your pardon, but I must leave you. I must find Mr. Gardiner this moment, on business that cannot be delayed; I have not an instant to lose." "Good God! what is the matter?" cried he, with more feeling than politeness; then recollecting himself, "I will not detain you a minute, but let me, or let the servant, go after Mr. and Mrs. Gardiner. You are not well enough;--you cannot go yourself." Elizabeth hesitated, but her knees trembled under her, and she felt how little would be gained by her attempting to pursue them. Calling back the servant, therefore, she commissioned him, though in so breathless an accent as made her almost unintelligible, to fetch his master and mistress home, instantly. On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!" Darcy shook his head in silent acquiesence. "When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the room in earnest meditation; his brow contracted, his air gloomy. Elizabeth soon observed, and instantly understood it. Her power was sinking; every thing _must_ sink under such a proof of family weakness, such an assurance of the deepest disgrace. She could neither wonder nor condemn, but the belief of his self-conquest brought nothing consolatory to her bosom, afforded no palliation of her distress. It was, on the contrary, exactly calculated to make her understand her own wishes; and never had she so honestly felt that she could have loved him, as now, when all love must be vain. But self, though it would intrude, could not engross her. Lydia--the humiliation, the misery, she was bringing on them all, soon swallowed up every private care; and covering her face with her handkerchief, Elizabeth was soon lost to every thing else; and, after a pause of several minutes, was only recalled to a sense of her situation by the voice of her companion, who, in a manner, which though it spoke compassion, spoke likewise restraint, said, "I am afraid you have been long desiring my absence, nor have I any thing to plead in excuse of my stay, but real, though unavailing, concern. Would to heaven that any thing could be either said or done on my part, that might offer consolation to such distress.--But I will not torment you with vain wishes, which may seem purposely to ask for your thanks. This unfortunate affair will, I fear, prevent my sister's having the pleasure of seeing you at Pemberley to-day." "Oh, yes. Be so kind as to apologize for us to Miss Darcy. Say that urgent business calls us home immediately. Conceal the unhappy truth as long as it is possible.--I know it cannot be long." He readily assured her of his secrecy--again expressed his sorrow for her distress, wished it a happier conclusion than there was at present reason to hope, and leaving his compliments for her relations, with only one serious, parting, look, went away. As he quitted the room, Elizabeth felt how improbable it was that they should ever see each other again on such terms of cordiality as had marked their several meetings in Derbyshire; and as she threw a retrospective glance over the whole of their acquaintance, so full of contradictions and varieties, sighed at the perverseness of those feelings which would now have promoted its continuance, and would formerly have rejoiced in its termination. If gratitude and esteem are good foundations of affection, Elizabeth's change of sentiment will be neither improbable nor faulty. But if otherwise, if the regard springing from such sources is unreasonable or unnatural, in comparison of what is so often described as arising on a first interview with its object, and even before two words have been exchanged, nothing can be said in her defence, except that she had given somewhat of a trial to the latter method, in her partiality for Wickham, and that its ill-success	"I beg your pardon, but I must leave you. I must find Mr. Gardiner this moment, on business that cannot be delayed; I have not an instant to lose." "Good God! what is the matter?" cried he, with more feeling than politeness; then recollecting himself, "I will not detain you a minute, but let me, or let the servant, go after Mr. and Mrs. Gardiner. You are not well enough;--you cannot go yourself." Elizabeth hesitated, but her knees trembled under her, and she felt how little would be gained by her attempting to pursue them. Calling back the servant, therefore, she commissioned him, though in so breathless an accent as made her almost unintelligible, to fetch his master and mistress home, instantly. On his quitting the room, she sat down, unable to support herself, and looking so miserably ill, that it was impossible for Darcy to leave her, or to refrain from saying, in a tone of gentleness and commiseration, "Let me call your maid. Is there nothing you could take, to give you present relief?--A glass of wine;--shall I get you one?--You are very ill." "No, I thank you;" she replied, endeavouring to recover herself. "There is nothing the matter with me. I am quite well. I am only distressed by some dreadful news which I have just received from Longbourn."<\|quote\|>She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length, she spoke again.</\|quote\|>"I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends--has eloped;--has thrown herself into the power of--of Mr. Wickham. They are gone off together from Brighton. _You_ know him too well to doubt the rest. She has no money, no connections, nothing that can tempt him to--she is lost for ever." Darcy was fixed in astonishment. "When I consider," she added, in a yet more agitated voice, "that _I_ might have prevented it!--_I_ who knew what he was. Had I but explained some part of it only--some part of what I learnt, to my own family! Had his character been known, this could not have happened. But it is all, all too late now." "I am grieved, indeed," cried Darcy; "grieved--shocked. But is it certain, absolutely certain?" "Oh yes!--They left Brighton together on Sunday night, and were traced almost to London, but not beyond; they are certainly not gone to Scotland." "And what has been done, what has been attempted, to recover her?" "My father is gone to London, and Jane has written to beg my uncle's immediate assistance, and we shall be off, I hope, in half an hour. But nothing can be done; I know very well that nothing can be done. How is such a man to be worked on? How are they even to be discovered? I have not the smallest hope. It is every way horrible!" Darcy shook his head in silent acquiesence. "When _my_ eyes were opened to his real character.--Oh! had I known what I ought, what I dared, to do! But I knew not--I was afraid of doing too much. Wretched, wretched, mistake!" Darcy made no answer. He seemed scarcely to hear her, and was walking up and down the room in earnest meditation; his brow contracted, his air gloomy. Elizabeth soon observed, and instantly understood it. Her power was sinking; every thing _must_ sink under such a proof of family weakness, such an assurance of the deepest disgrace. She could neither wonder nor condemn, but the belief of his self-conquest brought nothing consolatory to her bosom, afforded no palliation of her distress. It was, on the contrary, exactly calculated to make her understand her own wishes; and never had she so honestly felt that she could have loved him, as now, when all love must be vain. But self, though it would intrude, could not engross her. Lydia--the humiliation, the misery, she was bringing on them all, soon swallowed up every private care; and covering her face with her handkerchief, Elizabeth was soon lost to every thing else; and, after a pause of several minutes, was only recalled to a sense of her situation by the voice of her companion,	Pride And Prejudice
"Does _your_ watch tell you what year it is?"	The Hatter	should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied	what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because	better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it	crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just	remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you	like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the	a cat without a grin," thought Alice; "but a grin without a cat! It's the most curious thing I ever saw in my life!" She had not gone much farther before she came in sight of the house of the March Hare: she thought it must be the right house, because the chimneys were shaped like ears and the roof was thatched with fur. It was so large a house, that she did not like to go nearer till she had nibbled some more of the lefthand bit of mushroom, and raised herself to about two feet high: even then she walked up towards it rather timidly, saying to herself "Suppose it should be raving mad after all! I almost wish I'd gone to see the Hatter instead!" CHAPTER VII. A Mad Tea-Party There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. "Very uncomfortable for the Dormouse," thought Alice; "only, as it's asleep, I suppose it doesn't mind." The table was a large one, but the three were all crowded together at one corner of it: "No room! No room!" they cried out when they saw Alice coming. "There's _plenty_ of room!" said Alice indignantly, and she sat down in a large arm-chair at one end of the table. "Have some wine," the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. "I don't see any wine," she remarked. "There isn't any," said the March Hare. "Then it wasn't very civil of you to offer it," said Alice angrily. "It wasn't very civil of you to sit down without being invited," said the March Hare. "I didn't know it was _your_ table," said Alice; "it's laid for a great many more than three." "Your hair wants cutting," said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. "You should learn not to make personal remarks," Alice said with some severity; "it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason so many tea-things are put out here?" she asked. "Yes, that's it," said the Hatter with a sigh: "it's always tea-time, and we've no time to wash the things between whiles." "Then you keep moving round, I suppose?" said Alice. "Exactly so," said the Hatter: "as the things get used up." "But what happens when you come to the beginning again?" Alice ventured to ask. "Suppose we change the subject," the March Hare interrupted, yawning. "I'm getting tired of this. I vote the young lady tells us a story." "I'm afraid I don't know one," said Alice, rather alarmed at the proposal. "Then the Dormouse shall!" they both cried. "Wake up, Dormouse!" And they pinched it on both sides at once. The Dormouse slowly opened his eyes. "I wasn't asleep," he said in a hoarse, feeble voice: "I heard every word you fellows were saying." "Tell us a story!" said the March Hare. "Yes, please do!" pleaded Alice. "And be quick about it," added the Hatter, "or you'll be asleep again before it's done." "Once upon a time there were three little sisters," the Dormouse began in a great hurry; "and their names were Elsie, Lacie, and Tillie; and they lived at the bottom of a well--" "What did they live on?" said Alice, who always took a great interest in questions of eating and drinking. "They lived on treacle," said the Dormouse, after thinking a minute or two. "They couldn't have done that, you know," Alice gently remarked;	"it's very rude." The Hatter opened his eyes very wide on hearing this; but all he _said_ was, "Why is a raven like a writing-desk?" "Come, we shall have some fun now!" thought Alice. "I'm glad they've begun asking riddles." "--I believe I can guess that" ," she added aloud. "Do you mean that you think you can find out the answer to it?" said the March Hare. "Exactly so," said Alice. "Then you should say what you mean," the March Hare went on. "I do," Alice hastily replied; "at least--at least I mean what I say--that's the same thing, you know." "Not the same thing a bit!" said the Hatter. "You might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!" "You might just as well say," added the March Hare, "that 'I like what I get' is the same thing as 'I get what I like'!" "You might just as well say," added the Dormouse, who seemed to be talking in his sleep, "that 'I breathe when I sleep' is the same thing as 'I sleep when I breathe'!" "It _is_ the same thing with you," said the Hatter, and here the conversation dropped, and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much. The Hatter was the first to break the silence. "What day of the month is it?" he said, turning to Alice: he had taken his watch out of his pocket, and was looking at it uneasily, shaking it every now and then, and holding it to his ear. Alice considered a little, and then said "The fourth." "Two days wrong!" sighed the Hatter. "I told you butter wouldn't suit the works!" he added looking angrily at the March Hare. "It was the _best_ butter," the March Hare meekly replied. "Yes, but some crumbs must have got in as well," the Hatter grumbled: "you shouldn't have put it in with the bread-knife." The March Hare took the watch and looked at it gloomily: then he dipped it into his cup of tea, and looked at it again: but he could think of nothing better to say than his first remark, "It was the _best_ butter, you know." Alice had been looking over his shoulder with some curiosity. "What a funny watch!" she remarked. "It tells the day of the month, and doesn't tell what o'clock it is!" "Why should it?" muttered the Hatter.<\|quote\|>"Does _your_ watch tell you what year it is?"</\|quote\|>"Of course not," Alice replied very readily: "but that's because it stays the same year for such a long time together." "Which is just the case with _mine_," said the Hatter. Alice felt dreadfully puzzled. The Hatter's remark seemed to have no sort of meaning in it, and yet it was certainly English. "I don't quite understand you," she said, as politely as she could. "The Dormouse is asleep again," said the Hatter, and he poured a little hot tea upon its nose. The Dormouse shook its head impatiently, and said, without opening its eyes, "Of course, of course; just what I was going to remark myself." "Have you guessed the riddle yet?" the Hatter said, turning to Alice again. "No, I give it up," Alice replied: "what's the answer?" "I haven't the slightest idea," said the Hatter. "Nor I," said the March Hare. Alice sighed wearily. "I think you might do something better with the time," she said, "than waste it in asking riddles that have no answers." "If you knew Time as well as I do," said the Hatter, "you wouldn't talk about wasting _it_. It's _him_." "I don't know what you mean," said Alice. "Of course you don't!" the Hatter said, tossing his head contemptuously. "I dare say you never even spoke to Time!" "Perhaps not," Alice cautiously replied: "but I know I have to beat time when I learn music." "Ah! that accounts for it," said the Hatter. "He won't stand beating. Now, if you only kept on good terms with him, he'd do almost anything you liked with the clock. For instance, suppose it were nine o'clock in the morning, just time to begin lessons: you'd only have to whisper a hint to Time, and round goes the clock in a twinkling! Half-past one, time for dinner!" (" "I only wish it was," the March Hare said to itself in a whisper.) "That would be grand, certainly," said Alice thoughtfully: "but then--I shouldn't be hungry for it, you know." "Not at first, perhaps," said the Hatter: "but you could keep it to half-past one as long as you liked." "Is that the way _you_ manage?" Alice asked. The Hatter shook his head mournfully. "Not I!" he replied. "We quarrelled last March--just before _he_ went mad, you know--" (pointing with his tea spoon at the March Hare,) "--it was at the great concert given by the Queen of Hearts, and I had to sing" 'Twinkle, twinkle, little bat! How I wonder what you're at!' "You know the song, perhaps?" "I've heard something like it," said Alice. "It goes on, you know," the Hatter continued, "in this way:--" 'Up above the world you fly, Like a tea-tray in the sky. Twinkle, twinkle--'" Here the Dormouse shook itself, and began singing in its sleep "_Twinkle, twinkle, twinkle, twinkle_--" and went on so long that they had to pinch it to make it stop. "Well, I'd hardly finished the first verse," said the Hatter, "when the Queen jumped up and bawled out, 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "And ever since that," the Hatter went on in a mournful tone, "he won't do a thing I ask! It's always six o'clock now." A bright idea came into Alice's head. "Is that the reason	Alices Adventures In Wonderland
"You girls are so wonderful in always having--Oh dear! one mustn t talk."	Aunt Juley	young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very	takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family	she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once,	you before the rest of the orchestra arrives, it is still cheap. "Whom is Margaret talking to?" said Mrs. Munt, at the conclusion of the first movement. She was again in London on a visit to Wickham Place. Helen looked down the long line of their party, and said that she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once, and then her attention wandered, and she gazed at the audience, or the organ, or the architecture. Much did she censure the attenuated Cupids who encircle the ceiling of the Queen s Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons, on which the October sunlight	like their cousin, Fraulein Mosebach, who remembers all the time that Beethoven is echt Deutsch; or like Fraulein Mosebach s young man, who can remember nothing but Fraulein Mosebach: in any case, the passion of your life becomes more vivid, and you are bound to admit that such a noise is cheap at two shillings. It is cheap, even if you hear it in the Queen s Hall, dreariest music-room in London, though not as dreary as the Free Trade Hall, Manchester; and even if you sit on the extreme left of that hall, so that the brass bumps at you before the rest of the orchestra arrives, it is still cheap. "Whom is Margaret talking to?" said Mrs. Munt, at the conclusion of the first movement. She was again in London on a visit to Wickham Place. Helen looked down the long line of their party, and said that she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once, and then her attention wandered, and she gazed at the audience, or the organ, or the architecture. Much did she censure the attenuated Cupids who encircle the ceiling of the Queen s Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons, on which the October sunlight struck. "How awful to marry a man like those Cupids!" thought Helen. Here Beethoven started decorating his tune, so she heard him through once more, and then she smiled at her Cousin Frieda. But Frieda, listening to Classical Music, could not respond. Herr Liesecke, too, looked as if wild horses could not make him inattentive; there were lines across his forehead, his lips were parted, his pince-nez at right angles to his nose, and he had laid a thick, white hand on either knee. And next to her was Aunt Juley, so British, and wanting to tap. How interesting that	the whole of the company, while Margaret--both were tremendous talkers--fell flat. Neither sister bothered about this. Helen never apologised afterwards, Margaret did not feel the slightest rancour. But looks have their influence upon character. The sisters were alike as little girls, but at the time of the Wilcox episode their methods were beginning to diverge; the younger was rather apt to entice people, and, in enticing them, to be herself enticed; the elder went straight ahead, and accepted an occasional failure as part of the game. Little need be premised about Tibby. He was now an intelligent man of sixteen, but dyspeptic and difficile. CHAPTER V It will be generally admitted that Beethoven s Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man. All sorts and conditions are satisfied by it. Whether you are like Mrs. Munt, and tap surreptitiously when the tunes come--of course, not so as to disturb the others--or like Helen, who can see heroes and shipwrecks in the music s flood; or like Margaret, who can only see the music; or like Tibby, who is profoundly versed in counterpoint, and holds the full score open on his knee; or like their cousin, Fraulein Mosebach, who remembers all the time that Beethoven is echt Deutsch; or like Fraulein Mosebach s young man, who can remember nothing but Fraulein Mosebach: in any case, the passion of your life becomes more vivid, and you are bound to admit that such a noise is cheap at two shillings. It is cheap, even if you hear it in the Queen s Hall, dreariest music-room in London, though not as dreary as the Free Trade Hall, Manchester; and even if you sit on the extreme left of that hall, so that the brass bumps at you before the rest of the orchestra arrives, it is still cheap. "Whom is Margaret talking to?" said Mrs. Munt, at the conclusion of the first movement. She was again in London on a visit to Wickham Place. Helen looked down the long line of their party, and said that she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once, and then her attention wandered, and she gazed at the audience, or the organ, or the architecture. Much did she censure the attenuated Cupids who encircle the ceiling of the Queen s Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons, on which the October sunlight struck. "How awful to marry a man like those Cupids!" thought Helen. Here Beethoven started decorating his tune, so she heard him through once more, and then she smiled at her Cousin Frieda. But Frieda, listening to Classical Music, could not respond. Herr Liesecke, too, looked as if wild horses could not make him inattentive; there were lines across his forehead, his lips were parted, his pince-nez at right angles to his nose, and he had laid a thick, white hand on either knee. And next to her was Aunt Juley, so British, and wanting to tap. How interesting that row of people was! What diverse influences had gone to the making! Here Beethoven, after humming and hawing with great sweetness, said "Heigho," and the Andante came to an end. Applause, and a round of "wunderschoning" and pracht volleying from the German contingent. Margaret started talking to her new young man; Helen said to her aunt: "Now comes the wonderful movement: first of all the goblins, and then a trio of elephants dancing" "; and Tibby implored the company generally to look out for the transitional passage on the drum. "On the what, dear?" "On the drum, Aunt Juley." "No; look out for the part where you think you have done with the goblins and they come back," breathed Helen, as the music started with a goblin walking quietly over the universe, from end to end. Others followed him. They were not aggressive creatures; it was that that made them so terrible to Helen. They merely observed in passing that there was no such thing as splendour or heroism in the world. After the interlude of elephants dancing, they returned and made the observation for the second time. Helen could not contradict them, for, once at all events, she had	miles are almost the same as heaven. That is not imagination. No, it kills it. When their poets over here try to celebrate bigness they are dead at once, and naturally. Your poets too are dying, your philosophers, your musicians, to whom Europe has listened for two hundred years. Gone. Gone with the little courts that nurtured them--gone with Esterhazy and Weimar. What? What s that? Your universities? Oh yes, you have learned men, who collect more facts than do the learned men of England. They collect facts, and facts, and empires of facts. But which of them will rekindle the light within?" To all this Margaret listened, sitting on the haughty nephew s knee. It was a unique education for the little girls. The haughty nephew would be at Wickham Place one day, bringing with him an even haughtier wife, both convinced that Germany was appointed by God to govern the world. Aunt Juley would come the next day, convinced that Great Britain had been appointed to the same post by the same authority. Were both these loud-voiced parties right? On one occasion they had met and Margaret with clasped hands had implored them to argue the subject out in her presence. Whereat they blushed, and began to talk about the weather. "Papa," she cried--she was a most offensive child--" "why will they not discuss this most clear question?" Her father, surveying the parties grimly, replied that he did not know. Putting her head on one side, Margaret then remarked, "To me one of two things is very clear; either God does not know his own mind about England and Germany, or else these do not know the mind of God." A hateful little girl, but at thirteen she had grasped a dilemma that most people travel through life without perceiving. Her brain darted up and down; it grew pliant and strong. Her conclusion was, that any human being lies nearer to the unseen than any organisation, and from this she never varied. Helen advanced along the same lines, though with a more irresponsible tread. In character she resembled her sister, but she was pretty, and so apt to have a more amusing time. People gathered round her more readily, especially when they were new acquaintances, and she did enjoy a little homage very much. When their father died and they ruled alone at Wickham Place, she often absorbed the whole of the company, while Margaret--both were tremendous talkers--fell flat. Neither sister bothered about this. Helen never apologised afterwards, Margaret did not feel the slightest rancour. But looks have their influence upon character. The sisters were alike as little girls, but at the time of the Wilcox episode their methods were beginning to diverge; the younger was rather apt to entice people, and, in enticing them, to be herself enticed; the elder went straight ahead, and accepted an occasional failure as part of the game. Little need be premised about Tibby. He was now an intelligent man of sixteen, but dyspeptic and difficile. CHAPTER V It will be generally admitted that Beethoven s Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man. All sorts and conditions are satisfied by it. Whether you are like Mrs. Munt, and tap surreptitiously when the tunes come--of course, not so as to disturb the others--or like Helen, who can see heroes and shipwrecks in the music s flood; or like Margaret, who can only see the music; or like Tibby, who is profoundly versed in counterpoint, and holds the full score open on his knee; or like their cousin, Fraulein Mosebach, who remembers all the time that Beethoven is echt Deutsch; or like Fraulein Mosebach s young man, who can remember nothing but Fraulein Mosebach: in any case, the passion of your life becomes more vivid, and you are bound to admit that such a noise is cheap at two shillings. It is cheap, even if you hear it in the Queen s Hall, dreariest music-room in London, though not as dreary as the Free Trade Hall, Manchester; and even if you sit on the extreme left of that hall, so that the brass bumps at you before the rest of the orchestra arrives, it is still cheap. "Whom is Margaret talking to?" said Mrs. Munt, at the conclusion of the first movement. She was again in London on a visit to Wickham Place. Helen looked down the long line of their party, and said that she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once, and then her attention wandered, and she gazed at the audience, or the organ, or the architecture. Much did she censure the attenuated Cupids who encircle the ceiling of the Queen s Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons, on which the October sunlight struck. "How awful to marry a man like those Cupids!" thought Helen. Here Beethoven started decorating his tune, so she heard him through once more, and then she smiled at her Cousin Frieda. But Frieda, listening to Classical Music, could not respond. Herr Liesecke, too, looked as if wild horses could not make him inattentive; there were lines across his forehead, his lips were parted, his pince-nez at right angles to his nose, and he had laid a thick, white hand on either knee. And next to her was Aunt Juley, so British, and wanting to tap. How interesting that row of people was! What diverse influences had gone to the making! Here Beethoven, after humming and hawing with great sweetness, said "Heigho," and the Andante came to an end. Applause, and a round of "wunderschoning" and pracht volleying from the German contingent. Margaret started talking to her new young man; Helen said to her aunt: "Now comes the wonderful movement: first of all the goblins, and then a trio of elephants dancing" "; and Tibby implored the company generally to look out for the transitional passage on the drum. "On the what, dear?" "On the drum, Aunt Juley." "No; look out for the part where you think you have done with the goblins and they come back," breathed Helen, as the music started with a goblin walking quietly over the universe, from end to end. Others followed him. They were not aggressive creatures; it was that that made them so terrible to Helen. They merely observed in passing that there was no such thing as splendour or heroism in the world. After the interlude of elephants dancing, they returned and made the observation for the second time. Helen could not contradict them, for, once at all events, she had felt the same, and had seen the reliable walls of youth collapse. Panic and emptiness! Panic and emptiness! The goblins were right. Her brother raised his finger; it was the transitional passage on the drum. For, as if things were going too far, Beethoven took hold of the goblins and made them do what he wanted. He appeared in person. He gave them a little push, and they began to walk in a major key instead of in a minor, and then--he blew with his mouth and they were scattered! Gusts of splendour, gods and demigods contending with vast swords, colour and fragrance broadcast on the field of battle, magnificent victory, magnificent death! Oh, it all burst before the girl, and she even stretched out her gloved hands as if it was tangible. Any fate was titanic; any contest desirable; conqueror and conquered would alike be applauded by the angels of the utmost stars. And the goblins--they had not really been there at all? They were only the phantoms of cowardice and unbelief? One healthy human impulse would dispel them? Men like the Wilcoxes, or ex-President Roosevelt, would say yes. Beethoven knew better. The goblins really had been there. They might return--and they did. It was as if the splendour of life might boil over and waste to steam and froth. In its dissolution one heard the terrible, ominous note, and a goblin, with increased malignity, walked quietly over the universe from end to end. Panic and emptiness! Panic and emptiness! Even the flaming ramparts of the world might fall. Beethoven chose to make all right in the end. He built the ramparts up. He blew with his mouth for the second time, and again the goblins were scattered. He brought back the gusts of splendour, the heroism, the youth, the magnificence of life and of death, and, amid vast roarings of a superhuman joy, he led his Fifth Symphony to its conclusion. But the goblins were there. They could return. He had said so bravely, and that is why one can trust Beethoven when he says other things. Helen pushed her way out during the applause. She desired to be alone. The music had summed up to her all that had happened or could happen in her career. She read it as a tangible statement, which could never be superseded. The notes meant this and that to her, and	me one of two things is very clear; either God does not know his own mind about England and Germany, or else these do not know the mind of God." A hateful little girl, but at thirteen she had grasped a dilemma that most people travel through life without perceiving. Her brain darted up and down; it grew pliant and strong. Her conclusion was, that any human being lies nearer to the unseen than any organisation, and from this she never varied. Helen advanced along the same lines, though with a more irresponsible tread. In character she resembled her sister, but she was pretty, and so apt to have a more amusing time. People gathered round her more readily, especially when they were new acquaintances, and she did enjoy a little homage very much. When their father died and they ruled alone at Wickham Place, she often absorbed the whole of the company, while Margaret--both were tremendous talkers--fell flat. Neither sister bothered about this. Helen never apologised afterwards, Margaret did not feel the slightest rancour. But looks have their influence upon character. The sisters were alike as little girls, but at the time of the Wilcox episode their methods were beginning to diverge; the younger was rather apt to entice people, and, in enticing them, to be herself enticed; the elder went straight ahead, and accepted an occasional failure as part of the game. Little need be premised about Tibby. He was now an intelligent man of sixteen, but dyspeptic and difficile. CHAPTER V It will be generally admitted that Beethoven s Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man. All sorts and conditions are satisfied by it. Whether you are like Mrs. Munt, and tap surreptitiously when the tunes come--of course, not so as to disturb the others--or like Helen, who can see heroes and shipwrecks in the music s flood; or like Margaret, who can only see the music; or like Tibby, who is profoundly versed in counterpoint, and holds the full score open on his knee; or like their cousin, Fraulein Mosebach, who remembers all the time that Beethoven is echt Deutsch; or like Fraulein Mosebach s young man, who can remember nothing but Fraulein Mosebach: in any case, the passion of your life becomes more vivid, and you are bound to admit that such a noise is cheap at two shillings. It is cheap, even if you hear it in the Queen s Hall, dreariest music-room in London, though not as dreary as the Free Trade Hall, Manchester; and even if you sit on the extreme left of that hall, so that the brass bumps at you before the rest of the orchestra arrives, it is still cheap. "Whom is Margaret talking to?" said Mrs. Munt, at the conclusion of the first movement. She was again in London on a visit to Wickham Place. Helen looked down the long line of their party, and said that she did not know. "Would it be some young man or other whom she takes an interest in?" "I expect so," Helen replied. Music enwrapped her, and she could not enter into the distinction that divides young men whom one takes an interest in from young men whom one knows.<\|quote\|>"You girls are so wonderful in always having--Oh dear! one mustn t talk."</\|quote\|>For the Andante had begun--very beautiful, but bearing a family likeness to all the other beautiful Andantes that Beethoven had written, and, to Helen s mind, rather disconnecting the heroes and shipwrecks of the first movement from the heroes and goblins of the third. She heard the tune through once, and then her attention wandered, and she gazed at the audience, or the organ, or the architecture. Much did she censure the attenuated Cupids who encircle the ceiling of the Queen s Hall, inclining each to each with vapid gesture, and clad in sallow pantaloons, on which the October sunlight struck. "How awful to marry a man like those Cupids!" thought Helen. Here Beethoven started decorating his tune, so she heard him through once more, and then she smiled at her Cousin Frieda. But Frieda, listening to Classical Music, could not respond. Herr Liesecke, too, looked as if wild horses could not make him inattentive; there were lines across his forehead, his lips were parted, his pince-nez at right angles to his nose, and he had laid a thick, white hand on either knee. And next to her was Aunt Juley, so British, and wanting to tap. How interesting that row of people was! What diverse influences had gone to the making! Here Beethoven, after humming and hawing with great sweetness, said "Heigho," and the Andante came to an end. Applause, and a round of "wunderschoning" and pracht volleying from the German contingent. Margaret started talking to her new young man; Helen said to her aunt: "Now comes the wonderful movement: first of all the goblins, and then a trio of elephants dancing" "; and Tibby implored the company generally to look out for the transitional passage on the drum. "On the what, dear?" "On the drum, Aunt Juley." "No; look out for the part where you think you have done with the goblins and they come back," breathed Helen, as the music started with a goblin walking quietly over the universe, from end to end. Others followed him. They were not aggressive creatures; it was that that made them so terrible to Helen. They merely observed in passing that there was no such thing as splendour or heroism in	Howards End
said the gentleman.	No speaker	be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it!	girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!"	whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell	you were to be implicitly relied upon, but now I firmly believe you are." "I am," said the girl earnestly. "I repeat that I firmly believe it. To prove to you that I am disposed to trust you, I tell you without reserve, that we propose to extort the secret, whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell me why?" "For one reason," rejoined the girl firmly, "for one reason, that the lady knows and will stand by me in, I know she will, for I have her promise: and for this other reason, besides, that, bad life as he has led, I have led a bad life	easy for me to leave him unless he knows why; I couldn't give him a drink of laudanum before I came away." "Did he awake before you returned?" inquired the gentleman. "No; and neither he nor any of them suspect me." "Good," said the gentleman. "Now listen to me." "I am ready," replied the girl, as he paused for a moment. "This young lady," the gentleman began, "has communicated to me, and to some other friends who can be safely trusted, what you told her nearly a fortnight since. I confess to you that I had doubts, at first, whether you were to be implicitly relied upon, but now I firmly believe you are." "I am," said the girl earnestly. "I repeat that I firmly believe it. To prove to you that I am disposed to trust you, I tell you without reserve, that we propose to extort the secret, whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell me why?" "For one reason," rejoined the girl firmly, "for one reason, that the lady knows and will stand by me in, I know she will, for I have her promise: and for this other reason, besides, that, bad life as he has led, I have led a bad life too; there are many of us who have kept the same courses together, and I'll not turn upon them, who might any of them have turned upon me, but didn't, bad as they are." "Then," said the gentleman, quickly, as if this had been the point he had been aiming to attain; "put Monks into my hands, and leave him to me to deal with." "What if he turns against the others?" "I promise you that in that case, if the truth is forced from him, there the matter will rest; there must be circumstances in Oliver's little history which	ar'n't those who claim to be God's own folks as gentle and as kind to us poor wretches as you, who, having youth, and beauty, and all that they have lost, might be a little proud instead of so much humbler?" "Ah!" said the gentleman. "A Turk turns his face, after washing it well, to the East, when he says his prayers; these good people, after giving their faces such a rub against the World as to take the smiles off, turn with no less regularity, to the darkest side of Heaven. Between the Mussulman and the Pharisee, commend me to the first!" These words appeared to be addressed to the young lady, and were perhaps uttered with the view of affording Nancy time to recover herself. The gentleman, shortly afterwards, addressed himself to her. "You were not here last Sunday night," he said. "I couldn't come," replied Nancy; "I was kept by force." "By whom?" "Him that I told the young lady of before." "You were not suspected of holding any communication with anybody on the subject which has brought us here to-night, I hope?" asked the old gentleman. "No," replied the girl, shaking her head. "It's not very easy for me to leave him unless he knows why; I couldn't give him a drink of laudanum before I came away." "Did he awake before you returned?" inquired the gentleman. "No; and neither he nor any of them suspect me." "Good," said the gentleman. "Now listen to me." "I am ready," replied the girl, as he paused for a moment. "This young lady," the gentleman began, "has communicated to me, and to some other friends who can be safely trusted, what you told her nearly a fortnight since. I confess to you that I had doubts, at first, whether you were to be implicitly relied upon, but now I firmly believe you are." "I am," said the girl earnestly. "I repeat that I firmly believe it. To prove to you that I am disposed to trust you, I tell you without reserve, that we propose to extort the secret, whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell me why?" "For one reason," rejoined the girl firmly, "for one reason, that the lady knows and will stand by me in, I know she will, for I have her promise: and for this other reason, besides, that, bad life as he has led, I have led a bad life too; there are many of us who have kept the same courses together, and I'll not turn upon them, who might any of them have turned upon me, but didn't, bad as they are." "Then," said the gentleman, quickly, as if this had been the point he had been aiming to attain; "put Monks into my hands, and leave him to me to deal with." "What if he turns against the others?" "I promise you that in that case, if the truth is forced from him, there the matter will rest; there must be circumstances in Oliver's little history which it would be painful to drag before the public eye, and if the truth is once elicited, they shall go scot free." "And if it is not?" suggested the girl. "Then," pursued the gentleman, "this Fagin shall not be brought to justice without your consent. In such a case I could show you reasons, I think, which would induce you to yield it." "Have I the lady's promise for that?" asked the girl. "You have," replied Rose. "My true and faithful pledge." "Monks would never learn how you knew what you do?" said the girl, after a short pause. "Never," replied the gentleman. "The intelligence should be brought to bear upon him, that he could never even guess." "I have been a liar, and among liars from a little child," said the girl after another interval of silence, "but I will take your words." After receiving an assurance from both, that she might safely do so, she proceeded in a voice so low that it was often difficult for the listener to discover even the purport of what she said, to describe, by name and situation, the public-house whence she had been followed that night. From the manner in which	suffer the young lady to go any farther. Many people would have distrusted you too much to have come even so far, but you see I am willing to humour you." "To humour me!" cried the voice of the girl whom he had followed. "You're considerate, indeed, sir. To humour me! Well, well, it's no matter." "Why, for what," said the gentleman in a kinder tone, "for what purpose can you have brought us to this strange place? Why not have let me speak to you, above there, where it is light, and there is something stirring, instead of bringing us to this dark and dismal hole?" "I told you before," replied Nancy, "that I was afraid to speak to you there. I don't know why it is," said the girl, shuddering, "but I have such a fear and dread upon me to-night that I can hardly stand." "A fear of what?" asked the gentleman, who seemed to pity her. "I scarcely know of what," replied the girl. "I wish I did. Horrible thoughts of death, and shrouds with blood upon them, and a fear that has made me burn as if I was on fire, have been upon me all day. I was reading a book to-night, to wile the time away, and the same things came into the print." "Imagination," said the gentleman, soothing her. "No imagination," replied the girl in a hoarse voice. "I'll swear I saw coffin' written in every page of the book in large black letters, aye, and they carried one close to me, in the streets to-night." "There is nothing unusual in that," said the gentleman. "They have passed me often." "_Real ones_," rejoined the girl. "This was not." There was something so uncommon in her manner, that the flesh of the concealed listener crept as he heard the girl utter these words, and the blood chilled within him. He had never experienced a greater relief than in hearing the sweet voice of the young lady as she begged her to be calm, and not allow herself to become the prey of such fearful fancies. "Speak to her kindly," said the young lady to her companion. "Poor creature! She seems to need it." "Your haughty religious people would have held their heads up to see me as I am to-night, and preached of flames and vengeance," cried the girl. "Oh, dear lady, why ar'n't those who claim to be God's own folks as gentle and as kind to us poor wretches as you, who, having youth, and beauty, and all that they have lost, might be a little proud instead of so much humbler?" "Ah!" said the gentleman. "A Turk turns his face, after washing it well, to the East, when he says his prayers; these good people, after giving their faces such a rub against the World as to take the smiles off, turn with no less regularity, to the darkest side of Heaven. Between the Mussulman and the Pharisee, commend me to the first!" These words appeared to be addressed to the young lady, and were perhaps uttered with the view of affording Nancy time to recover herself. The gentleman, shortly afterwards, addressed himself to her. "You were not here last Sunday night," he said. "I couldn't come," replied Nancy; "I was kept by force." "By whom?" "Him that I told the young lady of before." "You were not suspected of holding any communication with anybody on the subject which has brought us here to-night, I hope?" asked the old gentleman. "No," replied the girl, shaking her head. "It's not very easy for me to leave him unless he knows why; I couldn't give him a drink of laudanum before I came away." "Did he awake before you returned?" inquired the gentleman. "No; and neither he nor any of them suspect me." "Good," said the gentleman. "Now listen to me." "I am ready," replied the girl, as he paused for a moment. "This young lady," the gentleman began, "has communicated to me, and to some other friends who can be safely trusted, what you told her nearly a fortnight since. I confess to you that I had doubts, at first, whether you were to be implicitly relied upon, but now I firmly believe you are." "I am," said the girl earnestly. "I repeat that I firmly believe it. To prove to you that I am disposed to trust you, I tell you without reserve, that we propose to extort the secret, whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell me why?" "For one reason," rejoined the girl firmly, "for one reason, that the lady knows and will stand by me in, I know she will, for I have her promise: and for this other reason, besides, that, bad life as he has led, I have led a bad life too; there are many of us who have kept the same courses together, and I'll not turn upon them, who might any of them have turned upon me, but didn't, bad as they are." "Then," said the gentleman, quickly, as if this had been the point he had been aiming to attain; "put Monks into my hands, and leave him to me to deal with." "What if he turns against the others?" "I promise you that in that case, if the truth is forced from him, there the matter will rest; there must be circumstances in Oliver's little history which it would be painful to drag before the public eye, and if the truth is once elicited, they shall go scot free." "And if it is not?" suggested the girl. "Then," pursued the gentleman, "this Fagin shall not be brought to justice without your consent. In such a case I could show you reasons, I think, which would induce you to yield it." "Have I the lady's promise for that?" asked the girl. "You have," replied Rose. "My true and faithful pledge." "Monks would never learn how you knew what you do?" said the girl, after a short pause. "Never," replied the gentleman. "The intelligence should be brought to bear upon him, that he could never even guess." "I have been a liar, and among liars from a little child," said the girl after another interval of silence, "but I will take your words." After receiving an assurance from both, that she might safely do so, she proceeded in a voice so low that it was often difficult for the listener to discover even the purport of what she said, to describe, by name and situation, the public-house whence she had been followed that night. From the manner in which she occasionally paused, it appeared as if the gentleman were making some hasty notes of the information she communicated. When she had thoroughly explained the localities of the place, the best position from which to watch it without exciting observation, and the night and hour on which Monks was most in the habit of frequenting it, she seemed to consider for a few moments, for the purpose of recalling his features and appearances more forcibly to her recollection. "He is tall," said the girl, "and a strongly made man, but not stout; he has a lurking walk; and as he walks, constantly looks over his shoulder, first on one side, and then on the other. Don't forget that, for his eyes are sunk in his head so much deeper than any other man's, that you might almost tell him by that alone. His face is dark, like his hair and eyes; and, although he can't be more than six or eight and twenty, withered and haggard. His lips are often discoloured and disfigured with the marks of teeth; for he has desperate fits, and sometimes even bites his hands and covers them with wounds why did you start?" said the girl, stopping suddenly. The gentleman replied, in a hurried manner, that he was not conscious of having done so, and begged her to proceed. "Part of this," said the girl, "I have drawn out from other people at the house I tell you of, for I have only seen him twice, and both times he was covered up in a large cloak. I think that's all I can give you to know him by. Stay though," she added. "Upon his throat: so high that you can see a part of it below his neckerchief when he turns his face: there is" "A broad red mark, like a burn or scald?" cried the gentleman. "How's this?" said the girl. "You know him!" The young lady uttered a cry of surprise, and for a few moments they were so still that the listener could distinctly hear them breathe. "I think I do," said the gentleman, breaking silence. "I should by your description. We shall see. Many people are singularly like each other. It may not be the same." As he expressed himself to this effect, with assumed carelessness, he took a step or two nearer the concealed spy, as the latter could	one close to me, in the streets to-night." "There is nothing unusual in that," said the gentleman. "They have passed me often." "_Real ones_," rejoined the girl. "This was not." There was something so uncommon in her manner, that the flesh of the concealed listener crept as he heard the girl utter these words, and the blood chilled within him. He had never experienced a greater relief than in hearing the sweet voice of the young lady as she begged her to be calm, and not allow herself to become the prey of such fearful fancies. "Speak to her kindly," said the young lady to her companion. "Poor creature! She seems to need it." "Your haughty religious people would have held their heads up to see me as I am to-night, and preached of flames and vengeance," cried the girl. "Oh, dear lady, why ar'n't those who claim to be God's own folks as gentle and as kind to us poor wretches as you, who, having youth, and beauty, and all that they have lost, might be a little proud instead of so much humbler?" "Ah!" said the gentleman. "A Turk turns his face, after washing it well, to the East, when he says his prayers; these good people, after giving their faces such a rub against the World as to take the smiles off, turn with no less regularity, to the darkest side of Heaven. Between the Mussulman and the Pharisee, commend me to the first!" These words appeared to be addressed to the young lady, and were perhaps uttered with the view of affording Nancy time to recover herself. The gentleman, shortly afterwards, addressed himself to her. "You were not here last Sunday night," he said. "I couldn't come," replied Nancy; "I was kept by force." "By whom?" "Him that I told the young lady of before." "You were not suspected of holding any communication with anybody on the subject which has brought us here to-night, I hope?" asked the old gentleman. "No," replied the girl, shaking her head. "It's not very easy for me to leave him unless he knows why; I couldn't give him a drink of laudanum before I came away." "Did he awake before you returned?" inquired the gentleman. "No; and neither he nor any of them suspect me." "Good," said the gentleman. "Now listen to me." "I am ready," replied the girl, as he paused for a moment. "This young lady," the gentleman began, "has communicated to me, and to some other friends who can be safely trusted, what you told her nearly a fortnight since. I confess to you that I had doubts, at first, whether you were to be implicitly relied upon, but now I firmly believe you are." "I am," said the girl earnestly. "I repeat that I firmly believe it. To prove to you that I am disposed to trust you, I tell you without reserve, that we propose to extort the secret, whatever it may be, from the fear of this man Monks. But if if" said the gentleman, "he cannot be secured, or, if secured, cannot be acted upon as we wish, you must deliver up the Jew." "Fagin," cried the girl, recoiling. "That man must be delivered up by you,"<\|quote\|>said the gentleman.</\|quote\|>"I will not do it! I will never do it!" replied the girl. "Devil that he is, and worse than devil as he has been to me, I will never do that." "You will not?" said the gentleman, who seemed fully prepared for this answer. "Never!" returned the girl. "Tell me why?" "For one reason," rejoined the girl firmly, "for one reason, that the lady knows and will stand by me in, I know she will, for I have her promise: and for this other reason, besides, that, bad life as he has led, I have led a bad life too; there are many of us who have kept the same courses together, and I'll not turn upon them, who might any of them have turned upon me, but didn't, bad as they are." "Then," said the gentleman, quickly, as if this had been the point he had been aiming to attain; "put Monks into my hands, and leave him to me to deal with." "What if he turns against the others?" "I promise you that in that case, if the truth is forced from him, there the matter will rest; there must be circumstances in Oliver's little history which it would be painful to drag before the public eye, and if the truth is once elicited, they shall go scot free." "And if it is not?" suggested the girl. "Then," pursued the gentleman, "this Fagin shall not be brought to justice without your consent. In such a case I could show you reasons, I think, which would induce you to yield it." "Have I the lady's promise for that?" asked the girl. "You have," replied Rose. "My true and faithful pledge." "Monks would never learn how you knew what you do?" said the girl, after a short pause. "Never," replied the gentleman. "The intelligence should be brought to bear upon him, that he could never even guess." "I have been a liar, and among liars from a little child," said the girl after another interval of silence, "but I will take your words." After receiving an assurance from both, that she might safely do so, she proceeded in a	Oliver Twist
he thought to himself.	No speaker	hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but	window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any	by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books,	soon. "It's a little Anxious," he said to himself, "to be a Very Small Animal Entirely Surrounded by Water. Christopher Robin and Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't	this time." It would have been jolly to talk like this, and really, it wasn't much good having anything exciting like floods, if you couldn't share them with somebody. For it was rather exciting. The little dry ditches in which Piglet had nosed about so often had become streams, the little streams across which he had splashed were rivers, and the river, between whose steep banks they had played so happily, had sprawled out of its own bed and was taking up so much room everywhere, that Piglet was beginning to wonder whether it would be coming into _his_ bed soon. "It's a little Anxious," he said to himself, "to be a Very Small Animal Entirely Surrounded by Water. Christopher Robin and Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't mind about this. But I wonder what Christopher Robin would do?" Then suddenly he remembered a story which Christopher Robin had told him about a man on a desert island who had written something in a bottle and thrown it in the sea; and Piglet thought that if he wrote something in a bottle and threw it in the water, perhaps somebody would come and rescue _him_! He left the window and began to search his house, all of it that wasn't under water, and at last he found a pencil and a small piece of dry paper, and a	Then they all went home again. And I think, but I am not quite sure, that Roo had a hot bath and went straight to bed. But Pooh went back to his own house, and feeling very proud of what he had done, had a little something to revive himself. CHAPTER IX IN WHICH PIGLET IS ENTIRELY SURROUNDED BY WATER It rained and it rained and it rained. Piglet told himself that never in all his life, and _he_ was goodness knows _how_ old--three, was it, or four?--never had he seen so much rain. Days and days and days. "If only," he thought, as he looked out of the window, "I had been in Pooh's house, or Christopher Robin's house, or Rabbit's house when it began to rain, then I should have had Company all this time, instead of being here all alone, with nothing to do except wonder when it will stop." And he imagined himself with Pooh, saying, "Did you ever see such rain, Pooh?" and Pooh saying, "Isn't it _awful_, Piglet?" and Piglet saying, "I wonder how it is over Christopher Robin's way" and Pooh saying, "I should think poor old Rabbit is about flooded out by this time." It would have been jolly to talk like this, and really, it wasn't much good having anything exciting like floods, if you couldn't share them with somebody. For it was rather exciting. The little dry ditches in which Piglet had nosed about so often had become streams, the little streams across which he had splashed were rivers, and the river, between whose steep banks they had played so happily, had sprawled out of its own bed and was taking up so much room everywhere, that Piglet was beginning to wonder whether it would be coming into _his_ bed soon. "It's a little Anxious," he said to himself, "to be a Very Small Animal Entirely Surrounded by Water. Christopher Robin and Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't mind about this. But I wonder what Christopher Robin would do?" Then suddenly he remembered a story which Christopher Robin had told him about a man on a desert island who had written something in a bottle and thrown it in the sea; and Piglet thought that if he wrote something in a bottle and threw it in the water, perhaps somebody would come and rescue _him_! He left the window and began to search his house, all of it that wasn't under water, and at last he found a pencil and a small piece of dry paper, and a bottle with a cork to it. And he wrote on one side of the paper: HELP! PIGLET (ME) and on the other side: IT'S ME PIGLET, HELP HELP. Then he put the paper in the bottle, and he corked the bottle up as tightly as he could, and he leant out of his window as far as he could lean without falling in, and he threw the bottle as far as he could throw--_splash!_--and in a little while it bobbed up again on the water; and he watched it floating slowly away in the distance, until his eyes ached with looking, and sometimes he thought it was the bottle, and sometimes he thought it was just a ripple on the water which he was following, and then suddenly he knew that he would never see it again and that he had done all that he could do to save himself. "So now," he thought, "somebody else will have to do something, and I hope they will do it soon, because if they don't I shall have to swim, which I can't, so I hope they do it soon." And then he gave a very long sigh and said, "I wish	just picked it up." "Pooh," said Christopher Robin solemnly, "the Expedition is over. You have found the North Pole!" "Oh!" said Pooh. Eeyore was sitting with his tail in the water when they all got back to him. "Tell Roo to be quick, somebody," he said. "My tail's getting cold. I don't want to mention it, but I just mention it. I don't want to complain but there it is. My tail's cold." "Here I am!" squeaked Roo. "Oh, there you are." "Did you see me swimming?" Eeyore took his tail out of the water, and swished it from side to side. "As I expected," he said. "Lost all feeling. Numbed it. That's what it's done. Numbed it. Well, as long as nobody minds, I suppose it's all right." "Poor old Eeyore. I'll dry it for you," said Christopher Robin, and he took out his handkerchief and rubbed it up. "Thank you, Christopher Robin. You're the only one who seems to understand about tails. They don't think--that's what the matter with some of these others. They've no imagination. A tail isn't a tail to _them_, it's just a Little Bit Extra at the back." "Never mind, Eeyore," said Christopher Robin, rubbing his hardest. "Is _that_ better?" "It's feeling more like a tail perhaps. It Belongs again, if you know what I mean." "Hullo, Eeyore," said Pooh, coming up to them with his pole. "Hullo, Pooh. Thank you for asking, but I shall be able to use it again in a day or two." "Use what?" said Pooh. "What we are talking about." "I wasn't talking about anything," said Pooh, looking puzzled. "My mistake again. I thought you were saying how sorry you were about my tail, being all numb, and could you do anything to help?" "No," said Pooh. "That wasn't me," he said. He thought for a little and then suggested helpfully, "Perhaps it was somebody else." "Well, thank him for me when you see him." Pooh looked anxiously at Christopher Robin. "Pooh's found the North Pole," said Christopher Robin. "Isn't that lovely?" Pooh looked modestly down. "Is that it?" said Eeyore. "Yes," said Christopher Robin. "Is that what we were looking for?" "Yes," said Pooh. "Oh!" said Eeyore. "Well, anyhow--it didn't rain," he said. They stuck the pole in the ground, and Christopher Robin tied a message on to it. NORTH POLE DISCOVERED BY POOH POOH FOUND IT. Then they all went home again. And I think, but I am not quite sure, that Roo had a hot bath and went straight to bed. But Pooh went back to his own house, and feeling very proud of what he had done, had a little something to revive himself. CHAPTER IX IN WHICH PIGLET IS ENTIRELY SURROUNDED BY WATER It rained and it rained and it rained. Piglet told himself that never in all his life, and _he_ was goodness knows _how_ old--three, was it, or four?--never had he seen so much rain. Days and days and days. "If only," he thought, as he looked out of the window, "I had been in Pooh's house, or Christopher Robin's house, or Rabbit's house when it began to rain, then I should have had Company all this time, instead of being here all alone, with nothing to do except wonder when it will stop." And he imagined himself with Pooh, saying, "Did you ever see such rain, Pooh?" and Pooh saying, "Isn't it _awful_, Piglet?" and Piglet saying, "I wonder how it is over Christopher Robin's way" and Pooh saying, "I should think poor old Rabbit is about flooded out by this time." It would have been jolly to talk like this, and really, it wasn't much good having anything exciting like floods, if you couldn't share them with somebody. For it was rather exciting. The little dry ditches in which Piglet had nosed about so often had become streams, the little streams across which he had splashed were rivers, and the river, between whose steep banks they had played so happily, had sprawled out of its own bed and was taking up so much room everywhere, that Piglet was beginning to wonder whether it would be coming into _his_ bed soon. "It's a little Anxious," he said to himself, "to be a Very Small Animal Entirely Surrounded by Water. Christopher Robin and Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't mind about this. But I wonder what Christopher Robin would do?" Then suddenly he remembered a story which Christopher Robin had told him about a man on a desert island who had written something in a bottle and thrown it in the sea; and Piglet thought that if he wrote something in a bottle and threw it in the water, perhaps somebody would come and rescue _him_! He left the window and began to search his house, all of it that wasn't under water, and at last he found a pencil and a small piece of dry paper, and a bottle with a cork to it. And he wrote on one side of the paper: HELP! PIGLET (ME) and on the other side: IT'S ME PIGLET, HELP HELP. Then he put the paper in the bottle, and he corked the bottle up as tightly as he could, and he leant out of his window as far as he could lean without falling in, and he threw the bottle as far as he could throw--_splash!_--and in a little while it bobbed up again on the water; and he watched it floating slowly away in the distance, until his eyes ached with looking, and sometimes he thought it was the bottle, and sometimes he thought it was just a ripple on the water which he was following, and then suddenly he knew that he would never see it again and that he had done all that he could do to save himself. "So now," he thought, "somebody else will have to do something, and I hope they will do it soon, because if they don't I shall have to swim, which I can't, so I hope they do it soon." And then he gave a very long sigh and said, "I wish Pooh were here. It's so much more friendly with two." * * * * * When the rain began Pooh was asleep. It rained, and it rained, and it rained, and he slept and he slept and he slept. He had had a tiring day. You remember how he discovered the North Pole; well, he was so proud of this that he asked Christopher Robin if there were any other Poles such as a Bear of Little Brain might discover. "There's a South Pole," said Christopher Robin, "and I expect there's an East Pole and a West Pole, though people don't like talking about them." Pooh was very excited when he heard this, and suggested that they should have an Expotition to discover the East Pole, but Christopher Robin had thought of something else to do with Kanga; so Pooh went out to discover the East Pole by himself. Whether he discovered it or not, I forget; but he was so tired when he got home that, in the very middle of his supper, after he had been eating for little more than half-an-hour, he fell fast asleep in his chair, and slept and slept and slept. Then suddenly he was dreaming. He was at the East Pole, and it was a very cold pole with the coldest sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious," said Pooh. "I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and	"Isn't it _awful_, Piglet?" and Piglet saying, "I wonder how it is over Christopher Robin's way" and Pooh saying, "I should think poor old Rabbit is about flooded out by this time." It would have been jolly to talk like this, and really, it wasn't much good having anything exciting like floods, if you couldn't share them with somebody. For it was rather exciting. The little dry ditches in which Piglet had nosed about so often had become streams, the little streams across which he had splashed were rivers, and the river, between whose steep banks they had played so happily, had sprawled out of its own bed and was taking up so much room everywhere, that Piglet was beginning to wonder whether it would be coming into _his_ bed soon. "It's a little Anxious," he said to himself, "to be a Very Small Animal Entirely Surrounded by Water. Christopher Robin and Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh,"<\|quote\|>he thought to himself.</\|quote\|>"Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't mind about this. But I wonder what Christopher Robin would do?" Then suddenly he remembered a story which Christopher Robin had told him about a man on a desert island who had written something in a bottle and thrown it in the sea; and Piglet thought that if he wrote something in a bottle and threw it in the water, perhaps somebody would come and rescue _him_! He left the window and began to search his house, all of it that wasn't under water, and at last he found a pencil and a small piece of dry paper, and a bottle with a cork to it. And he wrote on one side of the paper: HELP! PIGLET (ME) and on the other side: IT'S ME PIGLET, HELP HELP. Then he put the paper in the bottle, and he corked the bottle up as tightly as he could, and he leant out of his window as far as he could lean without falling in, and he threw the bottle as far as he could throw--_splash!_--and in a little while it bobbed up again on the water; and he watched it floating slowly away in the distance, until his eyes ached with looking, and sometimes he thought it was the bottle, and sometimes he thought it was just a ripple on the water which he was following, and then suddenly he knew that he would never see it again and that he had done all that he could do to save himself. "So now," he thought, "somebody else will have to do something, and I hope they will do it soon, because if they don't I shall have to swim, which I can't, so I hope they do it soon." And then he gave a very long sigh and said, "I wish Pooh were here. It's so much more friendly with two." * * * * * When the rain began Pooh was asleep. It rained, and it rained, and it rained, and he slept and he slept and he slept. He had had a tiring day. You	Winnie The Pooh
She indicated her little finger.	No speaker	you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she	a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle.	this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her	my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she	of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother	in the middle of a word, and, with jaw dropping, stared hard at the old lady his eyes almost starting out of his head, and his expression as spellbound as though he had just seen a basilisk. In return, the Grandmother stared at him silently and without moving though with a look of mingled challenge, triumph, and ridicule in her eyes. For ten seconds did the pair remain thus eyeing one another, amid the profound silence of the company; and even De Griers sat petrified an extraordinary look of uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your	its keen, rugged features, remained always erect as she glanced about her in an imperious, challenging sort of way, with looks and gestures that clearly were unstudied. Though she had reached her seventy-sixth year, her face was still fresh, and her teeth had not decayed. Lastly, she was dressed in a black silk gown and white mobcap. "She interests me tremendously," whispered Mr. Astley as, still smoking, he walked by my side. Meanwhile I was reflecting that probably the old lady knew all about the telegrams, and even about De Griers, though little or nothing about Mlle. Blanche. I said as much to Mr. Astley. But what a frail creature is man! No sooner was my first surprise abated than I found myself rejoicing in the shock which we were about to administer to the General. So much did the thought inspire me that I marched ahead in the gayest of fashions. Our party was lodging on the third floor. Without knocking at the door, or in any way announcing our presence, I threw open the portals, and the Grandmother was borne through them in triumph. As though of set purpose, the whole party chanced at that moment to be assembled in the General s study. The time was eleven o clock, and it seemed that an outing of some sort (at which a portion of the party were to drive in carriages, and others to ride on horseback, accompanied by one or two extraneous acquaintances) was being planned. The General was present, and also Polina, the children, the latter s nurses, De Griers, Mlle. Blanche (attired in a riding-habit), her mother, the young Prince, and a learned German whom I beheld for the first time. Into the midst of this assembly the lacqueys conveyed Madame in her chair, and set her down within three paces of the General! Good heavens! Never shall I forget the spectacle which ensued! Just before our entry, the General had been holding forth to the company, with De Griers in support of him. I may also mention that, for the last two or three days, Mlle. Blanche and De Griers had been making a great deal of the young Prince, under the very nose of the poor General. In short, the company, though decorous and conventional, was in a gay, familiar mood. But no sooner did the Grandmother appear than the General stopped dead in the middle of a word, and, with jaw dropping, stared hard at the old lady his eyes almost starting out of his head, and his expression as spellbound as though he had just seen a basilisk. In return, the Grandmother stared at him silently and without moving though with a look of mingled challenge, triumph, and ridicule in her eyes. For ten seconds did the pair remain thus eyeing one another, amid the profound silence of the company; and even De Griers sat petrified an extraordinary look of uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother, believe me when I say that I am sincerely delighted," returned the General, who had now, to a certain extent, recovered his senses; and inasmuch as, when occasion arose, he could speak with fluency, gravity, and a certain effect, he set himself to be expansive in his remarks, and went on: "We have been so dismayed and upset by the news of your indisposition! We had received such hopeless telegrams about you! Then suddenly" "Fibs, fibs!" interrupted the Grandmother. "How on earth, too, did you come to decide upon the journey?" continued the General, with raised voice as he hurried to overlook the old lady s last remark. "Surely, at your age, and in your present state of health, the thing is so unexpected that our surprise is at least intelligible. However, I am glad to see you (as indeed, are we all" he said this with a dignified, yet conciliatory, smile), "and will use my best endeavours to render your stay here as pleasant as possible." "Enough! All this is empty chatter. You are talking the usual nonsense. I shall know quite well how to spend my time. How did I come to undertake the journey, you ask? Well, is there anything so very surprising about it? It was done quite simply. What is every one going into ecstasies about? How do you do, Prascovia? What are _you_ doing here?" "And how are _you_, Grandmother?" replied Polina, as she approached the old lady. "Were you long on the journey?" "The most sensible question that I have yet been asked! Well, you shall hear for yourself how it all happened. I lay and lay, and was doctored and doctored, until at last I drove the physicians from me, and called in an apothecary from Nicolai who had cured an old woman of a malady similar to my own cured her merely with a little hayseed. Well, he did me a great deal of good, for on the third day I broke into a sweat, and was able to leave my bed. Then my German doctors held another consultation, put on their spectacles, and told me that if I would go abroad, and take a course of the waters, the indisposition would finally pass away. Why should it not? I thought to myself. So I had got things ready, and on the following day, a Friday, set out for here. I occupied a special compartment in the train, and where ever I had to change I found at the station bearers who were ready to carry me for a few coppers. You have nice quarters here," she went on as she glanced around the room. "But where on earth did you get the money for them, my good sir? I thought that everything of yours had been mortgaged? This Frenchman alone must be your creditor for a good deal. Oh, I know all about it, all about it." "I-I am surprised at you, my dearest mother," said the General in some confusion. "I-I am greatly surprised. But I do not need any extraneous control of my finances. Moreover, my expenses do not exceed my income, and we" "They do not exceed it? Fie! Why, you are robbing your children of their last kopeck you, their guardian!" "After this," said the General, completely taken aback, "after what you have just said, I do	a great deal of the young Prince, under the very nose of the poor General. In short, the company, though decorous and conventional, was in a gay, familiar mood. But no sooner did the Grandmother appear than the General stopped dead in the middle of a word, and, with jaw dropping, stared hard at the old lady his eyes almost starting out of his head, and his expression as spellbound as though he had just seen a basilisk. In return, the Grandmother stared at him silently and without moving though with a look of mingled challenge, triumph, and ridicule in her eyes. For ten seconds did the pair remain thus eyeing one another, amid the profound silence of the company; and even De Griers sat petrified an extraordinary look of uneasiness dawning on his face. As for Mlle. Blanche, she too stared wildly at the Grandmother, with eyebrows raised and her lips parted while the Prince and the German savant contemplated the tableau in profound amazement. Only Polina looked anything but perplexed or surprised. Presently, however, she too turned as white as a sheet, and then reddened to her temples. Truly the Grandmother s arrival seemed to be a catastrophe for everybody! For my own part, I stood looking from the Grandmother to the company, and back again, while Mr. Astley, as usual, remained in the background, and gazed calmly and decorously at the scene. "Well, here I am and instead of a telegram, too!" the Grandmother at last ejaculated, to dissipate the silence. "What? You were not expecting me?" "Antonida Vassilievna! O my dearest mother! But how on earth did you, did you ?" The mutterings of the unhappy General died away. I verily believe that if the Grandmother had held her tongue a few seconds longer she would have had a stroke. "How on earth did I _what?_" she exclaimed. "Why, I just got into the train and came here. What else is the railway meant for? But you thought that I had turned up my toes and left my property to the lot of you. Oh, I know _all_ about the telegrams which you have been dispatching. They must have cost you a pretty sum, I should think, for telegrams are not sent from abroad for nothing. Well, I picked up my heels, and came here. Who is this Frenchman? Monsieur de Griers, I suppose?" "Oui, madame," assented De Griers. "Et, croyez, je suis si enchant ! Votre sant c est un miracle vous voir ici. Une surprise charmante!" "Just so. Charmante! I happen to know you as a mountebank, and therefore trust you no more than _this_."<\|quote\|>She indicated her little finger.</\|quote\|>"And who is _that?_" she went on, turning towards Mlle. Blanche. Evidently the Frenchwoman looked so becoming in her riding-habit, with her whip in her hand, that she had made an impression upon the old lady. "Who is that woman there?" "Mlle. de Cominges," I said. "And this is her mother, Madame de Cominges. They also are staying in the hotel." "Is the daughter married?" asked the old lady, without the least semblance of ceremony. "No," I replied as respectfully as possible, but under my breath. "Is she good company?" I failed to understand the question. "I mean, is she or is she not a bore? Can she speak Russian? When this De Griers was in Moscow he soon learnt to make himself understood." I explained to the old lady that Mlle. Blanche had never visited Russia. "Bonjour, then," said Madame, with sudden brusquerie. "Bonjour, madame," replied Mlle. Blanche with an elegant, ceremonious bow as, under cover of an unwonted modesty, she endeavoured to express, both in face and figure, her extreme surprise at such strange behaviour on the part of the Grandmother. "How the woman sticks out her eyes at me! How she mows and minces!" was the Grandmother s comment. Then she turned suddenly to the General, and continued: "I have taken up my abode here, so am going to be your next-door neighbour. Are you glad to hear that, or are you not?" "My dear mother,	The Gambler
"Am I to understand that you will continue to see Bauerstein against my express wishes?"	John Cavendish	died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy	did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny	It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said	Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary"	with a start. At once I realized that I was in a very awkward predicament. For, about twelve feet away from me, John and Mary Cavendish were standing facing each other, and they were evidently quarrelling. And, quite as evidently, they were unaware of my vicinity, for before I could move or speak John repeated the words which had aroused me from my dream. "I tell you, Mary, I won't have it." Mary's voice came, cool and liquid: "Have _you_ any right to criticize my actions?" "It will be the talk of the village! My mother was only buried on Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly	"I wondered. That is all. Will you come in?" We had reached the cottage. "No. I think I'll be getting back. I shall go round the long way through the woods." The woods round Styles were very beautiful. After the walk across the open park, it was pleasant to saunter lazily through the cool glades. There was hardly a breath of wind, the very chirp of the birds was faint and subdued. I strolled on a little way, and finally flung myself down at the foot of a grand old beech-tree. My thoughts of mankind were kindly and charitable. I even forgave Poirot for his absurd secrecy. In fact, I was at peace with the world. Then I yawned. I thought about the crime, and it struck me as being very unreal and far off. I yawned again. Probably, I thought, it really never happened. Of course, it was all a bad dream. The truth of the matter was that it was Lawrence who had murdered Alfred Inglethorp with a croquet mallet. But it was absurd of John to make such a fuss about it, and to go shouting out: "I tell you I won't have it!" I woke up with a start. At once I realized that I was in a very awkward predicament. For, about twelve feet away from me, John and Mary Cavendish were standing facing each other, and they were evidently quarrelling. And, quite as evidently, they were unaware of my vicinity, for before I could move or speak John repeated the words which had aroused me from my dream. "I tell you, Mary, I won't have it." Mary's voice came, cool and liquid: "Have _you_ any right to criticize my actions?" "It will be the talk of the village! My mother was only buried on Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It	it was." "But you did not see it?" "No. I never looked." "But _I_ did," interrupted Lawrence suddenly. "I happened to notice that it _was_ bolted." "Ah, that settles it." And Poirot looked crestfallen. I could not help rejoicing that, for once, one of his "little ideas" had come to naught. After lunch Poirot begged me to accompany him home. I consented rather stiffly. "You are annoyed, is it not so?" he asked anxiously, as we walked through the park. "Not at all," I said coldly. "That is well. That lifts a great load from my mind." This was not quite what I had intended. I had hoped that he would have observed the stiffness of my manner. Still, the fervour of his words went towards the appeasing of my just displeasure. I thawed. "I gave Lawrence your message," I said. "And what did he say? He was entirely puzzled?" "Yes. I am quite sure he had no idea of what you meant." I had expected Poirot to be disappointed; but, to my surprise, he replied that that was as he had thought, and that he was very glad. My pride forbade me to ask any questions. Poirot switched off on another tack. "Mademoiselle Cynthia was not at lunch to-day? How was that?" "She is at the hospital again. She resumed work to-day." "Ah, she is an industrious little demoiselle. And pretty too. She is like pictures I have seen in Italy. I would rather like to see that dispensary of hers. Do you think she would show it to me?" "I am sure she would be delighted. It's an interesting little place." "Does she go there every day?" "She has all Wednesdays off, and comes back to lunch on Saturdays. Those are her only times off." "I will remember. Women are doing great work nowadays, and Mademoiselle Cynthia is clever oh, yes, she has brains, that little one." "Yes. I believe she has passed quite a stiff exam." "Without doubt. After all, it is very responsible work. I suppose they have very strong poisons there?" "Yes, she showed them to us. They are kept locked up in a little cupboard. I believe they have to be very careful. They always take out the key before leaving the room." "Indeed. It is near the window, this cupboard?" "No, right the other side of the room. Why?" Poirot shrugged his shoulders. "I wondered. That is all. Will you come in?" We had reached the cottage. "No. I think I'll be getting back. I shall go round the long way through the woods." The woods round Styles were very beautiful. After the walk across the open park, it was pleasant to saunter lazily through the cool glades. There was hardly a breath of wind, the very chirp of the birds was faint and subdued. I strolled on a little way, and finally flung myself down at the foot of a grand old beech-tree. My thoughts of mankind were kindly and charitable. I even forgave Poirot for his absurd secrecy. In fact, I was at peace with the world. Then I yawned. I thought about the crime, and it struck me as being very unreal and far off. I yawned again. Probably, I thought, it really never happened. Of course, it was all a bad dream. The truth of the matter was that it was Lawrence who had murdered Alfred Inglethorp with a croquet mallet. But it was absurd of John to make such a fuss about it, and to go shouting out: "I tell you I won't have it!" I woke up with a start. At once I realized that I was in a very awkward predicament. For, about twelve feet away from me, John and Mary Cavendish were standing facing each other, and they were evidently quarrelling. And, quite as evidently, they were unaware of my vicinity, for before I could move or speak John repeated the words which had aroused me from my dream. "I tell you, Mary, I won't have it." Mary's voice came, cool and liquid: "Have _you_ any right to criticize my actions?" "It will be the talk of the village! My mother was only buried on Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:" That alters everything.' "And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point.	far off. I yawned again. Probably, I thought, it really never happened. Of course, it was all a bad dream. The truth of the matter was that it was Lawrence who had murdered Alfred Inglethorp with a croquet mallet. But it was absurd of John to make such a fuss about it, and to go shouting out: "I tell you I won't have it!" I woke up with a start. At once I realized that I was in a very awkward predicament. For, about twelve feet away from me, John and Mary Cavendish were standing facing each other, and they were evidently quarrelling. And, quite as evidently, they were unaware of my vicinity, for before I could move or speak John repeated the words which had aroused me from my dream. "I tell you, Mary, I won't have it." Mary's voice came, cool and liquid: "Have _you_ any right to criticize my actions?" "It will be the talk of the village! My mother was only buried on Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice.<\|quote\|>"Am I to understand that you will continue to see Bauerstein against my express wishes?"</\|quote\|>"If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be	The Mysterious Affair At Styles
"She told you that I had asked her to marry me, I suppose?"	Ralph Denham	but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise.	were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was	he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to	She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think	with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have	he asked. "There s something I want to say to you." "Very well," she replied, guessing that his request had something to do with Mary Datchet. "It s quieter by the river," he said, and instantly he crossed over. "I want to ask you merely this," he began. But he paused so long that she could see his head against the sky; the slope of his thin cheek and his large, strong nose were clearly marked against it. While he paused, words that were quite different from those he intended to use presented themselves. "I ve made you my standard ever since I saw you. I ve dreamt about you; I ve thought of nothing but you; you represent to me the only reality in the world." His words, and the queer strained voice in which he spoke them, made it appear as if he addressed some person who was not the woman beside him, but some one far away. "And now things have come to such a pass that, unless I can speak to you openly, I believe I shall go mad. I think of you as the most beautiful, the truest thing in the world," he continued, filled with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you.	him. Aware of her preoccupation, or absorbed in his own thoughts, Ralph said nothing further; and in silence they walked some distance along the Strand. Ralph was doing his best to put his thoughts into such order that one came before the rest, and the determination that when he spoke he should speak worthily, made him put off the moment of speaking till he had found the exact words and even the place that best suited him. The Strand was too busy. There was too much risk, also, of finding an empty cab. Without a word of explanation he turned to the left, down one of the side streets leading to the river. On no account must they part until something of the very greatest importance had happened. He knew perfectly well what he wished to say, and had arranged not only the substance, but the order in which he was to say it. Now, however, that he was alone with her, not only did he find the difficulty of speaking almost insurmountable, but he was aware that he was angry with her for thus disturbing him, and casting, as it was so easy for a person of her advantages to do, these phantoms and pitfalls across his path. He was determined that he would question her as severely as he would question himself; and make them both, once and for all, either justify her dominance or renounce it. But the longer they walked thus alone, the more he was disturbed by the sense of her actual presence. Her skirt blew; the feathers in her hat waved; sometimes he saw her a step or two ahead of him, or had to wait for her to catch him up. The silence was prolonged, and at length drew her attention to him. First she was annoyed that there was no cab to free her from his company; then she recalled vaguely something that Mary had said to make her think ill of him; she could not remember what, but the recollection, combined with his masterful ways why did he walk so fast down this side street? made her more and more conscious of a person of marked, though disagreeable, force by her side. She stopped and, looking round her for a cab, sighted one in the distance. He was thus precipitated into speech. "Should you mind if we walked a little farther?" he asked. "There s something I want to say to you." "Very well," she replied, guessing that his request had something to do with Mary Datchet. "It s quieter by the river," he said, and instantly he crossed over. "I want to ask you merely this," he began. But he paused so long that she could see his head against the sky; the slope of his thin cheek and his large, strong nose were clearly marked against it. While he paused, words that were quite different from those he intended to use presented themselves. "I ve made you my standard ever since I saw you. I ve dreamt about you; I ve thought of nothing but you; you represent to me the only reality in the world." His words, and the queer strained voice in which he spoke them, made it appear as if he addressed some person who was not the woman beside him, but some one far away. "And now things have come to such a pass that, unless I can speak to you openly, I believe I shall go mad. I think of you as the most beautiful, the truest thing in the world," he continued, filled with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should cease to feel this if I knew you," he went on. "I should feel it more reasonably that s all. I shouldn t talk the kind of nonsense I ve talked to-night.... But it wasn t nonsense. It was the truth," he said doggedly. "It s the important thing. You can force me to talk as if this feeling for you were an hallucination, but all our feelings are that. The best of them are half illusions. Still," he added, as if arguing to himself, "if it weren t as real a feeling as I m capable of, I shouldn t be changing my life on your account." "What do you mean?" she inquired. "I told you. I m taking a cottage. I m giving up my profession." "On my account?" she asked, in amazement. "Yes, on your account," he replied. He explained his meaning no further. "But I don t know you or your circumstances," she said at last, as he remained silent. "You have no opinion about me one way or the other?" "Yes, I suppose I have an opinion" she hesitated. He controlled his wish to ask her to explain herself, and much to his pleasure she went on, appearing to search her mind. "I thought that you criticized me perhaps disliked me. I thought of you as a person who judges" "No; I m a person who feels," he said, in a low voice. "Tell me, then, what has made you do this?" she asked, after a break. He told her in an orderly way, betokening careful preparation, all that he had meant to say at first; how he stood with regard to his brothers and sisters; what his mother had said, and his sister Joan had refrained from	recalled vaguely something that Mary had said to make her think ill of him; she could not remember what, but the recollection, combined with his masterful ways why did he walk so fast down this side street? made her more and more conscious of a person of marked, though disagreeable, force by her side. She stopped and, looking round her for a cab, sighted one in the distance. He was thus precipitated into speech. "Should you mind if we walked a little farther?" he asked. "There s something I want to say to you." "Very well," she replied, guessing that his request had something to do with Mary Datchet. "It s quieter by the river," he said, and instantly he crossed over. "I want to ask you merely this," he began. But he paused so long that she could see his head against the sky; the slope of his thin cheek and his large, strong nose were clearly marked against it. While he paused, words that were quite different from those he intended to use presented themselves. "I ve made you my standard ever since I saw you. I ve dreamt about you; I ve thought of nothing but you; you represent to me the only reality in the world." His words, and the queer strained voice in which he spoke them, made it appear as if he addressed some person who was not the woman beside him, but some one far away. "And now things have come to such a pass that, unless I can speak to you openly, I believe I shall go mad. I think of you as the most beautiful, the truest thing in the world," he continued, filled with a sense of exaltation, and feeling that he had no need now to choose his words with pedantic accuracy, for what he wanted to say was suddenly become plain to him. "I see you everywhere, in the stars, in the river; to me you re everything that exists; the reality of everything. Life, I tell you, would be impossible without you. And now I want" She had heard him so far with a feeling that she had dropped some material word which made sense of the rest. She could hear no more of this unintelligible rambling without checking him. She felt that she was overhearing what was meant for another. "I don t understand," she said. "You re saying things that you don t mean." "I mean every word I say," he replied, emphatically. He turned his head towards her. She recovered the words she was searching for while he spoke. "Ralph Denham is in love with you." They came back to her in Mary Datchet s voice. Her anger blazed up in her. "I saw Mary Datchet this afternoon," she exclaimed. He made a movement as if he were surprised or taken aback, but answered in a moment:<\|quote\|>"She told you that I had asked her to marry me, I suppose?"</\|quote\|>"No!" Katharine exclaimed, in surprise. "I did though. It was the day I saw you at Lincoln," he continued. "I had meant to ask her to marry me, and then I looked out of the window and saw you. After that I didn t want to ask any one to marry me. But I did it; and she knew I was lying, and refused me. I thought then, and still think, that she cares for me. I behaved very badly. I don t defend myself." "No," said Katharine, "I should hope not. There s no defence that I can think of. If any conduct is wrong, that is." She spoke with an energy that was directed even more against herself than against him. "It seems to me," she continued, with the same energy, "that people are bound to be honest. There s no excuse for such behavior." She could now see plainly before her eyes the expression on Mary Datchet s face. After a short pause, he said: "I am not telling you that I am in love with you. I am not in love with you." "I didn t think that," she replied, conscious of some bewilderment. "I have not spoken a word to you that I do not mean," he added. "Tell me then what it is that you mean," she said at length. As if obeying a common instinct, they both stopped and, bending slightly over the balustrade of the river, looked into the flowing water. "You say that we ve got to be honest," Ralph began. "Very well. I will try to tell you the facts; but I warn you, you ll think me mad. It s a fact, though, that since I first saw you four or five months ago I have made you, in an utterly absurd way, I expect, my ideal. I m almost ashamed to tell you what lengths I ve gone to. It s become the thing that matters most in my life." He checked himself. "Without knowing you, except that you re beautiful, and all that, I ve come to believe that we re in some sort of agreement; that we re after something together; that we see something.... I ve got into the habit of imagining you; I m always thinking what you d say or do; I walk along the street talking to you; I dream of you. It s merely a bad habit, a schoolboy habit, day-dreaming; it s a common experience; half one s friends do the same; well, those are the facts." Simultaneously, they both walked on very slowly. "If you were to know me you would feel none of this," she said. "We don t know each other we ve always been interrupted.... Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene. He bowed his head. "The day you told me of your engagement," he said. She thought, with a start, that she was no longer engaged. "I deny that I should	Night And Day
I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.	No speaker	see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we	haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a	I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she said. "You don't have to." "How do you know?" "Don't," she said. "You'll be all right." "I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. "So I did. Let's have another bottle of _rioja alta_." "It's very good." "You haven't drunk much of it," I said. "I have. You haven't seen." "Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she said. "You don't have to." "How do you know?" "Don't," she said. "You'll be all right." "I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	just talk around it. You know I feel rather damned good, Jake." "You should." "You know it makes one feel rather good deciding not to be a bitch." "Yes." "It's sort of what we have instead of God." "Some people have God," I said. "Quite a lot." "He never worked very well with me." "Should we have another Martini?" The barman shook up two more Martinis and poured them out into fresh glasses. "Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window. "Here?" asked Brett. "It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman. "Yes, sir. Would you like to have me write out the address?" "Thank you." We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a very big meal and drank three bottles of _rioja alta_. "How do you feel, Jake?" Brett asked. "My God! what a meal you've eaten." "I feel fine. Do you want a dessert?" "Lord, no." Brett was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. "So I did. Let's have another bottle of _rioja alta_." "It's very good." "You haven't drunk much of it," I said. "I have. You haven't seen." "Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she said. "You don't have to." "How do you know?" "Don't," she said. "You'll be all right." "I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to the barman. "Right you are, sir. There you are." "Thanks." "I should have asked, you know." The barman went far enough up the bar so that he would not hear our conversation. Brett had sipped from the Martini as it stood, on the wood. Then she picked it up. Her hand was steady enough to lift it after that first sip. "It's good. Isn't it a nice bar?" "They're all nice bars." "You know I didn't believe it at first. He was born in 1905. I was in school in Paris, then. Think of that." "Anything you want me to think about it?" "Don't be an ass. _Would_ you buy a lady a drink?" "We'll have two more Martinis." "As they were before, sir?" "They were very good." Brett smiled at him. "Thank you, ma'am." "Well, bung-o," Brett said. "Bung-o!" "You know," Brett said, "he'd only been with two women before. He never cared about anything but bull-fighting." "He's got plenty of time." "I don't know. He thinks it was me. Not the show in general." "Well, it was you." "Yes. It was me." "I thought you weren't going to ever talk about it." "How can I help it?" "You'll lose it if you talk about it." "I just talk around it. You know I feel rather damned good, Jake." "You should." "You know it makes one feel rather good deciding not to be a bitch." "Yes." "It's sort of what we have instead of God." "Some people have God," I said. "Quite a lot." "He never worked very well with me." "Should we have another Martini?" The barman shook up two more Martinis and poured them out into fresh glasses. "Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window. "Here?" asked Brett. "It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman. "Yes, sir. Would you like to have me write out the address?" "Thank you." We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a very big meal and drank three bottles of _rioja alta_. "How do you feel, Jake?" Brett asked. "My God! what a meal you've eaten." "I feel fine. Do you want a dessert?" "Lord, no." Brett was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. "So I did. Let's have another bottle of _rioja alta_." "It's very good." "You haven't drunk much of it," I said. "I have. You haven't seen." "Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she said. "You don't have to." "How do you know?" "Don't," she said. "You'll be all right." "I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	we have another Martini?" The barman shook up two more Martinis and poured them out into fresh glasses. "Where will we have lunch?" I asked Brett. The bar was cool. You could feel the heat outside through the window. "Here?" asked Brett. "It's rotten here in the hotel. Do you know a place called Botin's?" I asked the barman. "Yes, sir. Would you like to have me write out the address?" "Thank you." We lunched up-stairs at Botin's. It is one of the best restaurants in the world. We had roast young suckling pig and drank _rioja alta_. Brett did not eat much. She never ate much. I ate a very big meal and drank three bottles of _rioja alta_. "How do you feel, Jake?" Brett asked. "My God! what a meal you've eaten." "I feel fine. Do you want a dessert?" "Lord, no." Brett was smoking. "You like to eat, don't you?" she said. "Yes." I said. "I like to do a lot of things." "What do you like to do?" "Oh," I said, "I like to do a lot of things. Don't you want a dessert?" "You asked me that once," Brett said. "Yes," I said. "So I did. Let's have another bottle of _rioja alta_." "It's very good." "You haven't drunk much of it," I said. "I have. You haven't seen." "Let's get two bottles," I said. The bottles came. I poured a little in my glass, then a glass for Brett, then filled my glass. We touched glasses. "Bung-o!" Brett said. I drank my glass and poured out another. Brett put her hand on my arm. "Don't get drunk, Jake," she said. "You don't have to." "How do you know?" "Don't," she said. "You'll be all right." "I'm not getting drunk," I said. "I'm just drinking a little wine. I like to drink wine." "Don't get drunk," she said. "Jake, don't get drunk." "Want to go for a ride?" I said. "Want to ride through the town?" "Right," Brett said. "I haven't seen Madrid. I should see Madrid." "I'll finish this,"<\|quote\|>I said. Down-stairs we came out through the first-floor dining-room to the street. A waiter went for a taxi. It was hot and bright. Up the street was a little square with trees and grass where there were taxis parked. A taxi came up the street, the waiter hanging out at the side. I tipped him and told the driver where to drive, and got in beside Brett. The driver started up the street. I settled back. Brett moved close to me. We sat close against each other. I put my arm around her and she rested against me comfortably. It was very hot and bright, and the houses looked sharply white. We turned out onto the Gran Via.</\|quote\|>"Oh, Jake," Brett said, "we could have had such a damned good time together." Ahead was a mounted policeman in khaki directing traffic. He raised his baton. The car slowed suddenly pressing Brett against me. "Yes," I said. "Isn't it pretty to think so?" THE END	The Sun Also Rises
"No, not yet,"	Jem Wimble	place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you	must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on	make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only	I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas'	there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas' Don." "Let's knock and ask for a pencil and paper to send a message." Jem uttered a loud chuckle as he seated himself on the floor. "I like that, Mas' Don. 'Pon my word I do. Might just as well hit your head again the wall." "Better use yours for a battering ram, Jem," said Don, angrily. "It's thicker than mine." There was silence after this. "He's sulky because of what I've said," thought Don. "Oh, my poor head!" thought Jem. "How it do ache!" Then he began to think about Sally, and what she would say or do when	but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas' Don." "Let's knock and ask for a pencil and paper to send a message." Jem uttered a loud chuckle as he seated himself on the floor. "I like that, Mas' Don. 'Pon my word I do. Might just as well hit your head again the wall." "Better use yours for a battering ram, Jem," said Don, angrily. "It's thicker than mine." There was silence after this. "He's sulky because of what I've said," thought Don. "Oh, my poor head!" thought Jem. "How it do ache!" Then he began to think about Sally, and what she would say or do when she found that he did not come back. Just at the same time Don was reflecting upon his life of late, and how discontented he had been, and how he had longed to go away, while now he felt as if he would give anything to be back on his old stool in the office, writing hard, and trying his best to be satisfied with what seemed to be a peaceful, happy life. A terrible sensation of despair came over him, and the idea of being dragged off to a ship, and carried right away, was unbearable. What were glorious foreign lands with their wonders to one who would be thought of as a cowardly thief? As he leaned against a wall there in the darkness his busy brain pictured his stern-looking uncle telling his weeping mother that it was a disgrace to her to mourn over the loss of a son who could be guilty of such a crime, and then run away to avoid his punishment. "Oh! If I had only been a little wiser," thought Don, "how much happier I might have been." Then he forced himself to think out a way of escape, a little further	a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How dark it is? Where's your hand?" "Gently, my lad; that's my hye. Arn't much use here in the dark, but may want 'em by-and-by. That's better. Thank ye, sir. Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem. "Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle." _Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas' Don." "Let's knock and ask for a pencil and paper to send a message." Jem uttered a loud chuckle as he seated himself on the floor. "I like that, Mas' Don. 'Pon my word I do. Might just as well hit your head again the wall." "Better use yours for a battering ram, Jem," said Don, angrily. "It's thicker than mine." There was silence after this. "He's sulky because of what I've said," thought Don. "Oh, my poor head!" thought Jem. "How it do ache!" Then he began to think about Sally, and what she would say or do when she found that he did not come back. Just at the same time Don was reflecting upon his life of late, and how discontented he had been, and how he had longed to go away, while now he felt as if he would give anything to be back on his old stool in the office, writing hard, and trying his best to be satisfied with what seemed to be a peaceful, happy life. A terrible sensation of despair came over him, and the idea of being dragged off to a ship, and carried right away, was unbearable. What were glorious foreign lands with their wonders to one who would be thought of as a cowardly thief? As he leaned against a wall there in the darkness his busy brain pictured his stern-looking uncle telling his weeping mother that it was a disgrace to her to mourn over the loss of a son who could be guilty of such a crime, and then run away to avoid his punishment. "Oh! If I had only been a little wiser," thought Don, "how much happier I might have been." Then he forced himself to think out a way of escape, a little further conversation with Jem making him feel that he must depend upon himself, for poor Jem's injury seemed to make him at times confused; in fact, he quite startled his fellow-prisoner by exclaiming suddenly,-- "Now where did I put them keys?" "Jem!" "Eh? All right, Sally. 'Tarn't daylight yet." "Jem, my lad, don't you know where you are?" "Don't I tell you? Phew! My head. You there, Mas' Don?" "Yes, Jem. How are you?" "Oh, lively, sir, lively; been asleep, I think. Keep a good heart, Mas' Don, and--" "Hist! Here they come," cried Don, as he saw the gleam of a light through the cracks of the door. "Jem, do you think you could make a dash of it as soon as they open the door?" "No, Mas' Don, not now. My head's all of a boom-whooz, and I seem to have no use in my legs." "Oh!" ejaculated Don despairingly. "But never you mind me, my lad. You make a run for it, dive down low as soon as the door's open. That's how to get away." _Cling_! _clang_! Two bolts were shot back and a flood--or after the intense darkness what seemed to be a flood--of light flashed into the cellar, as the bluff man entered with another bearing the lanthorn. Then there was a great deal of shuffling of feet as if heavy loads were being borne down some stone steps; and as Don looked eagerly at the party, it was to see four sailors, apparently wounded, perhaps dead, carried in and laid upon the floor. A thrill of horror ran through Don. He had heard of the acts of the press-gangs as he might have heard of any legend, and then they had passed from his mind; but now all this was being brought before him and exemplified in a way that was terribly real. These four men just carried in were the last victims of outrage, and his indignation seemed to be boiling up within him when the bluff-looking man said good-humouredly,-- "That's the way to get them, my lad. Those four fellows made themselves tipsy and went to sleep, merchant sailors; they'll wake up to-morrow morning with bad headaches and in His Majesty's Service. Fine lesson for them to keep sober." Don looked at the men with disgust. A few moments before he felt indignant, and full of commiseration for them; but the bluff	right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started.<\|quote\|>"No, not yet,"</\|quote\|>grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas' Don." "Let's knock and ask for a pencil and paper to send a message." Jem uttered a loud chuckle as he seated himself on the floor. "I like that, Mas' Don. 'Pon my word I do. Might just as well hit your head again the wall." "Better use yours for a battering ram, Jem," said Don, angrily. "It's thicker than mine." There was silence after this. "He's sulky because of what I've said," thought Don. "Oh, my poor head!" thought Jem. "How it do ache!" Then he began to think about Sally, and what she would say or do when she found that he did not come back. Just at the same time Don was reflecting upon his life of late, and how discontented he had been, and how he had longed to go away, while now he felt as if he would give anything to be back on his old stool in the office, writing hard, and trying his best to be satisfied with what seemed to be a peaceful, happy life. A terrible sensation of despair came over him, and the idea of being dragged off to a ship, and carried right away, was unbearable. What were glorious foreign lands with their wonders to one who would be thought of as a cowardly thief? As he leaned against a wall there in the darkness his busy brain pictured his stern-looking uncle telling his weeping mother that it was a disgrace to her to mourn over the loss of a son who could be guilty of such a crime, and then run away to avoid his punishment. "Oh! If I had only been a little wiser," thought Don, "how much happier I might have been." Then he forced himself to think out a way of escape, a little further conversation with Jem making him feel that he must depend upon himself, for poor Jem's injury seemed to make him at times confused; in fact, he quite startled his fellow-prisoner by exclaiming suddenly,-- "Now where did I put them keys?" "Jem!" "Eh? All right, Sally. 'Tarn't daylight yet." "Jem, my lad, don't you know where you are?" "Don't I tell you? Phew! My head. You there, Mas' Don?" "Yes, Jem. How are you?" "Oh, lively, sir, lively; been asleep, I think. Keep a good heart, Mas' Don, and--" "Hist! Here they come," cried Don, as he saw the gleam of a light through the cracks of the door. "Jem, do you think you could make a dash of it as soon as they open the door?" "No, Mas' Don, not now. My head's all of a boom-whooz, and I seem to have no use in my legs." "Oh!" ejaculated Don despairingly. "But never you mind me, my lad. You make a run for	Don Lavington
“Well,”	Theign	gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if	from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve	hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my	to my regret, to give you, Mr. Bender, and if you’ve been unavoidably detained, as you great bustling people are so apt to be, it will perhaps still be soon enough for your comfort to hear from me that I’ve just given order to close our exhibition. From the present hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my estimate.” “But what, Lord Theign, all this time,” Mr. Bender almost pathetically pleaded, “_is_ your estimate?” The parting guest had another pause, which prolonged itself, after he had reached the door, in a deep solicitation of their hostess’s conscious eyes. This brief passage apparently inspired his answer. “Lady Sandgate will	indeed perhaps a little that she went on while Gotch did her bidding. “Does the kind of relation you’d be condemned to with Mr. Crimble let you down, down, down, as you say, more than the relation you’ve been having with Mr. Bender?” Lord Theign had for it the most uninforming of stares. “Do you mean don’t I hate ‘em equally both?” She cut his further reply short, however, by a “Hush!” of warning--Mr. Bender was there and his introducer had left them. Lord Theign, full of his purpose of departure, sacrificed hereupon little to ceremony. “I’ve but a moment, to my regret, to give you, Mr. Bender, and if you’ve been unavoidably detained, as you great bustling people are so apt to be, it will perhaps still be soon enough for your comfort to hear from me that I’ve just given order to close our exhibition. From the present hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my estimate.” “But what, Lord Theign, all this time,” Mr. Bender almost pathetically pleaded, “_is_ your estimate?” The parting guest had another pause, which prolonged itself, after he had reached the door, in a deep solicitation of their hostess’s conscious eyes. This brief passage apparently inspired his answer. “Lady Sandgate will tell you.” The door closed behind him. The charming woman smiled then at her other friend, whose comprehensive presence appeared now to demand of her some account of these strange proceedings. “He means that your own valuation is much too shockingly high.” “But how can I know _how_ much unless I find out what he’ll take?” The great collector’s spirit had, in spite of its volume, clearly not reached its limit of expansion. “Is he crazily waiting for the thing to be proved _not_ what Mr. Crimble claims?” “No, he’s waiting for nothing--since he holds that claim demolished by Pappendick’s	me I’m in danger of helplessly to swallow the dose?” “Do you find Mr. Crimble,” Lady Sandgate as if there might really be something to say, “so utterly out of the question?” “I found him on the two occasions before I went away in the last degree offensive and outrageous; but even if he charged one and one’s poor dear decent old defences with less rabid a fury everything about him would forbid _that_ kind of relation.” What kind of relation, if any, Hugh’s deficiencies might still render thinkable Lord Theign was kept from going on to mention by the voice of Mr. Gotch, who had thrown open the door to the not altogether assured sound of “Mr. Breckenridge Bender.” The guest in possession gave a cry of impatience, but Lady Sandgate said “Coming up?” “If his lordship will see him.” “Oh, he’s beyond his time,” his lordship pronounced-- “I can’t see him now!” “Ah, but _mustn’t_ you--and mayn’t _I_ then?” She waited, however, for no response to signify to her servant “Let him come,” and her companion could but exhale a groan of reluctant accommodation as if he wondered at the point she made of it. It enlightened him indeed perhaps a little that she went on while Gotch did her bidding. “Does the kind of relation you’d be condemned to with Mr. Crimble let you down, down, down, as you say, more than the relation you’ve been having with Mr. Bender?” Lord Theign had for it the most uninforming of stares. “Do you mean don’t I hate ‘em equally both?” She cut his further reply short, however, by a “Hush!” of warning--Mr. Bender was there and his introducer had left them. Lord Theign, full of his purpose of departure, sacrificed hereupon little to ceremony. “I’ve but a moment, to my regret, to give you, Mr. Bender, and if you’ve been unavoidably detained, as you great bustling people are so apt to be, it will perhaps still be soon enough for your comfort to hear from me that I’ve just given order to close our exhibition. From the present hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my estimate.” “But what, Lord Theign, all this time,” Mr. Bender almost pathetically pleaded, “_is_ your estimate?” The parting guest had another pause, which prolonged itself, after he had reached the door, in a deep solicitation of their hostess’s conscious eyes. This brief passage apparently inspired his answer. “Lady Sandgate will tell you.” The door closed behind him. The charming woman smiled then at her other friend, whose comprehensive presence appeared now to demand of her some account of these strange proceedings. “He means that your own valuation is much too shockingly high.” “But how can I know _how_ much unless I find out what he’ll take?” The great collector’s spirit had, in spite of its volume, clearly not reached its limit of expansion. “Is he crazily waiting for the thing to be proved _not_ what Mr. Crimble claims?” “No, he’s waiting for nothing--since he holds that claim demolished by Pappendick’s tremendous negative, which you wrote to tell him of.” Vast, undeveloped and suddenly grave, Mr. Bender’s countenance showed like a barren tract under a black cloud. “I wrote to _report_, fair and square, on Pap-pendick, but to tell him I’d take the picture just the same, negative and all.” “Ah, but take it in that way not for what it is but for what it isn’t.” “We know nothing about what it ‘isn’t,’” said Mr. Bender, “after all that has happened--we’ve only learned a little better every day what it is.” “You mean,” his companion asked, “the biggest bone of artistic contention----?” “Yes,” --he took it from her-- “the biggest that has been thrown into the arena for quite a while. I guess I can do with it for _that_.” Lady Sandgate, on this, after a moment, renewed her personal advance; it was as if she had now made sure of the soundness of her main bridge. “Well, if it’s the biggest bone I won’t touch it; I’ll leave it to be mauled by my betters. But since his lordship has asked me to name a price, dear Mr. Bender, I’ll name one--and as you prefer big prices I’ll try	“But there’s one thing,” he remembered as he came back with it: “where’s my too, _too_ unnatural daughter?” “If you mean Grace and really want her I’ll send and find out.” “Not now” --he bethought himself. “But does she _see_ that chatterbox?” “Mr. Crimble? Yes, she sees him.” He kept his eyes on her. “Then how far has it gone?” Lady Sandgate overcame an embarrassment. “Well, not even yet, I think, so far as they’d like.” “They’d ‘like’--heaven save the mark!--to marry?” “I suspect them of it. What line, if it should come to that,” she asked, “would you then take?” He was perfectly prompt. “The line that for Grace it’s simply ignoble.” The force of her deprecation of such language was qualified by tact. “Ah, darling, as dreadful as _that?_” He could but view the possibility with dark resentment. “It lets us so down--from what we’ve always been and done; so down, down, down that I’m amazed you don’t feel it!” “Oh, I feel there’s still plenty to keep you up!” she soothingly laughed. He seemed to consider this vague amount--which he apparently judged, however, not so vast as to provide for the whole yearning of his nature. “Well, my dear,” he thus more blandly professed, “I shall need all the extra _agrément_ that your affection can supply.” If nothing could have been, on this, richer response, nothing could at the same time have bee more pleasing than her modesty. “Ah, my affectionate Theign, is, as I think you know, a fountain always in flood; but in any more worldly element than that--as you’ve ever seen for yourself--a poor strand with my own sad affairs, a broken reed; not ‘great’ as they used so finely to call it! You _are_--with the natural sense of greatness and, for supreme support, the instinctive grand man doing and taking things.” He sighed, none the less, he groaned, with his thoughts of trouble, for the strain he foresaw on these resolutions. “If you mean that I hold up my head, on higher grounds, I grant that I always have. But how much longer possible when my children commit such vulgarities? Why in the name of goodness are such children? What the devil has got into them, and is it really the case that when Grace offers as a proof of her license and a specimen of her taste a son-in-law as you tell me I’m in danger of helplessly to swallow the dose?” “Do you find Mr. Crimble,” Lady Sandgate as if there might really be something to say, “so utterly out of the question?” “I found him on the two occasions before I went away in the last degree offensive and outrageous; but even if he charged one and one’s poor dear decent old defences with less rabid a fury everything about him would forbid _that_ kind of relation.” What kind of relation, if any, Hugh’s deficiencies might still render thinkable Lord Theign was kept from going on to mention by the voice of Mr. Gotch, who had thrown open the door to the not altogether assured sound of “Mr. Breckenridge Bender.” The guest in possession gave a cry of impatience, but Lady Sandgate said “Coming up?” “If his lordship will see him.” “Oh, he’s beyond his time,” his lordship pronounced-- “I can’t see him now!” “Ah, but _mustn’t_ you--and mayn’t _I_ then?” She waited, however, for no response to signify to her servant “Let him come,” and her companion could but exhale a groan of reluctant accommodation as if he wondered at the point she made of it. It enlightened him indeed perhaps a little that she went on while Gotch did her bidding. “Does the kind of relation you’d be condemned to with Mr. Crimble let you down, down, down, as you say, more than the relation you’ve been having with Mr. Bender?” Lord Theign had for it the most uninforming of stares. “Do you mean don’t I hate ‘em equally both?” She cut his further reply short, however, by a “Hush!” of warning--Mr. Bender was there and his introducer had left them. Lord Theign, full of his purpose of departure, sacrificed hereupon little to ceremony. “I’ve but a moment, to my regret, to give you, Mr. Bender, and if you’ve been unavoidably detained, as you great bustling people are so apt to be, it will perhaps still be soon enough for your comfort to hear from me that I’ve just given order to close our exhibition. From the present hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my estimate.” “But what, Lord Theign, all this time,” Mr. Bender almost pathetically pleaded, “_is_ your estimate?” The parting guest had another pause, which prolonged itself, after he had reached the door, in a deep solicitation of their hostess’s conscious eyes. This brief passage apparently inspired his answer. “Lady Sandgate will tell you.” The door closed behind him. The charming woman smiled then at her other friend, whose comprehensive presence appeared now to demand of her some account of these strange proceedings. “He means that your own valuation is much too shockingly high.” “But how can I know _how_ much unless I find out what he’ll take?” The great collector’s spirit had, in spite of its volume, clearly not reached its limit of expansion. “Is he crazily waiting for the thing to be proved _not_ what Mr. Crimble claims?” “No, he’s waiting for nothing--since he holds that claim demolished by Pappendick’s tremendous negative, which you wrote to tell him of.” Vast, undeveloped and suddenly grave, Mr. Bender’s countenance showed like a barren tract under a black cloud. “I wrote to _report_, fair and square, on Pap-pendick, but to tell him I’d take the picture just the same, negative and all.” “Ah, but take it in that way not for what it is but for what it isn’t.” “We know nothing about what it ‘isn’t,’” said Mr. Bender, “after all that has happened--we’ve only learned a little better every day what it is.” “You mean,” his companion asked, “the biggest bone of artistic contention----?” “Yes,” --he took it from her-- “the biggest that has been thrown into the arena for quite a while. I guess I can do with it for _that_.” Lady Sandgate, on this, after a moment, renewed her personal advance; it was as if she had now made sure of the soundness of her main bridge. “Well, if it’s the biggest bone I won’t touch it; I’ll leave it to be mauled by my betters. But since his lordship has asked me to name a price, dear Mr. Bender, I’ll name one--and as you prefer big prices I’ll try to make it suit you. Only it won’t be for the portrait of a person nobody is agreed about. The whole world is agreed, you know, about my great-grandmother.” “Oh, shucks, Lady Sandgate!” --and her visitor turned from her with the hunch of overcharged shoulders. But she apparently felt that she held him, or at least that even if such a conviction might be fatuous she must now put it to the touch. “You’ve been delivered into my hands--too charmingly; and you won’t really pretend that you don’t recognise that and in fact rather like it.” He faced about to her again as to a case of coolness unparalleled--though indeed with a quick lapse of real interest in the question of whether he had been artfully practised upon; an indifference to bad debts or peculation like that of some huge hotel or other business involving a margin for waste. He could afford, he could work waste too, clearly--and what was it, that term, you might have felt him ask, but a mean measure, anyway? quite as the “artful,” opposed to his larger game, would be the hiding and pouncing of children at play. “Do I gather that those uncanny words of his were just meant to put me off?” he inquired. And then as she but boldly and smilingly shrugged, repudiating responsibility, “Look here, Lady Sandgate, ain’t you honestly going to help me?” he pursued. This engaged her sincerity without affecting her gaiety. “Mr. Bender, Mr. Bender, I’ll help you if you’ll help _me!_” “You’ll really get me something from him to go on with?” “I’ll get you something from him to go on with.” “That’s all I ask--to get _that_. Then I can move the way I want. But without it I’m held up.” “You shall have it,” she replied, “if I in turn may look to _you_ for a trifle on account.” “Well,” he dryly gloomed at her, “what do you call a trifle?” “I mean” --she waited but an instant-- “what you would feel as one.” “That won’t do. You haven’t the least idea, Lady Sandgate,” he earnestly said, “_how_ I feel at these foolish times. I’ve never got used to them yet.” “Ah, don’t you understand,” she pressed, “that if I give you an advantage I’m completely at your mercy?” “Well, what mercy,” he groaned, “do you deserve?” She waited a little, brightly composed--then she indicated	possession gave a cry of impatience, but Lady Sandgate said “Coming up?” “If his lordship will see him.” “Oh, he’s beyond his time,” his lordship pronounced-- “I can’t see him now!” “Ah, but _mustn’t_ you--and mayn’t _I_ then?” She waited, however, for no response to signify to her servant “Let him come,” and her companion could but exhale a groan of reluctant accommodation as if he wondered at the point she made of it. It enlightened him indeed perhaps a little that she went on while Gotch did her bidding. “Does the kind of relation you’d be condemned to with Mr. Crimble let you down, down, down, as you say, more than the relation you’ve been having with Mr. Bender?” Lord Theign had for it the most uninforming of stares. “Do you mean don’t I hate ‘em equally both?” She cut his further reply short, however, by a “Hush!” of warning--Mr. Bender was there and his introducer had left them. Lord Theign, full of his purpose of departure, sacrificed hereupon little to ceremony. “I’ve but a moment, to my regret, to give you, Mr. Bender, and if you’ve been unavoidably detained, as you great bustling people are so apt to be, it will perhaps still be soon enough for your comfort to hear from me that I’ve just given order to close our exhibition. From the present hour on, sir” --he put it with the firmness required to settle the futility of an appeal. Mr. Bender’s large surprise lost itself, however, promptly enough, in Mr. Bender’s larger ease. “Why, do you really mean it, Lord Theign?--removing already from view a work that gives innocent gratification to thousands?”<\|quote\|>“Well,”</\|quote\|>said his lordship curtly, “if thousands have seen it I’ve done what I wanted, and if they’ve been gratified I’m content--and invite _you_ to be.” Mr. Bender showed more keenness for this richer implication. “In other words it’s I who may remove the picture?” “Well--if you’ll take it on my estimate.” “But what, Lord Theign, all this time,” Mr. Bender almost pathetically pleaded, “_is_ your estimate?” The parting guest had another pause, which prolonged itself, after he had reached the door, in a deep solicitation of their hostess’s conscious eyes. This brief passage apparently inspired his answer. “Lady Sandgate will tell you.” The door closed behind him. The charming woman smiled then at her other friend, whose comprehensive presence appeared now to demand of her some account of these strange proceedings. “He means that your own valuation is much too shockingly high.” “But how can I know _how_ much unless I find out what he’ll take?” The great collector’s spirit had, in spite of its volume, clearly not reached its limit of expansion. “Is he crazily waiting for the thing to be proved _not_ what Mr. Crimble claims?” “No, he’s waiting for nothing--since he holds that claim demolished by Pappendick’s tremendous negative, which you wrote to tell him of.” Vast, undeveloped and suddenly grave, Mr. Bender’s countenance showed like a barren tract under a black cloud. “I wrote to _report_, fair and square, on Pap-pendick, but to tell him I’d take the picture just the same, negative and all.” “Ah, but take it in that way not for what it is but for what it isn’t.” “We know nothing about what it ‘isn’t,’” said Mr. Bender, “after all that has happened--we’ve only learned a little better every day what it is.” “You mean,” his companion asked, “the biggest bone of artistic contention----?” “Yes,” --he took it from her-- “the biggest that has been thrown into the arena for quite a while. I guess I can do with it for _that_.” Lady Sandgate, on this, after a moment, renewed her personal advance; it was as if she had now made sure of the soundness of her main bridge. “Well, if it’s the biggest bone I won’t touch it; I’ll leave it to be mauled by my betters. But since his lordship has asked me to name a price, dear Mr. Bender, I’ll name one--and as you prefer big prices I’ll try to make it suit you. Only it won’t be for the portrait of a person nobody is agreed about. The whole world is agreed, you know, about my great-grandmother.” “Oh, shucks, Lady Sandgate!” --and her visitor turned from her with the hunch of overcharged shoulders. But she	The Outcry
"I'm not sure we shan't both be soon."	Tony Last	that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small,	Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre	but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda	do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their	about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good."	Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam and jellied eels... What are your plans for the afternoon?" "Nothing much. Carter's coming up at five to go over a few things. I may go to Pigstanton after luncheon. I think we've got a tenant for Lowater Farm but it's been empty some time and I ought to see how much needs doing to it." "I wouldn't say "no" to going in to the "movies"." "All right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh	mummy's room?" "That depends." Nanny's replies were always evasive, like that--" "We'll see" or "That's asking" or "Those that ask no questions hear no lies" "--altogether unlike Ben's decisive and pungent judgments. "What does it depend on?" "Lots of things." "Tell me one of them." "On your not asking a lot of silly questions." "Silly old tart." "_John!_ How dare you? What do you mean?" Delighted by the effect of this sally, John broke away from her hand and danced in front of her, saying, "Silly old tart, silly old tart" all the way to the side entrance. When they entered the porch his nurse silently took off his leggings; he was sobered a little by her grimness. "Go straight up to the nursery," she said. "I am going to speak to your mother about you." "Please, nanny. I don't know what it means, but I didn't mean it." "Go straight to the nursery." * * * * * Brenda was doing her face. "It's been the same ever since Ben Hacket started teaching him to ride, my lady, there's been no doing anything with him." Brenda spat in the eye-black. "But, nanny, what exactly did he say?" "Oh, I couldn't repeat it, my lady." "Nonsense, you must tell me. Otherwise I shall be thinking it something far worse than it was." "It couldn't have been worse... he called me a silly old tart, my lady." Brenda choked slightly into her face towel. "He said _that_?" "Repeatedly. He danced in front of me all the way up the drive, _singing it_." "I see... well, you were quite right to tell me." "Thank you, my lady, and since we are talking about it I think I ought to say that it seems to me that Ben Hacket is making the child go ahead far too quickly with his riding. It's very dangerous. He had what might have been a serious fall this morning." "All right, nanny, I'll speak to Mr Last about it." She spoke to Tony. They both laughed about it a great deal. "Darling," she said, "_you_ must speak to him. You're so much better at being serious than I am." * * * * * "I should have thought it was very nice to be called a tart," John argued, "and anyway it's a word Ben often uses about people." "Well, he's got no business to." "I like Ben more than anyone in the world. And I should think he's cleverer too." "Now, you know you don't like him more than your mother." "Yes I do. _Far_ more." Tony felt that the time had come to cut out the cross talk and deliver the homily he had been preparing. "Now listen, John. It was very wrong of you to call nanny a silly old tart. First, because it was unkind to her. Think of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam and jellied eels... What are your plans for the afternoon?" "Nothing much. Carter's coming up at five to go over a few things. I may go to Pigstanton after luncheon. I think we've got a tenant for Lowater Farm but it's been empty some time and I ought to see how much needs doing to it." "I wouldn't say "no" to going in to the "movies"." "All right. I can easily leave Lowater till Monday." "And we might go to Woolworth's afterwards, eh?" What with Brenda's pretty ways and Tony's good sense, it was not surprising that their friends pointed to them as a pair who were pre-eminently successful in solving the problem of getting along well together. The pudding, without protein, was unattractive. Five minutes afterwards a telegram was brought in. Tony opened it and said "Hell." "Badders?" "Something too horrible has happened. Look at this." Brenda read. "_Arriving 3.18 so looking forward visit. Beaver._" And asked, "What's Beaver?" "It's a young man." "That sounds all right." "Oh no it's not. Wait till you see him." "What's he coming here for? Did you ask him to stay?" "I suppose I did in a vague kind of way. I went to Bratt's one evening and he was the only chap there so we had some drinks and he said something about wanting to see the house..." "I suppose you were tight." "Not really, but I never thought he'd hold it against me." "Well, it jolly well serves you right. That's what comes of going up to London on business and leaving me alone here... Who is he anyway?" "Just a young man. His mother keeps that shop." "I used to know her. She's hell. Come to think of it we owe her some money." "Look here, we must put a call through and say we're ill." "Too late, he's in the train now, recklessly mixing starch and protein in the Great Western three and sixpenny lunch... Anyway, he can go into Galahad. No one who sleeps there ever comes again--the bed's agony I believe." "What on earth are we going to do with him? It's too late to get anyone else." "You go over to Pigstanton. I'll look after him. It's easier alone. We can take him to the movies to-night, and to-morrow he can see over the house. If we're lucky he may go up by the evening train. Does he have to work on Monday morning?" "I shouldn't know." * * * * * Three-eighteen was far from being the most convenient time for arrival. One reached the house at about a quarter to four and if, like Beaver, one was a stranger, there was an awkward time until tea; but without Tony there to make her self-conscious, Brenda could carry these things off quite gracefully and Beaver was so seldom wholly welcome anywhere that he was not sensitive to the slight constraint of his reception. She met him in what was still called the smoking-room; it was in some ways the least gloomy place in the house. She said, "It is nice that you were able to come. I must break it to you at once that we haven't got a party. I'm afraid you'll be terribly bored... Tony had to go out but he'll be in soon... was the train crowded? It often is on Saturdays... would you like to come outside? It'll be dark	of all the things she does for you every day." "She's paid to." "Be quiet. And secondly, because you were using a word which people of your age and class do not use. Poor people use certain expressions which gentlemen do not. You are a gentleman. When you grow up all this house and lots of other things besides will belong to you. You must learn to speak like someone who is going to have these things and to be considerate to people less fortunate than you, particularly women. Do you understand?" "Is Ben less fortunate than me?" "That has nothing to do with it. Now you are to go upstairs and say you are sorry to nanny and promise never to use that word about anyone again." "All right." "And because you have been so naughty to-day you are not to ride to-morrow." "To-morrow's Sunday." "Well, next day then." "But you said" "to-morrow". "It isn't fair to change now." "John, don't argue. If you are not careful I shall send Thunderclap back to Uncle Reggie and say that I find you are not a good enough boy to keep it. You wouldn't like that, would you?" "What would Uncle Reggie do with her? She couldn't carry him. Besides, he's usually abroad." "He'd give her to some other little boy. Anyway, that's got nothing to do with it. Now run off and say you're sorry to nanny." At the door John said, "It's all right riding on Monday, isn't it? You did _say_" "to-morrow"." "Yes, I suppose so." "Hooray. Thunderclap went very well to-day. We jumped a big post and rail. She refused first time but went like a bird after that." "Didn't you come off?" "Yes, once. It wasn't Thunderclap's fault. I just opened my bloody legs and cut an arser." * * * * * "How did the lecture go?" Brenda asked. "Bad. Rotten bad." "The trouble is that nanny's jealous of Ben."<\|quote\|>"I'm not sure we shan't both be soon."</\|quote\|>They lunched at a small, round table in the centre of the dining-hall. There seemed no way of securing an even temperature in that room; even when one side was painfully roasting in the direct blaze of the open hearth, the other was numbed by a dozen converging draughts. Brenda had tried numerous experiments with screens and a portable electric radiator, but with little success. Even to-day, mild elsewhere, it was bitterly cold in the dining-hall. Although they were both in good health and of unexceptional figure, Tony and Brenda were on a diet. It gave an interest to their meals and saved them from the two uncivilized extremes of which solitary diners are in danger--absorbing gluttony or an irregular r?gime of scrambled eggs and raw beef sandwiches. Under their present system they denied themselves the combination of protein and starch at the same meal. They had a printed catalogue telling them which foods contained protein and which starch. Most normal dishes seemed to be compact of both, so that it was fun for Tony and Brenda to choose the menu. Usually it ended by their declaring some food "joker". "I'm sure it does me a great deal of good." "Yes, darling, and when we get tired of it we might try an alphabetical diet, having things beginning with a different letter every day. J would be hungry, nothing but jam	A Handful Of Dust
"Is it Mr. Giovanelli?"	Mrs. Walker	the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was	t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at	had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said	carriages and of contemplative pedestrians. "I don t think it s safe, my dear," said Mrs. Walker. "Neither do I," subjoined Mrs. Miller. "You ll get the fever, as sure as you live. Remember what Dr. Davis told you!" "Give her some medicine before she goes," said Randolph. The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said Mrs. Walker, taking her hand pleadingly, "don t walk off to the Pincio at this hour to meet a beautiful Italian." "Well, he speaks English," said Mrs. Miller. "Gracious me!" Daisy exclaimed, "I don t to do anything improper. There s an easy way to settle it." She continued to	tremendously clever. He s perfectly lovely!" It was settled that this brilliant personage should be brought to Mrs. Walker s party, and then Mrs. Miller prepared to take her leave. "I guess we ll go back to the hotel," she said. "You may go back to the hotel, Mother, but I m going to take a walk," said Daisy. "She s going to walk with Mr. Giovanelli," Randolph proclaimed. "I am going to the Pincio," said Daisy, smiling. "Alone, my dear--at this hour?" Mrs. Walker asked. The afternoon was drawing to a close--it was the hour for the throng of carriages and of contemplative pedestrians. "I don t think it s safe, my dear," said Mrs. Walker. "Neither do I," subjoined Mrs. Miller. "You ll get the fever, as sure as you live. Remember what Dr. Davis told you!" "Give her some medicine before she goes," said Randolph. The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said Mrs. Walker, taking her hand pleadingly, "don t walk off to the Pincio at this hour to meet a beautiful Italian." "Well, he speaks English," said Mrs. Miller. "Gracious me!" Daisy exclaimed, "I don t to do anything improper. There s an easy way to settle it." She continued to glance at Winterbourne. "The Pincio is only a hundred yards distant; and if Mr. Winterbourne were as polite as he pretends, he would offer to walk with me!" Winterbourne s politeness hastened to affirm itself, and the young girl gave him gracious leave to accompany her. They passed downstairs before her mother, and at the door Winterbourne perceived Mrs. Miller s carriage drawn up, with the ornamental courier whose acquaintance he had made at Vevey seated within. "Goodbye, Eugenio!" cried Daisy; "I m going to take a walk." The distance from the Via Gregoriana to the beautiful garden at the	Eugenio ll raise--something!" "I m not afraid of Eugenio," said Daisy with a toss of her head. "Look here, Mrs. Walker," she went on, "you know I m coming to your party." "I am delighted to hear it." "I ve got a lovely dress!" "I am very sure of that." "But I want to ask a favor--permission to bring a friend." "I shall be happy to see any of your friends," said Mrs. Walker, turning with a smile to Mrs. Miller. "Oh, they are not my friends," answered Daisy s mamma, smiling shyly in her own fashion. "I never spoke to them." "It s an intimate friend of mine--Mr. Giovanelli," said Daisy without a tremor in her clear little voice or a shadow on her brilliant little face. Mrs. Walker was silent a moment; she gave a rapid glance at Winterbourne. "I shall be glad to see Mr. Giovanelli," she then said. "He s an Italian," Daisy pursued with the prettiest serenity. "He s a great friend of mine; he s the handsomest man in the world--except Mr. Winterbourne! He knows plenty of Italians, but he wants to know some Americans. He thinks ever so much of Americans. He s tremendously clever. He s perfectly lovely!" It was settled that this brilliant personage should be brought to Mrs. Walker s party, and then Mrs. Miller prepared to take her leave. "I guess we ll go back to the hotel," she said. "You may go back to the hotel, Mother, but I m going to take a walk," said Daisy. "She s going to walk with Mr. Giovanelli," Randolph proclaimed. "I am going to the Pincio," said Daisy, smiling. "Alone, my dear--at this hour?" Mrs. Walker asked. The afternoon was drawing to a close--it was the hour for the throng of carriages and of contemplative pedestrians. "I don t think it s safe, my dear," said Mrs. Walker. "Neither do I," subjoined Mrs. Miller. "You ll get the fever, as sure as you live. Remember what Dr. Davis told you!" "Give her some medicine before she goes," said Randolph. The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said Mrs. Walker, taking her hand pleadingly, "don t walk off to the Pincio at this hour to meet a beautiful Italian." "Well, he speaks English," said Mrs. Miller. "Gracious me!" Daisy exclaimed, "I don t to do anything improper. There s an easy way to settle it." She continued to glance at Winterbourne. "The Pincio is only a hundred yards distant; and if Mr. Winterbourne were as polite as he pretends, he would offer to walk with me!" Winterbourne s politeness hastened to affirm itself, and the young girl gave him gracious leave to accompany her. They passed downstairs before her mother, and at the door Winterbourne perceived Mrs. Miller s carriage drawn up, with the ornamental courier whose acquaintance he had made at Vevey seated within. "Goodbye, Eugenio!" cried Daisy; "I m going to take a walk." The distance from the Via Gregoriana to the beautiful garden at the other end of the Pincian Hill is, in fact, rapidly traversed. As the day was splendid, however, and the concourse of vehicles, walkers, and loungers numerous, the young Americans found their progress much delayed. This fact was highly agreeable to Winterbourne, in spite of his consciousness of his singular situation. The slow-moving, idly gazing Roman crowd bestowed much attention upon the extremely pretty young foreign lady who was passing through it upon his arm; and he wondered what on earth had been in Daisy s mind when she proposed to expose herself, unattended, to its appreciation. His own mission, to her sense, apparently, was to consign her to the hands of Mr. Giovanelli; but Winterbourne, at once annoyed and gratified, resolved that he would do no such thing. "Why haven t you been to see me?" asked Daisy. "You can t get out of that." "I have had the honor of telling you that I have only just stepped out of the train." "You must have stayed in the train a good while after it stopped!" cried the young girl with her little laugh. "I suppose you were asleep. You have had time to go to see Mrs. Walker." "I	of Richmond!" said Randolph. "He means the ship," his mother explained. "We crossed in that ship. Randolph had a good time on the City of Richmond." "It s the best place I ve seen," the child repeated. "Only it was turned the wrong way." "Well, we ve got to turn the right way some time," said Mrs. Miller with a little laugh. Winterbourne expressed the hope that her daughter at least found some gratification in Rome, and she declared that Daisy was quite carried away. "It s on account of the society--the society s splendid. She goes round everywhere; she has made a great number of acquaintances. Of course she goes round more than I do. I must say they have been very sociable; they have taken her right in. And then she knows a great many gentlemen. Oh, she thinks there s nothing like Rome. Of course, it s a great deal pleasanter for a young lady if she knows plenty of gentlemen." By this time Daisy had turned her attention again to Winterbourne. "I ve been telling Mrs. Walker how mean you were!" the young girl announced. "And what is the evidence you have offered?" asked Winterbourne, rather annoyed at Miss Miller s want of appreciation of the zeal of an admirer who on his way down to Rome had stopped neither at Bologna nor at Florence, simply because of a certain sentimental impatience. He remembered that a cynical compatriot had once told him that American women--the pretty ones, and this gave a largeness to the axiom--were at once the most exacting in the world and the least endowed with a sense of indebtedness. "Why, you were awfully mean at Vevey," said Daisy. "You wouldn t do anything. You wouldn t stay there when I asked you." "My dearest young lady," cried Winterbourne, with eloquence, "have I come all the way to Rome to encounter your reproaches?" "Just hear him say that!" said Daisy to her hostess, giving a twist to a bow on this lady s dress. "Did you ever hear anything so quaint?" "So quaint, my dear?" murmured Mrs. Walker in the tone of a partisan of Winterbourne. "Well, I don t know," said Daisy, fingering Mrs. Walker s ribbons. "Mrs. Walker, I want to tell you something." "Mother-r," interposed Randolph, with his rough ends to his words, "I tell you you ve got to go. Eugenio ll raise--something!" "I m not afraid of Eugenio," said Daisy with a toss of her head. "Look here, Mrs. Walker," she went on, "you know I m coming to your party." "I am delighted to hear it." "I ve got a lovely dress!" "I am very sure of that." "But I want to ask a favor--permission to bring a friend." "I shall be happy to see any of your friends," said Mrs. Walker, turning with a smile to Mrs. Miller. "Oh, they are not my friends," answered Daisy s mamma, smiling shyly in her own fashion. "I never spoke to them." "It s an intimate friend of mine--Mr. Giovanelli," said Daisy without a tremor in her clear little voice or a shadow on her brilliant little face. Mrs. Walker was silent a moment; she gave a rapid glance at Winterbourne. "I shall be glad to see Mr. Giovanelli," she then said. "He s an Italian," Daisy pursued with the prettiest serenity. "He s a great friend of mine; he s the handsomest man in the world--except Mr. Winterbourne! He knows plenty of Italians, but he wants to know some Americans. He thinks ever so much of Americans. He s tremendously clever. He s perfectly lovely!" It was settled that this brilliant personage should be brought to Mrs. Walker s party, and then Mrs. Miller prepared to take her leave. "I guess we ll go back to the hotel," she said. "You may go back to the hotel, Mother, but I m going to take a walk," said Daisy. "She s going to walk with Mr. Giovanelli," Randolph proclaimed. "I am going to the Pincio," said Daisy, smiling. "Alone, my dear--at this hour?" Mrs. Walker asked. The afternoon was drawing to a close--it was the hour for the throng of carriages and of contemplative pedestrians. "I don t think it s safe, my dear," said Mrs. Walker. "Neither do I," subjoined Mrs. Miller. "You ll get the fever, as sure as you live. Remember what Dr. Davis told you!" "Give her some medicine before she goes," said Randolph. The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said Mrs. Walker, taking her hand pleadingly, "don t walk off to the Pincio at this hour to meet a beautiful Italian." "Well, he speaks English," said Mrs. Miller. "Gracious me!" Daisy exclaimed, "I don t to do anything improper. There s an easy way to settle it." She continued to glance at Winterbourne. "The Pincio is only a hundred yards distant; and if Mr. Winterbourne were as polite as he pretends, he would offer to walk with me!" Winterbourne s politeness hastened to affirm itself, and the young girl gave him gracious leave to accompany her. They passed downstairs before her mother, and at the door Winterbourne perceived Mrs. Miller s carriage drawn up, with the ornamental courier whose acquaintance he had made at Vevey seated within. "Goodbye, Eugenio!" cried Daisy; "I m going to take a walk." The distance from the Via Gregoriana to the beautiful garden at the other end of the Pincian Hill is, in fact, rapidly traversed. As the day was splendid, however, and the concourse of vehicles, walkers, and loungers numerous, the young Americans found their progress much delayed. This fact was highly agreeable to Winterbourne, in spite of his consciousness of his singular situation. The slow-moving, idly gazing Roman crowd bestowed much attention upon the extremely pretty young foreign lady who was passing through it upon his arm; and he wondered what on earth had been in Daisy s mind when she proposed to expose herself, unattended, to its appreciation. His own mission, to her sense, apparently, was to consign her to the hands of Mr. Giovanelli; but Winterbourne, at once annoyed and gratified, resolved that he would do no such thing. "Why haven t you been to see me?" asked Daisy. "You can t get out of that." "I have had the honor of telling you that I have only just stepped out of the train." "You must have stayed in the train a good while after it stopped!" cried the young girl with her little laugh. "I suppose you were asleep. You have had time to go to see Mrs. Walker." "I knew Mrs. Walker--" Winterbourne began to explain. "I know where you knew her. You knew her at Geneva. She told me so. Well, you knew me at Vevey. That s just as good. So you ought to have come." She asked him no other question than this; she began to prattle about her own affairs. "We ve got splendid rooms at the hotel; Eugenio says they re the best rooms in Rome. We are going to stay all winter, if we don t die of the fever; and I guess we ll stay then. It s a great deal nicer than I thought; I thought it would be fearfully quiet; I was sure it would be awfully poky. I was sure we should be going round all the time with one of those dreadful old men that explain about the pictures and things. But we only had about a week of that, and now I m enjoying myself. I know ever so many people, and they are all so charming. The society s extremely select. There are all kinds--English, and Germans, and Italians. I think I like the English best. I like their style of conversation. But there are some lovely Americans. I never saw anything so hospitable. There s something or other every day. There s not much dancing; but I must say I never thought dancing was everything. I was always fond of conversation. I guess I shall have plenty at Mrs. Walker s, her rooms are so small." When they had passed the gate of the Pincian Gardens, Miss Miller began to wonder where Mr. Giovanelli might be. "We had better go straight to that place in front," she said, "where you look at the view." "I certainly shall not help you to find him," Winterbourne declared. "Then I shall find him without you," cried Miss Daisy. "You certainly won t leave me!" cried Winterbourne. She burst into her little laugh. "Are you afraid you ll get lost--or run over? But there s Giovanelli, leaning against that tree. He s staring at the women in the carriages: did you ever see anything so cool?" Winterbourne perceived at some distance a little man standing with folded arms nursing his cane. He had a handsome face, an artfully poised hat, a glass in one eye, and a nosegay in his buttonhole. Winterbourne looked at him a moment and then	cynical compatriot had once told him that American women--the pretty ones, and this gave a largeness to the axiom--were at once the most exacting in the world and the least endowed with a sense of indebtedness. "Why, you were awfully mean at Vevey," said Daisy. "You wouldn t do anything. You wouldn t stay there when I asked you." "My dearest young lady," cried Winterbourne, with eloquence, "have I come all the way to Rome to encounter your reproaches?" "Just hear him say that!" said Daisy to her hostess, giving a twist to a bow on this lady s dress. "Did you ever hear anything so quaint?" "So quaint, my dear?" murmured Mrs. Walker in the tone of a partisan of Winterbourne. "Well, I don t know," said Daisy, fingering Mrs. Walker s ribbons. "Mrs. Walker, I want to tell you something." "Mother-r," interposed Randolph, with his rough ends to his words, "I tell you you ve got to go. Eugenio ll raise--something!" "I m not afraid of Eugenio," said Daisy with a toss of her head. "Look here, Mrs. Walker," she went on, "you know I m coming to your party." "I am delighted to hear it." "I ve got a lovely dress!" "I am very sure of that." "But I want to ask a favor--permission to bring a friend." "I shall be happy to see any of your friends," said Mrs. Walker, turning with a smile to Mrs. Miller. "Oh, they are not my friends," answered Daisy s mamma, smiling shyly in her own fashion. "I never spoke to them." "It s an intimate friend of mine--Mr. Giovanelli," said Daisy without a tremor in her clear little voice or a shadow on her brilliant little face. Mrs. Walker was silent a moment; she gave a rapid glance at Winterbourne. "I shall be glad to see Mr. Giovanelli," she then said. "He s an Italian," Daisy pursued with the prettiest serenity. "He s a great friend of mine; he s the handsomest man in the world--except Mr. Winterbourne! He knows plenty of Italians, but he wants to know some Americans. He thinks ever so much of Americans. He s tremendously clever. He s perfectly lovely!" It was settled that this brilliant personage should be brought to Mrs. Walker s party, and then Mrs. Miller prepared to take her leave. "I guess we ll go back to the hotel," she said. "You may go back to the hotel, Mother, but I m going to take a walk," said Daisy. "She s going to walk with Mr. Giovanelli," Randolph proclaimed. "I am going to the Pincio," said Daisy, smiling. "Alone, my dear--at this hour?" Mrs. Walker asked. The afternoon was drawing to a close--it was the hour for the throng of carriages and of contemplative pedestrians. "I don t think it s safe, my dear," said Mrs. Walker. "Neither do I," subjoined Mrs. Miller. "You ll get the fever, as sure as you live. Remember what Dr. Davis told you!" "Give her some medicine before she goes," said Randolph. The company had risen to its feet; Daisy, still showing her pretty teeth, bent over and kissed her hostess. "Mrs. Walker, you are too perfect," she said. "I m not going alone; I am going to meet a friend." "Your friend won t keep you from getting the fever," Mrs. Miller observed.<\|quote\|>"Is it Mr. Giovanelli?"</\|quote\|>asked the hostess. Winterbourne was watching the young girl; at this question his attention quickened. She stood there, smiling and smoothing her bonnet ribbons; she glanced at Winterbourne. Then, while she glanced and smiled, she answered, without a shade of hesitation, "Mr. Giovanelli--the beautiful Giovanelli." "My dear young friend," said Mrs. Walker, taking her hand pleadingly, "don t walk off to the Pincio at this hour to meet a beautiful Italian." "Well, he speaks English," said Mrs. Miller. "Gracious me!" Daisy exclaimed, "I don t to do anything improper. There s an easy way to settle it." She continued to glance at Winterbourne. "The Pincio is only a hundred yards distant; and if Mr. Winterbourne were as polite as he pretends, he would offer to walk with me!" Winterbourne s politeness hastened to affirm itself, and the young girl gave him gracious leave to accompany her. They passed downstairs before her mother, and at the door Winterbourne perceived Mrs. Miller s carriage drawn up, with the ornamental courier whose acquaintance he had made at Vevey seated within. "Goodbye, Eugenio!" cried Daisy; "I m going to take a walk." The distance from the Via Gregoriana to the beautiful garden at the other end of the Pincian Hill is, in fact, rapidly traversed. As the day was splendid, however, and the concourse of vehicles, walkers, and loungers numerous, the young Americans found their progress much delayed. This fact was highly agreeable to Winterbourne, in spite of his consciousness of his singular situation. The slow-moving, idly gazing Roman crowd bestowed much attention upon the extremely pretty young foreign lady who was passing through it upon his arm; and he wondered what on earth had been in Daisy s mind when she proposed to expose herself, unattended, to its appreciation. His own mission, to her sense, apparently, was to consign her to the hands of Mr. Giovanelli; but Winterbourne, at once annoyed and gratified, resolved that he would do no such thing. "Why haven t you been to see me?" asked Daisy. "You can t get out of that." "I have had the honor of telling you that I have only just stepped out of the train." "You must have stayed in the train a good while after it stopped!" cried the young girl with her little laugh. "I suppose you were asleep. You have had time to go to see Mrs. Walker." "I knew Mrs. Walker--" Winterbourne began to explain. "I know where you knew her. You knew her at Geneva. She told me so. Well, you knew me at Vevey. That s just as good. So you ought to have come." She asked him no other question than this; she began to prattle about her own affairs. "We ve got splendid rooms at the hotel; Eugenio says they re the best rooms in Rome. We are going to stay all winter, if we don t die of the fever; and I guess we ll	Daisy Miller
[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of	No speaker	to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a	Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide	a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek	Two half-grown boys and a girl stood holding oil-cloth bundles, and a little girl clung to her mother’s skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian’s. Surely this was the face of a desperado. As he walked about the platform in his high-heeled boots, looking for our trunks,	about with lanterns. I could n’t see any town, or even distant lights; we were surrounded by utter darkness. The engine was panting heavily after its long run. In the red glow from the fire-box, a group of people stood huddled together on the platform, encumbered by bundles and boxes. I knew this must be the immigrant family the conductor had told us about. The woman wore a fringed shawl tied over her head, and she carried a little tin trunk in her arms, hugging it as if it were a baby. There was an old man, tall and stooped. Two half-grown boys and a girl stood holding oil-cloth bundles, and a little girl clung to her mother’s skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian’s. Surely this was the face of a desperado. As he walked about the platform in his high-heeled boots, looking for our trunks, I saw that he was a rather slight man, quick and wiry, and light on his feet. He told us we had a long night drive ahead of us, and had better be on the hike. He led us to a hitching-bar where two farm wagons were tied, and I saw the foreign family crowding into one of them. The other was for us. Jake got on the front seat with Otto Fuchs, and I rode on the straw in the bottom of the wagon-box, covered up with a buffalo hide. The immigrants rumbled off into the empty darkness, and	the immigrant car ahead there was a family from “across the water” whose destination was the same as ours. “They can’t any of them speak English, except one little girl, and all she can say is ‘We go Black Hawk, Nebraska.’ She’s not much older than you, twelve or thirteen, maybe, and she’s as bright as a new dollar. Don’t you want to go ahead and see her, Jimmy? She’s got the pretty brown eyes, too!” This last remark made me bashful, and I shook my head and settled down to “Jesse James.” Jake nodded at me approvingly and said you were likely to get diseases from foreigners. I do not remember crossing the Missouri River, or anything about the long day’s journey through Nebraska. Probably by that time I had crossed so many rivers that I was dull to them. The only thing very noticeable about Nebraska was that it was still, all day long, Nebraska. I had been sleeping, curled up in a red plush seat, for a long while when we reached Black Hawk. Jake roused me and took me by the hand. We stumbled down from the train to a wooden siding, where men were running about with lanterns. I could n’t see any town, or even distant lights; we were surrounded by utter darkness. The engine was panting heavily after its long run. In the red glow from the fire-box, a group of people stood huddled together on the platform, encumbered by bundles and boxes. I knew this must be the immigrant family the conductor had told us about. The woman wore a fringed shawl tied over her head, and she carried a little tin trunk in her arms, hugging it as if it were a baby. There was an old man, tall and stooped. Two half-grown boys and a girl stood holding oil-cloth bundles, and a little girl clung to her mother’s skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian’s. Surely this was the face of a desperado. As he walked about the platform in his high-heeled boots, looking for our trunks, I saw that he was a rather slight man, quick and wiry, and light on his feet. He told us we had a long night drive ahead of us, and had better be on the hike. He led us to a hitching-bar where two farm wagons were tied, and I saw the foreign family crowding into one of them. The other was for us. Jake got on the front seat with Otto Fuchs, and I rode on the straw in the bottom of the wagon-box, covered up with a buffalo hide. The immigrants rumbled off into the empty darkness, and we followed them. I tried to go to sleep, but the jolting made me bite my tongue, and I soon began to ache all over. When the straw settled down I had a hard bed. Cautiously I slipped from under the buffalo hide, got up on my knees and peered over the side of the wagon. There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made. No, there was nothing but land—slightly undulating, I knew, because often our wheels ground against the brake as we went down into a hollow and lurched up again on the other side. I had the feeling that the world was left behind, that we had got over the edge of it, and were outside man’s jurisdiction. I had never before looked up at the sky when there was not a familiar mountain ridge against it. But this was the complete dome of heaven, all there was of it. I did not believe that	rearrange. I simply wrote down what of herself and myself and other people Ántonia’s name recalls to me. I suppose it has n’t any form. It has n’t any title, either.” He went into the next room, sat down at my desk and wrote on the pinkish face of the portfolio the word, “Ántonia.” He frowned at this a moment, then prefixed another word, making it “My Ántonia.” That seemed to satisfy him. “Read it as soon as you can,” he said, rising, “but don’t let it influence your own story.” My own story was never written, but the following narrative is Jim’s manuscript, substantially as he brought it to me. BOOK I— THE SHIMERDAS I I FIRST heard of Ántonia(1) on what seemed to me an interminable journey across the great midland plain of North America. I was ten years old then; I had lost both my father and mother within a year, and my Virginia relatives were sending me out to my grandparents, who lived in Nebraska. I traveled in the care of a mountain boy, Jake Marpole, one of the “hands” on my father’s old farm under the Blue Ridge, who was now going West to work for my grandfather. Jake’s experience of the world was not much wider than mine. He had never been in a railway train until the morning when we set out together to try our fortunes in a new world. We went all the way in day-coaches, becoming more sticky and grimy with each stage of the journey. Jake bought everything the newsboys offered him: candy, oranges, brass collar buttons, a watch-charm, and for me a “Life of Jesse James,” which I remember as one of the most satisfactory books I have ever read. Beyond Chicago we were under the protection of a friendly passenger conductor, who knew all about the country to which we were going and gave us a great deal of advice in exchange for our confidence. He seemed to us an experienced and worldly man who had been almost everywhere; in his conversation he threw out lightly the names of distant States and cities. He wore the rings and pins and badges of different fraternal orders to which he belonged. Even his cuff-buttons were engraved with hieroglyphics, and he was more inscribed than an Egyptian obelisk. Once when he sat down to chat, he told us that in the immigrant car ahead there was a family from “across the water” whose destination was the same as ours. “They can’t any of them speak English, except one little girl, and all she can say is ‘We go Black Hawk, Nebraska.’ She’s not much older than you, twelve or thirteen, maybe, and she’s as bright as a new dollar. Don’t you want to go ahead and see her, Jimmy? She’s got the pretty brown eyes, too!” This last remark made me bashful, and I shook my head and settled down to “Jesse James.” Jake nodded at me approvingly and said you were likely to get diseases from foreigners. I do not remember crossing the Missouri River, or anything about the long day’s journey through Nebraska. Probably by that time I had crossed so many rivers that I was dull to them. The only thing very noticeable about Nebraska was that it was still, all day long, Nebraska. I had been sleeping, curled up in a red plush seat, for a long while when we reached Black Hawk. Jake roused me and took me by the hand. We stumbled down from the train to a wooden siding, where men were running about with lanterns. I could n’t see any town, or even distant lights; we were surrounded by utter darkness. The engine was panting heavily after its long run. In the red glow from the fire-box, a group of people stood huddled together on the platform, encumbered by bundles and boxes. I knew this must be the immigrant family the conductor had told us about. The woman wore a fringed shawl tied over her head, and she carried a little tin trunk in her arms, hugging it as if it were a baby. There was an old man, tall and stooped. Two half-grown boys and a girl stood holding oil-cloth bundles, and a little girl clung to her mother’s skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian’s. Surely this was the face of a desperado. As he walked about the platform in his high-heeled boots, looking for our trunks, I saw that he was a rather slight man, quick and wiry, and light on his feet. He told us we had a long night drive ahead of us, and had better be on the hike. He led us to a hitching-bar where two farm wagons were tied, and I saw the foreign family crowding into one of them. The other was for us. Jake got on the front seat with Otto Fuchs, and I rode on the straw in the bottom of the wagon-box, covered up with a buffalo hide. The immigrants rumbled off into the empty darkness, and we followed them. I tried to go to sleep, but the jolting made me bite my tongue, and I soon began to ache all over. When the straw settled down I had a hard bed. Cautiously I slipped from under the buffalo hide, got up on my knees and peered over the side of the wagon. There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made. No, there was nothing but land—slightly undulating, I knew, because often our wheels ground against the brake as we went down into a hollow and lurched up again on the other side. I had the feeling that the world was left behind, that we had got over the edge of it, and were outside man’s jurisdiction. I had never before looked up at the sky when there was not a familiar mountain ridge against it. But this was the complete dome of heaven, all there was of it. I did not believe that my dead father and mother were watching me from up there; they would still be looking for me at the sheep-fold down by the creek, or along the white road that led to the mountain pastures. I had left even their spirits behind me. The wagon jolted on, carrying me I knew not whither. I don’t think I was homesick. If we never arrived anywhere, it did not matter. Between that earth and that sky I felt erased, blotted out. I did not say my prayers that night: here, I felt, what would be would be. II I DO not remember our arrival at my grandfather’s farm sometime before daybreak, after a drive of nearly twenty miles with heavy work-horses. When I awoke, it was afternoon. I was lying in a little room, scarcely larger than the bed that held me, and the window-shade at my head was flapping softly in a warm wind. A tall woman, with wrinkled brown skin and black hair, stood looking down at me; I knew that she must be my grandmother. She had been crying, I could see, but when I opened my eyes she smiled, peered at me anxiously, and sat down on the foot of my bed. “Had a good sleep, Jimmy?” she asked briskly. Then in a very different tone she said, as if to herself, “My, how you do look like your father!” I remembered that my father had been her little boy; she must often have come to wake him like this when he overslept. “Here are your clean clothes,” she went on, stroking my coverlid with her brown hand as she talked. “But first you come down to the kitchen with me, and have a nice warm bath behind the stove. Bring your things; there’s nobody about.” “Down to the kitchen” struck me as curious; it was always “out in the kitchen” at home. I picked up my shoes and stockings and followed her through the living-room and down a flight of stairs into a basement. This basement was divided into a dining-room at the right of the stairs and a kitchen at the left. Both rooms were plastered and whitewashed—the plaster laid directly upon the earth walls, as it used to be in dugouts. The floor was of hard cement. Up under the wooden ceiling there were little half-windows with white curtains, and pots of geraniums and	twelve or thirteen, maybe, and she’s as bright as a new dollar. Don’t you want to go ahead and see her, Jimmy? She’s got the pretty brown eyes, too!” This last remark made me bashful, and I shook my head and settled down to “Jesse James.” Jake nodded at me approvingly and said you were likely to get diseases from foreigners. I do not remember crossing the Missouri River, or anything about the long day’s journey through Nebraska. Probably by that time I had crossed so many rivers that I was dull to them. The only thing very noticeable about Nebraska was that it was still, all day long, Nebraska. I had been sleeping, curled up in a red plush seat, for a long while when we reached Black Hawk. Jake roused me and took me by the hand. We stumbled down from the train to a wooden siding, where men were running about with lanterns. I could n’t see any town, or even distant lights; we were surrounded by utter darkness. The engine was panting heavily after its long run. In the red glow from the fire-box, a group of people stood huddled together on the platform, encumbered by bundles and boxes. I knew this must be the immigrant family the conductor had told us about. The woman wore a fringed shawl tied over her head, and she carried a little tin trunk in her arms, hugging it as if it were a baby. There was an old man, tall and stooped. Two half-grown boys and a girl stood holding oil-cloth bundles, and a little girl clung to her mother’s skirts. Presently a man with a lantern approached them and began to talk, shouting and exclaiming. I pricked up my ears, for it was positively the first time I had ever heard a foreign tongue. Another lantern came along. A bantering voice called out: “Hello, are you Mr. Burden’s folks? If you are, it’s me you’re looking for. I’m Otto Fuchs. I’m Mr. Burden’s hired man, and I’m to drive you out. Hello, Jimmy, ain’t you scared to come so far west?”<\|quote\|>[Illustration: Immigrant family huddled together on the train platform] I looked up with interest at the new face in the lantern light. He might have stepped out of the pages of</\|quote\|>“Jesse James.” He wore a sombrero hat, with a wide leather band and a bright buckle, and the ends of his mustache were twisted up stiffly, like little horns. He looked lively and ferocious, I thought, and as if he had a history. A long scar ran across one cheek and drew the corner of his mouth up in a sinister curl. The top of his left ear was gone, and his skin was brown as an Indian’s. Surely this was the face of a desperado. As he walked about the platform in his high-heeled boots, looking for our trunks, I saw that he was a rather slight man, quick and wiry, and light on his feet. He told us we had a long night drive ahead of us, and had better be on the hike. He led us to a hitching-bar where two farm wagons were tied, and I saw the foreign family crowding into one of them. The other was for us. Jake got on the front seat with Otto Fuchs, and I rode on the straw in the bottom of the wagon-box, covered up with a buffalo hide. The immigrants rumbled off into the empty darkness, and we followed them. I tried to go to sleep, but the jolting made me bite my tongue, and I soon began to ache all over. When the straw settled down I had a hard bed. Cautiously I slipped from under the buffalo hide, got up on my knees and peered over the side of the wagon. There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made. No, there was nothing but land—slightly undulating, I knew, because often our wheels ground against the brake as we went down into a hollow and lurched up again on the other side. I had the feeling that the world was left behind, that we had got over the edge of it, and were outside man’s jurisdiction. I had never before looked up at the sky when there was not a familiar mountain ridge against it. But this was the complete dome of heaven, all there was of it. I did not believe that my dead father and mother were watching me from up there; they would still be looking for me at the sheep-fold down by the creek, or along the white road that led to the mountain pastures. I had left even their spirits behind me. The wagon jolted on, carrying me I knew not whither. I don’t think I was homesick. If we never arrived anywhere, it did not matter. Between that earth and that sky I felt erased, blotted out. I did not say my prayers that night: here, I felt, what would be would be. II I DO not remember our arrival at my grandfather’s farm sometime before daybreak, after a drive of nearly twenty miles with heavy work-horses. When I awoke, it was afternoon. I was lying in a little room, scarcely larger than the bed that held me, and the window-shade at my head was flapping softly in a warm wind. A tall woman, with wrinkled brown skin and black hair, stood looking down at me; I knew that she must be my grandmother. She had been crying, I could see, but when I opened my eyes she smiled, peered at me	My Antonia
he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.	No speaker	it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis:	success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life	Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no	as a second secretaryship at Bucharest. Sometimes I feel I must make a plunge: an immense plunge. Do you suppose, for instance, there would be any opening for me in America--in New York?" Archer looked at him with startled eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and	Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing. And so I have never regretted giving up either diplomacy or journalism--two different forms of the same self-abdication." He fixed his vivid eyes on Archer as he lit another cigarette. "Voyez-vous, Monsieur, to be able to look life in the face: that's worth living in a garret for, isn't it? But, after all, one must earn enough to pay for the garret; and I confess that to grow old as a private tutor--or a 'private' anything--is almost as chilling to the imagination as a second secretaryship at Bucharest. Sometimes I feel I must make a plunge: an immense plunge. Do you suppose, for instance, there would be any opening for me in America--in New York?" Archer looked at him with startled eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and his first impulse had been to invite him to dine the next day; but he was beginning to understand why married men did not always immediately yield to their first impulses. "That young tutor is an interesting fellow: we had some awfully good talk after dinner about books and things," he threw out tentatively in the hansom. May roused herself from one of the dreamy silences into which he had read so many meanings before six months of marriage had given him the key to them. "The little Frenchman? Wasn't he dreadfully common?" she questioned coldly; and he guessed that	had often talked with Merimee in his mother's house. He had obviously always been desperately poor and anxious (having a mother and an unmarried sister to provide for), and it was apparent that his literary ambitions had failed. His situation, in fact, seemed, materially speaking, no more brilliant than Ned Winsett's; but he had lived in a world in which, as he said, no one who loved ideas need hunger mentally. As it was precisely of that love that poor Winsett was starving to death, Archer looked with a sort of vicarious envy at this eager impecunious young man who had fared so richly in his poverty. "You see, Monsieur, it's worth everything, isn't it, to keep one's intellectual liberty, not to enslave one's powers of appreciation, one's critical independence? It was because of that that I abandoned journalism, and took to so much duller work: tutoring and private secretaryship. There is a good deal of drudgery, of course; but one preserves one's moral freedom, what we call in French one's quant a soi. And when one hears good talk one can join in it without compromising any opinions but one's own; or one can listen, and answer it inwardly. Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing. And so I have never regretted giving up either diplomacy or journalism--two different forms of the same self-abdication." He fixed his vivid eyes on Archer as he lit another cigarette. "Voyez-vous, Monsieur, to be able to look life in the face: that's worth living in a garret for, isn't it? But, after all, one must earn enough to pay for the garret; and I confess that to grow old as a private tutor--or a 'private' anything--is almost as chilling to the imagination as a second secretaryship at Bucharest. Sometimes I feel I must make a plunge: an immense plunge. Do you suppose, for instance, there would be any opening for me in America--in New York?" Archer looked at him with startled eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and his first impulse had been to invite him to dine the next day; but he was beginning to understand why married men did not always immediately yield to their first impulses. "That young tutor is an interesting fellow: we had some awfully good talk after dinner about books and things," he threw out tentatively in the hansom. May roused herself from one of the dreamy silences into which he had read so many meanings before six months of marriage had given him the key to them. "The little Frenchman? Wasn't he dreadfully common?" she questioned coldly; and he guessed that she nursed a secret disappointment at having been invited out in London to meet a clergyman and a French tutor. The disappointment was not occasioned by the sentiment ordinarily defined as snobbishness, but by old New York's sense of what was due to it when it risked its dignity in foreign lands. If May's parents had entertained the Carfrys in Fifth Avenue they would have offered them something more substantial than a parson and a schoolmaster. But Archer was on edge, and took her up. "Common--common WHERE?" he queried; and she returned with unusual readiness: "Why, I should say anywhere but in his school-room. Those people are always awkward in society. But then," she added disarmingly, "I suppose I shouldn't have known if he was clever." Archer disliked her use of the word "clever" almost as much as her use of the word "common"; but he was beginning to fear his tendency to dwell on the things he disliked in her. After all, her point of view had always been the same. It was that of all the people he had grown up among, and he had always regarded it as necessary but negligible. Until a few months ago he	were soon manifesting to May their desire to put her at her ease. In spite of their best efforts, however, the dinner was a languishing affair. Archer noticed that his wife's way of showing herself at her ease with foreigners was to become more uncompromisingly local in her references, so that, though her loveliness was an encouragement to admiration, her conversation was a chill to repartee. The Vicar soon abandoned the struggle; but the tutor, who spoke the most fluent and accomplished English, gallantly continued to pour it out to her until the ladies, to the manifest relief of all concerned, went up to the drawing-room. The Vicar, after a glass of port, was obliged to hurry away to a meeting, and the shy nephew, who appeared to be an invalid, was packed off to bed. But Archer and the tutor continued to sit over their wine, and suddenly Archer found himself talking as he had not done since his last symposium with Ned Winsett. The Carfry nephew, it turned out, had been threatened with consumption, and had had to leave Harrow for Switzerland, where he had spent two years in the milder air of Lake Leman. Being a bookish youth, he had been entrusted to M. Riviere, who had brought him back to England, and was to remain with him till he went up to Oxford the following spring; and M. Riviere added with simplicity that he should then have to look out for another job. It seemed impossible, Archer thought, that he should be long without one, so varied were his interests and so many his gifts. He was a man of about thirty, with a thin ugly face (May would certainly have called him common-looking) to which the play of his ideas gave an intense expressiveness; but there was nothing frivolous or cheap in his animation. His father, who had died young, had filled a small diplomatic post, and it had been intended that the son should follow the same career; but an insatiable taste for letters had thrown the young man into journalism, then into authorship (apparently unsuccessful), and at length--after other experiments and vicissitudes which he spared his listener--into tutoring English youths in Switzerland. Before that, however, he had lived much in Paris, frequented the Goncourt grenier, been advised by Maupassant not to attempt to write (even that seemed to Archer a dazzling honour!), and had often talked with Merimee in his mother's house. He had obviously always been desperately poor and anxious (having a mother and an unmarried sister to provide for), and it was apparent that his literary ambitions had failed. His situation, in fact, seemed, materially speaking, no more brilliant than Ned Winsett's; but he had lived in a world in which, as he said, no one who loved ideas need hunger mentally. As it was precisely of that love that poor Winsett was starving to death, Archer looked with a sort of vicarious envy at this eager impecunious young man who had fared so richly in his poverty. "You see, Monsieur, it's worth everything, isn't it, to keep one's intellectual liberty, not to enslave one's powers of appreciation, one's critical independence? It was because of that that I abandoned journalism, and took to so much duller work: tutoring and private secretaryship. There is a good deal of drudgery, of course; but one preserves one's moral freedom, what we call in French one's quant a soi. And when one hears good talk one can join in it without compromising any opinions but one's own; or one can listen, and answer it inwardly. Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing. And so I have never regretted giving up either diplomacy or journalism--two different forms of the same self-abdication." He fixed his vivid eyes on Archer as he lit another cigarette. "Voyez-vous, Monsieur, to be able to look life in the face: that's worth living in a garret for, isn't it? But, after all, one must earn enough to pay for the garret; and I confess that to grow old as a private tutor--or a 'private' anything--is almost as chilling to the imagination as a second secretaryship at Bucharest. Sometimes I feel I must make a plunge: an immense plunge. Do you suppose, for instance, there would be any opening for me in America--in New York?" Archer looked at him with startled eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and his first impulse had been to invite him to dine the next day; but he was beginning to understand why married men did not always immediately yield to their first impulses. "That young tutor is an interesting fellow: we had some awfully good talk after dinner about books and things," he threw out tentatively in the hansom. May roused herself from one of the dreamy silences into which he had read so many meanings before six months of marriage had given him the key to them. "The little Frenchman? Wasn't he dreadfully common?" she questioned coldly; and he guessed that she nursed a secret disappointment at having been invited out in London to meet a clergyman and a French tutor. The disappointment was not occasioned by the sentiment ordinarily defined as snobbishness, but by old New York's sense of what was due to it when it risked its dignity in foreign lands. If May's parents had entertained the Carfrys in Fifth Avenue they would have offered them something more substantial than a parson and a schoolmaster. But Archer was on edge, and took her up. "Common--common WHERE?" he queried; and she returned with unusual readiness: "Why, I should say anywhere but in his school-room. Those people are always awkward in society. But then," she added disarmingly, "I suppose I shouldn't have known if he was clever." Archer disliked her use of the word "clever" almost as much as her use of the word "common"; but he was beginning to fear his tendency to dwell on the things he disliked in her. After all, her point of view had always been the same. It was that of all the people he had grown up among, and he had always regarded it as necessary but negligible. Until a few months ago he had never known a "nice" woman who looked at life differently; and if a man married it must necessarily be among the nice. "Ah--then I won't ask him to dine!" he concluded with a laugh; and May echoed, bewildered: "Goodness--ask the Carfrys' tutor?" "Well, not on the same day with the Carfrys, if you prefer I shouldn't. But I did rather want another talk with him. He's looking for a job in New York." Her surprise increased with her indifference: he almost fancied that she suspected him of being tainted with "foreignness." "A job in New York? What sort of a job? People don't have French tutors: what does he want to do?" "Chiefly to enjoy good conversation, I understand," her husband retorted perversely; and she broke into an appreciative laugh. "Oh, Newland, how funny! Isn't that FRENCH?" On the whole, he was glad to have the matter settled for him by her refusing to take seriously his wish to invite M. Riviere. Another after-dinner talk would have made it difficult to avoid the question of New York; and the more Archer considered it the less he was able to fit M. Riviere into any conceivable picture of New York as he knew it. He perceived with a flash of chilling insight that in future many problems would be thus negatively solved for him; but as he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. "After that I suppose we shall have pretty nearly finished rubbing off each other's angles," he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose sharpness he most wanted to keep. XXI. The small bright lawn stretched away smoothly to the big bright sea. The turf was hemmed with an edge of scarlet geranium and coleus, and cast-iron vases painted in chocolate colour, standing at intervals along the winding path that led to the sea, looped their garlands of petunia and ivy geranium above the neatly raked gravel. Half way between the edge of the cliff and the square wooden house (which was also chocolate-coloured, but with the tin roof of the verandah striped in yellow and brown to represent an awning) two large targets had been placed against a background of shrubbery.	back to England, and was to remain with him till he went up to Oxford the following spring; and M. Riviere added with simplicity that he should then have to look out for another job. It seemed impossible, Archer thought, that he should be long without one, so varied were his interests and so many his gifts. He was a man of about thirty, with a thin ugly face (May would certainly have called him common-looking) to which the play of his ideas gave an intense expressiveness; but there was nothing frivolous or cheap in his animation. His father, who had died young, had filled a small diplomatic post, and it had been intended that the son should follow the same career; but an insatiable taste for letters had thrown the young man into journalism, then into authorship (apparently unsuccessful), and at length--after other experiments and vicissitudes which he spared his listener--into tutoring English youths in Switzerland. Before that, however, he had lived much in Paris, frequented the Goncourt grenier, been advised by Maupassant not to attempt to write (even that seemed to Archer a dazzling honour!), and had often talked with Merimee in his mother's house. He had obviously always been desperately poor and anxious (having a mother and an unmarried sister to provide for), and it was apparent that his literary ambitions had failed. His situation, in fact, seemed, materially speaking, no more brilliant than Ned Winsett's; but he had lived in a world in which, as he said, no one who loved ideas need hunger mentally. As it was precisely of that love that poor Winsett was starving to death, Archer looked with a sort of vicarious envy at this eager impecunious young man who had fared so richly in his poverty. "You see, Monsieur, it's worth everything, isn't it, to keep one's intellectual liberty, not to enslave one's powers of appreciation, one's critical independence? It was because of that that I abandoned journalism, and took to so much duller work: tutoring and private secretaryship. There is a good deal of drudgery, of course; but one preserves one's moral freedom, what we call in French one's quant a soi. And when one hears good talk one can join in it without compromising any opinions but one's own; or one can listen, and answer it inwardly. Ah, good conversation--there's nothing like it, is there? The air of ideas is the only air worth breathing. And so I have never regretted giving up either diplomacy or journalism--two different forms of the same self-abdication." He fixed his vivid eyes on Archer as he lit another cigarette. "Voyez-vous, Monsieur, to be able to look life in the face: that's worth living in a garret for, isn't it? But, after all, one must earn enough to pay for the garret; and I confess that to grow old as a private tutor--or a 'private' anything--is almost as chilling to the imagination as a second secretaryship at Bucharest. Sometimes I feel I must make a plunge: an immense plunge. Do you suppose, for instance, there would be any opening for me in America--in New York?" Archer looked at him with startled eyes. New York, for a young man who had frequented the Goncourts and Flaubert, and who thought the life of ideas the only one worth living! He continued to stare at M. Riviere perplexedly, wondering how to tell him that his very superiorities and advantages would be the surest hindrance to success. "New York--New York--but must it be especially New York?"<\|quote\|>he stammered, utterly unable to imagine what lucrative opening his native city could offer to a young man to whom good conversation appeared to be the only necessity. A sudden flush rose under M. Riviere's sallow skin.</\|quote\|>"I--I thought it your metropolis: is not the intellectual life more active there?" he rejoined; then, as if fearing to give his hearer the impression of having asked a favour, he went on hastily: "One throws out random suggestions--more to one's self than to others. In reality, I see no immediate prospect--" and rising from his seat he added, without a trace of constraint: "But Mrs. Carfry will think that I ought to be taking you upstairs." During the homeward drive Archer pondered deeply on this episode. His hour with M. Riviere had put new air into his lungs, and his first impulse had been to invite him to dine the next day; but he was beginning to understand why married men did not always immediately yield to their first impulses. "That young tutor is an interesting fellow: we had some awfully good talk after dinner about books and things," he threw out tentatively in the hansom. May roused herself from one of the dreamy silences into which he had read so many meanings before six months of marriage had given him the key to them. "The little Frenchman? Wasn't he dreadfully common?" she questioned coldly; and he guessed that she nursed a secret disappointment at having been invited out in London to meet a clergyman and a French tutor. The disappointment was not occasioned by the sentiment ordinarily defined as snobbishness, but by old New York's sense of what was due to it when it risked its dignity in foreign lands. If May's parents had entertained the Carfrys in Fifth Avenue they would have offered them something more substantial than a parson and a schoolmaster. But Archer was on edge, and took her up. "Common--common WHERE?" he queried; and she returned with unusual readiness: "Why, I should say anywhere but in his school-room. Those people are always awkward in society. But then," she added disarmingly, "I suppose I shouldn't have known if he was clever." Archer disliked her use of the word "clever" almost as much as her use of the word "common"; but he was beginning to fear his tendency to dwell on the things he disliked in her. After all, her point of view had always been the same. It was that of all the people he had grown up among, and he had always regarded it as necessary but negligible. Until a few months ago he had never	The Age Of Innocence
"Me!"	The Artful Dodger	cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the	this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What	the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what	the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" With these words, he pushed them from the room: and carefully double-locking and barring the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what to do next; never fear." The boy murmured a reply of intelligence: and hurried downstairs after his companions. "He has not peached so far," said the Jew as he pursued his occupation. "If he means to blab us among his new friends, we may stop his mouth yet." CHAPTER XIV.	of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" With these words, he pushed them from the room: and carefully double-locking and barring the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what to do next; never fear." The boy murmured a reply of intelligence: and hurried downstairs after his companions. "He has not peached so far," said the Jew as he pursued his occupation. "If he means to blab us among his new friends, we may stop his mouth yet." CHAPTER XIV. COMPRISING FURTHER PARTICULARS OF OLIVER'S STAY AT MR. BROWNLOW'S, WITH THE REMARKABLE PREDICTION WHICH ONE MR. GRIMWIG UTTERED CONCERNING HIM, WHEN HE WENT OUT ON AN ERRAND Oliver soon recovering from the fainting-fit into which Mr. Brownlow's abrupt exclamation had thrown him, the subject of the picture was carefully avoided, both by the old gentleman and Mrs. Bedwin, in the conversation that ensued: which indeed bore no reference to Oliver's history or prospects, but was confined to such topics as might amuse without exciting him. He was still too weak to get up to breakfast; but, when he came down	In reply to this incoherent questioning, the old man informed the deeply affected sister that Oliver had been taken ill in the office, and discharged in consequence of a witness having proved the robbery to have been committed by another boy, not in custody; and that the prosecutor had carried him away, in an insensible condition, to his own residence: of and concerning which, all the informant knew was, that it was somewhere in Pentonville, he having heard that word mentioned in the directions to the coachman. In a dreadful state of doubt and uncertainty, the agonised young woman staggered to the gate, and then, exchanging her faltering walk for a swift run, returned by the most devious and complicated route she could think of, to the domicile of the Jew. Mr. Bill Sikes no sooner heard the account of the expedition delivered, than he very hastily called up the white dog, and, putting on his hat, expeditiously departed: without devoting any time to the formality of wishing the company good-morning. "We must know where he is, my dears; he must be found," said the Jew greatly excited. "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" With these words, he pushed them from the room: and carefully double-locking and barring the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what to do next; never fear." The boy murmured a reply of intelligence: and hurried downstairs after his companions. "He has not peached so far," said the Jew as he pursued his occupation. "If he means to blab us among his new friends, we may stop his mouth yet." CHAPTER XIV. COMPRISING FURTHER PARTICULARS OF OLIVER'S STAY AT MR. BROWNLOW'S, WITH THE REMARKABLE PREDICTION WHICH ONE MR. GRIMWIG UTTERED CONCERNING HIM, WHEN HE WENT OUT ON AN ERRAND Oliver soon recovering from the fainting-fit into which Mr. Brownlow's abrupt exclamation had thrown him, the subject of the picture was carefully avoided, both by the old gentleman and Mrs. Bedwin, in the conversation that ensued: which indeed bore no reference to Oliver's history or prospects, but was confined to such topics as might amuse without exciting him. He was still too weak to get up to breakfast; but, when he came down into the housekeeper's room next day, his first act was to cast an eager glance at the wall, in the hope of again looking on the face of the beautiful lady. His expectations were disappointed, however, for the picture had been removed. "Ah!" said the housekeeper, watching the direction of Oliver's eyes. "It is gone, you see." "I see it is ma'am," replied Oliver. "Why have they taken it away?" "It has been taken down, child, because Mr. Brownlow said, that as it seemed to worry you, perhaps it might prevent your getting well, you know," rejoined the old lady. "Oh, no, indeed. It didn't worry me, ma'am," said Oliver. "I liked to see it. I quite loved it." "Well, well!" said the old lady, good-humouredly; "you get well as fast as ever you can, dear, and it shall be hung up again. There! I promise you that! Now, let us talk about something else." This was all the information Oliver could obtain about the picture at that time. As the old lady had been so kind to him in his illness, he endeavoured to think no more of the subject just then; so he listened attentively to a great	and smiting the table with his enormous fist. "Here's her health, and wishing they was all like her!" While these, and many other encomiums, were being passed on the accomplished Nancy, that young lady made the best of her way to the police-office; whither, notwithstanding a little natural timidity consequent upon walking through the streets alone and unprotected, she arrived in perfect safety shortly afterwards. Entering by the back way, she tapped softly with the key at one of the cell-doors, and listened. There was no sound within: so she coughed and listened again. Still there was no reply: so she spoke. "Nolly, dear?" murmured Nancy in a gentle voice; "Nolly?" There was nobody inside but a miserable shoeless criminal, who had been taken up for playing the flute, and who, the offence against society having been clearly proved, had been very properly committed by Mr. Fang to the House of Correction for one month; with the appropriate and amusing remark that since he had so much breath to spare, it would be more wholesomely expended on the treadmill than in a musical instrument. He made no answer: being occupied mentally bewailing the loss of the flute, which had been confiscated for the use of the county: so Nancy passed on to the next cell, and knocked there. "Well!" cried a faint and feeble voice. "Is there a little boy here?" inquired Nancy, with a preliminary sob. "No," replied the voice; "God forbid." This was a vagrant of sixty-five, who was going to prison for _not_ playing the flute; or, in other words, for begging in the streets, and doing nothing for his livelihood. In the next cell was another man, who was going to the same prison for hawking tin saucepans without license; thereby doing something for his living, in defiance of the Stamp-office. But, as neither of these criminals answered to the name of Oliver, or knew anything about him, Nancy made straight up to the bluff officer in the striped waistcoat; and with the most piteous wailings and lamentations, rendered more piteous by a prompt and efficient use of the street-door key and the little basket, demanded her own dear brother. "I haven't got him, my dear," said the old man. "Where is he?" screamed Nancy, in a distracted manner. "Why, the gentleman's got him," replied the officer. "What gentleman! Oh, gracious heavens! What gentleman?" exclaimed Nancy. In reply to this incoherent questioning, the old man informed the deeply affected sister that Oliver had been taken ill in the office, and discharged in consequence of a witness having proved the robbery to have been committed by another boy, not in custody; and that the prosecutor had carried him away, in an insensible condition, to his own residence: of and concerning which, all the informant knew was, that it was somewhere in Pentonville, he having heard that word mentioned in the directions to the coachman. In a dreadful state of doubt and uncertainty, the agonised young woman staggered to the gate, and then, exchanging her faltering walk for a swift run, returned by the most devious and complicated route she could think of, to the domicile of the Jew. Mr. Bill Sikes no sooner heard the account of the expedition delivered, than he very hastily called up the white dog, and, putting on his hat, expeditiously departed: without devoting any time to the formality of wishing the company good-morning. "We must know where he is, my dears; he must be found," said the Jew greatly excited. "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" With these words, he pushed them from the room: and carefully double-locking and barring the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what to do next; never fear." The boy murmured a reply of intelligence: and hurried downstairs after his companions. "He has not peached so far," said the Jew as he pursued his occupation. "If he means to blab us among his new friends, we may stop his mouth yet." CHAPTER XIV. COMPRISING FURTHER PARTICULARS OF OLIVER'S STAY AT MR. BROWNLOW'S, WITH THE REMARKABLE PREDICTION WHICH ONE MR. GRIMWIG UTTERED CONCERNING HIM, WHEN HE WENT OUT ON AN ERRAND Oliver soon recovering from the fainting-fit into which Mr. Brownlow's abrupt exclamation had thrown him, the subject of the picture was carefully avoided, both by the old gentleman and Mrs. Bedwin, in the conversation that ensued: which indeed bore no reference to Oliver's history or prospects, but was confined to such topics as might amuse without exciting him. He was still too weak to get up to breakfast; but, when he came down into the housekeeper's room next day, his first act was to cast an eager glance at the wall, in the hope of again looking on the face of the beautiful lady. His expectations were disappointed, however, for the picture had been removed. "Ah!" said the housekeeper, watching the direction of Oliver's eyes. "It is gone, you see." "I see it is ma'am," replied Oliver. "Why have they taken it away?" "It has been taken down, child, because Mr. Brownlow said, that as it seemed to worry you, perhaps it might prevent your getting well, you know," rejoined the old lady. "Oh, no, indeed. It didn't worry me, ma'am," said Oliver. "I liked to see it. I quite loved it." "Well, well!" said the old lady, good-humouredly; "you get well as fast as ever you can, dear, and it shall be hung up again. There! I promise you that! Now, let us talk about something else." This was all the information Oliver could obtain about the picture at that time. As the old lady had been so kind to him in his illness, he endeavoured to think no more of the subject just then; so he listened attentively to a great many stories she told him, about an amiable and handsome daughter of hers, who was married to an amiable and handsome man, and lived in the country; and about a son, who was clerk to a merchant in the West Indies; and who was, also, such a good young man, and wrote such dutiful letters home four times a-year, that it brought the tears into her eyes to talk about them. When the old lady had expatiated, a long time, on the excellences of her children, and the merits of her kind good husband besides, who had been dead and gone, poor dear soul! just six-and-twenty years, it was time to have tea. After tea she began to teach Oliver cribbage: which he learnt as quickly as she could teach: and at which game they played, with great interest and gravity, until it was time for the invalid to have some warm wine and water, with a slice of dry toast, and then to go cosily to bed. They were happy days, those of Oliver's recovery. Everything was so quiet, and neat, and orderly; everybody so kind and gentle; that after the noise and turbulence in the midst of which he had always lived, it seemed like Heaven itself. He was no sooner strong enough to put his clothes on, properly, than Mr. Brownlow caused a complete new suit, and a new cap, and a new pair of shoes, to be provided for him. As Oliver was told that he might do what he liked with the old clothes, he gave them to a servant who had been very kind to him, and asked her to sell them to a Jew, and keep the money for herself. This she very readily did; and, as Oliver looked out of the parlour window, and saw the Jew roll them up in his bag and walk away, he felt quite delighted to think that they were safely gone, and that there was now no possible danger of his ever being able to wear them again. They were sad rags, to tell the truth; and Oliver had never had a new suit before. One evening, about a week after the affair of the picture, as he was sitting talking to Mrs. Bedwin, there came a message down from Mr. Brownlow, that if Oliver Twist felt pretty well, he should like to see him in	waistcoat; and with the most piteous wailings and lamentations, rendered more piteous by a prompt and efficient use of the street-door key and the little basket, demanded her own dear brother. "I haven't got him, my dear," said the old man. "Where is he?" screamed Nancy, in a distracted manner. "Why, the gentleman's got him," replied the officer. "What gentleman! Oh, gracious heavens! What gentleman?" exclaimed Nancy. In reply to this incoherent questioning, the old man informed the deeply affected sister that Oliver had been taken ill in the office, and discharged in consequence of a witness having proved the robbery to have been committed by another boy, not in custody; and that the prosecutor had carried him away, in an insensible condition, to his own residence: of and concerning which, all the informant knew was, that it was somewhere in Pentonville, he having heard that word mentioned in the directions to the coachman. In a dreadful state of doubt and uncertainty, the agonised young woman staggered to the gate, and then, exchanging her faltering walk for a swift run, returned by the most devious and complicated route she could think of, to the domicile of the Jew. Mr. Bill Sikes no sooner heard the account of the expedition delivered, than he very hastily called up the white dog, and, putting on his hat, expeditiously departed: without devoting any time to the formality of wishing the company good-morning. "We must know where he is, my dears; he must be found," said the Jew greatly excited. "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" "Charley, do nothing but skulk about, till you bring home some news of him! Nancy, my dear, I must have him found. I trust to you, my dear, to you and the Artful for everything! Stay, stay," added the Jew, unlocking a drawer with a shaking hand; "there's money, my dears. I shall shut up this shop to-night. You'll know where to find me! Don't stop here a minute. Not an instant, my dears!" With these words, he pushed them from the room: and carefully double-locking and barring the door behind them, drew from its place of concealment the box which he had unintentionally disclosed to Oliver. Then, he hastily proceeded to dispose the watches and jewellery beneath his clothing. A rap at the door startled him in this occupation. "Who's there?" he cried in a shrill tone.<\|quote\|>"Me!"</\|quote\|>replied the voice of the Dodger, through the key-hole. "What now?" cried the Jew impatiently. "Is he to be kidnapped to the other ken, Nancy says?" inquired the Dodger. "Yes," replied the Jew, "wherever she lays hands on him. Find him, find him out, that's all. I shall know what to do next; never fear." The boy murmured a reply of intelligence: and hurried downstairs after his companions. "He has not peached so far," said the Jew as he pursued his occupation. "If he means to blab us among his new friends, we may stop his mouth yet." CHAPTER XIV. COMPRISING FURTHER PARTICULARS OF OLIVER'S STAY AT MR. BROWNLOW'S, WITH THE REMARKABLE PREDICTION WHICH ONE MR. GRIMWIG UTTERED CONCERNING HIM, WHEN HE WENT OUT ON AN ERRAND Oliver soon recovering from the fainting-fit into which Mr. Brownlow's abrupt exclamation had thrown him, the subject of the picture was carefully avoided, both by the old gentleman and Mrs. Bedwin, in the conversation that ensued: which indeed bore no reference to Oliver's history or prospects, but was confined to such topics as might amuse without exciting him. He was still too weak to get up to breakfast; but, when he came down into the housekeeper's room next day, his first act was to cast an eager glance at the wall, in the hope of again looking on the face of the beautiful lady. His expectations were disappointed, however, for the picture had been removed. "Ah!" said the housekeeper, watching the direction of Oliver's eyes. "It is gone, you see." "I see it is ma'am," replied Oliver. "Why have they taken it away?" "It has been taken down, child, because Mr. Brownlow said, that as it seemed to worry you, perhaps it might prevent your getting well, you know," rejoined the old lady. "Oh, no, indeed. It didn't worry me, ma'am," said Oliver. "I liked to see it. I quite loved it." "Well, well!" said the old lady, good-humouredly; "you get well as fast as ever you can, dear, and it shall be hung up again. There! I promise you that! Now, let us talk about something else." This was all the information Oliver could obtain about the picture at that time. As the old lady had been so kind to him in his illness, he endeavoured to think no more of the subject just then; so he listened attentively to a great many stories she told him, about an amiable and handsome daughter of hers, who was married to an amiable and handsome man, and lived in the country; and about a son, who was clerk to a merchant in the West Indies; and who was, also, such a good young man, and wrote such dutiful letters home four times a-year, that it brought the tears into her eyes to talk about them. When the old lady had expatiated, a long time, on the excellences of her children, and the merits of her kind good husband besides, who had been dead and gone, poor dear soul! just six-and-twenty years, it	Oliver Twist
"I think one might venture now. No, Lucy, do not stir. I will superintend the move."	Miss Bartlett	with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything,"	at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It	either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to	little old lady, and shuddered as if all the winds of heaven had entered the apartment. "Gentlemen sometimes do not realize--" Her voice faded away, but Miss Bartlett seemed to understand and a conversation developed, in which gentlemen who did not thoroughly realize played a principal part. Lucy, not realizing either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to feel. And yet--there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy. "I want to explain," said Miss Bartlett, "why it is that I have taken	the bath. All her barbed civilities came forth wrong end first. Young Mr. Emerson scored a notable triumph to the delight of Mr. Beebe and to the secret delight of Lucy. "Poor young man!" said Miss Bartlett, as soon as he had gone. "How angry he is with his father about the rooms! It is all he can do to keep polite." "In half an hour or so your rooms will be ready," said Mr. Beebe. Then looking rather thoughtfully at the two cousins, he retired to his own rooms, to write up his philosophic diary. "Oh, dear!" breathed the little old lady, and shuddered as if all the winds of heaven had entered the apartment. "Gentlemen sometimes do not realize--" Her voice faded away, but Miss Bartlett seemed to understand and a conversation developed, in which gentlemen who did not thoroughly realize played a principal part. Lucy, not realizing either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to feel. And yet--there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy. "I want to explain," said Miss Bartlett, "why it is that I have taken the largest room. Naturally, of course, I should have given it to you; but I happen to know that it belongs to the young man, and I was sure your mother would not like it." Lucy was bewildered. "If you are to accept a favour it is more suitable you should be under an obligation to his father than to him. I am a woman of the world, in my small way, and I know where things lead to. However, Mr. Beebe is a guarantee of a sort that they will not presume on this." "Mother wouldn't mind I'm sure,"	hard indeed if I stopped you doing as you liked at Florence, when I am only here through your kindness. If you wish me to turn these gentlemen out of their rooms, I will do it. Would you then, Mr. Beebe, kindly tell Mr. Emerson that I accept his kind offer, and then conduct him to me, in order that I may thank him personally?" She raised her voice as she spoke; it was heard all over the drawing-room, and silenced the Guelfs and the Ghibellines. The clergyman, inwardly cursing the female sex, bowed, and departed with her message. "Remember, Lucy, I alone am implicated in this. I do not wish the acceptance to come from you. Grant me that, at all events." Mr. Beebe was back, saying rather nervously: "Mr. Emerson is engaged, but here is his son instead." The young man gazed down on the three ladies, who felt seated on the floor, so low were their chairs. "My father," he said, "is in his bath, so you cannot thank him personally. But any message given by you to me will be given by me to him as soon as he comes out." Miss Bartlett was unequal to the bath. All her barbed civilities came forth wrong end first. Young Mr. Emerson scored a notable triumph to the delight of Mr. Beebe and to the secret delight of Lucy. "Poor young man!" said Miss Bartlett, as soon as he had gone. "How angry he is with his father about the rooms! It is all he can do to keep polite." "In half an hour or so your rooms will be ready," said Mr. Beebe. Then looking rather thoughtfully at the two cousins, he retired to his own rooms, to write up his philosophic diary. "Oh, dear!" breathed the little old lady, and shuddered as if all the winds of heaven had entered the apartment. "Gentlemen sometimes do not realize--" Her voice faded away, but Miss Bartlett seemed to understand and a conversation developed, in which gentlemen who did not thoroughly realize played a principal part. Lucy, not realizing either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to feel. And yet--there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy. "I want to explain," said Miss Bartlett, "why it is that I have taken the largest room. Naturally, of course, I should have given it to you; but I happen to know that it belongs to the young man, and I was sure your mother would not like it." Lucy was bewildered. "If you are to accept a favour it is more suitable you should be under an obligation to his father than to him. I am a woman of the world, in my small way, and I know where things lead to. However, Mr. Beebe is a guarantee of a sort that they will not presume on this." "Mother wouldn't mind I'm sure," said Lucy, but again had the sense of larger and unsuspected issues. Miss Bartlett only sighed, and enveloped her in a protecting embrace as she wished her good-night. It gave Lucy the sensation of a fog, and when she reached her own room she opened the window and breathed the clean night air, thinking of the kind old man who had enabled her to see the lights dancing in the Arno and the cypresses of San Miniato, and the foot-hills of the Apennines, black against the rising moon. Miss Bartlett, in her room, fastened the window-shutters and locked the door, and then made a tour of the apartment to see where the cupboards led, and whether there were any oubliettes or secret entrances. It was then that she saw, pinned up over the washstand, a sheet of paper on which was scrawled an enormous note of interrogation. Nothing more. "What does it mean?" she thought, and she examined it carefully by the light of a candle. Meaningless at first, it gradually became menacing, obnoxious, portentous with evil. She was seized with an impulse to destroy it, but fortunately remembered that she had no right to do so, since it must	they were, perhaps, more worthy of attention than the high discourse upon Guelfs and Ghibellines which was proceeding tempestuously at the other end of the room. It was a real catastrophe, not a mere episode, that evening of hers at Venice, when she had found in her bedroom something that is one worse than a flea, though one better than something else. "But here you are as safe as in England. Signora Bertolini is so English." "Yet our rooms smell," said poor Lucy. "We dread going to bed." "Ah, then you look into the court." She sighed. "If only Mr. Emerson was more tactful! We were so sorry for you at dinner." "I think he was meaning to be kind." "Undoubtedly he was," said Miss Bartlett. "Mr. Beebe has just been scolding me for my suspicious nature. Of course, I was holding back on my cousin's account." "Of course," said the little old lady; and they murmured that one could not be too careful with a young girl. Lucy tried to look demure, but could not help feeling a great fool. No one was careful with her at home; or, at all events, she had not noticed it. "About old Mr. Emerson--I hardly know. No, he is not tactful; yet, have you ever noticed that there are people who do things which are most indelicate, and yet at the same time--beautiful?" "Beautiful?" said Miss Bartlett, puzzled at the word. "Are not beauty and delicacy the same?" "So one would have thought," said the other helplessly. "But things are so difficult, I sometimes think." She proceeded no further into things, for Mr. Beebe reappeared, looking extremely pleasant. "Miss Bartlett," he cried, "it's all right about the rooms. I'm so glad. Mr. Emerson was talking about it in the smoking-room, and knowing what I did, I encouraged him to make the offer again. He has let me come and ask you. He would be so pleased." "Oh, Charlotte," cried Lucy to her cousin, "we must have the rooms now. The old man is just as nice and kind as he can be." Miss Bartlett was silent. "I fear," said Mr. Beebe, after a pause, "that I have been officious. I must apologize for my interference." Gravely displeased, he turned to go. Not till then did Miss Bartlett reply: "My own wishes, dearest Lucy, are unimportant in comparison with yours. It would be hard indeed if I stopped you doing as you liked at Florence, when I am only here through your kindness. If you wish me to turn these gentlemen out of their rooms, I will do it. Would you then, Mr. Beebe, kindly tell Mr. Emerson that I accept his kind offer, and then conduct him to me, in order that I may thank him personally?" She raised her voice as she spoke; it was heard all over the drawing-room, and silenced the Guelfs and the Ghibellines. The clergyman, inwardly cursing the female sex, bowed, and departed with her message. "Remember, Lucy, I alone am implicated in this. I do not wish the acceptance to come from you. Grant me that, at all events." Mr. Beebe was back, saying rather nervously: "Mr. Emerson is engaged, but here is his son instead." The young man gazed down on the three ladies, who felt seated on the floor, so low were their chairs. "My father," he said, "is in his bath, so you cannot thank him personally. But any message given by you to me will be given by me to him as soon as he comes out." Miss Bartlett was unequal to the bath. All her barbed civilities came forth wrong end first. Young Mr. Emerson scored a notable triumph to the delight of Mr. Beebe and to the secret delight of Lucy. "Poor young man!" said Miss Bartlett, as soon as he had gone. "How angry he is with his father about the rooms! It is all he can do to keep polite." "In half an hour or so your rooms will be ready," said Mr. Beebe. Then looking rather thoughtfully at the two cousins, he retired to his own rooms, to write up his philosophic diary. "Oh, dear!" breathed the little old lady, and shuddered as if all the winds of heaven had entered the apartment. "Gentlemen sometimes do not realize--" Her voice faded away, but Miss Bartlett seemed to understand and a conversation developed, in which gentlemen who did not thoroughly realize played a principal part. Lucy, not realizing either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to feel. And yet--there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy. "I want to explain," said Miss Bartlett, "why it is that I have taken the largest room. Naturally, of course, I should have given it to you; but I happen to know that it belongs to the young man, and I was sure your mother would not like it." Lucy was bewildered. "If you are to accept a favour it is more suitable you should be under an obligation to his father than to him. I am a woman of the world, in my small way, and I know where things lead to. However, Mr. Beebe is a guarantee of a sort that they will not presume on this." "Mother wouldn't mind I'm sure," said Lucy, but again had the sense of larger and unsuspected issues. Miss Bartlett only sighed, and enveloped her in a protecting embrace as she wished her good-night. It gave Lucy the sensation of a fog, and when she reached her own room she opened the window and breathed the clean night air, thinking of the kind old man who had enabled her to see the lights dancing in the Arno and the cypresses of San Miniato, and the foot-hills of the Apennines, black against the rising moon. Miss Bartlett, in her room, fastened the window-shutters and locked the door, and then made a tour of the apartment to see where the cupboards led, and whether there were any oubliettes or secret entrances. It was then that she saw, pinned up over the washstand, a sheet of paper on which was scrawled an enormous note of interrogation. Nothing more. "What does it mean?" she thought, and she examined it carefully by the light of a candle. Meaningless at first, it gradually became menacing, obnoxious, portentous with evil. She was seized with an impulse to destroy it, but fortunately remembered that she had no right to do so, since it must be the property of young Mr. Emerson. So she unpinned it carefully, and put it between two pieces of blotting-paper to keep it clean for him. Then she completed her inspection of the room, sighed heavily according to her habit, and went to bed. Chapter II: In Santa Croce with No Baedeker It was pleasant to wake up in Florence, to open the eyes upon a bright bare room, with a floor of red tiles which look clean though they are not; with a painted ceiling whereon pink griffins and blue amorini sport in a forest of yellow violins and bassoons. It was pleasant, too, to fling wide the windows, pinching the fingers in unfamiliar fastenings, to lean out into sunshine with beautiful hills and trees and marble churches opposite, and close below, the Arno, gurgling against the embankment of the road. Over the river men were at work with spades and sieves on the sandy foreshore, and on the river was a boat, also diligently employed for some mysterious end. An electric tram came rushing underneath the window. No one was inside it, except one tourist; but its platforms were overflowing with Italians, who preferred to stand. Children tried to hang on behind, and the conductor, with no malice, spat in their faces to make them let go. Then soldiers appeared--good-looking, undersized men--wearing each a knapsack covered with mangy fur, and a great-coat which had been cut for some larger soldier. Beside them walked officers, looking foolish and fierce, and before them went little boys, turning somersaults in time with the band. The tramcar became entangled in their ranks, and moved on painfully, like a caterpillar in a swarm of ants. One of the little boys fell down, and some white bullocks came out of an archway. Indeed, if it had not been for the good advice of an old man who was selling button-hooks, the road might never have got clear. Over such trivialities as these many a valuable hour may slip away, and the traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it. So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy's leaving the door unlocked, and on her leaning out	rooms. I'm so glad. Mr. Emerson was talking about it in the smoking-room, and knowing what I did, I encouraged him to make the offer again. He has let me come and ask you. He would be so pleased." "Oh, Charlotte," cried Lucy to her cousin, "we must have the rooms now. The old man is just as nice and kind as he can be." Miss Bartlett was silent. "I fear," said Mr. Beebe, after a pause, "that I have been officious. I must apologize for my interference." Gravely displeased, he turned to go. Not till then did Miss Bartlett reply: "My own wishes, dearest Lucy, are unimportant in comparison with yours. It would be hard indeed if I stopped you doing as you liked at Florence, when I am only here through your kindness. If you wish me to turn these gentlemen out of their rooms, I will do it. Would you then, Mr. Beebe, kindly tell Mr. Emerson that I accept his kind offer, and then conduct him to me, in order that I may thank him personally?" She raised her voice as she spoke; it was heard all over the drawing-room, and silenced the Guelfs and the Ghibellines. The clergyman, inwardly cursing the female sex, bowed, and departed with her message. "Remember, Lucy, I alone am implicated in this. I do not wish the acceptance to come from you. Grant me that, at all events." Mr. Beebe was back, saying rather nervously: "Mr. Emerson is engaged, but here is his son instead." The young man gazed down on the three ladies, who felt seated on the floor, so low were their chairs. "My father," he said, "is in his bath, so you cannot thank him personally. But any message given by you to me will be given by me to him as soon as he comes out." Miss Bartlett was unequal to the bath. All her barbed civilities came forth wrong end first. Young Mr. Emerson scored a notable triumph to the delight of Mr. Beebe and to the secret delight of Lucy. "Poor young man!" said Miss Bartlett, as soon as he had gone. "How angry he is with his father about the rooms! It is all he can do to keep polite." "In half an hour or so your rooms will be ready," said Mr. Beebe. Then looking rather thoughtfully at the two cousins, he retired to his own rooms, to write up his philosophic diary. "Oh, dear!" breathed the little old lady, and shuddered as if all the winds of heaven had entered the apartment. "Gentlemen sometimes do not realize--" Her voice faded away, but Miss Bartlett seemed to understand and a conversation developed, in which gentlemen who did not thoroughly realize played a principal part. Lucy, not realizing either, was reduced to literature. Taking up Baedeker's Handbook to Northern Italy, she committed to memory the most important dates of Florentine History. For she was determined to enjoy herself on the morrow. Thus the half-hour crept profitably away, and at last Miss Bartlett rose with a sigh, and said:<\|quote\|>"I think one might venture now. No, Lucy, do not stir. I will superintend the move."</\|quote\|>"How you do do everything," said Lucy. "Naturally, dear. It is my affair." "But I would like to help you." "No, dear." Charlotte's energy! And her unselfishness! She had been thus all her life, but really, on this Italian tour, she was surpassing herself. So Lucy felt, or strove to feel. And yet--there was a rebellious spirit in her which wondered whether the acceptance might not have been less delicate and more beautiful. At all events, she entered her own room without any feeling of joy. "I want to explain," said Miss Bartlett, "why it is that I have taken the largest room. Naturally, of course, I should have given it to you; but I happen to know that it belongs to the young man, and I was sure your mother would not like it." Lucy was bewildered. "If you are to accept a favour it is more suitable you should be under an obligation to his father than to him. I am a woman of the world, in my small way, and I know where things lead to. However, Mr. Beebe is a guarantee of a sort that they will not presume on this." "Mother wouldn't mind I'm sure," said Lucy, but again had the sense of larger and unsuspected issues. Miss Bartlett only sighed, and enveloped her in a protecting embrace as she wished her good-night. It gave Lucy the sensation of a fog, and when she reached her own room she opened the window and breathed the clean night air, thinking of the kind old man who had enabled her to see the lights dancing in the Arno and the cypresses of San Miniato, and the foot-hills of the Apennines, black against the rising moon. Miss Bartlett, in her room, fastened the window-shutters and locked the door, and then made a tour of the apartment to see where the cupboards led, and whether there were any oubliettes or secret entrances. It was then that she saw, pinned up over the washstand, a sheet of paper on which was scrawled an enormous note of interrogation. Nothing more. "What does it mean?" she thought, and she examined	A Room With A View
here she turned to Mlle. Blanche	No speaker	beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are	here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered	For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon	General later? And who is to repay De Griers? Clearly Mlle. Blanche would never consent to wait until the Grandmother was dead, but would at once elope with the Prince or someone else. So they had all gathered together endeavouring to calm and dissuade the Grandmother. Only Polina was absent. For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon my death, have you?" fumed the old lady. "Away with you! Clear them out of the room, Alexis Ivanovitch. What business is it of _theirs?_ It is not _their_ money that I have been squandering, but my own." The General shrugged his shoulders, bowed, and withdrew, with De Griers behind	time now?" "Half-past eight." "How vexing! But, never mind. Alexis Ivanovitch, I have not a kopeck left; I have but these two bank notes. Please run to the office and get them changed. Otherwise I shall have nothing to travel with." Departing on her errand, I returned half an hour later to find the whole party gathered in her rooms. It appeared that the news of her impending departure for Moscow had thrown the conspirators into consternation even greater than her losses had done. For, said they, even if her departure should save her fortune, what will become of the General later? And who is to repay De Griers? Clearly Mlle. Blanche would never consent to wait until the Grandmother was dead, but would at once elope with the Prince or someone else. So they had all gathered together endeavouring to calm and dissuade the Grandmother. Only Polina was absent. For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon my death, have you?" fumed the old lady. "Away with you! Clear them out of the room, Alexis Ivanovitch. What business is it of _theirs?_ It is not _their_ money that I have been squandering, but my own." The General shrugged his shoulders, bowed, and withdrew, with De Griers behind him. "Call Prascovia," commanded the Grandmother, and in five minutes Martha reappeared with Polina, who had been sitting with the children in her own room (having purposely determined not to leave it that day). Her face looked grave and careworn. "Prascovia," began the Grandmother, "is what I have just heard through a side wind true namely, that this fool of a stepfather of yours is going to marry that silly whirligig of a Frenchwoman that actress, or something worse? Tell me, is it true?" "I do not know _for certain_, Grandmamma," replied Polina; "but from Mlle. Blanche s account (for	hour later we had lost everything in hand. "Home!" cried the Grandmother. Not until we had turned into the Avenue did she utter a word; but from that point onwards, until we arrived at the hotel, she kept venting exclamations of "What a fool I am! What a silly old fool I am, to be sure!" Arrived at the hotel, she called for tea, and then gave orders for her luggage to be packed. "We are off again," she announced. "But whither, Madame?" inquired Martha. "What business is that of _yours?_ Let the cricket stick to its hearth." [2] "Potapitch, have everything packed, for we are returning to Moscow at once. I have fooled away fifteen thousand roubles." [2] The Russian form of "Mind your own business." "Fifteen thousand roubles, good mistress? My God!" And Potapitch spat upon his hands probably to show that he was ready to serve her in any way he could. "Now then, you fool! At once you begin with your weeping and wailing! Be quiet, and pack. Also, run downstairs, and get my hotel bill." "The next train leaves at 9:30, Madame," I interposed, with a view to checking her agitation. "And what is the time now?" "Half-past eight." "How vexing! But, never mind. Alexis Ivanovitch, I have not a kopeck left; I have but these two bank notes. Please run to the office and get them changed. Otherwise I shall have nothing to travel with." Departing on her errand, I returned half an hour later to find the whole party gathered in her rooms. It appeared that the news of her impending departure for Moscow had thrown the conspirators into consternation even greater than her losses had done. For, said they, even if her departure should save her fortune, what will become of the General later? And who is to repay De Griers? Clearly Mlle. Blanche would never consent to wait until the Grandmother was dead, but would at once elope with the Prince or someone else. So they had all gathered together endeavouring to calm and dissuade the Grandmother. Only Polina was absent. For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon my death, have you?" fumed the old lady. "Away with you! Clear them out of the room, Alexis Ivanovitch. What business is it of _theirs?_ It is not _their_ money that I have been squandering, but my own." The General shrugged his shoulders, bowed, and withdrew, with De Griers behind him. "Call Prascovia," commanded the Grandmother, and in five minutes Martha reappeared with Polina, who had been sitting with the children in her own room (having purposely determined not to leave it that day). Her face looked grave and careworn. "Prascovia," began the Grandmother, "is what I have just heard through a side wind true namely, that this fool of a stepfather of yours is going to marry that silly whirligig of a Frenchwoman that actress, or something worse? Tell me, is it true?" "I do not know _for certain_, Grandmamma," replied Polina; "but from Mlle. Blanche s account (for she does not appear to think it necessary to conceal anything) I conclude that" "You need not say any more," interrupted the Grandmother energetically. "I understand the situation. I always thought we should get something like this from him, for I always looked upon him as a futile, frivolous fellow who gave himself unconscionable airs on the fact of his being a general (though he only became one because he retired as a colonel). Yes, I know _all_ about the sending of the telegrams to inquire whether the old woman is likely to turn up her toes soon. Ah, they were looking for the legacies! Without money that wretched woman (what is her name? Oh, De Cominges) would never dream of accepting the General and his false teeth no, not even for him to be her lacquey since she herself, they say, possesses a pile of money, and lends it on interest, and makes a good thing out of it. However, it is not _you_, Prascovia, that I am blaming; it was not _you_ who sent those telegrams. Nor, for that matter, do I wish to recall old scores. True, I know that you are a vixen by nature that	scarcely follow the old lady s play. At length Mlle. and the Prince took their departure, and the General followed them. "Madame, Madame," sounded the honeyed accents of De Griers as he leant over to whisper in the Grandmother s ear. "That stake will never win. No, no, it is impossible," he added in Russian with a writhe. "No, no!" "But why not?" asked the Grandmother, turning round. "Show me what I ought to do." Instantly De Griers burst into a babble of French as he advised, jumped about, declared that such and such chances ought to be waited for, and started to make calculations of figures. All this he addressed to me in my capacity as translator tapping the table the while with his finger, and pointing hither and thither. At length he seized a pencil, and began to reckon sums on paper until he had exhausted the Grandmother s patience. "Away with you!" she interrupted. "You talk sheer nonsense, for, though you keep on saying" Madame, Madame, "you haven t the least notion what ought to be done. Away with you, I say!" "Mais, Madame," cooed De Griers and straightway started afresh with his fussy instructions. "Stake just _once_, as he advises," the Grandmother said to me, "and then we shall see what we _shall_ see. Of course, his stake _might_ win." As a matter of fact, De Grier s one object was to distract the old lady from staking large sums; wherefore, he now suggested to her that she should stake upon certain numbers, singly and in groups. Consequently, in accordance with his instructions, I staked a ten-g lden piece upon several odd numbers in the first twenty, and five ten-g lden pieces upon certain groups of numbers-groups of from twelve to eighteen, and from eighteen to twenty-four. The total staked amounted to 160 g lden. The wheel revolved. "Zero!" cried the croupier. We had lost it all! "The fool!" cried the old lady as she turned upon De Griers. "You infernal Frenchman, to think that _you_ should advise! Away with you! Though you fuss and fuss, you don t even know what you re talking about." Deeply offended, De Griers shrugged his shoulders, favoured the Grandmother with a look of contempt, and departed. For some time past he had been feeling ashamed of being seen in such company, and this had proved the last straw. An hour later we had lost everything in hand. "Home!" cried the Grandmother. Not until we had turned into the Avenue did she utter a word; but from that point onwards, until we arrived at the hotel, she kept venting exclamations of "What a fool I am! What a silly old fool I am, to be sure!" Arrived at the hotel, she called for tea, and then gave orders for her luggage to be packed. "We are off again," she announced. "But whither, Madame?" inquired Martha. "What business is that of _yours?_ Let the cricket stick to its hearth." [2] "Potapitch, have everything packed, for we are returning to Moscow at once. I have fooled away fifteen thousand roubles." [2] The Russian form of "Mind your own business." "Fifteen thousand roubles, good mistress? My God!" And Potapitch spat upon his hands probably to show that he was ready to serve her in any way he could. "Now then, you fool! At once you begin with your weeping and wailing! Be quiet, and pack. Also, run downstairs, and get my hotel bill." "The next train leaves at 9:30, Madame," I interposed, with a view to checking her agitation. "And what is the time now?" "Half-past eight." "How vexing! But, never mind. Alexis Ivanovitch, I have not a kopeck left; I have but these two bank notes. Please run to the office and get them changed. Otherwise I shall have nothing to travel with." Departing on her errand, I returned half an hour later to find the whole party gathered in her rooms. It appeared that the news of her impending departure for Moscow had thrown the conspirators into consternation even greater than her losses had done. For, said they, even if her departure should save her fortune, what will become of the General later? And who is to repay De Griers? Clearly Mlle. Blanche would never consent to wait until the Grandmother was dead, but would at once elope with the Prince or someone else. So they had all gathered together endeavouring to calm and dissuade the Grandmother. Only Polina was absent. For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon my death, have you?" fumed the old lady. "Away with you! Clear them out of the room, Alexis Ivanovitch. What business is it of _theirs?_ It is not _their_ money that I have been squandering, but my own." The General shrugged his shoulders, bowed, and withdrew, with De Griers behind him. "Call Prascovia," commanded the Grandmother, and in five minutes Martha reappeared with Polina, who had been sitting with the children in her own room (having purposely determined not to leave it that day). Her face looked grave and careworn. "Prascovia," began the Grandmother, "is what I have just heard through a side wind true namely, that this fool of a stepfather of yours is going to marry that silly whirligig of a Frenchwoman that actress, or something worse? Tell me, is it true?" "I do not know _for certain_, Grandmamma," replied Polina; "but from Mlle. Blanche s account (for she does not appear to think it necessary to conceal anything) I conclude that" "You need not say any more," interrupted the Grandmother energetically. "I understand the situation. I always thought we should get something like this from him, for I always looked upon him as a futile, frivolous fellow who gave himself unconscionable airs on the fact of his being a general (though he only became one because he retired as a colonel). Yes, I know _all_ about the sending of the telegrams to inquire whether the old woman is likely to turn up her toes soon. Ah, they were looking for the legacies! Without money that wretched woman (what is her name? Oh, De Cominges) would never dream of accepting the General and his false teeth no, not even for him to be her lacquey since she herself, they say, possesses a pile of money, and lends it on interest, and makes a good thing out of it. However, it is not _you_, Prascovia, that I am blaming; it was not _you_ who sent those telegrams. Nor, for that matter, do I wish to recall old scores. True, I know that you are a vixen by nature that you are a wasp which will sting one if one touches it yet, my heart is sore for you, for I loved your mother, Katerina. Now, will you leave everything here, and come away with me? Otherwise, I do not know what is to become of you, and it is not right that you should continue living with these people. Nay," she interposed, the moment that Polina attempted to speak, "I have not yet finished. I ask of you nothing in return. My house in Moscow is, as you know, large enough for a palace, and you could occupy a whole floor of it if you liked, and keep away from me for weeks together. Will you come with me or will you not?" "First of all, let me ask of _you_," replied Polina, "whether you are intending to depart at once?" "What? You suppose me to be jesting? I have said that I am going, and I _am_ going. Today I have squandered fifteen thousand roubles at that accursed roulette of yours, and though, five years ago, I promised the people of a certain suburb of Moscow to build them a stone church in place of a wooden one, I have been fooling away my money here! However, I am going back now to build my church." "But what about the waters, Grandmamma? Surely you came here to take the waters?" "You and your waters! Do not anger me, Prascovia. Surely you are trying to? Say, then: will you, or will you not, come with me?" "Grandmamma," Polina replied with deep feeling, "I am very, very grateful to you for the shelter which you have so kindly offered me. Also, to a certain extent you have guessed my position aright, and I am beholden to you to such an extent that it may be that I _will_ come and live with you, and that very soon; yet there are important reasons why why I cannot make up my mind just yet. If you would let me have, say, a couple of weeks to decide in ?" "You mean that you are _not_ coming?" "I mean only that I cannot come just yet. At all events, I could not well leave my little brother and sister here, since, since if I were to leave them they would be abandoned altogether. But if, Grandmamma, you would take the little ones _and_	As a matter of fact, De Grier s one object was to distract the old lady from staking large sums; wherefore, he now suggested to her that she should stake upon certain numbers, singly and in groups. Consequently, in accordance with his instructions, I staked a ten-g lden piece upon several odd numbers in the first twenty, and five ten-g lden pieces upon certain groups of numbers-groups of from twelve to eighteen, and from eighteen to twenty-four. The total staked amounted to 160 g lden. The wheel revolved. "Zero!" cried the croupier. We had lost it all! "The fool!" cried the old lady as she turned upon De Griers. "You infernal Frenchman, to think that _you_ should advise! Away with you! Though you fuss and fuss, you don t even know what you re talking about." Deeply offended, De Griers shrugged his shoulders, favoured the Grandmother with a look of contempt, and departed. For some time past he had been feeling ashamed of being seen in such company, and this had proved the last straw. An hour later we had lost everything in hand. "Home!" cried the Grandmother. Not until we had turned into the Avenue did she utter a word; but from that point onwards, until we arrived at the hotel, she kept venting exclamations of "What a fool I am! What a silly old fool I am, to be sure!" Arrived at the hotel, she called for tea, and then gave orders for her luggage to be packed. "We are off again," she announced. "But whither, Madame?" inquired Martha. "What business is that of _yours?_ Let the cricket stick to its hearth." [2] "Potapitch, have everything packed, for we are returning to Moscow at once. I have fooled away fifteen thousand roubles." [2] The Russian form of "Mind your own business." "Fifteen thousand roubles, good mistress? My God!" And Potapitch spat upon his hands probably to show that he was ready to serve her in any way he could. "Now then, you fool! At once you begin with your weeping and wailing! Be quiet, and pack. Also, run downstairs, and get my hotel bill." "The next train leaves at 9:30, Madame," I interposed, with a view to checking her agitation. "And what is the time now?" "Half-past eight." "How vexing! But, never mind. Alexis Ivanovitch, I have not a kopeck left; I have but these two bank notes. Please run to the office and get them changed. Otherwise I shall have nothing to travel with." Departing on her errand, I returned half an hour later to find the whole party gathered in her rooms. It appeared that the news of her impending departure for Moscow had thrown the conspirators into consternation even greater than her losses had done. For, said they, even if her departure should save her fortune, what will become of the General later? And who is to repay De Griers? Clearly Mlle. Blanche would never consent to wait until the Grandmother was dead, but would at once elope with the Prince or someone else. So they had all gathered together endeavouring to calm and dissuade the Grandmother. Only Polina was absent. For her part the Grandmother had nothing for the party but abuse. "Away with you, you rascals!" she was shouting. "What have my affairs to do with you? Why, in particular, do _you_" here she indicated De Griers "come sneaking here with your goat s beard? And what do _you_"<\|quote\|>here she turned to Mlle. Blanche</\|quote\|>"want of me? What are _you_ finicking for?" "Diantre!" muttered Mlle. under her breath, but her eyes were flashing. Then all at once she burst into a laugh and left the room crying to the General as she did so: "Elle vivra cent ans!" "So you have been counting upon my death, have you?" fumed the old lady. "Away with you! Clear them out of the room, Alexis Ivanovitch. What business is it of _theirs?_ It is not _their_ money that I have been squandering, but my own." The General shrugged his shoulders, bowed, and withdrew, with De Griers behind him. "Call Prascovia," commanded the Grandmother, and in five minutes Martha reappeared with Polina, who had been sitting with the children in her own room (having purposely determined not to leave it that day). Her face looked grave and careworn. "Prascovia," began the Grandmother, "is what I have just heard through a side wind true namely, that this fool of a stepfather of yours is going to marry that silly whirligig of a Frenchwoman that actress, or something worse? Tell me, is it true?" "I do not know _for certain_, Grandmamma," replied Polina; "but from Mlle. Blanche s account (for she does not appear to think it necessary to conceal anything) I conclude that" "You need not say any more," interrupted the Grandmother energetically. "I understand the situation. I always thought we should get something like this from him, for I always looked upon him as a futile, frivolous fellow who gave himself unconscionable airs on the fact of his being a general (though he only became one because he retired as a colonel). Yes, I know _all_ about the sending of the telegrams to inquire whether the old woman is likely to turn up her toes soon. Ah, they were looking for the legacies! Without money that wretched woman (what is her name? Oh, De Cominges) would never dream of accepting the General and his false teeth no, not even for him to be her lacquey since she herself, they say, possesses	The Gambler
"The composure of an army is the anger of a nation."	The Policeman	the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!"	calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational	to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering.	evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head.	Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for	no nearer a living. As he paced the Thames embankment, bitterly biting a cheap cigar and brooding on the advance of Anarchy, there was no anarchist with a bomb in his pocket so savage or so solitary as he. Indeed, he always felt that Government stood alone and desperate, with its back to the wall. He was too quixotic to have cared for it otherwise. He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country. Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton. Also his yellow beard and hair were more unkempt and leonine than when they appeared long afterwards, cut and pointed, on the lawns of Saffron Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for making yourself clear, it is the last thing you do. How comes a man like you to be talking philosophy in a blue helmet on the Thames embankment?" "You have evidently not heard of the latest development in our police system," replied the other. "I am not surprised at it. We are keeping it rather dark from the educated class, because that class contains most of our enemies. But you seem to be exactly in the right frame of mind. I think you might almost join us." "Join you in what?" asked Syme. "I will tell you," said the policeman slowly. "This is the situation: The head of one of our departments, one of the most celebrated detectives in Europe, has long been of opinion that a purely intellectual conspiracy would soon threaten the very existence of civilisation. He is certain that the scientific and artistic worlds are silently bound in a crusade against the Family and the State. He has, therefore, formed a special corps of policemen, policemen who are also philosophers. It is their business to watch the beginnings of this conspiracy, not merely in a criminal but in a controversial sense. I am a democrat myself, and	was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion. He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realisation; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinth and cocoa, of both of which he had a healthy dislike. The more his mother preached a more than Puritan abstinence the more did his father expand into a more than pagan latitude; and by the time the former had come to enforcing vegetarianism, the latter had pretty well reached the point of defending cannibalism. Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible. His hatred of modern lawlessness had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the broken windows and the bleeding faces. After that he went about as usual quiet, courteous, rather gentle; but there was a spot on his mind that was not sane. He did not regard anarchists, as most of us do, as a handful of morbid men, combining ignorance with intellectualism. He regarded them as a huge and pitiless peril, like a Chinese invasion. He poured perpetually into newspapers and their waste-paper baskets a torrent of tales, verses and violent articles, warning men of this deluge of barbaric denial. But he seemed to be getting no nearer his enemy, and, what was worse, no nearer a living. As he paced the Thames embankment, bitterly biting a cheap cigar and brooding on the advance of Anarchy, there was no anarchist with a bomb in his pocket so savage or so solitary as he. Indeed, he always felt that Government stood alone and desperate, with its back to the wall. He was too quixotic to have cared for it otherwise. He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country. Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton. Also his yellow beard and hair were more unkempt and leonine than when they appeared long afterwards, cut and pointed, on the lawns of Saffron Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for making yourself clear, it is the last thing you do. How comes a man like you to be talking philosophy in a blue helmet on the Thames embankment?" "You have evidently not heard of the latest development in our police system," replied the other. "I am not surprised at it. We are keeping it rather dark from the educated class, because that class contains most of our enemies. But you seem to be exactly in the right frame of mind. I think you might almost join us." "Join you in what?" asked Syme. "I will tell you," said the policeman slowly. "This is the situation: The head of one of our departments, one of the most celebrated detectives in Europe, has long been of opinion that a purely intellectual conspiracy would soon threaten the very existence of civilisation. He is certain that the scientific and artistic worlds are silently bound in a crusade against the Family and the State. He has, therefore, formed a special corps of policemen, policemen who are also philosophers. It is their business to watch the beginnings of this conspiracy, not merely in a criminal but in a controversial sense. I am a democrat myself, and I am fully aware of the value of the ordinary man in matters of ordinary valour or virtue. But it would obviously be undesirable to employ the common policeman in an investigation which is also a heresy hunt." Syme's eyes were bright with a sympathetic curiosity. "What do you do, then?" he said. "The work of the philosophical policeman," replied the man in blue, "is at once bolder and more subtle than that of the ordinary detective. The ordinary detective goes to pot-houses to arrest thieves; we go to artistic tea-parties to detect pessimists. The ordinary detective discovers from a ledger or a diary that a crime has been committed. We discover from a book of sonnets that a crime will be committed. We have to trace the origin of those dreadful thoughts that drive men on at last to intellectual fanaticism and intellectual crime. We were only just in time to prevent the assassination at Hartlepool, and that was entirely due to the fact that our Mr. Wilks (a smart young fellow) thoroughly understood a triolet." "Do you mean," asked Syme, "that there is really as much connection between crime and the modern intellect as all that?" "You are not sufficiently democratic," answered the policeman, "but you were right when you said just now that our ordinary treatment of the poor criminal was a pretty brutal business. I tell you I am sometimes sick of my trade when I see how perpetually it means merely a war upon the ignorant and the desperate. But this new movement of ours is a very different affair. We deny the snobbish English assumption that the uneducated are the dangerous criminals. We remember the Roman Emperors. We remember the great poisoning princes of the Renaissance. We say that the dangerous criminal is the educated criminal. We say that the most dangerous criminal now is the entirely lawless modern philosopher. Compared to him, burglars and bigamists are essentially moral men; my heart goes out to them. They accept the essential ideal of man; they merely seek it wrongly. Thieves respect property. They merely wish the property to become their property that they may more perfectly respect it. But philosophers dislike property as property; they wish to destroy the very idea of personal possession. Bigamists respect marriage, or they would not go through the highly ceremonial and even ritualistic formality of bigamy. But philosophers despise	had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the broken windows and the bleeding faces. After that he went about as usual quiet, courteous, rather gentle; but there was a spot on his mind that was not sane. He did not regard anarchists, as most of us do, as a handful of morbid men, combining ignorance with intellectualism. He regarded them as a huge and pitiless peril, like a Chinese invasion. He poured perpetually into newspapers and their waste-paper baskets a torrent of tales, verses and violent articles, warning men of this deluge of barbaric denial. But he seemed to be getting no nearer his enemy, and, what was worse, no nearer a living. As he paced the Thames embankment, bitterly biting a cheap cigar and brooding on the advance of Anarchy, there was no anarchist with a bomb in his pocket so savage or so solitary as he. Indeed, he always felt that Government stood alone and desperate, with its back to the wall. He was too quixotic to have cared for it otherwise. He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country. Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton. Also his yellow beard and hair were more unkempt and leonine than when they appeared long afterwards, cut and pointed, on the lawns of Saffron Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a good evening. Look at that bloody red sun and that bloody river! I tell you that if that were literally human blood, spilt and shining, you would still be standing here as solid as ever, looking out for some poor harmless tramp whom you could move on. You policemen are cruel to the poor, but I could forgive you even your cruelty if it were not for your calm." "If we are calm," replied the policeman, "it is the calm of organised resistance." "Eh?" said Syme, staring. "The soldier must be calm in the thick of the battle," pursued the policeman.<\|quote\|>"The composure of an army is the anger of a nation."</\|quote\|>"Good God, the Board Schools!" said Syme. "Is this undenominational education?" "No," said the policeman sadly, "I never had any of those advantages. The Board Schools came after my time. What education I had was very rough and old-fashioned, I am afraid." "Where did you have it?" asked Syme, wondering. "Oh, at Harrow," said the policeman The class sympathies which, false as they are, are the truest things in so many men, broke out of Syme before he could control them. "But, good Lord, man," he said, "you oughtn't to be a policeman!" The policeman sighed and shook his head. "I know," he said solemnly, "I know I am not worthy." "But why did you join the police?" asked Syme with rude curiosity. "For much the same reason that you abused the police," replied the other. "I found that there was a special opening in the service for those whose fears for humanity were concerned rather with the aberrations of the scientific intellect than with the normal and excusable, though excessive, outbreaks of the human will. I trust I make myself clear." "If you mean that you make your opinion clear," said Syme, "I suppose you do. But as for making yourself clear, it is the last thing you do. How comes a man like you to be talking philosophy in a blue helmet on the Thames embankment?" "You have evidently not heard of the latest development in our police system," replied the other. "I am not surprised at it. We are keeping it rather dark from the educated class, because that class contains most of our enemies. But you seem to be exactly in the right frame of mind. I think you might almost join us." "Join you in what?" asked Syme. "I will tell you," said the policeman slowly. "This is the situation: The head of one of our departments, one of the most celebrated detectives in Europe, has long been of opinion that a purely intellectual conspiracy would soon threaten the very existence of civilisation. He is certain that the scientific and artistic worlds are silently bound in a crusade against the Family and the State. He has, therefore, formed a special corps of policemen, policemen who are also philosophers. It is their business to watch the beginnings of this conspiracy, not merely in a criminal but in a controversial sense. I am a democrat myself, and I am fully aware of the value of the ordinary man in matters of ordinary	The Man Who Was Thursday
None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.	No speaker	up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch	a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main	nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same	I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But	in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say	the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly,	off and I return to the camp. In the evening I spread the jam on the cakes and eat some. But I have no taste for them. So I go out to give them to the Russians. Then it occurs to me that my mother cooked them herself and that she was probably in pain as she stood before the hot stove. I put the bag back in my pack and take only two cakes to the Russians. CHAPTER IX We travel for several days. The first aeroplanes appear in the sky. We roll on past transport lines. Guns, guns. The light railway picks us up. I search for my regiment. No one knows exactly where it lies. Somewhere or other I put up for the night, somewhere or other I receive provisions and a few vague instructions. And so with my pack and my rifle I set out again on the way. By the time I come up they are no longer in that devastated place. I hear we have become one of the flying divisions that are pushed in wherever it is hottest. That does not sound cheerful to me. They tell me of heavy losses that we have been having. I inquire after Kat and Albert. No one knows anything of them. I search farther and wander about here and there; it is a wonderful feeling. One night and then another I camp out like a Red Indian. Then at last I get some definite information, and by the afternoon I am able to report to the Orderly Room. The sergeant-major detains me there. The company comes back in two days' time. There is no object in sending me up now. "What was it like on leave?" he asks, "pretty good, eh?" "In parts," I say. "Yes," he sighs, "yes, if a man didn't have to come away again. The second half is always rather messed up by that." I loaf around until the company comes back in the early morning, grey, dirty, soured, and gloomy. Then I jump up, push in amongst them, my eyes searching. There is Tjaden, there is Müller blowing his nose, and there are Kat and Kropp. We arrange our sacks of straw side by side. I have an uneasy conscience when I look at them, and yet without any good reason. Before we turn in I bring out the rest of the potato-cakes and jam so that they can have some too. The two outer cakes are mouldy, still it is possible to eat them. I keep those for myself and give the fresh ones to Kat and Kropp. Kat chews and says: "These are from your mother?" I nod. "Good," says he, "I can tell by the taste." I could almost weep. I can hardly control myself any longer. But it will soon be all right again back here with Kat and Albert. This is where I belong. "You've been lucky," whispers Kropp to me before we drop off to sleep, "they say we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then I haven't any business here at all," replies Tjaden, "I don't feel myself offended." "Well, let me tell you," says Albert sourly, "it doesn't apply to tramps like you." "Then I can be going home right away," retorts Tjaden, and we all laugh. "Ach, man! he means the people as a whole, the State----" exclaims Müller. "State, State" --Tjaden snaps his fingers contemptuously, "Gendarmes, police, taxes, that's your State;--if that's what you are talking about, no thank you." "That's right," says Kat, "you've said something for once, Tjaden. State and home-country, there's a big difference." "But they go together," insists Kropp, "without the State there wouldn't be any home-country." "True, but just you consider, almost all of us are simple folk. And in France, too, the majority of men are labourers, workmen, or poor clerks. Now just why would a French blacksmith or a French shoemaker want to attack us? No, it is merely the rulers. I had never seen a Frenchman before I came here, and it will be just the same with the majority of Frenchmen as regards us. They weren't asked about it any more than we were." "Then what exactly is the war for?" asks Tjaden. Kat shrugs his shoulders. "There must be some people to whom the war is useful." "Well, I'm not one of them," grins Tjaden. "Not you, nor anybody else here." "Who are they then?" persists Tjaden. "It isn't any use to the Kaiser either. He has everything he can want already." "I'm not so sure about that," contradicts Kat, "he has not had a war up till now. And every full-grown emperor requires at least one war, otherwise he wouldn't become famous. You look in your school books." "And generals too," adds Detering, "they become famous through war." "Even more famous than emperors," adds Kat. "There are other people back behind there who profit by the war, that's certain," growls Detering. "I think it is more a kind of fever," says Albert. "No one in particular wants it, and then all at once there it is. We didn't want the war, the others say the same thing--and yet half the world is in it all the same." "But there are more lies told by the other side than by us," say I; "just think of those pamphlets the prisoners have on them, where it says that we eat Belgian children. The fellows who write that ought to go and hang themselves. They are the real culprits." Müller gets up. "Anyway, it is better	we are going to Russia." To Russia. It's not much of a war over there. In the distance the front thunders. The walls of the hut rattle. * * There's a great deal of polishing being done. We are inspected at every turn. Everything that is torn is exchanged for new. I score a spotless new tunic out of it and Kat, of course, an entire outfit. A rumour is going round that there may be peace, but the other story is more likely--that we are bound for Russia. Still, what do we need new things for in Russia? At last it leaks out--the Kaiser is coming to review us. Hence all the inspections. For eight whole days one would suppose we were in a base-camp, there is so much drill and fuss. Everyone is peevish and touchy, we do not take kindly to all this polishing, much less to parades. Such things exasperate a soldier more than the front-line. At last the moment arrives. We stand up stiff and the Kaiser appears. We are curious to see what he looks like. He stalks along the line, and I am really rather disappointed; judging from his pictures I imagined him to be bigger and more powerfully built, and above all to have a thundering voice. He distributes Iron Crosses and speaks to this man and to that. Then we march off. Afterwards we discuss it. Tjaden says with astonishment: "So that is the All-Highest! And everyone, bar nobody, has to stand up stiff in front of him!" He meditates: "Hindenburg too, he has to stand up stiff to him, eh?" "Sure," says Kat. Tjaden hasn't finished yet. He thinks for a while and then asks: "And would a king have to stand up stiff to an emperor?"<\|quote\|>None of us is quite sure about it, but we don't suppose so. They are both so exalted that standing strictly to attention is probably not insisted on.</\|quote\|>"What rot you do hatch out," says Kat. "The main point is that you have to stand stiff yourself." But Tjaden is quite fascinated. His otherwise prosy fancy is blowing bubbles. "But look," he announces, "I simply can't believe that an emperor has to go to the latrine the same as I have." "You can bet your boots on it." "Four and a half-wit make seven," says Kat. "You've got a maggot in your brain, Tjaden, just you run along to the latrine quick, and get your head clear, so that you don't talk like a two-year-old." Tjaden disappears. "But what I would like to know," says Albert, "is whether there would not have been a war if the Kaiser had said No." "I'm sure of this much," I interject, "he was against it from the first." "Well, if not him alone, then perhaps if twenty or thirty people in the world had said No." "That's probable," I agree, "but they damned well said Yes." "It's queer, when one thinks about it," goes on Kropp, "we are here to protect our fatherland. And the French are over there to protect their fatherland. Now, who's in the right?" "Perhaps both," say I, without believing it. "Yes, well now," pursues Albert, and I see that he means to drive me into a corner, "but our professors and parsons and newspapers say that we are the only ones that are right, and let's hope so;--but the French professors and parsons and newspapers say that the right is on their side, now what about that?" "That I don't know," I say, "but whichever way it is there's war all the same and every month more countries coming in." Tjaden reappears. He is still quite excited and again joins the conversation, wondering just how a war gets started. "Mostly by one country badly offending another," answers Albert with a slight air of superiority. Then Tjaden pretends to be obtuse. "A country? I don't follow. A mountain in Germany cannot offend a mountain in France. Or a river, or a wood, or a field of wheat." "Are you really as stupid as that, or are you just pulling my leg?" growls Kropp, "I don't mean that at all. One people offends the other----" "Then	All Quiet on the Western Front
"do you think me most a knave or a fool?"	Mr. Willoughby	deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with	gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She	_am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return	would not speak. He repeated the inquiry with yet greater eagerness. "For God s sake tell me, is she out of danger, or is she not?" "We hope she is." He rose up, and walked across the room. "Had I known as much half an hour ago; but since I _am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return to Combe. I am not at leisure to remain with you longer. Whatever your business may be with me, it will be better recollected and explained to-morrow." "I understand you," he replied, with an expressive smile, and a voice perfectly calm; "yes, I am very drunk. A pint of porter	recollection, therefore, concluding that prudence required dispatch, and that her acquiescence would best promote it, she walked silently towards the table, and sat down. He took the opposite chair, and for half a minute not a word was said by either. "Pray be quick, sir," said Elinor, impatiently; "I have no time to spare." He was sitting in an attitude of deep meditation, and seemed not to hear her. "Your sister," said he, with abruptness, a moment afterwards "is out of danger. I heard it from the servant. God be praised! But is it true? is it really true?" Elinor would not speak. He repeated the inquiry with yet greater eagerness. "For God s sake tell me, is she out of danger, or is she not?" "We hope she is." He rose up, and walked across the room. "Had I known as much half an hour ago; but since I _am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return to Combe. I am not at leisure to remain with you longer. Whatever your business may be with me, it will be better recollected and explained to-morrow." "I understand you," he replied, with an expressive smile, and a voice perfectly calm; "yes, I am very drunk. A pint of porter with my cold beef at Marlborough was enough to over-set me." "At Marlborough!" cried Elinor, more and more at a loss to understand what he would be at. "Yes, I left London this morning at eight o clock, and the only ten minutes I have spent out of my chaise since that time procured me a nuncheon at Marlborough." The steadiness of his manner, and the intelligence of his eye as he spoke, convincing Elinor, that whatever other unpardonable folly might bring him to Cleveland, he was not brought there by intoxication, she said, after a moment s recollection, "Mr.	back with a look of horror at the sight of him, obeyed the first impulse of her heart in turning instantly to quit the room, and her hand was already on the lock, when its action was suspended by his hastily advancing, and saying, in a voice rather of command than supplication, "Miss Dashwood, for half an hour for ten minutes I entreat you to stay." "No, sir," she replied with firmness, "I shall _not_ stay. Your business cannot be with _me_. The servants, I suppose, forgot to tell you that Mr. Palmer was not in the house." "Had they told me," he cried with vehemence, "that Mr. Palmer and all his relations were at the devil, it would not have turned me from the door. My business is with you, and only you." "With me!" in the utmost amazement "well, sir, be quick and if you can less violent." "Sit down, and I will be both." She hesitated; she knew not what to do. The possibility of Colonel Brandon s arriving and finding her there, came across her. But she had promised to hear him, and her curiosity no less than her honor was engaged. After a moment s recollection, therefore, concluding that prudence required dispatch, and that her acquiescence would best promote it, she walked silently towards the table, and sat down. He took the opposite chair, and for half a minute not a word was said by either. "Pray be quick, sir," said Elinor, impatiently; "I have no time to spare." He was sitting in an attitude of deep meditation, and seemed not to hear her. "Your sister," said he, with abruptness, a moment afterwards "is out of danger. I heard it from the servant. God be praised! But is it true? is it really true?" Elinor would not speak. He repeated the inquiry with yet greater eagerness. "For God s sake tell me, is she out of danger, or is she not?" "We hope she is." He rose up, and walked across the room. "Had I known as much half an hour ago; but since I _am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return to Combe. I am not at leisure to remain with you longer. Whatever your business may be with me, it will be better recollected and explained to-morrow." "I understand you," he replied, with an expressive smile, and a voice perfectly calm; "yes, I am very drunk. A pint of porter with my cold beef at Marlborough was enough to over-set me." "At Marlborough!" cried Elinor, more and more at a loss to understand what he would be at. "Yes, I left London this morning at eight o clock, and the only ten minutes I have spent out of my chaise since that time procured me a nuncheon at Marlborough." The steadiness of his manner, and the intelligence of his eye as he spoke, convincing Elinor, that whatever other unpardonable folly might bring him to Cleveland, he was not brought there by intoxication, she said, after a moment s recollection, "Mr. Willoughby, you _ought_ to feel, and I certainly _do_, that after what has passed, your coming here in this manner, and forcing yourself upon my notice, requires a very particular excuse. What is it, that you mean by it?" "I mean," said he, with serious energy, "if I can, to make you hate me one degree less than you do _now_. I mean to offer some kind of explanation, some kind of apology, for the past; to open my whole heart to you, and by convincing you, that though I have been always a blockhead, I have not been always a rascal, to obtain something like forgiveness from Ma from your sister." "Is this the real reason of your coming?" "Upon my soul it is," was his answer, with a warmth which brought all the former Willoughby to her remembrance, and in spite of herself made her think him sincere. "If that is all, you may be satisfied already; for Marianne _does_, she has _long_ forgiven you." "Has she?" he cried, in the same eager tone. "Then she has forgiven me before she ought to have done it. But she shall forgive me again, and on more reasonable grounds. _Now_	refreshment, therefore, with such feelings of content as she brought to it, was particularly welcome. Mrs. Jennings would have persuaded her, at its conclusion, to take some rest before her mother s arrival, and allow _her_ to take her place by Marianne; but Elinor had no sense of fatigue, no capability of sleep at that moment about her, and she was not to be kept away from her sister an unnecessary instant. Mrs. Jennings therefore attending her up stairs into the sick chamber, to satisfy herself that all continued right, left her there again to her charge and her thoughts, and retired to her own room to write letters and sleep. The night was cold and stormy. The wind roared round the house, and the rain beat against the windows; but Elinor, all happiness within, regarded it not. Marianne slept through every blast; and the travellers they had a rich reward in store, for every present inconvenience. The clock struck eight. Had it been ten, Elinor would have been convinced that at that moment she heard a carriage driving up to the house; and so strong was the persuasion that she _did_, in spite of the _almost_ impossibility of their being already come, that she moved into the adjoining dressing-closet and opened a window shutter, to be satisfied of the truth. She instantly saw that her ears had not deceived her. The flaring lamps of a carriage were immediately in view. By their uncertain light she thought she could discern it to be drawn by four horses; and this, while it told the excess of her poor mother s alarm, gave some explanation to such unexpected rapidity. Never in her life had Elinor found it so difficult to be calm, as at that moment. The knowledge of what her mother must be feeling as the carriage stopt at the door of her doubt her dread perhaps her despair! and of what _she_ had to tell! with such knowledge it was impossible to be calm. All that remained to be done was to be speedy; and, therefore staying only till she could leave Mrs. Jennings s maid with her sister, she hurried down stairs. The bustle in the vestibule, as she passed along an inner lobby, assured her that they were already in the house. She rushed to the drawing-room, she entered it, and saw only Willoughby. CHAPTER XLIV. Elinor, starting back with a look of horror at the sight of him, obeyed the first impulse of her heart in turning instantly to quit the room, and her hand was already on the lock, when its action was suspended by his hastily advancing, and saying, in a voice rather of command than supplication, "Miss Dashwood, for half an hour for ten minutes I entreat you to stay." "No, sir," she replied with firmness, "I shall _not_ stay. Your business cannot be with _me_. The servants, I suppose, forgot to tell you that Mr. Palmer was not in the house." "Had they told me," he cried with vehemence, "that Mr. Palmer and all his relations were at the devil, it would not have turned me from the door. My business is with you, and only you." "With me!" in the utmost amazement "well, sir, be quick and if you can less violent." "Sit down, and I will be both." She hesitated; she knew not what to do. The possibility of Colonel Brandon s arriving and finding her there, came across her. But she had promised to hear him, and her curiosity no less than her honor was engaged. After a moment s recollection, therefore, concluding that prudence required dispatch, and that her acquiescence would best promote it, she walked silently towards the table, and sat down. He took the opposite chair, and for half a minute not a word was said by either. "Pray be quick, sir," said Elinor, impatiently; "I have no time to spare." He was sitting in an attitude of deep meditation, and seemed not to hear her. "Your sister," said he, with abruptness, a moment afterwards "is out of danger. I heard it from the servant. God be praised! But is it true? is it really true?" Elinor would not speak. He repeated the inquiry with yet greater eagerness. "For God s sake tell me, is she out of danger, or is she not?" "We hope she is." He rose up, and walked across the room. "Had I known as much half an hour ago; but since I _am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return to Combe. I am not at leisure to remain with you longer. Whatever your business may be with me, it will be better recollected and explained to-morrow." "I understand you," he replied, with an expressive smile, and a voice perfectly calm; "yes, I am very drunk. A pint of porter with my cold beef at Marlborough was enough to over-set me." "At Marlborough!" cried Elinor, more and more at a loss to understand what he would be at. "Yes, I left London this morning at eight o clock, and the only ten minutes I have spent out of my chaise since that time procured me a nuncheon at Marlborough." The steadiness of his manner, and the intelligence of his eye as he spoke, convincing Elinor, that whatever other unpardonable folly might bring him to Cleveland, he was not brought there by intoxication, she said, after a moment s recollection, "Mr. Willoughby, you _ought_ to feel, and I certainly _do_, that after what has passed, your coming here in this manner, and forcing yourself upon my notice, requires a very particular excuse. What is it, that you mean by it?" "I mean," said he, with serious energy, "if I can, to make you hate me one degree less than you do _now_. I mean to offer some kind of explanation, some kind of apology, for the past; to open my whole heart to you, and by convincing you, that though I have been always a blockhead, I have not been always a rascal, to obtain something like forgiveness from Ma from your sister." "Is this the real reason of your coming?" "Upon my soul it is," was his answer, with a warmth which brought all the former Willoughby to her remembrance, and in spite of herself made her think him sincere. "If that is all, you may be satisfied already; for Marianne _does_, she has _long_ forgiven you." "Has she?" he cried, in the same eager tone. "Then she has forgiven me before she ought to have done it. But she shall forgive me again, and on more reasonable grounds. _Now_ will you listen to me?" Elinor bowed her assent. "I do not know," said he, after a pause of expectation on her side, and thoughtfulness on his own, "how _you_ may have accounted for my behaviour to your sister, or what diabolical motive you may have imputed to me. Perhaps you will hardly think the better of me, it is worth the trial however, and you shall hear every thing. When I first became intimate in your family, I had no other intention, no other view in the acquaintance than to pass my time pleasantly while I was obliged to remain in Devonshire, more pleasantly than I had ever done before. Your sister s lovely person and interesting manners could not but please me; and her behaviour to me almost from the first, was of a kind it is astonishing, when I reflect on what it was, and what _she_ was, that my heart should have been so insensible! But at first I must confess, my vanity only was elevated by it. Careless of her happiness, thinking only of my own amusement, giving way to feelings which I had always been too much in the habit of indulging, I endeavoured, by every means in my power, to make myself pleasing to her, without any design of returning her affection." Miss Dashwood, at this point, turning her eyes on him with the most angry contempt, stopped him, by saying, "It is hardly worth while, Mr. Willoughby, for you to relate, or for me to listen any longer. Such a beginning as this cannot be followed by any thing. Do not let me be pained by hearing any thing more on the subject." "I insist on you hearing the whole of it," he replied, "My fortune was never large, and I had always been expensive, always in the habit of associating with people of better income than myself. Every year since my coming of age, or even before, I believe, had added to my debts; and though the death of my old cousin, Mrs. Smith, was to set me free; yet that event being uncertain, and possibly far distant, it had been for some time my intention to re-establish my circumstances by marrying a woman of fortune. To attach myself to your sister, therefore, was not a thing to be thought of; and with a meanness, selfishness, cruelty, which no indignant, no	her dread perhaps her despair! and of what _she_ had to tell! with such knowledge it was impossible to be calm. All that remained to be done was to be speedy; and, therefore staying only till she could leave Mrs. Jennings s maid with her sister, she hurried down stairs. The bustle in the vestibule, as she passed along an inner lobby, assured her that they were already in the house. She rushed to the drawing-room, she entered it, and saw only Willoughby. CHAPTER XLIV. Elinor, starting back with a look of horror at the sight of him, obeyed the first impulse of her heart in turning instantly to quit the room, and her hand was already on the lock, when its action was suspended by his hastily advancing, and saying, in a voice rather of command than supplication, "Miss Dashwood, for half an hour for ten minutes I entreat you to stay." "No, sir," she replied with firmness, "I shall _not_ stay. Your business cannot be with _me_. The servants, I suppose, forgot to tell you that Mr. Palmer was not in the house." "Had they told me," he cried with vehemence, "that Mr. Palmer and all his relations were at the devil, it would not have turned me from the door. My business is with you, and only you." "With me!" in the utmost amazement "well, sir, be quick and if you can less violent." "Sit down, and I will be both." She hesitated; she knew not what to do. The possibility of Colonel Brandon s arriving and finding her there, came across her. But she had promised to hear him, and her curiosity no less than her honor was engaged. After a moment s recollection, therefore, concluding that prudence required dispatch, and that her acquiescence would best promote it, she walked silently towards the table, and sat down. He took the opposite chair, and for half a minute not a word was said by either. "Pray be quick, sir," said Elinor, impatiently; "I have no time to spare." He was sitting in an attitude of deep meditation, and seemed not to hear her. "Your sister," said he, with abruptness, a moment afterwards "is out of danger. I heard it from the servant. God be praised! But is it true? is it really true?" Elinor would not speak. He repeated the inquiry with yet greater eagerness. "For God s sake tell me, is she out of danger, or is she not?" "We hope she is." He rose up, and walked across the room. "Had I known as much half an hour ago; but since I _am_ here," speaking with a forced vivacity as he returned to his seat, "what does it signify? For once, Miss Dashwood it will be the last time, perhaps let us be cheerful together. I am in a fine mood for gaiety. Tell me honestly" a deeper glow overspreading his cheeks,<\|quote\|>"do you think me most a knave or a fool?"</\|quote\|>Elinor looked at him with greater astonishment than ever. She began to think that he must be in liquor; the strangeness of such a visit, and of such manners, seemed no otherwise intelligible; and with this impression she immediately rose, saying, "Mr. Willoughby, I advise you at present to return to Combe. I am not at leisure to remain with you longer. Whatever your business may be with me, it will be better recollected and explained to-morrow." "I understand you," he replied, with an expressive smile, and a voice perfectly calm; "yes, I am very drunk. A pint of porter with my cold beef at Marlborough was enough to over-set me." "At Marlborough!" cried Elinor, more and more at a loss to understand what he would be at. "Yes, I left London this morning at eight o clock, and the only ten minutes I have spent out of my chaise since that time procured me a nuncheon at Marlborough." The steadiness of his manner, and the intelligence of his eye as he spoke, convincing Elinor, that whatever other unpardonable folly might bring him to Cleveland, he was not brought there by intoxication, she said, after a moment s recollection, "Mr. Willoughby, you _ought_ to feel, and I certainly _do_, that after what has passed, your coming here in this manner, and forcing yourself upon my notice, requires a very particular excuse. What is it, that you mean by it?" "I mean," said he, with serious energy, "if I can, to make you hate me one degree less than you do _now_.	Sense And Sensibility
"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."	The Black Monk	_Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what	"The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind,"	healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not	goal towards which all divinely endowed, noble natures strive." "If I know I am mentally affected, can I trust myself?" "And are you sure that the men of genius, whom all men trust, did not see phantoms, too? The learned say now that genius is allied to madness. My friend, healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not distinguish his face. His features grew blurred and misty. Then the monk's head and arms disappeared; his body seemed merged into the seat and the evening twilight, and he vanished altogether. "The hallucination is over," said Kovrin; and he laughed. "It's a pity." He went back to the house, light-hearted	pleasant it is to hear you!" said Kovrin, rubbing his hands with satisfaction. "I am very glad." "But I know that when you go away I shall be worried by the question of your reality. You are a phantom, an hallucination. So I am mentally deranged, not normal?" "What if you are? Why trouble yourself? You are ill because you have overworked and exhausted yourself, and that means that you have sacrificed your health to the idea, and the time is near at hand when you will give up life itself to it. What could be better? That is the goal towards which all divinely endowed, noble natures strive." "If I know I am mentally affected, can I trust myself?" "And are you sure that the men of genius, whom all men trust, did not see phantoms, too? The learned say now that genius is allied to madness. My friend, healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not distinguish his face. His features grew blurred and misty. Then the monk's head and arms disappeared; his body seemed merged into the seat and the evening twilight, and he vanished altogether. "The hallucination is over," said Kovrin; and he laughed. "It's a pity." He went back to the house, light-hearted and happy. The little the monk had said to him had flattered, not his vanity, but his whole soul, his whole being. To be one of the chosen, to serve eternal truth, to stand in the ranks of those who could make mankind worthy of the kingdom of God some thousands of years sooner--that is, to free men from some thousands of years of unnecessary struggle, sin, and suffering; to sacrifice to the idea everything--youth, strength, health; to be ready to die for the common weal--what an exalted, what a happy lot! He recalled his past--pure, chaste, laborious; he remembered	the rational and the beautiful--that is, to what is eternal." "You said 'eternal truth.' ... But is eternal truth of use to man and within his reach, if there is no eternal life?" "There is eternal life," said the monk. "Do you believe in the immortality of man?" "Yes, of course. A grand, brilliant future is in store for you men. And the more there are like you on earth, the sooner will this future be realised. Without you who serve the higher principle and live in full understanding and freedom, mankind would be of little account; developing in a natural way, it would have to wait a long time for the end of its earthly history. You will lead it some thousands of years earlier into the kingdom of eternal truth--and therein lies your supreme service. You are the incarnation of the blessing of God, which rests upon men." "And what is the object of eternal life?" asked Kovrin. "As of all life--enjoyment. True enjoyment lies in knowledge, and eternal life provides innumerable and inexhaustible sources of knowledge, and in that sense it has been said: 'In My Father's house there are many mansions.'" "If only you knew how pleasant it is to hear you!" said Kovrin, rubbing his hands with satisfaction. "I am very glad." "But I know that when you go away I shall be worried by the question of your reality. You are a phantom, an hallucination. So I am mentally deranged, not normal?" "What if you are? Why trouble yourself? You are ill because you have overworked and exhausted yourself, and that means that you have sacrificed your health to the idea, and the time is near at hand when you will give up life itself to it. What could be better? That is the goal towards which all divinely endowed, noble natures strive." "If I know I am mentally affected, can I trust myself?" "And are you sure that the men of genius, whom all men trust, did not see phantoms, too? The learned say now that genius is allied to madness. My friend, healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not distinguish his face. His features grew blurred and misty. Then the monk's head and arms disappeared; his body seemed merged into the seat and the evening twilight, and he vanished altogether. "The hallucination is over," said Kovrin; and he laughed. "It's a pity." He went back to the house, light-hearted and happy. The little the monk had said to him had flattered, not his vanity, but his whole soul, his whole being. To be one of the chosen, to serve eternal truth, to stand in the ranks of those who could make mankind worthy of the kingdom of God some thousands of years sooner--that is, to free men from some thousands of years of unnecessary struggle, sin, and suffering; to sacrifice to the idea everything--youth, strength, health; to be ready to die for the common weal--what an exalted, what a happy lot! He recalled his past--pure, chaste, laborious; he remembered what he had learned himself and what he had taught to others, and decided that there was no exaggeration in the monk's words. Tanya came to meet him in the park: she was by now wearing a different dress. "Are you here?" she said. "And we have been looking and looking for you.... But what is the matter with you?" she asked in wonder, glancing at his radiant, ecstatic face and eyes full of tears. "How strange you are, Andryusha!" "I am pleased, Tanya," said Kovrin, laying his hand on her shoulders. "I am more than pleased: I am happy. Tanya, darling Tanya, you are an extraordinary, nice creature. Dear Tanya, I am so glad, I am so glad!" He kissed both her hands ardently, and went on: "I have just passed through an exalted, wonderful, unearthly moment. But I can't tell you all about it or you would call me mad and not believe me. Let us talk of you. Dear, delightful Tanya! I love you, and am used to loving you. To have you near me, to meet you a dozen times a day, has become a necessity of my existence; I don't know how I shall get	with salt on it, as both were hungry. V Glad that he had been so successful in the part of peacemaker, Kovrin went into the park. Sitting on a garden seat, thinking, he heard the rattle of a carriage and a feminine laugh--visitors were arriving. When the shades of evening began falling on the garden, the sounds of the violin and singing voices reached him indistinctly, and that reminded him of the black monk. Where, in what land or in what planet, was that optical absurdity moving now? Hardly had he recalled the legend and pictured in his imagination the dark apparition he had seen in the rye-field, when, from behind a pine-tree exactly opposite, there came out noiselessly, without the slightest rustle, a man of medium height with uncovered grey head, all in black, and barefooted like a beggar, and his black eyebrows stood out conspicuously on his pale, death-like face. Nodding his head graciously, this beggar or pilgrim came noiselessly to the seat and sat down, and Kovrin recognised him as the black monk. For a minute they looked at one another, Kovrin with amazement, and the monk with friendliness, and, just as before, a little slyness, as though he were thinking something to himself. "But you are a mirage," said Kovrin. "Why are you here and sitting still? That does not fit in with the legend." "That does not matter," the monk answered in a low voice, not immediately turning his face towards him. "The legend, the mirage, and I are all the products of your excited imagination. I am a phantom." "Then you don't exist?" said Kovrin. "You can think as you like," said the monk, with a faint smile. "I exist in your imagination, and your imagination is part of nature, so I exist in nature." "You have a very old, wise, and extremely expressive face, as though you really had lived more than a thousand years," said Kovrin. "I did not know that my imagination was capable of creating such phenomena. But why do you look at me with such enthusiasm? Do you like me?" "Yes, you are one of those few who are justly called the chosen of God. You do the service of eternal truth. Your thoughts, your designs, the marvellous studies you are engaged in, and all your life, bear the Divine, the heavenly stamp, seeing that they are consecrated to the rational and the beautiful--that is, to what is eternal." "You said 'eternal truth.' ... But is eternal truth of use to man and within his reach, if there is no eternal life?" "There is eternal life," said the monk. "Do you believe in the immortality of man?" "Yes, of course. A grand, brilliant future is in store for you men. And the more there are like you on earth, the sooner will this future be realised. Without you who serve the higher principle and live in full understanding and freedom, mankind would be of little account; developing in a natural way, it would have to wait a long time for the end of its earthly history. You will lead it some thousands of years earlier into the kingdom of eternal truth--and therein lies your supreme service. You are the incarnation of the blessing of God, which rests upon men." "And what is the object of eternal life?" asked Kovrin. "As of all life--enjoyment. True enjoyment lies in knowledge, and eternal life provides innumerable and inexhaustible sources of knowledge, and in that sense it has been said: 'In My Father's house there are many mansions.'" "If only you knew how pleasant it is to hear you!" said Kovrin, rubbing his hands with satisfaction. "I am very glad." "But I know that when you go away I shall be worried by the question of your reality. You are a phantom, an hallucination. So I am mentally deranged, not normal?" "What if you are? Why trouble yourself? You are ill because you have overworked and exhausted yourself, and that means that you have sacrificed your health to the idea, and the time is near at hand when you will give up life itself to it. What could be better? That is the goal towards which all divinely endowed, noble natures strive." "If I know I am mentally affected, can I trust myself?" "And are you sure that the men of genius, whom all men trust, did not see phantoms, too? The learned say now that genius is allied to madness. My friend, healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not distinguish his face. His features grew blurred and misty. Then the monk's head and arms disappeared; his body seemed merged into the seat and the evening twilight, and he vanished altogether. "The hallucination is over," said Kovrin; and he laughed. "It's a pity." He went back to the house, light-hearted and happy. The little the monk had said to him had flattered, not his vanity, but his whole soul, his whole being. To be one of the chosen, to serve eternal truth, to stand in the ranks of those who could make mankind worthy of the kingdom of God some thousands of years sooner--that is, to free men from some thousands of years of unnecessary struggle, sin, and suffering; to sacrifice to the idea everything--youth, strength, health; to be ready to die for the common weal--what an exalted, what a happy lot! He recalled his past--pure, chaste, laborious; he remembered what he had learned himself and what he had taught to others, and decided that there was no exaggeration in the monk's words. Tanya came to meet him in the park: she was by now wearing a different dress. "Are you here?" she said. "And we have been looking and looking for you.... But what is the matter with you?" she asked in wonder, glancing at his radiant, ecstatic face and eyes full of tears. "How strange you are, Andryusha!" "I am pleased, Tanya," said Kovrin, laying his hand on her shoulders. "I am more than pleased: I am happy. Tanya, darling Tanya, you are an extraordinary, nice creature. Dear Tanya, I am so glad, I am so glad!" He kissed both her hands ardently, and went on: "I have just passed through an exalted, wonderful, unearthly moment. But I can't tell you all about it or you would call me mad and not believe me. Let us talk of you. Dear, delightful Tanya! I love you, and am used to loving you. To have you near me, to meet you a dozen times a day, has become a necessity of my existence; I don't know how I shall get on without you when I go back home." "Oh," laughed Tanya, "you will forget about us in two days. We are humble people and you are a great man." "No; let us talk in earnest!" he said. "I shall take you with me, Tanya. Yes? Will you come with me? Will you be mine?" "Come," said Tanya, and tried to laugh again, but the laugh would not come, and patches of colour came into her face. She began breathing quickly and walked very quickly, but not to the house, but further into the park. "I was not thinking of it ... I was not thinking of it," she said, wringing her hands in despair. And Kovrin followed her and went on talking, with the same radiant, enthusiastic face: "I want a love that will dominate me altogether; and that love only you, Tanya, can give me. I am happy! I am happy!" She was overwhelmed, and huddling and shrinking together, seemed ten years older all at once, while he thought her beautiful and expressed his rapture aloud: "How lovely she is!" VI Learning from Kovrin that not only a romance had been got up, but that there would even be a wedding, Yegor Semyonitch spent a long time in pacing from one corner of the room to the other, trying to conceal his agitation. His hands began trembling, his neck swelled and turned purple, he ordered his racing droshky and drove off somewhere. Tanya, seeing how he lashed the horse, and seeing how he pulled his cap over his ears, understood what he was feeling, shut herself up in her room, and cried the whole day. In the hot-houses the peaches and plums were already ripe; the packing and sending off of these tender and fragile goods to Moscow took a great deal of care, work, and trouble. Owing to the fact that the summer was very hot and dry, it was necessary to water every tree, and a great deal of time and labour was spent on doing it. Numbers of caterpillars made their appearance, which, to Kovrin's disgust, the labourers and even Yegor Semyonitch and Tanya squashed with their fingers. In spite of all that, they had already to book autumn orders for fruit and trees, and to carry on a great deal of correspondence. And at the very busiest time, when no one seemed to have a	and the beautiful--that is, to what is eternal." "You said 'eternal truth.' ... But is eternal truth of use to man and within his reach, if there is no eternal life?" "There is eternal life," said the monk. "Do you believe in the immortality of man?" "Yes, of course. A grand, brilliant future is in store for you men. And the more there are like you on earth, the sooner will this future be realised. Without you who serve the higher principle and live in full understanding and freedom, mankind would be of little account; developing in a natural way, it would have to wait a long time for the end of its earthly history. You will lead it some thousands of years earlier into the kingdom of eternal truth--and therein lies your supreme service. You are the incarnation of the blessing of God, which rests upon men." "And what is the object of eternal life?" asked Kovrin. "As of all life--enjoyment. True enjoyment lies in knowledge, and eternal life provides innumerable and inexhaustible sources of knowledge, and in that sense it has been said: 'In My Father's house there are many mansions.'" "If only you knew how pleasant it is to hear you!" said Kovrin, rubbing his hands with satisfaction. "I am very glad." "But I know that when you go away I shall be worried by the question of your reality. You are a phantom, an hallucination. So I am mentally deranged, not normal?" "What if you are? Why trouble yourself? You are ill because you have overworked and exhausted yourself, and that means that you have sacrificed your health to the idea, and the time is near at hand when you will give up life itself to it. What could be better? That is the goal towards which all divinely endowed, noble natures strive." "If I know I am mentally affected, can I trust myself?" "And are you sure that the men of genius, whom all men trust, did not see phantoms, too? The learned say now that genius is allied to madness. My friend, healthy and normal people are only the common herd. Reflections upon the neurasthenia of the age, nervous exhaustion and degeneracy, et cetera, can only seriously agitate those who place the object of life in the present--that is, the common herd." "The Romans used to say: _Mens sana in corpore sano._"<\|quote\|>"Not everything the Greeks and the Romans said is true. Exaltation, enthusiasm, ecstasy--all that distinguishes prophets, poets, martyrs for the idea, from the common folk--is repellent to the animal side of man--that is, his physical health. I repeat, if you want to be healthy and normal, go to the common herd."</\|quote\|>"Strange that you repeat what often comes into my mind," said Kovrin. "It is as though you had seen and overheard my secret thoughts. But don't let us talk about me. What do you mean by 'eternal truth'?" The monk did not answer. Kovrin looked at him and could not distinguish his face. His features grew blurred and misty. Then the monk's head and arms disappeared; his body seemed merged into the seat and the evening twilight, and he vanished altogether. "The hallucination is over," said Kovrin; and he laughed. "It's a pity." He went back to the house, light-hearted and happy. The little the monk had said to him had flattered, not his vanity, but his whole soul, his whole being. To be one of the chosen, to serve eternal truth, to stand in the ranks of those who could make mankind worthy of the kingdom of God some thousands of years sooner--that is, to free men from some thousands of years of unnecessary struggle, sin, and suffering; to sacrifice to the idea everything--youth, strength, health; to be ready to die for the common weal--what an exalted, what a happy lot! He recalled his past--pure, chaste, laborious; he remembered what he had learned himself and what he had taught to others, and decided that there was no exaggeration in the monk's words. Tanya came to meet him in the park: she was by now wearing a different dress. "Are you here?" she said. "And we have been looking and looking for you.... But what is the matter with you?" she asked in wonder, glancing at his radiant, ecstatic face and eyes full of tears. "How strange you are, Andryusha!" "I am pleased, Tanya," said Kovrin, laying his hand on her shoulders. "I am more than pleased: I am happy. Tanya, darling Tanya, you are an extraordinary, nice creature. Dear Tanya, I am so glad, I am so glad!" He kissed both her hands ardently, and went on: "I have just passed through an exalted, wonderful, unearthly moment. But I can't tell you all about it or you would call me mad and not believe me. Let us talk of you. Dear, delightful Tanya! I love you, and am used to loving you. To have you near me, to meet you a dozen times a day, has become a necessity of my existence; I don't know how I shall get on without you when I go back home." "Oh," laughed Tanya, "you will forget about us in two days. We are humble people and you are a great man." "No; let us talk in earnest!" he said. "I shall take you with me, Tanya. Yes? Will you come with me? Will you be	The Lady and the Dog and Other Stories (6)
"They won't let us go."	Don Lavington	"Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they	stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the	soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let	He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore	like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go.	till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?" cried Jem. "Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they say?" "Dunno what they'll say," said Jem dolefully, "but I know what my Sally will say. I used to talk about going and leaving her, but that was because I too was a hidyut. I didn't want to go and leave her, poor little lass. Too fond on her, Mas' Don. She only shows a bit o' temper." "Jem, she'll think you've run away and deserted her." "Safe, Mas' Don. You see, I made up a bundle o' wittles as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the	to the prisoners. "Hold the lanthorn here," he said sharply. "Now let's have a look at you." He examined their injuries in an experienced way, roughly, but not unkindly. "All right, my lad," he said to Don; "you will not die this time. Now you." He spent longer over Jem, who roused up and looked at him curiously, as if he did not quite understand. "Been rather rough with this one, my lads." "Couldn't help it," said one of the sailors; "he fote so hard. So did this young chap too." "Nothing wrong with him, I daresay," said the bluff man. "No bones broken. All right in a day or two." Don had been silent while Jem was examined, for he felt that this man was either a doctor, or one who knew something about surgery; but as soon as he had finished, the boy, whose indignation had been growing, turned to him haughtily. "Now, sir!" he exclaimed, "have the goodness to explain the meaning of this outrage." "Cock-a-doodle-doo!" cried the bluff man. "It is nothing to laugh at, sir. I insist upon knowing why we have been ill-used and dragged here by your men." "Well crowed, my young cockerel," said the bluff man, laughing. "They said you fought well with your fists, so you can with your tongue." "Insulting us now you have us down will not save you," cried Don fiercely. "No, my lord," said the bluff man, as Jem rose up, shook his head, and stood by Don. The men laughed. "You coward!" cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?" cried Jem. "Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they say?" "Dunno what they'll say," said Jem dolefully, "but I know what my Sally will say. I used to talk about going and leaving her, but that was because I too was a hidyut. I didn't want to go and leave her, poor little lass. Too fond on her, Mas' Don. She only shows a bit o' temper." "Jem, she'll think you've run away and deserted her." "Safe, Mas' Don. You see, I made up a bundle o' wittles as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How dark it is? Where's your hand?" "Gently, my lad; that's my hye. Arn't much use here in the dark, but may want 'em by-and-by. That's better. Thank ye, sir. Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem. "Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle." _Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel	anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don."<\|quote\|>"They won't let us go."</\|quote\|>"No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they	Don Lavington
said the White Rabbit,	No speaker	the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing	prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all	isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the	opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King	miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim.	open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom	said the King, with an air of great relief. "Call the next witness." And he added in an undertone to the Queen, "Really, my dear, _you_ must cross-examine the next witness. It quite makes my forehead ache!" Alice watched the White Rabbit as he fumbled over the list, feeling very curious to see what the next witness would be like, "--for they haven't got much evidence _yet_," she said to herself. Imagine her surprise, when the White Rabbit read out, at the top of his shrill little voice, the name "Alice!" CHAPTER XII. Alice's Evidence "Here!" cried Alice, quite forgetting in the flurry of the moment how large she had grown in the last few minutes, and she jumped up in such a hurry that she tipped over the jury-box with the edge of her skirt, upsetting all the jurymen on to the heads of the crowd below, and there they lay sprawling about, reminding her very much of a globe of goldfish she had accidentally upset the week before. "Oh, I _beg_ your pardon!" she exclaimed in a tone of great dismay, and began picking them up again as quickly as she could, for the accident of the goldfish kept running in her head, and she had a vague sort of idea that they must be collected at once and put back into the jury-box, or they would die. "The trial cannot proceed," said the King in a very grave voice, "until all the jurymen are back in their proper places--_all_," he repeated with great emphasis, looking hard at Alice as he said so. Alice looked at the jury-box, and saw that, in her haste, she had put the Lizard in head downwards, and the poor little thing was waving its tail about in a melancholy way, being quite unable to move. She soon got it out again, and put it right; "not that it signifies much," she said to herself; "I should think it would be _quite_ as much use in the trial one way up as the other." As soon as the jury had a little recovered from the shock of being upset, and their slates and pencils had been found and handed back to them, they set to work very diligently to write out a history of the accident, all except the Lizard, who seemed too much overcome to do anything but sit with its mouth open, gazing up into the roof of the court. "What do you know about this business?" the King said to Alice. "Nothing," said Alice. "Nothing _whatever?_" persisted the King. "Nothing whatever," said Alice. "That's very important," the King said, turning to the jury. They were just beginning to write this down on their slates, when the White Rabbit interrupted: "_Un_important, your Majesty means, of course," he said in a very respectful tone, but frowning and making faces at him as he spoke. "_Un_important, of course, I meant," the King hastily said, and went on to himself in an undertone, "important--unimportant--unimportant--important--" as if he were trying which word sounded best. Some of the jury wrote it down "important," and some "unimportant." Alice could see this, as she was near enough to look over their slates; "but it doesn't matter a bit," she thought to herself. At this moment the King, who had been for some time busily writing in his note-book, cackled out "Silence!" and read out from his book, "Rule Forty-two. _All persons more than a mile high to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find any. And yet I don't know," he went on, spreading out the verses on his knee, and looking at them with one eye; "I seem to see some meaning in them, after all." "--_said I could not swim_--" "you can't swim, can you?" he added, turning to the Knave. The Knave shook his head sadly. "Do I look like it?" he said. (Which he certainly did _not_, being made entirely of cardboard.) "All right, so far," said the King, and he went on muttering over the verses to himself: "'_We know it to be true_--' "that's the jury, of course-" -'_I gave her one, they gave him two_--' "why, that must be what he did with the tarts, you know--" "But, it goes on" '_they all returned from him to you_,'" said Alice. "Why, there they are!" said the King triumphantly, pointing to the tarts on the table. "Nothing can be clearer than _that_. Then again--" '_before she had this fit_--' "you never had fits, my dear, I think?" he said to the Queen. "Never!" said the Queen furiously, throwing an inkstand at the Lizard as she spoke. (The unfortunate little Bill had left off writing on his slate with one finger, as he found it made no mark; but he now hastily began again, using the ink, that was trickling down his face, as long as it lasted.) "Then the words don't _fit_ you," said the King, looking round the court with a smile. There was a dead silence. "It's a pun!" the King added in an offended tone, and everybody laughed, "Let the jury consider their verdict," the King said, for about the twentieth time that day. "No, no!" said the Queen. "Sentence first--verdict afterwards." "Stuff and nonsense!" said Alice loudly. "The idea of having the sentence first!" "Hold your tongue!" said the Queen, turning purple. "I won't!" said Alice. "Off with her head!" the Queen shouted at the top of her voice. Nobody moved. "Who cares for you?" said Alice, (she had grown to her full size by this time.) "You're nothing but a pack of cards!" At this the whole pack rose up into the air, and came flying down	to leave the court_." Everybody looked at Alice. "_I'm_ not a mile high," said Alice. "You are," said the King. "Nearly two miles high," added the Queen. "Well, I shan't go, at any rate," said Alice: "besides, that's not a regular rule: you invented it just now." "It's the oldest rule in the book," said the King. "Then it ought to be Number One," said Alice. The King turned pale, and shut his note-book hastily. "Consider your verdict," he said to the jury, in a low, trembling voice. "There's more evidence to come yet, please your Majesty," said the White Rabbit, jumping up in a great hurry; "this paper has just been picked up." "What's in it?" said the Queen. "I haven't opened it yet," said the White Rabbit, "but it seems to be a letter, written by the prisoner to--to somebody." "It must have been that," said the King, "unless it was written to nobody, which isn't usual, you know." "Who is it directed to?" said one of the jurymen. "It isn't directed at all," said the White Rabbit; "in fact, there's nothing written on the _outside_." He unfolded the paper as he spoke, and added "It isn't a letter, after all: it's a set of verses." "Are they in the prisoner's handwriting?" asked another of the jurymen. "No, they're not,"<\|quote\|>said the White Rabbit,</\|quote\|>"and that's the queerest thing about it." (The jury all looked puzzled.) "He must have imitated somebody else's hand," said the King. (The jury all brightened up again.) "Please your Majesty," said the Knave, "I didn't write it, and they can't prove I did: there's no name signed at the end." "If you didn't sign it," said the King, "that only makes the matter worse. You _must_ have meant some mischief, or else you'd have signed your name like an honest man." There was a general clapping of hands at this: it was the first really clever thing the King had said that day. "That _proves_ his guilt," said the Queen. "It proves nothing of the sort!" said Alice. "Why, you don't even know what they're about!" "Read them," said the King. The White Rabbit put on his spectacles. "Where shall I begin, please your Majesty?" he asked. "Begin at the beginning," the King said gravely, "and go on till you come to the end: then stop." These were the verses the White Rabbit read:-- "They told me you had been to her, And mentioned me to him: She gave me a good character, But said I could not swim. He sent them word I had not gone (We know it to be true): If she should push the matter on, What would become of you? I gave her one, they gave him two, You gave us three or more; They all returned from him to you, Though they were mine before. If I or she should chance to be Involved in this affair, He trusts to you to set them free, Exactly as we were. My notion was that you had been (Before she had this fit) An obstacle that came between Him, and ourselves, and it. Don't let him know she liked them best, For this must ever be A secret, kept from all the rest, Between yourself and me." "That's the most important piece of evidence we've heard yet," said the King, rubbing his hands; "so now let the jury--" "If any one of them can explain it," said Alice, (she had grown so large in the last few minutes that she wasn't a bit afraid of interrupting him,) "I'll give him sixpence. _I_ don't believe there's an atom of meaning in it." The jury all wrote down on their slates, "_She_ doesn't believe there's an atom of meaning in it," but none of them attempted to explain the paper. "If there's no meaning in it," said the King, "that saves a world of trouble, you know, as we needn't try to find	Alices Adventures In Wonderland
"It's delightful your coming down. What d'you think of Tony?"	Jock Grant-Menzies	were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that	* * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw	spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice	deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here	and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep	except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work in the morning-room is going on well. The foreman told me to-day he thought he would begin on the chromium plating by the end of the week. You know what I think about that. John can talk of nothing except his hunting to-morrow. I hope he doesn't break his neck. Jock and his S.B. are going out too. Hetton lay	* * Marjorie said to Jock, "D'you think Tony knows about Mr Beaver?" "Not a thing." "I haven't mentioned it to Allan. D'you suppose he knows?" "I doubt it." "Oh, Jock, how d'you think it'll end?" "She'll get bored with Beaver soon enough." "The trouble is that he doesn't care for her in the least. If he did, it would soon be over... What an ass she is being." "I should say she was managing it unusually well, if you ask me." * * * * * The other married couple said to each other, "D'you think Marjorie and Allan know about Brenda?" "I'm sure they don't." * * * * * Brenda said to Allan, "Tony's as happy as a sandboy, isn't he?" "Full of beans." "I was getting worried about him... You don't think he's got any idea about my goings on?" "Lord no. It's the last thing that would come into his head." Brenda said, "I don't want him to be unhappy, you know... Marjorie's been frightfully governessy about the whole thing." "Has she? I haven't discussed it with her." "How did _you_ hear?" "My dear girl, until this minute I didn't know you had any goings on. And I'm not asking any questions about them now." "Oh... I thought everyone knew." "That's always the trouble with people when they start walking out. They either think no one knows, or everybody. The truth is that a few people like Polly and Sybil make a point of finding out about everyone's private life; the rest of us just aren't interested." "Oh." * * * * * Later he said to Marjorie, "Brenda tried to be confidential about Beaver this evening." "I didn't know you knew." "Oh, I knew all right. But I wasn't going to let her feel important by talking about it." "I couldn't disapprove more of the whole thing. Do you know Beaver?" "I've seen him about. Anyway, it's her business and Tony's, not ours." [V] Jock's blonde was called Mrs Rattery. Tony had conceived an idea of her from what he overheard of Polly's gossip and from various fragments of information let fall by Jock. She was a little over thirty. Somewhere in the Cottesmore country there lived a long-legged, slightly discredited Major Rattery, to whom she had once been married. She was an American by origin, now totally denationalized, rich, without property or possessions, except those that would pack in five vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work in the morning-room is going on well. The foreman told me to-day he thought he would begin on the chromium plating by the end of the week. You know what I think about that. John can talk of nothing except his hunting to-morrow. I hope he doesn't break his neck. Jock and his S.B. are going out too. Hetton lay near the boundary of three packs; the Pigstanton, who hunted it, had, in the division of territory, come off with the worst country and they cherished a permanent resentment about some woods near Bayton. They were a somewhat ill-tempered lot, contemptuous of each other's performance, hostile to strangers, torn by internal rancour, united only in their dislike of the Master. In the case of Colonel Inch this unpopularity, traditional to the hunt, was quite undeserved; he was a timid, inconspicuous man who provided the neighbourhood with sport of a kind at great personal expense. He himself was seldom in sight of hounds and could often be found in another part of the country morosely nibbling ginger-nut biscuits in a lane or towards the end of the day cantering heavily across country, quite lost, a lonely scarlet figure against the ploughed land, staring about him in the deepening twilight and shouting at yokels for information. The only pleasure he gained from his position, but that a substantial one, was in referring to it casually at Board Meetings of the various companies he directed. The Pigstanton met twice a week. There was seldom a large field on Wednesday, but the Hetton meet was popular; it lay in their best country and the prospect of stirrup-cups had drawn many leathery old ladies from the neighbouring packs. There were also followers on foot and in every kind of vehicle, some hanging back diffidently, others, more or less known to Tony, crowding round the refreshment table. Mr Tendril had a niece staying with him, who appeared on a motor bicycle. John stood beside Thunderclap, solemn with excitement. Ben had secured a powerful, square-headed mare from a neighbouring farmer; he hoped to have a hunt after John had been taken home; at John's earnest entreaty nanny was confined indoors, among the housemaids whose heads obtruded at the upper windows; it was not her day. She had been out of temper while dressing him. "If I'm in at the death I expect Colonel Inch will blood me." "You won't see any death," said nanny. Now she stood with her eyes at an arrow slit gazing rather resentfully at the animated scene below. "It's all a lot of nonsense of Ben Hacket's," she thought. She deplored it all, hounds, Master, field, huntsman and whippers-in, Mr Tendril's niece in her mackintosh, Jock in a rat-catcher, Mrs Rattery in tall	vast trunks. Jock had had his eye on her last summer at Biarritz and had fallen in with her again in London where she played big bridge, very ably, for six or seven hours a day and changed her hotel, on an average, once every three weeks. Periodically she was liable to bouts of morphine; then she gave up her bridge and remained for several days at a time alone in her hotel suite, refreshed at intervals with glasses of cold milk. She arrived by air on Monday afternoon. It was the first time that a guest had come in this fashion and the household was appreciably excited. Under Jock's direction the boiler man and one of the gardeners pegged out a dust sheet in the park to mark a landing for her and lit a bonfire of damp leaves to show the direction of the wind. The five trunks arrived in the ordinary way by train, with an elderly, irreproachable maid. She brought her own sheets with her in one of the trunks; they were neither silk nor coloured, without lace or ornament of any kind, except small, plain monograms. Tony, Jock and John went out to watch her land. She climbed out of the cockpit, stretched, unbuttoned the flaps of her leather helmet, and came to meet them. "Forty-two minutes," she said, "not at all bad with the wind against me." She was tall and erect, almost austere in helmet and overalls; not at all as Tony had imagined her. Vaguely, at the back of his mind he had secreted the slightly absurd expectation of a chorus girl, in silk shorts and brassi?re, popping out of an immense beribboned Easter egg with a cry of "Whoopee, boys." Mrs Rattery's greetings were deft and impersonal. "Are you going to hunt on Wednesday?" asked John. "They're meeting here, you know." "I might go out for half the day, if I can find a horse. It'll be the first time this year." "It's my first time too." "We shall both be terribly stiff." She spoke to him exactly as though he were a man of her own age. "You'll have to show me the country." "I expect they'll draw Bruton Wood first. There's a big fox there, daddy and I saw him." * * * * * When they were alone together, Jock said,<\|quote\|>"It's delightful your coming down. What d'you think of Tony?"</\|quote\|>"Is he married to that rather lovely woman we saw at the Caf? de Paris?" "Yes." "The one you said was in love with that young man?" "Yes." "Funny of her... What's this one's name again?" "Tony Last. It's a pretty ghastly house, isn't it?" "Is it? I never notice houses much." She was an easy guest to entertain. After dinner on Monday she produced four packs of cards and laid out for herself on the smoking-room table a very elaborate patience, which kept her engrossed all the evening. "Don't wait up for me," she said. "I shall stay here until it comes out. It often takes several hours." They showed her where to put the lights out and left her to it. Next day Jock said, "Have you got any pigs at the farm?" "Yes." "Would you mind if I went to see them?" "Not in the least--but why?" "And is there a man who looks after them, who will be able to explain about them?" "Yes." "Well, I think I'll spend the morning with him. I've got to make a speech about pigs, fairly soon." They did not see Mrs Rattery until luncheon. Tony assumed she was asleep until she appeared in overalls from the morning-room. "I was down early," she explained, "and found the men at work stripping the ceiling. I couldn't resist joining in. I hope you don't mind." In the afternoon they went to a neighbouring livery stables to look for hirelings. After tea Tony wrote to Brenda; he had taken to writing letters in the past few weeks. How enjoyable the week-end was [he wrote]. Thank you a thousand times for all your sweetness. I wish you were coming down next week-end, or that you had been able to stay on a little, but I quite understand. The Shameless Blonde is not the least what we expected--very serene and distant. Not at all like Jock's usual taste. I am sure she hasn't any idea where she is or what my name is. The work	A Handful Of Dust
"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."	Mrs. Moore	definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his	and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding,	there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we	used to judge people like this at home." "India isn't home," he retorted, rather rudely, but in order to silence her he had been using phrases and arguments that he had picked up from older officials, and he did not feel quite sure of himself. When he said "of course there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we treat the natives properly, and all that sort of nonsense." "But she came out to be worried that's exactly why she's here. She discussed it all on the boat. We had a long talk when we went on shore at Aden. She knows you in play, as she put it,	he said. My personal belief is that the remark wasn't true." "How not true?" "He abused the Major in order to impress you." "I don't know what you mean, dear." "It's the educated native's latest dodge. They used to cringe, but the younger generation believe in a show of manly independence. They think it will pay better with the itinerant M.P. But whether the native swaggers or cringes, there's always something behind every remark he makes, always something, and if nothing else he's trying to increase his izzat in plain Anglo-Saxon, to score. Of course there are exceptions." "You never used to judge people like this at home." "India isn't home," he retorted, rather rudely, but in order to silence her he had been using phrases and arguments that he had picked up from older officials, and he did not feel quite sure of himself. When he said "of course there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we treat the natives properly, and all that sort of nonsense." "But she came out to be worried that's exactly why she's here. She discussed it all on the boat. We had a long talk when we went on shore at Aden. She knows you in play, as she put it, but not in work, and she felt she must come and look round, before she decided and before you decided. She is very, very fair-minded." "I know," he said dejectedly. The note of anxiety in his voice made her feel that he was still a little boy, who must have what he liked, so she promised to do as he wished, and they kissed good night. He had not forbidden her to think about Aziz, however, and she did this when she retired to her room. In the light of her son's comment she reconsidered the scene at the mosque,	she told him that it was someone connected with the Minto Hospital, he was relieved, and said that the fellow's name must be Aziz, and that he was quite all right, nothing against him at all. "Aziz! what a charming name!" "So you and he had a talk. Did you gather he was well disposed?" Ignorant of the force of this question, she replied, "Yes, quite, after the first moment." "I meant, generally. Did he seem to tolerate us the brutal conqueror, the sundried bureaucrat, that sort of thing?" "Oh, yes, I think so, except the Callendars he doesn't care for the Callendars at all." "Oh. So he told you that, did he? The Major will be interested. I wonder what was the aim of the remark." "Ronny, Ronny! you're never going to pass it on to Major Callendar?" "Yes, rather. I must, in fact!" "But, my dear boy" "If the Major heard I was disliked by any native subordinate of mine, I should expect him to pass it on to me." "But, my dear boy a private conversation!" "Nothing's private in India. Aziz knew that when he spoke out, so don't you worry. He had some motive in what he said. My personal belief is that the remark wasn't true." "How not true?" "He abused the Major in order to impress you." "I don't know what you mean, dear." "It's the educated native's latest dodge. They used to cringe, but the younger generation believe in a show of manly independence. They think it will pay better with the itinerant M.P. But whether the native swaggers or cringes, there's always something behind every remark he makes, always something, and if nothing else he's trying to increase his izzat in plain Anglo-Saxon, to score. Of course there are exceptions." "You never used to judge people like this at home." "India isn't home," he retorted, rather rudely, but in order to silence her he had been using phrases and arguments that he had picked up from older officials, and he did not feel quite sure of himself. When he said "of course there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we treat the natives properly, and all that sort of nonsense." "But she came out to be worried that's exactly why she's here. She discussed it all on the boat. We had a long talk when we went on shore at Aden. She knows you in play, as she put it, but not in work, and she felt she must come and look round, before she decided and before you decided. She is very, very fair-minded." "I know," he said dejectedly. The note of anxiety in his voice made her feel that he was still a little boy, who must have what he liked, so she promised to do as he wished, and they kissed good night. He had not forbidden her to think about Aziz, however, and she did this when she retired to her room. In the light of her son's comment she reconsidered the scene at the mosque, to see whose impression was correct. Yes, it could be worked into quite an unpleasant scene. The doctor had begun by bullying her, had said Mrs. Callendar was nice, and then finding the ground safe had changed; he had alternately whined over his grievances and patronized her, had run a dozen ways in a single sentence, had been unreliable, inquisitive, vain. Yes, it was all true, but how false as a summary of the man; the essential life of him had been slain. Going to hang up her cloak, she found that the tip of the peg was occupied by a small wasp. She had known this wasp or his relatives by day; they were not as English wasps, but had long yellow legs which hung down behind when they flew. Perhaps he mistook the peg for a branch no Indian animal has any sense of an interior. Bats, rats, birds, insects will as soon nest inside a house as out; it is to them a normal growth of the eternal jungle, which alternately produces houses trees, houses trees. There he clung, asleep, while jackals in the plain bayed their desires and mingled with the percussion of drums. "Pretty dear,"	was impudence, but I don't know about a trick," said Mrs. Moore. "His nerves were all on edge I could tell from his voice. As soon as I answered he altered." "You oughtn't to have answered." "Now look here," said the logical girl, "wouldn't you expect a Mohammedan to answer if you asked him to take off his hat in church?" "It's different, it's different; you don't understand." "I know I don't, and I want to. What is the difference, please?" He wished she wouldn't interfere. His mother did not signify she was just a globe-trotter, a temporary escort, who could retire to England with what impressions she chose. But Adela, who meditated spending her life in the country, was a more serious matter; it would be tiresome if she started crooked over the native question. Pulling up the mare, he said, "There's your Ganges." Their attention was diverted. Below them a radiance had suddenly appeared. It belonged neither to water nor moonlight, but stood like a luminous sheaf upon the fields of darkness. He told them that it was where the new sand-bank was forming, and that the dark ravelled bit at the top was the sand, and that the dead bodies floated down that way from Benares, or would if the crocodiles let them. "It's not much of a dead body that gets down to Chandrapore." "Crocodiles down in it too, how terrible!" his mother murmured. The young people glanced at each other and smiled; it amused them when the old lady got these gentle creeps, and harmony was restored between them consequently. She continued: "What a terrible river! what a wonderful river!" and sighed. The radiance was already altering, whether through shifting of the moon or of the sand; soon the bright sheaf would be gone, and a circlet, itself to alter, be burnished upon the streaming void. The women discussed whether they would wait for the change or not, while the silence broke into patches of unquietness and the mare shivered. On her account they did not wait, but drove on to the City Magistrate's bungalow, where Miss Quested went to bed, and Mrs. Moore had a short interview with her son. He wanted to enquire about the Mohammedan doctor in the mosque. It was his duty to report suspicious characters and conceivably it was some disreputable hakim who had prowled up from the bazaar. When she told him that it was someone connected with the Minto Hospital, he was relieved, and said that the fellow's name must be Aziz, and that he was quite all right, nothing against him at all. "Aziz! what a charming name!" "So you and he had a talk. Did you gather he was well disposed?" Ignorant of the force of this question, she replied, "Yes, quite, after the first moment." "I meant, generally. Did he seem to tolerate us the brutal conqueror, the sundried bureaucrat, that sort of thing?" "Oh, yes, I think so, except the Callendars he doesn't care for the Callendars at all." "Oh. So he told you that, did he? The Major will be interested. I wonder what was the aim of the remark." "Ronny, Ronny! you're never going to pass it on to Major Callendar?" "Yes, rather. I must, in fact!" "But, my dear boy" "If the Major heard I was disliked by any native subordinate of mine, I should expect him to pass it on to me." "But, my dear boy a private conversation!" "Nothing's private in India. Aziz knew that when he spoke out, so don't you worry. He had some motive in what he said. My personal belief is that the remark wasn't true." "How not true?" "He abused the Major in order to impress you." "I don't know what you mean, dear." "It's the educated native's latest dodge. They used to cringe, but the younger generation believe in a show of manly independence. They think it will pay better with the itinerant M.P. But whether the native swaggers or cringes, there's always something behind every remark he makes, always something, and if nothing else he's trying to increase his izzat in plain Anglo-Saxon, to score. Of course there are exceptions." "You never used to judge people like this at home." "India isn't home," he retorted, rather rudely, but in order to silence her he had been using phrases and arguments that he had picked up from older officials, and he did not feel quite sure of himself. When he said "of course there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we treat the natives properly, and all that sort of nonsense." "But she came out to be worried that's exactly why she's here. She discussed it all on the boat. We had a long talk when we went on shore at Aden. She knows you in play, as she put it, but not in work, and she felt she must come and look round, before she decided and before you decided. She is very, very fair-minded." "I know," he said dejectedly. The note of anxiety in his voice made her feel that he was still a little boy, who must have what he liked, so she promised to do as he wished, and they kissed good night. He had not forbidden her to think about Aziz, however, and she did this when she retired to her room. In the light of her son's comment she reconsidered the scene at the mosque, to see whose impression was correct. Yes, it could be worked into quite an unpleasant scene. The doctor had begun by bullying her, had said Mrs. Callendar was nice, and then finding the ground safe had changed; he had alternately whined over his grievances and patronized her, had run a dozen ways in a single sentence, had been unreliable, inquisitive, vain. Yes, it was all true, but how false as a summary of the man; the essential life of him had been slain. Going to hang up her cloak, she found that the tip of the peg was occupied by a small wasp. She had known this wasp or his relatives by day; they were not as English wasps, but had long yellow legs which hung down behind when they flew. Perhaps he mistook the peg for a branch no Indian animal has any sense of an interior. Bats, rats, birds, insects will as soon nest inside a house as out; it is to them a normal growth of the eternal jungle, which alternately produces houses trees, houses trees. There he clung, asleep, while jackals in the plain bayed their desires and mingled with the percussion of drums. "Pretty dear," said Mrs. Moore to the wasp. He did not wake, but her voice floated out, to swell the night's uneasiness. CHAPTER IV The Collector kept his word. Next day he issued invitation cards to numerous Indian gentlemen in the neighbourhood, stating that he would be at home in the garden of the club between the hours of five and seven on the following Tuesday, also that Mrs. Turton would be glad to receive any ladies of their families who were out of purdah. His action caused much excitement and was discussed in several worlds. "It is owing to orders from the L.G.," was Mahmoud Ali's explanation. "Turton would never do this unless compelled. Those high officials are different they sympathize, the Viceroy sympathizes, they would have us treated properly. But they come too seldom and live too far away. Meanwhile" "It is easy to sympathize at a distance," said an old gentleman with a beard. "I value more the kind word that is spoken close to my ear. Mr. Turton has spoken it, from whatever cause. He speaks, we hear. I do not see why we need discuss it further." Quotations followed from the Koran. "We have not all your sweet nature, Nawab Bahadur, nor your learning." "The Lieutenant-Governor may be my very good friend, but I give him no trouble." How do you do, Nawab Bahadur? Quite well, thank you, Sir Gilbert; how are you? "And all is over. But I can be a thorn in Mr. Turton's flesh, and if he asks me I accept the invitation. I shall come in from Dilkusha specially, though I have to postpone other business." "You will make yourself chip," suddenly said a little black man. There was a stir of disapproval. Who was this ill-bred upstart, that he should criticize the leading Mohammedan landowner of the district? Mahmoud Ali, though sharing his opinion, felt bound to oppose it. "Mr. Ram Chand!" he said, swaying forward stiffly with his hands on his hips. "Mr. Mahmoud Ali!" "Mr. Ram Chand, the Nawab Bahadur can decide what is cheap without our valuation, I think." "I do not expect I shall make myself cheap," said the Nawab Bahadur to Mr. Ram Chand, speaking very pleasantly, for he was aware that the man had been impolite and he desired to shield him from the consequences. It had passed through his mind to reply, "I expect I	the sand; soon the bright sheaf would be gone, and a circlet, itself to alter, be burnished upon the streaming void. The women discussed whether they would wait for the change or not, while the silence broke into patches of unquietness and the mare shivered. On her account they did not wait, but drove on to the City Magistrate's bungalow, where Miss Quested went to bed, and Mrs. Moore had a short interview with her son. He wanted to enquire about the Mohammedan doctor in the mosque. It was his duty to report suspicious characters and conceivably it was some disreputable hakim who had prowled up from the bazaar. When she told him that it was someone connected with the Minto Hospital, he was relieved, and said that the fellow's name must be Aziz, and that he was quite all right, nothing against him at all. "Aziz! what a charming name!" "So you and he had a talk. Did you gather he was well disposed?" Ignorant of the force of this question, she replied, "Yes, quite, after the first moment." "I meant, generally. Did he seem to tolerate us the brutal conqueror, the sundried bureaucrat, that sort of thing?" "Oh, yes, I think so, except the Callendars he doesn't care for the Callendars at all." "Oh. So he told you that, did he? The Major will be interested. I wonder what was the aim of the remark." "Ronny, Ronny! you're never going to pass it on to Major Callendar?" "Yes, rather. I must, in fact!" "But, my dear boy" "If the Major heard I was disliked by any native subordinate of mine, I should expect him to pass it on to me." "But, my dear boy a private conversation!" "Nothing's private in India. Aziz knew that when he spoke out, so don't you worry. He had some motive in what he said. My personal belief is that the remark wasn't true." "How not true?" "He abused the Major in order to impress you." "I don't know what you mean, dear." "It's the educated native's latest dodge. They used to cringe, but the younger generation believe in a show of manly independence. They think it will pay better with the itinerant M.P. But whether the native swaggers or cringes, there's always something behind every remark he makes, always something, and if nothing else he's trying to increase his izzat in plain Anglo-Saxon, to score. Of course there are exceptions." "You never used to judge people like this at home." "India isn't home," he retorted, rather rudely, but in order to silence her he had been using phrases and arguments that he had picked up from older officials, and he did not feel quite sure of himself. When he said "of course there are exceptions" he was quoting Mr. Turton, while "increasing the izzat" was Major Callendar's own. The phrases worked and were in current use at the club, but she was rather clever at detecting the first from the second hand, and might press him for definite examples. She only said,<\|quote\|>"I can't deny that what you say sounds very sensible, but you really must not hand on to Major Callendar anything I have told you about Doctor Aziz."</\|quote\|>He felt disloyal to his caste, but he promised, adding, "In return please don't talk about Aziz to Adela." "Not talk about him? Why?" "There you go again, mother I really can't explain every thing. I don't want Adela to be worried, that's the fact; she'll begin wondering whether we treat the natives properly, and all that sort of nonsense." "But she came out to be worried that's exactly why she's here. She discussed it all on the boat. We had a long talk when we went on shore at Aden. She knows you in play, as she put it, but not in work, and she felt she must come and look round, before she decided and before you decided. She is very, very fair-minded." "I know," he said dejectedly. The note of anxiety in his voice made her feel that he was still a little boy, who must have what he liked, so she promised to do as he wished, and they kissed good night. He had not forbidden her to think about Aziz, however, and she did this when she retired to her room. In the light of her son's comment she reconsidered the scene at the mosque, to see whose impression was correct. Yes, it could be worked into quite an unpleasant scene. The doctor had begun by bullying her, had said Mrs. Callendar was nice, and then finding the ground safe had changed; he had alternately whined over his grievances and patronized her, had run a dozen ways in a single sentence, had been unreliable, inquisitive, vain. Yes, it was all true, but how false as a summary of the man; the essential life of him had been slain. Going to hang up her cloak, she found that the tip of the peg was occupied by a small wasp. She had known this wasp or his relatives by day; they were not as English wasps, but had long yellow legs which hung down behind when they flew. Perhaps he mistook the peg for a branch no Indian animal has any sense of an interior. Bats, rats, birds, insects will as soon nest inside a house as out; it is to them a normal growth of the eternal jungle, which alternately produces houses trees, houses trees. There he clung, asleep, while jackals in the plain bayed their desires and mingled with the percussion of drums. "Pretty dear," said Mrs. Moore to the	A Passage To India
“In two weeks it’ll be the longest day in the year.”	Daisy	them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all	objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch	another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if	somebody there.” “I don’t know a single—” “You must know Gatsby.” “Gatsby?” demanded Daisy. “What Gatsby?” Before I could reply that he was my neighbour dinner was announced; wedging his tense arm imperatively under mine, Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if she were getting into bed. “All right,” said Daisy. “What’ll we plan?” She turned to me helplessly: “What do people plan?” Before I could answer her eyes fastened with an awed expression on her little finger. “Look!” she complained; “I hurt it.” We all looked—the knuckle was black and blue.	of a glass. “How you ever get anything done is beyond me.” I looked at Miss Baker, wondering what it was she “got done.” I enjoyed looking at her. She was a slender, small-breasted girl, with an erect carriage, which she accentuated by throwing her body backward at the shoulders like a young cadet. Her grey sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming, discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before. “You live in West Egg,” she remarked contemptuously. “I know somebody there.” “I don’t know a single—” “You must know Gatsby.” “Gatsby?” demanded Daisy. “What Gatsby?” Before I could reply that he was my neighbour dinner was announced; wedging his tense arm imperatively under mine, Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if she were getting into bed. “All right,” said Daisy. “What’ll we plan?” She turned to me helplessly: “What do people plan?” Before I could answer her eyes fastened with an awed expression on her little finger. “Look!” she complained; “I hurt it.” We all looked—the knuckle was black and blue. “You did it, Tom,” she said accusingly. “I know you didn’t mean to, but you did do it. That’s what I get for marrying a brute of a man, a great, big, hulking physical specimen of a—” “I hate that word ‘hulking,’ ” objected Tom crossly, “even in kidding.” “Hulking,” insisted Daisy. Sometimes she and Miss Baker talked at once, unobtrusively and with a bantering inconsequence that was never quite chatter, that was as cool as their white dresses and their impersonal eyes in the absence of all desire. They were here, and they accepted Tom and me, making only	shoulder. “What you doing, Nick?” “I’m a bond man.” “Who with?” I told him. “Never heard of them,” he remarked decisively. This annoyed me. “You will,” I answered shortly. “You will if you stay in the East.” “Oh, I’ll stay in the East, don’t you worry,” he said, glancing at Daisy and then back at me, as if he were alert for something more. “I’d be a God damned fool to live anywhere else.” At this point Miss Baker said: “Absolutely!” with such suddenness that I started—it was the first word she had uttered since I came into the room. Evidently it surprised her as much as it did me, for she yawned and with a series of rapid, deft movements stood up into the room. “I’m stiff,” she complained, “I’ve been lying on that sofa for as long as I can remember.” “Don’t look at me,” Daisy retorted, “I’ve been trying to get you to New York all afternoon.” “No, thanks,” said Miss Baker to the four cocktails just in from the pantry. “I’m absolutely in training.” Her host looked at her incredulously. “You are!” He took down his drink as if it were a drop in the bottom of a glass. “How you ever get anything done is beyond me.” I looked at Miss Baker, wondering what it was she “got done.” I enjoyed looking at her. She was a slender, small-breasted girl, with an erect carriage, which she accentuated by throwing her body backward at the shoulders like a young cadet. Her grey sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming, discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before. “You live in West Egg,” she remarked contemptuously. “I know somebody there.” “I don’t know a single—” “You must know Gatsby.” “Gatsby?” demanded Daisy. “What Gatsby?” Before I could reply that he was my neighbour dinner was announced; wedging his tense arm imperatively under mine, Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if she were getting into bed. “All right,” said Daisy. “What’ll we plan?” She turned to me helplessly: “What do people plan?” Before I could answer her eyes fastened with an awed expression on her little finger. “Look!” she complained; “I hurt it.” We all looked—the knuckle was black and blue. “You did it, Tom,” she said accusingly. “I know you didn’t mean to, but you did do it. That’s what I get for marrying a brute of a man, a great, big, hulking physical specimen of a—” “I hate that word ‘hulking,’ ” objected Tom crossly, “even in kidding.” “Hulking,” insisted Daisy. Sometimes she and Miss Baker talked at once, unobtrusively and with a bantering inconsequence that was never quite chatter, that was as cool as their white dresses and their impersonal eyes in the absence of all desire. They were here, and they accepted Tom and me, making only a polite pleasant effort to entertain or to be entertained. They knew that presently dinner would be over and a little later the evening too would be over and casually put away. It was sharply different from the West, where an evening was hurried from phase to phase towards its close, in a continually disappointed anticipation or else in sheer nervous dread of the moment itself. “You make me feel uncivilized, Daisy,” I confessed on my second glass of corky but rather impressive claret. “Can’t you talk about crops or something?” I meant nothing in particular by this remark, but it was taken up in an unexpected way. “Civilization’s going to pieces,” broke out Tom violently. “I’ve gotten to be a terrible pessimist about things. Have you read The Rise of the Coloured Empires by this man Goddard?” “Why, no,” I answered, rather surprised by his tone. “Well, it’s a fine book, and everybody ought to read it. The idea is if we don’t look out the white race will be—will be utterly submerged. It’s all scientific stuff; it’s been proved.” “Tom’s getting very profound,” said Daisy, with an expression of unthoughtful sadness. “He reads deep books with long words	slightly forward with a conscientious expression—then she laughed, an absurd, charming little laugh, and I laughed too and came forward into the room. “I’m p-paralysed with happiness.” She laughed again, as if she said something very witty, and held my hand for a moment, looking up into my face, promising that there was no one in the world she so much wanted to see. That was a way she had. She hinted in a murmur that the surname of the balancing girl was Baker. (I’ve heard it said that Daisy’s murmur was only to make people lean toward her; an irrelevant criticism that made it no less charming.) At any rate, Miss Baker’s lips fluttered, she nodded at me almost imperceptibly, and then quickly tipped her head back again—the object she was balancing had obviously tottered a little and given her something of a fright. Again a sort of apology arose to my lips. Almost any exhibition of complete self-sufficiency draws a stunned tribute from me. I looked back at my cousin, who began to ask me questions in her low, thrilling voice. It was the kind of voice that the ear follows up and down, as if each speech is an arrangement of notes that will never be played again. Her face was sad and lovely with bright things in it, bright eyes and a bright passionate mouth, but there was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered “Listen,” a promise that she had done gay, exciting things just a while since and that there were gay, exciting things hovering in the next hour. I told her how I had stopped off in Chicago for a day on my way East, and how a dozen people had sent their love through me. “Do they miss me?” she cried ecstatically. “The whole town is desolate. All the cars have the left rear wheel painted black as a mourning wreath, and there’s a persistent wail all night along the north shore.” “How gorgeous! Let’s go back, Tom. Tomorrow!” Then she added irrelevantly: “You ought to see the baby.” “I’d like to.” “She’s asleep. She’s three years old. Haven’t you ever seen her?” “Never.” “Well, you ought to see her. She’s—” Tom Buchanan, who had been hovering restlessly about the room, stopped and rested his hand on my shoulder. “What you doing, Nick?” “I’m a bond man.” “Who with?” I told him. “Never heard of them,” he remarked decisively. This annoyed me. “You will,” I answered shortly. “You will if you stay in the East.” “Oh, I’ll stay in the East, don’t you worry,” he said, glancing at Daisy and then back at me, as if he were alert for something more. “I’d be a God damned fool to live anywhere else.” At this point Miss Baker said: “Absolutely!” with such suddenness that I started—it was the first word she had uttered since I came into the room. Evidently it surprised her as much as it did me, for she yawned and with a series of rapid, deft movements stood up into the room. “I’m stiff,” she complained, “I’ve been lying on that sofa for as long as I can remember.” “Don’t look at me,” Daisy retorted, “I’ve been trying to get you to New York all afternoon.” “No, thanks,” said Miss Baker to the four cocktails just in from the pantry. “I’m absolutely in training.” Her host looked at her incredulously. “You are!” He took down his drink as if it were a drop in the bottom of a glass. “How you ever get anything done is beyond me.” I looked at Miss Baker, wondering what it was she “got done.” I enjoyed looking at her. She was a slender, small-breasted girl, with an erect carriage, which she accentuated by throwing her body backward at the shoulders like a young cadet. Her grey sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming, discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before. “You live in West Egg,” she remarked contemptuously. “I know somebody there.” “I don’t know a single—” “You must know Gatsby.” “Gatsby?” demanded Daisy. “What Gatsby?” Before I could reply that he was my neighbour dinner was announced; wedging his tense arm imperatively under mine, Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if she were getting into bed. “All right,” said Daisy. “What’ll we plan?” She turned to me helplessly: “What do people plan?” Before I could answer her eyes fastened with an awed expression on her little finger. “Look!” she complained; “I hurt it.” We all looked—the knuckle was black and blue. “You did it, Tom,” she said accusingly. “I know you didn’t mean to, but you did do it. That’s what I get for marrying a brute of a man, a great, big, hulking physical specimen of a—” “I hate that word ‘hulking,’ ” objected Tom crossly, “even in kidding.” “Hulking,” insisted Daisy. Sometimes she and Miss Baker talked at once, unobtrusively and with a bantering inconsequence that was never quite chatter, that was as cool as their white dresses and their impersonal eyes in the absence of all desire. They were here, and they accepted Tom and me, making only a polite pleasant effort to entertain or to be entertained. They knew that presently dinner would be over and a little later the evening too would be over and casually put away. It was sharply different from the West, where an evening was hurried from phase to phase towards its close, in a continually disappointed anticipation or else in sheer nervous dread of the moment itself. “You make me feel uncivilized, Daisy,” I confessed on my second glass of corky but rather impressive claret. “Can’t you talk about crops or something?” I meant nothing in particular by this remark, but it was taken up in an unexpected way. “Civilization’s going to pieces,” broke out Tom violently. “I’ve gotten to be a terrible pessimist about things. Have you read The Rise of the Coloured Empires by this man Goddard?” “Why, no,” I answered, rather surprised by his tone. “Well, it’s a fine book, and everybody ought to read it. The idea is if we don’t look out the white race will be—will be utterly submerged. It’s all scientific stuff; it’s been proved.” “Tom’s getting very profound,” said Daisy, with an expression of unthoughtful sadness. “He reads deep books with long words in them. What was that word we—” “Well, these books are all scientific,” insisted Tom, glancing at her impatiently. “This fellow has worked out the whole thing. It’s up to us, who are the dominant race, to watch out or these other races will have control of things.” “We’ve got to beat them down,” whispered Daisy, winking ferociously toward the fervent sun. “You ought to live in California—” began Miss Baker, but Tom interrupted her by shifting heavily in his chair. “This idea is that we’re Nordics. I am, and you are, and you are, and—” After an infinitesimal hesitation he included Daisy with a slight nod, and she winked at me again. “—And we’ve produced all the things that go to make civilization—oh, science and art, and all that. Do you see?” There was something pathetic in his concentration, as if his complacency, more acute than of old, was not enough to him any more. When, almost immediately, the telephone rang inside and the butler left the porch Daisy seized upon the momentary interruption and leaned towards me. “I’ll tell you a family secret,” she whispered enthusiastically. “It’s about the butler’s nose. Do you want to hear about the butler’s nose?” “That’s why I came over tonight.” “Well, he wasn’t always a butler; he used to be the silver polisher for some people in New York that had a silver service for two hundred people. He had to polish it from morning till night, until finally it began to affect his nose—” “Things went from bad to worse,” suggested Miss Baker. “Yes. Things went from bad to worse, until finally he had to give up his position.” For a moment the last sunshine fell with romantic affection upon her glowing face; her voice compelled me forward breathlessly as I listened—then the glow faded, each light deserting her with lingering regret, like children leaving a pleasant street at dusk. The butler came back and murmured something close to Tom’s ear, whereupon Tom frowned, pushed back his chair, and without a word went inside. As if his absence quickened something within her, Daisy leaned forward again, her voice glowing and singing. “I love to see you at my table, Nick. You remind me of a—of a rose, an absolute rose. Doesn’t he?” She turned to Miss Baker for confirmation: “An absolute rose?” This was untrue. I am not even faintly like	with a series of rapid, deft movements stood up into the room. “I’m stiff,” she complained, “I’ve been lying on that sofa for as long as I can remember.” “Don’t look at me,” Daisy retorted, “I’ve been trying to get you to New York all afternoon.” “No, thanks,” said Miss Baker to the four cocktails just in from the pantry. “I’m absolutely in training.” Her host looked at her incredulously. “You are!” He took down his drink as if it were a drop in the bottom of a glass. “How you ever get anything done is beyond me.” I looked at Miss Baker, wondering what it was she “got done.” I enjoyed looking at her. She was a slender, small-breasted girl, with an erect carriage, which she accentuated by throwing her body backward at the shoulders like a young cadet. Her grey sun-strained eyes looked back at me with polite reciprocal curiosity out of a wan, charming, discontented face. It occurred to me now that I had seen her, or a picture of her, somewhere before. “You live in West Egg,” she remarked contemptuously. “I know somebody there.” “I don’t know a single—” “You must know Gatsby.” “Gatsby?” demanded Daisy. “What Gatsby?” Before I could reply that he was my neighbour dinner was announced; wedging his tense arm imperatively under mine, Tom Buchanan compelled me from the room as though he were moving a checker to another square. Slenderly, languidly, their hands set lightly on their hips, the two young women preceded us out on to a rosy-coloured porch, open toward the sunset, where four candles flickered on the table in the diminished wind. “Why candles?” objected Daisy, frowning. She snapped them out with her fingers.<\|quote\|>“In two weeks it’ll be the longest day in the year.”</\|quote\|>She looked at us all radiantly. “Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it.” “We ought to plan something,” yawned Miss Baker, sitting down at the table as if she were getting into bed. “All right,” said Daisy. “What’ll we plan?” She turned to me helplessly: “What do people plan?” Before I could answer her eyes fastened with an awed expression on her little finger. “Look!” she complained; “I hurt it.” We all looked—the knuckle was black and blue. “You did it, Tom,” she said accusingly. “I know you didn’t mean to, but you did do it. That’s what I get for marrying a brute of a man, a great, big, hulking physical specimen of a—” “I hate that word ‘hulking,’ ” objected Tom crossly, “even in kidding.” “Hulking,” insisted Daisy. Sometimes she and Miss Baker talked at once, unobtrusively and with a bantering inconsequence that was never quite chatter, that was as cool as their white dresses and their impersonal eyes in the absence of all desire. They were here, and they accepted Tom and me, making only a polite pleasant effort to entertain or to be entertained. They knew that presently dinner would be over and a little later the evening too would be over and casually put away. It was sharply different from the West, where an evening was hurried from phase to phase towards its close, in a continually disappointed anticipation or else in sheer nervous dread of the moment itself. “You make me feel uncivilized, Daisy,” I confessed on my second glass of corky but rather impressive claret. “Can’t you talk about crops or something?” I meant nothing in particular by this remark, but it was taken up in an unexpected way. “Civilization’s going to pieces,” broke out Tom violently. “I’ve gotten to be a terrible pessimist about things. Have you read The Rise of the Coloured Empires by this man Goddard?” “Why, no,” I answered, rather surprised by his tone. “Well, it’s a fine book, and everybody ought to read it. The idea is if we don’t look out the white race will be—will be utterly submerged. It’s all scientific stuff; it’s been proved.” “Tom’s getting very profound,” said Daisy, with an expression of unthoughtful sadness. “He reads deep books with long words in them. What was that word we—” “Well, these books are all scientific,” insisted Tom, glancing at her impatiently. “This fellow has worked out the whole thing. It’s up to us, who are the dominant race, to watch out or these other races will have control	The Great Gatsby
Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.	No speaker	and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the	your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most	I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas,	understand you to mean!” “You don’t understand me at all--evidently; and above all I see you don’t want to!” she had the bravery to add, “By ‘our’ sense of what’s due to the nation in such a case I mean Mr. Crimble’s and mine--and nobody’s else at all; since, as I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas, I gather, to have arrived at such unanimity.” And then, as if to fall into no trap he might somehow be laying for her, she dropped all eagerness and rebutted nothing: “You must see a great deal of your fellow-critic not to be able to speak of yourself without him!”	the country: people walking--and riding!--straight; doing, disinterestedly, most of the difficult and all the thankless jobs; minding their own business, above all, and expecting others to mind theirs?” So he let her “have” the stout sound truth, as it were--and so the direct force of it clearly might, by his view, have made her reel. “You and I, my lady, and your two decent brothers, God be thanked for them, and mine into the bargain, and all the rest, the jolly lot of us, take us together--make us numerous enough without any foreign aid or mixture: if that’s what I understand you to mean!” “You don’t understand me at all--evidently; and above all I see you don’t want to!” she had the bravery to add, “By ‘our’ sense of what’s due to the nation in such a case I mean Mr. Crimble’s and mine--and nobody’s else at all; since, as I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas, I gather, to have arrived at such unanimity.” And then, as if to fall into no trap he might somehow be laying for her, she dropped all eagerness and rebutted nothing: “You must see a great deal of your fellow-critic not to be able to speak of yourself without him!” “Yes, we’re fellow-critics, father” --she accepted this opening. “I perfectly adopt your term.” But it took her a minute to go further. “I saw Mr. Crim-ble here half an hour ago.” “Saw him ‘here’?” Lord Theign amazedly asked. “He _comes_ to you here--and Amy Sandgate has been silent?” “It wasn’t her business to tell you--since, you see, she could leave it to me. And I quite expect,” Lady Grace then produced, “that he’ll come again.” It brought down with a bang all her father’s authority. “Then I simply exact of you that you don’t see him.” The pause of which	frankly now, as for a rift in the gloom. “Well, how can we help it if you _will_ be a case?” And then as her tone but visibly darkened his wonder: “What we’ve set our hearts on is saving the picture.” “What you’ve set your hearts on, in other words, is working straight against me?” But she persisted without heat. “What we’ve set our hearts on is working for England.” “And pray who in the world’s ‘England,’” he cried in his stupefaction, “unless I am?” “Dear, dear father,” she pleaded, “that’s all we _want_ you to be! I mean” --she didn’t fear firmly to force it home-- “in the real, the right, the grand sense; the sense that, you see, is so intensely ours.” “‘Ours’?” --he couldn’t but again throw back her word at her. “Isn’t it, damn you, just _in_ ours--?” “No, no,” she interrupted-- “not in _ours!_” She smiled at him still, though it was strained, as if he really ought to perceive. But he glared as at a senseless juggle. “What and who the devil are you talking about? What are ‘we,’ the whole blest lot of us, pray, but the best and most English thing in the country: people walking--and riding!--straight; doing, disinterestedly, most of the difficult and all the thankless jobs; minding their own business, above all, and expecting others to mind theirs?” So he let her “have” the stout sound truth, as it were--and so the direct force of it clearly might, by his view, have made her reel. “You and I, my lady, and your two decent brothers, God be thanked for them, and mine into the bargain, and all the rest, the jolly lot of us, take us together--make us numerous enough without any foreign aid or mixture: if that’s what I understand you to mean!” “You don’t understand me at all--evidently; and above all I see you don’t want to!” she had the bravery to add, “By ‘our’ sense of what’s due to the nation in such a case I mean Mr. Crimble’s and mine--and nobody’s else at all; since, as I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas, I gather, to have arrived at such unanimity.” And then, as if to fall into no trap he might somehow be laying for her, she dropped all eagerness and rebutted nothing: “You must see a great deal of your fellow-critic not to be able to speak of yourself without him!” “Yes, we’re fellow-critics, father” --she accepted this opening. “I perfectly adopt your term.” But it took her a minute to go further. “I saw Mr. Crim-ble here half an hour ago.” “Saw him ‘here’?” Lord Theign amazedly asked. “He _comes_ to you here--and Amy Sandgate has been silent?” “It wasn’t her business to tell you--since, you see, she could leave it to me. And I quite expect,” Lady Grace then produced, “that he’ll come again.” It brought down with a bang all her father’s authority. “Then I simply exact of you that you don’t see him.” The pause of which she paid it the deference was charged like a brimming cup. “Is that what you _really_ meant by your condition just now--that when I do see him I shall not speak to him?” “What I ‘really meant’ is what I really mean--that you bow to the law I lay upon you and drop the man altogether.” “Have nothing to do with him at all?” “Have nothing to do with him at all.” “In fact” --she took it in-- “give him wholly up.” He had an impatient gesture. “You sound as if I asked you to give up a fortune!” And then, though she had phrased his idea without consternation--verily as if it had been in the balance for her--he might have been moved by something that gathered in her eyes. “You’re so wrapped up in him that the precious sacrifice is like _that_ sort of thing?” Lady Grace took her time--but showed, as her eyes continued to hold him, what _had_ gathered. “I like Mr. Crimble exceedingly, father--I think him clever, intelligent, good; I want what he wants--I want it, I think, really, as much; and I don’t at all deny that he has helped to make me so want	recovered the name with relief. “Mr. Hugh Crimble--that’s it!--whom you so amazingly caused to be present, and apparently invited to be active, at a business that so little concerned him.” “He certainly took upon himself to be interested, as I had hoped he would. But it was because I had taken upon _my_ self--” “To act, yes,” Lord Theign broke in, “with the grossest want of delicacy! Well, it’s from that exactly that you’ll now forbear; and ‘interested’ as he may be--for which I’m deucedly obliged to him!--you’ll not speak to Mr. Crimble again.” “Never again?” --the girl put it as for full certitude. “Never of the question that I thus exclude. You may chatter your fill,” said his lordship curtly, “about any others.” “Why, the particular question you forbid,” Grace returned with great force, but as if saying something very reasonable-- “that question is _the_ question we care about: it’s our very ground of conversation.” “Then,” her father decreed, “your conversation will please to _dispense_ with a ground; or you’ll perhaps, better still--if that’s the only way!--dispense with your conversation.” Lady Grace took a moment as if to examine this more closely. “You require of me not to communicate with Mr. Crimble at all?” “Most assuredly I require it--since it’s to that you insist on reducing me.” He didn’t look reduced, the master of Dedborough, as he spoke--which was doubtless precisely because he held his head so high to affirm what he suffered. “Is it so essential to your comfort,” he demanded, “to hear him, or to make him, abuse me?” “‘Abusing’ you, father dear, has nothing whatever to do with it!” --his daughter had fairly lapsed, with a despairing gesture, to the tenderness involved in her compassion for his perversity. “We look at the thing in a much larger way,” she pursued, not heeding that she drew from him a sound of scorn for her “larger.” “It’s of our Treasure itself we talk--and of what can be _done_ in such cases; though with a close application, I admit, to the case that you embody.” “Ah,” Lord Theign asked as with absurd curiosity, “I embody a case?” “Wonderfully, father--as you do everything; and it’s the fact of its being exceptional,” she explained, “that makes it so difficult to deal with.” His lordship had a gape for it. “‘To deal with’? You’re undertaking to ‘deal’ with me?” She smiled more frankly now, as for a rift in the gloom. “Well, how can we help it if you _will_ be a case?” And then as her tone but visibly darkened his wonder: “What we’ve set our hearts on is saving the picture.” “What you’ve set your hearts on, in other words, is working straight against me?” But she persisted without heat. “What we’ve set our hearts on is working for England.” “And pray who in the world’s ‘England,’” he cried in his stupefaction, “unless I am?” “Dear, dear father,” she pleaded, “that’s all we _want_ you to be! I mean” --she didn’t fear firmly to force it home-- “in the real, the right, the grand sense; the sense that, you see, is so intensely ours.” “‘Ours’?” --he couldn’t but again throw back her word at her. “Isn’t it, damn you, just _in_ ours--?” “No, no,” she interrupted-- “not in _ours!_” She smiled at him still, though it was strained, as if he really ought to perceive. But he glared as at a senseless juggle. “What and who the devil are you talking about? What are ‘we,’ the whole blest lot of us, pray, but the best and most English thing in the country: people walking--and riding!--straight; doing, disinterestedly, most of the difficult and all the thankless jobs; minding their own business, above all, and expecting others to mind theirs?” So he let her “have” the stout sound truth, as it were--and so the direct force of it clearly might, by his view, have made her reel. “You and I, my lady, and your two decent brothers, God be thanked for them, and mine into the bargain, and all the rest, the jolly lot of us, take us together--make us numerous enough without any foreign aid or mixture: if that’s what I understand you to mean!” “You don’t understand me at all--evidently; and above all I see you don’t want to!” she had the bravery to add, “By ‘our’ sense of what’s due to the nation in such a case I mean Mr. Crimble’s and mine--and nobody’s else at all; since, as I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas, I gather, to have arrived at such unanimity.” And then, as if to fall into no trap he might somehow be laying for her, she dropped all eagerness and rebutted nothing: “You must see a great deal of your fellow-critic not to be able to speak of yourself without him!” “Yes, we’re fellow-critics, father” --she accepted this opening. “I perfectly adopt your term.” But it took her a minute to go further. “I saw Mr. Crim-ble here half an hour ago.” “Saw him ‘here’?” Lord Theign amazedly asked. “He _comes_ to you here--and Amy Sandgate has been silent?” “It wasn’t her business to tell you--since, you see, she could leave it to me. And I quite expect,” Lady Grace then produced, “that he’ll come again.” It brought down with a bang all her father’s authority. “Then I simply exact of you that you don’t see him.” The pause of which she paid it the deference was charged like a brimming cup. “Is that what you _really_ meant by your condition just now--that when I do see him I shall not speak to him?” “What I ‘really meant’ is what I really mean--that you bow to the law I lay upon you and drop the man altogether.” “Have nothing to do with him at all?” “Have nothing to do with him at all.” “In fact” --she took it in-- “give him wholly up.” He had an impatient gesture. “You sound as if I asked you to give up a fortune!” And then, though she had phrased his idea without consternation--verily as if it had been in the balance for her--he might have been moved by something that gathered in her eyes. “You’re so wrapped up in him that the precious sacrifice is like _that_ sort of thing?” Lady Grace took her time--but showed, as her eyes continued to hold him, what _had_ gathered. “I like Mr. Crimble exceedingly, father--I think him clever, intelligent, good; I want what he wants--I want it, I think, really, as much; and I don’t at all deny that he has helped to make me so want it. But that doesn’t matter. I’ll wholly cease to see him, I’ll give him up forever, if--if--!” She faltered, however, she hung fire with a smile that anxiously, intensely appealed. Then she began and stopped again, “If--if--!” while her father caught her up with irritation. “‘If,’ my lady? If _what_, please?” “If you’ll withdraw the offer of our picture to Mr. Bender--and never make another to any one else!” He stood staring as at the size of it--then translated it into his own terms. “If I’ll obligingly announce to the world that I’ve made an ass of myself you’ll kindly forbear from your united effort--the charming pair of you--to show me up for one?” Lady Grace, as if consciously not caring or attempting to answer this, simply gave the first flare of his criticism time to drop. It wasn’t till a minute passed that she said: “You don’t agree to my compromise?” Ah, the question but fatally sharpened at a stroke the stiffness of his spirit. “Good God, I’m to ‘compromise’ on top of everything?--I’m to let you browbeat me, haggle and bargain with me, over a thing that I’m entitled to settle with you as things have ever _been_ settled among us, by uttering to you my last parental word?” “You don’t care enough then for what you name?” --she took it up as scarce heeding now what he said. “For putting an end to your odious commerce--? I give you the measure, on the contrary,” said Lord Theign, “of how much I care: as you give me, very strangely indeed, it strikes me, that of what it costs you--!” But his other words were lost in the hard long look at her from which he broke off in turn as for disgust. It was with an effect of decently shielding herself--the unuttered meaning came so straight--that she substituted words of her own. “Of what it costs me to redeem the picture?” “To lose your tenth-rate friend” --he spoke without scruple now. She instantly broke into ardent deprecation, pleading at once and warning. “Father, father, oh--! You hold the thing in your hands.” He pulled up before her again as to thrust the responsibility straight back. “My orders then are so much rubbish to you?” Lady Grace held her ground, and they remained face to face in opposition and accusation, neither making the other the sign of peace. But	throw back her word at her. “Isn’t it, damn you, just _in_ ours--?” “No, no,” she interrupted-- “not in _ours!_” She smiled at him still, though it was strained, as if he really ought to perceive. But he glared as at a senseless juggle. “What and who the devil are you talking about? What are ‘we,’ the whole blest lot of us, pray, but the best and most English thing in the country: people walking--and riding!--straight; doing, disinterestedly, most of the difficult and all the thankless jobs; minding their own business, above all, and expecting others to mind theirs?” So he let her “have” the stout sound truth, as it were--and so the direct force of it clearly might, by his view, have made her reel. “You and I, my lady, and your two decent brothers, God be thanked for them, and mine into the bargain, and all the rest, the jolly lot of us, take us together--make us numerous enough without any foreign aid or mixture: if that’s what I understand you to mean!” “You don’t understand me at all--evidently; and above all I see you don’t want to!” she had the bravery to add, “By ‘our’ sense of what’s due to the nation in such a case I mean Mr. Crimble’s and mine--and nobody’s else at all; since, as I tell you, it’s only with him I’ve talked.” It gave him then, every inch of him showed, the full, the grotesque measure of the scandal he faced. “So that ‘you and Mr. Crimble’ represent the standard, for me, in your opinion, of the proprieties and duties of our house?”<\|quote\|>Well, she was too earnest--as she clearly wished to let him see--to mind his perversion of it.</\|quote\|>“I express to you the way we feel.” “It’s most striking to hear, certainly, what you express” --he had positively to laugh for it; “and you speak of him, with your insufferable ‘we,’ as if you were presenting him as your--God knows what! You’ve enjoyed a large exchange of ideas, I gather, to have arrived at such unanimity.” And then, as if to fall into no trap he might somehow be laying for her, she dropped all eagerness and rebutted nothing: “You must see a great deal of your fellow-critic not to be able to speak of yourself without him!” “Yes, we’re fellow-critics, father” --she accepted this opening. “I perfectly adopt your term.” But it took her a minute to go further. “I saw Mr. Crim-ble here half an hour ago.” “Saw him ‘here’?” Lord Theign amazedly asked. “He _comes_ to you here--and Amy Sandgate has been silent?” “It wasn’t her business to tell you--since, you see, she could leave it to me. And I quite expect,” Lady Grace then produced, “that he’ll come again.” It brought down with a bang all her father’s authority. “Then I simply exact of you that you don’t see him.” The pause of which she paid it the deference was charged like a brimming cup. “Is that what you _really_ meant by your condition just now--that when I do see him I shall not speak to him?” “What I ‘really meant’ is what I really mean--that you bow to the law I lay upon you and drop the man altogether.” “Have nothing to do with him at all?” “Have nothing to do with him at all.” “In fact” --she took it in-- “give him wholly up.” He had an impatient gesture. “You sound as if I asked you to give up a fortune!” And then, though she	The Outcry
"You wouldn't read any letters, darling. You wouldn't read mine."	Brett Ashley	letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike	"She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You	you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's	around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is	and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed	wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners," Brett said. "You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing	way for several drinks. We were sitting in the caf . "That's an extraordinary business," Brett said. "Will those last ones fight as well as the first?" Robert Cohn asked. "They seemed to quiet down awfully fast." "They all know each other," I said. "They're only dangerous when they're alone, or only two or three of them together." "What do you mean, dangerous?" Bill said. "They all looked dangerous to me." "They only want to kill when they're alone. Of course, if you went in there you'd probably detach one of them from the herd, and he'd be dangerous." "That's too complicated," Bill said. "Don't you ever detach me from the herd, Mike." "I say," Mike said, "they _were_ fine bulls, weren't they? Did you see their horns?" "Did I not," said Brett. "I had no idea what they were like." "Did you see the one hit that steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said. "I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?" "Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners," Brett said. "You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper." "Yes. That will be a pleasant meal." "Won't it?" As a matter of fact, supper was a pleasant meal. Brett wore a black, sleeveless evening dress. She looked quite beautiful. Mike acted as though nothing had happened. I had to go up and bring Robert Cohn down. He was reserved and formal, and his face was still taut and sallow, but he cheered up finally. He could not stop looking at Brett. It seemed to make him happy. It must have been pleasant for him to see her looking so lovely, and know he had been away with her and that every one knew it. They could not take that away from him. Bill was very funny. So was Michael. They were good together. It was like certain dinners I remember from the war. There was much wine, an ignored tension, and a feeling of things coming that you could not prevent happening. Under the wine I lost the disgusted feeling and was happy. It seemed they were all such nice people. CHAPTER 14 I do not know what time I got to bed. I remember undressing, putting on a bathrobe, and standing out on the balcony. I knew I was quite drunk, and when I came in I put on the light over the head of the bed and started to read. I was reading a book by Turgenieff. Probably I read the same two pages over several times. It was one of the stories in "A Sportsman's Sketches." I had read it before, but it seemed quite new.	say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said. "I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?" "Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners," Brett said. "You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them."<\|quote\|>"You wouldn't read any letters, darling. You wouldn't read mine."</\|quote\|>"I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to	The Sun Also Rises
he said, as he tied them up tightly as small as he could,	No speaker	four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more.	clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair,	himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's	me, and Mike Bannock's right, scoundrel as he is. Uncle has robbed me, and I'll go and fight for myself in the world, and when I get well off I'll come back and seize him by the throat and make him give up all he has taken." Don talked to himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's going to seek his fortune!" and he wished that he was not obliged to take it. But, setting his teeth, he left the room with the drawers open, and his best suit, which he had felt disposed to take, tossed on a chair, and then began to descend. It was	little chamber,-- "I can't bear it, and I will not. Every one's against me. If I stop I shall be punished, and I can't face all that to-morrow. Good-bye, mother. Some day you'll think differently, and be sorry for all this injustice, and then--" A tear moistened Don's eye as he thought of his mother and her tender, loving ways, and of what a pity it was that they ever came there to his uncle's, and it was not the tear that made Don see so blindly. "I can't stand it, and I will not," he cried, passionately. "Uncle hates me, and Mike Bannock's right, scoundrel as he is. Uncle has robbed me, and I'll go and fight for myself in the world, and when I get well off I'll come back and seize him by the throat and make him give up all he has taken." Don talked to himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's going to seek his fortune!" and he wished that he was not obliged to take it. But, setting his teeth, he left the room with the drawers open, and his best suit, which he had felt disposed to take, tossed on a chair, and then began to descend. It was a glorious summer evening, and though he was in dirty, smoky Bristol, everything seemed to look bright and attractive, and to produce a sensation of low-spiritedness such as he had never felt before. He descended and passed his mother's room, and then went down more slowly, for he could hear the murmur of voices in the dining-room, which he had to pass to reach the front door, outside which he did not care what happened; but now he had to pass that dining-room, and go along the passage and by the stand upon which his cocked hat hung. It was	"Yes, Jem, I'm going--home," said Don; and then to himself, "Ah, I wish I had a home." "Poor Mas' Don!" said Jem, as he watched the lad go out through the gate; "he's down in the dumps now, and no mistake; and dumps is the lot o' all on us, more or less." Then Jem went in to his tea, and Don went slowly home to his, and matters were exactly as he had foreseen. His uncle was scarcely polite; Kitty gave him sharp, indignant glances when their eyes met, and then averted hers; and from time to time his mother looked at him in so pitiful and imploring a manner that one moment he felt as if he were an utter scoundrel, and the next that he would do anything to take her in his arms and try and convince her that he was not so bad as she thought. It was a curious mental encounter between pride, obstinacy, and the better feelings of his nature; and unfortunately the former won, for soon after the meal was over he hurried out of the room. "I can't bear it," he cried to himself, as he went up to his own little chamber,-- "I can't bear it, and I will not. Every one's against me. If I stop I shall be punished, and I can't face all that to-morrow. Good-bye, mother. Some day you'll think differently, and be sorry for all this injustice, and then--" A tear moistened Don's eye as he thought of his mother and her tender, loving ways, and of what a pity it was that they ever came there to his uncle's, and it was not the tear that made Don see so blindly. "I can't stand it, and I will not," he cried, passionately. "Uncle hates me, and Mike Bannock's right, scoundrel as he is. Uncle has robbed me, and I'll go and fight for myself in the world, and when I get well off I'll come back and seize him by the throat and make him give up all he has taken." Don talked to himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's going to seek his fortune!" and he wished that he was not obliged to take it. But, setting his teeth, he left the room with the drawers open, and his best suit, which he had felt disposed to take, tossed on a chair, and then began to descend. It was a glorious summer evening, and though he was in dirty, smoky Bristol, everything seemed to look bright and attractive, and to produce a sensation of low-spiritedness such as he had never felt before. He descended and passed his mother's room, and then went down more slowly, for he could hear the murmur of voices in the dining-room, which he had to pass to reach the front door, outside which he did not care what happened; but now he had to pass that dining-room, and go along the passage and by the stand upon which his cocked hat hung. It was nervous work, but he went on down the first flight, running his hand slowly along the hand-balustrade, all down which he had so often slid while Kitty looked on laughing, and yet alarmed lest he should fall. And what a long time ago that seemed! He had just reached the bottom flight, and was wondering what to say if the door should open and his uncle meet him with the blue bundle under his arm, when the dining-room door did open, and he dashed back to the landing and stood in the doorway of his mother's room, listening as a step was heard upon the stairs. "Kitty!" he said to himself, as he thrust against the door, which yielded to his pressure, and he backed in softly till he could push the door to, and stand inside, watching through the crack. There was the light, soft step coming up and up, and his heart began to beat, he knew not why, till something seemed to rise in his throat, and made his breath come short and painfully. His mother! She was coming to her room, and in another moment she would be there, and would find him with the bundle	not speak to him beyond saying a few distant words, such as were absolutely necessary. Kitty would avert her eyes, and his mother keep giving him reproachful looks, every one of which was a silent prayer to him to speak. The afternoon had worn away, and he had done little work for thinking. His uncle had not been back, and at last Jem's footstep was heard outside, and he passed the window to tap lightly on the door and then open it. "Come, Mas' Don," he said, cheerily, "going to work all night?" "No, Jem, no. I was just thinking of going." "That's right, my lad, because it's past shutting-up time. Feel better now, don't you?" "No, Jem, I feel worse." "Are you going to keep the yard open all the evening, Jem?" cried a shrill voice. "Why don't you lock-up and come in to tea?" "There! Hear that!" said Jem, anxiously. "Do go, Mas' Don, or I sha'n't get to the end on it. 'Nuff to make a man talk as you do." "Jem!" "Here, I'm a-coming, arn't I?" he cried, giving the door a thump with his fist. "Don't shout the ware'us down!" "Jem!" "Now did you ever hear such a aggrawatin' woman?" cried Jem. "She's such a little un that I could pick her up, same as you do a kitten, Mas' Don--nothing on her as you may say; but the works as is inside her is that strong that I'm 'fraid of her." "Jem!" He opened the door with a rush. "Ya-a-a-as!" he roared; "don't you know as Mas' Don arn't gone?" Little Mrs Wimble, who was coming fiercely up, flounced round, and the wind of her skirts whirled up a dust of scraps of matting and cooper's chips as she went back to the cottage. "See that, Mas' Don? Now you think you've all the trouble in the world on your shoulders, but look at me. Talk about a woman's temper turning the milk sour in a house. Why, just now there's about three hundred hogsheads o' sugar in our ware'us--two hundred and ninety-three, and four damages not quite full, which is as good as saying three hundred-- see the books whether I arn't right. Well, Mas' Don, I tell you for the truth that I quite frights it--I do, indeed--as she'll turn all that there sweetness into sour varjus 'fore she's done. Going, sir?" "Yes, Jem, I'm going--home," said Don; and then to himself, "Ah, I wish I had a home." "Poor Mas' Don!" said Jem, as he watched the lad go out through the gate; "he's down in the dumps now, and no mistake; and dumps is the lot o' all on us, more or less." Then Jem went in to his tea, and Don went slowly home to his, and matters were exactly as he had foreseen. His uncle was scarcely polite; Kitty gave him sharp, indignant glances when their eyes met, and then averted hers; and from time to time his mother looked at him in so pitiful and imploring a manner that one moment he felt as if he were an utter scoundrel, and the next that he would do anything to take her in his arms and try and convince her that he was not so bad as she thought. It was a curious mental encounter between pride, obstinacy, and the better feelings of his nature; and unfortunately the former won, for soon after the meal was over he hurried out of the room. "I can't bear it," he cried to himself, as he went up to his own little chamber,-- "I can't bear it, and I will not. Every one's against me. If I stop I shall be punished, and I can't face all that to-morrow. Good-bye, mother. Some day you'll think differently, and be sorry for all this injustice, and then--" A tear moistened Don's eye as he thought of his mother and her tender, loving ways, and of what a pity it was that they ever came there to his uncle's, and it was not the tear that made Don see so blindly. "I can't stand it, and I will not," he cried, passionately. "Uncle hates me, and Mike Bannock's right, scoundrel as he is. Uncle has robbed me, and I'll go and fight for myself in the world, and when I get well off I'll come back and seize him by the throat and make him give up all he has taken." Don talked to himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's going to seek his fortune!" and he wished that he was not obliged to take it. But, setting his teeth, he left the room with the drawers open, and his best suit, which he had felt disposed to take, tossed on a chair, and then began to descend. It was a glorious summer evening, and though he was in dirty, smoky Bristol, everything seemed to look bright and attractive, and to produce a sensation of low-spiritedness such as he had never felt before. He descended and passed his mother's room, and then went down more slowly, for he could hear the murmur of voices in the dining-room, which he had to pass to reach the front door, outside which he did not care what happened; but now he had to pass that dining-room, and go along the passage and by the stand upon which his cocked hat hung. It was nervous work, but he went on down the first flight, running his hand slowly along the hand-balustrade, all down which he had so often slid while Kitty looked on laughing, and yet alarmed lest he should fall. And what a long time ago that seemed! He had just reached the bottom flight, and was wondering what to say if the door should open and his uncle meet him with the blue bundle under his arm, when the dining-room door did open, and he dashed back to the landing and stood in the doorway of his mother's room, listening as a step was heard upon the stairs. "Kitty!" he said to himself, as he thrust against the door, which yielded to his pressure, and he backed in softly till he could push the door to, and stand inside, watching through the crack. There was the light, soft step coming up and up, and his heart began to beat, he knew not why, till something seemed to rise in his throat, and made his breath come short and painfully. His mother! She was coming to her room, and in another moment she would be there, and would find him with the bundle under his arm, about to run away. Quick as thought he looked sharply round, bundle in hand, when, obeying the first impulse, he was about to push it beneath the bedclothes, but cast aside the plan because he felt that it would be noticed, and quick as thought he tossed the light bundle up on the top of the great canopy of the old-fashioned bedstead, to lie among the gathering of flue and dust. By that time the footsteps were at the door. "What shall I say?" Don asked himself; "she will want to know why I am here." He felt confused, and rack his brains as he would, no excuse would come. But it was not wanted, for the light footstep with the rustle of silk passed on upstairs, and Don opened the door slightly to listen. His breath came thickly with emotion as he realised where his mother had gone. It was to his bedroom door, and as he listened he heard her tap lightly. "Don! Don, my boy!" came in low, gentle tones. For one moment the boy's heart prompted him to rush up and fling himself in her arms, but again his worse half suggested that he was to be scolded and disbelieved, and mentally thrusting his fingers into his ears, he stepped out, glided down the staircase in the old boyish fashion of sliding down the banister, snatched his hat from the stand, and softly stole out to hurry down the street as hard as he could go. He had been walking swiftly some five minutes, moved by only one desire--that of getting away from the house--when he awoke to the fact that he was going straight towards the constable's quarters and the old-fashioned lock-up where Mike must be lying, getting rid of the consequences of his holiday-making that morning. Don turned sharply round in another direction, one which led him towards the wharves where the shipping lay. While this was taking place, Jem Wimble had been banging the doors and rattling his keys as he locked up the various stores, feeling particularly proud and self-satisfied with the confidence placed in him. After this was done he had a wash at the pump, fetching a piece of soap from a ledge inside the workshop where the cooper's tools were kept, and when he had duly rubbed and scrubbed and dried his face and hands, he	soon after the meal was over he hurried out of the room. "I can't bear it," he cried to himself, as he went up to his own little chamber,-- "I can't bear it, and I will not. Every one's against me. If I stop I shall be punished, and I can't face all that to-morrow. Good-bye, mother. Some day you'll think differently, and be sorry for all this injustice, and then--" A tear moistened Don's eye as he thought of his mother and her tender, loving ways, and of what a pity it was that they ever came there to his uncle's, and it was not the tear that made Don see so blindly. "I can't stand it, and I will not," he cried, passionately. "Uncle hates me, and Mike Bannock's right, scoundrel as he is. Uncle has robbed me, and I'll go and fight for myself in the world, and when I get well off I'll come back and seize him by the throat and make him give up all he has taken." Don talked to himself a good deal more of this nonsense, and then, with his mind fully made up, he went to the chest of drawers, took out a handkerchief, spread it open upon the bed, and placed in it a couple of clean shirts and three or four pairs of stockings. "There,"<\|quote\|>he said, as he tied them up tightly as small as he could,</\|quote\|>"I won't have any more. I'll go and start fair, so that I can be independent and be beholden to nobody." Tucking the bundle under his arm, he could not help feeling that it was a very prominent-looking package--the great checked blue and white handkerchief seeming to say, "This boy's going to seek his fortune!" and he wished that he was not obliged to take it. But, setting his teeth, he left the room with the drawers open, and his best suit, which he had felt disposed to take, tossed on a chair, and then began to descend. It was a glorious summer evening, and though he was in dirty, smoky Bristol, everything seemed to look bright and attractive, and to produce a sensation of low-spiritedness such as he had never felt before. He descended and passed his mother's room, and then went down more slowly, for he could hear the murmur of voices in the dining-room, which he had to pass to reach the front door, outside which he did not care what happened; but now he had to pass that dining-room, and go along the passage and by the stand upon which his cocked hat hung. It was nervous work, but he went on down the first flight, running his hand slowly along the hand-balustrade, all down which he had so often slid while Kitty looked on laughing, and yet alarmed lest he	Don Lavington
Cassandra burst out.	No speaker	you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love	can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t	and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We	reach, as so much of Katharine was beyond her reach. She thought suddenly that she had been playing with very dangerous tools. Looking at her at length, Katharine asked slowly, as if she found the question very difficult to ask. "But do you care for William?" She marked the agitation and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We re not engaged," said Katharine, after a pause. "Katharine!" Cassandra cried. "No, we re not engaged," Katharine repeated. "But no one knows it but ourselves." "But why I don t understand you re not engaged!" Cassandra said again. "Oh, that explains it! You re not in love with him! You	incredulity, would agree that Cassandra must return home as soon as possible. But Katharine, on the contrary, accepted her statement at once, seemed neither shocked nor surprised, and merely looked rather more thoughtful than usual. From being a mature woman charged with an important mission, Cassandra shrunk to the stature of an inexperienced child. "Do you think I ve been very foolish about it?" she asked. Katharine made no answer, but still sat deliberating silently, and a certain feeling of alarm took possession of Cassandra. Perhaps her words had struck far deeper than she had thought, into depths beyond her reach, as so much of Katharine was beyond her reach. She thought suddenly that she had been playing with very dangerous tools. Looking at her at length, Katharine asked slowly, as if she found the question very difficult to ask. "But do you care for William?" She marked the agitation and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We re not engaged," said Katharine, after a pause. "Katharine!" Cassandra cried. "No, we re not engaged," Katharine repeated. "But no one knows it but ourselves." "But why I don t understand you re not engaged!" Cassandra said again. "Oh, that explains it! You re not in love with him! You don t want to marry him!" "We aren t in love with each other any longer," said Katharine, as if disposing of something for ever and ever. "How queer, how strange, how unlike other people you are, Katharine," Cassandra said, her whole body and voice seeming to fall and collapse together, and no trace of anger or excitement remaining, but only a dreamy quietude. "You re not in love with him?" "But I love him," said Katharine. Cassandra remained bowed, as if by the weight of the revelation, for some little while longer. Nor did Katharine speak. Her attitude was	little frown on her brow, to be thinking closely upon a matter of indifference to her. "Because I can t allow any man to behave to me in that way," Cassandra replied, and she added, "particularly when I know that he is engaged to some one else." "But you like him, don t you?" Katharine inquired. "That s got nothing to do with it," Cassandra exclaimed indignantly. "I consider his conduct, under the circumstances, most disgraceful." This was the last of the sentences of her premeditated speech; and having spoken it she was left unprovided with any more to say in that particular style. When Katharine remarked: "I should say it had everything to do with it," Cassandra s self-possession deserted her. "I don t understand you in the least, Katharine. How can you behave as you behave? Ever since I came here I ve been amazed by you!" "You ve enjoyed yourself, haven t you?" Katharine asked. "Yes, I have," Cassandra admitted. "Anyhow, my behavior hasn t spoiled your visit." "No," Cassandra allowed once more. She was completely at a loss. In her forecast of the interview she had taken it for granted that Katharine, after an outburst of incredulity, would agree that Cassandra must return home as soon as possible. But Katharine, on the contrary, accepted her statement at once, seemed neither shocked nor surprised, and merely looked rather more thoughtful than usual. From being a mature woman charged with an important mission, Cassandra shrunk to the stature of an inexperienced child. "Do you think I ve been very foolish about it?" she asked. Katharine made no answer, but still sat deliberating silently, and a certain feeling of alarm took possession of Cassandra. Perhaps her words had struck far deeper than she had thought, into depths beyond her reach, as so much of Katharine was beyond her reach. She thought suddenly that she had been playing with very dangerous tools. Looking at her at length, Katharine asked slowly, as if she found the question very difficult to ask. "But do you care for William?" She marked the agitation and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We re not engaged," said Katharine, after a pause. "Katharine!" Cassandra cried. "No, we re not engaged," Katharine repeated. "But no one knows it but ourselves." "But why I don t understand you re not engaged!" Cassandra said again. "Oh, that explains it! You re not in love with him! You don t want to marry him!" "We aren t in love with each other any longer," said Katharine, as if disposing of something for ever and ever. "How queer, how strange, how unlike other people you are, Katharine," Cassandra said, her whole body and voice seeming to fall and collapse together, and no trace of anger or excitement remaining, but only a dreamy quietude. "You re not in love with him?" "But I love him," said Katharine. Cassandra remained bowed, as if by the weight of the revelation, for some little while longer. Nor did Katharine speak. Her attitude was that of some one who wishes to be concealed as much as possible from observation. She sighed profoundly; she was absolutely silent, and apparently overcome by her thoughts. "D you know what time it is?" she said at length, and shook her pillow, as if making ready for sleep. Cassandra rose obediently, and once more took up her candle. Perhaps the white dressing-gown, and the loosened hair, and something unseeing in the expression of the eyes gave her a likeness to a woman walking in her sleep. Katharine, at least, thought so. "There s no reason why I should go home, then?" Cassandra said, pausing. "Unless you want me to go, Katharine? What _do_ you want me to do?" For the first time their eyes met. "You wanted us to fall in love," Cassandra exclaimed, as if she read the certainty there. But as she looked she saw a sight that surprised her. The tears rose slowly in Katharine s eyes and stood there, brimming but contained the tears of some profound emotion, happiness, grief, renunciation; an emotion so complex in its nature that to express it was impossible, and Cassandra, bending her head and receiving the tears upon her	humorous view of our own lot is possible; or if we must be serious, our seriousness is tempered by the swift oncome of slumber and oblivion. She saw the forms of Ralph, William, Cassandra, and herself, as if they were all equally unsubstantial, and, in putting off reality, had gained a kind of dignity which rested upon each impartially. Thus rid of any uncomfortable warmth of partisanship or load of obligation, she was dropping off to sleep when a light tap sounded upon her door. A moment later Cassandra stood beside her, holding a candle and speaking in the low tones proper to the time of night. "Are you awake, Katharine?" "Yes, I m awake. What is it?" She roused herself, sat up, and asked what in Heaven s name Cassandra was doing? "I couldn t sleep, and I thought I d come and speak to you only for a moment, though. I m going home to-morrow." "Home? Why, what has happened?" "Something happened to-day which makes it impossible for me to stay here." Cassandra spoke formally, almost solemnly; the announcement was clearly prepared and marked a crisis of the utmost gravity. She continued what seemed to be part of a set speech. "I have decided to tell you the whole truth, Katharine. William allowed himself to behave in a way which made me extremely uncomfortable to-day." Katharine seemed to waken completely, and at once to be in control of herself. "At the Zoo?" she asked. "No, on the way home. When we had tea." As if foreseeing that the interview might be long, and the night chilly, Katharine advised Cassandra to wrap herself in a quilt. Cassandra did so with unbroken solemnity. "There s a train at eleven," she said. "I shall tell Aunt Maggie that I have to go suddenly.... I shall make Violet s visit an excuse. But, after thinking it over, I don t see how I can go without telling you the truth." She was careful to abstain from looking in Katharine s direction. There was a slight pause. "But I don t see the least reason why you should go," said Katharine eventually. Her voice sounded so astonishingly equable that Cassandra glanced at her. It was impossible to suppose that she was either indignant or surprised; she seemed, on the contrary, sitting up in bed, with her arms clasped round her knees and a little frown on her brow, to be thinking closely upon a matter of indifference to her. "Because I can t allow any man to behave to me in that way," Cassandra replied, and she added, "particularly when I know that he is engaged to some one else." "But you like him, don t you?" Katharine inquired. "That s got nothing to do with it," Cassandra exclaimed indignantly. "I consider his conduct, under the circumstances, most disgraceful." This was the last of the sentences of her premeditated speech; and having spoken it she was left unprovided with any more to say in that particular style. When Katharine remarked: "I should say it had everything to do with it," Cassandra s self-possession deserted her. "I don t understand you in the least, Katharine. How can you behave as you behave? Ever since I came here I ve been amazed by you!" "You ve enjoyed yourself, haven t you?" Katharine asked. "Yes, I have," Cassandra admitted. "Anyhow, my behavior hasn t spoiled your visit." "No," Cassandra allowed once more. She was completely at a loss. In her forecast of the interview she had taken it for granted that Katharine, after an outburst of incredulity, would agree that Cassandra must return home as soon as possible. But Katharine, on the contrary, accepted her statement at once, seemed neither shocked nor surprised, and merely looked rather more thoughtful than usual. From being a mature woman charged with an important mission, Cassandra shrunk to the stature of an inexperienced child. "Do you think I ve been very foolish about it?" she asked. Katharine made no answer, but still sat deliberating silently, and a certain feeling of alarm took possession of Cassandra. Perhaps her words had struck far deeper than she had thought, into depths beyond her reach, as so much of Katharine was beyond her reach. She thought suddenly that she had been playing with very dangerous tools. Looking at her at length, Katharine asked slowly, as if she found the question very difficult to ask. "But do you care for William?" She marked the agitation and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We re not engaged," said Katharine, after a pause. "Katharine!" Cassandra cried. "No, we re not engaged," Katharine repeated. "But no one knows it but ourselves." "But why I don t understand you re not engaged!" Cassandra said again. "Oh, that explains it! You re not in love with him! You don t want to marry him!" "We aren t in love with each other any longer," said Katharine, as if disposing of something for ever and ever. "How queer, how strange, how unlike other people you are, Katharine," Cassandra said, her whole body and voice seeming to fall and collapse together, and no trace of anger or excitement remaining, but only a dreamy quietude. "You re not in love with him?" "But I love him," said Katharine. Cassandra remained bowed, as if by the weight of the revelation, for some little while longer. Nor did Katharine speak. Her attitude was that of some one who wishes to be concealed as much as possible from observation. She sighed profoundly; she was absolutely silent, and apparently overcome by her thoughts. "D you know what time it is?" she said at length, and shook her pillow, as if making ready for sleep. Cassandra rose obediently, and once more took up her candle. Perhaps the white dressing-gown, and the loosened hair, and something unseeing in the expression of the eyes gave her a likeness to a woman walking in her sleep. Katharine, at least, thought so. "There s no reason why I should go home, then?" Cassandra said, pausing. "Unless you want me to go, Katharine? What _do_ you want me to do?" For the first time their eyes met. "You wanted us to fall in love," Cassandra exclaimed, as if she read the certainty there. But as she looked she saw a sight that surprised her. The tears rose slowly in Katharine s eyes and stood there, brimming but contained the tears of some profound emotion, happiness, grief, renunciation; an emotion so complex in its nature that to express it was impossible, and Cassandra, bending her head and receiving the tears upon her cheek, accepted them in silence as the consecration of her love. "Please, miss," said the maid, about eleven o clock on the following morning, "Mrs. Milvain is in the kitchen." A long wicker basket of flowers and branches had arrived from the country, and Katharine, kneeling upon the floor of the drawing-room, was sorting them while Cassandra watched her from an arm-chair, and absent-mindedly made spasmodic offers of help which were not accepted. The maid s message had a curious effect upon Katharine. She rose, walked to the window, and, the maid being gone, said emphatically and even tragically: "You know what that means." Cassandra had understood nothing. "Aunt Celia is in the kitchen," Katharine repeated. "Why in the kitchen?" Cassandra asked, not unnaturally. "Probably because she s discovered something," Katharine replied. Cassandra s thoughts flew to the subject of her preoccupation. "About us?" she inquired. "Heaven knows," Katharine replied. "I shan t let her stay in the kitchen, though. I shall bring her up here." The sternness with which this was said suggested that to bring Aunt Celia upstairs was, for some reason, a disciplinary measure. "For goodness sake, Katharine," Cassandra exclaimed, jumping from her chair and showing signs of agitation, "don t be rash. Don t let her suspect. Remember, nothing s certain" Katharine assured her by nodding her head several times, but the manner in which she left the room was not calculated to inspire complete confidence in her diplomacy. Mrs. Milvain was sitting, or rather perching, upon the edge of a chair in the servants room. Whether there was any sound reason for her choice of a subterranean chamber, or whether it corresponded with the spirit of her quest, Mrs. Milvain invariably came in by the back door and sat in the servants room when she was engaged in confidential family transactions. The ostensible reason she gave was that neither Mr. nor Mrs. Hilbery should be disturbed. But, in truth, Mrs. Milvain depended even more than most elderly women of her generation upon the delicious emotions of intimacy, agony, and secrecy, and the additional thrill provided by the basement was one not lightly to be forfeited. She protested almost plaintively when Katharine proposed to go upstairs. "I ve something that I want to say to you in _private_," she said, hesitating reluctantly upon the threshold of her ambush. "The drawing-room is empty" "But we might meet	Cassandra allowed once more. She was completely at a loss. In her forecast of the interview she had taken it for granted that Katharine, after an outburst of incredulity, would agree that Cassandra must return home as soon as possible. But Katharine, on the contrary, accepted her statement at once, seemed neither shocked nor surprised, and merely looked rather more thoughtful than usual. From being a mature woman charged with an important mission, Cassandra shrunk to the stature of an inexperienced child. "Do you think I ve been very foolish about it?" she asked. Katharine made no answer, but still sat deliberating silently, and a certain feeling of alarm took possession of Cassandra. Perhaps her words had struck far deeper than she had thought, into depths beyond her reach, as so much of Katharine was beyond her reach. She thought suddenly that she had been playing with very dangerous tools. Looking at her at length, Katharine asked slowly, as if she found the question very difficult to ask. "But do you care for William?" She marked the agitation and bewilderment of the girl s expression, and how she looked away from her. "Do you mean, am I in love with him?" Cassandra asked, breathing quickly, and nervously moving her hands. "Yes, in love with him," Katharine repeated. "How can I love the man you re engaged to marry?"<\|quote\|>Cassandra burst out.</\|quote\|>"He may be in love with you." "I don t think you ve any right to say such things, Katharine," Cassandra exclaimed. "Why do you say them? Don t you mind in the least how William behaves to other women? If I were engaged, I couldn t bear it!" "We re not engaged," said Katharine, after a pause. "Katharine!" Cassandra cried. "No, we re not engaged," Katharine repeated. "But no one knows it but ourselves." "But why I don t understand you re not engaged!" Cassandra said again. "Oh, that explains it! You re not in love with him! You don t want to marry him!" "We aren t in love with each other any longer," said Katharine, as if disposing of something for ever and ever. "How queer, how strange, how unlike other people you are, Katharine," Cassandra said, her whole body and voice seeming to fall and collapse together, and no trace of anger or excitement remaining, but only a dreamy quietude. "You re not in love with him?" "But I love him," said Katharine. Cassandra remained bowed, as if by the weight of the revelation, for some little while longer. Nor did Katharine speak. Her attitude was that of some one who wishes to be concealed as much as possible from observation. She sighed profoundly; she was absolutely silent, and apparently overcome by her thoughts. "D you know what time it is?" she said at length, and shook her pillow, as if making ready for sleep. Cassandra rose obediently, and once more took up her candle. Perhaps the white dressing-gown, and the loosened hair, and something unseeing in the expression of the eyes gave her a likeness to a woman walking in her sleep. Katharine, at least, thought so. "There s no reason why I should go home, then?" Cassandra said, pausing. "Unless you want me to go, Katharine? What _do_ you want me to do?" For the first time their eyes met. "You wanted us to fall in love," Cassandra exclaimed, as if she read the certainty there. But as she looked she saw a sight that surprised her. The tears rose slowly in Katharine s eyes and stood there, brimming but contained the tears of some profound emotion, happiness, grief, renunciation; an emotion so complex in its nature that to express it was impossible, and Cassandra, bending her head and receiving the tears upon her cheek, accepted them in silence as the consecration of her love. "Please, miss," said the maid, about eleven o clock on the following morning, "Mrs. Milvain is in the kitchen." A long wicker basket of flowers and branches had arrived from the country, and Katharine, kneeling upon the floor of the drawing-room, was sorting them while Cassandra watched her from an arm-chair, and absent-mindedly made spasmodic offers of help which were not accepted. The maid s message had a curious effect upon Katharine. She rose, walked to the window, and, the maid being gone, said emphatically and even tragically: "You know what that means." Cassandra had understood	Night And Day
and May's eager voice broke out, covering the embarrassed silence:	No speaker	sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The	"It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will	sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on	accident has occurred at the Miss du Lacs': a leak in the water-tank. It happened yesterday, and Mr. van der Luyden, who heard of it this morning, sent a housemaid up by the early train to get the Patroon's house ready. It will be quite comfortable, I think you'll find, sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on the seat before them, she went on excitedly: "Only fancy, I've never been inside it--have you? The van der Luydens show it to so few people. But they opened it for Ellen, it seems, and she told me what a darling little place it was: she says it's the only	and her mind rushed away instantly to the magnificent tea and coffee service of Baltimore silver which the Beauforts had sent, and which "went" so perfectly with uncle Lovell Mingott's trays and side-dishes. In the spring twilight the train stopped at the Rhinebeck station, and they walked along the platform to the waiting carriage. "Ah, how awfully kind of the van der Luydens--they've sent their man over from Skuytercliff to meet us," Archer exclaimed, as a sedate person out of livery approached them and relieved the maid of her bags. "I'm extremely sorry, sir," said this emissary, "that a little accident has occurred at the Miss du Lacs': a leak in the water-tank. It happened yesterday, and Mr. van der Luyden, who heard of it this morning, sent a housemaid up by the early train to get the Patroon's house ready. It will be quite comfortable, I think you'll find, sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on the seat before them, she went on excitedly: "Only fancy, I've never been inside it--have you? The van der Luydens show it to so few people. But they opened it for Ellen, it seems, and she told me what a darling little place it was: she says it's the only house she's seen in America that she could imagine being perfectly happy in." "Well--that's what we're going to be, isn't it?" cried her husband gaily; and she answered with her boyish smile: "Ah, it's just our luck beginning--the wonderful luck we're always going to have together!" XX. "Of course we must dine with Mrs. Carfry, dearest," Archer said; and his wife looked at him with an anxious frown across the monumental Britannia ware of their lodging house breakfast-table. In all the rainy desert of autumnal London there were only two people whom the Newland Archers knew; and these two they	yet her look of indestructible youthfulness made her seem neither hard nor dull, but only primitive and pure. In the thick of this meditation Archer suddenly felt himself looking at her with the startled gaze of a stranger, and plunged into a reminiscence of the wedding-breakfast and of Granny Mingott's immense and triumphant pervasion of it. May settled down to frank enjoyment of the subject. "I was surprised, though--weren't you?--that aunt Medora came after all. Ellen wrote that they were neither of them well enough to take the journey; I do wish it had been she who had recovered! Did you see the exquisite old lace she sent me?" He had known that the moment must come sooner or later, but he had somewhat imagined that by force of willing he might hold it at bay. "Yes--I--no: yes, it was beautiful," he said, looking at her blindly, and wondering if, whenever he heard those two syllables, all his carefully built-up world would tumble about him like a house of cards. "Aren't you tired? It will be good to have some tea when we arrive--I'm sure the aunts have got everything beautifully ready," he rattled on, taking her hand in his; and her mind rushed away instantly to the magnificent tea and coffee service of Baltimore silver which the Beauforts had sent, and which "went" so perfectly with uncle Lovell Mingott's trays and side-dishes. In the spring twilight the train stopped at the Rhinebeck station, and they walked along the platform to the waiting carriage. "Ah, how awfully kind of the van der Luydens--they've sent their man over from Skuytercliff to meet us," Archer exclaimed, as a sedate person out of livery approached them and relieved the maid of her bags. "I'm extremely sorry, sir," said this emissary, "that a little accident has occurred at the Miss du Lacs': a leak in the water-tank. It happened yesterday, and Mr. van der Luyden, who heard of it this morning, sent a housemaid up by the early train to get the Patroon's house ready. It will be quite comfortable, I think you'll find, sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on the seat before them, she went on excitedly: "Only fancy, I've never been inside it--have you? The van der Luydens show it to so few people. But they opened it for Ellen, it seems, and she told me what a darling little place it was: she says it's the only house she's seen in America that she could imagine being perfectly happy in." "Well--that's what we're going to be, isn't it?" cried her husband gaily; and she answered with her boyish smile: "Ah, it's just our luck beginning--the wonderful luck we're always going to have together!" XX. "Of course we must dine with Mrs. Carfry, dearest," Archer said; and his wife looked at him with an anxious frown across the monumental Britannia ware of their lodging house breakfast-table. In all the rainy desert of autumnal London there were only two people whom the Newland Archers knew; and these two they had sedulously avoided, in conformity with the old New York tradition that it was not "dignified" to force one's self on the notice of one's acquaintances in foreign countries. Mrs. Archer and Janey, in the course of their visits to Europe, had so unflinchingly lived up to this principle, and met the friendly advances of their fellow-travellers with an air of such impenetrable reserve, that they had almost achieved the record of never having exchanged a word with a "foreigner" other than those employed in hotels and railway-stations. Their own compatriots--save those previously known or properly accredited--they treated with an even more pronounced disdain; so that, unless they ran across a Chivers, a Dagonet or a Mingott, their months abroad were spent in an unbroken tete-a-tete. But the utmost precautions are sometimes unavailing; and one night at Botzen one of the two English ladies in the room across the passage (whose names, dress and social situation were already intimately known to Janey) had knocked on the door and asked if Mrs. Archer had a bottle of liniment. The other lady--the intruder's sister, Mrs. Carfry--had been seized with a sudden attack of bronchitis; and Mrs. Archer, who never travelled without a	where their mysterious retreat was situated. It was thought "very English" to have a country-house lent to one, and the fact gave a last touch of distinction to what was generally conceded to be the most brilliant wedding of the year; but where the house was no one was permitted to know, except the parents of bride and groom, who, when taxed with the knowledge, pursed their lips and said mysteriously: "Ah, they didn't tell us--" which was manifestly true, since there was no need to. Once they were settled in their compartment, and the train, shaking off the endless wooden suburbs, had pushed out into the pale landscape of spring, talk became easier than Archer had expected. May was still, in look and tone, the simple girl of yesterday, eager to compare notes with him as to the incidents of the wedding, and discussing them as impartially as a bridesmaid talking it all over with an usher. At first Archer had fancied that this detachment was the disguise of an inward tremor; but her clear eyes revealed only the most tranquil unawareness. She was alone for the first time with her husband; but her husband was only the charming comrade of yesterday. There was no one whom she liked as much, no one whom she trusted as completely, and the culminating "lark" of the whole delightful adventure of engagement and marriage was to be off with him alone on a journey, like a grownup person, like a "married woman," in fact. It was wonderful that--as he had learned in the Mission garden at St. Augustine--such depths of feeling could coexist with such absence of imagination. But he remembered how, even then, she had surprised him by dropping back to inexpressive girlishness as soon as her conscience had been eased of its burden; and he saw that she would probably go through life dealing to the best of her ability with each experience as it came, but never anticipating any by so much as a stolen glance. Perhaps that faculty of unawareness was what gave her eyes their transparency, and her face the look of representing a type rather than a person; as if she might have been chosen to pose for a Civic Virtue or a Greek goddess. The blood that ran so close to her fair skin might have been a preserving fluid rather than a ravaging element; yet her look of indestructible youthfulness made her seem neither hard nor dull, but only primitive and pure. In the thick of this meditation Archer suddenly felt himself looking at her with the startled gaze of a stranger, and plunged into a reminiscence of the wedding-breakfast and of Granny Mingott's immense and triumphant pervasion of it. May settled down to frank enjoyment of the subject. "I was surprised, though--weren't you?--that aunt Medora came after all. Ellen wrote that they were neither of them well enough to take the journey; I do wish it had been she who had recovered! Did you see the exquisite old lace she sent me?" He had known that the moment must come sooner or later, but he had somewhat imagined that by force of willing he might hold it at bay. "Yes--I--no: yes, it was beautiful," he said, looking at her blindly, and wondering if, whenever he heard those two syllables, all his carefully built-up world would tumble about him like a house of cards. "Aren't you tired? It will be good to have some tea when we arrive--I'm sure the aunts have got everything beautifully ready," he rattled on, taking her hand in his; and her mind rushed away instantly to the magnificent tea and coffee service of Baltimore silver which the Beauforts had sent, and which "went" so perfectly with uncle Lovell Mingott's trays and side-dishes. In the spring twilight the train stopped at the Rhinebeck station, and they walked along the platform to the waiting carriage. "Ah, how awfully kind of the van der Luydens--they've sent their man over from Skuytercliff to meet us," Archer exclaimed, as a sedate person out of livery approached them and relieved the maid of her bags. "I'm extremely sorry, sir," said this emissary, "that a little accident has occurred at the Miss du Lacs': a leak in the water-tank. It happened yesterday, and Mr. van der Luyden, who heard of it this morning, sent a housemaid up by the early train to get the Patroon's house ready. It will be quite comfortable, I think you'll find, sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on the seat before them, she went on excitedly: "Only fancy, I've never been inside it--have you? The van der Luydens show it to so few people. But they opened it for Ellen, it seems, and she told me what a darling little place it was: she says it's the only house she's seen in America that she could imagine being perfectly happy in." "Well--that's what we're going to be, isn't it?" cried her husband gaily; and she answered with her boyish smile: "Ah, it's just our luck beginning--the wonderful luck we're always going to have together!" XX. "Of course we must dine with Mrs. Carfry, dearest," Archer said; and his wife looked at him with an anxious frown across the monumental Britannia ware of their lodging house breakfast-table. In all the rainy desert of autumnal London there were only two people whom the Newland Archers knew; and these two they had sedulously avoided, in conformity with the old New York tradition that it was not "dignified" to force one's self on the notice of one's acquaintances in foreign countries. Mrs. Archer and Janey, in the course of their visits to Europe, had so unflinchingly lived up to this principle, and met the friendly advances of their fellow-travellers with an air of such impenetrable reserve, that they had almost achieved the record of never having exchanged a word with a "foreigner" other than those employed in hotels and railway-stations. Their own compatriots--save those previously known or properly accredited--they treated with an even more pronounced disdain; so that, unless they ran across a Chivers, a Dagonet or a Mingott, their months abroad were spent in an unbroken tete-a-tete. But the utmost precautions are sometimes unavailing; and one night at Botzen one of the two English ladies in the room across the passage (whose names, dress and social situation were already intimately known to Janey) had knocked on the door and asked if Mrs. Archer had a bottle of liniment. The other lady--the intruder's sister, Mrs. Carfry--had been seized with a sudden attack of bronchitis; and Mrs. Archer, who never travelled without a complete family pharmacy, was fortunately able to produce the required remedy. Mrs. Carfry was very ill, and as she and her sister Miss Harle were travelling alone they were profoundly grateful to the Archer ladies, who supplied them with ingenious comforts and whose efficient maid helped to nurse the invalid back to health. When the Archers left Botzen they had no idea of ever seeing Mrs. Carfry and Miss Harle again. Nothing, to Mrs. Archer's mind, would have been more "undignified" than to force one's self on the notice of a "foreigner" to whom one had happened to render an accidental service. But Mrs. Carfry and her sister, to whom this point of view was unknown, and who would have found it utterly incomprehensible, felt themselves linked by an eternal gratitude to the "delightful Americans" who had been so kind at Botzen. With touching fidelity they seized every chance of meeting Mrs. Archer and Janey in the course of their continental travels, and displayed a supernatural acuteness in finding out when they were to pass through London on their way to or from the States. The intimacy became indissoluble, and Mrs. Archer and Janey, whenever they alighted at Brown's Hotel, found themselves awaited by two affectionate friends who, like themselves, cultivated ferns in Wardian cases, made macrame lace, read the memoirs of the Baroness Bunsen and had views about the occupants of the leading London pulpits. As Mrs. Archer said, it made "another thing of London" to know Mrs. Carfry and Miss Harle; and by the time that Newland became engaged the tie between the families was so firmly established that it was thought "only right" to send a wedding invitation to the two English ladies, who sent, in return, a pretty bouquet of pressed Alpine flowers under glass. And on the dock, when Newland and his wife sailed for England, Mrs. Archer's last word had been: "You must take May to see Mrs. Carfry." Newland and his wife had had no idea of obeying this injunction; but Mrs. Carfry, with her usual acuteness, had run them down and sent them an invitation to dine; and it was over this invitation that May Archer was wrinkling her brows across the tea and muffins. "It's all very well for you, Newland; you KNOW them. But I shall feel so shy among a lot of people I've never met. And what shall	rattled on, taking her hand in his; and her mind rushed away instantly to the magnificent tea and coffee service of Baltimore silver which the Beauforts had sent, and which "went" so perfectly with uncle Lovell Mingott's trays and side-dishes. In the spring twilight the train stopped at the Rhinebeck station, and they walked along the platform to the waiting carriage. "Ah, how awfully kind of the van der Luydens--they've sent their man over from Skuytercliff to meet us," Archer exclaimed, as a sedate person out of livery approached them and relieved the maid of her bags. "I'm extremely sorry, sir," said this emissary, "that a little accident has occurred at the Miss du Lacs': a leak in the water-tank. It happened yesterday, and Mr. van der Luyden, who heard of it this morning, sent a housemaid up by the early train to get the Patroon's house ready. It will be quite comfortable, I think you'll find, sir; and the Miss du Lacs have sent their cook over, so that it will be exactly the same as if you'd been at Rhinebeck." Archer stared at the speaker so blankly that he repeated in still more apologetic accents: "It'll be exactly the same, sir, I do assure you--"<\|quote\|>and May's eager voice broke out, covering the embarrassed silence:</\|quote\|>"The same as Rhinebeck? The Patroon's house? But it will be a hundred thousand times better--won't it, Newland? It's too dear and kind of Mr. van der Luyden to have thought of it." And as they drove off, with the maid beside the coachman, and their shining bridal bags on the seat before them, she went on excitedly: "Only fancy, I've never been inside it--have you? The van der Luydens show it to so few people. But they opened it for Ellen, it seems, and she told me what a darling little place it was: she says it's the only house she's seen in America that she could imagine being perfectly happy in." "Well--that's what we're going to be, isn't it?" cried her husband gaily; and she answered with her boyish smile: "Ah, it's just our luck beginning--the wonderful luck we're always going to have together!" XX. "Of course we must dine with Mrs. Carfry, dearest," Archer said; and his wife looked at him with an anxious frown across the monumental Britannia ware of their lodging house breakfast-table. In all the rainy desert of autumnal London there were only two people whom the Newland Archers knew; and these two they had sedulously avoided, in conformity with the old New York tradition that it was not "dignified" to force one's self on the notice of one's acquaintances in foreign countries. Mrs. Archer and Janey, in the course of their visits to Europe, had so unflinchingly lived up to this principle, and met the friendly advances of their fellow-travellers with an air of such impenetrable reserve, that they had almost achieved the record of never having exchanged a word with a	The Age Of Innocence
said Pooh.	No speaker	looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape."	splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest	for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh	sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and there, beside him, were four pots of honey.... Three days later, there was Pooh, sitting on his branch, dangling his	have an Expotition to discover the East Pole, but Christopher Robin had thought of something else to do with Kanga; so Pooh went out to discover the East Pole by himself. Whether he discovered it or not, I forget; but he was so tired when he got home that, in the very middle of his supper, after he had been eating for little more than half-an-hour, he fell fast asleep in his chair, and slept and slept and slept. Then suddenly he was dreaming. He was at the East Pole, and it was a very cold pole with the coldest sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and there, beside him, were four pots of honey.... Three days later, there was Pooh, sitting on his branch, dangling his legs, and there beside him, was one pot of honey. Four days later, there was Pooh ... And it was on the morning of the fourth day that Piglet's bottle came floating past him, and with one loud cry of "Honey!" Pooh plunged into the water, seized the bottle, and struggled back to his tree again. "Bother!" said Pooh, as he opened it. "All that wet for nothing. What's that bit of paper doing?" He took it out and looked at it. "It's a Missage," he said to himself, "that's what it is. And that letter is a 'P,' and	on the water which he was following, and then suddenly he knew that he would never see it again and that he had done all that he could do to save himself. "So now," he thought, "somebody else will have to do something, and I hope they will do it soon, because if they don't I shall have to swim, which I can't, so I hope they do it soon." And then he gave a very long sigh and said, "I wish Pooh were here. It's so much more friendly with two." * * * * * When the rain began Pooh was asleep. It rained, and it rained, and it rained, and he slept and he slept and he slept. He had had a tiring day. You remember how he discovered the North Pole; well, he was so proud of this that he asked Christopher Robin if there were any other Poles such as a Bear of Little Brain might discover. "There's a South Pole," said Christopher Robin, "and I expect there's an East Pole and a West Pole, though people don't like talking about them." Pooh was very excited when he heard this, and suggested that they should have an Expotition to discover the East Pole, but Christopher Robin had thought of something else to do with Kanga; so Pooh went out to discover the East Pole by himself. Whether he discovered it or not, I forget; but he was so tired when he got home that, in the very middle of his supper, after he had been eating for little more than half-an-hour, he fell fast asleep in his chair, and slept and slept and slept. Then suddenly he was dreaming. He was at the East Pole, and it was a very cold pole with the coldest sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and there, beside him, were four pots of honey.... Three days later, there was Pooh, sitting on his branch, dangling his legs, and there beside him, was one pot of honey. Four days later, there was Pooh ... And it was on the morning of the fourth day that Piglet's bottle came floating past him, and with one loud cry of "Honey!" Pooh plunged into the water, seized the bottle, and struggled back to his tree again. "Bother!" said Pooh, as he opened it. "All that wet for nothing. What's that bit of paper doing?" He took it out and looked at it. "It's a Missage," he said to himself, "that's what it is. And that letter is a 'P,' and so is that, and so is that, and 'P' means 'Pooh,' so it's a very important Missage to me, and I can't read it. I must find Christopher Robin or Owl or Piglet, one of those Clever Readers who can read things, and they will tell me what this missage means. Only I can't swim. Bother!" Then he had an idea, and I think that for a Bear of Very Little Brain, it was a good idea. He said to himself: "If a bottle can float, then a jar can float, and if a jar floats, I can sit on the top of it, if it's a very big jar." So he took his biggest jar, and corked it up. "All boats have to have a name," he said, "so I shall call mine _The Floating Bear_." And with these words he dropped his boat into the water and jumped in after it. For a little while Pooh and _The Floating Bear_ were uncertain as to which of them was meant to be on the top, but after trying one or two different positions, they settled down with _The Floating Bear_ underneath and Pooh triumphantly astride it, paddling vigorously with	Pooh could escape by Climbing Trees, and Kanga could escape by Jumping, and Rabbit could escape by Burrowing, and Owl could escape by Flying, and Eeyore could escape by--by Making a Loud Noise Until Rescued, and here am I, surrounded by water and I can't do _anything_." It went on raining, and every day the water got a little higher, until now it was nearly up to Piglet's window ... and still he hadn't done anything. "There's Pooh," he thought to himself. "Pooh hasn't much Brain, but he never comes to any harm. He does silly things and they turn out right. There's Owl. Owl hasn't exactly got Brain, but he Knows Things. He would know the Right Thing to Do when Surrounded by Water. There's Rabbit. He hasn't Learnt in Books, but he can always Think of a Clever Plan. There's Kanga. She isn't Clever, Kanga isn't, but she would be so anxious about Roo that she would do a Good Thing to Do without thinking about It. And then there's Eeyore. And Eeyore is so miserable anyhow that he wouldn't mind about this. But I wonder what Christopher Robin would do?" Then suddenly he remembered a story which Christopher Robin had told him about a man on a desert island who had written something in a bottle and thrown it in the sea; and Piglet thought that if he wrote something in a bottle and threw it in the water, perhaps somebody would come and rescue _him_! He left the window and began to search his house, all of it that wasn't under water, and at last he found a pencil and a small piece of dry paper, and a bottle with a cork to it. And he wrote on one side of the paper: HELP! PIGLET (ME) and on the other side: IT'S ME PIGLET, HELP HELP. Then he put the paper in the bottle, and he corked the bottle up as tightly as he could, and he leant out of his window as far as he could lean without falling in, and he threw the bottle as far as he could throw--_splash!_--and in a little while it bobbed up again on the water; and he watched it floating slowly away in the distance, until his eyes ached with looking, and sometimes he thought it was the bottle, and sometimes he thought it was just a ripple on the water which he was following, and then suddenly he knew that he would never see it again and that he had done all that he could do to save himself. "So now," he thought, "somebody else will have to do something, and I hope they will do it soon, because if they don't I shall have to swim, which I can't, so I hope they do it soon." And then he gave a very long sigh and said, "I wish Pooh were here. It's so much more friendly with two." * * * * * When the rain began Pooh was asleep. It rained, and it rained, and it rained, and he slept and he slept and he slept. He had had a tiring day. You remember how he discovered the North Pole; well, he was so proud of this that he asked Christopher Robin if there were any other Poles such as a Bear of Little Brain might discover. "There's a South Pole," said Christopher Robin, "and I expect there's an East Pole and a West Pole, though people don't like talking about them." Pooh was very excited when he heard this, and suggested that they should have an Expotition to discover the East Pole, but Christopher Robin had thought of something else to do with Kanga; so Pooh went out to discover the East Pole by himself. Whether he discovered it or not, I forget; but he was so tired when he got home that, in the very middle of his supper, after he had been eating for little more than half-an-hour, he fell fast asleep in his chair, and slept and slept and slept. Then suddenly he was dreaming. He was at the East Pole, and it was a very cold pole with the coldest sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and there, beside him, were four pots of honey.... Three days later, there was Pooh, sitting on his branch, dangling his legs, and there beside him, was one pot of honey. Four days later, there was Pooh ... And it was on the morning of the fourth day that Piglet's bottle came floating past him, and with one loud cry of "Honey!" Pooh plunged into the water, seized the bottle, and struggled back to his tree again. "Bother!" said Pooh, as he opened it. "All that wet for nothing. What's that bit of paper doing?" He took it out and looked at it. "It's a Missage," he said to himself, "that's what it is. And that letter is a 'P,' and so is that, and so is that, and 'P' means 'Pooh,' so it's a very important Missage to me, and I can't read it. I must find Christopher Robin or Owl or Piglet, one of those Clever Readers who can read things, and they will tell me what this missage means. Only I can't swim. Bother!" Then he had an idea, and I think that for a Bear of Very Little Brain, it was a good idea. He said to himself: "If a bottle can float, then a jar can float, and if a jar floats, I can sit on the top of it, if it's a very big jar." So he took his biggest jar, and corked it up. "All boats have to have a name," he said, "so I shall call mine _The Floating Bear_." And with these words he dropped his boat into the water and jumped in after it. For a little while Pooh and _The Floating Bear_ were uncertain as to which of them was meant to be on the top, but after trying one or two different positions, they settled down with _The Floating Bear_ underneath and Pooh triumphantly astride it, paddling vigorously with his feet. * * * * * Christopher Robin lived at the very top of the Forest. It rained, and it rained, and it rained, but the water couldn't come up to _his_ house. It was rather jolly to look down into the valleys and see the water all round him, but it rained so hard that he stayed indoors most of the time, and thought about things. Every morning he went out with his umbrella and put a stick in the place where the water came up to, and every next morning he went out and couldn't see his stick any more, so he put another stick in the place where the water came up to, and then he walked home again, and each morning he had a shorter way to walk than he had had the morning before. On the morning of the fifth day he saw the water all round him, and knew that for the first time in his life he was on a real island. Which was very exciting. It was on this morning that Owl came flying over the water to say "How do you do," to his friend Christopher Robin. "I say, Owl," said Christopher Robin, "isn't this fun? I'm on an island!" "The atmospheric conditions have been very unfavourable lately," said Owl. "The what?" "It has been raining," explained Owl. "Yes," said Christopher Robin. "It has." "The flood-level has reached an unprecedented height." "The who?" "There's a lot of water about," explained Owl. "Yes," said Christopher Robin, "there is." "However, the prospects are rapidly becoming more favourable. At any moment----" "Have you seen Pooh?" "No. At any moment----" "I hope he's all right," said Christopher Robin. "I've been wondering about him. I expect Piglet's with him. Do you think they're all right, Owl?" "I expect so. You see, at any moment----" "Do go and see, Owl. Because Pooh hasn't got very much brain, and he might do something silly, and I do love him so, Owl. Do you see, Owl?" "That's all right," said Owl. "I'll go. Back directly." And he flew off. In a little while he was back again. "Pooh isn't there," he said. "Not there?" "Has _been_ there. He's been sitting on a branch of his tree outside his house with nine pots of honey. But he isn't there now." "Oh, Pooh!" cried Christopher Robin. "Where _are_ you?" "Here	he gave a very long sigh and said, "I wish Pooh were here. It's so much more friendly with two." * * * * * When the rain began Pooh was asleep. It rained, and it rained, and it rained, and he slept and he slept and he slept. He had had a tiring day. You remember how he discovered the North Pole; well, he was so proud of this that he asked Christopher Robin if there were any other Poles such as a Bear of Little Brain might discover. "There's a South Pole," said Christopher Robin, "and I expect there's an East Pole and a West Pole, though people don't like talking about them." Pooh was very excited when he heard this, and suggested that they should have an Expotition to discover the East Pole, but Christopher Robin had thought of something else to do with Kanga; so Pooh went out to discover the East Pole by himself. Whether he discovered it or not, I forget; but he was so tired when he got home that, in the very middle of his supper, after he had been eating for little more than half-an-hour, he fell fast asleep in his chair, and slept and slept and slept. Then suddenly he was dreaming. He was at the East Pole, and it was a very cold pole with the coldest sort of snow and ice all over it. He had found a bee-hive to sleep in, but there wasn't room for his legs, so he had left them outside. And Wild Woozles, such as inhabit the East Pole, came and nibbled all the fur off his legs to make nests for their Young. And the more they nibbled, the colder his legs got, until suddenly he woke up with an _Ow!_--and there he was, sitting in his chair with his feet in the water, and water all round him! He splashed to his door and looked out... "This is Serious,"<\|quote\|>said Pooh.</\|quote\|>"I must have an Escape." So he took his largest pot of honey and escaped with it to a broad branch of his tree, well above the water, and then he climbed down again and escaped with another pot ... and when the whole Escape was finished, there was Pooh sitting on his branch, dangling his legs, and there, beside him, were ten pots of honey.... Two days later, there was Pooh, sitting on his branch, dangling his legs, and there, beside him, were four pots of honey.... Three days later, there was Pooh, sitting on his branch, dangling his legs, and there beside him, was one pot of honey. Four days later, there was Pooh ... And it was on the morning of the fourth day that Piglet's bottle came floating past him, and with one loud cry of "Honey!" Pooh plunged into the water, seized the bottle, and struggled back to his tree again. "Bother!" said Pooh, as he opened it. "All that wet for nothing. What's that bit of paper doing?" He took it out and looked at it. "It's a Missage," he said to himself, "that's what it is. And that letter is a 'P,' and so is that, and so is that, and 'P' means 'Pooh,' so it's a very important Missage to me, and I can't read it. I must find Christopher Robin or Owl or Piglet, one of those Clever Readers who can read things, and they will tell me what this missage means. Only I can't swim. Bother!" Then he had an idea, and I think that for a Bear of Very Little Brain, it was a good idea. He said to himself: "If a bottle can float, then a jar can float, and if a jar floats, I can sit on the top of it, if it's a very big jar." So he took his biggest jar, and corked it up. "All boats have to have a name," he said, "so I shall call mine _The Floating Bear_." And with these words he dropped his boat into the water and jumped in after it. For a little while Pooh and _The Floating Bear_ were uncertain as to which of them was meant to be on the top, but after trying one or two different positions, they settled down with _The Floating Bear_ underneath and Pooh triumphantly astride it, paddling vigorously with his feet. * * * * * Christopher Robin lived at the very top of the Forest. It rained, and it rained, and it rained, but the water couldn't come up to _his_ house. It was rather jolly to look down into the valleys and see the water all round him, but it rained so hard that he	Winnie The Pooh
"Since this profession is agreeable to you,"	Magician	to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I	he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me	greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no	a shop for you, furnish it with all sorts of fine stuffs and linens; and with the money you make of them lay in fresh goods, and then you will live in an honourable way. Consult your inclination, and tell me freely what you think of my proposal." This plan greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no longer doubted after his promises of kindness to her son. She thanked him for his good intentions; and after having exhorted Aladdin to render himself worthy of his uncle's favour by good behaviour, served up supper, at which they talked of several indifferent matters; and then the magician, who saw	days to turn him out of doors, and let him provide for himself." After these words, Aladdin's mother burst into tears; and the magician said: "This is not well, nephew; you must think of getting your livelihood. There are many sorts of trades, consider if you have not an inclination to some of them; perhaps you did not like your father's and would prefer another; come, do not disguise your sentiments from me; I will endeavour to help you." But finding that Aladdin returned no answer, "If you have no mind," continued he, "to learn any handicraft, I will take a shop for you, furnish it with all sorts of fine stuffs and linens; and with the money you make of them lay in fresh goods, and then you will live in an honourable way. Consult your inclination, and tell me freely what you think of my proposal." This plan greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no longer doubted after his promises of kindness to her son. She thanked him for his good intentions; and after having exhorted Aladdin to render himself worthy of his uncle's favour by good behaviour, served up supper, at which they talked of several indifferent matters; and then the magician, who saw that the night was pretty far advanced, took his leave, and retired. He came again the next day, as he had promised, and took Aladdin with him to a merchant, who sold all sorts of clothes for different ages and ranks ready made, and a variety of fine stuffs. He asked to see some that suited Aladdin in size; and Aladdin, charmed with the liberality of his new uncle, made choice of one, and the magician immediately paid for it. When the boy found himself so handsomely equipped, he returned his uncle thanks; who promised never to forsake him, but	melancholy news that ever reached my ears. But God be praised for all things! it is a comfort for me to find, as it were, my brother in a son, who has his most remarkable features." The African magician, perceiving that the widow began to weep at the remembrance of her husband, changed the conversation, and turning toward her son, asked him his name. "I am called Aladdin," said he. "Well, Aladdin," replied the magician, "what business do you follow? Are you of any trade?" At this question the youth hung down his head, and was not a little abashed when his mother answered: "Aladdin is an idle fellow; his father, when alive, strove all he could to teach him his trade, but could not succeed; and since his death he does nothing but idle away his time in the streets, as you saw him, without considering he is no longer a child; and if you do not make him ashamed of it, I despair of his ever coming to any good. He knows that his father left him no fortune, and sees me endeavour to get bread by spinning cotton; for my part, I am resolved one of these days to turn him out of doors, and let him provide for himself." After these words, Aladdin's mother burst into tears; and the magician said: "This is not well, nephew; you must think of getting your livelihood. There are many sorts of trades, consider if you have not an inclination to some of them; perhaps you did not like your father's and would prefer another; come, do not disguise your sentiments from me; I will endeavour to help you." But finding that Aladdin returned no answer, "If you have no mind," continued he, "to learn any handicraft, I will take a shop for you, furnish it with all sorts of fine stuffs and linens; and with the money you make of them lay in fresh goods, and then you will live in an honourable way. Consult your inclination, and tell me freely what you think of my proposal." This plan greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no longer doubted after his promises of kindness to her son. She thanked him for his good intentions; and after having exhorted Aladdin to render himself worthy of his uncle's favour by good behaviour, served up supper, at which they talked of several indifferent matters; and then the magician, who saw that the night was pretty far advanced, took his leave, and retired. He came again the next day, as he had promised, and took Aladdin with him to a merchant, who sold all sorts of clothes for different ages and ranks ready made, and a variety of fine stuffs. He asked to see some that suited Aladdin in size; and Aladdin, charmed with the liberality of his new uncle, made choice of one, and the magician immediately paid for it. When the boy found himself so handsomely equipped, he returned his uncle thanks; who promised never to forsake him, but always to take him along with him; which he did to the most frequented places in the city, and particularly where the principal merchants kept their shops. When he brought him into the street where they sold the richest stuffs and finest linens, he said to Aladdin: "As you are soon to be a merchant, it is proper you should frequent these shops, and be acquainted with them." He then showed him the largest and finest mosques, carried him to the khans or inns where the merchants and travellers lodged, and afterward to the sultan's palace, where he had free access; and at last brought him to his own khan, where, meeting with some merchants he had become acquainted with since his arrival, he gave them a treat, to bring them and his pretended nephew acquainted. This entertainment lasted till night, when Aladdin would have taken leave of his uncle to go home, but the magician would not let him go by himself, but conducted him to his mother, who, as soon as she saw him so well dressed, was transported with joy, and bestowed a thousand blessings upon the magician, for being at so great an expense for her	our house; go and bring him if you meet with him." Though Aladdin had showed the magician the house, he was ready to go, when somebody knocked at the door, which he immediately opened; and the magician came in loaded with wine, and all sorts of fruits, which he brought for a dessert. After the African magician had given what he brought into Aladdin's hands, he saluted his mother, and desired her to shew him the place where his brother Mustapha used to sit on the sofa; and when she had so done, he fell down and kissed it several times, crying out with tears in his eyes: "My poor brother! how unhappy am I, not to have come soon enough to give you one last embrace." Aladdin's mother desired him to sit down in the same place, but he declined. "No," said he, "but give me leave to sit opposite, that although I am deprived of the satisfaction of seeing one so dear to me, I may at least have the pleasure of beholding the place where he used to sit." When the magician had sat down, he began to enter into discourse with Aladdin's mother: "My good sister," said he, "do not be surprised at your never having seen me all the time you were married to my brother Mustapha. I have been forty years absent from this country, which is my native place, as well as my late brother's; and during that time have travelled into the Indies, Persia, Arabia, Syria, and Egypt; have resided in the finest towns of those countries; and afterward crossed over into Africa, where I made a longer stay. At last, as it is natural for a man to remember his native country, I was desirous to see mine again, and to embrace my dear brother; and finding I had strength enough to undertake so long a journey, I immediately made the necessary preparations, and set out. I will not tell you the length of time it took me, all the obstacles I met with, and what fatigues I have endured to come hither; but nothing ever afflicted me so much, as hearing of my brother's death. I observed his features in the face of my nephew, your son, and distinguished him among a number of lads with whom he was at play; he can tell you how I received the most melancholy news that ever reached my ears. But God be praised for all things! it is a comfort for me to find, as it were, my brother in a son, who has his most remarkable features." The African magician, perceiving that the widow began to weep at the remembrance of her husband, changed the conversation, and turning toward her son, asked him his name. "I am called Aladdin," said he. "Well, Aladdin," replied the magician, "what business do you follow? Are you of any trade?" At this question the youth hung down his head, and was not a little abashed when his mother answered: "Aladdin is an idle fellow; his father, when alive, strove all he could to teach him his trade, but could not succeed; and since his death he does nothing but idle away his time in the streets, as you saw him, without considering he is no longer a child; and if you do not make him ashamed of it, I despair of his ever coming to any good. He knows that his father left him no fortune, and sees me endeavour to get bread by spinning cotton; for my part, I am resolved one of these days to turn him out of doors, and let him provide for himself." After these words, Aladdin's mother burst into tears; and the magician said: "This is not well, nephew; you must think of getting your livelihood. There are many sorts of trades, consider if you have not an inclination to some of them; perhaps you did not like your father's and would prefer another; come, do not disguise your sentiments from me; I will endeavour to help you." But finding that Aladdin returned no answer, "If you have no mind," continued he, "to learn any handicraft, I will take a shop for you, furnish it with all sorts of fine stuffs and linens; and with the money you make of them lay in fresh goods, and then you will live in an honourable way. Consult your inclination, and tell me freely what you think of my proposal." This plan greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no longer doubted after his promises of kindness to her son. She thanked him for his good intentions; and after having exhorted Aladdin to render himself worthy of his uncle's favour by good behaviour, served up supper, at which they talked of several indifferent matters; and then the magician, who saw that the night was pretty far advanced, took his leave, and retired. He came again the next day, as he had promised, and took Aladdin with him to a merchant, who sold all sorts of clothes for different ages and ranks ready made, and a variety of fine stuffs. He asked to see some that suited Aladdin in size; and Aladdin, charmed with the liberality of his new uncle, made choice of one, and the magician immediately paid for it. When the boy found himself so handsomely equipped, he returned his uncle thanks; who promised never to forsake him, but always to take him along with him; which he did to the most frequented places in the city, and particularly where the principal merchants kept their shops. When he brought him into the street where they sold the richest stuffs and finest linens, he said to Aladdin: "As you are soon to be a merchant, it is proper you should frequent these shops, and be acquainted with them." He then showed him the largest and finest mosques, carried him to the khans or inns where the merchants and travellers lodged, and afterward to the sultan's palace, where he had free access; and at last brought him to his own khan, where, meeting with some merchants he had become acquainted with since his arrival, he gave them a treat, to bring them and his pretended nephew acquainted. This entertainment lasted till night, when Aladdin would have taken leave of his uncle to go home, but the magician would not let him go by himself, but conducted him to his mother, who, as soon as she saw him so well dressed, was transported with joy, and bestowed a thousand blessings upon the magician, for being at so great an expense for her child. "Generous relation!" said she, "I know not how to thank you for your liberality! I wish you may live long enough to witness my son's gratitude, which he cannot better shew than by regulating his conduct by your good advice." "Aladdin," replied the magician, "is a good boy, and I believe we shall do very well; but I am sorry for one thing, which is, that I cannot perform to-morrow what I promised, because, as it is Friday, the shops will be shut up, and therefore we cannot hire or furnish one till Saturday. I will, however, call on him to-morrow and take him to walk in the gardens, where people of the best fashion generally resort. Perhaps he has never seen these amusements, he has only hitherto been among children; but now he must see men." The African magician then took his leave of the mother and the son, and retired. Aladdin rose early the next morning, dressed himself to be ready, and after he had waited some time began to be impatient and stood watching at the door; but as soon as he perceived his uncle coming, he told his mother, took his leave of her, and ran to meet him. The magician caressed Aladdin, and said: "Come, my dear child, and I will shew you fine things." He then led him out at one of the gates of the city, to some magnificent palaces, to each of which belonged beautiful gardens, into which anybody might enter. At every building he came to, he asked Aladdin if he did not think it fine; and the youth was ready to answer when any one presented itself, crying out: "Here is a finer house, uncle, than any we have seen yet." By this artifice, the cunning magician led Aladdin some way into the country; and as he meant to carry him farther, pretending to be tired, he took an opportunity to sit down in one of the gardens on the brink of a fountain of clear water, which discharged itself by a lion's mouth of bronze into a basin: "Come, nephew," said he, "you must be weary as well as I; let us rest ourselves, and we shall be better able to pursue our walk." After they had sat down, the magician pulled from his girdle a handkerchief with cakes and fruit, which he had provided, and laid them	as it were, my brother in a son, who has his most remarkable features." The African magician, perceiving that the widow began to weep at the remembrance of her husband, changed the conversation, and turning toward her son, asked him his name. "I am called Aladdin," said he. "Well, Aladdin," replied the magician, "what business do you follow? Are you of any trade?" At this question the youth hung down his head, and was not a little abashed when his mother answered: "Aladdin is an idle fellow; his father, when alive, strove all he could to teach him his trade, but could not succeed; and since his death he does nothing but idle away his time in the streets, as you saw him, without considering he is no longer a child; and if you do not make him ashamed of it, I despair of his ever coming to any good. He knows that his father left him no fortune, and sees me endeavour to get bread by spinning cotton; for my part, I am resolved one of these days to turn him out of doors, and let him provide for himself." After these words, Aladdin's mother burst into tears; and the magician said: "This is not well, nephew; you must think of getting your livelihood. There are many sorts of trades, consider if you have not an inclination to some of them; perhaps you did not like your father's and would prefer another; come, do not disguise your sentiments from me; I will endeavour to help you." But finding that Aladdin returned no answer, "If you have no mind," continued he, "to learn any handicraft, I will take a shop for you, furnish it with all sorts of fine stuffs and linens; and with the money you make of them lay in fresh goods, and then you will live in an honourable way. Consult your inclination, and tell me freely what you think of my proposal." This plan greatly flattered Aladdin, who hated work but had sense enough to know that such shops were much frequented and the owners respected. He told the magician he had a greater inclination to that business than to any other, and that he should be much obliged to him for his kindness.<\|quote\|>"Since this profession is agreeable to you,"</\|quote\|>said the African magician, "I will carry you with me to-morrow, clothe you as handsomely as the best merchants in the city, and afterward we will think of opening a shop as I mentioned." The widow, who never till then could believe that the magician was her husband's brother, no longer doubted after his promises of kindness to her son. She thanked him for his good intentions; and after having exhorted Aladdin to render himself worthy of his uncle's favour by good behaviour, served up supper, at which they talked of several indifferent matters; and then the magician, who saw that the night was pretty far advanced, took his leave, and retired. He came again the next day, as he had promised, and took Aladdin with him to a merchant, who sold all sorts of clothes for different ages and ranks ready made, and a variety of fine stuffs. He asked to see some that suited Aladdin in size; and Aladdin, charmed with the liberality of his new uncle, made choice of one, and the magician immediately paid for it. When the boy found himself so handsomely equipped, he returned his uncle thanks; who promised never to forsake him, but always to take him along with him; which he did to the most frequented places in the city, and particularly where the principal merchants kept their shops. When he brought him into the street where they sold the richest stuffs and finest linens, he said to Aladdin: "As you are soon to be a merchant, it is proper you should frequent these shops, and be acquainted with them." He then showed him the largest and finest mosques, carried him to the khans or inns where the merchants and travellers lodged, and afterward to the sultan's palace, where he had free access; and at last brought him to his own khan, where, meeting with some merchants he had become acquainted with since his arrival, he gave them a treat, to bring them and his pretended nephew acquainted. This entertainment lasted till night, when Aladdin would have taken leave of his uncle to go home, but the magician would not let him go by himself, but conducted him to his mother, who, as soon as she saw him so well dressed, was transported with joy, and bestowed a thousand blessings upon the magician, for being at so great an expense for her child. "Generous relation!" said she, "I know not how to thank you for your liberality! I wish you may live long enough to witness my son's gratitude, which he cannot better shew than by regulating his conduct by your good advice." "Aladdin," replied the magician, "is a good boy, and I believe we shall do very well; but I am sorry for one thing, which is, that I cannot perform to-morrow what I promised, because, as it is Friday, the shops will be shut up, and therefore we cannot hire or furnish one till Saturday. I will, however, call on him to-morrow and take him to walk in the gardens, where people of the best fashion generally resort. Perhaps he has never seen these amusements, he has only hitherto been among children; but now he must see men." The African magician then took his leave of the mother and the son, and retired. Aladdin rose early the next morning, dressed himself to be ready, and after	Arabian Nights (4)
and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.	No speaker	"Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch	now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck	who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some	under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have	with a faint smile, and her whole figure was expressive of triumph. "Splendid, superb!" "Splendid," said Startsev, too, carried away by the general enthusiasm. "Where have you studied?" he asked Ekaterina Ivanovna. "At the Conservatoire?" "No, I am only preparing for the Conservatoire, and till now have been working with Madame Zavlovsky." "Have you finished at the high school here?" "Oh, no," Vera Iosifovna answered for her, "We have teachers for her at home; there might be bad influences at the high school or a boarding school, you know. While a young girl is growing up, she ought to be under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome," he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks	notes, and it sounded as if she would not leave off until she had hammered the keys into the piano. The drawing-room was filled with the din; everything was resounding; the floor, the ceiling, the furniture.... Ekaterina Ivanovna was playing a difficult passage, interesting simply on account of its difficulty, long and monotonous, and Startsev, listening, pictured stones dropping down a steep hill and going on dropping, and he wished they would leave off dropping; and at the same time Ekaterina Ivanovna, rosy from the violent exercise, strong and vigorous, with a lock of hair falling over her forehead, attracted him very much. After the winter spent at Dyalizh among patients and peasants, to sit in a drawing-room, to watch this young, elegant, and, in all probability, pure creature, and to listen to these noisy, tedious but still cultured sounds, was so pleasant, so novel.... "Well, Kitten, you have never played that before," said Ivan Petrovitch, with tears in his eyes, when his daughter had finished and stood up. "Die, Denis; you won't write anything better." All flocked round her, congratulated her, expressed astonishment, declared that it was long since they had heard such music, and she listened in silence with a faint smile, and her whole figure was expressive of triumph. "Splendid, superb!" "Splendid," said Startsev, too, carried away by the general enthusiasm. "Where have you studied?" he asked Ekaterina Ivanovna. "At the Conservatoire?" "No, I am only preparing for the Conservatoire, and till now have been working with Madame Zavlovsky." "Have you finished at the high school here?" "Oh, no," Vera Iosifovna answered for her, "We have teachers for her at home; there might be bad influences at the high school or a boarding school, you know. While a young girl is growing up, she ought to be under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome," he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation: "For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano	melted in the mouth. As the evening came on, other visitors gradually arrived, and Ivan Petrovitch fixed his laughing eyes on each of them and said: "How do you do, if you please?" Then they all sat down in the drawing-room with very serious faces, and Vera Iosifovna read her novel. It began like this: "The frost was intense...." The windows were wide open; from the kitchen came the clatter of knives and the smell of fried onions.... It was comfortable in the soft deep arm-chair; the lights had such a friendly twinkle in the twilight of the drawing-room, and at the moment on a summer evening when sounds of voices and laughter floated in from the street and whiffs of lilac from the yard, it was difficult to grasp that the frost was intense, and that the setting sun was lighting with its chilly rays a solitary wayfarer on the snowy plain. Vera Iosifovna read how a beautiful young countess founded a school, a hospital, a library, in her village, and fell in love with a wandering artist; she read of what never happens in real life, and yet it was pleasant to listen--it was comfortable, and such agreeable, serene thoughts kept coming into the mind, one had no desire to get up. "Not badsome ..." Ivan Petrovitch said softly. And one of the visitors hearing, with his thoughts far away, said hardly audibly: "Yes ... truly...." One hour passed, another. In the town gardens close by a band was playing and a chorus was singing. When Vera Iosifovna shut her manuscript book, the company was silent for five minutes, listening to "Lutchina" being sung by the chorus, and the song gave what was not in the novel and is in real life. "Do you publish your stories in magazines?" Startsev asked Vera Iosifovna. "No," she answered. "I never publish. I write it and put it away in my cupboard. Why publish?" she explained. "We have enough to live on." And for some reason every one sighed. "And now, Kitten, you play something," Ivan Petrovitch said to his daughter. The lid of the piano was raised and the music lying ready was opened. Ekaterina Ivanovna sat down and banged on the piano with both hands, and then banged again with all her might, and then again and again; her shoulders and bosom shook. She obstinately banged on the same notes, and it sounded as if she would not leave off until she had hammered the keys into the piano. The drawing-room was filled with the din; everything was resounding; the floor, the ceiling, the furniture.... Ekaterina Ivanovna was playing a difficult passage, interesting simply on account of its difficulty, long and monotonous, and Startsev, listening, pictured stones dropping down a steep hill and going on dropping, and he wished they would leave off dropping; and at the same time Ekaterina Ivanovna, rosy from the violent exercise, strong and vigorous, with a lock of hair falling over her forehead, attracted him very much. After the winter spent at Dyalizh among patients and peasants, to sit in a drawing-room, to watch this young, elegant, and, in all probability, pure creature, and to listen to these noisy, tedious but still cultured sounds, was so pleasant, so novel.... "Well, Kitten, you have never played that before," said Ivan Petrovitch, with tears in his eyes, when his daughter had finished and stood up. "Die, Denis; you won't write anything better." All flocked round her, congratulated her, expressed astonishment, declared that it was long since they had heard such music, and she listened in silence with a faint smile, and her whole figure was expressive of triumph. "Splendid, superb!" "Splendid," said Startsev, too, carried away by the general enthusiasm. "Where have you studied?" he asked Ekaterina Ivanovna. "At the Conservatoire?" "No, I am only preparing for the Conservatoire, and till now have been working with Madame Zavlovsky." "Have you finished at the high school here?" "Oh, no," Vera Iosifovna answered for her, "We have teachers for her at home; there might be bad influences at the high school or a boarding school, you know. While a young girl is growing up, she ought to be under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome," he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation: "For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano for three or four hours," he said, following her; "then you sit with your mother, and there is no possibility of speaking to you. Give me a quarter of an hour at least, I beseech you." Autumn was approaching, and it was quiet and melancholy in the old garden; the dark leaves lay thick in the walks. It was already beginning to get dark early. "I haven't seen you for a whole week," Startsev went on, "and if you only knew what suffering it is! Let us sit down. Listen to me." They had a favourite place in the garden; a seat under an old spreading maple. And now they sat down on this seat. "What do you want?" said Ekaterina Ivanovna drily, in a matter-of-fact tone. "I have not seen you for a whole week; I have not heard you for so long. I long passionately, I thirst for your voice. Speak." She fascinated him by her freshness, the naïve expression of her eyes and cheeks. Even in the way her dress hung on her, he saw something extraordinarily charming, touching in its simplicity and naïve grace; and at the same time, in spite of this naïveté, she seemed to him intelligent and developed beyond her years. He could talk with her about literature, about art, about anything he liked; could complain to her of life, of people, though it sometimes happened in the middle of serious conversation she would laugh inappropriately or run away into the house. Like almost all girls of her neighbourhood, she had read a great deal (as a rule, people read very little in S----, and at the lending library they said if it were not for the girls and the young Jews, they might as well shut up the library). This afforded Startsev infinite delight; he used to ask her eagerly every time what she had been reading the last few days, and listened enthralled while she told him. "What have you been reading this week since I saw you last?" he asked now. "Do please tell me." "I have been reading Pisemsky." "What exactly?" "'A Thousand Souls,'" answered Kitten. "And what a funny name Pisemsky had--Alexey Feofilaktitch!" "Where are you going?" cried Startsev in horror, as she suddenly got up and walked towards the house. "I must talk to you; I want to explain myself.... Stay with me just five minutes, I	silence with a faint smile, and her whole figure was expressive of triumph. "Splendid, superb!" "Splendid," said Startsev, too, carried away by the general enthusiasm. "Where have you studied?" he asked Ekaterina Ivanovna. "At the Conservatoire?" "No, I am only preparing for the Conservatoire, and till now have been working with Madame Zavlovsky." "Have you finished at the high school here?" "Oh, no," Vera Iosifovna answered for her, "We have teachers for her at home; there might be bad influences at the high school or a boarding school, you know. While a young girl is growing up, she ought to be under no influence but her mother's." "All the same, I'm going to the Conservatoire," said Ekaterina Ivanovna. "No. Kitten loves her mamma. Kitten won't grieve papa and mamma." "No, I'm going, I'm going," said Ekaterina Ivanovna, with playful caprice and stamping her foot. And at supper it was Ivan Petrovitch who displayed his talents. Laughing only with his eyes, he told anecdotes, made epigrams, asked ridiculous riddles and answered them himself, talking the whole time in his extraordinary language, evolved in the course of prolonged practice in witticism and evidently now become a habit: "Badsome," "Hugeous," "Thank you most dumbly,"<\|quote\|>and so on. But that was not all. When the guests, replete and satisfied, trooped into the hall, looking for their coats and sticks, there bustled about them the footman Pavlusha, or, as he was called in the family, Pava--a lad of fourteen with shaven head and chubby cheeks.</\|quote\|>"Come, Pava, perform!" Ivan Petrovitch said to him. Pava struck an attitude, flung up his arm, and said in a tragic tone: "Unhappy woman, die!" And every one roared with laughter. "It's entertaining," thought Startsev, as he went out into the street. He went to a restaurant and drank some beer, then set off to walk home to Dyalizh; he walked all the way singing: "'Thy voice to me so languid and caressing....'" On going to bed, he felt not the slightest fatigue after the six miles' walk. On the contrary, he felt as though he could with pleasure have walked another twenty. "Not badsome," he thought, and laughed as he fell asleep. II Startsev kept meaning to go to the Turkins' again, but there was a great deal of work in the hospital, and he was unable to find free time. In this way more than a year passed in work and solitude. But one day a letter in a light blue envelope was brought him from the town. Vera Iosifovna had been suffering for some time from migraine, but now since Kitten frightened her every day by saying that she was going away to the Conservatoire, the attacks began to be more frequent. All the doctors of the town had been at the Turkins'; at last it was the district doctor's turn. Vera Iosifovna wrote him a touching letter in which she begged him to come and relieve her sufferings. Startsev went, and after that he began to be often, very often at the Turkins'.... He really did something for Vera Iosifovna, and she was already telling all her visitors that he was a wonderful and exceptional doctor. But it was not for the sake of her migraine that he visited the Turkins' now.... It was a holiday. Ekaterina Ivanovna finished her long, wearisome exercises on the piano. Then they sat a long time in the dining-room, drinking tea, and Ivan Petrovitch told some amusing story. Then there was a ring and he had to go into the hall to welcome a guest; Startsev took advantage of the momentary commotion, and whispered to Ekaterina Ivanovna in great agitation: "For God's sake, I entreat you, don't torment me; let us go into the garden!" She shrugged her shoulders, as though perplexed and not knowing what he wanted of her, but she got up and went. "You play the piano for three or four hours," he said, following her; "then you sit with your mother, and there is no possibility of speaking to you. Give	The Lady and the Dog and Other Stories (4)
Mike said. He was almost crying.	No speaker	a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen,	It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn:	said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly	for God's sake. Take that sad Jewish face away. Don't you think I'm right?" He looked at us. "Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up	think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?" He looked at us. "Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or	Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?" He looked at us. "Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us. We stood in the crowd and watched Don Manuel Orquito, the fireworks king, standing on a little platform, carefully starting the balloons with sticks, standing above the heads of the crowd to launch the balloons off into the wind. The wind brought them all down, and Don Manuel Orquito's face was sweaty in the light of his complicated fireworks that fell into the crowd and charged and chased, sputtering and cracking, between the legs of the people. The people shouted as each new luminous paper bubble careened, caught fire, and fell. "They're razzing Don Manuel," Bill said. "How do you know he's Don Manuel?" Brett said. "His name's on the programme. Don Manuel Orquito, the pirotecnico of esta ciudad." "Globos illuminados," Mike said. "A collection of globos illuminados. That's what the paper said." The wind blew the band music away. "I say, I wish one would go up," Brett said. "That Don Manuel chap	bananas." "I say, Jake," Brett called from the next table, "you _have_ deserted us." "Just temporarily," I said. "We're talking bulls." "You _are_ superior." "Tell him that bulls have no balls," Mike shouted. He was drunk. Romero looked at me inquiringly. "Drunk," I said. "Borracho! Muy borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said. "Go on, tell him. Tell him I'm ashamed of being a writer." Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't he look like Villalta?" "I can't see it," the critic said. "Really," Romero said in Spanish. "He looks a lot like Villalta. What does the drunken one do?" "Nothing." "Is that why he drinks?" "No. He's waiting to marry this lady." "Tell him bulls have no balls!" Mike shouted, very drunk, from the other end of the table. "What does he say?" "He's drunk." "Jake," Mike called. "Tell him bulls have no balls!" "You understand?" I said. "Yes." I was sure he didn't, so it was all right. "Tell him Brett wants to see him put on those green pants." "Pipe down, Mike." "Tell him Brett is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett. Brett was talking French and he was talking Spanish and a little English, and laughing. Bill was filling the glasses. "Tell him Brett wants to come into----" "Oh, pipe down, Mike, for Christ's sake!" Romero looked up smiling. "Pipe down! I know that," he said. Just then Montoya came into the room. He started to smile at me, then he saw Pedro Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?" He looked at us. "Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us. We stood in the crowd and watched Don Manuel Orquito, the fireworks king, standing on a little platform, carefully starting the balloons with sticks, standing above the heads of the crowd to launch the balloons off into the wind. The wind brought them all down, and Don Manuel Orquito's face was sweaty in the light of his complicated fireworks that fell into the crowd and charged and chased, sputtering and cracking, between the legs of the people. The people shouted as each new luminous paper bubble careened, caught fire, and fell. "They're razzing Don Manuel," Bill said. "How do you know he's Don Manuel?" Brett said. "His name's on the programme. Don Manuel Orquito, the pirotecnico of esta ciudad." "Globos illuminados," Mike said. "A collection of globos illuminados. That's what the paper said." The wind blew the band music away. "I say, I wish one would go up," Brett said. "That Don Manuel chap is furious." "He's probably worked for weeks fixing them to go off, spelling out 'Hail to San Fermin,'" Bill said. "Globos illuminados," Mike said. "A bunch of bloody globos illuminados." "Come on," said Brett. "We can't stand here." "Her ladyship wants a drink," Mike said. "How you know things," Brett said. Inside, the caf was crowded and very noisy. No one noticed us come in. We could not find a table. There was a great noise going on. "Come on, let's get out of here," Bill said. Outside the paseo was going in under the arcade. There were some English and Americans from Biarritz in sport clothes scattered at the tables. Some of the women stared at the people going by with lorgnons. We had acquired, at some time, a friend of Bill's from Biarritz. She was staying with another girl at the Grand Hotel. The other girl had a headache and had gone to bed. "Here's the pub," Mike said. It was the Bar Milano, a small, tough bar where you could get food and where they danced in the back room. We all sat down at a table and ordered a bottle of Fundador. The bar was not full. There was nothing going on. "This is a hell of a place," Bill said. "It's too early." "Let's take the bottle and come back later," Bill said. "I don't want to sit here on a night like this." "Let's go and look at the English," Mike said. "I love to look at the English." "They're awful," Bill said. "Where did they all come from?" "They come from Biarritz," Mike said, "They come to see the last day of the quaint little Spanish fiesta." "I'll festa them," Bill said. "You're an extraordinarily beautiful girl." Mike turned to Bill's friend. "When did you come here?" "Come off it, Michael." "I say, she _is_ a lovely girl. Where have I been? Where have I been looking all this while? You're a lovely thing. _Have_ we met? Come along with me and Bill. We're going to festa the English." "I'll festa them," Bill said, "What the hell are they doing at this fiesta?" "Come on," Mike said. "Just us three. We're going to festa the bloody English. I hope you're not English? I'm Scotch. I hate the English. I'm going to festa them. Come on, Bill." Through the window we saw them, all	it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?" He looked at us. "Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake,"<\|quote\|>Mike said. He was almost crying.</\|quote\|>"You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us. We stood in the crowd and watched Don Manuel Orquito, the fireworks king, standing on a little platform, carefully starting the balloons with sticks, standing above the heads of the crowd to launch the balloons off into the wind. The wind brought them all down, and Don Manuel Orquito's face was sweaty in the light of his complicated fireworks that fell into the crowd and charged and chased, sputtering and cracking, between the legs of the people. The people shouted as each new luminous paper bubble careened, caught fire, and fell. "They're razzing Don Manuel," Bill said. "How do you know he's Don Manuel?" Brett said.	The Sun Also Rises
"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."	Mrs. Weston	done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe	thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been	in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known	Churchill take it?" "Most favourably for his nephew--gave his consent with scarcely a difficulty. Conceive what the events of a week have done in that family! While poor Mrs. Churchill lived, I suppose there could not have been a hope, a chance, a possibility;--but scarcely are her remains at rest in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known to no being in the world but their two selves." "Well," said Emma, "I suppose we shall gradually grow reconciled to the idea, and I wish them very happy. But I shall always think it a very abominable sort of proceeding. What has it been but a system of hypocrisy	many things intelligible and excusable which now are not to be understood. Don't let us be severe, don't let us be in a hurry to condemn him. Let us have patience. I must love him; and now that I am satisfied on one point, the one material point, I am sincerely anxious for its all turning out well, and ready to hope that it may. They must both have suffered a great deal under such a system of secresy and concealment." "_His_ sufferings," replied Emma dryly, "do not appear to have done him much harm. Well, and how did Mr. Churchill take it?" "Most favourably for his nephew--gave his consent with scarcely a difficulty. Conceive what the events of a week have done in that family! While poor Mrs. Churchill lived, I suppose there could not have been a hope, a chance, a possibility;--but scarcely are her remains at rest in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known to no being in the world but their two selves." "Well," said Emma, "I suppose we shall gradually grow reconciled to the idea, and I wish them very happy. But I shall always think it a very abominable sort of proceeding. What has it been but a system of hypocrisy and deceit,--espionage, and treachery?--To come among us with professions of openness and simplicity; and such a league in secret to judge us all!--Here have we been, the whole winter and spring, completely duped, fancying ourselves all on an equal footing of truth and honour, with two people in the midst of us who may have been carrying round, comparing and sitting in judgment on sentiments and words that were never meant for both to hear.--They must take the consequence, if they have heard each other spoken of in a way not perfectly agreeable!" "I am quite easy on that head,"	governess! What could he mean by such horrible indelicacy? To suffer her to engage herself--to suffer her even to think of such a measure!" "He knew nothing about it, Emma. On this article I can fully acquit him. It was a private resolution of hers, not communicated to him--or at least not communicated in a way to carry conviction.--Till yesterday, I know he said he was in the dark as to her plans. They burst on him, I do not know how, but by some letter or message--and it was the discovery of what she was doing, of this very project of hers, which determined him to come forward at once, own it all to his uncle, throw himself on his kindness, and, in short, put an end to the miserable state of concealment that had been carrying on so long." Emma began to listen better. "I am to hear from him soon," continued Mrs. Weston. "He told me at parting, that he should soon write; and he spoke in a manner which seemed to promise me many particulars that could not be given now. Let us wait, therefore, for this letter. It may bring many extenuations. It may make many things intelligible and excusable which now are not to be understood. Don't let us be severe, don't let us be in a hurry to condemn him. Let us have patience. I must love him; and now that I am satisfied on one point, the one material point, I am sincerely anxious for its all turning out well, and ready to hope that it may. They must both have suffered a great deal under such a system of secresy and concealment." "_His_ sufferings," replied Emma dryly, "do not appear to have done him much harm. Well, and how did Mr. Churchill take it?" "Most favourably for his nephew--gave his consent with scarcely a difficulty. Conceive what the events of a week have done in that family! While poor Mrs. Churchill lived, I suppose there could not have been a hope, a chance, a possibility;--but scarcely are her remains at rest in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known to no being in the world but their two selves." "Well," said Emma, "I suppose we shall gradually grow reconciled to the idea, and I wish them very happy. But I shall always think it a very abominable sort of proceeding. What has it been but a system of hypocrisy and deceit,--espionage, and treachery?--To come among us with professions of openness and simplicity; and such a league in secret to judge us all!--Here have we been, the whole winter and spring, completely duped, fancying ourselves all on an equal footing of truth and honour, with two people in the midst of us who may have been carrying round, comparing and sitting in judgment on sentiments and words that were never meant for both to hear.--They must take the consequence, if they have heard each other spoken of in a way not perfectly agreeable!" "I am quite easy on that head," replied Mrs. Weston. "I am very sure that I never said any thing of either to the other, which both might not have heard." "You are in luck.--Your only blunder was confined to my ear, when you imagined a certain friend of ours in love with the lady." "True. But as I have always had a thoroughly good opinion of Miss Fairfax, I never could, under any blunder, have spoken ill of her; and as to speaking ill of him, there I must have been safe." At this moment Mr. Weston appeared at a little distance from the window, evidently on the watch. His wife gave him a look which invited him in; and, while he was coming round, added, "Now, dearest Emma, let me intreat you to say and look every thing that may set his heart at ease, and incline him to be satisfied with the match. Let us make the best of it--and, indeed, almost every thing may be fairly said in her favour. It is not a connexion to gratify; but if Mr. Churchill does not feel that, why should we? and it may be a very fortunate circumstance for him, for Frank, I mean, that	myself," said she. "On this point we have been wretched. It was our darling wish that you might be attached to each other--and we were persuaded that it was so.-- Imagine what we have been feeling on your account." "I have escaped; and that I should escape, may be a matter of grateful wonder to you and myself. But this does not acquit _him_, Mrs. Weston; and I must say, that I think him greatly to blame. What right had he to come among us with affection and faith engaged, and with manners so _very_ disengaged? What right had he to endeavour to please, as he certainly did--to distinguish any one young woman with persevering attention, as he certainly did--while he really belonged to another?--How could he tell what mischief he might be doing?--How could he tell that he might not be making me in love with him?--very wrong, very wrong indeed." "From something that he said, my dear Emma, I rather imagine--" "And how could _she_ bear such behaviour! Composure with a witness! to look on, while repeated attentions were offering to another woman, before her face, and not resent it.--That is a degree of placidity, which I can neither comprehend nor respect." "There were misunderstandings between them, Emma; he said so expressly. He had not time to enter into much explanation. He was here only a quarter of an hour, and in a state of agitation which did not allow the full use even of the time he could stay--but that there had been misunderstandings he decidedly said. The present crisis, indeed, seemed to be brought on by them; and those misunderstandings might very possibly arise from the impropriety of his conduct." "Impropriety! Oh! Mrs. Weston--it is too calm a censure. Much, much beyond impropriety!--It has sunk him, I cannot say how it has sunk him in my opinion. So unlike what a man should be!--None of that upright integrity, that strict adherence to truth and principle, that disdain of trick and littleness, which a man should display in every transaction of his life." "Nay, dear Emma, now I must take his part; for though he has been wrong in this instance, I have known him long enough to answer for his having many, very many, good qualities; and--" "Good God!" cried Emma, not attending to her.--" "Mrs. Smallridge, too! Jane actually on the point of going as governess! What could he mean by such horrible indelicacy? To suffer her to engage herself--to suffer her even to think of such a measure!" "He knew nothing about it, Emma. On this article I can fully acquit him. It was a private resolution of hers, not communicated to him--or at least not communicated in a way to carry conviction.--Till yesterday, I know he said he was in the dark as to her plans. They burst on him, I do not know how, but by some letter or message--and it was the discovery of what she was doing, of this very project of hers, which determined him to come forward at once, own it all to his uncle, throw himself on his kindness, and, in short, put an end to the miserable state of concealment that had been carrying on so long." Emma began to listen better. "I am to hear from him soon," continued Mrs. Weston. "He told me at parting, that he should soon write; and he spoke in a manner which seemed to promise me many particulars that could not be given now. Let us wait, therefore, for this letter. It may bring many extenuations. It may make many things intelligible and excusable which now are not to be understood. Don't let us be severe, don't let us be in a hurry to condemn him. Let us have patience. I must love him; and now that I am satisfied on one point, the one material point, I am sincerely anxious for its all turning out well, and ready to hope that it may. They must both have suffered a great deal under such a system of secresy and concealment." "_His_ sufferings," replied Emma dryly, "do not appear to have done him much harm. Well, and how did Mr. Churchill take it?" "Most favourably for his nephew--gave his consent with scarcely a difficulty. Conceive what the events of a week have done in that family! While poor Mrs. Churchill lived, I suppose there could not have been a hope, a chance, a possibility;--but scarcely are her remains at rest in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known to no being in the world but their two selves." "Well," said Emma, "I suppose we shall gradually grow reconciled to the idea, and I wish them very happy. But I shall always think it a very abominable sort of proceeding. What has it been but a system of hypocrisy and deceit,--espionage, and treachery?--To come among us with professions of openness and simplicity; and such a league in secret to judge us all!--Here have we been, the whole winter and spring, completely duped, fancying ourselves all on an equal footing of truth and honour, with two people in the midst of us who may have been carrying round, comparing and sitting in judgment on sentiments and words that were never meant for both to hear.--They must take the consequence, if they have heard each other spoken of in a way not perfectly agreeable!" "I am quite easy on that head," replied Mrs. Weston. "I am very sure that I never said any thing of either to the other, which both might not have heard." "You are in luck.--Your only blunder was confined to my ear, when you imagined a certain friend of ours in love with the lady." "True. But as I have always had a thoroughly good opinion of Miss Fairfax, I never could, under any blunder, have spoken ill of her; and as to speaking ill of him, there I must have been safe." At this moment Mr. Weston appeared at a little distance from the window, evidently on the watch. His wife gave him a look which invited him in; and, while he was coming round, added, "Now, dearest Emma, let me intreat you to say and look every thing that may set his heart at ease, and incline him to be satisfied with the match. Let us make the best of it--and, indeed, almost every thing may be fairly said in her favour. It is not a connexion to gratify; but if Mr. Churchill does not feel that, why should we? and it may be a very fortunate circumstance for him, for Frank, I mean, that he should have attached himself to a girl of such steadiness of character and good judgment as I have always given her credit for--and still am disposed to give her credit for, in spite of this one great deviation from the strict rule of right. And how much may be said in her situation for even that error!" "Much, indeed!" cried Emma feelingly. "If a woman can ever be excused for thinking only of herself, it is in a situation like Jane Fairfax's.--Of such, one may almost say, that" 'the world is not their's, nor the world's law.'" She met Mr. Weston on his entrance, with a smiling countenance, exclaiming, "A very pretty trick you have been playing me, upon my word! This was a device, I suppose, to sport with my curiosity, and exercise my talent of guessing. But you really frightened me. I thought you had lost half your property, at least. And here, instead of its being a matter of condolence, it turns out to be one of congratulation.--I congratulate you, Mr. Weston, with all my heart, on the prospect of having one of the most lovely and accomplished young women in England for your daughter." A glance or two between him and his wife, convinced him that all was as right as this speech proclaimed; and its happy effect on his spirits was immediate. His air and voice recovered their usual briskness: he shook her heartily and gratefully by the hand, and entered on the subject in a manner to prove, that he now only wanted time and persuasion to think the engagement no very bad thing. His companions suggested only what could palliate imprudence, or smooth objections; and by the time they had talked it all over together, and he had talked it all over again with Emma, in their walk back to Hartfield, he was become perfectly reconciled, and not far from thinking it the very best thing that Frank could possibly have done. CHAPTER XI "Harriet, poor Harriet!" "--Those were the words; in them lay the tormenting ideas which Emma could not get rid of, and which constituted the real misery of the business to her. Frank Churchill had behaved very ill by herself--very ill in many ways,--but it was not so much _his_ behaviour as her _own_, which made her so angry with him. It was the scrape which he had drawn	hear from him soon," continued Mrs. Weston. "He told me at parting, that he should soon write; and he spoke in a manner which seemed to promise me many particulars that could not be given now. Let us wait, therefore, for this letter. It may bring many extenuations. It may make many things intelligible and excusable which now are not to be understood. Don't let us be severe, don't let us be in a hurry to condemn him. Let us have patience. I must love him; and now that I am satisfied on one point, the one material point, I am sincerely anxious for its all turning out well, and ready to hope that it may. They must both have suffered a great deal under such a system of secresy and concealment." "_His_ sufferings," replied Emma dryly, "do not appear to have done him much harm. Well, and how did Mr. Churchill take it?" "Most favourably for his nephew--gave his consent with scarcely a difficulty. Conceive what the events of a week have done in that family! While poor Mrs. Churchill lived, I suppose there could not have been a hope, a chance, a possibility;--but scarcely are her remains at rest in the family vault, than her husband is persuaded to act exactly opposite to what she would have required. What a blessing it is, when undue influence does not survive the grave!--He gave his consent with very little persuasion." "Ah!" thought Emma, "he would have done as much for Harriet."<\|quote\|>"This was settled last night, and Frank was off with the light this morning. He stopped at Highbury, at the Bates's, I fancy, some time--and then came on hither; but was in such a hurry to get back to his uncle, to whom he is just now more necessary than ever, that, as I tell you, he could stay with us but a quarter of an hour.--He was very much agitated--very much, indeed--to a degree that made him appear quite a different creature from any thing I had ever seen him before.--In addition to all the rest, there had been the shock of finding her so very unwell, which he had had no previous suspicion of--and there was every appearance of his having been feeling a great deal."</\|quote\|>"And do you really believe the affair to have been carrying on with such perfect secresy?--The Campbells, the Dixons, did none of them know of the engagement?" Emma could not speak the name of Dixon without a little blush. "None; not one. He positively said that it had been known to no being in the world but their two selves." "Well," said Emma, "I suppose we shall gradually grow reconciled to the idea, and I wish them very happy. But I shall always think it a very abominable sort of proceeding. What has it been but a system of hypocrisy and deceit,--espionage, and treachery?--To come among us with professions of openness and simplicity; and such a league in secret to judge us all!--Here have we been, the whole winter and spring, completely duped, fancying ourselves all on an equal footing of truth and honour, with two people in the midst of us who may have been carrying round, comparing and sitting in judgment on sentiments and words that were never meant for both to hear.--They must take the consequence, if they have heard each other spoken of in a way not perfectly agreeable!" "I am quite easy on that head," replied Mrs. Weston. "I am very sure that I never said any thing of either to the other, which both might not have heard." "You are in luck.--Your only blunder was confined to my ear, when you imagined a certain friend of ours in love with the lady." "True. But as I have always had a thoroughly good opinion of Miss Fairfax, I never could, under any blunder, have spoken ill of her; and as to speaking ill of him, there I must have been safe." At this moment Mr. Weston appeared at a little distance from the window, evidently on the watch. His wife gave him a look which invited him in; and, while he was coming round, added, "Now, dearest Emma, let me intreat you to say and look every thing that may set his heart at ease, and incline him to be satisfied with the match. Let us make the best of it--and, indeed, almost every thing may be fairly said in her favour. It is not a connexion to gratify; but if Mr. Churchill does not feel that, why should we? and it may be a very fortunate circumstance for him, for Frank, I mean, that he should have attached himself to a girl of such steadiness of character and good judgment as I have always given her credit for--and still am disposed to give her credit for, in spite of this one great deviation from the strict rule of right. And how much may be said in her situation for even that error!" "Much, indeed!" cried Emma feelingly. "If a woman can ever be excused for thinking only of herself, it is in a situation like Jane Fairfax's.--Of such, one may almost say, that" 'the world is not their's, nor the world's law.'" She met Mr. Weston on his entrance, with a smiling countenance, exclaiming, "A very pretty trick you have been	Emma
returned Sikes with a malicious grin.	No speaker	into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And	something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added	conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and	caution not wholly unnecessary, or the wish (at all events) to improve upon the distiller's ingenuity not very far from the old gentleman's merry heart. After swallowing two of three glasses of spirits, Mr. Sikes condescended to take some notice of the young gentlemen; which gracious act led to a conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and that it would come out rather worse for you than it would for me, my dear." The man started, and turned round upon the Jew. But the old gentleman's shoulders were shrugged up to his ears; and his eyes were vacantly staring on the opposite wall. There was a long	and jerking his head over on the right shoulder; a piece of dumb show which the Jew appeared to understand perfectly. He then, in cant terms, with which his whole conversation was plentifully besprinkled, but which would be quite unintelligible if they were recorded here, demanded a glass of liquor. "And mind you don't poison it," said Mr. Sikes, laying his hat upon the table. This was said in jest; but if the speaker could have seen the evil leer with which the Jew bit his pale lip as he turned round to the cupboard, he might have thought the caution not wholly unnecessary, or the wish (at all events) to improve upon the distiller's ingenuity not very far from the old gentleman's merry heart. After swallowing two of three glasses of spirits, Mr. Sikes condescended to take some notice of the young gentlemen; which gracious act led to a conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and that it would come out rather worse for you than it would for me, my dear." The man started, and turned round upon the Jew. But the old gentleman's shoulders were shrugged up to his ears; and his eyes were vacantly staring on the opposite wall. There was a long pause. Every member of the respectable coterie appeared plunged in his own reflections; not excepting the dog, who by a certain malicious licking of his lips seemed to be meditating an attack upon the legs of the first gentleman or lady he might encounter in the streets when he went out. "Somebody must find out wot's been done at the office," said Mr. Sikes in a much lower tone than he had taken since he came in. The Jew nodded assent. "If he hasn't peached, and is committed, there's no fear till he comes out again," said Mr. Sikes, "and	"What are you up to? Ill-treating the boys, you covetous, avaricious, in-sa-ti-a-ble old fence?" said the man, seating himself deliberately. "I wonder they don't murder you! I would if I was them. If I'd been your 'prentice, I'd have done it long ago, and no, I couldn't have sold you afterwards, for you're fit for nothing but keeping as a curiousity of ugliness in a glass bottle, and I suppose they don't blow glass bottles large enough." "Hush! hush! Mr. Sikes," said the Jew, trembling; "don't speak so loud!" "None of your mistering," replied the ruffian; "you always mean mischief when you come that. You know my name: out with it! I shan't disgrace it when the time comes." "Well, well, then Bill Sikes," said the Jew, with abject humility. "You seem out of humour, Bill." "Perhaps I am," replied Sikes; "I should think you was rather out of sorts too, unless you mean as little harm when you throw pewter pots about, as you do when you blab and" "Are you mad?" said the Jew, catching the man by the sleeve, and pointing towards the boys. Mr. Sikes contented himself with tying an imaginary knot under his left ear, and jerking his head over on the right shoulder; a piece of dumb show which the Jew appeared to understand perfectly. He then, in cant terms, with which his whole conversation was plentifully besprinkled, but which would be quite unintelligible if they were recorded here, demanded a glass of liquor. "And mind you don't poison it," said Mr. Sikes, laying his hat upon the table. This was said in jest; but if the speaker could have seen the evil leer with which the Jew bit his pale lip as he turned round to the cupboard, he might have thought the caution not wholly unnecessary, or the wish (at all events) to improve upon the distiller's ingenuity not very far from the old gentleman's merry heart. After swallowing two of three glasses of spirits, Mr. Sikes condescended to take some notice of the young gentlemen; which gracious act led to a conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and that it would come out rather worse for you than it would for me, my dear." The man started, and turned round upon the Jew. But the old gentleman's shoulders were shrugged up to his ears; and his eyes were vacantly staring on the opposite wall. There was a long pause. Every member of the respectable coterie appeared plunged in his own reflections; not excepting the dog, who by a certain malicious licking of his lips seemed to be meditating an attack upon the legs of the first gentleman or lady he might encounter in the streets when he went out. "Somebody must find out wot's been done at the office," said Mr. Sikes in a much lower tone than he had taken since he came in. The Jew nodded assent. "If he hasn't peached, and is committed, there's no fear till he comes out again," said Mr. Sikes, "and then he must be taken care on. You must get hold of him somehow." Again the Jew nodded. The prudence of this line of action, indeed, was obvious; but, unfortunately, there was one very strong objection to its being adopted. This was, that the Dodger, and Charley Bates, and Fagin, and Mr. William Sikes, happened, one and all, to entertain a violent and deeply-rooted antipathy to going near a police-office on any ground or pretext whatever. How long they might have sat and looked at each other, in a state of uncertainty not the most pleasant of its kind, it is difficult to guess. It is not necessary to make any guesses on the subject, however; for the sudden entrance of the two young ladies whom Oliver had seen on a former occasion, caused the conversation to flow afresh. "The very thing!" said the Jew. "Bet will go; won't you, my dear?" "Wheres?" inquired the young lady. "Only just up to the office, my dear," said the Jew coaxingly. It is due to the young lady to say that she did not positively affirm that she would not, but that she merely expressed an emphatic and earnest desire to be	could have been anticipated in a man of his apparent decrepitude; and, seizing up the pot, prepared to hurl it at his assailant's head. But Charley Bates, at this moment, calling his attention by a perfectly terrific howl, he suddenly altered its destination, and flung it full at that young gentleman. "Why, what the blazes is in the wind now!" growled a deep voice. "Who pitched that 'ere at me? It's well it's the beer, and not the pot, as hit me, or I'd have settled somebody. I might have know'd, as nobody but an infernal, rich, plundering, thundering old Jew could afford to throw away any drink but water and not that, unless he done the River Company every quarter. Wot's it all about, Fagin? D me, if my neck-handkercher an't lined with beer! Come in, you sneaking warmint; wot are you stopping outside for, as if you was ashamed of your master! Come in!" The man who growled out these words, was a stoutly-built fellow of about five-and-thirty, in a black velveteen coat, very soiled drab breeches, lace-up half boots, and grey cotton stockings which inclosed a bulky pair of legs, with large swelling calves; the kind of legs, which in such costume, always look in an unfinished and incomplete state without a set of fetters to garnish them. He had a brown hat on his head, and a dirty belcher handkerchief round his neck: with the long frayed ends of which he smeared the beer from his face as he spoke. He disclosed, when he had done so, a broad heavy countenance with a beard of three days' growth, and two scowling eyes; one of which displayed various parti-coloured symptoms of having been recently damaged by a blow. "Come in, d'ye hear?" growled this engaging ruffian. A white shaggy dog, with his face scratched and torn in twenty different places, skulked into the room. "Why didn't you come in afore?" said the man. "You're getting too proud to own me afore company, are you? Lie down!" This command was accompanied with a kick, which sent the animal to the other end of the room. He appeared well used to it, however; for he coiled himself up in a corner very quietly, without uttering a sound, and winking his very ill-looking eyes twenty times in a minute, appeared to occupy himself in taking a survey of the apartment. "What are you up to? Ill-treating the boys, you covetous, avaricious, in-sa-ti-a-ble old fence?" said the man, seating himself deliberately. "I wonder they don't murder you! I would if I was them. If I'd been your 'prentice, I'd have done it long ago, and no, I couldn't have sold you afterwards, for you're fit for nothing but keeping as a curiousity of ugliness in a glass bottle, and I suppose they don't blow glass bottles large enough." "Hush! hush! Mr. Sikes," said the Jew, trembling; "don't speak so loud!" "None of your mistering," replied the ruffian; "you always mean mischief when you come that. You know my name: out with it! I shan't disgrace it when the time comes." "Well, well, then Bill Sikes," said the Jew, with abject humility. "You seem out of humour, Bill." "Perhaps I am," replied Sikes; "I should think you was rather out of sorts too, unless you mean as little harm when you throw pewter pots about, as you do when you blab and" "Are you mad?" said the Jew, catching the man by the sleeve, and pointing towards the boys. Mr. Sikes contented himself with tying an imaginary knot under his left ear, and jerking his head over on the right shoulder; a piece of dumb show which the Jew appeared to understand perfectly. He then, in cant terms, with which his whole conversation was plentifully besprinkled, but which would be quite unintelligible if they were recorded here, demanded a glass of liquor. "And mind you don't poison it," said Mr. Sikes, laying his hat upon the table. This was said in jest; but if the speaker could have seen the evil leer with which the Jew bit his pale lip as he turned round to the cupboard, he might have thought the caution not wholly unnecessary, or the wish (at all events) to improve upon the distiller's ingenuity not very far from the old gentleman's merry heart. After swallowing two of three glasses of spirits, Mr. Sikes condescended to take some notice of the young gentlemen; which gracious act led to a conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and that it would come out rather worse for you than it would for me, my dear." The man started, and turned round upon the Jew. But the old gentleman's shoulders were shrugged up to his ears; and his eyes were vacantly staring on the opposite wall. There was a long pause. Every member of the respectable coterie appeared plunged in his own reflections; not excepting the dog, who by a certain malicious licking of his lips seemed to be meditating an attack upon the legs of the first gentleman or lady he might encounter in the streets when he went out. "Somebody must find out wot's been done at the office," said Mr. Sikes in a much lower tone than he had taken since he came in. The Jew nodded assent. "If he hasn't peached, and is committed, there's no fear till he comes out again," said Mr. Sikes, "and then he must be taken care on. You must get hold of him somehow." Again the Jew nodded. The prudence of this line of action, indeed, was obvious; but, unfortunately, there was one very strong objection to its being adopted. This was, that the Dodger, and Charley Bates, and Fagin, and Mr. William Sikes, happened, one and all, to entertain a violent and deeply-rooted antipathy to going near a police-office on any ground or pretext whatever. How long they might have sat and looked at each other, in a state of uncertainty not the most pleasant of its kind, it is difficult to guess. It is not necessary to make any guesses on the subject, however; for the sudden entrance of the two young ladies whom Oliver had seen on a former occasion, caused the conversation to flow afresh. "The very thing!" said the Jew. "Bet will go; won't you, my dear?" "Wheres?" inquired the young lady. "Only just up to the office, my dear," said the Jew coaxingly. It is due to the young lady to say that she did not positively affirm that she would not, but that she merely expressed an emphatic and earnest desire to be "blessed" if she would; a polite and delicate evasion of the request, which shows the young lady to have been possessed of that natural good breeding which cannot bear to inflict upon a fellow-creature, the pain of a direct and pointed refusal. The Jew's countenance fell. He turned from this young lady, who was gaily, not to say gorgeously attired, in a red gown, green boots, and yellow curl-papers, to the other female. "Nancy, my dear," said the Jew in a soothing manner, "what do _you_ say?" "That it won't do; so it's no use a-trying it on, Fagin," replied Nancy. "What do you mean by that?" said Mr. Sikes, looking up in a surly manner. "What I say, Bill," replied the lady collectedly. "Why, you're just the very person for it," reasoned Mr. Sikes: "nobody about here knows anything of you." "And as I don't want 'em to, neither," replied Nancy in the same composed manner, "it's rather more no than yes with me, Bill." "She'll go, Fagin," said Sikes. "No, she won't, Fagin," said Nancy. "Yes, she will, Fagin," said Sikes. And Mr. Sikes was right. By dint of alternate threats, promises, and bribes, the lady in question was ultimately prevailed upon to undertake the commission. She was not, indeed, withheld by the same considerations as her agreeable friend; for, having recently removed into the neighborhood of Field Lane from the remote but genteel suburb of Ratcliffe, she was not under the same apprehension of being recognised by any of her numerous acquaintances. Accordingly, with a clean white apron tied over her gown, and her curl-papers tucked up under a straw bonnet, both articles of dress being provided from the Jew's inexhaustible stock, Miss Nancy prepared to issue forth on her errand. "Stop a minute, my dear," said the Jew, producing, a little covered basket. "Carry that in one hand. It looks more respectable, my dear." "Give her a door-key to carry in her t'other one, Fagin," said Sikes; "it looks real and genivine like." "Yes, yes, my dear, so it does," said the Jew, hanging a large street-door key on the forefinger of the young lady's right hand. "There; very good! Very good indeed, my dear!" said the Jew, rubbing his hands. "Oh, my brother! My poor, dear, sweet, innocent little brother!" exclaimed Nancy, bursting into tears, and wringing the little basket and the street-door key in	mistering," replied the ruffian; "you always mean mischief when you come that. You know my name: out with it! I shan't disgrace it when the time comes." "Well, well, then Bill Sikes," said the Jew, with abject humility. "You seem out of humour, Bill." "Perhaps I am," replied Sikes; "I should think you was rather out of sorts too, unless you mean as little harm when you throw pewter pots about, as you do when you blab and" "Are you mad?" said the Jew, catching the man by the sleeve, and pointing towards the boys. Mr. Sikes contented himself with tying an imaginary knot under his left ear, and jerking his head over on the right shoulder; a piece of dumb show which the Jew appeared to understand perfectly. He then, in cant terms, with which his whole conversation was plentifully besprinkled, but which would be quite unintelligible if they were recorded here, demanded a glass of liquor. "And mind you don't poison it," said Mr. Sikes, laying his hat upon the table. This was said in jest; but if the speaker could have seen the evil leer with which the Jew bit his pale lip as he turned round to the cupboard, he might have thought the caution not wholly unnecessary, or the wish (at all events) to improve upon the distiller's ingenuity not very far from the old gentleman's merry heart. After swallowing two of three glasses of spirits, Mr. Sikes condescended to take some notice of the young gentlemen; which gracious act led to a conversation, in which the cause and manner of Oliver's capture were circumstantially detailed, with such alterations and improvements on the truth, as to the Dodger appeared most advisable under the circumstances. "I'm afraid," said the Jew, "that he may say something which will get us into trouble." "That's very likely,"<\|quote\|>returned Sikes with a malicious grin.</\|quote\|>"You're blowed upon, Fagin." "And I'm afraid, you see," added the Jew, speaking as if he had not noticed the interruption; and regarding the other closely as he did so, "I'm afraid that, if the game was up with us, it might be up with a good many more, and that it would come out rather worse for you than it would for me, my dear." The man started, and turned round upon the Jew. But the old gentleman's shoulders were shrugged up to his ears; and his eyes were vacantly staring on the opposite wall. There was a long pause. Every member of the respectable coterie appeared plunged in his own reflections; not excepting the dog, who by a certain malicious licking of his lips seemed to be meditating an attack upon the legs of the first gentleman or lady he might encounter in the streets when he went out. "Somebody must find out wot's been done at the office," said Mr. Sikes in a much lower tone than he had taken since he came in. The Jew nodded assent. "If he hasn't peached, and is committed, there's no fear till he comes out again," said Mr. Sikes, "and then he must be taken care on. You must get hold of him somehow." Again the Jew nodded. The prudence of this line of action, indeed, was obvious; but, unfortunately, there was one very strong objection to its being adopted. This was, that the Dodger, and Charley Bates, and Fagin, and Mr. William Sikes, happened, one and all, to entertain a violent and deeply-rooted antipathy to going near a police-office on any ground or pretext whatever. How long they might have sat and looked at each other, in a state of uncertainty not the most pleasant of its kind, it is difficult to guess. It is not necessary to make any guesses on the subject, however; for the sudden entrance of the two young ladies whom Oliver had seen on a former occasion, caused the conversation to flow afresh. "The very thing!" said the Jew. "Bet will go; won't you, my dear?" "Wheres?" inquired the young lady. "Only just up to the office, my dear," said the Jew coaxingly. It is due to the young lady to say that she did not positively affirm that she would not,	Oliver Twist
she continued after a long pause, during which the landlady served them with coffee.	No speaker	"But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the	She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to	sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to	is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one	she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?" "It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside	helped himself, he put it down to warm in the hearth. His hand stretched towards the Grammar, and soon he was turning over the pages, raising his eyebrows scornfully, perhaps at human nature, perhaps at Chinese. To him thus employed Helen returned. She had pulled herself together, but the grave appeal had not vanished from her eyes. "Now for the explanation," she said. "Why didn t I begin with it? I have found out something about Mr. Wilcox. He has behaved very wrongly indeed, and ruined two people s lives. It all came on me very suddenly last night; I am very much upset, and I do not know what to do. Mrs. Bast--" "Oh, those people!" Helen seemed silenced. "Shall I lock the door again?" "No thanks, Tibbikins. You re being very good to me. I want to tell you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?" "It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if his sister had not been ceaselessly beautiful. "You see, Helen--have a cigarette--I don t see what I m to do." "Then there s nothing to be done. I dare say you	submissively at the table. "Why such an early start?" he asked. "Sunrise or something--when I could get away." "So I surmise. Why?" "I don t know what s to be done, Tibby. I am very much upset at a piece of news that concerns Meg, and do not want to face her, and I am not going back to Wickham Place. I stopped here to tell you this." The landlady came in with the cutlets. Tibby put a marker in the leaves of his Chinese Grammar and helped them. Oxford--the Oxford of the vacation--dreamed and rustled outside, and indoors the little fire was coated with grey where the sunshine touched it. Helen continued her odd story. "Give Meg my love and say that I want to be alone. I mean to go to Munich or else Bonn." "Such a message is easily given," said her brother. "As regards Wickham Place and my share of the furniture, you and she are to do exactly as you like. My own feeling is that everything may just as well be sold. What does one want with dusty economic books, which have made the world no better, or with mother s hideous chiffoniers? I have also another commission for you. I want you to deliver a letter." She got up. "I haven t written it yet. Why shouldn t I post it, though?" She sat down again. "My head is rather wretched. I hope that none of your friends are likely to come in." Tibby locked the door. His friends often found it in this condition. Then he asked whether anything had gone wrong at Evie s wedding. "Not there," said Helen, and burst into tears. He had known her hysterical--it was one of her aspects with which he had no concern--and yet these tears touched him as something unusual. They were nearer the things that did concern him, such as music. He laid down his knife and looked at her curiously. Then, as she continued to sob, he went on with his lunch. The time came for the second course, and she was still crying. Apple Charlotte was to follow, which spoils by waiting. "Do you mind Mrs. Martlett coming in?" he asked, "or shall I take it from her at the door?" "Could I bathe my eyes, Tibby?" He took her to his bedroom, and introduced the pudding in her absence. Having helped himself, he put it down to warm in the hearth. His hand stretched towards the Grammar, and soon he was turning over the pages, raising his eyebrows scornfully, perhaps at human nature, perhaps at Chinese. To him thus employed Helen returned. She had pulled herself together, but the grave appeal had not vanished from her eyes. "Now for the explanation," she said. "Why didn t I begin with it? I have found out something about Mr. Wilcox. He has behaved very wrongly indeed, and ruined two people s lives. It all came on me very suddenly last night; I am very much upset, and I do not know what to do. Mrs. Bast--" "Oh, those people!" Helen seemed silenced. "Shall I lock the door again?" "No thanks, Tibbikins. You re being very good to me. I want to tell you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?" "It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if his sister had not been ceaselessly beautiful. "You see, Helen--have a cigarette--I don t see what I m to do." "Then there s nothing to be done. I dare say you are right. Let them marry. There remains the question of compensation." "Do you want me to adjudicate that too? Had you not better consult an expert?" "This part is in confidence," said Helen. "It has nothing to do with Meg, and do not mention it to her. The compensation--I do not see who is to pay it if I don t, and I have already decided on the minimum sum. As soon as possible I am placing it to your account, and when I am in Germany you will pay it over for me. I shall never forget your kindness, Tibbikins, if you do this." "What is the sum?" "Five thousand." "Good God alive!" said Tibby, and went crimson. "Now, what is the good of driblets? To go through life having done one thing--to have raised one person from the abyss; not these puny gifts of shillings and blankets--making the grey more grey. No doubt people will think me extraordinary." "I don t care an iota what people think!" cried he, heated to unusual manliness of diction. "But it s half what you have." "Not nearly half." She spread out her hands over her soiled skirt. "I have far too much, and we settled at Chelsea last spring that three hundred a year is necessary to set a man on his feet. What I give will bring in a hundred and fifty between two. It isn t enough." He could not recover. He was not angry or even shocked, and he saw that Helen would still have plenty to live on. But it amazed him to think what haycocks people can make of their lives. His delicate intonations would not work, and he could only blurt out that the five thousand pounds would mean a great deal of bother for him personally. "I didn t expect you to understand me." "I? I understand nobody." "But you ll do it?" "Apparently." "I leave you two commissions, then. The first concerns Mr. Wilcox, and you are to use your discretion. The second concerns the money, and is to be mentioned to no one, and carried out literally. You will send a hundred pounds on account to-morrow." He walked with her to the station, passing through those streets whose serried beauty never bewildered him and never fatigued. The lovely creature raised domes and spires into the cloudless blue, and only the ganglion of	known her hysterical--it was one of her aspects with which he had no concern--and yet these tears touched him as something unusual. They were nearer the things that did concern him, such as music. He laid down his knife and looked at her curiously. Then, as she continued to sob, he went on with his lunch. The time came for the second course, and she was still crying. Apple Charlotte was to follow, which spoils by waiting. "Do you mind Mrs. Martlett coming in?" he asked, "or shall I take it from her at the door?" "Could I bathe my eyes, Tibby?" He took her to his bedroom, and introduced the pudding in her absence. Having helped himself, he put it down to warm in the hearth. His hand stretched towards the Grammar, and soon he was turning over the pages, raising his eyebrows scornfully, perhaps at human nature, perhaps at Chinese. To him thus employed Helen returned. She had pulled herself together, but the grave appeal had not vanished from her eyes. "Now for the explanation," she said. "Why didn t I begin with it? I have found out something about Mr. Wilcox. He has behaved very wrongly indeed, and ruined two people s lives. It all came on me very suddenly last night; I am very much upset, and I do not know what to do. Mrs. Bast--" "Oh, those people!" Helen seemed silenced. "Shall I lock the door again?" "No thanks, Tibbikins. You re being very good to me. I want to tell you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all,"<\|quote\|>she continued after a long pause, during which the landlady served them with coffee.</\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?" "It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever	Howards End
"Morning"	Charles Wilcox	chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man	He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over	Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The	to London and work--he felt too miserable hanging about. He and Dolly would have the furnished flat while his father rested quietly in the country with Evie. He could also keep an eye on his own little house, which was being painted and decorated for him in one of the Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The man went for the cloths without a word. He was a chauffeur as ugly as sin--not that this did him disservice with Charles, who thought charm in a man rather rot, and had soon got rid of the little Italian beast with whom they had started. "Charles--" His bride was	lace. How easily she slipped out of life! Charles thought the habit laudable, though he did not intend to adopt it himself, whereas Margaret would have seen in it an almost culpable indifference to earthly fame. Cynicism--not the superficial cynicism that snarls and sneers, but the cynicism that can go with courtesy and tenderness--that was the note of Mrs. Wilcox s will. She wanted not to vex people. That accomplished, the earth might freeze over her for ever. No, there was nothing for Charles to wait for. He could not go on with his honeymoon, so he would go up to London and work--he felt too miserable hanging about. He and Dolly would have the furnished flat while his father rested quietly in the country with Evie. He could also keep an eye on his own little house, which was being painted and decorated for him in one of the Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The man went for the cloths without a word. He was a chauffeur as ugly as sin--not that this did him disservice with Charles, who thought charm in a man rather rot, and had soon got rid of the little Italian beast with whom they had started. "Charles--" His bride was tripping after him over the hoar-frost, a dainty black column, her little face and elaborate mourning hat forming the capital thereof. "One minute, I m busy. Well, Crane, who s been driving it, do you suppose?" "Don t know, I m sure, sir. No one s driven it since I ve been back, but, of course, there s the fortnight I ve been away with the other car in Yorkshire." The mud came off easily. "Charles, your father s down. Something s happened. He wants you in the house at once. Oh, Charles!" "Wait, dear, wait a minute. Who had	what difficulty had they persuaded her to yield them the paddock for it--the paddock that she loved more dearly than the garden itself! The vine--she had got her way about the vine. It still encumbered the south wall with its unproductive branches. And so with Evie, as she stood talking to the cook. Though she could take up her mother s work inside the house, just as the man could take it up without, she felt that something unique had fallen out of her life. Their grief, though less poignant than their father s, grew from deeper roots, for a wife may be replaced; a mother never. Charles would go back to the office. There was little at Howards End. The contents of his mother s will had long been known to them. There were no legacies, no annuities, none of the posthumous bustle with which some of the dead prolong their activities. Trusting her husband, she had left him everything without reserve. She was quite a poor woman--the house had been all her dowry, and the house would come to Charles in time. Her watercolours Mr. Wilcox intended to reserve for Paul, while Evie would take the jewellery and lace. How easily she slipped out of life! Charles thought the habit laudable, though he did not intend to adopt it himself, whereas Margaret would have seen in it an almost culpable indifference to earthly fame. Cynicism--not the superficial cynicism that snarls and sneers, but the cynicism that can go with courtesy and tenderness--that was the note of Mrs. Wilcox s will. She wanted not to vex people. That accomplished, the earth might freeze over her for ever. No, there was nothing for Charles to wait for. He could not go on with his honeymoon, so he would go up to London and work--he felt too miserable hanging about. He and Dolly would have the furnished flat while his father rested quietly in the country with Evie. He could also keep an eye on his own little house, which was being painted and decorated for him in one of the Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The man went for the cloths without a word. He was a chauffeur as ugly as sin--not that this did him disservice with Charles, who thought charm in a man rather rot, and had soon got rid of the little Italian beast with whom they had started. "Charles--" His bride was tripping after him over the hoar-frost, a dainty black column, her little face and elaborate mourning hat forming the capital thereof. "One minute, I m busy. Well, Crane, who s been driving it, do you suppose?" "Don t know, I m sure, sir. No one s driven it since I ve been back, but, of course, there s the fortnight I ve been away with the other car in Yorkshire." The mud came off easily. "Charles, your father s down. Something s happened. He wants you in the house at once. Oh, Charles!" "Wait, dear, wait a minute. Who had the key of the garage while you were away, Crane?" "The gardener, sir." "Do you mean to tell me that old Penny can drive a motor?" "No, sir; no one s had the motor out, sir." "Then how do you account for the mud on the axle?" "I can t, of course, say for the time I ve been in Yorkshire. No more mud now, sir." Charles was vexed. The man was treating him as a fool, and if his heart had not been so heavy he would have reported him to his father. But it was not a morning for complaints. Ordering the motor to be round after lunch, he joined his wife, who had all the while been pouring out some incoherent story about a letter and a Miss Schlegel. "Now, Dolly, I can attend to you. Miss Schlegel? What does she want?" When people wrote a letter Charles always asked what they wanted. Want was to him the only cause of action. And the question in this case was correct, for his wife replied, "She wants Howards End." "Howards End? Now, Crane, just don t forget to put on the Stepney wheel." "No, sir." "Now, mind you	and she knew it. A telegram had dragged her from Naples to the death-bed of a woman whom she had scarcely known. A word from her husband had plunged her into mourning. She desired to mourn inwardly as well, but she wished that Mrs. Wilcox, since fated to die, could have died before the marriage, for then less would have been expected of her. Crumbling her toast, and too nervous to ask for the butter, she remained almost motionless, thankful only for this, that her father-in-law was having his breakfast upstairs. At last Charles spoke. "They had no business to be pollarding those elms yesterday," he said to his sister. "No, indeed." "I must make a note of that," he continued. "I am surprised that the rector allowed it." "Perhaps it may not be the rector s affair." "Whose else could it be?" "The lord of the manor." "Impossible." "Butter, Dolly?" "Thank you, Evie dear. Charles--" "Yes, dear?" "I didn t know one could pollard elms. I thought one only pollarded willows." "Oh no, one can pollard elms." "Then why oughtn t the elms in the churchyard to be pollarded?" Charles frowned a little, and turned again to his sister. "Another point. I must speak to Chalkeley." "Yes, rather; you must complain to Chalkeley." "It s no good his saying he is not responsible for those men. He is responsible." "Yes, rather." Brother and sister were not callous. They spoke thus, partly because they desired to keep Chalkeley up to the mark--a healthy desire in its way--partly because they avoided the personal note in life. All Wilcoxes did. It did not seem to them of supreme importance. Or it may be as Helen supposed: they realised its importance, but were afraid of it. Panic and emptiness, could one glance behind. They were not callous, and they left the breakfast-table with aching hearts. Their mother never had come in to breakfast. It was in the other rooms, and especially in the garden, that they felt her loss most. As Charles went out to the garage, he was reminded at every step of the woman who had loved him and whom he could never replace. What battles he had fought against her gentle conservatism! How she had disliked improvements, yet how loyally she had accepted them when made! He and his father--what trouble they had had to get this very garage! With what difficulty had they persuaded her to yield them the paddock for it--the paddock that she loved more dearly than the garden itself! The vine--she had got her way about the vine. It still encumbered the south wall with its unproductive branches. And so with Evie, as she stood talking to the cook. Though she could take up her mother s work inside the house, just as the man could take it up without, she felt that something unique had fallen out of her life. Their grief, though less poignant than their father s, grew from deeper roots, for a wife may be replaced; a mother never. Charles would go back to the office. There was little at Howards End. The contents of his mother s will had long been known to them. There were no legacies, no annuities, none of the posthumous bustle with which some of the dead prolong their activities. Trusting her husband, she had left him everything without reserve. She was quite a poor woman--the house had been all her dowry, and the house would come to Charles in time. Her watercolours Mr. Wilcox intended to reserve for Paul, while Evie would take the jewellery and lace. How easily she slipped out of life! Charles thought the habit laudable, though he did not intend to adopt it himself, whereas Margaret would have seen in it an almost culpable indifference to earthly fame. Cynicism--not the superficial cynicism that snarls and sneers, but the cynicism that can go with courtesy and tenderness--that was the note of Mrs. Wilcox s will. She wanted not to vex people. That accomplished, the earth might freeze over her for ever. No, there was nothing for Charles to wait for. He could not go on with his honeymoon, so he would go up to London and work--he felt too miserable hanging about. He and Dolly would have the furnished flat while his father rested quietly in the country with Evie. He could also keep an eye on his own little house, which was being painted and decorated for him in one of the Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The man went for the cloths without a word. He was a chauffeur as ugly as sin--not that this did him disservice with Charles, who thought charm in a man rather rot, and had soon got rid of the little Italian beast with whom they had started. "Charles--" His bride was tripping after him over the hoar-frost, a dainty black column, her little face and elaborate mourning hat forming the capital thereof. "One minute, I m busy. Well, Crane, who s been driving it, do you suppose?" "Don t know, I m sure, sir. No one s driven it since I ve been back, but, of course, there s the fortnight I ve been away with the other car in Yorkshire." The mud came off easily. "Charles, your father s down. Something s happened. He wants you in the house at once. Oh, Charles!" "Wait, dear, wait a minute. Who had the key of the garage while you were away, Crane?" "The gardener, sir." "Do you mean to tell me that old Penny can drive a motor?" "No, sir; no one s had the motor out, sir." "Then how do you account for the mud on the axle?" "I can t, of course, say for the time I ve been in Yorkshire. No more mud now, sir." Charles was vexed. The man was treating him as a fool, and if his heart had not been so heavy he would have reported him to his father. But it was not a morning for complaints. Ordering the motor to be round after lunch, he joined his wife, who had all the while been pouring out some incoherent story about a letter and a Miss Schlegel. "Now, Dolly, I can attend to you. Miss Schlegel? What does she want?" When people wrote a letter Charles always asked what they wanted. Want was to him the only cause of action. And the question in this case was correct, for his wife replied, "She wants Howards End." "Howards End? Now, Crane, just don t forget to put on the Stepney wheel." "No, sir." "Now, mind you don t forget, for I--Come, little woman." When they were out of the chauffeur s sight he put his arm round her waist and pressed her against him. All his affection and half his attention--it was what he granted her throughout their happy married life. "But you haven t listened, Charles." "What s wrong?" "I keep on telling you--Howards End. Miss Schlegel s got it." "Got what?" said Charles, unclasping her. "What the dickens are you talking about?" "Now, Charles, you promised not to say those naughty--" "Look here, I m in no mood for foolery. It s no morning for it either." "I tell you--I keep on telling you--Miss Schlegel--she s got it--your mother s left it to her--and you ve all got to move out!" "HOWARDS END?" "HOWARDS END!" she screamed, mimicking him, and as she did so Evie came dashing out of the shubbery. "Dolly, go back at once! My father s much annoyed with you. Charles" "--she hit herself wildly--" "come in at once to father. He s had a letter that s too awful." Charles began to run, but checked himself, and stepped heavily across the gravel path. There the house was with the nine windows, the unprolific vine. He exclaimed, "Schlegels again!" and as if to complete chaos, Dolly said, "Oh no, the matron of the nursing home has written instead of her." "Come in, all three of you!" cried his father, no longer inert. "Dolly, why have you disobeyed me?" "Oh, Mr. Wilcox--" "I told you not to go out to the garage. I ve heard you all shouting in the garden. I won t have it. Come in." He stood in the porch, transformed, letters in his hand. "Into the dining-room, every one of you. We can t discuss private matters in the middle of all the servants. Here, Charles, here; read these. See what you make." Charles took two letters, and read them as he followed the procession. The first was a covering note from the matron. Mrs. Wilcox had desired her, when the funeral should be over, to forward the enclosed. The enclosed--it was from his mother herself. She had written: "To my husband: I should like Miss Schlegel (Margaret) to have Howards End." "I suppose we re going to have a talk about this?" he remarked, ominously calm. "Certainly. I was coming out to you when Dolly--" "Well, let	spoke thus, partly because they desired to keep Chalkeley up to the mark--a healthy desire in its way--partly because they avoided the personal note in life. All Wilcoxes did. It did not seem to them of supreme importance. Or it may be as Helen supposed: they realised its importance, but were afraid of it. Panic and emptiness, could one glance behind. They were not callous, and they left the breakfast-table with aching hearts. Their mother never had come in to breakfast. It was in the other rooms, and especially in the garden, that they felt her loss most. As Charles went out to the garage, he was reminded at every step of the woman who had loved him and whom he could never replace. What battles he had fought against her gentle conservatism! How she had disliked improvements, yet how loyally she had accepted them when made! He and his father--what trouble they had had to get this very garage! With what difficulty had they persuaded her to yield them the paddock for it--the paddock that she loved more dearly than the garden itself! The vine--she had got her way about the vine. It still encumbered the south wall with its unproductive branches. And so with Evie, as she stood talking to the cook. Though she could take up her mother s work inside the house, just as the man could take it up without, she felt that something unique had fallen out of her life. Their grief, though less poignant than their father s, grew from deeper roots, for a wife may be replaced; a mother never. Charles would go back to the office. There was little at Howards End. The contents of his mother s will had long been known to them. There were no legacies, no annuities, none of the posthumous bustle with which some of the dead prolong their activities. Trusting her husband, she had left him everything without reserve. She was quite a poor woman--the house had been all her dowry, and the house would come to Charles in time. Her watercolours Mr. Wilcox intended to reserve for Paul, while Evie would take the jewellery and lace. How easily she slipped out of life! Charles thought the habit laudable, though he did not intend to adopt it himself, whereas Margaret would have seen in it an almost culpable indifference to earthly fame. Cynicism--not the superficial cynicism that snarls and sneers, but the cynicism that can go with courtesy and tenderness--that was the note of Mrs. Wilcox s will. She wanted not to vex people. That accomplished, the earth might freeze over her for ever. No, there was nothing for Charles to wait for. He could not go on with his honeymoon, so he would go up to London and work--he felt too miserable hanging about. He and Dolly would have the furnished flat while his father rested quietly in the country with Evie. He could also keep an eye on his own little house, which was being painted and decorated for him in one of the Surrey suburbs, and in which he hoped to install himself soon after Christmas. Yes, he would go up after lunch in his new motor, and the town servants, who had come down for the funeral, would go up by train. He found his father s chauffeur in the garage, said<\|quote\|>"Morning"</\|quote\|>without looking at the man s face, and bending over the car, continued: "Hullo! my new car s been driven!" "Has it, sir?" "Yes," said Charles, getting rather red; "and whoever s driven it hasn t cleaned it properly, for there s mud on the axle. Take it off." The man went for the cloths without a word. He was a chauffeur as ugly as sin--not that this did him disservice with Charles, who thought charm in a man rather rot, and had soon got rid of the little Italian beast with whom they had started. "Charles--" His bride was tripping after him over the hoar-frost, a dainty black column, her little face and elaborate mourning hat forming the capital thereof. "One minute, I m busy. Well, Crane, who s been driving it, do you suppose?" "Don t know, I m sure, sir. No one s driven it since I ve been back, but, of course, there s the fortnight I ve been away with the other car in Yorkshire." The mud came off easily. "Charles, your father s down. Something s happened. He wants you in the house at once. Oh, Charles!" "Wait, dear, wait a minute. Who had the key of the garage while you were away, Crane?" "The gardener, sir." "Do you mean to tell me that old Penny can drive a motor?" "No, sir; no one s had the motor out, sir." "Then how do you account for the mud on the axle?" "I can t, of course, say for the time I ve been in Yorkshire. No more mud now, sir." Charles was vexed. The man was treating him as a fool, and if his heart had not been so heavy he would have reported him to his father. But it was not a morning for complaints. Ordering the motor to be round after lunch, he joined his wife, who had all the while been pouring out some incoherent story about a letter and a Miss Schlegel. "Now, Dolly, I can attend to you. Miss Schlegel? What does she want?" When people wrote a letter	Howards End
"Yes, my dear. Now I'll open it."	Count Mippipopolous	might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I	the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett	and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was	they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy	"I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear,	on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?"	to the door and there was the count. Behind him was the chauffeur carrying a basket of champagne. "Where should I have him put it, sir?" asked the count. "In the kitchen," Brett said. "Put it in there, Henry," the count motioned. "Now go down and get the ice." He stood looking after the basket inside the kitchen door. "I think you'll find that's very good wine," he said. "I know we don't get much of a chance to judge good wine in the States now, but I got this from a friend of mine that's in the business." "Oh, you always have some one in the trade," Brett said. "This fellow raises the grapes. He's got thousands of acres of them." "What's his name?" asked Brett. "Veuve Cliquot?" "No," said the count. "Mumms. He's a baron." "Isn't it wonderful," said Brett. "We all have titles. Why haven't you a title, Jake?" "I assure you, sir," the count put his hand on my arm. "It never does a man any good. Most of the time it costs you money." "Oh, I don't know. It's damned useful sometimes," Brett said. "I've never known it to do me any good." "You haven't used it properly. I've had hell's own amount of credit on mine." "Do sit down, count," I said. "Let me take that stick." The count was looking at Brett across the table under the gas-light. She was smoking a cigarette and flicking the ashes on the rug. She saw me notice it. "I say, Jake, I don't want to ruin your rugs. Can't you give a chap an ash-tray?" I found some ash-trays and spread them around. The chauffeur came up with a bucket full of salted ice. "Put two bottles in it, Henry," the count called. "Anything else, sir?" "No. Wait down in the car." He turned to Brett and to me. "We'll want to ride out to the Bois for dinner?" "If you like," Brett said. "I couldn't eat a thing." "I always like a good meal," said the count. "Should I bring the wine in, sir?" asked the chauffeur. "Yes. Bring it in, Henry," said the count. He took out a heavy pigskin cigar-case and offered it to me. "Like to try a real American cigar?" "Thanks," I said. "I'll finish the cigarette." He cut off the end of his cigar with a gold cutter he wore on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?" Brett turned to me. "I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said. "We have our careers," Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet," said Brett. "What is it men feel about quiet?" "We like it," said the count. "Like you like noise, my dear." "All right," said Brett. "Let's have one." "Sommelier!" the count called. "Yes, sir." "What is the oldest brandy you have?" "Eighteen eleven, sir." "Bring us a bottle." "I say. Don't be ostentatious. Call him off, Jake." "Listen, my dear. I get more value for my money in old brandy than in any other antiquities." "Got many antiquities?" "I got a houseful." Finally we went up to Montmartre. Inside	them around. The chauffeur came up with a bucket full of salted ice. "Put two bottles in it, Henry," the count called. "Anything else, sir?" "No. Wait down in the car." He turned to Brett and to me. "We'll want to ride out to the Bois for dinner?" "If you like," Brett said. "I couldn't eat a thing." "I always like a good meal," said the count. "Should I bring the wine in, sir?" asked the chauffeur. "Yes. Bring it in, Henry," said the count. He took out a heavy pigskin cigar-case and offered it to me. "Like to try a real American cigar?" "Thanks," I said. "I'll finish the cigarette." He cut off the end of his cigar with a gold cutter he wore on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system," the count reached down and gave the bottles a twirl. "Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested.<\|quote\|>"Yes, my dear. Now I'll open it."</\|quote\|>It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest	The Sun Also Rises
"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."	Lady Bertram	take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on	so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant	to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be	cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be accepted." "I do not know. We will ask him. But he will be very much surprised that Mrs. Grant should ask Fanny at all." There was nothing more to be said, or that could be said to any purpose, till Sir Thomas were present; but the subject involving, as it	the warmest satisfaction, as so particularly desirable for her in the intimacy which he saw with so much pleasure established, it was a silent walk; for having finished that subject, he grew thoughtful and indisposed for any other. CHAPTER XXIII "But why should Mrs. Grant ask Fanny?" said Lady Bertram. "How came she to think of asking Fanny? Fanny never dines there, you know, in this sort of way. I cannot spare her, and I am sure she does not want to go. Fanny, you do not want to go, do you?" "If you put such a question to her," cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be accepted." "I do not know. We will ask him. But he will be very much surprised that Mrs. Grant should ask Fanny at all." There was nothing more to be said, or that could be said to any purpose, till Sir Thomas were present; but the subject involving, as it did, her own evening's comfort for the morrow, was so much uppermost in Lady Bertram's mind, that half an hour afterwards, on his looking in for a minute in his way from his plantation to his dressing-room, she called him back again, when he had almost closed the door, with "Sir Thomas, stop a moment I have something to say to you." Her tone of calm languor, for she never took the trouble of raising her voice, was always heard and attended to; and Sir Thomas came back. Her story began; and Fanny immediately slipped out of the room; for	account, could not imagine that his mother would make any difficulty of sparing her, and therefore gave his decided open advice that the invitation should be accepted; and though Fanny would not venture, even on his encouragement, to such a flight of audacious independence, it was soon settled, that if nothing were heard to the contrary, Mrs. Grant might expect her. "And you know what your dinner will be," said Mrs. Grant, smiling "the turkey, and I assure you a very fine one; for, my dear," turning to her husband, "cook insists upon the turkey's being dressed to-morrow." "Very well, very well," cried Dr. Grant, "all the better; I am glad to hear you have anything so good in the house. But Miss Price and Mr. Edmund Bertram, I dare say, would take their chance. We none of us want to hear the bill of fare. A friendly meeting, and not a fine dinner, is all we have in view. A turkey, or a goose, or a leg of mutton, or whatever you and your cook chuse to give us." The two cousins walked home together; and, except in the immediate discussion of this engagement, which Edmund spoke of with the warmest satisfaction, as so particularly desirable for her in the intimacy which he saw with so much pleasure established, it was a silent walk; for having finished that subject, he grew thoughtful and indisposed for any other. CHAPTER XXIII "But why should Mrs. Grant ask Fanny?" said Lady Bertram. "How came she to think of asking Fanny? Fanny never dines there, you know, in this sort of way. I cannot spare her, and I am sure she does not want to go. Fanny, you do not want to go, do you?" "If you put such a question to her," cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be accepted." "I do not know. We will ask him. But he will be very much surprised that Mrs. Grant should ask Fanny at all." There was nothing more to be said, or that could be said to any purpose, till Sir Thomas were present; but the subject involving, as it did, her own evening's comfort for the morrow, was so much uppermost in Lady Bertram's mind, that half an hour afterwards, on his looking in for a minute in his way from his plantation to his dressing-room, she called him back again, when he had almost closed the door, with "Sir Thomas, stop a moment I have something to say to you." Her tone of calm languor, for she never took the trouble of raising her voice, was always heard and attended to; and Sir Thomas came back. Her story began; and Fanny immediately slipped out of the room; for to hear herself the subject of any discussion with her uncle was more than her nerves could bear. She was anxious, she knew more anxious perhaps than she ought to be for what was it after all whether she went or staid? but if her uncle were to be a great while considering and deciding, and with very grave looks, and those grave looks directed to her, and at last decide against her, she might not be able to appear properly submissive and indifferent. Her cause, meanwhile, went on well. It began, on Lady Bertram's part, with "I have something to tell you that will surprise you. Mrs. Grant has asked Fanny to dinner." "Well," said Sir Thomas, as if waiting more to accomplish the surprise. "Edmund wants her to go. But how can I spare her?" "She will be late," said Sir Thomas, taking out his watch; "but what is your difficulty?" Edmund found himself obliged to speak and fill up the blanks in his mother's story. He told the whole; and she had only to add, "So strange! for Mrs. Grant never used to ask her." "But is it not very natural," observed Edmund, "that Mrs. Grant should	Crawford," he added, in a more serious tone, "there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound of the great clock at Mansfield Park, striking three, made her feel that she had really been much longer absent than usual, and brought the previous self-inquiry of whether she should take leave or not just then, and how, to a very speedy issue. With undoubting decision she directly began her adieus; and Edmund began at the same time to recollect that his mother had been inquiring for her, and that he had walked down to the Parsonage on purpose to bring her back. Fanny's hurry increased; and without in the least expecting Edmund's attendance, she would have hastened away alone; but the general pace was quickened, and they all accompanied her into the house, through which it was necessary to pass. Dr. Grant was in the vestibule, and as they stopt to speak to him she found, from Edmund's manner, that he _did_ mean to go with her. He too was taking leave. She could not but be thankful. In the moment of parting, Edmund was invited by Dr. Grant to eat his mutton with him the next day; and Fanny had barely time for an unpleasant feeling on the occasion, when Mrs. Grant, with sudden recollection, turned to her and asked for the pleasure of her company too. This was so new an attention, so perfectly new a circumstance in the events of Fanny's life, that she was all surprise and embarrassment; and while stammering out her great obligation, and her "but she did not suppose it would be in her power," was looking at Edmund for his opinion and help. But Edmund, delighted with her having such an happiness offered, and ascertaining with half a look, and half a sentence, that she had no objection but on her aunt's account, could not imagine that his mother would make any difficulty of sparing her, and therefore gave his decided open advice that the invitation should be accepted; and though Fanny would not venture, even on his encouragement, to such a flight of audacious independence, it was soon settled, that if nothing were heard to the contrary, Mrs. Grant might expect her. "And you know what your dinner will be," said Mrs. Grant, smiling "the turkey, and I assure you a very fine one; for, my dear," turning to her husband, "cook insists upon the turkey's being dressed to-morrow." "Very well, very well," cried Dr. Grant, "all the better; I am glad to hear you have anything so good in the house. But Miss Price and Mr. Edmund Bertram, I dare say, would take their chance. We none of us want to hear the bill of fare. A friendly meeting, and not a fine dinner, is all we have in view. A turkey, or a goose, or a leg of mutton, or whatever you and your cook chuse to give us." The two cousins walked home together; and, except in the immediate discussion of this engagement, which Edmund spoke of with the warmest satisfaction, as so particularly desirable for her in the intimacy which he saw with so much pleasure established, it was a silent walk; for having finished that subject, he grew thoughtful and indisposed for any other. CHAPTER XXIII "But why should Mrs. Grant ask Fanny?" said Lady Bertram. "How came she to think of asking Fanny? Fanny never dines there, you know, in this sort of way. I cannot spare her, and I am sure she does not want to go. Fanny, you do not want to go, do you?" "If you put such a question to her," cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be accepted." "I do not know. We will ask him. But he will be very much surprised that Mrs. Grant should ask Fanny at all." There was nothing more to be said, or that could be said to any purpose, till Sir Thomas were present; but the subject involving, as it did, her own evening's comfort for the morrow, was so much uppermost in Lady Bertram's mind, that half an hour afterwards, on his looking in for a minute in his way from his plantation to his dressing-room, she called him back again, when he had almost closed the door, with "Sir Thomas, stop a moment I have something to say to you." Her tone of calm languor, for she never took the trouble of raising her voice, was always heard and attended to; and Sir Thomas came back. Her story began; and Fanny immediately slipped out of the room; for to hear herself the subject of any discussion with her uncle was more than her nerves could bear. She was anxious, she knew more anxious perhaps than she ought to be for what was it after all whether she went or staid? but if her uncle were to be a great while considering and deciding, and with very grave looks, and those grave looks directed to her, and at last decide against her, she might not be able to appear properly submissive and indifferent. Her cause, meanwhile, went on well. It began, on Lady Bertram's part, with "I have something to tell you that will surprise you. Mrs. Grant has asked Fanny to dinner." "Well," said Sir Thomas, as if waiting more to accomplish the surprise. "Edmund wants her to go. But how can I spare her?" "She will be late," said Sir Thomas, taking out his watch; "but what is your difficulty?" Edmund found himself obliged to speak and fill up the blanks in his mother's story. He told the whole; and she had only to add, "So strange! for Mrs. Grant never used to ask her." "But is it not very natural," observed Edmund, "that Mrs. Grant should wish to procure so agreeable a visitor for her sister?" "Nothing can be more natural," said Sir Thomas, after a short deliberation; "nor, were there no sister in the case, could anything, in my opinion, be more natural. Mrs. Grant's shewing civility to Miss Price, to Lady Bertram's niece, could never want explanation. The only surprise I can feel is, that this should be the _first_ time of its being paid. Fanny was perfectly right in giving only a conditional answer. She appears to feel as she ought. But as I conclude that she must wish to go, since all young people like to be together, I can see no reason why she should be denied the indulgence." "But can I do without her, Sir Thomas?" "Indeed I think you may." "She always makes tea, you know, when my sister is not here." "Your sister, perhaps, may be prevailed on to spend the day with us, and I shall certainly be at home." "Very well, then, Fanny may go, Edmund." The good news soon followed her. Edmund knocked at her door in his way to his own. "Well, Fanny, it is all happily settled, and without the smallest hesitation on your uncle's side. He had but one opinion. You are to go." "Thank you, I am _so_ glad," was Fanny's instinctive reply; though when she had turned from him and shut the door, she could not help feeling, "And yet why should I be glad? for am I not certain of seeing or hearing something there to pain me?" In spite of this conviction, however, she was glad. Simple as such an engagement might appear in other eyes, it had novelty and importance in hers, for excepting the day at Sotherton, she had scarcely ever dined out before; and though now going only half a mile, and only to three people, still it was dining out, and all the little interests of preparation were enjoyments in themselves. She had neither sympathy nor assistance from those who ought to have entered into her feelings and directed her taste; for Lady Bertram never thought of being useful to anybody, and Mrs. Norris, when she came on the morrow, in consequence of an early call and invitation from Sir Thomas, was in a very ill humour, and seemed intent only on lessening her niece's pleasure, both present and future, as much as possible.	Grant, "all the better; I am glad to hear you have anything so good in the house. But Miss Price and Mr. Edmund Bertram, I dare say, would take their chance. We none of us want to hear the bill of fare. A friendly meeting, and not a fine dinner, is all we have in view. A turkey, or a goose, or a leg of mutton, or whatever you and your cook chuse to give us." The two cousins walked home together; and, except in the immediate discussion of this engagement, which Edmund spoke of with the warmest satisfaction, as so particularly desirable for her in the intimacy which he saw with so much pleasure established, it was a silent walk; for having finished that subject, he grew thoughtful and indisposed for any other. CHAPTER XXIII "But why should Mrs. Grant ask Fanny?" said Lady Bertram. "How came she to think of asking Fanny? Fanny never dines there, you know, in this sort of way. I cannot spare her, and I am sure she does not want to go. Fanny, you do not want to go, do you?" "If you put such a question to her," cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am."<\|quote\|>"That's well thought of. So I will, Edmund. I will ask Sir Thomas, as soon as he comes in, whether I can do without her."</\|quote\|>"As you please, ma'am, on that head; but I meant my father's opinion as to the _propriety_ of the invitation's being accepted or not; and I think he will consider it a right thing by Mrs. Grant, as well as by Fanny, that being the _first_ invitation it should be accepted." "I do not know. We will ask him. But he will be very much surprised that Mrs. Grant should ask Fanny at all." There was nothing more to be said, or that could be said to any purpose, till Sir Thomas were present; but the subject involving, as it did, her own evening's comfort for the morrow, was so much uppermost in Lady Bertram's mind, that half an hour afterwards, on his looking in for a minute in his way from his plantation to his dressing-room, she called him back again, when he had almost closed the door, with "Sir Thomas, stop a moment I have something to say to you." Her tone of calm languor, for she never took the trouble of raising her voice, was always heard and attended to; and Sir Thomas came back. Her story began; and Fanny immediately slipped out of the room; for to hear herself the subject of any discussion with her uncle was more than her nerves could bear. She was anxious, she knew more anxious perhaps than she ought to be for what was it after all whether she went or staid? but if her uncle were to be a great while considering and deciding, and with very grave looks, and those	Mansfield Park
"how am I to get in?"	Alice	pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense	kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman	they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time	the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I	and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like	open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze,	as she remembered the number of changes she had gone through that day. "A likely story indeed!" said the Pigeon in a tone of the deepest contempt. "I've seen a good many little girls in my time, but never _one_ with such a neck as that! No, no! You're a serpent; and there's no use denying it. I suppose you'll be telling me next that you never tasted an egg!" "I _have_ tasted eggs, certainly," said Alice, who was a very truthful child; "but little girls eat eggs quite as much as serpents do, you know." "I don't believe it," said the Pigeon; "but if they do, why then they're a kind of serpent, that's all I can say." This was such a new idea to Alice, that she was quite silent for a minute or two, which gave the Pigeon the opportunity of adding, "You're looking for eggs, I know _that_ well enough; and what does it matter to me whether you're a little girl or a serpent?" "It matters a good deal to _me_," said Alice hastily; "but I'm not looking for eggs, as it happens; and if I was, I shouldn't want _yours_: I don't like them raw." "Well, be off, then!" said the Pigeon in a sulky tone, as it settled down again into its nest. Alice crouched down among the trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she muttered to herself, "the way all the creatures argue. It's enough to drive one crazy!" The Footman seemed to think this a good opportunity for repeating his remark, with variations. "I shall sit here," he said, "on and off, for days and days." "But what am _I_ to do?" said Alice. "Anything you like," said the Footman, and began whistling. "Oh, there's no use in talking to him," said Alice desperately: "he's perfectly idiotic!" And she opened the door and went in. The door led right into a large kitchen, which was full of smoke from one end to the other: the Duchess was sitting on a three-legged stool in the middle, nursing a baby; the cook was leaning over the fire, stirring a large cauldron which seemed to be full of soup. "There's certainly too much pepper in that soup!" Alice said to herself, as well as she could for sneezing. There was certainly too much of it in the air. Even the Duchess sneezed occasionally; and as for the baby, it was sneezing and howling alternately without a moment's pause. The only things in the kitchen that did not sneeze, were the cook, and a large cat which was sitting on the hearth and grinning from ear to ear. "Please would you tell me," said Alice, a little timidly, for she was not quite sure whether it was good manners for her to speak first, "why your cat grins like that?" "It's a Cheshire cat," said the Duchess, "and that's why. Pig!" She said the last word with such sudden violence that Alice quite jumped; but she saw in another moment that it was addressed to the baby, and not to her, so she took courage, and went on again:-- "I didn't know that Cheshire cats always grinned; in fact, I didn't know that cats _could_ grin." "They all can," said the Duchess; "and most of 'em do." "I don't know of any that do," Alice said very politely, feeling quite pleased to have got into a conversation. "You don't know much," said the Duchess; "and that's a fact." Alice did not at all like the tone of this remark, and thought it would be as well to introduce some other subject of conversation. While she was trying to fix on one, the cook took the cauldron of soup off the fire, and at once set to work throwing everything within her reach at the Duchess and the baby--the fire-irons came first; then followed a shower of saucepans, plates, and dishes. The Duchess took no notice of them even when they hit her; and the baby was howling so much already, that it was quite impossible to say whether the blows hurt it or not. "Oh, _please_ mind what you're doing!" cried Alice, jumping up and down in an agony of terror. "Oh, there goes his _precious_ nose!" as an unusually large saucepan flew close by it, and very nearly carried it off. "If everybody minded their own business," the Duchess said in a hoarse growl, "the world would go round a deal faster than it does." "Which would _not_ be an advantage," said Alice, who felt very glad to get an opportunity of showing off a little of her knowledge. "Just think of what work it would make with the day and night! You see the earth takes twenty-four hours to turn round on its axis--" "Talking of axes," said the Duchess, "chop off her head!" Alice glanced rather anxiously at the cook, to see if she meant to	trees as well as she could, for her neck kept getting entangled among the branches, and every now and then she had to stop and untwist it. After a while she remembered that she still held the pieces of mushroom in her hands, and she set to work very carefully, nibbling first at one and then at the other, and growing sometimes taller and sometimes shorter, until she had succeeded in bringing herself down to her usual height. It was so long since she had been anything near the right size, that it felt quite strange at first; but she got used to it in a few minutes, and began talking to herself, as usual. "Come, there's half my plan done now! How puzzling all these changes are! I'm never sure what I'm going to be, from one minute to another! However, I've got back to my right size: the next thing is, to get into that beautiful garden--how _is_ that to be done, I wonder?" As she said this, she came suddenly upon an open place, with a little house in it about four feet high. "Whoever lives there," thought Alice, "it'll never do to come upon them _this_ size: why, I should frighten them out of their wits!" So she began nibbling at the righthand bit again, and did not venture to go near the house till she had brought herself down to nine inches high. CHAPTER VI. Pig and Pepper For a minute or two she stood looking at the house, and wondering what to do next, when suddenly a footman in livery came running out of the wood--(she considered him to be a footman because he was in livery: otherwise, judging by his face only, she would have called him a fish)--and rapped loudly at the door with his knuckles. It was opened by another footman in livery, with a round face, and large eyes like a frog; and both footmen, Alice noticed, had powdered hair that curled all over their heads. She felt very curious to know what it was all about, and crept a little way out of the wood to listen. The Fish-Footman began by producing from under his arm a great letter, nearly as large as himself, and this he handed over to the other, saying, in a solemn tone, "For the Duchess. An invitation from the Queen to play croquet." The Frog-Footman repeated, in the same solemn tone, only changing the order of the words a little, "From the Queen. An invitation for the Duchess to play croquet." Then they both bowed low, and their curls got entangled together. Alice laughed so much at this, that she had to run back into the wood for fear of their hearing her; and when she next peeped out the Fish-Footman was gone, and the other was sitting on the ground near the door, staring stupidly up into the sky. Alice went timidly up to the door, and knocked. "There's no sort of use in knocking," said the Footman, "and that for two reasons. First, because I'm on the same side of the door as you are; secondly, because they're making such a noise inside, no one could possibly hear you." And certainly there _was_ a most extraordinary noise going on within--a constant howling and sneezing, and every now and then a great crash, as if a dish or kettle had been broken to pieces. "Please, then," said Alice,<\|quote\|>"how am I to get in?"</\|quote\|>"There might be some sense in your knocking," the Footman went on without attending to her, "if we had the door between us. For instance, if you were _inside_, you might knock, and I could let you out, you know." He was looking up into the sky all the time he was speaking, and this Alice thought decidedly uncivil. "But perhaps he can't help it," she said to herself; "his eyes are so _very_ nearly at the top of his head. But at any rate he might answer questions." -- "How am I to get in?" she repeated, aloud. "I shall sit here," the Footman remarked, "till tomorrow--" At this moment the door of the house opened, and a large plate came skimming out, straight at the Footman's head: it just grazed his nose, and broke to pieces against one of the trees behind him. "--or next day, maybe," the Footman continued in the same tone, exactly as if nothing had happened. "How am I to get in?" asked Alice again, in a louder tone. "_Are_ you to get in at all?" said the Footman. "That's the first question, you know." It was, no doubt: only Alice did not like to be told so. "It's really dreadful," she	Alices Adventures In Wonderland
"Yes, Jem,"	Don Lavington	tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first."	see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at	couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only	don't," said Jem, fiercely; "so don't talk like that, Mas' Don. Why, even I couldn't ha' stole that money--me, as is only yard-man, and nothing o' no consequence t'other day. So if I couldn't ha' done it, I'm quite sure as you, as is a young gentleman born and bred, couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only man, but I shakes hands with you in my 'art, my lad, and I says, don't be down over it." "You couldn't shake hands with a thief, you mean, Jem," said Don, bitterly. "Look here, Mas' Don, I can't punch your head because, as aforesaid, you're young master, and I'm	were many and strange. What should he do? Go right away, and--and-- "Mas' Don." He looked up, and Jem stood at the door. CHAPTER SIX. JEM WIMBLE TALKS SENSE. "May I come in?" Don nodded. "The master's gone, and took the ladies 'long with him. Why, don't look like that, my lad. Your uncle don't think you took the money?" Don nodded. "But your mother don't, sir?" "Yes, Jem, she believes me guilty too." "I never did!" cried Jem, excitedly. "But sure-_lie_ Miss Kitty don't?" "Yes, Jem, they all think I'm a thief. Everybody does," cried Don, passionately. "No, everybody don't," said Jem, fiercely; "so don't talk like that, Mas' Don. Why, even I couldn't ha' stole that money--me, as is only yard-man, and nothing o' no consequence t'other day. So if I couldn't ha' done it, I'm quite sure as you, as is a young gentleman born and bred, couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only man, but I shakes hands with you in my 'art, my lad, and I says, don't be down over it." "You couldn't shake hands with a thief, you mean, Jem," said Don, bitterly. "Look here, Mas' Don, I can't punch your head because, as aforesaid, you're young master, and I'm only man; but for that there same what you said just now I hits you in my 'art. Thief indeed! But ah, my lad, it was a pity as you ever let Mike come into the office to tell you his lies about furren parts." "Yes, Jem, it was." "When you might ha' got all he told you out o' books, and the stories wouldn't ha' been quite so black." "Ah, well, it's all over now." "What's all over?" "My life here, Jem. I shall go right away." "Go? What?" "Right away. Abroad, I think." "And what'll your mother do?"	but his uncle's words had raised up an obstinacy that was stronger than ever, and while longing to throw himself in his mother's arms--passionately longing so to do--his indignant pride held him back, and he stood with his head bent, as in obedience to her brother Mrs Lavington took his arm, and allowed him to lead her out of the office, weeping bitterly the while. Don did not look up to meet his mother's yearning gaze, but for months and years after he seemed to see that look when far away in the midst of peril, and too late he bitterly upbraided himself for his want of frankness and power to subdue his obstinate pride. "He thinks me guilty!" he said to himself, as he stood with his head bent, listening, and unaware of the fact that some one was still in the room, till a light step came towards him, his hand was caught, and his cheek rapidly kissed. "Kitty!" "Coming, father." Then there was a rapid step, the door closed, and Don stood in the same attitude, listening to the steps on the gravel, and then to the bang of the wicket-gate. Alone with his thoughts, and they were many and strange. What should he do? Go right away, and--and-- "Mas' Don." He looked up, and Jem stood at the door. CHAPTER SIX. JEM WIMBLE TALKS SENSE. "May I come in?" Don nodded. "The master's gone, and took the ladies 'long with him. Why, don't look like that, my lad. Your uncle don't think you took the money?" Don nodded. "But your mother don't, sir?" "Yes, Jem, she believes me guilty too." "I never did!" cried Jem, excitedly. "But sure-_lie_ Miss Kitty don't?" "Yes, Jem, they all think I'm a thief. Everybody does," cried Don, passionately. "No, everybody don't," said Jem, fiercely; "so don't talk like that, Mas' Don. Why, even I couldn't ha' stole that money--me, as is only yard-man, and nothing o' no consequence t'other day. So if I couldn't ha' done it, I'm quite sure as you, as is a young gentleman born and bred, couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only man, but I shakes hands with you in my 'art, my lad, and I says, don't be down over it." "You couldn't shake hands with a thief, you mean, Jem," said Don, bitterly. "Look here, Mas' Don, I can't punch your head because, as aforesaid, you're young master, and I'm only man; but for that there same what you said just now I hits you in my 'art. Thief indeed! But ah, my lad, it was a pity as you ever let Mike come into the office to tell you his lies about furren parts." "Yes, Jem, it was." "When you might ha' got all he told you out o' books, and the stories wouldn't ha' been quite so black." "Ah, well, it's all over now." "What's all over?" "My life here, Jem. I shall go right away." "Go? What?" "Right away. Abroad, I think." "And what'll your mother do?" "Forget me, I hope. I always was an unlucky fellow Jem." "What d'yer mean? Run away?" "Yes, I shall go away." "Well, that's clever, that is. Why, that's just the way to make 'em think you did it. Tshah! You stop like a man and face it out." "When everybody believes me guilty?" "Don't be so precious aggrawatin', my lad," cried Jem, plaintively. "Don't I keep on a-telling you that I don't believe you guilty. Why, I'd just as soon believe that I stole our sugar and sold bundles of tobacco-leaves to the marine store shops." Don shook his head. "Well, of all the aggrawatin' chaps I ever did see, you're 'bout the worst, Mas' Don. Don't I tell you it'll be all right?" "No, Jem, it will not be all right. I shall have to go before the magistrates." "Well, what of that?" "What of that?" cried Don, passionately. "Why, that scoundrel Mike will keep to his story." "Let him!" cried Jem, contemptuously. "Why, who'd ever believe him i' preference to you?" "My uncle--my mother--my cousin." "Not they, my boy. They don't believe it. They only think they do. They're sore just now, while it's all fresh. To-morrow by	he had said something like that, Don would have melted, and all would have been well; but accustomed to manage men with an iron rule, Uncle Josiah had somehow, in spite of his straightforward, manly, and just character, seemed to repel the boy whose charge he had taken, and instead now of making the slightest advance, he said to himself, "It is not my duty to eat humble pie before the obstinate young cub. It will be a severe lesson for him, and will do him good." So the breach widened. Don seemed to grow sulky and sullen, when he was longing to cast himself upon his mother's neck. The poor woman felt indignant at her son's conduct, and the last straw which broke the camel's back was laid on the top of the load by Kitty, who, moved by a desire to do good, made matters far worse by running across to Don, and in an impetuous way catching his hands and kissing him. "Don, dear!" she cried. The boy's face lit up. Here was some one who would believe him after all, and he responded to her advances by grasping her hands tightly in his. "Do, do speak, Don dear, and beg father to forgive you," she cried. "Tell him it was a mistake, and that you will never do so again." Don let fall her hands, the deep scowl came over his brow again, and he half turned away. "No, no, Don, dear," she whispered; "pray don't be obstinate. Confess that you did it, and promise father to do better in the future. He will forgive you; I know he will." Don turned his back with an impatient gesture, and Kitty burst into tears, and went slowly to her aunt, to whose hands she clung. "Laura, dear," said Uncle Josiah, gravely, "I think we had better bring this painful interview to an end. You may rest assured that I shall do what is just and right by Don. He shall have every opportunity for clearing himself." "I am not guilty," cried Don, fiercely throwing back his head. "I thought so this morning, my boy," said the old merchant, gravely. "Your conduct now is making me think very differently. Laura, I will walk home with you, if you please." "Josiah! Don, my boy, pray, pray speak," cried Mrs Lavington, piteously. Don heard her appeal, and it thrilled him, but his uncle's words had raised up an obstinacy that was stronger than ever, and while longing to throw himself in his mother's arms--passionately longing so to do--his indignant pride held him back, and he stood with his head bent, as in obedience to her brother Mrs Lavington took his arm, and allowed him to lead her out of the office, weeping bitterly the while. Don did not look up to meet his mother's yearning gaze, but for months and years after he seemed to see that look when far away in the midst of peril, and too late he bitterly upbraided himself for his want of frankness and power to subdue his obstinate pride. "He thinks me guilty!" he said to himself, as he stood with his head bent, listening, and unaware of the fact that some one was still in the room, till a light step came towards him, his hand was caught, and his cheek rapidly kissed. "Kitty!" "Coming, father." Then there was a rapid step, the door closed, and Don stood in the same attitude, listening to the steps on the gravel, and then to the bang of the wicket-gate. Alone with his thoughts, and they were many and strange. What should he do? Go right away, and--and-- "Mas' Don." He looked up, and Jem stood at the door. CHAPTER SIX. JEM WIMBLE TALKS SENSE. "May I come in?" Don nodded. "The master's gone, and took the ladies 'long with him. Why, don't look like that, my lad. Your uncle don't think you took the money?" Don nodded. "But your mother don't, sir?" "Yes, Jem, she believes me guilty too." "I never did!" cried Jem, excitedly. "But sure-_lie_ Miss Kitty don't?" "Yes, Jem, they all think I'm a thief. Everybody does," cried Don, passionately. "No, everybody don't," said Jem, fiercely; "so don't talk like that, Mas' Don. Why, even I couldn't ha' stole that money--me, as is only yard-man, and nothing o' no consequence t'other day. So if I couldn't ha' done it, I'm quite sure as you, as is a young gentleman born and bred, couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only man, but I shakes hands with you in my 'art, my lad, and I says, don't be down over it." "You couldn't shake hands with a thief, you mean, Jem," said Don, bitterly. "Look here, Mas' Don, I can't punch your head because, as aforesaid, you're young master, and I'm only man; but for that there same what you said just now I hits you in my 'art. Thief indeed! But ah, my lad, it was a pity as you ever let Mike come into the office to tell you his lies about furren parts." "Yes, Jem, it was." "When you might ha' got all he told you out o' books, and the stories wouldn't ha' been quite so black." "Ah, well, it's all over now." "What's all over?" "My life here, Jem. I shall go right away." "Go? What?" "Right away. Abroad, I think." "And what'll your mother do?" "Forget me, I hope. I always was an unlucky fellow Jem." "What d'yer mean? Run away?" "Yes, I shall go away." "Well, that's clever, that is. Why, that's just the way to make 'em think you did it. Tshah! You stop like a man and face it out." "When everybody believes me guilty?" "Don't be so precious aggrawatin', my lad," cried Jem, plaintively. "Don't I keep on a-telling you that I don't believe you guilty. Why, I'd just as soon believe that I stole our sugar and sold bundles of tobacco-leaves to the marine store shops." Don shook his head. "Well, of all the aggrawatin' chaps I ever did see, you're 'bout the worst, Mas' Don. Don't I tell you it'll be all right?" "No, Jem, it will not be all right. I shall have to go before the magistrates." "Well, what of that?" "What of that?" cried Don, passionately. "Why, that scoundrel Mike will keep to his story." "Let him!" cried Jem, contemptuously. "Why, who'd ever believe him i' preference to you?" "My uncle--my mother--my cousin." "Not they, my boy. They don't believe it. They only think they do. They're sore just now, while it's all fresh. To-morrow by this time they will be a-hanging o' themselves round about your neck, and a-askin' of your pardon, and kissin' of you." "No, Jem, no." "Well, I don't mean as your uncle will be kissin' of you, of course; but he'll be sorry too, and a-shaking of your hand." Don shook his head. "There, don't get wagging your head like a Chinee figger, my lad. Take it like a man." "It seems that the only thing for me to do, Jem, is to tie up a bundle and take a stick, and go and try my luck somewhere else." "And you free and independent! Why, what would you say if you was me, tied up and married, and allus getting into trouble at home." "Not such trouble as this, Jem." "Not such trouble as this, my lad? Worser ever so much, for you don't deserve it, and I do, leastwise, my Sally says I do, and I suppose I do for being such a fool as to marry her." "You ought to be ashamed to talk like that, Jem." "So ought you, Mas' Don. I've often felt as if I should like to do as you say and run right off, but I don't do it." "You have felt like that, Jem?" cried Don, eagerly. "Yes, often, my lad." "Then let's go, Jem. Nobody cares for us here. Let's go right away to one of the beautiful foreign countries Mike told me about, and begin a new life." "Shall us, Mas' Don?" "Yes; why not? Get a passage in some ship, and stop where we like. He has told me of dozens of places that must be glorious." "Then we won't go," said Jem, decidedly. "If Mike Bannock says they're fine spots, don't you believe him; they're bad 'uns." "Then let's go and select a place for ourselves," cried Don. "Lor! I do wonder at you, Mas' Don, wantin' to leave such a mother as you've got, and asking me to leave my wife. Why, what would they do?" "I don't know," said Don, sadly. "They care very little for us now. You can do as you like; I shall go." "Nay, nay, you won't, my lad." "Yes, Jem, I think I shall." "Ah, that's better! Think about it." "I should have thought that you'd be glad to come with me, Jem." "So I should, my lad; but there's a some'at	a rapid step, the door closed, and Don stood in the same attitude, listening to the steps on the gravel, and then to the bang of the wicket-gate. Alone with his thoughts, and they were many and strange. What should he do? Go right away, and--and-- "Mas' Don." He looked up, and Jem stood at the door. CHAPTER SIX. JEM WIMBLE TALKS SENSE. "May I come in?" Don nodded. "The master's gone, and took the ladies 'long with him. Why, don't look like that, my lad. Your uncle don't think you took the money?" Don nodded. "But your mother don't, sir?" "Yes, Jem, she believes me guilty too." "I never did!" cried Jem, excitedly. "But sure-_lie_ Miss Kitty don't?" "Yes, Jem, they all think I'm a thief. Everybody does," cried Don, passionately. "No, everybody don't," said Jem, fiercely; "so don't talk like that, Mas' Don. Why, even I couldn't ha' stole that money--me, as is only yard-man, and nothing o' no consequence t'other day. So if I couldn't ha' done it, I'm quite sure as you, as is a young gentleman born and bred, couldn't." "But they think I did. Everybody thinks so." "Tell yer everybody don't think so," cried Jem, sharply. "I don't, and as for them, they've all got dust in their eyes, that's what's the matter with them, and they can't see clear. But didn't you tell 'em as you didn't?"<\|quote\|>"Yes, Jem,"</\|quote\|>said Don, despondently; "at first." "Then why didn't you at last, too? Here, cheer up, my lad; it'll all blow over and be forgotten, same as the row was about that sugar-hogshead as I let them take away. I don't say shake hands 'cause you're like master and me only man, but I shakes hands with you in my 'art, my lad, and I says, don't be down over it." "You couldn't shake hands with a thief, you mean, Jem," said Don, bitterly. "Look here, Mas' Don, I can't punch your head because, as aforesaid, you're young master, and I'm only man; but for that there same what you said just now I hits you in my 'art. Thief indeed! But ah, my lad, it was a pity as you ever let Mike come into the office to tell you his lies about furren parts." "Yes, Jem, it was." "When you might ha' got all he told you out o' books, and the stories wouldn't ha' been quite so black." "Ah, well, it's all over now." "What's all over?" "My life here, Jem. I shall go right away." "Go? What?" "Right away. Abroad, I think." "And what'll your mother do?" "Forget me, I hope. I always was an unlucky fellow Jem." "What d'yer mean? Run away?" "Yes, I shall go away." "Well, that's clever, that is. Why, that's just the way to make 'em think you did it. Tshah! You stop like a man and face it out." "When everybody believes me guilty?" "Don't be so precious aggrawatin', my lad," cried Jem, plaintively. "Don't I keep on a-telling you that I don't believe you guilty. Why, I'd just as soon believe that I stole our sugar and sold bundles of tobacco-leaves to the marine store shops." Don shook his head. "Well, of all the aggrawatin' chaps I ever did see, you're 'bout the worst, Mas' Don. Don't I tell you it'll be all right?" "No, Jem, it will not	Don Lavington
"I am glad, Jem,"	Don Lavington	don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a	I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if	without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear!	way, Jem, to the right of the mountain." "Ah, I suppose you're right, Mas' Don. I say, I can walk." "Does it hurt you very much?" "Oh, yes; it hurts me horrid. But I say, Mas' Don, there arn't many chaps in Bristol as could have failed down like that without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear! Think we shall be in time?" "I don't know, Jem. I was in such trouble about you that I had almost forgotten the people at the village." "So had I. Pain always makes me forget everything, 'speshly toothache. Why, that's the right way," he cried, as they turned the corner	as the village? I don't like to leave you." "Oh, yes; I think I can walk. Anyhow I'm going to try. I say, if you hear me squeak or crack anywhere, you'll stop me, won't you?" "Of course." "Come on then, and let's get there. Oh, crumpets! What a pain." "Lean on me." "No; I'm going to lean on myself," said Jem, stoutly. "I'm pretty sure I arn't broke, Mas' Don; but feel just as if I was cracked all over like an old pot, and that's werry bad, you know, arn't it? Now then, which way is it?" "This way, Jem, to the right of the mountain." "Ah, I suppose you're right, Mas' Don. I say, I can walk." "Does it hurt you very much?" "Oh, yes; it hurts me horrid. But I say, Mas' Don, there arn't many chaps in Bristol as could have failed down like that without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear! Think we shall be in time?" "I don't know, Jem. I was in such trouble about you that I had almost forgotten the people at the village." "So had I. Pain always makes me forget everything, 'speshly toothache. Why, that's the right way," he cried, as they turned the corner of a steep bluff. "Yes, and in a quarter of an hour we can be there; that is, if you can walk fast?" "I can walk fast, my lad: look. But what's quarter of a hour? I got muddled enough over the bells board ship--three bells, and four bells, and the rest of it; but out here there don't seem to be no time at all. Wonder how near those fellows are as we see. I am glad I arn't broke." In about the time Don had said, they came to the path leading to the ravine, where the cave	leg, and see if it's broke." Don raised it tenderly, and replaced it gently. "I don't think it's broken, Jem." "Arn't it? Well, it feels like it. P'r'aps it's t'other one. Try." Don raised and replaced Jem's right leg. "That isn't broken either, Jem." "P'r'aps they're only crushed. Try my arms, my lad." These were tried in turn, and laid down. "No, Jem." "Seems stoopid," said Jem. "I thought I was broke all over. It must be my back, and when a man's back's broke, he feels it all over. Here, lend us a hand, my lad; and I'll try and walk. Soon see whether a man's back's broke." Don offered his arm, and Jem, after a good deal of grunting and groaning, rose to his feet, gave himself a wrench, and then stamped with first one leg and then with the other. "Why, I seems all right, Mas' Don," he said, eagerly. "Yes, Jem." "Think it's my ribs? I've heared say that a man don't always know when his ribs is broke." "Do you feel as if they were, Jem?" "Oh, yes; just exactly. All down one side, and up the other." "Could you manage to walk as far as the village? I don't like to leave you." "Oh, yes; I think I can walk. Anyhow I'm going to try. I say, if you hear me squeak or crack anywhere, you'll stop me, won't you?" "Of course." "Come on then, and let's get there. Oh, crumpets! What a pain." "Lean on me." "No; I'm going to lean on myself," said Jem, stoutly. "I'm pretty sure I arn't broke, Mas' Don; but feel just as if I was cracked all over like an old pot, and that's werry bad, you know, arn't it? Now then, which way is it?" "This way, Jem, to the right of the mountain." "Ah, I suppose you're right, Mas' Don. I say, I can walk." "Does it hurt you very much?" "Oh, yes; it hurts me horrid. But I say, Mas' Don, there arn't many chaps in Bristol as could have failed down like that without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear! Think we shall be in time?" "I don't know, Jem. I was in such trouble about you that I had almost forgotten the people at the village." "So had I. Pain always makes me forget everything, 'speshly toothache. Why, that's the right way," he cried, as they turned the corner of a steep bluff. "Yes, and in a quarter of an hour we can be there; that is, if you can walk fast?" "I can walk fast, my lad: look. But what's quarter of a hour? I got muddled enough over the bells board ship--three bells, and four bells, and the rest of it; but out here there don't seem to be no time at all. Wonder how near those fellows are as we see. I am glad I arn't broke." In about the time Don had said, they came to the path leading to the ravine, where the cave pierced the mountain side. A few minutes later they were by the hot bath spring, and directly after, to Don's great delight, they came upon Tomati. "I was coming to look for you two," he said. "You had better not go far from the _whare_. Two of the tribes have turned savage, and are talking about war." Don interrupted him, and told him what they had seen. "So soon!" he said hurriedly. "Is it bad news, then?" asked Don, anxiously. "Bad, my lads! Bad as it can be." "Then that was a war-party we saw?" "Yes; come on." He then put his hands to his mouth and uttered a wildly savage yell, whose effect was instantaneous. It was answered in all directions, and followed by a shrieking and wailing chorus from the women and children, who came trooping out of their huts, laden with household treasures, and hurrying up one particular path at the back of the village, one which neither Don nor Jem had intruded upon, from the belief that it led to some temple or place connected with the Maoris' religion. A few minutes before the men were idling about, lying on the black sand, sleeping, or eating	gave such plain intimation of coming out by the roots, that he thought it better to leap than fall, and gathering himself up, he plunged right into the second kauri pine, and went headlong down with a tremendous crash. For he had been right in his doubts. The pine was not so able to bear his weight as its fellow had been to carry Don. He caught it tightly, and the tree bent right down, carrying him nearly to the earth, where he would have done well to have let go; but he clung to it fast, and the tree sprang up again, bent once more, and broke short off, Jem falling at least twenty feet into the bushes below. "Hurt, Jem?" cried Don, forcing his way to his side. "Hurt? Now is it likely, Mas' Don? Hurt? No. I feel just like a babby that's been lifted gently down and laid on a feather cushion. That's 'bout how I feel. Oh, dear! Oh, dear! Here, give's a hand. Gently, dear lad; I'm like a skin full o' broken bones. Help me out o' this tangle, and let's see how much of me's good, and how much 'll have to be throwed away. Eggs and bacon! What a state I'm in!" Don helped him as tenderly as he could out into an open space, and softly assisted him to lie down, which Jem did, groaning, and was perfectly still for a few moments flat there on his back. "Are you in much pain, Jem?" said Don, anxiously. "Horrid, lad, horrid. I think you'd better go on and warn 'em, and come and fetch me arterwards; only don't forget where I am, and not find me. Look! There's two o' them birds coming to see what's the matter." "I can't leave you, Jem. You're of more consequence to me than all the New Zealanders in the place." "Am I, Mas' Don? Come, that's kindly spoke of you. But bother that tree! Might ha' behaved as well to me as t'other did to you." "Where do you feel in pain, Jem?" "Where? It's one big solid slapping pain all over me, but it's worst where there's a big thorn stuck in my arm." "Let me see." "No; wait a bit. I don't mean to be left alone out here if I can help it. Now, Mas' Don, you lift that there left leg, and see if it's broke." Don raised it tenderly, and replaced it gently. "I don't think it's broken, Jem." "Arn't it? Well, it feels like it. P'r'aps it's t'other one. Try." Don raised and replaced Jem's right leg. "That isn't broken either, Jem." "P'r'aps they're only crushed. Try my arms, my lad." These were tried in turn, and laid down. "No, Jem." "Seems stoopid," said Jem. "I thought I was broke all over. It must be my back, and when a man's back's broke, he feels it all over. Here, lend us a hand, my lad; and I'll try and walk. Soon see whether a man's back's broke." Don offered his arm, and Jem, after a good deal of grunting and groaning, rose to his feet, gave himself a wrench, and then stamped with first one leg and then with the other. "Why, I seems all right, Mas' Don," he said, eagerly. "Yes, Jem." "Think it's my ribs? I've heared say that a man don't always know when his ribs is broke." "Do you feel as if they were, Jem?" "Oh, yes; just exactly. All down one side, and up the other." "Could you manage to walk as far as the village? I don't like to leave you." "Oh, yes; I think I can walk. Anyhow I'm going to try. I say, if you hear me squeak or crack anywhere, you'll stop me, won't you?" "Of course." "Come on then, and let's get there. Oh, crumpets! What a pain." "Lean on me." "No; I'm going to lean on myself," said Jem, stoutly. "I'm pretty sure I arn't broke, Mas' Don; but feel just as if I was cracked all over like an old pot, and that's werry bad, you know, arn't it? Now then, which way is it?" "This way, Jem, to the right of the mountain." "Ah, I suppose you're right, Mas' Don. I say, I can walk." "Does it hurt you very much?" "Oh, yes; it hurts me horrid. But I say, Mas' Don, there arn't many chaps in Bristol as could have failed down like that without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear! Think we shall be in time?" "I don't know, Jem. I was in such trouble about you that I had almost forgotten the people at the village." "So had I. Pain always makes me forget everything, 'speshly toothache. Why, that's the right way," he cried, as they turned the corner of a steep bluff. "Yes, and in a quarter of an hour we can be there; that is, if you can walk fast?" "I can walk fast, my lad: look. But what's quarter of a hour? I got muddled enough over the bells board ship--three bells, and four bells, and the rest of it; but out here there don't seem to be no time at all. Wonder how near those fellows are as we see. I am glad I arn't broke." In about the time Don had said, they came to the path leading to the ravine, where the cave pierced the mountain side. A few minutes later they were by the hot bath spring, and directly after, to Don's great delight, they came upon Tomati. "I was coming to look for you two," he said. "You had better not go far from the _whare_. Two of the tribes have turned savage, and are talking about war." Don interrupted him, and told him what they had seen. "So soon!" he said hurriedly. "Is it bad news, then?" asked Don, anxiously. "Bad, my lads! Bad as it can be." "Then that was a war-party we saw?" "Yes; come on." He then put his hands to his mouth and uttered a wildly savage yell, whose effect was instantaneous. It was answered in all directions, and followed by a shrieking and wailing chorus from the women and children, who came trooping out of their huts, laden with household treasures, and hurrying up one particular path at the back of the village, one which neither Don nor Jem had intruded upon, from the belief that it led to some temple or place connected with the Maoris' religion. A few minutes before the men were idling about, lying on the black sand, sleeping, or eating and drinking in the most careless, indolent way. Now all were in a state of the wildest excitement, and as Don saw the great stalwart fellows come running here and there, armed with spear and stone axe, he felt that he had misjudged them, and thought that they looked like so many grand bronze figures, suddenly come to life. Their faces and nearly naked bodies were made hideous with tattooing marks; but their skins shone and the muscles stood out, and as they all grouped together under the orders of Tomati and Ngati, both Don and Jem thought that if the party they had seen were coming on to the attack, the fighting might be desperate after all. In less time than it takes to tell, men had been sent out as scouts; and pending their return, Tomati led the way up the path, after the women and children, to where, to Don's astonishment, there was a strong blockaded enclosure, or _pah_, made by binding great stakes together at the tops, after they had been driven into the ground. There was but one entrance to the enclosure, which was on the summit of a rock with exceedingly steep sides, save where the path zigzagged to the top; and here every one was soon busy trying to strengthen the place, the spears of the men being laid against the stockade. "May as well help," said Jem, sturdily. "I'm not going to fight, but I don't mind helping them to take care of themselves." They set to and aided in every way they could, Ngati smiling approval, patting Don on the back, and then hurrying away to return with two spears, which he handed to the two young men. "My pakeha!" he said; and Jem gave an angry stamp, and was about to refuse to take the weapon, when there was a yell of excitement from all in the _pah_, for one of the scouts came running in, and as he came nearer, it could be seen that he was bleeding from a wound in the shoulder, and that he had lost his spear. As if nerved by this sight, Don and Jem seized the spears offered for their defence. "Yes, Mas' Don," said Jem; "we shall have to try and fight; seems to me as if the war's begun!" A wild shriek followed his words, and Don saw that they were	Look! There's two o' them birds coming to see what's the matter." "I can't leave you, Jem. You're of more consequence to me than all the New Zealanders in the place." "Am I, Mas' Don? Come, that's kindly spoke of you. But bother that tree! Might ha' behaved as well to me as t'other did to you." "Where do you feel in pain, Jem?" "Where? It's one big solid slapping pain all over me, but it's worst where there's a big thorn stuck in my arm." "Let me see." "No; wait a bit. I don't mean to be left alone out here if I can help it. Now, Mas' Don, you lift that there left leg, and see if it's broke." Don raised it tenderly, and replaced it gently. "I don't think it's broken, Jem." "Arn't it? Well, it feels like it. P'r'aps it's t'other one. Try." Don raised and replaced Jem's right leg. "That isn't broken either, Jem." "P'r'aps they're only crushed. Try my arms, my lad." These were tried in turn, and laid down. "No, Jem." "Seems stoopid," said Jem. "I thought I was broke all over. It must be my back, and when a man's back's broke, he feels it all over. Here, lend us a hand, my lad; and I'll try and walk. Soon see whether a man's back's broke." Don offered his arm, and Jem, after a good deal of grunting and groaning, rose to his feet, gave himself a wrench, and then stamped with first one leg and then with the other. "Why, I seems all right, Mas' Don," he said, eagerly. "Yes, Jem." "Think it's my ribs? I've heared say that a man don't always know when his ribs is broke." "Do you feel as if they were, Jem?" "Oh, yes; just exactly. All down one side, and up the other." "Could you manage to walk as far as the village? I don't like to leave you." "Oh, yes; I think I can walk. Anyhow I'm going to try. I say, if you hear me squeak or crack anywhere, you'll stop me, won't you?" "Of course." "Come on then, and let's get there. Oh, crumpets! What a pain." "Lean on me." "No; I'm going to lean on myself," said Jem, stoutly. "I'm pretty sure I arn't broke, Mas' Don; but feel just as if I was cracked all over like an old pot, and that's werry bad, you know, arn't it? Now then, which way is it?" "This way, Jem, to the right of the mountain." "Ah, I suppose you're right, Mas' Don. I say, I can walk." "Does it hurt you very much?" "Oh, yes; it hurts me horrid. But I say, Mas' Don, there arn't many chaps in Bristol as could have failed down like that without breaking theirselves, is there?" "I think it's wonderful, Jem." "That's what I think, Mas' Don, and I'm as proud of it as can be. Here, step out, sir; works is beginning to go better every minute. Tidy stiff; but, I say, Mas' Don, I don't believe I'm even cracked."<\|quote\|>"I am glad, Jem,"</\|quote\|>cried Don. "I felt a little while ago as if I would rather it had been me." "Did you, though, Mas' Don? Well, that's kind of you, that it is. I do like that. Come along. Don't you be afraid. I can walk as fast as you can. Never fear! Think we shall be in time?" "I don't know, Jem. I was in such trouble about you that I had almost forgotten the people at the village." "So had I. Pain always makes me forget everything, 'speshly toothache. Why, that's the right way," he cried, as they turned the corner of a steep bluff. "Yes, and in a quarter of an hour we can be there; that is, if you can walk fast?" "I can walk fast, my lad: look. But what's quarter of a hour? I got muddled enough over the bells board ship--three bells, and four bells, and the rest of it; but out here there don't seem to be no time at all. Wonder how near those fellows are as we see. I am glad I arn't broke." In about the time Don had said, they came to the path leading to the ravine, where the cave pierced the mountain side. A few minutes later they were by the hot bath spring, and directly after, to Don's great delight, they came upon Tomati. "I was coming to look for you two," he said. "You had better not go far from the _whare_. Two of the tribes have turned savage, and are talking about war." Don interrupted him, and told him what they had seen. "So soon!" he said hurriedly. "Is it bad news, then?" asked Don, anxiously. "Bad, my lads! Bad as it can be." "Then that was a war-party we saw?" "Yes; come on." He then put his hands to his mouth and uttered a wildly savage yell, whose effect was instantaneous. It was answered in all directions, and followed by a shrieking and wailing chorus from the women and children, who came trooping out of their huts, laden with household treasures, and hurrying up one particular path at the back of the village, one which neither Don nor Jem had intruded upon, from the belief that it led to some temple or place connected with the Maoris' religion. A few minutes before the men were idling about, lying on the black sand, sleeping, or eating and drinking in the most careless, indolent way. Now all were in a state of the wildest excitement, and as Don saw the great stalwart fellows come running here and there, armed with spear and stone axe, he felt that he had misjudged them, and thought that they looked like so many grand bronze figures, suddenly come to life. Their faces and nearly naked bodies were made hideous with tattooing marks; but their skins shone and the muscles stood out, and as they all grouped together under the orders of Tomati and Ngati, both Don and Jem thought that if the party they had seen were coming on to the attack,	Don Lavington
"Dear old Godbole,"	Professor Godbole	wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He	Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and	visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped	to think about him, because it disturbed his life, and he still trusted the floods to prevent him from arriving. A fine little river issued from his garden gate and gave him much hope. It was impossible that anyone could get across from Deora in such weather as this. Fielding's visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped problems so totally different from those of Chandrapore. For here the cleavage was between Brahman and non-Brahman; Moslems and English were quite out of the running, and sometimes not mentioned for days. Since Godbole was a Brahman, Aziz was one also for purposes of intrigue: they would often joke about	capering in the slush ahead. "Hullo!" he called, and it was the wrong remark, for the devotee indicated by circular gestures of his arms that he did not desire to be disturbed. He added, "Sorry," which was right, for Godbole twisted his head till it didn't belong to his body, and said in a strained voice that had no connection with his mind: "He arrived at the European Guest House perhaps at least possibly." "Did he? Since when?" But time was too definite. He waved his arm more dimly and disappeared. Aziz knew who "he" was Fielding but he refused to think about him, because it disturbed his life, and he still trusted the floods to prevent him from arriving. A fine little river issued from his garden gate and gave him much hope. It was impossible that anyone could get across from Deora in such weather as this. Fielding's visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped problems so totally different from those of Chandrapore. For here the cleavage was between Brahman and non-Brahman; Moslems and English were quite out of the running, and sometimes not mentioned for days. Since Godbole was a Brahman, Aziz was one also for purposes of intrigue: they would often joke about it together. The fissures in the Indian soil are infinite: Hinduism, so solid from a distance, is riven into sects and clans, which radiate and join, and change their names according to the aspect from which they are approached. Study it for years with the best teachers, and when you raise your head, nothing they have told you quite fits. Aziz, the day of his inauguration, had remarked: "I study nothing, I respect" making an excellent impression. There was now a minimum of prejudice against him. Nominally under a Hindu doctor, he was really chief medicine man to the court.	thoughts. Covered with grease and dust, Professor Godbole had once more developed the life of his spirit. He had, with increasing vividness, again seen Mrs. Moore, and round her faintly clinging forms of trouble. He was a Brahman, she Christian, but it made no difference, it made no difference whether she was a trick of his memory or a telepathic appeal. It was his duty, as it was his desire, to place himself in the position of the God and to love her, and to place himself in her position and to say to the God, "Come, come, come, come." This was all he could do. How inadequate! But each according to his own capacities, and he knew that his own were small. "One old Englishwoman and one little, little wasp," he thought, as he stepped out of the temple into the grey of a pouring wet morning. "It does not seem much, still it is more than I am myself." CHAPTER XXXIV Dr. Aziz left the palace at the same time. As he returned to his house which stood in a pleasant garden further up the main street of the town he could see his old patron paddling and capering in the slush ahead. "Hullo!" he called, and it was the wrong remark, for the devotee indicated by circular gestures of his arms that he did not desire to be disturbed. He added, "Sorry," which was right, for Godbole twisted his head till it didn't belong to his body, and said in a strained voice that had no connection with his mind: "He arrived at the European Guest House perhaps at least possibly." "Did he? Since when?" But time was too definite. He waved his arm more dimly and disappeared. Aziz knew who "he" was Fielding but he refused to think about him, because it disturbed his life, and he still trusted the floods to prevent him from arriving. A fine little river issued from his garden gate and gave him much hope. It was impossible that anyone could get across from Deora in such weather as this. Fielding's visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped problems so totally different from those of Chandrapore. For here the cleavage was between Brahman and non-Brahman; Moslems and English were quite out of the running, and sometimes not mentioned for days. Since Godbole was a Brahman, Aziz was one also for purposes of intrigue: they would often joke about it together. The fissures in the Indian soil are infinite: Hinduism, so solid from a distance, is riven into sects and clans, which radiate and join, and change their names according to the aspect from which they are approached. Study it for years with the best teachers, and when you raise your head, nothing they have told you quite fits. Aziz, the day of his inauguration, had remarked: "I study nothing, I respect" making an excellent impression. There was now a minimum of prejudice against him. Nominally under a Hindu doctor, he was really chief medicine man to the court. He had to drop inoculation and such Western whims, but even at Chandrapore his profession had been a game, centring round the operating table, and here in the backwoods he let his instruments rust, ran his little hospital at half steam, and caused no undue alarm. His impulse to escape from the English was sound. They had frightened him permanently, and there are only two reactions against fright: to kick and scream on committees, or to retreat to a remote jungle, where the sahib seldom comes. His old lawyer friends wanted him to stop in British India and help agitate, and might have prevailed, but for the treachery of Fielding. The news had not surprised him in the least. A rift had opened between them after the trial when Cyril had not joined in his procession; those advocacies of the girl had increased it; then came the post-cards from Venice, so cold, so unfriendly that all agreed that something was wrong; and finally, after a silence, the expected letter from Hampstead. Mahmoud Ali was with him at the time. "Some news that will surprise you. I am to marry someone whom you know. . ." He did not read further.	the butter, they played another game which chanced to be graceful: the fondling of Shri Krishna under the similitude of a child. A pretty red and gold ball is thrown, and he who catches it chooses a child from the crowd, raises it in his arms, and carries it round to be caressed. All stroke the darling creature for the Creator's sake, and murmur happy words. The child is restored to his parents, the ball thrown on, and another child becomes for a moment the World's Desire. And the Lord bounds hither and thither through the aisles, chance, and the sport of chance, irradiating little mortals with His immortality. . . . When they had played this long enough and being exempt from boredom, they played it again and again, they played it again and again they took many sticks and hit them together, whack smack, as though they fought the Pandava wars, and threshed and churned with them, and later on they hung from the roof of the temple, in a net, a great black earthenware jar, which was painted here and there with red, and wreathed with dried figs. Now came a rousing sport. Springing up, they struck at the jar with their sticks. It cracked, broke, and a mass of greasy rice and milk poured on to their faces. They ate and smeared one another's mouths, and dived between each other's legs for what had been pashed upon the carpet. This way and that spread the divine mess, until the line of schoolboys, who had somewhat fended off the crowd, broke for their share. The corridors, the courtyard, were filled with benign confusion. Also the flies awoke and claimed their share of God's bounty. There was no quarrelling, owing to the nature of the gift, for blessed is the man who confers it on another, he imitates God. And those "imitations," those "substitutions," continued to flicker through the assembly for many hours, awaking in each man, according to his capacity, an emotion that he would not have had otherwise. No definite image survived; at the Birth it was questionable whether a silver doll or a mud village, or a silk napkin, or an intangible spirit, or a pious resolution, had been born. Perhaps all these things! Perhaps none! Perhaps all birth is an allegory! Still, it was the main event of the religious year. It caused strange thoughts. Covered with grease and dust, Professor Godbole had once more developed the life of his spirit. He had, with increasing vividness, again seen Mrs. Moore, and round her faintly clinging forms of trouble. He was a Brahman, she Christian, but it made no difference, it made no difference whether she was a trick of his memory or a telepathic appeal. It was his duty, as it was his desire, to place himself in the position of the God and to love her, and to place himself in her position and to say to the God, "Come, come, come, come." This was all he could do. How inadequate! But each according to his own capacities, and he knew that his own were small. "One old Englishwoman and one little, little wasp," he thought, as he stepped out of the temple into the grey of a pouring wet morning. "It does not seem much, still it is more than I am myself." CHAPTER XXXIV Dr. Aziz left the palace at the same time. As he returned to his house which stood in a pleasant garden further up the main street of the town he could see his old patron paddling and capering in the slush ahead. "Hullo!" he called, and it was the wrong remark, for the devotee indicated by circular gestures of his arms that he did not desire to be disturbed. He added, "Sorry," which was right, for Godbole twisted his head till it didn't belong to his body, and said in a strained voice that had no connection with his mind: "He arrived at the European Guest House perhaps at least possibly." "Did he? Since when?" But time was too definite. He waved his arm more dimly and disappeared. Aziz knew who "he" was Fielding but he refused to think about him, because it disturbed his life, and he still trusted the floods to prevent him from arriving. A fine little river issued from his garden gate and gave him much hope. It was impossible that anyone could get across from Deora in such weather as this. Fielding's visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped problems so totally different from those of Chandrapore. For here the cleavage was between Brahman and non-Brahman; Moslems and English were quite out of the running, and sometimes not mentioned for days. Since Godbole was a Brahman, Aziz was one also for purposes of intrigue: they would often joke about it together. The fissures in the Indian soil are infinite: Hinduism, so solid from a distance, is riven into sects and clans, which radiate and join, and change their names according to the aspect from which they are approached. Study it for years with the best teachers, and when you raise your head, nothing they have told you quite fits. Aziz, the day of his inauguration, had remarked: "I study nothing, I respect" making an excellent impression. There was now a minimum of prejudice against him. Nominally under a Hindu doctor, he was really chief medicine man to the court. He had to drop inoculation and such Western whims, but even at Chandrapore his profession had been a game, centring round the operating table, and here in the backwoods he let his instruments rust, ran his little hospital at half steam, and caused no undue alarm. His impulse to escape from the English was sound. They had frightened him permanently, and there are only two reactions against fright: to kick and scream on committees, or to retreat to a remote jungle, where the sahib seldom comes. His old lawyer friends wanted him to stop in British India and help agitate, and might have prevailed, but for the treachery of Fielding. The news had not surprised him in the least. A rift had opened between them after the trial when Cyril had not joined in his procession; those advocacies of the girl had increased it; then came the post-cards from Venice, so cold, so unfriendly that all agreed that something was wrong; and finally, after a silence, the expected letter from Hampstead. Mahmoud Ali was with him at the time. "Some news that will surprise you. I am to marry someone whom you know. . ." He did not read further. "Here it comes, answer for me " and he threw it to Mahmoud Ali. Subsequent letters he destroyed unopened. It was the end of a foolish experiment. And though sometimes at the back of his mind he felt that Fielding had made sacrifices for him, it was now all confused with his genuine hatred of the English. "I am an Indian at last," he thought, standing motionless in the rain. Life passed pleasantly, the climate was healthy so that the children could be with him all the year round, and he had married again not exactly a marriage, but he liked to regard it as one and he read his Persian, wrote his poetry, had his horse, and sometimes got some shikar while the good Hindus looked the other way. His poems were all on one topic Oriental womanhood. "The purdah must go," was their burden, "otherwise we shall never be free." And he declared (fantastically) that India would not have been conquered if women as well as men had fought at Plassy. "But we do not show our women to the foreigner" not explaining how this was to be managed, for he was writing a poem. Bulbuls and roses would still persist, the pathos of defeated Islam remained in his blood and could not be expelled by modernities. Illogical poems like their writer. Yet they struck a true note: there cannot be a mother-land without new homes. In one poem the only one funny old Godbole liked he had skipped over the mother-land (whom he did not truly love) and gone straight to internationality. "Ah, that is bhakti; ah, my young friend, that is different and very good. Ah, India, who seems not to move, will go straight there while the other nations waste their time. May I translate this particular one into Hindi? In fact, it might be rendered into Sanskrit almost, it is so enlightened. Yes, of course, all your other poems are very good too. His Highness was saying to Colonel Maggs last time he came that we are proud of you" simpering slightly. Colonel Maggs was the Political Agent for the neighbourhood and Aziz' dejected opponent. The Criminal Investigation Department kept an eye on Aziz ever since the trial they had nothing actionable against him, but Indians who have been unfortunate must be watched, and to the end of his life he remained under observation,	into the grey of a pouring wet morning. "It does not seem much, still it is more than I am myself." CHAPTER XXXIV Dr. Aziz left the palace at the same time. As he returned to his house which stood in a pleasant garden further up the main street of the town he could see his old patron paddling and capering in the slush ahead. "Hullo!" he called, and it was the wrong remark, for the devotee indicated by circular gestures of his arms that he did not desire to be disturbed. He added, "Sorry," which was right, for Godbole twisted his head till it didn't belong to his body, and said in a strained voice that had no connection with his mind: "He arrived at the European Guest House perhaps at least possibly." "Did he? Since when?" But time was too definite. He waved his arm more dimly and disappeared. Aziz knew who "he" was Fielding but he refused to think about him, because it disturbed his life, and he still trusted the floods to prevent him from arriving. A fine little river issued from his garden gate and gave him much hope. It was impossible that anyone could get across from Deora in such weather as this. Fielding's visit was official. He had been transferred from Chandrapore, and sent on a tour through Central India to see what the remoter states were doing with regard to English education. He had married, he had done the expected with Miss Quested, and Aziz had no wish to see him again.<\|quote\|>"Dear old Godbole,"</\|quote\|>he thought, and smiled. He had no religious curiosity, and had never discovered the meaning of this annual antic, but he was well assured that Godbole was a dear old man. He had come to Mau through him and remained on his account. Without him he could never have grasped problems so totally different from those of Chandrapore. For here the cleavage was between Brahman and non-Brahman; Moslems and English were quite out of the running, and sometimes not mentioned for days. Since Godbole was a Brahman, Aziz was one also for purposes of intrigue: they would often joke about it together. The fissures in the Indian soil are infinite: Hinduism, so solid from a distance, is riven into sects and clans, which radiate and join, and change their names according to the aspect from which they are approached. Study it for years with the best teachers, and when you raise your head, nothing they have told you quite fits. Aziz, the day of his inauguration, had remarked: "I study nothing, I respect" making an excellent impression. There was now a minimum of prejudice against him. Nominally under a Hindu doctor, he was really chief medicine man to the court. He had to drop inoculation and such Western whims, but even at Chandrapore his profession had been a game, centring round the operating table, and here in the backwoods he let his instruments rust, ran his little hospital at half steam, and caused no undue alarm. His impulse to escape from the English was sound. They had frightened him permanently, and there are only two reactions against fright: to kick and scream on committees, or to retreat to a remote jungle, where the sahib seldom comes. His old lawyer friends wanted him to stop in British India and help agitate, and might have prevailed, but for the treachery of Fielding. The news had not surprised him in the least. A rift had opened between them after the trial when Cyril had not joined in his procession; those advocacies of the girl had increased it; then came the post-cards from Venice, so cold, so unfriendly that all agreed that something was wrong; and finally, after a silence,	A Passage To India
The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--	No speaker	make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you,	nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted	He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what	Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it,	the bad air is; poison us both. Good-bye, Sally, my gal. It's all over now; but I forgives you. Shake hands, Mas' Don. I don't bear you no ill-will, nor nobody else. Here they come." There was a rustling and panting noise, and they were on the tip-toe of expectation, when there was a heavy concussion, a deep-toned roar, and then an echoing rumble as the sound reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a	"Let's hope not, Jem." "Yah! What's the good o' hoping." _Churr-urrt_ shrieked the cockatoo from far below. "There now," said Jem. "Hark at that! He's telling 'em we're in here, and coming on before to show 'em the way." "What nonsense, Jem!" _Churr-ur_! Shrieked the cockatoo, ever so much nearer. "Well, do you call that nonsense?" whispered Jem. "The bird's being cheered on; some one coming." _Churr_--_churr_--_churr-ur-ur_! Shrieked the cockatoo nearer, nearer, and then right in front of the cave, as it flew by. "All right, Mas' Don; I arn't going to hargue. You think your way, and I'll think mine; but if that wasn't saying in New Zealandee as those two misfortunate chaps is hiding in this here hole, I never lived in Bristol city, and I don't know sugar from tobacker." "Hist!" whispered Don. _Hiss-s-s-s_ came from far in the depths of the cave. _Gurgle-urgle-gugg-pap_! Went something of a liquid kind. "Here, I can't stand this here, Mas' Don," whispered Jem; "let's make a rush of it; and get right away in the woods." "Hush! There's some one coming," whispered Don, drawing his companion farther back into the darkness. "All right, Mas' Don! Take me in again where the bad air is; poison us both. Good-bye, Sally, my gal. It's all over now; but I forgives you. Shake hands, Mas' Don. I don't bear you no ill-will, nor nobody else. Here they come." There was a rustling and panting noise, and they were on the tip-toe of expectation, when there was a heavy concussion, a deep-toned roar, and then an echoing rumble as the sound reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and	you may say nonsense, but parrots and cockatoos is werry strange birds. Wonderful what they knows and what they says." "I don't believe they know what they say, Jem." "Ah! That's because you're so young, Mas' Don. You'll know better some day. Parrots is as cunning as cunning. Well, now, did you ever see the likes of that? He's laughing and jeering at us." For at that moment the bird began to bob its head up and down rapidly, gradually growing more excited, and chattering all the while, as it ended by dancing first on one leg and then on the other, in the most eccentric fashion. "I should like to have that bird, Jem," said Don at last. "Should you? Then you wouldn't have me along with you." "I don't like him. I like a bird as can behave itself and whistle and sing and perch; but I don't like one as goes through all them monkey tricks. Wish I'd got a stone, I'd try and knock him off his perch." _Chur-r-r-r_! Shrieked the bird, and it let itself fall over backwards, dropping down head over heels like a tumbler pigeon, or an unfortunate which had been shot, and disappearing among the leaves far below. "There!" cried Jem, triumphantly; "now, what do you say to that? Heard what I said, he did, and thought I was going to throw." "Nonsense, Jem!" "Ah! You may call it nonsense, Mas' Don, because you don't know better, but you didn't see him fall." "Yes, I saw him fall, and--hist! Creep back; there's some one coming!" The secret of the bird's sudden disappearance was explained for there was a rustling among the ferns far behind, as if some large body was forcing its way along the ravine; and as Jem backed slowly into the cavern, Don cautiously peered from behind a mass of stone into the hollow, to see that some one or something was approaching rapidly, as if with the intention of scaling the rock, and climbing to where they lay. CHAPTER THIRTY FOUR. AMONG FRIENDS AGAIN. "It's all over with us, Mas' Don," whispered Jem, as soon as they were some little distance in the retreat. "That blackguard Ramsden's sure, after all, that we're in here, and that Tom Hoppers has come to his senses, and felt it was me as hissed at him, and they're coming to hunt us out." "Let's hope not, Jem." "Yah! What's the good o' hoping." _Churr-urrt_ shrieked the cockatoo from far below. "There now," said Jem. "Hark at that! He's telling 'em we're in here, and coming on before to show 'em the way." "What nonsense, Jem!" _Churr-ur_! Shrieked the cockatoo, ever so much nearer. "Well, do you call that nonsense?" whispered Jem. "The bird's being cheered on; some one coming." _Churr_--_churr_--_churr-ur-ur_! Shrieked the cockatoo nearer, nearer, and then right in front of the cave, as it flew by. "All right, Mas' Don; I arn't going to hargue. You think your way, and I'll think mine; but if that wasn't saying in New Zealandee as those two misfortunate chaps is hiding in this here hole, I never lived in Bristol city, and I don't know sugar from tobacker." "Hist!" whispered Don. _Hiss-s-s-s_ came from far in the depths of the cave. _Gurgle-urgle-gugg-pap_! Went something of a liquid kind. "Here, I can't stand this here, Mas' Don," whispered Jem; "let's make a rush of it; and get right away in the woods." "Hush! There's some one coming," whispered Don, drawing his companion farther back into the darkness. "All right, Mas' Don! Take me in again where the bad air is; poison us both. Good-bye, Sally, my gal. It's all over now; but I forgives you. Shake hands, Mas' Don. I don't bear you no ill-will, nor nobody else. Here they come." There was a rustling and panting noise, and they were on the tip-toe of expectation, when there was a heavy concussion, a deep-toned roar, and then an echoing rumble as the sound reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!" whistled Jem. They sat talking in the moonlight afterwards, listening to the tattooed Englishman, who spoke about what he had heard from the ship's crew. Among other things the news that they might sail at any time. Don started, and the tattooed Englishman noticed it. "Yes," he said; "that means going away and leaving you two behind. You don't seemed pleased." Don looked up at him earnestly. "No," he said; "I didn't at first. Don't think me ungrateful after what you've done." "I don't, my lad," said the man, kindly; "I know what you feel. It's like being shut away from every one you know; and you feel as if you were going to be a savage, and never see England again. I felt something like that once; but I didn't come out like you did. Ah, well, that's neither here nor there. You're only a boy yet, with plenty o' time before you. Make yourself as happy as you can; these chaps are not so very bad when they don't want to get fighting, and I daresay you and me will be good enough friends. Eh? Hullo! What's the matter?" He leaped to his feet, and Don, Jem, and the New Zealand savages about them did the same, for half-a-dozen of Ngati's followers came running up with news, which they communicated with plenty of gesticulations.	far behind, as if some large body was forcing its way along the ravine; and as Jem backed slowly into the cavern, Don cautiously peered from behind a mass of stone into the hollow, to see that some one or something was approaching rapidly, as if with the intention of scaling the rock, and climbing to where they lay. CHAPTER THIRTY FOUR. AMONG FRIENDS AGAIN. "It's all over with us, Mas' Don," whispered Jem, as soon as they were some little distance in the retreat. "That blackguard Ramsden's sure, after all, that we're in here, and that Tom Hoppers has come to his senses, and felt it was me as hissed at him, and they're coming to hunt us out." "Let's hope not, Jem." "Yah! What's the good o' hoping." _Churr-urrt_ shrieked the cockatoo from far below. "There now," said Jem. "Hark at that! He's telling 'em we're in here, and coming on before to show 'em the way." "What nonsense, Jem!" _Churr-ur_! Shrieked the cockatoo, ever so much nearer. "Well, do you call that nonsense?" whispered Jem. "The bird's being cheered on; some one coming." _Churr_--_churr_--_churr-ur-ur_! Shrieked the cockatoo nearer, nearer, and then right in front of the cave, as it flew by. "All right, Mas' Don; I arn't going to hargue. You think your way, and I'll think mine; but if that wasn't saying in New Zealandee as those two misfortunate chaps is hiding in this here hole, I never lived in Bristol city, and I don't know sugar from tobacker." "Hist!" whispered Don. _Hiss-s-s-s_ came from far in the depths of the cave. _Gurgle-urgle-gugg-pap_! Went something of a liquid kind. "Here, I can't stand this here, Mas' Don," whispered Jem; "let's make a rush of it; and get right away in the woods." "Hush! There's some one coming," whispered Don, drawing his companion farther back into the darkness. "All right, Mas' Don! Take me in again where the bad air is; poison us both. Good-bye, Sally, my gal. It's all over now; but I forgives you. Shake hands, Mas' Don. I don't bear you no ill-will, nor nobody else. Here they come." There was a rustling and panting noise, and they were on the tip-toe of expectation, when there was a heavy concussion, a deep-toned roar, and then an echoing rumble as the sound reverberated among the mountains. Then utter silence. Jem gripped Don's arm with force, and stared at him wildly. "Well!" whispered Don. "It was only a gun from the ship to recall the boats." Jem stooped down and gave his leg a slap. "You are a clever one, Mas' Don, and no mistake. Why, o' course it is. I never thought it was that." "What did you think it was, then?" "Some o' them hot water-works gone off, _bang_! And blown up the mountain.--There!" He pointed to a hideous-looking head appearing above the edge of the shelf, and seen by the evening light as it fell athwart it, the countenance with its blue lines and scrolls ending in curls on either side of the nose was startling enough to make any one fear danger.<\|quote\|>The owner of the face climbed up to the shelf, followed by another bronzed figure, when Don recognised the second as the tattooed Englishman, while there was no mistake about the first, for he made Jem give an angry grunt as a human voice shouted,--</\|quote\|>"My pakeha." "Somebody calling you, Mas' Don?" "My pakeha!" shouted the New Zealander again. "Jemmeree Wimbee." "Eh! Here, I say, call a fellow by his right name!" cried Jem, stepping forward. The chief met him with advancing step, and caught him by the shoulders, and before Jem could realise what he was going to do, placed his blue nose against that which was coppery white, and gave it a peculiar rub. "Here, I say, don't!" cried Jem, struggling to free himself, when the chief seized Don in turn, and bent down and served him the same. "Don't you stand it, Mas' Don. Hit out." "Don't you, youngster," said the Englishman. "It's only his friendly way." "Yes, that's what they say at home when a big dog goes at you, and nearly rolls you over," grumbled Jem. "I say, have you got anything to eat?" "Not here, but plenty at Ngati's place. I'm glad to see you both safe, my lads. It gave me quite a turn when he told me he'd hidden you in here." "Why?" said Don sharply. "Well, I'll tell you, my lad. There's a kind o' bad steam lies along the bottom farther in, and if a man was to lie down on the floor and go to sleep, I don't s'pose he'd ever wake again. Come along!" "Where are the men from the ship?" "Gone off with their mates. Didn't you hear the gun?" Don nodded. "They've been searching all over for you. Can't make out whether you two got to shore, or were chopped up by the sharks out yonder. They won't come again till to-morrow, and you'll be safe till then. You must be hungry." "Hungry?" said Jem, with a mocking laugh. "Hungry? Lookye here: you'd better take me where there's something, or it won't be safe. I heard tell as people ate one another out here, and I didn't believe it, but I do now. I'm ready for anything or anybody; so come along." Ngati took possession of Don, and led the way, evidently very proud of his young companion; whilst Jem followed with the Englishman down the gully slope, and then in and out among the trees, ferns, and bushes, till the dangerous hot and mud springs were passed, and the _whare_ was reached. Then the weary fugitives were seated before what seemed to them a banquet of well-cooked fish, fruits, and roots, with a kind of hasty pudding preparation, which was far from bad. "Feel better, now?" said the Englishman, after he had sat and smoked till they had done. "Better? Yes, I'm better," said Jem; "but I should like to know one thing." "Well, what is it?" "Will they go on feeding us like this?" "Yes; and if they don't, I will." "But--it don't--it don't mean any games, does it?" said Jem, in a doubting tone. "You mean making game of you?" said the Englishman with a broad grin. "Yes, hare or fezzun," said Jem. The Englishman laughed, and turned to Don. "I'll see if you can't have a better hiding-place to-night. That was very dangerous, and I may as well tell you to mind where you go about here, for more than one poor fellow has been smothered in the hot mud holes, and scalded to death." "Is the water so hot as that?" said Don. "Hot? Why, those vegetables and things you ate were cooked in one of the boiling springs." "Phew!"	Don Lavington
he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.	No speaker	voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in	full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He	anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was	and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked	out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the	ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me keenly, realizing that Jordan and I must have known all along. “You think I’m pretty dumb, don’t you?” he suggested. “Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don’t believe that, but science—” He paused. The immediate contingency overtook him, pulled him back from the edge of theoretical abyss. “I’ve made a small investigation of this fellow,” he continued. “I could have gone deeper if I’d known—” “Do you mean you’ve been to a medium?” inquired Jordan humorously. “What?” Confused, he stared at us as we laughed. “A medium?” “About Gatsby.” “About Gatsby! No, I haven’t. I said I’d been making a small investigation of his past.” “And you found he was an Oxford man,” said Jordan helpfully. “An Oxford man!” He was incredulous. “Like hell he is! He wears a pink suit.” “Nevertheless he’s an Oxford man.” “Oxford, New Mexico,” snorted Tom contemptuously, “or something like that.” “Listen, Tom. If you’re such a snob, why did you invite him	“Aunt Jordan’s got on a white dress too.” “How do you like mother’s friends?” Daisy turned her around so that she faced Gatsby. “Do you think they’re pretty?” “Where’s Daddy?” “She doesn’t look like her father,” explained Daisy. “She looks like me. She’s got my hair and shape of the face.” Daisy sat back upon the couch. The nurse took a step forward and held out her hand. “Come, Pammy.” “Goodbye, sweetheart!” With a reluctant backward glance the well-disciplined child held to her nurse’s hand and was pulled out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.” We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale. “What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me keenly, realizing that Jordan and I must have known all along. “You think I’m pretty dumb, don’t you?” he suggested. “Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don’t believe that, but science—” He paused. The immediate contingency overtook him, pulled him back from the edge of theoretical abyss. “I’ve made a small investigation of this fellow,” he continued. “I could have gone deeper if I’d known—” “Do you mean you’ve been to a medium?” inquired Jordan humorously. “What?” Confused, he stared at us as we laughed. “A medium?” “About Gatsby.” “About Gatsby! No, I haven’t. I said I’d been making a small investigation of his past.” “And you found he was an Oxford man,” said Jordan helpfully. “An Oxford man!” He was incredulous. “Like hell he is! He wears a pink suit.” “Nevertheless he’s an Oxford man.” “Oxford, New Mexico,” snorted Tom contemptuously, “or something like that.” “Listen, Tom. If you’re such a snob, why did you invite him to lunch?” demanded Jordan crossly. “Daisy invited him; she knew him before we were married—God knows where!” We were all irritable now with the fading ale, and aware of it we drove for a while in silence. Then as Doctor T. J. Eckleburg’s faded eyes came into sight down the road, I remembered Gatsby’s caution about gasoline. “We’ve got enough to get us to town,” said Tom. “But there’s a garage right here,” objected Jordan. “I don’t want to get stalled in this baking heat.” Tom threw on both brakes impatiently, and we slid to an abrupt dusty stop under Wilson’s sign. After a moment the proprietor emerged from the interior of his establishment and gazed hollow-eyed at the car. “Let’s have some gas!” cried Tom roughly. “What do you think we stopped for—to admire the view?” “I’m sick,” said Wilson without moving. “Been sick all day.” “What’s the matter?” “I’m all run down.” “Well, shall I help myself?” Tom demanded. “You sounded well enough on the phone.” With an effort Wilson left the shade and support of the doorway and, breathing hard, unscrewed the cap of the tank. In the sunlight his face was green. “I didn’t mean to interrupt your lunch,” he said. “But I need money pretty bad, and I was wondering what you were going to do with your old car.” “How do you like this one?” inquired Tom. “I bought it last week.” “It’s a nice yellow one,” said Wilson, as he strained at the handle. “Like to buy it?” “Big chance,” Wilson smiled faintly. “No, but I could make some money on the other.” “What do you want money for, all of a sudden?” “I’ve been here too long. I want to get away. My wife and I want to go West.” “Your wife does,” exclaimed Tom, startled. “She’s been talking about it for ten years.” He rested for a moment against the pump, shading his eyes. “And now she’s going whether she wants to or not. I’m going to get her away.” The coupé flashed by us with a flurry of dust and the flash of a waving hand. “What do I owe you?” demanded Tom harshly. “I just got wised up to something funny the last two days,” remarked Wilson. “That’s why I want to get away. That’s why I been bothering you about the car.” “What do I owe you?” “Dollar	to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,”<\|quote\|>he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms.</\|quote\|>“Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me keenly, realizing that Jordan and I must have known all along. “You think I’m pretty dumb, don’t you?” he suggested. “Perhaps I am, but I have a—almost a second sight, sometimes, that tells me what to do. Maybe you don’t believe that, but science—” He paused. The immediate contingency overtook him, pulled him back from the edge of theoretical abyss. “I’ve made a small investigation of this fellow,” he continued. “I could have gone deeper if I’d known—” “Do you mean you’ve been to a medium?” inquired Jordan humorously. “What?” Confused, he stared at us as we laughed. “A medium?” “About Gatsby.” “About Gatsby! No, I haven’t. I said I’d been making a small investigation of his past.” “And you found he was an Oxford man,” said Jordan helpfully. “An Oxford man!” He was incredulous. “Like hell he is! He wears a pink suit.” “Nevertheless he’s an Oxford man.” “Oxford, New Mexico,” snorted Tom contemptuously, “or something like that.” “Listen, Tom. If you’re such a snob, why did you invite him to lunch?” demanded Jordan crossly. “Daisy invited him; she knew him before we were married—God knows where!” We were all irritable now with the fading ale, and aware of it we drove for a while in silence. Then as Doctor T. J. Eckleburg’s faded eyes came into sight down the road, I remembered Gatsby’s caution about gasoline. “We’ve got enough to get us to town,” said Tom. “But there’s a garage right here,” objected Jordan. “I don’t want to get stalled in this baking heat.” Tom threw on both brakes impatiently, and we slid to an abrupt dusty stop under Wilson’s sign. After a moment the proprietor emerged from the interior of his establishment and gazed hollow-eyed at the car. “Let’s have some gas!” cried Tom roughly. “What do you think we stopped for—to admire the view?” “I’m sick,” said Wilson without moving. “Been sick all day.” “What’s the matter?” “I’m all run down.” “Well, shall I help myself?” Tom demanded. “You sounded well enough on the phone.” With an effort Wilson left the shade and support of the doorway and, breathing hard, unscrewed the cap of the tank. In the sunlight his	The Great Gatsby
She sprang up like a hare.	No speaker	mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and	the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the	was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for	It was wonderfully pleasant. After Ántonia had said the new words over and over, she wanted to give me a little chased silver ring she wore on her middle finger. When she coaxed and insisted, I repulsed her quite sternly. I did n’t want her ring, and I felt there was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for I was used to being taken for granted by my elders. We went with Mr. Shimerda back to the dugout, where grandmother was waiting for me. Before I got into the wagon, he took a book out of his pocket, opened it, and showed me a page with two alphabets,	what she wanted. She got up on her knees and wrung her hands. She pointed to her own eyes and shook her head, then to mine and to the sky, nodding violently. “Oh,” I exclaimed, “blue; blue sky.” She clapped her hands and murmured, “Blue sky, blue eyes,” as if it amused her. While we snuggled down there out of the wind she learned a score of words. She was quick, and very eager. We were so deep in the grass that we could see nothing but the blue sky over us and the gold tree in front of us. It was wonderfully pleasant. After Ántonia had said the new words over and over, she wanted to give me a little chased silver ring she wore on her middle finger. When she coaxed and insisted, I repulsed her quite sternly. I did n’t want her ring, and I felt there was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for I was used to being taken for granted by my elders. We went with Mr. Shimerda back to the dugout, where grandmother was waiting for me. Before I got into the wagon, he took a book out of his pocket, opened it, and showed me a page with two alphabets, one English and the other Bohemian. He placed this book in my grandmother’s hands, looked at her entreatingly, and said with an earnestness which I shall never forget, “Te-e-ach, te-e-ach my Án-tonia!” IV ON the afternoon of that same Sunday I took my first long ride on my pony, under Otto’s direction. After that Dude and I went twice a week to the post-office, six miles east of us, and I saved the men a good deal of time by riding on errands to our neighbors. When we had to borrow anything, or to send about word that there would	so strong that I had to hold my hat on, and the girls’ skirts were blown out before them. Ántonia seemed to like it; she held her little sister by the hand and chattered away in that language which seemed to me spoken so much more rapidly than mine. She looked at me, her eyes fairly blazing with things she could not say. “Name? What name?” she asked, touching me on the shoulder. I told her my name, and she repeated it after me and made Yulka say it. She pointed into the gold cottonwood tree behind whose top we stood and said again, “What name?” We sat down and made a nest in the long red grass. Yulka curled up like a baby rabbit and played with a grasshopper. Ántonia pointed up to the sky and questioned me with her glance. I gave her the word, but she was not satisfied and pointed to my eyes. I told her, and she repeated the word, making it sound like “ice.” She pointed up to the sky, then to my eyes, then back to the sky, with movements so quick and impulsive that she distracted me, and I had no idea what she wanted. She got up on her knees and wrung her hands. She pointed to her own eyes and shook her head, then to mine and to the sky, nodding violently. “Oh,” I exclaimed, “blue; blue sky.” She clapped her hands and murmured, “Blue sky, blue eyes,” as if it amused her. While we snuggled down there out of the wind she learned a score of words. She was quick, and very eager. We were so deep in the grass that we could see nothing but the blue sky over us and the gold tree in front of us. It was wonderfully pleasant. After Ántonia had said the new words over and over, she wanted to give me a little chased silver ring she wore on her middle finger. When she coaxed and insisted, I repulsed her quite sternly. I did n’t want her ring, and I felt there was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for I was used to being taken for granted by my elders. We went with Mr. Shimerda back to the dugout, where grandmother was waiting for me. Before I got into the wagon, he took a book out of his pocket, opened it, and showed me a page with two alphabets, one English and the other Bohemian. He placed this book in my grandmother’s hands, looked at her entreatingly, and said with an earnestness which I shall never forget, “Te-e-ach, te-e-ach my Án-tonia!” IV ON the afternoon of that same Sunday I took my first long ride on my pony, under Otto’s direction. After that Dude and I went twice a week to the post-office, six miles east of us, and I saved the men a good deal of time by riding on errands to our neighbors. When we had to borrow anything, or to send about word that there would be preaching at the sod schoolhouse, I was always the messenger. Formerly Fuchs attended to such things after working hours. All the years that have passed have not dimmed my memory of that first glorious autumn. The new country lay open before me: there were no fences in those days, and I could choose my own way over the grass uplands, trusting the pony to get me home again. Sometimes I followed the sunflower-bordered roads. Fuchs told me that the sunflowers were introduced into that country by the Mormons; that at the time of the persecution, when they left Missouri and struck out into the wilderness to find a place where they could worship God in their own way, the members of the first exploring party, crossing the plains to Utah, scattered sunflower seed as they went. The next summer, when the long trains of wagons came through with all the women and children, they had the sunflower trail to follow. I believe that botanists do not confirm Jake’s story, but insist that the sunflower was native to those plains. Nevertheless, that legend has stuck in my mind, and sunflower-bordered roads always seem to me the roads to freedom. I	see that there was something strange about this boy. As he approached us, he began to make uncouth noises, and held up his hands to show us his fingers, which were webbed to the first knuckle, like a duck’s foot. When he saw me draw back, he began to crow delightedly, “Hoo, hoo-hoo, hoo-hoo!” like a rooster. His mother scowled and said sternly, “Marek!” then spoke rapidly to Krajiek in Bohemian. “She wants me to tell you he won’t hurt nobody, Mrs. Burden. He was born like that. The others are smart. Ambrosch, he make good farmer.” He struck Ambrosch on the back, and the boy smiled knowingly. At that moment the father came out of the hole in the bank. He wore no hat, and his thick, iron-gray hair was brushed straight back from his forehead. It was so long that it bushed out behind his ears, and made him look like the old portraits I remembered in Virginia. He was tall and slender, and his thin shoulders stooped. He looked at us understandingly, then took grandmother’s hand and bent over it. I noticed how white and well-shaped his own hands were. They looked calm, somehow, and skilled. His eyes were melancholy, and were set back deep under his brow. His face was ruggedly formed, but it looked like ashes—like something from which all the warmth and light had died out. Everything about this old man was in keeping with his dignified manner. He was neatly dressed. Under his coat he wore a knitted gray vest, and, instead of a collar, a silk scarf of a dark bronze-green, carefully crossed and held together by a red coral pin. While Krajiek was translating for Mr. Shimerda, Ántonia came up to me and held out her hand coaxingly. In a moment we were running up the steep drawside together, Yulka trotting after us. When we reached the level and could see the gold tree-tops, I pointed toward them, and Ántonia laughed and squeezed my hand as if to tell me how glad she was I had come. We raced off toward Squaw Creek and did not stop until the ground itself stopped—fell away before us so abruptly that the next step would have been out into the tree-tops. We stood panting on the edge of the ravine, looking down at the trees and bushes that grew below us. The wind was so strong that I had to hold my hat on, and the girls’ skirts were blown out before them. Ántonia seemed to like it; she held her little sister by the hand and chattered away in that language which seemed to me spoken so much more rapidly than mine. She looked at me, her eyes fairly blazing with things she could not say. “Name? What name?” she asked, touching me on the shoulder. I told her my name, and she repeated it after me and made Yulka say it. She pointed into the gold cottonwood tree behind whose top we stood and said again, “What name?” We sat down and made a nest in the long red grass. Yulka curled up like a baby rabbit and played with a grasshopper. Ántonia pointed up to the sky and questioned me with her glance. I gave her the word, but she was not satisfied and pointed to my eyes. I told her, and she repeated the word, making it sound like “ice.” She pointed up to the sky, then to my eyes, then back to the sky, with movements so quick and impulsive that she distracted me, and I had no idea what she wanted. She got up on her knees and wrung her hands. She pointed to her own eyes and shook her head, then to mine and to the sky, nodding violently. “Oh,” I exclaimed, “blue; blue sky.” She clapped her hands and murmured, “Blue sky, blue eyes,” as if it amused her. While we snuggled down there out of the wind she learned a score of words. She was quick, and very eager. We were so deep in the grass that we could see nothing but the blue sky over us and the gold tree in front of us. It was wonderfully pleasant. After Ántonia had said the new words over and over, she wanted to give me a little chased silver ring she wore on her middle finger. When she coaxed and insisted, I repulsed her quite sternly. I did n’t want her ring, and I felt there was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for I was used to being taken for granted by my elders. We went with Mr. Shimerda back to the dugout, where grandmother was waiting for me. Before I got into the wagon, he took a book out of his pocket, opened it, and showed me a page with two alphabets, one English and the other Bohemian. He placed this book in my grandmother’s hands, looked at her entreatingly, and said with an earnestness which I shall never forget, “Te-e-ach, te-e-ach my Án-tonia!” IV ON the afternoon of that same Sunday I took my first long ride on my pony, under Otto’s direction. After that Dude and I went twice a week to the post-office, six miles east of us, and I saved the men a good deal of time by riding on errands to our neighbors. When we had to borrow anything, or to send about word that there would be preaching at the sod schoolhouse, I was always the messenger. Formerly Fuchs attended to such things after working hours. All the years that have passed have not dimmed my memory of that first glorious autumn. The new country lay open before me: there were no fences in those days, and I could choose my own way over the grass uplands, trusting the pony to get me home again. Sometimes I followed the sunflower-bordered roads. Fuchs told me that the sunflowers were introduced into that country by the Mormons; that at the time of the persecution, when they left Missouri and struck out into the wilderness to find a place where they could worship God in their own way, the members of the first exploring party, crossing the plains to Utah, scattered sunflower seed as they went. The next summer, when the long trains of wagons came through with all the women and children, they had the sunflower trail to follow. I believe that botanists do not confirm Jake’s story, but insist that the sunflower was native to those plains. Nevertheless, that legend has stuck in my mind, and sunflower-bordered roads always seem to me the roads to freedom. I used to love to drift along the pale yellow cornfields, looking for the damp spots one sometimes found at their edges, where the smartweed soon turned a rich copper color and the narrow brown leaves hung curled like cocoons about the swollen joints of the stem. Sometimes I went south to visit our German neighbors and to admire their catalpa grove, or to see the big elm tree that grew up out of a deep crack in the earth and had a hawk’s nest in its branches. Trees were so rare in that country, and they had to make such a hard fight to grow, that we used to feel anxious about them, and visit them as if they were persons. It must have been the scarcity of detail in that tawny landscape that made detail so precious. Sometimes I rode north to the big prairie-dog town to watch the brown, earth-owls fly home in the late afternoon and go down to their nests underground with the dogs. Ántonia Shimerda liked to go with me, and we used to wonder a great deal about these birds of subterranean habit. We had to be on our guard there, for rattlesnakes were always lurking about. They came to pick up an easy living among the dogs and owls, which were quite defenseless against them; took possession of their comfortable houses and ate the eggs and puppies. We felt sorry for the owls. It was always mournful to see them come flying home at sunset and disappear under the earth. But, after all, we felt, winged things who would live like that must be rather degraded creatures. The dog-town was a long way from any pond or creek. Otto Fuchs said he had seen populous dog-towns in the desert where there was no surface water for fifty miles; he insisted that some of the holes must go down to water—nearly two hundred feet, hereabouts. Ántonia said she did n’t believe it; that the dogs probably lapped up the dew in the early morning, like the rabbits. Ántonia had opinions about everything, and she was soon able to make them known. Almost every day she came running across the prairie to have her reading lesson with me. Mrs. Shimerda grumbled, but realized it was important that one member of the family should learn English. When the lesson was over, we used to go up	which all the warmth and light had died out. Everything about this old man was in keeping with his dignified manner. He was neatly dressed. Under his coat he wore a knitted gray vest, and, instead of a collar, a silk scarf of a dark bronze-green, carefully crossed and held together by a red coral pin. While Krajiek was translating for Mr. Shimerda, Ántonia came up to me and held out her hand coaxingly. In a moment we were running up the steep drawside together, Yulka trotting after us. When we reached the level and could see the gold tree-tops, I pointed toward them, and Ántonia laughed and squeezed my hand as if to tell me how glad she was I had come. We raced off toward Squaw Creek and did not stop until the ground itself stopped—fell away before us so abruptly that the next step would have been out into the tree-tops. We stood panting on the edge of the ravine, looking down at the trees and bushes that grew below us. The wind was so strong that I had to hold my hat on, and the girls’ skirts were blown out before them. Ántonia seemed to like it; she held her little sister by the hand and chattered away in that language which seemed to me spoken so much more rapidly than mine. She looked at me, her eyes fairly blazing with things she could not say. “Name? What name?” she asked, touching me on the shoulder. I told her my name, and she repeated it after me and made Yulka say it. She pointed into the gold cottonwood tree behind whose top we stood and said again, “What name?” We sat down and made a nest in the long red grass. Yulka curled up like a baby rabbit and played with a grasshopper. Ántonia pointed up to the sky and questioned me with her glance. I gave her the word, but she was not satisfied and pointed to my eyes. I told her, and she repeated the word, making it sound like “ice.” She pointed up to the sky, then to my eyes, then back to the sky, with movements so quick and impulsive that she distracted me, and I had no idea what she wanted. She got up on her knees and wrung her hands. She pointed to her own eyes and shook her head, then to mine and to the sky, nodding violently. “Oh,” I exclaimed, “blue; blue sky.” She clapped her hands and murmured, “Blue sky, blue eyes,” as if it amused her. While we snuggled down there out of the wind she learned a score of words. She was quick, and very eager. We were so deep in the grass that we could see nothing but the blue sky over us and the gold tree in front of us. It was wonderfully pleasant. After Ántonia had said the new words over and over, she wanted to give me a little chased silver ring she wore on her middle finger. When she coaxed and insisted, I repulsed her quite sternly. I did n’t want her ring, and I felt there was something reckless and extravagant about her wishing to give it away to a boy she had never seen before. No wonder Krajiek got the better of these people, if this was how they behaved. While we were disputing about the ring, I heard a mournful voice calling, “Án-tonia, Án-tonia!”<\|quote\|>She sprang up like a hare.</\|quote\|>“Tatinek, Tatinek!” she shouted, and we ran to meet the old man who was coming toward us. Ántonia reached him first, took his hand and kissed it. When I came up, he touched my shoulder and looked searchingly down into my face for several seconds. I became somewhat embarrassed, for I was used to being taken for granted by my elders. We went with Mr. Shimerda back to the dugout, where grandmother was waiting for me. Before I got into the wagon, he took a book out of his pocket, opened it, and showed me a page with two alphabets, one English and the other Bohemian. He placed this book in my grandmother’s hands, looked at her entreatingly, and said with an earnestness which I shall never forget, “Te-e-ach, te-e-ach my Án-tonia!” IV ON the afternoon of that same Sunday I took my first long ride on my pony, under Otto’s direction. After that Dude and I went twice a week to the post-office, six miles east of us, and I saved the men a good deal of time by riding on errands to our neighbors. When we had to borrow anything, or to send about word that there would be preaching at the sod schoolhouse, I was always the messenger. Formerly Fuchs attended to such things after working hours. All the years that have passed have not dimmed my memory of that first glorious autumn. The new country lay open before me: there were no fences in those days, and I could choose my own way over the grass uplands, trusting the pony to get me home again. Sometimes I followed the sunflower-bordered roads. Fuchs told me that the sunflowers were introduced into that country by the Mormons; that at the time of the persecution, when they left Missouri and struck out into the wilderness to find a place where they could worship God	My Antonia
The voice continued.	No speaker	you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you	have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently.	you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened.	she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" "Bless us, what a person!" sighed Margaret, gathering up her skirts. Jacky pointed with her cake. "You re a nice boy, you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened. "I don t know what it is all about," she said. "Let s come in." But he thought she was acting. He thought he was trapped. He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of	whispered. "She s something else," said Henry. "This won t do. I can t have her in my garden in this state." "Is she--" Margaret hesitated to add "drunk." Now that she was going to marry him, he had grown particular. He discountenanced risque conversations now. Henry went up to the woman. She raised her face, which gleamed in the twilight like a puff-ball. "Madam, you will be more comfortable at the hotel," he said sharply. Jacky replied: "If it isn t Hen!" "Ne crois pas que le mari lui ressemble," apologised Margaret. "Il est tout fait diff rent." "Henry!" she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" "Bless us, what a person!" sighed Margaret, gathering up her skirts. Jacky pointed with her cake. "You re a nice boy, you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened. "I don t know what it is all about," she said. "Let s come in." But he thought she was acting. He thought he was trapped. He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of your plan." "This is Helen s plan, not mine." "I now understand your interest in the Basts. Very well thought out. I am amused at your caution, Margaret. You are quite right--it was necessary. I am a man, and have lived a man s past. I have the honour to release you from your engagement." Still she could not understand. She knew of life s seamy side as a theory; she could not grasp it as a fact. More words from Jacky were necessary--words unequivocal, undenied. "So that--" burst from her, and she went indoors. She stopped herself from saying	sunset may be but the varnish with which the unskilled artificer hides his joins. Oniton, like herself, was imperfect. Its apple-trees were stunted, its castle ruinous. It, too, had suffered in the border warfare between the Anglo-Saxon and the Celt, between things as they are and as they ought to be. Once more the west was retreating, once again the orderly stars were dotting the eastern sky. There is certainly no rest for us on the earth. But there is happiness, and as Margaret descended the mound on her lover s arm, she felt that she was having her share. To her annoyance, Mrs. Bast was still in the garden; the husband and Helen had left her there to finish her meal while they went to engage rooms. Margaret found this woman repellent. She had felt, when shaking her hand, an overpowering shame. She remembered the motive of her call at Wickham Place, and smelt again odours from the abyss--odours the more disturbing because they were involuntary. For there was no malice in Jacky. There she sat, a piece of cake in one hand, an empty champagne glass in the other, doing no harm to anybody. "She s overtired," Margaret whispered. "She s something else," said Henry. "This won t do. I can t have her in my garden in this state." "Is she--" Margaret hesitated to add "drunk." Now that she was going to marry him, he had grown particular. He discountenanced risque conversations now. Henry went up to the woman. She raised her face, which gleamed in the twilight like a puff-ball. "Madam, you will be more comfortable at the hotel," he said sharply. Jacky replied: "If it isn t Hen!" "Ne crois pas que le mari lui ressemble," apologised Margaret. "Il est tout fait diff rent." "Henry!" she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" "Bless us, what a person!" sighed Margaret, gathering up her skirts. Jacky pointed with her cake. "You re a nice boy, you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened. "I don t know what it is all about," she said. "Let s come in." But he thought she was acting. He thought he was trapped. He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of your plan." "This is Helen s plan, not mine." "I now understand your interest in the Basts. Very well thought out. I am amused at your caution, Margaret. You are quite right--it was necessary. I am a man, and have lived a man s past. I have the honour to release you from your engagement." Still she could not understand. She knew of life s seamy side as a theory; she could not grasp it as a fact. More words from Jacky were necessary--words unequivocal, undenied. "So that--" burst from her, and she went indoors. She stopped herself from saying more. "So what?" asked Colonel Fussell, who was getting ready to start in the hall. "We were saying--Henry and I were just having the fiercest argument, my point being--" Seizing his fur coat from a footman, she offered to help him on. He protested, and there was a playful little scene. "No, let me do that," said Henry, following. "Thanks so much! You see--he has forgiven me!" The Colonel said gallantly: "I don t expect there s much to forgive." He got into the car. The ladies followed him after an interval. Maids, courier, and heavier luggage had been sent on earlier by the branch-line. Still chattering, still thanking their host and patronising their future hostess, the guests were borne away. Then Margaret continued: "So that woman has been your mistress?" "You put it with your usual delicacy," he replied. "When, please?" "Why?" "When, please?" "Ten years ago." She left him without a word. For it was not her tragedy; it was Mrs. Wilcox s. CHAPTER XXVII Helen began to wonder why she had spent a matter of eight pounds in making some people ill and others angry. Now that the wave of excitement was ebbing, and had left her,	end of it, for I want you to find the man some work in your office." "What are his qualifications?" "I don t know. He s a clerk." "How old?" "Twenty-five, perhaps." "What s his name?" "Bast," said Margaret, and was about to remind him that they had met at Wickham Place, but stopped herself. It had not been a successful meeting. "Where was he before?" "Dempster s Bank." "Why did he leave?" he asked, still remembering nothing. "They reduced their staff." "All right; I ll see him." It was the reward of her tact and devotion through the day. Now she understood why some women prefer influence to rights. Mrs. Plynlimmon, when condemning suffragettes, had said: "The woman who can t influence her husband to vote the way she wants ought to be ashamed of herself." Margaret had winced, but she was influencing Henry now, and though pleased at her little victory, she knew that she had won it by the methods of the harem. "I should be glad if you took him," she said, "but I don t know whether he s qualified." "I ll do what I can. But, Margaret, this mustn t be taken as a precedent." "No, of course--of course--" "I can t fit in your proteges every day. Business would suffer." "I can promise you he s the last. He--he s rather a special case." "Proteges always are." She let it stand at that. He rose with a little extra touch of complacency, and held out his hand to help her up. How wide the gulf between Henry as he was and Henry as Helen thought he ought to be! And she herself--hovering as usual between the two, now accepting men as they are, now yearning with her sister for Truth. Love and Truth--their warfare seems eternal. Perhaps the whole visible world rests on it, and if they were one, life itself, like the spirits when Prospero was reconciled to his brother, might vanish into air, into thin air. "Your protege has made us late," said he. "The Fussells--will just be starting." On the whole she sided with men as they are. Henry would save the Basts as he had saved Howards End, while Helen and her friends were discussing the ethics of salvation. His was a slap-dash method, but the world has been built slap-dash, and the beauty of mountain and river and sunset may be but the varnish with which the unskilled artificer hides his joins. Oniton, like herself, was imperfect. Its apple-trees were stunted, its castle ruinous. It, too, had suffered in the border warfare between the Anglo-Saxon and the Celt, between things as they are and as they ought to be. Once more the west was retreating, once again the orderly stars were dotting the eastern sky. There is certainly no rest for us on the earth. But there is happiness, and as Margaret descended the mound on her lover s arm, she felt that she was having her share. To her annoyance, Mrs. Bast was still in the garden; the husband and Helen had left her there to finish her meal while they went to engage rooms. Margaret found this woman repellent. She had felt, when shaking her hand, an overpowering shame. She remembered the motive of her call at Wickham Place, and smelt again odours from the abyss--odours the more disturbing because they were involuntary. For there was no malice in Jacky. There she sat, a piece of cake in one hand, an empty champagne glass in the other, doing no harm to anybody. "She s overtired," Margaret whispered. "She s something else," said Henry. "This won t do. I can t have her in my garden in this state." "Is she--" Margaret hesitated to add "drunk." Now that she was going to marry him, he had grown particular. He discountenanced risque conversations now. Henry went up to the woman. She raised her face, which gleamed in the twilight like a puff-ball. "Madam, you will be more comfortable at the hotel," he said sharply. Jacky replied: "If it isn t Hen!" "Ne crois pas que le mari lui ressemble," apologised Margaret. "Il est tout fait diff rent." "Henry!" she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" "Bless us, what a person!" sighed Margaret, gathering up her skirts. Jacky pointed with her cake. "You re a nice boy, you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened. "I don t know what it is all about," she said. "Let s come in." But he thought she was acting. He thought he was trapped. He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of your plan." "This is Helen s plan, not mine." "I now understand your interest in the Basts. Very well thought out. I am amused at your caution, Margaret. You are quite right--it was necessary. I am a man, and have lived a man s past. I have the honour to release you from your engagement." Still she could not understand. She knew of life s seamy side as a theory; she could not grasp it as a fact. More words from Jacky were necessary--words unequivocal, undenied. "So that--" burst from her, and she went indoors. She stopped herself from saying more. "So what?" asked Colonel Fussell, who was getting ready to start in the hall. "We were saying--Henry and I were just having the fiercest argument, my point being--" Seizing his fur coat from a footman, she offered to help him on. He protested, and there was a playful little scene. "No, let me do that," said Henry, following. "Thanks so much! You see--he has forgiven me!" The Colonel said gallantly: "I don t expect there s much to forgive." He got into the car. The ladies followed him after an interval. Maids, courier, and heavier luggage had been sent on earlier by the branch-line. Still chattering, still thanking their host and patronising their future hostess, the guests were borne away. Then Margaret continued: "So that woman has been your mistress?" "You put it with your usual delicacy," he replied. "When, please?" "Why?" "When, please?" "Ten years ago." She left him without a word. For it was not her tragedy; it was Mrs. Wilcox s. CHAPTER XXVII Helen began to wonder why she had spent a matter of eight pounds in making some people ill and others angry. Now that the wave of excitement was ebbing, and had left her, Mr. Bast, and Mrs. Bast stranded for the night in a Shropshire hotel, she asked herself what forces had made the wave flow. At all events, no harm was done. Margaret would play the game properly now, and though Helen disapproved of her sister s methods, she knew that the Basts would benefit by them in the long-run. "Mr. Wilcox is so illogical," she explained to Leonard, who had put his wife to bed, and was sitting with her in the empty coffee-room. "If we told him it was his duty to take you on, he might refuse to do it. The fact is, he isn t properly educated. I don t want to set you against him, but you ll find him a trial." "I can never thank you sufficiently, Miss Schlegel," was all that Leonard felt equal to. "I believe in personal responsibility. Don t you? And in personal everything. I hate--I suppose I oughtn t to say that--but the Wilcoxes are on the wrong tack surely. Or perhaps it isn t their fault. Perhaps the little thing that says I is missing out of the middle of their heads, and then it s a waste of time to blame them. There s a nightmare of a theory that says a special race is being born which will rule the rest of us in the future just because it lacks the little thing that says I. Had you heard that?" "I get no time for reading." "Had you thought it, then? That there are two kinds of people--our kind, who live straight from the middle of their heads, and the other kind who can t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if	anybody. "She s overtired," Margaret whispered. "She s something else," said Henry. "This won t do. I can t have her in my garden in this state." "Is she--" Margaret hesitated to add "drunk." Now that she was going to marry him, he had grown particular. He discountenanced risque conversations now. Henry went up to the woman. She raised her face, which gleamed in the twilight like a puff-ball. "Madam, you will be more comfortable at the hotel," he said sharply. Jacky replied: "If it isn t Hen!" "Ne crois pas que le mari lui ressemble," apologised Margaret. "Il est tout fait diff rent." "Henry!" she repeated, quite distinctly. Mr. Wilcox was much annoyed. "I congratulate you on your proteges," he remarked. "Hen, don t go. You do love me, dear, don t you?" "Bless us, what a person!" sighed Margaret, gathering up her skirts. Jacky pointed with her cake. "You re a nice boy, you are." She yawned. "There now, I love you." "Henry, I am awfully sorry." "And pray why?" he asked, and looked at her so sternly that she feared he was ill. He seemed more scandalised than the facts demanded. "To have brought this down on you." "Pray don t apologise."<\|quote\|>The voice continued.</\|quote\|>"Why does she call you Hen ?" said Margaret innocently. "Has she ever seen you before?" "Seen Hen before!" said Jacky. "Who hasn t seen Hen? He s serving you like me, my boys! You wait--Still we love em." "Are you now satisfied?" Henry asked. Margaret began to grow frightened. "I don t know what it is all about," she said. "Let s come in." But he thought she was acting. He thought he was trapped. He saw his whole life crumbling. "Don t you indeed?" he said bitingly. "I do. Allow me to congratulate you on the success of your plan." "This is Helen s plan, not mine." "I now understand your interest in the Basts. Very well thought out. I am amused at your caution, Margaret. You are quite right--it was necessary. I am a man, and have lived a man s past. I have the honour to release you from your engagement." Still she could not understand. She knew of life s seamy side as a theory; she could not grasp it as a fact. More words from Jacky were necessary--words unequivocal, undenied. "So that--" burst from her, and she went indoors. She stopped herself from saying more. "So what?" asked Colonel Fussell, who was getting ready to start in the hall. "We were saying--Henry and I were just having the fiercest argument, my point being--" Seizing his fur coat from a footman, she offered to help him on. He protested, and there was a playful little scene. "No, let me do that," said Henry, following. "Thanks so much! You see--he has forgiven me!" The Colonel said gallantly: "I don t expect there s much to forgive." He got into the car. The ladies followed him after an interval. Maids, courier, and heavier luggage had been sent on earlier by the branch-line. Still chattering, still thanking their host and patronising their future hostess, the guests were borne away. Then Margaret continued: "So that woman has been your mistress?" "You put it with your usual delicacy," he replied. "When, please?" "Why?" "When, please?" "Ten years ago." She left him without a word. For it was not her tragedy; it was Mrs. Wilcox s. CHAPTER XXVII Helen began to wonder why she had spent a matter of eight pounds in making some people ill and others angry. Now that the wave of excitement was ebbing, and had left her, Mr. Bast, and Mrs. Bast stranded for the night in a Shropshire hotel, she asked herself what forces had made the wave flow. At all events, no harm was done. Margaret would play the game properly now, and though Helen disapproved of her sister s methods, she knew that the Basts would benefit by them in the long-run. "Mr. Wilcox is so illogical," she explained to Leonard, who had put his wife to bed, and was sitting with her in the empty coffee-room. "If we told him it was his duty to take you on, he might refuse to do it. The fact is, he isn t properly educated. I don t want to set you against him, but you ll find him a trial." "I can never thank you sufficiently, Miss Schlegel," was all that Leonard felt equal to. "I believe in personal responsibility. Don t you? And in personal everything. I hate--I suppose I oughtn t to say that--but the Wilcoxes are on the wrong tack surely. Or perhaps it isn t their fault. Perhaps the little thing that says I is missing out	Howards End
"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."	The Invisible Man	the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that	a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell	them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed	stared right through me. So did the others as they joined him. The old man went and peered under the bed, and then they all made a rush for the cupboard. They had to argue about it at length in Yiddish and Cockney English. They concluded I had not answered them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed both apparatus. Then, while they were trying to explain the smash, I dodged out of the room and went softly downstairs." "I went into one of the sitting-rooms and waited until they came down, still speculating and argumentative, all a little disappointed at finding no horrors, and all a little	moment they had broken away the staples of the bolts and stood in the open doorway. It was the landlord and his two step-sons, sturdy young men of three or four and twenty. Behind them fluttered the old hag of a woman from downstairs." "You may imagine their astonishment to find the room empty. One of the younger men rushed to the window at once, flung it up and stared out. His staring eyes and thick-lipped bearded face came a foot from my face. I was half minded to hit his silly countenance, but I arrested my doubled fist. He stared right through me. So did the others as they joined him. The old man went and peered under the bed, and then they all made a rush for the cupboard. They had to argue about it at length in Yiddish and Cockney English. They concluded I had not answered them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed both apparatus. Then, while they were trying to explain the smash, I dodged out of the room and went softly downstairs." "I went into one of the sitting-rooms and waited until they came down, still speculating and argumentative, all a little disappointed at finding no horrors, and all a little puzzled how they stood legally towards me. Then I slipped up again with a box of matches, fired my heap of paper and rubbish, put the chairs and bedding thereby, led the gas to the affair, by means of an india-rubber tube, and waving a farewell to the room left it for the last time." "You fired the house!" exclaimed Kemp. "Fired the house. It was the only way to cover my trail and no doubt it was insured. I slipped the bolts of the front door quietly and went out into the street. I was invisible, and I was	of my apparatus, and to distribute it about the room, so as to destroy the suggestions of its arrangement. Presently the knocking was renewed and voices called, first my landlord s, and then two others. To gain time I answered them. The invisible rag and pillow came to hand and I opened the window and pitched them out on to the cistern cover. As the window opened, a heavy crash came at the door. Someone had charged it with the idea of smashing the lock. But the stout bolts I had screwed up some days before stopped him. That startled me, made me angry. I began to tremble and do things hurriedly." "I tossed together some loose paper, straw, packing paper and so forth, in the middle of the room, and turned on the gas. Heavy blows began to rain upon the door. I could not find the matches. I beat my hands on the wall with rage. I turned down the gas again, stepped out of the window on the cistern cover, very softly lowered the sash, and sat down, secure and invisible, but quivering with anger, to watch events. They split a panel, I saw, and in another moment they had broken away the staples of the bolts and stood in the open doorway. It was the landlord and his two step-sons, sturdy young men of three or four and twenty. Behind them fluttered the old hag of a woman from downstairs." "You may imagine their astonishment to find the room empty. One of the younger men rushed to the window at once, flung it up and stared out. His staring eyes and thick-lipped bearded face came a foot from my face. I was half minded to hit his silly countenance, but I arrested my doubled fist. He stared right through me. So did the others as they joined him. The old man went and peered under the bed, and then they all made a rush for the cupboard. They had to argue about it at length in Yiddish and Cockney English. They concluded I had not answered them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed both apparatus. Then, while they were trying to explain the smash, I dodged out of the room and went softly downstairs." "I went into one of the sitting-rooms and waited until they came down, still speculating and argumentative, all a little disappointed at finding no horrors, and all a little puzzled how they stood legally towards me. Then I slipped up again with a box of matches, fired my heap of paper and rubbish, put the chairs and bedding thereby, led the gas to the affair, by means of an india-rubber tube, and waving a farewell to the room left it for the last time." "You fired the house!" exclaimed Kemp. "Fired the house. It was the only way to cover my trail and no doubt it was insured. I slipped the bolts of the front door quietly and went out into the street. I was invisible, and I was only just beginning to realise the extraordinary advantage my invisibility gave me. My head was already teeming with plans of all the wild and wonderful things I had now impunity to do." CHAPTER XXI. IN OXFORD STREET "In going downstairs the first time I found an unexpected difficulty because I could not see my feet; indeed I stumbled twice, and there was an unaccustomed clumsiness in gripping the bolt. By not looking down, however, I managed to walk on the level passably well." "My mood, I say, was one of exaltation. I felt as a seeing man might do, with padded feet and noiseless clothes, in a city of the blind. I experienced a wild impulse to jest, to startle people, to clap men on the back, fling people s hats astray, and generally revel in my extraordinary advantage." "But hardly had I emerged upon Great Portland Street, however (my lodging was close to the big draper s shop there), when I heard a clashing concussion and was hit violently behind, and turning saw a man carrying a basket of soda-water syphons, and looking in amazement at his burden. Although the blow had really hurt me, I found something so	"For a moment he gaped. Then he gave a sort of inarticulate cry, dropped candle and writ together, and went blundering down the dark passage to the stairs. I shut the door, locked it, and went to the looking-glass. Then I understood his terror.... My face was white like white stone." "But it was all horrible. I had not expected the suffering. A night of racking anguish, sickness and fainting. I set my teeth, though my skin was presently afire, all my body afire; but I lay there like grim death. I understood now how it was the cat had howled until I chloroformed it. Lucky it was I lived alone and untended in my room. There were times when I sobbed and groaned and talked. But I stuck to it.... I became insensible and woke languid in the darkness." "The pain had passed. I thought I was killing myself and I did not care. I shall never forget that dawn, and the strange horror of seeing that my hands had become as clouded glass, and watching them grow clearer and thinner as the day went by, until at last I could see the sickly disorder of my room through them, though I closed my transparent eyelids. My limbs became glassy, the bones and arteries faded, vanished, and the little white nerves went last. I gritted my teeth and stayed there to the end. At last only the dead tips of the fingernails remained, pallid and white, and the brown stain of some acid upon my fingers." "I struggled up. At first I was as incapable as a swathed infant stepping with limbs I could not see. I was weak and very hungry. I went and stared at nothing in my shaving-glass, at nothing save where an attenuated pigment still remained behind the retina of my eyes, fainter than mist. I had to hang on to the table and press my forehead against the glass." "It was only by a frantic effort of will that I dragged myself back to the apparatus and completed the process." "I slept during the forenoon, pulling the sheet over my eyes to shut out the light, and about midday I was awakened again by a knocking. My strength had returned. I sat up and listened and heard a whispering. I sprang to my feet and as noiselessly as possible began to detach the connections of my apparatus, and to distribute it about the room, so as to destroy the suggestions of its arrangement. Presently the knocking was renewed and voices called, first my landlord s, and then two others. To gain time I answered them. The invisible rag and pillow came to hand and I opened the window and pitched them out on to the cistern cover. As the window opened, a heavy crash came at the door. Someone had charged it with the idea of smashing the lock. But the stout bolts I had screwed up some days before stopped him. That startled me, made me angry. I began to tremble and do things hurriedly." "I tossed together some loose paper, straw, packing paper and so forth, in the middle of the room, and turned on the gas. Heavy blows began to rain upon the door. I could not find the matches. I beat my hands on the wall with rage. I turned down the gas again, stepped out of the window on the cistern cover, very softly lowered the sash, and sat down, secure and invisible, but quivering with anger, to watch events. They split a panel, I saw, and in another moment they had broken away the staples of the bolts and stood in the open doorway. It was the landlord and his two step-sons, sturdy young men of three or four and twenty. Behind them fluttered the old hag of a woman from downstairs." "You may imagine their astonishment to find the room empty. One of the younger men rushed to the window at once, flung it up and stared out. His staring eyes and thick-lipped bearded face came a foot from my face. I was half minded to hit his silly countenance, but I arrested my doubled fist. He stared right through me. So did the others as they joined him. The old man went and peered under the bed, and then they all made a rush for the cupboard. They had to argue about it at length in Yiddish and Cockney English. They concluded I had not answered them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed both apparatus. Then, while they were trying to explain the smash, I dodged out of the room and went softly downstairs." "I went into one of the sitting-rooms and waited until they came down, still speculating and argumentative, all a little disappointed at finding no horrors, and all a little puzzled how they stood legally towards me. Then I slipped up again with a box of matches, fired my heap of paper and rubbish, put the chairs and bedding thereby, led the gas to the affair, by means of an india-rubber tube, and waving a farewell to the room left it for the last time." "You fired the house!" exclaimed Kemp. "Fired the house. It was the only way to cover my trail and no doubt it was insured. I slipped the bolts of the front door quietly and went out into the street. I was invisible, and I was only just beginning to realise the extraordinary advantage my invisibility gave me. My head was already teeming with plans of all the wild and wonderful things I had now impunity to do." CHAPTER XXI. IN OXFORD STREET "In going downstairs the first time I found an unexpected difficulty because I could not see my feet; indeed I stumbled twice, and there was an unaccustomed clumsiness in gripping the bolt. By not looking down, however, I managed to walk on the level passably well." "My mood, I say, was one of exaltation. I felt as a seeing man might do, with padded feet and noiseless clothes, in a city of the blind. I experienced a wild impulse to jest, to startle people, to clap men on the back, fling people s hats astray, and generally revel in my extraordinary advantage." "But hardly had I emerged upon Great Portland Street, however (my lodging was close to the big draper s shop there), when I heard a clashing concussion and was hit violently behind, and turning saw a man carrying a basket of soda-water syphons, and looking in amazement at his burden. Although the blow had really hurt me, I found something so irresistible in his astonishment that I laughed aloud." The devil s in the basket, "I said, and suddenly twisted it out of his hand. He let go incontinently, and I swung the whole weight into the air." "But a fool of a cabman, standing outside a public house, made a sudden rush for this, and his extending fingers took me with excruciating violence under the ear. I let the whole down with a smash on the cabman, and then, with shouts and the clatter of feet about me, people coming out of shops, vehicles pulling up, I realised what I had done for myself, and cursing my folly, backed against a shop window and prepared to dodge out of the confusion. In a moment I should be wedged into a crowd and inevitably discovered. I pushed by a butcher boy, who luckily did not turn to see the nothingness that shoved him aside, and dodged behind the cab-man s four-wheeler. I do not know how they settled the business. I hurried straight across the road, which was happily clear, and hardly heeding which way I went, in the fright of detection the incident had given me, plunged into the afternoon throng of Oxford Street." "I tried to get into the stream of people, but they were too thick for me, and in a moment my heels were being trodden upon. I took to the gutter, the roughness of which I found painful to my feet, and forthwith the shaft of a crawling hansom dug me forcibly under the shoulder blade, reminding me that I was already bruised severely. I staggered out of the way of the cab, avoided a perambulator by a convulsive movement, and found myself behind the hansom. A happy thought saved me, and as this drove slowly along I followed in its immediate wake, trembling and astonished at the turn of my adventure. And not only trembling, but shivering. It was a bright day in January and I was stark naked and the thin slime of mud that covered the road was freezing. Foolish as it seems to me now, I had not reckoned that, transparent or not, I was still amenable to the weather and all its consequences." "Then suddenly a bright idea came into my head. I ran round and got into the cab. And so, shivering, scared, and sniffing with the first intimations of	down the gas again, stepped out of the window on the cistern cover, very softly lowered the sash, and sat down, secure and invisible, but quivering with anger, to watch events. They split a panel, I saw, and in another moment they had broken away the staples of the bolts and stood in the open doorway. It was the landlord and his two step-sons, sturdy young men of three or four and twenty. Behind them fluttered the old hag of a woman from downstairs." "You may imagine their astonishment to find the room empty. One of the younger men rushed to the window at once, flung it up and stared out. His staring eyes and thick-lipped bearded face came a foot from my face. I was half minded to hit his silly countenance, but I arrested my doubled fist. He stared right through me. So did the others as they joined him. The old man went and peered under the bed, and then they all made a rush for the cupboard. They had to argue about it at length in Yiddish and Cockney English. They concluded I had not answered them, that their imagination had deceived them. A feeling of extraordinary elation took the place of my anger as I sat outside the window and watched these four people for the old lady came in, glancing suspiciously about her like a cat, trying to understand the riddle of my behaviour."<\|quote\|>"The old man, so far as I could understand his _patois_, agreed with the old lady that I was a vivisectionist. The sons protested in garbled English that I was an electrician, and appealed to the dynamos and radiators. They were all nervous about my arrival, although I found subsequently that they had bolted the front door. The old lady peered into the cupboard and under the bed, and one of the young men pushed up the register and stared up the chimney. One of my fellow lodgers, a coster-monger who shared the opposite room with a butcher, appeared on the landing, and he was called in and told incoherent things."</\|quote\|>"It occurred to me that the radiators, if they fell into the hands of some acute well-educated person, would give me away too much, and watching my opportunity, I came into the room and tilted one of the little dynamos off its fellow on which it was standing, and smashed both apparatus. Then, while they were trying to explain the smash, I dodged out of the room and went softly downstairs." "I went into one of the sitting-rooms and waited until they came down, still speculating and argumentative, all a little disappointed at finding no horrors, and all a little puzzled how they stood legally towards me. Then I slipped up again with a box of matches, fired my heap of paper and rubbish, put the chairs and bedding thereby, led the gas to the affair, by means of an india-rubber tube, and waving a farewell to the room left it for the last time." "You fired the house!" exclaimed Kemp. "Fired the house. It was the only way to cover my trail and no doubt it was insured. I slipped the bolts of the front door quietly and went out into the street. I was invisible, and I was only just beginning to realise the extraordinary advantage my invisibility gave me. My head was already teeming with plans of all the wild and wonderful things I had now impunity to do." CHAPTER XXI. IN OXFORD STREET "In going downstairs the first time I found an unexpected difficulty because I could	The Invisible Man
and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.	No speaker	Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of	used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her	all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my	Katharine, that s true, you know. It s more than most of us have, only we have to pretend, which was a thing neither of them could ever do. I fancy," Mrs. Hilbery mused, "that there was a kind of sincerity in those days between men and women which, with all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my father wasn t in bed three nights out of the seven, but always fresh as paint in the morning. I hear him now, come singing up the stairs to the nursery, and tossing the loaf for breakfast on his sword-stick, and then off we went for a day s pleasuring	it hadn t been for me, where would you be now? And it was true; she brought them together, you know. She said to my father, Marry her, and he did; and she said to poor little Clara, Fall down and worship him, and she did; but she got up again, of course. What else could one expect? She was a mere child eighteen and half dead with fright, too. But that old tyrant never repented. She used to say that she had given them three perfect months, and no one had a right to more; and I sometimes think, Katharine, that s true, you know. It s more than most of us have, only we have to pretend, which was a thing neither of them could ever do. I fancy," Mrs. Hilbery mused, "that there was a kind of sincerity in those days between men and women which, with all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my father wasn t in bed three nights out of the seven, but always fresh as paint in the morning. I hear him now, come singing up the stairs to the nursery, and tossing the loaf for breakfast on his sword-stick, and then off we went for a day s pleasuring Richmond, Hampton Court, the Surrey Hills. Why shouldn t we go, Katharine? It s going to be a fine day." At this moment, just as Mrs. Hilbery was examining the weather from the window, there was a knock at the door. A slight, elderly lady came in, and was saluted by Katharine, with very evident dismay, as "Aunt Celia!" She was dismayed because she guessed why Aunt Celia had come. It was certainly in order to discuss the case of Cyril and the woman who was not his wife, and owing to her procrastination Mrs. Hilbery was quite unprepared. Who	whole meal, and appeared in the drawing-room as if she d been sleeping on a bank of roses all day. She could do anything with her hands they all could make a cottage or embroider a petticoat." "And that s Queenie Colquhoun," she went on, turning the pages, "who took her coffin out with her to Jamaica, packed with lovely shawls and bonnets, because you couldn t get coffins in Jamaica, and she had a horror of dying there (as she did), and being devoured by the white ants. And there s Sabine, the loveliest of them all; ah! it was like a star rising when she came into the room. And that s Miriam, in her coachman s cloak, with all the little capes on, and she wore great top-boots underneath. You young people may say you re unconventional, but you re nothing compared with her." Turning the page, she came upon the picture of a very masculine, handsome lady, whose head the photographer had adorned with an imperial crown. "Ah, you wretch!" Mrs. Hilbery exclaimed, "what a wicked old despot you were, in your day! How we all bowed down before you! Maggie, she used to say, if it hadn t been for me, where would you be now? And it was true; she brought them together, you know. She said to my father, Marry her, and he did; and she said to poor little Clara, Fall down and worship him, and she did; but she got up again, of course. What else could one expect? She was a mere child eighteen and half dead with fright, too. But that old tyrant never repented. She used to say that she had given them three perfect months, and no one had a right to more; and I sometimes think, Katharine, that s true, you know. It s more than most of us have, only we have to pretend, which was a thing neither of them could ever do. I fancy," Mrs. Hilbery mused, "that there was a kind of sincerity in those days between men and women which, with all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my father wasn t in bed three nights out of the seven, but always fresh as paint in the morning. I hear him now, come singing up the stairs to the nursery, and tossing the loaf for breakfast on his sword-stick, and then off we went for a day s pleasuring Richmond, Hampton Court, the Surrey Hills. Why shouldn t we go, Katharine? It s going to be a fine day." At this moment, just as Mrs. Hilbery was examining the weather from the window, there was a knock at the door. A slight, elderly lady came in, and was saluted by Katharine, with very evident dismay, as "Aunt Celia!" She was dismayed because she guessed why Aunt Celia had come. It was certainly in order to discuss the case of Cyril and the woman who was not his wife, and owing to her procrastination Mrs. Hilbery was quite unprepared. Who could be more unprepared? Here she was, suggesting that all three of them should go on a jaunt to Blackfriars to inspect the site of Shakespeare s theater, for the weather was hardly settled enough for the country. To this proposal Mrs. Milvain listened with a patient smile, which indicated that for many years she had accepted such eccentricities in her sister-in-law with bland philosophy. Katharine took up her position at some distance, standing with her foot on the fender, as though by so doing she could get a better view of the matter. But, in spite of her aunt s presence, how unreal the whole question of Cyril and his morality appeared! The difficulty, it now seemed, was not to break the news gently to Mrs. Hilbery, but to make her understand it. How was one to lasso her mind, and tether it to this minute, unimportant spot? A matter-of-fact statement seemed best. "I think Aunt Celia has come to talk about Cyril, mother," she said rather brutally. "Aunt Celia has discovered that Cyril is married. He has a wife and children." "No, he is _not_ married," Mrs. Milvain interposed, in low tones, addressing herself to Mrs. Hilbery. "He	again, and Katharine felt once more full of peace and solicitude, and anxious only that her mother should be protected from pain. She crossed the room instinctively, and sat on the arm of her mother s chair. Mrs. Hilbery leant her head against her daughter s body. "What is nobler," she mused, turning over the photographs, "than to be a woman to whom every one turns, in sorrow or difficulty? How have the young women of your generation improved upon that, Katharine? I can see them now, sweeping over the lawns at Melbury House, in their flounces and furbelows, so calm and stately and imperial (and the monkey and the little black dwarf following behind), as if nothing mattered in the world but to be beautiful and kind. But they did more than we do, I sometimes think. They WERE, and that s better than doing. They seem to me like ships, like majestic ships, holding on their way, not shoving or pushing, not fretted by little things, as we are, but taking their way, like ships with white sails." Katharine tried to interrupt this discourse, but the opportunity did not come, and she could not forbear to turn over the pages of the album in which the old photographs were stored. The faces of these men and women shone forth wonderfully after the hubbub of living faces, and seemed, as her mother had said, to wear a marvelous dignity and calm, as if they had ruled their kingdoms justly and deserved great love. Some were of almost incredible beauty, others were ugly enough in a forcible way, but none were dull or bored or insignificant. The superb stiff folds of the crinolines suited the women; the cloaks and hats of the gentlemen seemed full of character. Once more Katharine felt the serene air all round her, and seemed far off to hear the solemn beating of the sea upon the shore. But she knew that she must join the present on to this past. Mrs. Hilbery was rambling on, from story to story. "That s Janie Mannering," she said, pointing to a superb, white-haired dame, whose satin robes seemed strung with pearls. "I must have told you how she found her cook drunk under the kitchen table when the Empress was coming to dinner, and tucked up her velvet sleeves (she always dressed like an Empress herself), cooked the whole meal, and appeared in the drawing-room as if she d been sleeping on a bank of roses all day. She could do anything with her hands they all could make a cottage or embroider a petticoat." "And that s Queenie Colquhoun," she went on, turning the pages, "who took her coffin out with her to Jamaica, packed with lovely shawls and bonnets, because you couldn t get coffins in Jamaica, and she had a horror of dying there (as she did), and being devoured by the white ants. And there s Sabine, the loveliest of them all; ah! it was like a star rising when she came into the room. And that s Miriam, in her coachman s cloak, with all the little capes on, and she wore great top-boots underneath. You young people may say you re unconventional, but you re nothing compared with her." Turning the page, she came upon the picture of a very masculine, handsome lady, whose head the photographer had adorned with an imperial crown. "Ah, you wretch!" Mrs. Hilbery exclaimed, "what a wicked old despot you were, in your day! How we all bowed down before you! Maggie, she used to say, if it hadn t been for me, where would you be now? And it was true; she brought them together, you know. She said to my father, Marry her, and he did; and she said to poor little Clara, Fall down and worship him, and she did; but she got up again, of course. What else could one expect? She was a mere child eighteen and half dead with fright, too. But that old tyrant never repented. She used to say that she had given them three perfect months, and no one had a right to more; and I sometimes think, Katharine, that s true, you know. It s more than most of us have, only we have to pretend, which was a thing neither of them could ever do. I fancy," Mrs. Hilbery mused, "that there was a kind of sincerity in those days between men and women which, with all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my father wasn t in bed three nights out of the seven, but always fresh as paint in the morning. I hear him now, come singing up the stairs to the nursery, and tossing the loaf for breakfast on his sword-stick, and then off we went for a day s pleasuring Richmond, Hampton Court, the Surrey Hills. Why shouldn t we go, Katharine? It s going to be a fine day." At this moment, just as Mrs. Hilbery was examining the weather from the window, there was a knock at the door. A slight, elderly lady came in, and was saluted by Katharine, with very evident dismay, as "Aunt Celia!" She was dismayed because she guessed why Aunt Celia had come. It was certainly in order to discuss the case of Cyril and the woman who was not his wife, and owing to her procrastination Mrs. Hilbery was quite unprepared. Who could be more unprepared? Here she was, suggesting that all three of them should go on a jaunt to Blackfriars to inspect the site of Shakespeare s theater, for the weather was hardly settled enough for the country. To this proposal Mrs. Milvain listened with a patient smile, which indicated that for many years she had accepted such eccentricities in her sister-in-law with bland philosophy. Katharine took up her position at some distance, standing with her foot on the fender, as though by so doing she could get a better view of the matter. But, in spite of her aunt s presence, how unreal the whole question of Cyril and his morality appeared! The difficulty, it now seemed, was not to break the news gently to Mrs. Hilbery, but to make her understand it. How was one to lasso her mind, and tether it to this minute, unimportant spot? A matter-of-fact statement seemed best. "I think Aunt Celia has come to talk about Cyril, mother," she said rather brutally. "Aunt Celia has discovered that Cyril is married. He has a wife and children." "No, he is _not_ married," Mrs. Milvain interposed, in low tones, addressing herself to Mrs. Hilbery. "He has two children, and another on the way." Mrs. Hilbery looked from one to the other in bewilderment. "We thought it better to wait until it was proved before we told you," Katharine added. "But I met Cyril only a fortnight ago at the National Gallery!" Mrs. Hilbery exclaimed. "I don t believe a word of it," and she tossed her head with a smile on her lips at Mrs. Milvain, as though she could quite understand her mistake, which was a very natural mistake, in the case of a childless woman, whose husband was something very dull in the Board of Trade. "I didn t _wish_ to believe it, Maggie," said Mrs. Milvain. "For a long time I _couldn t_ believe it. But now I ve seen, and I _have_ to believe it." "Katharine," Mrs. Hilbery demanded, "does your father know of this?" Katharine nodded. "Cyril married!" Mrs. Hilbery repeated. "And never telling us a word, though we ve had him in our house since he was a child noble William s son! I can t believe my ears!" Feeling that the burden of proof was laid upon her, Mrs. Milvain now proceeded with her story. She was elderly and fragile, but her childlessness seemed always to impose these painful duties on her, and to revere the family, and to keep it in repair, had now become the chief object of her life. She told her story in a low, spasmodic, and somewhat broken voice. "I have suspected for some time that he was not happy. There were new lines on his face. So I went to his rooms, when I knew he was engaged at the poor men s college. He lectures there Roman law, you know, or it may be Greek. The landlady said Mr. Alardyce only slept there about once a fortnight now. He looked so ill, she said. She had seen him with a young person. I suspected something directly. I went to his room, and there was an envelope on the mantelpiece, and a letter with an address in Seton Street, off the Kennington Road." Mrs. Hilbery fidgeted rather restlessly, and hummed fragments of her tune, as if to interrupt. "I went to Seton Street," Aunt Celia continued firmly. "A very low place lodging-houses, you know, with canaries in the window. Number seven just like all the others. I rang, I knocked; no one	full of character. Once more Katharine felt the serene air all round her, and seemed far off to hear the solemn beating of the sea upon the shore. But she knew that she must join the present on to this past. Mrs. Hilbery was rambling on, from story to story. "That s Janie Mannering," she said, pointing to a superb, white-haired dame, whose satin robes seemed strung with pearls. "I must have told you how she found her cook drunk under the kitchen table when the Empress was coming to dinner, and tucked up her velvet sleeves (she always dressed like an Empress herself), cooked the whole meal, and appeared in the drawing-room as if she d been sleeping on a bank of roses all day. She could do anything with her hands they all could make a cottage or embroider a petticoat." "And that s Queenie Colquhoun," she went on, turning the pages, "who took her coffin out with her to Jamaica, packed with lovely shawls and bonnets, because you couldn t get coffins in Jamaica, and she had a horror of dying there (as she did), and being devoured by the white ants. And there s Sabine, the loveliest of them all; ah! it was like a star rising when she came into the room. And that s Miriam, in her coachman s cloak, with all the little capes on, and she wore great top-boots underneath. You young people may say you re unconventional, but you re nothing compared with her." Turning the page, she came upon the picture of a very masculine, handsome lady, whose head the photographer had adorned with an imperial crown. "Ah, you wretch!" Mrs. Hilbery exclaimed, "what a wicked old despot you were, in your day! How we all bowed down before you! Maggie, she used to say, if it hadn t been for me, where would you be now? And it was true; she brought them together, you know. She said to my father, Marry her, and he did; and she said to poor little Clara, Fall down and worship him, and she did; but she got up again, of course. What else could one expect? She was a mere child eighteen and half dead with fright, too. But that old tyrant never repented. She used to say that she had given them three perfect months, and no one had a right to more; and I sometimes think, Katharine, that s true, you know. It s more than most of us have, only we have to pretend, which was a thing neither of them could ever do. I fancy," Mrs. Hilbery mused, "that there was a kind of sincerity in those days between men and women which, with all your outspokenness, you haven t got." Katharine again tried to interrupt. But Mrs. Hilbery had been gathering impetus from her recollections, and was now in high spirits. "They must have been good friends at heart," she resumed, "because she used to sing his songs. Ah, how did it go?"<\|quote\|>and Mrs. Hilbery, who had a very sweet voice, trolled out a famous lyric of her father s which had been set to an absurdly and charmingly sentimental air by some early Victorian composer.</\|quote\|>"It s the vitality of them!" she concluded, striking her fist against the table. "That s what we haven t got! We re virtuous, we re earnest, we go to meetings, we pay the poor their wages, but we don t live as they lived. As often as not, my father wasn t in bed three nights out of the seven, but always fresh as paint in the morning. I hear him now, come singing up the stairs to the nursery, and tossing the loaf for breakfast on his sword-stick, and then off we went for a day s pleasuring Richmond, Hampton Court, the Surrey Hills. Why shouldn t we go, Katharine? It s going to be a fine day." At this moment, just as Mrs. Hilbery was examining the weather from the window, there was a knock at the door. A slight, elderly lady came in, and was saluted by Katharine, with very evident dismay, as "Aunt Celia!" She was dismayed because she guessed why Aunt Celia had come. It was certainly in order to discuss the case of Cyril and the woman who was not his wife, and owing to her procrastination Mrs. Hilbery was quite unprepared. Who could be more unprepared? Here she was, suggesting that all three of them should go on a jaunt to Blackfriars to inspect the site of Shakespeare s theater, for the weather was hardly settled enough for the country. To this proposal Mrs. Milvain listened with a patient smile, which indicated that for many years she had accepted such eccentricities in her sister-in-law with bland philosophy. Katharine took up her position at some distance, standing with her foot on the fender, as though by so doing she could get a better view of the matter. But, in spite of her aunt s presence, how unreal the whole question of Cyril and his	Night And Day
"And what a fine thing it all is!"	Alexis Ivanovitch	to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be	something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way	General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more	the case that everything is mortgaged? I have heard rumours to that effect, but was unaware how far they might be true." "Yes, they _are_ true. What then?" "Why, it will be a case of Farewell, Mlle. Blanche," I remarked; "for in such an event she would never become Madame General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more dastardly, than the sending of telegram after telegram to know if she is dead? What do you think of it, Polina Alexandrovna?" "Yes, it is very horrible," she interrupted with a shudder. "Consequently, I am the more surprised that _you_ should be so cheerful. What are _you_ so pleased about?	heard her speak so of De Griers: consequently, I was momentarily awed into silence by this expression of resentment. "Have you noticed, too, that today he is by no means on good terms with the General?" I went on. "Yes and I suppose you want to know why," she replied with dry captiousness. "You are aware, are you not, that the General is mortgaged to the Marquis, with all his property? Consequently, if the General s mother does not die, the Frenchman will become the absolute possessor of everything which he now holds only in pledge." "Then it is really the case that everything is mortgaged? I have heard rumours to that effect, but was unaware how far they might be true." "Yes, they _are_ true. What then?" "Why, it will be a case of Farewell, Mlle. Blanche," I remarked; "for in such an event she would never become Madame General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more dastardly, than the sending of telegram after telegram to know if she is dead? What do you think of it, Polina Alexandrovna?" "Yes, it is very horrible," she interrupted with a shudder. "Consequently, I am the more surprised that _you_ should be so cheerful. What are _you_ so pleased about? About the fact that you have gone and lost my money?" "What? The money that you gave me to lose? I told you I should never win for other people least of all for you. I obeyed you simply because you ordered me to; but you must not blame me for the result. I warned you that no good would ever come of it. You seem much depressed at having lost your money. Why do you need it so greatly?" "Why do _you_ ask me these questions?" "Because you promised to explain matters to me. Listen. I am certain that,	"but I _do_ know that you are becoming an insufferable _far eur_ whenever you are given the least chance." As usual, he left his sentence unfinished. Indeed, whenever he embarked upon anything that in the least exceeded the limits of daily small-talk, he left unfinished what he was saying. The Frenchman had listened to me contemptuously, with a slight protruding of his eyes; but, he could not have understood very much of my harangue. As for Polina, she had looked on with serene indifference. She seemed to have heard neither my voice nor any other during the progress of the meal. V Yes, she had been extraordinarily meditative. Yet, on leaving the table, she immediately ordered me to accompany her for a walk. We took the children with us, and set out for the fountain in the Park. I was in such an irritated frame of mind that in rude and abrupt fashion I blurted out a question as to "why our Marquis de Griers had ceased to accompany her for strolls, or to speak to her for days together." "Because he is a brute," she replied in rather a curious way. It was the first time that I had heard her speak so of De Griers: consequently, I was momentarily awed into silence by this expression of resentment. "Have you noticed, too, that today he is by no means on good terms with the General?" I went on. "Yes and I suppose you want to know why," she replied with dry captiousness. "You are aware, are you not, that the General is mortgaged to the Marquis, with all his property? Consequently, if the General s mother does not die, the Frenchman will become the absolute possessor of everything which he now holds only in pledge." "Then it is really the case that everything is mortgaged? I have heard rumours to that effect, but was unaware how far they might be true." "Yes, they _are_ true. What then?" "Why, it will be a case of Farewell, Mlle. Blanche," I remarked; "for in such an event she would never become Madame General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more dastardly, than the sending of telegram after telegram to know if she is dead? What do you think of it, Polina Alexandrovna?" "Yes, it is very horrible," she interrupted with a shudder. "Consequently, I am the more surprised that _you_ should be so cheerful. What are _you_ so pleased about? About the fact that you have gone and lost my money?" "What? The money that you gave me to lose? I told you I should never win for other people least of all for you. I obeyed you simply because you ordered me to; but you must not blame me for the result. I warned you that no good would ever come of it. You seem much depressed at having lost your money. Why do you need it so greatly?" "Why do _you_ ask me these questions?" "Because you promised to explain matters to me. Listen. I am certain that, as soon as ever I begin to play for myself (and I still have 120 g lden left), I shall win. You can then take of me what you require." She made a contemptuous grimace. "You must not be angry with me," I continued, "for making such a proposal. I am so conscious of being only a nonentity in your eyes that you need not mind accepting money from me. A gift from me could not possibly offend you. Moreover, it was I who lost your g lden." She glanced at me, but, seeing that I was in an irritable, sarcastic mood, changed the subject. "My affairs cannot possibly interest you," she said. "Still, if you _do_ wish to know, I am in debt. I borrowed some money, and must pay it back again. I have a curious, senseless idea that I am bound to win at the gaming-tables. Why I think so I cannot tell, but I do think so, and with some assurance. Perhaps it is because of that assurance that I now find myself without any other resource." "Or perhaps it is because it is so _necessary_ for you to win. It is like a drowning man	idyllic for the victim to rejoice when he is made over into pledge. What more have I to tell? Well, this that matters bear just as hardly upon the eldest son. Perhaps he has his Gretchen to whom his heart is bound; but he cannot marry her, for the reason that he has not yet amassed sufficient g lden. So, the pair wait on in a mood of sincere and virtuous expectation, and smilingly deposit themselves in pawn the while. Gretchen s cheeks grow sunken, and she begins to wither; until at last, after some twenty years, their substance has multiplied, and sufficient g lden have been honourably and virtuously accumulated. Then the Vater blesses his forty-year-old heir and the thirty-five-year-old Gretchen with the sunken bosom and the scarlet nose; after which he bursts, into tears, reads the pair a lesson on morality, and dies. In turn the eldest son becomes a virtuous Vater, and the old story begins again. In fifty or sixty years time the grandson of the original Vater will have amassed a considerable sum; and that sum he will hand over to, his son, and the latter to _his_ son, and so on for several generations; until at length there will issue a Baron Rothschild, or a Hoppe and Company, or the devil knows what! Is it not a beautiful spectacle the spectacle of a century or two of inherited labour, patience, intellect, rectitude, character, perseverance, and calculation, with a stork sitting on the roof above it all? What is more; they think there can never be anything better than this; wherefore, from _their_ point of view they begin to judge the rest of the world, and to censure all who are at fault that is to say, who are not exactly like themselves. Yes, there you have it in a nutshell. For my own part, I would rather grow fat after the Russian manner, or squander my whole substance at roulette. I have no wish to be Hoppe and Company at the end of five generations. I want the money for _myself_, for in no way do I look upon my personality as necessary to, or meet to be given over to, capital. I may be wrong, but there you have it. Those are _my_ views." "How far you may be right in what you have said I do not know," remarked the General moodily; "but I _do_ know that you are becoming an insufferable _far eur_ whenever you are given the least chance." As usual, he left his sentence unfinished. Indeed, whenever he embarked upon anything that in the least exceeded the limits of daily small-talk, he left unfinished what he was saying. The Frenchman had listened to me contemptuously, with a slight protruding of his eyes; but, he could not have understood very much of my harangue. As for Polina, she had looked on with serene indifference. She seemed to have heard neither my voice nor any other during the progress of the meal. V Yes, she had been extraordinarily meditative. Yet, on leaving the table, she immediately ordered me to accompany her for a walk. We took the children with us, and set out for the fountain in the Park. I was in such an irritated frame of mind that in rude and abrupt fashion I blurted out a question as to "why our Marquis de Griers had ceased to accompany her for strolls, or to speak to her for days together." "Because he is a brute," she replied in rather a curious way. It was the first time that I had heard her speak so of De Griers: consequently, I was momentarily awed into silence by this expression of resentment. "Have you noticed, too, that today he is by no means on good terms with the General?" I went on. "Yes and I suppose you want to know why," she replied with dry captiousness. "You are aware, are you not, that the General is mortgaged to the Marquis, with all his property? Consequently, if the General s mother does not die, the Frenchman will become the absolute possessor of everything which he now holds only in pledge." "Then it is really the case that everything is mortgaged? I have heard rumours to that effect, but was unaware how far they might be true." "Yes, they _are_ true. What then?" "Why, it will be a case of Farewell, Mlle. Blanche," I remarked; "for in such an event she would never become Madame General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more dastardly, than the sending of telegram after telegram to know if she is dead? What do you think of it, Polina Alexandrovna?" "Yes, it is very horrible," she interrupted with a shudder. "Consequently, I am the more surprised that _you_ should be so cheerful. What are _you_ so pleased about? About the fact that you have gone and lost my money?" "What? The money that you gave me to lose? I told you I should never win for other people least of all for you. I obeyed you simply because you ordered me to; but you must not blame me for the result. I warned you that no good would ever come of it. You seem much depressed at having lost your money. Why do you need it so greatly?" "Why do _you_ ask me these questions?" "Because you promised to explain matters to me. Listen. I am certain that, as soon as ever I begin to play for myself (and I still have 120 g lden left), I shall win. You can then take of me what you require." She made a contemptuous grimace. "You must not be angry with me," I continued, "for making such a proposal. I am so conscious of being only a nonentity in your eyes that you need not mind accepting money from me. A gift from me could not possibly offend you. Moreover, it was I who lost your g lden." She glanced at me, but, seeing that I was in an irritable, sarcastic mood, changed the subject. "My affairs cannot possibly interest you," she said. "Still, if you _do_ wish to know, I am in debt. I borrowed some money, and must pay it back again. I have a curious, senseless idea that I am bound to win at the gaming-tables. Why I think so I cannot tell, but I do think so, and with some assurance. Perhaps it is because of that assurance that I now find myself without any other resource." "Or perhaps it is because it is so _necessary_ for you to win. It is like a drowning man catching at a straw. You yourself will agree that, unless he were drowning he would not mistake a straw for the trunk of a tree." Polina looked surprised. "What?" she said. "Do not you also hope something from it? Did you not tell me again and again, two weeks ago, that you were certain of winning at roulette if you played here? And did you not ask me not to consider you a fool for doing so? Were you joking? You cannot have been, for I remember that you spoke with a gravity which forbade the idea of your jesting." "True," I replied gloomily. "I always felt certain that I should win. Indeed, what you say makes me ask myself Why have my absurd, senseless losses of today raised a doubt in my mind? Yet I am _still_ positive that, so soon as ever I begin to play for myself, I shall infallibly win." "And why are you so certain?" "To tell the truth, I do not know. I only know that I _must_ win that it is the one resource I have left. Yes, why do I feel so assured on the point?" "Perhaps because one cannot help winning if one is fanatically certain of doing so." "Yet I dare wager that you do not think me capable of serious feeling in the matter?" "I do not care whether you are so or not," answered Polina with calm indifference. "Well, since you ask me, I _do_ doubt your ability to take anything seriously. You are capable of worrying, but not deeply. You are too ill-regulated and unsettled a person for that. But why do you want money? Not a single one of the reasons which you have given can be looked upon as serious." "By the way," I interrupted, "you say you want to pay off a debt. It must be a large one. Is it to the Frenchman?" "What do you mean by asking all these questions? You are very clever today. Surely you are not drunk?" "You know that you and I stand on no ceremony, and that sometimes I put to you very plain questions. I repeat that I am your slave and slaves cannot be shamed or offended." "You talk like a child. It is always possible to comport oneself with dignity. If one has a quarrel it ought to elevate rather than to degrade	rather a curious way. It was the first time that I had heard her speak so of De Griers: consequently, I was momentarily awed into silence by this expression of resentment. "Have you noticed, too, that today he is by no means on good terms with the General?" I went on. "Yes and I suppose you want to know why," she replied with dry captiousness. "You are aware, are you not, that the General is mortgaged to the Marquis, with all his property? Consequently, if the General s mother does not die, the Frenchman will become the absolute possessor of everything which he now holds only in pledge." "Then it is really the case that everything is mortgaged? I have heard rumours to that effect, but was unaware how far they might be true." "Yes, they _are_ true. What then?" "Why, it will be a case of Farewell, Mlle. Blanche," I remarked; "for in such an event she would never become Madame General. Do you know, I believe the old man is so much in love with her that he will shoot himself if she should throw him over. At his age it is a dangerous thing to fall in love." "Yes, something, I believe, _will_ happen to him," assented Polina thoughtfully.<\|quote\|>"And what a fine thing it all is!"</\|quote\|>I continued. "Could anything be more abominable than the way in which she has agreed to marry for money alone? Not one of the decencies has been observed; the whole affair has taken place without the least ceremony. And as for the grandmother, what could be more comical, yet more dastardly, than the sending of telegram after telegram to know if she is dead? What do you think of it, Polina Alexandrovna?" "Yes, it is very horrible," she interrupted with a shudder. "Consequently, I am the more surprised that _you_ should be so cheerful. What are _you_ so pleased about? About the fact that you have gone and lost my money?" "What? The money that you gave me to lose? I told you I should never win for other people least of all for you. I obeyed you simply because you ordered me to; but you must not blame me for the result. I warned you that no good would ever come of it. You seem much depressed at having lost your money. Why do you need it so greatly?" "Why do _you_ ask me these questions?" "Because you promised to explain matters to me. Listen. I am certain that, as soon as ever I begin to play for myself (and	The Gambler
Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.	No speaker	the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!"	take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You	is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force	was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force me to do it is not of your life that I am thinking." "Ah, Alan," murmured Dorian with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away as he spoke and stood looking out at the garden.	Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force me to do it is not of your life that I am thinking." "Ah, Alan," murmured Dorian with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away as he spoke and stood looking out at the garden. Campbell made no answer. After about ten minutes a knock came to the door, and the servant entered, carrying a large mahogany chest of chemicals, with a long coil of steel and platinum wire and two rather curiously shaped iron clamps. "Shall I leave the things here, sir?" he asked Campbell. "Yes," said Dorian. "And I am afraid, Francis, that I have another errand for you. What is the name of the man at Richmond who supplies Selby with orchids?" "Harden, sir." "Yes Harden. You must go down to Richmond at once, see Harden personally, and tell him to send	in his chair. A horrible sense of sickness came over him. He felt as if his heart was beating itself to death in some empty hollow. After two or three minutes of terrible silence, Dorian turned round and came and stood behind him, putting his hand upon his shoulder. "I am so sorry for you, Alan," he murmured, "but you leave me no alternative. I have a letter written already. Here it is. You see the address. If you don t help me, I must send it. If you don t help me, I will send it. You know what the result will be. But you are going to help me. It is impossible for you to refuse now. I tried to spare you. You will do me the justice to admit that. You were stern, harsh, offensive. You treated me as no man has ever dared to treat me no living man, at any rate. I bore it all. Now it is for me to dictate terms." Campbell buried his face in his hands, and a shudder passed through him. "Yes, it is my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force me to do it is not of your life that I am thinking." "Ah, Alan," murmured Dorian with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away as he spoke and stood looking out at the garden. Campbell made no answer. After about ten minutes a knock came to the door, and the servant entered, carrying a large mahogany chest of chemicals, with a long coil of steel and platinum wire and two rather curiously shaped iron clamps. "Shall I leave the things here, sir?" he asked Campbell. "Yes," said Dorian. "And I am afraid, Francis, that I have another errand for you. What is the name of the man at Richmond who supplies Selby with orchids?" "Harden, sir." "Yes Harden. You must go down to Richmond at once, see Harden personally, and tell him to send twice as many orchids as I ordered, and to have as few white ones as possible. In fact, I don t want any white ones. It is a lovely day, Francis, and Richmond is a very pretty place otherwise I wouldn t bother you about it." "No trouble, sir. At what time shall I be back?" Dorian looked at Campbell. "How long will your experiment take, Alan?" he said in a calm indifferent voice. The presence of a third person in the room seemed to give him extraordinary courage. Campbell frowned and bit his lip. "It will take about five hours," he answered. "It will be time enough, then, if you are back at half-past seven, Francis. Or stay: just leave my things out for dressing. You can have the evening to yourself. I am not dining at home, so I shall not want you." "Thank you, sir," said the man, leaving the room. "Now, Alan, there is not a moment to be lost. How heavy this chest is! I ll take it for you. You bring the other things." He spoke rapidly and in an authoritative manner. Campbell felt dominated by him. They left the room together. When they	subject. You would not turn a hair. You would not believe that you were doing anything wrong. On the contrary, you would probably feel that you were benefiting the human race, or increasing the sum of knowledge in the world, or gratifying intellectual curiosity, or something of that kind. What I want you to do is merely what you have often done before. Indeed, to destroy a body must be far less horrible than what you are accustomed to work at. And, remember, it is the only piece of evidence against me. If it is discovered, I am lost; and it is sure to be discovered unless you help me." "I have no desire to help you. You forget that. I am simply indifferent to the whole thing. It has nothing to do with me." "Alan, I entreat you. Think of the position I am in. Just before you came I almost fainted with terror. You may know terror yourself some day. No! don t think of that. Look at the matter purely from the scientific point of view. You don t inquire where the dead things on which you experiment come from. Don t inquire now. I have told you too much as it is. But I beg of you to do this. We were friends once, Alan." "Don t speak about those days, Dorian they are dead." "The dead linger sometimes. The man upstairs will not go away. He is sitting at the table with bowed head and outstretched arms. Alan! Alan! If you don t come to my assistance, I am ruined. Why, they will hang me, Alan! Don t you understand? They will hang me for what I have done." "There is no good in prolonging this scene. I absolutely refuse to do anything in the matter. It is insane of you to ask me." "You refuse?" "Yes." "I entreat you, Alan." "It is useless." The same look of pity came into Dorian Gray s eyes. Then he stretched out his hand, took a piece of paper, and wrote something on it. He read it over twice, folded it carefully, and pushed it across the table. Having done this, he got up and went over to the window. Campbell looked at him in surprise, and then took up the paper, and opened it. As he read it, his face became ghastly pale and he fell back in his chair. A horrible sense of sickness came over him. He felt as if his heart was beating itself to death in some empty hollow. After two or three minutes of terrible silence, Dorian turned round and came and stood behind him, putting his hand upon his shoulder. "I am so sorry for you, Alan," he murmured, "but you leave me no alternative. I have a letter written already. Here it is. You see the address. If you don t help me, I must send it. If you don t help me, I will send it. You know what the result will be. But you are going to help me. It is impossible for you to refuse now. I tried to spare you. You will do me the justice to admit that. You were stern, harsh, offensive. You treated me as no man has ever dared to treat me no living man, at any rate. I bore it all. Now it is for me to dictate terms." Campbell buried his face in his hands, and a shudder passed through him. "Yes, it is my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force me to do it is not of your life that I am thinking." "Ah, Alan," murmured Dorian with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away as he spoke and stood looking out at the garden. Campbell made no answer. After about ten minutes a knock came to the door, and the servant entered, carrying a large mahogany chest of chemicals, with a long coil of steel and platinum wire and two rather curiously shaped iron clamps. "Shall I leave the things here, sir?" he asked Campbell. "Yes," said Dorian. "And I am afraid, Francis, that I have another errand for you. What is the name of the man at Richmond who supplies Selby with orchids?" "Harden, sir." "Yes Harden. You must go down to Richmond at once, see Harden personally, and tell him to send twice as many orchids as I ordered, and to have as few white ones as possible. In fact, I don t want any white ones. It is a lovely day, Francis, and Richmond is a very pretty place otherwise I wouldn t bother you about it." "No trouble, sir. At what time shall I be back?" Dorian looked at Campbell. "How long will your experiment take, Alan?" he said in a calm indifferent voice. The presence of a third person in the room seemed to give him extraordinary courage. Campbell frowned and bit his lip. "It will take about five hours," he answered. "It will be time enough, then, if you are back at half-past seven, Francis. Or stay: just leave my things out for dressing. You can have the evening to yourself. I am not dining at home, so I shall not want you." "Thank you, sir," said the man, leaving the room. "Now, Alan, there is not a moment to be lost. How heavy this chest is! I ll take it for you. You bring the other things." He spoke rapidly and in an authoritative manner. Campbell felt dominated by him. They left the room together. When they reached the top landing, Dorian took out the key and turned it in the lock. Then he stopped, and a troubled look came into his eyes. He shuddered. "I don t think I can go in, Alan," he murmured. "It is nothing to me. I don t require you," said Campbell coldly. Dorian half opened the door. As he did so, he saw the face of his portrait leering in the sunlight. On the floor in front of it the torn curtain was lying. He remembered that the night before he had forgotten, for the first time in his life, to hide the fatal canvas, and was about to rush forward, when he drew back with a shudder. What was that loathsome red dew that gleamed, wet and glistening, on one of the hands, as though the canvas had sweated blood? How horrible it was! more horrible, it seemed to him for the moment, than the silent thing that he knew was stretched across the table, the thing whose grotesque misshapen shadow on the spotted carpet showed him that it had not stirred, but was still there, as he had left it. He heaved a deep breath, opened the door a little wider, and with half-closed eyes and averted head, walked quickly in, determined that he would not look even once upon the dead man. Then, stooping down and taking up the gold-and-purple hanging, he flung it right over the picture. There he stopped, feeling afraid to turn round, and his eyes fixed themselves on the intricacies of the pattern before him. He heard Campbell bringing in the heavy chest, and the irons, and the other things that he had required for his dreadful work. He began to wonder if he and Basil Hallward had ever met, and, if so, what they had thought of each other. "Leave me now," said a stern voice behind him. He turned and hurried out, just conscious that the dead man had been thrust back into the chair and that Campbell was gazing into a glistening yellow face. As he was going downstairs, he heard the key being turned in the lock. It was long after seven when Campbell came back into the library. He was pale, but absolutely calm. "I have done what you asked me to do," he muttered. "And now, good-bye. Let us never see each other again." "You have saved	my turn to dictate terms, Alan. You know what they are. The thing is quite simple. Come, don t work yourself into this fever. The thing has to be done. Face it, and do it." A groan broke from Campbell s lips and he shivered all over. The ticking of the clock on the mantelpiece seemed to him to be dividing time into separate atoms of agony, each of which was too terrible to be borne. He felt as if an iron ring was being slowly tightened round his forehead, as if the disgrace with which he was threatened had already come upon him. The hand upon his shoulder weighed like a hand of lead. It was intolerable. It seemed to crush him. "Come, Alan, you must decide at once." "I cannot do it," he said, mechanically, as though words could alter things. "You must. You have no choice. Don t delay." He hesitated a moment. "Is there a fire in the room upstairs?" "Yes, there is a gas-fire with asbestos." "I shall have to go home and get some things from the laboratory." "No, Alan, you must not leave the house. Write out on a sheet of notepaper what you want and my servant will take a cab and bring the things back to you."<\|quote\|>Campbell scrawled a few lines, blotted them, and addressed an envelope to his assistant. Dorian took the note up and read it carefully. Then he rang the bell and gave it to his valet, with orders to return as soon as possible and to bring the things with him. As the hall door shut, Campbell started nervously, and having got up from the chair, went over to the chimney-piece. He was shivering with a kind of ague. For nearly twenty minutes, neither of the men spoke. A fly buzzed noisily about the room, and the ticking of the clock was like the beat of a hammer. As the chime struck one, Campbell turned round, and looking at Dorian Gray, saw that his eyes were filled with tears. There was something in the purity and refinement of that sad face that seemed to enrage him.</\|quote\|>"You are infamous, absolutely infamous!" he muttered. "Hush, Alan. You have saved my life," said Dorian. "Your life? Good heavens! what a life that is! You have gone from corruption to corruption, and now you have culminated in crime. In doing what I am going to do what you force me to do it is not of your life that I am thinking." "Ah, Alan," murmured Dorian with a sigh, "I wish you had a thousandth part of the pity for me that I have for you." He turned away as he spoke and stood looking out at the garden. Campbell made no answer. After about ten minutes a knock came to the door, and the servant entered, carrying a large mahogany chest of chemicals, with a long coil of steel and platinum wire and two rather curiously shaped iron clamps. "Shall I leave the things here, sir?" he asked Campbell. "Yes," said Dorian. "And I am afraid, Francis, that I have another errand for you. What is the name of the man at Richmond who supplies Selby with orchids?" "Harden, sir." "Yes Harden. You must go down to Richmond at once, see Harden personally, and tell him to send twice as many orchids as I ordered, and to have as few white ones as possible. In fact, I don t want any white ones. It is a lovely day, Francis, and Richmond is a very pretty place otherwise I wouldn t bother you about it." "No trouble, sir. At what time shall I be back?" Dorian looked at Campbell. "How long will your experiment take, Alan?" he said in a calm indifferent voice. The presence of a third person in the room seemed to give him extraordinary courage. Campbell frowned and bit his lip. "It will take about five hours," he answered. "It will be time enough, then, if you are back at half-past seven, Francis. Or stay: just leave my things out for dressing. You can have the evening to yourself. I am not dining at home, so I shall not want you." "Thank you, sir," said the man, leaving the room. "Now, Alan, there is not a moment to be lost. How heavy this chest is! I ll take it for you. You bring the other things." He spoke rapidly and in an authoritative manner. Campbell felt dominated by him. They left the room together. When they reached the top landing, Dorian took out the key and turned it in the lock. Then he stopped, and a troubled look came into his eyes. He shuddered. "I don t think I can go in, Alan," he murmured. "It is nothing to me. I don t require you," said Campbell coldly. Dorian half opened the door. As he did so, he saw the face of his portrait leering in the sunlight. On the floor in front of it the torn curtain was lying. He remembered that the night before he had forgotten, for the first time in his life, to hide the fatal canvas, and was about to rush forward, when he drew back with a shudder. What was that loathsome red dew that gleamed, wet and glistening, on one of the hands, as though the canvas had sweated	The Picture Of Dorian Gray
"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."	Mr. Grimwig	head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time	serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into	and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best	my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," said Mrs. Maylie, "where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to	to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," said Mrs. Maylie, "where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there,	I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose. "That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough." "Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," said Mrs. Maylie, "where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their	who waits to clasp you in his arms, poor child! See here look, look, my dear!" "Not aunt," cried Oliver, throwing his arms about her neck; "I'll never call her aunt sister, my own dear sister, that something taught my heart to love so dearly from the first! Rose, dear, darling Rose!" Let the tears which fell, and the broken words which were exchanged in the long close embrace between the orphans, be sacred. A father, sister, and mother, were gained, and lost, in that one moment. Joy and grief were mingled in the cup; but there were no bitter tears: for even grief itself arose so softened, and clothed in such sweet and tender recollections, that it became a solemn pleasure, and lost all character of pain. They were a long, long time alone. A soft tap at the door, at length announced that some one was without. Oliver opened it, glided away, and gave place to Harry Maylie. "I know it all," he said, taking a seat beside the lovely girl. "Dear Rose, I know it all." "I am not here by accident," he added after a lengthened silence; "nor have I heard all this to-night, for I knew it yesterday only yesterday. Do you guess that I have come to remind you of a promise?" "Stay," said Rose. "You _do_ know all." "All. You gave me leave, at any time within a year, to renew the subject of our last discourse." "I did." "Not to press you to alter your determination," pursued the young man, "but to hear you repeat it, if you would. I was to lay whatever of station or fortune I might possess at your feet, and if you still adhered to your former determination, I pledged myself, by no word or act, to seek to change it." "The same reasons which influenced me then, will influence me now," said Rose firmly. "If I ever owed a strict and rigid duty to her, whose goodness saved me from a life of indigence and suffering, when should I ever feel it, as I should to-night? It is a struggle," said Rose, "but one I am proud to make; it is a pang, but one my heart shall bear." "The disclosure of to-night," Harry began. "The disclosure of to-night," replied Rose softly, "leaves me in the same position, with reference to you, as that in which I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose. "That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough." "Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," said Mrs. Maylie, "where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face not even among the women, of whom there were many there could he read the faintest sympathy with himself, or any feeling but one of all-absorbing interest that he should be condemned. As he saw all this in one bewildered glance, the deathlike stillness came again, and looking back he saw that the jurymen had turned towards the judge. Hush! They only sought permission to retire. He looked, wistfully, into their faces, one by one when they passed out, as though to see which way the greater number leant; but that was fruitless. The jailer touched him on the shoulder. He followed mechanically to the end of the dock, and sat down on a chair. The man pointed it out, or he would not have seen it. He looked up into the gallery again. Some of the people were eating, and some fanning themselves with handkerchiefs; for the crowded place was very hot. There was one young man sketching his face in a little note-book. He wondered whether it was like, and looked on when the artist broke his pencil-point, and made another with his knife, as any idle spectator might have done. In the same way, when he turned his eyes towards the judge, his mind began to busy itself with the fashion of his dress, and what it cost, and how he put it on. There was an old fat gentleman on the bench, too, who had gone out, some half an hour before, and now come back. He wondered within himself whether this man had been to get his dinner, what he had had, and where he had had it; and pursued this train of careless thought until some new object caught his eye and roused another. Not that, all this time, his mind was, for an instant, free from one oppressive overwhelming sense of the grave that opened at his feet; it was ever present to him, but in a vague and general way, and he could not fix his thoughts upon it. Thus, even while he trembled, and turned burning hot at the idea of speedy death, he fell to counting the iron spikes before him, and	"Not to press you to alter your determination," pursued the young man, "but to hear you repeat it, if you would. I was to lay whatever of station or fortune I might possess at your feet, and if you still adhered to your former determination, I pledged myself, by no word or act, to seek to change it." "The same reasons which influenced me then, will influence me now," said Rose firmly. "If I ever owed a strict and rigid duty to her, whose goodness saved me from a life of indigence and suffering, when should I ever feel it, as I should to-night? It is a struggle," said Rose, "but one I am proud to make; it is a pang, but one my heart shall bear." "The disclosure of to-night," Harry began. "The disclosure of to-night," replied Rose softly, "leaves me in the same position, with reference to you, as that in which I stood before." "You harden your heart against me, Rose," urged her lover. "Oh Harry, Harry," said the young lady, bursting into tears; "I wish I could, and spare myself this pain." "Then why inflict it on yourself?" said Harry, taking her hand. "Think, dear Rose, think what you have heard to-night." "And what have I heard! What have I heard!" cried Rose. "That a sense of his deep disgrace so worked upon my own father that he shunned all there, we have said enough, Harry, we have said enough." "Not yet, not yet," said the young man, detaining her as she rose. "My hopes, my wishes, prospects, feeling: every thought in life except my love for you: have undergone a change. I offer you, now, no distinction among a bustling crowd; no mingling with a world of malice and detraction, where the blood is called into honest cheeks by aught but real disgrace and shame; but a home a heart and home yes, dearest Rose, and those, and those alone, are all I have to offer." "What do you mean!" she faltered. "I mean but this that when I left you last, I left you with a firm determination to level all fancied barriers between yourself and me; resolved that if my world could not be yours, I would make yours mine; that no pride of birth should curl the lip at you, for I would turn from it. This I have done. Those who have shrunk from me because of this, have shrunk from you, and proved you so far right. Such power and patronage: such relatives of influence and rank: as smiled upon me then, look coldly now; but there are smiling fields and waving trees in England's richest county; and by one village church mine, Rose, my own! there stands a rustic dwelling which you can make me prouder of, than all the hopes I have renounced, measured a thousandfold. This is my rank and station now, and here I lay it down!" "It's a trying thing waiting supper for lovers," said Mr. Grimwig, waking up, and pulling his pocket-handkerchief from over his head. Truth to tell, the supper had been waiting a most unreasonable time. Neither Mrs. Maylie, nor Harry, nor Rose (who all came in together), could offer a word in extenuation. "I had serious thoughts of eating my head to-night," said Mr. Grimwig,<\|quote\|>"for I began to think I should get nothing else. I'll take the liberty, if you'll allow me, of saluting the bride that is to be."</\|quote\|>Mr. Grimwig lost no time in carrying this notice into effect upon the blushing girl; and the example, being contagious, was followed both by the doctor and Mr. Brownlow: some people affirm that Harry Maylie had been observed to set it, originally, in a dark room adjoining; but the best authorities consider this downright scandal: he being young and a clergyman. "Oliver, my child," said Mrs. Maylie, "where have you been, and why do you look so sad? There are tears stealing down your face at this moment. What is the matter?" It is a world of disappointment: often to the hopes we most cherish, and hopes that do our nature the greatest honour. Poor Dick was dead! CHAPTER LII. FAGIN'S LAST NIGHT ALIVE The court was paved, from floor to roof, with human faces. Inquisitive and eager eyes peered from every inch of space. From the rail before the dock, away into the sharpest angle of the smallest corner in the galleries, all looks were fixed upon one man Fagin. Before him and behind: above, below, on the right and on the left: he seemed to stand surrounded by a firmament, all bright with gleaming eyes. He stood there, in all this glare of living light, with one hand resting on the wooden slab before him, the other held to his ear, and his head thrust forward to enable him to catch with greater distinctness every word that fell from the presiding judge, who was delivering his charge to the jury. At times, he turned his eyes sharply upon them to observe the effect of the slightest featherweight in his favour; and when the points against him were stated with terrible distinctness, looked towards his counsel, in mute appeal that he would, even then, urge something in his behalf. Beyond these manifestations of anxiety, he stirred not hand or foot. He had scarcely moved since the trial began; and now that the judge ceased to speak, he still remained in the same strained attitude of close attention, with his gaze bent on him, as though he listened still. A slight bustle in the court, recalled him to himself. Looking round, he saw that the jurymen had turned together, to consider their verdict. As his eyes wandered to the gallery, he could see the people rising above each other to see his face: some hastily applying their glasses to their eyes: and others whispering their neighbours with looks expressive of abhorrence. A few there were, who seemed unmindful of him, and looked only to the jury, in impatient wonder how they could delay. But in no one face not even among the women, of whom there were many there could he read the faintest sympathy with himself, or any feeling but one of all-absorbing interest that he should be condemned.	Oliver Twist
"such a quantity of money"	Alexis Ivanovitch	actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest	got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back	I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the	she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with,	at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered threateningly. "Go! Away at once!" "Farewell, then, Madame." And I turned to depart. "No stay," she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any	round, however, the Grandmother was weary of the scheme. "To the devil with that zero!" she exclaimed. "Stake four thousand g lden upon the red." "But, Madame, that will be so much to venture!" I remonstrated. "Suppose the red should not turn up?" The Grandmother almost struck me in her excitement. Her agitation was rapidly making her quarrelsome. Consequently, there was nothing for it but to stake the whole four thousand g lden as she had directed. The wheel revolved while the Grandmother sat as bolt upright, and with as proud and quiet a mien, as though she had not the least doubt of winning. "Zero!" cried the croupier. At first the old lady failed to understand the situation; but, as soon as she saw the croupier raking in her four thousand g lden, together with everything else that happened to be lying on the table, and recognised that the zero which had been so long turning up, and on which we had lost nearly two hundred ten-g lden pieces, had at length, as though of set purpose, made a sudden reappearance why, the poor old lady fell to cursing it, and to throwing herself about, and wailing and gesticulating at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered threateningly. "Go! Away at once!" "Farewell, then, Madame." And I turned to depart. "No stay," she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any sort of paper security changed!" "Quite so; to any amount you please. But you will lose on the transaction what would frighten even a Jew." "Rubbish! I am _determined_ to retrieve my losses. Take me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of steps, Madame." At the turning from the square into the Avenue we came face to face with the whole of our party the General, De Griers, Mlle. Blanche, and her mother. Only Polina and Mr. Astley were absent. "Well, well, well!" exclaimed the Grandmother. "But we have no time to stop. What do you want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to	and inquired, "What was that?" Yet even then she did not appear to hear my reply, although at times her abstraction was interrupted by sallies and fits of sharp, impatient fidgeting. Again, when I pointed out to her the Baron and Baroness Burmergelm walking to the Casino, she merely looked at them in an absent-minded sort of way, and said with complete indifference, "Ah!" Then, turning sharply to Potapitch and Martha, who were walking behind us, she rapped out: "Why have _you_ attached yourselves to the party? We are not going to take you with us every time. Go home at once." Then, when the servants had pulled hasty bows and departed, she added to me: "You are all the escort I need." At the Casino the Grandmother seemed to be expected, for no time was lost in procuring her former place beside the croupier. It is my opinion that though croupiers seem such ordinary, humdrum officials men who care nothing whether the bank wins or loses they are, in reality, anything but indifferent to the bank s losing, and are given instructions to attract players, and to keep a watch over the bank s interests; as also, that for such services, these officials are awarded prizes and premiums. At all events, the croupiers of Roulettenberg seemed to look upon the Grandmother as their lawful prey whereafter there befell what our party had foretold. It happened thus: As soon as ever we arrived the Grandmother ordered me to stake twelve ten-g lden pieces in succession upon zero. Once, twice, and thrice I did so, yet zero never turned up. "Stake again," said the old lady with an impatient nudge of my elbow, and I obeyed. "How many times have we lost?" she inquired actually grinding her teeth in her excitement. "We have lost 144 ten-g lden pieces," I replied. "I tell you, Madame, that zero may not turn up until nightfall." "Never mind," she interrupted. "Keep on staking upon zero, and also stake a thousand g lden upon rouge. Here is a banknote with which to do so." The red turned up, but zero missed again, and we only got our thousand g lden back. "But you see, you see," whispered the old lady. "We have now recovered almost all that we staked. Try zero again. Let us do so another ten times, and then leave off." By the fifth round, however, the Grandmother was weary of the scheme. "To the devil with that zero!" she exclaimed. "Stake four thousand g lden upon the red." "But, Madame, that will be so much to venture!" I remonstrated. "Suppose the red should not turn up?" The Grandmother almost struck me in her excitement. Her agitation was rapidly making her quarrelsome. Consequently, there was nothing for it but to stake the whole four thousand g lden as she had directed. The wheel revolved while the Grandmother sat as bolt upright, and with as proud and quiet a mien, as though she had not the least doubt of winning. "Zero!" cried the croupier. At first the old lady failed to understand the situation; but, as soon as she saw the croupier raking in her four thousand g lden, together with everything else that happened to be lying on the table, and recognised that the zero which had been so long turning up, and on which we had lost nearly two hundred ten-g lden pieces, had at length, as though of set purpose, made a sudden reappearance why, the poor old lady fell to cursing it, and to throwing herself about, and wailing and gesticulating at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered threateningly. "Go! Away at once!" "Farewell, then, Madame." And I turned to depart. "No stay," she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any sort of paper security changed!" "Quite so; to any amount you please. But you will lose on the transaction what would frighten even a Jew." "Rubbish! I am _determined_ to retrieve my losses. Take me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of steps, Madame." At the turning from the square into the Avenue we came face to face with the whole of our party the General, De Griers, Mlle. Blanche, and her mother. Only Polina and Mr. Astley were absent. "Well, well, well!" exclaimed the Grandmother. "But we have no time to stop. What do you want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to the General. Meanwhile we continued to wheel the old lady along. "Stop her, stop her," whispered the General in consternation. "You had better try and stop her yourself," I returned also in a whisper. "My good mother," he said as he approached her, "my good mother, pray let, let" (his voice was beginning to tremble and sink) "let us hire a carriage, and go for a drive. Near here there is an enchanting view to be obtained. We-we-we were just coming to invite you to go and see it." "Begone with you and your views!" said the Grandmother angrily as she waved him away. "And there are trees there, and we could have tea under them," continued the General now in utter despair. "Nous boirons du lait, sur l herbe fraiche," added De Griers with the snarl almost of a wild beast. "Du lait, de l herbe fraiche" the idyll, the ideal of the Parisian bourgeois his whole outlook upon "la nature et la verit "! "Have done with you and your milk!" cried the old lady. "Go and stuff _yourself_ as much as you like, but my stomach simply recoils from the idea. What are you stopping for? I have nothing to say to you." "Here we are, Madame," I announced. "Here is the moneychanger s office." I entered to get the securities changed, while the Grandmother remained outside in the porch, and the rest waited at a little distance, in doubt as to their best course of action. At length the old lady turned such an angry stare upon them that they departed along the road towards the Casino. The process of changing involved complicated calculations which soon necessitated my return to the Grandmother for instructions. "The thieves!" she exclaimed as she clapped her hands together. "Never mind, though. Get the documents cashed No; send the banker out to me," she added as an afterthought. "Would one of the clerks do, Madame?" "Yes, one of the clerks. The thieves!" The clerk consented to come out when he perceived that he was being asked for by an old lady who was too infirm to walk; after which the Grandmother began to upbraid him at length, and with great vehemence, for his alleged usuriousness, and to bargain with him in a mixture of Russian, French, and German I acting as interpreter. Meanwhile, the grave-faced official eyed us both, and silently	the scheme. "To the devil with that zero!" she exclaimed. "Stake four thousand g lden upon the red." "But, Madame, that will be so much to venture!" I remonstrated. "Suppose the red should not turn up?" The Grandmother almost struck me in her excitement. Her agitation was rapidly making her quarrelsome. Consequently, there was nothing for it but to stake the whole four thousand g lden as she had directed. The wheel revolved while the Grandmother sat as bolt upright, and with as proud and quiet a mien, as though she had not the least doubt of winning. "Zero!" cried the croupier. At first the old lady failed to understand the situation; but, as soon as she saw the croupier raking in her four thousand g lden, together with everything else that happened to be lying on the table, and recognised that the zero which had been so long turning up, and on which we had lost nearly two hundred ten-g lden pieces, had at length, as though of set purpose, made a sudden reappearance why, the poor old lady fell to cursing it, and to throwing herself about, and wailing and gesticulating at the company at large. Indeed, some people in our vicinity actually burst out laughing. "To think that that accursed zero should have turned up _now!_" she sobbed. "The accursed, accursed thing! And, it is all _your_ fault," she added, rounding upon me in a frenzy. "It was _you_ who persuaded me to cease staking upon it." "But, Madame, I only explained the game to you. How am _I_ to answer for every mischance which may occur in it?" "You and your mischances!" she whispered threateningly. "Go! Away at once!" "Farewell, then, Madame." And I turned to depart. "No stay," she put in hastily. "Where are you going to? Why should you leave me? You fool! No, no... stay here. It is _I_ who was the fool. Tell me what I ought to do." "I cannot take it upon myself to advise you, for you will only blame me if I do so. Play at your own discretion. Say exactly what you wish staked, and I will stake it." "Very well. Stake another four thousand g lden upon the red. Take this banknote to do it with. I have still got twenty thousand roubles in actual cash." "But," I whispered,<\|quote\|>"such a quantity of money"</\|quote\|>"Never mind. I cannot rest until I have won back my losses. Stake!" I staked, and we lost. "Stake again, stake again eight thousand at a stroke!" "I cannot, Madame. The largest stake allowed is four thousand g lden." "Well, then; stake four thousand." This time we won, and the Grandmother recovered herself a little. "You see, you see!" she exclaimed as she nudged me. "Stake another four thousand." I did so, and lost. Again, and yet again, we lost. "Madame, your twelve thousand g lden are now gone," at length I reported. "I see they are," she replied with, as it were, the calmness of despair. "I see they are," she muttered again as she gazed straight in front of her, like a person lost in thought. "Ah well, I do not mean to rest until I have staked another four thousand." "But you have no money with which to do it, Madame. In this satchel I can see only a few five percent bonds and some transfers no actual cash." "And in the purse?" "A mere trifle." "But there is a money-changer s office here, is there not? They told me I should be able to get any sort of paper security changed!" "Quite so; to any amount you please. But you will lose on the transaction what would frighten even a Jew." "Rubbish! I am _determined_ to retrieve my losses. Take me away, and call those fools of bearers." I wheeled the chair out of the throng, and, the bearers making their appearance, we left the Casino. "Hurry, hurry!" commanded the Grandmother. "Show me the nearest way to the money-changer s. Is it far?" "A couple of steps, Madame." At the turning from the square into the Avenue we came face to face with the whole of our party the General, De Griers, Mlle. Blanche, and her mother. Only Polina and Mr. Astley were absent. "Well, well, well!" exclaimed the Grandmother. "But we have no time to stop. What do you want? I can t talk to you here." I dropped behind a little, and immediately was pounced upon by De Griers. "She has lost this morning s winnings," I whispered, "and also twelve thousand g lden of her original money. At the present moment we are going to get some bonds changed." De Griers stamped his foot with vexation, and hastened to communicate the tidings to the General. Meanwhile we continued	The Gambler
"the saloon must go."	Jake Barnes	class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate,"	Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must	you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You	"It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time."	your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time." "Oh, hell!" Bill said. "I'm sorry, fella." "It's all right," I said. "I don't give a damn any more." "Really?" "Really. Only I'd a hell of a lot rather not talk about it." "You aren't sore I asked you?" "Why the hell should I be?" "I'm going to sleep," Bill said. He put a newspaper over his face. "Listen, Jake," he said, "are you really a Catholic?" "Technically." "What does that mean?" "I don't know." "All right, I'll go to sleep now," he said. "Don't keep me awake by talking so much." I went to sleep, too. When I woke	unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time." "Oh, hell!" Bill said. "I'm sorry, fella." "It's all right," I said. "I don't give a damn any more." "Really?" "Really. Only I'd a hell of a lot rather not talk about it." "You aren't sore I asked you?" "Why the hell should I be?" "I'm going to sleep," Bill said. He put a newspaper over his face. "Listen, Jake," he said, "are you really a Catholic?" "Technically." "What does that mean?" "I don't know." "All right, I'll go to sleep now," he said. "Don't keep me awake by talking so much." I went to sleep, too. When I woke up Bill was packing the rucksack. It was late in the afternoon and the shadow from the trees was long and went out over the dam. I was stiff from sleeping on the ground. "What did you do? Wake up?" Bill asked. "Why didn't you spend the night?" I stretched and rubbed my eyes. "I had a lovely dream," Bill said. "I don't remember what it was about, but it was a lovely dream." "I don't think I dreamt." "You ought to dream," Bill said. "All our biggest business men have been dreamers. Look at Ford. Look at President Coolidge. Look at Rockefeller. Look at Jo Davidson." I disjointed my rod and Bill's and packed them in the rod-case. I put the reels in the tackle-bag. Bill had packed the rucksack and we put one of the trout-bags in. I carried the other. "Well," said Bill, "have we got everything?" "The worms." "Your worms. Put them in there." He had the pack on his back and I put the worm-cans in one of the outside flap pockets. "You got everything now?" I looked around on the grass at the foot of the elm-trees. "Yes." We started up the road into	the trunk of two of the trees that grew together, and read. The book was something by A. E. W. Mason, and I was reading a wonderful story about a man who had been frozen in the Alps and then fallen into a glacier and disappeared, and his bride was going to wait twenty-four years exactly for his body to come out on the moraine, while her true love waited too, and they were still waiting when Bill came up. "Get any?" he asked. He had his rod and his bag and his net all in one hand, and he was sweating. I hadn't heard him come up, because of the noise from the dam. "Six. What did you get?" Bill sat down, opened up his bag, laid a big trout on the grass. He took out three more, each one a little bigger than the last, and laid them side by side in the shade from the tree. His face was sweaty and happy. "How are yours?" "Smaller." "Let's see them." "They're packed." "How big are they really?" "They're all about the size of your smallest." "You're not holding out on me?" "I wish I were." "Get them all on worms?" "Yes." "You lazy bum!" Bill put the trout in the bag and started for the river, swinging the open bag. He was wet from the waist down and I knew he must have been wading the stream. I walked up the road and got out the two bottles of wine. They were cold. Moisture beaded on the bottles as I walked back to the trees. I spread the lunch on a newspaper, and uncorked one of the bottles and leaned the other against a tree. Bill came up drying his hands, his bag plump with ferns. "Let's see that bottle," he said. He pulled the cork, and tipped up the bottle and drank. "Whew! That makes my eyes ache." "Let's try it." The wine was icy cold and tasted faintly rusty. "That's not such filthy wine," Bill said. "The cold helps it," I said. We unwrapped the little parcels of lunch. "Chicken." "There's hard-boiled eggs." "Find any salt?" "First the egg," said Bill. "Then the chicken. Even Bryan could see that." "He's dead. I read it in the paper yesterday." "No. Not really?" "Yes. Bryan's dead." Bill laid down the egg he was peeling. "Gentlemen," he said, and unwrapped a drumstick from a piece of newspaper. "I reverse the order. For Bryan's sake. As a tribute to the Great Commoner. First the chicken; then the egg." "Wonder what day God created the chicken?" "Oh," said Bill, sucking the drumstick, "how should we know? We should not question. Our stay on earth is not for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time." "Oh, hell!" Bill said. "I'm sorry, fella." "It's all right," I said. "I don't give a damn any more." "Really?" "Really. Only I'd a hell of a lot rather not talk about it." "You aren't sore I asked you?" "Why the hell should I be?" "I'm going to sleep," Bill said. He put a newspaper over his face. "Listen, Jake," he said, "are you really a Catholic?" "Technically." "What does that mean?" "I don't know." "All right, I'll go to sleep now," he said. "Don't keep me awake by talking so much." I went to sleep, too. When I woke up Bill was packing the rucksack. It was late in the afternoon and the shadow from the trees was long and went out over the dam. I was stiff from sleeping on the ground. "What did you do? Wake up?" Bill asked. "Why didn't you spend the night?" I stretched and rubbed my eyes. "I had a lovely dream," Bill said. "I don't remember what it was about, but it was a lovely dream." "I don't think I dreamt." "You ought to dream," Bill said. "All our biggest business men have been dreamers. Look at Ford. Look at President Coolidge. Look at Rockefeller. Look at Jo Davidson." I disjointed my rod and Bill's and packed them in the rod-case. I put the reels in the tackle-bag. Bill had packed the rucksack and we put one of the trout-bags in. I carried the other. "Well," said Bill, "have we got everything?" "The worms." "Your worms. Put them in there." He had the pack on his back and I put the worm-cans in one of the outside flap pockets. "You got everything now?" I looked around on the grass at the foot of the elm-trees. "Yes." We started up the road into the woods. It was a long walk home to Burguete, and it was dark when we came down across the fields to the road, and along the road between the houses of the town, their windows lighted, to the inn. We stayed five days at Burguete and had good fishing. The nights were cold and the days were hot, and there was always a breeze even in the heat of the day. It was hot enough so that it felt good to wade in a cold stream, and the sun dried you when you came out and sat on the bank. We found a stream with a pool deep enough to swim in. In the evenings we played three-handed bridge with an Englishman named Harris, who had walked over from Saint Jean Pied de Port and was stopping at the inn for the fishing. He was very pleasant and went with us twice to the Irati River. There was no word from Robert Cohn nor from Brett and Mike. CHAPTER 13 One morning I went down to breakfast and the Englishman, Harris, was already at the table. He was reading the paper through spectacles. He looked up and smiled. "Good morning," he said. "Letter for you. I stopped at the post and they gave it me with mine." The letter was at my place at the table, leaning against a coffee-cup. Harris was reading the paper again. I opened the letter. It had been forwarded from Pamplona. It was dated San Sebastian, Sunday: DEAR JAKE, We got here Friday, Brett passed out on the train, so brought her here for 3 days rest with old friends of ours. We go to Montoya Hotel Pamplona Tuesday, arriving at I don't know what hour. Will you send a note by the bus to tell us what to do to rejoin you all on Wednesday. All our love and sorry to be late, but Brett was really done in and will be quite all right by Tues. and is practically so now. I know her so well and try to look after her but it's not so easy. Love to all the chaps, MICHAEL. "What day of the week is it?" I asked Harris. "Wednesday, I think. Yes, quite. Wednesday. Wonderful how one loses track of the days up here in the mountains." "Yes. We've been here nearly a week." "I hope you're	for long. Let us rejoice and believe and give thanks." "Eat an egg." Bill gestured with the drumstick in one hand and the bottle of wine in the other. "Let us rejoice in our blessings. Let us utilize the fowls of the air. Let us utilize the product of the vine. Will you utilize a little, brother?" "After you, brother." Bill took a long drink. "Utilize a little, brother," he handed me the bottle. "Let us not doubt, brother. Let us not pry into the holy mysteries of the hen-coop with simian fingers. Let us accept on faith and simply say--I want you to join with me in saying--What shall we say, brother?" He pointed the drumstick at me and went on. "Let me tell you. We will say, and I for one am proud to say--and I want you to say with me, on your knees, brother. Let no man be ashamed to kneel here in the great out-of-doors. Remember the woods were God's first temples. Let us kneel and say: 'Don't eat that, Lady--that's Mencken.'" "Here," I said. "Utilize a little of this." We uncorked the other bottle. "What's the matter?" I said. "Didn't you like Bryan?" "I loved Bryan," said Bill. "We were like brothers." "Where did you know him?" "He and Mencken and I all went to Holy Cross together." "And Frankie Fritsch." "It's a lie. Frankie Fritsch went to Fordham." "Well," I said, "I went to Loyola with Bishop Manning." "It's a lie," Bill said. "I went to Loyola with Bishop Manning myself." "You're cock-eyed," I said. "On wine?" "Why not?" "It's the humidity," Bill said. "They ought to take this damn humidity away." "Have another shot." "Is this all we've got?" "Only the two bottles." "Do you know what you are?" Bill looked at the bottle affectionately. "No," I said. "You're in the pay of the Anti-Saloon League." "I went to Notre Dame with Wayne B. Wheeler." "It's a lie," said Bill. "I went to Austin Business College with Wayne B. Wheeler. He was class president." "Well," I said,<\|quote\|>"the saloon must go."</\|quote\|>"You're right there, old classmate," Bill said. "The saloon must go, and I will take it with me." "You're cock-eyed." "On wine?" "On wine." "Well, maybe I am." "Want to take a nap?" "All right." We lay with our heads in the shade and looked up into the trees. "You asleep?" "No," Bill said. "I was thinking." I shut my eyes. It felt good lying on the ground. "Say," Bill said, "what about this Brett business?" "What about it?" "Were you ever in love with her?" "Sure." "For how long?" "Off and on for a hell of a long time." "Oh, hell!" Bill said. "I'm sorry, fella." "It's all right," I said. "I don't give a damn any more." "Really?" "Really. Only I'd a hell of a lot rather not talk about it." "You aren't sore I asked you?" "Why the hell should I be?" "I'm going to sleep," Bill said. He put a newspaper over his face. "Listen, Jake," he said, "are you really a Catholic?" "Technically." "What does that mean?" "I don't know." "All right, I'll go to sleep now," he said. "Don't keep me awake by talking so much." I went to sleep, too. When I woke up Bill was packing the rucksack. It was late in the afternoon and the shadow from the trees was long and went out over the dam. I was stiff from sleeping on the ground. "What did you do? Wake up?" Bill asked. "Why didn't you spend the night?" I stretched and rubbed my eyes. "I had a lovely dream," Bill said. "I don't remember what it was about, but it was a lovely dream." "I don't think I dreamt." "You ought to dream," Bill said. "All our biggest business men have been dreamers. Look at Ford. Look at President Coolidge. Look at Rockefeller. Look at Jo Davidson." I disjointed my rod and Bill's and packed them in the rod-case. I put the reels in the tackle-bag. Bill had packed the rucksack and we put one of the trout-bags in. I carried the other. "Well," said Bill, "have we got everything?" "The worms." "Your worms. Put them in there."	The Sun Also Rises
"How then?"	Dr. Watson	had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not	too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said,	this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney.	ever. How about this mysterious ally? How came he into the room?" "Yes, the ally!" repeated Holmes, pensively. "There are features of interest about this ally. He lifts the case from the regions of the commonplace. I fancy that this ally breaks fresh ground in the annals of crime in this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. Whence, then, did he come?" "He came through the hole in the roof," I cried. "Of course he did. He must have done so. If you will have the kindness to	from the hook, shut the window, snib it on the inside, and get away in the way that he originally came. As a minor point it may be noted," he continued, fingering the rope, "that our wooden-legged friend, though a fair climber, was not a professional sailor. His hands were far from horny. My lens discloses more than one blood-mark, especially towards the end of the rope, from which I gather that he slipped down with such velocity that he took the skin off his hand." "This is all very well," said I, "but the thing becomes more unintelligible than ever. How about this mysterious ally? How came he into the room?" "Yes, the ally!" repeated Holmes, pensively. "There are features of interest about this ally. He lifts the case from the regions of the commonplace. I fancy that this ally breaks fresh ground in the annals of crime in this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. Whence, then, did he come?" "He came through the hole in the roof," I cried. "Of course he did. He must have done so. If you will have the kindness to hold the lamp for me, we shall now extend our researches to the room above, the secret room in which the treasure was found." He mounted the steps, and, seizing a rafter with either hand, he swung himself up into the garret. Then, lying on his face, he reached down for the lamp and held it while I followed him. The chamber in which we found ourselves was about ten feet one way and six the other. The floor was formed by the rafters, with thin lath-and-plaster between, so that in walking one had to step from beam to beam.	is not a footmark," said I. "It is something much more valuable to us. It is the impression of a wooden stump. You see here on the sill is the boot-mark, a heavy boot with the broad metal heel, and beside it is the mark of the timber-toe." "It is the wooden-legged man." "Quite so. But there has been some one else, a very able and efficient ally. Could you scale that wall, doctor?" I looked out of the open window. The moon still shone brightly on that angle of the house. We were a good sixty feet from the ground, and, look where I would, I could see no foothold, nor as much as a crevice in the brick-work. "It is absolutely impossible," I answered. "Without aid it is so. But suppose you had a friend up here who lowered you this good stout rope which I see in the corner, securing one end of it to this great hook in the wall. Then, I think, if you were an active man, You might swarm up, wooden leg and all. You would depart, of course, in the same fashion, and your ally would draw up the rope, untie it from the hook, shut the window, snib it on the inside, and get away in the way that he originally came. As a minor point it may be noted," he continued, fingering the rope, "that our wooden-legged friend, though a fair climber, was not a professional sailor. His hands were far from horny. My lens discloses more than one blood-mark, especially towards the end of the rope, from which I gather that he slipped down with such velocity that he took the skin off his hand." "This is all very well," said I, "but the thing becomes more unintelligible than ever. How about this mysterious ally? How came he into the room?" "Yes, the ally!" repeated Holmes, pensively. "There are features of interest about this ally. He lifts the case from the regions of the commonplace. I fancy that this ally breaks fresh ground in the annals of crime in this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. Whence, then, did he come?" "He came through the hole in the roof," I cried. "Of course he did. He must have done so. If you will have the kindness to hold the lamp for me, we shall now extend our researches to the room above, the secret room in which the treasure was found." He mounted the steps, and, seizing a rafter with either hand, he swung himself up into the garret. Then, lying on his face, he reached down for the lamp and held it while I followed him. The chamber in which we found ourselves was about ten feet one way and six the other. The floor was formed by the rafters, with thin lath-and-plaster between, so that in walking one had to step from beam to beam. The roof ran up to an apex, and was evidently the inner shell of the true roof of the house. There was no furniture of any sort, and the accumulated dust of years lay thick upon the floor. "Here you are, you see," said Sherlock Holmes, putting his hand against the sloping wall. "This is a trap-door which leads out on to the roof. I can press it back, and here is the roof itself, sloping at a gentle angle. This, then, is the way by which Number One entered. Let us see if we can find any other traces of his individuality." He held down the lamp to the floor, and as he did so I saw for the second time that night a startled, surprised look come over his face. For myself, as I followed his gaze my skin was cold under my clothes. The floor was covered thickly with the prints of a naked foot, clear, well defined, perfectly formed, but scarce half the size of those of an ordinary man. "Holmes," I said, in a whisper, "a child has done the horrid thing." He had recovered his self-possession in an instant. "I was staggered for the	I came downstairs." "What time was that?" "It was ten o clock. And now he is dead, and the police will be called in, and I shall be suspected of having had a hand in it. Oh, yes, I am sure I shall. But you don t think so, gentlemen? Surely you don t think that it was I? Is it likely that I would have brought you here if it were I? Oh, dear! oh, dear! I know that I shall go mad!" He jerked his arms and stamped his feet in a kind of convulsive frenzy. "You have no reason for fear, Mr. Sholto," said Holmes, kindly, putting his hand upon his shoulder. "Take my advice, and drive down to the station to report this matter to the police. Offer to assist them in every way. We shall wait here until your return." The little man obeyed in a half-stupefied fashion, and we heard him stumbling down the stairs in the dark. Chapter VI Sherlock Holmes Gives a Demonstration "Now, Watson," said Holmes, rubbing his hands, "we have half an hour to ourselves. Let us make good use of it. My case is, as I have told you, almost complete; but we must not err on the side of over-confidence. Simple as the case seems now, there may be something deeper underlying it." "Simple!" I ejaculated. "Surely," said he, with something of the air of a clinical professor expounding to his class. "Just sit in the corner there, that your footprints may not complicate matters. Now to work! In the first place, how did these folk come, and how did they go? The door has not been opened since last night. How of the window?" He carried the lamp across to it, muttering his observations aloud the while, but addressing them to himself rather than to me. "Window is snibbed on the inner side. Framework is solid. No hinges at the side. Let us open it. No water-pipe near. Roof quite out of reach. Yet a man has mounted by the window. It rained a little last night. Here is the print of a foot in mould upon the sill. And here is a circular muddy mark, and here again upon the floor, and here again by the table. See here, Watson! This is really a very pretty demonstration." I looked at the round, well-defined muddy discs. "This is not a footmark," said I. "It is something much more valuable to us. It is the impression of a wooden stump. You see here on the sill is the boot-mark, a heavy boot with the broad metal heel, and beside it is the mark of the timber-toe." "It is the wooden-legged man." "Quite so. But there has been some one else, a very able and efficient ally. Could you scale that wall, doctor?" I looked out of the open window. The moon still shone brightly on that angle of the house. We were a good sixty feet from the ground, and, look where I would, I could see no foothold, nor as much as a crevice in the brick-work. "It is absolutely impossible," I answered. "Without aid it is so. But suppose you had a friend up here who lowered you this good stout rope which I see in the corner, securing one end of it to this great hook in the wall. Then, I think, if you were an active man, You might swarm up, wooden leg and all. You would depart, of course, in the same fashion, and your ally would draw up the rope, untie it from the hook, shut the window, snib it on the inside, and get away in the way that he originally came. As a minor point it may be noted," he continued, fingering the rope, "that our wooden-legged friend, though a fair climber, was not a professional sailor. His hands were far from horny. My lens discloses more than one blood-mark, especially towards the end of the rope, from which I gather that he slipped down with such velocity that he took the skin off his hand." "This is all very well," said I, "but the thing becomes more unintelligible than ever. How about this mysterious ally? How came he into the room?" "Yes, the ally!" repeated Holmes, pensively. "There are features of interest about this ally. He lifts the case from the regions of the commonplace. I fancy that this ally breaks fresh ground in the annals of crime in this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. Whence, then, did he come?" "He came through the hole in the roof," I cried. "Of course he did. He must have done so. If you will have the kindness to hold the lamp for me, we shall now extend our researches to the room above, the secret room in which the treasure was found." He mounted the steps, and, seizing a rafter with either hand, he swung himself up into the garret. Then, lying on his face, he reached down for the lamp and held it while I followed him. The chamber in which we found ourselves was about ten feet one way and six the other. The floor was formed by the rafters, with thin lath-and-plaster between, so that in walking one had to step from beam to beam. The roof ran up to an apex, and was evidently the inner shell of the true roof of the house. There was no furniture of any sort, and the accumulated dust of years lay thick upon the floor. "Here you are, you see," said Sherlock Holmes, putting his hand against the sloping wall. "This is a trap-door which leads out on to the roof. I can press it back, and here is the roof itself, sloping at a gentle angle. This, then, is the way by which Number One entered. Let us see if we can find any other traces of his individuality." He held down the lamp to the floor, and as he did so I saw for the second time that night a startled, surprised look come over his face. For myself, as I followed his gaze my skin was cold under my clothes. The floor was covered thickly with the prints of a naked foot, clear, well defined, perfectly formed, but scarce half the size of those of an ordinary man. "Holmes," I said, in a whisper, "a child has done the horrid thing." He had recovered his self-possession in an instant. "I was staggered for the moment," he said, "but the thing is quite natural. My memory failed me, or I should have been able to foretell it. There is nothing more to be learned here. Let us go down." "What is your theory, then, as to those footmarks?" I asked, eagerly, when we had regained the lower room once more. "My dear Watson, try a little analysis yourself," said he, with a touch of impatience. "You know my methods. Apply them, and it will be instructive to compare results." "I cannot conceive anything which will cover the facts," I answered. "It will be clear enough to you soon," he said, in an off-hand way. "I think that there is nothing else of importance here, but I will look." He whipped out his lens and a tape measure, and hurried about the room on his knees, measuring, comparing, examining, with his long thin nose only a few inches from the planks, and his beady eyes gleaming and deep-set like those of a bird. So swift, silent, and furtive were his movements, like those of a trained blood-hound picking out a scent, that I could not but think what a terrible criminal he would have made had he turned his energy and sagacity against the law, instead of exerting them in its defence. As he hunted about, he kept muttering to himself, and finally he broke out into a loud crow of delight. "We are certainly in luck," said he. "We ought to have very little trouble now. Number One has had the misfortune to tread in the creosote. You can see the outline of the edge of his small foot here at the side of this evil-smelling mess. The carboy has been cracked, You see, and the stuff has leaked out." "What then?" I asked. "Why, we have got him, that s all," said he. "I know a dog that would follow that scent to the world s end. If a pack can track a trailed herring across a shire, how far can a specially-trained hound follow so pungent a smell as this? It sounds like a sum in the rule of three. The answer should give us the But halloa! here are the accredited representatives of the law." Heavy steps and the clamour of loud voices were audible from below, and the hall door shut with a loud crash. "Before they come," said Holmes, "just	heel, and beside it is the mark of the timber-toe." "It is the wooden-legged man." "Quite so. But there has been some one else, a very able and efficient ally. Could you scale that wall, doctor?" I looked out of the open window. The moon still shone brightly on that angle of the house. We were a good sixty feet from the ground, and, look where I would, I could see no foothold, nor as much as a crevice in the brick-work. "It is absolutely impossible," I answered. "Without aid it is so. But suppose you had a friend up here who lowered you this good stout rope which I see in the corner, securing one end of it to this great hook in the wall. Then, I think, if you were an active man, You might swarm up, wooden leg and all. You would depart, of course, in the same fashion, and your ally would draw up the rope, untie it from the hook, shut the window, snib it on the inside, and get away in the way that he originally came. As a minor point it may be noted," he continued, fingering the rope, "that our wooden-legged friend, though a fair climber, was not a professional sailor. His hands were far from horny. My lens discloses more than one blood-mark, especially towards the end of the rope, from which I gather that he slipped down with such velocity that he took the skin off his hand." "This is all very well," said I, "but the thing becomes more unintelligible than ever. How about this mysterious ally? How came he into the room?" "Yes, the ally!" repeated Holmes, pensively. "There are features of interest about this ally. He lifts the case from the regions of the commonplace. I fancy that this ally breaks fresh ground in the annals of crime in this country, though parallel cases suggest themselves from India, and, if my memory serves me, from Senegambia." "How came he, then?" I reiterated. "The door is locked, the window is inaccessible. Was it through the chimney?" "The grate is much too small," he answered. "I had already considered that possibility."<\|quote\|>"How then?"</\|quote\|>I persisted. "You will not apply my precept," he said, shaking his head. "How often have I said to you that when you have eliminated the impossible whatever remains, _however improbable_, must be the truth? We know that he did not come through the door, the window, or the chimney. We also know that he could not have been concealed in the room, as there is no concealment possible. Whence, then, did he come?" "He came through the hole in the roof," I cried. "Of course he did. He must have done so. If you will have the kindness to hold the lamp for me, we shall now extend our researches to the room above, the secret room in which the treasure was found." He mounted the steps, and, seizing a rafter with either hand, he swung himself up into the garret. Then, lying on his face, he reached down for the lamp and held it while I followed him. The chamber in which we found ourselves was about ten feet one way and six the other. The floor was formed by the rafters, with thin lath-and-plaster between, so that in walking one had to step from beam to beam. The roof ran up to an apex, and was evidently the inner shell of the true roof of the house. There was no furniture of any sort, and the accumulated dust of years lay thick upon the floor. "Here you are, you see," said Sherlock Holmes, putting his hand against the sloping wall. "This is a trap-door which leads out on to the roof. I can press it back, and here is the roof itself, sloping at a gentle angle. This, then, is the way by which Number One entered. Let us see if we can find any other traces	The Sign Of The Four
"Then drink my health,"	Princess	more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will	to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He	drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each	to him: "If you please, I will entertain you with a concert of vocal and instrumental music; but as we are only two, I think conversation may be more agreeable." This the magician took as a new favour. After they had eaten some time, the princess called for some wine, drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each drunk two or three cups more, the princess, who had completely charmed the African magician by her obliging behaviour, gave the signal to the slave who served them with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a	back; for the longer you stay the greater will be my impatience, and we shall sit down to supper as soon as you return." The African magician, full of hopes of his expected happiness, rather flew than ran, and returned quickly with the wine. The princess, not doubting but he would make haste, put with her own hand the powder Aladdin had given her into the cup set apart for that purpose. They sat down at the table opposite to each other, the magician's back toward the buffet. The princess presented him with the best at the table, and said to him: "If you please, I will entertain you with a concert of vocal and instrumental music; but as we are only two, I think conversation may be more agreeable." This the magician took as a new favour. After they had eaten some time, the princess called for some wine, drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each drunk two or three cups more, the princess, who had completely charmed the African magician by her obliging behaviour, gave the signal to the slave who served them with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a full goblet. When they both had their cups in their hands, she said to him: "I know not how you express your loves in these parts when drinking together. With us in China lovers reciprocally exchange cups, and drink each other's health:" at the same time she presented to him the cup which was in her hand, and held out her hand to receive his. He hastened to make the exchange with the more pleasure, because he looked upon this favour as a token of conquest over the princess, which raised his rapture to the highest pitch. Before he drank,	magician, who had looked upon the happiness of getting so soon and so easily into the Princess Badroulboudour's good graces as impossible, could not think of words expressive enough to testify how sensible he was of her favours: but to put an end the sooner to a conversation which would have embarrassed him, if he had engaged farther in it, he turned it upon the wines of Africa, and said: "Of all the advantages Africa can boast, that of producing the most excellent wines is one of the principal. I have a vessel of seven years old, which has never been broached; and it is indeed not praising it too much to say it is the finest wine in the world. If my princess," added he, "will give me leave, I will go and fetch two bottles, and return again immediately." "I should be sorry to give you that trouble," replied the princess; "you had better send for them." "It is necessary I should go myself," answered the African magician, "for nobody but myself knows where the key of the cellar is laid, or has the secret to unlock the door." "If it be so," said the princess, "make haste back; for the longer you stay the greater will be my impatience, and we shall sit down to supper as soon as you return." The African magician, full of hopes of his expected happiness, rather flew than ran, and returned quickly with the wine. The princess, not doubting but he would make haste, put with her own hand the powder Aladdin had given her into the cup set apart for that purpose. They sat down at the table opposite to each other, the magician's back toward the buffet. The princess presented him with the best at the table, and said to him: "If you please, I will entertain you with a concert of vocal and instrumental music; but as we are only two, I think conversation may be more agreeable." This the magician took as a new favour. After they had eaten some time, the princess called for some wine, drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each drunk two or three cups more, the princess, who had completely charmed the African magician by her obliging behaviour, gave the signal to the slave who served them with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a full goblet. When they both had their cups in their hands, she said to him: "I know not how you express your loves in these parts when drinking together. With us in China lovers reciprocally exchange cups, and drink each other's health:" at the same time she presented to him the cup which was in her hand, and held out her hand to receive his. He hastened to make the exchange with the more pleasure, because he looked upon this favour as a token of conquest over the princess, which raised his rapture to the highest pitch. Before he drank, he said to her, with the cup in his hand: "Indeed, princess, we Africans are not so refined in the art of love as you Chinese: and your instructing me in a lesson I was ignorant of, informs me how sensible I ought to be of the favour done me. I shall never, lovely princess, forget my recovering, by drinking out of your cup, that life, which your cruelty, had it continued, must have made me despair of." The princess, who began to be tired with his declarations, interrupted him and said: "Let us drink first, and then say what you will afterward:" at the same time she set the cup to her lips, while the African magician, who was eager to get his wine off first, drank up the very last drop. In finishing it, he leaned his head back to show his eagerness, and remained some time in that state. The princess kept the cup at her lips till she saw his eyes turn in his head, when he fell backward lifeless on the sofa. The princess had no occasion to order the private door to be opened to Aladdin; for her women were so disposed from the	When the Princess Badroulboudour was completely dressed, she consulted her glass and women upon her adjustment; and when she found she wanted no charms to flatter the foolish passion of the African magician, she sat down on a sofa expecting his arrival. The magician came at the usual hour, and as soon as he entered the great hall where the princess waited to receive him, she rose with an enchanting grace and smile, and pointed with her hand to the most honourable place, waiting till he sat down, that she might sit at the same time, which was a civility she had never shown him before. The African magician, dazzled more with the lustre of the princess's eyes than the glittering of her jewels, was much surprised. The smiling air with which she received him, so opposite to her former behaviour, quite fascinated his heart. When he was seated, the princess, to free him from his embarrassment, broke silence first, looking at him all the time in such a manner as to make him believe that he was not so odious to her as she had given him to understand hitherto, and said; "You are doubtless amazed to find me so much altered to-day; but your surprise will not be so great when I acquaint you, that I am naturally of a disposition so opposite to melancholy and grief, that I always strive to put them as far away as possible when I find the subject of them is past. I have reflected on what you told me of Aladdin's fate, and know my father's temper so well that I am persuaded, with you, he could not escape the terrible effects of the sultan's rage: therefore, should I continue to lament him all my life, my tears cannot recall him. For this reason, since I have paid all the duties decency requires of me to his memory, now he is in the grave I think I ought to endeavour to comfort myself. These are the motives of the change you see in me; I am resolved to banish melancholy entirely; and persuaded that you will bear me company to-night, I have ordered a supper to be prepared; but as I have no wines but those of China, I have a great desire to taste of the produce of Africa, and doubt not your procuring some of the best." The African magician, who had looked upon the happiness of getting so soon and so easily into the Princess Badroulboudour's good graces as impossible, could not think of words expressive enough to testify how sensible he was of her favours: but to put an end the sooner to a conversation which would have embarrassed him, if he had engaged farther in it, he turned it upon the wines of Africa, and said: "Of all the advantages Africa can boast, that of producing the most excellent wines is one of the principal. I have a vessel of seven years old, which has never been broached; and it is indeed not praising it too much to say it is the finest wine in the world. If my princess," added he, "will give me leave, I will go and fetch two bottles, and return again immediately." "I should be sorry to give you that trouble," replied the princess; "you had better send for them." "It is necessary I should go myself," answered the African magician, "for nobody but myself knows where the key of the cellar is laid, or has the secret to unlock the door." "If it be so," said the princess, "make haste back; for the longer you stay the greater will be my impatience, and we shall sit down to supper as soon as you return." The African magician, full of hopes of his expected happiness, rather flew than ran, and returned quickly with the wine. The princess, not doubting but he would make haste, put with her own hand the powder Aladdin had given her into the cup set apart for that purpose. They sat down at the table opposite to each other, the magician's back toward the buffet. The princess presented him with the best at the table, and said to him: "If you please, I will entertain you with a concert of vocal and instrumental music; but as we are only two, I think conversation may be more agreeable." This the magician took as a new favour. After they had eaten some time, the princess called for some wine, drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each drunk two or three cups more, the princess, who had completely charmed the African magician by her obliging behaviour, gave the signal to the slave who served them with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a full goblet. When they both had their cups in their hands, she said to him: "I know not how you express your loves in these parts when drinking together. With us in China lovers reciprocally exchange cups, and drink each other's health:" at the same time she presented to him the cup which was in her hand, and held out her hand to receive his. He hastened to make the exchange with the more pleasure, because he looked upon this favour as a token of conquest over the princess, which raised his rapture to the highest pitch. Before he drank, he said to her, with the cup in his hand: "Indeed, princess, we Africans are not so refined in the art of love as you Chinese: and your instructing me in a lesson I was ignorant of, informs me how sensible I ought to be of the favour done me. I shall never, lovely princess, forget my recovering, by drinking out of your cup, that life, which your cruelty, had it continued, must have made me despair of." The princess, who began to be tired with his declarations, interrupted him and said: "Let us drink first, and then say what you will afterward:" at the same time she set the cup to her lips, while the African magician, who was eager to get his wine off first, drank up the very last drop. In finishing it, he leaned his head back to show his eagerness, and remained some time in that state. The princess kept the cup at her lips till she saw his eyes turn in his head, when he fell backward lifeless on the sofa. The princess had no occasion to order the private door to be opened to Aladdin; for her women were so disposed from the great hall to the foot of the staircase, that the word was no sooner given that the magician was fallen, than the door was immediately opened. As soon as Aladdin entered the hall, he saw the magician stretched backward on the sofa. The princess rose from her seat, and ran overjoyed to embrace him; but he stopped her and said: "Princess, it is not yet time; let me be left alone a moment, while I endeavour to transport you back to China as speedily as you were brought from thence." When the princess, her women and eunuchs, were gone out of the hall, Aladdin shut the door, and, going directly to the dead body of the magician, opened his vest, took out the lamp which was carefully wrapped up, as the princess had told him, and unfolding and rubbing it, the genie immediately appeared. "Genie," said Aladdin, "I have called to command thee, on the part of thy good mistress, this lamp, to transport this palace instantly into China, to the place from whence it was brought hither." The genie bowed his head in token of obedience, and disappeared. Immediately the palace was transported into China, and its removal was only felt by two little shocks, the one when it was lifted up, the other when it was set down, and both in a very short interval of time. From the time of the transportation of Aladdin's palace, the princess's father had been inconsolable for the loss of her. Before the disaster he used to go every morning into his closet to please himself with viewing the palace; he went now many times in the day to renew his tears, and plunge himself into the deepest melancholy, by reflecting how he had lost what was most dear to him in this world. The very morning of the return to the palace, the sultan went into his closet to indulge his sorrows. Absorbed in himself, and in a pensive mood, he cast his eyes toward the spot, expecting only to see an open space; but perceiving the vacancy filled up, he at first imagined the appearance to be the effect of a fog; looking more attentively, he was convinced beyond the power of doubt that it was his son-in-law's palace. Joy and gladness succeeded to sorrow and grief. He returned immediately into his apartment, and ordered a horse to be saddled	cannot recall him. For this reason, since I have paid all the duties decency requires of me to his memory, now he is in the grave I think I ought to endeavour to comfort myself. These are the motives of the change you see in me; I am resolved to banish melancholy entirely; and persuaded that you will bear me company to-night, I have ordered a supper to be prepared; but as I have no wines but those of China, I have a great desire to taste of the produce of Africa, and doubt not your procuring some of the best." The African magician, who had looked upon the happiness of getting so soon and so easily into the Princess Badroulboudour's good graces as impossible, could not think of words expressive enough to testify how sensible he was of her favours: but to put an end the sooner to a conversation which would have embarrassed him, if he had engaged farther in it, he turned it upon the wines of Africa, and said: "Of all the advantages Africa can boast, that of producing the most excellent wines is one of the principal. I have a vessel of seven years old, which has never been broached; and it is indeed not praising it too much to say it is the finest wine in the world. If my princess," added he, "will give me leave, I will go and fetch two bottles, and return again immediately." "I should be sorry to give you that trouble," replied the princess; "you had better send for them." "It is necessary I should go myself," answered the African magician, "for nobody but myself knows where the key of the cellar is laid, or has the secret to unlock the door." "If it be so," said the princess, "make haste back; for the longer you stay the greater will be my impatience, and we shall sit down to supper as soon as you return." The African magician, full of hopes of his expected happiness, rather flew than ran, and returned quickly with the wine. The princess, not doubting but he would make haste, put with her own hand the powder Aladdin had given her into the cup set apart for that purpose. They sat down at the table opposite to each other, the magician's back toward the buffet. The princess presented him with the best at the table, and said to him: "If you please, I will entertain you with a concert of vocal and instrumental music; but as we are only two, I think conversation may be more agreeable." This the magician took as a new favour. After they had eaten some time, the princess called for some wine, drank the magician's health, and afterward said to him: "Indeed you had a full right to commend your wine, since I never tasted any so delicious." "Charming princess," said he, holding in his hand the cup which had been presented to him, "my wine becomes more exquisite by your approbation."<\|quote\|>"Then drink my health,"</\|quote\|>replied the princess: "you will find I understand wines." He drank the princess's health, and returning the cup said; "I think myself fortunate, princess, that I reserved this wine for so happy an occasion; and own I never before drank any in every respect so excellent." When they had each drunk two or three cups more, the princess, who had completely charmed the African magician by her obliging behaviour, gave the signal to the slave who served them with wine, bidding her bring the cup which had been filled for herself, and at the same time bring the magician a full goblet. When they both had their cups in their hands, she said to him: "I know not how you express your loves in these parts when drinking together. With us in China lovers reciprocally exchange cups, and drink each other's health:" at the same time she presented to him the cup which was in her hand, and held out her hand to receive his. He hastened to make the exchange with the more pleasure, because he looked upon this favour as a token of conquest over the princess, which raised his rapture to the highest pitch. Before he drank, he said to her, with the cup in his hand: "Indeed, princess, we Africans are not so refined in the art of love as you Chinese: and your instructing me in a lesson I was ignorant of, informs me how sensible I ought to be of the favour done me. I shall never, lovely princess, forget my recovering, by drinking out of your cup, that life, which your cruelty, had it continued, must have made me despair of." The princess, who began to be tired with his declarations, interrupted him and said: "Let us drink first, and then say what you will afterward:" at the same time she set the cup to her lips, while the African magician, who was eager to get his wine off first, drank up the very last drop. In finishing it, he leaned his head back to show his eagerness, and remained some time in that state. The princess kept the cup at her lips till she saw his eyes turn in his head, when he fell backward lifeless on the sofa. The princess had no occasion to order the private door to be opened to Aladdin; for her women were so disposed from the great hall to the foot of the staircase, that the word was no sooner given that the magician was fallen, than the door was immediately opened. As soon as Aladdin entered the hall, he saw the magician stretched backward on the sofa. The princess rose from her seat, and ran overjoyed to embrace him; but he stopped her and said: "Princess, it is not yet time; let me be left alone a moment, while I endeavour to transport you back to China as speedily as you were brought from thence." When the princess, her women and eunuchs, were gone out of the hall, Aladdin shut the door, and, going directly to the dead body of the magician, opened his vest, took out the lamp which was carefully wrapped up, as the princess had told him, and unfolding and rubbing it, the genie immediately appeared. "Genie," said Aladdin, "I have called to command thee, on the part of thy good mistress, this lamp, to transport this palace instantly into China, to the place from whence it was brought hither." The genie bowed his head in token of obedience, and disappeared.	Arabian Nights (4)
cried Jem.	No speaker	now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at	"Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash	my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything.	Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only	cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're	him curiously, as if he did not quite understand. "Been rather rough with this one, my lads." "Couldn't help it," said one of the sailors; "he fote so hard. So did this young chap too." "Nothing wrong with him, I daresay," said the bluff man. "No bones broken. All right in a day or two." Don had been silent while Jem was examined, for he felt that this man was either a doctor, or one who knew something about surgery; but as soon as he had finished, the boy, whose indignation had been growing, turned to him haughtily. "Now, sir!" he exclaimed, "have the goodness to explain the meaning of this outrage." "Cock-a-doodle-doo!" cried the bluff man. "It is nothing to laugh at, sir. I insist upon knowing why we have been ill-used and dragged here by your men." "Well crowed, my young cockerel," said the bluff man, laughing. "They said you fought well with your fists, so you can with your tongue." "Insulting us now you have us down will not save you," cried Don fiercely. "No, my lord," said the bluff man, as Jem rose up, shook his head, and stood by Don. The men laughed. "You coward!" cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don." "They won't let us go." "No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know	and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured Don Lavington's brain. He could think now, and he saw once more the dark lane, the swinging lanthorn, and felt, as it were, the struggle going on; and then, sitting up with his hands to his throbbing head, he listened to a low moaning sound close at hand. "Jem," he said. "Jem! Why don't you speak?" There was no answer, for it was poor Jem's turn now; the injuries he had received in his desperate struggle for liberty had had their effect, and he lay there insensible to the great trouble which had come upon him, while it grew more terrible to Don, in the darkness of that cellar, with every breath he drew. CHAPTER TWELVE. PRISONERS. "What's the matter?" cried Don, starting up, as there was the sound of bolts being shot back, and a light shone in upon the darkness. Don could hardly believe it possible, but it was quite true. In spite of pain and anxiety, weariness had mastered him, and he had been asleep. As the light shone in, Don could see Jem lying, apparently asleep, but in a very uncomfortable position, and that they were in a low, arched cellar, one which at some time had been used for storing casks; for in one corner there were some mouldy staves, and, close by, a barrel, whose hoops seemed to have slipped down, so that it was in a state of collapse. He had no time to see more, for half a dozen well-armed sailors came in after a bluff-looking man, who crossed at once to the prisoners. "Hold the lanthorn here," he said sharply. "Now let's have a look at you." He examined their injuries in an experienced way, roughly, but not unkindly. "All right, my lad," he said to Don; "you will not die this time. Now you." He spent longer over Jem, who roused up and looked at him curiously, as if he did not quite understand. "Been rather rough with this one, my lads." "Couldn't help it," said one of the sailors; "he fote so hard. So did this young chap too." "Nothing wrong with him, I daresay," said the bluff man. "No bones broken. All right in a day or two." Don had been silent while Jem was examined, for he felt that this man was either a doctor, or one who knew something about surgery; but as soon as he had finished, the boy, whose indignation had been growing, turned to him haughtily. "Now, sir!" he exclaimed, "have the goodness to explain the meaning of this outrage." "Cock-a-doodle-doo!" cried the bluff man. "It is nothing to laugh at, sir. I insist upon knowing why we have been ill-used and dragged here by your men." "Well crowed, my young cockerel," said the bluff man, laughing. "They said you fought well with your fists, so you can with your tongue." "Insulting us now you have us down will not save you," cried Don fiercely. "No, my lord," said the bluff man, as Jem rose up, shook his head, and stood by Don. The men laughed. "You coward!" cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don." "They won't let us go." "No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they say?" "Dunno what they'll say," said Jem dolefully, "but I know what my Sally will say. I used to talk about going and leaving her, but that was because I too was a hidyut. I didn't want to go and leave her, poor little lass. Too fond on her, Mas' Don. She only shows a bit o' temper." "Jem, she'll think you've run away and deserted her." "Safe, Mas' Don. You see, I made up a bundle o' wittles as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How	by your men." "Well crowed, my young cockerel," said the bluff man, laughing. "They said you fought well with your fists, so you can with your tongue." "Insulting us now you have us down will not save you," cried Don fiercely. "No, my lord," said the bluff man, as Jem rose up, shook his head, and stood by Don. The men laughed. "You coward!" cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after taking all this trouble? Hardly." "Here, I'm all right again now, Mas' Don. Press-gang, eh?"<\|quote\|>cried Jem.</\|quote\|>"Here, let me get at him." Jem made a dash at the bluff man, but his arms were seized, and he was held back, struggling hard. "Ah, I wish we had fifty of you," said the bluff man. "Don't hurt him, my lads. There, there, steady; you can't do anything. That will do. Save your strength to fight for the king." "You cowards!" cried Jem, who suddenly turned so faint that the men easily mastered him, laid him on his back, and one held him down, while another held Don till the rest had passed out, the bluff man only standing at the entrance with another holding up the light. "Come along," he shouted; and the man who held Jem left him, and ran out. "Do you hear?" cried the bluff man again. "Come along!" "How can I, when he's sticking on like a rat?" growled the man who held Don. "Did you ever see such a young ruffian?" The bluff man took a stride or two forward, gripped Don by the shoulder, and forced him from his hold. "Don't be a young fool," he said firmly, but not unkindly. "It's plucky, but it's no good. Can't you see we're seven to one?" "I don't care if you're a hundred," raged Don, struggling hard, but vainly. "Bravo, boy! That's right; but we're English, and going to be your messmates. Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don." "They won't let us go." "No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the	Don Lavington
she replied.	No speaker	fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great	were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking	on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at	remote Canadian forests and on the plains of India, when their thoughts turned to England. The nine mellow strokes, by which she was now apprised of the hour, were a message from the great clock at Westminster itself. As the last of them died away, there was a firm knocking on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at the fire, which was flapping bravely in the grate, while Mary took up her stocking again. "I suppose you are the only woman in London who darns her own stockings," he observed. "I m only one of a great many thousands really," she replied, "though I must admit that I	seem the culmination of successive miracles. She thought of her clerical father in his country parsonage, and of her mother s death, and of her own determination to obtain education, and of her college life, which had merged, not so very long ago, in the wonderful maze of London, which still seemed to her, in spite of her constitutional level-headedness, like a vast electric light, casting radiance upon the myriads of men and women who crowded round it. And here she was at the very center of it all, that center which was constantly in the minds of people in remote Canadian forests and on the plains of India, when their thoughts turned to England. The nine mellow strokes, by which she was now apprised of the hour, were a message from the great clock at Westminster itself. As the last of them died away, there was a firm knocking on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at the fire, which was flapping bravely in the grate, while Mary took up her stocking again. "I suppose you are the only woman in London who darns her own stockings," he observed. "I m only one of a great many thousands really," she replied, "though I must admit that I was thinking myself very remarkable when you came in. And now that you re here I don t think myself remarkable at all. How horrid of you! But I m afraid you re much more remarkable than I am. You ve done much more than I ve done." "If that s your standard, you ve nothing to be proud of," said Ralph grimly. "Well, I must reflect with Emerson that it s being and not doing that matters," she continued. "Emerson?" Ralph exclaimed, with derision. "You don t mean to say you read Emerson?" "Perhaps it wasn t Emerson; but	silver upon the wrinkled skin of the sea. "And here we are," she said, half aloud, half satirically, yet with evident pride, "talking about art." She pulled a basket containing balls of differently colored wools and a pair of stockings which needed darning towards her, and began to set her fingers to work; while her mind, reflecting the lassitude of her body, went on perversely, conjuring up visions of solitude and quiet, and she pictured herself laying aside her knitting and walking out on to the down, and hearing nothing but the sheep cropping the grass close to the roots, while the shadows of the little trees moved very slightly this way and that in the moonlight, as the breeze went through them. But she was perfectly conscious of her present situation, and derived some pleasure from the reflection that she could rejoice equally in solitude, and in the presence of the many very different people who were now making their way, by divers paths, across London to the spot where she was sitting. As she ran her needle in and out of the wool, she thought of the various stages in her own life which made her present position seem the culmination of successive miracles. She thought of her clerical father in his country parsonage, and of her mother s death, and of her own determination to obtain education, and of her college life, which had merged, not so very long ago, in the wonderful maze of London, which still seemed to her, in spite of her constitutional level-headedness, like a vast electric light, casting radiance upon the myriads of men and women who crowded round it. And here she was at the very center of it all, that center which was constantly in the minds of people in remote Canadian forests and on the plains of India, when their thoughts turned to England. The nine mellow strokes, by which she was now apprised of the hour, were a message from the great clock at Westminster itself. As the last of them died away, there was a firm knocking on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at the fire, which was flapping bravely in the grate, while Mary took up her stocking again. "I suppose you are the only woman in London who darns her own stockings," he observed. "I m only one of a great many thousands really," she replied, "though I must admit that I was thinking myself very remarkable when you came in. And now that you re here I don t think myself remarkable at all. How horrid of you! But I m afraid you re much more remarkable than I am. You ve done much more than I ve done." "If that s your standard, you ve nothing to be proud of," said Ralph grimly. "Well, I must reflect with Emerson that it s being and not doing that matters," she continued. "Emerson?" Ralph exclaimed, with derision. "You don t mean to say you read Emerson?" "Perhaps it wasn t Emerson; but why shouldn t I read Emerson?" she asked, with a tinge of anxiety. "There s no reason that I know of. It s the combination that s odd books and stockings. The combination is very odd." But it seemed to recommend itself to him. Mary gave a little laugh, expressive of happiness, and the particular stitches that she was now putting into her work appeared to her to be done with singular grace and felicity. She held out the stocking and looked at it approvingly. "You always say that," she said. "I assure you it s a common combination, as you call it, in the houses of the clergy. The only thing that s odd about me is that I enjoy them both Emerson and the stocking." A knock was heard, and Ralph exclaimed: "Damn those people! I wish they weren t coming!" "It s only Mr. Turner, on the floor below," said Mary, and she felt grateful to Mr. Turner for having alarmed Ralph, and for having given a false alarm. "Will there be a crowd?" Ralph asked, after a pause. "There ll be the Morrises and the Crashaws, and Dick Osborne, and Septimus, and all that set. Katharine	deal of moving, and pulling, and ranging of furniture against the wall, and placing of breakable and precious things in safe places. Miss Datchet was quite capable of lifting a kitchen table on her back, if need were, for although well-proportioned and dressed becomingly, she had the appearance of unusual strength and determination. She was some twenty-five years of age, but looked older because she earned, or intended to earn, her own living, and had already lost the look of the irresponsible spectator, and taken on that of the private in the army of workers. Her gestures seemed to have a certain purpose, the muscles round eyes and lips were set rather firmly, as though the senses had undergone some discipline, and were held ready for a call on them. She had contracted two faint lines between her eyebrows, not from anxiety but from thought, and it was quite evident that all the feminine instincts of pleasing, soothing, and charming were crossed by others in no way peculiar to her sex. For the rest she was brown-eyed, a little clumsy in movement, and suggested country birth and a descent from respectable hard-working ancestors, who had been men of faith and integrity rather than doubters or fanatics. At the end of a fairly hard day s work it was certainly something of an effort to clear one s room, to pull the mattress off one s bed, and lay it on the floor, to fill a pitcher with cold coffee, and to sweep a long table clear for plates and cups and saucers, with pyramids of little pink biscuits between them; but when these alterations were effected, Mary felt a lightness of spirit come to her, as if she had put off the stout stuff of her working hours and slipped over her entire being some vesture of thin, bright silk. She knelt before the fire and looked out into the room. The light fell softly, but with clear radiance, through shades of yellow and blue paper, and the room, which was set with one or two sofas resembling grassy mounds in their lack of shape, looked unusually large and quiet. Mary was led to think of the heights of a Sussex down, and the swelling green circle of some camp of ancient warriors. The moonlight would be falling there so peacefully now, and she could fancy the rough pathway of silver upon the wrinkled skin of the sea. "And here we are," she said, half aloud, half satirically, yet with evident pride, "talking about art." She pulled a basket containing balls of differently colored wools and a pair of stockings which needed darning towards her, and began to set her fingers to work; while her mind, reflecting the lassitude of her body, went on perversely, conjuring up visions of solitude and quiet, and she pictured herself laying aside her knitting and walking out on to the down, and hearing nothing but the sheep cropping the grass close to the roots, while the shadows of the little trees moved very slightly this way and that in the moonlight, as the breeze went through them. But she was perfectly conscious of her present situation, and derived some pleasure from the reflection that she could rejoice equally in solitude, and in the presence of the many very different people who were now making their way, by divers paths, across London to the spot where she was sitting. As she ran her needle in and out of the wool, she thought of the various stages in her own life which made her present position seem the culmination of successive miracles. She thought of her clerical father in his country parsonage, and of her mother s death, and of her own determination to obtain education, and of her college life, which had merged, not so very long ago, in the wonderful maze of London, which still seemed to her, in spite of her constitutional level-headedness, like a vast electric light, casting radiance upon the myriads of men and women who crowded round it. And here she was at the very center of it all, that center which was constantly in the minds of people in remote Canadian forests and on the plains of India, when their thoughts turned to England. The nine mellow strokes, by which she was now apprised of the hour, were a message from the great clock at Westminster itself. As the last of them died away, there was a firm knocking on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at the fire, which was flapping bravely in the grate, while Mary took up her stocking again. "I suppose you are the only woman in London who darns her own stockings," he observed. "I m only one of a great many thousands really," she replied, "though I must admit that I was thinking myself very remarkable when you came in. And now that you re here I don t think myself remarkable at all. How horrid of you! But I m afraid you re much more remarkable than I am. You ve done much more than I ve done." "If that s your standard, you ve nothing to be proud of," said Ralph grimly. "Well, I must reflect with Emerson that it s being and not doing that matters," she continued. "Emerson?" Ralph exclaimed, with derision. "You don t mean to say you read Emerson?" "Perhaps it wasn t Emerson; but why shouldn t I read Emerson?" she asked, with a tinge of anxiety. "There s no reason that I know of. It s the combination that s odd books and stockings. The combination is very odd." But it seemed to recommend itself to him. Mary gave a little laugh, expressive of happiness, and the particular stitches that she was now putting into her work appeared to her to be done with singular grace and felicity. She held out the stocking and looked at it approvingly. "You always say that," she said. "I assure you it s a common combination, as you call it, in the houses of the clergy. The only thing that s odd about me is that I enjoy them both Emerson and the stocking." A knock was heard, and Ralph exclaimed: "Damn those people! I wish they weren t coming!" "It s only Mr. Turner, on the floor below," said Mary, and she felt grateful to Mr. Turner for having alarmed Ralph, and for having given a false alarm. "Will there be a crowd?" Ralph asked, after a pause. "There ll be the Morrises and the Crashaws, and Dick Osborne, and Septimus, and all that set. Katharine Hilbery is coming, by the way, so William Rodney told me." "Katharine Hilbery!" Ralph exclaimed. "You know her?" Mary asked, with some surprise. "I went to a tea-party at her house." Mary pressed him to tell her all about it, and Ralph was not at all unwilling to exhibit proofs of the extent of his knowledge. He described the scene with certain additions and exaggerations which interested Mary very much. "But, in spite of what you say, I do admire her," she said. "I ve only seen her once or twice, but she seems to me to be what one calls a personality." "I didn t mean to abuse her. I only felt that she wasn t very sympathetic to me." "They say she s going to marry that queer creature Rodney." "Marry Rodney? Then she must be more deluded than I thought her." "Now that s my door, all right," Mary exclaimed, carefully putting her wools away, as a succession of knocks reverberated unnecessarily, accompanied by a sound of people stamping their feet and laughing. A moment later the room was full of young men and women, who came in with a peculiar look of expectation, exclaimed "Oh!" when they saw Denham, and then stood still, gaping rather foolishly. The room very soon contained between twenty and thirty people, who found seats for the most part upon the floor, occupying the mattresses, and hunching themselves together into triangular shapes. They were all young and some of them seemed to make a protest by their hair and dress, and something somber and truculent in the expression of their faces, against the more normal type, who would have passed unnoticed in an omnibus or an underground railway. It was notable that the talk was confined to groups, and was, at first, entirely spasmodic in character, and muttered in undertones as if the speakers were suspicious of their fellow-guests. Katharine Hilbery came in rather late, and took up a position on the floor, with her back against the wall. She looked round quickly, recognized about half a dozen people, to whom she nodded, but failed to see Ralph, or, if so, had already forgotten to attach any name to him. But in a second these heterogeneous elements were all united by the voice of Mr. Rodney, who suddenly strode up to the table, and began very rapidly in high-strained tones: "In undertaking	a pair of stockings which needed darning towards her, and began to set her fingers to work; while her mind, reflecting the lassitude of her body, went on perversely, conjuring up visions of solitude and quiet, and she pictured herself laying aside her knitting and walking out on to the down, and hearing nothing but the sheep cropping the grass close to the roots, while the shadows of the little trees moved very slightly this way and that in the moonlight, as the breeze went through them. But she was perfectly conscious of her present situation, and derived some pleasure from the reflection that she could rejoice equally in solitude, and in the presence of the many very different people who were now making their way, by divers paths, across London to the spot where she was sitting. As she ran her needle in and out of the wool, she thought of the various stages in her own life which made her present position seem the culmination of successive miracles. She thought of her clerical father in his country parsonage, and of her mother s death, and of her own determination to obtain education, and of her college life, which had merged, not so very long ago, in the wonderful maze of London, which still seemed to her, in spite of her constitutional level-headedness, like a vast electric light, casting radiance upon the myriads of men and women who crowded round it. And here she was at the very center of it all, that center which was constantly in the minds of people in remote Canadian forests and on the plains of India, when their thoughts turned to England. The nine mellow strokes, by which she was now apprised of the hour, were a message from the great clock at Westminster itself. As the last of them died away, there was a firm knocking on her own door, and she rose and opened it. She returned to the room, with a look of steady pleasure in her eyes, and she was talking to Ralph Denham, who followed her. "Alone?" he said, as if he were pleasantly surprised by that fact. "I am sometimes alone,"<\|quote\|>she replied.</\|quote\|>"But you expect a great many people," he added, looking round him. "It s like a room on the stage. Who is it to-night?" "William Rodney, upon the Elizabethan use of metaphor. I expect a good solid paper, with plenty of quotations from the classics." Ralph warmed his hands at the fire, which was flapping bravely in the grate, while Mary took up her stocking again. "I suppose you are the only woman in London who darns her own stockings," he observed. "I m only one of a great many thousands really," she replied, "though I must admit that I was thinking myself very remarkable when you came in. And now that you re here I don t think myself remarkable at all. How horrid of you! But I m afraid you re much more remarkable than I am. You ve done much more than I ve done." "If that s your standard, you ve nothing to be proud of," said Ralph grimly. "Well, I must reflect with Emerson that it s being and not doing that matters," she continued. "Emerson?" Ralph exclaimed, with derision. "You don t mean to say you read Emerson?" "Perhaps it wasn t Emerson; but why shouldn t I read Emerson?" she asked, with a tinge of anxiety. "There s no reason that I know of. It s the combination that s odd books and stockings. The combination is very odd." But it seemed to recommend itself to him. Mary gave a little laugh, expressive of happiness, and the particular stitches that she was now putting into her work appeared to her to be done with singular grace and felicity. She held out the stocking and looked at it approvingly. "You always say that," she said. "I assure you it s a common combination, as you call it, in the houses of the clergy. The only thing that s odd about me is that I enjoy them both Emerson and the stocking." A knock was heard, and Ralph exclaimed: "Damn those people! I wish they weren t coming!" "It s only Mr. Turner, on the floor below," said Mary, and she felt grateful to Mr. Turner for having alarmed Ralph, and for having given a false alarm. "Will there be a crowd?" Ralph asked, after a pause. "There ll be the Morrises and the Crashaws, and Dick Osborne, and Septimus, and all that set. Katharine Hilbery is coming, by the way, so William Rodney told me." "Katharine Hilbery!" Ralph exclaimed. "You know her?" Mary asked, with some surprise. "I went to a tea-party at her house." Mary pressed him to tell her all about it, and Ralph was not at all unwilling to exhibit proofs of the extent of his knowledge. He described the scene with certain additions and exaggerations which interested Mary very much. "But, in spite of what you say, I do admire her," she said. "I ve only seen her once or twice, but she seems to me to be what one calls a personality." "I didn t mean to abuse her. I only felt that she wasn t very sympathetic to me." "They say she s going to marry that queer creature Rodney." "Marry Rodney? Then she must be more deluded than I thought her." "Now that s	Night And Day
Happily, it was now time to be gone. They were off; and Emma could breathe.	No speaker	think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate	him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had	had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and	old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should	about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much beyond my hopes. Harriet is disgraced by any comparison. Oh! what would Frank Churchill say to her, if he were here? How angry and how diverted he would be! Ah! there I am--thinking of him directly. Always the first person to be thought of! How I catch myself out! Frank Churchill comes as regularly into my mind!" "-- All this ran so	among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject. "We have been calling at Randalls," said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much beyond my hopes. Harriet is disgraced by any comparison. Oh! what would Frank Churchill say to her, if he were here? How angry and how diverted he would be! Ah! there I am--thinking of him directly. Always the first person to be thought of! How I catch myself out! Frank Churchill comes as regularly into my mind!" "-- All this ran so glibly through her thoughts, that by the time her father had arranged himself, after the bustle of the Eltons' departure, and was ready to speak, she was very tolerably capable of attending. "Well, my dear," he deliberately began, "considering we never saw her before, she seems a very pretty sort of young lady; and I dare say she was very much pleased with you. She speaks a little too quick. A little quickness of voice there is which rather hurts the ear. But I believe I am nice; I do not like strange voices; and nobody speaks like you and poor Miss Taylor. However, she seems a very obliging, pretty-behaved young lady, and no doubt will make him a very good wife. Though I think he had better not have married. I made the best excuses I could for not having been able to wait on him and Mrs. Elton on this happy occasion; I said that I hoped I _should_ in the course of the summer. But I ought to have gone before. Not to wait upon a bride is very remiss. Ah! it shews what a sad invalid I am! But I do not like the corner into	would have been a most serious sacrifice. I honestly said as much to Mr. E. when he was speaking of my future home, and expressing his fears lest the retirement of it should be disagreeable; and the inferiority of the house too--knowing what I had been accustomed to--of course he was not wholly without apprehension. When he was speaking of it in that way, I honestly said that _the_ _world_ I could give up--parties, balls, plays--for I had no fear of retirement. Blessed with so many resources within myself, the world was not necessary to _me_. I could do very well without it. To those who had no resources it was a different thing; but my resources made me quite independent. And as to smaller-sized rooms than I had been used to, I really could not give it a thought. I hoped I was perfectly equal to any sacrifice of that description. Certainly I had been accustomed to every luxury at Maple Grove; but I did assure him that two carriages were not necessary to my happiness, nor were spacious apartments." 'But,' "said I," 'to be quite honest, I do not think I can live without something of a musical society. I condition for nothing else; but without music, life would be a blank to me.'" "We cannot suppose," said Emma, smiling, "that Mr. Elton would hesitate to assure you of there being a _very_ musical society in Highbury; and I hope you will not find he has outstepped the truth more than may be pardoned, in consideration of the motive." "No, indeed, I have no doubts at all on that head. I am delighted to find myself in such a circle. I hope we shall have many sweet little concerts together. I think, Miss Woodhouse, you and I must establish a musical club, and have regular weekly meetings at your house, or ours. Will not it be a good plan? If _we_ exert ourselves, I think we shall not be long in want of allies. Something of that nature would be particularly desirable for _me_, as an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject. "We have been calling at Randalls," said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much beyond my hopes. Harriet is disgraced by any comparison. Oh! what would Frank Churchill say to her, if he were here? How angry and how diverted he would be! Ah! there I am--thinking of him directly. Always the first person to be thought of! How I catch myself out! Frank Churchill comes as regularly into my mind!" "-- All this ran so glibly through her thoughts, that by the time her father had arranged himself, after the bustle of the Eltons' departure, and was ready to speak, she was very tolerably capable of attending. "Well, my dear," he deliberately began, "considering we never saw her before, she seems a very pretty sort of young lady; and I dare say she was very much pleased with you. She speaks a little too quick. A little quickness of voice there is which rather hurts the ear. But I believe I am nice; I do not like strange voices; and nobody speaks like you and poor Miss Taylor. However, she seems a very obliging, pretty-behaved young lady, and no doubt will make him a very good wife. Though I think he had better not have married. I made the best excuses I could for not having been able to wait on him and Mrs. Elton on this happy occasion; I said that I hoped I _should_ in the course of the summer. But I ought to have gone before. Not to wait upon a bride is very remiss. Ah! it shews what a sad invalid I am! But I do not like the corner into Vicarage Lane." "I dare say your apologies were accepted, sir. Mr. Elton knows you." "Yes: but a young lady--a bride--I ought to have paid my respects to her if possible. It was being very deficient." "But, my dear papa, you are no friend to matrimony; and therefore why should you be so anxious to pay your respects to a _bride_? It ought to be no recommendation to _you_. It is encouraging people to marry if you make so much of them." "No, my dear, I never encouraged any body to marry, but I would always wish to pay every proper attention to a lady--and a bride, especially, is never to be neglected. More is avowedly due to _her_. A bride, you know, my dear, is always the first in company, let the others be who they may." "Well, papa, if this is not encouragement to marry, I do not know what is. And I should never have expected you to be lending your sanction to such vanity-baits for poor young ladies." "My dear, you do not understand me. This is a matter of mere common politeness and good-breeding, and has nothing to do with any encouragement to people to marry." Emma had done. Her father was growing nervous, and could not understand _her_. Her mind returned to Mrs. Elton's offences, and long, very long, did they occupy her. CHAPTER XV Emma was not required, by any subsequent discovery, to retract her ill opinion of Mrs. Elton. Her observation had been pretty correct. Such as Mrs. Elton appeared to her on this second interview, such she appeared whenever they met again,--self-important, presuming, familiar, ignorant, and ill-bred. She had a little beauty and a little accomplishment, but so little judgment that she thought herself coming with superior knowledge of the world, to enliven and improve a country neighbourhood; and conceived Miss Hawkins to have held such a place in society as Mrs. Elton's consequence only could surpass. There was no reason to suppose Mr. Elton thought at all differently from his wife. He seemed not merely happy with her, but proud. He had the air of congratulating himself on having brought such a woman to Highbury, as not even Miss Woodhouse could equal; and the greater part of her new acquaintance, disposed to commend, or not in the habit of judging, following the lead of Miss Bates's good-will, or taking it for	society in Highbury; and I hope you will not find he has outstepped the truth more than may be pardoned, in consideration of the motive." "No, indeed, I have no doubts at all on that head. I am delighted to find myself in such a circle. I hope we shall have many sweet little concerts together. I think, Miss Woodhouse, you and I must establish a musical club, and have regular weekly meetings at your house, or ours. Will not it be a good plan? If _we_ exert ourselves, I think we shall not be long in want of allies. Something of that nature would be particularly desirable for _me_, as an inducement to keep me in practice; for married women, you know--there is a sad story against them, in general. They are but too apt to give up music." "But you, who are so extremely fond of it--there can be no danger, surely?" "I should hope not; but really when I look around among my acquaintance, I tremble. Selina has entirely given up music--never touches the instrument--though she played sweetly. And the same may be said of Mrs. Jeffereys--Clara Partridge, that was--and of the two Milmans, now Mrs. Bird and Mrs. James Cooper; and of more than I can enumerate. Upon my word it is enough to put one in a fright. I used to be quite angry with Selina; but really I begin now to comprehend that a married woman has many things to call her attention. I believe I was half an hour this morning shut up with my housekeeper." "But every thing of that kind," said Emma, "will soon be in so regular a train--" "Well," said Mrs. Elton, laughing, "we shall see." Emma, finding her so determined upon neglecting her music, had nothing more to say; and, after a moment's pause, Mrs. Elton chose another subject. "We have been calling at Randalls," said she, "and found them both at home; and very pleasant people they seem to be. I like them extremely. Mr. Weston seems an excellent creature--quite a first-rate favourite with me already, I assure you. And _she_ appears so truly good--there is something so motherly and kind-hearted about her, that it wins upon one directly. She was your governess, I think?" Emma was almost too much astonished to answer; but Mrs. Elton hardly waited for the affirmative before she went on. "Having understood as much, I was rather astonished to find her so very lady-like! But she is really quite the gentlewoman." "Mrs. Weston's manners," said Emma, "were always particularly good. Their propriety, simplicity, and elegance, would make them the safest model for any young woman." "And who do you think came in while we were there?" Emma was quite at a loss. The tone implied some old acquaintance--and how could she possibly guess? "Knightley!" continued Mrs. Elton; "Knightley himself!--Was not it lucky?--for, not being within when he called the other day, I had never seen him before; and of course, as so particular a friend of Mr. E.'s, I had a great curiosity. 'My friend Knightley' had been so often mentioned, that I was really impatient to see him; and I must do my caro sposo the justice to say that he need not be ashamed of his friend. Knightley is quite the gentleman. I like him very much. Decidedly, I think, a very gentleman-like man."<\|quote\|>Happily, it was now time to be gone. They were off; and Emma could breathe.</\|quote\|>"Insufferable woman!" was her immediate exclamation. "Worse than I had supposed. Absolutely insufferable! Knightley!--I could not have believed it. Knightley!--never seen him in her life before, and call him Knightley!--and discover that he is a gentleman! A little upstart, vulgar being, with her Mr. E., and her _caro_ _sposo_, and her resources, and all her airs of pert pretension and underbred finery. Actually to discover that Mr. Knightley is a gentleman! I doubt whether he will return the compliment, and discover her to be a lady. I could not have believed it! And to propose that she and I should unite to form a musical club! One would fancy we were bosom friends! And Mrs. Weston!--Astonished that the person who had brought me up should be a gentlewoman! Worse and worse. I never met with her equal. Much beyond my hopes. Harriet is disgraced by any comparison. Oh! what would Frank Churchill say to her, if he were here? How angry and how diverted he would be! Ah! there I am--thinking of him directly. Always the first person to be thought of! How I catch myself out! Frank Churchill comes as regularly into my mind!" "-- All this ran so glibly through her thoughts, that by the time her father had arranged himself, after the bustle of the Eltons' departure, and was ready to speak, she was very tolerably capable of attending. "Well, my dear," he deliberately began, "considering we never saw her before, she seems a very pretty sort of young lady; and I dare say she was very much pleased with you. She speaks a little too quick. A little quickness of voice there is which rather hurts the ear. But I believe I am nice; I do not like strange voices; and nobody speaks like you and poor Miss Taylor. However, she seems a very obliging, pretty-behaved young lady, and no doubt will make him a very good wife. Though I think he had better not have married. I made the best excuses I could for not having been able to wait on him and Mrs. Elton on this happy occasion; I said that I hoped I _should_ in the course of the summer. But I ought to have gone before. Not to wait upon a bride is very remiss. Ah! it shews what a sad invalid I am! But I do not like the corner into	Emma
"I don t think I shall send it anywhere,"	Basil Hallward	is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head	which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way	vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in	sought to imprison within his brain some curious dream from which he feared he might awake. "It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy, opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away.	easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement and gave rise to so many strange conjectures. As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake. "It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy, opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion." "I know you will laugh at me," he replied, "but I really can t exhibit it. I have put too much of myself into it." Lord Henry stretched himself out on the divan and laughed. "Yes, I knew you would; but it is	garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn. From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flamelike as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ. In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement and gave rise to so many strange conjectures. As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake. "It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy, opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion." "I know you will laugh at me," he replied, "but I really can t exhibit it. I have put too much of myself into it." Lord Henry stretched himself out on the divan and laughed. "Yes, I knew you would; but it is quite true, all the same." "Too much of yourself in it! Upon my word, Basil, I didn t know you were so vain; and I really can t see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you well, of course you have an intellectual expression and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don t think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really	things. To reveal art and conceal the artist is art s aim. The critic is he who can translate into another manner or a new material his impression of beautiful things. The highest as the lowest form of criticism is a mode of autobiography. Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all. The nineteenth century dislike of realism is the rage of Caliban seeing his own face in a glass. The nineteenth century dislike of romanticism is the rage of Caliban not seeing his own face in a glass. The moral life of man forms part of the subject-matter of the artist, but the morality of art consists in the perfect use of an imperfect medium. No artist desires to prove anything. Even things that are true can be proved. No artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style. No artist is ever morbid. The artist can express everything. Thought and language are to the artist instruments of an art. Vice and virtue are to the artist materials for an art. From the point of view of form, the type of all the arts is the art of the musician. From the point of view of feeling, the actor s craft is the type. All art is at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril. It is the spectator, and not life, that art really mirrors. Diversity of opinion about a work of art shows that the work is new, complex, and vital. When critics disagree, the artist is in accord with himself. We can forgive a man for making a useful thing as long as he does not admire it. The only excuse for making a useless thing is that one admires it intensely. All art is quite useless. OSCAR WILDE CHAPTER I. The studio was filled with the rich odour of roses, and when the light summer wind stirred amidst the trees of the garden, there came through the open door the heavy scent of the lilac, or the more delicate perfume of the pink-flowering thorn. From the corner of the divan of Persian saddle-bags on which he was lying, smoking, as was his custom, innumerable cigarettes, Lord Henry Wotton could just catch the gleam of the honey-sweet and honey-coloured blossoms of a laburnum, whose tremulous branches seemed hardly able to bear the burden of a beauty so flamelike as theirs; and now and then the fantastic shadows of birds in flight flitted across the long tussore-silk curtains that were stretched in front of the huge window, producing a kind of momentary Japanese effect, and making him think of those pallid, jade-faced painters of Tokyo who, through the medium of an art that is necessarily immobile, seek to convey the sense of swiftness and motion. The sullen murmur of the bees shouldering their way through the long unmown grass, or circling with monotonous insistence round the dusty gilt horns of the straggling woodbine, seemed to make the stillness more oppressive. The dim roar of London was like the bourdon note of a distant organ. In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement and gave rise to so many strange conjectures. As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake. "It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy, opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion." "I know you will laugh at me," he replied, "but I really can t exhibit it. I have put too much of myself into it." Lord Henry stretched himself out on the divan and laughed. "Yes, I knew you would; but it is quite true, all the same." "Too much of yourself in it! Upon my word, Basil, I didn t know you were so vain; and I really can t see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made out of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you well, of course you have an intellectual expression and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don t think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and as a natural consequence he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is some brainless beautiful creature who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don t flatter yourself, Basil: you are not in the least like him." "You don t understand me, Harry," answered the artist. "Of course I am not like him. I know that perfectly well. Indeed, I should be sorry to look like him. You shrug your shoulders? I am telling you the truth. There is a fatality about all physical and intellectual distinction, the sort of fatality that seems to dog through history the faltering steps of kings. It is better not to be different from one s fellows. The ugly and the stupid have the best of it in this world. They can sit at their ease and gape at the play. If they know nothing of victory, they are at least spared the knowledge of defeat. They live as we all should live undisturbed, indifferent, and without disquiet. They neither bring ruin upon others, nor ever receive it from alien hands. Your rank and wealth, Harry; my brains, such as they are my art, whatever it may be worth; Dorian Gray s good looks we shall all suffer for what the gods have given us, suffer terribly." "Dorian Gray? Is that his name?" asked Lord Henry, walking across the studio towards Basil Hallward. "Yes, that is his name. I didn t intend to tell it to you." "But why not?" "Oh, I can t explain. When I like people immensely, I never tell their names to any one. It is like surrendering a part of them. I have grown to love secrecy. It seems to be the one thing that can make modern life mysterious or marvellous to us. The commonest thing is delightful if one only hides it. When I leave town now I never tell my people where I am going. If I did, I would lose all my pleasure. It is a silly habit, I dare say, but somehow it seems to bring a great deal of romance into one s life. I suppose you think me awfully foolish about it?" "Not at all," answered Lord Henry, "not at all, my dear Basil. You seem to forget that I am married,	oppressive. The dim roar of London was like the bourdon note of a distant organ. In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty, and in front of it, some little distance away, was sitting the artist himself, Basil Hallward, whose sudden disappearance some years ago caused, at the time, such public excitement and gave rise to so many strange conjectures. As the painter looked at the gracious and comely form he had so skilfully mirrored in his art, a smile of pleasure passed across his face, and seemed about to linger there. But he suddenly started up, and closing his eyes, placed his fingers upon the lids, as though he sought to imprison within his brain some curious dream from which he feared he might awake. "It is your best work, Basil, the best thing you have ever done," said Lord Henry languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. Whenever I have gone there, there have been either so many people that I have not been able to see the pictures, which was dreadful, or so many pictures that I have not been able to see the people, which was worse. The Grosvenor is really the only place."<\|quote\|>"I don t think I shall send it anywhere,"</\|quote\|>he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No, I won t send it anywhere." Lord Henry elevated his eyebrows and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy, opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion." "I know you will laugh at me," he replied, "but I really can t exhibit it. I have put too much of myself into it." Lord Henry stretched himself out on the divan and laughed. "Yes, I knew you would; but it is quite true, all the same." "Too much of yourself in	The Picture Of Dorian Gray
"A dog, I suppose."	Dr. Watson	in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with	You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of	on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a	work the case out independently, and leave this fellow Jones to exult over any mare s-nest which he may choose to construct. When you have dropped Miss Morstan I wish you to go on to No. 3, Pinchin Lane, down near the water s edge at Lambeth. The third house on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a fresh horse." "And I," said Holmes, "shall see what I can learn from Mrs. Bernstone, and from the Indian servant, who, Mr. Thaddeus tell me, sleeps in the next garret. Then I shall study the great Jones s methods and listen to his not too delicate sarcasms." _Wir sind gewohnt	is not very far. I will wait for you here if you will drive out again. Or perhaps you are too tired?" "By no means. I don t think I could rest until I know more of this fantastic business. I have seen something of the rough side of life, but I give you my word that this quick succession of strange surprises to-night has shaken my nerve completely. I should like, however, to see the matter through with you, now that I have got so far." "Your presence will be of great service to me," he answered. "We shall work the case out independently, and leave this fellow Jones to exult over any mare s-nest which he may choose to construct. When you have dropped Miss Morstan I wish you to go on to No. 3, Pinchin Lane, down near the water s edge at Lambeth. The third house on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a fresh horse." "And I," said Holmes, "shall see what I can learn from Mrs. Bernstone, and from the Indian servant, who, Mr. Thaddeus tell me, sleeps in the next garret. Then I shall study the great Jones s methods and listen to his not too delicate sarcasms." _Wir sind gewohnt das die Menschen verh hnen was sie nicht verstehen._ "Goethe is always pithy." Chapter VII The Episode of the Barrel The police had brought a cab with them, and in this I escorted Miss Morstan back to her home. After the angelic fashion of women, she had borne trouble with a calm face as long as there was some one weaker than herself to support, and I had found her bright and placid by the side of the frightened housekeeper. In the cab, however, she first turned faint, and then burst into a passion of weeping, so sorely had she	a wooden stump which is worn away upon the inner side. His left boot has a coarse, square-toed sole, with an iron band round the heel. He is a middle-aged man, much sunburned, and has been a convict. These few indications may be of some assistance to you, coupled with the fact that there is a good deal of skin missing from the palm of his hand. The other man" "Ah! the other man ?" asked Athelney Jones, in a sneering voice, but impressed none the less, as I could easily see, by the precision of the other s manner. "Is a rather curious person," said Sherlock Holmes, turning upon his heel. "I hope before very long to be able to introduce you to the pair of them. A word with you, Watson." He led me out to the head of the stair. "This unexpected occurrence," he said, "has caused us rather to lose sight of the original purpose of our journey." "I have just been thinking so," I answered. "It is not right that Miss Morstan should remain in this stricken house." "No. You must escort her home. She lives with Mrs. Cecil Forrester, in Lower Camberwell: so it is not very far. I will wait for you here if you will drive out again. Or perhaps you are too tired?" "By no means. I don t think I could rest until I know more of this fantastic business. I have seen something of the rough side of life, but I give you my word that this quick succession of strange surprises to-night has shaken my nerve completely. I should like, however, to see the matter through with you, now that I have got so far." "Your presence will be of great service to me," he answered. "We shall work the case out independently, and leave this fellow Jones to exult over any mare s-nest which he may choose to construct. When you have dropped Miss Morstan I wish you to go on to No. 3, Pinchin Lane, down near the water s edge at Lambeth. The third house on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a fresh horse." "And I," said Holmes, "shall see what I can learn from Mrs. Bernstone, and from the Indian servant, who, Mr. Thaddeus tell me, sleeps in the next garret. Then I shall study the great Jones s methods and listen to his not too delicate sarcasms." _Wir sind gewohnt das die Menschen verh hnen was sie nicht verstehen._ "Goethe is always pithy." Chapter VII The Episode of the Barrel The police had brought a cab with them, and in this I escorted Miss Morstan back to her home. After the angelic fashion of women, she had borne trouble with a calm face as long as there was some one weaker than herself to support, and I had found her bright and placid by the side of the frightened housekeeper. In the cab, however, she first turned faint, and then burst into a passion of weeping, so sorely had she been tried by the adventures of the night. She has told me since that she thought me cold and distant upon that journey. She little guessed the struggle within my breast, or the effort of self-restraint which held me back. My sympathies and my love went out to her, even as my hand had in the garden. I felt that years of the conventionalities of life could not teach me to know her sweet, brave nature as had this one day of strange experiences. Yet there were two thoughts which sealed the words of affection upon my lips. She was weak and helpless, shaken in mind and nerve. It was to take her at a disadvantage to obtrude love upon her at such a time. Worse still, she was rich. If Holmes s researches were successful, she would be an heiress. Was it fair, was it honourable, that a half-pay surgeon should take such advantage of an intimacy which chance had brought about? Might she not look upon me as a mere vulgar fortune-seeker? I could not bear to risk that such a thought should cross her mind. This Agra treasure intervened like an impassable barrier between us. It was	and beside it lay this rather curious stone-headed instrument. How does all that fit into your theory?" "Confirms it in every respect," said the fat detective, pompously. "House is full of Indian curiosities. Thaddeus brought this up, and if this splinter be poisonous Thaddeus may as well have made murderous use of it as any other man. The card is some hocus-pocus, a blind, as like as not. The only question is, how did he depart? Ah, of course, here is a hole in the roof." With great activity, considering his bulk, he sprang up the steps and squeezed through into the garret, and immediately afterwards we heard his exulting voice proclaiming that he had found the trap-door. "He can find something," remarked Holmes, shrugging his shoulders. "He has occasional glimmerings of reason. _Il n y a pas des sots si incommodes que ceux qui ont de l esprit!_" "You see!" said Athelney Jones, reappearing down the steps again. "Facts are better than mere theories, after all. My view of the case is confirmed. There is a trap-door communicating with the roof, and it is partly open." "It was I who opened it." "Oh, indeed! You did notice it, then?" He seemed a little crestfallen at the discovery. "Well, whoever noticed it, it shows how our gentleman got away. Inspector!" "Yes, sir," from the passage. "Ask Mr. Sholto to step this way. Mr. Sholto, it is my duty to inform you that anything which you may say will be used against you. I arrest you in the Queen s name as being concerned in the death of your brother." "There, now! Didn t I tell you!" cried the poor little man, throwing out his hands, and looking from one to the other of us. "Don t trouble yourself about it, Mr. Sholto," said Holmes. "I think that I can engage to clear you of the charge." "Don t promise too much, Mr. Theorist, don t promise too much!" snapped the detective. "You may find it a harder matter than you think." "Not only will I clear him, Mr. Jones, but I will make you a free present of the name and description of one of the two people who were in this room last night. His name, I have every reason to believe, is Jonathan Small. He is a poorly-educated man, small, active, with his right leg off, and wearing a wooden stump which is worn away upon the inner side. His left boot has a coarse, square-toed sole, with an iron band round the heel. He is a middle-aged man, much sunburned, and has been a convict. These few indications may be of some assistance to you, coupled with the fact that there is a good deal of skin missing from the palm of his hand. The other man" "Ah! the other man ?" asked Athelney Jones, in a sneering voice, but impressed none the less, as I could easily see, by the precision of the other s manner. "Is a rather curious person," said Sherlock Holmes, turning upon his heel. "I hope before very long to be able to introduce you to the pair of them. A word with you, Watson." He led me out to the head of the stair. "This unexpected occurrence," he said, "has caused us rather to lose sight of the original purpose of our journey." "I have just been thinking so," I answered. "It is not right that Miss Morstan should remain in this stricken house." "No. You must escort her home. She lives with Mrs. Cecil Forrester, in Lower Camberwell: so it is not very far. I will wait for you here if you will drive out again. Or perhaps you are too tired?" "By no means. I don t think I could rest until I know more of this fantastic business. I have seen something of the rough side of life, but I give you my word that this quick succession of strange surprises to-night has shaken my nerve completely. I should like, however, to see the matter through with you, now that I have got so far." "Your presence will be of great service to me," he answered. "We shall work the case out independently, and leave this fellow Jones to exult over any mare s-nest which he may choose to construct. When you have dropped Miss Morstan I wish you to go on to No. 3, Pinchin Lane, down near the water s edge at Lambeth. The third house on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a fresh horse." "And I," said Holmes, "shall see what I can learn from Mrs. Bernstone, and from the Indian servant, who, Mr. Thaddeus tell me, sleeps in the next garret. Then I shall study the great Jones s methods and listen to his not too delicate sarcasms." _Wir sind gewohnt das die Menschen verh hnen was sie nicht verstehen._ "Goethe is always pithy." Chapter VII The Episode of the Barrel The police had brought a cab with them, and in this I escorted Miss Morstan back to her home. After the angelic fashion of women, she had borne trouble with a calm face as long as there was some one weaker than herself to support, and I had found her bright and placid by the side of the frightened housekeeper. In the cab, however, she first turned faint, and then burst into a passion of weeping, so sorely had she been tried by the adventures of the night. She has told me since that she thought me cold and distant upon that journey. She little guessed the struggle within my breast, or the effort of self-restraint which held me back. My sympathies and my love went out to her, even as my hand had in the garden. I felt that years of the conventionalities of life could not teach me to know her sweet, brave nature as had this one day of strange experiences. Yet there were two thoughts which sealed the words of affection upon my lips. She was weak and helpless, shaken in mind and nerve. It was to take her at a disadvantage to obtrude love upon her at such a time. Worse still, she was rich. If Holmes s researches were successful, she would be an heiress. Was it fair, was it honourable, that a half-pay surgeon should take such advantage of an intimacy which chance had brought about? Might she not look upon me as a mere vulgar fortune-seeker? I could not bear to risk that such a thought should cross her mind. This Agra treasure intervened like an impassable barrier between us. It was nearly two o clock when we reached Mrs. Cecil Forrester s. The servants had retired hours ago, but Mrs. Forrester had been so interested by the strange message which Miss Morstan had received that she had sat up in the hope of her return. She opened the door herself, a middle-aged, graceful woman, and it gave me joy to see how tenderly her arm stole round the other s waist and how motherly was the voice in which she greeted her. She was clearly no mere paid dependant, but an honoured friend. I was introduced, and Mrs. Forrester earnestly begged me to step in and tell her our adventures. I explained, however, the importance of my errand, and promised faithfully to call and report any progress which we might make with the case. As we drove away I stole a glance back, and I still seem to see that little group on the step, the two graceful, clinging figures, the half-opened door, the hall-light shining through stained glass, the barometer, and the bright stair-rods. It was soothing to catch even that passing glimpse of a tranquil English home in the midst of the wild, dark business which had absorbed us. And the more I thought of what had happened, the wilder and darker it grew. I reviewed the whole extraordinary sequence of events as I rattled on through the silent gas-lit streets. There was the original problem: that at least was pretty clear now. The death of Captain Morstan, the sending of the pearls, the advertisement, the letter, we had had light upon all those events. They had only led us, however, to a deeper and far more tragic mystery. The Indian treasure, the curious plan found among Morstan s baggage, the strange scene at Major Sholto s death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan s chart, here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue. Pinchin Lane was a row of shabby two-storied brick houses in the lower quarter of Lambeth. I had to knock for some time at No. 3 before I could make my impression. At last, however, there was the glint of	His left boot has a coarse, square-toed sole, with an iron band round the heel. He is a middle-aged man, much sunburned, and has been a convict. These few indications may be of some assistance to you, coupled with the fact that there is a good deal of skin missing from the palm of his hand. The other man" "Ah! the other man ?" asked Athelney Jones, in a sneering voice, but impressed none the less, as I could easily see, by the precision of the other s manner. "Is a rather curious person," said Sherlock Holmes, turning upon his heel. "I hope before very long to be able to introduce you to the pair of them. A word with you, Watson." He led me out to the head of the stair. "This unexpected occurrence," he said, "has caused us rather to lose sight of the original purpose of our journey." "I have just been thinking so," I answered. "It is not right that Miss Morstan should remain in this stricken house." "No. You must escort her home. She lives with Mrs. Cecil Forrester, in Lower Camberwell: so it is not very far. I will wait for you here if you will drive out again. Or perhaps you are too tired?" "By no means. I don t think I could rest until I know more of this fantastic business. I have seen something of the rough side of life, but I give you my word that this quick succession of strange surprises to-night has shaken my nerve completely. I should like, however, to see the matter through with you, now that I have got so far." "Your presence will be of great service to me," he answered. "We shall work the case out independently, and leave this fellow Jones to exult over any mare s-nest which he may choose to construct. When you have dropped Miss Morstan I wish you to go on to No. 3, Pinchin Lane, down near the water s edge at Lambeth. The third house on the right-hand side is a bird-stuffer s: Sherman is the name. You will see a weasel holding a young rabbit in the window. Knock old Sherman up, and tell him, with my compliments, that I want Toby at once. You will bring Toby back in the cab with you."<\|quote\|>"A dog, I suppose."</\|quote\|>"Yes, a queer mongrel, with a most amazing power of scent. I would rather have Toby s help than that of the whole detective force of London." "I shall bring him, then," said I. "It is one now. I ought to be back before three, if I can get a fresh horse." "And I," said Holmes, "shall see what I can learn from Mrs. Bernstone, and from the Indian servant, who, Mr. Thaddeus tell me, sleeps in the next garret. Then I shall study the great Jones s methods and listen to his not too delicate sarcasms." _Wir sind gewohnt das die Menschen verh hnen was sie nicht verstehen._ "Goethe is always pithy." Chapter VII The Episode of the Barrel The police had brought a cab with them, and in this I escorted Miss Morstan back to her home. After the angelic fashion of women, she had borne trouble with a calm face as long as there was some one weaker than herself to support, and I had found her bright and placid by the side of the frightened housekeeper. In the cab, however, she first turned faint, and then burst into a passion of weeping, so sorely had she been tried by the adventures of the night. She has told me since that she thought me cold and distant upon that journey. She little guessed the struggle within my breast, or the effort of self-restraint which held me back. My sympathies and my love went out to her, even as my hand had in the garden. I felt that years of the conventionalities of life could not teach me to know her sweet, brave nature as had this one day of strange experiences. Yet there were two thoughts which sealed the words of affection upon my lips. She was weak and helpless, shaken in mind and nerve. It was to take her at a disadvantage to obtrude love upon her at such a time. Worse still, she was rich. If	The Sign Of The Four
"These?"	Hercule Poirot	sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box	I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She	me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before	"You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately	of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately thought that Poirot was rather too much given to these fantastic ideas. In this case, surely, the truth was only too plain and apparent. "So that is the explanation of the blank label on the box," I remarked. "Very simple, as you said. I really wonder that I did not think of it myself." Poirot did not appear to be listening to me. "They have made one more discovery, _l -bas_," he observed, jerking his thumb over his shoulder in the direction of Styles. "Mr. Wells told me as we were going upstairs." "What was it?" "Locked up in the	friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately thought that Poirot was rather too much given to these fantastic ideas. In this case, surely, the truth was only too plain and apparent. "So that is the explanation of the blank label on the box," I remarked. "Very simple, as you said. I really wonder that I did not think of it myself." Poirot did not appear to be listening to me. "They have made one more discovery, _l -bas_," he observed, jerking his thumb over his shoulder in the direction of Styles. "Mr. Wells told me as we were going upstairs." "What was it?" "Locked up in the desk in the boudoir, they found a will of Mrs. Inglethorp's, dated before her marriage, leaving her fortune to Alfred Inglethorp. It must have been made just at the time they were engaged. It came quite as a surprise to Wells and to John Cavendish also. It was written on one of those printed will forms, and witnessed by two of the servants not Dorcas." "Did Mr. Inglethorp know of it?" "He says not." "One might take that with a grain of salt," I remarked sceptically. "All these wills are very confusing. Tell me, how did those scribbled words on the envelope help you to discover that a will was made yesterday afternoon?" Poirot smiled. "_Mon ami_, have you ever, when writing a letter, been arrested by the fact that you did not know how to spell a certain word?" "Yes, often. I suppose everyone has." "Exactly. And have you not, in such a case, tried the word once or twice on the edge of the blotting-paper, or a spare scrap of paper, to see if it looked right? Well, that is what Mrs. Inglethorp did. You will notice that the word possessed' is spelt first with one s' and	should be destroyed before it was discovered and its significance appreciated. Therefore, he took the risk, the great risk, of coming in here. Finding the case locked, he was obliged to force it, thus betraying his presence. For him to take that risk, it must have been something of great importance." "But what was it?" "Ah!" cried Poirot, with a gesture of anger. "That, I do not know! A document of some kind, without doubt, possibly the scrap of paper Dorcas saw in her hand yesterday afternoon. And I" his anger burst forth freely "miserable animal that I am! I guessed nothing! I have behaved like an imbecile! I should never have left that case here. I should have carried it away with me. Ah, triple pig! And now it is gone. It is destroyed but is it destroyed? Is there not yet a chance we must leave no stone unturned" He rushed like a madman from the room, and I followed him as soon as I had sufficiently recovered my wits. But, by the time I had reached the top of the stairs, he was out of sight. Mary Cavendish was standing where the staircase branched, staring down into the hall in the direction in which he had disappeared. "What has happened to your extraordinary little friend, Mr. Hastings? He has just rushed past me like a mad bull." "He's rather upset about something," I remarked feebly. I really did not know how much Poirot would wish me to disclose. As I saw a faint smile gather on Mrs. Cavendish's expressive mouth, I endeavoured to try and turn the conversation by saying: "They haven't met yet, have they?" "Who?" "Mr. Inglethorp and Miss Howard." She looked at me in rather a disconcerting manner. "Do you think it would be such a disaster if they did meet?" "Well, don't you?" I said, rather taken aback. "No." She was smiling in her quiet way. "I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately thought that Poirot was rather too much given to these fantastic ideas. In this case, surely, the truth was only too plain and apparent. "So that is the explanation of the blank label on the box," I remarked. "Very simple, as you said. I really wonder that I did not think of it myself." Poirot did not appear to be listening to me. "They have made one more discovery, _l -bas_," he observed, jerking his thumb over his shoulder in the direction of Styles. "Mr. Wells told me as we were going upstairs." "What was it?" "Locked up in the desk in the boudoir, they found a will of Mrs. Inglethorp's, dated before her marriage, leaving her fortune to Alfred Inglethorp. It must have been made just at the time they were engaged. It came quite as a surprise to Wells and to John Cavendish also. It was written on one of those printed will forms, and witnessed by two of the servants not Dorcas." "Did Mr. Inglethorp know of it?" "He says not." "One might take that with a grain of salt," I remarked sceptically. "All these wills are very confusing. Tell me, how did those scribbled words on the envelope help you to discover that a will was made yesterday afternoon?" Poirot smiled. "_Mon ami_, have you ever, when writing a letter, been arrested by the fact that you did not know how to spell a certain word?" "Yes, often. I suppose everyone has." "Exactly. And have you not, in such a case, tried the word once or twice on the edge of the blotting-paper, or a spare scrap of paper, to see if it looked right? Well, that is what Mrs. Inglethorp did. You will notice that the word possessed' is spelt first with one s' and subsequently with two correctly. To make sure, she had further tried it in a sentence, thus:" I am possessed.' "Now, what did that tell me? It told me that Mrs. Inglethorp had been writing the word possessed' that afternoon, and, having the fragment of paper found in the grate fresh in my mind, the possibility of a will (a document almost certain to contain that word) occurred to me at once. This possibility was confirmed by a further circumstance. In the general confusion, the boudoir had not been swept that morning, and near the desk were several traces of brown mould and earth. The weather had been perfectly fine for some days, and no ordinary boots would have left such a heavy deposit." "I strolled to the window, and saw at once that the begonia beds had been newly planted. The mould in the beds was exactly similar to that on the floor of the boudoir, and also I learnt from you that they _had_ been planted yesterday afternoon. I was now sure that one, or possibly both of the gardeners for there were two sets of footprints in the bed had entered the boudoir, for if Mrs. Inglethorp had merely wished to speak to them she would in all probability have stood at the window, and they would not have come into the room at all. I was now quite convinced that she had made a fresh will, and had called the two gardeners in to witness her signature. Events proved that I was right in my supposition." "That was very ingenious," I could not help admitting. "I must confess that the conclusions I drew from those few scribbled words were quite erroneous." He smiled. "You gave too much rein to your imagination. Imagination is a good servant, and a bad master. The simplest explanation is always the most likely." "Another point how did you know that the key of the despatch-case had been lost?" "I did not know it. It was a guess that turned out to be correct. You observed that it had a piece of twisted wire through the handle. That suggested to me at once that it had possibly been wrenched off a flimsy key-ring. Now, if it had been lost and recovered, Mrs. Inglethorp would at once have replaced it on her bunch; but on her bunch I found what was obviously the duplicate	"I should like to see a good flare up. It would clear the air. At present we are all thinking so much, and saying so little." "John doesn't think so," I remarked. "He's anxious to keep them apart." "Oh, John!" Something in her tone fired me, and I blurted out: "Old John's an awfully good sort." She studied me curiously for a minute or two, and then said, to my great surprise: "You are loyal to your friend. I like you for that." "Aren't you my friend too?" "I am a very bad friend." "Why do you say that?" "Because it is true. I am charming to my friends one day, and forget all about them the next." I don't know what impelled me, but I was nettled, and I said foolishly and not in the best of taste: "Yet you seem to be invariably charming to Dr. Bauerstein!" Instantly I regretted my words. Her face stiffened. I had the impression of a steel curtain coming down and blotting out the real woman. Without a word, she turned and went swiftly up the stairs, whilst I stood like an idiot gaping after her. I was recalled to other matters by a frightful row going on below. I could hear Poirot shouting and expounding. I was vexed to think that my diplomacy had been in vain. The little man appeared to be taking the whole house into his confidence, a proceeding of which I, for one, doubted the wisdom. Once again I could not help regretting that my friend was so prone to lose his head in moments of excitement. I stepped briskly down the stairs. The sight of me calmed Poirot almost immediately. I drew him aside. "My dear fellow," I said, "is this wise? Surely you don't want the whole house to know of this occurrence? You are actually playing into the criminal's hands." "You think so, Hastings?" "I am sure of it." "Well, well, my friend, I will be guided by you." "Good. Although, unfortunately, it is a little too late now." "Sure." He looked so crestfallen and abashed that I felt quite sorry, though I still thought my rebuke a just and wise one. "Well," he said at last, "let us go, _mon ami_." "You have finished here?" "For the moment, yes. You will walk back with me to the village?" "Willingly." He picked up his little suit-case, and we went out through the open window in the drawing-room. Cynthia Murdoch was just coming in, and Poirot stood aside to let her pass. "Excuse me, mademoiselle, one minute." "Yes?" she turned inquiringly. "Did you ever make up Mrs. Inglethorp's medicines?" A slight flush rose in her face, as she answered rather constrainedly: "No." "Only her powders?" The flush deepened as Cynthia replied: "Oh, yes, I did make up some sleeping powders for her once."<\|quote\|>"These?"</\|quote\|>Poirot produced the empty box which had contained powders. She nodded. "Can you tell me what they were? Sulphonal? Veronal?" "No, they were bromide powders." "Ah! Thank you, mademoiselle; good morning." As we walked briskly away from the house, I glanced at him more than once. I had often before noticed that, if anything excited him, his eyes turned green like a cat's. They were shining like emeralds now. "My friend," he broke out at last, "I have a little idea, a very strange, and probably utterly impossible idea. And yet it fits in." I shrugged my shoulders. I privately thought that Poirot was rather too much given to these fantastic ideas. In this case, surely, the truth was only too plain and apparent. "So that is the explanation of the blank label on the box," I remarked. "Very simple, as you said. I really wonder that I did not think of it myself." Poirot did not appear to be listening to me. "They have made one more discovery, _l -bas_," he observed, jerking his thumb over his shoulder in the direction of Styles. "Mr. Wells told me as we were going upstairs." "What was it?" "Locked up in the desk in the boudoir, they found a will of Mrs. Inglethorp's, dated before her marriage, leaving her fortune to Alfred Inglethorp. It must have been made just at the time they were engaged. It came quite as a surprise to Wells and to John Cavendish also. It was written on one of those printed will forms, and witnessed by two of the servants not Dorcas." "Did Mr. Inglethorp know of it?" "He says not." "One might take that with a grain of salt," I remarked sceptically. "All these wills are very confusing. Tell me, how did those scribbled words on the envelope help you to discover that a will was made yesterday afternoon?" Poirot smiled. "_Mon ami_, have you ever, when writing a letter, been arrested by the fact that you did not know how to spell a certain word?" "Yes, often. I suppose everyone has." "Exactly. And have you not, in such a case, tried the word once or twice on the edge of the blotting-paper, or a spare scrap of paper, to see	The Mysterious Affair At Styles
"Traitor!"	The Invisible Man	Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly	to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting	footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came	playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The	kill, and kill all who would defend them." "Humph!" said Kemp, no longer listening to Griffin but to the sound of his front door opening and closing. "It seems to me, Griffin," he said, to cover his wandering attention, "that your confederate would be in a difficult position." "No one would know he was a confederate," said the Invisible Man, eagerly. And then suddenly, "Hush! What s that downstairs?" "Nothing," said Kemp, and suddenly began to speak loud and fast. "I don t agree to this, Griffin," he said. "Understand me, I don t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of	on the other hand I am hard to catch. This invisibility, in fact, is only good in two cases: It s useful in getting away, it s useful in approaching. It s particularly useful, therefore, in killing. I can walk round a man, whatever weapon he has, choose my point, strike as I like. Dodge as I like. Escape as I like." Kemp s hand went to his moustache. Was that a movement downstairs? "And it is killing we must do, Kemp." "It is killing we must do," repeated Kemp. "I m listening to your plan, Griffin, but I m not agreeing, mind. _Why_ killing?" "Not wanton killing, but a judicious slaying. The point is, they know there is an Invisible Man as well as we know there is an Invisible Man. And that Invisible Man, Kemp, must now establish a Reign of Terror. Yes; no doubt it s startling. But I mean it. A Reign of Terror. He must take some town like your Burdock and terrify and dominate it. He must issue his orders. He can do that in a thousand ways scraps of paper thrust under doors would suffice. And all who disobey his orders he must kill, and kill all who would defend them." "Humph!" said Kemp, no longer listening to Griffin but to the sound of his front door opening and closing. "It seems to me, Griffin," he said, to cover his wandering attention, "that your confederate would be in a difficult position." "No one would know he was a confederate," said the Invisible Man, eagerly. And then suddenly, "Hush! What s that downstairs?" "Nothing," said Kemp, and suddenly began to speak loud and fast. "I don t agree to this, Griffin," he said. "Understand me, I don t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF	I decided how to get my books and things sent over to meet me." "That s clear." "And then the filthy brute must needs try and rob me! He _has_ hidden my books, Kemp. Hidden my books! If I can lay my hands on him!" "Best plan to get the books out of him first." "But where is he? Do you know?" "He s in the town police station, locked up, by his own request, in the strongest cell in the place." "Cur!" said the Invisible Man. "But that hangs up your plans a little." "We must get those books; those books are vital." "Certainly," said Kemp, a little nervously, wondering if he heard footsteps outside. "Certainly we must get those books. But that won t be difficult, if he doesn t know they re for you." "No," said the Invisible Man, and thought. Kemp tried to think of something to keep the talk going, but the Invisible Man resumed of his own accord. "Blundering into your house, Kemp," he said, "changes all my plans. For you are a man that can understand. In spite of all that has happened, in spite of this publicity, of the loss of my books, of what I have suffered, there still remain great possibilities, huge possibilities" "You have told no one I am here?" he asked abruptly. Kemp hesitated. "That was implied," he said. "No one?" insisted Griffin. "Not a soul." "Ah! Now" The Invisible Man stood up, and sticking his arms akimbo began to pace the study. "I made a mistake, Kemp, a huge mistake, in carrying this thing through alone. I have wasted strength, time, opportunities. Alone it is wonderful how little a man can do alone! To rob a little, to hurt a little, and there is the end." "What I want, Kemp, is a goal-keeper, a helper, and a hiding-place, an arrangement whereby I can sleep and eat and rest in peace, and unsuspected. I must have a confederate. With a confederate, with food and rest a thousand things are possible." "Hitherto I have gone on vague lines. We have to consider all that invisibility means, all that it does not mean. It means little advantage for eavesdropping and so forth one makes sounds. It s of little help a little help perhaps in housebreaking and so forth. Once you ve caught me you could easily imprison me. But on the other hand I am hard to catch. This invisibility, in fact, is only good in two cases: It s useful in getting away, it s useful in approaching. It s particularly useful, therefore, in killing. I can walk round a man, whatever weapon he has, choose my point, strike as I like. Dodge as I like. Escape as I like." Kemp s hand went to his moustache. Was that a movement downstairs? "And it is killing we must do, Kemp." "It is killing we must do," repeated Kemp. "I m listening to your plan, Griffin, but I m not agreeing, mind. _Why_ killing?" "Not wanton killing, but a judicious slaying. The point is, they know there is an Invisible Man as well as we know there is an Invisible Man. And that Invisible Man, Kemp, must now establish a Reign of Terror. Yes; no doubt it s startling. But I mean it. A Reign of Terror. He must take some town like your Burdock and terrify and dominate it. He must issue his orders. He can do that in a thousand ways scraps of paper thrust under doors would suffice. And all who disobey his orders he must kill, and kill all who would defend them." "Humph!" said Kemp, no longer listening to Griffin but to the sound of his front door opening and closing. "It seems to me, Griffin," he said, to cover his wandering attention, "that your confederate would be in a difficult position." "No one would know he was a confederate," said the Invisible Man, eagerly. And then suddenly, "Hush! What s that downstairs?" "Nothing," said Kemp, and suddenly began to speak loud and fast. "I don t agree to this, Griffin," he said. "Understand me, I don t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF THE INVISIBLE MAN For a space Kemp was too inarticulate to make Adye understand the swift things that had just happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?" cried Kemp, and suddenly became full of ideas. "You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a man in your police station Marvel." "I know," said Adye, "I know. Those books yes. But the tramp...." "Says he hasn t them. But he thinks the tramp has. And you must prevent him from eating or sleeping; day and night the country must be astir for him. Food must be locked up and secured, all food, so that he will have to break his way to it. The houses everywhere must be barred against him. Heaven send us cold nights and rain! The whole country-side must begin hunting and keep hunting. I tell you, Adye, he is a danger, a disaster; unless he is pinned and secured, it is frightful to think of the things that may happen." "What else can we do?" said Adye. "I must go down at once and begin organising. But why not come? Yes you come too! Come, and we must hold a sort of council of war get Hopps to help and the railway managers. By Jove! it s urgent. Come along tell me as	Man stood up, and sticking his arms akimbo began to pace the study. "I made a mistake, Kemp, a huge mistake, in carrying this thing through alone. I have wasted strength, time, opportunities. Alone it is wonderful how little a man can do alone! To rob a little, to hurt a little, and there is the end." "What I want, Kemp, is a goal-keeper, a helper, and a hiding-place, an arrangement whereby I can sleep and eat and rest in peace, and unsuspected. I must have a confederate. With a confederate, with food and rest a thousand things are possible." "Hitherto I have gone on vague lines. We have to consider all that invisibility means, all that it does not mean. It means little advantage for eavesdropping and so forth one makes sounds. It s of little help a little help perhaps in housebreaking and so forth. Once you ve caught me you could easily imprison me. But on the other hand I am hard to catch. This invisibility, in fact, is only good in two cases: It s useful in getting away, it s useful in approaching. It s particularly useful, therefore, in killing. I can walk round a man, whatever weapon he has, choose my point, strike as I like. Dodge as I like. Escape as I like." Kemp s hand went to his moustache. Was that a movement downstairs? "And it is killing we must do, Kemp." "It is killing we must do," repeated Kemp. "I m listening to your plan, Griffin, but I m not agreeing, mind. _Why_ killing?" "Not wanton killing, but a judicious slaying. The point is, they know there is an Invisible Man as well as we know there is an Invisible Man. And that Invisible Man, Kemp, must now establish a Reign of Terror. Yes; no doubt it s startling. But I mean it. A Reign of Terror. He must take some town like your Burdock and terrify and dominate it. He must issue his orders. He can do that in a thousand ways scraps of paper thrust under doors would suffice. And all who disobey his orders he must kill, and kill all who would defend them." "Humph!" said Kemp, no longer listening to Griffin but to the sound of his front door opening and closing. "It seems to me, Griffin," he said, to cover his wandering attention, "that your confederate would be in a difficult position." "No one would know he was a confederate," said the Invisible Man, eagerly. And then suddenly, "Hush! What s that downstairs?" "Nothing," said Kemp, and suddenly began to speak loud and fast. "I don t agree to this, Griffin," he said. "Understand me, I don t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still.<\|quote\|>"Traitor!"</\|quote\|>cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of	The Invisible Man
he continued more rapidly	No speaker	"I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast,"	a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a	were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I	enough," Helen laughed, "for I steal umbrellas even oftener than I hear Beethoven. Did you get it back?" "Yes, thank you, Miss Schlegel." "The mistake arose out of my card, did it?" interposed Margaret. "Yes, the mistake arose--it was a mistake." "The lady who called here yesterday thought that you were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I beg to tender my apologies, and hers as well, for any inconvenience we may have inadvertently caused you." "No inconvenience," said Helen; "but I still don t understand." An air of evasion characterised Mr. Bast. He explained again, but was obviously lying, and Helen didn t see why he should	For the minute I don t remember." "It was a concert at the Queen s Hall. I think you will recollect," he added pretentiously, "when I tell you that it included a performance of the Fifth Symphony of Beethoven." "We hear the Fifth practically every time it s done, so I m not sure--do you remember, Helen?" "Was it the time the sandy cat walked round the balustrade?" He thought not. "Then I don t remember. That s the only Beethoven I ever remember specially." "And you, if I may say so, took away my umbrella, inadvertently of course." "Likely enough," Helen laughed, "for I steal umbrellas even oftener than I hear Beethoven. Did you get it back?" "Yes, thank you, Miss Schlegel." "The mistake arose out of my card, did it?" interposed Margaret. "Yes, the mistake arose--it was a mistake." "The lady who called here yesterday thought that you were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I beg to tender my apologies, and hers as well, for any inconvenience we may have inadvertently caused you." "No inconvenience," said Helen; "but I still don t understand." An air of evasion characterised Mr. Bast. He explained again, but was obviously lying, and Helen didn t see why he should get off. She had the cruelty of youth. Neglecting her sister s pressure, she said, "I still don t understand. When did you say you paid this call?" "Call? What call?" said he, staring as if her question had been a foolish one, a favourite device of those in mid-stream. "This afternoon call." "In the afternoon, of course!" he replied, and looked at Tibby to see how the repartee went. But Tibby was unsympathetic, and said, "Saturday afternoon or Sunday afternoon?" "S--Saturday." "Really!" said Helen; "and you were still calling on Sunday, when your wife came here. A long visit."	town; as one of the thousands who have lost the life of the body and failed to reach the life of the spirit. Hints of robustness survived in him, more than a hint of primitive good looks, and Margaret, noting the spine that might have been straight, and the chest that might have broadened, wondered whether it paid to give up the glory of the animal for a tail coat and a couple of ideas. Culture had worked in her own case, but during the last few weeks she had doubted whether it humanised the majority, so wide and so widening is the gulf that stretches between the natural and the philosophic man, so many the good chaps who are wrecked in trying to cross it. She knew this type very well--the vague aspirations, the mental dishonesty, the familiarity with the outsides of books. She knew the very tones in which he would address her. She was only unprepared for an example of her own visiting-card. "You wouldn t remember giving me this, Miss Schlegel?" said he, uneasily familiar. "No; I can t say I do." "Well, that was how it happened, you see." "Where did we meet, Mr. Bast? For the minute I don t remember." "It was a concert at the Queen s Hall. I think you will recollect," he added pretentiously, "when I tell you that it included a performance of the Fifth Symphony of Beethoven." "We hear the Fifth practically every time it s done, so I m not sure--do you remember, Helen?" "Was it the time the sandy cat walked round the balustrade?" He thought not. "Then I don t remember. That s the only Beethoven I ever remember specially." "And you, if I may say so, took away my umbrella, inadvertently of course." "Likely enough," Helen laughed, "for I steal umbrellas even oftener than I hear Beethoven. Did you get it back?" "Yes, thank you, Miss Schlegel." "The mistake arose out of my card, did it?" interposed Margaret. "Yes, the mistake arose--it was a mistake." "The lady who called here yesterday thought that you were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I beg to tender my apologies, and hers as well, for any inconvenience we may have inadvertently caused you." "No inconvenience," said Helen; "but I still don t understand." An air of evasion characterised Mr. Bast. He explained again, but was obviously lying, and Helen didn t see why he should get off. She had the cruelty of youth. Neglecting her sister s pressure, she said, "I still don t understand. When did you say you paid this call?" "Call? What call?" said he, staring as if her question had been a foolish one, a favourite device of those in mid-stream. "This afternoon call." "In the afternoon, of course!" he replied, and looked at Tibby to see how the repartee went. But Tibby was unsympathetic, and said, "Saturday afternoon or Sunday afternoon?" "S--Saturday." "Really!" said Helen; "and you were still calling on Sunday, when your wife came here. A long visit." "I don t call that fair," said Mr. Bast, going scarlet and handsome. There was fight in his eyes. "I know what you mean, and it isn t so." "Oh, don t let us mind," said Margaret, distressed again by odours from the abyss. "It was something else," he asserted, his elaborate manner breaking down. "I was somewhere else to what you think, so there!" "It was good of you to come and explain," she said. "The rest is naturally no concern of ours." "Yes, but I want--I wanted--have you ever read The Ordeal of Richard Feverel?" Margaret nodded. "It s a beautiful book. I wanted to get back to the earth, don t you see, like Richard does in the end. Or have you ever read Stevenson s Prince Otto?" Helen and Tibby groaned gently. "That s another beautiful book. You get back to the earth in that. I wanted--" He mouthed affectedly. Then through the mists of his culture came a hard fact, hard as a pebble. "I walked all the Saturday night," said Leonard. "I walked." A thrill of approval ran through the sisters. But culture closed in again. He asked whether they had ever read E.	and hasn t no business to go on the lardy-da. But I think she suspected me up to the last. Bags I writing to Aunt Juley about this. Now, Meg, remember--bags I." "Bag it by all means," murmured Margaret, putting down her work. "I m not sure that this is so funny, Helen. It means some horrible volcano smoking somewhere, doesn t it?" "I don t think so--she doesn t really mind. The admirable creature isn t capable of tragedy." "Her husband may be, though," said Margaret, moving to the window. "Oh no, not likely. No one capable of tragedy could have married Mrs. Lanoline." "Was she pretty?" "Her figure may have been good once." The flats, their only outlook, hung like an ornate curtain between Margaret and the welter of London. Her thoughts turned sadly to house-hunting. Wickham Place had been so safe. She feared, fantastically, that her own little flock might be moving into turmoil and squalor, into nearer contact with such episodes as these. "Tibby and I have again been wondering where we ll live next September," she said at last. "Tibby had better first wonder what he ll do," retorted Helen; and that topic was resumed, but with acrimony. Then tea came, and after tea Helen went on preparing her speech, and Margaret prepared one, too, for they were going out to a discussion society on the morrow. But her thoughts were poisoned. Mrs. Lanoline had risen out of the abyss, like a faint smell, a goblin football, telling of a life where love and hatred had both decayed. CHAPTER XIV The mystery, like so many mysteries, was explained. Next day, just as they were dressed to go out to dinner, a Mr. Bast called. He was a clerk in the employment of the Porphyrion Fire Insurance Company. Thus much from his card. He had come "about the lady yesterday." Thus much from Annie, who had shown him into the dining-room. "Cheers, children!" cried Helen. "It s Mrs. Lanoline." Tibby was interested. The three hurried downstairs, to find, not the gay dog they expected, but a young man, colourless, toneless, who had already the mournful eyes above a drooping moustache that are so common in London, and that haunt some streets of the city like accusing presences. One guessed him as the third generation, grandson to the shepherd or ploughboy whom civilisation had sucked into the town; as one of the thousands who have lost the life of the body and failed to reach the life of the spirit. Hints of robustness survived in him, more than a hint of primitive good looks, and Margaret, noting the spine that might have been straight, and the chest that might have broadened, wondered whether it paid to give up the glory of the animal for a tail coat and a couple of ideas. Culture had worked in her own case, but during the last few weeks she had doubted whether it humanised the majority, so wide and so widening is the gulf that stretches between the natural and the philosophic man, so many the good chaps who are wrecked in trying to cross it. She knew this type very well--the vague aspirations, the mental dishonesty, the familiarity with the outsides of books. She knew the very tones in which he would address her. She was only unprepared for an example of her own visiting-card. "You wouldn t remember giving me this, Miss Schlegel?" said he, uneasily familiar. "No; I can t say I do." "Well, that was how it happened, you see." "Where did we meet, Mr. Bast? For the minute I don t remember." "It was a concert at the Queen s Hall. I think you will recollect," he added pretentiously, "when I tell you that it included a performance of the Fifth Symphony of Beethoven." "We hear the Fifth practically every time it s done, so I m not sure--do you remember, Helen?" "Was it the time the sandy cat walked round the balustrade?" He thought not. "Then I don t remember. That s the only Beethoven I ever remember specially." "And you, if I may say so, took away my umbrella, inadvertently of course." "Likely enough," Helen laughed, "for I steal umbrellas even oftener than I hear Beethoven. Did you get it back?" "Yes, thank you, Miss Schlegel." "The mistake arose out of my card, did it?" interposed Margaret. "Yes, the mistake arose--it was a mistake." "The lady who called here yesterday thought that you were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I beg to tender my apologies, and hers as well, for any inconvenience we may have inadvertently caused you." "No inconvenience," said Helen; "but I still don t understand." An air of evasion characterised Mr. Bast. He explained again, but was obviously lying, and Helen didn t see why he should get off. She had the cruelty of youth. Neglecting her sister s pressure, she said, "I still don t understand. When did you say you paid this call?" "Call? What call?" said he, staring as if her question had been a foolish one, a favourite device of those in mid-stream. "This afternoon call." "In the afternoon, of course!" he replied, and looked at Tibby to see how the repartee went. But Tibby was unsympathetic, and said, "Saturday afternoon or Sunday afternoon?" "S--Saturday." "Really!" said Helen; "and you were still calling on Sunday, when your wife came here. A long visit." "I don t call that fair," said Mr. Bast, going scarlet and handsome. There was fight in his eyes. "I know what you mean, and it isn t so." "Oh, don t let us mind," said Margaret, distressed again by odours from the abyss. "It was something else," he asserted, his elaborate manner breaking down. "I was somewhere else to what you think, so there!" "It was good of you to come and explain," she said. "The rest is naturally no concern of ours." "Yes, but I want--I wanted--have you ever read The Ordeal of Richard Feverel?" Margaret nodded. "It s a beautiful book. I wanted to get back to the earth, don t you see, like Richard does in the end. Or have you ever read Stevenson s Prince Otto?" Helen and Tibby groaned gently. "That s another beautiful book. You get back to the earth in that. I wanted--" He mouthed affectedly. Then through the mists of his culture came a hard fact, hard as a pebble. "I walked all the Saturday night," said Leonard. "I walked." A thrill of approval ran through the sisters. But culture closed in again. He asked whether they had ever read E. V. Lucas s Open Road. Said Helen, "No doubt it s another beautiful book, but I d rather hear about your road." "Oh, I walked." "How far?" "I don t know, nor for how long. It got too dark to see my watch." "Were you walking alone, may I ask?" "Yes," he said, straightening himself; "but we d been talking it over at the office. There s been a lot of talk at the office lately about these things. The fellows there said one steers by the Pole Star, and I looked it up in the celestial atlas, but once out of doors everything gets so mixed." "Don t talk to me about the Pole Star," interrupted Helen, who was becoming interested. "I know its little ways. It goes round and round, and you go round after it." "Well, I lost it entirely. First of all the street lamps, then the trees, and towards morning it got cloudy." Tibby, who preferred his comedy undiluted, slipped from the room. He knew that this fellow would never attain to poetry, and did not want to hear him trying. Margaret and Helen remained. Their brother influenced them more than they knew; in his absence they were stirred to enthusiasm more easily. "Where did you start from?" cried Margaret. "Do tell us more." "I took the Underground to Wimbledon. As I came out of the office I said to myself, I must have a walk once in a way. If I don t take this walk now, I shall never take it. I had a bit of dinner at Wimbledon, and then--" "But not good country there, is it?" "It was gas-lamps for hours. Still, I had all the night, and being out was the great thing. I did get into woods, too, presently." "Yes, go on," said Helen. "You ve no idea how difficult uneven ground is when it s dark." "Did you actually go off the roads?" "Oh yes. I always meant to go off the roads, but the worst of it is that it s more difficult to find one s way." "Mr. Bast, you re a born adventurer," laughed Margaret. "No professional athlete would have attempted what you ve done. It s a wonder your walk didn t end in a broken neck. Whatever did your wife say?" "Professional athletes never move without lanterns and compasses," said Helen. "Besides, they	Fire Insurance Company. Thus much from his card. He had come "about the lady yesterday." Thus much from Annie, who had shown him into the dining-room. "Cheers, children!" cried Helen. "It s Mrs. Lanoline." Tibby was interested. The three hurried downstairs, to find, not the gay dog they expected, but a young man, colourless, toneless, who had already the mournful eyes above a drooping moustache that are so common in London, and that haunt some streets of the city like accusing presences. One guessed him as the third generation, grandson to the shepherd or ploughboy whom civilisation had sucked into the town; as one of the thousands who have lost the life of the body and failed to reach the life of the spirit. Hints of robustness survived in him, more than a hint of primitive good looks, and Margaret, noting the spine that might have been straight, and the chest that might have broadened, wondered whether it paid to give up the glory of the animal for a tail coat and a couple of ideas. Culture had worked in her own case, but during the last few weeks she had doubted whether it humanised the majority, so wide and so widening is the gulf that stretches between the natural and the philosophic man, so many the good chaps who are wrecked in trying to cross it. She knew this type very well--the vague aspirations, the mental dishonesty, the familiarity with the outsides of books. She knew the very tones in which he would address her. She was only unprepared for an example of her own visiting-card. "You wouldn t remember giving me this, Miss Schlegel?" said he, uneasily familiar. "No; I can t say I do." "Well, that was how it happened, you see." "Where did we meet, Mr. Bast? For the minute I don t remember." "It was a concert at the Queen s Hall. I think you will recollect," he added pretentiously, "when I tell you that it included a performance of the Fifth Symphony of Beethoven." "We hear the Fifth practically every time it s done, so I m not sure--do you remember, Helen?" "Was it the time the sandy cat walked round the balustrade?" He thought not. "Then I don t remember. That s the only Beethoven I ever remember specially." "And you, if I may say so, took away my umbrella, inadvertently of course." "Likely enough," Helen laughed, "for I steal umbrellas even oftener than I hear Beethoven. Did you get it back?" "Yes, thank you, Miss Schlegel." "The mistake arose out of my card, did it?" interposed Margaret. "Yes, the mistake arose--it was a mistake." "The lady who called here yesterday thought that you were calling too, and that she could find you?" she continued, pushing him forward, for, though he had promised an explanation, he seemed unable to give one. "That s so, calling too--a mistake." "Then why--?" began Helen, but Margaret laid a hand on her arm. "I said to my wife,"<\|quote\|>he continued more rapidly</\|quote\|>"I said to Mrs. Bast," I have to pay a call on some friends, "and Mrs. Bast said to me," Do go. "While I was gone, however, she wanted me on important business, and thought I had come here, owing to the card, and so came after me, and I beg to tender my apologies, and hers as well, for any inconvenience we may have inadvertently caused you." "No inconvenience," said Helen; "but I still don t understand." An air of evasion characterised Mr. Bast. He explained again, but was obviously lying, and Helen didn t see why he should get off. She had the cruelty of youth. Neglecting her sister s pressure, she said, "I still don t understand. When did you say you paid this call?" "Call? What call?" said he, staring as if her question had been a foolish one, a favourite device of those in mid-stream. "This afternoon call." "In the afternoon, of course!" he replied, and looked at Tibby to see how the repartee went. But Tibby was unsympathetic, and said, "Saturday afternoon or Sunday afternoon?" "S--Saturday." "Really!" said Helen; "and you were still calling on Sunday, when your wife came here. A long visit." "I don t call that fair," said Mr. Bast, going scarlet and handsome. There was fight in his eyes. "I know what you mean, and it isn t so." "Oh, don t let us mind," said Margaret, distressed again by odours from the abyss. "It was something else," he asserted, his elaborate manner breaking down. "I was somewhere else to what you think, so there!" "It was good of you to come and explain," she said. "The rest is naturally no concern of ours." "Yes, but I want--I wanted--have you ever read The Ordeal of Richard Feverel?" Margaret nodded. "It s a beautiful book. I wanted to get back to the earth, don t you see, like Richard does in the end. Or have you ever read Stevenson s Prince Otto?" Helen and Tibby groaned gently. "That s another beautiful book. You get back to the earth in that. I wanted--" He mouthed affectedly. Then through the mists of his culture came a hard fact, hard as a pebble. "I walked all the Saturday night," said Leonard. "I walked." A thrill of approval ran through the sisters. But culture closed in again. He asked whether they had ever read E. V. Lucas s Open Road. Said Helen, "No doubt it s another beautiful book, but I d rather hear about your road." "Oh, I walked." "How far?" "I don t know, nor for how long.	Howards End