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"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."	Gabriel Syme	lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of	do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull	How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that	and was delivered with an extraordinary rapidity of utterance. "I shall approach. Before taking off his hat, I shall take off my own. I shall say," The Marquis de Saint Eustache, I believe.' "He will say," The celebrated Mr. Syme, I presume.' "He will say in the most exquisite French," How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that the Marquis may not say all the forty-three things you have put down for him? In that case, I understand, your own epigrams may appear somewhat more forced." Syme struck the table with a radiant face. "Why, how true that is," he said, "and I never thought of it. Sir,	caf table with his companions, his blue eyes sparkling like the bright sea below, and ordered a bottle of Saumur with a pleased impatience. He was for some reason in a condition of curious hilarity. His spirits were already unnaturally high; they rose as the Saumur sank, and in half an hour his talk was a torrent of nonsense. He professed to be making out a plan of the conversation which was going to ensue between himself and the deadly Marquis. He jotted it down wildly with a pencil. It was arranged like a printed catechism, with questions and answers, and was delivered with an extraordinary rapidity of utterance. "I shall approach. Before taking off his hat, I shall take off my own. I shall say," The Marquis de Saint Eustache, I believe.' "He will say," The celebrated Mr. Syme, I presume.' "He will say in the most exquisite French," How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that the Marquis may not say all the forty-three things you have put down for him? In that case, I understand, your own epigrams may appear somewhat more forced." Syme struck the table with a radiant face. "Why, how true that is," he said, "and I never thought of it. Sir, you have an intellect beyond the common. You will make a name." "Oh, you're as drunk as an owl!" said the Doctor. "It only remains," continued Syme quite unperturbed, "to adopt some other method of breaking the ice (if I may so express it) between myself and the man I wish to kill. And since the course of a dialogue cannot be predicted by one of its parties alone (as you have pointed out with such recondite acumen), the only thing to be done, I suppose, is for the one party, as far as possible, to do all the dialogue	a gentleman. He cannot deny that I am a gentleman. And in order to put the matter of my social position quite beyond a doubt, I propose at the earliest opportunity to knock his hat off. But here we are in the harbour." They went on shore under the strong sun in a sort of daze. Syme, who had now taken the lead as Bull had taken it in London, led them along a kind of marine parade until he came to some caf s, embowered in a bulk of greenery and overlooking the sea. As he went before them his step was slightly swaggering, and he swung his stick like a sword. He was making apparently for the extreme end of the line of caf s, but he stopped abruptly. With a sharp gesture he motioned them to silence, but he pointed with one gloved finger to a caf table under a bank of flowering foliage at which sat the Marquis de St. Eustache, his teeth shining in his thick, black beard, and his bold, brown face shadowed by a light yellow straw hat and outlined against the violet sea. CHAPTER X. THE DUEL Syme sat down at a caf table with his companions, his blue eyes sparkling like the bright sea below, and ordered a bottle of Saumur with a pleased impatience. He was for some reason in a condition of curious hilarity. His spirits were already unnaturally high; they rose as the Saumur sank, and in half an hour his talk was a torrent of nonsense. He professed to be making out a plan of the conversation which was going to ensue between himself and the deadly Marquis. He jotted it down wildly with a pencil. It was arranged like a printed catechism, with questions and answers, and was delivered with an extraordinary rapidity of utterance. "I shall approach. Before taking off his hat, I shall take off my own. I shall say," The Marquis de Saint Eustache, I believe.' "He will say," The celebrated Mr. Syme, I presume.' "He will say in the most exquisite French," How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that the Marquis may not say all the forty-three things you have put down for him? In that case, I understand, your own epigrams may appear somewhat more forced." Syme struck the table with a radiant face. "Why, how true that is," he said, "and I never thought of it. Sir, you have an intellect beyond the common. You will make a name." "Oh, you're as drunk as an owl!" said the Doctor. "It only remains," continued Syme quite unperturbed, "to adopt some other method of breaking the ice (if I may so express it) between myself and the man I wish to kill. And since the course of a dialogue cannot be predicted by one of its parties alone (as you have pointed out with such recondite acumen), the only thing to be done, I suppose, is for the one party, as far as possible, to do all the dialogue by himself. And so I will, by George!" And he stood up suddenly, his yellow hair blowing in the slight sea breeze. A band was playing in a _caf chantant_ hidden somewhere among the trees, and a woman had just stopped singing. On Syme's heated head the bray of the brass band seemed like the jar and jingle of that barrel-organ in Leicester Square, to the tune of which he had once stood up to die. He looked across to the little table where the Marquis sat. The man had two companions now, solemn Frenchmen in frock-coats and silk hats, one of them with the red rosette of the Legion of Honour, evidently people of a solid social position. Besides these black, cylindrical costumes, the Marquis, in his loose straw hat and light spring clothes, looked Bohemian and even barbaric; but he looked the Marquis. Indeed, one might say that he looked the king, with his animal elegance, his scornful eyes, and his proud head lifted against the purple sea. But he was no Christian king, at any rate; he was, rather, some swarthy despot, half Greek, half Asiatic, who in the days when slavery seemed natural looked down on	"is this, that we three are alone on this planet. Gogol has gone, God knows where; perhaps the President has smashed him like a fly. On the Council we are three men against three, like the Romans who held the bridge. But we are worse off than that, first because they can appeal to their organization and we cannot appeal to ours, and second because" "Because one of those other three men," said the Professor, "is not a man." Syme nodded and was silent for a second or two, then he said "My idea is this. We must do something to keep the Marquis in Calais till tomorrow midday. I have turned over twenty schemes in my head. We cannot denounce him as a dynamiter; that is agreed. We cannot get him detained on some trivial charge, for we should have to appear; he knows us, and he would smell a rat. We cannot pretend to keep him on anarchist business; he might swallow much in that way, but not the notion of stopping in Calais while the Czar went safely through Paris. We might try to kidnap him, and lock him up ourselves; but he is a well-known man here. He has a whole bodyguard of friends; he is very strong and brave, and the event is doubtful. The only thing I can see to do is actually to take advantage of the very things that are in the Marquis's favour. I am going to profit by the fact that he is a highly respected nobleman. I am going to profit by the fact that he has many friends and moves in the best society." "What the devil are you talking about?" asked the Professor. "The Symes are first mentioned in the fourteenth century," said Syme; "but there is a tradition that one of them rode behind Bruce at Bannockburn. Since 1350 the tree is quite clear." "He's gone off his head," said the little Doctor, staring. "Our bearings," continued Syme calmly, "are argent a chevron gules charged with three cross crosslets of the field.' The motto varies." The Professor seized Syme roughly by the waistcoat. "We are just inshore," he said. "Are you seasick or joking in the wrong place?" "My remarks are almost painfully practical," answered Syme, in an unhurried manner. "The house of St. Eustache also is very ancient. The Marquis cannot deny that he is a gentleman. He cannot deny that I am a gentleman. And in order to put the matter of my social position quite beyond a doubt, I propose at the earliest opportunity to knock his hat off. But here we are in the harbour." They went on shore under the strong sun in a sort of daze. Syme, who had now taken the lead as Bull had taken it in London, led them along a kind of marine parade until he came to some caf s, embowered in a bulk of greenery and overlooking the sea. As he went before them his step was slightly swaggering, and he swung his stick like a sword. He was making apparently for the extreme end of the line of caf s, but he stopped abruptly. With a sharp gesture he motioned them to silence, but he pointed with one gloved finger to a caf table under a bank of flowering foliage at which sat the Marquis de St. Eustache, his teeth shining in his thick, black beard, and his bold, brown face shadowed by a light yellow straw hat and outlined against the violet sea. CHAPTER X. THE DUEL Syme sat down at a caf table with his companions, his blue eyes sparkling like the bright sea below, and ordered a bottle of Saumur with a pleased impatience. He was for some reason in a condition of curious hilarity. His spirits were already unnaturally high; they rose as the Saumur sank, and in half an hour his talk was a torrent of nonsense. He professed to be making out a plan of the conversation which was going to ensue between himself and the deadly Marquis. He jotted it down wildly with a pencil. It was arranged like a printed catechism, with questions and answers, and was delivered with an extraordinary rapidity of utterance. "I shall approach. Before taking off his hat, I shall take off my own. I shall say," The Marquis de Saint Eustache, I believe.' "He will say," The celebrated Mr. Syme, I presume.' "He will say in the most exquisite French," How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that the Marquis may not say all the forty-three things you have put down for him? In that case, I understand, your own epigrams may appear somewhat more forced." Syme struck the table with a radiant face. "Why, how true that is," he said, "and I never thought of it. Sir, you have an intellect beyond the common. You will make a name." "Oh, you're as drunk as an owl!" said the Doctor. "It only remains," continued Syme quite unperturbed, "to adopt some other method of breaking the ice (if I may so express it) between myself and the man I wish to kill. And since the course of a dialogue cannot be predicted by one of its parties alone (as you have pointed out with such recondite acumen), the only thing to be done, I suppose, is for the one party, as far as possible, to do all the dialogue by himself. And so I will, by George!" And he stood up suddenly, his yellow hair blowing in the slight sea breeze. A band was playing in a _caf chantant_ hidden somewhere among the trees, and a woman had just stopped singing. On Syme's heated head the bray of the brass band seemed like the jar and jingle of that barrel-organ in Leicester Square, to the tune of which he had once stood up to die. He looked across to the little table where the Marquis sat. The man had two companions now, solemn Frenchmen in frock-coats and silk hats, one of them with the red rosette of the Legion of Honour, evidently people of a solid social position. Besides these black, cylindrical costumes, the Marquis, in his loose straw hat and light spring clothes, looked Bohemian and even barbaric; but he looked the Marquis. Indeed, one might say that he looked the king, with his animal elegance, his scornful eyes, and his proud head lifted against the purple sea. But he was no Christian king, at any rate; he was, rather, some swarthy despot, half Greek, half Asiatic, who in the days when slavery seemed natural looked down on the Mediterranean, on his galley and his groaning slaves. Just so, Syme thought, would the brown-gold face of such a tyrant have shown against the dark green olives and the burning blue. "Are you going to address the meeting?" asked the Professor peevishly, seeing that Syme still stood up without moving. Syme drained his last glass of sparkling wine. "I am," he said, pointing across to the Marquis and his companions, "that meeting. That meeting displeases me. I am going to pull that meeting's great ugly, mahogany-coloured nose." He stepped across swiftly, if not quite steadily. The Marquis, seeing him, arched his black Assyrian eyebrows in surprise, but smiled politely. "You are Mr. Syme, I think," he said. Syme bowed. "And you are the Marquis de Saint Eustache," he said gracefully. "Permit me to pull your nose." He leant over to do so, but the Marquis started backwards, upsetting his chair, and the two men in top hats held Syme back by the shoulders. "This man has insulted me!" said Syme, with gestures of explanation. "Insulted you?" cried the gentleman with the red rosette, "when?" "Oh, just now," said Syme recklessly. "He insulted my mother." "Insulted your mother!" exclaimed the gentleman incredulously. "Well, anyhow," said Syme, conceding a point, "my aunt." "But how can the Marquis have insulted your aunt just now?" said the second gentleman with some legitimate wonder. "He has been sitting here all the time." "Ah, it was what he said!" said Syme darkly. "I said nothing at all," said the Marquis, "except something about the band. I only said that I liked Wagner played well." "It was an allusion to my family," said Syme firmly. "My aunt played Wagner badly. It was a painful subject. We are always being insulted about it." "This seems most extraordinary," said the gentleman who was _d cor _, looking doubtfully at the Marquis. "Oh, I assure you," said Syme earnestly, "the whole of your conversation was simply packed with sinister allusions to my aunt's weaknesses." "This is nonsense!" said the second gentleman. "I for one have said nothing for half an hour except that I liked the singing of that girl with black hair." "Well, there you are again!" said Syme indignantly. "My aunt's was red." "It seems to me," said the other, "that you are simply seeking a pretext to insult the Marquis." "By George!" said Syme, facing round	see to do is actually to take advantage of the very things that are in the Marquis's favour. I am going to profit by the fact that he is a highly respected nobleman. I am going to profit by the fact that he has many friends and moves in the best society." "What the devil are you talking about?" asked the Professor. "The Symes are first mentioned in the fourteenth century," said Syme; "but there is a tradition that one of them rode behind Bruce at Bannockburn. Since 1350 the tree is quite clear." "He's gone off his head," said the little Doctor, staring. "Our bearings," continued Syme calmly, "are argent a chevron gules charged with three cross crosslets of the field.' The motto varies." The Professor seized Syme roughly by the waistcoat. "We are just inshore," he said. "Are you seasick or joking in the wrong place?" "My remarks are almost painfully practical," answered Syme, in an unhurried manner. "The house of St. Eustache also is very ancient. The Marquis cannot deny that he is a gentleman. He cannot deny that I am a gentleman. And in order to put the matter of my social position quite beyond a doubt, I propose at the earliest opportunity to knock his hat off. But here we are in the harbour." They went on shore under the strong sun in a sort of daze. Syme, who had now taken the lead as Bull had taken it in London, led them along a kind of marine parade until he came to some caf s, embowered in a bulk of greenery and overlooking the sea. As he went before them his step was slightly swaggering, and he swung his stick like a sword. He was making apparently for the extreme end of the line of caf s, but he stopped abruptly. With a sharp gesture he motioned them to silence, but he pointed with one gloved finger to a caf table under a bank of flowering foliage at which sat the Marquis de St. Eustache, his teeth shining in his thick, black beard, and his bold, brown face shadowed by a light yellow straw hat and outlined against the violet sea. CHAPTER X. THE DUEL Syme sat down at a caf table with his companions, his blue eyes sparkling like the bright sea below, and ordered a bottle of Saumur with a pleased impatience. He was for some reason in a condition of curious hilarity. His spirits were already unnaturally high; they rose as the Saumur sank, and in half an hour his talk was a torrent of nonsense. He professed to be making out a plan of the conversation which was going to ensue between himself and the deadly Marquis. He jotted it down wildly with a pencil. It was arranged like a printed catechism, with questions and answers, and was delivered with an extraordinary rapidity of utterance. "I shall approach. Before taking off his hat, I shall take off my own. I shall say," The Marquis de Saint Eustache, I believe.' "He will say," The celebrated Mr. Syme, I presume.' "He will say in the most exquisite French," How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that the Marquis may not say all the forty-three things you have put down for him? In that case, I understand, your own epigrams may appear somewhat more forced." Syme struck the table with a radiant face. "Why, how true that is," he said, "and I never thought of it. Sir, you have an intellect beyond the common. You will make a name." "Oh, you're as drunk as an owl!" said the Doctor. "It only remains," continued Syme quite unperturbed, "to adopt some other method of breaking the ice (if I may so express it) between myself and the man I wish to kill. And since the course of a dialogue cannot be predicted by one of its parties alone (as you have pointed out with such recondite acumen), the only thing to be done, I suppose, is for the one party, as far as possible, to do all the dialogue by himself. And so I will, by George!" And he stood up suddenly, his yellow hair blowing in the slight sea breeze. A band was playing in a _caf chantant_ hidden somewhere among the trees, and a woman had just stopped singing. On Syme's heated head the bray of the brass band seemed like the jar and jingle of that barrel-organ in Leicester Square, to the tune of which he had once stood up to die. He looked across to the little table where the Marquis sat. The man had two companions now, solemn Frenchmen in frock-coats and silk hats, one of them with the red rosette of the Legion of Honour, evidently people of a solid social position. Besides these black, cylindrical costumes, the Marquis, in his loose straw hat and light spring clothes, looked Bohemian and even barbaric; but he looked the Marquis. Indeed, one might say that he looked the king, with his animal elegance, his scornful eyes, and his proud head lifted against the purple sea. But he was no Christian king, at any rate; he was, rather, some swarthy despot, half Greek, half Asiatic, who in the days when slavery seemed natural looked down on the Mediterranean, on his galley and his groaning slaves. Just so, Syme thought, would the brown-gold face of such a tyrant have shown against the dark green olives and the burning blue. "Are you going to address the meeting?" asked the Professor peevishly, seeing that Syme still stood up without moving. Syme drained his last glass of sparkling wine. "I am," he said, pointing across to the Marquis and his companions, "that meeting. That meeting displeases me. I am going to pull that meeting's great ugly, mahogany-coloured nose." He stepped across swiftly, if not quite steadily. The Marquis, seeing him, arched his black Assyrian eyebrows in surprise, but smiled politely. "You are Mr. Syme, I think," he said. Syme bowed. "And you are the Marquis de Saint Eustache," he said gracefully. "Permit me to pull your nose." He leant over to do so, but the Marquis started backwards, upsetting his chair, and the two men in top hats held Syme back	The Man Who Was Thursday
"--he pointed the razor at me--"	No speaker	about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face	Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the	seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful	with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful face?" He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the	laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful face?" He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a	find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it last night," Bill said. "He's a great little confider. He said he had a date with Brett at San Sebastian." "The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful face?" He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered	and Cohn stayed out in the caf quite late, I believe, because I was asleep when they came in. In the morning I bought three tickets for the bus to Burguete. It was scheduled to leave at two o'clock. There was nothing earlier. I was sitting over at the Iru a reading the papers when I saw Robert Cohn coming across the square. He came up to the table and sat down in one of the wicker chairs. "This is a comfortable caf ," he said. "Did you have a good night, Jake?" "I slept like a log." "I didn't sleep very well. Bill and I were out late, too." "Where were you?" "Here. And after it shut we went over to that other caf . The old man there speaks German and English." "The Caf Suizo." "That's it. He seems like a nice old fellow. I think it's a better caf than this one." "It's not so good in the daytime," I said. "Too hot. By the way, I got the bus tickets." "I'm not going up to-day. You and Bill go on ahead." "I've got your ticket." "Give it to me. I'll get the money back." "It's five pesetas." Robert Cohn took out a silver five-peseta piece and gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why," I said. "They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it to Brett." "Why in hell didn't you stay there and meet them then?" I started to say, but I stopped. I thought that idea would come to him by itself, but I do not believe it ever did. He was being confidential now and it was giving him pleasure to be able to talk with the understanding that I knew there was something between him and Brett. "Well, Bill and I will go up right after lunch," I said. "I wish I could go. We've been looking forward to this fishing all winter." He was being sentimental about it. "But I ought to stay. I really ought. As soon as they come I'll bring them right up." "Let's find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it last night," Bill said. "He's a great little confider. He said he had a date with Brett at San Sebastian." "The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful face?" He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered the man one of the bottles of wine. The man waved it away. He said it was too hot and he had drunk too much at lunch. When Bill offered the bottle the second time he took a long drink, and then the bottle went all over that part of the bus. Every one took a drink very politely, and then they made us cork it up and put it away. They all wanted us to drink from their leather wine-bottles. They were peasants going up into the hills. Finally, after a couple more false klaxons, the bus started, and Robert Cohn waved good-by to us, and all the Basques waved good-by to him. As soon as we started out on the road outside of town it was cool. It felt nice riding high up and close under the trees. The bus went quite fast and made a good breeze, and as we went out along the road with the dust powdering the trees and down the hill, we had a fine view, back through the trees, of the town rising up from the bluff above the river. The Basque lying against my knees pointed out the view with the neck of the wine-bottle, and winked at us. He nodded his head. "Pretty nice, eh?" "These Basques are swell people," Bill said. The Basque lying against my legs was tanned the color of saddle-leather. He wore a black smock like all the rest. There were wrinkles in his tanned neck. He turned around and offered his wine-bag to Bill. Bill handed him one of our bottles. The Basque wagged a forefinger at him and handed the bottle back, slapping in the cork with the palm of his hand. He shoved the wine-bag up. "Arriba! Arriba!" he said. "Lift it up." Bill raised the wine-skin and let the stream of wine spurt out and into his mouth, his head tipped back. When he stopped drinking and tipped the leather bottle down a few drops ran down his chin. "No! No!" several Basques said. "Not like that." One snatched the bottle away from the owner, who was himself about to give a demonstration. He was a young fellow and he held the wine-bottle at full arms' length and raised it high up, squeezing the leather bag with his hand so the stream of wine hissed into his mouth. He held the bag	gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why," I said. "They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it to Brett." "Why in hell didn't you stay there and meet them then?" I started to say, but I stopped. I thought that idea would come to him by itself, but I do not believe it ever did. He was being confidential now and it was giving him pleasure to be able to talk with the understanding that I knew there was something between him and Brett. "Well, Bill and I will go up right after lunch," I said. "I wish I could go. We've been looking forward to this fishing all winter." He was being sentimental about it. "But I ought to stay. I really ought. As soon as they come I'll bring them right up." "Let's find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it last night," Bill said. "He's a great little confider. He said he had a date with Brett at San Sebastian." "The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful face?" He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to	The Sun Also Rises
said the Dodger.	No speaker	repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?"	to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly	too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul	the corners, and knocking up again' the posts, and starting on again as if he was made of iron as well as them, and me with the wipe in my pocket, singing out arter him oh, my eye!" The vivid imagination of Master Bates presented the scene before him in too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul lol loo, gammon and spinnage, the frog he wouldn't, and high cockolorum," said the Dodger: with a slight sneer on his intellectual countenance. This was explanatory, but not satisfactory. Master Bates felt it so; and again said, "What do you mean?" The Dodger made no reply; but putting his hat	ventured to halt beneath a low and dark archway. Having remained silent here, just long enough to recover breath to speak, Master Bates uttered an exclamation of amusement and delight; and, bursting into an uncontrollable fit of laughter, flung himself upon a doorstep, and rolled thereon in a transport of mirth. "What's the matter?" inquired the Dodger. "Ha! ha! ha!" roared Charley Bates. "Hold your noise," remonstrated the Dodger, looking cautiously round. "Do you want to be grabbed, stupid?" "I can't help it," said Charley, "I can't help it! To see him splitting away at that pace, and cutting round the corners, and knocking up again' the posts, and starting on again as if he was made of iron as well as them, and me with the wipe in my pocket, singing out arter him oh, my eye!" The vivid imagination of Master Bates presented the scene before him in too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul lol loo, gammon and spinnage, the frog he wouldn't, and high cockolorum," said the Dodger: with a slight sneer on his intellectual countenance. This was explanatory, but not satisfactory. Master Bates felt it so; and again said, "What do you mean?" The Dodger made no reply; but putting his hat on again, and gathering the skirts of his long-tailed coat under his arm, thrust his tongue into his cheek, slapped the bridge of his nose some half-dozen times in a familiar but expressive manner, and turning on his heel, slunk down the court. Master Bates followed, with a thoughtful countenance. The noise of footsteps on the creaking stairs, a few minutes after the occurrence of this conversation, roused the merry old gentleman as he sat over the fire with a saveloy and a small loaf in his hand; a pocket-knife in his right; and a pewter pot on the trivet.	I do not mean to assert that it is usually the practice of renowned and learned sages, to shorten the road to any great conclusion (their course indeed being rather to lengthen the distance, by various circumlocutions and discursive staggerings, like unto those in which drunken men under the pressure of a too mighty flow of ideas, are prone to indulge); still, I do mean to say, and do say distinctly, that it is the invariable practice of many mighty philosophers, in carrying out their theories, to evince great wisdom and foresight in providing against every possible contingency which can be supposed at all likely to affect themselves. Thus, to do a great right, you may do a little wrong; and you may take any means which the end to be attained, will justify; the amount of the right, or the amount of the wrong, or indeed the distinction between the two, being left entirely to the philosopher concerned, to be settled and determined by his clear, comprehensive, and impartial view of his own particular case. It was not until the two boys had scoured, with great rapidity, through a most intricate maze of narrow streets and courts, that they ventured to halt beneath a low and dark archway. Having remained silent here, just long enough to recover breath to speak, Master Bates uttered an exclamation of amusement and delight; and, bursting into an uncontrollable fit of laughter, flung himself upon a doorstep, and rolled thereon in a transport of mirth. "What's the matter?" inquired the Dodger. "Ha! ha! ha!" roared Charley Bates. "Hold your noise," remonstrated the Dodger, looking cautiously round. "Do you want to be grabbed, stupid?" "I can't help it," said Charley, "I can't help it! To see him splitting away at that pace, and cutting round the corners, and knocking up again' the posts, and starting on again as if he was made of iron as well as them, and me with the wipe in my pocket, singing out arter him oh, my eye!" The vivid imagination of Master Bates presented the scene before him in too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul lol loo, gammon and spinnage, the frog he wouldn't, and high cockolorum," said the Dodger: with a slight sneer on his intellectual countenance. This was explanatory, but not satisfactory. Master Bates felt it so; and again said, "What do you mean?" The Dodger made no reply; but putting his hat on again, and gathering the skirts of his long-tailed coat under his arm, thrust his tongue into his cheek, slapped the bridge of his nose some half-dozen times in a familiar but expressive manner, and turning on his heel, slunk down the court. Master Bates followed, with a thoughtful countenance. The noise of footsteps on the creaking stairs, a few minutes after the occurrence of this conversation, roused the merry old gentleman as he sat over the fire with a saveloy and a small loaf in his hand; a pocket-knife in his right; and a pewter pot on the trivet. There was a rascally smile on his white face as he turned round, and looking sharply out from under his thick red eyebrows, bent his ear towards the door, and listened. "Why, how's this?" muttered the Jew: changing countenance; "only two of 'em? Where's the third? They can't have got into trouble. Hark!" The footsteps approached nearer; they reached the landing. The door was slowly opened; and the Dodger and Charley Bates entered, closing it behind them. CHAPTER XIII. SOME NEW ACQUAINTANCES ARE INTRODUCED TO THE INTELLIGENT READER, CONNECTED WITH WHOM VARIOUS PLEASANT MATTERS ARE RELATED, APPERTAINING TO THIS HISTORY "Where's Oliver?" said the Jew, rising with a menacing look. "Where's the boy?" The young thieves eyed their preceptor as if they were alarmed at his violence; and looked uneasily at each other. But they made no reply. "What's become of the boy?" said the Jew, seizing the Dodger tightly by the collar, and threatening him with horrid imprecations. "Speak out, or I'll throttle you!" Mr. Fagin looked so very much in earnest, that Charley Bates, who deemed it prudent in all cases to be on the safe side, and who conceived it by no means improbable that it might	gentleman. "Why! what's this? Bedwin, look there!" As he spoke, he pointed hastily to the picture over Oliver's head, and then to the boy's face. There was its living copy. The eyes, the head, the mouth; every feature was the same. The expression was, for the instant, so precisely alike, that the minutest line seemed copied with startling accuracy! Oliver knew not the cause of this sudden exclamation; for, not being strong enough to bear the start it gave him, he fainted away. A weakness on his part, which affords the narrative an opportunity of relieving the reader from suspense, in behalf of the two young pupils of the Merry Old Gentleman; and of recording That when the Dodger, and his accomplished friend Master Bates, joined in the hue-and-cry which was raised at Oliver's heels, in consequence of their executing an illegal conveyance of Mr. Brownlow's personal property, as has been already described, they were actuated by a very laudable and becoming regard for themselves; and forasmuch as the freedom of the subject and the liberty of the individual are among the first and proudest boasts of a true-hearted Englishman, so, I need hardly beg the reader to observe, that this action should tend to exalt them in the opinion of all public and patriotic men, in almost as great a degree as this strong proof of their anxiety for their own preservation and safety goes to corroborate and confirm the little code of laws which certain profound and sound-judging philosophers have laid down as the main-springs of all Nature's deeds and actions: the said philosophers very wisely reducing the good lady's proceedings to matters of maxim and theory: and, by a very neat and pretty compliment to her exalted wisdom and understanding, putting entirely out of sight any considerations of heart, or generous impulse and feeling. For, these are matters totally beneath a female who is acknowledged by universal admission to be far above the numerous little foibles and weaknesses of her sex. If I wanted any further proof of the strictly philosophical nature of the conduct of these young gentlemen in their very delicate predicament, I should at once find it in the fact (also recorded in a foregoing part of this narrative), of their quitting the pursuit, when the general attention was fixed upon Oliver; and making immediately for their home by the shortest possible cut. Although I do not mean to assert that it is usually the practice of renowned and learned sages, to shorten the road to any great conclusion (their course indeed being rather to lengthen the distance, by various circumlocutions and discursive staggerings, like unto those in which drunken men under the pressure of a too mighty flow of ideas, are prone to indulge); still, I do mean to say, and do say distinctly, that it is the invariable practice of many mighty philosophers, in carrying out their theories, to evince great wisdom and foresight in providing against every possible contingency which can be supposed at all likely to affect themselves. Thus, to do a great right, you may do a little wrong; and you may take any means which the end to be attained, will justify; the amount of the right, or the amount of the wrong, or indeed the distinction between the two, being left entirely to the philosopher concerned, to be settled and determined by his clear, comprehensive, and impartial view of his own particular case. It was not until the two boys had scoured, with great rapidity, through a most intricate maze of narrow streets and courts, that they ventured to halt beneath a low and dark archway. Having remained silent here, just long enough to recover breath to speak, Master Bates uttered an exclamation of amusement and delight; and, bursting into an uncontrollable fit of laughter, flung himself upon a doorstep, and rolled thereon in a transport of mirth. "What's the matter?" inquired the Dodger. "Ha! ha! ha!" roared Charley Bates. "Hold your noise," remonstrated the Dodger, looking cautiously round. "Do you want to be grabbed, stupid?" "I can't help it," said Charley, "I can't help it! To see him splitting away at that pace, and cutting round the corners, and knocking up again' the posts, and starting on again as if he was made of iron as well as them, and me with the wipe in my pocket, singing out arter him oh, my eye!" The vivid imagination of Master Bates presented the scene before him in too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul lol loo, gammon and spinnage, the frog he wouldn't, and high cockolorum," said the Dodger: with a slight sneer on his intellectual countenance. This was explanatory, but not satisfactory. Master Bates felt it so; and again said, "What do you mean?" The Dodger made no reply; but putting his hat on again, and gathering the skirts of his long-tailed coat under his arm, thrust his tongue into his cheek, slapped the bridge of his nose some half-dozen times in a familiar but expressive manner, and turning on his heel, slunk down the court. Master Bates followed, with a thoughtful countenance. The noise of footsteps on the creaking stairs, a few minutes after the occurrence of this conversation, roused the merry old gentleman as he sat over the fire with a saveloy and a small loaf in his hand; a pocket-knife in his right; and a pewter pot on the trivet. There was a rascally smile on his white face as he turned round, and looking sharply out from under his thick red eyebrows, bent his ear towards the door, and listened. "Why, how's this?" muttered the Jew: changing countenance; "only two of 'em? Where's the third? They can't have got into trouble. Hark!" The footsteps approached nearer; they reached the landing. The door was slowly opened; and the Dodger and Charley Bates entered, closing it behind them. CHAPTER XIII. SOME NEW ACQUAINTANCES ARE INTRODUCED TO THE INTELLIGENT READER, CONNECTED WITH WHOM VARIOUS PLEASANT MATTERS ARE RELATED, APPERTAINING TO THIS HISTORY "Where's Oliver?" said the Jew, rising with a menacing look. "Where's the boy?" The young thieves eyed their preceptor as if they were alarmed at his violence; and looked uneasily at each other. But they made no reply. "What's become of the boy?" said the Jew, seizing the Dodger tightly by the collar, and threatening him with horrid imprecations. "Speak out, or I'll throttle you!" Mr. Fagin looked so very much in earnest, that Charley Bates, who deemed it prudent in all cases to be on the safe side, and who conceived it by no means improbable that it might be his turn to be throttled second, dropped upon his knees, and raised a loud, well-sustained, and continuous roar something between a mad bull and a speaking trumpet. "Will you speak?" thundered the Jew: shaking the Dodger so much that his keeping in the big coat at all, seemed perfectly miraculous. "Why, the traps have got him, and that's all about it," said the Dodger, sullenly. "Come, let go o' me, will you!" And, swinging himself, at one jerk, clean out of the big coat, which he left in the Jew's hands, the Dodger snatched up the toasting fork, and made a pass at the merry old gentleman's waistcoat; which, if it had taken effect, would have let a little more merriment out than could have been easily replaced. The Jew stepped back in this emergency, with more agility than could have been anticipated in a man of his apparent decrepitude; and, seizing up the pot, prepared to hurl it at his assailant's head. But Charley Bates, at this moment, calling his attention by a perfectly terrific howl, he suddenly altered its destination, and flung it full at that young gentleman. "Why, what the blazes is in the wind now!" growled a deep voice. "Who pitched that 'ere at me? It's well it's the beer, and not the pot, as hit me, or I'd have settled somebody. I might have know'd, as nobody but an infernal, rich, plundering, thundering old Jew could afford to throw away any drink but water and not that, unless he done the River Company every quarter. Wot's it all about, Fagin? D me, if my neck-handkercher an't lined with beer! Come in, you sneaking warmint; wot are you stopping outside for, as if you was ashamed of your master! Come in!" The man who growled out these words, was a stoutly-built fellow of about five-and-thirty, in a black velveteen coat, very soiled drab breeches, lace-up half boots, and grey cotton stockings which inclosed a bulky pair of legs, with large swelling calves; the kind of legs, which in such costume, always look in an unfinished and incomplete state without a set of fetters to garnish them. He had a brown hat on his head, and a dirty belcher handkerchief round his neck: with the long frayed ends of which he smeared the beer from his face as he spoke. He disclosed, when he had done	their theories, to evince great wisdom and foresight in providing against every possible contingency which can be supposed at all likely to affect themselves. Thus, to do a great right, you may do a little wrong; and you may take any means which the end to be attained, will justify; the amount of the right, or the amount of the wrong, or indeed the distinction between the two, being left entirely to the philosopher concerned, to be settled and determined by his clear, comprehensive, and impartial view of his own particular case. It was not until the two boys had scoured, with great rapidity, through a most intricate maze of narrow streets and courts, that they ventured to halt beneath a low and dark archway. Having remained silent here, just long enough to recover breath to speak, Master Bates uttered an exclamation of amusement and delight; and, bursting into an uncontrollable fit of laughter, flung himself upon a doorstep, and rolled thereon in a transport of mirth. "What's the matter?" inquired the Dodger. "Ha! ha! ha!" roared Charley Bates. "Hold your noise," remonstrated the Dodger, looking cautiously round. "Do you want to be grabbed, stupid?" "I can't help it," said Charley, "I can't help it! To see him splitting away at that pace, and cutting round the corners, and knocking up again' the posts, and starting on again as if he was made of iron as well as them, and me with the wipe in my pocket, singing out arter him oh, my eye!" The vivid imagination of Master Bates presented the scene before him in too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul lol loo, gammon and spinnage, the frog he wouldn't, and high cockolorum," said the Dodger: with a slight sneer on his intellectual countenance. This was explanatory, but not satisfactory. Master Bates felt it so; and again said, "What do you mean?" The Dodger made no reply; but putting his hat on again, and gathering the skirts of his long-tailed coat under his arm, thrust his tongue into his cheek, slapped the bridge of his nose some half-dozen times in a familiar but expressive manner, and turning on his heel, slunk down the court. Master Bates followed, with a thoughtful countenance. The noise of footsteps on the creaking stairs, a few minutes after the occurrence of this conversation, roused the merry old gentleman as he sat over the fire with a saveloy and a small loaf in his hand; a pocket-knife in his right; and a pewter pot on the trivet. There was a rascally smile on his white face as he turned round, and looking sharply out from under his thick red eyebrows, bent his ear towards the door, and listened. "Why, how's this?" muttered the Jew: changing countenance; "only two of 'em? Where's the third? They can't have got into trouble. Hark!" The footsteps approached nearer; they reached the landing. The door was slowly opened; and the Dodger and Charley Bates entered, closing it behind them. CHAPTER XIII. SOME NEW ACQUAINTANCES ARE INTRODUCED TO THE INTELLIGENT READER, CONNECTED WITH WHOM VARIOUS PLEASANT MATTERS ARE RELATED, APPERTAINING TO THIS HISTORY "Where's Oliver?" said the Jew, rising with a menacing look. "Where's the boy?" The young thieves eyed their preceptor as if they were alarmed at his violence; and looked uneasily at each other. But they made no reply. "What's become of the boy?" said the Jew, seizing the Dodger tightly by the collar, and threatening him with horrid imprecations. "Speak out, or I'll throttle you!" Mr. Fagin looked so very much in earnest, that Charley Bates, who deemed it prudent in all cases to be on the safe side, and who conceived it by no means improbable that it might be his turn to be throttled second, dropped upon his knees, and raised a loud, well-sustained, and continuous roar something between a mad bull and a speaking trumpet. "Will you speak?" thundered the Jew: shaking the Dodger so much that his keeping in the big coat at all, seemed perfectly miraculous. "Why, the traps have got him, and that's all about it," said the Dodger, sullenly. "Come, let go o' me, will you!" And, swinging himself,	Oliver Twist
"No, no, not that----"	Paul	will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am	helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming	the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that	it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because	sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right	Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so	that the surgeons in the dressing stations amputate on the slightest provocation. Under the great pressure of business that is much simpler than complicated patching. I think of Kemmerich. Whatever happens I will not let them chloroform me, even if I have to crack a couple of their skulls. It is all right. The surgeon pokes around in the wound and a blackness comes before my eyes. "Don't carry on so," he says gruffly, and hacks away. The instruments gleam in the bright light like malevolent animals. The pain is insufferable. Two orderlies hold my arms fast, but I break loose with one of them and try to crash into the surgeon's spectacles just as he notices and springs back. "Chloroform the scoundrel," he roars madly. Then I become quiet. "Pardon me, Herr Doctor, I will keep still, but do not chloroform me." "Well now," he cackles and takes up his instrument again. He is a fair fellow, not more than thirty years old, with scars and disgusting gold spectacles. Now I see that he is tormenting me, he is merely raking about in the wound and looking up surreptitiously at me over his glasses. My hands squeeze around the grips, I'll kick the bucket before he will get a squeak out of me. He has fished out a piece of shell and tosses it to me. Apparently he is pleased at my self-control, for he seems to be more considerate of me now and says: "To-morrow you'll be off home." Then I am put in plaster. When I am back again with Kropp I tell him that apparently a hospital train comes in to-morrow morning. "We must work the army medical sergeant-major so that we can keep together, Albert." I manage to slip the sergeant-major two of my cigars with belly-bands, and then tip the word to him. He smells the cigars and says: "Have you got any more of them?" "Another good handful," I say, "and my comrade," I point to Kropp, "he has some as well. We might possibly be glad to hand them to you out of the window of the hospital train in the morning." He understands, of course, smells them once again and says: "Done." We cannot get a minute's sleep all night. Seven fellows die in our ward. One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I	One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?"	All Quiet on the Western Front
"Why won't you take things easier?"	Anne Shirley	today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem	"You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he	pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you	some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting	"I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh	any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs.	Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave." Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes. "Oh, Marilla," she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him--sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him. The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently: "Anne dear, would you like to have me sleep with you tonight?" "Thank you, Diana." Anne looked earnestly into her friend's	was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes. "Oh, Marilla," she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look	Anne Of Green Gables
"Yes. I have come from Bill,"	Nance	go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are	you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What	speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it	cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it	It was Nancy. "Put down the light," said the girl, turning away her head. "It hurts my eyes." Oliver saw that she was very pale, and gently inquired if she were ill. The girl threw herself into a chair, with her back towards him: and wrung her hands; but made no reply. "God forgive me!" she cried after a while, "I never thought of this." "Has anything happened?" asked Oliver. "Can I help you? I will if I can. I will, indeed." She rocked herself to and fro; caught her throat; and, uttering a gurgling sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round.	gore; and the words upon them, to be sounded in his ears, as if they were whispered, in hollow murmurs, by the spirits of the dead. In a paroxysm of fear, the boy closed the book, and thrust it from him. Then, falling upon his knees, he prayed Heaven to spare him from such deeds; and rather to will that he should die at once, than be reserved for crimes, so fearful and appalling. By degrees, he grew more calm, and besought, in a low and broken voice, that he might be rescued from his present dangers; and that if any aid were to be raised up for a poor outcast boy who had never known the love of friends or kindred, it might come to him now, when, desolate and deserted, he stood alone in the midst of wickedness and guilt. He had concluded his prayer, but still remained with his head buried in his hands, when a rustling noise aroused him. "What's that!" he cried, starting up, and catching sight of a figure standing by the door. "Who's there?" "Me. Only me," replied a tremulous voice. Oliver raised the candle above his head: and looked towards the door. It was Nancy. "Put down the light," said the girl, turning away her head. "It hurts my eyes." Oliver saw that she was very pale, and gently inquired if she were ill. The girl threw herself into a chair, with her back towards him: and wrung her hands; but made no reply. "God forgive me!" she cried after a while, "I never thought of this." "Has anything happened?" asked Oliver. "Can I help you? I will if I can. I will, indeed." She rocked herself to and fro; caught her throat; and, uttering a gurgling sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud; "for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it." She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to	thinks nothing of blood when his own is up. Whatever falls out, say nothing; and do what he bids you. Mind!" Placing a strong emphasis on the last word, he suffered his features gradually to resolve themselves into a ghastly grin, and, nodding his head, left the room. Oliver leaned his head upon his hand when the old man disappeared, and pondered, with a trembling heart, on the words he had just heard. The more he thought of the Jew's admonition, the more he was at a loss to divine its real purpose and meaning. He could think of no bad object to be attained by sending him to Sikes, which would not be equally well answered by his remaining with Fagin; and after meditating for a long time, concluded that he had been selected to perform some ordinary menial offices for the housebreaker, until another boy, better suited for his purpose could be engaged. He was too well accustomed to suffering, and had suffered too much where he was, to bewail the prospect of change very severely. He remained lost in thought for some minutes; and then, with a heavy sigh, snuffed the candle, and, taking up the book which the Jew had left with him, began to read. He turned over the leaves. Carelessly at first; but, lighting on a passage which attracted his attention, he soon became intent upon the volume. It was a history of the lives and trials of great criminals; and the pages were soiled and thumbed with use. Here, he read of dreadful crimes that made the blood run cold; of secret murders that had been committed by the lonely wayside; of bodies hidden from the eye of man in deep pits and wells: which would not keep them down, deep as they were, but had yielded them up at last, after many years, and so maddened the murderers with the sight, that in their horror they had confessed their guilt, and yelled for the gibbet to end their agony. Here, too, he read of men who, lying in their beds at dead of night, had been tempted (so they said) and led on, by their own bad thoughts, to such dreadful bloodshed as it made the flesh creep, and the limbs quail, to think of. The terrible descriptions were so real and vivid, that the sallow pages seemed to turn red with gore; and the words upon them, to be sounded in his ears, as if they were whispered, in hollow murmurs, by the spirits of the dead. In a paroxysm of fear, the boy closed the book, and thrust it from him. Then, falling upon his knees, he prayed Heaven to spare him from such deeds; and rather to will that he should die at once, than be reserved for crimes, so fearful and appalling. By degrees, he grew more calm, and besought, in a low and broken voice, that he might be rescued from his present dangers; and that if any aid were to be raised up for a poor outcast boy who had never known the love of friends or kindred, it might come to him now, when, desolate and deserted, he stood alone in the midst of wickedness and guilt. He had concluded his prayer, but still remained with his head buried in his hands, when a rustling noise aroused him. "What's that!" he cried, starting up, and catching sight of a figure standing by the door. "Who's there?" "Me. Only me," replied a tremulous voice. Oliver raised the candle above his head: and looked towards the door. It was Nancy. "Put down the light," said the girl, turning away her head. "It hurts my eyes." Oliver saw that she was very pale, and gently inquired if she were ill. The girl threw herself into a chair, with her back towards him: and wrung her hands; but made no reply. "God forgive me!" she cried after a while, "I never thought of this." "Has anything happened?" asked Oliver. "Can I help you? I will if I can. I will, indeed." She rocked herself to and fro; caught her throat; and, uttering a gurgling sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud; "for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it." She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely time to recollect where he was, or how he came there, when the carriage stopped at the house to which the Jew's steps had been directed on the previous evening. For one brief moment, Oliver cast a hurried glance along the empty street, and a cry for help hung upon his lips. But the girl's voice was in his ear, beseeching him in such tones of agony to remember her, that he had not the heart to utter it. While he hesitated, the opportunity was gone; he was already in the house, and the door was shut. "This way," said the girl, releasing her hold for the first time. "Bill!" "Hallo!" replied Sikes: appearing at the head of the stairs, with a candle. "Oh! That's the time of day. Come on!" This was a very strong expression of approbation, an uncommonly hearty welcome, from a person of Mr. Sikes' temperament. Nancy, appearing much gratified thereby, saluted him cordially. "Bull's-eye's gone home with Tom," observed Sikes, as he lighted them up. "He'd have been in the way." "That's right," rejoined Nancy. "So you've got the kid," said Sikes when they had all reached the room: closing the door as he spoke. "Yes, here he is," replied Nancy. "Did he come quiet?" inquired Sikes. "Like a lamb," rejoined Nancy. "I'm glad to hear it," said Sikes, looking grimly at Oliver; "for the sake of his young carcase: as would otherways have suffered for it. Come here, young 'un;	murderers with the sight, that in their horror they had confessed their guilt, and yelled for the gibbet to end their agony. Here, too, he read of men who, lying in their beds at dead of night, had been tempted (so they said) and led on, by their own bad thoughts, to such dreadful bloodshed as it made the flesh creep, and the limbs quail, to think of. The terrible descriptions were so real and vivid, that the sallow pages seemed to turn red with gore; and the words upon them, to be sounded in his ears, as if they were whispered, in hollow murmurs, by the spirits of the dead. In a paroxysm of fear, the boy closed the book, and thrust it from him. Then, falling upon his knees, he prayed Heaven to spare him from such deeds; and rather to will that he should die at once, than be reserved for crimes, so fearful and appalling. By degrees, he grew more calm, and besought, in a low and broken voice, that he might be rescued from his present dangers; and that if any aid were to be raised up for a poor outcast boy who had never known the love of friends or kindred, it might come to him now, when, desolate and deserted, he stood alone in the midst of wickedness and guilt. He had concluded his prayer, but still remained with his head buried in his hands, when a rustling noise aroused him. "What's that!" he cried, starting up, and catching sight of a figure standing by the door. "Who's there?" "Me. Only me," replied a tremulous voice. Oliver raised the candle above his head: and looked towards the door. It was Nancy. "Put down the light," said the girl, turning away her head. "It hurts my eyes." Oliver saw that she was very pale, and gently inquired if she were ill. The girl threw herself into a chair, with her back towards him: and wrung her hands; but made no reply. "God forgive me!" she cried after a while, "I never thought of this." "Has anything happened?" asked Oliver. "Can I help you? I will if I can. I will, indeed." She rocked herself to and fro; caught her throat; and, uttering a gurgling sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud; "for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it." She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely time to recollect where he was, or how he came there, when the carriage stopped at the house to which the Jew's steps had been	Oliver Twist
'I suppose,'	No speaker	own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time	who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He	Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the	iron lantern with a light inside it. It was obviously an antique, and it would seem as if its original use had been in some way semi-religious, for there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme	far in front of his frightened horse. As the car took the corner of the street with a splendid curve, they could just see the other anarchists filling the street and raising their fallen leader. "I can't understand why it has grown so dark," said the Professor at last in a low voice. "Going to be a storm, I think," said Dr. Bull. "I say, it's a pity we haven't got a light on this car, if only to see by." "We have," said the Colonel, and from the floor of the car he fished up a heavy, old-fashioned, carved iron lantern with a light inside it. It was obviously an antique, and it would seem as if its original use had been in some way semi-religious, for there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme seriously, and hung the heavy lantern over the front. There was a certain allegory of their whole position in the contrast between the modern automobile and its strange ecclesiastical lamp. Hitherto they had passed through the quietest part of the town, meeting at most one or two pedestrians, who could give them no hint of the peace or the hostility of the place. Now, however, the windows in the houses began one by one to be lit up, giving a greater sense of habitation and humanity. Dr. Bull turned to the new detective who had led their flight, and permitted	who end in the simple life, had once owned a motor, and he knew all about them. He had leapt at once into the chauffeur's seat, and with flushed face was wrenching and tugging at the disused machinery. He bent his strength upon one handle, and then said quite quietly "I am afraid it's no go." As he spoke, there swept round the corner a man rigid on his rushing horse, with the rush and rigidity of an arrow. He had a smile that thrust out his chin as if it were dislocated. He swept alongside of the stationary car, into which its company had crowded, and laid his hand on the front. It was the Secretary, and his mouth went quite straight in the solemnity of triumph. Syme was leaning hard upon the steering wheel, and there was no sound but the rumble of the other pursuers riding into the town. Then there came quite suddenly a scream of scraping iron, and the car leapt forward. It plucked the Secretary clean out of his saddle, as a knife is whipped out of its sheath, trailed him kicking terribly for twenty yards, and left him flung flat upon the road far in front of his frightened horse. As the car took the corner of the street with a splendid curve, they could just see the other anarchists filling the street and raising their fallen leader. "I can't understand why it has grown so dark," said the Professor at last in a low voice. "Going to be a storm, I think," said Dr. Bull. "I say, it's a pity we haven't got a light on this car, if only to see by." "We have," said the Colonel, and from the floor of the car he fished up a heavy, old-fashioned, carved iron lantern with a light inside it. It was obviously an antique, and it would seem as if its original use had been in some way semi-religious, for there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme seriously, and hung the heavy lantern over the front. There was a certain allegory of their whole position in the contrast between the modern automobile and its strange ecclesiastical lamp. Hitherto they had passed through the quietest part of the town, meeting at most one or two pedestrians, who could give them no hint of the peace or the hostility of the place. Now, however, the windows in the houses began one by one to be lit up, giving a greater sense of habitation and humanity. Dr. Bull turned to the new detective who had led their flight, and permitted himself one of his natural and friendly smiles. "These lights make one feel more cheerful." Inspector Ratcliffe drew his brows together. "There is only one set of lights that make me more cheerful," he said, "and they are those lights of the police station which I can see beyond the town. Please God we may be there in ten minutes." Then all Bull's boiling good sense and optimism broke suddenly out of him. "Oh, this is all raving nonsense!" he cried. "If you really think that ordinary people in ordinary houses are anarchists, you must be madder than an anarchist yourself. If we turned and fought these fellows, the whole town would fight for us." "No," said the other with an immovable simplicity, "the whole town would fight for them. We shall see." While they were speaking the Professor had leant forward with sudden excitement. "What is that noise?" he said. "Oh, the horses behind us, I suppose," said the Colonel. "I thought we had got clear of them." "The horses behind us! No," said the Professor, "it is not horses, and it is not behind us." Almost as he spoke, across the end of the street before them two	as they rode, however, the whole rank still kept well together, and they could see the black vizards of the first line as level as a line of uniforms. But although the main black square was the same, though travelling faster, there was now one sensational difference which they could see clearly upon the slope of the hill, as if upon a slanted map. The bulk of the riders were in one block; but one rider flew far ahead of the column, and with frantic movements of hand and heel urged his horse faster and faster, so that one might have fancied that he was not the pursuer but the pursued. But even at that great distance they could see something so fanatical, so unquestionable in his figure, that they knew it was the Secretary himself. "I am sorry to cut short a cultured discussion," said the Colonel, "but can you lend me your motor-car now, in two minutes?" "I have a suspicion that you are all mad," said Dr. Renard, smiling sociably; "but God forbid that madness should in any way interrupt friendship. Let us go round to the garage." Dr. Renard was a mild man with monstrous wealth; his rooms were like the Musee de Cluny, and he had three motor-cars. These, however, he seemed to use very sparingly, having the simple tastes of the French middle class, and when his impatient friends came to examine them, it took them some time to assure themselves that one of them even could be made to work. This with some difficulty they brought round into the street before the Doctor's house. When they came out of the dim garage they were startled to find that twilight had already fallen with the abruptness of night in the tropics. Either they had been longer in the place than they imagined, or some unusual canopy of cloud had gathered over the town. They looked down the steep streets, and seemed to see a slight mist coming up from the sea. "It is now or never," said Dr. Bull. "I hear horses." "No," corrected the Professor, "a horse." And as they listened, it was evident that the noise, rapidly coming nearer on the rattling stones, was not the noise of the whole cavalcade but that of the one horseman, who had left it far behind the insane Secretary. Syme's family, like most of those who end in the simple life, had once owned a motor, and he knew all about them. He had leapt at once into the chauffeur's seat, and with flushed face was wrenching and tugging at the disused machinery. He bent his strength upon one handle, and then said quite quietly "I am afraid it's no go." As he spoke, there swept round the corner a man rigid on his rushing horse, with the rush and rigidity of an arrow. He had a smile that thrust out his chin as if it were dislocated. He swept alongside of the stationary car, into which its company had crowded, and laid his hand on the front. It was the Secretary, and his mouth went quite straight in the solemnity of triumph. Syme was leaning hard upon the steering wheel, and there was no sound but the rumble of the other pursuers riding into the town. Then there came quite suddenly a scream of scraping iron, and the car leapt forward. It plucked the Secretary clean out of his saddle, as a knife is whipped out of its sheath, trailed him kicking terribly for twenty yards, and left him flung flat upon the road far in front of his frightened horse. As the car took the corner of the street with a splendid curve, they could just see the other anarchists filling the street and raising their fallen leader. "I can't understand why it has grown so dark," said the Professor at last in a low voice. "Going to be a storm, I think," said Dr. Bull. "I say, it's a pity we haven't got a light on this car, if only to see by." "We have," said the Colonel, and from the floor of the car he fished up a heavy, old-fashioned, carved iron lantern with a light inside it. It was obviously an antique, and it would seem as if its original use had been in some way semi-religious, for there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme seriously, and hung the heavy lantern over the front. There was a certain allegory of their whole position in the contrast between the modern automobile and its strange ecclesiastical lamp. Hitherto they had passed through the quietest part of the town, meeting at most one or two pedestrians, who could give them no hint of the peace or the hostility of the place. Now, however, the windows in the houses began one by one to be lit up, giving a greater sense of habitation and humanity. Dr. Bull turned to the new detective who had led their flight, and permitted himself one of his natural and friendly smiles. "These lights make one feel more cheerful." Inspector Ratcliffe drew his brows together. "There is only one set of lights that make me more cheerful," he said, "and they are those lights of the police station which I can see beyond the town. Please God we may be there in ten minutes." Then all Bull's boiling good sense and optimism broke suddenly out of him. "Oh, this is all raving nonsense!" he cried. "If you really think that ordinary people in ordinary houses are anarchists, you must be madder than an anarchist yourself. If we turned and fought these fellows, the whole town would fight for us." "No," said the other with an immovable simplicity, "the whole town would fight for them. We shall see." While they were speaking the Professor had leant forward with sudden excitement. "What is that noise?" he said. "Oh, the horses behind us, I suppose," said the Colonel. "I thought we had got clear of them." "The horses behind us! No," said the Professor, "it is not horses, and it is not behind us." Almost as he spoke, across the end of the street before them two shining and rattling shapes shot past. They were gone almost in a flash, but everyone could see that they were motor-cars, and the Professor stood up with a pale face and swore that they were the other two motor-cars from Dr. Renard's garage. "I tell you they were his," he repeated, with wild eyes, "and they were full of men in masks!" "Absurd!" said the Colonel angrily. "Dr. Renard would never give them his cars." "He may have been forced," said Ratcliffe quietly. "The whole town is on their side." "You still believe that," asked the Colonel incredulously. "You will all believe it soon," said the other with a hopeless calm. There was a puzzled pause for some little time, and then the Colonel began again abruptly "No, I can't believe it. The thing is nonsense. The plain people of a peaceable French town" He was cut short by a bang and a blaze of light, which seemed close to his eyes. As the car sped on it left a floating patch of white smoke behind it, and Syme had heard a shot shriek past his ear. "My God!" said the Colonel, "someone has shot at us." "It need not interrupt conversation," said the gloomy Ratcliffe. "Pray resume your remarks, Colonel. You were talking, I think, about the plain people of a peaceable French town." The staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there," said the pessimist placidly. "They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans	cloud had gathered over the town. They looked down the steep streets, and seemed to see a slight mist coming up from the sea. "It is now or never," said Dr. Bull. "I hear horses." "No," corrected the Professor, "a horse." And as they listened, it was evident that the noise, rapidly coming nearer on the rattling stones, was not the noise of the whole cavalcade but that of the one horseman, who had left it far behind the insane Secretary. Syme's family, like most of those who end in the simple life, had once owned a motor, and he knew all about them. He had leapt at once into the chauffeur's seat, and with flushed face was wrenching and tugging at the disused machinery. He bent his strength upon one handle, and then said quite quietly "I am afraid it's no go." As he spoke, there swept round the corner a man rigid on his rushing horse, with the rush and rigidity of an arrow. He had a smile that thrust out his chin as if it were dislocated. He swept alongside of the stationary car, into which its company had crowded, and laid his hand on the front. It was the Secretary, and his mouth went quite straight in the solemnity of triumph. Syme was leaning hard upon the steering wheel, and there was no sound but the rumble of the other pursuers riding into the town. Then there came quite suddenly a scream of scraping iron, and the car leapt forward. It plucked the Secretary clean out of his saddle, as a knife is whipped out of its sheath, trailed him kicking terribly for twenty yards, and left him flung flat upon the road far in front of his frightened horse. As the car took the corner of the street with a splendid curve, they could just see the other anarchists filling the street and raising their fallen leader. "I can't understand why it has grown so dark," said the Professor at last in a low voice. "Going to be a storm, I think," said Dr. Bull. "I say, it's a pity we haven't got a light on this car, if only to see by." "We have," said the Colonel, and from the floor of the car he fished up a heavy, old-fashioned, carved iron lantern with a light inside it. It was obviously an antique, and it would seem as if its original use had been in some way semi-religious, for there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme seriously, and hung the heavy lantern over the front. There was a certain allegory of their whole position in the contrast between the modern automobile and its strange ecclesiastical lamp. Hitherto they had passed through the quietest part of the town, meeting at most one or two pedestrians, who could give them no hint of the peace or the hostility of the place. Now, however, the windows in the houses began one by one to be lit up, giving a greater sense of habitation and humanity. Dr. Bull turned to the new detective who had led their flight, and permitted himself one of his natural and friendly smiles. "These lights make one feel more cheerful." Inspector Ratcliffe drew his brows together. "There is only one set of lights that make me more cheerful," he said, "and they are those lights of the police station which I can see beyond the town. Please God we may be there in ten minutes." Then all Bull's boiling good sense and optimism broke suddenly out of him. "Oh, this is all raving nonsense!" he cried. "If you really think that	The Man Who Was Thursday
cried Kemp, and suddenly became full of ideas.	No speaker	"That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once.	must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available	have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you.	happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a	patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF THE INVISIBLE MAN For a space Kemp was too inarticulate to make Adye understand the swift things that had just happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a man in your police station Marvel." "I know," said Adye, "I know. Those books yes. But the tramp...." "Says he hasn t them. But he thinks the tramp has. And you must prevent him from eating or sleeping; day and night the country must be astir for him. Food must be locked up and secured, all food, so that he will have to break his way to it. The houses everywhere must be barred against him. Heaven send us cold nights and rain! The whole country-side must begin hunting and keep hunting. I tell you, Adye, he is a danger,	s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF THE INVISIBLE MAN For a space Kemp was too inarticulate to make Adye understand the swift things that had just happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a man in your police station Marvel." "I know," said Adye, "I know. Those books yes. But the tramp...." "Says he hasn t them. But he thinks the tramp has. And you must prevent him from eating or sleeping; day and night the country must be astir for him. Food must be locked up and secured, all food, so that he will have to break his way to it. The houses everywhere must be barred against him. Heaven send us cold nights and rain! The whole country-side must begin hunting and keep hunting. I tell you, Adye, he is a danger, a disaster; unless he is pinned and secured, it is frightful to think of the things that may happen." "What else can we do?" said Adye. "I must go down at once and begin organising. But why not come? Yes you come too! Come, and we must hold a sort of council of war get Hopps to help and the railway managers. By Jove! it s urgent. Come along tell me as we go. What else is there we can do? Put that stuff down." In another moment Adye was leading the way downstairs. They found the front door open and the policemen standing outside staring at empty air. "He s got away, sir," said one. "We must go to the central station at once," said Adye. "One of you go on down and get a cab to come up and meet us quickly. And now, Kemp, what else?" "Dogs," said Kemp. "Get dogs. They don t see him, but they wind him. Get dogs." "Good," said Adye. "It s not generally known, but the prison officials over at Halstead know a man with bloodhounds. Dogs. What else?" "Bear in mind," said Kemp, "his food shows. After eating, his food	Man as well as we know there is an Invisible Man. And that Invisible Man, Kemp, must now establish a Reign of Terror. Yes; no doubt it s startling. But I mean it. A Reign of Terror. He must take some town like your Burdock and terrify and dominate it. He must issue his orders. He can do that in a thousand ways scraps of paper thrust under doors would suffice. And all who disobey his orders he must kill, and kill all who would defend them." "Humph!" said Kemp, no longer listening to Griffin but to the sound of his front door opening and closing. "It seems to me, Griffin," he said, to cover his wandering attention, "that your confederate would be in a difficult position." "No one would know he was a confederate," said the Invisible Man, eagerly. And then suddenly, "Hush! What s that downstairs?" "Nothing," said Kemp, and suddenly began to speak loud and fast. "I don t agree to this, Griffin," he said. "Understand me, I don t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still. "Traitor!" cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF THE INVISIBLE MAN For a space Kemp was too inarticulate to make Adye understand the swift things that had just happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a man in your police station Marvel." "I know," said Adye, "I know. Those books yes. But the tramp...." "Says he hasn t them. But he thinks the tramp has. And you must prevent him from eating or sleeping; day and night the country must be astir for him. Food must be locked up and secured, all food, so that he will have to break his way to it. The houses everywhere must be barred against him. Heaven send us cold nights and rain! The whole country-side must begin hunting and keep hunting. I tell you, Adye, he is a danger, a disaster; unless he is pinned and secured, it is frightful to think of the things that may happen." "What else can we do?" said Adye. "I must go down at once and begin organising. But why not come? Yes you come too! Come, and we must hold a sort of council of war get Hopps to help and the railway managers. By Jove! it s urgent. Come along tell me as we go. What else is there we can do? Put that stuff down." In another moment Adye was leading the way downstairs. They found the front door open and the policemen standing outside staring at empty air. "He s got away, sir," said one. "We must go to the central station at once," said Adye. "One of you go on down and get a cab to come up and meet us quickly. And now, Kemp, what else?" "Dogs," said Kemp. "Get dogs. They don t see him, but they wind him. Get dogs." "Good," said Adye. "It s not generally known, but the prison officials over at Halstead know a man with bloodhounds. Dogs. What else?" "Bear in mind," said Kemp, "his food shows. After eating, his food shows until it is assimilated. So that he has to hide after eating. You must keep on beating. Every thicket, every quiet corner. And put all weapons all implements that might be weapons, away. He can t carry such things for long. And what he can snatch up and strike men with must be hidden away." "Good again," said Adye. "We shall have him yet!" "And on the roads," said Kemp, and hesitated. "Yes?" said Adye. "Powdered glass," said Kemp. "It s cruel, I know. But think of what he may do!" Adye drew the air in sharply between his teeth. "It s unsportsmanlike. I don t know. But I ll have powdered glass got ready. If he goes too far...." "The man s become inhuman, I tell you," said Kemp. "I am as sure he will establish a reign of terror so soon as he has got over the emotions of this escape as I am sure I am talking to you. Our only chance is to be ahead. He has cut himself off from his kind. His blood be upon his own head." CHAPTER XXVI. THE WICKSTEED MURDER The Invisible Man seems to have rushed out of Kemp s house in a state of blind fury. A little child playing near Kemp s gateway was violently caught up and thrown aside, so that its ankle was broken, and thereafter for some hours the Invisible Man passed out of human perceptions. No one knows where he went nor what he did. But one can imagine him hurrying through the hot June forenoon, up the hill and on to the open downland behind Port Burdock, raging and despairing at his intolerable fate, and sheltering at last, heated and weary, amid the thickets of Hintondean, to piece together again his shattered schemes against his species. That seems the most probable refuge for him, for there it was he re-asserted himself in a grimly tragical manner about two in the afternoon. One wonders what his state of mind may have been during that time, and what plans he devised. No doubt he was almost ecstatically exasperated by Kemp s treachery, and though we may be able to understand the motives that led to that deceit, we may still imagine and even sympathise a little with the fury the attempted surprise must have occasioned. Perhaps something of the stunned astonishment of his Oxford	movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF THE INVISIBLE MAN For a space Kemp was too inarticulate to make Adye understand the swift things that had just happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a man in your police station Marvel." "I know," said Adye, "I know. Those books yes. But the tramp...." "Says he hasn t them. But he thinks the tramp has. And you must prevent him from eating or sleeping; day and night the country must be astir for him. Food must be locked up and secured, all food, so that he will have to break his way to it. The houses everywhere must be barred against him. Heaven send us cold nights and rain! The whole country-side must begin hunting and keep hunting. I tell you, Adye, he is a danger, a disaster; unless he is pinned and secured, it is frightful to think of the things that may happen." "What else can we do?" said Adye. "I must go down at once and begin organising. But why not come? Yes you come too! Come, and we must hold a sort of council of war get Hopps to help and the railway managers. By Jove! it s urgent. Come along tell me as we go. What else is there we can do? Put that stuff down." In another moment Adye was leading the way downstairs. They found the front door open and the policemen standing outside staring at empty air. "He s got away, sir," said one. "We must go to the	The Invisible Man
He looked at us.	No speaker	Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all	that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru	of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow,	time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake," Mike said. He was almost crying. "You know I'm right. Listen, you!" He turned to Cohn: "Go away!	the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake," Mike said. He was almost crying. "You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was	is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett. Brett was talking French and he was talking Spanish and a little English, and laughing. Bill was filling the glasses. "Tell him Brett wants to come into----" "Oh, pipe down, Mike, for Christ's sake!" Romero looked up smiling. "Pipe down! I know that," he said. Just then Montoya came into the room. He started to smile at me, then he saw Pedro Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake," Mike said. He was almost crying. "You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us. We stood in the crowd and watched Don Manuel Orquito, the fireworks king, standing on a little platform, carefully starting the balloons with sticks, standing above the heads of the crowd to launch the balloons off into the wind. The wind brought them all down, and Don Manuel Orquito's face was sweaty in the light of his complicated fireworks that fell into the crowd and charged	saw them unloaded." Pedro Romero leaned forward. "What did you think of them?" "Very nice," I said. "About twenty-six arrobas. Very short horns. Haven't you seen them?" "Oh, yes," said Romero. "They won't weigh twenty-six arrobas," said the critic. "No," said Romero. "They've got bananas for horns," the critic said. "You call them bananas?" asked Romero. He turned to me and smiled. "_You_ wouldn't call them bananas?" "No," I said. "They're horns all right." "They're very short," said Pedro Romero. "Very, very short. Still, they aren't bananas." "I say, Jake," Brett called from the next table, "you _have_ deserted us." "Just temporarily," I said. "We're talking bulls." "You _are_ superior." "Tell him that bulls have no balls," Mike shouted. He was drunk. Romero looked at me inquiringly. "Drunk," I said. "Borracho! Muy borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said. "Go on, tell him. Tell him I'm ashamed of being a writer." Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't he look like Villalta?" "I can't see it," the critic said. "Really," Romero said in Spanish. "He looks a lot like Villalta. What does the drunken one do?" "Nothing." "Is that why he drinks?" "No. He's waiting to marry this lady." "Tell him bulls have no balls!" Mike shouted, very drunk, from the other end of the table. "What does he say?" "He's drunk." "Jake," Mike called. "Tell him bulls have no balls!" "You understand?" I said. "Yes." I was sure he didn't, so it was all right. "Tell him Brett wants to see him put on those green pants." "Pipe down, Mike." "Tell him Brett is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett. Brett was talking French and he was talking Spanish and a little English, and laughing. Bill was filling the glasses. "Tell him Brett wants to come into----" "Oh, pipe down, Mike, for Christ's sake!" Romero looked up smiling. "Pipe down! I know that," he said. Just then Montoya came into the room. He started to smile at me, then he saw Pedro Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake," Mike said. He was almost crying. "You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us. We stood in the crowd and watched Don Manuel Orquito, the fireworks king, standing on a little platform, carefully starting the balloons with sticks, standing above the heads of the crowd to launch the balloons off into the wind. The wind brought them all down, and Don Manuel Orquito's face was sweaty in the light of his complicated fireworks that fell into the crowd and charged and chased, sputtering and cracking, between the legs of the people. The people shouted as each new luminous paper bubble careened, caught fire, and fell. "They're razzing Don Manuel," Bill said. "How do you know he's Don Manuel?" Brett said. "His name's on the programme. Don Manuel Orquito, the pirotecnico of esta ciudad." "Globos illuminados," Mike said. "A collection of globos illuminados. That's what the paper said." The wind blew the band music away. "I say, I wish one would go up," Brett said. "That Don Manuel chap is furious." "He's probably worked for weeks fixing them to go off, spelling out 'Hail to San Fermin,'" Bill said. "Globos illuminados," Mike said. "A bunch of bloody globos illuminados." "Come on," said Brett. "We can't stand here." "Her ladyship wants a drink," Mike said. "How you know things," Brett said. Inside, the caf was crowded and very noisy. No one noticed us come in. We could not find a table. There was a great noise going on. "Come on, let's get out of here," Bill said. Outside the paseo was going in under the arcade. There were some English and Americans from Biarritz in sport clothes scattered at the tables. Some of the women stared at the people going by with lorgnons. We had acquired, at some time, a friend of Bill's from Biarritz. She was staying with another girl at the Grand Hotel. The other girl had a headache and had gone to bed. "Here's the pub," Mike said. It was the Bar Milano, a small, tough bar where you could get food and where they danced in the back room. We all sat down at a table and ordered a bottle of Fundador. The bar was not full. There was nothing going on. "This is a hell of a place," Bill said. "It's too early." "Let's take the bottle and come back later," Bill said. "I don't want to sit here on a night like this." "Let's go and look at the English," Mike said. "I love to look at the English." "They're awful," Bill said. "Where did they all come from?" "They come from Biarritz," Mike said, "They come to see the last day of the quaint little Spanish fiesta." "I'll festa them," Bill said. "You're an extraordinarily beautiful girl." Mike turned to Bill's friend. "When did you come here?" "Come off it, Michael." "I say, she _is_	and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake," Mike said. He was almost crying. "You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us.	The Sun Also Rises
"What rot,"	Brett Ashley	them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten	been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't	we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but	edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but I thought I ought to bring them." "You bring us. What rot." "Was it really good?" Mike asked. "Did you take many?" "Some days we took a dozen apiece. There was an Englishman up there." "Named Harris," Bill said. "Ever know him, Mike? He was in the war, too." "Fortunate	have them in for?" "To quiet down the bulls and keep them from breaking horns against the stone walls, or goring each other." "Must be swell being a steer." We went down the stairs and out of the door and walked across the square toward the Caf Iru a. There were two lonely looking ticket-houses standing in the square. Their windows, marked SOL, SOL Y SOMBRA, and SOMBRA, were shut. They would not open until the day before the fiesta. Across the square the white wicker tables and chairs of the Iru a extended out beyond the Arcade to the edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but I thought I ought to bring them." "You bring us. What rot." "Was it really good?" Mike asked. "Did you take many?" "Some days we took a dozen apiece. There was an Englishman up there." "Named Harris," Bill said. "Ever know him, Mike? He was in the war, too." "Fortunate fellow," Mike said. "What times we had. How I wish those dear days were back." "Don't be an ass." "Were you in the war, Mike?" Cohn asked. "Was I not." "He was a very distinguished soldier," Brett said. "Tell them about the time your horse bolted down Piccadilly." "I'll not. I've told that four times." "You never told me," Robert Cohn said. "I'll not tell that story. It reflects discredit on me." "Tell them about your medals." "I'll not. That story reflects great discredit on me." "What story's that?" "Brett will tell you. She tells all the stories that reflect	forgave me all my friends. Without his ever saying anything they were simply a little something shameful between us, like the spilling open of the horses in bull-fighting. Bill had gone up-stairs as we came in, and I found him washing and changing in his room. "Well," he said, "talk a lot of Spanish?" "He was telling me about the bulls coming in to-night." "Let's find the gang and go down." "All right. They'll probably be at the caf ." "Have you got tickets?" "Yes. I got them for all the unloadings." "What's it like?" He was pulling his cheek before the glass, looking to see if there were unshaved patches under the line of the jaw. "It's pretty good," I said. "They let the bulls out of the cages one at a time, and they have steers in the corral to receive them and keep them from fighting, and the bulls tear in at the steers and the steers run around like old maids trying to quiet them down." "Do they ever gore the steers?" "Sure. Sometimes they go right after them and kill them." "Can't the steers do anything?" "No. They're trying to make friends." "What do they have them in for?" "To quiet down the bulls and keep them from breaking horns against the stone walls, or goring each other." "Must be swell being a steer." We went down the stairs and out of the door and walked across the square toward the Caf Iru a. There were two lonely looking ticket-houses standing in the square. Their windows, marked SOL, SOL Y SOMBRA, and SOMBRA, were shut. They would not open until the day before the fiesta. Across the square the white wicker tables and chairs of the Iru a extended out beyond the Arcade to the edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but I thought I ought to bring them." "You bring us. What rot." "Was it really good?" Mike asked. "Did you take many?" "Some days we took a dozen apiece. There was an Englishman up there." "Named Harris," Bill said. "Ever know him, Mike? He was in the war, too." "Fortunate fellow," Mike said. "What times we had. How I wish those dear days were back." "Don't be an ass." "Were you in the war, Mike?" Cohn asked. "Was I not." "He was a very distinguished soldier," Brett said. "Tell them about the time your horse bolted down Piccadilly." "I'll not. I've told that four times." "You never told me," Robert Cohn said. "I'll not tell that story. It reflects discredit on me." "Tell them about your medals." "I'll not. That story reflects great discredit on me." "What story's that?" "Brett will tell you. She tells all the stories that reflect discredit on me." "Go on. Tell it, Brett." "Should I?" "I'll tell it myself." "What medals have you got, Mike?" "I haven't got any medals." "You must have some." "I suppose I've the usual medals. But I never sent in for them. One time there was this wopping big dinner and the Prince of Wales was to be there, and the cards said medals will be worn. So naturally I had no medals, and I stopped at my tailor's and he was impressed by the invitation, and I thought that's a good piece of business, and I said to him:" 'You've got to fix me up with some medals.' "He said:" 'What medals, sir?' "And I said:" 'Oh, any medals. Just give me a few medals.' "So he said:" 'What medals _have_ you, sir?' "And I said:" 'How should I know?' "Did he think I spent all my time reading the bloody gazette?" 'Just give me a good lot. Pick them out yourself.' "So he got me some medals, you know, miniature medals, and handed me the box, and I put it in my pocket and forgot it. Well, I went to the dinner, and it was the night they'd	"Yes?" Montoya politely disbelieved. "But he's not aficionado like you." He put his hand on my shoulder again embarrassedly. "Yes," I said. "He's a real aficionado." "But he's not aficionado like you are." Aficion means passion. An aficionado is one who is passionate about the bull-fights. All the good bull-fighters stayed at Montoya's hotel; that is, those with aficion stayed there. The commercial bull-fighters stayed once, perhaps, and then did not come back. The good ones came each year. In Montoya's room were their photographs. The photographs were dedicated to Juanito Montoya or to his sister. The photographs of bull-fighters Montoya had really believed in were framed. Photographs of bull-fighters who had been without aficion Montoya kept in a drawer of his desk. They often had the most flattering inscriptions. But they did not mean anything. One day Montoya took them all out and dropped them in the waste-basket. He did not want them around. We often talked about bulls and bull-fighters. I had stopped at the Montoya for several years. We never talked for very long at a time. It was simply the pleasure of discovering what we each felt. Men would come in from distant towns and before they left Pamplona stop and talk for a few minutes with Montoya about bulls. These men were aficionados. Those who were aficionados could always get rooms even when the hotel was full. Montoya introduced me to some of them. They were always very polite at first, and it amused them very much that I should be an American. Somehow it was taken for granted that an American could not have aficion. He might simulate it or confuse it with excitement, but he could not really have it. When they saw that I had aficion, and there was no password, no set questions that could bring it out, rather it was a sort of oral spiritual examination with the questions always a little on the defensive and never apparent, there was this same embarrassed putting the hand on the shoulder, or a "Buen hombre." But nearly always there was the actual touching. It seemed as though they wanted to touch you to make it certain. Montoya could forgive anything of a bull-fighter who had aficion. He could forgive attacks of nerves, panic, bad unexplainable actions, all sorts of lapses. For one who had aficion he could forgive anything. At once he forgave me all my friends. Without his ever saying anything they were simply a little something shameful between us, like the spilling open of the horses in bull-fighting. Bill had gone up-stairs as we came in, and I found him washing and changing in his room. "Well," he said, "talk a lot of Spanish?" "He was telling me about the bulls coming in to-night." "Let's find the gang and go down." "All right. They'll probably be at the caf ." "Have you got tickets?" "Yes. I got them for all the unloadings." "What's it like?" He was pulling his cheek before the glass, looking to see if there were unshaved patches under the line of the jaw. "It's pretty good," I said. "They let the bulls out of the cages one at a time, and they have steers in the corral to receive them and keep them from fighting, and the bulls tear in at the steers and the steers run around like old maids trying to quiet them down." "Do they ever gore the steers?" "Sure. Sometimes they go right after them and kill them." "Can't the steers do anything?" "No. They're trying to make friends." "What do they have them in for?" "To quiet down the bulls and keep them from breaking horns against the stone walls, or goring each other." "Must be swell being a steer." We went down the stairs and out of the door and walked across the square toward the Caf Iru a. There were two lonely looking ticket-houses standing in the square. Their windows, marked SOL, SOL Y SOMBRA, and SOMBRA, were shut. They would not open until the day before the fiesta. Across the square the white wicker tables and chairs of the Iru a extended out beyond the Arcade to the edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but I thought I ought to bring them." "You bring us. What rot." "Was it really good?" Mike asked. "Did you take many?" "Some days we took a dozen apiece. There was an Englishman up there." "Named Harris," Bill said. "Ever know him, Mike? He was in the war, too." "Fortunate fellow," Mike said. "What times we had. How I wish those dear days were back." "Don't be an ass." "Were you in the war, Mike?" Cohn asked. "Was I not." "He was a very distinguished soldier," Brett said. "Tell them about the time your horse bolted down Piccadilly." "I'll not. I've told that four times." "You never told me," Robert Cohn said. "I'll not tell that story. It reflects discredit on me." "Tell them about your medals." "I'll not. That story reflects great discredit on me." "What story's that?" "Brett will tell you. She tells all the stories that reflect discredit on me." "Go on. Tell it, Brett." "Should I?" "I'll tell it myself." "What medals have you got, Mike?" "I haven't got any medals." "You must have some." "I suppose I've the usual medals. But I never sent in for them. One time there was this wopping big dinner and the Prince of Wales was to be there, and the cards said medals will be worn. So naturally I had no medals, and I stopped at my tailor's and he was impressed by the invitation, and I thought that's a good piece of business, and I said to him:" 'You've got to fix me up with some medals.' "He said:" 'What medals, sir?' "And I said:" 'Oh, any medals. Just give me a few medals.' "So he said:" 'What medals _have_ you, sir?' "And I said:" 'How should I know?' "Did he think I spent all my time reading the bloody gazette?" 'Just give me a good lot. Pick them out yourself.' "So he got me some medals, you know, miniature medals, and handed me the box, and I put it in my pocket and forgot it. Well, I went to the dinner, and it was the night they'd shot Henry Wilson, so the Prince didn't come and the King didn't come, and no one wore any medals, and all these coves were busy taking off their medals, and I had mine in my pocket." He stopped for us to laugh. "Is that all?" "That's all. Perhaps I didn't tell it right." "You didn't," said Brett. "But no matter." We were all laughing. "Ah, yes," said Mike. "I know now. It was a damn dull dinner, and I couldn't stick it, so I left. Later on in the evening I found the box in my pocket." What's this? "I said." Medals? "Bloody military medals? So I cut them all off their backing--you know, they put them on a strip--and gave them all around. Gave one to each girl. Form of souvenir. They thought I was hell's own shakes of a soldier. Give away medals in a night club. Dashing fellow." "Tell the rest," Brett said. "Don't you think that was funny?" Mike asked. We were all laughing. "It was. I swear it was. Any rate, my tailor wrote me and wanted the medals back. Sent a man around. Kept on writing for months. Seems some chap had left them to be cleaned. Frightfully military cove. Set hell's own store by them." Mike paused. "Rotten luck for the tailor," he said. "You don't mean it," Bill said. "I should think it would have been grand for the tailor." "Frightfully good tailor. Never believe it to see me now," Mike said. "I used to pay him a hundred pounds a year just to keep him quiet. So he wouldn't send me any bills. Frightful blow to him when I went bankrupt. It was right after the medals. Gave his letters rather a bitter tone." "How did you go bankrupt?" Bill asked. "Two ways," Mike said. "Gradually and then suddenly." "What brought it on?" "Friends," said Mike. "I had a lot of friends. False friends. Then I had creditors, too. Probably had more creditors than anybody in England." "Tell them about in the court," Brett said. "I don't remember," Mike said. "I was just a little tight." "Tight!" Brett exclaimed. "You were blind!" "Extraordinary thing," Mike said. "Met my former partner the other day. Offered to buy me a drink." "Tell them about your learned counsel," Brett said. "I will not," Mike said. "My learned counsel was blind, too. I say this	to some of them. They were always very polite at first, and it amused them very much that I should be an American. Somehow it was taken for granted that an American could not have aficion. He might simulate it or confuse it with excitement, but he could not really have it. When they saw that I had aficion, and there was no password, no set questions that could bring it out, rather it was a sort of oral spiritual examination with the questions always a little on the defensive and never apparent, there was this same embarrassed putting the hand on the shoulder, or a "Buen hombre." But nearly always there was the actual touching. It seemed as though they wanted to touch you to make it certain. Montoya could forgive anything of a bull-fighter who had aficion. He could forgive attacks of nerves, panic, bad unexplainable actions, all sorts of lapses. For one who had aficion he could forgive anything. At once he forgave me all my friends. Without his ever saying anything they were simply a little something shameful between us, like the spilling open of the horses in bull-fighting. Bill had gone up-stairs as we came in, and I found him washing and changing in his room. "Well," he said, "talk a lot of Spanish?" "He was telling me about the bulls coming in to-night." "Let's find the gang and go down." "All right. They'll probably be at the caf ." "Have you got tickets?" "Yes. I got them for all the unloadings." "What's it like?" He was pulling his cheek before the glass, looking to see if there were unshaved patches under the line of the jaw. "It's pretty good," I said. "They let the bulls out of the cages one at a time, and they have steers in the corral to receive them and keep them from fighting, and the bulls tear in at the steers and the steers run around like old maids trying to quiet them down." "Do they ever gore the steers?" "Sure. Sometimes they go right after them and kill them." "Can't the steers do anything?" "No. They're trying to make friends." "What do they have them in for?" "To quiet down the bulls and keep them from breaking horns against the stone walls, or goring each other." "Must be swell being a steer." We went down the stairs and out of the door and walked across the square toward the Caf Iru a. There were two lonely looking ticket-houses standing in the square. Their windows, marked SOL, SOL Y SOMBRA, and SOMBRA, were shut. They would not open until the day before the fiesta. Across the square the white wicker tables and chairs of the Iru a extended out beyond the Arcade to the edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but I thought I ought to bring them." "You bring us. What rot." "Was it really good?" Mike asked. "Did you take many?" "Some days we took a dozen apiece. There was an Englishman up there." "Named Harris," Bill said. "Ever know him, Mike? He was in the war, too." "Fortunate fellow," Mike said. "What times we had. How I wish those dear days were back." "Don't be an ass." "Were you in the war, Mike?" Cohn asked. "Was I not." "He was a very distinguished soldier," Brett said. "Tell them about the time your horse bolted down Piccadilly." "I'll not. I've told that four times." "You never told me," Robert Cohn said. "I'll not tell that story. It reflects discredit on me." "Tell them about your medals." "I'll not. That story reflects great discredit on me." "What story's that?" "Brett will tell you. She tells all the stories that reflect discredit on me." "Go on. Tell it, Brett." "Should I?" "I'll tell it myself." "What medals have you got, Mike?" "I haven't got any medals." "You must have some." "I suppose I've the usual medals. But I never sent in for them. One time there was this wopping big dinner and the Prince of Wales was to be there, and the cards said medals will be worn. So naturally I had no medals, and I stopped at my tailor's and he was impressed by the invitation, and I thought that's a good piece of business, and I said to him:" 'You've got to fix me up with some medals.' "He said:" 'What medals, sir?' "And I said:" 'Oh, any medals. Just give me a few medals.' "So he said:" 'What medals _have_ you, sir?' "And I said:" 'How should I know?' "Did he think I spent all my time reading the bloody gazette?" 'Just give me a good lot. Pick them out yourself.' "So he got me some medals, you know, miniature medals, and handed me the box, and I put it in my pocket and forgot it. Well, I went to the dinner, and it was the night they'd shot Henry Wilson, so the Prince didn't come and the King didn't come, and no one wore any medals, and all these coves were busy taking off their medals, and I had mine in my pocket." He stopped for us to laugh. "Is that all?" "That's all. Perhaps I didn't tell it right." "You didn't," said Brett. "But no matter." We were all laughing. "Ah, yes," said Mike. "I know now. It was a damn dull dinner, and I couldn't stick it, so I left. Later on in the evening I found the box in my pocket." What's this? "I	The Sun Also Rises
"Come, Sibyl,"	James Vane	search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He	up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations.	with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl.	"I suppose one must be serious sometimes. Good-bye, Mother; I will have my dinner at five o clock. Everything is packed, except my shirts, so you need not trouble." "Good-bye, my son," she answered with a bow of strained stateliness. She was extremely annoyed at the tone he had adopted with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl. He was like a common gardener walking with a rose. Jim frowned from time to time when he caught the inquisitive glance of some stranger. He had that dislike of being stared at, which comes on geniuses late in life and never leaves the commonplace. Sibyl, however, was quite unconscious	is no reason why she should not contract an alliance with him. I trust he is one of the aristocracy. He has all the appearance of it, I must say. It might be a most brilliant marriage for Sibyl. They would make a charming couple. His good looks are really quite remarkable; everybody notices them." The lad muttered something to himself and drummed on the window-pane with his coarse fingers. He had just turned round to say something when the door opened and Sibyl ran in. "How serious you both are!" she cried. "What is the matter?" "Nothing," he answered. "I suppose one must be serious sometimes. Good-bye, Mother; I will have my dinner at five o clock. Everything is packed, except my shirts, so you need not trouble." "Good-bye, my son," she answered with a bow of strained stateliness. She was extremely annoyed at the tone he had adopted with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl. He was like a common gardener walking with a rose. Jim frowned from time to time when he caught the inquisitive glance of some stranger. He had that dislike of being stared at, which comes on geniuses late in life and never leaves the commonplace. Sibyl, however, was quite unconscious of the effect she was producing. Her love was trembling in laughter on her lips. She was thinking of Prince Charming, and, that she might think of him all the more, she did not talk of him, but prattled on about the ship in which Jim was going to sail, about the gold he was certain to find, about the wonderful heiress whose life he was to save from the wicked, red-shirted bushrangers. For he was not to remain a sailor, or a supercargo, or whatever he was going to be. Oh, no! A sailor s existence was dreadful. Fancy	"I hear a gentleman comes every night to the theatre and goes behind to talk to her. Is that right? What about that?" "You are speaking about things you don t understand, James. In the profession we are accustomed to receive a great deal of most gratifying attention. I myself used to receive many bouquets at one time. That was when acting was really understood. As for Sibyl, I do not know at present whether her attachment is serious or not. But there is no doubt that the young man in question is a perfect gentleman. He is always most polite to me. Besides, he has the appearance of being rich, and the flowers he sends are lovely." "You don t know his name, though," said the lad harshly. "No," answered his mother with a placid expression in her face. "He has not yet revealed his real name. I think it is quite romantic of him. He is probably a member of the aristocracy." James Vane bit his lip. "Watch over Sibyl, Mother," he cried, "watch over her." "My son, you distress me very much. Sibyl is always under my special care. Of course, if this gentleman is wealthy, there is no reason why she should not contract an alliance with him. I trust he is one of the aristocracy. He has all the appearance of it, I must say. It might be a most brilliant marriage for Sibyl. They would make a charming couple. His good looks are really quite remarkable; everybody notices them." The lad muttered something to himself and drummed on the window-pane with his coarse fingers. He had just turned round to say something when the door opened and Sibyl ran in. "How serious you both are!" she cried. "What is the matter?" "Nothing," he answered. "I suppose one must be serious sometimes. Good-bye, Mother; I will have my dinner at five o clock. Everything is packed, except my shirts, so you need not trouble." "Good-bye, my son," she answered with a bow of strained stateliness. She was extremely annoyed at the tone he had adopted with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl. He was like a common gardener walking with a rose. Jim frowned from time to time when he caught the inquisitive glance of some stranger. He had that dislike of being stared at, which comes on geniuses late in life and never leaves the commonplace. Sibyl, however, was quite unconscious of the effect she was producing. Her love was trembling in laughter on her lips. She was thinking of Prince Charming, and, that she might think of him all the more, she did not talk of him, but prattled on about the ship in which Jim was going to sail, about the gold he was certain to find, about the wonderful heiress whose life he was to save from the wicked, red-shirted bushrangers. For he was not to remain a sailor, or a supercargo, or whatever he was going to be. Oh, no! A sailor s existence was dreadful. Fancy being cooped up in a horrid ship, with the hoarse, hump-backed waves trying to get in, and a black wind blowing the masts down and tearing the sails into long screaming ribands! He was to leave the vessel at Melbourne, bid a polite good-bye to the captain, and go off at once to the gold-fields. Before a week was over he was to come across a large nugget of pure gold, the largest nugget that had ever been discovered, and bring it down to the coast in a waggon guarded by six mounted policemen. The bushrangers were to attack them three times, and be defeated with immense slaughter. Or, no. He was not to go to the gold-fields at all. They were horrid places, where men got intoxicated, and shot each other in bar-rooms, and used bad language. He was to be a nice sheep-farmer, and one evening, as he was riding home, he was to see the beautiful heiress being carried off by a robber on a black horse, and give chase, and rescue her. Of course, she would fall in love with him, and he with her, and they would get married, and come home, and live in	I would call society so when you have made your fortune, you must come back and assert yourself in London." "Society!" muttered the lad. "I don t want to know anything about that. I should like to make some money to take you and Sibyl off the stage. I hate it." "Oh, Jim!" said Sibyl, laughing, "how unkind of you! But are you really going for a walk with me? That will be nice! I was afraid you were going to say good-bye to some of your friends to Tom Hardy, who gave you that hideous pipe, or Ned Langton, who makes fun of you for smoking it. It is very sweet of you to let me have your last afternoon. Where shall we go? Let us go to the park." "I am too shabby," he answered, frowning. "Only swell people go to the park." "Nonsense, Jim," she whispered, stroking the sleeve of his coat. He hesitated for a moment. "Very well," he said at last, "but don t be too long dressing." She danced out of the door. One could hear her singing as she ran upstairs. Her little feet pattered overhead. He walked up and down the room two or three times. Then he turned to the still figure in the chair. "Mother, are my things ready?" he asked. "Quite ready, James," she answered, keeping her eyes on her work. For some months past she had felt ill at ease when she was alone with this rough stern son of hers. Her shallow secret nature was troubled when their eyes met. She used to wonder if he suspected anything. The silence, for he made no other observation, became intolerable to her. She began to complain. Women defend themselves by attacking, just as they attack by sudden and strange surrenders. "I hope you will be contented, James, with your sea-faring life," she said. "You must remember that it is your own choice. You might have entered a solicitor s office. Solicitors are a very respectable class, and in the country often dine with the best families." "I hate offices, and I hate clerks," he replied. "But you are quite right. I have chosen my own life. All I say is, watch over Sibyl. Don t let her come to any harm. Mother, you must watch over her." "James, you really talk very strangely. Of course I watch over Sibyl." "I hear a gentleman comes every night to the theatre and goes behind to talk to her. Is that right? What about that?" "You are speaking about things you don t understand, James. In the profession we are accustomed to receive a great deal of most gratifying attention. I myself used to receive many bouquets at one time. That was when acting was really understood. As for Sibyl, I do not know at present whether her attachment is serious or not. But there is no doubt that the young man in question is a perfect gentleman. He is always most polite to me. Besides, he has the appearance of being rich, and the flowers he sends are lovely." "You don t know his name, though," said the lad harshly. "No," answered his mother with a placid expression in her face. "He has not yet revealed his real name. I think it is quite romantic of him. He is probably a member of the aristocracy." James Vane bit his lip. "Watch over Sibyl, Mother," he cried, "watch over her." "My son, you distress me very much. Sibyl is always under my special care. Of course, if this gentleman is wealthy, there is no reason why she should not contract an alliance with him. I trust he is one of the aristocracy. He has all the appearance of it, I must say. It might be a most brilliant marriage for Sibyl. They would make a charming couple. His good looks are really quite remarkable; everybody notices them." The lad muttered something to himself and drummed on the window-pane with his coarse fingers. He had just turned round to say something when the door opened and Sibyl ran in. "How serious you both are!" she cried. "What is the matter?" "Nothing," he answered. "I suppose one must be serious sometimes. Good-bye, Mother; I will have my dinner at five o clock. Everything is packed, except my shirts, so you need not trouble." "Good-bye, my son," she answered with a bow of strained stateliness. She was extremely annoyed at the tone he had adopted with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl. He was like a common gardener walking with a rose. Jim frowned from time to time when he caught the inquisitive glance of some stranger. He had that dislike of being stared at, which comes on geniuses late in life and never leaves the commonplace. Sibyl, however, was quite unconscious of the effect she was producing. Her love was trembling in laughter on her lips. She was thinking of Prince Charming, and, that she might think of him all the more, she did not talk of him, but prattled on about the ship in which Jim was going to sail, about the gold he was certain to find, about the wonderful heiress whose life he was to save from the wicked, red-shirted bushrangers. For he was not to remain a sailor, or a supercargo, or whatever he was going to be. Oh, no! A sailor s existence was dreadful. Fancy being cooped up in a horrid ship, with the hoarse, hump-backed waves trying to get in, and a black wind blowing the masts down and tearing the sails into long screaming ribands! He was to leave the vessel at Melbourne, bid a polite good-bye to the captain, and go off at once to the gold-fields. Before a week was over he was to come across a large nugget of pure gold, the largest nugget that had ever been discovered, and bring it down to the coast in a waggon guarded by six mounted policemen. The bushrangers were to attack them three times, and be defeated with immense slaughter. Or, no. He was not to go to the gold-fields at all. They were horrid places, where men got intoxicated, and shot each other in bar-rooms, and used bad language. He was to be a nice sheep-farmer, and one evening, as he was riding home, he was to see the beautiful heiress being carried off by a robber on a black horse, and give chase, and rescue her. Of course, she would fall in love with him, and he with her, and they would get married, and come home, and live in an immense house in London. Yes, there were delightful things in store for him. But he must be very good, and not lose his temper, or spend his money foolishly. She was only a year older than he was, but she knew so much more of life. He must be sure, also, to write to her by every mail, and to say his prayers each night before he went to sleep. God was very good, and would watch over him. She would pray for him, too, and in a few years he would come back quite rich and happy. The lad listened sulkily to her and made no answer. He was heart-sick at leaving home. Yet it was not this alone that made him gloomy and morose. Inexperienced though he was, he had still a strong sense of the danger of Sibyl s position. This young dandy who was making love to her could mean her no good. He was a gentleman, and he hated him for that, hated him through some curious race-instinct for which he could not account, and which for that reason was all the more dominant within him. He was conscious also of the shallowness and vanity of his mother s nature, and in that saw infinite peril for Sibyl and Sibyl s happiness. Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them. His mother! He had something on his mind to ask of her, something that he had brooded on for many months of silence. A chance phrase that he had heard at the theatre, a whispered sneer that had reached his ears one night as he waited at the stage-door, had set loose a train of horrible thoughts. He remembered it as if it had been the lash of a hunting-crop across his face. His brows knit together into a wedge-like furrow, and with a twitch of pain he bit his underlip. "You are not listening to a word I am saying, Jim," cried Sibyl, "and I am making the most delightful plans for your future. Do say something." "What do you want me to say?" "Oh! that you will be a good boy and not forget us," she answered, smiling at him. He shrugged his shoulders. "You are more likely to forget me than I am to forget you, Sibyl." She flushed. "What do you	is no reason why she should not contract an alliance with him. I trust he is one of the aristocracy. He has all the appearance of it, I must say. It might be a most brilliant marriage for Sibyl. They would make a charming couple. His good looks are really quite remarkable; everybody notices them." The lad muttered something to himself and drummed on the window-pane with his coarse fingers. He had just turned round to say something when the door opened and Sibyl ran in. "How serious you both are!" she cried. "What is the matter?" "Nothing," he answered. "I suppose one must be serious sometimes. Good-bye, Mother; I will have my dinner at five o clock. Everything is packed, except my shirts, so you need not trouble." "Good-bye, my son," she answered with a bow of strained stateliness. She was extremely annoyed at the tone he had adopted with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl. He was like a common gardener walking with a rose. Jim frowned from time to time when he caught the inquisitive glance of some stranger. He had that dislike of being stared at, which comes on geniuses late in life and never leaves the commonplace. Sibyl, however, was quite unconscious of the effect she was producing. Her love was trembling in laughter on her lips. She was thinking of Prince Charming, and, that she might think of him all the more, she did not talk of him, but prattled on about the ship in which Jim was going to sail, about the gold he was certain to find, about the wonderful heiress whose life he was to save from the wicked, red-shirted bushrangers. For he was not to remain a sailor, or a supercargo, or whatever he was going to be. Oh, no! A sailor s existence was dreadful. Fancy being cooped up in a horrid ship, with the hoarse, hump-backed waves trying to get in, and a black wind blowing the masts down and tearing the sails into long screaming ribands! He was to leave the vessel at Melbourne, bid a polite good-bye to the captain, and go off at once to the gold-fields. Before a week was over he was to come across a large nugget of pure gold, the largest nugget that had ever been discovered, and bring it down to the coast in a waggon guarded by six mounted policemen. The bushrangers were to attack them three times, and be defeated with immense slaughter. Or, no. He was not to go to the gold-fields at all. They were horrid places, where men got intoxicated, and shot each other in bar-rooms, and used bad language. He was to be a nice sheep-farmer, and one evening, as he was riding home, he was to see the beautiful heiress being carried off by a robber on a black horse, and give chase, and rescue her. Of course, she would fall in love with him, and he with her, and they would get married, and come home, and live in an immense house in London. Yes, there were delightful things in store for him. But he must be very	The Picture Of Dorian Gray
"Memory's short, perhaps,"	The officer in charge of the detachment	said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts;	heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike.	of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant	a hoarse brutal voice. "Look sharp, we want to get rid of these cords; where's your knife?" "Wait a little while, my friends," said the officer sarcastically; "as soon as we get to the ship, you shall have them changed for irons." "Whorrt!" cried Mike. "We were out in search of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant Maoris to attack peaceful settlers. Forward, my lads!" "Here stop!" roared Mike with a savage grin. "What for?" said the officer sternly. "Arn't you going to take them, too?" "Take whom--the Maoris? No; but for you they would have let these people be in peace. Forward!" "No, no; I mean	you will behave as well to them as we have behaved to you. There, go." He finished by pointing away to the north; but instead of going they stood staring till Ngati came forward, and said a few words in their own tongue. The effect was electric; they all shouted, brandished their spears, danced wildly, and ended by throwing down their weapons before the officer, seizing him by the arms, and rubbing noses with him. He submitted laughingly till the Maoris picked up their spears, and stood looking on, apparently quite satisfied that they were safe. "Here, hi, Jack!" cried a hoarse brutal voice. "Look sharp, we want to get rid of these cords; where's your knife?" "Wait a little while, my friends," said the officer sarcastically; "as soon as we get to the ship, you shall have them changed for irons." "Whorrt!" cried Mike. "We were out in search of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant Maoris to attack peaceful settlers. Forward, my lads!" "Here stop!" roared Mike with a savage grin. "What for?" said the officer sternly. "Arn't you going to take them, too?" "Take whom--the Maoris? No; but for you they would have let these people be in peace. Forward!" "No, no; I mean them two," said Mike savagely, as he pointed-- "them two: Don Lavington and Jem Wimble." "Halt!" cried the officer. "Do you know these men?" he said suspiciously. "There, I told you so, Mas' Don," whispered Jem. "I know that man," said Don firmly. "I only know the others by their making us prisoners out in the bush." "Where did you know him?" said the officer-- "Norfolk Island?" "No, sir; at Bristol. He worked as labourer in my uncle's yard." "That's right enough," said Mike; "and him and Jem Wimble was pressed, and went to sea." "Ay, ay!" said the officer	and being a bit of a joker, advanced toward the Maoris, grinding his teeth and rolling his eyes. The savages saw his every act, and there was a slight tremor that seemed to run through them all; but the next instant they had drawn themselves up stern and defiant, ready to meet their fate at the seaman's knife. "No, no. No, pakeha. No kill," said a deep angry voice; and as every one turned, Ngati stalked forward as if to defend his enemies. But at the same moment the man had cut the first Maori's bands, and then went on behind the rank, cutting the line that bound seven, who stood staring wildly. The next minute a seaman came along bearing a sheaf of spears, which he handed, one by one, to the astonished savages, while their wonder reached its height, as the master's mate presented to each a knife, such as were brought for presents to the natives. "Now," said the officer, addressing them, "I don't understand you, and I don't suppose you understand my words; but you do my deeds. Then, in the king's name, you are free; and if you ever take any English prisoners, I hope you will behave as well to them as we have behaved to you. There, go." He finished by pointing away to the north; but instead of going they stood staring till Ngati came forward, and said a few words in their own tongue. The effect was electric; they all shouted, brandished their spears, danced wildly, and ended by throwing down their weapons before the officer, seizing him by the arms, and rubbing noses with him. He submitted laughingly till the Maoris picked up their spears, and stood looking on, apparently quite satisfied that they were safe. "Here, hi, Jack!" cried a hoarse brutal voice. "Look sharp, we want to get rid of these cords; where's your knife?" "Wait a little while, my friends," said the officer sarcastically; "as soon as we get to the ship, you shall have them changed for irons." "Whorrt!" cried Mike. "We were out in search of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant Maoris to attack peaceful settlers. Forward, my lads!" "Here stop!" roared Mike with a savage grin. "What for?" said the officer sternly. "Arn't you going to take them, too?" "Take whom--the Maoris? No; but for you they would have let these people be in peace. Forward!" "No, no; I mean them two," said Mike savagely, as he pointed-- "them two: Don Lavington and Jem Wimble." "Halt!" cried the officer. "Do you know these men?" he said suspiciously. "There, I told you so, Mas' Don," whispered Jem. "I know that man," said Don firmly. "I only know the others by their making us prisoners out in the bush." "Where did you know him?" said the officer-- "Norfolk Island?" "No, sir; at Bristol. He worked as labourer in my uncle's yard." "That's right enough," said Mike; "and him and Jem Wimble was pressed, and went to sea." "Ay, ay!" said the officer quickly. "And they deserted, and took to the bush." "Hah!" ejaculated the officer. "From the sloop of war. The captain asked us to keep an eye open for two lads who had deserted." "Hor--hor--hor!" laughed Mike maliciously; "and now you've got 'em; Mr Gentleman Don and Master Jemmy Wimble." "If your hands warn't tied," cried Jem fiercely, "I'd punch your ugly head!" "Is this true, young man?" said the officer sternly. "Did you desert from His Majesty's sloop?" Don was silent for a moment, and then stepped forward boldly. "Yes!" he said. "Ah, Mas' Don, you've done it now," whispered Jem. "I was cruelly seized, beaten, and dragged away from my home, and Jem here from his young wife. On board ship we were ill-used and persecuted; and I'm not ashamed to own it, I did leave the ship." "Yes, and so did I!" said Jem stoutly. "Humph! Then I'm afraid you will have to go with me as prisoners!" said the officer. "Hor--hor--hor! Here's a game! Prisoners! Cat-o'-nine tails, or hanging." "Silence, you scoundrel!" roared the officer. "Forward with these prisoners." Mike and his companions were marched on out of hearing, and then, after a turn or two, the	close by; for in spite of Jem's reiterated appeals, his companion refused to take to the bush. "No, Jem," Don said stubbornly; "it would be cowardly, and we're cowards enough." "But s'pose they find us out? That there officer's sure to smell as we're salts." "Smell? Nonsense!" "He will, Mas' Don. I'm that soaked with Stockholm tar that I can smell myself like a tub." "Nonsense!" "But if they find out as we deserted, they'll hang us." "I don't believe it, Jem." "Well, you'll see, Mas' Don; so if they hang you, don't you blame me." "Well, Mr Gordon, we must be off," said the officer. "Thank you once more for all your hospitality." "God bless you, sir, and all your men, for saving our lives," said the settler warmly; and there was a chorus of thanks from the other settlers and their wives. "Nonsense, my dear sir; only our duty!" said the officer heartily. "And now about our prisoners. I don't know what to do about the Maoris. I don't want to shoot them, and I certainly don't want to march them with us down to where the ship lies. What would you do, Mr Gordon?" "I should give them a knife apiece, shake hands with them, and let them go." "What, to come back with the said knives, and kill you all when we're gone!" "They will not come back if you take away the scoundrels who led them on," said Don sharply. "How do you know?" said the officer good-humouredly. "Because," said Don, colouring, "I have been living a good deal with them, both with a friendly tribe and as a prisoner." "And they did not eat you?" said the officer laughing. "There, Mas' Don," whispered Jem, "hear that?" "I think you are right, youngster," continued the officer, "and I shall do so. Mr Dillon, bring up the prisoners." This was to a master's mate, who led off a guard, and returned with the captives bound hands behind, and the Maoris looking sullen and haughty, while the three whites appeared at their very worst--a trio of the most vile, unkempt scoundrels possible to see. They were led to the front, scowling at every one in turn, and halted in front of the officer, who, after whispering to the master's mate, gave orders to one of the seamen. This man pulled out his great jack knife, opened it, and being a bit of a joker, advanced toward the Maoris, grinding his teeth and rolling his eyes. The savages saw his every act, and there was a slight tremor that seemed to run through them all; but the next instant they had drawn themselves up stern and defiant, ready to meet their fate at the seaman's knife. "No, no. No, pakeha. No kill," said a deep angry voice; and as every one turned, Ngati stalked forward as if to defend his enemies. But at the same moment the man had cut the first Maori's bands, and then went on behind the rank, cutting the line that bound seven, who stood staring wildly. The next minute a seaman came along bearing a sheaf of spears, which he handed, one by one, to the astonished savages, while their wonder reached its height, as the master's mate presented to each a knife, such as were brought for presents to the natives. "Now," said the officer, addressing them, "I don't understand you, and I don't suppose you understand my words; but you do my deeds. Then, in the king's name, you are free; and if you ever take any English prisoners, I hope you will behave as well to them as we have behaved to you. There, go." He finished by pointing away to the north; but instead of going they stood staring till Ngati came forward, and said a few words in their own tongue. The effect was electric; they all shouted, brandished their spears, danced wildly, and ended by throwing down their weapons before the officer, seizing him by the arms, and rubbing noses with him. He submitted laughingly till the Maoris picked up their spears, and stood looking on, apparently quite satisfied that they were safe. "Here, hi, Jack!" cried a hoarse brutal voice. "Look sharp, we want to get rid of these cords; where's your knife?" "Wait a little while, my friends," said the officer sarcastically; "as soon as we get to the ship, you shall have them changed for irons." "Whorrt!" cried Mike. "We were out in search of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant Maoris to attack peaceful settlers. Forward, my lads!" "Here stop!" roared Mike with a savage grin. "What for?" said the officer sternly. "Arn't you going to take them, too?" "Take whom--the Maoris? No; but for you they would have let these people be in peace. Forward!" "No, no; I mean them two," said Mike savagely, as he pointed-- "them two: Don Lavington and Jem Wimble." "Halt!" cried the officer. "Do you know these men?" he said suspiciously. "There, I told you so, Mas' Don," whispered Jem. "I know that man," said Don firmly. "I only know the others by their making us prisoners out in the bush." "Where did you know him?" said the officer-- "Norfolk Island?" "No, sir; at Bristol. He worked as labourer in my uncle's yard." "That's right enough," said Mike; "and him and Jem Wimble was pressed, and went to sea." "Ay, ay!" said the officer quickly. "And they deserted, and took to the bush." "Hah!" ejaculated the officer. "From the sloop of war. The captain asked us to keep an eye open for two lads who had deserted." "Hor--hor--hor!" laughed Mike maliciously; "and now you've got 'em; Mr Gentleman Don and Master Jemmy Wimble." "If your hands warn't tied," cried Jem fiercely, "I'd punch your ugly head!" "Is this true, young man?" said the officer sternly. "Did you desert from His Majesty's sloop?" Don was silent for a moment, and then stepped forward boldly. "Yes!" he said. "Ah, Mas' Don, you've done it now," whispered Jem. "I was cruelly seized, beaten, and dragged away from my home, and Jem here from his young wife. On board ship we were ill-used and persecuted; and I'm not ashamed to own it, I did leave the ship." "Yes, and so did I!" said Jem stoutly. "Humph! Then I'm afraid you will have to go with me as prisoners!" said the officer. "Hor--hor--hor! Here's a game! Prisoners! Cat-o'-nine tails, or hanging." "Silence, you scoundrel!" roared the officer. "Forward with these prisoners." Mike and his companions were marched on out of hearing, and then, after a turn or two, the officer spoke. "It is true then, my lads, you deserted your ship?" "I was forced to serve, sir, and I left the ship," said Don firmly. "Well, sir, I have but one course to pursue." "Surely you will not take them as prisoners, sir?" cried Gordon warmly-- "as brave, true fellows as ever stepped." "I can believe that," said the officer; "but discipline must be maintained. Look here, my lads: I will serve you if I can. You made a great mistake in deserting. I detest pressing men; but it is done, and it is not my duty to oppose the proceeding. Now, will you take my advice?" "What is it, sir?" "Throw yourself on our captain's mercy. Your ship has sailed for China; we are going home short-handed. Volunteer to serve the king till the ship is paid off, and perhaps you will never hear of having deserted. What do you say?" "The same as Jem Wimble does, sir. I can volunteer, and fight, if you like; but I can't bear to be forced." "Well said!" cried the officer, smiling at Don's bit of grandiloquence; and, an hour later, after an affectionate parting from Ngati, who elected to stay with Gordon, Don and Jem were Jacks once more, marching cheerily with the main body, half a mile behind the guard in charge of the convicts. CHAPTER FIFTY FOUR. HOME. It was a non-adventurous voyage home, after the convicts had been placed in the hands of the authorities at Port Jackson; and one soft summer evening, after a run by coach from Plymouth, two sturdy-looking brown young sailors leaped down in front of the old coaching hotel, and almost ran along the busy Bristol streets to reach the familiar spots where so much of their lives had been passed. Don was panting to get back into his mother's arms, but they had to pass the warehouse, and as they reached the gates Jem began to tremble. "No, no; don't go by, Mas' Don. I dursen't go alone." "What, not to meet your own wife?" "No, Mas' Don; 'tarn't that. I'm feared she's gone no one knows where. Stand by me while I ask, Mas' Don." "No, no, Jem. I must get home." "We've stood by one another, Mas' Don, in many a fight and at sea, and on shore. Don't forsake your mate now." "I'll stay, Jem," said Don. "Mas'	seaman's knife. "No, no. No, pakeha. No kill," said a deep angry voice; and as every one turned, Ngati stalked forward as if to defend his enemies. But at the same moment the man had cut the first Maori's bands, and then went on behind the rank, cutting the line that bound seven, who stood staring wildly. The next minute a seaman came along bearing a sheaf of spears, which he handed, one by one, to the astonished savages, while their wonder reached its height, as the master's mate presented to each a knife, such as were brought for presents to the natives. "Now," said the officer, addressing them, "I don't understand you, and I don't suppose you understand my words; but you do my deeds. Then, in the king's name, you are free; and if you ever take any English prisoners, I hope you will behave as well to them as we have behaved to you. There, go." He finished by pointing away to the north; but instead of going they stood staring till Ngati came forward, and said a few words in their own tongue. The effect was electric; they all shouted, brandished their spears, danced wildly, and ended by throwing down their weapons before the officer, seizing him by the arms, and rubbing noses with him. He submitted laughingly till the Maoris picked up their spears, and stood looking on, apparently quite satisfied that they were safe. "Here, hi, Jack!" cried a hoarse brutal voice. "Look sharp, we want to get rid of these cords; where's your knife?" "Wait a little while, my friends," said the officer sarcastically; "as soon as we get to the ship, you shall have them changed for irons." "Whorrt!" cried Mike. "We were out in search of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant Maoris to attack peaceful settlers. Forward, my lads!" "Here stop!" roared Mike with a savage grin. "What for?" said the officer sternly. "Arn't you going to take them, too?" "Take whom--the Maoris? No; but for you they would have let these people be in peace. Forward!" "No, no; I mean them two," said Mike savagely, as he pointed-- "them two: Don Lavington and Jem Wimble." "Halt!" cried the officer. "Do you know these men?" he said suspiciously. "There, I told you so, Mas' Don," whispered Jem. "I know that man," said Don firmly. "I only know the others by their making us prisoners out in the bush." "Where did you know him?" said the officer-- "Norfolk Island?" "No, sir; at Bristol. He worked as labourer in my uncle's yard." "That's right enough," said Mike; "and him and Jem Wimble was pressed, and went to sea." "Ay, ay!" said the officer quickly. "And they deserted, and took to the bush." "Hah!" ejaculated the officer. "From the sloop of war. The captain asked us to keep an eye open for two lads who had deserted." "Hor--hor--hor!" laughed Mike maliciously; "and now you've got 'em; Mr Gentleman Don and Master Jemmy Wimble." "If your hands warn't tied," cried Jem fiercely, "I'd punch your ugly head!" "Is this true, young man?" said the officer sternly. "Did you desert from His Majesty's sloop?" Don was silent for a moment, and then stepped forward boldly. "Yes!" he said. "Ah, Mas' Don, you've done it now," whispered Jem. "I was cruelly seized, beaten, and dragged away from my home, and Jem here from his young wife. On board ship we were ill-used and persecuted; and I'm not ashamed to own it, I did leave the ship." "Yes, and so did I!" said Jem stoutly. "Humph! Then I'm afraid you will have to go with me as prisoners!" said the officer. "Hor--hor--hor! Here's a game! Prisoners! Cat-o'-nine tails, or hanging." "Silence, you scoundrel!" roared the officer. "Forward with these prisoners." Mike and his companions were marched on out of hearing, and then, after a turn or two, the officer spoke. "It is true then, my lads, you deserted your ship?" "I was forced to serve, sir, and I left the ship," said Don firmly. "Well, sir, I have but one course to pursue." "Surely you will not take them as prisoners, sir?" cried Gordon warmly-- "as brave, true fellows as ever stepped." "I can believe that," said the officer; "but discipline must be maintained. Look here, my lads: I will serve you if I can. You made a great mistake in deserting. I detest pressing men; but it is done, and it is not my duty to oppose the proceeding. Now, will you take my advice?" "What is it, sir?" "Throw yourself on our captain's mercy. Your ship has sailed for China; we are going home short-handed. Volunteer	Don Lavington
"Hallo, my little fellow,"	Owl	"Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and	it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin	Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to	which Roo had ever been, and he was very excited. As soon as ever they had sat down he began to talk. "Hallo, Pooh!" he squeaked. "Hallo, Roo!" said Pooh. Roo jumped up and down in his seat for a little while and then began again. "Hallo, Piglet!" he squeaked. Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to say that he could do both at once ... and had to be patted on the back and dried for quite a long time afterwards. When they had all nearly eaten enough, Christopher Robin banged on the table with his spoon, and everybody stopped talking and was very silent, except	_me_ if it rains." But it didn't rain. Christopher Robin had made a long table out of some long pieces of wood, and they all sat round it. Christopher Robin sat at one end, and Pooh sat at the other, and between them on one side were Owl and Eeyore and Piglet, and between them on the other side were Rabbit, and Roo and Kanga. And all Rabbit's friends and relations spread themselves about on the grass, and waited hopefully in case anybody spoke to them, or dropped anything, or asked them the time. It was the first party to which Roo had ever been, and he was very excited. As soon as ever they had sat down he began to talk. "Hallo, Pooh!" he squeaked. "Hallo, Roo!" said Pooh. Roo jumped up and down in his seat for a little while and then began again. "Hallo, Piglet!" he squeaked. Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to say that he could do both at once ... and had to be patted on the back and dried for quite a long time afterwards. When they had all nearly eaten enough, Christopher Robin banged on the table with his spoon, and everybody stopped talking and was very silent, except Roo who was just finishing a loud attack of hiccups and trying to look as if it was one of Rabbit's relations. "This party," said Christopher Robin, "is a party because of what someone did, and we all know who it was, and it's his party, because of what he did, and I've got a present for him and here it is." Then he felt about a little and whispered, "Where is it?" While he was looking, Eeyore coughed in an impressive way and began to speak. "Friends," he said, "including oddments, it is a great pleasure, or perhaps I	hearty whiches?_) And hope he'll be with us for years and years, And grow in health and wisdom and riches! 3 Cheers for Pooh! (_For who?_) For Pooh-- 3 Cheers for Bear! (_For where?_) For Bear-- 3 Cheers for the wonderful Winnie-the-Pooh! (_Just tell me, somebody_--WHAT DID HE DO?) While this was going on inside him, Owl was talking to Eeyore. "Eeyore," said Owl, "Christopher Robin is giving a party." "Very interesting," said Eeyore. "I suppose they will be sending me down the odd bits which got trodden on. Kind and Thoughtful. Not at all, don't mention it." "There is an Invitation for you." "What's that like?" "An Invitation!" "Yes, I heard you. Who dropped it?" "This isn't anything to eat, it's asking you to the party. To-morrow." Eeyore shook his head slowly. "You mean Piglet. The little fellow with the excited ears. That's Piglet. I'll tell him." "No, no!" said Owl, getting quite fussy. "It's you!" "Are you sure?" "Of course I'm sure. Christopher Robin said 'All of them! Tell all of them.'" "All of them, except Eeyore?" "All of them," said Owl sulkily. "Ah!" said Eeyore. "A mistake, no doubt, but still, I shall come. Only don't blame _me_ if it rains." But it didn't rain. Christopher Robin had made a long table out of some long pieces of wood, and they all sat round it. Christopher Robin sat at one end, and Pooh sat at the other, and between them on one side were Owl and Eeyore and Piglet, and between them on the other side were Rabbit, and Roo and Kanga. And all Rabbit's friends and relations spread themselves about on the grass, and waited hopefully in case anybody spoke to them, or dropped anything, or asked them the time. It was the first party to which Roo had ever been, and he was very excited. As soon as ever they had sat down he began to talk. "Hallo, Pooh!" he squeaked. "Hallo, Roo!" said Pooh. Roo jumped up and down in his seat for a little while and then began again. "Hallo, Piglet!" he squeaked. Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to say that he could do both at once ... and had to be patted on the back and dried for quite a long time afterwards. When they had all nearly eaten enough, Christopher Robin banged on the table with his spoon, and everybody stopped talking and was very silent, except Roo who was just finishing a loud attack of hiccups and trying to look as if it was one of Rabbit's relations. "This party," said Christopher Robin, "is a party because of what someone did, and we all know who it was, and it's his party, because of what he did, and I've got a present for him and here it is." Then he felt about a little and whispered, "Where is it?" While he was looking, Eeyore coughed in an impressive way and began to speak. "Friends," he said, "including oddments, it is a great pleasure, or perhaps I had better say it has been a pleasure so far, to see you at my party. What I did was nothing. Any of you--except Rabbit and Owl and Kanga--would have done the same. Oh, and Pooh. My remarks do not, of course, apply to Piglet and Roo, because they are too small. Any of you would have done the same. But it just happened to be Me. It was not, I need hardly say, with an idea of getting what Christopher Robin is looking for now" "--and he put his front leg to his mouth and said in a loud whisper, "Try under the table" "--" "that I did what I did--but because I feel that we should all do what we can to help. I feel that we should all----" "H--hup!" said Roo accidentally. "Roo, dear!" said Kanga reproachfully. "Was it me?" asked Roo, a little surprised. "What's Eeyore talking about?" Piglet whispered to Pooh. "I don't know," said Pooh rather dolefully. "I thought this was _your_ party." "I thought it was _once_. But I suppose it isn't." "I'd sooner it was yours than Eeyore's," said Piglet. "So would I," said Pooh. "H--hup!" said Roo again. "AS--I--WAS--SAYING," said Eeyore	that's what it's for, is it?" said Owl. "Yes, so will you tell Pooh as quickly as you can, and all the others, because it will be to-morrow." "Oh, it will, will it?" said Owl, still being as helpful as possible. "So will you go and tell them, Owl?" Owl tried to think of something very wise to say, but couldn't, so he flew off to tell the others. And the first person he told was Pooh. "Pooh," he said, "Christopher Robin is giving a party." "Oh!" said Pooh. And then seeing that Owl expected him to say something else, he said "Will there be those little cake things with pink sugar icing?" Owl felt that it was rather beneath him to talk about little cake things with pink sugar icing, so he told Pooh exactly what Christopher Robin had said, and flew off to Eeyore. "A party for Me?" thought Pooh to himself. "How grand!" And he began to wonder if all the other animals would know that it was a special Pooh Party, and if Christopher Robin had told them about _The Floating Bear_ and the _Brain of Pooh_ and all the wonderful ships he had invented and sailed on, and he began to think how awful it would be if everybody had forgotten about it, and nobody quite knew what the party was for; and the more he thought like this, the more the party got muddled in his mind, like a dream when nothing goes right. And the dream began to sing itself over in his head until it became a sort of song. It was an ANXIOUS POOH SONG. 3 Cheers for Pooh! (_For Who?_) For Pooh-- (_Why what did he do?_) I thought you knew; He saved his friend from a wetting! 3 Cheers for Bear! (_For where?_) For Bear-- He couldn't swim, But he rescued him! (_He rescued who?_) Oh, listen, do! I am talking of Pooh-- (_Of who?_) Of Pooh! (_I'm sorry I keep forgetting_). Well, Pooh was a Bear of Enormous Brain (_Just say it again!_) Of enormous brain-- (_Of enormous what?_) Well, he ate a lot, And I don't know if he could swim or not, But he managed to float On a sort of boat (_On a sort of what?_) Well, a sort of pot-- So now let's give him three hearty cheers (_So now let's give him three hearty whiches?_) And hope he'll be with us for years and years, And grow in health and wisdom and riches! 3 Cheers for Pooh! (_For who?_) For Pooh-- 3 Cheers for Bear! (_For where?_) For Bear-- 3 Cheers for the wonderful Winnie-the-Pooh! (_Just tell me, somebody_--WHAT DID HE DO?) While this was going on inside him, Owl was talking to Eeyore. "Eeyore," said Owl, "Christopher Robin is giving a party." "Very interesting," said Eeyore. "I suppose they will be sending me down the odd bits which got trodden on. Kind and Thoughtful. Not at all, don't mention it." "There is an Invitation for you." "What's that like?" "An Invitation!" "Yes, I heard you. Who dropped it?" "This isn't anything to eat, it's asking you to the party. To-morrow." Eeyore shook his head slowly. "You mean Piglet. The little fellow with the excited ears. That's Piglet. I'll tell him." "No, no!" said Owl, getting quite fussy. "It's you!" "Are you sure?" "Of course I'm sure. Christopher Robin said 'All of them! Tell all of them.'" "All of them, except Eeyore?" "All of them," said Owl sulkily. "Ah!" said Eeyore. "A mistake, no doubt, but still, I shall come. Only don't blame _me_ if it rains." But it didn't rain. Christopher Robin had made a long table out of some long pieces of wood, and they all sat round it. Christopher Robin sat at one end, and Pooh sat at the other, and between them on one side were Owl and Eeyore and Piglet, and between them on the other side were Rabbit, and Roo and Kanga. And all Rabbit's friends and relations spread themselves about on the grass, and waited hopefully in case anybody spoke to them, or dropped anything, or asked them the time. It was the first party to which Roo had ever been, and he was very excited. As soon as ever they had sat down he began to talk. "Hallo, Pooh!" he squeaked. "Hallo, Roo!" said Pooh. Roo jumped up and down in his seat for a little while and then began again. "Hallo, Piglet!" he squeaked. Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to say that he could do both at once ... and had to be patted on the back and dried for quite a long time afterwards. When they had all nearly eaten enough, Christopher Robin banged on the table with his spoon, and everybody stopped talking and was very silent, except Roo who was just finishing a loud attack of hiccups and trying to look as if it was one of Rabbit's relations. "This party," said Christopher Robin, "is a party because of what someone did, and we all know who it was, and it's his party, because of what he did, and I've got a present for him and here it is." Then he felt about a little and whispered, "Where is it?" While he was looking, Eeyore coughed in an impressive way and began to speak. "Friends," he said, "including oddments, it is a great pleasure, or perhaps I had better say it has been a pleasure so far, to see you at my party. What I did was nothing. Any of you--except Rabbit and Owl and Kanga--would have done the same. Oh, and Pooh. My remarks do not, of course, apply to Piglet and Roo, because they are too small. Any of you would have done the same. But it just happened to be Me. It was not, I need hardly say, with an idea of getting what Christopher Robin is looking for now" "--and he put his front leg to his mouth and said in a loud whisper, "Try under the table" "--" "that I did what I did--but because I feel that we should all do what we can to help. I feel that we should all----" "H--hup!" said Roo accidentally. "Roo, dear!" said Kanga reproachfully. "Was it me?" asked Roo, a little surprised. "What's Eeyore talking about?" Piglet whispered to Pooh. "I don't know," said Pooh rather dolefully. "I thought this was _your_ party." "I thought it was _once_. But I suppose it isn't." "I'd sooner it was yours than Eeyore's," said Piglet. "So would I," said Pooh. "H--hup!" said Roo again. "AS--I--WAS--SAYING," said Eeyore loudly and sternly, "as I was saying when I was interrupted by various Loud Sounds, I feel that----" "Here it is!" cried Christopher Robin excitedly. "Pass it down to silly old Pooh. It's for Pooh." "For Pooh?" said Eeyore. "Of course it is. The best bear in all the world." "I might have known," said Eeyore. "After all, one can't complain. I have my friends. Somebody spoke to me only yesterday. And was it last week or the week before that Rabbit bumped into me and said 'Bother!' The Social Round. Always something going on." Nobody was listening, for they were all saying "Open it, Pooh," "What is it, Pooh?" "I know what it is," "No, you don't" and other helpful remarks of this sort. And of course Pooh was opening it as quickly as ever he could, but without cutting the string, because you never know when a bit of string might be Useful. At last it was undone. When Pooh saw what it was, he nearly fell down, he was so pleased. It was a Special Pencil Case. There were pencils in it marked "B" for Bear, and pencils marked "HB" for Helping Bear, and pencils marked "BB" for Brave Bear. There was a knife for sharpening the pencils, and india-rubber for rubbing out anything which you had spelt wrong, and a ruler for ruling lines for the words to walk on, and inches marked on the ruler in case you wanted to know how many inches anything was, and Blue Pencils and Red Pencils and Green Pencils for saying special things in blue and red and green. And all these lovely things were in little pockets of their own in a Special Case which shut with a click when you clicked it. And they were all for Pooh. "Oh!" said Pooh. "Oh, Pooh!" said everybody else except Eeyore. "Thank-you," growled Pooh. But Eeyore was saying to himself, "This writing business. Pencils and what-not. Over-rated, if you ask me. Silly stuff. Nothing in it." Later on, when they had all said "Good-bye" and "Thank-you" to Christopher Robin, Pooh and Piglet walked home thoughtfully together in the golden evening, and for a long time they were silent. "When you wake up in the morning, Pooh," said Piglet at last, "what's the first thing you say to yourself?" "What's for breakfast?" said Pooh. "What do _you_ say, Piglet?" "I say,	of Pooh-- (_Of who?_) Of Pooh! (_I'm sorry I keep forgetting_). Well, Pooh was a Bear of Enormous Brain (_Just say it again!_) Of enormous brain-- (_Of enormous what?_) Well, he ate a lot, And I don't know if he could swim or not, But he managed to float On a sort of boat (_On a sort of what?_) Well, a sort of pot-- So now let's give him three hearty cheers (_So now let's give him three hearty whiches?_) And hope he'll be with us for years and years, And grow in health and wisdom and riches! 3 Cheers for Pooh! (_For who?_) For Pooh-- 3 Cheers for Bear! (_For where?_) For Bear-- 3 Cheers for the wonderful Winnie-the-Pooh! (_Just tell me, somebody_--WHAT DID HE DO?) While this was going on inside him, Owl was talking to Eeyore. "Eeyore," said Owl, "Christopher Robin is giving a party." "Very interesting," said Eeyore. "I suppose they will be sending me down the odd bits which got trodden on. Kind and Thoughtful. Not at all, don't mention it." "There is an Invitation for you." "What's that like?" "An Invitation!" "Yes, I heard you. Who dropped it?" "This isn't anything to eat, it's asking you to the party. To-morrow." Eeyore shook his head slowly. "You mean Piglet. The little fellow with the excited ears. That's Piglet. I'll tell him." "No, no!" said Owl, getting quite fussy. "It's you!" "Are you sure?" "Of course I'm sure. Christopher Robin said 'All of them! Tell all of them.'" "All of them, except Eeyore?" "All of them," said Owl sulkily. "Ah!" said Eeyore. "A mistake, no doubt, but still, I shall come. Only don't blame _me_ if it rains." But it didn't rain. Christopher Robin had made a long table out of some long pieces of wood, and they all sat round it. Christopher Robin sat at one end, and Pooh sat at the other, and between them on one side were Owl and Eeyore and Piglet, and between them on the other side were Rabbit, and Roo and Kanga. And all Rabbit's friends and relations spread themselves about on the grass, and waited hopefully in case anybody spoke to them, or dropped anything, or asked them the time. It was the first party to which Roo had ever been, and he was very excited. As soon as ever they had sat down he began to talk. "Hallo, Pooh!" he squeaked. "Hallo, Roo!" said Pooh. Roo jumped up and down in his seat for a little while and then began again. "Hallo, Piglet!" he squeaked. Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to say that he could do both at once ... and had to be patted on the back and dried for quite a long time afterwards. When they had all nearly eaten enough, Christopher Robin banged on the table with his spoon, and everybody stopped talking and was very silent, except Roo who was just finishing a loud attack of hiccups and trying to look as if it was one of Rabbit's relations. "This party," said Christopher Robin, "is a party because of what someone did, and we all know who it was, and it's his party, because of what he did, and I've got a present for him and here it is." Then he felt about a little and whispered, "Where is it?" While he was looking, Eeyore coughed in an impressive way and began to speak. "Friends," he said, "including oddments, it is a great pleasure, or perhaps I had better say it has been a pleasure so far, to see you at my party. What I did was nothing. Any of you--except Rabbit and Owl and Kanga--would have done the same. Oh, and Pooh. My remarks do not, of course, apply to Piglet and Roo, because they are too small. Any of you would have done the same. But it just happened to be Me. It was not, I need hardly say, with an idea of getting what Christopher Robin is looking for now" "--and he put his front leg to his mouth and said in a loud whisper, "Try under the table" "--" "that I did what I did--but because I feel that we should all do what we can to help. I feel that we should all----" "H--hup!" said Roo accidentally. "Roo, dear!" said Kanga reproachfully. "Was it me?" asked Roo, a little surprised. "What's Eeyore talking about?" Piglet whispered to Pooh. "I don't know," said Pooh rather dolefully. "I	Winnie The Pooh
“Louisville in June! Somebody fainted. Who was it fainted, Tom?”	Daisy	middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A	“Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi,	the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to	of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He	ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private	Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom	the garage the curtains had been moved aside a little, and Myrtle Wilson was peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women’s faces, but on Myrtle Wilson’s face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife. ------------------------------------------------------------------------ There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,” Daisy looked desperately from one to the other. “You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big parties. I suppose you’ve got to make your house into a pigsty in order to have any friends—in the modern world.” Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. “I’ve got something to tell you, old sport—” began Gatsby. But Daisy guessed at his intention. “Please don’t!” she interrupted helplessly. “Please let’s all go home. Why don’t we all go home?” “That’s a good idea,” I got up. “Come on, Tom. Nobody wants a drink.” “I want to know what Mr. Gatsby has to tell me.” “Your wife doesn’t love you,” said Gatsby. “She’s never loved you. She loves me.” “You must be crazy!” exclaimed Tom automatically. Gatsby sprang to his feet, vivid with excitement. “She never loved	a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and	The Great Gatsby
"I had left the Chesilstowe cottage already,"	The Invisible Man	and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened.	a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I	thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going	"I robbed the old man robbed my father." "The money was not his, and he shot himself." CHAPTER XX. AT THE HOUSE IN GREAT PORTLAND STREET For a moment Kemp sat in silence, staring at the back of the headless figure at the window. Then he started, struck by a thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going on steadily, successfully, drawing near an end. I was like a man emerging from a thicket, and suddenly coming on some unmeaning tragedy. I went to bury him. My mind was still on this research, and I did not lift a finger to save his character. I remember the funeral,	flung himself upon that research. And I worked three years, and every mountain of difficulty I toiled over showed another from its summit. The infinite details! And the exasperation! A professor, a provincial professor, always prying." When are you going to publish this work of yours? "was his everlasting question. And the students, the cramped means! Three years I had of it" "And after three years of secrecy and exasperation, I found that to complete it was impossible impossible." "How?" asked Kemp. "Money," said the Invisible Man, and went again to stare out of the window. He turned around abruptly. "I robbed the old man robbed my father." "The money was not his, and he shot himself." CHAPTER XX. AT THE HOUSE IN GREAT PORTLAND STREET For a moment Kemp sat in silence, staring at the back of the headless figure at the window. Then he started, struck by a thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going on steadily, successfully, drawing near an end. I was like a man emerging from a thicket, and suddenly coming on some unmeaning tragedy. I went to bury him. My mind was still on this research, and I did not lift a finger to save his character. I remember the funeral, the cheap hearse, the scant ceremony, the windy frost-bitten hillside, and the old college friend of his who read the service over him a shabby, black, bent old man with a snivelling cold." "I remember walking back to the empty house, through the place that had once been a village and was now patched and tinkered by the jerry builders into the ugly likeness of a town. Every way the roads ran out at last into the desecrated fields and ended in rubble heaps and rank wet weeds. I remember myself as a gaunt black figure, going along the slippery,	"You may well exclaim. I remember that night. It was late at night in the daytime one was bothered with the gaping, silly students and I worked then sometimes till dawn. It came suddenly, splendid and complete in my mind. I was alone; the laboratory was still, with the tall lights burning brightly and silently. In all my great moments I have been alone." One could make an animal a tissue transparent! One could make it invisible! All except the pigments I could be invisible! "I said, suddenly realising what it meant to be an albino with such knowledge. It was overwhelming. I left the filtering I was doing, and went and stared out of the great window at the stars." I could be invisible! "I repeated." "To do such a thing would be to transcend magic. And I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man the mystery, the power, the freedom. Drawbacks I saw none. You have only to think! And I, a shabby, poverty-struck, hemmed-in demonstrator, teaching fools in a provincial college, might suddenly become this. I ask you, Kemp if _you_ ... Anyone, I tell you, would have flung himself upon that research. And I worked three years, and every mountain of difficulty I toiled over showed another from its summit. The infinite details! And the exasperation! A professor, a provincial professor, always prying." When are you going to publish this work of yours? "was his everlasting question. And the students, the cramped means! Three years I had of it" "And after three years of secrecy and exasperation, I found that to complete it was impossible impossible." "How?" asked Kemp. "Money," said the Invisible Man, and went again to stare out of the window. He turned around abruptly. "I robbed the old man robbed my father." "The money was not his, and he shot himself." CHAPTER XX. AT THE HOUSE IN GREAT PORTLAND STREET For a moment Kemp sat in silence, staring at the back of the headless figure at the window. Then he started, struck by a thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going on steadily, successfully, drawing near an end. I was like a man emerging from a thicket, and suddenly coming on some unmeaning tragedy. I went to bury him. My mind was still on this research, and I did not lift a finger to save his character. I remember the funeral, the cheap hearse, the scant ceremony, the windy frost-bitten hillside, and the old college friend of his who read the service over him a shabby, black, bent old man with a snivelling cold." "I remember walking back to the empty house, through the place that had once been a village and was now patched and tinkered by the jerry builders into the ugly likeness of a town. Every way the roads ran out at last into the desecrated fields and ended in rubble heaps and rank wet weeds. I remember myself as a gaunt black figure, going along the slippery, shiny pavement, and the strange sense of detachment I felt from the squalid respectability, the sordid commercialism of the place." "I did not feel a bit sorry for my father. He seemed to me to be the victim of his own foolish sentimentality. The current cant required my attendance at his funeral, but it was really not my affair." "But going along the High Street, my old life came back to me for a space, for I met the girl I had known ten years since. Our eyes met." "Something moved me to turn back and talk to her. She was a very ordinary person." "It was all like a dream, that visit to the old places. I did not feel then that I was lonely, that I had come out from the world into a desolate place. I appreciated my loss of sympathy, but I put it down to the general inanity of things. Re-entering my room seemed like the recovery of reality. There were the things I knew and loved. There stood the apparatus, the experiments arranged and waiting. And now there was scarcely a difficulty left, beyond the planning of details." "I will tell you, Kemp, sooner	from glass to air." "Yes, yes," said Kemp. "But a man s not powdered glass!" "No," said Griffin. "He s more transparent!" "Nonsense!" "That from a doctor! How one forgets! Have you already forgotten your physics, in ten years? Just think of all the things that are transparent and seem not to be so. Paper, for instance, is made up of transparent fibres, and it is white and opaque only for the same reason that a powder of glass is white and opaque. Oil white paper, fill up the interstices between the particles with oil so that there is no longer refraction or reflection except at the surfaces, and it becomes as transparent as glass. And not only paper, but cotton fibre, linen fibre, wool fibre, woody fibre, and _bone_, Kemp, _flesh_, Kemp, _hair_, Kemp, _nails_ and _nerves_, Kemp, in fact the whole fabric of a man except the red of his blood and the black pigment of hair, are all made up of transparent, colourless tissue. So little suffices to make us visible one to the other. For the most part the fibres of a living creature are no more opaque than water." "Great Heavens!" cried Kemp. "Of course, of course! I was thinking only last night of the sea larvae and all jelly-fish!" "_Now_ you have me! And all that I knew and had in mind a year after I left London six years ago. But I kept it to myself. I had to do my work under frightful disadvantages. Oliver, my professor, was a scientific bounder, a journalist by instinct, a thief of ideas he was always prying! And you know the knavish system of the scientific world. I simply would not publish, and let him share my credit. I went on working; I got nearer and nearer making my formula into an experiment, a reality. I told no living soul, because I meant to flash my work upon the world with crushing effect and become famous at a blow. I took up the question of pigments to fill up certain gaps. And suddenly, not by design but by accident, I made a discovery in physiology." "Yes?" "You know the red colouring matter of blood; it can be made white colourless and remain with all the functions it has now!" Kemp gave a cry of incredulous amazement. The Invisible Man rose and began pacing the little study. "You may well exclaim. I remember that night. It was late at night in the daytime one was bothered with the gaping, silly students and I worked then sometimes till dawn. It came suddenly, splendid and complete in my mind. I was alone; the laboratory was still, with the tall lights burning brightly and silently. In all my great moments I have been alone." One could make an animal a tissue transparent! One could make it invisible! All except the pigments I could be invisible! "I said, suddenly realising what it meant to be an albino with such knowledge. It was overwhelming. I left the filtering I was doing, and went and stared out of the great window at the stars." I could be invisible! "I repeated." "To do such a thing would be to transcend magic. And I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man the mystery, the power, the freedom. Drawbacks I saw none. You have only to think! And I, a shabby, poverty-struck, hemmed-in demonstrator, teaching fools in a provincial college, might suddenly become this. I ask you, Kemp if _you_ ... Anyone, I tell you, would have flung himself upon that research. And I worked three years, and every mountain of difficulty I toiled over showed another from its summit. The infinite details! And the exasperation! A professor, a provincial professor, always prying." When are you going to publish this work of yours? "was his everlasting question. And the students, the cramped means! Three years I had of it" "And after three years of secrecy and exasperation, I found that to complete it was impossible impossible." "How?" asked Kemp. "Money," said the Invisible Man, and went again to stare out of the window. He turned around abruptly. "I robbed the old man robbed my father." "The money was not his, and he shot himself." CHAPTER XX. AT THE HOUSE IN GREAT PORTLAND STREET For a moment Kemp sat in silence, staring at the back of the headless figure at the window. Then he started, struck by a thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going on steadily, successfully, drawing near an end. I was like a man emerging from a thicket, and suddenly coming on some unmeaning tragedy. I went to bury him. My mind was still on this research, and I did not lift a finger to save his character. I remember the funeral, the cheap hearse, the scant ceremony, the windy frost-bitten hillside, and the old college friend of his who read the service over him a shabby, black, bent old man with a snivelling cold." "I remember walking back to the empty house, through the place that had once been a village and was now patched and tinkered by the jerry builders into the ugly likeness of a town. Every way the roads ran out at last into the desecrated fields and ended in rubble heaps and rank wet weeds. I remember myself as a gaunt black figure, going along the slippery, shiny pavement, and the strange sense of detachment I felt from the squalid respectability, the sordid commercialism of the place." "I did not feel a bit sorry for my father. He seemed to me to be the victim of his own foolish sentimentality. The current cant required my attendance at his funeral, but it was really not my affair." "But going along the High Street, my old life came back to me for a space, for I met the girl I had known ten years since. Our eyes met." "Something moved me to turn back and talk to her. She was a very ordinary person." "It was all like a dream, that visit to the old places. I did not feel then that I was lonely, that I had come out from the world into a desolate place. I appreciated my loss of sympathy, but I put it down to the general inanity of things. Re-entering my room seemed like the recovery of reality. There were the things I knew and loved. There stood the apparatus, the experiments arranged and waiting. And now there was scarcely a difficulty left, beyond the planning of details." "I will tell you, Kemp, sooner or later, all the complicated processes. We need not go into that now. For the most part, saving certain gaps I chose to remember, they are written in cypher in those books that tramp has hidden. We must hunt him down. We must get those books again. But the essential phase was to place the transparent object whose refractive index was to be lowered between two radiating centres of a sort of ethereal vibration, of which I will tell you more fully later. No, not those R ntgen vibrations I don t know that these others of mine have been described. Yet they are obvious enough. I needed two little dynamos, and these I worked with a cheap gas engine. My first experiment was with a bit of white wool fabric. It was the strangest thing in the world to see it in the flicker of the flashes soft and white, and then to watch it fade like a wreath of smoke and vanish." "I could scarcely believe I had done it. I put my hand into the emptiness, and there was the thing as solid as ever. I felt it awkwardly, and threw it on the floor. I had a little trouble finding it again." "And then came a curious experience. I heard a miaow behind me, and turning, saw a lean white cat, very dirty, on the cistern cover outside the window. A thought came into my head." Everything ready for you, "I said, and went to the window, opened it, and called softly. She came in, purring the poor beast was starving and I gave her some milk. All my food was in a cupboard in the corner of the room. After that she went smelling round the room, evidently with the idea of making herself at home. The invisible rag upset her a bit; you should have seen her spit at it! But I made her comfortable on the pillow of my truckle-bed. And I gave her butter to get her to wash." "And you processed her?" "I processed her. But giving drugs to a cat is no joke, Kemp! And the process failed." "Failed!" "In two particulars. These were the claws and the pigment stuff, what is it? at the back of the eye in a cat. You know?" "_Tapetum_." "Yes, the _tapetum_. It didn t go. After I d given the stuff to bleach	I kept it to myself. I had to do my work under frightful disadvantages. Oliver, my professor, was a scientific bounder, a journalist by instinct, a thief of ideas he was always prying! And you know the knavish system of the scientific world. I simply would not publish, and let him share my credit. I went on working; I got nearer and nearer making my formula into an experiment, a reality. I told no living soul, because I meant to flash my work upon the world with crushing effect and become famous at a blow. I took up the question of pigments to fill up certain gaps. And suddenly, not by design but by accident, I made a discovery in physiology." "Yes?" "You know the red colouring matter of blood; it can be made white colourless and remain with all the functions it has now!" Kemp gave a cry of incredulous amazement. The Invisible Man rose and began pacing the little study. "You may well exclaim. I remember that night. It was late at night in the daytime one was bothered with the gaping, silly students and I worked then sometimes till dawn. It came suddenly, splendid and complete in my mind. I was alone; the laboratory was still, with the tall lights burning brightly and silently. In all my great moments I have been alone." One could make an animal a tissue transparent! One could make it invisible! All except the pigments I could be invisible! "I said, suddenly realising what it meant to be an albino with such knowledge. It was overwhelming. I left the filtering I was doing, and went and stared out of the great window at the stars." I could be invisible! "I repeated." "To do such a thing would be to transcend magic. And I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man the mystery, the power, the freedom. Drawbacks I saw none. You have only to think! And I, a shabby, poverty-struck, hemmed-in demonstrator, teaching fools in a provincial college, might suddenly become this. I ask you, Kemp if _you_ ... Anyone, I tell you, would have flung himself upon that research. And I worked three years, and every mountain of difficulty I toiled over showed another from its summit. The infinite details! And the exasperation! A professor, a provincial professor, always prying." When are you going to publish this work of yours? "was his everlasting question. And the students, the cramped means! Three years I had of it" "And after three years of secrecy and exasperation, I found that to complete it was impossible impossible." "How?" asked Kemp. "Money," said the Invisible Man, and went again to stare out of the window. He turned around abruptly. "I robbed the old man robbed my father." "The money was not his, and he shot himself." CHAPTER XX. AT THE HOUSE IN GREAT PORTLAND STREET For a moment Kemp sat in silence, staring at the back of the headless figure at the window. Then he started, struck by a thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going on steadily, successfully, drawing near an end. I was like a man emerging from a thicket, and suddenly coming on some unmeaning tragedy. I went to bury him. My mind was still on this research, and I did not lift a finger to save his character. I remember the funeral, the cheap hearse, the scant ceremony, the windy frost-bitten hillside, and the old college friend of his who read the service over him a shabby, black, bent old man with a snivelling cold." "I remember walking back to the empty house, through the place that had once been a village and was now patched and tinkered by the jerry builders into the ugly likeness of a town. Every way the roads ran out at last into the desecrated fields and ended in rubble heaps and rank wet weeds. I remember myself as a gaunt black figure, going along the slippery, shiny pavement, and the strange sense of detachment I felt from the squalid respectability, the sordid commercialism of the place." "I did not feel a bit sorry for my father. He seemed to me to be the victim of his own foolish sentimentality. The current cant required my attendance at his funeral, but it was really not my affair." "But going along the High Street, my old life came back to me for a space, for I met the girl I had known ten years	The Invisible Man
"Miss Quested has been insulted in one of the Marabar caves."	Mr. Turton	career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no,"	worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish.	wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you	entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to	comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with	I know nothing." "On what charge do you arrest him?" "I am under instructions not to say." "Don't answer me like that. Produce your warrant." "Sir, excuse me, no warrant is required under these particular circumstances. Refer to Mr. McBryde." "Very well, so we will. Come along, Aziz, old man; nothing to fuss about, some blunder." "Dr. Aziz, will you kindly come? a closed conveyance stands in readiness." The young man sobbed his first sound and tried to escape out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot believe that Dr. Aziz is guilty." He slammed his hand on the table. "That that is a repetition of your insult in an aggravated form." "If I may venture to say so, no," said Fielding, also going white, but sticking to his point. "I make no reflection on the good faith of the two ladies, but the charge they are bringing against Aziz rests upon some mistake, and five minutes will clear it up. The man's manner is perfectly natural; besides, I know him to be incapable of infamy." "It does indeed rest upon a mistake," came the thin, biting voice of the other. "It does indeed. I have had twenty-five years' experience of this country" he paused, and "twenty-five years" seemed to fill the waiting-room with their	it is my duty to employ him, he is my cousin. If money goes, money comes. If money stays, death comes. Did you ever hear that useful Urdu proverb? Probably not, for I have just invented it." "My proverbs are: A penny saved is a penny earned; A stitch in time saves nine; Look before you leap; and the British Empire rests on them. You will never kick us out, you know, until you cease employing M.L.'s and such." "Oh, kick you out? Why should I trouble over that dirty job? Leave it to the politicians. . . . No, when I was a student I got excited over your damned countrymen, certainly; but if they'll let me get on with my profession and not be too rude to me officially, I really don't ask for more." "But you do; you take them to a picnic." "This picnic is nothing to do with English or Indian; it is an expedition of friends." So the cavalcade ended, partly pleasant, partly not; the Brahman cook was picked up, the train arrived, pushing its burning throat over the plain, and the twentieth century took over from the sixteenth. Mrs. Moore entered her carriage, the three men went to theirs, adjusted the shutters, turned on the electric fan and tried to get some sleep. In the twilight, all resembled corpses, and the train itself seemed dead though it moved a coffin from the scientific north which troubled the scenery four times a day. As it left the Marabars, their nasty little cosmos disappeared, and gave place to the Marabars seen from a distance, finite and rather romantic. The train halted once under a pump, to drench the stock of coal in its tender. Then it caught sight of the main line in the distance, took courage, and bumped forward, rounded the civil station, surmounted the level-crossing (the rails were scorching now), and clanked to a stand-still. Chandrapore, Chandrapore! The expedition was over. And as it ended, as they sat up in the gloom and prepared to enter ordinary life, suddenly the long drawn strangeness of the morning snapped. Mr. Haq, the Inspector of Police, flung open the door of their carriage and said in shrill tones: "Dr. Aziz, it is my highly painful duty to arrest you." "Hullo, some mistake," said Fielding, at once taking charge of the situation. "Sir, they are my instructions. I know nothing." "On what charge do you arrest him?" "I am under instructions not to say." "Don't answer me like that. Produce your warrant." "Sir, excuse me, no warrant is required under these particular circumstances. Refer to Mr. McBryde." "Very well, so we will. Come along, Aziz, old man; nothing to fuss about, some blunder." "Dr. Aziz, will you kindly come? a closed conveyance stands in readiness." The young man sobbed his first sound and tried to escape out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot believe that Dr. Aziz is guilty." He slammed his hand on the table. "That that is a repetition of your insult in an aggravated form." "If I may venture to say so, no," said Fielding, also going white, but sticking to his point. "I make no reflection on the good faith of the two ladies, but the charge they are bringing against Aziz rests upon some mistake, and five minutes will clear it up. The man's manner is perfectly natural; besides, I know him to be incapable of infamy." "It does indeed rest upon a mistake," came the thin, biting voice of the other. "It does indeed. I have had twenty-five years' experience of this country" he paused, and "twenty-five years" seemed to fill the waiting-room with their staleness and ungenerosity "and during those twenty-five years I have never known anything but disaster result when English people and Indians attempt to be intimate socially. Intercourse, yes. Courtesy, by all means. Intimacy never, never. The whole weight of my authority is against it. I have been in charge at Chandrapore for six years, and if everything has gone smoothly, if there has been mutual respect and esteem, it is because both peoples kept to this simple rule. New-comers set our traditions aside, and in an instant what you see happens, the work of years is undone and the good name of my District ruined for a generation. I I can't see the end of this day's work, Mr. Fielding. You, who are imbued with modern ideas no doubt you can. I wish I had never lived to see its beginning, I know that. It is the end of me. That a lady, that a young lady engaged to my most valued subordinate that she an English girl fresh from England that I should have lived" Involved in his own emotions, he broke down. What he had said was both dignified and pathetic, but had it anything to do with Aziz? Nothing at all, if Fielding was right. It is impossible to regard a tragedy from two points of view, and whereas Turton had decided to avenge the girl, he hoped to save the man. He wanted to get away and talk to McBryde, who had always been friendly to him, was on the whole sensible, and could, anyhow, be trusted to keep cool. "I came down particularly on your account while poor Heaslop got his mother away. I regarded it as the most friendly thing I could do. I meant to tell you that there will be an informal meeting at the club this evening to discuss the situation, but I am doubtful whether you will care to come. Your visits there are always infrequent." "I shall certainly come, sir, and I am most grateful to you for all the trouble you have taken over me. May I venture to ask where Miss Quested is." He replied with a gesture; she was ill. "Worse and worse, appalling," he said feelingly. But the Collector looked at him sternly, because he was keeping his head. He had not gone mad at the phrase "an English girl fresh from England," he had	out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot	A Passage To India
"Do you read a great deal?"	Korolyov	and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole	not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning	all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to	treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew	saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they	morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for	did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.	and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What	The Lady and the Dog and Other Stories (2)
quavered Lucy. A look of contempt came over him, and he said,	No speaker	"I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have	stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--"	that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage.	their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer	moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--" "But why should they, when you have deceived them?" Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth,	with anger, and though her anger passed away soon, her tears remained. "I only wish poets would say this, too: love is of the body; not the body, but of the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul! Your soul, dear Lucy! I hate the word now, because of all the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked--how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love--Marry him; it is one of the moments for which the world was made." She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--" "But why should they, when you have deceived them?" Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She "never exactly understood," she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little	I could teach young people the whole of life, but I know better now, and all my teaching of George has come down to this: beware of muddle. Do you remember in that church, when you pretended to be annoyed with me and weren't? Do you remember before, when you refused the room with the view? Those were muddles--little, but ominous--and I am fearing that you are in one now." She was silent. "Don't trust me, Miss Honeychurch. Though life is very glorious, it is difficult." She was still silent. "'Life' "wrote a friend of mine," 'is a public performance on the violin, in which you must learn the instrument as you go along.' "I think he puts it well. Man has to pick up the use of his functions as he goes along--especially the function of Love." Then he burst out excitedly; "That's it; that's what I mean. You love George!" And after his long preamble, the three words burst against Lucy like waves from the open sea. "But you do," he went on, not waiting for contradiction. "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it. You won't marry the other man for his sake." "How dare you!" gasped Lucy, with the roaring of waters in her ears. "Oh, how like a man!--I mean, to suppose that a woman is always thinking about a man." "But you are." She summoned physical disgust. "You're shocked, but I mean to shock you. It's the only hope at times. I can reach you no other way. You must marry, or your life will be wasted. You have gone too far to retreat. I have no time for the tenderness, and the comradeship, and the poetry, and the things that really matter, and for which you marry. I know that, with George, you will find them, and that you love him. Then be his wife. He is already part of you. Though you fly to Greece, and never see him again, or forget his very name, George will work in your thoughts till you die. It isn't possible to love and to part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal." Lucy began to cry with anger, and though her anger passed away soon, her tears remained. "I only wish poets would say this, too: love is of the body; not the body, but of the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul! Your soul, dear Lucy! I hate the word now, because of all the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked--how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love--Marry him; it is one of the moments for which the world was made." She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--" "But why should they, when you have deceived them?" Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She "never exactly understood," she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little company will double Malea and plough the waters of the Saronic gulf. They alone will visit Athens and Delphi, and either shrine of intellectual song--that upon the Acropolis, encircled by blue seas; that under Parnassus, where the eagles build and the bronze charioteer drives undismayed towards infinity. Trembling, anxious, cumbered with much digestive bread, they did proceed to Constantinople, they did go round the world. The rest of us must be contented with a fair, but a less arduous, goal. Italiam petimus: we return to the Pension Bertolini. George said it was his old room. "No, it isn't," said Lucy; "because it is the room I had, and I had your father's room. I forget why; Charlotte made me, for some reason." He knelt on the tiled floor, and laid his face in her lap. "George, you baby, get up." "Why shouldn't I be a baby?" murmured George. Unable to answer this question, she put down his sock, which she was trying to mend, and gazed out through the window. It was evening and again the spring. "Oh, bother Charlotte," she said thoughtfully. "What can such people be made of?" "Same stuff as parsons are made of." "Nonsense!" "Quite right. It is nonsense." "Now you get up off the cold floor, or you'll be starting rheumatism next, and you stop laughing and being so silly." "Why shouldn't I laugh?" he asked, pinning her with his elbows, and advancing his face to hers. "What's there to cry at? Kiss me here." He indicated the spot where a kiss would be welcome. He was a boy after all. When it came to the point, it was she who remembered the past, she into whose soul the iron had entered, she who knew whose room this had been last year. It endeared him to her strangely that he should be sometimes wrong. "Any letters?" he asked. "Just a line from Freddy." "Now kiss me here; then here." Then, threatened again with rheumatism, he strolled to the window, opened it (as the English will), and leant out. There was the parapet, there the river, there to the left the beginnings of the hills. The cab-driver, who at once saluted him with the hiss of a serpent, might be that very Phaethon who had set this happiness in motion twelve months ago. A passion of gratitude--all feelings grow to passions in the South--came over the	woman is always thinking about a man." "But you are." She summoned physical disgust. "You're shocked, but I mean to shock you. It's the only hope at times. I can reach you no other way. You must marry, or your life will be wasted. You have gone too far to retreat. I have no time for the tenderness, and the comradeship, and the poetry, and the things that really matter, and for which you marry. I know that, with George, you will find them, and that you love him. Then be his wife. He is already part of you. Though you fly to Greece, and never see him again, or forget his very name, George will work in your thoughts till you die. It isn't possible to love and to part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal." Lucy began to cry with anger, and though her anger passed away soon, her tears remained. "I only wish poets would say this, too: love is of the body; not the body, but of the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul! Your soul, dear Lucy! I hate the word now, because of all the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked--how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love--Marry him; it is one of the moments for which the world was made." She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--" "But why should they, when you have deceived them?" Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She "never exactly understood," she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little company will double Malea and plough the waters of the Saronic gulf. They alone will visit Athens and Delphi, and either shrine of intellectual song--that upon the Acropolis, encircled by blue seas; that under Parnassus, where the eagles build and the bronze charioteer drives undismayed towards infinity. Trembling, anxious, cumbered with much digestive bread, they did proceed to Constantinople, they did go round the world. The rest of us must be contented with a fair, but a less arduous, goal. Italiam petimus: we return to the Pension Bertolini. George said it was his old room. "No, it isn't," said Lucy; "because it is the room I had, and I had your father's room. I forget why; Charlotte made me, for some reason." He knelt on the tiled floor, and laid his face in her lap. "George, you baby, get up." "Why shouldn't I be a baby?" murmured George. Unable to answer this question, she put down his sock, which she was trying to mend, and gazed out through the window. It was evening and again the spring. "Oh, bother Charlotte," she said thoughtfully. "What can such people be made of?" "Same stuff as parsons	A Room With A View
"You monster!"	Charley Bates	eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and	looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other;	he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after	said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something so tremendous in the shrinking off of the three, that the wretched man was willing to propitiate even this lad. Accordingly he nodded, and made as though he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after him, I'll give him up; I will. I tell you out at once. He may kill me for it if he likes, or if he dares, but if I am here I'll give him up. I'd give him up if he was to be boiled alive. Murder! Help! If there's	up the wall behind him: rather trying to turn his head than actually doing it: and said, "Is it the body is it buried?" They shook their heads. "Why isn't it!" he retorted with the same glance behind him. "Wot do they keep such ugly things above the ground for? Who's that knocking?" Crackit intimated, by a motion of his hand as he left the room, that there was nothing to fear; and directly came back with Charley Bates behind him. Sikes sat opposite the door, so that the moment the boy entered the room he encountered his figure. "Toby," said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something so tremendous in the shrinking off of the three, that the wretched man was willing to propitiate even this lad. Accordingly he nodded, and made as though he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after him, I'll give him up; I will. I tell you out at once. He may kill me for it if he likes, or if he dares, but if I am here I'll give him up. I'd give him up if he was to be boiled alive. Murder! Help! If there's the pluck of a man among you three, you'll help me. Murder! Help! Down with him!" Pouring out these cries, and accompanying them with violent gesticulation, the boy actually threw himself, single-handed, upon the strong man, and in the intensity of his energy and the suddenness of his surprise, brought him heavily to the ground. The three spectators seemed quite stupefied. They offered no interference, and the boy and man rolled on the ground together; the former, heedless of the blows that showered upon him, wrenching his hands tighter and tighter in the garments about the murderer's breast, and never	a chair which stood in the middle of the room, but shuddering as he was about to drop into it, and seeming to glance over his shoulder, dragged it back close to the wall as close as it would go and ground it against it and sat down. Not a word had been exchanged. He looked from one to another in silence. If an eye were furtively raised and met his, it was instantly averted. When his hollow voice broke silence, they all three started. They seemed never to have heard its tones before. "How came that dog here?" he asked. "Alone. Three hours ago." "To-night's paper says that Fagin's took. Is it true, or a lie?" "True." They were silent again. "Damn you all!" said Sikes, passing his hand across his forehead. "Have you nothing to say to me?" There was an uneasy movement among them, but nobody spoke. "You that keep this house," said Sikes, turning his face to Crackit, "do you mean to sell me, or to let me lie here till this hunt is over?" "You may stop here, if you think it safe," returned the person addressed, after some hesitation. Sikes carried his eyes slowly up the wall behind him: rather trying to turn his head than actually doing it: and said, "Is it the body is it buried?" They shook their heads. "Why isn't it!" he retorted with the same glance behind him. "Wot do they keep such ugly things above the ground for? Who's that knocking?" Crackit intimated, by a motion of his hand as he left the room, that there was nothing to fear; and directly came back with Charley Bates behind him. Sikes sat opposite the door, so that the moment the boy entered the room he encountered his figure. "Toby," said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something so tremendous in the shrinking off of the three, that the wretched man was willing to propitiate even this lad. Accordingly he nodded, and made as though he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after him, I'll give him up; I will. I tell you out at once. He may kill me for it if he likes, or if he dares, but if I am here I'll give him up. I'd give him up if he was to be boiled alive. Murder! Help! If there's the pluck of a man among you three, you'll help me. Murder! Help! Down with him!" Pouring out these cries, and accompanying them with violent gesticulation, the boy actually threw himself, single-handed, upon the strong man, and in the intensity of his energy and the suddenness of his surprise, brought him heavily to the ground. The three spectators seemed quite stupefied. They offered no interference, and the boy and man rolled on the ground together; the former, heedless of the blows that showered upon him, wrenching his hands tighter and tighter in the garments about the murderer's breast, and never ceasing to call for help with all his might. The contest, however, was too unequal to last long. Sikes had him down, and his knee was on his throat, when Crackit pulled him back with a look of alarm, and pointed to the window. There were lights gleaming below, voices in loud and earnest conversation, the tramp of hurried footsteps endless they seemed in number crossing the nearest wooden bridge. One man on horseback seemed to be among the crowd; for there was the noise of hoofs rattling on the uneven pavement. The gleam of lights increased; the footsteps came more thickly and noisily on. Then, came a loud knocking at the door, and then a hoarse murmur from such a multitude of angry voices as would have made the boldest quail. "Help!" shrieked the boy in a voice that rent the air. "He's here! Break down the door!" "In the King's name," cried the voices without; and the hoarse cry arose again, but louder. "Break down the door!" screamed the boy. "I tell you they'll never open it. Run straight to the room where the light is. Break down the door!" Strokes, thick and heavy, rattled upon the door	without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do you think?" said Chitling. Toby shook his head. "If he had," said Kags, "the dog 'ud want to lead us away to where he did it. No. I think he's got out of the country, and left the dog behind. He must have given him the slip somehow, or he wouldn't be so easy." This solution, appearing the most probable one, was adopted as the right; the dog, creeping under a chair, coiled himself up to sleep, without more notice from anybody. It being now dark, the shutter was closed, and a candle lighted and placed upon the table. The terrible events of the last two days had made a deep impression on all three, increased by the danger and uncertainty of their own position. They drew their chairs closer together, starting at every sound. They spoke little, and that in whispers, and were as silent and awe-stricken as if the remains of the murdered woman lay in the next room. They had sat thus, some time, when suddenly was heard a hurried knocking at the door below. "Young Bates," said Kags, looking angrily round, to check the fear he felt himself. The knocking came again. No, it wasn't he. He never knocked like that. Crackit went to the window, and shaking all over, drew in his head. There was no need to tell them who it was; his pale face was enough. The dog too was on the alert in an instant, and ran whining to the door. "We must let him in," he said, taking up the candle. "Isn't there any help for it?" asked the other man in a hoarse voice. "None. He _must_ come in." "Don't leave us in the dark," said Kags, taking down a candle from the chimney-piece, and lighting it, with such a trembling hand that the knocking was twice repeated before he had finished. Crackit went down to the door, and returned followed by a man with the lower part of his face buried in a handkerchief, and another tied over his head under his hat. He drew them slowly off. Blanched face, sunken eyes, hollow cheeks, beard of three days' growth, wasted flesh, short thick breath; it was the very ghost of Sikes. He laid his hand upon a chair which stood in the middle of the room, but shuddering as he was about to drop into it, and seeming to glance over his shoulder, dragged it back close to the wall as close as it would go and ground it against it and sat down. Not a word had been exchanged. He looked from one to another in silence. If an eye were furtively raised and met his, it was instantly averted. When his hollow voice broke silence, they all three started. They seemed never to have heard its tones before. "How came that dog here?" he asked. "Alone. Three hours ago." "To-night's paper says that Fagin's took. Is it true, or a lie?" "True." They were silent again. "Damn you all!" said Sikes, passing his hand across his forehead. "Have you nothing to say to me?" There was an uneasy movement among them, but nobody spoke. "You that keep this house," said Sikes, turning his face to Crackit, "do you mean to sell me, or to let me lie here till this hunt is over?" "You may stop here, if you think it safe," returned the person addressed, after some hesitation. Sikes carried his eyes slowly up the wall behind him: rather trying to turn his head than actually doing it: and said, "Is it the body is it buried?" They shook their heads. "Why isn't it!" he retorted with the same glance behind him. "Wot do they keep such ugly things above the ground for? Who's that knocking?" Crackit intimated, by a motion of his hand as he left the room, that there was nothing to fear; and directly came back with Charley Bates behind him. Sikes sat opposite the door, so that the moment the boy entered the room he encountered his figure. "Toby," said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something so tremendous in the shrinking off of the three, that the wretched man was willing to propitiate even this lad. Accordingly he nodded, and made as though he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after him, I'll give him up; I will. I tell you out at once. He may kill me for it if he likes, or if he dares, but if I am here I'll give him up. I'd give him up if he was to be boiled alive. Murder! Help! If there's the pluck of a man among you three, you'll help me. Murder! Help! Down with him!" Pouring out these cries, and accompanying them with violent gesticulation, the boy actually threw himself, single-handed, upon the strong man, and in the intensity of his energy and the suddenness of his surprise, brought him heavily to the ground. The three spectators seemed quite stupefied. They offered no interference, and the boy and man rolled on the ground together; the former, heedless of the blows that showered upon him, wrenching his hands tighter and tighter in the garments about the murderer's breast, and never ceasing to call for help with all his might. The contest, however, was too unequal to last long. Sikes had him down, and his knee was on his throat, when Crackit pulled him back with a look of alarm, and pointed to the window. There were lights gleaming below, voices in loud and earnest conversation, the tramp of hurried footsteps endless they seemed in number crossing the nearest wooden bridge. One man on horseback seemed to be among the crowd; for there was the noise of hoofs rattling on the uneven pavement. The gleam of lights increased; the footsteps came more thickly and noisily on. Then, came a loud knocking at the door, and then a hoarse murmur from such a multitude of angry voices as would have made the boldest quail. "Help!" shrieked the boy in a voice that rent the air. "He's here! Break down the door!" "In the King's name," cried the voices without; and the hoarse cry arose again, but louder. "Break down the door!" screamed the boy. "I tell you they'll never open it. Run straight to the room where the light is. Break down the door!" Strokes, thick and heavy, rattled upon the door and lower window-shutters as he ceased to speak, and a loud huzzah burst from the crowd; giving the listener, for the first time, some adequate idea of its immense extent. "Open the door of some place where I can lock this screeching Hell-babe," cried Sikes fiercely; running to and fro, and dragging the boy, now, as easily as if he were an empty sack. "That door. Quick!" He flung him in, bolted it, and turned the key. "Is the downstairs door fast?" "Double-locked and chained," replied Crackit, who, with the other two men, still remained quite helpless and bewildered. "The panels are they strong?" "Lined with sheet-iron." "And the windows too?" "Yes, and the windows." "Damn you!" cried the desperate ruffian, throwing up the sash and menacing the crowd. "Do your worst! I'll cheat you yet!" Of all the terrific yells that ever fell on mortal ears, none could exceed the cry of the infuriated throng. Some shouted to those who were nearest to set the house on fire; others roared to the officers to shoot him dead. Among them all, none showed such fury as the man on horseback, who, throwing himself out of the saddle, and bursting through the crowd as if he were parting water, cried, beneath the window, in a voice that rose above all others, "Twenty guineas to the man who brings a ladder!" The nearest voices took up the cry, and hundreds echoed it. Some called for ladders, some for sledge-hammers; some ran with torches to and fro as if to seek them, and still came back and roared again; some spent their breath in impotent curses and execrations; some pressed forward with the ecstasy of madmen, and thus impeded the progress of those below; some among the boldest attempted to climb up by the water-spout and crevices in the wall; and all waved to and fro, in the darkness beneath, like a field of corn moved by an angry wind: and joined from time to time in one loud furious roar. "The tide," cried the murderer, as he staggered back into the room, and shut the faces out, "the tide was in as I came up. Give me a rope, a long rope. They're all in front. I may drop into the Folly Ditch, and clear off that way. Give me a rope, or I shall do three more murders and kill myself."	the door. "We must let him in," he said, taking up the candle. "Isn't there any help for it?" asked the other man in a hoarse voice. "None. He _must_ come in." "Don't leave us in the dark," said Kags, taking down a candle from the chimney-piece, and lighting it, with such a trembling hand that the knocking was twice repeated before he had finished. Crackit went down to the door, and returned followed by a man with the lower part of his face buried in a handkerchief, and another tied over his head under his hat. He drew them slowly off. Blanched face, sunken eyes, hollow cheeks, beard of three days' growth, wasted flesh, short thick breath; it was the very ghost of Sikes. He laid his hand upon a chair which stood in the middle of the room, but shuddering as he was about to drop into it, and seeming to glance over his shoulder, dragged it back close to the wall as close as it would go and ground it against it and sat down. Not a word had been exchanged. He looked from one to another in silence. If an eye were furtively raised and met his, it was instantly averted. When his hollow voice broke silence, they all three started. They seemed never to have heard its tones before. "How came that dog here?" he asked. "Alone. Three hours ago." "To-night's paper says that Fagin's took. Is it true, or a lie?" "True." They were silent again. "Damn you all!" said Sikes, passing his hand across his forehead. "Have you nothing to say to me?" There was an uneasy movement among them, but nobody spoke. "You that keep this house," said Sikes, turning his face to Crackit, "do you mean to sell me, or to let me lie here till this hunt is over?" "You may stop here, if you think it safe," returned the person addressed, after some hesitation. Sikes carried his eyes slowly up the wall behind him: rather trying to turn his head than actually doing it: and said, "Is it the body is it buried?" They shook their heads. "Why isn't it!" he retorted with the same glance behind him. "Wot do they keep such ugly things above the ground for? Who's that knocking?" Crackit intimated, by a motion of his hand as he left the room, that there was nothing to fear; and directly came back with Charley Bates behind him. Sikes sat opposite the door, so that the moment the boy entered the room he encountered his figure. "Toby," said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something so tremendous in the shrinking off of the three, that the wretched man was willing to propitiate even this lad. Accordingly he nodded, and made as though he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after him, I'll give him up; I will. I tell you out at once. He may kill me for it if he likes, or if he dares, but if I am here I'll give him up. I'd give him up if he was to be boiled alive. Murder! Help! If there's the pluck of a man among you three, you'll help me. Murder! Help! Down with him!" Pouring out these cries, and accompanying them with violent gesticulation, the boy actually threw himself, single-handed, upon the strong man, and in the intensity of his energy and the suddenness of his surprise, brought him heavily to the ground. The three spectators seemed quite stupefied. They offered no interference, and the boy and man rolled on the ground together; the former, heedless of the blows that showered upon him, wrenching his hands tighter and tighter in the garments about the murderer's breast, and never ceasing to call for help with all his might. The contest, however, was too unequal to last long. Sikes had him down, and his knee was on his throat, when Crackit pulled him back with a look of alarm, and pointed to the window. There were lights gleaming below, voices in loud and earnest conversation, the tramp of hurried footsteps endless they seemed in number crossing the nearest wooden bridge. One man on horseback seemed to be among the crowd; for there was the noise of hoofs rattling on the uneven pavement. The gleam of lights increased; the footsteps came more thickly and noisily on. Then, came a loud knocking at the door, and then a hoarse murmur from such a multitude of angry voices as would have made the boldest quail. "Help!" shrieked the boy in a voice that rent the air. "He's here! Break down the door!" "In the King's name," cried the voices without; and the hoarse cry arose again, but louder. "Break down the door!" screamed the boy. "I tell you they'll never open it. Run straight to the room where the light is. Break down the door!" Strokes, thick and heavy, rattled upon the door and lower window-shutters as he ceased to speak, and a loud huzzah burst from the crowd; giving the listener, for the first time, some adequate idea of its immense extent. "Open the door of some place where I can	Oliver Twist
“Will you write a cheque?”	Lady Sandgate	his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it	her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however,	his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so	you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket	back to his hostess. “Do you call giving me an advantage squeezing me by your sweet modesty for less than I may possibly bear?” “How can I say fairer,” she returned, “than that, with my backing about the other picture, which I’ve passed you my word for, thrown in, I’ll resign myself to whatever you may be disposed--characteristically!--to give for this one.” “If it’s a question of resignation,” said Mr. Bender, “you mean of course what I may be disposed--characteristically!--_not_ to give.” She played on him for an instant all her radiance. “Yes then, you dear sharp rich thing!” “And you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket a large red morocco case.” “Very good, sir,” said Gotch--but with another word for his mistress. “Lord John would like to know--” “Lord John’s there?” she interrupted. Gotch turned to the open door. “Here he is, my lady.” She accommodated herself at once, under Mr. Bender’s eye, to the complication involved in his lordship’s presence. “It’s he who went round to Bond Street.” Mr. Bender stared, but saw the connection. “To stop the show?” And then as the young man was already there: “You’ve stopped the show?” “It’s ‘on’ more than ever!” Lord John responded while Gotch retired: a hurried,	I can move the way I want. But without it I’m held up.” “You shall have it,” she replied, “if I in turn may look to _you_ for a trifle on account.” “Well,” he dryly gloomed at her, “what do you call a trifle?” “I mean” --she waited but an instant-- “what you would feel as one.” “That won’t do. You haven’t the least idea, Lady Sandgate,” he earnestly said, “_how_ I feel at these foolish times. I’ve never got used to them yet.” “Ah, don’t you understand,” she pressed, “that if I give you an advantage I’m completely at your mercy?” “Well, what mercy,” he groaned, “do you deserve?” She waited a little, brightly composed--then she indicated her inner shrine, the whereabouts of her precious picture. “Go and look at her again and you’ll see.” His protest was large, but so, after a moment, was his compliance--his heavy advance upon the other room, from just within the doorway of which the great Lawrence was serenely visible. Mr. Bender gave it his eyes once more--though after the fashion verily of a man for whom it had now no freshness of a glamour, no shade of a secret; then he came back to his hostess. “Do you call giving me an advantage squeezing me by your sweet modesty for less than I may possibly bear?” “How can I say fairer,” she returned, “than that, with my backing about the other picture, which I’ve passed you my word for, thrown in, I’ll resign myself to whatever you may be disposed--characteristically!--to give for this one.” “If it’s a question of resignation,” said Mr. Bender, “you mean of course what I may be disposed--characteristically!--_not_ to give.” She played on him for an instant all her radiance. “Yes then, you dear sharp rich thing!” “And you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket a large red morocco case.” “Very good, sir,” said Gotch--but with another word for his mistress. “Lord John would like to know--” “Lord John’s there?” she interrupted. Gotch turned to the open door. “Here he is, my lady.” She accommodated herself at once, under Mr. Bender’s eye, to the complication involved in his lordship’s presence. “It’s he who went round to Bond Street.” Mr. Bender stared, but saw the connection. “To stop the show?” And then as the young man was already there: “You’ve stopped the show?” “It’s ‘on’ more than ever!” Lord John responded while Gotch retired: a hurried, flurried, breathless Lord John, strikingly different from the backward messenger she had lately seen despatched. “But Theign should be here!” --he addressed her excitedly. “I announce you a call from the Prince.” “The Prince?” --she gasped as for the burden of the honour. “He follows you?” Mr. Bender, with an eagerness and a candour there was no mistaking, recognised on behalf of his ampler action a world of associational advantage and auspicious possibility. “Is the Prince _after_ the thing?” Lord John remained, in spite of this challenge, conscious of nothing but his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come	learned a little better every day what it is.” “You mean,” his companion asked, “the biggest bone of artistic contention----?” “Yes,” --he took it from her-- “the biggest that has been thrown into the arena for quite a while. I guess I can do with it for _that_.” Lady Sandgate, on this, after a moment, renewed her personal advance; it was as if she had now made sure of the soundness of her main bridge. “Well, if it’s the biggest bone I won’t touch it; I’ll leave it to be mauled by my betters. But since his lordship has asked me to name a price, dear Mr. Bender, I’ll name one--and as you prefer big prices I’ll try to make it suit you. Only it won’t be for the portrait of a person nobody is agreed about. The whole world is agreed, you know, about my great-grandmother.” “Oh, shucks, Lady Sandgate!” --and her visitor turned from her with the hunch of overcharged shoulders. But she apparently felt that she held him, or at least that even if such a conviction might be fatuous she must now put it to the touch. “You’ve been delivered into my hands--too charmingly; and you won’t really pretend that you don’t recognise that and in fact rather like it.” He faced about to her again as to a case of coolness unparalleled--though indeed with a quick lapse of real interest in the question of whether he had been artfully practised upon; an indifference to bad debts or peculation like that of some huge hotel or other business involving a margin for waste. He could afford, he could work waste too, clearly--and what was it, that term, you might have felt him ask, but a mean measure, anyway? quite as the “artful,” opposed to his larger game, would be the hiding and pouncing of children at play. “Do I gather that those uncanny words of his were just meant to put me off?” he inquired. And then as she but boldly and smilingly shrugged, repudiating responsibility, “Look here, Lady Sandgate, ain’t you honestly going to help me?” he pursued. This engaged her sincerity without affecting her gaiety. “Mr. Bender, Mr. Bender, I’ll help you if you’ll help _me!_” “You’ll really get me something from him to go on with?” “I’ll get you something from him to go on with.” “That’s all I ask--to get _that_. Then I can move the way I want. But without it I’m held up.” “You shall have it,” she replied, “if I in turn may look to _you_ for a trifle on account.” “Well,” he dryly gloomed at her, “what do you call a trifle?” “I mean” --she waited but an instant-- “what you would feel as one.” “That won’t do. You haven’t the least idea, Lady Sandgate,” he earnestly said, “_how_ I feel at these foolish times. I’ve never got used to them yet.” “Ah, don’t you understand,” she pressed, “that if I give you an advantage I’m completely at your mercy?” “Well, what mercy,” he groaned, “do you deserve?” She waited a little, brightly composed--then she indicated her inner shrine, the whereabouts of her precious picture. “Go and look at her again and you’ll see.” His protest was large, but so, after a moment, was his compliance--his heavy advance upon the other room, from just within the doorway of which the great Lawrence was serenely visible. Mr. Bender gave it his eyes once more--though after the fashion verily of a man for whom it had now no freshness of a glamour, no shade of a secret; then he came back to his hostess. “Do you call giving me an advantage squeezing me by your sweet modesty for less than I may possibly bear?” “How can I say fairer,” she returned, “than that, with my backing about the other picture, which I’ve passed you my word for, thrown in, I’ll resign myself to whatever you may be disposed--characteristically!--to give for this one.” “If it’s a question of resignation,” said Mr. Bender, “you mean of course what I may be disposed--characteristically!--_not_ to give.” She played on him for an instant all her radiance. “Yes then, you dear sharp rich thing!” “And you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket a large red morocco case.” “Very good, sir,” said Gotch--but with another word for his mistress. “Lord John would like to know--” “Lord John’s there?” she interrupted. Gotch turned to the open door. “Here he is, my lady.” She accommodated herself at once, under Mr. Bender’s eye, to the complication involved in his lordship’s presence. “It’s he who went round to Bond Street.” Mr. Bender stared, but saw the connection. “To stop the show?” And then as the young man was already there: “You’ve stopped the show?” “It’s ‘on’ more than ever!” Lord John responded while Gotch retired: a hurried, flurried, breathless Lord John, strikingly different from the backward messenger she had lately seen despatched. “But Theign should be here!” --he addressed her excitedly. “I announce you a call from the Prince.” “The Prince?” --she gasped as for the burden of the honour. “He follows you?” Mr. Bender, with an eagerness and a candour there was no mistaking, recognised on behalf of his ampler action a world of associational advantage and auspicious possibility. “Is the Prince _after_ the thing?” Lord John remained, in spite of this challenge, conscious of nothing but his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come round and congratulate and thank Theign and explain him his reasons.” Their hostess cast about for a sign. “Why Theign is at Kitty’s, worse luck! The Prince calls on him _here?_” “He calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?” Lord John also observed a discretion. “He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a	eyes once more--though after the fashion verily of a man for whom it had now no freshness of a glamour, no shade of a secret; then he came back to his hostess. “Do you call giving me an advantage squeezing me by your sweet modesty for less than I may possibly bear?” “How can I say fairer,” she returned, “than that, with my backing about the other picture, which I’ve passed you my word for, thrown in, I’ll resign myself to whatever you may be disposed--characteristically!--to give for this one.” “If it’s a question of resignation,” said Mr. Bender, “you mean of course what I may be disposed--characteristically!--_not_ to give.” She played on him for an instant all her radiance. “Yes then, you dear sharp rich thing!” “And you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket a large red morocco case.” “Very good, sir,” said Gotch--but with another word for his mistress. “Lord John would like to know--” “Lord John’s there?” she interrupted. Gotch turned to the open door. “Here he is, my lady.” She accommodated herself at once, under Mr. Bender’s eye, to the complication involved in his lordship’s presence. “It’s he who went round to Bond Street.” Mr. Bender stared, but saw the connection. “To stop the show?” And then as the young man was already there: “You’ve stopped the show?” “It’s ‘on’ more than ever!” Lord John responded while Gotch retired: a hurried, flurried, breathless Lord John, strikingly different from the backward messenger she had lately seen despatched. “But Theign should be here!” --he addressed her excitedly. “I announce you a call from the Prince.” “The Prince?” --she gasped as for the burden of the honour. “He follows you?” Mr. Bender, with an eagerness and a candour there was no mistaking, recognised on behalf of his ampler action a world of associational advantage and auspicious possibility. “Is the Prince _after_ the thing?” Lord John remained, in spite of this challenge, conscious of nothing but his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come round and congratulate and thank Theign and explain him his reasons.” Their hostess cast about for a sign. “Why Theign is at Kitty’s, worse luck! The Prince calls on him _here?_” “He calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I	The Outcry
"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."	Mr. Knightley	with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite	was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting	being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even	her yourself this morning?" cried he. "You have, I believe, and know the whole." "No, I have not; I know nothing; pray tell me." "You are prepared for the worst, I see--and very bad it is. Harriet Smith marries Robert Martin." Emma gave a start, which did not seem like being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even proposed to her again--yet. You only mean, that he intends it." "I mean that he has done it," answered Mr. Knightley, with smiling but determined decision, "and been accepted." "Good God!" she cried.--" "Well!" "--Then having recourse to her workbasket, in excuse for leaning down her face, and concealing all	features, "I am very much afraid, my dear Emma, that you will not smile when you hear it." "Indeed! but why so?--I can hardly imagine that any thing which pleases or amuses you, should not please and amuse me too." "There is one subject," he replied, "I hope but one, on which we do not think alike." He paused a moment, again smiling, with his eyes fixed on her face. "Does nothing occur to you?--Do not you recollect?--Harriet Smith." Her cheeks flushed at the name, and she felt afraid of something, though she knew not what. "Have you heard from her yourself this morning?" cried he. "You have, I believe, and know the whole." "No, I have not; I know nothing; pray tell me." "You are prepared for the worst, I see--and very bad it is. Harriet Smith marries Robert Martin." Emma gave a start, which did not seem like being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even proposed to her again--yet. You only mean, that he intends it." "I mean that he has done it," answered Mr. Knightley, with smiling but determined decision, "and been accepted." "Good God!" she cried.--" "Well!" "--Then having recourse to her workbasket, in excuse for leaning down her face, and concealing all the exquisite feelings of delight and entertainment which she knew she must be expressing, she added, "Well, now tell me every thing; make this intelligible to me. How, where, when?--Let me know it all. I never was more surprized--but it does not make me unhappy, I assure you.--How--how has it been possible?" "It is a very simple story. He went to town on business three days ago, and I got him to take charge of some papers which I was wanting to send to John.--He delivered these papers to John, at his chambers, and was asked by him to join	that would be all over now.--Poor fellow!--No more exploring parties to Donwell made for _her_. Oh! no; there would be a Mrs. Knightley to throw cold water on every thing.--Extremely disagreeable! But she was not at all sorry that she had abused the housekeeper the other day.--Shocking plan, living together. It would never do. She knew a family near Maple Grove who had tried it, and been obliged to separate before the end of the first quarter. CHAPTER XVIII Time passed on. A few more to-morrows, and the party from London would be arriving. It was an alarming change; and Emma was thinking of it one morning, as what must bring a great deal to agitate and grieve her, when Mr. Knightley came in, and distressing thoughts were put by. After the first chat of pleasure he was silent; and then, in a graver tone, began with, "I have something to tell you, Emma; some news." "Good or bad?" said she, quickly, looking up in his face. "I do not know which it ought to be called." "Oh! good I am sure.--I see it in your countenance. You are trying not to smile." "I am afraid," said he, composing his features, "I am very much afraid, my dear Emma, that you will not smile when you hear it." "Indeed! but why so?--I can hardly imagine that any thing which pleases or amuses you, should not please and amuse me too." "There is one subject," he replied, "I hope but one, on which we do not think alike." He paused a moment, again smiling, with his eyes fixed on her face. "Does nothing occur to you?--Do not you recollect?--Harriet Smith." Her cheeks flushed at the name, and she felt afraid of something, though she knew not what. "Have you heard from her yourself this morning?" cried he. "You have, I believe, and know the whole." "No, I have not; I know nothing; pray tell me." "You are prepared for the worst, I see--and very bad it is. Harriet Smith marries Robert Martin." Emma gave a start, which did not seem like being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even proposed to her again--yet. You only mean, that he intends it." "I mean that he has done it," answered Mr. Knightley, with smiling but determined decision, "and been accepted." "Good God!" she cried.--" "Well!" "--Then having recourse to her workbasket, in excuse for leaning down her face, and concealing all the exquisite feelings of delight and entertainment which she knew she must be expressing, she added, "Well, now tell me every thing; make this intelligible to me. How, where, when?--Let me know it all. I never was more surprized--but it does not make me unhappy, I assure you.--How--how has it been possible?" "It is a very simple story. He went to town on business three days ago, and I got him to take charge of some papers which I was wanting to send to John.--He delivered these papers to John, at his chambers, and was asked by him to join their party the same evening to Astley's. They were going to take the two eldest boys to Astley's. The party was to be our brother and sister, Henry, John--and Miss Smith. My friend Robert could not resist. They called for him in their way; were all extremely amused; and my brother asked him to dine with them the next day--which he did--and in the course of that visit (as I understand) he found an opportunity of speaking to Harriet; and certainly did not speak in vain.--She made him, by her acceptance, as happy even as he is deserving. He came down by yesterday's coach, and was with me this morning immediately after breakfast, to report his proceedings, first on my affairs, and then on his own. This is all that I can relate of the how, where, and when. Your friend Harriet will make a much longer history when you see her.--She will give you all the minute particulars, which only woman's language can make interesting.--In our communications we deal only in the great.--However, I must say, that Robert Martin's heart seemed for _him_, and to _me_, very overflowing; and that he did mention, without its being much to the	surprize wherever it spread; and Mr. Weston had his five minutes share of it; but five minutes were enough to familiarise the idea to his quickness of mind.--He saw the advantages of the match, and rejoiced in them with all the constancy of his wife; but the wonder of it was very soon nothing; and by the end of an hour he was not far from believing that he had always foreseen it. "It is to be a secret, I conclude," said he. "These matters are always a secret, till it is found out that every body knows them. Only let me be told when I may speak out.--I wonder whether Jane has any suspicion." He went to Highbury the next morning, and satisfied himself on that point. He told her the news. Was not she like a daughter, his eldest daughter?--he must tell her; and Miss Bates being present, it passed, of course, to Mrs. Cole, Mrs. Perry, and Mrs. Elton, immediately afterwards. It was no more than the principals were prepared for; they had calculated from the time of its being known at Randalls, how soon it would be over Highbury; and were thinking of themselves, as the evening wonder in many a family circle, with great sagacity. In general, it was a very well approved match. Some might think him, and others might think her, the most in luck. One set might recommend their all removing to Donwell, and leaving Hartfield for the John Knightleys; and another might predict disagreements among their servants; but yet, upon the whole, there was no serious objection raised, except in one habitation, the Vicarage.--There, the surprize was not softened by any satisfaction. Mr. Elton cared little about it, compared with his wife; he only hoped "the young lady's pride would now be contented;" and supposed "she had always meant to catch Knightley if she could;" and, on the point of living at Hartfield, could daringly exclaim, "Rather he than I!" "--But Mrs. Elton was very much discomposed indeed.--" "Poor Knightley! poor fellow!--sad business for him." "--She was extremely concerned; for, though very eccentric, he had a thousand good qualities.--How could he be so taken in?--Did not think him at all in love--not in the least.--Poor Knightley!--There would be an end of all pleasant intercourse with him.--How happy he had been to come and dine with them whenever they asked him! But that would be all over now.--Poor fellow!--No more exploring parties to Donwell made for _her_. Oh! no; there would be a Mrs. Knightley to throw cold water on every thing.--Extremely disagreeable! But she was not at all sorry that she had abused the housekeeper the other day.--Shocking plan, living together. It would never do. She knew a family near Maple Grove who had tried it, and been obliged to separate before the end of the first quarter. CHAPTER XVIII Time passed on. A few more to-morrows, and the party from London would be arriving. It was an alarming change; and Emma was thinking of it one morning, as what must bring a great deal to agitate and grieve her, when Mr. Knightley came in, and distressing thoughts were put by. After the first chat of pleasure he was silent; and then, in a graver tone, began with, "I have something to tell you, Emma; some news." "Good or bad?" said she, quickly, looking up in his face. "I do not know which it ought to be called." "Oh! good I am sure.--I see it in your countenance. You are trying not to smile." "I am afraid," said he, composing his features, "I am very much afraid, my dear Emma, that you will not smile when you hear it." "Indeed! but why so?--I can hardly imagine that any thing which pleases or amuses you, should not please and amuse me too." "There is one subject," he replied, "I hope but one, on which we do not think alike." He paused a moment, again smiling, with his eyes fixed on her face. "Does nothing occur to you?--Do not you recollect?--Harriet Smith." Her cheeks flushed at the name, and she felt afraid of something, though she knew not what. "Have you heard from her yourself this morning?" cried he. "You have, I believe, and know the whole." "No, I have not; I know nothing; pray tell me." "You are prepared for the worst, I see--and very bad it is. Harriet Smith marries Robert Martin." Emma gave a start, which did not seem like being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even proposed to her again--yet. You only mean, that he intends it." "I mean that he has done it," answered Mr. Knightley, with smiling but determined decision, "and been accepted." "Good God!" she cried.--" "Well!" "--Then having recourse to her workbasket, in excuse for leaning down her face, and concealing all the exquisite feelings of delight and entertainment which she knew she must be expressing, she added, "Well, now tell me every thing; make this intelligible to me. How, where, when?--Let me know it all. I never was more surprized--but it does not make me unhappy, I assure you.--How--how has it been possible?" "It is a very simple story. He went to town on business three days ago, and I got him to take charge of some papers which I was wanting to send to John.--He delivered these papers to John, at his chambers, and was asked by him to join their party the same evening to Astley's. They were going to take the two eldest boys to Astley's. The party was to be our brother and sister, Henry, John--and Miss Smith. My friend Robert could not resist. They called for him in their way; were all extremely amused; and my brother asked him to dine with them the next day--which he did--and in the course of that visit (as I understand) he found an opportunity of speaking to Harriet; and certainly did not speak in vain.--She made him, by her acceptance, as happy even as he is deserving. He came down by yesterday's coach, and was with me this morning immediately after breakfast, to report his proceedings, first on my affairs, and then on his own. This is all that I can relate of the how, where, and when. Your friend Harriet will make a much longer history when you see her.--She will give you all the minute particulars, which only woman's language can make interesting.--In our communications we deal only in the great.--However, I must say, that Robert Martin's heart seemed for _him_, and to _me_, very overflowing; and that he did mention, without its being much to the purpose, that on quitting their box at Astley's, my brother took charge of Mrs. John Knightley and little John, and he followed with Miss Smith and Henry; and that at one time they were in such a crowd, as to make Miss Smith rather uneasy." He stopped.--Emma dared not attempt any immediate reply. To speak, she was sure would be to betray a most unreasonable degree of happiness. She must wait a moment, or he would think her mad. Her silence disturbed him; and after observing her a little while, he added, "Emma, my love, you said that this circumstance would not now make you unhappy; but I am afraid it gives you more pain than you expected. His situation is an evil--but you must consider it as what satisfies your friend; and I will answer for your thinking better and better of him as you know him more. His good sense and good principles would delight you.--As far as the man is concerned, you could not wish your friend in better hands. His rank in society I would alter if I could, which is saying a great deal I assure you, Emma.--You laugh at me about William Larkins; but I could quite as ill spare Robert Martin." He wanted her to look up and smile; and having now brought herself not to smile too broadly--she did--cheerfully answering, "You need not be at any pains to reconcile me to the match. I think Harriet is doing extremely well. _Her_ connexions may be worse than _his_. In respectability of character, there can be no doubt that they are. I have been silent from surprize merely, excessive surprize. You cannot imagine how suddenly it has come on me! how peculiarly unprepared I was!--for I had reason to believe her very lately more determined against him, much more, than she was before." "You ought to know your friend best," replied Mr. Knightley; "but I should say she was a good-tempered, soft-hearted girl, not likely to be very, very determined against any young man who told her he loved her." Emma could not help laughing as she answered, "Upon my word, I believe you know her quite as well as I do.--But, Mr. Knightley, are you perfectly sure that she has absolutely and downright _accepted_ him. I could suppose she might in time--but can she already?--Did not you misunderstand him?--You were both talking of	he than I!" "--But Mrs. Elton was very much discomposed indeed.--" "Poor Knightley! poor fellow!--sad business for him." "--She was extremely concerned; for, though very eccentric, he had a thousand good qualities.--How could he be so taken in?--Did not think him at all in love--not in the least.--Poor Knightley!--There would be an end of all pleasant intercourse with him.--How happy he had been to come and dine with them whenever they asked him! But that would be all over now.--Poor fellow!--No more exploring parties to Donwell made for _her_. Oh! no; there would be a Mrs. Knightley to throw cold water on every thing.--Extremely disagreeable! But she was not at all sorry that she had abused the housekeeper the other day.--Shocking plan, living together. It would never do. She knew a family near Maple Grove who had tried it, and been obliged to separate before the end of the first quarter. CHAPTER XVIII Time passed on. A few more to-morrows, and the party from London would be arriving. It was an alarming change; and Emma was thinking of it one morning, as what must bring a great deal to agitate and grieve her, when Mr. Knightley came in, and distressing thoughts were put by. After the first chat of pleasure he was silent; and then, in a graver tone, began with, "I have something to tell you, Emma; some news." "Good or bad?" said she, quickly, looking up in his face. "I do not know which it ought to be called." "Oh! good I am sure.--I see it in your countenance. You are trying not to smile." "I am afraid," said he, composing his features, "I am very much afraid, my dear Emma, that you will not smile when you hear it." "Indeed! but why so?--I can hardly imagine that any thing which pleases or amuses you, should not please and amuse me too." "There is one subject," he replied, "I hope but one, on which we do not think alike." He paused a moment, again smiling, with his eyes fixed on her face. "Does nothing occur to you?--Do not you recollect?--Harriet Smith." Her cheeks flushed at the name, and she felt afraid of something, though she knew not what. "Have you heard from her yourself this morning?" cried he. "You have, I believe, and know the whole." "No, I have not; I know nothing; pray tell me." "You are prepared for the worst, I see--and very bad it is. Harriet Smith marries Robert Martin." Emma gave a start, which did not seem like being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even proposed to her again--yet. You only mean, that he intends it." "I mean that he has done it," answered Mr. Knightley, with smiling but determined decision, "and been accepted." "Good God!" she cried.--" "Well!" "--Then having recourse to her workbasket, in excuse for leaning down her face, and concealing all the exquisite feelings of delight and entertainment which she knew she must be expressing, she added, "Well, now tell me every thing; make this intelligible to me. How, where, when?--Let me know it all. I never was more surprized--but it does not make me unhappy, I assure you.--How--how has it been possible?" "It is a very simple story. He went to town on business three days ago, and I got him to take charge of some papers which I was wanting to send to John.--He delivered these papers to John, at his chambers, and was asked by him to join their party the same evening to Astley's. They were going to take the two eldest boys to Astley's. The party was to be our brother and sister, Henry, John--and Miss Smith. My friend Robert could not resist. They called for him in their way; were all extremely amused; and my brother asked him to dine with them the next day--which he did--and in the course of that visit (as I understand) he found an opportunity of speaking to Harriet; and certainly did not speak in vain.--She made him, by her acceptance, as happy even as he is deserving. He came down by yesterday's coach, and was with me this morning immediately after breakfast, to report his proceedings, first on my affairs, and then on his own. This is all that I can relate of the how, where, and when.	Emma
The colour rushed into her cheeks as she spoke.	No speaker	for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing	hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips	ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to	I am not competent." "You are right, Fanny, to protest against such an office, but you need not be afraid. It is a subject on which I should never ask advice; it is the sort of subject on which it had better never be asked; and few, I imagine, do ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to think it most improbable: the chances grow less and less; and even if it should, there will be nothing to be remembered by either you or me that we need be afraid of, for I can never be ashamed of my own scruples; and if they are removed, it must	grieves me to the soul." "The effect of education," said Fanny gently. Edmund could not but agree to it. "Yes, that uncle and aunt! They have injured the finest mind; for sometimes, Fanny, I own to you, it does appear more than manner: it appears as if the mind itself was tainted." Fanny imagined this to be an appeal to her judgment, and therefore, after a moment's consideration, said, "If you only want me as a listener, cousin, I will be as useful as I can; but I am not qualified for an adviser. Do not ask advice of _me_. I am not competent." "You are right, Fanny, to protest against such an office, but you need not be afraid. It is a subject on which I should never ask advice; it is the sort of subject on which it had better never be asked; and few, I imagine, do ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to think it most improbable: the chances grow less and less; and even if it should, there will be nothing to be remembered by either you or me that we need be afraid of, for I can never be ashamed of my own scruples; and if they are removed, it must be by changes that will only raise her character the more by the recollection of the faults she once had. You are the only being upon earth to whom I should say what I have said; but you have always known my opinion of her; you can bear me witness, Fanny, that I have never been blinded. How many a time have we talked over her little errors! You need not fear me; I have almost given up every serious idea of her; but I must be a blockhead indeed, if, whatever befell me, I could think of your kindness	I leave home." Fanny struggled for speech, and said, "I am very sorry that anything has occurred to distress you. This ought to be a day of pleasure. My uncle meant it so." "Oh yes, yes! and it will be a day of pleasure. It will all end right. I am only vexed for a moment. In fact, it is not that I consider the ball as ill-timed; what does it signify? But, Fanny," stopping her, by taking her hand, and speaking low and seriously, "you know what all this means. You see how it is; and could tell me, perhaps better than I could tell you, how and why I am vexed. Let me talk to you a little. You are a kind, kind listener. I have been pained by her manner this morning, and cannot get the better of it. I know her disposition to be as sweet and faultless as your own, but the influence of her former companions makes her seem gives to her conversation, to her professed opinions, sometimes a tinge of wrong. She does not _think_ evil, but she speaks it, speaks it in playfulness; and though I know it to be playfulness, it grieves me to the soul." "The effect of education," said Fanny gently. Edmund could not but agree to it. "Yes, that uncle and aunt! They have injured the finest mind; for sometimes, Fanny, I own to you, it does appear more than manner: it appears as if the mind itself was tainted." Fanny imagined this to be an appeal to her judgment, and therefore, after a moment's consideration, said, "If you only want me as a listener, cousin, I will be as useful as I can; but I am not qualified for an adviser. Do not ask advice of _me_. I am not competent." "You are right, Fanny, to protest against such an office, but you need not be afraid. It is a subject on which I should never ask advice; it is the sort of subject on which it had better never be asked; and few, I imagine, do ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to think it most improbable: the chances grow less and less; and even if it should, there will be nothing to be remembered by either you or me that we need be afraid of, for I can never be ashamed of my own scruples; and if they are removed, it must be by changes that will only raise her character the more by the recollection of the faults she once had. You are the only being upon earth to whom I should say what I have said; but you have always known my opinion of her; you can bear me witness, Fanny, that I have never been blinded. How many a time have we talked over her little errors! You need not fear me; I have almost given up every serious idea of her; but I must be a blockhead indeed, if, whatever befell me, I could think of your kindness and sympathy without the sincerest gratitude." He had said enough to shake the experience of eighteen. He had said enough to give Fanny some happier feelings than she had lately known, and with a brighter look, she answered, "Yes, cousin, I am convinced that _you_ would be incapable of anything else, though perhaps some might not. I cannot be afraid of hearing anything you wish to say. Do not check yourself. Tell me whatever you like." They were now on the second floor, and the appearance of a housemaid prevented any farther conversation. For Fanny's present comfort it was concluded, perhaps, at the happiest moment: had he been able to talk another five minutes, there is no saying that he might not have talked away all Miss Crawford's faults and his own despondence. But as it was, they parted with looks on his side of grateful affection, and with some very precious sensations on hers. She had felt nothing like it for hours. Since the first joy from Mr. Crawford's note to William had worn away, she had been in a state absolutely the reverse; there had been no comfort around, no hope within her. Now everything was smiling. William's	though the housekeeper might, Fanny was worn down at last to think everything an evil belonging to the ball, and when sent off with a parting worry to dress, moved as languidly towards her own room, and felt as incapable of happiness as if she had been allowed no share in it. As she walked slowly upstairs she thought of yesterday; it had been about the same hour that she had returned from the Parsonage, and found Edmund in the East room. "Suppose I were to find him there again to-day!" said she to herself, in a fond indulgence of fancy. "Fanny," said a voice at that moment near her. Starting and looking up, she saw, across the lobby she had just reached, Edmund himself, standing at the head of a different staircase. He came towards her. "You look tired and fagged, Fanny. You have been walking too far." "No, I have not been out at all." "Then you have had fatigues within doors, which are worse. You had better have gone out." Fanny, not liking to complain, found it easiest to make no answer; and though he looked at her with his usual kindness, she believed he had soon ceased to think of her countenance. He did not appear in spirits: something unconnected with her was probably amiss. They proceeded upstairs together, their rooms being on the same floor above. "I come from Dr. Grant's," said Edmund presently. "You may guess my errand there, Fanny." And he looked so conscious, that Fanny could think but of one errand, which turned her too sick for speech. "I wished to engage Miss Crawford for the two first dances," was the explanation that followed, and brought Fanny to life again, enabling her, as she found she was expected to speak, to utter something like an inquiry as to the result. "Yes," he answered, "she is engaged to me; but" (with a smile that did not sit easy) "she says it is to be the last time that she ever will dance with me. She is not serious. I think, I hope, I am sure she is not serious; but I would rather not hear it. She never has danced with a clergyman, she says, and she never _will_. For my own sake, I could wish there had been no ball just at I mean not this very week, this very day; to-morrow I leave home." Fanny struggled for speech, and said, "I am very sorry that anything has occurred to distress you. This ought to be a day of pleasure. My uncle meant it so." "Oh yes, yes! and it will be a day of pleasure. It will all end right. I am only vexed for a moment. In fact, it is not that I consider the ball as ill-timed; what does it signify? But, Fanny," stopping her, by taking her hand, and speaking low and seriously, "you know what all this means. You see how it is; and could tell me, perhaps better than I could tell you, how and why I am vexed. Let me talk to you a little. You are a kind, kind listener. I have been pained by her manner this morning, and cannot get the better of it. I know her disposition to be as sweet and faultless as your own, but the influence of her former companions makes her seem gives to her conversation, to her professed opinions, sometimes a tinge of wrong. She does not _think_ evil, but she speaks it, speaks it in playfulness; and though I know it to be playfulness, it grieves me to the soul." "The effect of education," said Fanny gently. Edmund could not but agree to it. "Yes, that uncle and aunt! They have injured the finest mind; for sometimes, Fanny, I own to you, it does appear more than manner: it appears as if the mind itself was tainted." Fanny imagined this to be an appeal to her judgment, and therefore, after a moment's consideration, said, "If you only want me as a listener, cousin, I will be as useful as I can; but I am not qualified for an adviser. Do not ask advice of _me_. I am not competent." "You are right, Fanny, to protest against such an office, but you need not be afraid. It is a subject on which I should never ask advice; it is the sort of subject on which it had better never be asked; and few, I imagine, do ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to think it most improbable: the chances grow less and less; and even if it should, there will be nothing to be remembered by either you or me that we need be afraid of, for I can never be ashamed of my own scruples; and if they are removed, it must be by changes that will only raise her character the more by the recollection of the faults she once had. You are the only being upon earth to whom I should say what I have said; but you have always known my opinion of her; you can bear me witness, Fanny, that I have never been blinded. How many a time have we talked over her little errors! You need not fear me; I have almost given up every serious idea of her; but I must be a blockhead indeed, if, whatever befell me, I could think of your kindness and sympathy without the sincerest gratitude." He had said enough to shake the experience of eighteen. He had said enough to give Fanny some happier feelings than she had lately known, and with a brighter look, she answered, "Yes, cousin, I am convinced that _you_ would be incapable of anything else, though perhaps some might not. I cannot be afraid of hearing anything you wish to say. Do not check yourself. Tell me whatever you like." They were now on the second floor, and the appearance of a housemaid prevented any farther conversation. For Fanny's present comfort it was concluded, perhaps, at the happiest moment: had he been able to talk another five minutes, there is no saying that he might not have talked away all Miss Crawford's faults and his own despondence. But as it was, they parted with looks on his side of grateful affection, and with some very precious sensations on hers. She had felt nothing like it for hours. Since the first joy from Mr. Crawford's note to William had worn away, she had been in a state absolutely the reverse; there had been no comfort around, no hope within her. Now everything was smiling. William's good fortune returned again upon her mind, and seemed of greater value than at first. The ball, too such an evening of pleasure before her! It was now a real animation; and she began to dress for it with much of the happy flutter which belongs to a ball. All went well: she did not dislike her own looks; and when she came to the necklaces again, her good fortune seemed complete, for upon trial the one given her by Miss Crawford would by no means go through the ring of the cross. She had, to oblige Edmund, resolved to wear it; but it was too large for the purpose. His, therefore, must be worn; and having, with delightful feelings, joined the chain and the cross those memorials of the two most beloved of her heart, those dearest tokens so formed for each other by everything real and imaginary and put them round her neck, and seen and felt how full of William and Edmund they were, she was able, without an effort, to resolve on wearing Miss Crawford's necklace too. She acknowledged it to be right. Miss Crawford had a claim; and when it was no longer to encroach on, to interfere with the stronger claims, the truer kindness of another, she could do her justice even with pleasure to herself. The necklace really looked very well; and Fanny left her room at last, comfortably satisfied with herself and all about her. Her aunt Bertram had recollected her on this occasion with an unusual degree of wakefulness. It had really occurred to her, unprompted, that Fanny, preparing for a ball, might be glad of better help than the upper housemaid's, and when dressed herself, she actually sent her own maid to assist her; too late, of course, to be of any use. Mrs. Chapman had just reached the attic floor, when Miss Price came out of her room completely dressed, and only civilities were necessary; but Fanny felt her aunt's attention almost as much as Lady Bertram or Mrs. Chapman could do themselves. CHAPTER XXVIII Her uncle and both her aunts were in the drawing-room when Fanny went down. To the former she was an interesting object, and he saw with pleasure the general elegance of her appearance, and her being in remarkably good looks. The neatness and propriety of her dress was all that he would allow himself	I know it to be playfulness, it grieves me to the soul." "The effect of education," said Fanny gently. Edmund could not but agree to it. "Yes, that uncle and aunt! They have injured the finest mind; for sometimes, Fanny, I own to you, it does appear more than manner: it appears as if the mind itself was tainted." Fanny imagined this to be an appeal to her judgment, and therefore, after a moment's consideration, said, "If you only want me as a listener, cousin, I will be as useful as I can; but I am not qualified for an adviser. Do not ask advice of _me_. I am not competent." "You are right, Fanny, to protest against such an office, but you need not be afraid. It is a subject on which I should never ask advice; it is the sort of subject on which it had better never be asked; and few, I imagine, do ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to think it most improbable: the chances grow less and less; and even if it should, there will be nothing to be remembered by either you or me that we need be afraid of, for I can never be ashamed of my own scruples; and if they are removed, it must be by changes that will only raise her character the more by the recollection of the faults she once had. You are the only being upon earth to whom I should say what I have said; but you have always known my opinion of her; you can bear me witness, Fanny, that I have never been blinded. How many a time have we talked over her little errors! You need not fear me; I have almost given up every serious idea of her; but I must be a blockhead indeed, if, whatever befell me, I could think of your kindness and sympathy without the sincerest gratitude." He had said enough to shake the experience of eighteen. He had said enough to give Fanny some happier feelings than she had lately known, and with a brighter look, she answered, "Yes, cousin, I am convinced that _you_ would be incapable of anything else, though perhaps some might not. I cannot be afraid of hearing anything you wish to say. Do not check yourself. Tell me whatever you like." They were now on the second floor, and the appearance of a housemaid prevented any farther conversation. For Fanny's present comfort it was concluded, perhaps, at the happiest moment: had he been able to talk another five minutes, there is no saying that he might not have talked away all Miss Crawford's faults and his own despondence. But as it was, they parted with looks on his side of grateful affection, and with some very precious sensations on hers. She had felt nothing like it for hours. Since the first joy from Mr. Crawford's note to William had worn away, she had been in a state absolutely the reverse; there had been no comfort around, no	Mansfield Park
"You are certainly a model client. You have the correct intuition. Let us see, now."	Mr. Sherlock Holmes	a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers	here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave	appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the	"But would he come?" she asked, with something appealing in her voice and expression. "I should be proud and happy," said I, fervently, "if I can be of any service." "You are both very kind," she answered. "I have led a retired life, and have no friends whom I could appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the twirl of the final _s_. They are undoubtedly by the same person. I should not like to suggest false hopes, Miss Morstan, but is there any resemblance between this hand and that of your father?" "Nothing could be more unlike." "I expected to hear you say so. We shall look	pillar from the left outside the Lyceum Theatre to-night at seven o clock. If you are distrustful, bring two friends. You are a wronged woman, and shall have justice. Do not bring police. If you do, all will be in vain. Your unknown friend. "Well, really, this is a very pretty little mystery. What do you intend to do, Miss Morstan?" "That is exactly what I want to ask you." "Then we shall most certainly go. You and I and yes, why, Dr. Watson is the very man. Your correspondent says two friends. He and I have worked together before." "But would he come?" she asked, with something appealing in her voice and expression. "I should be proud and happy," said I, fervently, "if I can be of any service." "You are both very kind," she answered. "I have led a retired life, and have no friends whom I could appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the twirl of the final _s_. They are undoubtedly by the same person. I should not like to suggest false hopes, Miss Morstan, but is there any resemblance between this hand and that of your father?" "Nothing could be more unlike." "I expected to hear you say so. We shall look out for you, then, at six. Pray allow me to keep the papers. I may look into the matter before then. It is only half-past three. _Au revoir_, then." "_Au revoir_," said our visitor, and, with a bright, kindly glance from one to the other of us, she replaced her pearl-box in her bosom and hurried away. Standing at the window, I watched her walking briskly down the street, until the grey turban and white feather were but a speck in the sombre crowd. "What a very attractive woman!" I exclaimed, turning to my companion. He had lit his pipe	governess. By her advice I published my address in the advertisement column. The same day there arrived through the post a small card-board box addressed to me, which I found to contain a very large and lustrous pearl. No word of writing was enclosed. Since then every year upon the same date there has always appeared a similar box, containing a similar pearl, without any clue as to the sender. They have been pronounced by an expert to be of a rare variety and of considerable value. You can see for yourselves that they are very handsome." She opened a flat box as she spoke, and showed me six of the finest pearls that I had ever seen. "Your statement is most interesting," said Sherlock Holmes. "Has anything else occurred to you?" "Yes, and no later than to-day. That is why I have come to you. This morning I received this letter, which you will perhaps read for yourself." "Thank you," said Holmes. "The envelope too, please. Postmark, London, S.W. Date, July 7. Hum! Man s thumb-mark on corner, probably postman. Best quality paper. Envelopes at sixpence a packet. Particular man in his stationery. No address." Be at the third pillar from the left outside the Lyceum Theatre to-night at seven o clock. If you are distrustful, bring two friends. You are a wronged woman, and shall have justice. Do not bring police. If you do, all will be in vain. Your unknown friend. "Well, really, this is a very pretty little mystery. What do you intend to do, Miss Morstan?" "That is exactly what I want to ask you." "Then we shall most certainly go. You and I and yes, why, Dr. Watson is the very man. Your correspondent says two friends. He and I have worked together before." "But would he come?" she asked, with something appealing in her voice and expression. "I should be proud and happy," said I, fervently, "if I can be of any service." "You are both very kind," she answered. "I have led a retired life, and have no friends whom I could appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the twirl of the final _s_. They are undoubtedly by the same person. I should not like to suggest false hopes, Miss Morstan, but is there any resemblance between this hand and that of your father?" "Nothing could be more unlike." "I expected to hear you say so. We shall look out for you, then, at six. Pray allow me to keep the papers. I may look into the matter before then. It is only half-past three. _Au revoir_, then." "_Au revoir_," said our visitor, and, with a bright, kindly glance from one to the other of us, she replaced her pearl-box in her bosom and hurried away. Standing at the window, I watched her walking briskly down the street, until the grey turban and white feather were but a speck in the sombre crowd. "What a very attractive woman!" I exclaimed, turning to my companion. He had lit his pipe again, and was leaning back with drooping eyelids. "Is she?" he said, languidly. "I did not observe." "You really are an automaton, a calculating-machine!" I cried. "There is something positively inhuman in you at times." He smiled gently. "It is of the first importance," he said, "not to allow your judgment to be biased by personal qualities. A client is to me a mere unit, a factor in a problem. The emotional qualities are antagonistic to clear reasoning. I assure you that the most winning woman I ever knew was hanged for poisoning three little children for their insurance-money, and the most repellant man of my acquaintance is a philanthropist who has spent nearly a quarter of a million upon the London poor." "In this case, however" "I never make exceptions. An exception disproves the rule. Have you ever had occasion to study character in handwriting? What do you make of this fellow s scribble?" "It is legible and regular," I answered. "A man of business habits and some force of character." Holmes shook his head. "Look at his long letters," he said. "They hardly rise above the common herd. That _d_ might be an _a_, and that _l_ an	dead, and I had no relative in England. I was placed, however, in a comfortable boarding establishment at Edinburgh, and there I remained until I was seventeen years of age. In the year 1878 my father, who was senior captain of his regiment, obtained twelve months leave and came home. He telegraphed to me from London that he had arrived all safe, and directed me to come down at once, giving the Langham Hotel as his address. His message, as I remember, was full of kindness and love. On reaching London I drove to the Langham, and was informed that Captain Morstan was staying there, but that he had gone out the night before and had not yet returned. I waited all day without news of him. That night, on the advice of the manager of the hotel, I communicated with the police, and next morning we advertised in all the papers. Our inquiries led to no result; and from that day to this no word has ever been heard of my unfortunate father. He came home with his heart full of hope, to find some peace, some comfort, and instead" She put her hand to her throat, and a choking sob cut short the sentence. "The date?" asked Holmes, opening his note-book. "He disappeared upon the 3rd of December, 1878, nearly ten years ago." "His luggage?" "Remained at the hotel. There was nothing in it to suggest a clue, some clothes, some books, and a considerable number of curiosities from the Andaman Islands. He had been one of the officers in charge of the convict-guard there." "Had he any friends in town?" "Only one that we know of, Major Sholto, of his own regiment, the 34th Bombay Infantry. The major had retired some little time before, and lived at Upper Norwood. We communicated with him, of course, but he did not even know that his brother officer was in England." "A singular case," remarked Holmes. "I have not yet described to you the most singular part. About six years ago to be exact, upon the 4th of May, 1882 an advertisement appeared in the _Times_ asking for the address of Miss Mary Morstan and stating that it would be to her advantage to come forward. There was no name or address appended. I had at that time just entered the family of Mrs. Cecil Forrester in the capacity of governess. By her advice I published my address in the advertisement column. The same day there arrived through the post a small card-board box addressed to me, which I found to contain a very large and lustrous pearl. No word of writing was enclosed. Since then every year upon the same date there has always appeared a similar box, containing a similar pearl, without any clue as to the sender. They have been pronounced by an expert to be of a rare variety and of considerable value. You can see for yourselves that they are very handsome." She opened a flat box as she spoke, and showed me six of the finest pearls that I had ever seen. "Your statement is most interesting," said Sherlock Holmes. "Has anything else occurred to you?" "Yes, and no later than to-day. That is why I have come to you. This morning I received this letter, which you will perhaps read for yourself." "Thank you," said Holmes. "The envelope too, please. Postmark, London, S.W. Date, July 7. Hum! Man s thumb-mark on corner, probably postman. Best quality paper. Envelopes at sixpence a packet. Particular man in his stationery. No address." Be at the third pillar from the left outside the Lyceum Theatre to-night at seven o clock. If you are distrustful, bring two friends. You are a wronged woman, and shall have justice. Do not bring police. If you do, all will be in vain. Your unknown friend. "Well, really, this is a very pretty little mystery. What do you intend to do, Miss Morstan?" "That is exactly what I want to ask you." "Then we shall most certainly go. You and I and yes, why, Dr. Watson is the very man. Your correspondent says two friends. He and I have worked together before." "But would he come?" she asked, with something appealing in her voice and expression. "I should be proud and happy," said I, fervently, "if I can be of any service." "You are both very kind," she answered. "I have led a retired life, and have no friends whom I could appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the twirl of the final _s_. They are undoubtedly by the same person. I should not like to suggest false hopes, Miss Morstan, but is there any resemblance between this hand and that of your father?" "Nothing could be more unlike." "I expected to hear you say so. We shall look out for you, then, at six. Pray allow me to keep the papers. I may look into the matter before then. It is only half-past three. _Au revoir_, then." "_Au revoir_," said our visitor, and, with a bright, kindly glance from one to the other of us, she replaced her pearl-box in her bosom and hurried away. Standing at the window, I watched her walking briskly down the street, until the grey turban and white feather were but a speck in the sombre crowd. "What a very attractive woman!" I exclaimed, turning to my companion. He had lit his pipe again, and was leaning back with drooping eyelids. "Is she?" he said, languidly. "I did not observe." "You really are an automaton, a calculating-machine!" I cried. "There is something positively inhuman in you at times." He smiled gently. "It is of the first importance," he said, "not to allow your judgment to be biased by personal qualities. A client is to me a mere unit, a factor in a problem. The emotional qualities are antagonistic to clear reasoning. I assure you that the most winning woman I ever knew was hanged for poisoning three little children for their insurance-money, and the most repellant man of my acquaintance is a philanthropist who has spent nearly a quarter of a million upon the London poor." "In this case, however" "I never make exceptions. An exception disproves the rule. Have you ever had occasion to study character in handwriting? What do you make of this fellow s scribble?" "It is legible and regular," I answered. "A man of business habits and some force of character." Holmes shook his head. "Look at his long letters," he said. "They hardly rise above the common herd. That _d_ might be an _a_, and that _l_ an _e_. Men of character always differentiate their long letters, however illegibly they may write. There is vacillation in his _k_ s and self-esteem in his capitals. I am going out now. I have some few references to make. Let me recommend this book, one of the most remarkable ever penned. It is Winwood Reade s Martyrdom of Man. I shall be back in an hour." I sat in the window with the volume in my hand, but my thoughts were far from the daring speculations of the writer. My mind ran upon our late visitor, her smiles, the deep rich tones of her voice, the strange mystery which overhung her life. If she were seventeen at the time of her father s disappearance she must be seven-and-twenty now, a sweet age, when youth has lost its self-consciousness and become a little sobered by experience. So I sat and mused, until such dangerous thoughts came into my head that I hurried away to my desk and plunged furiously into the latest treatise upon pathology. What was I, an army surgeon with a weak leg and a weaker banking-account, that I should dare to think of such things? She was a unit, a factor, nothing more. If my future were black, it was better surely to face it like a man than to attempt to brighten it by mere will-o -the-wisps of the imagination. Chapter III In Quest of a Solution It was half-past five before Holmes returned. He was bright, eager, and in excellent spirits, a mood which in his case alternated with fits of the blackest depression. "There is no great mystery in this matter," he said, taking the cup of tea which I had poured out for him. "The facts appear to admit of only one explanation." "What! you have solved it already?" "Well, that would be too much to say. I have discovered a suggestive fact, that is all. It is, however, _very_ suggestive. The details are still to be added. I have just found, on consulting the back files of the _Times_, that Major Sholto, of Upper Norword, late of the 34th Bombay Infantry, died upon the 28th of April, 1882." "I may be very obtuse, Holmes, but I fail to see what this suggests." "No? You surprise me. Look at it in this way, then. Captain Morstan disappears. The only person in London whom he could	by an expert to be of a rare variety and of considerable value. You can see for yourselves that they are very handsome." She opened a flat box as she spoke, and showed me six of the finest pearls that I had ever seen. "Your statement is most interesting," said Sherlock Holmes. "Has anything else occurred to you?" "Yes, and no later than to-day. That is why I have come to you. This morning I received this letter, which you will perhaps read for yourself." "Thank you," said Holmes. "The envelope too, please. Postmark, London, S.W. Date, July 7. Hum! Man s thumb-mark on corner, probably postman. Best quality paper. Envelopes at sixpence a packet. Particular man in his stationery. No address." Be at the third pillar from the left outside the Lyceum Theatre to-night at seven o clock. If you are distrustful, bring two friends. You are a wronged woman, and shall have justice. Do not bring police. If you do, all will be in vain. Your unknown friend. "Well, really, this is a very pretty little mystery. What do you intend to do, Miss Morstan?" "That is exactly what I want to ask you." "Then we shall most certainly go. You and I and yes, why, Dr. Watson is the very man. Your correspondent says two friends. He and I have worked together before." "But would he come?" she asked, with something appealing in her voice and expression. "I should be proud and happy," said I, fervently, "if I can be of any service." "You are both very kind," she answered. "I have led a retired life, and have no friends whom I could appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the twirl of the final _s_. They are undoubtedly by the same person. I should not like to suggest false hopes, Miss Morstan, but is there any resemblance between this hand and that of your father?" "Nothing could be more unlike." "I expected to hear you say so. We shall look out for you, then, at six. Pray allow me to keep the papers. I may look into the matter before then. It is only half-past three. _Au revoir_, then." "_Au revoir_," said our visitor, and, with a bright, kindly glance from one to the other of us, she replaced her pearl-box in her bosom and hurried away. Standing at the window, I watched her walking briskly down the street, until the grey turban and white feather were but a speck in the sombre crowd. "What a very attractive woman!" I exclaimed, turning to my companion. He had lit his pipe again, and was leaning back with drooping eyelids. "Is she?" he said, languidly. "I did not observe." "You really are an automaton, a calculating-machine!" I cried. "There is something positively inhuman in you at times." He smiled gently. "It is of the first importance," he said, "not to allow your judgment to be biased by personal qualities. A client is to me a mere unit, a factor in a problem. The emotional qualities are antagonistic to clear reasoning. I assure you that the most winning woman I ever knew was hanged for poisoning three little children for their insurance-money, and the most repellant man of my acquaintance is a philanthropist who has spent nearly	The Sign Of The Four
"No,"	Mr. Lucian Gregory	to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a	here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the	see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a	tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of	the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what	the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink	with grave eyes. "My dear Miss Gregory," said Syme gently, "there are many kinds of sincerity and insincerity. When you say thank you' for the salt, do you mean what you say? No. When you say the world is round,' do you mean what you say? No. It is true, but you don't mean it. Now, sometimes a man like your brother really finds a thing he does mean. It may be only a half-truth, quarter-truth, tenth-truth; but then he says more than he means from sheer force of meaning it." She was looking at him from under level brows; her face was grave and open, and there had fallen upon it the shadow of that unreasoning responsibility which is at the bottom of the most frivolous woman, the maternal watch which is as old as the world. "Is he really an anarchist, then?" she asked. "Only in that sense I speak of," replied Syme; "or if you prefer it, in that nonsense." She drew her broad brows together and said abruptly "He wouldn't really use bombs or that sort of thing?" Syme broke into a great laugh, that seemed too large for his slight and somewhat dandified figure. "Good Lord, no!" he said, "that has to be done anonymously." And at that the corners of her own mouth broke into a smile, and she thought with a simultaneous pleasure of Gregory's absurdity and of his safety. Syme strolled with her to a seat in the corner of the garden, and continued to pour out his opinions. For he was a sincere man, and in spite of his superficial airs and graces, at root a humble one. And it is always the humble man who talks too much; the proud man watches himself too closely. He defended respectability with violence and exaggeration. He grew passionate in his praise of tidiness and propriety. All the time there was a smell of lilac all round him. Once he heard very faintly in some distant street a barrel-organ begin to play, and it seemed to him that his heroic words were moving to a tiny tune from under or beyond the world. He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink or religion." Syme stood waiting with his usual air of mildness until Gregory again opened his lips. "You spoke just now of having a religion. Is it really true that you have one?" "Oh," said Syme with a beaming smile, "we are all Catholics now." "Then may I ask you to swear by whatever gods or saints your religion involves that you will not reveal what I am now going to tell you to any son of Adam, and especially not to the police? Will you swear that! If you will take upon yourself this awful abnegation if you will consent to burden your soul with a vow that you should never make and a knowledge you should never dream about, I will promise you in return" "You will promise me in return?" inquired Syme, as the other paused. "I will promise you a very entertaining evening." Syme suddenly took off his hat. "Your offer," he said, "is far too idiotic to be declined. You say that a poet is always an anarchist. I disagree; but I hope at least that he is always a sportsman. Permit me, here and now, to swear as a Christian, and promise as a good comrade and a fellow-artist, that I will not report anything of this, whatever it is, to the police. And now, in the name of Colney Hatch, what is it?" "I think," said Gregory, with placid irrelevancy, "that we will call a cab." He gave two long whistles, and a hansom came rattling down the road. The two got into it in silence. Gregory gave through the trap the address of an obscure public-house on the Chiswick bank of the river. The cab whisked itself away again, and in it these two fantastics quitted their fantastic town. CHAPTER II. THE SECRET OF GABRIEL SYME The cab pulled up before a particularly dreary and greasy beershop, into which Gregory rapidly conducted his companion. They seated themselves in a close and dim sort of bar-parlour, at a stained wooden table with one wooden leg. The room was so small and dark, that very little could be seen of the attendant who was summoned, beyond a vague and dark impression of something bulky and bearded. "Will you take a little supper?" asked Gregory politely. "The _p t de foie gras_ is not good here, but I can recommend the game." Syme received the	very faintly in some distant street a barrel-organ begin to play, and it seemed to him that his heroic words were moving to a tiny tune from under or beyond the world. He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And	The Man Who Was Thursday
"No one."	Margaret	"All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting	of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is	"Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of	to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery,	"She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with	noun--" "without planning one s actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait." "I believe you would never have told me." "Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with her plans, not bitter or excitable, neither asserting innocence nor confessing guilt, merely desiring freedom and the company of those who would not blame her. She had been through--how much? Margaret did not know. But it was enough to part her from old habits as well as old friends. "Tell me about yourself," said Helen, who had chosen her books, and was lingering over the furniture. "There s nothing to tell." "But your marriage has been happy, Meg?" "Yes, but I don t feel inclined to talk." "You feel as I do." "Not that, but I can t." "No more can I. It is a nuisance, but no good trying." Something had come between them. Perhaps it was Society, which henceforward would exclude Helen. Perhaps it was a third life, already potent as a spirit. They could find no meeting-place. Both suffered acutely, and were not comforted by the knowledge that affection survived. "Look here, Meg, is the coast clear?" "You mean that you want to go away from me?" "I suppose so--dear old lady! it isn t any use. I knew we should have nothing to say. Give my love to Aunt Juley and Tibby, and take more yourself	back into the car. "Now, Henry, you," she said gently. None of her bitterness had been directed at him. "Go away now, dear. I shall want your advice later, no doubt. Forgive me if I have been cross. But, seriously, you must go." He was too stupid to leave her. Now it was Mr. Mansbridge who called in a low voice to him. "I shall soon find you down at Dolly s," she called, as the gate at last clanged between them. The fly moved out of the way, the motor backed, turned a little, backed again, and turned in the narrow road. A string of farm carts came up in the middle; but she waited through all, for there was no hurry. When all was over and the car had started, she opened the door. "Oh, my darling!" she said. "My darling, forgive me." Helen was standing in the hall. CHAPTER XXXVII Margaret bolted the door on the inside. Then she would have kissed her sister, but Helen, in a dignified voice, that came strangely from her, said: "Convenient! You did not tell me that the books were unpacked. I have found nearly everything that I want." "I told you nothing that was true." "It has been a great surprise, certainly. Has Aunt Juley been ill?" "Helen, you wouldn t think I d invent that?" "I suppose not," said Helen, turning away, and crying a very little. "But one loses faith in everything after this." "We thought it was illness, but even then--I haven t behaved worthily." Helen selected another book. "I ought not to have consulted any one. What would our father have thought of me?" She did not think of questioning her sister, or of rebuking her. Both might be necessary in the future, but she had first to purge a greater crime than any that Helen could have committed--that want of confidence that is the work of the devil. "Yes, I am annoyed," replied Helen. "My wishes should have been respected. I would have gone through this meeting if it was necessary, but after Aunt Juley recovered, it was not necessary. Planning my life, as I now have to do." "Come away from those books," called Margaret. "Helen, do talk to me." "I was just saying that I have stopped living haphazard. One can t go through a great deal of --" "--she left out the noun--" "without planning one s actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait." "I believe you would never have told me." "Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with her plans, not bitter or excitable, neither asserting innocence nor confessing guilt, merely desiring freedom and the company of those who would not blame her. She had been through--how much? Margaret did not know. But it was enough to part her from old habits as well as old friends. "Tell me about yourself," said Helen, who had chosen her books, and was lingering over the furniture. "There s nothing to tell." "But your marriage has been happy, Meg?" "Yes, but I don t feel inclined to talk." "You feel as I do." "Not that, but I can t." "No more can I. It is a nuisance, but no good trying." Something had come between them. Perhaps it was Society, which henceforward would exclude Helen. Perhaps it was a third life, already potent as a spirit. They could find no meeting-place. Both suffered acutely, and were not comforted by the knowledge that affection survived. "Look here, Meg, is the coast clear?" "You mean that you want to go away from me?" "I suppose so--dear old lady! it isn t any use. I knew we should have nothing to say. Give my love to Aunt Juley and Tibby, and take more yourself than I can say. Promise to come and see me in Munich later." "Certainly, dearest." "For that is all we can do." It seemed so. Most ghastly of all was Helen s common sense; Monica had been extraordinarily good for her. "I am glad to have seen you and the things." She looked at the bookcase lovingly, as if she was saying farewell to the past. Margaret unbolted the door. She remarked: "The car has gone, and here s your cab." She led the way to it, glancing at the leaves and the sky. The spring had never seemed more beautiful. The driver, who was leaning on the gate, called out, "Please, lady, a message," and handed her Henry s visiting-card through the bars. "How did this come?" she asked. Crane had returned with it almost at once. She read the card with annoyance. It was covered with instructions in domestic French. When she and her sister had talked she was to come back for the night to Dolly s. "Il faut dormir sur ce sujet." while Helen was to be found une comfortable chambre a l hotel. The final sentence displeased her greatly until she remembered that the Charles s had only one spare room, and so could not invite a third guest. "Henry would have done what he could," she interpreted. Helen had not followed her into the garden. The door once open, she lost her inclination to fly. She remained in the hall, going from bookcase to table. She grew more like the old Helen, irresponsible and charming. "This IS Mr. Wilcox s house?" she inquired. "Surely you remember Howards End?" "Remember? I who remember everything! But it looks to be ours now." "Miss Avery was extraordinary," said Margaret, her own spirits lightening a little. Again she was invaded by a slight feeling of disloyalty. But it brought her relief, and she yielded to it. "She loved Mrs. Wilcox, and would rather furnish her home with our things than think of it empty. In consequence here are all the library books." "Not all the books. She hasn t unpacked the Art books, in which she may show her sense. And we never used to have the sword here." "The sword looks well, though." "Magnificent." "Yes, doesn t it?" "Where s the piano, Meg?" "I warehoused that in London. Why?" "Nothing." "Curious, too, that the carpet fits." "The	advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait." "I believe you would never have told me." "Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with her plans, not bitter or excitable, neither asserting innocence nor confessing guilt, merely desiring freedom and the company of those who would not blame her. She had been through--how much? Margaret did not know. But it was enough to part her from old habits as well as old friends. "Tell me about yourself," said Helen, who had chosen her books, and was lingering over the furniture. "There s nothing to tell." "But your marriage has been happy, Meg?" "Yes, but I don t feel inclined to talk." "You feel as I do." "Not that, but I can t." "No more can I. It is	Howards End
That alters everything.'	No speaker	and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You	Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had	in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would	us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of	who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with	chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could not be! Surely no woman as beautiful as Mary Cavendish could be a murderess. Yet beautiful women had been known	right to criticize my actions?" "It will be the talk of the village! My mother was only buried on Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice. "Am I to understand that you will continue to see Bauerstein against my express wishes?" "If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could not be! Surely no woman as beautiful as Mary Cavendish could be a murderess. Yet beautiful women had been known to poison. And suddenly I remembered that first conversation at tea on the day of my arrival, and the gleam in her eyes as she had said that poison was a woman's weapon. How agitated she had been on that fatal Tuesday evening! Had Mrs. Inglethorp discovered something between her and Bauerstein, and threatened to tell her husband? Was it to stop that denunciation that the crime had been committed? Then I remembered that enigmatical conversation between Poirot and Evelyn Howard. Was this what they had meant? Was this the monstrous possibility that Evelyn had tried not to believe? Yes, it all fitted in. No wonder Miss Howard had suggested "hushing it up." Now I understood that unfinished sentence of hers: "Emily herself " And in my heart I agreed with her. Would not Mrs. Inglethorp have preferred to go unavenged rather than have such terrible dishonour fall upon the name of Cavendish. "There's another thing," said John suddenly, and the unexpected sound of his voice made me start guiltily. "Something which makes me doubt if what you say can be true." "What's that?" I asked, thankful that he had gone away from the subject of how the poison could have been introduced into the cocoa. "Why, the fact that Bauerstein demanded a post-mortem. He needn't have done so. Little Wilkins would have been quite content to let it go at heart disease." "Yes," I said doubtfully. "But we don't know. Perhaps he thought it safer in the long run. Someone might have talked afterwards. Then the Home Office might have ordered exhumation. The whole thing would have come out, then, and he would have been in an awkward position, for no one would have believed that a man of his reputation could have been deceived into calling it heart disease." "Yes, that's possible," admitted John. "Still," he added, "I'm blest if I can see what his motive could have been." I trembled. "Look here," I said, "I may be altogether wrong. And, remember, all this is in confidence." "Oh, of course that goes without saying." We had walked, as we talked, and now we passed through the little gate into the garden. Voices rose near at hand, for tea was spread out under the sycamore-tree, as it had been on the day of my arrival. Cynthia was back from the hospital, and I placed my chair beside her, and	was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could	The Mysterious Affair At Styles
"Go first to the Caffe Garibaldi,"	Mr. Herriton	not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this	difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by	on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble	cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We	consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them." Gino had stooped down by the way, and	at the frontier. As it was, they had been stopped in a simpler manner a few miles out of the town. As yet he could scarcely survey the thing. It was too great. Round the Italian baby who had died in the mud there centred deep passions and high hopes. People had been wicked or wrong in the matter; no one save himself had been trivial. Now the baby had gone, but there remained this vast apparatus of pride and pity and love. For the dead, who seemed to take away so much, really take with them nothing that is ours. The passion they have aroused lives after them, easy to transmute or to transfer, but well-nigh impossible to destroy. And Philip knew that he was still voyaging on the same magnificent, perilous sea, with the sun or the clouds above him, and the tides below. The course of the moment--that, at all events, was certain. He and no one else must take the news to Gino. It was easy to talk of Harriet s crime--easy also to blame the negligent Perfetta or Mrs. Herriton at home. Every one had contributed--even Miss Abbott and Irma. If one chose, one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them." Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip. "It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he	He began to crawl through the mud, touching first this, then that, grasping the cushions by mistake, listening for the faintest whisper that might guide him. He tried to light a match, holding the box in his teeth and striking at it with the uninjured hand. At last he succeeded, and the light fell upon the bundle which he was seeking. It had rolled off the road into the wood a little way, and had fallen across a great rut. So tiny it was that had it fallen lengthways it would have disappeared, and he might never have found it. "I stole it! I and the idiot--no one was there." She burst out laughing. He sat down and laid it on his knee. Then he tried to cleanse the face from the mud and the rain and the tears. His arm, he supposed, was broken, but he could still move it a little, and for the moment he forgot all pain. He was listening--not for a cry, but for the tick of a heart or the slightest tremor of breath. "Where are you?" called a voice. It was Miss Abbott, against whose carriage they had collided. She had relit one of the lamps, and was picking her way towards him. "Silence!" he called again, and again they obeyed. He shook the bundle; he breathed into it; he opened his coat and pressed it against him. Then he listened, and heard nothing but the rain and the panting horses, and Harriet, who was somewhere chuckling to herself in the dark. Miss Abbott approached, and took it gently from him. The face was already chilly, but thanks to Philip it was no longer wet. Nor would it again be wetted by any tear. Chapter 9 The details of Harriet s crime were never known. In her illness she spoke more of the inlaid box that she lent to Lilia--lent, not given--than of recent troubles. It was clear that she had gone prepared for an interview with Gino, and finding him out, she had yielded to a grotesque temptation. But how far this was the result of ill-temper, to what extent she had been fortified by her religion, when and how she had met the poor idiot--these questions were never answered, nor did they interest Philip greatly. Detection was certain: they would have been arrested by the police of Florence or Milan, or at the frontier. As it was, they had been stopped in a simpler manner a few miles out of the town. As yet he could scarcely survey the thing. It was too great. Round the Italian baby who had died in the mud there centred deep passions and high hopes. People had been wicked or wrong in the matter; no one save himself had been trivial. Now the baby had gone, but there remained this vast apparatus of pride and pity and love. For the dead, who seemed to take away so much, really take with them nothing that is ours. The passion they have aroused lives after them, easy to transmute or to transfer, but well-nigh impossible to destroy. And Philip knew that he was still voyaging on the same magnificent, perilous sea, with the sun or the clouds above him, and the tides below. The course of the moment--that, at all events, was certain. He and no one else must take the news to Gino. It was easy to talk of Harriet s crime--easy also to blame the negligent Perfetta or Mrs. Herriton at home. Every one had contributed--even Miss Abbott and Irma. If one chose, one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them." Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip. "It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a new one. "Gino!" He stopped for a moment; then he came nearer. Philip stood his ground. "You are to do what you like with me, Gino. Your son is dead, Gino. He died in my arms, remember. It does not excuse me; but he did die in my arms." The left hand came forward, slowly this time. It hovered before Philip like an insect. Then it descended and gripped him by his broken elbow. Philip struck out with all the strength of his other arm. Gino fell to the blow without a cry or a word. "You brute!" exclaimed the Englishman. "Kill me if you like! But just you leave my broken arm alone." Then he was seized with remorse, and knelt beside his adversary and tried to revive him. He managed to raise him up, and propped his body against his own. He passed his arm round him. Again he was filled with pity and tenderness. He awaited the revival without fear, sure that both of them were safe at last. Gino recovered suddenly. His lips moved. For one blessed moment it seemed that he was going to speak. But he scrambled up in silence, remembering everything, and he made not towards Philip, but towards the lamp. "Do what you like; but think first--" The lamp was tossed across the room, out through the loggia. It broke against one of the trees below. Philip began to cry out in the dark. Gino approached from behind and gave him a sharp pinch. Philip spun round with a yell. He had only been pinched on the back, but he knew what was in store for him. He struck out, exhorting the devil to fight him, to kill him, to do anything but this. Then he stumbled to the door. It was open. He lost his head, and, instead of turning down the stairs, he ran across the landing into the room opposite. There he lay down on the floor between the stove and the skirting-board. His senses grew sharper. He could hear Gino coming in on tiptoe. He even knew what was passing in his mind, how now he was at fault, now he was hopeful, now he was wondering whether after all the victim had not escaped down the stairs.	to a grotesque temptation. But how far this was the result of ill-temper, to what extent she had been fortified by her religion, when and how she had met the poor idiot--these questions were never answered, nor did they interest Philip greatly. Detection was certain: they would have been arrested by the police of Florence or Milan, or at the frontier. As it was, they had been stopped in a simpler manner a few miles out of the town. As yet he could scarcely survey the thing. It was too great. Round the Italian baby who had died in the mud there centred deep passions and high hopes. People had been wicked or wrong in the matter; no one save himself had been trivial. Now the baby had gone, but there remained this vast apparatus of pride and pity and love. For the dead, who seemed to take away so much, really take with them nothing that is ours. The passion they have aroused lives after them, easy to transmute or to transfer, but well-nigh impossible to destroy. And Philip knew that he was still voyaging on the same magnificent, perilous sea, with the sun or the clouds above him, and the tides below. The course of the moment--that, at all events, was certain. He and no one else must take the news to Gino. It was easy to talk of Harriet s crime--easy also to blame the negligent Perfetta or Mrs. Herriton at home. Every one had contributed--even Miss Abbott and Irma. If one chose, one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them." Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip. "It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a new one. "Gino!" He stopped for a moment; then he came nearer. Philip stood his ground. "You are to do what you like with me, Gino. Your son is dead, Gino. He died in my arms, remember. It does not excuse me; but he did die in my arms." The left hand came forward, slowly this time. It hovered before Philip like an insect. Then it descended and gripped him by his broken elbow. Philip struck out with all the strength	Where Angels Fear To Tread
Brett said.	No speaker	one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come	_me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What	blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat	you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I	than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of	steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said. "I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?" "Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them." "You wouldn't read any letters, darling. You wouldn't read mine." "I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said.	had fallen. Suddenly the bull left off and made for the other steer which had been standing at the far end, his head swinging, watching it all. The steer ran awkwardly and the bull caught him, hooked him lightly in the flank, and then turned away and looked up at the crowd on the walls, his crest of muscle rising. The steer came up to him and made as though to nose at him and the bull hooked perfunctorily. The next time he nosed at the steer and then the two of them trotted over to the other bull. When the next bull came out, all three, the two bulls and the steer, stood together, their heads side by side, their horns against the newcomer. In a few minutes the steer picked the new bull up, quieted him down, and made him one of the herd. When the last two bulls had been unloaded the herd were all together. The steer who had been gored had gotten to his feet and stood against the stone wall. None of the bulls came near him, and he did not attempt to join the herd. We climbed down from the wall with the crowd, and had a last look at the bulls through the loopholes in the wall of the corral. They were all quiet now, their heads down. We got a carriage outside and rode up to the caf . Mike and Bill came in half an hour later. They had stopped on the way for several drinks. We were sitting in the caf . "That's an extraordinary business," Brett said. "Will those last ones fight as well as the first?" Robert Cohn asked. "They seemed to quiet down awfully fast." "They all know each other," I said. "They're only dangerous when they're alone, or only two or three of them together." "What do you mean, dangerous?" Bill said. "They all looked dangerous to me." "They only want to kill when they're alone. Of course, if you went in there you'd probably detach one of them from the herd, and he'd be dangerous." "That's too complicated," Bill said. "Don't you ever detach me from the herd, Mike." "I say," Mike said, "they _were_ fine bulls, weren't they? Did you see their horns?" "Did I not," said Brett. "I had no idea what they were like." "Did you see the one hit that steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said. "I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?" "Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them." "You wouldn't read any letters, darling. You wouldn't read mine." "I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper."	you ever detach me from the herd, Mike." "I say," Mike said, "they _were_ fine bulls, weren't they? Did you see their horns?" "Did I not," said Brett. "I had no idea what they were like." "Did you see the one hit that steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said. "I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?" "Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them." "You wouldn't read any letters, darling. You wouldn't read mine." "I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he	The Sun Also Rises
"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"	Helen	landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very	long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His	Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I	is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in	want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if	towards the Grammar, and soon he was turning over the pages, raising his eyebrows scornfully, perhaps at human nature, perhaps at Chinese. To him thus employed Helen returned. She had pulled herself together, but the grave appeal had not vanished from her eyes. "Now for the explanation," she said. "Why didn t I begin with it? I have found out something about Mr. Wilcox. He has behaved very wrongly indeed, and ruined two people s lives. It all came on me very suddenly last night; I am very much upset, and I do not know what to do. Mrs. Bast--" "Oh, those people!" Helen seemed silenced. "Shall I lock the door again?" "No thanks, Tibbikins. You re being very good to me. I want to tell you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if his sister had not been ceaselessly beautiful. "You see, Helen--have a cigarette--I don t see what I m to do." "Then there s nothing to be done. I dare say you are right. Let them marry. There remains the question of compensation." "Do you want me to adjudicate that too? Had you not better consult an expert?" "This part is in confidence," said Helen. "It has nothing to do with Meg, and do not mention it to her. The compensation--I do not see who is to pay it if I don t, and I have already decided on the minimum sum. As soon as possible I am placing it to your account, and when I am in Germany you will pay it over for me. I shall never forget your kindness, Tibbikins, if you do this." "What is the sum?" "Five thousand." "Good God alive!" said Tibby, and went crimson. "Now, what is the good of driblets? To go through life having done one thing--to have raised one person from the abyss; not these puny gifts of shillings and blankets--making the grey more grey. No doubt people will think me extraordinary." "I don t care an iota what people think!"	I could get away." "So I surmise. Why?" "I don t know what s to be done, Tibby. I am very much upset at a piece of news that concerns Meg, and do not want to face her, and I am not going back to Wickham Place. I stopped here to tell you this." The landlady came in with the cutlets. Tibby put a marker in the leaves of his Chinese Grammar and helped them. Oxford--the Oxford of the vacation--dreamed and rustled outside, and indoors the little fire was coated with grey where the sunshine touched it. Helen continued her odd story. "Give Meg my love and say that I want to be alone. I mean to go to Munich or else Bonn." "Such a message is easily given," said her brother. "As regards Wickham Place and my share of the furniture, you and she are to do exactly as you like. My own feeling is that everything may just as well be sold. What does one want with dusty economic books, which have made the world no better, or with mother s hideous chiffoniers? I have also another commission for you. I want you to deliver a letter." She got up. "I haven t written it yet. Why shouldn t I post it, though?" She sat down again. "My head is rather wretched. I hope that none of your friends are likely to come in." Tibby locked the door. His friends often found it in this condition. Then he asked whether anything had gone wrong at Evie s wedding. "Not there," said Helen, and burst into tears. He had known her hysterical--it was one of her aspects with which he had no concern--and yet these tears touched him as something unusual. They were nearer the things that did concern him, such as music. He laid down his knife and looked at her curiously. Then, as she continued to sob, he went on with his lunch. The time came for the second course, and she was still crying. Apple Charlotte was to follow, which spoils by waiting. "Do you mind Mrs. Martlett coming in?" he asked, "or shall I take it from her at the door?" "Could I bathe my eyes, Tibby?" He took her to his bedroom, and introduced the pudding in her absence. Having helped himself, he put it down to warm in the hearth. His hand stretched towards the Grammar, and soon he was turning over the pages, raising his eyebrows scornfully, perhaps at human nature, perhaps at Chinese. To him thus employed Helen returned. She had pulled herself together, but the grave appeal had not vanished from her eyes. "Now for the explanation," she said. "Why didn t I begin with it? I have found out something about Mr. Wilcox. He has behaved very wrongly indeed, and ruined two people s lives. It all came on me very suddenly last night; I am very much upset, and I do not know what to do. Mrs. Bast--" "Oh, those people!" Helen seemed silenced. "Shall I lock the door again?" "No thanks, Tibbikins. You re being very good to me. I want to tell you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if his sister had not been ceaselessly beautiful. "You see, Helen--have a cigarette--I don t see what I m to do." "Then there s nothing to be done. I dare say you are right. Let them marry. There remains the question of compensation." "Do you want me to adjudicate that too? Had you not better consult an expert?" "This part is in confidence," said Helen. "It has nothing to do with Meg, and do not mention it to her. The compensation--I do not see who is to pay it if I don t, and I have already decided on the minimum sum. As soon as possible I am placing it to your account, and when I am in Germany you will pay it over for me. I shall never forget your kindness, Tibbikins, if you do this." "What is the sum?" "Five thousand." "Good God alive!" said Tibby, and went crimson. "Now, what is the good of driblets? To go through life having done one thing--to have raised one person from the abyss; not these puny gifts of shillings and blankets--making the grey more grey. No doubt people will think me extraordinary." "I don t care an iota what people think!" cried he, heated to unusual manliness of diction. "But it s half what you have." "Not nearly half." She spread out her hands over her soiled skirt. "I have far too much, and we settled at Chelsea last spring that three hundred a year is necessary to set a man on his feet. What I give will bring in a hundred and fifty between two. It isn t enough." He could not recover. He was not angry or even shocked, and he saw that Helen would still have plenty to live on. But it amazed him to think what haycocks people can make of their lives. His delicate intonations would not work, and he could only blurt out that the five thousand pounds would mean a great deal of bother for him personally. "I didn t expect you to understand me." "I? I understand nobody." "But you ll do it?" "Apparently." "I leave you two commissions, then. The first concerns Mr. Wilcox, and you are to use your discretion. The second concerns the money, and is to be mentioned to no one, and carried out literally. You will send a hundred pounds on account to-morrow." He walked with her to the station, passing through those streets whose serried beauty never bewildered him and never fatigued. The lovely creature raised domes and spires into the cloudless blue, and only the ganglion of vulgarity round Carfax showed how evanescent was the phantom, how faint its claim to represent England. Helen, rehearsing her commission, noticed nothing; the Basts were in her brain, and she retold the crisis in a meditative way, which might have made other men curious. She was seeing whether it would hold. He asked her once why she had taken the Basts right into the heart of Evie s wedding. She stopped like a frightened animal and said, "Does that seem to you so odd?" Her eyes, the hand laid on the mouth, quite haunted him, until they were absorbed into the figure of St. Mary the Virgin, before whom he paused for a moment on the walk home. It is convenient to follow him in the discharge of his duties. Margaret summoned him the next day. She was terrified at Helen s flight, and he had to say that she had called in at Oxford. Then she said: "Did she seem worried at any rumour about Henry?" He answered,	you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if his sister had not been ceaselessly beautiful. "You see, Helen--have a cigarette--I don t see what I m to do." "Then there s nothing to be done. I dare say you are right. Let them marry. There remains the question of compensation." "Do you want me to adjudicate that too? Had you not better consult an expert?" "This part is in confidence," said Helen. "It has nothing to do with Meg, and do not mention it to her. The compensation--I	Howards End
"Good afternoon,"	The Invisible Man	was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him	by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with	a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to	up to his face just as she had seen him hold the serviette before. The shadows, she fancied, had tricked her. "Would you mind, sir, this man a-coming to look at the clock, sir?" she said, recovering from the momentary shock. "Look at the clock?" he said, staring round in a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to be mine for my own private use." "I thought, sir," said Mrs. Hall, "you d prefer the clock" "Certainly," said the stranger, "certainly but, as a rule, I like to be alone and undisturbed." "But I m really glad to have the clock seen to," he said, seeing a certain	just been lighting the bar lamp, and her eyes were dazzled. But for a second it seemed to her that the man she looked at had an enormous mouth wide open a vast and incredible mouth that swallowed the whole of the lower portion of his face. It was the sensation of a moment: the white-bound head, the monstrous goggle eyes, and this huge yawn below it. Then he stirred, started up in his chair, put up his hand. She opened the door wide, so that the room was lighter, and she saw him more clearly, with the muffler held up to his face just as she had seen him hold the serviette before. The shadows, she fancied, had tricked her. "Would you mind, sir, this man a-coming to look at the clock, sir?" she said, recovering from the momentary shock. "Look at the clock?" he said, staring round in a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to be mine for my own private use." "I thought, sir," said Mrs. Hall, "you d prefer the clock" "Certainly," said the stranger, "certainly but, as a rule, I like to be alone and undisturbed." "But I m really glad to have the clock seen to," he said, seeing a certain hesitation in Mr. Henfrey s manner. "Very glad." Mr. Henfrey had intended to apologise and withdraw, but this anticipation reassured him. The stranger turned round with his back to the fireplace and put his hands behind his back. "And presently," he said, "when the clock-mending is over, I think I should like to have some tea. But not till the clock-mending is over." Mrs. Hall was about to leave the room she made no conversational advances this time, because she did not want to be snubbed in front of Mr. Henfrey when her visitor asked her if she had made	courage to go in and ask her visitor if he would take some tea, Teddy Henfrey, the clock-jobber, came into the bar. "My sakes! Mrs. Hall," said he, "but this is terrible weather for thin boots!" The snow outside was falling faster. Mrs. Hall agreed, and then noticed he had his bag with him. "Now you re here, Mr. Teddy," said she, "I d be glad if you d give th old clock in the parlour a bit of a look. Tis going, and it strikes well and hearty; but the hour-hand won t do nuthin but point at six." And leading the way, she went across to the parlour door and rapped and entered. Her visitor, she saw as she opened the door, was seated in the armchair before the fire, dozing it would seem, with his bandaged head drooping on one side. The only light in the room was the red glow from the fire which lit his eyes like adverse railway signals, but left his downcast face in darkness and the scanty vestiges of the day that came in through the open door. Everything was ruddy, shadowy, and indistinct to her, the more so since she had just been lighting the bar lamp, and her eyes were dazzled. But for a second it seemed to her that the man she looked at had an enormous mouth wide open a vast and incredible mouth that swallowed the whole of the lower portion of his face. It was the sensation of a moment: the white-bound head, the monstrous goggle eyes, and this huge yawn below it. Then he stirred, started up in his chair, put up his hand. She opened the door wide, so that the room was lighter, and she saw him more clearly, with the muffler held up to his face just as she had seen him hold the serviette before. The shadows, she fancied, had tricked her. "Would you mind, sir, this man a-coming to look at the clock, sir?" she said, recovering from the momentary shock. "Look at the clock?" he said, staring round in a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to be mine for my own private use." "I thought, sir," said Mrs. Hall, "you d prefer the clock" "Certainly," said the stranger, "certainly but, as a rule, I like to be alone and undisturbed." "But I m really glad to have the clock seen to," he said, seeing a certain hesitation in Mr. Henfrey s manner. "Very glad." Mr. Henfrey had intended to apologise and withdraw, but this anticipation reassured him. The stranger turned round with his back to the fireplace and put his hands behind his back. "And presently," he said, "when the clock-mending is over, I think I should like to have some tea. But not till the clock-mending is over." Mrs. Hall was about to leave the room she made no conversational advances this time, because she did not want to be snubbed in front of Mr. Henfrey when her visitor asked her if she had made any arrangements about his boxes at Bramblehurst. She told him she had mentioned the matter to the postman, and that the carrier could bring them over on the morrow. "You are certain that is the earliest?" he said. She was certain, with a marked coldness. "I should explain," he added, "what I was really too cold and fatigued to do before, that I am an experimental investigator." "Indeed, sir," said Mrs. Hall, much impressed. "And my baggage contains apparatus and appliances." "Very useful things indeed they are, sir," said Mrs. Hall. "And I m very naturally anxious to get on with my inquiries." "Of course, sir." "My reason for coming to Iping," he proceeded, with a certain deliberation of manner, "was ... a desire for solitude. I do not wish to be disturbed in my work. In addition to my work, an accident" "I thought as much," said Mrs. Hall to herself. "necessitates a certain retirement. My eyes are sometimes so weak and painful that I have to shut myself up in the dark for hours together. Lock myself up. Sometimes now and then. Not at present, certainly. At such times the slightest disturbance, the entry of a stranger into	through his muffler, eyeing her quietly through his impenetrable glasses. "But they take long enough to get well, don t they? ... There was my sister s son, Tom, jest cut his arm with a scythe, tumbled on it in the ayfield, and, bless me! he was three months tied up sir. You d hardly believe it. It s regular given me a dread of a scythe, sir." "I can quite understand that," said the visitor. "He was afraid, one time, that he d have to have an op ration he was that bad, sir." The visitor laughed abruptly, a bark of a laugh that he seemed to bite and kill in his mouth. "_Was_ he?" he said. "He was, sir. And no laughing matter to them as had the doing for him, as I had my sister being took up with her little ones so much. There was bandages to do, sir, and bandages to undo. So that if I may make so bold as to say it, sir" "Will you get me some matches?" said the visitor, quite abruptly. "My pipe is out." Mrs. Hall was pulled up suddenly. It was certainly rude of him, after telling him all she had done. She gasped at him for a moment, and remembered the two sovereigns. She went for the matches. "Thanks," he said concisely, as she put them down, and turned his shoulder upon her and stared out of the window again. It was altogether too discouraging. Evidently he was sensitive on the topic of operations and bandages. She did not "make so bold as to say," however, after all. But his snubbing way had irritated her, and Millie had a hot time of it that afternoon. The visitor remained in the parlour until four o clock, without giving the ghost of an excuse for an intrusion. For the most part he was quite still during that time; it would seem he sat in the growing darkness smoking in the firelight perhaps dozing. Once or twice a curious listener might have heard him at the coals, and for the space of five minutes he was audible pacing the room. He seemed to be talking to himself. Then the armchair creaked as he sat down again. CHAPTER II. MR. TEDDY HENFREY S FIRST IMPRESSIONS At four o clock, when it was fairly dark and Mrs. Hall was screwing up her courage to go in and ask her visitor if he would take some tea, Teddy Henfrey, the clock-jobber, came into the bar. "My sakes! Mrs. Hall," said he, "but this is terrible weather for thin boots!" The snow outside was falling faster. Mrs. Hall agreed, and then noticed he had his bag with him. "Now you re here, Mr. Teddy," said she, "I d be glad if you d give th old clock in the parlour a bit of a look. Tis going, and it strikes well and hearty; but the hour-hand won t do nuthin but point at six." And leading the way, she went across to the parlour door and rapped and entered. Her visitor, she saw as she opened the door, was seated in the armchair before the fire, dozing it would seem, with his bandaged head drooping on one side. The only light in the room was the red glow from the fire which lit his eyes like adverse railway signals, but left his downcast face in darkness and the scanty vestiges of the day that came in through the open door. Everything was ruddy, shadowy, and indistinct to her, the more so since she had just been lighting the bar lamp, and her eyes were dazzled. But for a second it seemed to her that the man she looked at had an enormous mouth wide open a vast and incredible mouth that swallowed the whole of the lower portion of his face. It was the sensation of a moment: the white-bound head, the monstrous goggle eyes, and this huge yawn below it. Then he stirred, started up in his chair, put up his hand. She opened the door wide, so that the room was lighter, and she saw him more clearly, with the muffler held up to his face just as she had seen him hold the serviette before. The shadows, she fancied, had tricked her. "Would you mind, sir, this man a-coming to look at the clock, sir?" she said, recovering from the momentary shock. "Look at the clock?" he said, staring round in a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to be mine for my own private use." "I thought, sir," said Mrs. Hall, "you d prefer the clock" "Certainly," said the stranger, "certainly but, as a rule, I like to be alone and undisturbed." "But I m really glad to have the clock seen to," he said, seeing a certain hesitation in Mr. Henfrey s manner. "Very glad." Mr. Henfrey had intended to apologise and withdraw, but this anticipation reassured him. The stranger turned round with his back to the fireplace and put his hands behind his back. "And presently," he said, "when the clock-mending is over, I think I should like to have some tea. But not till the clock-mending is over." Mrs. Hall was about to leave the room she made no conversational advances this time, because she did not want to be snubbed in front of Mr. Henfrey when her visitor asked her if she had made any arrangements about his boxes at Bramblehurst. She told him she had mentioned the matter to the postman, and that the carrier could bring them over on the morrow. "You are certain that is the earliest?" he said. She was certain, with a marked coldness. "I should explain," he added, "what I was really too cold and fatigued to do before, that I am an experimental investigator." "Indeed, sir," said Mrs. Hall, much impressed. "And my baggage contains apparatus and appliances." "Very useful things indeed they are, sir," said Mrs. Hall. "And I m very naturally anxious to get on with my inquiries." "Of course, sir." "My reason for coming to Iping," he proceeded, with a certain deliberation of manner, "was ... a desire for solitude. I do not wish to be disturbed in my work. In addition to my work, an accident" "I thought as much," said Mrs. Hall to herself. "necessitates a certain retirement. My eyes are sometimes so weak and painful that I have to shut myself up in the dark for hours together. Lock myself up. Sometimes now and then. Not at present, certainly. At such times the slightest disturbance, the entry of a stranger into the room, is a source of excruciating annoyance to me it is well these things should be understood." "Certainly, sir," said Mrs. Hall. "And if I might make so bold as to ask" "That I think, is all," said the stranger, with that quietly irresistible air of finality he could assume at will. Mrs. Hall reserved her question and sympathy for a better occasion. After Mrs. Hall had left the room, he remained standing in front of the fire, glaring, so Mr. Henfrey puts it, at the clock-mending. Mr. Henfrey not only took off the hands of the clock, and the face, but extracted the works; and he tried to work in as slow and quiet and unassuming a manner as possible. He worked with the lamp close to him, and the green shade threw a brilliant light upon his hands, and upon the frame and wheels, and left the rest of the room shadowy. When he looked up, coloured patches swam in his eyes. Being constitutionally of a curious nature, he had removed the works a quite unnecessary proceeding with the idea of delaying his departure and perhaps falling into conversation with the stranger. But the stranger stood there, perfectly silent and still. So still, it got on Henfrey s nerves. He felt alone in the room and looked up, and there, grey and dim, was the bandaged head and huge blue lenses staring fixedly, with a mist of green spots drifting in front of them. It was so uncanny to Henfrey that for a minute they remained staring blankly at one another. Then Henfrey looked down again. Very uncomfortable position! One would like to say something. Should he remark that the weather was very cold for the time of year? He looked up as if to take aim with that introductory shot. "The weather" he began. "Why don t you finish and go?" said the rigid figure, evidently in a state of painfully suppressed rage. "All you ve got to do is to fix the hour-hand on its axle. You re simply humbugging" "Certainly, sir one minute more. I overlooked" and Mr. Henfrey finished and went. But he went feeling excessively annoyed. "Damn it!" said Mr. Henfrey to himself, trudging down the village through the thawing snow; "a man must do a clock at times, surely." And again, "Can t a man look at you? Ugly!" And yet	would seem he sat in the growing darkness smoking in the firelight perhaps dozing. Once or twice a curious listener might have heard him at the coals, and for the space of five minutes he was audible pacing the room. He seemed to be talking to himself. Then the armchair creaked as he sat down again. CHAPTER II. MR. TEDDY HENFREY S FIRST IMPRESSIONS At four o clock, when it was fairly dark and Mrs. Hall was screwing up her courage to go in and ask her visitor if he would take some tea, Teddy Henfrey, the clock-jobber, came into the bar. "My sakes! Mrs. Hall," said he, "but this is terrible weather for thin boots!" The snow outside was falling faster. Mrs. Hall agreed, and then noticed he had his bag with him. "Now you re here, Mr. Teddy," said she, "I d be glad if you d give th old clock in the parlour a bit of a look. Tis going, and it strikes well and hearty; but the hour-hand won t do nuthin but point at six." And leading the way, she went across to the parlour door and rapped and entered. Her visitor, she saw as she opened the door, was seated in the armchair before the fire, dozing it would seem, with his bandaged head drooping on one side. The only light in the room was the red glow from the fire which lit his eyes like adverse railway signals, but left his downcast face in darkness and the scanty vestiges of the day that came in through the open door. Everything was ruddy, shadowy, and indistinct to her, the more so since she had just been lighting the bar lamp, and her eyes were dazzled. But for a second it seemed to her that the man she looked at had an enormous mouth wide open a vast and incredible mouth that swallowed the whole of the lower portion of his face. It was the sensation of a moment: the white-bound head, the monstrous goggle eyes, and this huge yawn below it. Then he stirred, started up in his chair, put up his hand. She opened the door wide, so that the room was lighter, and she saw him more clearly, with the muffler held up to his face just as she had seen him hold the serviette before. The shadows, she fancied, had tricked her. "Would you mind, sir, this man a-coming to look at the clock, sir?" she said, recovering from the momentary shock. "Look at the clock?" he said, staring round in a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to be mine for my own private use." "I thought, sir," said Mrs. Hall, "you d prefer the clock" "Certainly," said the stranger, "certainly but, as a rule, I like to be alone and undisturbed." "But I m really glad to have the clock seen to," he said, seeing a certain hesitation in Mr. Henfrey s manner. "Very glad." Mr. Henfrey had intended to apologise and withdraw, but this anticipation reassured him. The stranger turned round with his back to the fireplace and put his hands behind his back. "And presently," he said, "when the clock-mending is over, I think I should like to have some tea. But not till the clock-mending is over." Mrs. Hall was about to leave the room she made no conversational advances this time, because she did not want to be snubbed in front of Mr. Henfrey when her visitor asked her if she had made any arrangements about his boxes at Bramblehurst. She told him she had mentioned the matter to the postman, and that the carrier could bring them over on the morrow. "You are certain that is the earliest?" he said. She was certain, with a marked coldness. "I should explain," he added, "what I was really too cold and fatigued to do before, that I am an experimental investigator." "Indeed, sir," said Mrs. Hall, much impressed. "And my baggage contains apparatus and appliances." "Very useful things indeed they are, sir," said Mrs. Hall. "And I m very naturally anxious to get on with my inquiries." "Of course, sir." "My reason for coming to Iping," he proceeded, with a certain deliberation of manner, "was ... a desire for solitude. I do not wish to be disturbed in my work. In addition to my work, an accident" "I thought as much," said Mrs. Hall to herself. "necessitates a certain retirement. My eyes are sometimes so weak and painful that I have to shut myself up in the dark for hours together. Lock myself up. Sometimes now and then. Not at present, certainly. At such times the slightest disturbance, the entry of a stranger into the room, is a source of excruciating annoyance to me it is well these things should be understood." "Certainly, sir," said Mrs. Hall. "And if I might make so bold as to ask" "That I think, is all," said the stranger, with that quietly irresistible air of finality he could	The Invisible Man
murmured Dorian.	No speaker	we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really	"It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the	shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever	pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the	you, Duchess," laughed Dorian. "Oh! my maid does that already, Mr. Gray, when she is annoyed with me." "And what does she get annoyed with you about, Duchess?" "For the most trivial things, Mr. Gray, I assure you. Usually because I come in at ten minutes to nine and tell her that I must be dressed by half-past eight." "How unreasonable of her! You should give her warning." "I daren t, Mr. Gray. Why, she invents hats for me. You remember the one I wore at Lady Hilstone s garden-party? You don t, but it is nice of you to pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess	practical." "They are more cunning than practical. When they make up their ledger, they balance stupidity by wealth, and vice by hypocrisy." "Still, we have done great things." "Great things have been thrust on us, Gladys." "We have carried their burden." "Only as far as the Stock Exchange." She shook her head. "I believe in the race," she cried. "It represents the survival of the pushing." "It has development." "Decay fascinates me more." "What of art?" she asked. "It is a malady." "Love?" "An illusion." "Religion?" "The fashionable substitute for belief." "You are a sceptic." "Never! Scepticism is the beginning of faith." "What are you?" "To define is to limit." "Give me a clue." "Threads snap. You would lose your way in the labyrinth." "You bewilder me. Let us talk of some one else." "Our host is a delightful topic. Years ago he was christened Prince Charming." "Ah! don t remind me of that," cried Dorian Gray. "Our host is rather horrid this evening," answered the duchess, colouring. "I believe he thinks that Monmouth married me on purely scientific principles as the best specimen he could find of a modern butterfly." "Well, I hope he won t stick pins into you, Duchess," laughed Dorian. "Oh! my maid does that already, Mr. Gray, when she is annoyed with me." "And what does she get annoyed with you about, Duchess?" "For the most trivial things, Mr. Gray, I assure you. Usually because I come in at ten minutes to nine and tell her that I must be dressed by half-past eight." "How unreasonable of her! You should give her warning." "I daren t, Mr. Gray. Why, she invents hats for me. You remember the one I wore at Lady Hilstone s garden-party? You don t, but it is nice of you to pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess sighed. "I am searching for peace," she said, "and if I don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating." "If he were not, there would be no battle." "Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That a burnt child loves the fire." "I am not even singed. My wings are untouched." "You use them for everything, except flight." "Courage has passed from men to women. It is a new experience for us." "You have a rival." "Who?" He laughed. "Lady Narborough," he whispered. "She perfectly adores him." "You fill me with apprehension. The appeal to antiquity is fatal to us who are romanticists." "Romanticists! You have all the methods of science." "Men have educated us." "But	I asked one of the gardeners what it was called. He told me it was a fine specimen of _Robinsoniana_, or something dreadful of that kind. It is a sad truth, but we have lost the faculty of giving lovely names to things. Names are everything. I never quarrel with actions. My one quarrel is with words. That is the reason I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for." "Then what should we call you, Harry?" she asked. "His name is Prince Paradox," said Dorian. "I recognize him in a flash," exclaimed the duchess. "I won t hear of it," laughed Lord Henry, sinking into a chair. "From a label there is no escape! I refuse the title." "Royalties may not abdicate," fell as a warning from pretty lips. "You wish me to defend my throne, then?" "Yes." "I give the truths of to-morrow." "I prefer the mistakes of to-day," she answered. "You disarm me, Gladys," he cried, catching the wilfulness of her mood. "Of your shield, Harry, not of your spear." "I never tilt against beauty," he said, with a wave of his hand. "That is your error, Harry, believe me. You value beauty far too much." "How can you say that? I admit that I think that it is better to be beautiful than to be good. But on the other hand, no one is more ready than I am to acknowledge that it is better to be good than to be ugly." "Ugliness is one of the seven deadly sins, then?" cried the duchess. "What becomes of your simile about the orchid?" "Ugliness is one of the seven deadly virtues, Gladys. You, as a good Tory, must not underrate them. Beer, the Bible, and the seven deadly virtues have made our England what she is." "You don t like your country, then?" she asked. "I live in it." "That you may censure it the better." "Would you have me take the verdict of Europe on it?" he inquired. "What do they say of us?" "That Tartuffe has emigrated to England and opened a shop." "Is that yours, Harry?" "I give it to you." "I could not use it. It is too true." "You need not be afraid. Our countrymen never recognize a description." "They are practical." "They are more cunning than practical. When they make up their ledger, they balance stupidity by wealth, and vice by hypocrisy." "Still, we have done great things." "Great things have been thrust on us, Gladys." "We have carried their burden." "Only as far as the Stock Exchange." She shook her head. "I believe in the race," she cried. "It represents the survival of the pushing." "It has development." "Decay fascinates me more." "What of art?" she asked. "It is a malady." "Love?" "An illusion." "Religion?" "The fashionable substitute for belief." "You are a sceptic." "Never! Scepticism is the beginning of faith." "What are you?" "To define is to limit." "Give me a clue." "Threads snap. You would lose your way in the labyrinth." "You bewilder me. Let us talk of some one else." "Our host is a delightful topic. Years ago he was christened Prince Charming." "Ah! don t remind me of that," cried Dorian Gray. "Our host is rather horrid this evening," answered the duchess, colouring. "I believe he thinks that Monmouth married me on purely scientific principles as the best specimen he could find of a modern butterfly." "Well, I hope he won t stick pins into you, Duchess," laughed Dorian. "Oh! my maid does that already, Mr. Gray, when she is annoyed with me." "And what does she get annoyed with you about, Duchess?" "For the most trivial things, Mr. Gray, I assure you. Usually because I come in at ten minutes to nine and tell her that I must be dressed by half-past eight." "How unreasonable of her! You should give her warning." "I daren t, Mr. Gray. Why, she invents hats for me. You remember the one I wore at Lady Hilstone s garden-party? You don t, but it is nice of you to pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess sighed. "I am searching for peace," she said, "and if I don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating." "If he were not, there would be no battle." "Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That a burnt child loves the fire." "I am not even singed. My wings are untouched." "You use them for everything, except flight." "Courage has passed from men to women. It is a new experience for us." "You have a rival." "Who?" He laughed. "Lady Narborough," he whispered. "She perfectly adores him." "You fill me with apprehension. The appeal to antiquity is fatal to us who are romanticists." "Romanticists! You have all the methods of science." "Men have educated us." "But not explained you." "Describe us as a sex," was her challenge. "Sphinxes without secrets." She looked at him, smiling. "How long Mr. Gray is!" she said. "Let us go and help him. I have not yet told him the colour of my frock." "Ah! you must suit your frock to his flowers, Gladys." "That would be a premature surrender." "Romantic art begins with its climax." "I must keep an opportunity for retreat." "In the Parthian manner?" "They found safety in the desert. I could not do that." "Women are not always allowed a choice," he answered, but hardly had he finished the sentence before from the far end of the conservatory came a stifled groan, followed by the dull sound of a heavy fall. Everybody started up. The duchess stood motionless in horror. And with fear in his eyes, Lord Henry rushed through the flapping palms to find Dorian Gray lying face downwards on the tiled floor in a deathlike swoon. He was carried at once into the blue drawing-room and laid upon one of the sofas. After a short time, he came to himself and looked round with a dazed expression. "What has happened?" he asked. "Oh! I remember. Am I safe here, Harry?" He began to tremble. "My dear Dorian," answered Lord Henry, "you merely fainted. That was all. You must have overtired yourself. You had better not come down to dinner. I will take your place." "No, I will come down," he said, struggling to his feet. "I would rather come down. I must not be alone." He went to his room and dressed. There was a wild recklessness of gaiety in his manner as he sat at table, but now and then a thrill of terror ran through him when he remembered that, pressed against the window of the conservatory, like a white handkerchief, he had seen the face of James Vane watching him. CHAPTER XVIII. The next day he did not leave the house, and, indeed, spent most of the time in his own room, sick with a wild terror of dying, and yet indifferent to life itself. The consciousness of being hunted, snared, tracked down, had begun to dominate him. If the tapestry did but tremble in the wind, he shook. The dead leaves that were blown against the leaded panes seemed to him like his own wasted resolutions and wild regrets. When he	the best specimen he could find of a modern butterfly." "Well, I hope he won t stick pins into you, Duchess," laughed Dorian. "Oh! my maid does that already, Mr. Gray, when she is annoyed with me." "And what does she get annoyed with you about, Duchess?" "For the most trivial things, Mr. Gray, I assure you. Usually because I come in at ten minutes to nine and tell her that I must be dressed by half-past eight." "How unreasonable of her! You should give her warning." "I daren t, Mr. Gray. Why, she invents hats for me. You remember the one I wore at Lady Hilstone s garden-party? You don t, but it is nice of you to pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess sighed. "I am searching for peace," she said, "and if I don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating." "If he were not, there would be no battle." "Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That a burnt child loves the fire." "I am not even singed. My wings are untouched." "You use them for everything, except flight." "Courage has passed from men to women. It is a new experience for us." "You have a rival."	The Picture Of Dorian Gray
"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."	Mrs. Norris	it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very	manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence;	as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so	from finding herself without employment or utility amongst them, as without a companion in uneasiness; quite as far from having no demand on her leisure as on her compassion. The gloom of her first anticipations was proved to have been unfounded. She was occasionally useful to all; she was perhaps as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so am I still; and as soon as I am a little more at leisure, _I_ mean to look in at their rehearsals too. What is the play about, Fanny? you have never told me." "Oh! sister, pray do not ask her now; for Fanny is not one of those who	the others aspired at nothing beyond his remembering the catchword, and the first line of his speech, and being able to follow the prompter through the rest. Fanny, in her pity and kindheartedness, was at great pains to teach him how to learn, giving him all the helps and directions in her power, trying to make an artificial memory for him, and learning every word of his part herself, but without his being much the forwarder. Many uncomfortable, anxious, apprehensive feelings she certainly had; but with all these, and other claims on her time and attention, she was as far from finding herself without employment or utility amongst them, as without a companion in uneasiness; quite as far from having no demand on her leisure as on her compassion. The gloom of her first anticipations was proved to have been unfounded. She was occasionally useful to all; she was perhaps as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so am I still; and as soon as I am a little more at leisure, _I_ mean to look in at their rehearsals too. What is the play about, Fanny? you have never told me." "Oh! sister, pray do not ask her now; for Fanny is not one of those who can talk and work at the same time. It is about Lovers' Vows." "I believe," said Fanny to her aunt Bertram, "there will be three acts rehearsed to-morrow evening, and that will give you an opportunity of seeing all the actors at once." "You had better stay till the curtain is hung," interposed Mrs. Norris; "the curtain will be hung in a day or two there is very little sense in a play without a curtain and I am much mistaken if you do not find it draw up into very handsome festoons." Lady Bertram seemed quite resigned to waiting.	talent and taste than Mr. Yates. She did not like him as a man, but she must admit him to be the best actor, and on this point there were not many who differed from her. Mr. Yates, indeed, exclaimed against his tameness and insipidity; and the day came at last, when Mr. Rushworth turned to her with a black look, and said, "Do you think there is anything so very fine in all this? For the life and soul of me, I cannot admire him; and, between ourselves, to see such an undersized, little, mean-looking man, set up for a fine actor, is very ridiculous in my opinion." From this moment there was a return of his former jealousy, which Maria, from increasing hopes of Crawford, was at little pains to remove; and the chances of Mr. Rushworth's ever attaining to the knowledge of his two-and-forty speeches became much less. As to his ever making anything _tolerable_ of them, nobody had the smallest idea of that except his mother; _she_, indeed, regretted that his part was not more considerable, and deferred coming over to Mansfield till they were forward enough in their rehearsal to comprehend all his scenes; but the others aspired at nothing beyond his remembering the catchword, and the first line of his speech, and being able to follow the prompter through the rest. Fanny, in her pity and kindheartedness, was at great pains to teach him how to learn, giving him all the helps and directions in her power, trying to make an artificial memory for him, and learning every word of his part herself, but without his being much the forwarder. Many uncomfortable, anxious, apprehensive feelings she certainly had; but with all these, and other claims on her time and attention, she was as far from finding herself without employment or utility amongst them, as without a companion in uneasiness; quite as far from having no demand on her leisure as on her compassion. The gloom of her first anticipations was proved to have been unfounded. She was occasionally useful to all; she was perhaps as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so am I still; and as soon as I am a little more at leisure, _I_ mean to look in at their rehearsals too. What is the play about, Fanny? you have never told me." "Oh! sister, pray do not ask her now; for Fanny is not one of those who can talk and work at the same time. It is about Lovers' Vows." "I believe," said Fanny to her aunt Bertram, "there will be three acts rehearsed to-morrow evening, and that will give you an opportunity of seeing all the actors at once." "You had better stay till the curtain is hung," interposed Mrs. Norris; "the curtain will be hung in a day or two there is very little sense in a play without a curtain and I am much mistaken if you do not find it draw up into very handsome festoons." Lady Bertram seemed quite resigned to waiting. Fanny did not share her aunt's composure: she thought of the morrow a great deal, for if the three acts were rehearsed, Edmund and Miss Crawford would then be acting together for the first time; the third act would bring a scene between them which interested her most particularly, and which she was longing and dreading to see how they would perform. The whole subject of it was love a marriage of love was to be described by the gentleman, and very little short of a declaration of love be made by the lady. She had read and read the scene again with many painful, many wondering emotions, and looked forward to their representation of it as a circumstance almost too interesting. She did not _believe_ they had yet rehearsed it, even in private. The morrow came, the plan for the evening continued, and Fanny's consideration of it did not become less agitated. She worked very diligently under her aunt's directions, but her diligence and her silence concealed a very absent, anxious mind; and about noon she made her escape with her work to the East room, that she might have no concern in another, and, as she deemed it,	scene-painter's slow progress, and to feel the miseries of waiting. He had learned his part all his parts, for he took every trifling one that could be united with the Butler, and began to be impatient to be acting; and every day thus unemployed was tending to increase his sense of the insignificance of all his parts together, and make him more ready to regret that some other play had not been chosen. Fanny, being always a very courteous listener, and often the only listener at hand, came in for the complaints and the distresses of most of them. _She_ knew that Mr. Yates was in general thought to rant dreadfully; that Mr. Yates was disappointed in Henry Crawford; that Tom Bertram spoke so quick he would be unintelligible; that Mrs. Grant spoiled everything by laughing; that Edmund was behindhand with his part, and that it was misery to have anything to do with Mr. Rushworth, who was wanting a prompter through every speech. She knew, also, that poor Mr. Rushworth could seldom get anybody to rehearse with him: _his_ complaint came before her as well as the rest; and so decided to her eye was her cousin Maria's avoidance of him, and so needlessly often the rehearsal of the first scene between her and Mr. Crawford, that she had soon all the terror of other complaints from _him_. So far from being all satisfied and all enjoying, she found everybody requiring something they had not, and giving occasion of discontent to the others. Everybody had a part either too long or too short; nobody would attend as they ought; nobody would remember on which side they were to come in; nobody but the complainer would observe any directions. Fanny believed herself to derive as much innocent enjoyment from the play as any of them; Henry Crawford acted well, and it was a pleasure to _her_ to creep into the theatre, and attend the rehearsal of the first act, in spite of the feelings it excited in some speeches for Maria. Maria, she also thought, acted well, too well; and after the first rehearsal or two, Fanny began to be their only audience; and sometimes as prompter, sometimes as spectator, was often very useful. As far as she could judge, Mr. Crawford was considerably the best actor of all: he had more confidence than Edmund, more judgment than Tom, more talent and taste than Mr. Yates. She did not like him as a man, but she must admit him to be the best actor, and on this point there were not many who differed from her. Mr. Yates, indeed, exclaimed against his tameness and insipidity; and the day came at last, when Mr. Rushworth turned to her with a black look, and said, "Do you think there is anything so very fine in all this? For the life and soul of me, I cannot admire him; and, between ourselves, to see such an undersized, little, mean-looking man, set up for a fine actor, is very ridiculous in my opinion." From this moment there was a return of his former jealousy, which Maria, from increasing hopes of Crawford, was at little pains to remove; and the chances of Mr. Rushworth's ever attaining to the knowledge of his two-and-forty speeches became much less. As to his ever making anything _tolerable_ of them, nobody had the smallest idea of that except his mother; _she_, indeed, regretted that his part was not more considerable, and deferred coming over to Mansfield till they were forward enough in their rehearsal to comprehend all his scenes; but the others aspired at nothing beyond his remembering the catchword, and the first line of his speech, and being able to follow the prompter through the rest. Fanny, in her pity and kindheartedness, was at great pains to teach him how to learn, giving him all the helps and directions in her power, trying to make an artificial memory for him, and learning every word of his part herself, but without his being much the forwarder. Many uncomfortable, anxious, apprehensive feelings she certainly had; but with all these, and other claims on her time and attention, she was as far from finding herself without employment or utility amongst them, as without a companion in uneasiness; quite as far from having no demand on her leisure as on her compassion. The gloom of her first anticipations was proved to have been unfounded. She was occasionally useful to all; she was perhaps as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so am I still; and as soon as I am a little more at leisure, _I_ mean to look in at their rehearsals too. What is the play about, Fanny? you have never told me." "Oh! sister, pray do not ask her now; for Fanny is not one of those who can talk and work at the same time. It is about Lovers' Vows." "I believe," said Fanny to her aunt Bertram, "there will be three acts rehearsed to-morrow evening, and that will give you an opportunity of seeing all the actors at once." "You had better stay till the curtain is hung," interposed Mrs. Norris; "the curtain will be hung in a day or two there is very little sense in a play without a curtain and I am much mistaken if you do not find it draw up into very handsome festoons." Lady Bertram seemed quite resigned to waiting. Fanny did not share her aunt's composure: she thought of the morrow a great deal, for if the three acts were rehearsed, Edmund and Miss Crawford would then be acting together for the first time; the third act would bring a scene between them which interested her most particularly, and which she was longing and dreading to see how they would perform. The whole subject of it was love a marriage of love was to be described by the gentleman, and very little short of a declaration of love be made by the lady. She had read and read the scene again with many painful, many wondering emotions, and looked forward to their representation of it as a circumstance almost too interesting. She did not _believe_ they had yet rehearsed it, even in private. The morrow came, the plan for the evening continued, and Fanny's consideration of it did not become less agitated. She worked very diligently under her aunt's directions, but her diligence and her silence concealed a very absent, anxious mind; and about noon she made her escape with her work to the East room, that she might have no concern in another, and, as she deemed it, most unnecessary rehearsal of the first act, which Henry Crawford was just proposing, desirous at once of having her time to herself, and of avoiding the sight of Mr. Rushworth. A glimpse, as she passed through the hall, of the two ladies walking up from the Parsonage made no change in her wish of retreat, and she worked and meditated in the East room, undisturbed, for a quarter of an hour, when a gentle tap at the door was followed by the entrance of Miss Crawford. "Am I right? Yes; this is the East room. My dear Miss Price, I beg your pardon, but I have made my way to you on purpose to entreat your help." Fanny, quite surprised, endeavoured to shew herself mistress of the room by her civilities, and looked at the bright bars of her empty grate with concern. "Thank you; I am quite warm, very warm. Allow me to stay here a little while, and do have the goodness to hear me my third act. I have brought my book, and if you would but rehearse it with me, I should be _so_ obliged! I came here to-day intending to rehearse it with Edmund by ourselves against the evening, but he is not in the way; and if he _were_, I do not think I could go through it with _him_, till I have hardened myself a little; for really there is a speech or two. You will be so good, won't you?" Fanny was most civil in her assurances, though she could not give them in a very steady voice. "Have you ever happened to look at the part I mean?" continued Miss Crawford, opening her book. "Here it is. I did not think much of it at first but, upon my word. There, look at _that_ speech, and _that_, and _that_. How am I ever to look him in the face and say such things? Could you do it? But then he is your cousin, which makes all the difference. You must rehearse it with me, that I may fancy _you_ him, and get on by degrees. You _have_ a look of _his_ sometimes." "Have I? I will do my best with the greatest readiness; but I must _read_ the part, for I can say very little of it." "_None_ of it, I suppose. You are to have the book, of course. Now	As to his ever making anything _tolerable_ of them, nobody had the smallest idea of that except his mother; _she_, indeed, regretted that his part was not more considerable, and deferred coming over to Mansfield till they were forward enough in their rehearsal to comprehend all his scenes; but the others aspired at nothing beyond his remembering the catchword, and the first line of his speech, and being able to follow the prompter through the rest. Fanny, in her pity and kindheartedness, was at great pains to teach him how to learn, giving him all the helps and directions in her power, trying to make an artificial memory for him, and learning every word of his part herself, but without his being much the forwarder. Many uncomfortable, anxious, apprehensive feelings she certainly had; but with all these, and other claims on her time and attention, she was as far from finding herself without employment or utility amongst them, as without a companion in uneasiness; quite as far from having no demand on her leisure as on her compassion. The gloom of her first anticipations was proved to have been unfounded. She was occasionally useful to all; she was perhaps as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so am I still; and as soon as I am a little more at leisure, _I_ mean to look in at their rehearsals too. What is the play about, Fanny? you have never told me." "Oh! sister, pray do not ask her now; for Fanny is not one of those who can talk and work at the same time. It is about Lovers' Vows." "I believe," said Fanny to her aunt Bertram, "there will be three acts rehearsed to-morrow evening, and that will give you an opportunity of seeing all the actors at once." "You had better stay till the curtain is hung," interposed Mrs. Norris; "the curtain will be hung in a day or two there is very little sense in a play without a curtain and I am much mistaken if you do not find it draw up into very handsome festoons." Lady Bertram seemed quite resigned to waiting. Fanny did not share her aunt's composure: she thought of the morrow a great deal, for if the three acts were rehearsed, Edmund and Miss Crawford would then be acting together for the first time; the third act would bring a scene between them which interested her most particularly, and which she was longing and dreading to see how they would perform. The whole subject of it was love a marriage of love was to be described by the gentleman, and very little short of a declaration of love be made by the lady. She had read and read the scene again with many painful, many wondering emotions, and looked forward to their representation of it as a circumstance almost too interesting. She did not _believe_ they had yet rehearsed it, even in private. The morrow came, the plan for the evening continued, and Fanny's consideration of it did not become less agitated. She worked very diligently under her aunt's directions, but her diligence and her silence concealed a very absent, anxious mind; and about noon she made her escape with her work to the East room, that she might have no concern in another, and, as she deemed it, most unnecessary rehearsal of the first act, which Henry Crawford was just proposing, desirous at once of having her time to herself, and of avoiding the sight of Mr. Rushworth. A glimpse, as she passed through the hall, of the two ladies	Mansfield Park
"I am sorry for it,"	Edmund	very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in	you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_	"I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the	you _will_ when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your _father's_ judgment, I am convinced." "We see things very differently," cried Maria. "I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the rest of the party." This picture of her consequence had some effect, for no one loved better to lead than Maria; and with far more good-humour she answered, "I am much obliged to you, Edmund; you mean very well, I am sure: but I still think you see things too	a pink satin cloak." Edmund could not answer him. In a few minutes Mr. Bertram was called out of the room to satisfy some doubts of the carpenter; and being accompanied by Mr. Yates, and followed soon afterwards by Mr. Rushworth, Edmund almost immediately took the opportunity of saying, "I cannot, before Mr. Yates, speak what I feel as to this play, without reflecting on his friends at Ecclesford; but I must now, my dear Maria, tell _you_, that I think it exceedingly unfit for private representation, and that I hope you will give it up. I cannot but suppose you _will_ when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your _father's_ judgment, I am convinced." "We see things very differently," cried Maria. "I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the rest of the party." This picture of her consequence had some effect, for no one loved better to lead than Maria; and with far more good-humour she answered, "I am much obliged to you, Edmund; you mean very well, I am sure: but I still think you see things too strongly; and I really cannot undertake to harangue all the rest upon a subject of this kind. _There_ would be the greatest indecorum, I think." "Do you imagine that I could have such an idea in my head? No; let your conduct be the only harangue. Say that, on examining the part, you feel yourself unequal to it; that you find it requiring more exertion and confidence than you can be supposed to have. Say this with firmness, and it will be quite enough. All who can distinguish will understand your motive. The play will be given up, and your	Mr. Yates. "After all our debatings and difficulties, we find there is nothing that will suit us altogether so well, nothing so unexceptionable, as Lovers' Vows. The wonder is that it should not have been thought of before. My stupidity was abominable, for here we have all the advantage of what I saw at Ecclesford; and it is so useful to have anything of a model! We have cast almost every part." "But what do you do for women?" said Edmund gravely, and looking at Maria. Maria blushed in spite of herself as she answered, "I take the part which Lady Ravenshaw was to have done, and" (with a bolder eye) "Miss Crawford is to be Amelia." "I should not have thought it the sort of play to be so easily filled up, with _us_," replied Edmund, turning away to the fire, where sat his mother, aunt, and Fanny, and seating himself with a look of great vexation. Mr. Rushworth followed him to say, "I come in three times, and have two-and-forty speeches. That's something, is not it? But I do not much like the idea of being so fine. I shall hardly know myself in a blue dress and a pink satin cloak." Edmund could not answer him. In a few minutes Mr. Bertram was called out of the room to satisfy some doubts of the carpenter; and being accompanied by Mr. Yates, and followed soon afterwards by Mr. Rushworth, Edmund almost immediately took the opportunity of saying, "I cannot, before Mr. Yates, speak what I feel as to this play, without reflecting on his friends at Ecclesford; but I must now, my dear Maria, tell _you_, that I think it exceedingly unfit for private representation, and that I hope you will give it up. I cannot but suppose you _will_ when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your _father's_ judgment, I am convinced." "We see things very differently," cried Maria. "I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the rest of the party." This picture of her consequence had some effect, for no one loved better to lead than Maria; and with far more good-humour she answered, "I am much obliged to you, Edmund; you mean very well, I am sure: but I still think you see things too strongly; and I really cannot undertake to harangue all the rest upon a subject of this kind. _There_ would be the greatest indecorum, I think." "Do you imagine that I could have such an idea in my head? No; let your conduct be the only harangue. Say that, on examining the part, you feel yourself unequal to it; that you find it requiring more exertion and confidence than you can be supposed to have. Say this with firmness, and it will be quite enough. All who can distinguish will understand your motive. The play will be given up, and your delicacy honoured as it ought." "Do not act anything improper, my dear," said Lady Bertram. "Sir Thomas would not like it. Fanny, ring the bell; I must have my dinner. To be sure, Julia is dressed by this time." "I am convinced, madam," said Edmund, preventing Fanny, "that Sir Thomas would not like it." "There, my dear, do you hear what Edmund says?" "If I were to decline the part," said Maria, with renewed zeal, "Julia would certainly take it." "What!" cried Edmund, "if she knew your reasons!" "Oh! she might think the difference between us the difference in our situations that _she_ need not be so scrupulous as _I_ might feel necessary. I am sure she would argue so. No; you must excuse me; I cannot retract my consent; it is too far settled, everybody would be so disappointed, Tom would be quite angry; and if we are so very nice, we shall never act anything." "I was just going to say the very same thing," said Mrs. Norris. "If every play is to be objected to, you will act nothing, and the preparations will be all so much money thrown away, and I am sure _that_ would be	would certainly make. CHAPTER XV Miss Crawford accepted the part very readily; and soon after Miss Bertram's return from the Parsonage, Mr. Rushworth arrived, and another character was consequently cast. He had the offer of Count Cassel and Anhalt, and at first did not know which to chuse, and wanted Miss Bertram to direct him; but upon being made to understand the different style of the characters, and which was which, and recollecting that he had once seen the play in London, and had thought Anhalt a very stupid fellow, he soon decided for the Count. Miss Bertram approved the decision, for the less he had to learn the better; and though she could not sympathise in his wish that the Count and Agatha might be to act together, nor wait very patiently while he was slowly turning over the leaves with the hope of still discovering such a scene, she very kindly took his part in hand, and curtailed every speech that admitted being shortened; besides pointing out the necessity of his being very much dressed, and chusing his colours. Mr. Rushworth liked the idea of his finery very well, though affecting to despise it; and was too much engaged with what his own appearance would be to think of the others, or draw any of those conclusions, or feel any of that displeasure which Maria had been half prepared for. Thus much was settled before Edmund, who had been out all the morning, knew anything of the matter; but when he entered the drawing-room before dinner, the buzz of discussion was high between Tom, Maria, and Mr. Yates; and Mr. Rushworth stepped forward with great alacrity to tell him the agreeable news. "We have got a play," said he. "It is to be Lovers' Vows; and I am to be Count Cassel, and am to come in first with a blue dress and a pink satin cloak, and afterwards am to have another fine fancy suit, by way of a shooting-dress. I do not know how I shall like it." Fanny's eyes followed Edmund, and her heart beat for him as she heard this speech, and saw his look, and felt what his sensations must be. "Lovers' Vows!" in a tone of the greatest amazement, was his only reply to Mr. Rushworth, and he turned towards his brother and sisters as if hardly doubting a contradiction. "Yes," cried Mr. Yates. "After all our debatings and difficulties, we find there is nothing that will suit us altogether so well, nothing so unexceptionable, as Lovers' Vows. The wonder is that it should not have been thought of before. My stupidity was abominable, for here we have all the advantage of what I saw at Ecclesford; and it is so useful to have anything of a model! We have cast almost every part." "But what do you do for women?" said Edmund gravely, and looking at Maria. Maria blushed in spite of herself as she answered, "I take the part which Lady Ravenshaw was to have done, and" (with a bolder eye) "Miss Crawford is to be Amelia." "I should not have thought it the sort of play to be so easily filled up, with _us_," replied Edmund, turning away to the fire, where sat his mother, aunt, and Fanny, and seating himself with a look of great vexation. Mr. Rushworth followed him to say, "I come in three times, and have two-and-forty speeches. That's something, is not it? But I do not much like the idea of being so fine. I shall hardly know myself in a blue dress and a pink satin cloak." Edmund could not answer him. In a few minutes Mr. Bertram was called out of the room to satisfy some doubts of the carpenter; and being accompanied by Mr. Yates, and followed soon afterwards by Mr. Rushworth, Edmund almost immediately took the opportunity of saying, "I cannot, before Mr. Yates, speak what I feel as to this play, without reflecting on his friends at Ecclesford; but I must now, my dear Maria, tell _you_, that I think it exceedingly unfit for private representation, and that I hope you will give it up. I cannot but suppose you _will_ when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your _father's_ judgment, I am convinced." "We see things very differently," cried Maria. "I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the rest of the party." This picture of her consequence had some effect, for no one loved better to lead than Maria; and with far more good-humour she answered, "I am much obliged to you, Edmund; you mean very well, I am sure: but I still think you see things too strongly; and I really cannot undertake to harangue all the rest upon a subject of this kind. _There_ would be the greatest indecorum, I think." "Do you imagine that I could have such an idea in my head? No; let your conduct be the only harangue. Say that, on examining the part, you feel yourself unequal to it; that you find it requiring more exertion and confidence than you can be supposed to have. Say this with firmness, and it will be quite enough. All who can distinguish will understand your motive. The play will be given up, and your delicacy honoured as it ought." "Do not act anything improper, my dear," said Lady Bertram. "Sir Thomas would not like it. Fanny, ring the bell; I must have my dinner. To be sure, Julia is dressed by this time." "I am convinced, madam," said Edmund, preventing Fanny, "that Sir Thomas would not like it." "There, my dear, do you hear what Edmund says?" "If I were to decline the part," said Maria, with renewed zeal, "Julia would certainly take it." "What!" cried Edmund, "if she knew your reasons!" "Oh! she might think the difference between us the difference in our situations that _she_ need not be so scrupulous as _I_ might feel necessary. I am sure she would argue so. No; you must excuse me; I cannot retract my consent; it is too far settled, everybody would be so disappointed, Tom would be quite angry; and if we are so very nice, we shall never act anything." "I was just going to say the very same thing," said Mrs. Norris. "If every play is to be objected to, you will act nothing, and the preparations will be all so much money thrown away, and I am sure _that_ would be a discredit to us all. I do not know the play; but, as Maria says, if there is anything a little too warm (and it is so with most of them) it can be easily left out. We must not be over-precise, Edmund. As Mr. Rushworth is to act too, there can be no harm. I only wish Tom had known his own mind when the carpenters began, for there was the loss of half a day's work about those side-doors. The curtain will be a good job, however. The maids do their work very well, and I think we shall be able to send back some dozens of the rings. There is no occasion to put them so very close together. I _am_ of some use, I hope, in preventing waste and making the most of things. There should always be one steady head to superintend so many young ones. I forgot to tell Tom of something that happened to me this very day. I had been looking about me in the poultry-yard, and was just coming out, when who should I see but Dick Jackson making up to the servants' hall-door with two bits of deal board in his hand, bringing them to father, you may be sure; mother had chanced to send him of a message to father, and then father had bid him bring up them two bits of board, for he could not no how do without them. I knew what all this meant, for the servants' dinner-bell was ringing at the very moment over our heads; and as I hate such encroaching people (the Jacksons are very encroaching, I have always said so: just the sort of people to get all they can), I said to the boy directly (a great lubberly fellow of ten years old, you know, who ought to be ashamed of himself), _I'll_ take the boards to your father, Dick, so get you home again as fast as you can.' The boy looked very silly, and turned away without offering a word, for I believe I might speak pretty sharp; and I dare say it will cure him of coming marauding about the house for one while. I hate such greediness so good as your father is to the family, employing the man all the year round!" Nobody was at the trouble of an answer; the others soon returned; and	stupidity was abominable, for here we have all the advantage of what I saw at Ecclesford; and it is so useful to have anything of a model! We have cast almost every part." "But what do you do for women?" said Edmund gravely, and looking at Maria. Maria blushed in spite of herself as she answered, "I take the part which Lady Ravenshaw was to have done, and" (with a bolder eye) "Miss Crawford is to be Amelia." "I should not have thought it the sort of play to be so easily filled up, with _us_," replied Edmund, turning away to the fire, where sat his mother, aunt, and Fanny, and seating himself with a look of great vexation. Mr. Rushworth followed him to say, "I come in three times, and have two-and-forty speeches. That's something, is not it? But I do not much like the idea of being so fine. I shall hardly know myself in a blue dress and a pink satin cloak." Edmund could not answer him. In a few minutes Mr. Bertram was called out of the room to satisfy some doubts of the carpenter; and being accompanied by Mr. Yates, and followed soon afterwards by Mr. Rushworth, Edmund almost immediately took the opportunity of saying, "I cannot, before Mr. Yates, speak what I feel as to this play, without reflecting on his friends at Ecclesford; but I must now, my dear Maria, tell _you_, that I think it exceedingly unfit for private representation, and that I hope you will give it up. I cannot but suppose you _will_ when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your _father's_ judgment, I am convinced." "We see things very differently," cried Maria. "I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the rest of the party." This picture of her consequence had some effect, for no one loved better to lead than Maria; and with far more good-humour she answered, "I am much obliged to you, Edmund; you mean very well, I am sure: but I still think you see things too strongly; and I really cannot undertake to harangue all the rest upon a subject of this kind. _There_ would be the greatest indecorum, I think." "Do you imagine that I could have such an idea in my head? No; let your conduct be the only harangue. Say that, on examining the part, you feel yourself unequal to it; that you find it requiring more exertion and confidence than you can be supposed to have. Say this with firmness, and it will be quite enough. All who can distinguish will understand your motive. The play will be given up, and your delicacy honoured as it ought." "Do not act anything improper, my dear," said Lady Bertram. "Sir Thomas would not like it. Fanny, ring the bell; I must have my dinner. To be sure, Julia is dressed by this time." "I am convinced, madam," said Edmund, preventing Fanny, "that Sir Thomas would not like it." "There, my dear, do you hear what Edmund says?" "If I were to decline the part," said Maria, with renewed zeal, "Julia would certainly take it." "What!" cried Edmund, "if she knew your reasons!" "Oh! she might think the difference between us the difference in our situations that _she_ need not be so scrupulous as _I_ might feel necessary. I am sure she would argue so. No; you must excuse me; I cannot retract my consent; it is too far settled, everybody would be so disappointed, Tom would be quite angry; and if we are so very nice, we shall never act anything." "I was just going to say the very same thing," said Mrs. Norris. "If every play is to be objected to, you will act nothing, and the preparations will be all so much money thrown away, and I am sure _that_ would be a discredit to us all. I do not know the play; but, as Maria	Mansfield Park
"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."	Elinor	to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might.	make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven	honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission;	prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister. "A letter of proper submission!" repeated he; "would they have me beg my mother s pardon for Robert s ingratitude to _her_, and breach of honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour. "And	a line has been received from him on the occasion. Perhaps, however, he is kept silent by his fear of offending, and I shall, therefore, give him a hint, by a line to Oxford, that his sister and I both think a letter of proper submission from him, addressed perhaps to Fanny, and by her shown to her mother, might not be taken amiss; for we all know the tenderness of Mrs. Ferrars s heart, and that she wishes for nothing so much as to be on good terms with her children." This paragraph was of some importance to the prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister. "A letter of proper submission!" repeated he; "would they have me beg my mother s pardon for Robert s ingratitude to _her_, and breach of honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour. "And if they really _do_ interest themselves," said Marianne, in her new character of candour, "in bringing about a reconciliation, I shall think that even John and Fanny are not entirely without merit." After a visit on Colonel Brandon s side of only three or four days, the two gentlemen quitted Barton together. They were to go immediately to Delaford, that Edward might have some personal knowledge of his future home, and assist his patron and friend in deciding on what improvements were needed to it; and from thence, after staying there a couple of nights, he was to proceed on	send for him to Barton, and Miss Marianne must try to comfort him." Mr. Dashwood s strains were more solemn. Mrs. Ferrars was the most unfortunate of women poor Fanny had suffered agonies of sensibility and he considered the existence of each, under such a blow, with grateful wonder. Robert s offence was unpardonable, but Lucy s was infinitely worse. Neither of them were ever again to be mentioned to Mrs. Ferrars; and even, if she might hereafter be induced to forgive her son, his wife should never be acknowledged as her daughter, nor be permitted to appear in her presence. The secrecy with which everything had been carried on between them, was rationally treated as enormously heightening the crime, because, had any suspicion of it occurred to the others, proper measures would have been taken to prevent the marriage; and he called on Elinor to join with him in regretting that Lucy s engagement with Edward had not rather been fulfilled, than that she should thus be the means of spreading misery farther in the family. He thus continued: "Mrs. Ferrars has never yet mentioned Edward s name, which does not surprise us; but, to our great astonishment, not a line has been received from him on the occasion. Perhaps, however, he is kept silent by his fear of offending, and I shall, therefore, give him a hint, by a line to Oxford, that his sister and I both think a letter of proper submission from him, addressed perhaps to Fanny, and by her shown to her mother, might not be taken amiss; for we all know the tenderness of Mrs. Ferrars s heart, and that she wishes for nothing so much as to be on good terms with her children." This paragraph was of some importance to the prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister. "A letter of proper submission!" repeated he; "would they have me beg my mother s pardon for Robert s ingratitude to _her_, and breach of honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour. "And if they really _do_ interest themselves," said Marianne, in her new character of candour, "in bringing about a reconciliation, I shall think that even John and Fanny are not entirely without merit." After a visit on Colonel Brandon s side of only three or four days, the two gentlemen quitted Barton together. They were to go immediately to Delaford, that Edward might have some personal knowledge of his future home, and assist his patron and friend in deciding on what improvements were needed to it; and from thence, after staying there a couple of nights, he was to proceed on his journey to town. CHAPTER L. After a proper resistance on the part of Mrs. Ferrars, just so violent and so steady as to preserve her from that reproach which she always seemed fearful of incurring, the reproach of being too amiable, Edward was admitted to her presence, and pronounced to be again her son. Her family had of late been exceedingly fluctuating. For many years of her life she had had two sons; but the crime and annihilation of Edward a few weeks ago, had robbed her of one; the similar annihilation of Robert had left her for a fortnight without any; and now, by the resuscitation of Edward, she had one again. In spite of his being allowed once more to live, however, he did not feel the continuance of his existence secure, till he had revealed his present engagement; for the publication of that circumstance, he feared, might give a sudden turn to his constitution, and carry him off as rapidly as before. With apprehensive caution therefore it was revealed, and he was listened to with unexpected calmness. Mrs. Ferrars at first reasonably endeavoured to dissuade him from marrying Miss Dashwood, by every argument in her power;	what had passed; and the first hours of his visit were consequently spent in hearing and in wondering. Every thing was explained to him by Mrs. Dashwood, and he found fresh reason to rejoice in what he had done for Mr. Ferrars, since eventually it promoted the interest of Elinor. It would be needless to say, that the gentlemen advanced in the good opinion of each other, as they advanced in each other s acquaintance, for it could not be otherwise. Their resemblance in good principles and good sense, in disposition and manner of thinking, would probably have been sufficient to unite them in friendship, without any other attraction; but their being in love with two sisters, and two sisters fond of each other, made that mutual regard inevitable and immediate, which might otherwise have waited the effect of time and judgment. The letters from town, which a few days before would have made every nerve in Elinor s body thrill with transport, now arrived to be read with less emotion than mirth. Mrs. Jennings wrote to tell the wonderful tale, to vent her honest indignation against the jilting girl, and pour forth her compassion towards poor Mr. Edward, who, she was sure, had quite doted upon the worthless hussy, and was now, by all accounts, almost broken-hearted, at Oxford. "I do think," she continued, "nothing was ever carried on so sly; for it was but two days before Lucy called and sat a couple of hours with me. Not a soul suspected anything of the matter, not even Nancy, who, poor soul! came crying to me the day after, in a great fright for fear of Mrs. Ferrars, as well as not knowing how to get to Plymouth; for Lucy it seems borrowed all her money before she went off to be married, on purpose we suppose to make a show with, and poor Nancy had not seven shillings in the world; so I was very glad to give her five guineas to take her down to Exeter, where she thinks of staying three or four weeks with Mrs. Burgess, in hopes, as I tell her, to fall in with the Doctor again. And I must say that Lucy s crossness not to take them along with them in the chaise is worse than all. Poor Mr. Edward! I cannot get him out of my head, but you must send for him to Barton, and Miss Marianne must try to comfort him." Mr. Dashwood s strains were more solemn. Mrs. Ferrars was the most unfortunate of women poor Fanny had suffered agonies of sensibility and he considered the existence of each, under such a blow, with grateful wonder. Robert s offence was unpardonable, but Lucy s was infinitely worse. Neither of them were ever again to be mentioned to Mrs. Ferrars; and even, if she might hereafter be induced to forgive her son, his wife should never be acknowledged as her daughter, nor be permitted to appear in her presence. The secrecy with which everything had been carried on between them, was rationally treated as enormously heightening the crime, because, had any suspicion of it occurred to the others, proper measures would have been taken to prevent the marriage; and he called on Elinor to join with him in regretting that Lucy s engagement with Edward had not rather been fulfilled, than that she should thus be the means of spreading misery farther in the family. He thus continued: "Mrs. Ferrars has never yet mentioned Edward s name, which does not surprise us; but, to our great astonishment, not a line has been received from him on the occasion. Perhaps, however, he is kept silent by his fear of offending, and I shall, therefore, give him a hint, by a line to Oxford, that his sister and I both think a letter of proper submission from him, addressed perhaps to Fanny, and by her shown to her mother, might not be taken amiss; for we all know the tenderness of Mrs. Ferrars s heart, and that she wishes for nothing so much as to be on good terms with her children." This paragraph was of some importance to the prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister. "A letter of proper submission!" repeated he; "would they have me beg my mother s pardon for Robert s ingratitude to _her_, and breach of honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour. "And if they really _do_ interest themselves," said Marianne, in her new character of candour, "in bringing about a reconciliation, I shall think that even John and Fanny are not entirely without merit." After a visit on Colonel Brandon s side of only three or four days, the two gentlemen quitted Barton together. They were to go immediately to Delaford, that Edward might have some personal knowledge of his future home, and assist his patron and friend in deciding on what improvements were needed to it; and from thence, after staying there a couple of nights, he was to proceed on his journey to town. CHAPTER L. After a proper resistance on the part of Mrs. Ferrars, just so violent and so steady as to preserve her from that reproach which she always seemed fearful of incurring, the reproach of being too amiable, Edward was admitted to her presence, and pronounced to be again her son. Her family had of late been exceedingly fluctuating. For many years of her life she had had two sons; but the crime and annihilation of Edward a few weeks ago, had robbed her of one; the similar annihilation of Robert had left her for a fortnight without any; and now, by the resuscitation of Edward, she had one again. In spite of his being allowed once more to live, however, he did not feel the continuance of his existence secure, till he had revealed his present engagement; for the publication of that circumstance, he feared, might give a sudden turn to his constitution, and carry him off as rapidly as before. With apprehensive caution therefore it was revealed, and he was listened to with unexpected calmness. Mrs. Ferrars at first reasonably endeavoured to dissuade him from marrying Miss Dashwood, by every argument in her power; told him, that in Miss Morton he would have a woman of higher rank and larger fortune; and enforced the assertion, by observing that Miss Morton was the daughter of a nobleman with thirty thousand pounds, while Miss Dashwood was only the daughter of a private gentleman with no more than _three;_ but when she found that, though perfectly admitting the truth of her representation, he was by no means inclined to be guided by it, she judged it wisest, from the experience of the past, to submit and therefore, after such an ungracious delay as she owed to her own dignity, and as served to prevent every suspicion of good-will, she issued her decree of consent to the marriage of Edward and Elinor. What she would engage to do towards augmenting their income was next to be considered; and here it plainly appeared, that though Edward was now her only son, he was by no means her eldest; for while Robert was inevitably endowed with a thousand pounds a-year, not the smallest objection was made against Edward s taking orders for the sake of two hundred and fifty at the utmost; nor was anything promised either for the present or in future, beyond the ten thousand pounds, which had been given with Fanny. It was as much, however, as was desired, and more than was expected, by Edward and Elinor; and Mrs. Ferrars herself, by her shuffling excuses, seemed the only person surprised at her not giving more. With an income quite sufficient to their wants thus secured to them, they had nothing to wait for after Edward was in possession of the living, but the readiness of the house, to which Colonel Brandon, with an eager desire for the accommodation of Elinor, was making considerable improvements; and after waiting some time for their completion, after experiencing, as usual, a thousand disappointments and delays from the unaccountable dilatoriness of the workmen, Elinor, as usual, broke through the first positive resolution of not marrying till every thing was ready, and the ceremony took place in Barton church early in the autumn. The first month after their marriage was spent with their friend at the Mansion-house; from whence they could superintend the progress of the Parsonage, and direct every thing as they liked on the spot; could chuse papers, project shrubberies, and invent a sweep. Mrs. Jennings s prophecies, though rather	might hereafter be induced to forgive her son, his wife should never be acknowledged as her daughter, nor be permitted to appear in her presence. The secrecy with which everything had been carried on between them, was rationally treated as enormously heightening the crime, because, had any suspicion of it occurred to the others, proper measures would have been taken to prevent the marriage; and he called on Elinor to join with him in regretting that Lucy s engagement with Edward had not rather been fulfilled, than that she should thus be the means of spreading misery farther in the family. He thus continued: "Mrs. Ferrars has never yet mentioned Edward s name, which does not surprise us; but, to our great astonishment, not a line has been received from him on the occasion. Perhaps, however, he is kept silent by his fear of offending, and I shall, therefore, give him a hint, by a line to Oxford, that his sister and I both think a letter of proper submission from him, addressed perhaps to Fanny, and by her shown to her mother, might not be taken amiss; for we all know the tenderness of Mrs. Ferrars s heart, and that she wishes for nothing so much as to be on good terms with her children." This paragraph was of some importance to the prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister. "A letter of proper submission!" repeated he; "would they have me beg my mother s pardon for Robert s ingratitude to _her_, and breach of honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour. "And if they really _do_ interest themselves," said Marianne, in her new character of candour, "in bringing about a reconciliation, I shall think that even John and Fanny are not entirely without merit." After a visit on Colonel Brandon s side of only three or four days, the two gentlemen quitted Barton together. They were to go immediately to Delaford, that Edward might have some personal knowledge of his future home, and assist his patron and friend in deciding on what improvements were needed to it; and from thence, after staying there a couple of nights, he was to proceed on his journey to town. CHAPTER L. After a proper resistance on the part of Mrs. Ferrars, just so violent and so steady as to preserve her from that reproach which she always seemed fearful of incurring, the reproach of being too amiable, Edward was admitted to her presence, and pronounced to be again her son. Her family had of late been exceedingly fluctuating. For many years of her life she had had two sons; but the crime and annihilation of Edward a few weeks ago, had robbed her of one; the similar annihilation of Robert had left her for a fortnight without any; and now, by the resuscitation of Edward, she had one again. In spite of his being allowed once more to live, however, he did not feel the continuance of his existence secure, till he had revealed his present engagement; for the publication of that circumstance, he feared, might give a sudden turn to his constitution, and carry him off as rapidly as before. With apprehensive caution therefore it was revealed, and he was listened to with unexpected calmness. Mrs. Ferrars at first reasonably endeavoured to dissuade him from marrying Miss Dashwood, by every argument in her power; told him, that in Miss Morton he would have a woman of higher rank and larger fortune; and enforced the assertion, by observing that Miss Morton was the daughter of a nobleman with thirty thousand pounds,	Sense And Sensibility
"Undoubtedly,"	Margaret	come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably	clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and	they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as	I saw playing in the stacks last week?" The child hung his head. "Well, run away and do it again." "Nice little boy," whispered Helen. "I say, what s your name? Mine s Helen." "Tom." That was Helen all over. The Wilcoxes, too, would ask a child its name, but they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as she sipped the milk. "But you said that the house was dead not half an hour ago." "Meaning that I was dead. I felt it." "Yes, the house has a surer life than we, even if it was empty, and, as it is, I can t get over that for	send you?" said Margaret, rather sharply. "Yes, please." "Then take it back and say we require no milk." While she called to Helen, "No, it s not the siege, but possibly an attempt to provision us against one." "But I like milk," cried Helen. "Why send it away?" "Do you? Oh, very well. But we ve nothing to put it in, and he wants the can." "Please, I m to call in the morning for the can," said the boy. "The house will be locked up then." "In the morning would I bring eggs too?" "Are you the boy whom I saw playing in the stacks last week?" The child hung his head. "Well, run away and do it again." "Nice little boy," whispered Helen. "I say, what s your name? Mine s Helen." "Tom." That was Helen all over. The Wilcoxes, too, would ask a child its name, but they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as she sipped the milk. "But you said that the house was dead not half an hour ago." "Meaning that I was dead. I felt it." "Yes, the house has a surer life than we, even if it was empty, and, as it is, I can t get over that for thirty years the sun has never shone full on our furniture. After all, Wickham Place was a grave. Meg, I ve a startling idea." "What is it?" "Drink some milk to steady you." Margaret obeyed. "No, I won t tell you yet," said Helen, "because you may laugh or be angry. Let s go upstairs first and give the rooms an airing." They opened window after window, till the inside, too, was rustling to the spring. Curtains blew, picture frames tapped cheerfully. Helen uttered cries of excitement as she found this bed obviously in its right place, that in its	wild." "Tibby is moderately a dear now," said Helen. "There! I knew you d say that in the end. Of course he s a dear." A bell rang. "Listen! what s that?" Helen said, "Perhaps the Wilcoxes are beginning the siege." "What nonsense--listen!" And the triviality faded from their faces, though it left something behind--the knowledge that they never could be parted because their love was rooted in common things. Explanations and appeals had failed; they had tried for a common meeting-ground, and had only made each other unhappy. And all the time their salvation was lying round them--the past sanctifying the present; the present, with wild heart-throb, declaring that there would after all be a future with laughter and the voices of children. Helen, still smiling, came up to her sister. She said, "It is always Meg." They looked into each other s eyes. The inner life had paid. Solemnly the clapper tolled. No one was in the front. Margaret went to the kitchen, and struggled between packing-cases to the window. Their visitor was only a little boy with a tin can. And triviality returned. "Little boy, what do you want?" "Please, I am the milk." "Did Miss Avery send you?" said Margaret, rather sharply. "Yes, please." "Then take it back and say we require no milk." While she called to Helen, "No, it s not the siege, but possibly an attempt to provision us against one." "But I like milk," cried Helen. "Why send it away?" "Do you? Oh, very well. But we ve nothing to put it in, and he wants the can." "Please, I m to call in the morning for the can," said the boy. "The house will be locked up then." "In the morning would I bring eggs too?" "Are you the boy whom I saw playing in the stacks last week?" The child hung his head. "Well, run away and do it again." "Nice little boy," whispered Helen. "I say, what s your name? Mine s Helen." "Tom." That was Helen all over. The Wilcoxes, too, would ask a child its name, but they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as she sipped the milk. "But you said that the house was dead not half an hour ago." "Meaning that I was dead. I felt it." "Yes, the house has a surer life than we, even if it was empty, and, as it is, I can t get over that for thirty years the sun has never shone full on our furniture. After all, Wickham Place was a grave. Meg, I ve a startling idea." "What is it?" "Drink some milk to steady you." Margaret obeyed. "No, I won t tell you yet," said Helen, "because you may laugh or be angry. Let s go upstairs first and give the rooms an airing." They opened window after window, till the inside, too, was rustling to the spring. Curtains blew, picture frames tapped cheerfully. Helen uttered cries of excitement as she found this bed obviously in its right place, that in its wrong one. She was angry with Miss Avery for not having moved the wardrobes up. "Then one would see really." She admired the view. She was the Helen who had written the memorable letters four years ago. As they leant out, looking westward, she said: "About my idea. Couldn t you and I camp out in this house for the night?" "I don t think we could well do that," said Margaret. "Here are beds, tables, towels--" "I know; but the house isn t supposed to be slept in, and Henry s suggestion was--" "I require no suggestions. I shall not alter anything in my plans. But it would give me so much pleasure to have one night here with you. It will be something to look back on. Oh, Meg lovey, do let s!" "But, Helen, my pet," said Margaret, "we can t without getting Henry s leave. Of course, he would give it, but you said yourself that you couldn t visit at Ducie Street now, and this is equally intimate." "Ducie Street is his house. This is ours. Our furniture, our sort of people coming to the door. Do let us camp out, just one night, and	that we had it in London, but this floor ought to be bare. It is far too beautiful." "You still have a mania for under-furnishing. Would you care to come into the dining-room before you start? There s no carpet there." They went in, and each minute their talk became more natural. "Oh, WHAT a place for mother s chiffonier!" cried Helen. "Look at the chairs, though." "Oh, look at them! Wickham Place faced north, didn t it?" "North-west." "Anyhow, it is thirty years since any of those chairs have felt the sun. Feel. Their dear little backs are quite warm." "But why has Miss Avery made them set to partners? I shall just--" "Over here, Meg. Put it so that any one sitting will see the lawn." Margaret moved a chair. Helen sat down in it. "Ye--es. The window s too high." "Try a drawing-room chair." "No, I don t like the drawing-room so much. The beam has been match-boarded. It would have been so beautiful otherwise." "Helen, what a memory you have for some things! You re perfectly right. It s a room that men have spoilt through trying to make it nice for women. Men don t know what we want--" "And never will." "I don t agree. In two thousand years they ll know. Look where Tibby spilt the soup." "Coffee. It was coffee surely." Helen shook her head. "Impossible. Tibby was far too young to be given coffee at that time." "Was father alive?" "Yes." "Then you re right and it must have been soup. I was thinking of much later--that unsuccessful visit of Aunt Juley s, when she didn t realise that Tibby had grown up. It was coffee then, for he threw it down on purpose. There was some rhyme, Tea, coffee--coffee tea, that she said to him every morning at breakfast. Wait a minute--how did it go?" "I know--no, I don t. What a detestable boy Tibby was!" "But the rhyme was simply awful. No decent person could put up with it." "Ah, that greengage-tree," cried Helen, as if the garden was also part of their childhood. "Why do I connect it with dumb-bells? And there come the chickens. The grass wants cutting. I love yellow-hammers." Margaret interrupted her. "I have got it," she announced. " Tea, tea, coffee, tea, Or chocolaritee.'" "That every morning for three weeks. No wonder Tibby was wild." "Tibby is moderately a dear now," said Helen. "There! I knew you d say that in the end. Of course he s a dear." A bell rang. "Listen! what s that?" Helen said, "Perhaps the Wilcoxes are beginning the siege." "What nonsense--listen!" And the triviality faded from their faces, though it left something behind--the knowledge that they never could be parted because their love was rooted in common things. Explanations and appeals had failed; they had tried for a common meeting-ground, and had only made each other unhappy. And all the time their salvation was lying round them--the past sanctifying the present; the present, with wild heart-throb, declaring that there would after all be a future with laughter and the voices of children. Helen, still smiling, came up to her sister. She said, "It is always Meg." They looked into each other s eyes. The inner life had paid. Solemnly the clapper tolled. No one was in the front. Margaret went to the kitchen, and struggled between packing-cases to the window. Their visitor was only a little boy with a tin can. And triviality returned. "Little boy, what do you want?" "Please, I am the milk." "Did Miss Avery send you?" said Margaret, rather sharply. "Yes, please." "Then take it back and say we require no milk." While she called to Helen, "No, it s not the siege, but possibly an attempt to provision us against one." "But I like milk," cried Helen. "Why send it away?" "Do you? Oh, very well. But we ve nothing to put it in, and he wants the can." "Please, I m to call in the morning for the can," said the boy. "The house will be locked up then." "In the morning would I bring eggs too?" "Are you the boy whom I saw playing in the stacks last week?" The child hung his head. "Well, run away and do it again." "Nice little boy," whispered Helen. "I say, what s your name? Mine s Helen." "Tom." That was Helen all over. The Wilcoxes, too, would ask a child its name, but they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as she sipped the milk. "But you said that the house was dead not half an hour ago." "Meaning that I was dead. I felt it." "Yes, the house has a surer life than we, even if it was empty, and, as it is, I can t get over that for thirty years the sun has never shone full on our furniture. After all, Wickham Place was a grave. Meg, I ve a startling idea." "What is it?" "Drink some milk to steady you." Margaret obeyed. "No, I won t tell you yet," said Helen, "because you may laugh or be angry. Let s go upstairs first and give the rooms an airing." They opened window after window, till the inside, too, was rustling to the spring. Curtains blew, picture frames tapped cheerfully. Helen uttered cries of excitement as she found this bed obviously in its right place, that in its wrong one. She was angry with Miss Avery for not having moved the wardrobes up. "Then one would see really." She admired the view. She was the Helen who had written the memorable letters four years ago. As they leant out, looking westward, she said: "About my idea. Couldn t you and I camp out in this house for the night?" "I don t think we could well do that," said Margaret. "Here are beds, tables, towels--" "I know; but the house isn t supposed to be slept in, and Henry s suggestion was--" "I require no suggestions. I shall not alter anything in my plans. But it would give me so much pleasure to have one night here with you. It will be something to look back on. Oh, Meg lovey, do let s!" "But, Helen, my pet," said Margaret, "we can t without getting Henry s leave. Of course, he would give it, but you said yourself that you couldn t visit at Ducie Street now, and this is equally intimate." "Ducie Street is his house. This is ours. Our furniture, our sort of people coming to the door. Do let us camp out, just one night, and Tom shall feed us on eggs and milk. Why not? It s a moon." Margaret hesitated. "I feel Charles wouldn t like it," she said at last. "Even our furniture annoyed him, and I was going to clear it out when Aunt Juley s illness prevented me. I sympathise with Charles. He feels it s his mother s house. He loves it in rather an untaking way. Henry I could answer for--not Charles." "I know he won t like it," said Helen. "But I am going to pass out of their lives. What difference will it make in the long run if they say, And she even spent the night at Howards End ?" "How do you know you ll pass out of their lives? We have thought that twice before." "Because my plans--" "--which you change in a moment." "Then because my life is great and theirs are little," said Helen, taking fire. "I know of things they can t know of, and so do you. We know that there s poetry. We know that there s death. They can only take them on hearsay. We know this is our house, because it feels ours. Oh, they may take the title-deeds and the door-keys, but for this one night we are at home." "It would be lovely to have you once more alone," said Margaret. "It may be a chance in a thousand." "Yes, and we could talk." She dropped her voice. "It won t be a very glorious story. But under that wych-elm--honestly, I see little happiness ahead. Cannot I have this one night with you?" "I needn t say how much it would mean to me." "Then let us." "It is no good hesitating. Shall I drive down to Hilton now and get leave?" "Oh, we don t want leave." But Margaret was a loyal wife. In spite of imagination and poetry--perhaps on account of them--she could sympathise with the technical attitude that Henry would adopt. If possible, she would be technical, too. A night s lodging--and they demanded no more--need not involve the discussion of general principles. "Charles may say no," grumbled Helen. "We shan t consult him." "Go if you like; I should have stopped without leave." It was the touch of selfishness, which was not enough to mar Helen s character, and even added to its beauty. She would have stopped without leave and	Wilcoxes are beginning the siege." "What nonsense--listen!" And the triviality faded from their faces, though it left something behind--the knowledge that they never could be parted because their love was rooted in common things. Explanations and appeals had failed; they had tried for a common meeting-ground, and had only made each other unhappy. And all the time their salvation was lying round them--the past sanctifying the present; the present, with wild heart-throb, declaring that there would after all be a future with laughter and the voices of children. Helen, still smiling, came up to her sister. She said, "It is always Meg." They looked into each other s eyes. The inner life had paid. Solemnly the clapper tolled. No one was in the front. Margaret went to the kitchen, and struggled between packing-cases to the window. Their visitor was only a little boy with a tin can. And triviality returned. "Little boy, what do you want?" "Please, I am the milk." "Did Miss Avery send you?" said Margaret, rather sharply. "Yes, please." "Then take it back and say we require no milk." While she called to Helen, "No, it s not the siege, but possibly an attempt to provision us against one." "But I like milk," cried Helen. "Why send it away?" "Do you? Oh, very well. But we ve nothing to put it in, and he wants the can." "Please, I m to call in the morning for the can," said the boy. "The house will be locked up then." "In the morning would I bring eggs too?" "Are you the boy whom I saw playing in the stacks last week?" The child hung his head. "Well, run away and do it again." "Nice little boy," whispered Helen. "I say, what s your name? Mine s Helen." "Tom." That was Helen all over. The Wilcoxes, too, would ask a child its name, but they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as she sipped the milk. "But you said that the house was dead not half an hour ago." "Meaning that I was dead. I felt it." "Yes, the house has a surer life than we, even if it was empty, and, as it is, I can t get over that for thirty years the sun has never shone full on our furniture. After all, Wickham Place was a grave. Meg, I ve a startling idea." "What is it?" "Drink some milk to steady you." Margaret obeyed. "No, I won t tell you yet," said Helen, "because you may laugh or be angry. Let s go upstairs first and give the rooms an airing." They opened window after window, till the inside, too, was rustling to the spring. Curtains blew, picture frames tapped cheerfully. Helen uttered cries of excitement as she found this bed obviously in its right place, that in its wrong one. She was angry with Miss Avery for not having moved the wardrobes up. "Then one would see really." She admired the view.	Howards End
"Nussu will bring you out some suitable dinner upon a bicycle,"	The Nawab Badahur	me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who	and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity.	the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did	Nawab Bahadur. "Then hop in: I've no notion who you are." "Heh no, what about my dinner? I can't be left alone all the night." Trying to look and feel like a European, the chauffeur interposed aggressively. He still wore a topi, despite the darkness, and his face, to which the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did not know to whom he belonged. For a little he was vexed by opposite currents in his blood, then they blended, and he belonged to no one but himself. But Miss Derek was in tearing spirits. She had succeeded in stealing the Mudkul car. Her Maharajah would be awfully sick,	inside. "Mr. Heaslop, Miss Quested, what are you holding up an innocent female for?" "We've had a breakdown." "But how putrid!" "We ran into a hyena!" "How absolutely rotten!" "Can you give us a lift?" "Yes, indeed." "Take me too," said the Nawab Bahadur. "Heh, what about me?" cried Mr. Harris. "Now what's all this? I'm not an omnibus," said Miss Derek with decision. "I've a harmonium and two dogs in here with me as it is. I'll take three of you if one'll sit in front and nurse a pug. No more." "I will sit in front," said the Nawab Bahadur. "Then hop in: I've no notion who you are." "Heh no, what about my dinner? I can't be left alone all the night." Trying to look and feel like a European, the chauffeur interposed aggressively. He still wore a topi, despite the darkness, and his face, to which the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did not know to whom he belonged. For a little he was vexed by opposite currents in his blood, then they blended, and he belonged to no one but himself. But Miss Derek was in tearing spirits. She had succeeded in stealing the Mudkul car. Her Maharajah would be awfully sick, but she didn't mind, he could sack her if he liked. "I don't believe in these people letting you down," she said. "If I didn't snatch like the devil, I should be nowhere. He doesn't want the car, silly fool! Surely it's to the credit of his State I should be seen about in it at Chandrapore during my leave. He ought to look at it that way. Anyhow he's got to look at it that way. My Maharani's different my Maharani's a dear. That's her fox terrier, poor little devil. I fished them out both with the driver. Imagine	nullahs and headlights dazzle them. "Excellent, a hyena," said the Indian with an angry irony and a gesture at the night. "Mr. Harris!" "Half a mo-ment. Give me ten minutes' time." "Sahib says hyena." "Don't worry Mr. Harris. He saved us from a nasty smash. Harris, well done!" "A smash, sahib, that would not have taken place had he obeyed and taken us Gangavati side, instead of Marabar." "My fault that. I told him to come this way because the road's better. Mr. Lesley has made it pukka right up to the hills." "Ah, now I begin to understand." Seeming to pull himself together, he apologized slowly and elaborately for the accident. Ronny murmured, "Not at all," but apologies were his due, and should have started sooner: because English people are so calm at a crisis, it is not to be assumed that they are unimportant. The Nawab Bahadur had not come out very well. At that moment a large car approached from the opposite direction. Ronny advanced a few steps down the road, and with authority in his voice and gesture stopped it. It bore the inscription "Mudkul State" across its bonnet. All friskiness and friendliness, Miss Derek sat inside. "Mr. Heaslop, Miss Quested, what are you holding up an innocent female for?" "We've had a breakdown." "But how putrid!" "We ran into a hyena!" "How absolutely rotten!" "Can you give us a lift?" "Yes, indeed." "Take me too," said the Nawab Bahadur. "Heh, what about me?" cried Mr. Harris. "Now what's all this? I'm not an omnibus," said Miss Derek with decision. "I've a harmonium and two dogs in here with me as it is. I'll take three of you if one'll sit in front and nurse a pug. No more." "I will sit in front," said the Nawab Bahadur. "Then hop in: I've no notion who you are." "Heh no, what about my dinner? I can't be left alone all the night." Trying to look and feel like a European, the chauffeur interposed aggressively. He still wore a topi, despite the darkness, and his face, to which the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did not know to whom he belonged. For a little he was vexed by opposite currents in his blood, then they blended, and he belonged to no one but himself. But Miss Derek was in tearing spirits. She had succeeded in stealing the Mudkul car. Her Maharajah would be awfully sick, but she didn't mind, he could sack her if he liked. "I don't believe in these people letting you down," she said. "If I didn't snatch like the devil, I should be nowhere. He doesn't want the car, silly fool! Surely it's to the credit of his State I should be seen about in it at Chandrapore during my leave. He ought to look at it that way. Anyhow he's got to look at it that way. My Maharani's different my Maharani's a dear. That's her fox terrier, poor little devil. I fished them out both with the driver. Imagine taking dogs to a Chiefs' Conference! As sensible as taking Chiefs, perhaps." She shrieked with laughter. "The harmonium the harmonium's my little mistake, I own. They rather had me over the harmonium. I meant it to stop on the train. Oh lor'!" Ronny laughed with restraint. He did not approve of English people taking service under the Native States, where they obtain a certain amount of influence, but at the expense of the general prestige. The humorous triumphs of a free lance are of no assistance to an administrator, and he told the young lady that she would outdo Indians at their own game if she went on much longer. "They always sack me before that happens, and then I get another job. The whole of India seethes with Maharanis and Ranis and Begums who clamour for such as me." "Really. I had no idea." "How could you have any idea, Mr. Heaslop? What should he know about Maharanis, Miss Quested? Nothing. At least I should hope not." "I understand those big people are not particularly interesting," said Adela, quietly, disliking the young woman's tone. Her hand touched Ronny's again in the darkness, and to the animal thrill there was	over . . . oh yes, the danger is past, let us smoke cigarettes, let us do anything we please. Oh yes . . . enjoy ourselves oh my merciful God . . ." His words died into Arabic again. "Wasn't the bridge. We skidded." "We didn't skid," said Adela, who had seen the cause of the accident, and thought everyone must have seen it too. "We ran into an animal." A loud cry broke from the old man: his terror was disproportionate and ridiculous. "An animal?" "A large animal rushed up out of the dark on the right and hit us." "By Jove, she's right," Ronny exclaimed. "The paint's gone." "By Jove, sir, your lady is right," echoed the Eurasian. Just by the hinges of the door was a dent, and the door opened with difficulty. "Of course I'm right. I saw its hairy back quite plainly." "I say, Adela, what was it?" "I don't know the animals any better than the birds here too big for a goat." "Exactly, too big for a goat . . ." said the old man. Ronny said, "Let's go into this; let's look for its tracks." "Exactly; you wish to borrow this electric torch." The English people walked a few steps back into the darkness, united and happy. Thanks to their youth and upbringing, they were not upset by the accident. They traced back the writhing of the tyres to the source of their disturbance. It was just after the exit from a bridge; the animal had probably come up out of the nullah. Steady and smooth ran the marks of the car, ribbons neatly nicked with lozenges, then all went mad. Certainly some external force had impinged, but the road had been used by too many objects for any one track to be legible, and the torch created such high lights and black shadows that they could not interpret what it revealed. Moreover, Adela in her excitement knelt and swept her skirts about, until it was she if anyone who appeared to have attacked the car. The incident was a great relief to them both. They forgot their abortive personal relationship, and felt adventurous as they muddled about in the dust. "I believe it was a buffalo," she called to their host, who had not accompanied them. "Exactly." "Unless it was a hyena." Ronny approved this last conjecture. Hyenas prowl in nullahs and headlights dazzle them. "Excellent, a hyena," said the Indian with an angry irony and a gesture at the night. "Mr. Harris!" "Half a mo-ment. Give me ten minutes' time." "Sahib says hyena." "Don't worry Mr. Harris. He saved us from a nasty smash. Harris, well done!" "A smash, sahib, that would not have taken place had he obeyed and taken us Gangavati side, instead of Marabar." "My fault that. I told him to come this way because the road's better. Mr. Lesley has made it pukka right up to the hills." "Ah, now I begin to understand." Seeming to pull himself together, he apologized slowly and elaborately for the accident. Ronny murmured, "Not at all," but apologies were his due, and should have started sooner: because English people are so calm at a crisis, it is not to be assumed that they are unimportant. The Nawab Bahadur had not come out very well. At that moment a large car approached from the opposite direction. Ronny advanced a few steps down the road, and with authority in his voice and gesture stopped it. It bore the inscription "Mudkul State" across its bonnet. All friskiness and friendliness, Miss Derek sat inside. "Mr. Heaslop, Miss Quested, what are you holding up an innocent female for?" "We've had a breakdown." "But how putrid!" "We ran into a hyena!" "How absolutely rotten!" "Can you give us a lift?" "Yes, indeed." "Take me too," said the Nawab Bahadur. "Heh, what about me?" cried Mr. Harris. "Now what's all this? I'm not an omnibus," said Miss Derek with decision. "I've a harmonium and two dogs in here with me as it is. I'll take three of you if one'll sit in front and nurse a pug. No more." "I will sit in front," said the Nawab Bahadur. "Then hop in: I've no notion who you are." "Heh no, what about my dinner? I can't be left alone all the night." Trying to look and feel like a European, the chauffeur interposed aggressively. He still wore a topi, despite the darkness, and his face, to which the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did not know to whom he belonged. For a little he was vexed by opposite currents in his blood, then they blended, and he belonged to no one but himself. But Miss Derek was in tearing spirits. She had succeeded in stealing the Mudkul car. Her Maharajah would be awfully sick, but she didn't mind, he could sack her if he liked. "I don't believe in these people letting you down," she said. "If I didn't snatch like the devil, I should be nowhere. He doesn't want the car, silly fool! Surely it's to the credit of his State I should be seen about in it at Chandrapore during my leave. He ought to look at it that way. Anyhow he's got to look at it that way. My Maharani's different my Maharani's a dear. That's her fox terrier, poor little devil. I fished them out both with the driver. Imagine taking dogs to a Chiefs' Conference! As sensible as taking Chiefs, perhaps." She shrieked with laughter. "The harmonium the harmonium's my little mistake, I own. They rather had me over the harmonium. I meant it to stop on the train. Oh lor'!" Ronny laughed with restraint. He did not approve of English people taking service under the Native States, where they obtain a certain amount of influence, but at the expense of the general prestige. The humorous triumphs of a free lance are of no assistance to an administrator, and he told the young lady that she would outdo Indians at their own game if she went on much longer. "They always sack me before that happens, and then I get another job. The whole of India seethes with Maharanis and Ranis and Begums who clamour for such as me." "Really. I had no idea." "How could you have any idea, Mr. Heaslop? What should he know about Maharanis, Miss Quested? Nothing. At least I should hope not." "I understand those big people are not particularly interesting," said Adela, quietly, disliking the young woman's tone. Her hand touched Ronny's again in the darkness, and to the animal thrill there was now added a coincidence of opinion. "Ah, there you're wrong. They're priceless." "I would scarcely call her wrong," broke out the Nawab Bahadur, from his isolation on the front seat, whither they had relegated him. "A Native State, a Hindu State, the wife of a ruler of a Hindu State, may beyond doubt be a most excellent lady, and let it not be for a moment supposed that I suggest anything against the character of Her Highness the Maharani of Mudkul. But I fear she will be uneducated, I fear she will be superstitious. Indeed, how could she be otherwise? What opportunity of education has such a lady had? Oh, superstition is terrible, terrible! oh, it is the great defect in our Indian character!" and as if to point his criticism, the lights of the civil station appeared on a rise to the right. He grew more and more voluble. "Oh, it is the duty of each and every citizen to shake superstition off, and though I have little experience of Hindu States, and none of this particular one, namely Mudkul (the Ruler, I fancy, has a salute of but eleven guns) yet I cannot imagine that they have been as successful as British India, where we see reason and orderliness spreading in every direction, like a most health-giving flood!" Miss Derek said "Golly!" Undeterred by the expletive, the old man swept on. His tongue had been loosed and his mind had several points to make. He wanted to endorse Miss Quested's remark that big people are not interesting, because he was bigger himself than many an independent chief; at the same time, he must neither remind nor inform her that he was big, lest she felt she had committed a discourtesy. This was the groundwork of his oration; worked in with it was his gratitude to Miss Derek for the lift, his willingness to hold a repulsive dog in his arms, and his general regret for the trouble he had caused the human race during the evening. Also he wanted to be dropped near the city to get hold of his cleaner, and to see what mischief his grandson was up to. As he wove all these anxieties into a single rope, he suspected that his audience felt no interest, and that the City Magistrate fondled either maiden behind the cover of the harmonium, but good breeding compelled him	out of the nullah. Steady and smooth ran the marks of the car, ribbons neatly nicked with lozenges, then all went mad. Certainly some external force had impinged, but the road had been used by too many objects for any one track to be legible, and the torch created such high lights and black shadows that they could not interpret what it revealed. Moreover, Adela in her excitement knelt and swept her skirts about, until it was she if anyone who appeared to have attacked the car. The incident was a great relief to them both. They forgot their abortive personal relationship, and felt adventurous as they muddled about in the dust. "I believe it was a buffalo," she called to their host, who had not accompanied them. "Exactly." "Unless it was a hyena." Ronny approved this last conjecture. Hyenas prowl in nullahs and headlights dazzle them. "Excellent, a hyena," said the Indian with an angry irony and a gesture at the night. "Mr. Harris!" "Half a mo-ment. Give me ten minutes' time." "Sahib says hyena." "Don't worry Mr. Harris. He saved us from a nasty smash. Harris, well done!" "A smash, sahib, that would not have taken place had he obeyed and taken us Gangavati side, instead of Marabar." "My fault that. I told him to come this way because the road's better. Mr. Lesley has made it pukka right up to the hills." "Ah, now I begin to understand." Seeming to pull himself together, he apologized slowly and elaborately for the accident. Ronny murmured, "Not at all," but apologies were his due, and should have started sooner: because English people are so calm at a crisis, it is not to be assumed that they are unimportant. The Nawab Bahadur had not come out very well. At that moment a large car approached from the opposite direction. Ronny advanced a few steps down the road, and with authority in his voice and gesture stopped it. It bore the inscription "Mudkul State" across its bonnet. All friskiness and friendliness, Miss Derek sat inside. "Mr. Heaslop, Miss Quested, what are you holding up an innocent female for?" "We've had a breakdown." "But how putrid!" "We ran into a hyena!" "How absolutely rotten!" "Can you give us a lift?" "Yes, indeed." "Take me too," said the Nawab Bahadur. "Heh, what about me?" cried Mr. Harris. "Now what's all this? I'm not an omnibus," said Miss Derek with decision. "I've a harmonium and two dogs in here with me as it is. I'll take three of you if one'll sit in front and nurse a pug. No more." "I will sit in front," said the Nawab Bahadur. "Then hop in: I've no notion who you are." "Heh no, what about my dinner? I can't be left alone all the night." Trying to look and feel like a European, the chauffeur interposed aggressively. He still wore a topi, despite the darkness, and his face, to which the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did not know to whom he belonged. For a little he was vexed by opposite currents in his blood, then they blended, and he belonged to no one but himself. But Miss Derek was in tearing spirits. She had succeeded in stealing the Mudkul car. Her Maharajah would be awfully sick, but she didn't mind, he could sack her if he liked. "I don't believe in these people letting you down," she said. "If I didn't snatch like the devil, I should be nowhere. He doesn't want the car, silly fool! Surely it's to the credit of his State I should be seen about in it at Chandrapore during my leave. He ought to look at it that way. Anyhow he's got to look at it that way. My Maharani's different my Maharani's a dear. That's her fox terrier, poor little devil. I fished them out both with the driver. Imagine taking dogs to a Chiefs' Conference! As sensible as taking Chiefs, perhaps." She shrieked with laughter. "The harmonium the harmonium's my little mistake, I own. They rather had me over the harmonium. I meant it to stop on the train. Oh lor'!" Ronny laughed with restraint. He did not approve of English people taking service under the Native States, where they obtain a certain amount of influence, but at the expense of the general prestige. The humorous triumphs of a free lance are of no assistance to an administrator, and he told the young lady that she would outdo Indians at their own game if she went on much longer. "They always sack me before that happens, and then I get another job. The whole of India seethes with Maharanis and Ranis and Begums who clamour for such as me." "Really. I had no idea." "How could you have any idea, Mr. Heaslop? What should he know about Maharanis, Miss Quested? Nothing. At least I should hope not." "I understand those big people are not particularly interesting," said Adela, quietly, disliking the young woman's tone. Her hand touched Ronny's again in the darkness, and to the animal thrill there was now added a coincidence of opinion. "Ah, there you're wrong. They're priceless." "I would scarcely call her wrong," broke out the Nawab Bahadur, from his isolation on the front seat, whither they had relegated him. "A Native State, a Hindu State, the wife of a ruler of a Hindu State, may beyond doubt be a most excellent lady, and let it not be for a moment supposed that I suggest anything against the character of Her Highness the Maharani of Mudkul. But I fear she will be uneducated, I fear she will be superstitious. Indeed, how could she be otherwise? What opportunity of education has such a lady had? Oh, superstition is terrible, terrible! oh, it is the great defect in our Indian character!" and as if to point his criticism, the lights of the civil station appeared on a rise	A Passage To India
"Oh!"	Anne Shirley	eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of	size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely	you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him	seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps	name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to	just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said: "We're pretty near home now. That's Green Gables over--" "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and	behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you're feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven't very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue," said Matthew after a few moments' profound reflection. "It is a kind of pretty place." "Pretty? Oh, _pretty_ doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here" "--she put one hand on her breast--" "it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can't recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn't call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn't that a nice imaginative name? When I don't like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I'm glad and I'm sorry. I'm sorry because this drive has been so pleasant and I'm always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it's so often the case that it isn't pleasanter. That has been my experience anyhow. But I'm glad to think of getting home. You see, I've never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said: "We're pretty near home now. That's Green Gables over--" "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I'd better go on dreaming as long as I could; so I stopped pinching. But it _is_ real and we're nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it. "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to	of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I'm glad and I'm sorry. I'm sorry because this drive has been so pleasant and I'm always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it's so often the case that it isn't pleasanter. That has been my experience anyhow. But I'm glad to think of getting home. You see, I've never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said: "We're pretty near home now. That's Green Gables over--" "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow	Anne Of Green Gables
"You oughtn't to do it."	Jake Barnes	"I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm	that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't	help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's	In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me.	Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the	"Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt	they doing at this fiesta?" "Come on," Mike said. "Just us three. We're going to festa the bloody English. I hope you're not English? I'm Scotch. I hate the English. I'm going to festa them. Come on, Bill." Through the window we saw them, all three arm in arm, going toward the caf . Rockets were going up in the square. "I'm going to sit here," Brett said. "I'll stay with you," Cohn said. "Oh, don't!" Brett said. "For God's sake, go off somewhere. Can't you see Jake and I want to talk?" "I didn't," Cohn said. "I thought I'd sit here because I felt a little tight." "What a hell of a reason for sitting with any one. If you're tight, go to bed. Go on to bed." "Was I rude enough to him?" Brett asked. Cohn was gone. "My God! I'm so sick of him!" "He doesn't add much to the gayety." "He depresses me so." "He's behaved very badly." "Damned badly. He had a chance to behave so well." "He's probably waiting just outside the door now." "Yes. He would. You know I do know how he feels. He can't believe it didn't mean anything." "I know." "Nobody else would behave as badly. Oh, I'm so sick of the whole thing. And Michael. Michael's been lovely, too." "It's been damned hard on Mike." "Yes. But he didn't need to be a swine." "Everybody behaves badly," I said. "Give them the proper chance." "You wouldn't behave badly." Brett looked at me. "I'd be as big an ass as Cohn," I said. "Darling, don't let's talk a lot of rot." "All right. Talk about anything you like." "Don't be difficult. You're the only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." "Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you	hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do	The Sun Also Rises
"Jem, are you mad?"	Don Lavington	What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar.	Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I	in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could	a light, quick. I must have fallen and hurt myself; my face bleeds." "Oh, my poor dear lad!" "Eh? What do you mean? You're playing tricks, Jem, and it's too bad. Get a light." "My hands is tied fast behind me, Mas' Don," groaned Jem, "and we're pitched down here in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured	this?" "Jem!" "Yes." "What does it mean? Why is it so dark? Where are we?" "Don't ask everything at once, my lad, and I'll try to tell you." "Has the candle gone out, Jem? Are we in the big cellar?" "Yes, my lad," groaned Jem, "we're in a big cellar." "Can't you find the candle?" said Don, with his head humming and the mental confusion on the increase. "There's a flint and steel on the ledge over the door." "Is there, my lad? I didn't know it," muttered Jem. "Jem, are you there?" "Yes, yes, my lad, I'm here." "Get a light, quick. I must have fallen and hurt myself; my face bleeds." "Oh, my poor dear lad!" "Eh? What do you mean? You're playing tricks, Jem, and it's too bad. Get a light." "My hands is tied fast behind me, Mas' Don," groaned Jem, "and we're pitched down here in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured Don Lavington's brain. He could think now, and he saw once more the dark lane, the swinging lanthorn, and felt, as it were, the struggle going on; and then, sitting up with his hands to his throbbing head, he listened to a low moaning sound close at hand. "Jem," he said. "Jem! Why don't you speak?" There was no answer, for it was poor Jem's turn now; the injuries he had received in his desperate struggle for liberty had had their effect, and he lay there insensible to the great trouble which had come upon him, while it grew more	light," said the officer, and the lanthorn was held close to Don's face. "Well, if the boy can fight like that," said the officer, "he shall." "Let us go," cried Don. "Help! He--" A jacket was thrown over his head, as the officer said mockingly,-- "He shall fight for his Majesty the king. Now, my lads, quick. Some one coming, and the wrong sort." Don felt himself lifted off his feet, and half smothered by the hot jacket which seemed to keep him from breathing, he was hurried along two or three of the lanes, growing more faint and dizzy every moment, till in the midst of a curious nightmare-like sensation, lights began suddenly to dance before his eyes; then all was darkness, and he knew no more till he seemed to wake up from a curious sensation of sickness, and to be listening to Jem Wimble, who would keep on saying in a stupid, aggravating manner,--"Mas' Don, are you there?" The question must have been repeated many times before Don could get rid of the dizzy feeling of confusion and reply,--"Yes; what do you want?" "Oh, my poor lad!" groaned Jem. "Here, can you come to me and untie this?" "Jem!" "Yes." "What does it mean? Why is it so dark? Where are we?" "Don't ask everything at once, my lad, and I'll try to tell you." "Has the candle gone out, Jem? Are we in the big cellar?" "Yes, my lad," groaned Jem, "we're in a big cellar." "Can't you find the candle?" said Don, with his head humming and the mental confusion on the increase. "There's a flint and steel on the ledge over the door." "Is there, my lad? I didn't know it," muttered Jem. "Jem, are you there?" "Yes, yes, my lad, I'm here." "Get a light, quick. I must have fallen and hurt myself; my face bleeds." "Oh, my poor dear lad!" "Eh? What do you mean? You're playing tricks, Jem, and it's too bad. Get a light." "My hands is tied fast behind me, Mas' Don," groaned Jem, "and we're pitched down here in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured Don Lavington's brain. He could think now, and he saw once more the dark lane, the swinging lanthorn, and felt, as it were, the struggle going on; and then, sitting up with his hands to his throbbing head, he listened to a low moaning sound close at hand. "Jem," he said. "Jem! Why don't you speak?" There was no answer, for it was poor Jem's turn now; the injuries he had received in his desperate struggle for liberty had had their effect, and he lay there insensible to the great trouble which had come upon him, while it grew more terrible to Don, in the darkness of that cellar, with every breath he drew. CHAPTER TWELVE. PRISONERS. "What's the matter?" cried Don, starting up, as there was the sound of bolts being shot back, and a light shone in upon the darkness. Don could hardly believe it possible, but it was quite true. In spite of pain and anxiety, weariness had mastered him, and he had been asleep. As the light shone in, Don could see Jem lying, apparently asleep, but in a very uncomfortable position, and that they were in a low, arched cellar, one which at some time had been used for storing casks; for in one corner there were some mouldy staves, and, close by, a barrel, whose hoops seemed to have slipped down, so that it was in a state of collapse. He had no time to see more, for half a dozen well-armed sailors came in after a bluff-looking man, who crossed at once to the prisoners. "Hold the lanthorn here," he said sharply. "Now let's have a look at you." He examined their injuries in an experienced way, roughly, but not unkindly. "All right, my lad," he said to Don; "you will not die	of?" cried Jem sharply. "Being civil," said one of the men with a laugh. "There, no nonsense. Come quiet." He might just as well have said that to an angry bull, for as he and his companion seized Jem by the arms, they found for themselves how strong those arms were, one being sent staggering against Don, and the other being lifted off his legs and dropped upon his back. "Now, Mas' Don, run!" shouted Jem. But before the words were well out of his lips, the party closed in upon him, paying no heed to Don, who in accordance with Jem's command had rushed off in retreat. A few moments later he stopped, for Jem was not with him, but struggling with all his might in the midst of the knot of men who were trying to hold him. "Mas' Don! Help, help!" roared Jem; and Don dashed at the gang, his fists clenched, teeth set, and a curious singing noise in his ears. But as he reached the spot where his companion was making a desperate struggle for his liberty, Jem shouted again,-- "No, no! Mas' Don; run for it, my lad, and get help if you can." Like a flash it occurred to Don that long before he could get help Jem would be overpowered and carried off, and with the natural fighting instinct fully raised, he struck out with all his might as he strove to get to the poor fellow, who was writhing and heaving, and giving his captors a tremendous task to hold him. "Here, give him something to keep him quiet," growled a voice. "No, no; get hold of his hands; that's right. Serve this cockerel the same. Down with him, quick!" cried the officer sharply; and in obedience to his words the men hung on to poor Jem so tenaciously that he was dragged down on the rough pavement, and a couple of men sat panting upon him while his wrists were secured, and his voice silenced by a great bandage right over his mouth. "You cowards!" Jem tried to roar, as, breathless with exertion, bleeding from a sharp back-handed blow across the mouth, and giddy with excitement and the effects of a rough encounter between his head and the wall, Don made one more attempt to drag himself free, and then stood panting and mastered by two strong men. "Show the light," said the officer, and the lanthorn was held close to Don's face. "Well, if the boy can fight like that," said the officer, "he shall." "Let us go," cried Don. "Help! He--" A jacket was thrown over his head, as the officer said mockingly,-- "He shall fight for his Majesty the king. Now, my lads, quick. Some one coming, and the wrong sort." Don felt himself lifted off his feet, and half smothered by the hot jacket which seemed to keep him from breathing, he was hurried along two or three of the lanes, growing more faint and dizzy every moment, till in the midst of a curious nightmare-like sensation, lights began suddenly to dance before his eyes; then all was darkness, and he knew no more till he seemed to wake up from a curious sensation of sickness, and to be listening to Jem Wimble, who would keep on saying in a stupid, aggravating manner,--"Mas' Don, are you there?" The question must have been repeated many times before Don could get rid of the dizzy feeling of confusion and reply,--"Yes; what do you want?" "Oh, my poor lad!" groaned Jem. "Here, can you come to me and untie this?" "Jem!" "Yes." "What does it mean? Why is it so dark? Where are we?" "Don't ask everything at once, my lad, and I'll try to tell you." "Has the candle gone out, Jem? Are we in the big cellar?" "Yes, my lad," groaned Jem, "we're in a big cellar." "Can't you find the candle?" said Don, with his head humming and the mental confusion on the increase. "There's a flint and steel on the ledge over the door." "Is there, my lad? I didn't know it," muttered Jem. "Jem, are you there?" "Yes, yes, my lad, I'm here." "Get a light, quick. I must have fallen and hurt myself; my face bleeds." "Oh, my poor dear lad!" "Eh? What do you mean? You're playing tricks, Jem, and it's too bad. Get a light." "My hands is tied fast behind me, Mas' Don," groaned Jem, "and we're pitched down here in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured Don Lavington's brain. He could think now, and he saw once more the dark lane, the swinging lanthorn, and felt, as it were, the struggle going on; and then, sitting up with his hands to his throbbing head, he listened to a low moaning sound close at hand. "Jem," he said. "Jem! Why don't you speak?" There was no answer, for it was poor Jem's turn now; the injuries he had received in his desperate struggle for liberty had had their effect, and he lay there insensible to the great trouble which had come upon him, while it grew more terrible to Don, in the darkness of that cellar, with every breath he drew. CHAPTER TWELVE. PRISONERS. "What's the matter?" cried Don, starting up, as there was the sound of bolts being shot back, and a light shone in upon the darkness. Don could hardly believe it possible, but it was quite true. In spite of pain and anxiety, weariness had mastered him, and he had been asleep. As the light shone in, Don could see Jem lying, apparently asleep, but in a very uncomfortable position, and that they were in a low, arched cellar, one which at some time had been used for storing casks; for in one corner there were some mouldy staves, and, close by, a barrel, whose hoops seemed to have slipped down, so that it was in a state of collapse. He had no time to see more, for half a dozen well-armed sailors came in after a bluff-looking man, who crossed at once to the prisoners. "Hold the lanthorn here," he said sharply. "Now let's have a look at you." He examined their injuries in an experienced way, roughly, but not unkindly. "All right, my lad," he said to Don; "you will not die this time. Now you." He spent longer over Jem, who roused up and looked at him curiously, as if he did not quite understand. "Been rather rough with this one, my lads." "Couldn't help it," said one of the sailors; "he fote so hard. So did this young chap too." "Nothing wrong with him, I daresay," said the bluff man. "No bones broken. All right in a day or two." Don had been silent while Jem was examined, for he felt that this man was either a doctor, or one who knew something about surgery; but as soon as he had finished, the boy, whose indignation had been growing, turned to him haughtily. "Now, sir!" he exclaimed, "have the goodness to explain the meaning of this outrage." "Cock-a-doodle-doo!" cried the bluff man. "It is nothing to laugh at, sir. I insist upon knowing why we have been ill-used and dragged here by your men." "Well crowed, my young cockerel," said the bluff man, laughing. "They said you fought well with your fists, so you can with your tongue." "Insulting us now you have us down will not save you," cried Don fiercely. "No, my lord," said the bluff man, as Jem rose up, shook his head, and stood by Don. The men laughed. "You coward!" cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after	the effects of a rough encounter between his head and the wall, Don made one more attempt to drag himself free, and then stood panting and mastered by two strong men. "Show the light," said the officer, and the lanthorn was held close to Don's face. "Well, if the boy can fight like that," said the officer, "he shall." "Let us go," cried Don. "Help! He--" A jacket was thrown over his head, as the officer said mockingly,-- "He shall fight for his Majesty the king. Now, my lads, quick. Some one coming, and the wrong sort." Don felt himself lifted off his feet, and half smothered by the hot jacket which seemed to keep him from breathing, he was hurried along two or three of the lanes, growing more faint and dizzy every moment, till in the midst of a curious nightmare-like sensation, lights began suddenly to dance before his eyes; then all was darkness, and he knew no more till he seemed to wake up from a curious sensation of sickness, and to be listening to Jem Wimble, who would keep on saying in a stupid, aggravating manner,--"Mas' Don, are you there?" The question must have been repeated many times before Don could get rid of the dizzy feeling of confusion and reply,--"Yes; what do you want?" "Oh, my poor lad!" groaned Jem. "Here, can you come to me and untie this?" "Jem!" "Yes." "What does it mean? Why is it so dark? Where are we?" "Don't ask everything at once, my lad, and I'll try to tell you." "Has the candle gone out, Jem? Are we in the big cellar?" "Yes, my lad," groaned Jem, "we're in a big cellar." "Can't you find the candle?" said Don, with his head humming and the mental confusion on the increase. "There's a flint and steel on the ledge over the door." "Is there, my lad? I didn't know it," muttered Jem. "Jem, are you there?" "Yes, yes, my lad, I'm here." "Get a light, quick. I must have fallen and hurt myself; my face bleeds." "Oh, my poor dear lad!" "Eh? What do you mean? You're playing tricks, Jem, and it's too bad. Get a light." "My hands is tied fast behind me, Mas' Don," groaned Jem, "and we're pitched down here in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured Don Lavington's brain. He could think now, and he saw once more the dark lane, the swinging lanthorn, and felt, as it were, the struggle going on; and then, sitting up with his hands to his throbbing head, he listened to a low moaning sound close at hand. "Jem," he said. "Jem! Why don't you speak?" There was no answer, for it was poor Jem's turn now; the injuries he had received in his desperate struggle for liberty had had their effect, and he lay there insensible to the great trouble which had come upon him, while it grew more terrible to Don, in the darkness of that cellar, with every breath he drew. CHAPTER TWELVE. PRISONERS. "What's the matter?" cried Don, starting up, as there was the sound of bolts being shot back, and a light shone in upon the	Don Lavington
"How long have you been married?"	Helen	to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did	I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will	but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!"	ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just	pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to his eyes. "You ought to know my ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just nothing at all," he said "agricultural labourers and that sort." "So! From which part?" "Lincolnshire mostly, but my mother s father--he, oddly enough, came from these parts round here." "From this very Shropshire. Yes, that is odd. My mother s people were Lancashire. But why do your brother and your sisters object to Mrs. Bast?" "Oh, I don t know." "Excuse me, you do know. I am not a baby. I can bear anything you tell me, and the more you tell the more I shall be able to help. Have they heard anything against her?" He was silent. "I	was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and that her sister did not like her either. Helen was certainly lonely. She, who gave away so much, was receiving too little. Leonard was pleased to think that he could spare her vexation by holding his tongue and concealing what he knew about Mr. Wilcox. Jacky had announced her discovery when he fetched her from the lawn. After the first shock, he did not mind for himself. By now he had no illusions about his wife, and this was only one new stain on the face of a love that had never been pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to his eyes. "You ought to know my ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just nothing at all," he said "agricultural labourers and that sort." "So! From which part?" "Lincolnshire mostly, but my mother s father--he, oddly enough, came from these parts round here." "From this very Shropshire. Yes, that is odd. My mother s people were Lancashire. But why do your brother and your sisters object to Mrs. Bast?" "Oh, I don t know." "Excuse me, you do know. I am not a baby. I can bear anything you tell me, and the more you tell the more I shall be able to help. Have they heard anything against her?" He was silent. "I think I have guessed now," said Helen very gravely. "I don t think so, Miss Schlegel; I hope not." "We must be honest, even over these things. I have guessed. I am frightfully, dreadfully sorry, but it does not make the least difference to me. I shall feel just the same to both of you. I blame, not your wife for these things, but men." Leonard left it at that--so long as she did not guess the man. She stood at the window and slowly pulled up the blinds. The hotel looked over a dark square. The mists had begun. When she turned back to him her eyes were shining. "Don t you worry," he pleaded. "I can t bear that. We shall be all right if I get work. If I could only get work--something regular to do. Then it wouldn t be so bad again. I don t trouble after books as I used. I can imagine that with regular work we should settle down again. It stops one thinking." "Settle down to what?" "Oh, just settle down." "And that s to be life!" said Helen, with a catch in her throat. "How can you, with all the	middle of their heads, and then it s a waste of time to blame them. There s a nightmare of a theory that says a special race is being born which will rule the rest of us in the future just because it lacks the little thing that says I. Had you heard that?" "I get no time for reading." "Had you thought it, then? That there are two kinds of people--our kind, who live straight from the middle of their heads, and the other kind who can t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed. "All presentable people say I." "But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and that her sister did not like her either. Helen was certainly lonely. She, who gave away so much, was receiving too little. Leonard was pleased to think that he could spare her vexation by holding his tongue and concealing what he knew about Mr. Wilcox. Jacky had announced her discovery when he fetched her from the lawn. After the first shock, he did not mind for himself. By now he had no illusions about his wife, and this was only one new stain on the face of a love that had never been pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to his eyes. "You ought to know my ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just nothing at all," he said "agricultural labourers and that sort." "So! From which part?" "Lincolnshire mostly, but my mother s father--he, oddly enough, came from these parts round here." "From this very Shropshire. Yes, that is odd. My mother s people were Lancashire. But why do your brother and your sisters object to Mrs. Bast?" "Oh, I don t know." "Excuse me, you do know. I am not a baby. I can bear anything you tell me, and the more you tell the more I shall be able to help. Have they heard anything against her?" He was silent. "I think I have guessed now," said Helen very gravely. "I don t think so, Miss Schlegel; I hope not." "We must be honest, even over these things. I have guessed. I am frightfully, dreadfully sorry, but it does not make the least difference to me. I shall feel just the same to both of you. I blame, not your wife for these things, but men." Leonard left it at that--so long as she did not guess the man. She stood at the window and slowly pulled up the blinds. The hotel looked over a dark square. The mists had begun. When she turned back to him her eyes were shining. "Don t you worry," he pleaded. "I can t bear that. We shall be all right if I get work. If I could only get work--something regular to do. Then it wouldn t be so bad again. I don t trouble after books as I used. I can imagine that with regular work we should settle down again. It stops one thinking." "Settle down to what?" "Oh, just settle down." "And that s to be life!" said Helen, with a catch in her throat. "How can you, with all the beautiful things to see and do--with music--with walking at night--" "Walking is well enough when a man s in work," he answered. "Oh, I did talk a lot of nonsense once, but there s nothing like a bailiff in the house to drive it out of you. When I saw him fingering my Ruskins and Stevensons, I seemed to see life straight and real, and it isn t a pretty sight. My books are back again, thanks to you, but they ll never be the same to me again, and I shan t ever again think night in the woods is wonderful." "Why not?" asked Helen, throwing up the window. "Because I see one must have money." "Well, you re wrong." "I wish I was wrong, but--the clergyman--he has money of his own, or else he s paid; the poet or the musician--just the same; the tramp--he s no different. The tramp goes to the workhouse in the end, and is paid for with other people s money. Miss Schlegel, the real thing s money, and all the rest is a dream." "You re still wrong. You ve forgotten Death." Leonard could not understand. "If we lived forever, what you say would be true. But we have to die, we have to leave life presently. Injustice and greed would be the real thing if we lived for ever. As it is, we must hold to other things, because Death is coming. I love Death--not morbidly, but because He explains. He shows me the emptiness of Money. Death and Money are the eternal foes. Not Death and Life. Never mind what lies behind Death, Mr. Bast, but be sure that the poet and the musician and the tramp will be happier in it than the man who has never learnt to say, I am I." "I wonder." "We are all in a mist--I know, but I can help you this far--men like the Wilcoxes are deeper in the mist than any. Sane, sound Englishmen! building up empires, levelling all the world into what they call common sense. But mention Death to them and they re offended, because Death s really Imperial, and He cries out against them for ever." "I am as afraid of Death as any one." "But not of the idea of Death." "But what is the difference?" "Infinite difference," said Helen, more gravely than before. Leonard looked at	and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed. "All presentable people say I." "But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and that her sister did not like her either. Helen was certainly lonely. She, who gave away so much, was receiving too little. Leonard was pleased to think that he could spare her vexation by holding his tongue and concealing what he knew about Mr. Wilcox. Jacky had announced her discovery when he fetched her from the lawn. After the first shock, he did not mind for himself. By now he had no illusions about his wife, and this was only one new stain on the face of a love that had never been pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to his eyes. "You ought to know my ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just nothing at all," he said "agricultural labourers and that sort." "So! From which part?" "Lincolnshire mostly, but my mother s father--he, oddly enough, came from these parts round here." "From this very Shropshire. Yes, that is odd. My mother s people were Lancashire. But why do your brother and your sisters object to Mrs. Bast?" "Oh, I don t know." "Excuse me, you do know. I am not a baby. I can bear anything you tell me, and the more you tell the more I shall be able to help. Have they heard anything against her?" He was silent. "I think I have guessed now," said Helen very gravely. "I don t think so, Miss Schlegel; I hope not." "We must be honest, even over these things. I have guessed. I am frightfully, dreadfully sorry, but it does not make the least difference to me. I shall feel just the same to both of you. I blame, not your wife for these things, but men." Leonard left it at that--so long as she did not guess the	Howards End
"I deserve neither such praise nor such censure,"	Elizabeth	no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_	a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I	for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards	rather right than pleasant that she should go down stairs herself. On entering the drawing-room she found the whole party at loo, and was immediately invited to join them; but suspecting them to be playing high she declined it, and making her sister the excuse, said she would amuse herself for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards a table where a few books were lying. He immediately offered to fetch her others; all that his library afforded. "And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than	their chance of marrying men of any consideration in the world," replied Darcy. To this speech Bingley made no answer; but his sisters gave it their hearty assent, and indulged their mirth for some time at the expense of their dear friend's vulgar relations. With a renewal of tenderness, however, they repaired to her room on leaving the dining-parlour, and sat with her till summoned to coffee. She was still very poorly, and Elizabeth would not quit her at all, till late in the evening, when she had the comfort of seeing her asleep, and when it appeared to her rather right than pleasant that she should go down stairs herself. On entering the drawing-room she found the whole party at loo, and was immediately invited to join them; but suspecting them to be playing high she declined it, and making her sister the excuse, said she would amuse herself for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards a table where a few books were lying. He immediately offered to fetch her others; all that his library afforded. "And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than I ever look into." Elizabeth assured him that she could suit herself perfectly with those in the room. "I am astonished," said Miss Bingley, "that my father should have left so small a collection of books.--What a delightful library you have at Pemberley, Mr. Darcy!" "It ought to be good," he replied, "it has been the work of many generations." "And then you have added so much to it yourself, you are always buying books." "I cannot comprehend the neglect of a family library in such days as these." "Neglect! I am sure you neglect nothing that can add to	her ancles in dirt, and alone, quite alone! what could she mean by it? It seems to me to shew an abominable sort of conceited independence, a most country town indifference to decorum." "It shews an affection for her sister that is very pleasing," said Bingley. "I am afraid, Mr. Darcy," observed Miss Bingley, in a half whisper, "that this adventure has rather affected your admiration of her fine eyes." "Not at all," he replied; "they were brightened by the exercise." "--A short pause followed this speech, and Mrs. Hurst began again. "I have an excessive regard for Jane Bennet, she is really a very sweet girl, and I wish with all my heart she were well settled. But with such a father and mother, and such low connections, I am afraid there is no chance of it." "I think I have heard you say, that their uncle is an attorney in Meryton." "Yes; and they have another, who lives somewhere near Cheapside." "That is capital," added her sister, and they both laughed heartily. "If they had uncles enough to fill _all_ Cheapside," cried Bingley, "it would not make them one jot less agreeable." "But it must very materially lessen their chance of marrying men of any consideration in the world," replied Darcy. To this speech Bingley made no answer; but his sisters gave it their hearty assent, and indulged their mirth for some time at the expense of their dear friend's vulgar relations. With a renewal of tenderness, however, they repaired to her room on leaving the dining-parlour, and sat with her till summoned to coffee. She was still very poorly, and Elizabeth would not quit her at all, till late in the evening, when she had the comfort of seeing her asleep, and when it appeared to her rather right than pleasant that she should go down stairs herself. On entering the drawing-room she found the whole party at loo, and was immediately invited to join them; but suspecting them to be playing high she declined it, and making her sister the excuse, said she would amuse herself for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards a table where a few books were lying. He immediately offered to fetch her others; all that his library afforded. "And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than I ever look into." Elizabeth assured him that she could suit herself perfectly with those in the room. "I am astonished," said Miss Bingley, "that my father should have left so small a collection of books.--What a delightful library you have at Pemberley, Mr. Darcy!" "It ought to be good," he replied, "it has been the work of many generations." "And then you have added so much to it yourself, you are always buying books." "I cannot comprehend the neglect of a family library in such days as these." "Neglect! I am sure you neglect nothing that can add to the beauties of that noble place. Charles, when you build _your_ house, I wish it may be half as delightful as Pemberley." "I wish it may." "But I would really advise you to make your purchase in that neighbourhood, and take Pemberley for a kind of model. There is not a finer county in England than Derbyshire." "With all my heart; I will buy Pemberley itself if Darcy will sell it." "I am talking of possibilities, Charles." "Upon my word, Caroline, I should think it more possible to get Pemberley by purchase than by imitation." Elizabeth was so much caught by what passed, as to leave her very little attention for her book; and soon laying it wholly aside, she drew near the card-table, and stationed herself between Mr. Bingley and his eldest sister, to observe the game. "Is Miss Darcy much grown since the spring?" said Miss Bingley; "will she be as tall as I am?" "I think she will. She is now about Miss Elizabeth Bennet's height, or rather taller." "How I long to see her again! I never met with anybody who delighted me so much. Such a countenance, such manners! and so extremely accomplished for her	how much they were grieved, how shocking it was to have a bad cold, and how excessively they disliked being ill themselves; and then thought no more of the matter: and their indifference towards Jane when not immediately before them, restored Elizabeth to the enjoyment of all her original dislike. Their brother, indeed, was the only one of the party whom she could regard with any complacency. His anxiety for Jane was evident, and his attentions to herself most pleasing, and they prevented her feeling herself so much an intruder as she believed she was considered by the others. She had very little notice from any but him. Miss Bingley was engrossed by Mr. Darcy, her sister scarcely less so; and as for Mr. Hurst, by whom Elizabeth sat, he was an indolent man, who lived only to eat, drink, and play at cards, who when he found her prefer a plain dish to a ragout, had nothing to say to her. When dinner was over, she returned directly to Jane, and Miss Bingley began abusing her as soon as she was out of the room. Her manners were pronounced to be very bad indeed, a mixture of pride and impertinence; she had no conversation, no style, no taste, no beauty. Mrs. Hurst thought the same, and added, "She has nothing, in short, to recommend her, but being an excellent walker. I shall never forget her appearance this morning. She really looked almost wild." "She did indeed, Louisa. I could hardly keep my countenance. Very nonsensical to come at all! Why must _she_ be scampering about the country, because her sister had a cold? Her hair so untidy, so blowsy!" "Yes, and her petticoat; I hope you saw her petticoat, six inches deep in mud, I am absolutely certain; and the gown which had been let down to hide it, not doing its office." "Your picture may be very exact, Louisa," said Bingley; "but this was all lost upon me. I thought Miss Elizabeth Bennet looked remarkably well, when she came into the room this morning. Her dirty petticoat quite escaped my notice." "_You_ observed it, Mr. Darcy, I am sure," said Miss Bingley; "and I am inclined to think that you would not wish to see _your sister_ make such an exhibition." "Certainly not." "To walk three miles, or four miles, or five miles, or whatever it is, above her ancles in dirt, and alone, quite alone! what could she mean by it? It seems to me to shew an abominable sort of conceited independence, a most country town indifference to decorum." "It shews an affection for her sister that is very pleasing," said Bingley. "I am afraid, Mr. Darcy," observed Miss Bingley, in a half whisper, "that this adventure has rather affected your admiration of her fine eyes." "Not at all," he replied; "they were brightened by the exercise." "--A short pause followed this speech, and Mrs. Hurst began again. "I have an excessive regard for Jane Bennet, she is really a very sweet girl, and I wish with all my heart she were well settled. But with such a father and mother, and such low connections, I am afraid there is no chance of it." "I think I have heard you say, that their uncle is an attorney in Meryton." "Yes; and they have another, who lives somewhere near Cheapside." "That is capital," added her sister, and they both laughed heartily. "If they had uncles enough to fill _all_ Cheapside," cried Bingley, "it would not make them one jot less agreeable." "But it must very materially lessen their chance of marrying men of any consideration in the world," replied Darcy. To this speech Bingley made no answer; but his sisters gave it their hearty assent, and indulged their mirth for some time at the expense of their dear friend's vulgar relations. With a renewal of tenderness, however, they repaired to her room on leaving the dining-parlour, and sat with her till summoned to coffee. She was still very poorly, and Elizabeth would not quit her at all, till late in the evening, when she had the comfort of seeing her asleep, and when it appeared to her rather right than pleasant that she should go down stairs herself. On entering the drawing-room she found the whole party at loo, and was immediately invited to join them; but suspecting them to be playing high she declined it, and making her sister the excuse, said she would amuse herself for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards a table where a few books were lying. He immediately offered to fetch her others; all that his library afforded. "And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than I ever look into." Elizabeth assured him that she could suit herself perfectly with those in the room. "I am astonished," said Miss Bingley, "that my father should have left so small a collection of books.--What a delightful library you have at Pemberley, Mr. Darcy!" "It ought to be good," he replied, "it has been the work of many generations." "And then you have added so much to it yourself, you are always buying books." "I cannot comprehend the neglect of a family library in such days as these." "Neglect! I am sure you neglect nothing that can add to the beauties of that noble place. Charles, when you build _your_ house, I wish it may be half as delightful as Pemberley." "I wish it may." "But I would really advise you to make your purchase in that neighbourhood, and take Pemberley for a kind of model. There is not a finer county in England than Derbyshire." "With all my heart; I will buy Pemberley itself if Darcy will sell it." "I am talking of possibilities, Charles." "Upon my word, Caroline, I should think it more possible to get Pemberley by purchase than by imitation." Elizabeth was so much caught by what passed, as to leave her very little attention for her book; and soon laying it wholly aside, she drew near the card-table, and stationed herself between Mr. Bingley and his eldest sister, to observe the game. "Is Miss Darcy much grown since the spring?" said Miss Bingley; "will she be as tall as I am?" "I think she will. She is now about Miss Elizabeth Bennet's height, or rather taller." "How I long to see her again! I never met with anybody who delighted me so much. Such a countenance, such manners! and so extremely accomplished for her age! Her performance on the piano-forte is exquisite." "It is amazing to me," said Bingley, "how young ladies can have patience to be so very accomplished, as they all are." "All young ladies accomplished! My dear Charles, what do you mean?" "Yes, all of them, I think. They all paint tables, cover skreens and net purses. I scarcely know any one who cannot do all this, and I am sure I never heard a young lady spoken of for the first time, without being informed that she was very accomplished." "Your list of the common extent of accomplishments," said Darcy, "has too much truth. The word is applied to many a woman who deserves it no otherwise than by netting a purse, or covering a skreen. But I am very far from agreeing with you in your estimation of ladies in general. I cannot boast of knowing more than half a dozen, in the whole range of my acquaintance, that are really accomplished." "Nor I, I am sure," said Miss Bingley. "Then," observed Elizabeth, "you must comprehend a great deal in your idea of an accomplished woman." "Yes; I do comprehend a great deal in it." "Oh! certainly," cried his faithful assistant, "no one can be really esteemed accomplished, who does not greatly surpass what is usually met with. A woman must have a thorough knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half deserved." "All this she must possess," added Darcy, "and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading." "I am no longer surprised at your knowing _only_ six accomplished women. I rather wonder now at your knowing _any_." "Are you so severe upon your own sex, as to doubt the possibility of all this?" "_I_ never saw such a woman. _I_ never saw such capacity, and taste, and application, and elegance, as you describe, united." Mrs. Hurst and Miss Bingley both cried out against the injustice of her implied doubt, and were both protesting that they knew many women who answered this description, when Mr. Hurst called them to order, with bitter complaints of their inattention to what	afraid there is no chance of it." "I think I have heard you say, that their uncle is an attorney in Meryton." "Yes; and they have another, who lives somewhere near Cheapside." "That is capital," added her sister, and they both laughed heartily. "If they had uncles enough to fill _all_ Cheapside," cried Bingley, "it would not make them one jot less agreeable." "But it must very materially lessen their chance of marrying men of any consideration in the world," replied Darcy. To this speech Bingley made no answer; but his sisters gave it their hearty assent, and indulged their mirth for some time at the expense of their dear friend's vulgar relations. With a renewal of tenderness, however, they repaired to her room on leaving the dining-parlour, and sat with her till summoned to coffee. She was still very poorly, and Elizabeth would not quit her at all, till late in the evening, when she had the comfort of seeing her asleep, and when it appeared to her rather right than pleasant that she should go down stairs herself. On entering the drawing-room she found the whole party at loo, and was immediately invited to join them; but suspecting them to be playing high she declined it, and making her sister the excuse, said she would amuse herself for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards a table where a few books were lying. He immediately offered to fetch her others; all that his library afforded. "And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than I ever look into." Elizabeth assured him that she could suit herself perfectly with those in the room. "I am astonished," said Miss Bingley, "that my father should have left so small a collection of books.--What a delightful library you have at Pemberley, Mr. Darcy!" "It ought to be good," he replied, "it has been the work of many generations." "And then you have added so much to it yourself, you are always buying books." "I cannot comprehend the neglect of a family library in such days as these." "Neglect! I am sure you neglect nothing that can add to the beauties of that noble place. Charles, when you build _your_ house, I wish it may be half as delightful as Pemberley." "I wish it may." "But I would really advise you to make your purchase in that neighbourhood, and take Pemberley for a kind of model. There is not a finer county in England than Derbyshire." "With all my heart; I will buy Pemberley itself if Darcy will sell it." "I am talking of possibilities, Charles." "Upon my word, Caroline, I should think it more possible to get Pemberley by purchase than by imitation." Elizabeth was so much caught by what passed, as to leave her very little attention for her book; and soon laying it wholly aside, she drew near the card-table, and stationed herself between Mr. Bingley and his eldest sister, to observe the game. "Is Miss Darcy much grown since the spring?" said Miss Bingley; "will she be as tall as I am?" "I think she will. She is now about Miss Elizabeth Bennet's height, or rather taller." "How I long to see her again! I never met with anybody who delighted me so much. Such a countenance, such manners! and so extremely accomplished for her age! Her performance on the piano-forte is exquisite." "It is amazing to me," said Bingley, "how young ladies can have patience to be so very accomplished, as they all are." "All young ladies accomplished! My dear Charles, what do you mean?" "Yes, all of them, I think. They all paint tables, cover skreens and net purses. I scarcely know any one who cannot do all this, and I am sure I never heard a young lady spoken of for the first time, without being informed that she was very accomplished." "Your list of the common extent of accomplishments," said Darcy, "has too much truth. The word is applied to many a woman who deserves it no otherwise than by netting a purse, or	Pride And Prejudice
Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.	No speaker	very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well,	we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with	Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed	others! Affectation of candour is common enough;--one meets it every where. But to be candid without ostentation or design--to take the good of every body's character and make it still better, and say nothing of the bad--belongs to you alone. And so, you like this man's sisters too, do you? Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed I rather believe he _did_--I heard something about it--but I hardly know what--something about Mr. Robinson." "Perhaps you mean what I overheard between him and Mr. Robinson; did not I mention it to you? Mr. Robinson's asking him how he liked our Meryton assemblies, and whether he did not think	You have liked many a stupider person." "Dear Lizzy!" "Oh! you are a great deal too apt you know, to like people in general. You never see a fault in any body. All the world are good and agreeable in your eyes. I never heard you speak ill of a human being in my life." "I would wish not to be hasty in censuring any one; but I always speak what I think." "I know you do; and it is _that_ which makes the wonder. With _your_ good sense, to be so honestly blind to the follies and nonsense of others! Affectation of candour is common enough;--one meets it every where. But to be candid without ostentation or design--to take the good of every body's character and make it still better, and say nothing of the bad--belongs to you alone. And so, you like this man's sisters too, do you? Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed I rather believe he _did_--I heard something about it--but I hardly know what--something about Mr. Robinson." "Perhaps you mean what I overheard between him and Mr. Robinson; did not I mention it to you? Mr. Robinson's asking him how he liked our Meryton assemblies, and whether he did not think there were a great many pretty women in the room, and _which_ he thought the prettiest? and his answering immediately to the last question--Oh! the eldest Miss Bennet beyond a doubt, there cannot be two opinions on that point." "Upon my word!--Well, that was very decided indeed--that does seem as if----but however, it may all come to nothing you know." "_My_ overhearings were more to the purpose than _yours_, Eliza," said Charlotte. "Mr. Darcy is not so well worth listening to as his friend, is he?--Poor Eliza!--to be only just _tolerable_." "I beg you would not put it into Lizzy's	you had been there, my dear, to have given him one of your set downs. I quite detest the man." CHAPTER IV. When Jane and Elizabeth were alone, the former, who had been cautious in her praise of Mr. Bingley before, expressed to her sister how very much she admired him. "He is just what a young man ought to be," said she, "sensible, good humoured, lively; and I never saw such happy manners!--so much ease, with such perfect good breeding!" "He is also handsome," replied Elizabeth, "which a young man ought likewise to be, if he possibly can. His character is thereby complete." "I was very much flattered by his asking me to dance a second time. I did not expect such a compliment." "Did not you? _I_ did for you. But that is one great difference between us. Compliments always take _you_ by surprise, and _me_ never. What could be more natural than his asking you again? He could not help seeing that you were about five times as pretty as every other woman in the room. No thanks to his gallantry for that. Well, he certainly is very agreeable, and I give you leave to like him. You have liked many a stupider person." "Dear Lizzy!" "Oh! you are a great deal too apt you know, to like people in general. You never see a fault in any body. All the world are good and agreeable in your eyes. I never heard you speak ill of a human being in my life." "I would wish not to be hasty in censuring any one; but I always speak what I think." "I know you do; and it is _that_ which makes the wonder. With _your_ good sense, to be so honestly blind to the follies and nonsense of others! Affectation of candour is common enough;--one meets it every where. But to be candid without ostentation or design--to take the good of every body's character and make it still better, and say nothing of the bad--belongs to you alone. And so, you like this man's sisters too, do you? Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed I rather believe he _did_--I heard something about it--but I hardly know what--something about Mr. Robinson." "Perhaps you mean what I overheard between him and Mr. Robinson; did not I mention it to you? Mr. Robinson's asking him how he liked our Meryton assemblies, and whether he did not think there were a great many pretty women in the room, and _which_ he thought the prettiest? and his answering immediately to the last question--Oh! the eldest Miss Bennet beyond a doubt, there cannot be two opinions on that point." "Upon my word!--Well, that was very decided indeed--that does seem as if----but however, it may all come to nothing you know." "_My_ overhearings were more to the purpose than _yours_, Eliza," said Charlotte. "Mr. Darcy is not so well worth listening to as his friend, is he?--Poor Eliza!--to be only just _tolerable_." "I beg you would not put it into Lizzy's head to be vexed by his ill-treatment; for he is such a disagreeable man that it would be quite a misfortune to be liked by him. Mrs. Long told me last night that he sat close to her for half an hour without once opening his lips." "Are you quite sure, Ma'am?--is not there a little mistake?" said Jane.--" "I certainly saw Mr. Darcy speaking to her." "Aye--because she asked him at last how he liked Netherfield, and he could not help answering her;--but she said he seemed very angry at being spoke to." "Miss Bingley told me," said Jane, "that he never speaks much unless among his intimate acquaintance. With _them_ he is remarkably agreeable." "I do not believe a word of it, my dear. If he had been so very agreeable he would have talked to Mrs. Long. But I can guess how it was; every body says that he is ate up with pride, and I dare say he had heard somehow that Mrs. Long does not keep a carriage, and had come to the ball in a hack chaise." "I do not mind his not talking to Mrs. Long," said Miss Lucas, "but I wish he	of an evening which had raised such splendid expectations. He had rather hoped that all his wife's views on the stranger would be disappointed; but he soon found that he had a very different story to hear. "Oh! my dear Mr. Bennet," as she entered the room, "we have had a most delightful evening, a most excellent ball. I wish you had been there. Jane was so admired, nothing could be like it. Every body said how well she looked; and Mr. Bingley thought her quite beautiful, and danced with her twice. Only think of _that_ my dear; he actually danced with her twice; and she was the only creature in the room that he asked a second time. First of all, he asked Miss Lucas. I was so vexed to see him stand up with her; but, however, he did not admire her at all: indeed, nobody can, you know; and he seemed quite struck with Jane as she was going down the dance. So, he enquired who she was, and got introduced, and asked her for the two next. Then, the two third he danced with Miss King, and the two fourth with Maria Lucas, and the two fifth with Jane again, and the two sixth with Lizzy, and the Boulanger----" "If he had had any compassion for _me_," cried her husband impatiently, "he would not have danced half so much! For God's sake, say no more of his partners. Oh! that he had sprained his ancle in the first dance!" "Oh! my dear," continued Mrs. Bennet, "I am quite delighted with him. He is so excessively handsome! and his sisters are charming women. I never in my life saw any thing more elegant than their dresses. I dare say the lace upon Mrs. Hurst's gown----" Here she was interrupted again. Mr. Bennet protested against any description of finery. She was therefore obliged to seek another branch of the subject, and related, with much bitterness of spirit and some exaggeration, the shocking rudeness of Mr. Darcy. "But I can assure you," she added, "that Lizzy does not lose much by not suiting _his_ fancy; for he is a most disagreeable, horrid man, not at all worth pleasing. So high and so conceited that there was no enduring him! He walked here, and he walked there, fancying himself so very great! Not handsome enough to dance with! I wish you had been there, my dear, to have given him one of your set downs. I quite detest the man." CHAPTER IV. When Jane and Elizabeth were alone, the former, who had been cautious in her praise of Mr. Bingley before, expressed to her sister how very much she admired him. "He is just what a young man ought to be," said she, "sensible, good humoured, lively; and I never saw such happy manners!--so much ease, with such perfect good breeding!" "He is also handsome," replied Elizabeth, "which a young man ought likewise to be, if he possibly can. His character is thereby complete." "I was very much flattered by his asking me to dance a second time. I did not expect such a compliment." "Did not you? _I_ did for you. But that is one great difference between us. Compliments always take _you_ by surprise, and _me_ never. What could be more natural than his asking you again? He could not help seeing that you were about five times as pretty as every other woman in the room. No thanks to his gallantry for that. Well, he certainly is very agreeable, and I give you leave to like him. You have liked many a stupider person." "Dear Lizzy!" "Oh! you are a great deal too apt you know, to like people in general. You never see a fault in any body. All the world are good and agreeable in your eyes. I never heard you speak ill of a human being in my life." "I would wish not to be hasty in censuring any one; but I always speak what I think." "I know you do; and it is _that_ which makes the wonder. With _your_ good sense, to be so honestly blind to the follies and nonsense of others! Affectation of candour is common enough;--one meets it every where. But to be candid without ostentation or design--to take the good of every body's character and make it still better, and say nothing of the bad--belongs to you alone. And so, you like this man's sisters too, do you? Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed I rather believe he _did_--I heard something about it--but I hardly know what--something about Mr. Robinson." "Perhaps you mean what I overheard between him and Mr. Robinson; did not I mention it to you? Mr. Robinson's asking him how he liked our Meryton assemblies, and whether he did not think there were a great many pretty women in the room, and _which_ he thought the prettiest? and his answering immediately to the last question--Oh! the eldest Miss Bennet beyond a doubt, there cannot be two opinions on that point." "Upon my word!--Well, that was very decided indeed--that does seem as if----but however, it may all come to nothing you know." "_My_ overhearings were more to the purpose than _yours_, Eliza," said Charlotte. "Mr. Darcy is not so well worth listening to as his friend, is he?--Poor Eliza!--to be only just _tolerable_." "I beg you would not put it into Lizzy's head to be vexed by his ill-treatment; for he is such a disagreeable man that it would be quite a misfortune to be liked by him. Mrs. Long told me last night that he sat close to her for half an hour without once opening his lips." "Are you quite sure, Ma'am?--is not there a little mistake?" said Jane.--" "I certainly saw Mr. Darcy speaking to her." "Aye--because she asked him at last how he liked Netherfield, and he could not help answering her;--but she said he seemed very angry at being spoke to." "Miss Bingley told me," said Jane, "that he never speaks much unless among his intimate acquaintance. With _them_ he is remarkably agreeable." "I do not believe a word of it, my dear. If he had been so very agreeable he would have talked to Mrs. Long. But I can guess how it was; every body says that he is ate up with pride, and I dare say he had heard somehow that Mrs. Long does not keep a carriage, and had come to the ball in a hack chaise." "I do not mind his not talking to Mrs. Long," said Miss Lucas, "but I wish he had danced with Eliza." "Another time, Lizzy," said her mother, "I would not dance with _him_, if I were you." "I believe, Ma'am, I may safely promise you _never_ to dance with him." "His pride," said Miss Lucas, "does not offend _me_ so much as pride often does, because there is an excuse for it. One cannot wonder that so very fine a young man, with family, fortune, every thing in his favour, should think highly of himself. If I may so express it, he has a _right_ to be proud." "That is very true," replied Elizabeth, "and I could easily forgive _his_ pride, if he had not mortified _mine_." "Pride," observed Mary, who piqued herself upon the solidity of her reflections, "is a very common failing I believe. By all that I have ever read, I am convinced that it is very common indeed, that human nature is particularly prone to it, and that there are very few of us who do not cherish a feeling of self-complacency on the score of some quality or other, real or imaginary. Vanity and pride are different things, though the words are often used synonimously. A person may be proud without being vain. Pride relates more to our opinion of ourselves, vanity to what we would have others think of us." "If I were as rich as Mr. Darcy," cried a young Lucas who came with his sisters, "I should not care how proud I was. I would keep a pack of foxhounds, and drink a bottle of wine every day." "Then you would drink a great deal more than you ought," said Mrs. Bennet; "and if I were to see you at it I should take away your bottle directly." The boy protested that she should not; she continued to declare that she would, and the argument ended only with the visit. CHAPTER VI. The ladies of Longbourn soon waited on those of Netherfield. The visit was returned in due form. Miss Bennet's pleasing manners grew on the good will of Mrs. Hurst and Miss Bingley; and though the mother was found to be intolerable and the younger sisters not worth speaking to, a wish of being better acquainted with _them_, was expressed towards the two eldest. By Jane this attention was received with the greatest pleasure; but Elizabeth still saw superciliousness in their treatment of every body, hardly excepting even	"He is also handsome," replied Elizabeth, "which a young man ought likewise to be, if he possibly can. His character is thereby complete." "I was very much flattered by his asking me to dance a second time. I did not expect such a compliment." "Did not you? _I_ did for you. But that is one great difference between us. Compliments always take _you_ by surprise, and _me_ never. What could be more natural than his asking you again? He could not help seeing that you were about five times as pretty as every other woman in the room. No thanks to his gallantry for that. Well, he certainly is very agreeable, and I give you leave to like him. You have liked many a stupider person." "Dear Lizzy!" "Oh! you are a great deal too apt you know, to like people in general. You never see a fault in any body. All the world are good and agreeable in your eyes. I never heard you speak ill of a human being in my life." "I would wish not to be hasty in censuring any one; but I always speak what I think." "I know you do; and it is _that_ which makes the wonder. With _your_ good sense, to be so honestly blind to the follies and nonsense of others! Affectation of candour is common enough;--one meets it every where. But to be candid without ostentation or design--to take the good of every body's character and make it still better, and say nothing of the bad--belongs to you alone. And so, you like this man's sisters too, do you? Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed I rather believe he _did_--I heard something about it--but I hardly know what--something about Mr. Robinson." "Perhaps you mean what I overheard between him and Mr. Robinson; did not I mention it to you? Mr. Robinson's asking him how he liked our Meryton assemblies, and whether he did not think there were a great many pretty women in the room, and _which_ he thought the prettiest? and his answering immediately to the last question--Oh! the eldest Miss Bennet beyond a doubt, there cannot be two opinions on that point." "Upon my word!--Well, that was very decided indeed--that does seem as if----but however, it may all come to nothing you know." "_My_ overhearings were more to the purpose than _yours_, Eliza," said Charlotte. "Mr. Darcy is not so well worth listening to as his friend, is he?--Poor Eliza!--to be only just _tolerable_." "I beg you would not put it into Lizzy's head to be vexed by his ill-treatment; for he is such a disagreeable man that it would be quite a misfortune to be liked by him. Mrs. Long told me last night that he sat close to her for half an hour without once opening his lips." "Are you quite sure, Ma'am?--is not there a little mistake?" said Jane.--" "I certainly saw Mr. Darcy speaking to her." "Aye--because she asked him at last how he liked Netherfield, and he could not help answering her;--but she said he seemed very angry at being spoke to." "Miss Bingley told me," said Jane, "that he never speaks much unless among his intimate acquaintance. With _them_ he is remarkably agreeable." "I do not believe a word of it, my dear. If	Pride And Prejudice
"The peasant!"	Gabriel Syme	shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not	on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages."	followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the	and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor	they felt that they had come to the end of their story. They turned and faced the town. That town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they	string of men ran shouting along the sea-front. Syme snatched a sword, and took it in his teeth; he stuck two others under his arm-pits, took a fourth in his left hand and the lantern in his right, and leapt off the high parade on to the beach below. The others leapt after him, with a common acceptance of such decisive action, leaving the debris and the gathering mob above them. "We have one more chance," said Syme, taking the steel out of his mouth. "Whatever all this pandemonium means, I suppose the police station will help us. We can't get there, for they hold the way. But there's a pier or breakwater runs out into the sea just here, which we could defend longer than anything else, like Horatius and his bridge. We must defend it till the Gendarmerie turn out. Keep after me." They followed him as he went crunching down the beach, and in a second or two their boots broke not on the sea gravel, but on broad, flat stones. They marched down a long, low jetty, running out in one arm into the dim, boiling sea, and when they came to the end of it they felt that they had come to the end of their story. They turned and faced the town. That town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But	we must kill a tidy number of them." "I won't 'ave it," said Dr. Bull, growing more vulgar in the sincerity of his virtue. "The poor chaps may be making a mistake. Give the Colonel a chance." "Shall we go back, then?" asked the Professor. "No," said Ratcliffe in a cold voice, "the street behind us is held too. In fact, I seem to see there another friend of yours, Syme." Syme spun round smartly, and stared backwards at the track which they had travelled. He saw an irregular body of horsemen gathering and galloping towards them in the gloom. He saw above the foremost saddle the silver gleam of a sword, and then as it grew nearer the silver gleam of an old man's hair. The next moment, with shattering violence, he had swung the motor round and sent it dashing down the steep side street to the sea, like a man that desired only to die. "What the devil is up?" cried the Professor, seizing his arm. "The morning star has fallen!" said Syme, as his own car went down the darkness like a falling star. The others did not understand his words, but when they looked back at the street above they saw the hostile cavalry coming round the corner and down the slopes after them; and foremost of all rode the good innkeeper, flushed with the fiery innocence of the evening light. "The world is insane!" said the Professor, and buried his face in his hands. "No," said Dr. Bull in adamantine humility, "it is I." "What are we going to do?" asked the Professor. "At this moment," said Syme, with a scientific detachment, "I think we are going to smash into a lamppost." The next instant the automobile had come with a catastrophic jar against an iron object. The instant after that four men had crawled out from under a chaos of metal, and a tall lean lamp-post that had stood up straight on the edge of the marine parade stood out, bent and twisted, like the branch of a broken tree. "Well, we smashed something," said the Professor, with a faint smile. "That's some comfort." "You're becoming an anarchist," said Syme, dusting his clothes with his instinct of daintiness. "Everyone is," said Ratcliffe. As they spoke, the white-haired horseman and his followers came thundering from above, and almost at the same moment a dark string of men ran shouting along the sea-front. Syme snatched a sword, and took it in his teeth; he stuck two others under his arm-pits, took a fourth in his left hand and the lantern in his right, and leapt off the high parade on to the beach below. The others leapt after him, with a common acceptance of such decisive action, leaving the debris and the gathering mob above them. "We have one more chance," said Syme, taking the steel out of his mouth. "Whatever all this pandemonium means, I suppose the police station will help us. We can't get there, for they hold the way. But there's a pier or breakwater runs out into the sea just here, which we could defend longer than anything else, like Horatius and his bridge. We must defend it till the Gendarmerie turn out. Keep after me." They followed him as he went crunching down the beach, and in a second or two their boots broke not on the sea gravel, but on broad, flat stones. They marched down a long, low jetty, running out in one arm into the dim, boiling sea, and when they came to the end of it they felt that they had come to the end of their story. They turned and faced the town. That town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is" "No! no! no!" cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was twisting about in such a madness of nerves that the black tuft of beard wriggled round and round like a restless, living thing. The other was the red face and white moustache of Colonel Ducroix. They were in earnest consultation. "Yes, he is gone too," said the Professor, and sat down on a stone. "Everything's gone. I'm gone! I can't trust my own bodily machinery. I feel as if my own hand might fly up and strike me." "When my hand flies up," said Syme, "it will strike somebody else," and he strode along the pier towards the Colonel, the sword in one hand and the lantern in the other. As if to destroy the last hope or doubt, the Colonel, who saw him coming, pointed his revolver at him and fired. The shot missed Syme, but struck his sword, breaking it short at the hilt. Syme rushed on, and swung the iron lantern above his head. "Judas	the corner and down the slopes after them; and foremost of all rode the good innkeeper, flushed with the fiery innocence of the evening light. "The world is insane!" said the Professor, and buried his face in his hands. "No," said Dr. Bull in adamantine humility, "it is I." "What are we going to do?" asked the Professor. "At this moment," said Syme, with a scientific detachment, "I think we are going to smash into a lamppost." The next instant the automobile had come with a catastrophic jar against an iron object. The instant after that four men had crawled out from under a chaos of metal, and a tall lean lamp-post that had stood up straight on the edge of the marine parade stood out, bent and twisted, like the branch of a broken tree. "Well, we smashed something," said the Professor, with a faint smile. "That's some comfort." "You're becoming an anarchist," said Syme, dusting his clothes with his instinct of daintiness. "Everyone is," said Ratcliffe. As they spoke, the white-haired horseman and his followers came thundering from above, and almost at the same moment a dark string of men ran shouting along the sea-front. Syme snatched a sword, and took it in his teeth; he stuck two others under his arm-pits, took a fourth in his left hand and the lantern in his right, and leapt off the high parade on to the beach below. The others leapt after him, with a common acceptance of such decisive action, leaving the debris and the gathering mob above them. "We have one more chance," said Syme, taking the steel out of his mouth. "Whatever all this pandemonium means, I suppose the police station will help us. We can't get there, for they hold the way. But there's a pier or breakwater runs out into the sea just here, which we could defend longer than anything else, like Horatius and his bridge. We must defend it till the Gendarmerie turn out. Keep after me." They followed him as he went crunching down the beach, and in a second or two their boots broke not on the sea gravel, but on broad, flat stones. They marched down a long, low jetty, running out in one arm into the dim, boiling sea, and when they came to the end of it they felt that they had come to the end of their story. They turned and faced the town. That town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the	The Man Who Was Thursday
"Did you see the show?"	Jake Barnes	the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were	of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?"	crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been	It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the	street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf	at the hotel. It was the first meal of the prices being doubled for the fiesta, and there were several new courses. After the dinner we were out in the town. I remember resolving that I would stay up all night to watch the bulls go through the streets at six o'clock in the morning, and being so sleepy that I went to bed around four o'clock. The others stayed up. My own room was locked and I could not find the key, so I went up-stairs and slept on one of the beds in Cohn's room. The fiesta was going on outside in the night, but I was too sleepy for it to keep me awake. When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. They would race through the streets and out to the bull-ring. I had been sleeping heavily and I woke feeling I was too late. I put on a coat of Cohn's and went out on the balcony. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. "I'm not worried about how I'll stand it. I'm only afraid I may be bored," Cohn said. "You think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried	just passed out on Anis del Mono." As he said Anis del Mono one of the men at the table looked up, brought out a bottle from inside his smock, and handed it to me. "No," I said. "No, thanks!" "Yes. Yes. Arriba! Up with the bottle!" I took a drink. It tasted of licorice and warmed all the way. I could feel it warming in my stomach. "Where the hell is Cohn?" "I don't know," Mike said. "I'll ask. Where is the drunken comrade?" he asked in Spanish. "You want to see him?" "Yes," I said. "Not me," said Mike. "This gent." The Anis del Mono man wiped his mouth and stood up. "Come on." In a back room Robert Cohn was sleeping quietly on some wine-casks. It was almost too dark to see his face. They had covered him with a coat and another coat was folded under his head. Around his neck and on his chest was a big wreath of twisted garlics. "Let him sleep," the man whispered. "He's all right." Two hours later Cohn appeared. He came into the front room still with the wreath of garlics around his neck. The Spaniards shouted when he came in. Cohn wiped his eyes and grinned. "I must have been sleeping," he said. "Oh, not at all," Brett said. "You were only dead," Bill said. "Aren't we going to go and have some supper?" Cohn asked. "Do you want to eat?" "Yes. Why not? I'm hungry." "Eat those garlics, Robert," Mike said. "I say. Do eat those garlics." Cohn stood there. His sleep had made him quite all right. "Do let's go and eat," Brett said. "I must get a bath." "Come on," Bill said. "Let's translate Brett to the hotel." We said good-bye to many people and shook hands with many people and went out. Outside it was dark. "What time is it do you suppose?" Cohn asked. "It's to-morrow," Mike said. "You've been asleep two days." "No," said Cohn, "what time is it?" "It's ten o'clock." "What a lot we've drunk." "You mean what a lot _we've_ drunk. You went to sleep." Going down the dark streets to the hotel we saw the sky-rockets going up in the square. Down the side streets that led to the square we saw the square solid with people, those in the centre all dancing. It was a big meal at the hotel. It was the first meal of the prices being doubled for the fiesta, and there were several new courses. After the dinner we were out in the town. I remember resolving that I would stay up all night to watch the bulls go through the streets at six o'clock in the morning, and being so sleepy that I went to bed around four o'clock. The others stayed up. My own room was locked and I could not find the key, so I went up-stairs and slept on one of the beds in Cohn's room. The fiesta was going on outside in the night, but I was too sleepy for it to keep me awake. When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. They would race through the streets and out to the bull-ring. I had been sleeping heavily and I woke feeling I was too late. I put on a coat of Cohn's and went out on the balcony. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. "I'm not worried about how I'll stand it. I'm only afraid I may be bored," Cohn said. "You think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried whether I'll be able to go through with it all right." "You'll be all right. There's nothing but that horse part that will bother you, and they're only in for a few minutes with each bull. Just don't watch when it's bad." "She'll be all right," Mike said. "I'll look after her." "I don't think you'll be bored," Bill said. "I'm going over to the hotel to get the glasses and the wine-skin," I said. "See you back here. Don't get cock-eyed." "I'll come along," Bill said. Brett smiled at us. We walked around through the arcade to avoid the heat of the square. "That Cohn gets me," Bill said. "He's got this Jewish superiority so strong that he thinks the only emotion he'll get out of the fight will be being bored." "We'll watch him with the glasses," I said. "Oh, to hell with him!" "He spends a lot of time there." "I want him to stay there." In the hotel on the stairs we met Montoya. "Come on," said Montoya. "Do you want to meet Pedro Romero?" "Fine," said Bill. "Let's go see him." We followed Montoya up a flight and down the corridor. "He's in room number eight," Montoya explained. "He's getting dressed for the bull-fight." Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for	bulls go through the streets at six o'clock in the morning, and being so sleepy that I went to bed around four o'clock. The others stayed up. My own room was locked and I could not find the key, so I went up-stairs and slept on one of the beds in Cohn's room. The fiesta was going on outside in the night, but I was too sleepy for it to keep me awake. When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. They would race through the streets and out to the bull-ring. I had been sleeping heavily and I woke feeling I was too late. I put on a coat of Cohn's and went out on the balcony. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. "I'm not worried about how I'll stand it. I'm only afraid I may be bored," Cohn said. "You think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried whether I'll be able to go through with it all right." "You'll be all right. There's nothing but that horse part that will bother you, and they're only in for a few minutes with each bull. Just don't watch when it's bad." "She'll be all right," Mike said. "I'll look after her." "I don't think you'll be bored," Bill said. "I'm going over	The Sun Also Rises
said Brett.	No speaker	knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's	corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in."	bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have	up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a	buenos," I said. "Is there an Englishwoman here? I would like to see this English lady." "Muy buenos. Yes, there is a female English. Certainly you can see her if she wishes to see you." "She wishes to see me." "The chica will ask her." "It is very hot." "It is very hot in the summer in Madrid." "And how cold in winter." "Yes, it is very cold in winter." Did I want to stay myself in person in the Hotel Montana? Of that as yet I was undecided, but it would give me pleasure if my bags were brought up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh,	taxi and we climbed up through the gardens, by the empty palace and the unfinished church on the edge of the cliff, and on up until we were in the high, hot, modern town. The taxi coasted down a smooth street to the Puerta del Sol, and then through the traffic and out into the Carrera San Jeronimo. All the shops had their awnings down against the heat. The windows on the sunny side of the street were shuttered. The taxi stopped at the curb. I saw the sign HOTEL MONTANA on the second floor. The taxi-driver carried the bags in and left them by the elevator. I could not make the elevator work, so I walked up. On the second floor up was a cut brass sign: HOTEL MONTANA. I rang and no one came to the door. I rang again and a maid with a sullen face opened the door. "Is Lady Ashley here?" I asked. She looked at me dully. "Is an Englishwoman here?" She turned and called some one inside. A very fat woman came to the door. Her hair was gray and stiffly oiled in scallops around her face. She was short and commanding. "Muy buenos," I said. "Is there an Englishwoman here? I would like to see this English lady." "Muy buenos. Yes, there is a female English. Certainly you can see her if she wishes to see you." "She wishes to see me." "The chica will ask her." "It is very hot." "It is very hot in the summer in Madrid." "And how cold in winter." "Yes, it is very cold in winter." Did I want to stay myself in person in the Hotel Montana? Of that as yet I was undecided, but it would give me pleasure if my bags were brought up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go	"A telegram for you, sir." I poked my finger along under the fold that was fastened down, spread it open, and read it. It had been forwarded from Paris: COULD YOU COME HOTEL MONTANA MADRID AM RATHER IN TROUBLE BRETT. I tipped the concierge and read the message again. A postman was coming along the sidewalk. He turned in the hotel. He had a big moustache and looked very military. He came out of the hotel again. The concierge was just behind him. "Here's another telegram for you, sir." "Thank you," I said. I opened it. It was forwarded from Pamplona. COULD YOU COME HOTEL MONTANA MADRID AM RATHER IN TROUBLE BRETT. The concierge stood there waiting for another tip, probably. "What time is there a train for Madrid?" "It left at nine this morning. There is a slow train at eleven, and the Sud Express at ten to-night." "Get me a berth on the Sud Express. Do you want the money now?" "Just as you wish," he said. "I will have it put on the bill." "Do that." Well, that meant San Sebastian all shot to hell. I suppose, vaguely, I had expected something of the sort. I saw the concierge standing in the doorway. "Bring me a telegram form, please." He brought it and I took out my fountain-pen and printed: LADY ASHLEY HOTEL MONTANA MADRID ARRIVING SUD EXPRESS TOMORROW LOVE JAKE. That seemed to handle it. That was it. Send a girl off with one man. Introduce her to another to go off with him. Now go and bring her back. And sign the wire with love. That was it all right. I went in to lunch. I did not sleep much that night on the Sud Express. In the morning I had breakfast in the dining-car and watched the rock and pine country between Avila and Escorial. I saw the Escorial out of the window, gray and long and cold in the sun, and did not give a damn about it. I saw Madrid come up over the plain, a compact white sky-line on the top of a little cliff away off across the sun-hardened country. The Norte station in Madrid is the end of the line. All trains finish there. They don't go on anywhere. Outside were cabs and taxis and a line of hotel runners. It was like a country town. I took a taxi and we climbed up through the gardens, by the empty palace and the unfinished church on the edge of the cliff, and on up until we were in the high, hot, modern town. The taxi coasted down a smooth street to the Puerta del Sol, and then through the traffic and out into the Carrera San Jeronimo. All the shops had their awnings down against the heat. The windows on the sunny side of the street were shuttered. The taxi stopped at the curb. I saw the sign HOTEL MONTANA on the second floor. The taxi-driver carried the bags in and left them by the elevator. I could not make the elevator work, so I walked up. On the second floor up was a cut brass sign: HOTEL MONTANA. I rang and no one came to the door. I rang again and a maid with a sullen face opened the door. "Is Lady Ashley here?" I asked. She looked at me dully. "Is an Englishwoman here?" She turned and called some one inside. A very fat woman came to the door. Her hair was gray and stiffly oiled in scallops around her face. She was short and commanding. "Muy buenos," I said. "Is there an Englishwoman here? I would like to see this English lady." "Muy buenos. Yes, there is a female English. Certainly you can see her if she wishes to see you." "She wishes to see me." "The chica will ask her." "It is very hot." "It is very hot in the summer in Madrid." "And how cold in winter." "Yes, it is very cold in winter." Did I want to stay myself in person in the Hotel Montana? Of that as yet I was undecided, but it would give me pleasure if my bags were brought up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good." She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her. "Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to	by the empty palace and the unfinished church on the edge of the cliff, and on up until we were in the high, hot, modern town. The taxi coasted down a smooth street to the Puerta del Sol, and then through the traffic and out into the Carrera San Jeronimo. All the shops had their awnings down against the heat. The windows on the sunny side of the street were shuttered. The taxi stopped at the curb. I saw the sign HOTEL MONTANA on the second floor. The taxi-driver carried the bags in and left them by the elevator. I could not make the elevator work, so I walked up. On the second floor up was a cut brass sign: HOTEL MONTANA. I rang and no one came to the door. I rang again and a maid with a sullen face opened the door. "Is Lady Ashley here?" I asked. She looked at me dully. "Is an Englishwoman here?" She turned and called some one inside. A very fat woman came to the door. Her hair was gray and stiffly oiled in scallops around her face. She was short and commanding. "Muy buenos," I said. "Is there an Englishwoman here? I would like to see this English lady." "Muy buenos. Yes, there is a female English. Certainly you can see her if she wishes to see you." "She wishes to see me." "The chica will ask her." "It is very hot." "It is very hot in the summer in Madrid." "And how cold in winter." "Yes, it is very cold in winter." Did I want to stay myself in person in the Hotel Montana? Of that as yet I was undecided, but it would give me pleasure if my bags were brought up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good." She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her. "Don't let's ever talk about it. Please don't	The Sun Also Rises
"It is things going right,"	Gabriel Syme	too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical!	unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going	and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory	the poet will be discontented even in the streets of heaven. The poet is always in revolt." "There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory superciliously, "the examples you choose" "I beg your pardon," said Syme grimly, "I forgot we had abolished all conventions." For the first time a red patch appeared on Gregory's forehead. "You don't expect me," he said, "to revolutionise society on this lawn?" Syme looked straight into his eyes and smiled	I have the sense of hairbreadth escape. And when I hear the guard shout out the word Victoria,' it is not an unmeaning word. It is to me the cry of a herald announcing conquest. It is to me indeed Victoria'; it is the victory of Adam." Gregory wagged his heavy, red head with a slow and sad smile. "And even then," he said, "we poets always ask the question, And what is Victoria now that you have got there?' You think Victoria is like the New Jerusalem. We know that the New Jerusalem will only be like Victoria. Yes, the poet will be discontented even in the streets of heaven. The poet is always in revolt." "There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory superciliously, "the examples you choose" "I beg your pardon," said Syme grimly, "I forgot we had abolished all conventions." For the first time a red patch appeared on Gregory's forehead. "You don't expect me," he said, "to revolutionise society on this lawn?" Syme looked straight into his eyes and smiled sweetly. "No, I don't," he said; "but I suppose that if you were serious about your anarchism, that is exactly what you would do." Gregory's big bull's eyes blinked suddenly like those of an angry lion, and one could almost fancy that his red mane rose. "Don't you think, then," he said in a dangerous voice, "that I am serious about my anarchism?" "I beg your pardon?" said Syme. "Am I not serious about my anarchism?" cried Gregory, with knotted fists. "My dear fellow!" said Syme, and strolled away. With surprise, but with a curious pleasure, he found Rosamond Gregory	poetry. The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it. We feel it is epical when man with one wild arrow strikes a distant bird. Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street or to Bagdad. But man is a magician, and his whole magic is in this, that he does say Victoria, and lo! it is Victoria. No, take your books of mere poetry and prose; let me read a time table, with tears of pride. Take your Byron, who commemorates the defeats of man; give me Bradshaw, who commemorates his victories. Give me Bradshaw, I say!" "Must you go?" inquired Gregory sarcastically. "I tell you," went on Syme with passion, "that every time a train comes in I feel that it has broken past batteries of besiegers, and that man has won a battle against chaos. You say contemptuously that when one has left Sloane Square one must come to Victoria. I say that one might do a thousand things instead, and that whenever I really come there I have the sense of hairbreadth escape. And when I hear the guard shout out the word Victoria,' it is not an unmeaning word. It is to me the cry of a herald announcing conquest. It is to me indeed Victoria'; it is the victory of Adam." Gregory wagged his heavy, red head with a slow and sad smile. "And even then," he said, "we poets always ask the question, And what is Victoria now that you have got there?' You think Victoria is like the New Jerusalem. We know that the New Jerusalem will only be like Victoria. Yes, the poet will be discontented even in the streets of heaven. The poet is always in revolt." "There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory superciliously, "the examples you choose" "I beg your pardon," said Syme grimly, "I forgot we had abolished all conventions." For the first time a red patch appeared on Gregory's forehead. "You don't expect me," he said, "to revolutionise society on this lawn?" Syme looked straight into his eyes and smiled sweetly. "No, I don't," he said; "but I suppose that if you were serious about your anarchism, that is exactly what you would do." Gregory's big bull's eyes blinked suddenly like those of an angry lion, and one could almost fancy that his red mane rose. "Don't you think, then," he said in a dangerous voice, "that I am serious about my anarchism?" "I beg your pardon?" said Syme. "Am I not serious about my anarchism?" cried Gregory, with knotted fists. "My dear fellow!" said Syme, and strolled away. With surprise, but with a curious pleasure, he found Rosamond Gregory still in his company. "Mr. Syme," she said, "do the people who talk like you and my brother often mean what they say? Do you mean what you say now?" Syme smiled. "Do you?" he asked. "What do you mean?" asked the girl, with grave eyes. "My dear Miss Gregory," said Syme gently, "there are many kinds of sincerity and insincerity. When you say thank you' for the salt, do you mean what you say? No. When you say the world is round,' do you mean what you say? No. It is true, but you don't mean it. Now, sometimes a man like your brother really finds a thing he does mean. It may be only a half-truth, quarter-truth, tenth-truth; but then he says more than he means from sheer force of meaning it." She was looking at him from under level brows; her face was grave and open, and there had fallen upon it the shadow of that unreasoning responsibility which is at the bottom of the most frivolous woman, the maternal watch which is as old as the world. "Is he really an anarchist, then?" she asked. "Only in that sense I speak of," replied Syme; "or if	if he had that moment fallen out of that impossible sky. In fact, Mr. Lucian Gregory, the anarchic poet, connected the two events. "It may well be," he said, in his sudden lyrical manner, "it may well be on such a night of clouds and cruel colours that there is brought forth upon the earth such a portent as a respectable poet. You say you are a poet of law; I say you are a contradiction in terms. I only wonder there were not comets and earthquakes on the night you appeared in this garden." The man with the meek blue eyes and the pale, pointed beard endured these thunders with a certain submissive solemnity. The third party of the group, Gregory's sister Rosamond, who had her brother's braids of red hair, but a kindlier face underneath them, laughed with such mixture of admiration and disapproval as she gave commonly to the family oracle. Gregory resumed in high oratorical good humour. "An artist is identical with an anarchist," he cried. "You might transpose the words anywhere. An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only. If it were not so, the most poetical thing in the world would be the Underground Railway." "So it is," said Mr. Syme. "Nonsense!" said Gregory, who was very rational when anyone else attempted paradox. "Why do all the clerks and navvies in the railway trains look so sad and tired, so very sad and tired? I will tell you. It is because they know that the train is going right. It is because they know that whatever place they have taken a ticket for that place they will reach. It is because after they have passed Sloane Square they know that the next station must be Victoria, and nothing but Victoria. Oh, their wild rapture! oh, their eyes like stars and their souls again in Eden, if the next station were unaccountably Baker Street!" "It is you who are unpoetical," replied the poet Syme. "If what you say of clerks is true, they can only be as prosaic as your poetry. The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it. We feel it is epical when man with one wild arrow strikes a distant bird. Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street or to Bagdad. But man is a magician, and his whole magic is in this, that he does say Victoria, and lo! it is Victoria. No, take your books of mere poetry and prose; let me read a time table, with tears of pride. Take your Byron, who commemorates the defeats of man; give me Bradshaw, who commemorates his victories. Give me Bradshaw, I say!" "Must you go?" inquired Gregory sarcastically. "I tell you," went on Syme with passion, "that every time a train comes in I feel that it has broken past batteries of besiegers, and that man has won a battle against chaos. You say contemptuously that when one has left Sloane Square one must come to Victoria. I say that one might do a thousand things instead, and that whenever I really come there I have the sense of hairbreadth escape. And when I hear the guard shout out the word Victoria,' it is not an unmeaning word. It is to me the cry of a herald announcing conquest. It is to me indeed Victoria'; it is the victory of Adam." Gregory wagged his heavy, red head with a slow and sad smile. "And even then," he said, "we poets always ask the question, And what is Victoria now that you have got there?' You think Victoria is like the New Jerusalem. We know that the New Jerusalem will only be like Victoria. Yes, the poet will be discontented even in the streets of heaven. The poet is always in revolt." "There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory superciliously, "the examples you choose" "I beg your pardon," said Syme grimly, "I forgot we had abolished all conventions." For the first time a red patch appeared on Gregory's forehead. "You don't expect me," he said, "to revolutionise society on this lawn?" Syme looked straight into his eyes and smiled sweetly. "No, I don't," he said; "but I suppose that if you were serious about your anarchism, that is exactly what you would do." Gregory's big bull's eyes blinked suddenly like those of an angry lion, and one could almost fancy that his red mane rose. "Don't you think, then," he said in a dangerous voice, "that I am serious about my anarchism?" "I beg your pardon?" said Syme. "Am I not serious about my anarchism?" cried Gregory, with knotted fists. "My dear fellow!" said Syme, and strolled away. With surprise, but with a curious pleasure, he found Rosamond Gregory still in his company. "Mr. Syme," she said, "do the people who talk like you and my brother often mean what they say? Do you mean what you say now?" Syme smiled. "Do you?" he asked. "What do you mean?" asked the girl, with grave eyes. "My dear Miss Gregory," said Syme gently, "there are many kinds of sincerity and insincerity. When you say thank you' for the salt, do you mean what you say? No. When you say the world is round,' do you mean what you say? No. It is true, but you don't mean it. Now, sometimes a man like your brother really finds a thing he does mean. It may be only a half-truth, quarter-truth, tenth-truth; but then he says more than he means from sheer force of meaning it." She was looking at him from under level brows; her face was grave and open, and there had fallen upon it the shadow of that unreasoning responsibility which is at the bottom of the most frivolous woman, the maternal watch which is as old as the world. "Is he really an anarchist, then?" she asked. "Only in that sense I speak of," replied Syme; "or if you prefer it, in that nonsense." She drew her broad brows together and said abruptly "He wouldn't really use bombs or that sort of thing?" Syme broke into a great laugh, that seemed too large for his slight and somewhat dandified figure. "Good Lord, no!" he said, "that has to be done anonymously." And at that the corners of her own mouth broke into a smile, and she thought with a simultaneous pleasure of Gregory's absurdity and of his safety. Syme strolled with her to a seat in the corner of the garden, and continued to pour out his opinions. For he was a sincere man, and in spite of his superficial airs and graces, at root a humble one. And it is always the humble man who talks too much; the proud man watches himself too closely. He defended respectability with violence and exaggeration. He grew passionate in his praise of tidiness and propriety. All the time there was a smell of lilac all round him. Once he heard very faintly in some distant street a barrel-organ begin to play, and it seemed to him that his heroic words were moving to a tiny tune from under or beyond the world. He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp,	take your books of mere poetry and prose; let me read a time table, with tears of pride. Take your Byron, who commemorates the defeats of man; give me Bradshaw, who commemorates his victories. Give me Bradshaw, I say!" "Must you go?" inquired Gregory sarcastically. "I tell you," went on Syme with passion, "that every time a train comes in I feel that it has broken past batteries of besiegers, and that man has won a battle against chaos. You say contemptuously that when one has left Sloane Square one must come to Victoria. I say that one might do a thousand things instead, and that whenever I really come there I have the sense of hairbreadth escape. And when I hear the guard shout out the word Victoria,' it is not an unmeaning word. It is to me the cry of a herald announcing conquest. It is to me indeed Victoria'; it is the victory of Adam." Gregory wagged his heavy, red head with a slow and sad smile. "And even then," he said, "we poets always ask the question, And what is Victoria now that you have got there?' You think Victoria is like the New Jerusalem. We know that the New Jerusalem will only be like Victoria. Yes, the poet will be discontented even in the streets of heaven. The poet is always in revolt." "There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory superciliously, "the examples you choose" "I beg your pardon," said Syme grimly, "I forgot we had abolished all conventions." For the first time a red patch appeared on Gregory's forehead. "You don't expect me," he said, "to revolutionise society on this lawn?" Syme looked straight into his eyes and smiled sweetly. "No, I don't," he said; "but I suppose that if you were serious about your anarchism, that is exactly what you would do." Gregory's big bull's eyes blinked suddenly like those of an angry lion, and one could almost fancy that his red mane rose. "Don't you think, then," he said in a dangerous voice, "that I am serious about my anarchism?" "I beg your pardon?" said Syme. "Am I not serious about my anarchism?" cried Gregory, with knotted fists. "My dear fellow!" said Syme, and strolled away. With surprise, but with a curious pleasure, he found Rosamond Gregory still in his company. "Mr. Syme," she said, "do the people who talk like you and my brother often mean what they say? Do you mean what you say now?" Syme smiled. "Do you?" he asked. "What do you mean?" asked the girl, with grave eyes. "My dear Miss Gregory," said Syme gently, "there are many kinds of sincerity and insincerity. When you say thank you' for the salt, do you mean what you say? No. When you say the world is round,' do you mean what you say? No. It is true, but you don't mean it. Now, sometimes a man like your brother really finds a thing he does mean. It may be only a half-truth, quarter-truth, tenth-truth; but then he says more than he means from sheer force of meaning it." She was looking at him from under level brows; her face was grave and open, and there had fallen upon it the shadow of that unreasoning responsibility which is at the bottom of the most frivolous woman, the maternal watch which is as old as the world. "Is he really an anarchist, then?" she asked. "Only in that sense I speak of," replied Syme; "or if you prefer it, in that nonsense." She drew her broad brows together and said abruptly "He wouldn't really use bombs or that sort of thing?" Syme broke into a great laugh, that seemed too large for his slight and somewhat dandified figure. "Good Lord, no!" he said, "that has to be done anonymously." And at that the corners of her own mouth broke into a smile, and she thought with a simultaneous pleasure of Gregory's absurdity and of his safety. Syme strolled with her to a seat in the corner of the garden, and continued to pour out his opinions. For he was a sincere man, and in spite of his superficial airs and graces, at root a humble one. And it is always the humble man who talks too much; the proud man watches himself too closely. He defended respectability with violence and exaggeration. He grew passionate in his praise of tidiness and propriety. All the time there was a smell of lilac all round him. Once he	The Man Who Was Thursday
"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"	Edna Pontellier	caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her	deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into	be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or,	which was left untold. "If I were young and in love with a man," said Mademoiselle, turning on the stool and pressing her wiry hands between her knees as she looked down at Edna, who sat on the floor holding the letter, "it seems to me he would have to be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or, I shall set my heart upon this musician, whose fame is on every tongue?' Or, This financier, who controls the world's money markets?'" "You are purposely misunderstanding me, _ma reine_. Are you in love with Robert?" "Yes," said Edna. It was the first time she had admitted it, and a	tell me?" She went and grasped Mademoiselle's hands up from the keys. "Oh! unkind! malicious! Why did you not tell me?" "That he was coming back? No great news, _ma foi_. I wonder he did not come long ago." "But when, when?" cried Edna, impatiently. "He does not say when." "He says very soon.' You know as much about it as I do; it is all in the letter." "But why? Why is he coming? Oh, if I thought" and she snatched the letter from the floor and turned the pages this way and that way, looking for the reason, which was left untold. "If I were young and in love with a man," said Mademoiselle, turning on the stool and pressing her wiry hands between her knees as she looked down at Edna, who sat on the floor holding the letter, "it seems to me he would have to be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or, I shall set my heart upon this musician, whose fame is on every tongue?' Or, This financier, who controls the world's money markets?'" "You are purposely misunderstanding me, _ma reine_. Are you in love with Robert?" "Yes," said Edna. It was the first time she had admitted it, and a glow overspread her face, blotching it with red spots. "Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth.	and sputtered. Edna went forward and opened the stove door, and Mademoiselle rising, took a letter from under the bust of Beethoven and handed it to Edna. "Another! so soon!" she exclaimed, her eyes filled with delight. "Tell me, Mademoiselle, does he know that I see his letters?" "Never in the world! He would be angry and would never write to me again if he thought so. Does he write to you? Never a line. Does he send you a message? Never a word. It is because he loves you, poor fool, and is trying to forget you, since you are not free to listen to him or to belong to him." "Why do you show me his letters, then?" "Haven't you begged for them? Can I refuse you anything? Oh! you cannot deceive me," and Mademoiselle approached her beloved instrument and began to play. Edna did not at once read the letter. She sat holding it in her hand, while the music penetrated her whole being like an effulgence, warming and brightening the dark places of her soul. It prepared her for joy and exultation. "Oh!" she exclaimed, letting the letter fall to the floor. "Why did you not tell me?" She went and grasped Mademoiselle's hands up from the keys. "Oh! unkind! malicious! Why did you not tell me?" "That he was coming back? No great news, _ma foi_. I wonder he did not come long ago." "But when, when?" cried Edna, impatiently. "He does not say when." "He says very soon.' You know as much about it as I do; it is all in the letter." "But why? Why is he coming? Oh, if I thought" and she snatched the letter from the floor and turned the pages this way and that way, looking for the reason, which was left untold. "If I were young and in love with a man," said Mademoiselle, turning on the stool and pressing her wiry hands between her knees as she looked down at Edna, who sat on the floor holding the letter, "it seems to me he would have to be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or, I shall set my heart upon this musician, whose fame is on every tongue?' Or, This financier, who controls the world's money markets?'" "You are purposely misunderstanding me, _ma reine_. Are you in love with Robert?" "Yes," said Edna. It was the first time she had admitted it, and a glow overspread her face, blotching it with red spots. "Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because" "Because you do, in short," laughed Mademoiselle. "What will you do when he comes back?" she asked. "Do? Nothing, except feel glad and happy to be alive." She was already glad and happy to be alive at the mere thought of his return. The murky, lowering sky, which had depressed her a few hours before, seemed bracing and invigorating as she splashed through the streets on her way home. She stopped at a confectioner's and ordered a huge box of bonbons for the children in Iberville. She slipped a card in the box, on which she scribbled a tender message and sent an abundance of kisses. Before dinner in the evening Edna wrote a charming letter to her husband, telling him of her intention to move for a while into the little house around the block, and to give a farewell dinner before leaving, regretting that he was not there to share it, to help out with the menu and assist her in entertaining the guests. Her letter was brilliant and brimming with cheerfulness. XXVII "What is the matter with you?" asked Arobin that evening. "I never found you in such a happy mood." Edna was tired by that	your husband's," returned Mademoiselle, with a shrug and a malicious elevation of the eyebrows. "Oh! I see there is no deceiving you. Then let me tell you: It is a caprice. I have a little money of my own from my mother's estate, which my father sends me by driblets. I won a large sum this winter on the races, and I am beginning to sell my sketches. Laidpore is more and more pleased with my work; he says it grows in force and individuality. I cannot judge of that myself, but I feel that I have gained in ease and confidence. However, as I said, I have sold a good many through Laidpore. I can live in the tiny house for little or nothing, with one servant. Old Celestine, who works occasionally for me, says she will come stay with me and do my work. I know I shall like it, like the feeling of freedom and independence." "What does your husband say?" "I have not told him yet. I only thought of it this morning. He will think I am demented, no doubt. Perhaps you think so." Mademoiselle shook her head slowly. "Your reason is not yet clear to me," she said. Neither was it quite clear to Edna herself; but it unfolded itself as she sat for a while in silence. Instinct had prompted her to put away her husband's bounty in casting off her allegiance. She did not know how it would be when he returned. There would have to be an understanding, an explanation. Conditions would some way adjust themselves, she felt; but whatever came, she had resolved never again to belong to another than herself. "I shall give a grand dinner before I leave the old house!" Edna exclaimed. "You will have to come to it, Mademoiselle. I will give you everything that you like to eat and to drink. We shall sing and laugh and be merry for once." And she uttered a sigh that came from the very depths of her being. If Mademoiselle happened to have received a letter from Robert during the interval of Edna's visits, she would give her the letter unsolicited. And she would seat herself at the piano and play as her humor prompted her while the young woman read the letter. The little stove was roaring; it was red-hot, and the chocolate in the tin sizzled and sputtered. Edna went forward and opened the stove door, and Mademoiselle rising, took a letter from under the bust of Beethoven and handed it to Edna. "Another! so soon!" she exclaimed, her eyes filled with delight. "Tell me, Mademoiselle, does he know that I see his letters?" "Never in the world! He would be angry and would never write to me again if he thought so. Does he write to you? Never a line. Does he send you a message? Never a word. It is because he loves you, poor fool, and is trying to forget you, since you are not free to listen to him or to belong to him." "Why do you show me his letters, then?" "Haven't you begged for them? Can I refuse you anything? Oh! you cannot deceive me," and Mademoiselle approached her beloved instrument and began to play. Edna did not at once read the letter. She sat holding it in her hand, while the music penetrated her whole being like an effulgence, warming and brightening the dark places of her soul. It prepared her for joy and exultation. "Oh!" she exclaimed, letting the letter fall to the floor. "Why did you not tell me?" She went and grasped Mademoiselle's hands up from the keys. "Oh! unkind! malicious! Why did you not tell me?" "That he was coming back? No great news, _ma foi_. I wonder he did not come long ago." "But when, when?" cried Edna, impatiently. "He does not say when." "He says very soon.' You know as much about it as I do; it is all in the letter." "But why? Why is he coming? Oh, if I thought" and she snatched the letter from the floor and turned the pages this way and that way, looking for the reason, which was left untold. "If I were young and in love with a man," said Mademoiselle, turning on the stool and pressing her wiry hands between her knees as she looked down at Edna, who sat on the floor holding the letter, "it seems to me he would have to be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or, I shall set my heart upon this musician, whose fame is on every tongue?' Or, This financier, who controls the world's money markets?'" "You are purposely misunderstanding me, _ma reine_. Are you in love with Robert?" "Yes," said Edna. It was the first time she had admitted it, and a glow overspread her face, blotching it with red spots. "Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because" "Because you do, in short," laughed Mademoiselle. "What will you do when he comes back?" she asked. "Do? Nothing, except feel glad and happy to be alive." She was already glad and happy to be alive at the mere thought of his return. The murky, lowering sky, which had depressed her a few hours before, seemed bracing and invigorating as she splashed through the streets on her way home. She stopped at a confectioner's and ordered a huge box of bonbons for the children in Iberville. She slipped a card in the box, on which she scribbled a tender message and sent an abundance of kisses. Before dinner in the evening Edna wrote a charming letter to her husband, telling him of her intention to move for a while into the little house around the block, and to give a farewell dinner before leaving, regretting that he was not there to share it, to help out with the menu and assist her in entertaining the guests. Her letter was brilliant and brimming with cheerfulness. XXVII "What is the matter with you?" asked Arobin that evening. "I never found you in such a happy mood." Edna was tired by that time, and was reclining on the lounge before the fire. "Don't you know the weather prophet has told us we shall see the sun pretty soon?" "Well, that ought to be reason enough," he acquiesced. "You wouldn't give me another if I sat here all night imploring you." He sat close to her on a low tabouret, and as he spoke his fingers lightly touched the hair that fell a little over her forehead. She liked the touch of his fingers through her hair, and closed her eyes sensitively. "One of these days," she said, "I'm going to pull myself together for a while and think try to determine what character of a woman I am; for, candidly, I don't know. By all the codes which I am acquainted with, I am a devilishly wicked specimen of the sex. But some way I can't convince myself that I am. I must think about it." "Don't. What's the use? Why should you bother thinking about it when I can tell you what manner of woman you are." His fingers strayed occasionally down to her warm, smooth cheeks and firm chin, which was growing a little full and double. "Oh, yes! You will tell me that I am adorable; everything that is captivating. Spare yourself the effort." "No; I shan't tell you anything of the sort, though I shouldn't be lying if I did." "Do you know Mademoiselle Reisz?" she asked irrelevantly. "The pianist? I know her by sight. I've heard her play." "She says queer things sometimes in a bantering way that you don't notice at the time and you find yourself thinking about afterward." "For instance?" "Well, for instance, when I left her to-day, she put her arms around me and felt my shoulder blades, to see if my wings were strong, she said." The bird that would soar above the level plain of tradition and prejudice must have strong wings. It is a sad spectacle to see the weaklings bruised, exhausted, fluttering back to earth.'" "Whither would you soar?" "I'm not thinking of any extraordinary flights. I only half comprehend her." "I've heard she's partially demented," said Arobin. "She seems to me wonderfully sane," Edna replied. "I'm told she's extremely disagreeable and unpleasant. Why have you introduced her at a moment when I desired to talk of you?" "Oh! talk of me if you like," cried Edna, clasping her	you like to eat and to drink. We shall sing and laugh and be merry for once." And she uttered a sigh that came from the very depths of her being. If Mademoiselle happened to have received a letter from Robert during the interval of Edna's visits, she would give her the letter unsolicited. And she would seat herself at the piano and play as her humor prompted her while the young woman read the letter. The little stove was roaring; it was red-hot, and the chocolate in the tin sizzled and sputtered. Edna went forward and opened the stove door, and Mademoiselle rising, took a letter from under the bust of Beethoven and handed it to Edna. "Another! so soon!" she exclaimed, her eyes filled with delight. "Tell me, Mademoiselle, does he know that I see his letters?" "Never in the world! He would be angry and would never write to me again if he thought so. Does he write to you? Never a line. Does he send you a message? Never a word. It is because he loves you, poor fool, and is trying to forget you, since you are not free to listen to him or to belong to him." "Why do you show me his letters, then?" "Haven't you begged for them? Can I refuse you anything? Oh! you cannot deceive me," and Mademoiselle approached her beloved instrument and began to play. Edna did not at once read the letter. She sat holding it in her hand, while the music penetrated her whole being like an effulgence, warming and brightening the dark places of her soul. It prepared her for joy and exultation. "Oh!" she exclaimed, letting the letter fall to the floor. "Why did you not tell me?" She went and grasped Mademoiselle's hands up from the keys. "Oh! unkind! malicious! Why did you not tell me?" "That he was coming back? No great news, _ma foi_. I wonder he did not come long ago." "But when, when?" cried Edna, impatiently. "He does not say when." "He says very soon.' You know as much about it as I do; it is all in the letter." "But why? Why is he coming? Oh, if I thought" and she snatched the letter from the floor and turned the pages this way and that way, looking for the reason, which was left untold. "If I were young and in love with a man," said Mademoiselle, turning on the stool and pressing her wiry hands between her knees as she looked down at Edna, who sat on the floor holding the letter, "it seems to me he would have to be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or, I shall set my heart upon this musician, whose fame is on every tongue?' Or, This financier, who controls the world's money markets?'" "You are purposely misunderstanding me, _ma reine_. Are you in love with Robert?" "Yes," said Edna. It was the first time she had admitted it, and a glow overspread her face, blotching it with red spots. "Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because" "Because you do, in short," laughed Mademoiselle. "What will you do when he comes back?" she asked. "Do? Nothing, except feel glad	The Awakening
"Fair, or not fair,"	Bill Sikes	it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I	fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think	the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!"	inquired Sikes, stepping forward as the Jew seized the note. "That's mine, Fagin." "No, no, my dear," said the Jew. "Mine, Bill, mine. You shall have the books." "If that ain't mine!" said Bill Sikes, putting on his hat with a determined air; "mine and Nancy's that is; I'll take the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!" With this gentle remonstrance, Mr. Sikes plucked the note from between the Jew's finger and thumb; and looking the old man coolly in the face, folded it up small, and tied it in his neckerchief. "That's for our share of the trouble," said Sikes; "and not half enough, neither. You	Nothing but a gentleman, Fagin!" "Delighted to see you looking so well, my dear," said the Jew, bowing with mock humility. "The Artful shall give you another suit, my dear, for fear you should spoil that Sunday one. Why didn't you write, my dear, and say you were coming? We'd have got something warm for supper." At his, Master Bates roared again: so loud, that Fagin himself relaxed, and even the Dodger smiled; but as the Artful drew forth the five-pound note at that instant, it is doubtful whether the sally of the discovery awakened his merriment. "Hallo, what's that?" inquired Sikes, stepping forward as the Jew seized the note. "That's mine, Fagin." "No, no, my dear," said the Jew. "Mine, Bill, mine. You shall have the books." "If that ain't mine!" said Bill Sikes, putting on his hat with a determined air; "mine and Nancy's that is; I'll take the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!" With this gentle remonstrance, Mr. Sikes plucked the note from between the Jew's finger and thumb; and looking the old man coolly in the face, folded it up small, and tied it in his neckerchief. "That's for our share of the trouble," said Sikes; "and not half enough, neither. You may keep the books, if you're fond of reading. If you ain't, sell 'em." "They're very pretty," said Charley Bates: who, with sundry grimaces, had been affecting to read one of the volumes in question; "beautiful writing, isn't is, Oliver?" At sight of the dismayed look with which Oliver regarded his tormentors, Master Bates, who was blessed with a lively sense of the ludicrous, fell into another ectasy, more boisterous than the first. "They belong to the old gentleman," said Oliver, wringing his hands; "to the good, kind, old gentleman who took me into his house, and had me nursed,	were received with a shout of laughter. "Oh, my wig, my wig!" cried Master Charles Bates, from whose lungs the laughter had proceeded: "here he is! oh, cry, here he is! Oh, Fagin, look at him! Fagin, do look at him! I can't bear it; it is such a jolly game, I can't bear it. Hold me, somebody, while I laugh it out." With this irrepressible ebullition of mirth, Master Bates laid himself flat on the floor: and kicked convulsively for five minutes, in an ectasy of facetious joy. Then jumping to his feet, he snatched the cleft stick from the Dodger; and, advancing to Oliver, viewed him round and round; while the Jew, taking off his nightcap, made a great number of low bows to the bewildered boy. The Artful, meantime, who was of a rather saturnine disposition, and seldom gave way to merriment when it interfered with business, rifled Oliver's pockets with steady assiduity. "Look at his togs, Fagin!" said Charley, putting the light so close to his new jacket as nearly to set him on fire. "Look at his togs! Superfine cloth, and the heavy swell cut! Oh, my eye, what a game! And his books, too! Nothing but a gentleman, Fagin!" "Delighted to see you looking so well, my dear," said the Jew, bowing with mock humility. "The Artful shall give you another suit, my dear, for fear you should spoil that Sunday one. Why didn't you write, my dear, and say you were coming? We'd have got something warm for supper." At his, Master Bates roared again: so loud, that Fagin himself relaxed, and even the Dodger smiled; but as the Artful drew forth the five-pound note at that instant, it is doubtful whether the sally of the discovery awakened his merriment. "Hallo, what's that?" inquired Sikes, stepping forward as the Jew seized the note. "That's mine, Fagin." "No, no, my dear," said the Jew. "Mine, Bill, mine. You shall have the books." "If that ain't mine!" said Bill Sikes, putting on his hat with a determined air; "mine and Nancy's that is; I'll take the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!" With this gentle remonstrance, Mr. Sikes plucked the note from between the Jew's finger and thumb; and looking the old man coolly in the face, folded it up small, and tied it in his neckerchief. "That's for our share of the trouble," said Sikes; "and not half enough, neither. You may keep the books, if you're fond of reading. If you ain't, sell 'em." "They're very pretty," said Charley Bates: who, with sundry grimaces, had been affecting to read one of the volumes in question; "beautiful writing, isn't is, Oliver?" At sight of the dismayed look with which Oliver regarded his tormentors, Master Bates, who was blessed with a lively sense of the ludicrous, fell into another ectasy, more boisterous than the first. "They belong to the old gentleman," said Oliver, wringing his hands; "to the good, kind, old gentleman who took me into his house, and had me nursed, when I was near dying of the fever. Oh, pray send them back; send him back the books and money. Keep me here all my life long; but pray, pray send them back. He'll think I stole them; the old lady: all of them who were so kind to me: will think I stole them. Oh, do have mercy upon me, and send them back!" With these words, which were uttered with all the energy of passionate grief, Oliver fell upon his knees at the Jew's feet; and beat his hands together, in perfect desperation. "The boy's right," remarked Fagin, looking covertly round, and knitting his shaggy eyebrows into a hard knot. "You're right, Oliver, you're right; they _will_ think you have stolen 'em. Ha! ha!" chuckled the Jew, rubbing his hands, "it couldn't have happened better, if we had chosen our time!" "Of course it couldn't," replied Sikes; "I know'd that, directly I see him coming through Clerkenwell, with the books under his arm. It's all right enough. They're soft-hearted psalm-singers, or they wouldn't have taken him in at all; and they'll ask no questions after him, fear they should be obliged to prosecute, and so get him lagged.	hold much the same position in society as Mr. Sikes himself. At length they turned into a very filthy narrow street, nearly full of old-clothes shops; the dog running forward, as if conscious that there was no further occasion for his keeping on guard, stopped before the door of a shop that was closed and apparently untenanted; the house was in a ruinous condition, and on the door was nailed a board, intimating that it was to let: which looked as if it had hung there for many years. "All right," cried Sikes, glancing cautiously about. Nancy stooped below the shutters, and Oliver heard the sound of a bell. They crossed to the opposite side of the street, and stood for a few moments under a lamp. A noise, as if a sash window were gently raised, was heard; and soon afterwards the door softly opened. Mr. Sikes then seized the terrified boy by the collar with very little ceremony; and all three were quickly inside the house. The passage was perfectly dark. They waited, while the person who had let them in, chained and barred the door. "Anybody here?" inquired Sikes. "No," replied a voice, which Oliver thought he had heard before. "Is the old 'un here?" asked the robber. "Yes," replied the voice, "and precious down in the mouth he has been. Won't he be glad to see you? Oh, no!" The style of this reply, as well as the voice which delivered it, seemed familiar to Oliver's ears: but it was impossible to distinguish even the form of the speaker in the darkness. "Let's have a glim," said Sikes, "or we shall go breaking our necks, or treading on the dog. Look after your legs if you do!" "Stand still a moment, and I'll get you one," replied the voice. The receding footsteps of the speaker were heard; and, in another minute, the form of Mr. John Dawkins, otherwise the Artful Dodger, appeared. He bore in his right hand a tallow candle stuck in the end of a cleft stick. The young gentleman did not stop to bestow any other mark of recognition upon Oliver than a humourous grin; but, turning away, beckoned the visitors to follow him down a flight of stairs. They crossed an empty kitchen; and, opening the door of a low earthy-smelling room, which seemed to have been built in a small back-yard, were received with a shout of laughter. "Oh, my wig, my wig!" cried Master Charles Bates, from whose lungs the laughter had proceeded: "here he is! oh, cry, here he is! Oh, Fagin, look at him! Fagin, do look at him! I can't bear it; it is such a jolly game, I can't bear it. Hold me, somebody, while I laugh it out." With this irrepressible ebullition of mirth, Master Bates laid himself flat on the floor: and kicked convulsively for five minutes, in an ectasy of facetious joy. Then jumping to his feet, he snatched the cleft stick from the Dodger; and, advancing to Oliver, viewed him round and round; while the Jew, taking off his nightcap, made a great number of low bows to the bewildered boy. The Artful, meantime, who was of a rather saturnine disposition, and seldom gave way to merriment when it interfered with business, rifled Oliver's pockets with steady assiduity. "Look at his togs, Fagin!" said Charley, putting the light so close to his new jacket as nearly to set him on fire. "Look at his togs! Superfine cloth, and the heavy swell cut! Oh, my eye, what a game! And his books, too! Nothing but a gentleman, Fagin!" "Delighted to see you looking so well, my dear," said the Jew, bowing with mock humility. "The Artful shall give you another suit, my dear, for fear you should spoil that Sunday one. Why didn't you write, my dear, and say you were coming? We'd have got something warm for supper." At his, Master Bates roared again: so loud, that Fagin himself relaxed, and even the Dodger smiled; but as the Artful drew forth the five-pound note at that instant, it is doubtful whether the sally of the discovery awakened his merriment. "Hallo, what's that?" inquired Sikes, stepping forward as the Jew seized the note. "That's mine, Fagin." "No, no, my dear," said the Jew. "Mine, Bill, mine. You shall have the books." "If that ain't mine!" said Bill Sikes, putting on his hat with a determined air; "mine and Nancy's that is; I'll take the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!" With this gentle remonstrance, Mr. Sikes plucked the note from between the Jew's finger and thumb; and looking the old man coolly in the face, folded it up small, and tied it in his neckerchief. "That's for our share of the trouble," said Sikes; "and not half enough, neither. You may keep the books, if you're fond of reading. If you ain't, sell 'em." "They're very pretty," said Charley Bates: who, with sundry grimaces, had been affecting to read one of the volumes in question; "beautiful writing, isn't is, Oliver?" At sight of the dismayed look with which Oliver regarded his tormentors, Master Bates, who was blessed with a lively sense of the ludicrous, fell into another ectasy, more boisterous than the first. "They belong to the old gentleman," said Oliver, wringing his hands; "to the good, kind, old gentleman who took me into his house, and had me nursed, when I was near dying of the fever. Oh, pray send them back; send him back the books and money. Keep me here all my life long; but pray, pray send them back. He'll think I stole them; the old lady: all of them who were so kind to me: will think I stole them. Oh, do have mercy upon me, and send them back!" With these words, which were uttered with all the energy of passionate grief, Oliver fell upon his knees at the Jew's feet; and beat his hands together, in perfect desperation. "The boy's right," remarked Fagin, looking covertly round, and knitting his shaggy eyebrows into a hard knot. "You're right, Oliver, you're right; they _will_ think you have stolen 'em. Ha! ha!" chuckled the Jew, rubbing his hands, "it couldn't have happened better, if we had chosen our time!" "Of course it couldn't," replied Sikes; "I know'd that, directly I see him coming through Clerkenwell, with the books under his arm. It's all right enough. They're soft-hearted psalm-singers, or they wouldn't have taken him in at all; and they'll ask no questions after him, fear they should be obliged to prosecute, and so get him lagged. He's safe enough." Oliver had looked from one to the other, while these words were being spoken, as if he were bewildered, and could scarecely understand what passed; but when Bill Sikes concluded, he jumped suddenly to his feet, and tore wildly from the room: uttering shrieks for help, which made the bare old house echo to the roof. "Keep back the dog, Bill!" cried Nancy, springing before the door, and closing it, as the Jew and his two pupils darted out in pursuit. "Keep back the dog; he'll tear the boy to pieces." "Serve him right!" cried Sikes, struggling to disengage himself from the girl's grasp. "Stand off from me, or I'll split your head against the wall." "I don't care for that, Bill, I don't care for that," screamed the girl, struggling violently with the man, "the child shan't be torn down by the dog, unless you kill me first." "Shan't he!" said Sikes, setting his teeth. "I'll soon do that, if you don't keep off." The housebreaker flung the girl from him to the further end of the room, just as the Jew and the two boys returned, dragging Oliver among them. "What's the matter here!" said Fagin, looking round. "The girl's gone mad, I think," replied Sikes, savagely. "No, she hasn't," said Nancy, pale and breathless from the scuffle; "no, she hasn't, Fagin; don't think it." "Then keep quiet, will you?" said the Jew, with a threatening look. "No, I won't do that, neither," replied Nancy, speaking very loud. "Come! What do you think of that?" Mr. Fagin was sufficiently well acquainted with the manners and customs of that particular species of humanity to which Nancy belonged, to feel tolerably certain that it would be rather unsafe to prolong any conversation with her, at present. With the view of diverting the attention of the company, he turned to Oliver. "So you wanted to get away, my dear, did you?" said the Jew, taking up a jagged and knotted club which lay in a corner of the fireplace; "eh?" Oliver made no reply. But he watched the Jew's motions, and breathed quickly. "Wanted to get assistance; called for the police; did you?" sneered the Jew, catching the boy by the arm. "We'll cure you of that, my young master." The Jew inflicted a smart blow on Oliver's shoulders with the club; and was raising it for a	lungs the laughter had proceeded: "here he is! oh, cry, here he is! Oh, Fagin, look at him! Fagin, do look at him! I can't bear it; it is such a jolly game, I can't bear it. Hold me, somebody, while I laugh it out." With this irrepressible ebullition of mirth, Master Bates laid himself flat on the floor: and kicked convulsively for five minutes, in an ectasy of facetious joy. Then jumping to his feet, he snatched the cleft stick from the Dodger; and, advancing to Oliver, viewed him round and round; while the Jew, taking off his nightcap, made a great number of low bows to the bewildered boy. The Artful, meantime, who was of a rather saturnine disposition, and seldom gave way to merriment when it interfered with business, rifled Oliver's pockets with steady assiduity. "Look at his togs, Fagin!" said Charley, putting the light so close to his new jacket as nearly to set him on fire. "Look at his togs! Superfine cloth, and the heavy swell cut! Oh, my eye, what a game! And his books, too! Nothing but a gentleman, Fagin!" "Delighted to see you looking so well, my dear," said the Jew, bowing with mock humility. "The Artful shall give you another suit, my dear, for fear you should spoil that Sunday one. Why didn't you write, my dear, and say you were coming? We'd have got something warm for supper." At his, Master Bates roared again: so loud, that Fagin himself relaxed, and even the Dodger smiled; but as the Artful drew forth the five-pound note at that instant, it is doubtful whether the sally of the discovery awakened his merriment. "Hallo, what's that?" inquired Sikes, stepping forward as the Jew seized the note. "That's mine, Fagin." "No, no, my dear," said the Jew. "Mine, Bill, mine. You shall have the books." "If that ain't mine!" said Bill Sikes, putting on his hat with a determined air; "mine and Nancy's that is; I'll take the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!" With this gentle remonstrance, Mr. Sikes plucked the note from between the Jew's finger and thumb; and looking the old man coolly in the face, folded it up small, and tied it in his neckerchief. "That's for our share of the trouble," said Sikes; "and not half enough, neither. You may keep the books, if you're fond of reading. If you ain't, sell 'em." "They're very pretty," said Charley Bates: who, with sundry grimaces, had been affecting to read one of the volumes in question; "beautiful writing, isn't is, Oliver?" At sight of the dismayed look with which Oliver regarded his tormentors, Master Bates, who was blessed with a lively sense of the ludicrous, fell into another ectasy, more boisterous than the first. "They belong to the old gentleman," said Oliver, wringing his hands; "to the good, kind, old gentleman who took me into his house, and had me nursed, when I was near dying of the fever. Oh, pray send them back; send him back the books and money. Keep me here all my life long; but pray, pray send them back. He'll think I stole them; the old lady: all of them who were so kind to me: will think I stole them. Oh, do have mercy upon me, and send them back!" With these words, which were uttered with all the energy of passionate grief, Oliver fell upon his knees at the Jew's feet; and beat his hands together, in perfect desperation. "The boy's right," remarked Fagin, looking covertly round, and knitting his shaggy eyebrows into a hard knot. "You're right, Oliver, you're right; they _will_ think you have stolen 'em. Ha! ha!" chuckled the Jew, rubbing his hands, "it couldn't have happened better, if we had chosen	Oliver Twist
"I m not so sure about that. I should say she has a good deal of literary feeling."	William Rodney	or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You	if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education	a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering	that he could never do without her good opinion. She veered round upon him a moment later, as if, when her train of thought was ended, she became aware of his presence. "Have you finished your letter?" she asked. He thought he heard faint amusement in her tone, but not a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering or the strange silence which drove home to her the distance between them. As she pulled one book forward and then another she thought ironically of her own certainty not an hour ago; how it had vanished in a moment, how she was merely marking time as best she could,	some excuse for a good laugh, or opening for a confession, he was disconcerted by what he saw. Katharine seemed equally oblivious of what was bad or of what was good in him. Her expression suggested concentration upon something entirely remote from her surroundings. The carelessness of her attitude seemed to him rather masculine than feminine. His impulse to break up the constraint was chilled, and once more the exasperating sense of his own impotency returned to him. He could not help contrasting Katharine with his vision of the engaging, whimsical Cassandra; Katharine undemonstrative, inconsiderate, silent, and yet so notable that he could never do without her good opinion. She veered round upon him a moment later, as if, when her train of thought was ended, she became aware of his presence. "Have you finished your letter?" she asked. He thought he heard faint amusement in her tone, but not a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering or the strange silence which drove home to her the distance between them. As she pulled one book forward and then another she thought ironically of her own certainty not an hour ago; how it had vanished in a moment, how she was merely marking time as best she could, not knowing in the least where they stood, what they felt, or whether William loved her or not. More and more the condition of Mary s mind seemed to her wonderful and enviable if, indeed, it could be quite as she figured it if, indeed, simplicity existed for any one of the daughters of women. "Swift," she said, at last, taking out a volume at haphazard to settle this question at least. "Let us have some Swift." Rodney took the book, held it in front of him, inserted one finger between the pages, but said nothing. His face wore a	a stranger. The head bent over the paper, thoughtful as usual, had now a composure which seemed somehow to place it at a distance, like a face seen talking to some one else behind glass. He wrote on, without raising his eyes. She would have spoken, but could not bring herself to ask him for signs of affection which she had no right to claim. The conviction that he was thus strange to her filled her with despondency, and illustrated quite beyond doubt the infinite loneliness of human beings. She had never felt the truth of this so strongly before. She looked away into the fire; it seemed to her that even physically they were now scarcely within speaking distance; and spiritually there was certainly no human being with whom she could claim comradeship; no dream that satisfied her as she was used to be satisfied; nothing remained in whose reality she could believe, save those abstract ideas figures, laws, stars, facts, which she could hardly hold to for lack of knowledge and a kind of shame. When Rodney owned to himself the folly of this prolonged silence, and the meanness of such devices, and looked up ready to seek some excuse for a good laugh, or opening for a confession, he was disconcerted by what he saw. Katharine seemed equally oblivious of what was bad or of what was good in him. Her expression suggested concentration upon something entirely remote from her surroundings. The carelessness of her attitude seemed to him rather masculine than feminine. His impulse to break up the constraint was chilled, and once more the exasperating sense of his own impotency returned to him. He could not help contrasting Katharine with his vision of the engaging, whimsical Cassandra; Katharine undemonstrative, inconsiderate, silent, and yet so notable that he could never do without her good opinion. She veered round upon him a moment later, as if, when her train of thought was ended, she became aware of his presence. "Have you finished your letter?" she asked. He thought he heard faint amusement in her tone, but not a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering or the strange silence which drove home to her the distance between them. As she pulled one book forward and then another she thought ironically of her own certainty not an hour ago; how it had vanished in a moment, how she was merely marking time as best she could, not knowing in the least where they stood, what they felt, or whether William loved her or not. More and more the condition of Mary s mind seemed to her wonderful and enviable if, indeed, it could be quite as she figured it if, indeed, simplicity existed for any one of the daughters of women. "Swift," she said, at last, taking out a volume at haphazard to settle this question at least. "Let us have some Swift." Rodney took the book, held it in front of him, inserted one finger between the pages, but said nothing. His face wore a queer expression of deliberation, as if he were weighing one thing with another, and would not say anything until his mind were made up. Katharine, taking her chair beside him, noted his silence and looked at him with sudden apprehension. What she hoped or feared, she could not have said; a most irrational and indefensible desire for some assurance of his affection was, perhaps, uppermost in her mind. Peevishness, complaints, exacting cross-examination she was used to, but this attitude of composed quiet, which seemed to come from the consciousness of power within, puzzled her. She did not know what was going to happen next. At last William spoke. "I think it s a little odd, don t you?" he said, in a voice of detached reflection. "Most people, I mean, would be seriously upset if their marriage was put off for six months or so. But we aren t; now how do you account for that?" She looked at him and observed his judicial attitude as of one holding far aloof from emotion. "I attribute it," he went on, without waiting for her to answer, "to the fact that neither of us is in the least romantic about the other.	in some mood. "We ve struck up a friendship," he added. "She s at home, I think," Katharine replied. "They keep her too much at home," said William. "Why don t you ask her to stay with you, and let her hear a little good music? I ll just finish what I was saying, if you don t mind, because I m particularly anxious that she should hear to-morrow." Katharine sank back in her chair, and Rodney took the paper on his knees, and went on with his sentence. "Style, you know, is what we tend to neglect" "; but he was far more conscious of Katharine s eye upon him than of what he was saying about style. He knew that she was looking at him, but whether with irritation or indifference he could not guess. In truth, she had fallen sufficiently into his trap to feel uncomfortably roused and disturbed and unable to proceed on the lines laid down for herself. This indifferent, if not hostile, attitude on William s part made it impossible to break off without animosity, largely and completely. Infinitely preferable was Mary s state, she thought, where there was a simple thing to do and one did it. In fact, she could not help supposing that some littleness of nature had a part in all the refinements, reserves, and subtleties of feeling for which her friends and family were so distinguished. For example, although she liked Cassandra well enough, her fantastic method of life struck her as purely frivolous; now it was socialism, now it was silkworms, now it was music which last she supposed was the cause of William s sudden interest in her. Never before had William wasted the minutes of her presence in writing his letters. With a curious sense of light opening where all, hitherto, had been opaque, it dawned upon her that, after all, possibly, yes, probably, nay, certainly, the devotion which she had almost wearily taken for granted existed in a much slighter degree than she had suspected, or existed no longer. She looked at him attentively as if this discovery of hers must show traces in his face. Never had she seen so much to respect in his appearance, so much that attracted her by its sensitiveness and intelligence, although she saw these qualities as if they were those one responds to, dumbly, in the face of a stranger. The head bent over the paper, thoughtful as usual, had now a composure which seemed somehow to place it at a distance, like a face seen talking to some one else behind glass. He wrote on, without raising his eyes. She would have spoken, but could not bring herself to ask him for signs of affection which she had no right to claim. The conviction that he was thus strange to her filled her with despondency, and illustrated quite beyond doubt the infinite loneliness of human beings. She had never felt the truth of this so strongly before. She looked away into the fire; it seemed to her that even physically they were now scarcely within speaking distance; and spiritually there was certainly no human being with whom she could claim comradeship; no dream that satisfied her as she was used to be satisfied; nothing remained in whose reality she could believe, save those abstract ideas figures, laws, stars, facts, which she could hardly hold to for lack of knowledge and a kind of shame. When Rodney owned to himself the folly of this prolonged silence, and the meanness of such devices, and looked up ready to seek some excuse for a good laugh, or opening for a confession, he was disconcerted by what he saw. Katharine seemed equally oblivious of what was bad or of what was good in him. Her expression suggested concentration upon something entirely remote from her surroundings. The carelessness of her attitude seemed to him rather masculine than feminine. His impulse to break up the constraint was chilled, and once more the exasperating sense of his own impotency returned to him. He could not help contrasting Katharine with his vision of the engaging, whimsical Cassandra; Katharine undemonstrative, inconsiderate, silent, and yet so notable that he could never do without her good opinion. She veered round upon him a moment later, as if, when her train of thought was ended, she became aware of his presence. "Have you finished your letter?" she asked. He thought he heard faint amusement in her tone, but not a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering or the strange silence which drove home to her the distance between them. As she pulled one book forward and then another she thought ironically of her own certainty not an hour ago; how it had vanished in a moment, how she was merely marking time as best she could, not knowing in the least where they stood, what they felt, or whether William loved her or not. More and more the condition of Mary s mind seemed to her wonderful and enviable if, indeed, it could be quite as she figured it if, indeed, simplicity existed for any one of the daughters of women. "Swift," she said, at last, taking out a volume at haphazard to settle this question at least. "Let us have some Swift." Rodney took the book, held it in front of him, inserted one finger between the pages, but said nothing. His face wore a queer expression of deliberation, as if he were weighing one thing with another, and would not say anything until his mind were made up. Katharine, taking her chair beside him, noted his silence and looked at him with sudden apprehension. What she hoped or feared, she could not have said; a most irrational and indefensible desire for some assurance of his affection was, perhaps, uppermost in her mind. Peevishness, complaints, exacting cross-examination she was used to, but this attitude of composed quiet, which seemed to come from the consciousness of power within, puzzled her. She did not know what was going to happen next. At last William spoke. "I think it s a little odd, don t you?" he said, in a voice of detached reflection. "Most people, I mean, would be seriously upset if their marriage was put off for six months or so. But we aren t; now how do you account for that?" She looked at him and observed his judicial attitude as of one holding far aloof from emotion. "I attribute it," he went on, without waiting for her to answer, "to the fact that neither of us is in the least romantic about the other. That may be partly, no doubt, because we ve known each other so long; but I m inclined to think there s more in it than that. There s something temperamental. I think you re a trifle cold, and I suspect I m a trifle self-absorbed. If that were so it goes a long way to explaining our odd lack of illusion about each other. I m not saying that the most satisfactory marriages aren t founded upon this sort of understanding. But certainly it struck me as odd this morning, when Wilson told me, how little upset I felt. By the way, you re sure we haven t committed ourselves to that house?" "I ve kept the letters, and I ll go through them to-morrow; but I m certain we re on the safe side." "Thanks. As to the psychological problem," he continued, as if the question interested him in a detached way, "there s no doubt, I think, that either of us is capable of feeling what, for reasons of simplicity, I call romance for a third person at least, I ve little doubt in my own case." It was, perhaps, the first time in all her knowledge of him that Katharine had known William enter thus deliberately and without sign of emotion upon a statement of his own feelings. He was wont to discourage such intimate discussions by a little laugh or turn of the conversation, as much as to say that men, or men of the world, find such topics a little silly, or in doubtful taste. His obvious wish to explain something puzzled her, interested her, and neutralized the wound to her vanity. For some reason, too, she felt more at ease with him than usual; or her ease was more the ease of equality she could not stop to think of that at the moment though. His remarks interested her too much for the light that they threw upon certain problems of her own. "What is this romance?" she mused. "Ah, that s the question. I ve never come across a definition that satisfied me, though there are some very good ones" he glanced in the direction of his books. "It s not altogether knowing the other person, perhaps it s ignorance," she hazarded. "Some authorities say it s a question of distance romance in literature, that is" "Possibly, in the case of art.	into the fire; it seemed to her that even physically they were now scarcely within speaking distance; and spiritually there was certainly no human being with whom she could claim comradeship; no dream that satisfied her as she was used to be satisfied; nothing remained in whose reality she could believe, save those abstract ideas figures, laws, stars, facts, which she could hardly hold to for lack of knowledge and a kind of shame. When Rodney owned to himself the folly of this prolonged silence, and the meanness of such devices, and looked up ready to seek some excuse for a good laugh, or opening for a confession, he was disconcerted by what he saw. Katharine seemed equally oblivious of what was bad or of what was good in him. Her expression suggested concentration upon something entirely remote from her surroundings. The carelessness of her attitude seemed to him rather masculine than feminine. His impulse to break up the constraint was chilled, and once more the exasperating sense of his own impotency returned to him. He could not help contrasting Katharine with his vision of the engaging, whimsical Cassandra; Katharine undemonstrative, inconsiderate, silent, and yet so notable that he could never do without her good opinion. She veered round upon him a moment later, as if, when her train of thought was ended, she became aware of his presence. "Have you finished your letter?" she asked. He thought he heard faint amusement in her tone, but not a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering or the strange silence which drove home to her the distance between them. As she pulled one book forward and then another she thought ironically of her own certainty not an hour ago; how it had vanished in a moment, how she was merely marking time as best she could, not knowing in the least where they stood, what they felt, or whether William loved her or not. More and more the condition of Mary s mind seemed to her wonderful and enviable if, indeed, it could be quite as she figured it if, indeed, simplicity existed for any one of the daughters of women. "Swift," she said, at last, taking out a volume at haphazard to settle this question at least. "Let us have some Swift." Rodney took the book, held it in front of him, inserted one finger between the pages, but said nothing. His face wore a queer expression of deliberation, as if he were weighing one thing with another, and would not say anything until his mind were made up. Katharine, taking her chair beside him, noted his silence and looked at him with sudden apprehension. What she hoped or feared, she could not have said; a most irrational and indefensible desire for some assurance of his affection was, perhaps, uppermost in her mind. Peevishness, complaints, exacting cross-examination she was used to, but this attitude of composed quiet, which seemed to come from the consciousness of power within, puzzled her. She did not know	Night And Day
"I can't pledge myself till I've seen the Countess Olenska,"	Newland Archer	against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr.	you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you.	was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner	no more than the vague charge of an angry blackguard." "Yes; but it might make some unpleasant talk if he really defends the suit." "Unpleasant--!" said Archer explosively. Mr. Letterblair looked at him from under enquiring eyebrows, and the young man, aware of the uselessness of trying to explain what was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner a cautious and apprehensive gaze. Archer understood that he ran the risk of having his mandate withdrawn, and for some obscure reason he disliked the prospect. Now that the job had been thrust on him he did not propose to relinquish it; and, to guard against the possibility, he saw	though," Mr. Letterblair continued, "that she attaches no importance to the money. Therefore, as the family say, why not let well enough alone?" Archer had gone to the house an hour earlier in full agreement with Mr. Letterblair's view; but put into words by this selfish, well-fed and supremely indifferent old man it suddenly became the Pharisaic voice of a society wholly absorbed in barricading itself against the unpleasant. "I think that's for her to decide." "H'm--have you considered the consequences if she decides for divorce?" "You mean the threat in her husband's letter? What weight would that carry? It's no more than the vague charge of an angry blackguard." "Yes; but it might make some unpleasant talk if he really defends the suit." "Unpleasant--!" said Archer explosively. Mr. Letterblair looked at him from under enquiring eyebrows, and the young man, aware of the uselessness of trying to explain what was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner a cautious and apprehensive gaze. Archer understood that he ran the risk of having his mandate withdrawn, and for some obscure reason he disliked the prospect. Now that the job had been thrust on him he did not propose to relinquish it; and, to guard against the possibility, he saw that he must reassure the unimaginative old man who was the legal conscience of the Mingotts. "You may be sure, sir, that I shan't commit myself till I've reported to you; what I meant was that I'd rather not give an opinion till I've heard what Madame Olenska has to say." Mr. Letterblair nodded approvingly at an excess of caution worthy of the best New York tradition, and the young man, glancing at his watch, pleaded an engagement and took leave. XII. Old-fashioned New York dined at seven, and the habit of after-dinner calls, though derided in Archer's set, still	in San Francisco--an incident less publicly humiliating to the family than the sale of the cellar. After a velvety oyster soup came shad and cucumbers, then a young broiled turkey with corn fritters, followed by a canvas-back with currant jelly and a celery mayonnaise. Mr. Letterblair, who lunched on a sandwich and tea, dined deliberately and deeply, and insisted on his guest's doing the same. Finally, when the closing rites had been accomplished, the cloth was removed, cigars were lit, and Mr. Letterblair, leaning back in his chair and pushing the port westward, said, spreading his back agreeably to the coal fire behind him: "The whole family are against a divorce. And I think rightly." Archer instantly felt himself on the other side of the argument. "But why, sir? If there ever was a case--" "Well--what's the use? SHE'S here--he's there; the Atlantic's between them. She'll never get back a dollar more of her money than what he's voluntarily returned to her: their damned heathen marriage settlements take precious good care of that. As things go over there, Olenski's acted generously: he might have turned her out without a penny." The young man knew this and was silent. "I understand, though," Mr. Letterblair continued, "that she attaches no importance to the money. Therefore, as the family say, why not let well enough alone?" Archer had gone to the house an hour earlier in full agreement with Mr. Letterblair's view; but put into words by this selfish, well-fed and supremely indifferent old man it suddenly became the Pharisaic voice of a society wholly absorbed in barricading itself against the unpleasant. "I think that's for her to decide." "H'm--have you considered the consequences if she decides for divorce?" "You mean the threat in her husband's letter? What weight would that carry? It's no more than the vague charge of an angry blackguard." "Yes; but it might make some unpleasant talk if he really defends the suit." "Unpleasant--!" said Archer explosively. Mr. Letterblair looked at him from under enquiring eyebrows, and the young man, aware of the uselessness of trying to explain what was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner a cautious and apprehensive gaze. Archer understood that he ran the risk of having his mandate withdrawn, and for some obscure reason he disliked the prospect. Now that the job had been thrust on him he did not propose to relinquish it; and, to guard against the possibility, he saw that he must reassure the unimaginative old man who was the legal conscience of the Mingotts. "You may be sure, sir, that I shan't commit myself till I've reported to you; what I meant was that I'd rather not give an opinion till I've heard what Madame Olenska has to say." Mr. Letterblair nodded approvingly at an excess of caution worthy of the best New York tradition, and the young man, glancing at his watch, pleaded an engagement and took leave. XII. Old-fashioned New York dined at seven, and the habit of after-dinner calls, though derided in Archer's set, still generally prevailed. As the young man strolled up Fifth Avenue from Waverley Place, the long thoroughfare was deserted but for a group of carriages standing before the Reggie Chiverses' (where there was a dinner for the Duke), and the occasional figure of an elderly gentleman in heavy overcoat and muffler ascending a brownstone doorstep and disappearing into a gas-lit hall. Thus, as Archer crossed Washington Square, he remarked that old Mr. du Lac was calling on his cousins the Dagonets, and turning down the corner of West Tenth Street he saw Mr. Skipworth, of his own firm, obviously bound on a visit to the Miss Lannings. A little farther up Fifth Avenue, Beaufort appeared on his doorstep, darkly projected against a blaze of light, descended to his private brougham, and rolled away to a mysterious and probably unmentionable destination. It was not an Opera night, and no one was giving a party, so that Beaufort's outing was undoubtedly of a clandestine nature. Archer connected it in his mind with a little house beyond Lexington Avenue in which beribboned window curtains and flower-boxes had recently appeared, and before whose newly painted door the canary-coloured brougham of Miss Fanny Ring was frequently	they were sedulously abetted by their mothers, aunts and other elderly female relatives, who all shared Mrs. Archer's belief that when "such things happened" it was undoubtedly foolish of the man, but somehow always criminal of the woman. All the elderly ladies whom Archer knew regarded any woman who loved imprudently as necessarily unscrupulous and designing, and mere simple-minded man as powerless in her clutches. The only thing to do was to persuade him, as early as possible, to marry a nice girl, and then trust to her to look after him. In the complicated old European communities, Archer began to guess, love-problems might be less simple and less easily classified. Rich and idle and ornamental societies must produce many more such situations; and there might even be one in which a woman naturally sensitive and aloof would yet, from the force of circumstances, from sheer defencelessness and loneliness, be drawn into a tie inexcusable by conventional standards. On reaching home he wrote a line to the Countess Olenska, asking at what hour of the next day she could receive him, and despatched it by a messenger-boy, who returned presently with a word to the effect that she was going to Skuytercliff the next morning to stay over Sunday with the van der Luydens, but that he would find her alone that evening after dinner. The note was written on a rather untidy half-sheet, without date or address, but her hand was firm and free. He was amused at the idea of her week-ending in the stately solitude of Skuytercliff, but immediately afterward felt that there, of all places, she would most feel the chill of minds rigorously averted from the "unpleasant." He was at Mr. Letterblair's punctually at seven, glad of the pretext for excusing himself soon after dinner. He had formed his own opinion from the papers entrusted to him, and did not especially want to go into the matter with his senior partner. Mr. Letterblair was a widower, and they dined alone, copiously and slowly, in a dark shabby room hung with yellowing prints of "The Death of Chatham" and "The Coronation of Napoleon." On the sideboard, between fluted Sheraton knife-cases, stood a decanter of Haut Brion, and another of the old Lanning port (the gift of a client), which the wastrel Tom Lanning had sold off a year or two before his mysterious and discreditable death in San Francisco--an incident less publicly humiliating to the family than the sale of the cellar. After a velvety oyster soup came shad and cucumbers, then a young broiled turkey with corn fritters, followed by a canvas-back with currant jelly and a celery mayonnaise. Mr. Letterblair, who lunched on a sandwich and tea, dined deliberately and deeply, and insisted on his guest's doing the same. Finally, when the closing rites had been accomplished, the cloth was removed, cigars were lit, and Mr. Letterblair, leaning back in his chair and pushing the port westward, said, spreading his back agreeably to the coal fire behind him: "The whole family are against a divorce. And I think rightly." Archer instantly felt himself on the other side of the argument. "But why, sir? If there ever was a case--" "Well--what's the use? SHE'S here--he's there; the Atlantic's between them. She'll never get back a dollar more of her money than what he's voluntarily returned to her: their damned heathen marriage settlements take precious good care of that. As things go over there, Olenski's acted generously: he might have turned her out without a penny." The young man knew this and was silent. "I understand, though," Mr. Letterblair continued, "that she attaches no importance to the money. Therefore, as the family say, why not let well enough alone?" Archer had gone to the house an hour earlier in full agreement with Mr. Letterblair's view; but put into words by this selfish, well-fed and supremely indifferent old man it suddenly became the Pharisaic voice of a society wholly absorbed in barricading itself against the unpleasant. "I think that's for her to decide." "H'm--have you considered the consequences if she decides for divorce?" "You mean the threat in her husband's letter? What weight would that carry? It's no more than the vague charge of an angry blackguard." "Yes; but it might make some unpleasant talk if he really defends the suit." "Unpleasant--!" said Archer explosively. Mr. Letterblair looked at him from under enquiring eyebrows, and the young man, aware of the uselessness of trying to explain what was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner a cautious and apprehensive gaze. Archer understood that he ran the risk of having his mandate withdrawn, and for some obscure reason he disliked the prospect. Now that the job had been thrust on him he did not propose to relinquish it; and, to guard against the possibility, he saw that he must reassure the unimaginative old man who was the legal conscience of the Mingotts. "You may be sure, sir, that I shan't commit myself till I've reported to you; what I meant was that I'd rather not give an opinion till I've heard what Madame Olenska has to say." Mr. Letterblair nodded approvingly at an excess of caution worthy of the best New York tradition, and the young man, glancing at his watch, pleaded an engagement and took leave. XII. Old-fashioned New York dined at seven, and the habit of after-dinner calls, though derided in Archer's set, still generally prevailed. As the young man strolled up Fifth Avenue from Waverley Place, the long thoroughfare was deserted but for a group of carriages standing before the Reggie Chiverses' (where there was a dinner for the Duke), and the occasional figure of an elderly gentleman in heavy overcoat and muffler ascending a brownstone doorstep and disappearing into a gas-lit hall. Thus, as Archer crossed Washington Square, he remarked that old Mr. du Lac was calling on his cousins the Dagonets, and turning down the corner of West Tenth Street he saw Mr. Skipworth, of his own firm, obviously bound on a visit to the Miss Lannings. A little farther up Fifth Avenue, Beaufort appeared on his doorstep, darkly projected against a blaze of light, descended to his private brougham, and rolled away to a mysterious and probably unmentionable destination. It was not an Opera night, and no one was giving a party, so that Beaufort's outing was undoubtedly of a clandestine nature. Archer connected it in his mind with a little house beyond Lexington Avenue in which beribboned window curtains and flower-boxes had recently appeared, and before whose newly painted door the canary-coloured brougham of Miss Fanny Ring was frequently seen to wait. Beyond the small and slippery pyramid which composed Mrs. Archer's world lay the almost unmapped quarter inhabited by artists, musicians and "people who wrote." These scattered fragments of humanity had never shown any desire to be amalgamated with the social structure. In spite of odd ways they were said to be, for the most part, quite respectable; but they preferred to keep to themselves. Medora Manson, in her prosperous days, had inaugurated a "literary salon"; but it had soon died out owing to the reluctance of the literary to frequent it. Others had made the same attempt, and there was a household of Blenkers--an intense and voluble mother, and three blowsy daughters who imitated her--where one met Edwin Booth and Patti and William Winter, and the new Shakespearian actor George Rignold, and some of the magazine editors and musical and literary critics. Mrs. Archer and her group felt a certain timidity concerning these persons. They were odd, they were uncertain, they had things one didn't know about in the background of their lives and minds. Literature and art were deeply respected in the Archer set, and Mrs. Archer was always at pains to tell her children how much more agreeable and cultivated society had been when it included such figures as Washington Irving, Fitz-Greene Halleck and the poet of "The Culprit Fay." The most celebrated authors of that generation had been "gentlemen"; perhaps the unknown persons who succeeded them had gentlemanly sentiments, but their origin, their appearance, their hair, their intimacy with the stage and the Opera, made any old New York criterion inapplicable to them. "When I was a girl," Mrs. Archer used to say, "we knew everybody between the Battery and Canal Street; and only the people one knew had carriages. It was perfectly easy to place any one then; now one can't tell, and I prefer not to try." Only old Catherine Mingott, with her absence of moral prejudices and almost parvenu indifference to the subtler distinctions, might have bridged the abyss; but she had never opened a book or looked at a picture, and cared for music only because it reminded her of gala nights at the Italiens, in the days of her triumph at the Tuileries. Possibly Beaufort, who was her match in daring, would have succeeded in bringing about a fusion; but his grand house and silk-stockinged footmen were an obstacle	and insisted on his guest's doing the same. Finally, when the closing rites had been accomplished, the cloth was removed, cigars were lit, and Mr. Letterblair, leaning back in his chair and pushing the port westward, said, spreading his back agreeably to the coal fire behind him: "The whole family are against a divorce. And I think rightly." Archer instantly felt himself on the other side of the argument. "But why, sir? If there ever was a case--" "Well--what's the use? SHE'S here--he's there; the Atlantic's between them. She'll never get back a dollar more of her money than what he's voluntarily returned to her: their damned heathen marriage settlements take precious good care of that. As things go over there, Olenski's acted generously: he might have turned her out without a penny." The young man knew this and was silent. "I understand, though," Mr. Letterblair continued, "that she attaches no importance to the money. Therefore, as the family say, why not let well enough alone?" Archer had gone to the house an hour earlier in full agreement with Mr. Letterblair's view; but put into words by this selfish, well-fed and supremely indifferent old man it suddenly became the Pharisaic voice of a society wholly absorbed in barricading itself against the unpleasant. "I think that's for her to decide." "H'm--have you considered the consequences if she decides for divorce?" "You mean the threat in her husband's letter? What weight would that carry? It's no more than the vague charge of an angry blackguard." "Yes; but it might make some unpleasant talk if he really defends the suit." "Unpleasant--!" said Archer explosively. Mr. Letterblair looked at him from under enquiring eyebrows, and the young man, aware of the uselessness of trying to explain what was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner a cautious and apprehensive gaze. Archer understood that he ran the risk of having his mandate withdrawn, and for some obscure reason he disliked the prospect. Now that the job had been thrust on him he did not propose to relinquish it; and, to guard against the possibility, he saw that he must reassure the unimaginative old man who was the legal conscience of the Mingotts. "You may be sure, sir, that I shan't commit myself till I've reported to you; what I meant was that I'd rather not give an opinion till I've heard what Madame Olenska has to say." Mr. Letterblair nodded approvingly at an excess of caution worthy of the best New York tradition, and the young man, glancing at his watch, pleaded an engagement and took leave. XII. Old-fashioned New York dined at seven, and the habit of after-dinner calls, though derided in Archer's set, still generally prevailed. As the young man strolled up Fifth Avenue from Waverley Place, the long thoroughfare was deserted but for a group of carriages standing before the Reggie Chiverses' (where there was a dinner for the Duke), and the occasional figure of an elderly gentleman in heavy overcoat and muffler ascending a brownstone doorstep and disappearing	The Age Of Innocence
This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.	No speaker	keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him.	but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as	but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am	off, and I think I am equal to as much as Maria, even without help." "But, Julia, Mr. Rushworth will be here in a moment with the key. Do wait for Mr. Rushworth." "Not I, indeed. I have had enough of the family for one morning. Why, child, I have but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am not obliged to punish myself for _her_ sins. The mother I could not avoid, as long as my tiresome aunt was dancing about with the housekeeper, but the son I _can_ get away from." And she immediately scrambled across the fence, and walked away, not attending to Fanny's last question	Crawford had left it, but that it was impossible for Edmund to forget her so entirely. She was again roused from disagreeable musings by sudden footsteps: somebody was coming at a quick pace down the principal walk. She expected Mr. Rushworth, but it was Julia, who, hot and out of breath, and with a look of disappointment, cried out on seeing her, "Heyday! Where are the others? I thought Maria and Mr. Crawford were with you." Fanny explained. "A pretty trick, upon my word! I cannot see them anywhere," looking eagerly into the park. "But they cannot be very far off, and I think I am equal to as much as Maria, even without help." "But, Julia, Mr. Rushworth will be here in a moment with the key. Do wait for Mr. Rushworth." "Not I, indeed. I have had enough of the family for one morning. Why, child, I have but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am not obliged to punish myself for _her_ sins. The mother I could not avoid, as long as my tiresome aunt was dancing about with the housekeeper, but the son I _can_ get away from." And she immediately scrambled across the fence, and walked away, not attending to Fanny's last question of whether she had seen anything of Miss Crawford and Edmund. The sort of dread in which Fanny now sat of seeing Mr. Rushworth prevented her thinking so much of their continued absence, however, as she might have done. She felt that he had been very ill-used, and was quite unhappy in having to communicate what had passed. He joined her within five minutes after Julia's exit; and though she made the best of the story, he was evidently mortified and displeased in no common degree. At first he scarcely said anything; his looks only expressed his extreme surprise and	tell him that he will find us near that knoll: the grove of oak on the knoll." Fanny, feeling all this to be wrong, could not help making an effort to prevent it. "You will hurt yourself, Miss Bertram," she cried; "you will certainly hurt yourself against those spikes; you will tear your gown; you will be in danger of slipping into the ha-ha. You had better not go." Her cousin was safe on the other side while these words were spoken, and, smiling with all the good-humour of success, she said, "Thank you, my dear Fanny, but I and my gown are alive and well, and so good-bye." Fanny was again left to her solitude, and with no increase of pleasant feelings, for she was sorry for almost all that she had seen and heard, astonished at Miss Bertram, and angry with Mr. Crawford. By taking a circuitous, and, as it appeared to her, very unreasonable direction to the knoll, they were soon beyond her eye; and for some minutes longer she remained without sight or sound of any companion. She seemed to have the little wood all to herself. She could almost have thought that Edmund and Miss Crawford had left it, but that it was impossible for Edmund to forget her so entirely. She was again roused from disagreeable musings by sudden footsteps: somebody was coming at a quick pace down the principal walk. She expected Mr. Rushworth, but it was Julia, who, hot and out of breath, and with a look of disappointment, cried out on seeing her, "Heyday! Where are the others? I thought Maria and Mr. Crawford were with you." Fanny explained. "A pretty trick, upon my word! I cannot see them anywhere," looking eagerly into the park. "But they cannot be very far off, and I think I am equal to as much as Maria, even without help." "But, Julia, Mr. Rushworth will be here in a moment with the key. Do wait for Mr. Rushworth." "Not I, indeed. I have had enough of the family for one morning. Why, child, I have but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am not obliged to punish myself for _her_ sins. The mother I could not avoid, as long as my tiresome aunt was dancing about with the housekeeper, but the son I _can_ get away from." And she immediately scrambled across the fence, and walked away, not attending to Fanny's last question of whether she had seen anything of Miss Crawford and Edmund. The sort of dread in which Fanny now sat of seeing Mr. Rushworth prevented her thinking so much of their continued absence, however, as she might have done. She felt that he had been very ill-used, and was quite unhappy in having to communicate what had passed. He joined her within five minutes after Julia's exit; and though she made the best of the story, he was evidently mortified and displeased in no common degree. At first he scarcely said anything; his looks only expressed his extreme surprise and vexation, and he walked to the gate and stood there, without seeming to know what to do. "They desired me to stay my cousin Maria charged me to say that you would find them at that knoll, or thereabouts." "I do not believe I shall go any farther," said he sullenly; "I see nothing of them. By the time I get to the knoll they may be gone somewhere else. I have had walking enough." And he sat down with a most gloomy countenance by Fanny. "I am very sorry," said she; "it is very unlucky." And she longed to be able to say something more to the purpose. After an interval of silence, "I think they might as well have staid for me," said he. "Miss Bertram thought you would follow her." "I should not have had to follow her if she had staid." This could not be denied, and Fanny was silenced. After another pause, he went on "Pray, Miss Price, are you such a great admirer of this Mr. Crawford as some people are? For my part, I can see nothing in him." "I do not think him at all handsome." "Handsome! Nobody can call such an	If other people think Sotherton improved, I have no doubt that you will." "I am afraid I am not quite so much the man of the world as might be good for me in some points. My feelings are not quite so evanescent, nor my memory of the past under such easy dominion as one finds to be the case with men of the world." This was followed by a short silence. Miss Bertram began again. "You seemed to enjoy your drive here very much this morning. I was glad to see you so well entertained. You and Julia were laughing the whole way." "Were we? Yes, I believe we were; but I have not the least recollection at what. Oh! I believe I was relating to her some ridiculous stories of an old Irish groom of my uncle's. Your sister loves to laugh." "You think her more light-hearted than I am?" "More easily amused," he replied; "consequently, you know," smiling, "better company. I could not have hoped to entertain you with Irish anecdotes during a ten miles' drive." "Naturally, I believe, I am as lively as Julia, but I have more to think of now." "You have, undoubtedly; and there are situations in which very high spirits would denote insensibility. Your prospects, however, are too fair to justify want of spirits. You have a very smiling scene before you." "Do you mean literally or figuratively? Literally, I conclude. Yes, certainly, the sun shines, and the park looks very cheerful. But unluckily that iron gate, that ha-ha, give me a feeling of restraint and hardship. I cannot get out,' as the starling said." As she spoke, and it was with expression, she walked to the gate: he followed her. "Mr. Rushworth is so long fetching this key!" "And for the world you would not get out without the key and without Mr. Rushworth's authority and protection, or I think you might with little difficulty pass round the edge of the gate, here, with my assistance; I think it might be done, if you really wished to be more at large, and could allow yourself to think it not prohibited." "Prohibited! nonsense! I certainly can get out that way, and I will. Mr. Rushworth will be here in a moment, you know; we shall not be out of sight." "Or if we are, Miss Price will be so good as to tell him that he will find us near that knoll: the grove of oak on the knoll." Fanny, feeling all this to be wrong, could not help making an effort to prevent it. "You will hurt yourself, Miss Bertram," she cried; "you will certainly hurt yourself against those spikes; you will tear your gown; you will be in danger of slipping into the ha-ha. You had better not go." Her cousin was safe on the other side while these words were spoken, and, smiling with all the good-humour of success, she said, "Thank you, my dear Fanny, but I and my gown are alive and well, and so good-bye." Fanny was again left to her solitude, and with no increase of pleasant feelings, for she was sorry for almost all that she had seen and heard, astonished at Miss Bertram, and angry with Mr. Crawford. By taking a circuitous, and, as it appeared to her, very unreasonable direction to the knoll, they were soon beyond her eye; and for some minutes longer she remained without sight or sound of any companion. She seemed to have the little wood all to herself. She could almost have thought that Edmund and Miss Crawford had left it, but that it was impossible for Edmund to forget her so entirely. She was again roused from disagreeable musings by sudden footsteps: somebody was coming at a quick pace down the principal walk. She expected Mr. Rushworth, but it was Julia, who, hot and out of breath, and with a look of disappointment, cried out on seeing her, "Heyday! Where are the others? I thought Maria and Mr. Crawford were with you." Fanny explained. "A pretty trick, upon my word! I cannot see them anywhere," looking eagerly into the park. "But they cannot be very far off, and I think I am equal to as much as Maria, even without help." "But, Julia, Mr. Rushworth will be here in a moment with the key. Do wait for Mr. Rushworth." "Not I, indeed. I have had enough of the family for one morning. Why, child, I have but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am not obliged to punish myself for _her_ sins. The mother I could not avoid, as long as my tiresome aunt was dancing about with the housekeeper, but the son I _can_ get away from." And she immediately scrambled across the fence, and walked away, not attending to Fanny's last question of whether she had seen anything of Miss Crawford and Edmund. The sort of dread in which Fanny now sat of seeing Mr. Rushworth prevented her thinking so much of their continued absence, however, as she might have done. She felt that he had been very ill-used, and was quite unhappy in having to communicate what had passed. He joined her within five minutes after Julia's exit; and though she made the best of the story, he was evidently mortified and displeased in no common degree. At first he scarcely said anything; his looks only expressed his extreme surprise and vexation, and he walked to the gate and stood there, without seeming to know what to do. "They desired me to stay my cousin Maria charged me to say that you would find them at that knoll, or thereabouts." "I do not believe I shall go any farther," said he sullenly; "I see nothing of them. By the time I get to the knoll they may be gone somewhere else. I have had walking enough." And he sat down with a most gloomy countenance by Fanny. "I am very sorry," said she; "it is very unlucky." And she longed to be able to say something more to the purpose. After an interval of silence, "I think they might as well have staid for me," said he. "Miss Bertram thought you would follow her." "I should not have had to follow her if she had staid." This could not be denied, and Fanny was silenced. After another pause, he went on "Pray, Miss Price, are you such a great admirer of this Mr. Crawford as some people are? For my part, I can see nothing in him." "I do not think him at all handsome." "Handsome! Nobody can call such an undersized man handsome. He is not five foot nine. I should not wonder if he is not more than five foot eight. I think he is an ill-looking fellow. In my opinion, these Crawfords are no addition at all. We did very well without them." A small sigh escaped Fanny here, and she did not know how to contradict him. "If I had made any difficulty about fetching the key, there might have been some excuse, but I went the very moment she said she wanted it." "Nothing could be more obliging than your manner, I am sure, and I dare say you walked as fast as you could; but still it is some distance, you know, from this spot to the house, quite into the house; and when people are waiting, they are bad judges of time, and every half minute seems like five." He got up and walked to the gate again, and "wished he had had the key about him at the time." Fanny thought she discerned in his standing there an indication of relenting, which encouraged her to another attempt, and she said, therefore, "It is a pity you should not join them. They expected to have a better view of the house from that part of the park, and will be thinking how it may be improved; and nothing of that sort, you know, can be settled without you." She found herself more successful in sending away than in retaining a companion. Mr. Rushworth was worked on. "Well," said he, "if you really think I had better go: it would be foolish to bring the key for nothing." And letting himself out, he walked off without farther ceremony. Fanny's thoughts were now all engrossed by the two who had left her so long ago, and getting quite impatient, she resolved to go in search of them. She followed their steps along the bottom walk, and had just turned up into another, when the voice and the laugh of Miss Crawford once more caught her ear; the sound approached, and a few more windings brought them before her. They were just returned into the wilderness from the park, to which a sidegate, not fastened, had tempted them very soon after their leaving her, and they had been across a portion of the park into the very avenue which Fanny had been hoping the whole morning to	are alive and well, and so good-bye." Fanny was again left to her solitude, and with no increase of pleasant feelings, for she was sorry for almost all that she had seen and heard, astonished at Miss Bertram, and angry with Mr. Crawford. By taking a circuitous, and, as it appeared to her, very unreasonable direction to the knoll, they were soon beyond her eye; and for some minutes longer she remained without sight or sound of any companion. She seemed to have the little wood all to herself. She could almost have thought that Edmund and Miss Crawford had left it, but that it was impossible for Edmund to forget her so entirely. She was again roused from disagreeable musings by sudden footsteps: somebody was coming at a quick pace down the principal walk. She expected Mr. Rushworth, but it was Julia, who, hot and out of breath, and with a look of disappointment, cried out on seeing her, "Heyday! Where are the others? I thought Maria and Mr. Crawford were with you." Fanny explained. "A pretty trick, upon my word! I cannot see them anywhere," looking eagerly into the park. "But they cannot be very far off, and I think I am equal to as much as Maria, even without help." "But, Julia, Mr. Rushworth will be here in a moment with the key. Do wait for Mr. Rushworth." "Not I, indeed. I have had enough of the family for one morning. Why, child, I have but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am not obliged to punish myself for _her_ sins. The mother I could not avoid, as long as my tiresome aunt was dancing about with the housekeeper, but the son I _can_ get away from." And she immediately scrambled across the fence, and walked away, not attending to Fanny's last question of whether she had seen anything of Miss Crawford and Edmund. The sort of dread in which Fanny now sat of seeing Mr. Rushworth prevented her thinking so much of their continued absence, however, as she might have done. She felt that he had been very ill-used, and was quite unhappy in having to communicate what had passed. He joined her within five minutes after Julia's exit; and though she made the best of the story, he was evidently mortified and displeased in no common degree. At first he scarcely said anything; his looks only expressed his extreme surprise and vexation, and he walked to the gate and stood there, without seeming to know what to do. "They desired me to stay my cousin Maria charged me to say that you would find them at that knoll, or thereabouts." "I do not believe I shall go any	Mansfield Park
"Good night, sir,"	Count Mippipopolous	"Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went	let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and	office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table,	night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a	"Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room.	She gave me her hand as she stepped down. Her hand was shaky. "I say, do I look too much of a mess?" She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room. The letters were from the States. One was a bank statement. It showed a balance of $2432.60. I got out my check-book and deducted four checks drawn since the first of the month, and discovered I had a balance of $1832.60. I wrote this on the back of the statement. The other letter was a wedding announcement. Mr. and Mrs. Aloysius Kirby announce the marriage of their daughter Katherine--I knew neither the girl nor the man she was marrying. They must be circularizing the town. It was a funny name. I felt sure I could remember anybody with a name like Aloysius. It was a good Catholic name. There was a crest on the announcement. Like Zizi the Greek duke. And that count. The count was funny. Brett had a title, too. Lady Ashley. To hell with Brett. To hell with you, Lady Ashley. I lit the lamp beside the bed, turned off the gas, and opened the wide windows. The bed was far back from the windows, and I sat with the windows open and undressed by the bed. Outside a night train, running on the street-car tracks, went by carrying vegetables to the markets. They were noisy at	but it always gets to be." "That's my fault. Don't we pay for all the things we do, though?" She had been looking into my eyes all the time. Her eyes had different depths, sometimes they seemed perfectly flat. Now you could see all the way into them. "When I think of the hell I've put chaps through. I'm paying for it all now." "Don't talk like a fool," I said. "Besides, what happened to me is supposed to be funny. I never think about it." "Oh, no. I'll lay you don't." "Well, let's shut up about it." "I laughed about it too, myself, once." She wasn't looking at me. "A friend of my brother's came home that way from Mons. It seemed like a hell of a joke. Chaps never know anything, do they?" "No," I said. "Nobody ever knows anything." I was pretty well through with the subject. At one time or another I had probably considered it from most of its various angles, including the one that certain injuries or imperfections are a subject of merriment while remaining quite serious for the person possessing them. "It's funny," I said. "It's very funny. And it's a lot of fun, too, to be in love." "Do you think so?" her eyes looked flat again. "I don't mean fun that way. In a way it's an enjoyable feeling." "No," she said. "I think it's hell on earth." "It's good to see each other." "No. I don't think it is." "Don't you want to?" "I have to." We were sitting now like two strangers. On the right was the Parc Montsouris. The restaurant where they have the pool of live trout and where you can sit and look out over the park was closed and dark. The driver leaned his head around. "Where do you want to go?" I asked. Brett turned her head away. "Oh, go to the Select." "Caf Select," I told the driver. "Boulevard Montparnasse." We drove straight down, turning around the Lion de Belfort that guards the passing Montrouge trams. Brett looked straight ahead. On the Boulevard Raspail, with the lights of Montparnasse in sight, Brett said: "Would you mind very much if I asked you to do something?" "Don't be silly." "Kiss me just once more before we get there." When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky. "I say, do I look too much of a mess?" She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room. The letters were from the States. One was a bank statement. It showed a balance of $2432.60. I got out my check-book and deducted four checks drawn since the first of the month, and discovered I had a balance of $1832.60. I wrote this on the back of the statement. The other letter was a wedding announcement. Mr. and Mrs. Aloysius Kirby announce the marriage of their daughter Katherine--I knew neither the girl nor the man she was marrying. They must be circularizing the town. It was a funny name. I felt sure I could remember anybody with a name like Aloysius. It was a good Catholic name. There was a crest on the announcement. Like Zizi the Greek duke. And that count. The count was funny. Brett had a title, too. Lady Ashley. To hell with Brett. To hell with you, Lady Ashley. I lit the lamp beside the bed, turned off the gas, and opened the wide windows. The bed was far back from the windows, and I sat with the windows open and undressed by the bed. Outside a night train, running on the street-car tracks, went by carrying vegetables to the markets. They were noisy at night when you could not sleep. Undressing, I looked at myself in the mirror of the big armoire beside the bed. That was a typically French way to furnish a room. Practical, too, I suppose. Of all the ways to be wounded. I suppose it was funny. I put on my pajamas and got into bed. I had the two bull-fight papers, and I took their wrappers off. One was orange. The other yellow. They would both have the same news, so whichever I read first would spoil the other. _Le Toril_ was the better paper, so I started to read it. I read it all the way through, including the Petite Correspondance and the Cornigrams. I blew out the lamp. Perhaps I would be able to sleep. My head started to work. The old grievance. Well, it was a rotten way to be wounded and flying on a joke front like the Italian. In the Italian hospital we were going to form a society. It had a funny name in Italian. I wonder what became of the others, the Italians. That was in the Ospedale Maggiore in Milano, Padiglione Ponte. The next building was the Padiglione Zonda. There was a statue of Ponte, or maybe it was Zonda. That was where the liaison colonel came to visit me. That was funny. That was about the first funny thing. I was all bandaged up. But they had told him about it. Then he made that wonderful speech: "You, a foreigner, an Englishman" (any foreigner was an Englishman) "have given more than your life." What a speech! I would like to have it illuminated to hang in the office. He never laughed. He was putting himself in my place, I guess. "Che mala fortuna! Che mala fortuna!" I never used to realize it, I guess. I try and play it along and just not make trouble for people. Probably I never would have had any trouble if I hadn't run into Brett when they shipped me to England. I suppose she only wanted what she couldn't have. Well, people were that way. To hell with people. The Catholic Church had an awfully good way of handling all that. Good advice, anyway. Not to think about it. Oh, it was swell advice. Try and take it sometime. Try and take it. I lay awake thinking and my mind jumping around. Then I	to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room. The letters were from the States. One	The Sun Also Rises
Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:	No speaker	our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I	account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth	Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces	until they came to Gulnare; and when they drew near to the window, and she beheld them, she rose to them and met them with joy. On their seeing her, they knew her, and they went in to her and embraced her, weeping violently; and they said to her: "O Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces of gold. Then he treated me with attention, and forsook all his favourites for my sake, and was diverted by his regard for me from everything that he possessed and what was in his city." And when her brother heard her words, he said: "Praise be to God who hath	each month; but the loveliness of thy face is perfect every day. Its abode is in the heart of one sign at a time; but thine abode is in all hearts at once. [Illustration] _And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated._ Afterward, there came forth from the sea a grizzly-haired old woman, and with her five damsels, resembling moons and bearing a likeness to the damsel whose name was Gulnare. Then the king saw the young man and the old woman and the damsels walk upon the surface of the water until they came to Gulnare; and when they drew near to the window, and she beheld them, she rose to them and met them with joy. On their seeing her, they knew her, and they went in to her and embraced her, weeping violently; and they said to her: "O Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces of gold. Then he treated me with attention, and forsook all his favourites for my sake, and was diverted by his regard for me from everything that he possessed and what was in his city." And when her brother heard her words, he said: "Praise be to God who hath reunited us! But it is my desire, O my sister, that thou wouldst arise and go with us to our country and our family." So when the king heard the words of her brother, his reason fled in consequence of his fear lest the damsel should accept the proposal of her kindred, and he could not prevent her, though he was inflamed with love of her; wherefore he became perplexed in violent fear of her separation. But as to the damsel Gulnare, on hearing the words of her brother she said: "By Allah, O my brother, the man who purchased	of aloes-wood and, having lighted a fire in a perfuming-vessel, threw into it that bit, and she proceeded to speak words which no one understood; whereupon a great smoke arose, while the king looked on. After this, she said to the king: "O my lord, arise and conceal thyself in a closet, that I may shew thee my brother and my mother and my family without their seeing thee; for I desire to bring them, and thou shalt see in this place, at this time, a wonder, and shalt marvel at the various shapes and strange forms that God hath created." So the king arose immediately, and entered a closet, and looked to see what she would do. And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, and there came forth from it a young man of comely form, of beautiful countenance, like the moon at the full, with shining forehead, and red cheeks, and hair resembling pearls and jewels; he was, of all the creation, the most like to his sister, and the tongue of the case itself seemed to recite in his praise these verses:-- The moon becometh perfect once in each month; but the loveliness of thy face is perfect every day. Its abode is in the heart of one sign at a time; but thine abode is in all hearts at once. [Illustration] _And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated._ Afterward, there came forth from the sea a grizzly-haired old woman, and with her five damsels, resembling moons and bearing a likeness to the damsel whose name was Gulnare. Then the king saw the young man and the old woman and the damsels walk upon the surface of the water until they came to Gulnare; and when they drew near to the window, and she beheld them, she rose to them and met them with joy. On their seeing her, they knew her, and they went in to her and embraced her, weeping violently; and they said to her: "O Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces of gold. Then he treated me with attention, and forsook all his favourites for my sake, and was diverted by his regard for me from everything that he possessed and what was in his city." And when her brother heard her words, he said: "Praise be to God who hath reunited us! But it is my desire, O my sister, that thou wouldst arise and go with us to our country and our family." So when the king heard the words of her brother, his reason fled in consequence of his fear lest the damsel should accept the proposal of her kindred, and he could not prevent her, though he was inflamed with love of her; wherefore he became perplexed in violent fear of her separation. But as to the damsel Gulnare, on hearing the words of her brother she said: "By Allah, O my brother, the man who purchased me is the king of this city, and he is a great king, and a man of wisdom, generous, of the utmost liberality. He hath treated me with honour, and he is a person of kindness, and of great wealth, but hath no male child nor a female. He hath shewn me favour too, and acted well to me in every respect; and from the day when I came to him to the present time, I have not heard from him a word to grieve my heart; but he hath not ceased to treat me with courtesy, and I am living with him in the most perfect of enjoyments. Moreover, if I quitted him, he would perish: for he can never endure my separation even for a single hour. I also, if I quitted him, should die of my love for him in consequence of his kindness to me during the period of my residence with him; for if my father were living, my condition with him would not be like my condition with this great, glorious king. God (whose name be exalted!) afflicted me not, but compensated me well; and as the king hath not a male child nor	into the sea from this window, and gone to my mother and my people. I was ashamed, however, to go to them; for they would imagine evil of me, and would not believe me, even though I should swear to them, were I to tell them that a king had purchased me with his money, and chosen me in preference to his other wives and all that his right hand possessed. This is my story, and peace be on thee!" And when he heard her words, he thanked her, and kissed her between the eyes, and said to her: "By Allah, O my mistress, and light of my eyes, I cannot endure separation from thee for one hour; and if thou quit me, I shall die instantly. How then shall the affair be?" She answered: "O my master, the time of the birth is near, and my family must come." "And how," said the king, "do they walk in the sea without being wetted?" She answered: "We walk in the sea as ye walk upon the land, through the influence of the names engraved upon the seal of Solomon, the son of David, upon both of whom be peace! But, O King, when my family and my brethren come, I will inform them that thou boughtest me with thy money, and hast treated me with beneficence, and it will be meet that thou confirm my assertion to them. They will also see thy state with their eyes, and will know that thou art a king, the son of a king." And thereupon the king said: "O my mistress, do what seemeth fit to thee, and what thou wishest; for I will comply with thy desire in all that thou wilt do." And the damsel said: "Know, O King of the age, that we walk in the sea with our eyes open, and see what is in it, and we see the sun, and the moon, and the stars, and the sky as on the face of the earth, and this hurteth us not. Know also, that in the sea are many peoples and various forms of all the kinds that are on the land; and know, moreover, that all that is on the land, in comparison with what is in the sea, is a very small matter." And the king wondered at her words. Then the damsel took a bit of aloes-wood and, having lighted a fire in a perfuming-vessel, threw into it that bit, and she proceeded to speak words which no one understood; whereupon a great smoke arose, while the king looked on. After this, she said to the king: "O my lord, arise and conceal thyself in a closet, that I may shew thee my brother and my mother and my family without their seeing thee; for I desire to bring them, and thou shalt see in this place, at this time, a wonder, and shalt marvel at the various shapes and strange forms that God hath created." So the king arose immediately, and entered a closet, and looked to see what she would do. And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, and there came forth from it a young man of comely form, of beautiful countenance, like the moon at the full, with shining forehead, and red cheeks, and hair resembling pearls and jewels; he was, of all the creation, the most like to his sister, and the tongue of the case itself seemed to recite in his praise these verses:-- The moon becometh perfect once in each month; but the loveliness of thy face is perfect every day. Its abode is in the heart of one sign at a time; but thine abode is in all hearts at once. [Illustration] _And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated._ Afterward, there came forth from the sea a grizzly-haired old woman, and with her five damsels, resembling moons and bearing a likeness to the damsel whose name was Gulnare. Then the king saw the young man and the old woman and the damsels walk upon the surface of the water until they came to Gulnare; and when they drew near to the window, and she beheld them, she rose to them and met them with joy. On their seeing her, they knew her, and they went in to her and embraced her, weeping violently; and they said to her: "O Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces of gold. Then he treated me with attention, and forsook all his favourites for my sake, and was diverted by his regard for me from everything that he possessed and what was in his city." And when her brother heard her words, he said: "Praise be to God who hath reunited us! But it is my desire, O my sister, that thou wouldst arise and go with us to our country and our family." So when the king heard the words of her brother, his reason fled in consequence of his fear lest the damsel should accept the proposal of her kindred, and he could not prevent her, though he was inflamed with love of her; wherefore he became perplexed in violent fear of her separation. But as to the damsel Gulnare, on hearing the words of her brother she said: "By Allah, O my brother, the man who purchased me is the king of this city, and he is a great king, and a man of wisdom, generous, of the utmost liberality. He hath treated me with honour, and he is a person of kindness, and of great wealth, but hath no male child nor a female. He hath shewn me favour too, and acted well to me in every respect; and from the day when I came to him to the present time, I have not heard from him a word to grieve my heart; but he hath not ceased to treat me with courtesy, and I am living with him in the most perfect of enjoyments. Moreover, if I quitted him, he would perish: for he can never endure my separation even for a single hour. I also, if I quitted him, should die of my love for him in consequence of his kindness to me during the period of my residence with him; for if my father were living, my condition with him would not be like my condition with this great, glorious king. God (whose name be exalted!) afflicted me not, but compensated me well; and as the king hath not a male child nor a female, I beg God to bless me with a son that may inherit of this great king these palaces and possessions." And when her brother, and the daughters of her uncle, heard her words, their eyes became cheerful thereat, and they said to her: "O Gulnare, thou art acquainted with our affection for thee, and thou art assured that thou art the dearest of all persons to us, and art certain that we desire for thee comfort, without trouble or toil. Therefore if thou be not in a state of comfort, arise and accompany us to our country and our family; but if thou be comfortable here, in honour and happiness, this is our desire and wish." And Gulnare replied: "By Allah, I am in a state of the utmost enjoyment, in honour and desirable happiness." So when the king heard these words from her, he rejoiced, and he thanked her for them; his love for her penetrated to his heart's core, and he knew that she loved him as he loved her, and that she desired to remain with him to see his child which she was to bring to him. Then the damsel Gulnare of the Sea gave orders to the female slaves to bring forward viands of all kinds; and Gulnare herself was the person who superintended the preparation of the viands in the kitchen. So the female slaves brought to them the viands, and the sweetmeats, and the fruits; and she ate with her family. But afterward they said to her: "O Gulnare, thy master is a man who is a stranger to us, and we have entered his abode without his permission, and thou praisest to us his excellence, and hast also brought to us his food, and we have eaten, but have not seen him, nor hath he seen us, nor come into our presence, nor eaten with us, that the bond of bread and salt might be established between us." And they all desisted from eating, and were enraged at her, and fire began to issue from their mouths as from cressets. So when the king beheld this, his reason fled, in consequence of the violence of his fear of them. Then Gulnare rose to them, and soothed their hearts; after which she walked along until she entered the closet in which was the king her master; and she said to him:	closet, that I may shew thee my brother and my mother and my family without their seeing thee; for I desire to bring them, and thou shalt see in this place, at this time, a wonder, and shalt marvel at the various shapes and strange forms that God hath created." So the king arose immediately, and entered a closet, and looked to see what she would do. And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, and there came forth from it a young man of comely form, of beautiful countenance, like the moon at the full, with shining forehead, and red cheeks, and hair resembling pearls and jewels; he was, of all the creation, the most like to his sister, and the tongue of the case itself seemed to recite in his praise these verses:-- The moon becometh perfect once in each month; but the loveliness of thy face is perfect every day. Its abode is in the heart of one sign at a time; but thine abode is in all hearts at once. [Illustration] _And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated._ Afterward, there came forth from the sea a grizzly-haired old woman, and with her five damsels, resembling moons and bearing a likeness to the damsel whose name was Gulnare. Then the king saw the young man and the old woman and the damsels walk upon the surface of the water until they came to Gulnare; and when they drew near to the window, and she beheld them, she rose to them and met them with joy. On their seeing her, they knew her, and they went in to her and embraced her, weeping violently; and they said to her: "O Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces of gold. Then he treated me with attention, and forsook all his favourites for my sake, and was diverted by his regard for me from everything that he possessed and what was in his city." And when her brother heard her words, he said: "Praise be to God who hath reunited us! But it is my desire, O my sister, that thou wouldst arise and go with us to our country and our family." So when the king heard the words of her brother, his reason fled in consequence of his fear lest the damsel should accept the proposal of her kindred, and he could not prevent her, though he was inflamed with love of her; wherefore he became perplexed in violent fear of her separation. But as to the damsel Gulnare, on hearing the words of her brother she said: "By Allah, O my brother, the man who purchased me is the king of this city, and he is a great king, and a man of wisdom, generous, of the utmost liberality. He hath treated me with honour, and he is a person of kindness, and of great wealth, but hath no male child nor a female. He hath shewn me favour too, and acted well to me in every respect; and from the day when I came to him to the present time, I have not heard from him a word to grieve my heart; but he hath not ceased to treat me with courtesy, and I am living with him in the most perfect of enjoyments. Moreover, if I quitted him, he would perish: for he can never endure my separation even for a single hour. I also, if I quitted him, should die of my love for him in consequence of his kindness to me during the period of my residence with him; for if my father were living, my condition with him would not be like my condition with this great, glorious king. God (whose name be exalted!) afflicted me not, but compensated me well; and as the king hath not a male child nor a female, I beg God to bless me with a son that may inherit of this great king these palaces and possessions." And when her brother, and the daughters of her uncle, heard her words, their eyes became cheerful thereat, and they said to her: "O Gulnare, thou art acquainted with our affection for thee, and thou art assured that thou art the dearest of all persons to us, and art certain that we desire for thee comfort, without trouble or toil. Therefore if thou be not in a state of comfort, arise and accompany us to our country and our family; but if thou be comfortable here, in honour and happiness, this is our desire and wish." And Gulnare replied: "By Allah, I am in a state of the utmost enjoyment, in honour and desirable happiness." So when the king heard these words from her, he rejoiced, and he thanked her for them; his love for her penetrated to his heart's core, and he knew that she loved him as he loved her, and that she desired to remain	Arabian Nights (9)
Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.	No speaker	are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later,	detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to	Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my	witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?" "Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself." "That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer,	marvellous flowers, which will surprise her when she reappears." Winsett remained on his feet. "I'm afraid I must be off. Please tell Madame Olenska that we shall all feel lost when she abandons our street. This house has been an oasis." "Ah, but she won't abandon YOU. Poetry and art are the breath of life to her. It IS poetry you write, Mr. Winsett?" "Well, no; but I sometimes read it," said Winsett, including the group in a general nod and slipping out of the room. "A caustic spirit--un peu sauvage. But so witty; Dr. Carver, you DO think him witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?" "Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself." "That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer, who read on it, in Gothic characters: +---------------------------+ \| Agathon Carver \| \| The Valley of Love \| \| Kittasquattamy, N. Y. \| +---------------------------+ Dr. Carver bowed himself out, and Mrs. Manson, with a sigh that might have been either of regret or relief, again waved Archer to a seat. "Ellen will be down in a moment; and before she comes, I am so glad of this quiet moment with you." Archer murmured his pleasure at their meeting, and the Marchioness continued, in her low sighing accents: "I know everything, dear Mr. Archer--my child has told me all you have	her hand. "Dear Mr. Archer--almost my cousin Newland!" she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?" Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! But I see you do know Mr. Winsett." "Oh, yes--I reached him some time ago; but not by that route," Winsett said with his dry smile. The Marchioness shook her head reprovingly. "How do you know, Mr. Winsett? The spirit bloweth where it listeth." "List--oh, list!" interjected Dr. Carver in a stentorian murmur. "But do sit down, Mr. Archer. We four have been having a delightful little dinner together, and my child has gone up to dress. She expects you; she will be down in a moment. We were just admiring these marvellous flowers, which will surprise her when she reappears." Winsett remained on his feet. "I'm afraid I must be off. Please tell Madame Olenska that we shall all feel lost when she abandons our street. This house has been an oasis." "Ah, but she won't abandon YOU. Poetry and art are the breath of life to her. It IS poetry you write, Mr. Winsett?" "Well, no; but I sometimes read it," said Winsett, including the group in a general nod and slipping out of the room. "A caustic spirit--un peu sauvage. But so witty; Dr. Carver, you DO think him witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?" "Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself." "That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer, who read on it, in Gothic characters: +---------------------------+ \| Agathon Carver \| \| The Valley of Love \| \| Kittasquattamy, N. Y. \| +---------------------------+ Dr. Carver bowed himself out, and Mrs. Manson, with a sigh that might have been either of regret or relief, again waved Archer to a seat. "Ellen will be down in a moment; and before she comes, I am so glad of this quiet moment with you." Archer murmured his pleasure at their meeting, and the Marchioness continued, in her low sighing accents: "I know everything, dear Mr. Archer--my child has told me all you have done for her. Your wise advice: your courageous firmness--thank heaven it was not too late!" The young man listened with considerable embarrassment. Was there any one, he wondered, to whom Madame Olenska had not proclaimed his intervention in her private affairs? "Madame Olenska exaggerates; I simply gave her a legal opinion, as she asked me to." "Ah, but in doing it--in doing it you were the unconscious instrument of--of--what word have we moderns for Providence, Mr. Archer?" cried the lady, tilting her head on one side and drooping her lids mysteriously. "Little did you know that at that very moment I was being appealed to: being approached, in fact--from the other side of the Atlantic!" She glanced over her shoulder, as though fearful of being overheard, and then, drawing her chair nearer, and raising a tiny ivory fan to her lips, breathed behind it: "By the Count himself--my poor, mad, foolish Olenski; who asks only to take her back on her own terms." "Good God!" Archer exclaimed, springing up. "You are horrified? Yes, of course; I understand. I don't defend poor Stanislas, though he has always called me his best friend. He does not defend himself--he casts himself at her	to curiosity. The overcoats were in fact the very strangest he had ever seen under a polite roof; and it took but a glance to assure himself that neither of them belonged to Julius Beaufort. One was a shaggy yellow ulster of "reach-me-down" cut, the other a very old and rusty cloak with a cape--something like what the French called a "Macfarlane." This garment, which appeared to be made for a person of prodigious size, had evidently seen long and hard wear, and its greenish-black folds gave out a moist sawdusty smell suggestive of prolonged sessions against bar-room walls. On it lay a ragged grey scarf and an odd felt hat of semiclerical shape. Archer raised his eyebrows enquiringly at Nastasia, who raised hers in return with a fatalistic "Gia!" as she threw open the drawing-room door. The young man saw at once that his hostess was not in the room; then, with surprise, he discovered another lady standing by the fire. This lady, who was long, lean and loosely put together, was clad in raiment intricately looped and fringed, with plaids and stripes and bands of plain colour disposed in a design to which the clue seemed missing. Her hair, which had tried to turn white and only succeeded in fading, was surmounted by a Spanish comb and black lace scarf, and silk mittens, visibly darned, covered her rheumatic hands. Beside her, in a cloud of cigar-smoke, stood the owners of the two overcoats, both in morning clothes that they had evidently not taken off since morning. In one of the two, Archer, to his surprise, recognised Ned Winsett; the other and older, who was unknown to him, and whose gigantic frame declared him to be the wearer of the "Macfarlane," had a feebly leonine head with crumpled grey hair, and moved his arms with large pawing gestures, as though he were distributing lay blessings to a kneeling multitude. These three persons stood together on the hearth-rug, their eyes fixed on an extraordinarily large bouquet of crimson roses, with a knot of purple pansies at their base, that lay on the sofa where Madame Olenska usually sat. "What they must have cost at this season--though of course it's the sentiment one cares about!" the lady was saying in a sighing staccato as Archer came in. The three turned with surprise at his appearance, and the lady, advancing, held out her hand. "Dear Mr. Archer--almost my cousin Newland!" she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?" Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! But I see you do know Mr. Winsett." "Oh, yes--I reached him some time ago; but not by that route," Winsett said with his dry smile. The Marchioness shook her head reprovingly. "How do you know, Mr. Winsett? The spirit bloweth where it listeth." "List--oh, list!" interjected Dr. Carver in a stentorian murmur. "But do sit down, Mr. Archer. We four have been having a delightful little dinner together, and my child has gone up to dress. She expects you; she will be down in a moment. We were just admiring these marvellous flowers, which will surprise her when she reappears." Winsett remained on his feet. "I'm afraid I must be off. Please tell Madame Olenska that we shall all feel lost when she abandons our street. This house has been an oasis." "Ah, but she won't abandon YOU. Poetry and art are the breath of life to her. It IS poetry you write, Mr. Winsett?" "Well, no; but I sometimes read it," said Winsett, including the group in a general nod and slipping out of the room. "A caustic spirit--un peu sauvage. But so witty; Dr. Carver, you DO think him witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?" "Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself." "That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer, who read on it, in Gothic characters: +---------------------------+ \| Agathon Carver \| \| The Valley of Love \| \| Kittasquattamy, N. Y. \| +---------------------------+ Dr. Carver bowed himself out, and Mrs. Manson, with a sigh that might have been either of regret or relief, again waved Archer to a seat. "Ellen will be down in a moment; and before she comes, I am so glad of this quiet moment with you." Archer murmured his pleasure at their meeting, and the Marchioness continued, in her low sighing accents: "I know everything, dear Mr. Archer--my child has told me all you have done for her. Your wise advice: your courageous firmness--thank heaven it was not too late!" The young man listened with considerable embarrassment. Was there any one, he wondered, to whom Madame Olenska had not proclaimed his intervention in her private affairs? "Madame Olenska exaggerates; I simply gave her a legal opinion, as she asked me to." "Ah, but in doing it--in doing it you were the unconscious instrument of--of--what word have we moderns for Providence, Mr. Archer?" cried the lady, tilting her head on one side and drooping her lids mysteriously. "Little did you know that at that very moment I was being appealed to: being approached, in fact--from the other side of the Atlantic!" She glanced over her shoulder, as though fearful of being overheard, and then, drawing her chair nearer, and raising a tiny ivory fan to her lips, breathed behind it: "By the Count himself--my poor, mad, foolish Olenski; who asks only to take her back on her own terms." "Good God!" Archer exclaimed, springing up. "You are horrified? Yes, of course; I understand. I don't defend poor Stanislas, though he has always called me his best friend. He does not defend himself--he casts himself at her feet: in my person." She tapped her emaciated bosom. "I have his letter here." "A letter?--Has Madame Olenska seen it?" Archer stammered, his brain whirling with the shock of the announcement. The Marchioness Manson shook her head softly. "Time--time; I must have time. I know my Ellen--haughty, intractable; shall I say, just a shade unforgiving?" "But, good heavens, to forgive is one thing; to go back into that hell--" "Ah, yes," the Marchioness acquiesced. "So she describes it--my sensitive child! But on the material side, Mr. Archer, if one may stoop to consider such things; do you know what she is giving up? Those roses there on the sofa--acres like them, under glass and in the open, in his matchless terraced gardens at Nice! Jewels--historic pearls: the Sobieski emeralds--sables,--but she cares nothing for all these! Art and beauty, those she does care for, she lives for, as I always have; and those also surrounded her. Pictures, priceless furniture, music, brilliant conversation--ah, that, my dear young man, if you'll excuse me, is what you've no conception of here! And she had it all; and the homage of the greatest. She tells me she is not thought handsome in New York--good heavens! Her portrait has been painted nine times; the greatest artists in Europe have begged for the privilege. Are these things nothing? And the remorse of an adoring husband?" As the Marchioness Manson rose to her climax her face assumed an expression of ecstatic retrospection which would have moved Archer's mirth had he not been numb with amazement. He would have laughed if any one had foretold to him that his first sight of poor Medora Manson would have been in the guise of a messenger of Satan; but he was in no mood for laughing now, and she seemed to him to come straight out of the hell from which Ellen Olenska had just escaped. "She knows nothing yet--of all this?" he asked abruptly. Mrs. Manson laid a purple finger on her lips. "Nothing directly--but does she suspect? Who can tell? The truth is, Mr. Archer, I have been waiting to see you. From the moment I heard of the firm stand you had taken, and of your influence over her, I hoped it might be possible to count on your support--to convince you ..." "That she ought to go back? I would rather see her dead!" cried the young	blessings to a kneeling multitude. These three persons stood together on the hearth-rug, their eyes fixed on an extraordinarily large bouquet of crimson roses, with a knot of purple pansies at their base, that lay on the sofa where Madame Olenska usually sat. "What they must have cost at this season--though of course it's the sentiment one cares about!" the lady was saying in a sighing staccato as Archer came in. The three turned with surprise at his appearance, and the lady, advancing, held out her hand. "Dear Mr. Archer--almost my cousin Newland!" she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?" Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! But I see you do know Mr. Winsett." "Oh, yes--I reached him some time ago; but not by that route," Winsett said with his dry smile. The Marchioness shook her head reprovingly. "How do you know, Mr. Winsett? The spirit bloweth where it listeth." "List--oh, list!" interjected Dr. Carver in a stentorian murmur. "But do sit down, Mr. Archer. We four have been having a delightful little dinner together, and my child has gone up to dress. She expects you; she will be down in a moment. We were just admiring these marvellous flowers, which will surprise her when she reappears." Winsett remained on his feet. "I'm afraid I must be off. Please tell Madame Olenska that we shall all feel lost when she abandons our street. This house has been an oasis." "Ah, but she won't abandon YOU. Poetry and art are the breath of life to her. It IS poetry you write, Mr. Winsett?" "Well, no; but I sometimes read it," said Winsett, including the group in a general nod and slipping out of the room. "A caustic spirit--un peu sauvage. But so witty; Dr. Carver, you DO think him witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?" "Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself." "That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer, who read on it, in Gothic characters: +---------------------------+ \| Agathon Carver \| \| The Valley of Love \| \| Kittasquattamy, N. Y. \| +---------------------------+ Dr. Carver bowed himself out, and Mrs. Manson, with a sigh that might have been either of regret or relief, again waved Archer to a seat. "Ellen will be down in a moment; and before she comes, I am so glad of this quiet moment with you." Archer murmured his pleasure at their meeting, and the Marchioness continued, in her low sighing accents: "I know everything, dear Mr. Archer--my child has told me all you have done for her. Your wise advice: your courageous firmness--thank heaven it was not too late!" The young man listened with considerable embarrassment. Was there any one, he wondered, to whom Madame Olenska had not proclaimed his intervention in her private affairs? "Madame Olenska exaggerates; I simply gave her a legal opinion, as she asked me to." "Ah, but in doing it--in doing it you were the unconscious instrument of--of--what word have we moderns for Providence, Mr. Archer?" cried the lady, tilting her head on one side and drooping her lids mysteriously. "Little did you know that at that very moment I was being appealed to: being approached, in fact--from the other side of the Atlantic!" She glanced over her shoulder, as though fearful of being overheard, and then, drawing her chair nearer, and raising a tiny ivory fan to her lips, breathed behind it: "By the Count himself--my poor, mad, foolish Olenski; who asks only to take her back on her own terms." "Good God!" Archer exclaimed, springing up. "You are horrified? Yes, of course; I understand. I don't defend poor Stanislas, though he has always called me his best friend. He does not defend himself--he casts himself at her feet: in my person." She tapped her emaciated bosom. "I have his letter here." "A letter?--Has Madame Olenska seen it?" Archer stammered, his brain whirling with the shock of the announcement. The Marchioness Manson shook her head softly. "Time--time; I must have time. I know my Ellen--haughty, intractable; shall I say, just a shade unforgiving?" "But, good heavens, to forgive is one thing; to go back into that hell--" "Ah, yes," the Marchioness acquiesced. "So she describes it--my sensitive	The Age Of Innocence
"What did he say?"	Brett Ashley	Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I	my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well	said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man	me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good,	talking with Brett, who was sitting on a high stool, her legs crossed. She had no stockings on. "It's good to see you, Jake," Michael said. "I'm a little tight you know. Amazing, isn't it? Did you see my nose?" There was a patch of dried blood on the bridge of his nose. "An old lady's bags did that," Mike said. "I reached up to help her with them and they fell on me." Brett gestured at him from the bar with her cigarette-holder and wrinkled the corners of her eyes. "An old lady," said Mike. "Her bags _fell_ on me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are	right off the Place Contrescarpe, walking along smooth narrow streets with high old houses on both sides. Some of the houses jutted out toward the street. Others were cut back. We came onto the Rue du Pot de Fer and followed it along until it brought us to the rigid north and south of the Rue Saint Jacques and then walked south, past Val de Gr ce, set back behind the courtyard and the iron fence, to the Boulevard du Port Royal. "What do you want to do?" I asked. "Go up to the caf and see Brett and Mike?" "Why not?" We walked along Port Royal until it became Montparnasse, and then on past the Lilas, Lavigne's, and all the little caf s, Damoy's, crossed the street to the Rotonde, past its lights and tables to the Select. Michael came toward us from the tables. He was tanned and healthy-looking. "Hel-lo, Jake," he said. "Hel-lo! Hel-lo! How are you, old lad?" "You look very fit, Mike." "Oh, I am. I'm frightfully fit. I've done nothing but walk. Walk all day long. One drink a day with my mother at tea." Bill had gone into the bar. He was standing talking with Brett, who was sitting on a high stool, her legs crossed. She had no stockings on. "It's good to see you, Jake," Michael said. "I'm a little tight you know. Amazing, isn't it? Did you see my nose?" There was a patch of dried blood on the bridge of his nose. "An old lady's bags did that," Mike said. "I reached up to help her with them and they fell on me." Brett gestured at him from the bar with her cigarette-holder and wrinkled the corners of her eyes. "An old lady," said Mike. "Her bags _fell_ on me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from	the bill, chalked up the same as ever on a slate, that was doubtless one of the "quaint" features, paid it, shook hands, and went out. "You never come here any more, Monsieur Barnes," Madame Lecomte said. "Too many compatriots." "Come at lunch-time. It's not crowded then." "Good. I'll be down soon." We walked along under the trees that grew out over the river on the Quai d'Orl ans side of the island. Across the river were the broken walls of old houses that were being torn down. "They're going to cut a street through." "They would," Bill said. We walked on and circled the island. The river was dark and a bateau mouche went by, all bright with lights, going fast and quiet up and out of sight under the bridge. Down the river was Notre Dame squatting against the night sky. We crossed to the left bank of the Seine by the wooden foot-bridge from the Quai de Bethune, and stopped on the bridge and looked down the river at Notre Dame. Standing on the bridge the island looked dark, the houses were high against the sky, and the trees were shadows. "It's pretty grand," Bill said. "God, I love to get back." We leaned on the wooden rail of the bridge and looked up the river to the lights of the big bridges. Below the water was smooth and black. It made no sound against the piles of the bridge. A man and a girl passed us. They were walking with their arms around each other. We crossed the bridge and walked up the Rue du Cardinal Lemoine. It was steep walking, and we went all the way up to the Place Contrescarpe. The arc-light shone through the leaves of the trees in the square, and underneath the trees was an S bus ready to start. Music came out of the door of the Negre Joyeux. Through the window of the Caf Aux Amateurs I saw the long zinc bar. Outside on the terrace working people were drinking. In the open kitchen of the Amateurs a girl was cooking potato-chips in oil. There was an iron pot of stew. The girl ladled some onto a plate for an old man who stood holding a bottle of red wine in one hand. "Want to have a drink?" "No," said Bill. "I don't need it." We turned to the right off the Place Contrescarpe, walking along smooth narrow streets with high old houses on both sides. Some of the houses jutted out toward the street. Others were cut back. We came onto the Rue du Pot de Fer and followed it along until it brought us to the rigid north and south of the Rue Saint Jacques and then walked south, past Val de Gr ce, set back behind the courtyard and the iron fence, to the Boulevard du Port Royal. "What do you want to do?" I asked. "Go up to the caf and see Brett and Mike?" "Why not?" We walked along Port Royal until it became Montparnasse, and then on past the Lilas, Lavigne's, and all the little caf s, Damoy's, crossed the street to the Rotonde, past its lights and tables to the Select. Michael came toward us from the tables. He was tanned and healthy-looking. "Hel-lo, Jake," he said. "Hel-lo! Hel-lo! How are you, old lad?" "You look very fit, Mike." "Oh, I am. I'm frightfully fit. I've done nothing but walk. Walk all day long. One drink a day with my mother at tea." Bill had gone into the bar. He was standing talking with Brett, who was sitting on a high stool, her legs crossed. She had no stockings on. "It's good to see you, Jake," Michael said. "I'm a little tight you know. Amazing, isn't it? Did you see my nose?" There was a patch of dried blood on the bridge of his nose. "An old lady's bags did that," Mike said. "I reached up to help her with them and they fell on me." Brett gestured at him from the bar with her cigarette-holder and wrinkled the corners of her eyes. "An old lady," said Mike. "Her bags _fell_ on me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand." "You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?" "Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags	along smooth narrow streets with high old houses on both sides. Some of the houses jutted out toward the street. Others were cut back. We came onto the Rue du Pot de Fer and followed it along until it brought us to the rigid north and south of the Rue Saint Jacques and then walked south, past Val de Gr ce, set back behind the courtyard and the iron fence, to the Boulevard du Port Royal. "What do you want to do?" I asked. "Go up to the caf and see Brett and Mike?" "Why not?" We walked along Port Royal until it became Montparnasse, and then on past the Lilas, Lavigne's, and all the little caf s, Damoy's, crossed the street to the Rotonde, past its lights and tables to the Select. Michael came toward us from the tables. He was tanned and healthy-looking. "Hel-lo, Jake," he said. "Hel-lo! Hel-lo! How are you, old lad?" "You look very fit, Mike." "Oh, I am. I'm frightfully fit. I've done nothing but walk. Walk all day long. One drink a day with my mother at tea." Bill had gone into the bar. He was standing talking with Brett, who was sitting on a high stool, her legs crossed. She had no stockings on. "It's good to see you, Jake," Michael said. "I'm a little tight you know. Amazing, isn't it? Did you see my nose?" There was a patch of dried blood on the bridge of his nose. "An old lady's bags did that," Mike said. "I reached up to help her with them and they fell on me." Brett gestured at him from the bar with her cigarette-holder and wrinkled the corners of her eyes. "An old lady," said Mike. "Her bags _fell_ on me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand." "You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?" "Don't talk like a fool." "I'm a little tight, you know. I wouldn't	The Sun Also Rises
"Here! Give us some water for him; he has run himself faint."	Kags	lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up,	to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after	his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled	with their eyes fixed upon the floor, a pattering noise was heard upon the stairs, and Sikes's dog bounded into the room. They ran to the window, downstairs, and into the street. The dog had jumped in at an open window; he made no attempt to follow them, nor was his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled with strangers come on here, where he's been many a time and often. But where can he have come from first, and how comes he here alone without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do	along amongst 'em; I can see the people jumping up, one behind another, and snarling with their teeth and making at him; I can see the blood upon his hair and beard, and hear the cries with which the women worked themselves into the centre of the crowd at the street corner, and swore they'd tear his heart out!" The horror-stricken witness of this scene pressed his hands upon his ears, and with his eyes closed got up and paced violently to and fro, like one distracted. While he was thus engaged, and the two men sat by in silence with their eyes fixed upon the floor, a pattering noise was heard upon the stairs, and Sikes's dog bounded into the room. They ran to the window, downstairs, and into the street. The dog had jumped in at an open window; he made no attempt to follow them, nor was his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled with strangers come on here, where he's been many a time and often. But where can he have come from first, and how comes he here alone without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do you think?" said Chitling. Toby shook his head. "If he had," said Kags, "the dog 'ud want to lead us away to where he did it. No. I think he's got out of the country, and left the dog behind. He must have given him the slip somehow, or he wouldn't be so easy." This solution, appearing the most probable one, was adopted as the right; the dog, creeping under a chair, coiled himself up to sleep, without more notice from anybody. It being now dark, the shutter was closed, and a candle lighted and placed upon the table. The	come over here afore dark, but he'll be here soon," replied Chitling. "There's nowhere else to go to now, for the people at the Cripples are all in custody, and the bar of the ken I went up there and see it with my own eyes is filled with traps." "This is a smash," observed Toby, biting his lips. "There's more than one will go with this." "The sessions are on," said Kags: "if they get the inquest over, and Bolter turns King's evidence: as of course he will, from what he's said already: they can prove Fagin an accessory before the fact, and get the trial on on Friday, and he'll swing in six days from this, by G !" "You should have heard the people groan," said Chitling; "the officers fought like devils, or they'd have torn him away. He was down once, but they made a ring round him, and fought their way along. You should have seen how he looked about him, all muddy and bleeding, and clung to them as if they were his dearest friends. I can see 'em now, not able to stand upright with the pressing of the mob, and draggin him along amongst 'em; I can see the people jumping up, one behind another, and snarling with their teeth and making at him; I can see the blood upon his hair and beard, and hear the cries with which the women worked themselves into the centre of the crowd at the street corner, and swore they'd tear his heart out!" The horror-stricken witness of this scene pressed his hands upon his ears, and with his eyes closed got up and paced violently to and fro, like one distracted. While he was thus engaged, and the two men sat by in silence with their eyes fixed upon the floor, a pattering noise was heard upon the stairs, and Sikes's dog bounded into the room. They ran to the window, downstairs, and into the street. The dog had jumped in at an open window; he made no attempt to follow them, nor was his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled with strangers come on here, where he's been many a time and often. But where can he have come from first, and how comes he here alone without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do you think?" said Chitling. Toby shook his head. "If he had," said Kags, "the dog 'ud want to lead us away to where he did it. No. I think he's got out of the country, and left the dog behind. He must have given him the slip somehow, or he wouldn't be so easy." This solution, appearing the most probable one, was adopted as the right; the dog, creeping under a chair, coiled himself up to sleep, without more notice from anybody. It being now dark, the shutter was closed, and a candle lighted and placed upon the table. The terrible events of the last two days had made a deep impression on all three, increased by the danger and uncertainty of their own position. They drew their chairs closer together, starting at every sound. They spoke little, and that in whispers, and were as silent and awe-stricken as if the remains of the murdered woman lay in the next room. They had sat thus, some time, when suddenly was heard a hurried knocking at the door below. "Young Bates," said Kags, looking angrily round, to check the fear he felt himself. The knocking came again. No, it wasn't he. He never knocked like that. Crackit went to the window, and shaking all over, drew in his head. There was no need to tell them who it was; his pale face was enough. The dog too was on the alert in an instant, and ran whining to the door. "We must let him in," he said, taking up the candle. "Isn't there any help for it?" asked the other man in a hoarse voice. "None. He _must_ come in." "Don't leave us in the dark," said Kags, taking down a candle from the chimney-piece, and lighting it, with such a	assembled three men, who, regarding each other every now and then with looks expressive of perplexity and expectation, sat for some time in profound and gloomy silence. One of these was Toby Crackit, another Mr. Chitling, and the third a robber of fifty years, whose nose had been almost beaten in, in some old scuffle, and whose face bore a frightful scar which might probably be traced to the same occasion. This man was a returned transport, and his name was Kags. "I wish," said Toby turning to Mr. Chitling, "that you had picked out some other crib when the two old ones got too warm, and had not come here, my fine feller." "Why didn't you, blunder-head!" said Kags. "Well, I thought you'd have been a little more glad to see me than this," replied Mr. Chitling, with a melancholy air. "Why, look'e, young gentleman," said Toby, "when a man keeps himself so very ex-clusive as I have done, and by that means has a snug house over his head with nobody a prying and smelling about it, it's rather a startling thing to have the honour of a wisit from a young gentleman (however respectable and pleasant a person he may be to play cards with at conweniency) circumstanced as you are." "Especially, when the exclusive young man has got a friend stopping with him, that's arrived sooner than was expected from foreign parts, and is too modest to want to be presented to the Judges on his return," added Mr. Kags. There was a short silence, after which Toby Crackit, seeming to abandon as hopeless any further effort to maintain his usual devil-may-care swagger, turned to Chitling and said, "When was Fagin took then?" "Just at dinner-time two o'clock this afternoon. Charley and I made our lucky up the wash-us chimney, and Bolter got into the empty water-butt, head downwards; but his legs were so precious long that they stuck out at the top, and so they took him too." "And Bet?" "Poor Bet! She went to see the Body, to speak to who it was," replied Chitling, his countenance falling more and more, "and went off mad, screaming and raving, and beating her head against the boards; so they put a strait-weskut on her and took her to the hospital and there she is." "Wot's come of young Bates?" demanded Kags. "He hung about, not to come over here afore dark, but he'll be here soon," replied Chitling. "There's nowhere else to go to now, for the people at the Cripples are all in custody, and the bar of the ken I went up there and see it with my own eyes is filled with traps." "This is a smash," observed Toby, biting his lips. "There's more than one will go with this." "The sessions are on," said Kags: "if they get the inquest over, and Bolter turns King's evidence: as of course he will, from what he's said already: they can prove Fagin an accessory before the fact, and get the trial on on Friday, and he'll swing in six days from this, by G !" "You should have heard the people groan," said Chitling; "the officers fought like devils, or they'd have torn him away. He was down once, but they made a ring round him, and fought their way along. You should have seen how he looked about him, all muddy and bleeding, and clung to them as if they were his dearest friends. I can see 'em now, not able to stand upright with the pressing of the mob, and draggin him along amongst 'em; I can see the people jumping up, one behind another, and snarling with their teeth and making at him; I can see the blood upon his hair and beard, and hear the cries with which the women worked themselves into the centre of the crowd at the street corner, and swore they'd tear his heart out!" The horror-stricken witness of this scene pressed his hands upon his ears, and with his eyes closed got up and paced violently to and fro, like one distracted. While he was thus engaged, and the two men sat by in silence with their eyes fixed upon the floor, a pattering noise was heard upon the stairs, and Sikes's dog bounded into the room. They ran to the window, downstairs, and into the street. The dog had jumped in at an open window; he made no attempt to follow them, nor was his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled with strangers come on here, where he's been many a time and often. But where can he have come from first, and how comes he here alone without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do you think?" said Chitling. Toby shook his head. "If he had," said Kags, "the dog 'ud want to lead us away to where he did it. No. I think he's got out of the country, and left the dog behind. He must have given him the slip somehow, or he wouldn't be so easy." This solution, appearing the most probable one, was adopted as the right; the dog, creeping under a chair, coiled himself up to sleep, without more notice from anybody. It being now dark, the shutter was closed, and a candle lighted and placed upon the table. The terrible events of the last two days had made a deep impression on all three, increased by the danger and uncertainty of their own position. They drew their chairs closer together, starting at every sound. They spoke little, and that in whispers, and were as silent and awe-stricken as if the remains of the murdered woman lay in the next room. They had sat thus, some time, when suddenly was heard a hurried knocking at the door below. "Young Bates," said Kags, looking angrily round, to check the fear he felt himself. The knocking came again. No, it wasn't he. He never knocked like that. Crackit went to the window, and shaking all over, drew in his head. There was no need to tell them who it was; his pale face was enough. The dog too was on the alert in an instant, and ran whining to the door. "We must let him in," he said, taking up the candle. "Isn't there any help for it?" asked the other man in a hoarse voice. "None. He _must_ come in." "Don't leave us in the dark," said Kags, taking down a candle from the chimney-piece, and lighting it, with such a trembling hand that the knocking was twice repeated before he had finished. Crackit went down to the door, and returned followed by a man with the lower part of his face buried in a handkerchief, and another tied over his head under his hat. He drew them slowly off. Blanched face, sunken eyes, hollow cheeks, beard of three days' growth, wasted flesh, short thick breath; it was the very ghost of Sikes. He laid his hand upon a chair which stood in the middle of the room, but shuddering as he was about to drop into it, and seeming to glance over his shoulder, dragged it back close to the wall as close as it would go and ground it against it and sat down. Not a word had been exchanged. He looked from one to another in silence. If an eye were furtively raised and met his, it was instantly averted. When his hollow voice broke silence, they all three started. They seemed never to have heard its tones before. "How came that dog here?" he asked. "Alone. Three hours ago." "To-night's paper says that Fagin's took. Is it true, or a lie?" "True." They were silent again. "Damn you all!" said Sikes, passing his hand across his forehead. "Have you nothing to say to me?" There was an uneasy movement among them, but nobody spoke. "You that keep this house," said Sikes, turning his face to Crackit, "do you mean to sell me, or to let me lie here till this hunt is over?" "You may stop here, if you think it safe," returned the person addressed, after some hesitation. Sikes carried his eyes slowly up the wall behind him: rather trying to turn his head than actually doing it: and said, "Is it the body is it buried?" They shook their heads. "Why isn't it!" he retorted with the same glance behind him. "Wot do they keep such ugly things above the ground for? Who's that knocking?" Crackit intimated, by a motion of his hand as he left the room, that there was nothing to fear; and directly came back with Charley Bates behind him. Sikes sat opposite the door, so that the moment the boy entered the room he encountered his figure. "Toby," said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something	hopeless any further effort to maintain his usual devil-may-care swagger, turned to Chitling and said, "When was Fagin took then?" "Just at dinner-time two o'clock this afternoon. Charley and I made our lucky up the wash-us chimney, and Bolter got into the empty water-butt, head downwards; but his legs were so precious long that they stuck out at the top, and so they took him too." "And Bet?" "Poor Bet! She went to see the Body, to speak to who it was," replied Chitling, his countenance falling more and more, "and went off mad, screaming and raving, and beating her head against the boards; so they put a strait-weskut on her and took her to the hospital and there she is." "Wot's come of young Bates?" demanded Kags. "He hung about, not to come over here afore dark, but he'll be here soon," replied Chitling. "There's nowhere else to go to now, for the people at the Cripples are all in custody, and the bar of the ken I went up there and see it with my own eyes is filled with traps." "This is a smash," observed Toby, biting his lips. "There's more than one will go with this." "The sessions are on," said Kags: "if they get the inquest over, and Bolter turns King's evidence: as of course he will, from what he's said already: they can prove Fagin an accessory before the fact, and get the trial on on Friday, and he'll swing in six days from this, by G !" "You should have heard the people groan," said Chitling; "the officers fought like devils, or they'd have torn him away. He was down once, but they made a ring round him, and fought their way along. You should have seen how he looked about him, all muddy and bleeding, and clung to them as if they were his dearest friends. I can see 'em now, not able to stand upright with the pressing of the mob, and draggin him along amongst 'em; I can see the people jumping up, one behind another, and snarling with their teeth and making at him; I can see the blood upon his hair and beard, and hear the cries with which the women worked themselves into the centre of the crowd at the street corner, and swore they'd tear his heart out!" The horror-stricken witness of this scene pressed his hands upon his ears, and with his eyes closed got up and paced violently to and fro, like one distracted. While he was thus engaged, and the two men sat by in silence with their eyes fixed upon the floor, a pattering noise was heard upon the stairs, and Sikes's dog bounded into the room. They ran to the window, downstairs, and into the street. The dog had jumped in at an open window; he made no attempt to follow them, nor was his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled with strangers come on here, where he's been many a time and often. But where can he have come from first, and how comes he here alone without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do you think?" said Chitling. Toby shook his head. "If he had," said Kags, "the dog 'ud want to lead us away to where he did it. No. I think he's got out of the country, and left the dog behind. He must have given him the slip somehow, or he wouldn't be so easy." This solution, appearing the most probable one, was adopted as the right; the dog, creeping under a chair, coiled himself up to sleep, without more notice from anybody. It being now dark, the shutter was closed, and a candle lighted and placed upon the table. The terrible events of the last two days had made a deep impression on all three, increased by the danger and uncertainty of their own position. They drew their chairs closer together, starting at every sound. They spoke little, and that in whispers, and were as silent and awe-stricken as if the remains of the murdered woman lay in the next room. They had sat thus, some time, when suddenly was heard a hurried knocking at the door below. "Young Bates," said Kags, looking angrily round, to check the fear he felt himself. The knocking came again. No, it wasn't he. He never	Oliver Twist
the count reached down and gave the bottles a twirl.	No speaker	is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to	them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time."	much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The	"You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held	you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My	to Brett and to me. "We'll want to ride out to the Bois for dinner?" "If you like," Brett said. "I couldn't eat a thing." "I always like a good meal," said the count. "Should I bring the wine in, sir?" asked the chauffeur. "Yes. Bring it in, Henry," said the count. He took out a heavy pigskin cigar-case and offered it to me. "Like to try a real American cigar?" "Thanks," I said. "I'll finish the cigarette." He cut off the end of his cigar with a gold cutter he wore on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs	put them on. I stood up. "Don't look like that, darling." "How do you want me to look?" "Oh, don't be a fool. I'm going away to-morrow." "To-morrow?" "Yes. Didn't I say so? I am." "Let's have a drink, then. The count will be back." "Yes. He should be back. You know he's extraordinary about buying champagne. It means any amount to him." We went into the dining-room. I took up the brandy bottle and poured Brett a drink and one for myself. There was a ring at the bell-pull. I went to the door and there was the count. Behind him was the chauffeur carrying a basket of champagne. "Where should I have him put it, sir?" asked the count. "In the kitchen," Brett said. "Put it in there, Henry," the count motioned. "Now go down and get the ice." He stood looking after the basket inside the kitchen door. "I think you'll find that's very good wine," he said. "I know we don't get much of a chance to judge good wine in the States now, but I got this from a friend of mine that's in the business." "Oh, you always have some one in the trade," Brett said. "This fellow raises the grapes. He's got thousands of acres of them." "What's his name?" asked Brett. "Veuve Cliquot?" "No," said the count. "Mumms. He's a baron." "Isn't it wonderful," said Brett. "We all have titles. Why haven't you a title, Jake?" "I assure you, sir," the count put his hand on my arm. "It never does a man any good. Most of the time it costs you money." "Oh, I don't know. It's damned useful sometimes," Brett said. "I've never known it to do me any good." "You haven't used it properly. I've had hell's own amount of credit on mine." "Do sit down, count," I said. "Let me take that stick." The count was looking at Brett across the table under the gas-light. She was smoking a cigarette and flicking the ashes on the rug. She saw me notice it. "I say, Jake, I don't want to ruin your rugs. Can't you give a chap an ash-tray?" I found some ash-trays and spread them around. The chauffeur came up with a bucket full of salted ice. "Put two bottles in it, Henry," the count called. "Anything else, sir?" "No. Wait down in the car." He turned to Brett and to me. "We'll want to ride out to the Bois for dinner?" "If you like," Brett said. "I couldn't eat a thing." "I always like a good meal," said the count. "Should I bring the wine in, sir?" asked the chauffeur. "Yes. Bring it in, Henry," said the count. He took out a heavy pigskin cigar-case and offered it to me. "Like to try a real American cigar?" "Thanks," I said. "I'll finish the cigarette." He cut off the end of his cigar with a gold cutter he wore on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?" Brett turned to me. "I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said. "We have our careers," Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet,"	you give a chap an ash-tray?" I found some ash-trays and spread them around. The chauffeur came up with a bucket full of salted ice. "Put two bottles in it, Henry," the count called. "Anything else, sir?" "No. Wait down in the car." He turned to Brett and to me. "We'll want to ride out to the Bois for dinner?" "If you like," Brett said. "I couldn't eat a thing." "I always like a good meal," said the count. "Should I bring the wine in, sir?" asked the chauffeur. "Yes. Bring it in, Henry," said the count. He took out a heavy pigskin cigar-case and offered it to me. "Like to try a real American cigar?" "Thanks," I said. "I'll finish the cigarette." He cut off the end of his cigar with a gold cutter he wore on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped	The Sun Also Rises
“and if you want another look at her I’ll presently come and take one too.”	Lord John	the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to	but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added	at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye,	“Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at	been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young	Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other	than--ah more than can be estimated off-hand.” It made Lord Theign turn round. “But a fine Moretto has a very great rarity and a very great interest.” “Yes--but not on the whole the same amount of either.” “No, not on the whole the same amount of either!” --Mr. Bender judiciously echoed it. “But how,” he freely pursued, “are you going to find out?” “Have I your permission, Lord Theign,” Hugh brightly asked, “to attempt to find out?” The question produced on his lordship’s part a visible, a natural anxiety. “What would it be your idea then to _do_ with my property?” “Nothing at all here--it could all be done, I think, at Verona. What besets, what quite haunts me,” Hugh explained, “is the vivid image of a Mantovano--one of the glories of the short list--in a private collection in that place. The conviction grows in me that the two portraits must be of the same original. In fact I’ll bet my head,” the young man quite ardently wound up, “that the wonderful subject of the Verona picture, a very great person clearly, is none other than the very great person of yours.” Lord Theign had listened with interest. “Mayn’t he be that and yet from another hand?” “It isn’t another hand” --oh Hugh was quite positive. “It’s the hand of the very same painter.” “How can you prove it’s the same?” “Only by the most intimate internal evidence, I admit--and evidence that of course has to be estimated.” “Then who,” Lord Theign asked, “is to estimate it?” “Well,” --Hugh was all ready-- “will you let Pap-pendick, one of the first authorities in Europe, a good friend of mine, in fact more or less my master, and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, in the light of certain new tips that I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things to which the objection wouldn’t apply.” “You see how it applies--in the case of the Moret-to--for _him_. A mere Moretto,” said Lord Theign, “is too cheap--for a Yankee ‘on the spend.’” “Then the Mantovano wouldn’t be.” “It remains to be proved that it _is_ a Mantovano.” “Well,” said Lord John, “go into it.” “Hanged if I won’t!” his friend broke out after a moment. “It _would_ suit me. I mean” --the explanation came after a brief intensity of thought-- “the possible size of his cheque would.” “Oh,” said Lord John gaily, “I guess there’s no limit to the possible size of his cheque!” “Yes, it would suit me, it would suit me!” the elder man, standing there, audibly mused. But his air changed and a lighter question came up to him as he saw his daughter reappear at the door from the terrace. “Well, the infant horde?” he immediately put to her. Lady Grace came in, dutifully accounting for them. “They’ve marched off--in a huge procession.” “Thank goodness! And our friends?” “All playing tennis,” she said-- “save those who are sitting it out.” To which she added, as to explain her return: “Mr. Crimble has gone?” Lord John took upon him to say. “He’s in the library, to which you addressed him--making discoveries.” “Not then, I hope,” she smiled, “to our disadvantage!” “To your very great honour and glory.” Lord John clearly valued the effect he might produce. “Your Moretto of Brescia--do you know what it really and spendidly is?” And then as the girl, in her surprise, but wondered: “A Mantovano, neither more nor less. Ever so much more swagger.” “A Mantovano?” Lady Grace echoed. “Why, how tremendously jolly!” Her father was struck. “Do you know the artist--of whom I had never heard?” “Yes, something of the little that _is_ known.” And she rejoiced as her knowledge came to her. “He’s a tremendous swell, because, great as he was, there are but seven proved examples----” “With this of yours,” Lord John broke in, “there are eight.” “Then why haven’t I known about him?” Lord Theign put it as if so many other people were guilty for this. His daughter was the first to plead for the vague body. “Why, I suppose in order that you should have exactly this pleasure, father.” “Oh, pleasures not desired are like acquaintances not sought--they rather bore one!” Lord Theign sighed. With which	and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, in the light of certain new tips that I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things to which the objection wouldn’t apply.” “You see how it applies--in the case of the Moret-to--for _him_. A mere Moretto,” said Lord Theign, “is too cheap--for a Yankee ‘on the spend.’” “Then the Mantovano wouldn’t be.” “It remains to be proved that it _is_ a Mantovano.” “Well,” said Lord John,	The Outcry
"I know, but she tells it to you."	Cyril Fielding	her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring:	in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow,	followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's.	grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated.	You do know that for a certainty?" "You have never explained to me what's in your mind here. Why on earth do you want to see her?" "On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated. "His own people seem in touch with him all right." "Well, when he's done with them." "I wouldn't keep you waiting; good heavens, you take precedence of any Indian visitor, of course. I meant what's the good. Why mix yourself up with pitch?" "I say he's innocent" "Innocence or guilt, why mix yourself up? What's the good?" "Oh, good, good," he cried, feeling that every earth was being stopped. "One's got to breathe occasionally, at least I have. I mayn't see her, and now I mayn't see him. I promised him to come up here with him to you, but	to you once before, you're a schoolmaster, and consequently you come across these people at their best. That's what puts you wrong. They can be charming as boys. But I know them as they really are, after they have developed into men. Look at this, for instance." He held up Aziz' pocket-case. "I am going through the contents. They are not edifying. Here is a letter from a friend who apparently keeps a brothel." "I don't want to hear his private letters." "It'll have to be quoted in Court, as bearing on his morals. He was fixing up to see women at Calcutta." "Oh, that'll do, that'll do." McBryde stopped, naively puzzled. It was obvious to him that any two sahibs ought to pool all they knew about any Indian, and he could not think where the objection came in. "I dare say you have the right to throw stones at a young man for doing that, but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?" "You have never explained to me what's in your mind here. Why on earth do you want to see her?" "On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated. "His own people seem in touch with him all right." "Well, when he's done with them." "I wouldn't keep you waiting; good heavens, you take precedence of any Indian visitor, of course. I meant what's the good. Why mix yourself up with pitch?" "I say he's innocent" "Innocence or guilt, why mix yourself up? What's the good?" "Oh, good, good," he cried, feeling that every earth was being stopped. "One's got to breathe occasionally, at least I have. I mayn't see her, and now I mayn't see him. I promised him to come up here with him to you, but Turton called me off before I could get two steps." "Sort of all-white thing the Burra Sahib would do," he muttered sentimentally. And trying not to sound patronizing, he stretched his hand over the table, and said: "We shall all have to hang together, old man, I'm afraid. I'm your junior in years, I know, but very much your senior in service; you don't happen to know this poisonous country as well as I do, and you must take it from me that the general situation is going to be nasty at Chandrapore during the next few weeks, very nasty indeed." "So I have just told you." "But at a time like this there's no room for well personal views. The man who doesn't toe the line is lost." "I see what you mean." "No, you don't see entirely. He not only loses himself, he weakens his friends. If you leave the line, you leave a gap in the line. These jackals" he pointed at the lawyers' cards "are looking with all their eyes for a gap." "Can I visit Aziz?" was his answer. "No." Now that he knew of Turton's attitude, the policeman had no doubts. "You may see	you went off to locate the camp, and almost at once she heard stones falling on the Kawa Dol and saw Miss Quested running straight down the face of a precipice. Well. She climbed up a sort of gully to her, and found her practically done for her helmet off" "Was a guide not with her?" interrupted Fielding. "No. She had got among some cactuses. Miss Derek saved her life coming just then she was beginning to fling herself about. She helped her down to the car. Miss Quested couldn't stand the Indian driver, cried," Keep him away' "and it was that that put our friend on the track of what had happened. They made straight for our bungalow, and are there now. That's the story as far as I know it yet. She sent the driver to join you. I think she behaved with great sense." "I suppose there's no possibility of my seeing Miss Quested?" he asked suddenly. "I hardly think that would do. Surely." "I was afraid you'ld say that. I should very much like to." "She is in no state to see anyone. Besides, you don't know her well." "Hardly at all. . . . But you see I believe she's under some hideous delusion, and that that wretched boy is innocent." The policeman started in surprise, and a shadow passed over his face, for he could not bear his dispositions to be upset. "I had no idea that was in your mind," he said, and looked for support at the signed deposition, which lay before him. "Those field-glasses upset me for a minute, but I've thought since: it's impossible that, having attempted to assault her, he would put her glasses into his pocket." "Quite possible, I'm afraid; when an Indian goes bad, he goes not only very bad, but very queer." "I don't follow." "How should you? When you think of crime you think of English crime. The psychology here is different. I dare say you'll tell me next that he was quite normal when he came down from the hill to greet you. No reason he should not be. Read any of the Mutiny records; which, rather than the Bhagavad Gita, should be your Bible in this country. Though I'm not sure that the one and the other are not closely connected. Am I not being beastly? But, you see, Fielding, as I've said to you once before, you're a schoolmaster, and consequently you come across these people at their best. That's what puts you wrong. They can be charming as boys. But I know them as they really are, after they have developed into men. Look at this, for instance." He held up Aziz' pocket-case. "I am going through the contents. They are not edifying. Here is a letter from a friend who apparently keeps a brothel." "I don't want to hear his private letters." "It'll have to be quoted in Court, as bearing on his morals. He was fixing up to see women at Calcutta." "Oh, that'll do, that'll do." McBryde stopped, naively puzzled. It was obvious to him that any two sahibs ought to pool all they knew about any Indian, and he could not think where the objection came in. "I dare say you have the right to throw stones at a young man for doing that, but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?" "You have never explained to me what's in your mind here. Why on earth do you want to see her?" "On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated. "His own people seem in touch with him all right." "Well, when he's done with them." "I wouldn't keep you waiting; good heavens, you take precedence of any Indian visitor, of course. I meant what's the good. Why mix yourself up with pitch?" "I say he's innocent" "Innocence or guilt, why mix yourself up? What's the good?" "Oh, good, good," he cried, feeling that every earth was being stopped. "One's got to breathe occasionally, at least I have. I mayn't see her, and now I mayn't see him. I promised him to come up here with him to you, but Turton called me off before I could get two steps." "Sort of all-white thing the Burra Sahib would do," he muttered sentimentally. And trying not to sound patronizing, he stretched his hand over the table, and said: "We shall all have to hang together, old man, I'm afraid. I'm your junior in years, I know, but very much your senior in service; you don't happen to know this poisonous country as well as I do, and you must take it from me that the general situation is going to be nasty at Chandrapore during the next few weeks, very nasty indeed." "So I have just told you." "But at a time like this there's no room for well personal views. The man who doesn't toe the line is lost." "I see what you mean." "No, you don't see entirely. He not only loses himself, he weakens his friends. If you leave the line, you leave a gap in the line. These jackals" he pointed at the lawyers' cards "are looking with all their eyes for a gap." "Can I visit Aziz?" was his answer. "No." Now that he knew of Turton's attitude, the policeman had no doubts. "You may see him on a magistrate's order, but on my own responsibility I don't feel justified. It might lead to more complications." He paused, reflecting that if he had been either ten years younger or ten years longer in India, he would have responded to McBryde's appeal. The bit between his teeth, he then said, "To whom do I apply for an order?" "City Magistrate." "That sounds comfortable!" "Yes, one can't very well worry poor Heaslop." More "evidence" appeared at this moment the table-drawer from Aziz' bungalow, borne with triumph in a corporal's arms. "Photographs of women. Ah!" "That's his wife," said Fielding, wincing. "How do you know that?" "He told me." McBryde gave a faint, incredulous smile, and started rummaging in the drawer. His face became inquisitive and slightly bestial. "Wife indeed, I know those wives!" he was thinking. Aloud he said: "Well, you must trot off now, old man, and the Lord help us, the Lord help us all. . ." As if his prayer had been heard, there was a sudden rackety-dacket on a temple bell. CHAPTER XIX Hamidullah was the next stage. He was waiting outside the Superintendent's office, and sprang up respectfully when he saw Fielding. To the Englishman's passionate "It's all a mistake," he answered, "Ah, ah, has some evidence come?" "It will come," said Fielding, holding his hand. "Ah, yes, Mr. Fielding; but when once an Indian has been arrested, we do not know where it will stop." His manner was deferential. "You are very good to greet me in this public fashion, I appreciate it; but, Mr. Fielding, nothing convinces a magistrate except evidence. Did Mr. McBryde make any remark when my card came in? Do you think my application annoyed him, will prejudice him against my friend at all? If so, I will gladly retire." "He's not annoyed, and if he was, what does it matter?" "Ah, it's all very well for you to speak like that, but we have to live in this country." The leading barrister of Chandrapore, with the dignified manner and Cambridge degree, had been rattled. He too loved Aziz, and knew he was calumniated; but faith did not rule his heart, and he prated of "policy" and "evidence" in a way that saddened the Englishman. Fielding, too, had his anxieties he didn't like the field-glasses or the discrepancy over the guide but he relegated them to the edge	letters." "It'll have to be quoted in Court, as bearing on his morals. He was fixing up to see women at Calcutta." "Oh, that'll do, that'll do." McBryde stopped, naively puzzled. It was obvious to him that any two sahibs ought to pool all they knew about any Indian, and he could not think where the objection came in. "I dare say you have the right to throw stones at a young man for doing that, but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?" "You have never explained to me what's in your mind here. Why on earth do you want to see her?" "On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated. "His own people seem in touch with him all right." "Well, when he's done with them." "I wouldn't keep you waiting; good heavens, you take precedence of any Indian visitor, of course. I meant what's the good. Why mix yourself up with pitch?" "I say he's innocent" "Innocence or guilt, why mix yourself up? What's the good?" "Oh, good, good," he cried, feeling that every earth was being stopped. "One's got to breathe occasionally, at least I have. I mayn't see her, and now I mayn't see him. I promised him to come up here with him to you, but Turton called me off before I could get two steps." "Sort of all-white thing the Burra Sahib would do," he muttered sentimentally. And trying not to sound patronizing, he stretched his hand over the table, and said: "We shall all have to hang together, old man, I'm afraid. I'm your junior in years, I know, but very much your senior in service; you don't happen to know this poisonous country as well as I do, and you must take it from me that the general situation is going to be nasty at Chandrapore during the next few weeks, very nasty indeed." "So I have just told you." "But at a time like this there's no room for well personal views. The man who doesn't toe the line is lost." "I see what you mean." "No, you don't see entirely. He not only loses himself, he weakens his friends. If you leave the line, you leave a gap in the line. These jackals" he pointed at the lawyers' cards "are looking with all their eyes for a gap." "Can I visit Aziz?" was his answer. "No." Now that he knew of Turton's attitude, the policeman had no doubts. "You may see him on a magistrate's order, but on my own responsibility I don't feel justified. It might lead to more complications." He paused, reflecting that if he	A Passage To India
she added.	No speaker	"No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish.	that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought	pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I	Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his.	exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of	to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a	the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed	the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to	A Room With A View
"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."	Fagin	it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as	to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr.	reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why	pitched over upon the floor; where (the accident abating nothing of his merriment) he lay at full length until his laugh was over, when he resumed his former position, and began another laugh. "Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?" "Ah, to be sure, my dear," replied the Jew. "You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?" "I mean	Ha! ha! Is that it, my dear?" "Not a bit of it," replied the Dodger, stopping the subject of discourse as Mr. Chitling was about to reply. "What do _you_ say, Charley?" "_I_ should say," replied Master Bates, with a grin, "that he was uncommon sweet upon Betsy. See how he's a-blushing! Oh, my eye! here's a merry-go-rounder! Tommy Chitling's in love! Oh, Fagin, Fagin! what a spree!" Thoroughly overpowered with the notion of Mr. Chitling being the victim of the tender passion, Master Bates threw himself back in his chair with such violence, that he lost his balance, and pitched over upon the floor; where (the accident abating nothing of his merriment) he lay at full length until his laugh was over, when he resumed his former position, and began another laugh. "Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?" "Ah, to be sure, my dear," replied the Jew. "You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?" "I mean to say that I shouldn't," replied Tom, angrily. "There, now. Ah! Who'll say as much as that, I should like to know; eh, Fagin?" "Nobody, my dear," replied the Jew; "not a soul, Tom. I don't know one of 'em that would do it besides you; not one of 'em, my dear." "I might have got clear off, if I'd split upon her; mightn't I, Fagin?" angrily pursued the poor half-witted dupe. "A word from me would have done it; wouldn't it, Fagin?" "To be sure it would, my dear," replied the Jew. "But I didn't blab it; did I,	'ere Dodger has such a run of luck that there's no standing again' him." "Ha! ha! my dear," replied the Jew, "you must get up very early in the morning, to win against the Dodger." "Morning!" said Charley Bates; "you must put your boots on over-night, and have a telescope at each eye, and a opera-glass between your shoulders, if you want to come over him." Mr. Dawkins received these handsome compliments with much philosophy, and offered to cut any gentleman in company, for the first picture-card, at a shilling at a time. Nobody accepting the challenge, and his pipe being by this time smoked out, he proceeded to amuse himself by sketching a ground-plan of Newgate on the table with the piece of chalk which had served him in lieu of counters; whistling, meantime, with peculiar shrillness. "How precious dull you are, Tommy!" said the Dodger, stopping short when there had been a long silence; and addressing Mr. Chitling. "What do you think he's thinking of, Fagin?" "How should I know, my dear?" replied the Jew, looking round as he plied the bellows. "About his losses, maybe; or the little retirement in the country that he's just left, eh? Ha! ha! Is that it, my dear?" "Not a bit of it," replied the Dodger, stopping the subject of discourse as Mr. Chitling was about to reply. "What do _you_ say, Charley?" "_I_ should say," replied Master Bates, with a grin, "that he was uncommon sweet upon Betsy. See how he's a-blushing! Oh, my eye! here's a merry-go-rounder! Tommy Chitling's in love! Oh, Fagin, Fagin! what a spree!" Thoroughly overpowered with the notion of Mr. Chitling being the victim of the tender passion, Master Bates threw himself back in his chair with such violence, that he lost his balance, and pitched over upon the floor; where (the accident abating nothing of his merriment) he lay at full length until his laugh was over, when he resumed his former position, and began another laugh. "Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?" "Ah, to be sure, my dear," replied the Jew. "You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?" "I mean to say that I shouldn't," replied Tom, angrily. "There, now. Ah! Who'll say as much as that, I should like to know; eh, Fagin?" "Nobody, my dear," replied the Jew; "not a soul, Tom. I don't know one of 'em that would do it besides you; not one of 'em, my dear." "I might have got clear off, if I'd split upon her; mightn't I, Fagin?" angrily pursued the poor half-witted dupe. "A word from me would have done it; wouldn't it, Fagin?" "To be sure it would, my dear," replied the Jew. "But I didn't blab it; did I, Fagin?" demanded Tom, pouring question upon question with great volubility. "No, no, to be sure," replied the Jew; "you were too stout-hearted for that. A deal too stout, my dear!" "Perhaps I was," rejoined Tom, looking round; "and if I was, what's to laugh at, in that; eh, Fagin?" The Jew, perceiving that Mr. Chitling was considerably roused, hastened to assure him that nobody was laughing; and to prove the gravity of the company, appealed to Master Bates, the principal offender. But, unfortunately, Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar, that the abused Mr. Chitling, without any preliminary ceremonies, rushed across the room and aimed a blow at the offender; who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell	his neighbour's cards. It being a cold night, the Dodger wore his hat, as, indeed, was often his custom within doors. He also sustained a clay pipe between his teeth, which he only removed for a brief space when he deemed it necessary to apply for refreshment to a quart pot upon the table, which stood ready filled with gin-and-water for the accommodation of the company. Master Bates was also attentive to the play; but being of a more excitable nature than his accomplished friend, it was observable that he more frequently applied himself to the gin-and-water, and moreover indulged in many jests and irrelevant remarks, all highly unbecoming a scientific rubber. Indeed, the Artful, presuming upon their close attachment, more than once took occasion to reason gravely with his companion upon these improprieties; all of which remonstrances, Master Bates received in extremely good part; merely requesting his friend to be "blowed," or to insert his head in a sack, or replying with some other neatly-turned witticism of a similar kind, the happy application of which, excited considerable admiration in the mind of Mr. Chitling. It was remarkable that the latter gentleman and his partner invariably lost; and that the circumstance, so far from angering Master Bates, appeared to afford him the highest amusement, inasmuch as he laughed most uproariously at the end of every deal, and protested that he had never seen such a jolly game in all his born days. "That's two doubles and the rub," said Mr. Chitling, with a very long face, as he drew half-a-crown from his waistcoat-pocket. "I never see such a feller as you, Jack; you win everything. Even when we've good cards, Charley and I can't make nothing of 'em." Either the master or the manner of this remark, which was made very ruefully, delighted Charley Bates so much, that his consequent shout of laughter roused the Jew from his reverie, and induced him to inquire what was the matter. "Matter, Fagin!" cried Charley. "I wish you had watched the play. Tommy Chitling hasn't won a point; and I went partners with him against the Artfull and dumb." "Ay, ay!" said the Jew, with a grin, which sufficiently demonstrated that he was at no loss to understand the reason. "Try 'em again, Tom; try 'em again." "No more of it for me, thank 'ee, Fagin," replied Mr. Chitling; "I've had enough. That 'ere Dodger has such a run of luck that there's no standing again' him." "Ha! ha! my dear," replied the Jew, "you must get up very early in the morning, to win against the Dodger." "Morning!" said Charley Bates; "you must put your boots on over-night, and have a telescope at each eye, and a opera-glass between your shoulders, if you want to come over him." Mr. Dawkins received these handsome compliments with much philosophy, and offered to cut any gentleman in company, for the first picture-card, at a shilling at a time. Nobody accepting the challenge, and his pipe being by this time smoked out, he proceeded to amuse himself by sketching a ground-plan of Newgate on the table with the piece of chalk which had served him in lieu of counters; whistling, meantime, with peculiar shrillness. "How precious dull you are, Tommy!" said the Dodger, stopping short when there had been a long silence; and addressing Mr. Chitling. "What do you think he's thinking of, Fagin?" "How should I know, my dear?" replied the Jew, looking round as he plied the bellows. "About his losses, maybe; or the little retirement in the country that he's just left, eh? Ha! ha! Is that it, my dear?" "Not a bit of it," replied the Dodger, stopping the subject of discourse as Mr. Chitling was about to reply. "What do _you_ say, Charley?" "_I_ should say," replied Master Bates, with a grin, "that he was uncommon sweet upon Betsy. See how he's a-blushing! Oh, my eye! here's a merry-go-rounder! Tommy Chitling's in love! Oh, Fagin, Fagin! what a spree!" Thoroughly overpowered with the notion of Mr. Chitling being the victim of the tender passion, Master Bates threw himself back in his chair with such violence, that he lost his balance, and pitched over upon the floor; where (the accident abating nothing of his merriment) he lay at full length until his laugh was over, when he resumed his former position, and began another laugh. "Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?" "Ah, to be sure, my dear," replied the Jew. "You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?" "I mean to say that I shouldn't," replied Tom, angrily. "There, now. Ah! Who'll say as much as that, I should like to know; eh, Fagin?" "Nobody, my dear," replied the Jew; "not a soul, Tom. I don't know one of 'em that would do it besides you; not one of 'em, my dear." "I might have got clear off, if I'd split upon her; mightn't I, Fagin?" angrily pursued the poor half-witted dupe. "A word from me would have done it; wouldn't it, Fagin?" "To be sure it would, my dear," replied the Jew. "But I didn't blab it; did I, Fagin?" demanded Tom, pouring question upon question with great volubility. "No, no, to be sure," replied the Jew; "you were too stout-hearted for that. A deal too stout, my dear!" "Perhaps I was," rejoined Tom, looking round; "and if I was, what's to laugh at, in that; eh, Fagin?" The Jew, perceiving that Mr. Chitling was considerably roused, hastened to assure him that nobody was laughing; and to prove the gravity of the company, appealed to Master Bates, the principal offender. But, unfortunately, Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar, that the abused Mr. Chitling, without any preliminary ceremonies, rushed across the room and aimed a blow at the offender; who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell was rung again, with some impatience, while the party were in darkness. After a short pause, the Dodger reappeared, and whispered Fagin mysteriously. "What!" cried the Jew, "alone?" The Dodger nodded in the affirmative, and, shading the flame of the candle with his hand, gave Charley Bates a private intimation, in dumb show, that he had better not be funny just then. Having performed this friendly office, he fixed his eyes on the Jew's face, and awaited his directions. The old man bit his yellow fingers, and meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room. "Yes," said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed. There was no sound of their whereabout, when the Dodger descended the stairs, bearing the light in his hand, and followed by a man in a coarse smock-frock; who, after casting a hurried glance round the room, pulled off a large wrapper which had concealed the lower portion of his face, and disclosed: all haggard, unwashed, and unshorn: the features of flash Toby Crackit. "How are you, Faguey?" said this worthy, nodding to the Jew. "Pop that shawl away in my castor, Dodger, so that I may know where to find it when I cut; that's the time of day! You'll be a fine young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But don't look at me in that way, man. All in good time. I can't talk about business till I've eat and drank; so produce the sustainance, and let's have a quiet fill-out for the first time these three days!" The Jew motioned to the Dodger to place what eatables there were, upon the table; and, seating himself opposite the housebreaker, waited his	Jew from his reverie, and induced him to inquire what was the matter. "Matter, Fagin!" cried Charley. "I wish you had watched the play. Tommy Chitling hasn't won a point; and I went partners with him against the Artfull and dumb." "Ay, ay!" said the Jew, with a grin, which sufficiently demonstrated that he was at no loss to understand the reason. "Try 'em again, Tom; try 'em again." "No more of it for me, thank 'ee, Fagin," replied Mr. Chitling; "I've had enough. That 'ere Dodger has such a run of luck that there's no standing again' him." "Ha! ha! my dear," replied the Jew, "you must get up very early in the morning, to win against the Dodger." "Morning!" said Charley Bates; "you must put your boots on over-night, and have a telescope at each eye, and a opera-glass between your shoulders, if you want to come over him." Mr. Dawkins received these handsome compliments with much philosophy, and offered to cut any gentleman in company, for the first picture-card, at a shilling at a time. Nobody accepting the challenge, and his pipe being by this time smoked out, he proceeded to amuse himself by sketching a ground-plan of Newgate on the table with the piece of chalk which had served him in lieu of counters; whistling, meantime, with peculiar shrillness. "How precious dull you are, Tommy!" said the Dodger, stopping short when there had been a long silence; and addressing Mr. Chitling. "What do you think he's thinking of, Fagin?" "How should I know, my dear?" replied the Jew, looking round as he plied the bellows. "About his losses, maybe; or the little retirement in the country that he's just left, eh? Ha! ha! Is that it, my dear?" "Not a bit of it," replied the Dodger, stopping the subject of discourse as Mr. Chitling was about to reply. "What do _you_ say, Charley?" "_I_ should say," replied Master Bates, with a grin, "that he was uncommon sweet upon Betsy. See how he's a-blushing! Oh, my eye! here's a merry-go-rounder! Tommy Chitling's in love! Oh, Fagin, Fagin! what a spree!" Thoroughly overpowered with the notion of Mr. Chitling being the victim of the tender passion, Master Bates threw himself back in his chair with such violence, that he lost his balance, and pitched over upon the floor; where (the accident abating nothing of his merriment) he lay at full length until his laugh was over, when he resumed his former position, and began another laugh. "Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?" "Ah, to be sure, my dear," replied the Jew. "You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?" "I mean to say that I shouldn't," replied Tom, angrily. "There, now. Ah! Who'll say as much as that, I should like to know; eh, Fagin?" "Nobody, my dear," replied the Jew; "not a soul, Tom. I don't know one of 'em that would do it besides you; not one of 'em, my dear." "I might have got clear off, if I'd split upon her; mightn't I, Fagin?" angrily pursued the poor half-witted dupe. "A word from me would have done it; wouldn't it, Fagin?" "To be sure it would, my dear," replied the Jew. "But I didn't blab it; did I, Fagin?" demanded Tom, pouring question upon question with great volubility. "No, no, to be sure," replied the Jew; "you were too stout-hearted for that. A deal too stout, my dear!" "Perhaps I was," rejoined Tom, looking round; "and if I was, what's to laugh at, in that; eh, Fagin?" The Jew, perceiving that Mr. Chitling was considerably roused, hastened to assure him that nobody was laughing; and to prove the gravity of the company, appealed to Master Bates, the principal offender. But, unfortunately, Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar, that the abused Mr. Chitling, without any preliminary ceremonies, rushed across the room and aimed a blow at the offender; who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell was rung again, with some impatience, while the party were in darkness. After a short pause, the Dodger reappeared, and whispered Fagin mysteriously. "What!" cried the Jew, "alone?" The Dodger nodded in the affirmative, and, shading the flame of the candle with his hand, gave Charley Bates a private intimation, in dumb show, that he had better not be funny just then. Having performed this friendly office, he fixed his eyes on the Jew's face, and awaited his directions. The old man bit his yellow fingers, and meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room. "Yes," said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed.	Oliver Twist
said Kovrin.	No speaker	their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide	did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked	thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius	had grown irritable, capricious, quarrelsome and uninteresting. She could not laugh or sing; at dinner she ate nothing; did not sleep for nights together, expecting something awful, and was so worn out that on one occasion she lay in a dead faint from dinner-time till evening. During the service she thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius and in bringing civilisation to ruin. If only you knew," Kovrin said with annoyance, "how grateful I am to you." He felt intense irritation, and to avoid saying too much, he got up quickly and went into the house. It was still, and the fragrance of the tobacco plant and	even rudely, never looked at him but with irony and hatred, while Yegor Semyonitch was overcome with confusion and cleared his throat guiltily, though he was not conscious of any fault in himself. At a loss to understand why their charming and affectionate relations had changed so abruptly, Tanya huddled up to her father and looked anxiously in his face; she wanted to understand and could not understand, and all that was clear to her was that their relations were growing worse and worse every day, that of late her father had begun to look much older, and her husband had grown irritable, capricious, quarrelsome and uninteresting. She could not laugh or sing; at dinner she ate nothing; did not sleep for nights together, expecting something awful, and was so worn out that on one occasion she lay in a dead faint from dinner-time till evening. During the service she thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius and in bringing civilisation to ruin. If only you knew," Kovrin said with annoyance, "how grateful I am to you." He felt intense irritation, and to avoid saying too much, he got up quickly and went into the house. It was still, and the fragrance of the tobacco plant and the marvel of Peru floated in at the open window. The moonlight lay in green patches on the floor and on the piano in the big dark dining-room. Kovrin remembered the raptures of the previous summer when there had been the same scent of the marvel of Peru and the moon had shone in at the window. To bring back the mood of last year he went quickly to his study, lighted a strong cigar, and told the footman to bring him some wine. But the cigar left a bitter and disgusting taste in his mouth, and the wine had	step. "Drink it yourself; I don't want it." Tanya exchanged a troubled glance with her father, and said in a guilty voice: "You notice yourself that milk does you good." "Yes, a great deal of good!" Kovrin laughed. "I congratulate you: I have gained a pound in weight since Friday." He pressed his head tightly in his hands and said miserably: "Why, why have you cured me? Preparations of bromide, idleness, hot baths, supervision, cowardly consternation at every mouthful, at every step--all this will reduce me at last to idiocy. I went out of my mind, I had megalomania; but then I was cheerful, confident, and even happy; I was interesting and original. Now I have become more sensible and stolid, but I am just like every one else: I am--mediocrity; I am weary of life.... Oh, how cruelly you have treated me!... I saw hallucinations, but what harm did that do to any one? I ask, what harm did that do any one?" "Goodness knows what you are saying!" sighed Yegor Semyonitch. "It's positively wearisome to listen to it." "Then don't listen." The presence of other people, especially Yegor Semyonitch, irritated Kovrin now; he answered him drily, coldly, and even rudely, never looked at him but with irony and hatred, while Yegor Semyonitch was overcome with confusion and cleared his throat guiltily, though he was not conscious of any fault in himself. At a loss to understand why their charming and affectionate relations had changed so abruptly, Tanya huddled up to her father and looked anxiously in his face; she wanted to understand and could not understand, and all that was clear to her was that their relations were growing worse and worse every day, that of late her father had begun to look much older, and her husband had grown irritable, capricious, quarrelsome and uninteresting. She could not laugh or sing; at dinner she ate nothing; did not sleep for nights together, expecting something awful, and was so worn out that on one occasion she lay in a dead faint from dinner-time till evening. During the service she thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius and in bringing civilisation to ruin. If only you knew," Kovrin said with annoyance, "how grateful I am to you." He felt intense irritation, and to avoid saying too much, he got up quickly and went into the house. It was still, and the fragrance of the tobacco plant and the marvel of Peru floated in at the open window. The moonlight lay in green patches on the floor and on the piano in the big dark dining-room. Kovrin remembered the raptures of the previous summer when there had been the same scent of the marvel of Peru and the moon had shone in at the window. To bring back the mood of last year he went quickly to his study, lighted a strong cigar, and told the footman to bring him some wine. But the cigar left a bitter and disgusting taste in his mouth, and the wine had not the same flavour as it had the year before. And so great is the effect of giving up a habit, the cigar and the two gulps of wine made him giddy, and brought on palpitations of the heart, so that he was obliged to take bromide. Before going to bed, Tanya said to him: "Father adores you. You are cross with him about something, and it is killing him. Look at him; he is ageing, not from day to day, but from hour to hour. I entreat you, Andryusha, for God's sake, for the sake of your dead father, for the sake of my peace of mind, be affectionate to him." "I can't, I don't want to." "But why?" asked Tanya, beginning to tremble all over. "Explain why." "Because he is antipathetic to me, that's all," said Kovrin carelessly; and he shrugged his shoulders. "But we won't talk about him: he is your father." "I can't understand, I can't," said Tanya, pressing her hands to her temples and staring at a fixed point. "Something incomprehensible, awful, is going on in the house. You have changed, grown unlike yourself.... You, clever, extraordinary man as you are, are irritated over trifles,	of my mind" ; but he could only move his lips and smile bitterly. At nine o'clock in the morning they put on his jacket and fur coat, wrapped him up in a shawl, and took him in a carriage to a doctor. VIII Summer had come again, and the doctor advised their going into the country. Kovrin had recovered; he had left off seeing the black monk, and he had only to get up his strength. Staying at his father-in-law's, he drank a great deal of milk, worked for only two hours out of the twenty-four, and neither smoked nor drank wine. On the evening before Elijah's Day they had an evening service in the house. When the deacon was handing the priest the censer the immense old room smelt like a graveyard, and Kovrin felt bored. He went out into the garden. Without noticing the gorgeous flowers, he walked about the garden, sat down on a seat, then strolled about the park; reaching the river, he went down and then stood lost in thought, looking at the water. The sullen pines with their shaggy roots, which had seen him a year before so young, so joyful and confident, were not whispering now, but standing mute and motionless, as though they did not recognise him. And, indeed, his head was closely cropped, his beautiful long hair was gone, his step was lagging, his face was fuller and paler than last summer. He crossed by the footbridge to the other side. Where the year before there had been rye the oats stood, reaped, and lay in rows. The sun had set and there was a broad stretch of glowing red on the horizon, a sign of windy weather next day. It was still. Looking in the direction from which the year before the black monk had first appeared, Kovrin stood for twenty minutes, till the evening glow had begun to fade.... When, listless and dissatisfied, he returned home the service was over. Yegor Semyonitch and Tanya were sitting on the steps of the verandah, drinking tea. They were talking of something, but, seeing Kovrin, ceased at once, and he concluded from their faces that their talk had been about him. "I believe it is time for you to have your milk," Tanya said to her husband. "No, it is not time yet ..." he said, sitting down on the bottom step. "Drink it yourself; I don't want it." Tanya exchanged a troubled glance with her father, and said in a guilty voice: "You notice yourself that milk does you good." "Yes, a great deal of good!" Kovrin laughed. "I congratulate you: I have gained a pound in weight since Friday." He pressed his head tightly in his hands and said miserably: "Why, why have you cured me? Preparations of bromide, idleness, hot baths, supervision, cowardly consternation at every mouthful, at every step--all this will reduce me at last to idiocy. I went out of my mind, I had megalomania; but then I was cheerful, confident, and even happy; I was interesting and original. Now I have become more sensible and stolid, but I am just like every one else: I am--mediocrity; I am weary of life.... Oh, how cruelly you have treated me!... I saw hallucinations, but what harm did that do to any one? I ask, what harm did that do any one?" "Goodness knows what you are saying!" sighed Yegor Semyonitch. "It's positively wearisome to listen to it." "Then don't listen." The presence of other people, especially Yegor Semyonitch, irritated Kovrin now; he answered him drily, coldly, and even rudely, never looked at him but with irony and hatred, while Yegor Semyonitch was overcome with confusion and cleared his throat guiltily, though he was not conscious of any fault in himself. At a loss to understand why their charming and affectionate relations had changed so abruptly, Tanya huddled up to her father and looked anxiously in his face; she wanted to understand and could not understand, and all that was clear to her was that their relations were growing worse and worse every day, that of late her father had begun to look much older, and her husband had grown irritable, capricious, quarrelsome and uninteresting. She could not laugh or sing; at dinner she ate nothing; did not sleep for nights together, expecting something awful, and was so worn out that on one occasion she lay in a dead faint from dinner-time till evening. During the service she thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius and in bringing civilisation to ruin. If only you knew," Kovrin said with annoyance, "how grateful I am to you." He felt intense irritation, and to avoid saying too much, he got up quickly and went into the house. It was still, and the fragrance of the tobacco plant and the marvel of Peru floated in at the open window. The moonlight lay in green patches on the floor and on the piano in the big dark dining-room. Kovrin remembered the raptures of the previous summer when there had been the same scent of the marvel of Peru and the moon had shone in at the window. To bring back the mood of last year he went quickly to his study, lighted a strong cigar, and told the footman to bring him some wine. But the cigar left a bitter and disgusting taste in his mouth, and the wine had not the same flavour as it had the year before. And so great is the effect of giving up a habit, the cigar and the two gulps of wine made him giddy, and brought on palpitations of the heart, so that he was obliged to take bromide. Before going to bed, Tanya said to him: "Father adores you. You are cross with him about something, and it is killing him. Look at him; he is ageing, not from day to day, but from hour to hour. I entreat you, Andryusha, for God's sake, for the sake of your dead father, for the sake of my peace of mind, be affectionate to him." "I can't, I don't want to." "But why?" asked Tanya, beginning to tremble all over. "Explain why." "Because he is antipathetic to me, that's all," said Kovrin carelessly; and he shrugged his shoulders. "But we won't talk about him: he is your father." "I can't understand, I can't," said Tanya, pressing her hands to her temples and staring at a fixed point. "Something incomprehensible, awful, is going on in the house. You have changed, grown unlike yourself.... You, clever, extraordinary man as you are, are irritated over trifles, meddle in paltry nonsense.... Such trivial things excite you, that sometimes one is simply amazed and can't believe that it is you. Come, come, don't be angry, don't be angry," she went on, kissing his hands, frightened of her own words. "You are clever, kind, noble. You will be just to father. He is so good." "He is not good; he is just good-natured. Burlesque old uncles like your father, with well-fed, good-natured faces, extraordinarily hospitable and queer, at one time used to touch me and amuse me in novels and in farces and in life; now I dislike them. They are egoists to the marrow of their bones. What disgusts me most of all is their being so well-fed, and that purely bovine, purely hoggish optimism of a full stomach." Tanya sat down on the bed and laid her head on the pillow. "This is torture," she said, and from her voice it was evident that she was utterly exhausted, and that it was hard for her to speak. "Not one moment of peace since the winter.... Why, it's awful! My God! I am wretched." "Oh, of course, I am Herod, and you and your father are the innocents. Of course." His face seemed to Tanya ugly and unpleasant. Hatred and an ironical expression did not suit him. And, indeed, she had noticed before that there was something lacking in his face, as though ever since his hair had been cut his face had changed, too. She wanted to say something wounding to him, but immediately she caught herself in this antagonistic feeling, she was frightened and went out of the bedroom. IX Kovrin received a professorship at the University. The inaugural address was fixed for the second of December, and a notice to that effect was hung up in the corridor at the University. But on the day appointed he informed the students' inspector, by telegram, that he was prevented by illness from giving the lecture. He had hæmorrhage from the throat. He was often spitting blood, but it happened two or three times a month that there was a considerable loss of blood, and then he grew extremely weak and sank into a drowsy condition. This illness did not particularly frighten him, as he knew that his mother had lived for ten years or longer suffering from the same disease, and the doctors assured him that there	over. Yegor Semyonitch and Tanya were sitting on the steps of the verandah, drinking tea. They were talking of something, but, seeing Kovrin, ceased at once, and he concluded from their faces that their talk had been about him. "I believe it is time for you to have your milk," Tanya said to her husband. "No, it is not time yet ..." he said, sitting down on the bottom step. "Drink it yourself; I don't want it." Tanya exchanged a troubled glance with her father, and said in a guilty voice: "You notice yourself that milk does you good." "Yes, a great deal of good!" Kovrin laughed. "I congratulate you: I have gained a pound in weight since Friday." He pressed his head tightly in his hands and said miserably: "Why, why have you cured me? Preparations of bromide, idleness, hot baths, supervision, cowardly consternation at every mouthful, at every step--all this will reduce me at last to idiocy. I went out of my mind, I had megalomania; but then I was cheerful, confident, and even happy; I was interesting and original. Now I have become more sensible and stolid, but I am just like every one else: I am--mediocrity; I am weary of life.... Oh, how cruelly you have treated me!... I saw hallucinations, but what harm did that do to any one? I ask, what harm did that do any one?" "Goodness knows what you are saying!" sighed Yegor Semyonitch. "It's positively wearisome to listen to it." "Then don't listen." The presence of other people, especially Yegor Semyonitch, irritated Kovrin now; he answered him drily, coldly, and even rudely, never looked at him but with irony and hatred, while Yegor Semyonitch was overcome with confusion and cleared his throat guiltily, though he was not conscious of any fault in himself. At a loss to understand why their charming and affectionate relations had changed so abruptly, Tanya huddled up to her father and looked anxiously in his face; she wanted to understand and could not understand, and all that was clear to her was that their relations were growing worse and worse every day, that of late her father had begun to look much older, and her husband had grown irritable, capricious, quarrelsome and uninteresting. She could not laugh or sing; at dinner she ate nothing; did not sleep for nights together, expecting something awful, and was so worn out that on one occasion she lay in a dead faint from dinner-time till evening. During the service she thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius and in bringing civilisation to ruin. If only you knew," Kovrin said with annoyance, "how grateful I am to you." He felt intense irritation, and to avoid saying too much, he got up quickly and went into the house. It was still, and the fragrance of the tobacco plant and the marvel of Peru floated in at the open window. The moonlight lay in green patches on the floor and on the piano in the big dark dining-room. Kovrin remembered the raptures of the previous summer when there had been the same scent of the marvel of Peru and the moon had shone in at the window. To bring back the mood of last year he went quickly to his study, lighted a strong cigar, and told the footman to bring him some wine. But the cigar left a bitter and disgusting taste in his mouth, and the wine had not the same flavour as it had the year before. And so great is the effect of giving up a habit, the cigar and the two gulps of wine made him giddy, and brought on palpitations of the heart, so that he was obliged to take bromide. Before going to bed, Tanya said to him: "Father adores you. You are cross with him about something, and it is killing him. Look at him; he is ageing, not from day to day, but from hour to hour. I entreat you, Andryusha, for God's sake, for the sake of your dead father, for the sake of my peace of mind, be affectionate to him." "I can't, I don't want to." "But why?" asked Tanya, beginning to tremble all over. "Explain why." "Because he is antipathetic to me, that's all," said Kovrin carelessly; and he shrugged his shoulders. "But we won't talk about him: he is your father." "I can't understand, I can't," said Tanya, pressing her hands to her temples and staring at a fixed point. "Something incomprehensible, awful, is going on in the house. You have changed, grown unlike yourself.... You, clever, extraordinary man as you are, are irritated over trifles, meddle in paltry nonsense.... Such trivial things excite you, that sometimes one is simply amazed and can't believe that it is you. Come, come, don't be angry, don't be angry," she went on, kissing his hands, frightened of her own words. "You are clever, kind, noble. You will be just to father. He is so good." "He is not good; he is just good-natured. Burlesque old uncles like your father, with well-fed, good-natured faces, extraordinarily hospitable and queer, at one time used to touch me and amuse me in novels and in farces and in life; now I dislike them. They are egoists to the marrow of their bones. What disgusts me most of all is their being so well-fed, and that purely bovine, purely hoggish optimism of a full stomach." Tanya sat down on the bed and laid her head on the pillow. "This is torture," she said, and from her voice it was evident that she was utterly exhausted, and that it was hard for her to speak. "Not one moment of peace since the winter.... Why, it's	The Lady and the Dog and Other Stories (6)
"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"	Mrs. Hilbery	brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a	I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who	remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of	alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best	the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub	spot of ground where Shakespeare had undoubtedly stood, where his very bones lay directly beneath one s feet, was so absorbing to her on this particular occasion that she greeted her daughter with the exclamation: "D you think he ever passed this house?" The question, for the moment, seemed to Katharine to have reference to Ralph Denham. "On his way to Blackfriars, I mean," Mrs. Hilbery continued, "for you know the latest discovery is that he owned a house there." Katharine still looked about her in perplexity, and Mrs. Hilbery added: "Which is a proof that he wasn t as poor as they ve sometimes said. I should like to think that he had enough, though I don t in the least want him to be rich." Then, perceiving her daughter s expression of perplexity, Mrs. Hilbery burst out laughing. "My dear, I m not talking about _your_ William, though that s another reason for liking him. I m talking, I m thinking, I m dreaming of _my_ William William Shakespeare, of course. Isn t it odd," she mused, standing at the window and tapping gently upon the pane, "that for all one can see, that dear old thing in the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but another of exquisite beauty as she justly observed, looking up for a second to ask Katharine who that was? "Mary Datchet," Katharine replied briefly. "Ah I half wish I d called you Mary, but it wouldn t have gone with Hilbery, and it wouldn t have gone with Rodney. Now this isn t the passage I wanted. (I never can find what I want.) But it s spring; it s the daffodils; it s the green fields; it s the birds." She was cut short in her quotation by another imperative telephone-bell. Once more Katharine left the room. "My dear child, how odious the triumphs of science are!" Mrs. Hilbery exclaimed on her return. "They ll be linking us with the moon next but who was that?" "William," Katharine replied yet more briefly. "I ll forgive William anything, for I m certain that there aren t any Williams in the moon. I hope he s coming to luncheon?" "He s	Mrs. Hilbery, these early spring days were chiefly upsetting inasmuch as they caused a general quickening of her emotional powers, which, as far as the past was concerned, had never suffered much diminution. But in the spring her desire for expression invariably increased. She was haunted by the ghosts of phrases. She gave herself up to a sensual delight in the combinations of words. She sought them in the pages of her favorite authors. She made them for herself on scraps of paper, and rolled them on her tongue when there seemed no occasion for such eloquence. She was upheld in these excursions by the certainty that no language could outdo the splendor of her father s memory, and although her efforts did not notably further the end of his biography, she was under the impression of living more in his shade at such times than at others. No one can escape the power of language, let alone those of English birth brought up from childhood, as Mrs. Hilbery had been, to disport themselves now in the Saxon plainness, now in the Latin splendor of the tongue, and stored with memories, as she was, of old poets exuberating in an infinity of vocables. Even Katharine was slightly affected against her better judgment by her mother s enthusiasm. Not that her judgment could altogether acquiesce in the necessity for a study of Shakespeare s sonnets as a preliminary to the fifth chapter of her grandfather s biography. Beginning with a perfectly frivolous jest, Mrs. Hilbery had evolved a theory that Anne Hathaway had a way, among other things, of writing Shakespeare s sonnets; the idea, struck out to enliven a party of professors, who forwarded a number of privately printed manuals within the next few days for her instruction, had submerged her in a flood of Elizabethan literature; she had come half to believe in her joke, which was, she said, at least as good as other people s facts, and all her fancy for the time being centered upon Stratford-on-Avon. She had a plan, she told Katharine, when, rather later than usual, Katharine came into the room the morning after her walk by the river, for visiting Shakespeare s tomb. Any fact about the poet had become, for the moment, of far greater interest to her than the immediate present, and the certainty that there was existing in England a spot of ground where Shakespeare had undoubtedly stood, where his very bones lay directly beneath one s feet, was so absorbing to her on this particular occasion that she greeted her daughter with the exclamation: "D you think he ever passed this house?" The question, for the moment, seemed to Katharine to have reference to Ralph Denham. "On his way to Blackfriars, I mean," Mrs. Hilbery continued, "for you know the latest discovery is that he owned a house there." Katharine still looked about her in perplexity, and Mrs. Hilbery added: "Which is a proof that he wasn t as poor as they ve sometimes said. I should like to think that he had enough, though I don t in the least want him to be rich." Then, perceiving her daughter s expression of perplexity, Mrs. Hilbery burst out laughing. "My dear, I m not talking about _your_ William, though that s another reason for liking him. I m talking, I m thinking, I m dreaming of _my_ William William Shakespeare, of course. Isn t it odd," she mused, standing at the window and tapping gently upon the pane, "that for all one can see, that dear old thing in the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but another of exquisite beauty as she justly observed, looking up for a second to ask Katharine who that was? "Mary Datchet," Katharine replied briefly. "Ah I half wish I d called you Mary, but it wouldn t have gone with Hilbery, and it wouldn t have gone with Rodney. Now this isn t the passage I wanted. (I never can find what I want.) But it s spring; it s the daffodils; it s the green fields; it s the birds." She was cut short in her quotation by another imperative telephone-bell. Once more Katharine left the room. "My dear child, how odious the triumphs of science are!" Mrs. Hilbery exclaimed on her return. "They ll be linking us with the moon next but who was that?" "William," Katharine replied yet more briefly. "I ll forgive William anything, for I m certain that there aren t any Williams in the moon. I hope he s coming to luncheon?" "He s coming to tea." "Well, that s better than nothing, and I promise to leave you alone." "There s no need for you to do that," said Katharine. She swept her hand over the faded sheet, and drew herself up squarely to the table as if she refused to waste time any longer. The gesture was not lost upon her mother. It hinted at the existence of something stern and unapproachable in her daughter s character, which struck chill upon her, as the sight of poverty, or drunkenness, or the logic with which Mr. Hilbery sometimes thought good to demolish her certainty of an approaching millennium struck chill upon her. She went back to her own table, and putting on her spectacles with a curious expression of quiet humility, addressed herself for the first time that morning to the task before her. The shock with an unsympathetic world had a sobering effect on her. For once, her industry surpassed her daughter s. Katharine could not reduce the world to that particular perspective in which Harriet Martineau, for instance, was a figure of solid importance, and possessed of a genuine relationship to this figure or to that date. Singularly enough, the sharp call of the telephone-bell still echoed in her ear, and her body and mind were in a state of tension, as if, at any moment, she might hear another summons of greater interest to her than the whole of the nineteenth century. She did not clearly realize what this call was to be; but when the ears have got into the habit of listening, they go on listening involuntarily, and thus Katharine spent the greater part of the morning in listening to a variety of sounds in the back streets of Chelsea. For the first time in her life, probably, she wished that Mrs. Hilbery would not keep so closely to her work. A quotation from Shakespeare would not have come amiss. Now and again she heard a sigh from her mother s table, but that was the only proof she gave of her existence, and Katharine did not think of connecting it with the square aspect of her own position at the table, or, perhaps, she would have thrown her pen down and told her mother the reason of her restlessness. The only writing she managed to accomplish in the course of the morning was one letter, addressed to	as they ve sometimes said. I should like to think that he had enough, though I don t in the least want him to be rich." Then, perceiving her daughter s expression of perplexity, Mrs. Hilbery burst out laughing. "My dear, I m not talking about _your_ William, though that s another reason for liking him. I m talking, I m thinking, I m dreaming of _my_ William William Shakespeare, of course. Isn t it odd," she mused, standing at the window and tapping gently upon the pane, "that for all one can see, that dear old thing in the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but another of exquisite beauty as she justly observed, looking up for a second to ask Katharine who that was? "Mary Datchet," Katharine replied briefly. "Ah I half wish I d called you Mary, but it wouldn t have gone with Hilbery, and it wouldn t have gone with Rodney. Now this isn t the passage I wanted. (I never can find what I want.) But it s spring; it s the daffodils; it s the green fields; it s the birds." She was cut short in her quotation by another imperative telephone-bell. Once more Katharine left the room. "My dear child, how odious the triumphs of science are!" Mrs. Hilbery exclaimed on her return. "They ll be linking us with the moon next but who was that?" "William," Katharine replied yet more briefly. "I ll forgive William anything, for I m certain that there aren t any Williams in the moon. I hope he s coming to luncheon?" "He s coming to tea." "Well, that s better than nothing, and I promise to leave you alone." "There s no need for you to do that," said Katharine. She swept her hand over the faded sheet, and drew herself up squarely to the table as if she refused to waste time any longer. The gesture was not lost upon her mother. It hinted at the existence of something stern and unapproachable in her daughter s character, which struck chill upon her, as the sight of poverty, or drunkenness, or the logic with which Mr. Hilbery sometimes thought good to demolish her certainty of an approaching millennium struck chill upon her. She	Night And Day
They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.	No speaker	the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried.	us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince	than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of	arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick s four-in-hand came between, and when it had left the space clear, the carriage had swept out of the park. "He is gone," murmured Sibyl sadly. "I wish you had seen him." "I wish I had, for as sure as there is a God in heaven, if he ever	in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies." "He is a gentleman," said the lad sullenly. "A prince!" she cried musically. "What more do you want?" "He wants to enslave you." "I shudder at the thought of being free." "I want you to beware of him." "To see him is to worship him; to know him is to trust him." "Sibyl, you are mad about him." She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick s four-in-hand came between, and when it had left the space clear, the carriage had swept out of the park. "He is gone," murmured Sibyl sadly. "I wish you had seen him." "I wish I had, for as sure as there is a God in heaven, if he ever does you any wrong, I shall kill him." She looked at him in horror. He repeated his words. They cut the air like a dagger. The people round began to gape. A lady standing close to her tittered. "Come away, Jim; come away," she whispered. He followed her doggedly as she passed through the crowd. He felt glad at what he had said. When they reached the Achilles Statue, she turned round. There was pity in her eyes that became laughter on her lips. She shook her head at him. "You are foolish, Jim, utterly foolish; a bad-tempered boy, that	is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am to play Juliet. Oh! how I shall play it! Fancy, Jim, to be in love and play Juliet! To have him sitting there! To play for his delight! I am afraid I may frighten the company, frighten or enthrall them. To be in love is to surpass one s self. Poor dreadful Mr. Isaacs will be shouting" genius "to his loafers at the bar. He has preached me as a dogma; to-night he will announce me as a revelation. I feel it. And it is all his, his only, Prince Charming, my wonderful lover, my god of graces. But I am poor beside him. Poor? What does that matter? When poverty creeps in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies." "He is a gentleman," said the lad sullenly. "A prince!" she cried musically. "What more do you want?" "He wants to enslave you." "I shudder at the thought of being free." "I want you to beware of him." "To see him is to worship him; to know him is to trust him." "Sibyl, you are mad about him." She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick s four-in-hand came between, and when it had left the space clear, the carriage had swept out of the park. "He is gone," murmured Sibyl sadly. "I wish you had seen him." "I wish I had, for as sure as there is a God in heaven, if he ever does you any wrong, I shall kill him." She looked at him in horror. He repeated his words. They cut the air like a dagger. The people round began to gape. A lady standing close to her tittered. "Come away, Jim; come away," she whispered. He followed her doggedly as she passed through the crowd. He felt glad at what he had said. When they reached the Achilles Statue, she turned round. There was pity in her eyes that became laughter on her lips. She shook her head at him. "You are foolish, Jim, utterly foolish; a bad-tempered boy, that is all. How can you say such horrible things? You don t know what you are talking about. You are simply jealous and unkind. Ah! I wish you would fall in love. Love makes people good, and what you said was wicked." "I am sixteen," he answered, "and I know what I am about. Mother is no help to you. She doesn t understand how to look after you. I wish now that I was not going to Australia at all. I have a great mind to chuck the whole thing up. I would, if my articles hadn t been signed." "Oh, don t be so serious, Jim. You are like one of the heroes of those silly melodramas Mother used to be so fond of acting in. I am not going to quarrel with you. I have seen him, and oh! to see him is perfect happiness. We won t quarrel. I know you would never harm any one I love, would you?" "Not as long as you love him, I suppose," was the sullen answer. "I shall love him for ever!" she cried. "And he?" "For ever, too!" "He had better." She shrank from him. Then she laughed	write to her by every mail, and to say his prayers each night before he went to sleep. God was very good, and would watch over him. She would pray for him, too, and in a few years he would come back quite rich and happy. The lad listened sulkily to her and made no answer. He was heart-sick at leaving home. Yet it was not this alone that made him gloomy and morose. Inexperienced though he was, he had still a strong sense of the danger of Sibyl s position. This young dandy who was making love to her could mean her no good. He was a gentleman, and he hated him for that, hated him through some curious race-instinct for which he could not account, and which for that reason was all the more dominant within him. He was conscious also of the shallowness and vanity of his mother s nature, and in that saw infinite peril for Sibyl and Sibyl s happiness. Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them. His mother! He had something on his mind to ask of her, something that he had brooded on for many months of silence. A chance phrase that he had heard at the theatre, a whispered sneer that had reached his ears one night as he waited at the stage-door, had set loose a train of horrible thoughts. He remembered it as if it had been the lash of a hunting-crop across his face. His brows knit together into a wedge-like furrow, and with a twitch of pain he bit his underlip. "You are not listening to a word I am saying, Jim," cried Sibyl, "and I am making the most delightful plans for your future. Do say something." "What do you want me to say?" "Oh! that you will be a good boy and not forget us," she answered, smiling at him. He shrugged his shoulders. "You are more likely to forget me than I am to forget you, Sibyl." She flushed. "What do you mean, Jim?" she asked. "You have a new friend, I hear. Who is he? Why have you not told me about him? He means you no good." "Stop, Jim!" she exclaimed. "You must not say anything against him. I love him." "Why, you don t even know his name," answered the lad. "Who is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am to play Juliet. Oh! how I shall play it! Fancy, Jim, to be in love and play Juliet! To have him sitting there! To play for his delight! I am afraid I may frighten the company, frighten or enthrall them. To be in love is to surpass one s self. Poor dreadful Mr. Isaacs will be shouting" genius "to his loafers at the bar. He has preached me as a dogma; to-night he will announce me as a revelation. I feel it. And it is all his, his only, Prince Charming, my wonderful lover, my god of graces. But I am poor beside him. Poor? What does that matter? When poverty creeps in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies." "He is a gentleman," said the lad sullenly. "A prince!" she cried musically. "What more do you want?" "He wants to enslave you." "I shudder at the thought of being free." "I want you to beware of him." "To see him is to worship him; to know him is to trust him." "Sibyl, you are mad about him." She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick s four-in-hand came between, and when it had left the space clear, the carriage had swept out of the park. "He is gone," murmured Sibyl sadly. "I wish you had seen him." "I wish I had, for as sure as there is a God in heaven, if he ever does you any wrong, I shall kill him." She looked at him in horror. He repeated his words. They cut the air like a dagger. The people round began to gape. A lady standing close to her tittered. "Come away, Jim; come away," she whispered. He followed her doggedly as she passed through the crowd. He felt glad at what he had said. When they reached the Achilles Statue, she turned round. There was pity in her eyes that became laughter on her lips. She shook her head at him. "You are foolish, Jim, utterly foolish; a bad-tempered boy, that is all. How can you say such horrible things? You don t know what you are talking about. You are simply jealous and unkind. Ah! I wish you would fall in love. Love makes people good, and what you said was wicked." "I am sixteen," he answered, "and I know what I am about. Mother is no help to you. She doesn t understand how to look after you. I wish now that I was not going to Australia at all. I have a great mind to chuck the whole thing up. I would, if my articles hadn t been signed." "Oh, don t be so serious, Jim. You are like one of the heroes of those silly melodramas Mother used to be so fond of acting in. I am not going to quarrel with you. I have seen him, and oh! to see him is perfect happiness. We won t quarrel. I know you would never harm any one I love, would you?" "Not as long as you love him, I suppose," was the sullen answer. "I shall love him for ever!" she cried. "And he?" "For ever, too!" "He had better." She shrank from him. Then she laughed and put her hand on his arm. He was merely a boy. At the Marble Arch they hailed an omnibus, which left them close to their shabby home in the Euston Road. It was after five o clock, and Sibyl had to lie down for a couple of hours before acting. Jim insisted that she should do so. He said that he would sooner part with her when their mother was not present. She would be sure to make a scene, and he detested scenes of every kind. In Sybil s own room they parted. There was jealousy in the lad s heart, and a fierce murderous hatred of the stranger who, as it seemed to him, had come between them. Yet, when her arms were flung round his neck, and her fingers strayed through his hair, he softened and kissed her with real affection. There were tears in his eyes as he went downstairs. His mother was waiting for him below. She grumbled at his unpunctuality, as he entered. He made no answer, but sat down to his meagre meal. The flies buzzed round the table and crawled over the stained cloth. Through the rumble of omnibuses, and the clatter of street-cabs, he could hear the droning voice devouring each minute that was left to him. After some time, he thrust away his plate and put his head in his hands. He felt that he had a right to know. It should have been told to him before, if it was as he suspected. Leaden with fear, his mother watched him. Words dropped mechanically from her lips. A tattered lace handkerchief twitched in her fingers. When the clock struck six, he got up and went to the door. Then he turned back and looked at her. Their eyes met. In hers he saw a wild appeal for mercy. It enraged him. "Mother, I have something to ask you," he said. Her eyes wandered vaguely about the room. She made no answer. "Tell me the truth. I have a right to know. Were you married to my father?" She heaved a deep sigh. It was a sigh of relief. The terrible moment, the moment that night and day, for weeks and months, she had dreaded, had come at last, and yet she felt no terror. Indeed, in some measure it was a disappointment to her. The vulgar directness of the	she exclaimed. "You must not say anything against him. I love him." "Why, you don t even know his name," answered the lad. "Who is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am to play Juliet. Oh! how I shall play it! Fancy, Jim, to be in love and play Juliet! To have him sitting there! To play for his delight! I am afraid I may frighten the company, frighten or enthrall them. To be in love is to surpass one s self. Poor dreadful Mr. Isaacs will be shouting" genius "to his loafers at the bar. He has preached me as a dogma; to-night he will announce me as a revelation. I feel it. And it is all his, his only, Prince Charming, my wonderful lover, my god of graces. But I am poor beside him. Poor? What does that matter? When poverty creeps in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies." "He is a gentleman," said the lad sullenly. "A prince!" she cried musically. "What more do you want?" "He wants to enslave you." "I shudder at the thought of being free." "I want you to beware of him." "To see him is to worship him; to know him is to trust him." "Sibyl, you are mad about him." She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick s four-in-hand came between, and when it had left the space clear, the carriage had swept out of the park. "He is gone," murmured Sibyl sadly. "I wish you had seen him." "I wish I had, for as sure as there is a God in heaven, if he ever does you any wrong, I shall kill him." She looked at him in horror. He repeated his words. They cut the air like a dagger. The people round began to gape. A lady standing close to her tittered. "Come away, Jim; come away," she whispered. He followed her doggedly as she passed through the crowd. He felt glad at what he had said. When they reached the Achilles Statue, she turned round. There was pity in her eyes that became laughter on her lips. She shook her head at him. "You are foolish, Jim, utterly foolish; a bad-tempered boy, that is all. How can you say such horrible things? You don t know what you are talking about. You are simply jealous and unkind. Ah! I wish you would fall in love. Love makes people good, and what you said was wicked." "I am sixteen," he answered, "and I know what I	The Picture Of Dorian Gray
said the pessimist placidly.	No speaker	we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of	Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road	get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a	staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans became doubtful, and he brought it finally to a standstill just at the corner of a side street that ran down very steeply to the sea. The town was mostly	abruptly "No, I can't believe it. The thing is nonsense. The plain people of a peaceable French town" He was cut short by a bang and a blaze of light, which seemed close to his eyes. As the car sped on it left a floating patch of white smoke behind it, and Syme had heard a shot shriek past his ear. "My God!" said the Colonel, "someone has shot at us." "It need not interrupt conversation," said the gloomy Ratcliffe. "Pray resume your remarks, Colonel. You were talking, I think, about the plain people of a peaceable French town." The staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans became doubtful, and he brought it finally to a standstill just at the corner of a side street that ran down very steeply to the sea. The town was mostly in shadow, but the sun had not sunk; wherever its level light could break through, it painted everything a burning gold. Up this side street the last sunset light shone as sharp and narrow as the shaft of artificial light at the theatre. It struck the car of the five friends, and lit it like a burning chariot. But the rest of the street, especially the two ends of it, was in the deepest twilight, and for some seconds they could see nothing. Then Syme, whose eyes were the keenest, broke into a little bitter whistle, and said, "It is	would fight for them. We shall see." While they were speaking the Professor had leant forward with sudden excitement. "What is that noise?" he said. "Oh, the horses behind us, I suppose," said the Colonel. "I thought we had got clear of them." "The horses behind us! No," said the Professor, "it is not horses, and it is not behind us." Almost as he spoke, across the end of the street before them two shining and rattling shapes shot past. They were gone almost in a flash, but everyone could see that they were motor-cars, and the Professor stood up with a pale face and swore that they were the other two motor-cars from Dr. Renard's garage. "I tell you they were his," he repeated, with wild eyes, "and they were full of men in masks!" "Absurd!" said the Colonel angrily. "Dr. Renard would never give them his cars." "He may have been forced," said Ratcliffe quietly. "The whole town is on their side." "You still believe that," asked the Colonel incredulously. "You will all believe it soon," said the other with a hopeless calm. There was a puzzled pause for some little time, and then the Colonel began again abruptly "No, I can't believe it. The thing is nonsense. The plain people of a peaceable French town" He was cut short by a bang and a blaze of light, which seemed close to his eyes. As the car sped on it left a floating patch of white smoke behind it, and Syme had heard a shot shriek past his ear. "My God!" said the Colonel, "someone has shot at us." "It need not interrupt conversation," said the gloomy Ratcliffe. "Pray resume your remarks, Colonel. You were talking, I think, about the plain people of a peaceable French town." The staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans became doubtful, and he brought it finally to a standstill just at the corner of a side street that ran down very steeply to the sea. The town was mostly in shadow, but the sun had not sunk; wherever its level light could break through, it painted everything a burning gold. Up this side street the last sunset light shone as sharp and narrow as the shaft of artificial light at the theatre. It struck the car of the five friends, and lit it like a burning chariot. But the rest of the street, especially the two ends of it, was in the deepest twilight, and for some seconds they could see nothing. Then Syme, whose eyes were the keenest, broke into a little bitter whistle, and said, "It is quite true. There is a crowd or an army or some such thing across the end of that street." "Well, if there is," said Bull impatiently, "it must be something else a sham fight or the mayor's birthday or something. I cannot and will not believe that plain, jolly people in a place like this walk about with dynamite in their pockets. Get on a bit, Syme, and let us look at them." The car crawled about a hundred yards farther, and then they were all startled by Dr. Bull breaking into a high crow of laughter. "Why, you silly mugs!" he cried, "what did I tell you. That crowd's as law-abiding as a cow, and if it weren't, it's on our side." "How do you know?" asked the professor, staring. "You blind bat," cried Bull, "don't you see who is leading them?" They peered again, and then the Colonel, with a catch in his voice, cried out "Why, it's Renard!" There was, indeed, a rank of dim figures running across the road, and they could not be clearly seen; but far enough in front to catch the accident of the evening light was stalking up and down the unmistakable	there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember." 'I suppose,' "I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme seriously, and hung the heavy lantern over the front. There was a certain allegory of their whole position in the contrast between the modern automobile and its strange ecclesiastical lamp. Hitherto they had passed through the quietest part of the town, meeting at most one or two pedestrians, who could give them no hint of the peace or the hostility of the place. Now, however, the windows in the houses began one by one to be lit up, giving a greater sense of habitation and humanity. Dr. Bull turned to the new detective who had led their flight, and permitted himself one of his natural and friendly smiles. "These lights make one feel more cheerful." Inspector Ratcliffe drew his brows together. "There is only one set of lights that make me more cheerful," he said, "and they are those lights of the police station which I can see beyond the town. Please God we may be there in ten minutes." Then all Bull's boiling good sense and optimism broke suddenly out of him. "Oh, this is all raving nonsense!" he cried. "If you really think that ordinary people in ordinary houses are anarchists, you must be madder than an anarchist yourself. If we turned and fought these fellows, the whole town would fight for us." "No," said the other with an immovable simplicity, "the whole town would fight for them. We shall see." While they were speaking the Professor had leant forward with sudden excitement. "What is that noise?" he said. "Oh, the horses behind us, I suppose," said the Colonel. "I thought we had got clear of them." "The horses behind us! No," said the Professor, "it is not horses, and it is not behind us." Almost as he spoke, across the end of the street before them two shining and rattling shapes shot past. They were gone almost in a flash, but everyone could see that they were motor-cars, and the Professor stood up with a pale face and swore that they were the other two motor-cars from Dr. Renard's garage. "I tell you they were his," he repeated, with wild eyes, "and they were full of men in masks!" "Absurd!" said the Colonel angrily. "Dr. Renard would never give them his cars." "He may have been forced," said Ratcliffe quietly. "The whole town is on their side." "You still believe that," asked the Colonel incredulously. "You will all believe it soon," said the other with a hopeless calm. There was a puzzled pause for some little time, and then the Colonel began again abruptly "No, I can't believe it. The thing is nonsense. The plain people of a peaceable French town" He was cut short by a bang and a blaze of light, which seemed close to his eyes. As the car sped on it left a floating patch of white smoke behind it, and Syme had heard a shot shriek past his ear. "My God!" said the Colonel, "someone has shot at us." "It need not interrupt conversation," said the gloomy Ratcliffe. "Pray resume your remarks, Colonel. You were talking, I think, about the plain people of a peaceable French town." The staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans became doubtful, and he brought it finally to a standstill just at the corner of a side street that ran down very steeply to the sea. The town was mostly in shadow, but the sun had not sunk; wherever its level light could break through, it painted everything a burning gold. Up this side street the last sunset light shone as sharp and narrow as the shaft of artificial light at the theatre. It struck the car of the five friends, and lit it like a burning chariot. But the rest of the street, especially the two ends of it, was in the deepest twilight, and for some seconds they could see nothing. Then Syme, whose eyes were the keenest, broke into a little bitter whistle, and said, "It is quite true. There is a crowd or an army or some such thing across the end of that street." "Well, if there is," said Bull impatiently, "it must be something else a sham fight or the mayor's birthday or something. I cannot and will not believe that plain, jolly people in a place like this walk about with dynamite in their pockets. Get on a bit, Syme, and let us look at them." The car crawled about a hundred yards farther, and then they were all startled by Dr. Bull breaking into a high crow of laughter. "Why, you silly mugs!" he cried, "what did I tell you. That crowd's as law-abiding as a cow, and if it weren't, it's on our side." "How do you know?" asked the professor, staring. "You blind bat," cried Bull, "don't you see who is leading them?" They peered again, and then the Colonel, with a catch in his voice, cried out "Why, it's Renard!" There was, indeed, a rank of dim figures running across the road, and they could not be clearly seen; but far enough in front to catch the accident of the evening light was stalking up and down the unmistakable Dr. Renard, in a white hat, stroking his long brown beard, and holding a revolver in his left hand. "What a fool I've been!" exclaimed the Colonel. "Of course, the dear old boy has turned out to help us." Dr. Bull was bubbling over with laughter, swinging the sword in his hand as carelessly as a cane. He jumped out of the car and ran across the intervening space, calling out "Dr. Renard! Dr. Renard!" An instant after Syme thought his own eyes had gone mad in his head. For the philanthropic Dr. Renard had deliberately raised his revolver and fired twice at Bull, so that the shots rang down the road. Almost at the same second as the puff of white cloud went up from this atrocious explosion a long puff of white cloud went up also from the cigarette of the cynical Ratcliffe. Like all the rest he turned a little pale, but he smiled. Dr. Bull, at whom the bullets had been fired, just missing his scalp, stood quite still in the middle of the road without a sign of fear, and then turned very slowly and crawled back to the car, and climbed in with two holes through his hat. "Well," said the cigarette smoker slowly, "what do you think now?" "I think," said Dr. Bull with precision, "that I am lying in bed at No. 217 Peabody Buildings, and that I shall soon wake up with a jump; or, if that's not it, I think that I am sitting in a small cushioned cell in Hanwell, and that the doctor can't make much of my case. But if you want to know what I don't think, I'll tell you. I don't think what you think. I don't think, and I never shall think, that the mass of ordinary men are a pack of dirty modern thinkers. No, sir, I'm a democrat, and I still don't believe that Sunday could convert one average navvy or counter-jumper. No, I may be mad, but humanity isn't." Syme turned his bright blue eyes on Bull with an earnestness which he did not commonly make clear. "You are a very fine fellow," he said. "You can believe in a sanity which is not merely your sanity. And you're right enough about humanity, about peasants and people like that jolly old innkeeper. But you're not right about Renard. I suspected him	that noise?" he said. "Oh, the horses behind us, I suppose," said the Colonel. "I thought we had got clear of them." "The horses behind us! No," said the Professor, "it is not horses, and it is not behind us." Almost as he spoke, across the end of the street before them two shining and rattling shapes shot past. They were gone almost in a flash, but everyone could see that they were motor-cars, and the Professor stood up with a pale face and swore that they were the other two motor-cars from Dr. Renard's garage. "I tell you they were his," he repeated, with wild eyes, "and they were full of men in masks!" "Absurd!" said the Colonel angrily. "Dr. Renard would never give them his cars." "He may have been forced," said Ratcliffe quietly. "The whole town is on their side." "You still believe that," asked the Colonel incredulously. "You will all believe it soon," said the other with a hopeless calm. There was a puzzled pause for some little time, and then the Colonel began again abruptly "No, I can't believe it. The thing is nonsense. The plain people of a peaceable French town" He was cut short by a bang and a blaze of light, which seemed close to his eyes. As the car sped on it left a floating patch of white smoke behind it, and Syme had heard a shot shriek past his ear. "My God!" said the Colonel, "someone has shot at us." "It need not interrupt conversation," said the gloomy Ratcliffe. "Pray resume your remarks, Colonel. You were talking, I think, about the plain people of a peaceable French town." The staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans became doubtful, and he brought it finally to a standstill just at the corner of a side street that ran down very steeply to the sea. The town was mostly in shadow, but the sun had not sunk; wherever its level light could break through, it painted everything a burning gold. Up this side street the last sunset light shone as sharp and narrow as the shaft of artificial light at the theatre. It struck the car of the five friends, and lit it like a burning chariot. But the rest of the street, especially the two ends of it, was in the deepest twilight, and for some seconds they could see nothing. Then Syme, whose eyes were the keenest, broke into a little bitter whistle, and said, "It is quite true. There is a crowd or an army or some such thing across the end of that street." "Well, if there is," said Bull impatiently, "it must be something else a sham fight or the mayor's birthday or something. I cannot and will not believe that plain, jolly people in a place like this walk about with dynamite in their pockets. Get on a bit, Syme, and let us look at them." The car crawled about a hundred yards farther, and then they were all startled by Dr. Bull breaking into a high crow of laughter. "Why, you silly mugs!" he cried, "what did I tell you. That crowd's as law-abiding as a cow, and if it weren't, it's on our side." "How do you know?" asked the professor, staring. "You blind bat," cried Bull, "don't you see who is leading them?" They peered again, and then the Colonel, with a catch in his voice, cried out "Why, it's Renard!" There was, indeed, a rank of dim figures running across the road, and they could not be clearly seen; but far enough in front to catch the accident of the evening light was stalking up and down the unmistakable Dr. Renard, in a white hat, stroking his long brown beard, and holding a revolver in his left hand. "What a fool I've been!" exclaimed the Colonel. "Of course, the dear old boy has turned out to help us." Dr. Bull was bubbling over with laughter, swinging the sword in his hand as carelessly as a cane. He jumped out of the car and ran across the intervening space, calling out "Dr. Renard! Dr. Renard!" An instant after Syme thought his own eyes had gone mad in his head. For the philanthropic Dr. Renard had deliberately raised his revolver and fired twice at Bull, so that the shots rang down the road. Almost at the same second as the puff of white cloud went up from this atrocious explosion	The Man Who Was Thursday
Catherine, a little doubtful of this, could not help answering,	No speaker	pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have	not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a	arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine	to be out of the scrape. It must be the dullest thing in the world, for there is not a soul at Clifton at this time of year. Belle went with your brother, and John drove Maria." Catherine spoke the pleasure she really felt on hearing this part of the arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine was still unconvinced; but glad that Anne should have the friendship of an Emily and a Sophia to console her, she bade her adieu without much uneasiness, and returned home, pleased that the party had not been prevented by her refusing to join it, and very heartily wishing that it	having occasion for some indispensable yard of ribbon which must be bought without a moment s delay, walked out into the town, and in Bond Street overtook the second Miss Thorpe as she was loitering towards Edgar s Buildings between two of the sweetest girls in the world, who had been her dear friends all the morning. From her, she soon learned that the party to Clifton had taken place. "They set off at eight this morning," said Miss Anne, "and I am sure I do not envy them their drive. I think you and I are very well off to be out of the scrape. It must be the dullest thing in the world, for there is not a soul at Clifton at this time of year. Belle went with your brother, and John drove Maria." Catherine spoke the pleasure she really felt on hearing this part of the arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine was still unconvinced; but glad that Anne should have the friendship of an Emily and a Sophia to console her, she bade her adieu without much uneasiness, and returned home, pleased that the party had not been prevented by her refusing to join it, and very heartily wishing that it might be too pleasant to allow either James or Isabella to resent her resistance any longer. CHAPTER 15 Early the next day, a note from Isabella, speaking peace and tenderness in every line, and entreating the immediate presence of her friend on a matter of the utmost importance, hastened Catherine, in the happiest state of confidence and curiosity, to Edgar s Buildings. The two youngest Miss Thorpes were by themselves in the parlour; and, on Anne s quitting it to call her sister, Catherine took the opportunity of asking the other for some particulars of their yesterday s party. Maria	was no effort to Catherine to believe that Henry Tilney could never be wrong. His manner might sometimes surprise, but his meaning must always be just: and what she did not understand, she was almost as ready to admire, as what she did. The whole walk was delightful, and though it ended too soon, its conclusion was delightful too; her friends attended her into the house, and Miss Tilney, before they parted, addressing herself with respectful form, as much to Mrs. Allen as to Catherine, petitioned for the pleasure of her company to dinner on the day after the next. No difficulty was made on Mrs. Allen s side, and the only difficulty on Catherine s was in concealing the excess of her pleasure. The morning had passed away so charmingly as to banish all her friendship and natural affection, for no thought of Isabella or James had crossed her during their walk. When the Tilneys were gone, she became amiable again, but she was amiable for some time to little effect; Mrs. Allen had no intelligence to give that could relieve her anxiety; she had heard nothing of any of them. Towards the end of the morning, however, Catherine, having occasion for some indispensable yard of ribbon which must be bought without a moment s delay, walked out into the town, and in Bond Street overtook the second Miss Thorpe as she was loitering towards Edgar s Buildings between two of the sweetest girls in the world, who had been her dear friends all the morning. From her, she soon learned that the party to Clifton had taken place. "They set off at eight this morning," said Miss Anne, "and I am sure I do not envy them their drive. I think you and I are very well off to be out of the scrape. It must be the dullest thing in the world, for there is not a soul at Clifton at this time of year. Belle went with your brother, and John drove Maria." Catherine spoke the pleasure she really felt on hearing this part of the arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine was still unconvinced; but glad that Anne should have the friendship of an Emily and a Sophia to console her, she bade her adieu without much uneasiness, and returned home, pleased that the party had not been prevented by her refusing to join it, and very heartily wishing that it might be too pleasant to allow either James or Isabella to resent her resistance any longer. CHAPTER 15 Early the next day, a note from Isabella, speaking peace and tenderness in every line, and entreating the immediate presence of her friend on a matter of the utmost importance, hastened Catherine, in the happiest state of confidence and curiosity, to Edgar s Buildings. The two youngest Miss Thorpes were by themselves in the parlour; and, on Anne s quitting it to call her sister, Catherine took the opportunity of asking the other for some particulars of their yesterday s party. Maria desired no greater pleasure than to speak of it; and Catherine immediately learnt that it had been altogether the most delightful scheme in the world, that nobody could imagine how charming it had been, and that it had been more delightful than anybody could conceive. Such was the information of the first five minutes; the second unfolded thus much in detail that they had driven directly to the York Hotel, ate some soup, and bespoke an early dinner, walked down to the pump-room, tasted the water, and laid out some shillings in purses and spars; thence adjourned to eat ice at a pastry-cook s, and hurrying back to the hotel, swallowed their dinner in haste, to prevent being in the dark; and then had a delightful drive back, only the moon was not up, and it rained a little, and Mr. Morland s horse was so tired he could hardly get it along. Catherine listened with heartfelt satisfaction. It appeared that Blaize Castle had never been thought of; and, as for all the rest, there was nothing to regret for half an instant. Maria s intelligence concluded with a tender effusion of pity for her sister Anne, whom she represented	pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general." Catherine looked grave. "And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. Miss Morland is not used to your odd ways." "I shall be most happy to make her better acquainted with them." "No doubt; but that is no explanation of the present." "What am I to do?" "You know what you ought to do. Clear your character handsomely before her. Tell her that you think very highly of the understanding of women." "Miss Morland, I think very highly of the understanding of all the women in the world especially of those whoever they may be with whom I happen to be in company." "That is not enough. Be more serious." "Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much that they never find it necessary to use more than half." "We shall get nothing more serious from him now, Miss Morland. He is not in a sober mood. But I do assure you that he must be entirely misunderstood, if he can ever appear to say an unjust thing of any woman at all, or an unkind one of me." It was no effort to Catherine to believe that Henry Tilney could never be wrong. His manner might sometimes surprise, but his meaning must always be just: and what she did not understand, she was almost as ready to admire, as what she did. The whole walk was delightful, and though it ended too soon, its conclusion was delightful too; her friends attended her into the house, and Miss Tilney, before they parted, addressing herself with respectful form, as much to Mrs. Allen as to Catherine, petitioned for the pleasure of her company to dinner on the day after the next. No difficulty was made on Mrs. Allen s side, and the only difficulty on Catherine s was in concealing the excess of her pleasure. The morning had passed away so charmingly as to banish all her friendship and natural affection, for no thought of Isabella or James had crossed her during their walk. When the Tilneys were gone, she became amiable again, but she was amiable for some time to little effect; Mrs. Allen had no intelligence to give that could relieve her anxiety; she had heard nothing of any of them. Towards the end of the morning, however, Catherine, having occasion for some indispensable yard of ribbon which must be bought without a moment s delay, walked out into the town, and in Bond Street overtook the second Miss Thorpe as she was loitering towards Edgar s Buildings between two of the sweetest girls in the world, who had been her dear friends all the morning. From her, she soon learned that the party to Clifton had taken place. "They set off at eight this morning," said Miss Anne, "and I am sure I do not envy them their drive. I think you and I are very well off to be out of the scrape. It must be the dullest thing in the world, for there is not a soul at Clifton at this time of year. Belle went with your brother, and John drove Maria." Catherine spoke the pleasure she really felt on hearing this part of the arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine was still unconvinced; but glad that Anne should have the friendship of an Emily and a Sophia to console her, she bade her adieu without much uneasiness, and returned home, pleased that the party had not been prevented by her refusing to join it, and very heartily wishing that it might be too pleasant to allow either James or Isabella to resent her resistance any longer. CHAPTER 15 Early the next day, a note from Isabella, speaking peace and tenderness in every line, and entreating the immediate presence of her friend on a matter of the utmost importance, hastened Catherine, in the happiest state of confidence and curiosity, to Edgar s Buildings. The two youngest Miss Thorpes were by themselves in the parlour; and, on Anne s quitting it to call her sister, Catherine took the opportunity of asking the other for some particulars of their yesterday s party. Maria desired no greater pleasure than to speak of it; and Catherine immediately learnt that it had been altogether the most delightful scheme in the world, that nobody could imagine how charming it had been, and that it had been more delightful than anybody could conceive. Such was the information of the first five minutes; the second unfolded thus much in detail that they had driven directly to the York Hotel, ate some soup, and bespoke an early dinner, walked down to the pump-room, tasted the water, and laid out some shillings in purses and spars; thence adjourned to eat ice at a pastry-cook s, and hurrying back to the hotel, swallowed their dinner in haste, to prevent being in the dark; and then had a delightful drive back, only the moon was not up, and it rained a little, and Mr. Morland s horse was so tired he could hardly get it along. Catherine listened with heartfelt satisfaction. It appeared that Blaize Castle had never been thought of; and, as for all the rest, there was nothing to regret for half an instant. Maria s intelligence concluded with a tender effusion of pity for her sister Anne, whom she represented as insupportably cross, from being excluded the party. "She will never forgive me, I am sure; but, you know, how could I help it? John would have me go, for he vowed he would not drive her, because she had such thick ankles. I dare say she will not be in good humour again this month; but I am determined I will not be cross; it is not a little matter that puts me out of temper." Isabella now entered the room with so eager a step, and a look of such happy importance, as engaged all her friend s notice. Maria was without ceremony sent away, and Isabella, embracing Catherine, thus began: "Yes, my dear Catherine, it is so indeed; your penetration has not deceived you. Oh! That arch eye of yours! It sees through everything." Catherine replied only by a look of wondering ignorance. "Nay, my beloved, sweetest friend," continued the other, "compose yourself. I am amazingly agitated, as you perceive. Let us sit down and talk in comfort. Well, and so you guessed it the moment you had my note? Sly creature! Oh! My dear Catherine, you alone, who know my heart, can judge of my present happiness. Your brother is the most charming of men. I only wish I were more worthy of him. But what will your excellent father and mother say? Oh! Heavens! When I think of them I am so agitated!" Catherine s understanding began to awake: an idea of the truth suddenly darted into her mind; and, with the natural blush of so new an emotion, she cried out, "Good heaven! My dear Isabella, what do you mean? Can you can you really be in love with James?" This bold surmise, however, she soon learnt comprehended but half the fact. The anxious affection, which she was accused of having continually watched in Isabella s every look and action, had, in the course of their yesterday s party, received the delightful confession of an equal love. Her heart and faith were alike engaged to James. Never had Catherine listened to anything so full of interest, wonder, and joy. Her brother and her friend engaged! New to such circumstances, the importance of it appeared unspeakably great, and she contemplated it as one of those grand events, of which the ordinary course of life can hardly afford a return. The strength of her feelings she	do. Clear your character handsomely before her. Tell her that you think very highly of the understanding of women." "Miss Morland, I think very highly of the understanding of all the women in the world especially of those whoever they may be with whom I happen to be in company." "That is not enough. Be more serious." "Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much that they never find it necessary to use more than half." "We shall get nothing more serious from him now, Miss Morland. He is not in a sober mood. But I do assure you that he must be entirely misunderstood, if he can ever appear to say an unjust thing of any woman at all, or an unkind one of me." It was no effort to Catherine to believe that Henry Tilney could never be wrong. His manner might sometimes surprise, but his meaning must always be just: and what she did not understand, she was almost as ready to admire, as what she did. The whole walk was delightful, and though it ended too soon, its conclusion was delightful too; her friends attended her into the house, and Miss Tilney, before they parted, addressing herself with respectful form, as much to Mrs. Allen as to Catherine, petitioned for the pleasure of her company to dinner on the day after the next. No difficulty was made on Mrs. Allen s side, and the only difficulty on Catherine s was in concealing the excess of her pleasure. The morning had passed away so charmingly as to banish all her friendship and natural affection, for no thought of Isabella or James had crossed her during their walk. When the Tilneys were gone, she became amiable again, but she was amiable for some time to little effect; Mrs. Allen had no intelligence to give that could relieve her anxiety; she had heard nothing of any of them. Towards the end of the morning, however, Catherine, having occasion for some indispensable yard of ribbon which must be bought without a moment s delay, walked out into the town, and in Bond Street overtook the second Miss Thorpe as she was loitering towards Edgar s Buildings between two of the sweetest girls in the world, who had been her dear friends all the morning. From her, she soon learned that the party to Clifton had taken place. "They set off at eight this morning," said Miss Anne, "and I am sure I do not envy them their drive. I think you and I are very well off to be out of the scrape. It must be the dullest thing in the world, for there is not a soul at Clifton at this time of year. Belle went with your brother, and John drove Maria." Catherine spoke the pleasure she really felt on hearing this part of the arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine was still unconvinced; but glad that Anne should have the friendship of an Emily and a Sophia to console her, she bade her adieu without much uneasiness, and returned home, pleased that the party had not been prevented by her refusing to join it, and very heartily wishing that it might be too pleasant to allow either James or Isabella to resent her resistance any longer. CHAPTER 15 Early the next day, a note from Isabella, speaking peace and tenderness in every line, and entreating the immediate presence of her friend on a matter of the utmost importance, hastened Catherine, in the happiest state of confidence and curiosity, to Edgar s Buildings. The two youngest Miss Thorpes were by themselves in the parlour; and, on Anne s quitting it to call her sister, Catherine took the opportunity of asking the other for some particulars of their yesterday s party. Maria desired no greater pleasure than to speak of it; and Catherine immediately learnt that it had been altogether the most delightful scheme in the world, that nobody could imagine how charming it had been, and that it had been more delightful than anybody could conceive. Such was the information of the first five minutes; the second unfolded thus much in detail that they had driven directly to the York Hotel, ate some soup, and bespoke an early dinner, walked down to the pump-room, tasted the water, and laid out some shillings in purses and spars; thence adjourned to eat ice at a pastry-cook s, and hurrying back to the hotel, swallowed their dinner in haste, to prevent being in the dark; and then had a delightful drive back, only the moon was not up, and it rained a little, and Mr. Morland s horse was so tired he could hardly get it along. Catherine listened with heartfelt satisfaction. It appeared that Blaize Castle had never been thought of; and, as for all the rest, there was nothing to regret for half an instant. Maria s intelligence concluded with a tender effusion of pity for her sister Anne, whom she represented as insupportably cross, from being excluded the	Northanger Abbey
"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."	Ned Winsett	at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and	he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here,	two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed.	what Janey called his "clever people" with whom he cared to probe into things a little deeper than the average level of club and chop-house banter. He had caught sight, across the house, of Winsett's shabby round-shouldered back, and had once noticed his eyes turned toward the Beaufort box. The two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed. What the devil did Ned Winsett want with Ellen Olenska's name? And above all, why did he couple it with Lefferts's? It was unlike Winsett to manifest such curiosity; but after all, Archer remembered, he was a journalist. "It's not for an interview, I hope?" he laughed. "Well--not for the	how to take care of herself a good deal better than the ingenuous May imagined. She had Beaufort at her feet, Mr. van der Luyden hovering above her like a protecting deity, and any number of candidates (Lawrence Lefferts among them) waiting their opportunity in the middle distance. Yet he never saw her, or exchanged a word with her, without feeling that, after all, May's ingenuousness almost amounted to a gift of divination. Ellen Olenska was lonely and she was unhappy. XIV. As he came out into the lobby Archer ran across his friend Ned Winsett, the only one among what Janey called his "clever people" with whom he cared to probe into things a little deeper than the average level of club and chop-house banter. He had caught sight, across the house, of Winsett's shabby round-shouldered back, and had once noticed his eyes turned toward the Beaufort box. The two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed. What the devil did Ned Winsett want with Ellen Olenska's name? And above all, why did he couple it with Lefferts's? It was unlike Winsett to manifest such curiosity; but after all, Archer remembered, he was a journalist. "It's not for an interview, I hope?" he laughed. "Well--not for the press; just for myself," Winsett rejoined. "The fact is she's a neighbour of mine--queer quarter for such a beauty to settle in--and she's been awfully kind to my little boy, who fell down her area chasing his kitten, and gave himself a nasty cut. She rushed in bareheaded, carrying him in her arms, with his knee all beautifully bandaged, and was so sympathetic and beautiful that my wife was too dazzled to ask her name." A pleasant glow dilated Archer's heart. There was nothing extraordinary in the tale: any woman would have done as much for a neighbour's child. But	letter from May Welland in which, with characteristic candour, she had asked him to "be kind to Ellen" in their absence. "She likes you and admires you so much--and you know, though she doesn't show it, she's still very lonely and unhappy. I don't think Granny understands her, or uncle Lovell Mingott either; they really think she's much worldlier and fonder of society than she is. And I can quite see that New York must seem dull to her, though the family won't admit it. I think she's been used to lots of things we haven't got; wonderful music, and picture shows, and celebrities--artists and authors and all the clever people you admire. Granny can't understand her wanting anything but lots of dinners and clothes--but I can see that you're almost the only person in New York who can talk to her about what she really cares for." His wise May--how he had loved her for that letter! But he had not meant to act on it; he was too busy, to begin with, and he did not care, as an engaged man, to play too conspicuously the part of Madame Olenska's champion. He had an idea that she knew how to take care of herself a good deal better than the ingenuous May imagined. She had Beaufort at her feet, Mr. van der Luyden hovering above her like a protecting deity, and any number of candidates (Lawrence Lefferts among them) waiting their opportunity in the middle distance. Yet he never saw her, or exchanged a word with her, without feeling that, after all, May's ingenuousness almost amounted to a gift of divination. Ellen Olenska was lonely and she was unhappy. XIV. As he came out into the lobby Archer ran across his friend Ned Winsett, the only one among what Janey called his "clever people" with whom he cared to probe into things a little deeper than the average level of club and chop-house banter. He had caught sight, across the house, of Winsett's shabby round-shouldered back, and had once noticed his eyes turned toward the Beaufort box. The two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed. What the devil did Ned Winsett want with Ellen Olenska's name? And above all, why did he couple it with Lefferts's? It was unlike Winsett to manifest such curiosity; but after all, Archer remembered, he was a journalist. "It's not for an interview, I hope?" he laughed. "Well--not for the press; just for myself," Winsett rejoined. "The fact is she's a neighbour of mine--queer quarter for such a beauty to settle in--and she's been awfully kind to my little boy, who fell down her area chasing his kitten, and gave himself a nasty cut. She rushed in bareheaded, carrying him in her arms, with his knee all beautifully bandaged, and was so sympathetic and beautiful that my wife was too dazzled to ask her name." A pleasant glow dilated Archer's heart. There was nothing extraordinary in the tale: any woman would have done as much for a neighbour's child. But it was just like Ellen, he felt, to have rushed in bareheaded, carrying the boy in her arms, and to have dazzled poor Mrs. Winsett into forgetting to ask who she was. "That is the Countess Olenska--a granddaughter of old Mrs. Mingott's." "Whew--a Countess!" whistled Ned Winsett. "Well, I didn't know Countesses were so neighbourly. Mingotts ain't." "They would be, if you'd let them." "Ah, well--" It was their old interminable argument as to the obstinate unwillingness of the "clever people" to frequent the fashionable, and both men knew that there was no use in prolonging it. "I wonder," Winsett broke off, "how a Countess happens to live in our slum?" "Because she doesn't care a hang about where she lives--or about any of our little social sign-posts," said Archer, with a secret pride in his own picture of her. "H'm--been in bigger places, I suppose," the other commented. "Well, here's my corner." He slouched off across Broadway, and Archer stood looking after him and musing on his last words. Ned Winsett had those flashes of penetration; they were the most interesting thing about him, and always made Archer wonder why they had allowed him to accept failure so stolidly	his wife and daughter should always go with him on his annual journey to the south. To preserve an unbroken domesticity was essential to his peace of mind; he would not have known where his hair-brushes were, or how to provide stamps for his letters, if Mrs. Welland had not been there to tell him. As all the members of the family adored each other, and as Mr. Welland was the central object of their idolatry, it never occurred to his wife and May to let him go to St. Augustine alone; and his sons, who were both in the law, and could not leave New York during the winter, always joined him for Easter and travelled back with him. It was impossible for Archer to discuss the necessity of May's accompanying her father. The reputation of the Mingotts' family physician was largely based on the attack of pneumonia which Mr. Welland had never had; and his insistence on St. Augustine was therefore inflexible. Originally, it had been intended that May's engagement should not be announced till her return from Florida, and the fact that it had been made known sooner could not be expected to alter Mr. Welland's plans. Archer would have liked to join the travellers and have a few weeks of sunshine and boating with his betrothed; but he too was bound by custom and conventions. Little arduous as his professional duties were, he would have been convicted of frivolity by the whole Mingott clan if he had suggested asking for a holiday in mid-winter; and he accepted May's departure with the resignation which he perceived would have to be one of the principal constituents of married life. He was conscious that Madame Olenska was looking at him under lowered lids. "I have done what you wished--what you advised," she said abruptly. "Ah--I'm glad," he returned, embarrassed by her broaching the subject at such a moment. "I understand--that you were right," she went on a little breathlessly; "but sometimes life is difficult ... perplexing..." "I know." "And I wanted to tell you that I DO feel you were right; and that I'm grateful to you," she ended, lifting her opera-glass quickly to her eyes as the door of the box opened and Beaufort's resonant voice broke in on them. Archer stood up, and left the box and the theatre. Only the day before he had received a letter from May Welland in which, with characteristic candour, she had asked him to "be kind to Ellen" in their absence. "She likes you and admires you so much--and you know, though she doesn't show it, she's still very lonely and unhappy. I don't think Granny understands her, or uncle Lovell Mingott either; they really think she's much worldlier and fonder of society than she is. And I can quite see that New York must seem dull to her, though the family won't admit it. I think she's been used to lots of things we haven't got; wonderful music, and picture shows, and celebrities--artists and authors and all the clever people you admire. Granny can't understand her wanting anything but lots of dinners and clothes--but I can see that you're almost the only person in New York who can talk to her about what she really cares for." His wise May--how he had loved her for that letter! But he had not meant to act on it; he was too busy, to begin with, and he did not care, as an engaged man, to play too conspicuously the part of Madame Olenska's champion. He had an idea that she knew how to take care of herself a good deal better than the ingenuous May imagined. She had Beaufort at her feet, Mr. van der Luyden hovering above her like a protecting deity, and any number of candidates (Lawrence Lefferts among them) waiting their opportunity in the middle distance. Yet he never saw her, or exchanged a word with her, without feeling that, after all, May's ingenuousness almost amounted to a gift of divination. Ellen Olenska was lonely and she was unhappy. XIV. As he came out into the lobby Archer ran across his friend Ned Winsett, the only one among what Janey called his "clever people" with whom he cared to probe into things a little deeper than the average level of club and chop-house banter. He had caught sight, across the house, of Winsett's shabby round-shouldered back, and had once noticed his eyes turned toward the Beaufort box. The two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed. What the devil did Ned Winsett want with Ellen Olenska's name? And above all, why did he couple it with Lefferts's? It was unlike Winsett to manifest such curiosity; but after all, Archer remembered, he was a journalist. "It's not for an interview, I hope?" he laughed. "Well--not for the press; just for myself," Winsett rejoined. "The fact is she's a neighbour of mine--queer quarter for such a beauty to settle in--and she's been awfully kind to my little boy, who fell down her area chasing his kitten, and gave himself a nasty cut. She rushed in bareheaded, carrying him in her arms, with his knee all beautifully bandaged, and was so sympathetic and beautiful that my wife was too dazzled to ask her name." A pleasant glow dilated Archer's heart. There was nothing extraordinary in the tale: any woman would have done as much for a neighbour's child. But it was just like Ellen, he felt, to have rushed in bareheaded, carrying the boy in her arms, and to have dazzled poor Mrs. Winsett into forgetting to ask who she was. "That is the Countess Olenska--a granddaughter of old Mrs. Mingott's." "Whew--a Countess!" whistled Ned Winsett. "Well, I didn't know Countesses were so neighbourly. Mingotts ain't." "They would be, if you'd let them." "Ah, well--" It was their old interminable argument as to the obstinate unwillingness of the "clever people" to frequent the fashionable, and both men knew that there was no use in prolonging it. "I wonder," Winsett broke off, "how a Countess happens to live in our slum?" "Because she doesn't care a hang about where she lives--or about any of our little social sign-posts," said Archer, with a secret pride in his own picture of her. "H'm--been in bigger places, I suppose," the other commented. "Well, here's my corner." He slouched off across Broadway, and Archer stood looking after him and musing on his last words. Ned Winsett had those flashes of penetration; they were the most interesting thing about him, and always made Archer wonder why they had allowed him to accept failure so stolidly at an age when most men are still struggling. Archer had known that Winsett had a wife and child, but he had never seen them. The two men always met at the Century, or at some haunt of journalists and theatrical people, such as the restaurant where Winsett had proposed to go for a bock. He had given Archer to understand that his wife was an invalid; which might be true of the poor lady, or might merely mean that she was lacking in social gifts or in evening clothes, or in both. Winsett himself had a savage abhorrence of social observances: Archer, who dressed in the evening because he thought it cleaner and more comfortable to do so, and who had never stopped to consider that cleanliness and comfort are two of the costliest items in a modest budget, regarded Winsett's attitude as part of the boring "Bohemian" pose that always made fashionable people, who changed their clothes without talking about it, and were not forever harping on the number of servants one kept, seem so much simpler and less self-conscious than the others. Nevertheless, he was always stimulated by Winsett, and whenever he caught sight of the journalist's lean bearded face and melancholy eyes he would rout him out of his corner and carry him off for a long talk. Winsett was not a journalist by choice. He was a pure man of letters, untimely born in a world that had no need of letters; but after publishing one volume of brief and exquisite literary appreciations, of which one hundred and twenty copies were sold, thirty given away, and the balance eventually destroyed by the publishers (as per contract) to make room for more marketable material, he had abandoned his real calling, and taken a sub-editorial job on a women's weekly, where fashion-plates and paper patterns alternated with New England love-stories and advertisements of temperance drinks. On the subject of "Hearth-fires" (as the paper was called) he was inexhaustibly entertaining; but beneath his fun lurked the sterile bitterness of the still young man who has tried and given up. His conversation always made Archer take the measure of his own life, and feel how little it contained; but Winsett's, after all, contained still less, and though their common fund of intellectual interests and curiosities made their talks exhilarating, their exchange of views usually remained within the limits of	accepted May's departure with the resignation which he perceived would have to be one of the principal constituents of married life. He was conscious that Madame Olenska was looking at him under lowered lids. "I have done what you wished--what you advised," she said abruptly. "Ah--I'm glad," he returned, embarrassed by her broaching the subject at such a moment. "I understand--that you were right," she went on a little breathlessly; "but sometimes life is difficult ... perplexing..." "I know." "And I wanted to tell you that I DO feel you were right; and that I'm grateful to you," she ended, lifting her opera-glass quickly to her eyes as the door of the box opened and Beaufort's resonant voice broke in on them. Archer stood up, and left the box and the theatre. Only the day before he had received a letter from May Welland in which, with characteristic candour, she had asked him to "be kind to Ellen" in their absence. "She likes you and admires you so much--and you know, though she doesn't show it, she's still very lonely and unhappy. I don't think Granny understands her, or uncle Lovell Mingott either; they really think she's much worldlier and fonder of society than she is. And I can quite see that New York must seem dull to her, though the family won't admit it. I think she's been used to lots of things we haven't got; wonderful music, and picture shows, and celebrities--artists and authors and all the clever people you admire. Granny can't understand her wanting anything but lots of dinners and clothes--but I can see that you're almost the only person in New York who can talk to her about what she really cares for." His wise May--how he had loved her for that letter! But he had not meant to act on it; he was too busy, to begin with, and he did not care, as an engaged man, to play too conspicuously the part of Madame Olenska's champion. He had an idea that she knew how to take care of herself a good deal better than the ingenuous May imagined. She had Beaufort at her feet, Mr. van der Luyden hovering above her like a protecting deity, and any number of candidates (Lawrence Lefferts among them) waiting their opportunity in the middle distance. Yet he never saw her, or exchanged a word with her, without feeling that, after all, May's ingenuousness almost amounted to a gift of divination. Ellen Olenska was lonely and she was unhappy. XIV. As he came out into the lobby Archer ran across his friend Ned Winsett, the only one among what Janey called his "clever people" with whom he cared to probe into things a little deeper than the average level of club and chop-house banter. He had caught sight, across the house, of Winsett's shabby round-shouldered back, and had once noticed his eyes turned toward the Beaufort box. The two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed. What the devil did Ned Winsett want with Ellen Olenska's name? And above all, why did he couple it with Lefferts's? It was unlike Winsett to manifest such curiosity; but after all, Archer remembered, he was a journalist. "It's not for an interview, I hope?" he laughed. "Well--not for the press; just for myself," Winsett rejoined. "The fact is she's a neighbour of mine--queer quarter for such a beauty to settle in--and she's been awfully kind to my little boy, who fell down her area chasing his kitten, and gave himself a nasty cut. She rushed in bareheaded, carrying him in her arms, with his knee all beautifully bandaged, and was so sympathetic and beautiful that my wife was too dazzled to ask her name." A pleasant glow dilated Archer's heart. There was nothing extraordinary in the tale: any woman would have done as much for a neighbour's child. But it was just like Ellen, he felt, to have rushed in bareheaded, carrying the boy in her arms, and to have dazzled poor Mrs. Winsett into forgetting to ask who she was. "That is the Countess Olenska--a granddaughter of old Mrs. Mingott's." "Whew--a Countess!" whistled Ned Winsett. "Well, I didn't know Countesses were so neighbourly. Mingotts ain't." "They would be, if you'd let them." "Ah, well--" It was their old interminable argument as to the obstinate unwillingness of the "clever people" to frequent the fashionable, and both men knew that there was no use in prolonging it. "I wonder," Winsett broke off, "how a Countess happens to live in our slum?" "Because she doesn't care a hang about where she lives--or about any of our little social sign-posts," said Archer, with a secret pride in his own picture of her. "H'm--been in bigger places, I suppose," the other commented. "Well, here's my corner." He slouched off across Broadway, and Archer stood looking after him and musing on his last words. Ned Winsett had those flashes of penetration; they were the most interesting thing about him, and always made Archer wonder why they had allowed him to accept failure so stolidly at an age when most men are still struggling. Archer had known that Winsett had a wife and child, but he had never seen them. The two men always met at the Century, or at some haunt of journalists and theatrical people, such as the restaurant where Winsett had proposed to go for a bock. He had given Archer to understand that his wife was an invalid; which might be true of the poor lady, or might merely mean that she was lacking in social gifts or in evening clothes, or in both. Winsett himself had a savage abhorrence of social observances: Archer, who dressed in the evening because he thought it cleaner and more comfortable to do so, and who had never stopped to consider that cleanliness and comfort are two of the costliest items in a modest budget, regarded Winsett's attitude	The Age Of Innocence
"Ah, you've taught me what an ugly word that is,"	Ellen Olenska	that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away	hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter	groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down	I WAS lonely; I WAS afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light." Her tone and her look still enveloped her in a soft inaccessibility, and Archer groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down headlong into darkness. If he could have got her in his arms again he might have swept away her arguments; but she still held him at a distance by something inscrutably aloof in her look and attitude, and by his own awed sense of her sincerity. At length he began	her way was when she pondered a question. "He's waiting for you now at Mrs. Struthers's; why don't you go to him?" Archer sneered. She turned to ring the bell. "I shall not go out this evening; tell the carriage to go and fetch the Signora Marchesa," she said when the maid came. After the door had closed again Archer continued to look at her with bitter eyes. "Why this sacrifice? Since you tell me that you're lonely I've no right to keep you from your friends." She smiled a little under her wet lashes. "I shan't be lonely now. I WAS lonely; I WAS afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light." Her tone and her look still enveloped her in a soft inaccessibility, and Archer groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down headlong into darkness. If he could have got her in his arms again he might have swept away her arguments; but she still held him at a distance by something inscrutably aloof in her look and attitude, and by his own awed sense of her sincerity. At length he began to plead again. "If we do this now it will be worse afterward--worse for every one--" "No--no--no!" she almost screamed, as if he frightened her. At that moment the bell sent a long tinkle through the house. They had heard no carriage stopping at the door, and they stood motionless, looking at each other with startled eyes. Outside, Nastasia's step crossed the hall, the outer door opened, and a moment later she came in carrying a telegram which she handed to the Countess Olenska. "The lady was very happy at the flowers," Nastasia said, smoothing her apron. "She thought it	in a low even voice, without tears or visible agitation; and each word, as it dropped from her, fell into his breast like burning lead. He sat bowed over, his head between his hands, staring at the hearthrug, and at the tip of the satin shoe that showed under her dress. Suddenly he knelt down and kissed the shoe. She bent over him, laying her hands on his shoulders, and looking at him with eyes so deep that he remained motionless under her gaze. "Ah, don't let us undo what you've done!" she cried. "I can't go back now to that other way of thinking. I can't love you unless I give you up." His arms were yearning up to her; but she drew away, and they remained facing each other, divided by the distance that her words had created. Then, abruptly, his anger overflowed. "And Beaufort? Is he to replace me?" As the words sprang out he was prepared for an answering flare of anger; and he would have welcomed it as fuel for his own. But Madame Olenska only grew a shade paler, and stood with her arms hanging down before her, and her head slightly bent, as her way was when she pondered a question. "He's waiting for you now at Mrs. Struthers's; why don't you go to him?" Archer sneered. She turned to ring the bell. "I shall not go out this evening; tell the carriage to go and fetch the Signora Marchesa," she said when the maid came. After the door had closed again Archer continued to look at her with bitter eyes. "Why this sacrifice? Since you tell me that you're lonely I've no right to keep you from your friends." She smiled a little under her wet lashes. "I shan't be lonely now. I WAS lonely; I WAS afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light." Her tone and her look still enveloped her in a soft inaccessibility, and Archer groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down headlong into darkness. If he could have got her in his arms again he might have swept away her arguments; but she still held him at a distance by something inscrutably aloof in her look and attitude, and by his own awed sense of her sincerity. At length he began to plead again. "If we do this now it will be worse afterward--worse for every one--" "No--no--no!" she almost screamed, as if he frightened her. At that moment the bell sent a long tinkle through the house. They had heard no carriage stopping at the door, and they stood motionless, looking at each other with startled eyes. Outside, Nastasia's step crossed the hall, the outer door opened, and a moment later she came in carrying a telegram which she handed to the Countess Olenska. "The lady was very happy at the flowers," Nastasia said, smoothing her apron. "She thought it was her signor marito who had sent them, and she cried a little and said it was a folly." Her mistress smiled and took the yellow envelope. She tore it open and carried it to the lamp; then, when the door had closed again, she handed the telegram to Archer. It was dated from St. Augustine, and addressed to the Countess Olenska. In it he read: "Granny's telegram successful. Papa and Mamma agree marriage after Easter. Am telegraphing Newland. Am too happy for words and love you dearly. Your grateful May." Half an hour later, when Archer unlocked his own front-door, he found a similar envelope on the hall-table on top of his pile of notes and letters. The message inside the envelope was also from May Welland, and ran as follows: "Parents consent wedding Tuesday after Easter at twelve Grace Church eight bridesmaids please see Rector so happy love May." Archer crumpled up the yellow sheet as if the gesture could annihilate the news it contained. Then he pulled out a small pocket-diary and turned over the pages with trembling fingers; but he did not find what he wanted, and cramming the telegram into his pocket he mounted the	your marriage; but do you see me marrying May after this?" She stood silent, resting her thin elbows on the mantelpiece, her profile reflected in the glass behind her. One of the locks of her chignon had become loosened and hung on her neck; she looked haggard and almost old. "I don't see you," she said at length, "putting that question to May. Do you?" He gave a reckless shrug. "It's too late to do anything else." "You say that because it's the easiest thing to say at this moment--not because it's true. In reality it's too late to do anything but what we'd both decided on." "Ah, I don't understand you!" She forced a pitiful smile that pinched her face instead of smoothing it. "You don't understand because you haven't yet guessed how you've changed things for me: oh, from the first--long before I knew all you'd done." "All I'd done?" "Yes. I was perfectly unconscious at first that people here were shy of me--that they thought I was a dreadful sort of person. It seems they had even refused to meet me at dinner. I found that out afterward; and how you'd made your mother go with you to the van der Luydens'; and how you'd insisted on announcing your engagement at the Beaufort ball, so that I might have two families to stand by me instead of one--" At that he broke into a laugh. "Just imagine," she said, "how stupid and unobservant I was! I knew nothing of all this till Granny blurted it out one day. New York simply meant peace and freedom to me: it was coming home. And I was so happy at being among my own people that every one I met seemed kind and good, and glad to see me. But from the very beginning," she continued, "I felt there was no one as kind as you; no one who gave me reasons that I understood for doing what at first seemed so hard and--unnecessary. The very good people didn't convince me; I felt they'd never been tempted. But you knew; you understood; you had felt the world outside tugging at one with all its golden hands--and yet you hated the things it asks of one; you hated happiness bought by disloyalty and cruelty and indifference. That was what I'd never known before--and it's better than anything I've known." She spoke in a low even voice, without tears or visible agitation; and each word, as it dropped from her, fell into his breast like burning lead. He sat bowed over, his head between his hands, staring at the hearthrug, and at the tip of the satin shoe that showed under her dress. Suddenly he knelt down and kissed the shoe. She bent over him, laying her hands on his shoulders, and looking at him with eyes so deep that he remained motionless under her gaze. "Ah, don't let us undo what you've done!" she cried. "I can't go back now to that other way of thinking. I can't love you unless I give you up." His arms were yearning up to her; but she drew away, and they remained facing each other, divided by the distance that her words had created. Then, abruptly, his anger overflowed. "And Beaufort? Is he to replace me?" As the words sprang out he was prepared for an answering flare of anger; and he would have welcomed it as fuel for his own. But Madame Olenska only grew a shade paler, and stood with her arms hanging down before her, and her head slightly bent, as her way was when she pondered a question. "He's waiting for you now at Mrs. Struthers's; why don't you go to him?" Archer sneered. She turned to ring the bell. "I shall not go out this evening; tell the carriage to go and fetch the Signora Marchesa," she said when the maid came. After the door had closed again Archer continued to look at her with bitter eyes. "Why this sacrifice? Since you tell me that you're lonely I've no right to keep you from your friends." She smiled a little under her wet lashes. "I shan't be lonely now. I WAS lonely; I WAS afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light." Her tone and her look still enveloped her in a soft inaccessibility, and Archer groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down headlong into darkness. If he could have got her in his arms again he might have swept away her arguments; but she still held him at a distance by something inscrutably aloof in her look and attitude, and by his own awed sense of her sincerity. At length he began to plead again. "If we do this now it will be worse afterward--worse for every one--" "No--no--no!" she almost screamed, as if he frightened her. At that moment the bell sent a long tinkle through the house. They had heard no carriage stopping at the door, and they stood motionless, looking at each other with startled eyes. Outside, Nastasia's step crossed the hall, the outer door opened, and a moment later she came in carrying a telegram which she handed to the Countess Olenska. "The lady was very happy at the flowers," Nastasia said, smoothing her apron. "She thought it was her signor marito who had sent them, and she cried a little and said it was a folly." Her mistress smiled and took the yellow envelope. She tore it open and carried it to the lamp; then, when the door had closed again, she handed the telegram to Archer. It was dated from St. Augustine, and addressed to the Countess Olenska. In it he read: "Granny's telegram successful. Papa and Mamma agree marriage after Easter. Am telegraphing Newland. Am too happy for words and love you dearly. Your grateful May." Half an hour later, when Archer unlocked his own front-door, he found a similar envelope on the hall-table on top of his pile of notes and letters. The message inside the envelope was also from May Welland, and ran as follows: "Parents consent wedding Tuesday after Easter at twelve Grace Church eight bridesmaids please see Rector so happy love May." Archer crumpled up the yellow sheet as if the gesture could annihilate the news it contained. Then he pulled out a small pocket-diary and turned over the pages with trembling fingers; but he did not find what he wanted, and cramming the telegram into his pocket he mounted the stairs. A light was shining through the door of the little hall-room which served Janey as a dressing-room and boudoir, and her brother rapped impatiently on the panel. The door opened, and his sister stood before him in her immemorial purple flannel dressing-gown, with her hair "on pins." Her face looked pale and apprehensive. "Newland! I hope there's no bad news in that telegram? I waited on purpose, in case--" (No item of his correspondence was safe from Janey.) He took no notice of her question. "Look here--what day is Easter this year?" She looked shocked at such unchristian ignorance. "Easter? Newland! Why, of course, the first week in April. Why?" "The first week?" He turned again to the pages of his diary, calculating rapidly under his breath. "The first week, did you say?" He threw back his head with a long laugh. "For mercy's sake what's the matter?" "Nothing's the matter, except that I'm going to be married in a month." Janey fell upon his neck and pressed him to her purple flannel breast. "Oh Newland, how wonderful! I'm so glad! But, dearest, why do you keep on laughing? Do hush, or you'll wake Mamma." Book II XIX. The day was fresh, with a lively spring wind full of dust. All the old ladies in both families had got out their faded sables and yellowing ermines, and the smell of camphor from the front pews almost smothered the faint spring scent of the lilies banking the altar. Newland Archer, at a signal from the sexton, had come out of the vestry and placed himself with his best man on the chancel step of Grace Church. The signal meant that the brougham bearing the bride and her father was in sight; but there was sure to be a considerable interval of adjustment and consultation in the lobby, where the bridesmaids were already hovering like a cluster of Easter blossoms. During this unavoidable lapse of time the bridegroom, in proof of his eagerness, was expected to expose himself alone to the gaze of the assembled company; and Archer had gone through this formality as resignedly as through all the others which made of a nineteenth century New York wedding a rite that seemed to belong to the dawn of history. Everything was equally easy--or equally painful, as one chose to put it--in the path he was committed to tread, and he	they remained facing each other, divided by the distance that her words had created. Then, abruptly, his anger overflowed. "And Beaufort? Is he to replace me?" As the words sprang out he was prepared for an answering flare of anger; and he would have welcomed it as fuel for his own. But Madame Olenska only grew a shade paler, and stood with her arms hanging down before her, and her head slightly bent, as her way was when she pondered a question. "He's waiting for you now at Mrs. Struthers's; why don't you go to him?" Archer sneered. She turned to ring the bell. "I shall not go out this evening; tell the carriage to go and fetch the Signora Marchesa," she said when the maid came. After the door had closed again Archer continued to look at her with bitter eyes. "Why this sacrifice? Since you tell me that you're lonely I've no right to keep you from your friends." She smiled a little under her wet lashes. "I shan't be lonely now. I WAS lonely; I WAS afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light." Her tone and her look still enveloped her in a soft inaccessibility, and Archer groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down headlong into darkness. If he could have got her in his arms again he might have swept away her arguments; but she still held him at a distance by something inscrutably aloof in her look and attitude, and by his own awed sense of her sincerity. At length he began to plead again. "If we do this now it will be worse afterward--worse for every one--" "No--no--no!" she almost screamed, as if he frightened her. At that moment the bell sent a long tinkle through the house. They had heard no carriage stopping at the door, and they stood motionless, looking at each other with startled eyes. Outside, Nastasia's step crossed the hall, the outer door opened, and a moment later she came in carrying a telegram which she handed to the Countess Olenska. "The lady was very happy at the flowers," Nastasia said, smoothing her apron. "She thought it was her signor marito who had sent them, and she cried a little and said it was a folly." Her mistress smiled and took the yellow envelope. She tore it open and carried it to the lamp; then, when the door had closed again, she handed the telegram to Archer. It was dated from St. Augustine, and addressed to the Countess Olenska. In it he read: "Granny's telegram successful. Papa and Mamma agree marriage after Easter. Am telegraphing Newland. Am too happy for words and love you dearly. Your grateful May." Half an hour later, when Archer unlocked his own front-door, he found a similar envelope on the hall-table on top of his pile of notes and letters. The message inside the envelope was also from May Welland, and ran as follows: "Parents consent wedding Tuesday after Easter	The Age Of Innocence
"For they must have been seen together,"	Sir Walter Elliot	so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's,	after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby	of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it:	year; but he never came. The following spring he was seen again in town, found equally agreeable, again encouraged, invited, and expected, and again he did not come; and the next tidings were that he was married. Instead of pushing his fortune in the line marked out for the heir of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it: all acquaintance between them had ceased. This very awkward history of Mr Elliot was still, after an interval of several years, felt with anger by Elizabeth, who had liked the man for himself, and still more for being her father's heir, and whose strong family pride could see only in	sought the acquaintance, and though his overtures had not been met with any warmth, he had persevered in seeking it, making allowance for the modest drawing-back of youth; and, in one of their spring excursions to London, when Elizabeth was in her first bloom, Mr Elliot had been forced into the introduction. He was at that time a very young man, just engaged in the study of the law; and Elizabeth found him extremely agreeable, and every plan in his favour was confirmed. He was invited to Kellynch Hall; he was talked of and expected all the rest of the year; but he never came. The following spring he was seen again in town, found equally agreeable, again encouraged, invited, and expected, and again he did not come; and the next tidings were that he was married. Instead of pushing his fortune in the line marked out for the heir of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it: all acquaintance between them had ceased. This very awkward history of Mr Elliot was still, after an interval of several years, felt with anger by Elizabeth, who had liked the man for himself, and still more for being her father's heir, and whose strong family pride could see only in him a proper match for Sir Walter Elliot's eldest daughter. There was not a baronet from A to Z whom her feelings could have so willingly acknowledged as an equal. Yet so miserably had he conducted himself, that though she was at this present time (the summer of 1814) wearing black ribbons for his wife, she could not admit him to be worth thinking of again. The disgrace of his first marriage might, perhaps, as there was no reason to suppose it perpetuated by offspring, have been got over, had he not done worse; but he had, as by the	have rejoiced to be certain of being properly solicited by baronet-blood within the next twelvemonth or two. Then might she again take up the book of books with as much enjoyment as in her early youth, but now she liked it not. Always to be presented with the date of her own birth and see no marriage follow but that of a youngest sister, made the book an evil; and more than once, when her father had left it open on the table near her, had she closed it, with averted eyes, and pushed it away. She had had a disappointment, moreover, which that book, and especially the history of her own family, must ever present the remembrance of. The heir presumptive, the very William Walter Elliot, Esq., whose rights had been so generously supported by her father, had disappointed her. She had, while a very young girl, as soon as she had known him to be, in the event of her having no brother, the future baronet, meant to marry him, and her father had always meant that she should. He had not been known to them as a boy; but soon after Lady Elliot's death, Sir Walter had sought the acquaintance, and though his overtures had not been met with any warmth, he had persevered in seeking it, making allowance for the modest drawing-back of youth; and, in one of their spring excursions to London, when Elizabeth was in her first bloom, Mr Elliot had been forced into the introduction. He was at that time a very young man, just engaged in the study of the law; and Elizabeth found him extremely agreeable, and every plan in his favour was confirmed. He was invited to Kellynch Hall; he was talked of and expected all the rest of the year; but he never came. The following spring he was seen again in town, found equally agreeable, again encouraged, invited, and expected, and again he did not come; and the next tidings were that he was married. Instead of pushing his fortune in the line marked out for the heir of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it: all acquaintance between them had ceased. This very awkward history of Mr Elliot was still, after an interval of several years, felt with anger by Elizabeth, who had liked the man for himself, and still more for being her father's heir, and whose strong family pride could see only in him a proper match for Sir Walter Elliot's eldest daughter. There was not a baronet from A to Z whom her feelings could have so willingly acknowledged as an equal. Yet so miserably had he conducted himself, that though she was at this present time (the summer of 1814) wearing black ribbons for his wife, she could not admit him to be worth thinking of again. The disgrace of his first marriage might, perhaps, as there was no reason to suppose it perpetuated by offspring, have been got over, had he not done worse; but he had, as by the accustomary intervention of kind friends, they had been informed, spoken most disrespectfully of them all, most slightingly and contemptuously of the very blood he belonged to, and the honours which were hereafter to be his own. This could not be pardoned. Such were Elizabeth Elliot's sentiments and sensations; such the cares to alloy, the agitations to vary, the sameness and the elegance, the prosperity and the nothingness of her scene of life; such the feelings to give interest to a long, uneventful residence in one country circle, to fill the vacancies which there were no habits of utility abroad, no talents or accomplishments for home, to occupy. But now, another occupation and solicitude of mind was beginning to be added to these. Her father was growing distressed for money. She knew, that when he now took up the Baronetage, it was to drive the heavy bills of his tradespeople, and the unwelcome hints of Mr Shepherd, his agent, from his thoughts. The Kellynch property was good, but not equal to Sir Walter's apprehension of the state required in its possessor. While Lady Elliot lived, there had been method, moderation, and economy, which had just kept him within his income; but	own), there could be nothing in them, now that she was faded and thin, to excite his esteem. He had never indulged much hope, he had now none, of ever reading her name in any other page of his favourite work. All equality of alliance must rest with Elizabeth, for Mary had merely connected herself with an old country family of respectability and large fortune, and had therefore given all the honour and received none: Elizabeth would, one day or other, marry suitably. It sometimes happens that a woman is handsomer at twenty-nine than she was ten years before; and, generally speaking, if there has been neither ill health nor anxiety, it is a time of life at which scarcely any charm is lost. It was so with Elizabeth, still the same handsome Miss Elliot that she had begun to be thirteen years ago, and Sir Walter might be excused, therefore, in forgetting her age, or, at least, be deemed only half a fool, for thinking himself and Elizabeth as blooming as ever, amidst the wreck of the good looks of everybody else; for he could plainly see how old all the rest of his family and acquaintance were growing. Anne haggard, Mary coarse, every face in the neighbourhood worsting, and the rapid increase of the crow's foot about Lady Russell's temples had long been a distress to him. Elizabeth did not quite equal her father in personal contentment. Thirteen years had seen her mistress of Kellynch Hall, presiding and directing with a self-possession and decision which could never have given the idea of her being younger than she was. For thirteen years had she been doing the honours, and laying down the domestic law at home, and leading the way to the chaise and four, and walking immediately after Lady Russell out of all the drawing-rooms and dining-rooms in the country. Thirteen winters' revolving frosts had seen her opening every ball of credit which a scanty neighbourhood afforded, and thirteen springs shewn their blossoms, as she travelled up to London with her father, for a few weeks' annual enjoyment of the great world. She had the remembrance of all this, she had the consciousness of being nine-and-twenty to give her some regrets and some apprehensions; she was fully satisfied of being still quite as handsome as ever, but she felt her approach to the years of danger, and would have rejoiced to be certain of being properly solicited by baronet-blood within the next twelvemonth or two. Then might she again take up the book of books with as much enjoyment as in her early youth, but now she liked it not. Always to be presented with the date of her own birth and see no marriage follow but that of a youngest sister, made the book an evil; and more than once, when her father had left it open on the table near her, had she closed it, with averted eyes, and pushed it away. She had had a disappointment, moreover, which that book, and especially the history of her own family, must ever present the remembrance of. The heir presumptive, the very William Walter Elliot, Esq., whose rights had been so generously supported by her father, had disappointed her. She had, while a very young girl, as soon as she had known him to be, in the event of her having no brother, the future baronet, meant to marry him, and her father had always meant that she should. He had not been known to them as a boy; but soon after Lady Elliot's death, Sir Walter had sought the acquaintance, and though his overtures had not been met with any warmth, he had persevered in seeking it, making allowance for the modest drawing-back of youth; and, in one of their spring excursions to London, when Elizabeth was in her first bloom, Mr Elliot had been forced into the introduction. He was at that time a very young man, just engaged in the study of the law; and Elizabeth found him extremely agreeable, and every plan in his favour was confirmed. He was invited to Kellynch Hall; he was talked of and expected all the rest of the year; but he never came. The following spring he was seen again in town, found equally agreeable, again encouraged, invited, and expected, and again he did not come; and the next tidings were that he was married. Instead of pushing his fortune in the line marked out for the heir of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it: all acquaintance between them had ceased. This very awkward history of Mr Elliot was still, after an interval of several years, felt with anger by Elizabeth, who had liked the man for himself, and still more for being her father's heir, and whose strong family pride could see only in him a proper match for Sir Walter Elliot's eldest daughter. There was not a baronet from A to Z whom her feelings could have so willingly acknowledged as an equal. Yet so miserably had he conducted himself, that though she was at this present time (the summer of 1814) wearing black ribbons for his wife, she could not admit him to be worth thinking of again. The disgrace of his first marriage might, perhaps, as there was no reason to suppose it perpetuated by offspring, have been got over, had he not done worse; but he had, as by the accustomary intervention of kind friends, they had been informed, spoken most disrespectfully of them all, most slightingly and contemptuously of the very blood he belonged to, and the honours which were hereafter to be his own. This could not be pardoned. Such were Elizabeth Elliot's sentiments and sensations; such the cares to alloy, the agitations to vary, the sameness and the elegance, the prosperity and the nothingness of her scene of life; such the feelings to give interest to a long, uneventful residence in one country circle, to fill the vacancies which there were no habits of utility abroad, no talents or accomplishments for home, to occupy. But now, another occupation and solicitude of mind was beginning to be added to these. Her father was growing distressed for money. She knew, that when he now took up the Baronetage, it was to drive the heavy bills of his tradespeople, and the unwelcome hints of Mr Shepherd, his agent, from his thoughts. The Kellynch property was good, but not equal to Sir Walter's apprehension of the state required in its possessor. While Lady Elliot lived, there had been method, moderation, and economy, which had just kept him within his income; but with her had died all such right-mindedness, and from that period he had been constantly exceeding it. It had not been possible for him to spend less; he had done nothing but what Sir Walter Elliot was imperiously called on to do; but blameless as he was, he was not only growing dreadfully in debt, but was hearing of it so often, that it became vain to attempt concealing it longer, even partially, from his daughter. He had given her some hints of it the last spring in town; he had gone so far even as to say, "Can we retrench? Does it occur to you that there is any one article in which we can retrench?" and Elizabeth, to do her justice, had, in the first ardour of female alarm, set seriously to think what could be done, and had finally proposed these two branches of economy, to cut off some unnecessary charities, and to refrain from new furnishing the drawing-room; to which expedients she afterwards added the happy thought of their taking no present down to Anne, as had been the usual yearly custom. But these measures, however good in themselves, were insufficient for the real extent of the evil, the whole of which Sir Walter found himself obliged to confess to her soon afterwards. Elizabeth had nothing to propose of deeper efficacy. She felt herself ill-used and unfortunate, as did her father; and they were neither of them able to devise any means of lessening their expenses without compromising their dignity, or relinquishing their comforts in a way not to be borne. There was only a small part of his estate that Sir Walter could dispose of; but had every acre been alienable, it would have made no difference. He had condescended to mortgage as far as he had the power, but he would never condescend to sell. No; he would never disgrace his name so far. The Kellynch estate should be transmitted whole and entire, as he had received it. Their two confidential friends, Mr Shepherd, who lived in the neighbouring market town, and Lady Russell, were called to advise them; and both father and daughter seemed to expect that something should be struck out by one or the other to remove their embarrassments and reduce their expenditure, without involving the loss of any indulgence of taste or pride. Chapter 2 Mr Shepherd, a civil, cautious	meant to marry him, and her father had always meant that she should. He had not been known to them as a boy; but soon after Lady Elliot's death, Sir Walter had sought the acquaintance, and though his overtures had not been met with any warmth, he had persevered in seeking it, making allowance for the modest drawing-back of youth; and, in one of their spring excursions to London, when Elizabeth was in her first bloom, Mr Elliot had been forced into the introduction. He was at that time a very young man, just engaged in the study of the law; and Elizabeth found him extremely agreeable, and every plan in his favour was confirmed. He was invited to Kellynch Hall; he was talked of and expected all the rest of the year; but he never came. The following spring he was seen again in town, found equally agreeable, again encouraged, invited, and expected, and again he did not come; and the next tidings were that he was married. Instead of pushing his fortune in the line marked out for the heir of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it: all acquaintance between them had ceased. This very awkward history of Mr Elliot was still, after an interval of several years, felt with anger by Elizabeth, who had liked the man for himself, and still more for being her father's heir, and whose strong family pride could see only in him a proper match for Sir Walter Elliot's eldest daughter. There was not a baronet from A to Z whom her feelings could have so willingly acknowledged as an equal. Yet so miserably had he conducted himself, that though she was at this present time (the summer of 1814) wearing black ribbons for his wife, she could not admit him to be worth thinking of again. The disgrace of his first marriage might, perhaps, as there was no reason to suppose it perpetuated by offspring, have been got over, had he not done worse; but he had, as by the accustomary intervention of kind friends, they had been informed, spoken most disrespectfully of them all, most slightingly and contemptuously of the very blood he belonged to, and the honours which were hereafter to be his own. This could not be pardoned. Such were Elizabeth Elliot's sentiments and sensations; such the cares to alloy, the agitations to vary, the sameness and the elegance, the prosperity and the nothingness of her scene of life; such the feelings to give interest to a long, uneventful residence in one country circle, to fill the vacancies which there were no habits of utility abroad, no talents or accomplishments for home, to occupy. But now, another occupation and solicitude of mind was beginning to be added to these. Her father was growing distressed for money. She knew, that when he now took up the Baronetage, it was to drive the	Persuasion
she went on nervously.	No speaker	about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to	things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself	at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such	but because they can't conceal it when they do," he thought. "Not badsome," said Ivan Petrovitch. Then Ekaterina Ivanovna played long and noisily on the piano, and when she finished she was profusely thanked and warmly praised. "It's a good thing I did not marry her," thought Startsev. She looked at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such emotion. For goodness' sake let us go into the garden." They went into the garden and sat down on the seat under the old maple, just as they had done four years before. It was dark. "How are you getting on?" asked Ekaterina Ivanovna. "Oh, all right; I am jogging	her faint smile, her voice, and soon afterwards he disliked her clothes, too, the low chair in which she was sitting; he disliked something in the past when he had almost married her. He thought of his love, of the dreams and the hopes which had troubled him four years before--and he felt awkward. They had tea with cakes. Then Vera Iosifovna read aloud a novel; she read of things that never happen in real life, and Startsev listened, looked at her handsome grey head, and waited for her to finish. "People are not stupid because they can't write novels, but because they can't conceal it when they do," he thought. "Not badsome," said Ivan Petrovitch. Then Ekaterina Ivanovna played long and noisily on the piano, and when she finished she was profusely thanked and warmly praised. "It's a good thing I did not marry her," thought Startsev. She looked at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such emotion. For goodness' sake let us go into the garden." They went into the garden and sat down on the seat under the old maple, just as they had done four years before. It was dark. "How are you getting on?" asked Ekaterina Ivanovna. "Oh, all right; I am jogging along," answered Startsev. And he could think of nothing more. They were silent. "I feel so excited!" said Ekaterina Ivanovna, and she hid her face in her hands. "But don't pay attention to it. I am so happy to be at home; I am so glad to see every one. I can't get used to it. So many memories! I thought we should talk without stopping till morning." Now he saw her face near, her shining eyes, and in the darkness she looked younger than in the room, and even her old childish expression seemed to have come back to	and looking much older, shook Startsev's hand, sighed affectedly, and said: "You don't care to pay attentions to me, doctor. You never come and see us; I am too old for you. But now some one young has come; perhaps she will be more fortunate." And Kitten? She had grown thinner, paler, had grown handsomer and more graceful; but now she was Ekaterina Ivanovna, not Kitten; she had lost the freshness and look of childish naïveté. And in her expression and manners there was something new--guilty and diffident, as though she did not feel herself at home here in the Turkins' house. "How many summers, how many winters!" she said, giving Startsev her hand, and he could see that her heart was beating with excitement; and looking at him intently and curiously, she went on: "How much stouter you are! You look sunburnt and more manly, but on the whole you have changed very little." Now, too, he thought her attractive, very attractive, but there was something lacking in her, or else something superfluous--he could not himself have said exactly what it was, but something prevented him from feeling as before. He did not like her pallor, her new expression, her faint smile, her voice, and soon afterwards he disliked her clothes, too, the low chair in which she was sitting; he disliked something in the past when he had almost married her. He thought of his love, of the dreams and the hopes which had troubled him four years before--and he felt awkward. They had tea with cakes. Then Vera Iosifovna read aloud a novel; she read of things that never happen in real life, and Startsev listened, looked at her handsome grey head, and waited for her to finish. "People are not stupid because they can't write novels, but because they can't conceal it when they do," he thought. "Not badsome," said Ivan Petrovitch. Then Ekaterina Ivanovna played long and noisily on the piano, and when she finished she was profusely thanked and warmly praised. "It's a good thing I did not marry her," thought Startsev. She looked at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such emotion. For goodness' sake let us go into the garden." They went into the garden and sat down on the seat under the old maple, just as they had done four years before. It was dark. "How are you getting on?" asked Ekaterina Ivanovna. "Oh, all right; I am jogging along," answered Startsev. And he could think of nothing more. They were silent. "I feel so excited!" said Ekaterina Ivanovna, and she hid her face in her hands. "But don't pay attention to it. I am so happy to be at home; I am so glad to see every one. I can't get used to it. So many memories! I thought we should talk without stopping till morning." Now he saw her face near, her shining eyes, and in the darkness she looked younger than in the room, and even her old childish expression seemed to have come back to her. And indeed she was looking at him with naïve curiosity, as though she wanted to get a closer view and understanding of the man who had loved her so ardently, with such tenderness, and so unsuccessfully; her eyes thanked him for that love. And he remembered all that had been, every minute detail; how he had wandered about the cemetery, how he had returned home in the morning exhausted, and he suddenly felt sad and regretted the past. A warmth began glowing in his heart. "Do you remember how I took you to the dance at the club?" he asked. "It was dark and rainy then ..." The warmth was glowing now in his heart, and he longed to talk, to rail at life.... "Ech!" he said with a sigh. "You ask how I am living. How do we live here? Why, not at all. We grow old, we grow stout, we grow slack. Day after day passes; life slips by without colour, without expressions, without thoughts.... In the daytime working for gain, and in the evening the club, the company of card-players, alcoholic, raucous-voiced gentlemen whom I can't endure. What is there nice in it?" "Well, you have	at tea or supper, Startsev observed in company that one should work, and that one ought not to live without working, every one took this as a reproach, and began to get angry and argue aggressively. With all that, the inhabitants did nothing, absolutely nothing, and took no interest in anything, and it was quite impossible to think of anything to say. And Startsev avoided conversation, and confined himself to eating and playing _vint_; and when there was a family festivity in some household and he was invited to a meal, then he sat and ate in silence, looking at his plate. And everything that was said at the time was uninteresting, unjust, and stupid; he felt irritated and disturbed, but held his tongue, and, because he sat glumly silent and looked at his plate, he was nicknamed in the town "the haughty Pole," though he never had been a Pole. All such entertainments as theatres and concerts he declined, but he played _vint_ every evening for three hours with enjoyment. He had another diversion to which he took imperceptibly, little by little: in the evening he would take out of his pockets the notes he had gained by his practice, and sometimes there were stuffed in his pockets notes--yellow and green, and smelling of scent and vinegar and incense and fish oil--up to the value of seventy roubles; and when they amounted to some hundreds he took them to the Mutual Credit Bank and deposited the money there to his account. He was only twice at the Turkins' in the course of the four years after Ekaterina Ivanovna had gone away, on each occasion at the invitation of Vera Iosifovna, who was still undergoing treatment for migraine. Every summer Ekaterina Ivanovna came to stay with her parents, but he did not once see her; it somehow never happened. But now four years had passed. One still, warm morning a letter was brought to the hospital. Vera Iosifovna wrote to Dmitri Ionitch that she was missing him very much, and begged him to come and see them, and to relieve her sufferings; and, by the way, it was her birthday. Below was a postscript: "I join in mother's request.--K." Startsev considered, and in the evening he went to the Turkins'. "How do you do, if you please?" Ivan Petrovitch met him, smiling with his eyes only. "Bongjour." Vera Iosifovna, white-haired and looking much older, shook Startsev's hand, sighed affectedly, and said: "You don't care to pay attentions to me, doctor. You never come and see us; I am too old for you. But now some one young has come; perhaps she will be more fortunate." And Kitten? She had grown thinner, paler, had grown handsomer and more graceful; but now she was Ekaterina Ivanovna, not Kitten; she had lost the freshness and look of childish naïveté. And in her expression and manners there was something new--guilty and diffident, as though she did not feel herself at home here in the Turkins' house. "How many summers, how many winters!" she said, giving Startsev her hand, and he could see that her heart was beating with excitement; and looking at him intently and curiously, she went on: "How much stouter you are! You look sunburnt and more manly, but on the whole you have changed very little." Now, too, he thought her attractive, very attractive, but there was something lacking in her, or else something superfluous--he could not himself have said exactly what it was, but something prevented him from feeling as before. He did not like her pallor, her new expression, her faint smile, her voice, and soon afterwards he disliked her clothes, too, the low chair in which she was sitting; he disliked something in the past when he had almost married her. He thought of his love, of the dreams and the hopes which had troubled him four years before--and he felt awkward. They had tea with cakes. Then Vera Iosifovna read aloud a novel; she read of things that never happen in real life, and Startsev listened, looked at her handsome grey head, and waited for her to finish. "People are not stupid because they can't write novels, but because they can't conceal it when they do," he thought. "Not badsome," said Ivan Petrovitch. Then Ekaterina Ivanovna played long and noisily on the piano, and when she finished she was profusely thanked and warmly praised. "It's a good thing I did not marry her," thought Startsev. She looked at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such emotion. For goodness' sake let us go into the garden." They went into the garden and sat down on the seat under the old maple, just as they had done four years before. It was dark. "How are you getting on?" asked Ekaterina Ivanovna. "Oh, all right; I am jogging along," answered Startsev. And he could think of nothing more. They were silent. "I feel so excited!" said Ekaterina Ivanovna, and she hid her face in her hands. "But don't pay attention to it. I am so happy to be at home; I am so glad to see every one. I can't get used to it. So many memories! I thought we should talk without stopping till morning." Now he saw her face near, her shining eyes, and in the darkness she looked younger than in the room, and even her old childish expression seemed to have come back to her. And indeed she was looking at him with naïve curiosity, as though she wanted to get a closer view and understanding of the man who had loved her so ardently, with such tenderness, and so unsuccessfully; her eyes thanked him for that love. And he remembered all that had been, every minute detail; how he had wandered about the cemetery, how he had returned home in the morning exhausted, and he suddenly felt sad and regretted the past. A warmth began glowing in his heart. "Do you remember how I took you to the dance at the club?" he asked. "It was dark and rainy then ..." The warmth was glowing now in his heart, and he longed to talk, to rail at life.... "Ech!" he said with a sigh. "You ask how I am living. How do we live here? Why, not at all. We grow old, we grow stout, we grow slack. Day after day passes; life slips by without colour, without expressions, without thoughts.... In the daytime working for gain, and in the evening the club, the company of card-players, alcoholic, raucous-voiced gentlemen whom I can't endure. What is there nice in it?" "Well, you have work--a noble object in life. You used to be so fond of talking of your hospital. I was such a queer girl then; I imagined myself such a great pianist. Nowadays all young ladies play the piano, and I played, too, like everybody else, and there was nothing special about me. I am just such a pianist as my mother is an authoress. And of course I didn't understand you then, but afterwards in Moscow I often thought of you. I thought of no one but you. What happiness to be a district doctor; to help the suffering; to be serving the people! What happiness!" Ekaterina Ivanovna repeated with enthusiasm. "When I thought of you in Moscow, you seemed to me so ideal, so lofty...." Startsev thought of the notes he used to take out of his pockets in the evening with such pleasure, and the glow in his heart was quenched. He got up to go into the house. She took his arm. "You are the best man I've known in my life," she went on. "We will see each other and talk, won't we? Promise me. I am not a pianist; I am not in error about myself now, and I will not play before you or talk of music." When they had gone into the house, and when Startsev saw in the lamplight her face, and her sad, grateful, searching eyes fixed upon him, he felt uneasy and thought again: "It's a good thing I did not marry her then." He began taking leave. "You have no human right to go before supper," said Ivan Petrovitch as he saw him off. "It's extremely perpendicular on your part. Well, now, perform!" he added, addressing Pava in the hall. Pava, no longer a boy, but a young man with moustaches, threw himself into an attitude, flung up his arm, and said in a tragic voice: "Unhappy woman, die!" All this irritated Startsev. Getting into his carriage, and looking at the dark house and garden which had once been so precious and so dear, he thought of everything at once--Vera Iosifovna's novels and Kitten's noisy playing, and Ivan Petrovitch's jokes and Pava's tragic posturing, and thought if the most talented people in the town were so futile, what must the town be? Three days later Pava brought a letter from Ekaterina Ivanovna. "You don't come and see us--why?" she wrote	with her parents, but he did not once see her; it somehow never happened. But now four years had passed. One still, warm morning a letter was brought to the hospital. Vera Iosifovna wrote to Dmitri Ionitch that she was missing him very much, and begged him to come and see them, and to relieve her sufferings; and, by the way, it was her birthday. Below was a postscript: "I join in mother's request.--K." Startsev considered, and in the evening he went to the Turkins'. "How do you do, if you please?" Ivan Petrovitch met him, smiling with his eyes only. "Bongjour." Vera Iosifovna, white-haired and looking much older, shook Startsev's hand, sighed affectedly, and said: "You don't care to pay attentions to me, doctor. You never come and see us; I am too old for you. But now some one young has come; perhaps she will be more fortunate." And Kitten? She had grown thinner, paler, had grown handsomer and more graceful; but now she was Ekaterina Ivanovna, not Kitten; she had lost the freshness and look of childish naïveté. And in her expression and manners there was something new--guilty and diffident, as though she did not feel herself at home here in the Turkins' house. "How many summers, how many winters!" she said, giving Startsev her hand, and he could see that her heart was beating with excitement; and looking at him intently and curiously, she went on: "How much stouter you are! You look sunburnt and more manly, but on the whole you have changed very little." Now, too, he thought her attractive, very attractive, but there was something lacking in her, or else something superfluous--he could not himself have said exactly what it was, but something prevented him from feeling as before. He did not like her pallor, her new expression, her faint smile, her voice, and soon afterwards he disliked her clothes, too, the low chair in which she was sitting; he disliked something in the past when he had almost married her. He thought of his love, of the dreams and the hopes which had troubled him four years before--and he felt awkward. They had tea with cakes. Then Vera Iosifovna read aloud a novel; she read of things that never happen in real life, and Startsev listened, looked at her handsome grey head, and waited for her to finish. "People are not stupid because they can't write novels, but because they can't conceal it when they do," he thought. "Not badsome," said Ivan Petrovitch. Then Ekaterina Ivanovna played long and noisily on the piano, and when she finished she was profusely thanked and warmly praised. "It's a good thing I did not marry her," thought Startsev. She looked at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such emotion. For goodness' sake let us go into the garden." They went into the garden and sat down on the seat under the old maple, just as they had done four years before. It was dark. "How are you getting on?" asked Ekaterina Ivanovna. "Oh, all right; I am jogging along," answered Startsev. And he could think of nothing more. They were silent. "I feel so excited!" said Ekaterina Ivanovna, and she hid her face in her hands. "But don't pay attention to it. I am so happy to be at home; I am so glad to see every one. I can't get used to it. So many memories! I thought we should talk without stopping till morning." Now he saw her face near, her shining eyes, and in the darkness she looked younger than in the room, and even her old childish expression seemed to have come back to her. And indeed she was looking at him with naïve curiosity, as though she wanted to get a closer view and understanding of the man who had loved her so ardently, with such tenderness, and so unsuccessfully; her eyes thanked him for that love. And he remembered all that had been, every minute detail; how he had wandered about the cemetery, how he had returned home in the morning exhausted, and he suddenly felt sad and regretted the past. A warmth began glowing in his heart. "Do you remember how I took you to the dance at the club?" he asked. "It was dark and rainy then ..." The warmth was glowing now in his heart, and he longed to talk, to rail at life.... "Ech!" he said with a sigh. "You ask how I am living. How do we live here? Why, not at all. We grow old, we grow stout, we grow slack. Day after day passes; life slips by without colour, without expressions, without thoughts.... In the daytime working for gain, and in the evening the club, the company of card-players, alcoholic, raucous-voiced gentlemen whom I can't endure. What is there nice in it?" "Well, you have work--a noble object in life. You used to be so fond of talking of your hospital. I was such a queer girl then; I imagined myself such a great pianist. Nowadays all	The Lady and the Dog and Other Stories (4)
"No, no, my man, of course not."	Josiah Christmas	any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of	as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might	turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work,	sir, and I've been thinking, sir, as he must have took that money when Master Don here was up in the warehouse along o' me." "I daresay we shall find all out by-and-by, Wimble," said the old merchant, coldly. "That will do, now." Jem looked uneasily at Don, as he turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work, Wimble, which you do understand, and not meddle with things that are beyond you." "Certainly, sir, certainly," said Jem, quickly. "Just going, sir;" and giving Don a sympathetic look, he hurried out, but had hardly closed the door before he opened it again. "Beg pardon, sir, Mrs Lavington, sir, and	writing, Jem made a series of gesticulations with his hat, supplemented by some exceedingly queer grimaces, all meant as a kind of silent language, which was very expressive, but quite incomprehensible to Don. "Well?" said Uncle Josiah, sharply. "Beg pardon, sir! Thought you'd like to hear how we got on?" "Well?" "Went pretty quiet, sir, till we got about half-way there, and then he begun kicking like mad--leastways he didn't kick, because his legs was tied, but he let go all he could, and it was hard work to hold the ladder." "And he is now safely locked up?" "Yes, sir, and I've been thinking, sir, as he must have took that money when Master Don here was up in the warehouse along o' me." "I daresay we shall find all out by-and-by, Wimble," said the old merchant, coldly. "That will do, now." Jem looked uneasily at Don, as he turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work, Wimble, which you do understand, and not meddle with things that are beyond you." "Certainly, sir, certainly," said Jem, quickly. "Just going, sir;" and giving Don a sympathetic look, he hurried out, but had hardly closed the door before he opened it again. "Beg pardon, sir, Mrs Lavington, sir, and Miss Kitty." Don started from his stool, crimson with mortification. His mother! What would Uncle Josiah say? Jem Wimble gave Don another look full of condolence before he closed the door, leaving Mrs Lavington and her niece in the office. Mrs Lavington's face was full of anxiety and care, as she glanced from her son to her brother and back again, while Kitty's was as full of indignant reproof as she darted an angry look at Don, and then frowned and looked straight down at the floor. "Well?" said the old merchant, coldly, "why have you come? You know I	sat there with the most uncompromising of expressions on his face, and Don dared not speak. He dared not trust himself for very shame, as the incident had so upset him, that he felt sure that he must break down and cry like a child if he attempted to explain. After a time there was the sound of voices talking and laughing, and the click of the heavy latch of the gate. Then through the open windows came the deep _burr burr_ of Jem's bass, and the shrill inquiring tones of Sally Wimble, as she eagerly questioned her lord. Then there were steps, some of which passed the office door; and Don, as he sat with his head bent over a ledger, knew exactly whose steps those were, and where the makers of those steps were going to the different warehouses in the great yard. Directly after Jem's foot was heard, and he tapped at the door, pushed it a little way, and waited. "Come in," said Uncle Josiah, sharply. Jem entered, doffing his cocked hat, and casting a sympathising look at Don, who raised his head. Then seeing that his employer was deeply immersed in the letter he was writing, Jem made a series of gesticulations with his hat, supplemented by some exceedingly queer grimaces, all meant as a kind of silent language, which was very expressive, but quite incomprehensible to Don. "Well?" said Uncle Josiah, sharply. "Beg pardon, sir! Thought you'd like to hear how we got on?" "Well?" "Went pretty quiet, sir, till we got about half-way there, and then he begun kicking like mad--leastways he didn't kick, because his legs was tied, but he let go all he could, and it was hard work to hold the ladder." "And he is now safely locked up?" "Yes, sir, and I've been thinking, sir, as he must have took that money when Master Don here was up in the warehouse along o' me." "I daresay we shall find all out by-and-by, Wimble," said the old merchant, coldly. "That will do, now." Jem looked uneasily at Don, as he turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work, Wimble, which you do understand, and not meddle with things that are beyond you." "Certainly, sir, certainly," said Jem, quickly. "Just going, sir;" and giving Don a sympathetic look, he hurried out, but had hardly closed the door before he opened it again. "Beg pardon, sir, Mrs Lavington, sir, and Miss Kitty." Don started from his stool, crimson with mortification. His mother! What would Uncle Josiah say? Jem Wimble gave Don another look full of condolence before he closed the door, leaving Mrs Lavington and her niece in the office. Mrs Lavington's face was full of anxiety and care, as she glanced from her son to her brother and back again, while Kitty's was as full of indignant reproof as she darted an angry look at Don, and then frowned and looked straight down at the floor. "Well?" said the old merchant, coldly, "why have you come? You know I do not like you to bring Kitty here to the business place." "I--I heard--" faltered Mrs Lavington, who stood in great awe of her brother when he was in one of his stern moods. "Heard? Well, what did you hear?" "Such terrible news, Josiah." "Well, well, what?" "Oh, my brother!" she exclaimed, wildly, as she stepped forward and caught his hand, "tell me it is not true." "How can I tell you what is not true when I don't know what you are talking about," cried the old man, impatiently. "My dear Laura, do you think I have not worries enough without your coming here?" "Yes, yes; I know, dear." "And you ought to know that I shall do what is just and right." "I am sure of that, Josiah, but I felt obliged to come. Kitty and I were out shopping, and we met a crowd." "Then you should have turned down a side street." "But they were your men in the midst, and directly after I saw little Sally Wimble following." "Oh, she was, was she?" cried the old man, glad of some one on whom to vent his spleen. "That woman goes. How dare she leave the	way to the ladder sides. Cut the rope. Mr Christmas will not mind." The men grinned, and set to work so handily that in a few moments Mike was securely bound. "Now then," said the constable, "I'll have one round his middle; give me a piece of rope; I'll soon do that." He seized the rope, and, without rising, rapidly secured it to one side of the ladder. "Now," he said, "raise that end." This was done, the rope passed under Mike, drawn up on the other side, hauled upon till Mike yelled for mercy, and then knotted twice. "There, my lads," said the constable, rising; "now turn him over." The ladder was seized, turned, and there lay Mike on his back, safely secured. "Here, undo these," he said, sullenly. "I'll walk." "Too late, Mike, my boy. Now then, a couple of men head and tail. Let the ladder hang at arm's length. Best have given in quietly, and not have made yourself a show, Mike." "Don't I tell you I'll walk?" growled the prisoner. "And let us have all our trouble for nothing? No, my lad, it's too late. Ready there! Up with him. Good morning, sir. March!" The men lent themselves eagerly to the task, for Mike was thoroughly disliked; and a few minutes later there was a crowd gathering and following Mike Bannock as he was borne off, spread-eagled and half tipsy, to ponder on the theft and his chances in the cold damp place known in Bristol as the lock-up. Don Lavington stood in the office, waiting for his uncle to speak. CHAPTER FIVE. A STUBBORN DISPOSITION. "Stop!" Don had taken his hat, and, seeing his uncle apparently immersed in a letter, was about to yield to his curiosity and follow the constable, when, as he reached the door, his uncle's word thundered out and made him turn and go on with his writing in response to a severe look and a pointing finger. From time to time the boy looked up furtively as he sat, and wondered why his uncle did not say anything more about the money. But the time glided on, and the struggle between his desire to speak out frankly and his indignant wounded pride continued. A dozen times over he was on the point of crossing to the stern-looking old man, and begging him to listen and believe, but Uncle Josiah sat there with the most uncompromising of expressions on his face, and Don dared not speak. He dared not trust himself for very shame, as the incident had so upset him, that he felt sure that he must break down and cry like a child if he attempted to explain. After a time there was the sound of voices talking and laughing, and the click of the heavy latch of the gate. Then through the open windows came the deep _burr burr_ of Jem's bass, and the shrill inquiring tones of Sally Wimble, as she eagerly questioned her lord. Then there were steps, some of which passed the office door; and Don, as he sat with his head bent over a ledger, knew exactly whose steps those were, and where the makers of those steps were going to the different warehouses in the great yard. Directly after Jem's foot was heard, and he tapped at the door, pushed it a little way, and waited. "Come in," said Uncle Josiah, sharply. Jem entered, doffing his cocked hat, and casting a sympathising look at Don, who raised his head. Then seeing that his employer was deeply immersed in the letter he was writing, Jem made a series of gesticulations with his hat, supplemented by some exceedingly queer grimaces, all meant as a kind of silent language, which was very expressive, but quite incomprehensible to Don. "Well?" said Uncle Josiah, sharply. "Beg pardon, sir! Thought you'd like to hear how we got on?" "Well?" "Went pretty quiet, sir, till we got about half-way there, and then he begun kicking like mad--leastways he didn't kick, because his legs was tied, but he let go all he could, and it was hard work to hold the ladder." "And he is now safely locked up?" "Yes, sir, and I've been thinking, sir, as he must have took that money when Master Don here was up in the warehouse along o' me." "I daresay we shall find all out by-and-by, Wimble," said the old merchant, coldly. "That will do, now." Jem looked uneasily at Don, as he turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work, Wimble, which you do understand, and not meddle with things that are beyond you." "Certainly, sir, certainly," said Jem, quickly. "Just going, sir;" and giving Don a sympathetic look, he hurried out, but had hardly closed the door before he opened it again. "Beg pardon, sir, Mrs Lavington, sir, and Miss Kitty." Don started from his stool, crimson with mortification. His mother! What would Uncle Josiah say? Jem Wimble gave Don another look full of condolence before he closed the door, leaving Mrs Lavington and her niece in the office. Mrs Lavington's face was full of anxiety and care, as she glanced from her son to her brother and back again, while Kitty's was as full of indignant reproof as she darted an angry look at Don, and then frowned and looked straight down at the floor. "Well?" said the old merchant, coldly, "why have you come? You know I do not like you to bring Kitty here to the business place." "I--I heard--" faltered Mrs Lavington, who stood in great awe of her brother when he was in one of his stern moods. "Heard? Well, what did you hear?" "Such terrible news, Josiah." "Well, well, what?" "Oh, my brother!" she exclaimed, wildly, as she stepped forward and caught his hand, "tell me it is not true." "How can I tell you what is not true when I don't know what you are talking about," cried the old man, impatiently. "My dear Laura, do you think I have not worries enough without your coming here?" "Yes, yes; I know, dear." "And you ought to know that I shall do what is just and right." "I am sure of that, Josiah, but I felt obliged to come. Kitty and I were out shopping, and we met a crowd." "Then you should have turned down a side street." "But they were your men in the midst, and directly after I saw little Sally Wimble following." "Oh, she was, was she?" cried the old man, glad of some one on whom to vent his spleen. "That woman goes. How dare she leave the gates when her husband is out? I shall be having the place robbed again." "Yes, that is what she said, Josiah--that you had been robbed, and that Don--my boy--oh, no, no, no; say it is not true." Mrs Lavington looked wildly from one to the other, but there was a dead silence, and in a few minutes the poor woman's manner had entirely changed. When she first spoke it was as the timid, shrinking, affectionate woman; now it was as the mother speaking in defence of her child. "I say it is not true," she cried. "You undertook to be a father to my poor boy, and now you charge him with having robbed you." "Laura, be calm," said the old merchant, quietly; "and you had better take Kitty back home and wait." "You have always been too stern and harsh with the poor boy," continued Mrs Lavington, without heeding him. "I was foolish ever to come and trust to you. How dare you charge him with such a crime?" "I did not charge him with any crime, my dear Laura," said the old merchant, gravely. "Then it is not true?" "It is true that I have been robbed, and that the man whom Lindon has persisted in making his companion, in spite of all I have said to the contrary, has charged him with the base, contemptible crime of robbing the master who trusted him." "But it is not true, Josiah; and that is what you always do, treat my poor boy as if he were your servant instead of your nephew--your sister's boy." "I treat Lindon as if he were my son when we are at home," said the old man, quietly. "When we are here at the office I treat him as my clerk, and I trust him to look after my interests, and to defend me from dishonest people." Don looked up, and it was on his lips to say, "Indeed, uncle, I always have done so," when the old man's next words seemed to chill and harden him. "But instead of doing his duty by me, I have constantly had to reprove him for making a companion of a man whom I weakly, and against my better judgment, allowed in the yard; and the result is I have been robbed, and this man accuses Lindon of committing the robbery, and bribing him to silence." "But	the deep _burr burr_ of Jem's bass, and the shrill inquiring tones of Sally Wimble, as she eagerly questioned her lord. Then there were steps, some of which passed the office door; and Don, as he sat with his head bent over a ledger, knew exactly whose steps those were, and where the makers of those steps were going to the different warehouses in the great yard. Directly after Jem's foot was heard, and he tapped at the door, pushed it a little way, and waited. "Come in," said Uncle Josiah, sharply. Jem entered, doffing his cocked hat, and casting a sympathising look at Don, who raised his head. Then seeing that his employer was deeply immersed in the letter he was writing, Jem made a series of gesticulations with his hat, supplemented by some exceedingly queer grimaces, all meant as a kind of silent language, which was very expressive, but quite incomprehensible to Don. "Well?" said Uncle Josiah, sharply. "Beg pardon, sir! Thought you'd like to hear how we got on?" "Well?" "Went pretty quiet, sir, till we got about half-way there, and then he begun kicking like mad--leastways he didn't kick, because his legs was tied, but he let go all he could, and it was hard work to hold the ladder." "And he is now safely locked up?" "Yes, sir, and I've been thinking, sir, as he must have took that money when Master Don here was up in the warehouse along o' me." "I daresay we shall find all out by-and-by, Wimble," said the old merchant, coldly. "That will do, now." Jem looked uneasily at Don, as he turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work, Wimble, which you do understand, and not meddle with things that are beyond you." "Certainly, sir, certainly," said Jem, quickly. "Just going, sir;" and giving Don a sympathetic look, he hurried out, but had hardly closed the door before he opened it again. "Beg pardon, sir, Mrs Lavington, sir, and Miss Kitty." Don started from his stool, crimson with mortification. His mother! What would Uncle Josiah say? Jem Wimble gave Don another look full of condolence before he closed the door, leaving Mrs Lavington and her niece in the office. Mrs Lavington's face was full of anxiety and care, as she glanced from her son to her brother and back again, while Kitty's was as full of indignant reproof as she darted an angry look at Don, and then frowned and looked straight down at the floor. "Well?" said the old merchant, coldly, "why have you come? You know I do not like you to bring Kitty here to the business place." "I--I heard--" faltered Mrs Lavington, who stood in great awe of her brother when he was in one of his stern moods. "Heard? Well, what did you hear?" "Such terrible news, Josiah." "Well, well, what?" "Oh, my brother!" she exclaimed, wildly, as she stepped forward and caught his hand, "tell me it is not true." "How can I tell you what is not true when I don't know what you are talking about," cried the old man, impatiently. "My dear Laura, do you think I have not worries enough without your coming here?" "Yes, yes; I know, dear." "And you ought to know that I shall do what is just and right." "I am sure of that, Josiah, but I felt obliged to come. Kitty and I were out shopping, and we met a crowd." "Then you should have turned down a side street." "But they were your men in the midst, and directly after I saw little Sally Wimble following." "Oh, she was, was she?" cried the old man, glad of some one on whom to vent his spleen. "That woman goes. How dare she leave the gates when her husband is out? I shall be having the place robbed again." "Yes, that is what she said, Josiah--that you had been robbed, and that Don--my boy--oh, no, no, no; say it is not true." Mrs Lavington looked wildly from one to the other, but there was a dead silence, and in a few minutes the poor woman's manner had entirely changed. When she first spoke it was as the timid, shrinking, affectionate woman; now it was as the mother speaking in defence of her child. "I say it is not true," she cried. "You undertook to be a father to my poor boy, and now you charge him with having robbed you." "Laura, be calm," said the old merchant, quietly; "and you had better take Kitty back home and wait." "You have always been too stern and harsh with	Don Lavington
"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"	Mrs. Costello	dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all	fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls	Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins	girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were "tremendous flirts." If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate	have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began earnestly, and with a desire for trustworthy information--" "you really think that--" But he paused again. "Think what, sir?" said his aunt. "That she is the sort of young lady who expects a man, sooner or later, to carry her off?" "I haven t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were "tremendous flirts." If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate her justly. Though he was impatient to see her, he hardly knew what he should say to her about his aunt s refusal to become acquainted with her; but he discovered, promptly enough, that with Miss Daisy Miller there was no great need of walking on tiptoe. He found her that evening in the garden, wandering about in the warm starlight like an indolent sylph, and swinging to and fro the largest fan he had ever beheld. It was ten o clock. He had dined with his aunt, had been sitting with her since dinner, and had just taken leave	about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me." "You had better have said at first," said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." "It was to guarantee my respectability," said Winterbourne. "And pray who is to guarantee hers?" "Ah, you are cruel!" said the young man. "She s a very nice young girl." "You don t say that as if you believed it," Mrs. Costello observed. "She is completely uncultivated," Winterbourne went on. "But she is wonderfully pretty, and, in short, she is very nice. To prove that I believe it, I am going to take her to the Chateau de Chillon." "You two are going off there together? I should say it proved just the contrary. How long had you known her, may I ask, when this interesting project was formed? You haven t been twenty-four hours in the house." "I have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began earnestly, and with a desire for trustworthy information--" "you really think that--" But he paused again. "Think what, sir?" said his aunt. "That she is the sort of young lady who expects a man, sooner or later, to carry her off?" "I haven t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were "tremendous flirts." If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate her justly. Though he was impatient to see her, he hardly knew what he should say to her about his aunt s refusal to become acquainted with her; but he discovered, promptly enough, that with Miss Daisy Miller there was no great need of walking on tiptoe. He found her that evening in the garden, wandering about in the warm starlight like an indolent sylph, and swinging to and fro the largest fan he had ever beheld. It was ten o clock. He had dined with his aunt, had been sitting with her since dinner, and had just taken leave of her till the morrow. Miss Daisy Miller seemed very glad to see him; she declared it was the longest evening she had ever passed. "Have you been all alone?" he asked. "I have been walking round with mother. But mother gets tired walking round," she answered. "Has she gone to bed?" "No; she doesn t like to go to bed," said the young girl. "She doesn t sleep--not three hours. She says she doesn t know how she lives. She s dreadfully nervous. I guess she sleeps more than she thinks. She s gone somewhere after Randolph; she wants to try to get him to go to bed. He doesn t like to go to bed." "Let us hope she will persuade him," observed Winterbourne. "She will talk to him all she can; but he doesn t like her to talk to him," said Miss Daisy, opening her fan. "She s going to try to get Eugenio to talk to him. But he isn t afraid of Eugenio. Eugenio s a splendid courier, but he can t make much impression on Randolph! I don t believe he ll go to bed before eleven." It appeared that Randolph s vigil	those who, as she said, were nearer to her. He had imbibed at Geneva the idea that one must always be attentive to one s aunt. Mrs. Costello had not seen him for many years, and she was greatly pleased with him, manifesting her approbation by initiating him into many of the secrets of that social sway which, as she gave him to understand, she exerted in the American capital. She admitted that she was very exclusive; but, if he were acquainted with New York, he would see that one had to be. And her picture of the minutely hierarchical constitution of the society of that city, which she presented to him in many different lights, was, to Winterbourne s imagination, almost oppressively striking. He immediately perceived, from her tone, that Miss Daisy Miller s place in the social scale was low. "I am afraid you don t approve of them," he said. "They are very common," Mrs. Costello declared. "They are the sort of Americans that one does one s duty by not--not accepting." "Ah, you don t accept them?" said the young man. "I can t, my dear Frederick. I would if I could, but I can t." "The young girl is very pretty," said Winterbourne in a moment. "Of course she s pretty. But she is very common." "I see what you mean, of course," said Winterbourne after another pause. "She has that charming look that they all have," his aunt resumed. "I can t think where they pick it up; and she dresses in perfection--no, you don t know how well she dresses. I can t think where they get their taste." "But, my dear aunt, she is not, after all, a Comanche savage." "She is a young lady," said Mrs. Costello, "who has an intimacy with her mamma s courier." "An intimacy with the courier?" the young man demanded. "Oh, the mother is just as bad! They treat the courier like a familiar friend--like a gentleman. I shouldn t wonder if he dines with them. Very likely they have never seen a man with such good manners, such fine clothes, so like a gentleman. He probably corresponds to the young lady s idea of a count. He sits with them in the garden in the evening. I think he smokes." Winterbourne listened with interest to these disclosures; they helped him to make up his mind about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me." "You had better have said at first," said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." "It was to guarantee my respectability," said Winterbourne. "And pray who is to guarantee hers?" "Ah, you are cruel!" said the young man. "She s a very nice young girl." "You don t say that as if you believed it," Mrs. Costello observed. "She is completely uncultivated," Winterbourne went on. "But she is wonderfully pretty, and, in short, she is very nice. To prove that I believe it, I am going to take her to the Chateau de Chillon." "You two are going off there together? I should say it proved just the contrary. How long had you known her, may I ask, when this interesting project was formed? You haven t been twenty-four hours in the house." "I have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began earnestly, and with a desire for trustworthy information--" "you really think that--" But he paused again. "Think what, sir?" said his aunt. "That she is the sort of young lady who expects a man, sooner or later, to carry her off?" "I haven t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were "tremendous flirts." If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate her justly. Though he was impatient to see her, he hardly knew what he should say to her about his aunt s refusal to become acquainted with her; but he discovered, promptly enough, that with Miss Daisy Miller there was no great need of walking on tiptoe. He found her that evening in the garden, wandering about in the warm starlight like an indolent sylph, and swinging to and fro the largest fan he had ever beheld. It was ten o clock. He had dined with his aunt, had been sitting with her since dinner, and had just taken leave of her till the morrow. Miss Daisy Miller seemed very glad to see him; she declared it was the longest evening she had ever passed. "Have you been all alone?" he asked. "I have been walking round with mother. But mother gets tired walking round," she answered. "Has she gone to bed?" "No; she doesn t like to go to bed," said the young girl. "She doesn t sleep--not three hours. She says she doesn t know how she lives. She s dreadfully nervous. I guess she sleeps more than she thinks. She s gone somewhere after Randolph; she wants to try to get him to go to bed. He doesn t like to go to bed." "Let us hope she will persuade him," observed Winterbourne. "She will talk to him all she can; but he doesn t like her to talk to him," said Miss Daisy, opening her fan. "She s going to try to get Eugenio to talk to him. But he isn t afraid of Eugenio. Eugenio s a splendid courier, but he can t make much impression on Randolph! I don t believe he ll go to bed before eleven." It appeared that Randolph s vigil was in fact triumphantly prolonged, for Winterbourne strolled about with the young girl for some time without meeting her mother. "I have been looking round for that lady you want to introduce me to," his companion resumed. "She s your aunt." Then, on Winterbourne s admitting the fact and expressing some curiosity as to how she had learned it, she said she had heard all about Mrs. Costello from the chambermaid. She was very quiet and very comme il faut; she wore white puffs; she spoke to no one, and she never dined at the table d hote. Every two days she had a headache. "I think that s a lovely description, headache and all!" said Miss Daisy, chattering along in her thin, gay voice. "I want to know her ever so much. I know just what YOUR aunt would be; I know I should like her. She would be very exclusive. I like a lady to be exclusive; I m dying to be exclusive myself. Well, we ARE exclusive, mother and I. We don t speak to everyone--or they don t speak to us. I suppose it s about the same thing. Anyway, I shall be ever so glad to know your aunt." Winterbourne was embarrassed. "She would be most happy," he said; "but I am afraid those headaches will interfere." The young girl looked at him through the dusk. "But I suppose she doesn t have a headache every day," she said sympathetically. Winterbourne was silent a moment. "She tells me she does," he answered at last, not knowing what to say. Miss Daisy Miller stopped and stood looking at him. Her prettiness was still visible in the darkness; she was opening and closing her enormous fan. "She doesn t want to know me!" she said suddenly. "Why don t you say so? You needn t be afraid. I m not afraid!" And she gave a little laugh. Winterbourne fancied there was a tremor in her voice; he was touched, shocked, mortified by it. "My dear young lady," he protested, "she knows no one. It s her wretched health." The young girl walked on a few steps, laughing still. "You needn t be afraid," she repeated. "Why should she want to know me?" Then she paused again; she was close to the parapet of the garden, and in front of her was the starlit lake. There was a	savage." "She is a young lady," said Mrs. Costello, "who has an intimacy with her mamma s courier." "An intimacy with the courier?" the young man demanded. "Oh, the mother is just as bad! They treat the courier like a familiar friend--like a gentleman. I shouldn t wonder if he dines with them. Very likely they have never seen a man with such good manners, such fine clothes, so like a gentleman. He probably corresponds to the young lady s idea of a count. He sits with them in the garden in the evening. I think he smokes." Winterbourne listened with interest to these disclosures; they helped him to make up his mind about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me." "You had better have said at first," said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." "It was to guarantee my respectability," said Winterbourne. "And pray who is to guarantee hers?" "Ah, you are cruel!" said the young man. "She s a very nice young girl." "You don t say that as if you believed it," Mrs. Costello observed. "She is completely uncultivated," Winterbourne went on. "But she is wonderfully pretty, and, in short, she is very nice. To prove that I believe it, I am going to take her to the Chateau de Chillon." "You two are going off there together? I should say it proved just the contrary. How long had you known her, may I ask, when this interesting project was formed? You haven t been twenty-four hours in the house." "I have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began earnestly, and with a desire for trustworthy information--" "you really think that--" But he paused again. "Think what, sir?" said his aunt. "That she is the sort of young lady who expects a man, sooner or later, to carry her off?" "I haven t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were "tremendous flirts." If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate her justly. Though he was impatient to see her, he hardly knew what he should say to her about his aunt s refusal to become acquainted with her; but he discovered, promptly enough, that with Miss Daisy Miller there was no great need of walking on tiptoe. He found her that evening in the garden, wandering about in the warm starlight like an indolent sylph, and swinging to and fro the largest fan he had ever beheld. It was ten o clock. He had dined with his aunt, had been sitting with her since dinner, and had just taken leave of her till the morrow. Miss Daisy Miller seemed very glad to see him; she declared it was the longest evening she had ever passed. "Have you been all alone?" he asked. "I have been walking round with mother. But mother gets tired walking round," she answered. "Has she gone to bed?" "No; she doesn t like to go to bed," said the young girl. "She doesn t sleep--not three hours. She says she doesn t know how she lives. She s dreadfully nervous. I guess she sleeps more than she thinks. She s gone somewhere after Randolph; she wants to try to get him to go to bed. He doesn t like to go to bed." "Let us hope she will persuade him," observed Winterbourne. "She will talk to him all she can; but he doesn t like her to	Daisy Miller
"Isn't that perhaps the reason?"	Ellen Olenska	and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great	hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves	of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless	he said, "New York laid itself out for you. The van der Luydens do nothing by halves." "No: how kind they are! It was such a nice party. Every one seems to have such an esteem for them." The terms were hardly adequate; she might have spoken in that way of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless Japanese cups and little covered dishes, placing the tray on a low table. "But you'll explain these things to me--you'll tell me all I ought to know," Madame Olenska continued, leaning forward to hand him his cup. "It's you who are telling me; opening my eyes to things I'd looked	wondered if she did not begin to see what a powerful engine it was, and how nearly it had crushed her. The Lovell Mingotts' dinner, patched up in extremis out of all sorts of social odds and ends, ought to have taught her the narrowness of her escape; but either she had been all along unaware of having skirted disaster, or else she had lost sight of it in the triumph of the van der Luyden evening. Archer inclined to the former theory; he fancied that her New York was still completely undifferentiated, and the conjecture nettled him. "Last night," he said, "New York laid itself out for you. The van der Luydens do nothing by halves." "No: how kind they are! It was such a nice party. Every one seems to have such an esteem for them." The terms were hardly adequate; she might have spoken in that way of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless Japanese cups and little covered dishes, placing the tray on a low table. "But you'll explain these things to me--you'll tell me all I ought to know," Madame Olenska continued, leaning forward to hand him his cup. "It's you who are telling me; opening my eyes to things I'd looked at so long that I'd ceased to see them." She detached a small gold cigarette-case from one of her bracelets, held it out to him, and took a cigarette herself. On the chimney were long spills for lighting them. "Ah, then we can both help each other. But I want help so much more. You must tell me just what to do." It was on the tip of his tongue to reply: "Don't be seen driving about the streets with Beaufort--" but he was being too deeply drawn into the atmosphere of the room, which was her atmosphere, and to	be allowed to stay in this one." She appeared to dismiss both Beaufort and himself from her mind, and went on: "I've never been in a city where there seems to be such a feeling against living in des quartiers excentriques. What does it matter where one lives? I'm told this street is respectable." "It's not fashionable." "Fashionable! Do you all think so much of that? Why not make one's own fashions? But I suppose I've lived too independently; at any rate, I want to do what you all do--I want to feel cared for and safe." He was touched, as he had been the evening before when she spoke of her need of guidance. "That's what your friends want you to feel. New York's an awfully safe place," he added with a flash of sarcasm. "Yes, isn't it? One feels that," she cried, missing the mockery. "Being here is like--like--being taken on a holiday when one has been a good little girl and done all one's lessons." The analogy was well meant, but did not altogether please him. He did not mind being flippant about New York, but disliked to hear any one else take the same tone. He wondered if she did not begin to see what a powerful engine it was, and how nearly it had crushed her. The Lovell Mingotts' dinner, patched up in extremis out of all sorts of social odds and ends, ought to have taught her the narrowness of her escape; but either she had been all along unaware of having skirted disaster, or else she had lost sight of it in the triumph of the van der Luyden evening. Archer inclined to the former theory; he fancied that her New York was still completely undifferentiated, and the conjecture nettled him. "Last night," he said, "New York laid itself out for you. The van der Luydens do nothing by halves." "No: how kind they are! It was such a nice party. Every one seems to have such an esteem for them." The terms were hardly adequate; she might have spoken in that way of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless Japanese cups and little covered dishes, placing the tray on a low table. "But you'll explain these things to me--you'll tell me all I ought to know," Madame Olenska continued, leaning forward to hand him his cup. "It's you who are telling me; opening my eyes to things I'd looked at so long that I'd ceased to see them." She detached a small gold cigarette-case from one of her bracelets, held it out to him, and took a cigarette herself. On the chimney were long spills for lighting them. "Ah, then we can both help each other. But I want help so much more. You must tell me just what to do." It was on the tip of his tongue to reply: "Don't be seen driving about the streets with Beaufort--" but he was being too deeply drawn into the atmosphere of the room, which was her atmosphere, and to give advice of that sort would have been like telling some one who was bargaining for attar-of-roses in Samarkand that one should always be provided with arctics for a New York winter. New York seemed much farther off than Samarkand, and if they were indeed to help each other she was rendering what might prove the first of their mutual services by making him look at his native city objectively. Viewed thus, as through the wrong end of a telescope, it looked disconcertingly small and distant; but then from Samarkand it would. A flame darted from the logs and she bent over the fire, stretching her thin hands so close to it that a faint halo shone about the oval nails. The light touched to russet the rings of dark hair escaping from her braids, and made her pale face paler. "There are plenty of people to tell you what to do," Archer rejoined, obscurely envious of them. "Oh--all my aunts? And my dear old Granny?" She considered the idea impartially. "They're all a little vexed with me for setting up for myself--poor Granny especially. She wanted to keep me with her; but I had to be free--" He was	him, and in its light he saw Julius Beaufort's compact English brougham, drawn by a big roan, and the banker descending from it, and helping out Madame Olenska. Beaufort stood, hat in hand, saying something which his companion seemed to negative; then they shook hands, and he jumped into his carriage while she mounted the steps. When she entered the room she showed no surprise at seeing Archer there; surprise seemed the emotion that she was least addicted to. "How do you like my funny house?" she asked. "To me it's like heaven." As she spoke she untied her little velvet bonnet and tossing it away with her long cloak stood looking at him with meditative eyes. "You've arranged it delightfully," he rejoined, alive to the flatness of the words, but imprisoned in the conventional by his consuming desire to be simple and striking. "Oh, it's a poor little place. My relations despise it. But at any rate it's less gloomy than the van der Luydens'." The words gave him an electric shock, for few were the rebellious spirits who would have dared to call the stately home of the van der Luydens gloomy. Those privileged to enter it shivered there, and spoke of it as "handsome." But suddenly he was glad that she had given voice to the general shiver. "It's delicious--what you've done here," he repeated. "I like the little house," she admitted; "but I suppose what I like is the blessedness of its being here, in my own country and my own town; and then, of being alone in it." She spoke so low that he hardly heard the last phrase; but in his awkwardness he took it up. "You like so much to be alone?" "Yes; as long as my friends keep me from feeling lonely." She sat down near the fire, said: "Nastasia will bring the tea presently," and signed to him to return to his armchair, adding: "I see you've already chosen your corner." Leaning back, she folded her arms behind her head, and looked at the fire under drooping lids. "This is the hour I like best--don't you?" A proper sense of his dignity caused him to answer: "I was afraid you'd forgotten the hour. Beaufort must have been very engrossing." She looked amused. "Why--have you waited long? Mr. Beaufort took me to see a number of houses--since it seems I'm not to be allowed to stay in this one." She appeared to dismiss both Beaufort and himself from her mind, and went on: "I've never been in a city where there seems to be such a feeling against living in des quartiers excentriques. What does it matter where one lives? I'm told this street is respectable." "It's not fashionable." "Fashionable! Do you all think so much of that? Why not make one's own fashions? But I suppose I've lived too independently; at any rate, I want to do what you all do--I want to feel cared for and safe." He was touched, as he had been the evening before when she spoke of her need of guidance. "That's what your friends want you to feel. New York's an awfully safe place," he added with a flash of sarcasm. "Yes, isn't it? One feels that," she cried, missing the mockery. "Being here is like--like--being taken on a holiday when one has been a good little girl and done all one's lessons." The analogy was well meant, but did not altogether please him. He did not mind being flippant about New York, but disliked to hear any one else take the same tone. He wondered if she did not begin to see what a powerful engine it was, and how nearly it had crushed her. The Lovell Mingotts' dinner, patched up in extremis out of all sorts of social odds and ends, ought to have taught her the narrowness of her escape; but either she had been all along unaware of having skirted disaster, or else she had lost sight of it in the triumph of the van der Luyden evening. Archer inclined to the former theory; he fancied that her New York was still completely undifferentiated, and the conjecture nettled him. "Last night," he said, "New York laid itself out for you. The van der Luydens do nothing by halves." "No: how kind they are! It was such a nice party. Every one seems to have such an esteem for them." The terms were hardly adequate; she might have spoken in that way of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless Japanese cups and little covered dishes, placing the tray on a low table. "But you'll explain these things to me--you'll tell me all I ought to know," Madame Olenska continued, leaning forward to hand him his cup. "It's you who are telling me; opening my eyes to things I'd looked at so long that I'd ceased to see them." She detached a small gold cigarette-case from one of her bracelets, held it out to him, and took a cigarette herself. On the chimney were long spills for lighting them. "Ah, then we can both help each other. But I want help so much more. You must tell me just what to do." It was on the tip of his tongue to reply: "Don't be seen driving about the streets with Beaufort--" but he was being too deeply drawn into the atmosphere of the room, which was her atmosphere, and to give advice of that sort would have been like telling some one who was bargaining for attar-of-roses in Samarkand that one should always be provided with arctics for a New York winter. New York seemed much farther off than Samarkand, and if they were indeed to help each other she was rendering what might prove the first of their mutual services by making him look at his native city objectively. Viewed thus, as through the wrong end of a telescope, it looked disconcertingly small and distant; but then from Samarkand it would. A flame darted from the logs and she bent over the fire, stretching her thin hands so close to it that a faint halo shone about the oval nails. The light touched to russet the rings of dark hair escaping from her braids, and made her pale face paler. "There are plenty of people to tell you what to do," Archer rejoined, obscurely envious of them. "Oh--all my aunts? And my dear old Granny?" She considered the idea impartially. "They're all a little vexed with me for setting up for myself--poor Granny especially. She wanted to keep me with her; but I had to be free--" He was impressed by this light way of speaking of the formidable Catherine, and moved by the thought of what must have given Madame Olenska this thirst for even the loneliest kind of freedom. But the idea of Beaufort gnawed him. "I think I understand how you feel," he said. "Still, your family can advise you; explain differences; show you the way." She lifted her thin black eyebrows. "Is New York such a labyrinth? I thought it so straight up and down--like Fifth Avenue. And with all the cross streets numbered!" She seemed to guess his faint disapproval of this, and added, with the rare smile that enchanted her whole face: "If you knew how I like it for just THAT--the straight-up-and-downness, and the big honest labels on everything!" He saw his chance. "Everything may be labelled--but everybody is not." "Perhaps. I may simplify too much--but you'll warn me if I do." She turned from the fire to look at him. "There are only two people here who make me feel as if they understood what I mean and could explain things to me: you and Mr. Beaufort." Archer winced at the joining of the names, and then, with a quick readjustment, understood, sympathised and pitied. So close to the powers of evil she must have lived that she still breathed more freely in their air. But since she felt that he understood her also, his business would be to make her see Beaufort as he really was, with all he represented--and abhor it. He answered gently: "I understand. But just at first don't let go of your old friends' hands: I mean the older women, your Granny Mingott, Mrs. Welland, Mrs. van der Luyden. They like and admire you--they want to help you." She shook her head and sighed. "Oh, I know--I know! But on condition that they don't hear anything unpleasant. Aunt Welland put it in those very words when I tried.... Does no one want to know the truth here, Mr. Archer? The real loneliness is living among all these kind people who only ask one to pretend!" She lifted her hands to her face, and he saw her thin shoulders shaken by a sob. "Madame Olenska!--Oh, don't, Ellen," he cried, starting up and bending over her. He drew down one of her hands, clasping and chafing it like a child's while he murmured reassuring words; but in a	to be such a feeling against living in des quartiers excentriques. What does it matter where one lives? I'm told this street is respectable." "It's not fashionable." "Fashionable! Do you all think so much of that? Why not make one's own fashions? But I suppose I've lived too independently; at any rate, I want to do what you all do--I want to feel cared for and safe." He was touched, as he had been the evening before when she spoke of her need of guidance. "That's what your friends want you to feel. New York's an awfully safe place," he added with a flash of sarcasm. "Yes, isn't it? One feels that," she cried, missing the mockery. "Being here is like--like--being taken on a holiday when one has been a good little girl and done all one's lessons." The analogy was well meant, but did not altogether please him. He did not mind being flippant about New York, but disliked to hear any one else take the same tone. He wondered if she did not begin to see what a powerful engine it was, and how nearly it had crushed her. The Lovell Mingotts' dinner, patched up in extremis out of all sorts of social odds and ends, ought to have taught her the narrowness of her escape; but either she had been all along unaware of having skirted disaster, or else she had lost sight of it in the triumph of the van der Luyden evening. Archer inclined to the former theory; he fancied that her New York was still completely undifferentiated, and the conjecture nettled him. "Last night," he said, "New York laid itself out for you. The van der Luydens do nothing by halves." "No: how kind they are! It was such a nice party. Every one seems to have such an esteem for them." The terms were hardly adequate; she might have spoken in that way of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless Japanese cups and little covered dishes, placing the tray on a low table. "But you'll explain these things to me--you'll tell me all I ought to know," Madame Olenska continued, leaning forward to hand him his cup. "It's you who are telling me; opening my eyes to things I'd looked at so long that I'd ceased to see them." She detached a small gold cigarette-case from one of her bracelets, held it out to him, and took a cigarette herself. On the chimney were long spills for lighting them. "Ah, then we can both help each other. But I want help so much more. You must tell me just what to do." It was on the tip of his tongue to reply: "Don't be seen driving about the streets with Beaufort--" but he was being too deeply drawn into the atmosphere of the room, which was her atmosphere, and to give advice of that sort would have been like telling some one who was bargaining for attar-of-roses in Samarkand that one should always be provided with arctics for a New York winter. New York seemed much farther off than Samarkand, and if they were indeed to help each other she was rendering what might prove the first of their mutual services by making him look at his native city objectively. Viewed thus, as through the wrong end of a telescope, it looked disconcertingly small and distant; but then from Samarkand it would. A flame darted from the logs and she bent over the fire, stretching her thin hands so close to it that a faint halo shone about the oval nails. The light touched to russet the rings of dark hair escaping from her braids, and made her pale face paler. "There are plenty of people to tell you what to do," Archer rejoined, obscurely envious of them. "Oh--all my aunts? And my dear old Granny?" She considered the idea impartially. "They're all a little vexed with me for setting up for myself--poor Granny especially. She wanted to keep me with her; but I had to be free--" He was impressed by this light way of speaking of the formidable Catherine, and moved by the thought of what must have given Madame Olenska this thirst for even the loneliest kind of freedom. But the idea of Beaufort gnawed him. "I think I understand how you feel," he said. "Still, your family can advise you; explain differences; show you the way." She lifted her thin black eyebrows. "Is New York such a labyrinth? I thought it so straight up and down--like Fifth Avenue. And with all the cross streets numbered!" She seemed to guess his faint disapproval of this, and added, with the rare smile that enchanted her whole face: "If you knew how I like it	The Age Of Innocence
"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"	Gabriel Syme	himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a	be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling	as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his	that lower room he stood stricken and rooted to the spot. At a small table, close up to the blank window and the white street of snow, sat the old anarchist Professor over a glass of milk, with his lifted livid face and pendent eyelids. For an instant Syme stood as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his eyes and beard, they added their unremitting futility to his already irritated nerves; and by the time that he had come at a swinging pace to the beginning of Fleet Street, he lost patience, and finding a Sunday teashop, turned into it to take shelter. He ordered another cup of	The wine, the common food, the familiar place, the faces of natural and talkative men, made him almost feel as if the Council of the Seven Days had been a bad dream; and although he knew it was nevertheless an objective reality, it was at least a distant one. Tall houses and populous streets lay between him and his last sight of the shameful seven; he was free in free London, and drinking wine among the free. With a somewhat easier action, he took his hat and stick and strolled down the stair into the shop below. When he entered that lower room he stood stricken and rooted to the spot. At a small table, close up to the blank window and the white street of snow, sat the old anarchist Professor over a glass of milk, with his lifted livid face and pendent eyelids. For an instant Syme stood as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his eyes and beard, they added their unremitting futility to his already irritated nerves; and by the time that he had come at a swinging pace to the beginning of Fleet Street, he lost patience, and finding a Sunday teashop, turned into it to take shelter. He ordered another cup of black coffee as an excuse. Scarcely had he done so, when Professor de Worms hobbled heavily into the shop, sat down with difficulty and ordered a glass of milk. Syme's walking-stick had fallen from his hand with a great clang, which confessed the concealed steel. But the Professor did not look round. Syme, who was commonly a cool character, was literally gaping as a rustic gapes at a conjuring trick. He had seen no cab following; he had heard no wheels outside the shop; to all mortal appearances the man had come on foot. But the old man could only	trance. He was not inclined, however, to feel in this case any very compassionate concern. On the contrary, he rather congratulated himself that the Professor's stroke and his elaborate and limping walk would make it easy to escape from him and leave him miles behind. For Syme thirsted first and last to get clear of the whole poisonous atmosphere, if only for an hour. Then he could collect his thoughts, formulate his policy, and decide finally whether he should or should not keep faith with Gregory. He strolled away through the dancing snow, turned up two or three streets, down through two or three others, and entered a small Soho restaurant for lunch. He partook reflectively of four small and quaint courses, drank half a bottle of red wine, and ended up over black coffee and a black cigar, still thinking. He had taken his seat in the upper room of the restaurant, which was full of the chink of knives and the chatter of foreigners. He remembered that in old days he had imagined that all these harmless and kindly aliens were anarchists. He shuddered, remembering the real thing. But even the shudder had the delightful shame of escape. The wine, the common food, the familiar place, the faces of natural and talkative men, made him almost feel as if the Council of the Seven Days had been a bad dream; and although he knew it was nevertheless an objective reality, it was at least a distant one. Tall houses and populous streets lay between him and his last sight of the shameful seven; he was free in free London, and drinking wine among the free. With a somewhat easier action, he took his hat and stick and strolled down the stair into the shop below. When he entered that lower room he stood stricken and rooted to the spot. At a small table, close up to the blank window and the white street of snow, sat the old anarchist Professor over a glass of milk, with his lifted livid face and pendent eyelids. For an instant Syme stood as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his eyes and beard, they added their unremitting futility to his already irritated nerves; and by the time that he had come at a swinging pace to the beginning of Fleet Street, he lost patience, and finding a Sunday teashop, turned into it to take shelter. He ordered another cup of black coffee as an excuse. Scarcely had he done so, when Professor de Worms hobbled heavily into the shop, sat down with difficulty and ordered a glass of milk. Syme's walking-stick had fallen from his hand with a great clang, which confessed the concealed steel. But the Professor did not look round. Syme, who was commonly a cool character, was literally gaping as a rustic gapes at a conjuring trick. He had seen no cab following; he had heard no wheels outside the shop; to all mortal appearances the man had come on foot. But the old man could only walk like a snail, and Syme had walked like the wind. He started up and snatched his stick, half crazy with the contradiction in mere arithmetic, and swung out of the swinging doors, leaving his coffee untasted. An omnibus going to the Bank went rattling by with an unusual rapidity. He had a violent run of a hundred yards to reach it; but he managed to spring, swaying upon the splash-board and, pausing for an instant to pant, he climbed on to the top. When he had been seated for about half a minute, he heard behind him a sort of heavy and asthmatic breathing. Turning sharply, he saw rising gradually higher and higher up the omnibus steps a top hat soiled and dripping with snow, and under the shadow of its brim the short-sighted face and shaky shoulders of Professor de Worms. He let himself into a seat with characteristic care, and wrapped himself up to the chin in the mackintosh rug. Every movement of the old man's tottering figure and vague hands, every uncertain gesture and panic-stricken pause, seemed to put it beyond question that he was helpless, that he was in the last imbecility of the body.	meant that while Sunday could not denounce him like Gogol, he still could not trust him like the others. The other four got to their feet grumbling more or less, and betook themselves elsewhere to find lunch, for it was already well past midday. The Professor went last, very slowly and painfully. Syme sat long after the rest had gone, revolving his strange position. He had escaped a thunderbolt, but he was still under a cloud. At last he rose and made his way out of the hotel into Leicester Square. The bright, cold day had grown increasingly colder, and when he came out into the street he was surprised by a few flakes of snow. While he still carried the sword-stick and the rest of Gregory's portable luggage, he had thrown the cloak down and left it somewhere, perhaps on the steam-tug, perhaps on the balcony. Hoping, therefore, that the snow-shower might be slight, he stepped back out of the street for a moment and stood up under the doorway of a small and greasy hair-dresser's shop, the front window of which was empty, except for a sickly wax lady in evening dress. Snow, however, began to thicken and fall fast; and Syme, having found one glance at the wax lady quite sufficient to depress his spirits, stared out instead into the white and empty street. He was considerably astonished to see, standing quite still outside the shop and staring into the window, a man. His top hat was loaded with snow like the hat of Father Christmas, the white drift was rising round his boots and ankles; but it seemed as if nothing could tear him away from the contemplation of the colourless wax doll in dirty evening dress. That any human being should stand in such weather looking into such a shop was a matter of sufficient wonder to Syme; but his idle wonder turned suddenly into a personal shock; for he realised that the man standing there was the paralytic old Professor de Worms. It scarcely seemed the place for a person of his years and infirmities. Syme was ready to believe anything about the perversions of this dehumanized brotherhood; but even he could not believe that the Professor had fallen in love with that particular wax lady. He could only suppose that the man's malady (whatever it was) involved some momentary fits of rigidity or trance. He was not inclined, however, to feel in this case any very compassionate concern. On the contrary, he rather congratulated himself that the Professor's stroke and his elaborate and limping walk would make it easy to escape from him and leave him miles behind. For Syme thirsted first and last to get clear of the whole poisonous atmosphere, if only for an hour. Then he could collect his thoughts, formulate his policy, and decide finally whether he should or should not keep faith with Gregory. He strolled away through the dancing snow, turned up two or three streets, down through two or three others, and entered a small Soho restaurant for lunch. He partook reflectively of four small and quaint courses, drank half a bottle of red wine, and ended up over black coffee and a black cigar, still thinking. He had taken his seat in the upper room of the restaurant, which was full of the chink of knives and the chatter of foreigners. He remembered that in old days he had imagined that all these harmless and kindly aliens were anarchists. He shuddered, remembering the real thing. But even the shudder had the delightful shame of escape. The wine, the common food, the familiar place, the faces of natural and talkative men, made him almost feel as if the Council of the Seven Days had been a bad dream; and although he knew it was nevertheless an objective reality, it was at least a distant one. Tall houses and populous streets lay between him and his last sight of the shameful seven; he was free in free London, and drinking wine among the free. With a somewhat easier action, he took his hat and stick and strolled down the stair into the shop below. When he entered that lower room he stood stricken and rooted to the spot. At a small table, close up to the blank window and the white street of snow, sat the old anarchist Professor over a glass of milk, with his lifted livid face and pendent eyelids. For an instant Syme stood as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his eyes and beard, they added their unremitting futility to his already irritated nerves; and by the time that he had come at a swinging pace to the beginning of Fleet Street, he lost patience, and finding a Sunday teashop, turned into it to take shelter. He ordered another cup of black coffee as an excuse. Scarcely had he done so, when Professor de Worms hobbled heavily into the shop, sat down with difficulty and ordered a glass of milk. Syme's walking-stick had fallen from his hand with a great clang, which confessed the concealed steel. But the Professor did not look round. Syme, who was commonly a cool character, was literally gaping as a rustic gapes at a conjuring trick. He had seen no cab following; he had heard no wheels outside the shop; to all mortal appearances the man had come on foot. But the old man could only walk like a snail, and Syme had walked like the wind. He started up and snatched his stick, half crazy with the contradiction in mere arithmetic, and swung out of the swinging doors, leaving his coffee untasted. An omnibus going to the Bank went rattling by with an unusual rapidity. He had a violent run of a hundred yards to reach it; but he managed to spring, swaying upon the splash-board and, pausing for an instant to pant, he climbed on to the top. When he had been seated for about half a minute, he heard behind him a sort of heavy and asthmatic breathing. Turning sharply, he saw rising gradually higher and higher up the omnibus steps a top hat soiled and dripping with snow, and under the shadow of its brim the short-sighted face and shaky shoulders of Professor de Worms. He let himself into a seat with characteristic care, and wrapped himself up to the chin in the mackintosh rug. Every movement of the old man's tottering figure and vague hands, every uncertain gesture and panic-stricken pause, seemed to put it beyond question that he was helpless, that he was in the last imbecility of the body. He moved by inches, he let himself down with little gasps of caution. And yet, unless the philosophical entities called time and space have no vestige even of a practical existence, it appeared quite unquestionable that he had run after the omnibus. Syme sprang erect upon the rocking car, and after staring wildly at the wintry sky, that grew gloomier every moment, he ran down the steps. He had repressed an elemental impulse to leap over the side. Too bewildered to look back or to reason, he rushed into one of the little courts at the side of Fleet Street as a rabbit rushes into a hole. He had a vague idea, if this incomprehensible old Jack-in-the-box was really pursuing him, that in that labyrinth of little streets he could soon throw him off the scent. He dived in and out of those crooked lanes, which were more like cracks than thoroughfares; and by the time that he had completed about twenty alternate angles and described an unthinkable polygon, he paused to listen for any sound of pursuit. There was none; there could not in any case have been much, for the little streets were thick with the soundless snow. Somewhere behind Red Lion Court, however, he noticed a place where some energetic citizen had cleared away the snow for a space of about twenty yards, leaving the wet, glistening cobble-stones. He thought little of this as he passed it, only plunging into yet another arm of the maze. But when a few hundred yards farther on he stood still again to listen, his heart stood still also, for he heard from that space of rugged stones the clinking crutch and labouring feet of the infernal cripple. The sky above was loaded with the clouds of snow, leaving London in a darkness and oppression premature for that hour of the evening. On each side of Syme the walls of the alley were blind and featureless; there was no little window or any kind of eve. He felt a new impulse to break out of this hive of houses, and to get once more into the open and lamp-lit street. Yet he rambled and dodged for a long time before he struck the main thoroughfare. When he did so, he struck it much farther up than he had fancied. He came out into what seemed the vast and void of Ludgate	found one glance at the wax lady quite sufficient to depress his spirits, stared out instead into the white and empty street. He was considerably astonished to see, standing quite still outside the shop and staring into the window, a man. His top hat was loaded with snow like the hat of Father Christmas, the white drift was rising round his boots and ankles; but it seemed as if nothing could tear him away from the contemplation of the colourless wax doll in dirty evening dress. That any human being should stand in such weather looking into such a shop was a matter of sufficient wonder to Syme; but his idle wonder turned suddenly into a personal shock; for he realised that the man standing there was the paralytic old Professor de Worms. It scarcely seemed the place for a person of his years and infirmities. Syme was ready to believe anything about the perversions of this dehumanized brotherhood; but even he could not believe that the Professor had fallen in love with that particular wax lady. He could only suppose that the man's malady (whatever it was) involved some momentary fits of rigidity or trance. He was not inclined, however, to feel in this case any very compassionate concern. On the contrary, he rather congratulated himself that the Professor's stroke and his elaborate and limping walk would make it easy to escape from him and leave him miles behind. For Syme thirsted first and last to get clear of the whole poisonous atmosphere, if only for an hour. Then he could collect his thoughts, formulate his policy, and decide finally whether he should or should not keep faith with Gregory. He strolled away through the dancing snow, turned up two or three streets, down through two or three others, and entered a small Soho restaurant for lunch. He partook reflectively of four small and quaint courses, drank half a bottle of red wine, and ended up over black coffee and a black cigar, still thinking. He had taken his seat in the upper room of the restaurant, which was full of the chink of knives and the chatter of foreigners. He remembered that in old days he had imagined that all these harmless and kindly aliens were anarchists. He shuddered, remembering the real thing. But even the shudder had the delightful shame of escape. The wine, the common food, the familiar place, the faces of natural and talkative men, made him almost feel as if the Council of the Seven Days had been a bad dream; and although he knew it was nevertheless an objective reality, it was at least a distant one. Tall houses and populous streets lay between him and his last sight of the shameful seven; he was free in free London, and drinking wine among the free. With a somewhat easier action, he took his hat and stick and strolled down the stair into the shop below. When he entered that lower room he stood stricken and rooted to the spot. At a small table, close up to the blank window and the white street of snow, sat the old anarchist Professor over a glass of milk, with his lifted livid face and pendent eyelids. For an instant Syme stood as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his eyes and beard, they added their unremitting futility to his already irritated nerves; and by the time that he had come at a swinging pace to the beginning of Fleet Street, he lost patience, and finding a Sunday teashop, turned into it to take shelter. He ordered another cup of black coffee as an excuse. Scarcely had he done so, when Professor de Worms hobbled heavily into the shop, sat down with difficulty and ordered a glass of milk. Syme's walking-stick had fallen from his hand with a great clang, which confessed the concealed steel. But the Professor did not look round. Syme, who was commonly a cool character, was literally gaping as a rustic gapes at a conjuring trick. He had seen no cab following; he had heard no wheels outside the shop; to all mortal appearances the man had come on foot. But the old man could only walk like a snail, and Syme had walked like the wind. He started up and snatched his stick, half crazy with the contradiction in mere arithmetic, and swung out of the swinging doors, leaving his coffee untasted. An omnibus going to the Bank went rattling by with an unusual rapidity. He had a violent run of a hundred yards to reach it; but he managed to spring, swaying upon the splash-board and, pausing for an instant to pant, he climbed on to the top. When he had been seated for about half a minute, he heard behind him a sort of heavy and asthmatic breathing. Turning sharply, he saw rising gradually higher and higher up the omnibus steps a top hat soiled and dripping with snow, and under the shadow of its brim the short-sighted face and shaky shoulders of Professor de Worms. He let himself into a seat with characteristic care, and wrapped himself up to the chin in the mackintosh rug. Every movement of the old man's tottering figure and vague hands, every uncertain gesture and panic-stricken pause, seemed to put it beyond question that he was helpless, that he was in the last imbecility of the body. He moved by inches, he let himself down with little gasps of caution. And yet, unless the philosophical entities called time and space have no vestige even of a practical existence, it appeared quite unquestionable that he had run after the omnibus. Syme sprang erect upon the rocking car, and after staring wildly at the wintry sky, that grew gloomier every moment, he ran down the steps. He had repressed an elemental impulse to leap over the side.	The Man Who Was Thursday
I continued,	No speaker	"Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to	face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early	that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had	to Polina as the recollection of her returned to me. She was still in her old place still making not a sound. Yet her eyes had followed every one of my movements. Somehow in her face there was a strange expression an expression which I did not like. I think that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had so often indulged in of late merriment which had broken forth always at the time of my most passionate explanations. At length she ceased, and frowned at me from under her eyebrows. "I am _not_ going to take your money," she said contemptuously. "Why not?" I cried. "Why not, Polina?"	the pile in order, and to sort the notes, and to mass the gold in a separate heap. That done, I left everything where it lay, and proceeded to pace the room with rapid strides as I lost myself in thought. Then I darted to the table once more, and began to recount the money; until all of a sudden, as though I had remembered something, I rushed to the door, and closed and double-locked it. Finally I came to a meditative halt before my little trunk. "Shall I put the money there until tomorrow?" I asked, turning sharply round to Polina as the recollection of her returned to me. She was still in her old place still making not a sound. Yet her eyes had followed every one of my movements. Somehow in her face there was a strange expression an expression which I did not like. I think that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had so often indulged in of late merriment which had broken forth always at the time of my most passionate explanations. At length she ceased, and frowned at me from under her eyebrows. "I am _not_ going to take your money," she said contemptuously. "Why not?" I cried. "Why not, Polina?" "Because I am not in the habit of receiving money for nothing." "But I am offering it to you as a _friend_. In the same way I would offer you my very life." Upon this she threw me a long, questioning glance, as though she were seeking to probe me to the depths. "You are giving too much for me," she remarked with a smile. "The beloved of De Griers is not worth fifty thousand francs." "Oh Polina, how can you speak so?" I exclaimed reproachfully. "Am _I_ De Griers?" "You?" she cried with her eyes suddenly flashing. "Why, I	end of the Avenue when there _did_ come upon me a fear of being robbed or murdered. With each step the fear increased until, in my terror, I almost started to run. Suddenly, as I issued from the Avenue, there burst upon me the lights of the hotel, sparkling with a myriad lamps! Yes, thanks be to God, I had reached home! Running up to my room, I flung open the door of it. Polina was still on the sofa, with a lighted candle in front of her, and her hands clasped. As I entered she stared at me in astonishment (for, at the moment, I must have presented a strange spectacle). All I did, however, was to halt before her, and fling upon the table my burden of wealth. XV I remember, too, how, without moving from her place, or changing her attitude, she gazed into my face. "I have won two hundred thousand francs!" cried I as I pulled out my last sheaf of bank-notes. The pile of paper currency occupied the whole table. I could not withdraw my eyes from it. Consequently, for a moment or two Polina escaped my mind. Then I set myself to arrange the pile in order, and to sort the notes, and to mass the gold in a separate heap. That done, I left everything where it lay, and proceeded to pace the room with rapid strides as I lost myself in thought. Then I darted to the table once more, and began to recount the money; until all of a sudden, as though I had remembered something, I rushed to the door, and closed and double-locked it. Finally I came to a meditative halt before my little trunk. "Shall I put the money there until tomorrow?" I asked, turning sharply round to Polina as the recollection of her returned to me. She was still in her old place still making not a sound. Yet her eyes had followed every one of my movements. Somehow in her face there was a strange expression an expression which I did not like. I think that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had so often indulged in of late merriment which had broken forth always at the time of my most passionate explanations. At length she ceased, and frowned at me from under her eyebrows. "I am _not_ going to take your money," she said contemptuously. "Why not?" I cried. "Why not, Polina?" "Because I am not in the habit of receiving money for nothing." "But I am offering it to you as a _friend_. In the same way I would offer you my very life." Upon this she threw me a long, questioning glance, as though she were seeking to probe me to the depths. "You are giving too much for me," she remarked with a smile. "The beloved of De Griers is not worth fifty thousand francs." "Oh Polina, how can you speak so?" I exclaimed reproachfully. "Am _I_ De Griers?" "You?" she cried with her eyes suddenly flashing. "Why, I _hate_ you! Yes, yes, I _hate_ you! I love you no more than I do De Griers." Then she buried her face in her hands, and relapsed into hysterics. I darted to her side. Somehow I had an intuition of something having happened to her which had nothing to do with myself. She was like a person temporarily insane. "Buy me, would you, would you? Would you buy me for fifty thousand francs as De Griers did?" she gasped between her convulsive sobs. I clasped her in my arms, kissed her hands and feet, and fell upon my knees before her. Presently the hysterical fit passed away, and, laying her hands upon my shoulders, she gazed for a while into my face, as though trying to read it something I said to her, but it was clear that she did not hear it. Her face looked so dark and despondent that I began to fear for her reason. At length she drew me towards herself a trustful smile playing over her features; and then, as suddenly, she pushed me away again as she eyed me dimly. Finally she threw herself upon me in an embrace. "You love me?" she said.	them. All of a sudden I heard exclamations arising that the whole thing was a marvel, since the red was turning up for the fourteenth time! "Monsieur a gagn cent mille florins," a voice exclaimed beside me. I awoke to my senses. What? I had won a hundred thousand florins? If so, what more did I need to win? I grasped the banknotes, stuffed them into my pockets, raked in the gold without counting it, and started to leave the Casino. As I passed through the salons people smiled to see my bulging pockets and unsteady gait, for the weight which I was carrying must have amounted to half a pood! Several hands I saw stretched out in my direction, and as I passed I filled them with all the money that I could grasp in my own. At length two Jews stopped me near the exit. "You are a bold young fellow," one said, "but mind you depart early tomorrow as early as you can for if you do not you will lose everything that you have won." But I did not heed them. The Avenue was so dark that it was barely possible to distinguish one s hand before one s face, while the distance to the hotel was half a verst or so; but I feared neither pickpockets nor highwaymen. Indeed, never since my boyhood have I done that. Also, I cannot remember what I thought about on the way. I only felt a sort of fearful pleasure the pleasure of success, of conquest, of power (how can I best express it?). Likewise, before me there flitted the image of Polina; and I kept remembering, and reminding myself, that it was to _her_ I was going, that it was in _her_ presence I should soon be standing, that it was _she_ to whom I should soon be able to relate and show everything. Scarcely once did I recall what she had lately said to me, or the reason why I had left her, or all those varied sensations which I had been experiencing a bare hour and a half ago. No, those sensations seemed to be things of the past, to be things which had righted themselves and grown old, to be things concerning which we needed to trouble ourselves no longer, since, for us, life was about to begin anew. Yet I had just reached the end of the Avenue when there _did_ come upon me a fear of being robbed or murdered. With each step the fear increased until, in my terror, I almost started to run. Suddenly, as I issued from the Avenue, there burst upon me the lights of the hotel, sparkling with a myriad lamps! Yes, thanks be to God, I had reached home! Running up to my room, I flung open the door of it. Polina was still on the sofa, with a lighted candle in front of her, and her hands clasped. As I entered she stared at me in astonishment (for, at the moment, I must have presented a strange spectacle). All I did, however, was to halt before her, and fling upon the table my burden of wealth. XV I remember, too, how, without moving from her place, or changing her attitude, she gazed into my face. "I have won two hundred thousand francs!" cried I as I pulled out my last sheaf of bank-notes. The pile of paper currency occupied the whole table. I could not withdraw my eyes from it. Consequently, for a moment or two Polina escaped my mind. Then I set myself to arrange the pile in order, and to sort the notes, and to mass the gold in a separate heap. That done, I left everything where it lay, and proceeded to pace the room with rapid strides as I lost myself in thought. Then I darted to the table once more, and began to recount the money; until all of a sudden, as though I had remembered something, I rushed to the door, and closed and double-locked it. Finally I came to a meditative halt before my little trunk. "Shall I put the money there until tomorrow?" I asked, turning sharply round to Polina as the recollection of her returned to me. She was still in her old place still making not a sound. Yet her eyes had followed every one of my movements. Somehow in her face there was a strange expression an expression which I did not like. I think that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had so often indulged in of late merriment which had broken forth always at the time of my most passionate explanations. At length she ceased, and frowned at me from under her eyebrows. "I am _not_ going to take your money," she said contemptuously. "Why not?" I cried. "Why not, Polina?" "Because I am not in the habit of receiving money for nothing." "But I am offering it to you as a _friend_. In the same way I would offer you my very life." Upon this she threw me a long, questioning glance, as though she were seeking to probe me to the depths. "You are giving too much for me," she remarked with a smile. "The beloved of De Griers is not worth fifty thousand francs." "Oh Polina, how can you speak so?" I exclaimed reproachfully. "Am _I_ De Griers?" "You?" she cried with her eyes suddenly flashing. "Why, I _hate_ you! Yes, yes, I _hate_ you! I love you no more than I do De Griers." Then she buried her face in her hands, and relapsed into hysterics. I darted to her side. Somehow I had an intuition of something having happened to her which had nothing to do with myself. She was like a person temporarily insane. "Buy me, would you, would you? Would you buy me for fifty thousand francs as De Griers did?" she gasped between her convulsive sobs. I clasped her in my arms, kissed her hands and feet, and fell upon my knees before her. Presently the hysterical fit passed away, and, laying her hands upon my shoulders, she gazed for a while into my face, as though trying to read it something I said to her, but it was clear that she did not hear it. Her face looked so dark and despondent that I began to fear for her reason. At length she drew me towards herself a trustful smile playing over her features; and then, as suddenly, she pushed me away again as she eyed me dimly. Finally she threw herself upon me in an embrace. "You love me?" she said. "_Do_ you? you who were willing even to quarrel with the Baron at my bidding?" Then she laughed laughed as though something dear, but laughable, had recurred to her memory. Yes, she laughed and wept at the same time. What was I to do? I was like a man in a fever. I remember that she began to say something to me though _what_ I do not know, since she spoke with a feverish lisp, as though she were trying to tell me something very quickly. At intervals, too, she would break off into the smile which I was beginning to dread. "No, no!" she kept repeating. "_You_ are my dear one; _you_ are the man I trust." Again she laid her hands upon my shoulders, and again she gazed at me as she reiterated: "You love me, you love me? Will you _always_ love me?" I could not take my eyes off her. Never before had I seen her in this mood of humility and affection. True, the mood was the outcome of hysteria; but ! All of a sudden she noticed my ardent gaze, and smiled slightly. The next moment, for no apparent reason, she began to talk of Astley. She continued talking and talking about him, but I could not make out all she said more particularly when she was endeavouring to tell me of something or other which had happened recently. On the whole, she appeared to be laughing at Astley, for she kept repeating that he was waiting for her, and did I know whether, even at that moment, he was not standing beneath the window? "Yes, yes, he is there," she said. "Open the window, and see if he is not." She pushed me in that direction; yet, no sooner did I make a movement to obey her behest than she burst into laughter, and I remained beside her, and she embraced me. "Shall we go away tomorrow?" presently she asked, as though some disturbing thought had recurred to her recollection. "How would it be if we were to try and overtake Grandmamma? I think we should do so at Berlin. And what think you she would have to say to us when we caught her up, and her eyes first lit upon us? What, too, about Mr. Astley? _He_ would not leap from the Shlangenberg for my sake! No! Of that I am	at the moment, I must have presented a strange spectacle). All I did, however, was to halt before her, and fling upon the table my burden of wealth. XV I remember, too, how, without moving from her place, or changing her attitude, she gazed into my face. "I have won two hundred thousand francs!" cried I as I pulled out my last sheaf of bank-notes. The pile of paper currency occupied the whole table. I could not withdraw my eyes from it. Consequently, for a moment or two Polina escaped my mind. Then I set myself to arrange the pile in order, and to sort the notes, and to mass the gold in a separate heap. That done, I left everything where it lay, and proceeded to pace the room with rapid strides as I lost myself in thought. Then I darted to the table once more, and began to recount the money; until all of a sudden, as though I had remembered something, I rushed to the door, and closed and double-locked it. Finally I came to a meditative halt before my little trunk. "Shall I put the money there until tomorrow?" I asked, turning sharply round to Polina as the recollection of her returned to me. She was still in her old place still making not a sound. Yet her eyes had followed every one of my movements. Somehow in her face there was a strange expression an expression which I did not like. I think that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had so often indulged in of late merriment which had broken forth always at the time of my most passionate explanations. At length she ceased, and frowned at me from under her eyebrows. "I am _not_ going to take your money," she said contemptuously. "Why not?" I cried. "Why not, Polina?" "Because I am not in the habit of receiving money for nothing." "But I am offering it to you as a _friend_. In the same way I would offer you my very life." Upon this she threw me a long, questioning glance, as though she were seeking to probe me to the depths. "You are giving too much for me," she remarked with a smile. "The beloved of De Griers is not worth fifty thousand francs." "Oh Polina, how can you speak so?" I exclaimed reproachfully. "Am _I_ De Griers?" "You?" she cried with her eyes suddenly flashing. "Why, I _hate_ you! Yes, yes, I _hate_ you! I love you no more than	The Gambler
he added, in a more serious tone,	No speaker	live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I	sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I	should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made	to distinction." "But how may it rise? How may my honesty at least rise to any distinction?" This was not so very easy a question to answer, and occasioned an "Oh!" of some length from the fair lady before she could add, "You ought to be in parliament, or you should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound	even respect you. I have a much greater respect for those that are honest and rich." "Your degree of respect for honesty, rich or poor, is precisely what I have no manner of concern with. I do not mean to be poor. Poverty is exactly what I have determined against. Honesty, in the something between, in the middle state of worldly circumstances, is all that I am anxious for your not looking down on." "But I do look down upon it, if it might have been higher. I must look down upon anything contented with obscurity when it might rise to distinction." "But how may it rise? How may my honesty at least rise to any distinction?" This was not so very easy a question to answer, and occasioned an "Oh!" of some length from the fair lady before she could add, "You ought to be in parliament, or you should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound of the great clock at Mansfield Park, striking three, made her feel that she had really been much longer absent than usual, and brought the previous self-inquiry of whether she should take leave or not just then, and how, to a very speedy issue. With undoubting decision she directly began her adieus; and Edmund began at the same time to recollect that his mother had been inquiring for her, and that he had walked down to the Parsonage on purpose to bring her back. Fanny's hurry increased; and without in the least expecting Edmund's attendance, she would have hastened away	I ever heard of. It certainly may secure all the myrtle and turkey part of it." "You intend to be very rich?" said Edmund, with a look which, to Fanny's eye, had a great deal of serious meaning. "To be sure. Do not you? Do not we all?" "I cannot intend anything which it must be so completely beyond my power to command. Miss Crawford may chuse her degree of wealth. She has only to fix on her number of thousands a year, and there can be no doubt of their coming. My intentions are only not to be poor." "By moderation and economy, and bringing down your wants to your income, and all that. I understand you and a very proper plan it is for a person at your time of life, with such limited means and indifferent connexions. What can _you_ want but a decent maintenance? You have not much time before you; and your relations are in no situation to do anything for you, or to mortify you by the contrast of their own wealth and consequence. Be honest and poor, by all means but I shall not envy you; I do not much think I shall even respect you. I have a much greater respect for those that are honest and rich." "Your degree of respect for honesty, rich or poor, is precisely what I have no manner of concern with. I do not mean to be poor. Poverty is exactly what I have determined against. Honesty, in the something between, in the middle state of worldly circumstances, is all that I am anxious for your not looking down on." "But I do look down upon it, if it might have been higher. I must look down upon anything contented with obscurity when it might rise to distinction." "But how may it rise? How may my honesty at least rise to any distinction?" This was not so very easy a question to answer, and occasioned an "Oh!" of some length from the fair lady before she could add, "You ought to be in parliament, or you should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound of the great clock at Mansfield Park, striking three, made her feel that she had really been much longer absent than usual, and brought the previous self-inquiry of whether she should take leave or not just then, and how, to a very speedy issue. With undoubting decision she directly began her adieus; and Edmund began at the same time to recollect that his mother had been inquiring for her, and that he had walked down to the Parsonage on purpose to bring her back. Fanny's hurry increased; and without in the least expecting Edmund's attendance, she would have hastened away alone; but the general pace was quickened, and they all accompanied her into the house, through which it was necessary to pass. Dr. Grant was in the vestibule, and as they stopt to speak to him she found, from Edmund's manner, that he _did_ mean to go with her. He too was taking leave. She could not but be thankful. In the moment of parting, Edmund was invited by Dr. Grant to eat his mutton with him the next day; and Fanny had barely time for an unpleasant feeling on the occasion, when Mrs. Grant, with sudden recollection, turned to her and asked for the pleasure of her company too. This was so new an attention, so perfectly new a circumstance in the events of Fanny's life, that she was all surprise and embarrassment; and while stammering out her great obligation, and her "but she did not suppose it would be in her power," was looking at Edmund for his opinion and help. But Edmund, delighted with her having such an happiness offered, and ascertaining with half a look, and half a sentence, that she had no objection but on her aunt's account, could not imagine that his mother would	But I have long thought Mr. Bertram one of the worst subjects to work on, in any little manoeuvre against common sense, that a woman could be plagued with. I had very little hope of _him_ from the first; but you, Mrs. Grant, my sister, my own sister, I think I had a right to alarm you a little." "Do not flatter yourself, my dearest Mary. You have not the smallest chance of moving me. I have my alarms, but they are quite in a different quarter; and if I could have altered the weather, you would have had a good sharp east wind blowing on you the whole time for here are some of my plants which Robert _will_ leave out because the nights are so mild, and I know the end of it will be, that we shall have a sudden change of weather, a hard frost setting in all at once, taking everybody (at least Robert) by surprise, and I shall lose every one; and what is worse, cook has just been telling me that the turkey, which I particularly wished not to be dressed till Sunday, because I know how much more Dr. Grant would enjoy it on Sunday after the fatigues of the day, will not keep beyond to-morrow. These are something like grievances, and make me think the weather most unseasonably close." "The sweets of housekeeping in a country village!" said Miss Crawford archly. "Commend me to the nurseryman and the poulterer." "My dear child, commend Dr. Grant to the deanery of Westminster or St. Paul's, and I should be as glad of your nurseryman and poulterer as you could be. But we have no such people in Mansfield. What would you have me do?" "Oh! you can do nothing but what you do already: be plagued very often, and never lose your temper." "Thank you; but there is no escaping these little vexations, Mary, live where we may; and when you are settled in town and I come to see you, I dare say I shall find you with yours, in spite of the nurseryman and the poulterer, perhaps on their very account. Their remoteness and unpunctuality, or their exorbitant charges and frauds, will be drawing forth bitter lamentations." "I mean to be too rich to lament or to feel anything of the sort. A large income is the best recipe for happiness I ever heard of. It certainly may secure all the myrtle and turkey part of it." "You intend to be very rich?" said Edmund, with a look which, to Fanny's eye, had a great deal of serious meaning. "To be sure. Do not you? Do not we all?" "I cannot intend anything which it must be so completely beyond my power to command. Miss Crawford may chuse her degree of wealth. She has only to fix on her number of thousands a year, and there can be no doubt of their coming. My intentions are only not to be poor." "By moderation and economy, and bringing down your wants to your income, and all that. I understand you and a very proper plan it is for a person at your time of life, with such limited means and indifferent connexions. What can _you_ want but a decent maintenance? You have not much time before you; and your relations are in no situation to do anything for you, or to mortify you by the contrast of their own wealth and consequence. Be honest and poor, by all means but I shall not envy you; I do not much think I shall even respect you. I have a much greater respect for those that are honest and rich." "Your degree of respect for honesty, rich or poor, is precisely what I have no manner of concern with. I do not mean to be poor. Poverty is exactly what I have determined against. Honesty, in the something between, in the middle state of worldly circumstances, is all that I am anxious for your not looking down on." "But I do look down upon it, if it might have been higher. I must look down upon anything contented with obscurity when it might rise to distinction." "But how may it rise? How may my honesty at least rise to any distinction?" This was not so very easy a question to answer, and occasioned an "Oh!" of some length from the fair lady before she could add, "You ought to be in parliament, or you should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound of the great clock at Mansfield Park, striking three, made her feel that she had really been much longer absent than usual, and brought the previous self-inquiry of whether she should take leave or not just then, and how, to a very speedy issue. With undoubting decision she directly began her adieus; and Edmund began at the same time to recollect that his mother had been inquiring for her, and that he had walked down to the Parsonage on purpose to bring her back. Fanny's hurry increased; and without in the least expecting Edmund's attendance, she would have hastened away alone; but the general pace was quickened, and they all accompanied her into the house, through which it was necessary to pass. Dr. Grant was in the vestibule, and as they stopt to speak to him she found, from Edmund's manner, that he _did_ mean to go with her. He too was taking leave. She could not but be thankful. In the moment of parting, Edmund was invited by Dr. Grant to eat his mutton with him the next day; and Fanny had barely time for an unpleasant feeling on the occasion, when Mrs. Grant, with sudden recollection, turned to her and asked for the pleasure of her company too. This was so new an attention, so perfectly new a circumstance in the events of Fanny's life, that she was all surprise and embarrassment; and while stammering out her great obligation, and her "but she did not suppose it would be in her power," was looking at Edmund for his opinion and help. But Edmund, delighted with her having such an happiness offered, and ascertaining with half a look, and half a sentence, that she had no objection but on her aunt's account, could not imagine that his mother would make any difficulty of sparing her, and therefore gave his decided open advice that the invitation should be accepted; and though Fanny would not venture, even on his encouragement, to such a flight of audacious independence, it was soon settled, that if nothing were heard to the contrary, Mrs. Grant might expect her. "And you know what your dinner will be," said Mrs. Grant, smiling "the turkey, and I assure you a very fine one; for, my dear," turning to her husband, "cook insists upon the turkey's being dressed to-morrow." "Very well, very well," cried Dr. Grant, "all the better; I am glad to hear you have anything so good in the house. But Miss Price and Mr. Edmund Bertram, I dare say, would take their chance. We none of us want to hear the bill of fare. A friendly meeting, and not a fine dinner, is all we have in view. A turkey, or a goose, or a leg of mutton, or whatever you and your cook chuse to give us." The two cousins walked home together; and, except in the immediate discussion of this engagement, which Edmund spoke of with the warmest satisfaction, as so particularly desirable for her in the intimacy which he saw with so much pleasure established, it was a silent walk; for having finished that subject, he grew thoughtful and indisposed for any other. CHAPTER XXIII "But why should Mrs. Grant ask Fanny?" said Lady Bertram. "How came she to think of asking Fanny? Fanny never dines there, you know, in this sort of way. I cannot spare her, and I am sure she does not want to go. Fanny, you do not want to go, do you?" "If you put such a question to her," cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am." "That's well thought of. So I will, Edmund.	to be too rich to lament or to feel anything of the sort. A large income is the best recipe for happiness I ever heard of. It certainly may secure all the myrtle and turkey part of it." "You intend to be very rich?" said Edmund, with a look which, to Fanny's eye, had a great deal of serious meaning. "To be sure. Do not you? Do not we all?" "I cannot intend anything which it must be so completely beyond my power to command. Miss Crawford may chuse her degree of wealth. She has only to fix on her number of thousands a year, and there can be no doubt of their coming. My intentions are only not to be poor." "By moderation and economy, and bringing down your wants to your income, and all that. I understand you and a very proper plan it is for a person at your time of life, with such limited means and indifferent connexions. What can _you_ want but a decent maintenance? You have not much time before you; and your relations are in no situation to do anything for you, or to mortify you by the contrast of their own wealth and consequence. Be honest and poor, by all means but I shall not envy you; I do not much think I shall even respect you. I have a much greater respect for those that are honest and rich." "Your degree of respect for honesty, rich or poor, is precisely what I have no manner of concern with. I do not mean to be poor. Poverty is exactly what I have determined against. Honesty, in the something between, in the middle state of worldly circumstances, is all that I am anxious for your not looking down on." "But I do look down upon it, if it might have been higher. I must look down upon anything contented with obscurity when it might rise to distinction." "But how may it rise? How may my honesty at least rise to any distinction?" This was not so very easy a question to answer, and occasioned an "Oh!" of some length from the fair lady before she could add, "You ought to be in parliament, or you should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound of the great clock at Mansfield Park, striking three, made her feel that she had really been much longer absent than usual, and brought the previous self-inquiry of whether she should take leave or not just then, and how, to a very speedy issue. With undoubting decision she directly began her adieus; and Edmund began at the same time to recollect that his mother had been inquiring for her, and that he had walked down to the Parsonage on purpose to bring her back. Fanny's hurry increased; and without in the least expecting Edmund's attendance, she would have hastened away alone; but the general pace was quickened, and they all accompanied her into the house, through which it was necessary to pass. Dr. Grant was in the vestibule, and as they stopt to speak to him she found, from Edmund's manner, that he _did_ mean to go with her. He too was taking leave. She could not but be thankful. In the moment of parting, Edmund was invited by Dr. Grant to eat his mutton with him the next day; and Fanny had barely time for an unpleasant feeling on the occasion, when Mrs. Grant, with sudden recollection, turned to her and asked for the pleasure of her company too. This was so new an attention, so perfectly new a circumstance in the events of Fanny's life, that she was all surprise and embarrassment; and while stammering out her great obligation, and her "but she did not suppose it would be in her power," was looking at Edmund for his opinion and help. But Edmund, delighted with her having such an happiness offered, and ascertaining with half a look, and half a sentence, that she had no objection but on her aunt's account, could not imagine that his mother would make any difficulty of sparing her, and	Mansfield Park
"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."	Mary Crawford	she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With	think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I	what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is	of life. The _manners_ I speak of might rather be called _conduct_, perhaps, the result of good principles; the effect, in short, of those doctrines which it is their duty to teach and recommend; and it will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is only to prevent my saying a _bon_ _mot_, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out." A general silence succeeded. Each was thoughtful.	preaching only that a good clergyman will be useful in his parish and his neighbourhood, where the parish and neighbourhood are of a size capable of knowing his private character, and observing his general conduct, which in London can rarely be the case. The clergy are lost there in the crowds of their parishioners. They are known to the largest part only as preachers. And with regard to their influencing public manners, Miss Crawford must not misunderstand me, or suppose I mean to call them the arbiters of good-breeding, the regulators of refinement and courtesy, the masters of the ceremonies of life. The _manners_ I speak of might rather be called _conduct_, perhaps, the result of good principles; the effect, in short, of those doctrines which it is their duty to teach and recommend; and it will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is only to prevent my saying a _bon_ _mot_, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out." A general silence succeeded. Each was thoughtful. Fanny made the first interruption by saying, "I wonder that I should be tired with only walking in this sweet wood; but the next time we come to a seat, if it is not disagreeable to you, I should be glad to sit down for a little while." "My dear Fanny," cried Edmund, immediately drawing her arm within his, "how thoughtless I have been! I hope you are not very tired. Perhaps," turning to Miss Crawford, "my other companion may do me the honour of taking an arm." "Thank you, but I am not at all tired." She took it,	he ought not to appear." "_You_ assign greater consequence to the clergyman than one has been used to hear given, or than I can quite comprehend. One does not see much of this influence and importance in society, and how can it be acquired where they are so seldom seen themselves? How can two sermons a week, even supposing them worth hearing, supposing the preacher to have the sense to prefer Blair's to his own, do all that you speak of? govern the conduct and fashion the manners of a large congregation for the rest of the week? One scarcely sees a clergyman out of his pulpit." "_You_ are speaking of London, _I_ am speaking of the nation at large." "The metropolis, I imagine, is a pretty fair sample of the rest." "Not, I should hope, of the proportion of virtue to vice throughout the kingdom. We do not look in great cities for our best morality. It is not there that respectable people of any denomination can do most good; and it certainly is not there that the influence of the clergy can be most felt. A fine preacher is followed and admired; but it is not in fine preaching only that a good clergyman will be useful in his parish and his neighbourhood, where the parish and neighbourhood are of a size capable of knowing his private character, and observing his general conduct, which in London can rarely be the case. The clergy are lost there in the crowds of their parishioners. They are known to the largest part only as preachers. And with regard to their influencing public manners, Miss Crawford must not misunderstand me, or suppose I mean to call them the arbiters of good-breeding, the regulators of refinement and courtesy, the masters of the ceremonies of life. The _manners_ I speak of might rather be called _conduct_, perhaps, the result of good principles; the effect, in short, of those doctrines which it is their duty to teach and recommend; and it will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is only to prevent my saying a _bon_ _mot_, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out." A general silence succeeded. Each was thoughtful. Fanny made the first interruption by saying, "I wonder that I should be tired with only walking in this sweet wood; but the next time we come to a seat, if it is not disagreeable to you, I should be glad to sit down for a little while." "My dear Fanny," cried Edmund, immediately drawing her arm within his, "how thoughtless I have been! I hope you are not very tired. Perhaps," turning to Miss Crawford, "my other companion may do me the honour of taking an arm." "Thank you, but I am not at all tired." She took it, however, as she spoke, and the gratification of having her do so, of feeling such a connexion for the first time, made him a little forgetful of Fanny. "You scarcely touch me," said he. "You do not make me of any use. What a difference in the weight of a woman's arm from that of a man! At Oxford I have been a good deal used to have a man lean on me for the length of a street, and you are only a fly in the comparison." "I am really not tired, which I almost wonder at; for we must have walked at least a mile in this wood. Do not you think we have?" "Not half a mile," was his sturdy answer; for he was not yet so much in love as to measure distance, or reckon time, with feminine lawlessness. "Oh! you do not consider how much we have wound about. We have taken such a very serpentine course, and the wood itself must be half a mile long in a straight line, for we have never seen the end of it yet since we left the first great path." "But if you remember, before we left	were all agreed in turning joyfully through it, and leaving the unmitigated glare of day behind. A considerable flight of steps landed them in the wilderness, which was a planted wood of about two acres, and though chiefly of larch and laurel, and beech cut down, and though laid out with too much regularity, was darkness and shade, and natural beauty, compared with the bowling-green and the terrace. They all felt the refreshment of it, and for some time could only walk and admire. At length, after a short pause, Miss Crawford began with, "So you are to be a clergyman, Mr. Bertram. This is rather a surprise to me." "Why should it surprise you? You must suppose me designed for some profession, and might perceive that I am neither a lawyer, nor a soldier, nor a sailor." "Very true; but, in short, it had not occurred to me. And you know there is generally an uncle or a grandfather to leave a fortune to the second son." "A very praiseworthy practice," said Edmund, "but not quite universal. I am one of the exceptions, and _being_ one, must do something for myself." "But why are you to be a clergyman? I thought _that_ was always the lot of the youngest, where there were many to chuse before him." "Do you think the church itself never chosen, then?" "_Never_ is a black word. But yes, in the _never_ of conversation, which means _not_ _very_ _often_, I do think it. For what is to be done in the church? Men love to distinguish themselves, and in either of the other lines distinction may be gained, but not in the church. A clergyman is nothing." "The _nothing_ of conversation has its gradations, I hope, as well as the _never_. A clergyman cannot be high in state or fashion. He must not head mobs, or set the ton in dress. But I cannot call that situation nothing which has the charge of all that is of the first importance to mankind, individually or collectively considered, temporally and eternally, which has the guardianship of religion and morals, and consequently of the manners which result from their influence. No one here can call the _office_ nothing. If the man who holds it is so, it is by the neglect of his duty, by foregoing its just importance, and stepping out of his place to appear what he ought not to appear." "_You_ assign greater consequence to the clergyman than one has been used to hear given, or than I can quite comprehend. One does not see much of this influence and importance in society, and how can it be acquired where they are so seldom seen themselves? How can two sermons a week, even supposing them worth hearing, supposing the preacher to have the sense to prefer Blair's to his own, do all that you speak of? govern the conduct and fashion the manners of a large congregation for the rest of the week? One scarcely sees a clergyman out of his pulpit." "_You_ are speaking of London, _I_ am speaking of the nation at large." "The metropolis, I imagine, is a pretty fair sample of the rest." "Not, I should hope, of the proportion of virtue to vice throughout the kingdom. We do not look in great cities for our best morality. It is not there that respectable people of any denomination can do most good; and it certainly is not there that the influence of the clergy can be most felt. A fine preacher is followed and admired; but it is not in fine preaching only that a good clergyman will be useful in his parish and his neighbourhood, where the parish and neighbourhood are of a size capable of knowing his private character, and observing his general conduct, which in London can rarely be the case. The clergy are lost there in the crowds of their parishioners. They are known to the largest part only as preachers. And with regard to their influencing public manners, Miss Crawford must not misunderstand me, or suppose I mean to call them the arbiters of good-breeding, the regulators of refinement and courtesy, the masters of the ceremonies of life. The _manners_ I speak of might rather be called _conduct_, perhaps, the result of good principles; the effect, in short, of those doctrines which it is their duty to teach and recommend; and it will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is only to prevent my saying a _bon_ _mot_, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out." A general silence succeeded. Each was thoughtful. Fanny made the first interruption by saying, "I wonder that I should be tired with only walking in this sweet wood; but the next time we come to a seat, if it is not disagreeable to you, I should be glad to sit down for a little while." "My dear Fanny," cried Edmund, immediately drawing her arm within his, "how thoughtless I have been! I hope you are not very tired. Perhaps," turning to Miss Crawford, "my other companion may do me the honour of taking an arm." "Thank you, but I am not at all tired." She took it, however, as she spoke, and the gratification of having her do so, of feeling such a connexion for the first time, made him a little forgetful of Fanny. "You scarcely touch me," said he. "You do not make me of any use. What a difference in the weight of a woman's arm from that of a man! At Oxford I have been a good deal used to have a man lean on me for the length of a street, and you are only a fly in the comparison." "I am really not tired, which I almost wonder at; for we must have walked at least a mile in this wood. Do not you think we have?" "Not half a mile," was his sturdy answer; for he was not yet so much in love as to measure distance, or reckon time, with feminine lawlessness. "Oh! you do not consider how much we have wound about. We have taken such a very serpentine course, and the wood itself must be half a mile long in a straight line, for we have never seen the end of it yet since we left the first great path." "But if you remember, before we left that first great path, we saw directly to the end of it. We looked down the whole vista, and saw it closed by iron gates, and it could not have been more than a furlong in length." "Oh! I know nothing of your furlongs, but I am sure it is a very long wood, and that we have been winding in and out ever since we came into it; and therefore, when I say that we have walked a mile in it, I must speak within compass." "We have been exactly a quarter of an hour here," said Edmund, taking out his watch. "Do you think we are walking four miles an hour?" "Oh! do not attack me with your watch. A watch is always too fast or too slow. I cannot be dictated to by a watch." A few steps farther brought them out at the bottom of the very walk they had been talking of; and standing back, well shaded and sheltered, and looking over a ha-ha into the park, was a comfortable-sized bench, on which they all sat down. "I am afraid you are very tired, Fanny," said Edmund, observing her; "why would not you speak sooner? This will be a bad day's amusement for you if you are to be knocked up. Every sort of exercise fatigues her so soon, Miss Crawford, except riding." "How abominable in you, then, to let me engross her horse as I did all last week! I am ashamed of you and of myself, but it shall never happen again." "_Your_ attentiveness and consideration makes me more sensible of my own neglect. Fanny's interest seems in safer hands with you than with me." "That she should be tired now, however, gives me no surprise; for there is nothing in the course of one's duties so fatiguing as what we have been doing this morning: seeing a great house, dawdling from one room to another, straining one's eyes and one's attention, hearing what one does not understand, admiring what one does not care for. It is generally allowed to be the greatest bore in the world, and Miss Price has found it so, though she did not know it." "I shall soon be rested," said Fanny; "to sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment." After sitting a little while Miss Crawford was	black word. But yes, in the _never_ of conversation, which means _not_ _very_ _often_, I do think it. For what is to be done in the church? Men love to distinguish themselves, and in either of the other lines distinction may be gained, but not in the church. A clergyman is nothing." "The _nothing_ of conversation has its gradations, I hope, as well as the _never_. A clergyman cannot be high in state or fashion. He must not head mobs, or set the ton in dress. But I cannot call that situation nothing which has the charge of all that is of the first importance to mankind, individually or collectively considered, temporally and eternally, which has the guardianship of religion and morals, and consequently of the manners which result from their influence. No one here can call the _office_ nothing. If the man who holds it is so, it is by the neglect of his duty, by foregoing its just importance, and stepping out of his place to appear what he ought not to appear." "_You_ assign greater consequence to the clergyman than one has been used to hear given, or than I can quite comprehend. One does not see much of this influence and importance in society, and how can it be acquired where they are so seldom seen themselves? How can two sermons a week, even supposing them worth hearing, supposing the preacher to have the sense to prefer Blair's to his own, do all that you speak of? govern the conduct and fashion the manners of a large congregation for the rest of the week? One scarcely sees a clergyman out of his pulpit." "_You_ are speaking of London, _I_ am speaking of the nation at large." "The metropolis, I imagine, is a pretty fair sample of the rest." "Not, I should hope, of the proportion of virtue to vice throughout the kingdom. We do not look in great cities for our best morality. It is not there that respectable people of any denomination can do most good; and it certainly is not there that the influence of the clergy can be most felt. A fine preacher is followed and admired; but it is not in fine preaching only that a good clergyman will be useful in his parish and his neighbourhood, where the parish and neighbourhood are of a size capable of knowing his private character, and observing his general conduct, which in London can rarely be the case. The clergy are lost there in the crowds of their parishioners. They are known to the largest part only as preachers. And with regard to their influencing public manners, Miss Crawford must not misunderstand me, or suppose I mean to call them the arbiters of good-breeding, the regulators of refinement and courtesy, the masters of the ceremonies of life. The _manners_ I speak of might rather be called _conduct_, perhaps, the result of good principles; the effect, in short, of those doctrines which it is their duty to teach and recommend; and it will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is only to prevent my saying a _bon_ _mot_, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out." A general silence succeeded. Each was thoughtful. Fanny made the first interruption by saying, "I wonder that I should be tired with only walking in this sweet wood; but the next time we come to a seat, if it is not disagreeable to you, I should be glad to sit down for a little while." "My dear Fanny," cried Edmund, immediately drawing her arm within his, "how thoughtless I have been! I hope you are not very tired. Perhaps," turning to Miss Crawford, "my other companion may do me the honour of taking an arm." "Thank you, but I am not at all tired." She took it, however, as she spoke, and the gratification of having her do	Mansfield Park
M. Riviere took this onslaught with a disconcerting humility.	No speaker	you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to	to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are	to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint	Olenska--that I should take a view contrary to the rest of her family?" The change of expression in M. Riviere's face was for a time his only answer. His look passed from timidity to absolute distress: for a young man of his usually resourceful mien it would have been difficult to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint to put it on and be gone. Then he spoke with sudden decision. "Monsieur--will you tell me one thing? Is it my right to be here that you question? Or do you perhaps believe the whole matter to be already closed?" His quiet insistence made Archer feel the clumsiness of	I am convinced, to make it equally a failure with her family." Archer pushed back his chair and stood up. "Well--and by God I will!" he exclaimed. He stood with his hands in his pockets, staring down wrathfully at the little Frenchman, whose face, though he too had risen, was still an inch or two below the line of Archer's eyes. M. Riviere paled to his normal hue: paler than that his complexion could hardly turn. "Why the devil," Archer explosively continued, "should you have thought--since I suppose you're appealing to me on the ground of my relationship to Madame Olenska--that I should take a view contrary to the rest of her family?" The change of expression in M. Riviere's face was for a time his only answer. His look passed from timidity to absolute distress: for a young man of his usually resourceful mien it would have been difficult to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint to put it on and be gone. Then he spoke with sudden decision. "Monsieur--will you tell me one thing? Is it my right to be here that you question? Or do you perhaps believe the whole matter to be already closed?" His quiet insistence made Archer feel the clumsiness of his own bluster. M. Riviere had succeeded in imposing himself: Archer, reddening slightly, dropped into his chair again, and signed to the young man to be seated. "I beg your pardon: but why isn't the matter closed?" M. Riviere gazed back at him with anguish. "You do, then, agree with the rest of the family that, in face of the new proposals I have brought, it is hardly possible for Madame Olenska not to return to her husband?" "Good God!" Archer exclaimed; and his visitor gave out a low murmur of confirmation. "Before seeing her, I saw--at Count Olenski's request--Mr.	Archer had known for the last few minutes that the words were coming; but when they came they sent the blood rushing to his temples as if he had been caught by a bent-back branch in a thicket. "And on whose behalf," he said, "do you wish to do this?" M. Riviere met the question sturdily. "Well--I might say HERS, if it did not sound like a liberty. Shall I say instead: on behalf of abstract justice?" Archer considered him ironically. "In other words: you are Count Olenski's messenger?" He saw his blush more darkly reflected in M. Riviere's sallow countenance. "Not to YOU, Monsieur. If I come to you, it is on quite other grounds." "What right have you, in the circumstances, to BE on any other ground?" Archer retorted. "If you're an emissary you're an emissary." The young man considered. "My mission is over: as far as the Countess Olenska goes, it has failed." "I can't help that," Archer rejoined on the same note of irony. "No: but you can help--" M. Riviere paused, turned his hat about in his still carefully gloved hands, looked into its lining and then back at Archer's face. "You can help, Monsieur, I am convinced, to make it equally a failure with her family." Archer pushed back his chair and stood up. "Well--and by God I will!" he exclaimed. He stood with his hands in his pockets, staring down wrathfully at the little Frenchman, whose face, though he too had risen, was still an inch or two below the line of Archer's eyes. M. Riviere paled to his normal hue: paler than that his complexion could hardly turn. "Why the devil," Archer explosively continued, "should you have thought--since I suppose you're appealing to me on the ground of my relationship to Madame Olenska--that I should take a view contrary to the rest of her family?" The change of expression in M. Riviere's face was for a time his only answer. His look passed from timidity to absolute distress: for a young man of his usually resourceful mien it would have been difficult to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint to put it on and be gone. Then he spoke with sudden decision. "Monsieur--will you tell me one thing? Is it my right to be here that you question? Or do you perhaps believe the whole matter to be already closed?" His quiet insistence made Archer feel the clumsiness of his own bluster. M. Riviere had succeeded in imposing himself: Archer, reddening slightly, dropped into his chair again, and signed to the young man to be seated. "I beg your pardon: but why isn't the matter closed?" M. Riviere gazed back at him with anguish. "You do, then, agree with the rest of the family that, in face of the new proposals I have brought, it is hardly possible for Madame Olenska not to return to her husband?" "Good God!" Archer exclaimed; and his visitor gave out a low murmur of confirmation. "Before seeing her, I saw--at Count Olenski's request--Mr. Lovell Mingott, with whom I had several talks before going to Boston. I understand that he represents his mother's view; and that Mrs. Manson Mingott's influence is great throughout her family." Archer sat silent, with the sense of clinging to the edge of a sliding precipice. The discovery that he had been excluded from a share in these negotiations, and even from the knowledge that they were on foot, caused him a surprise hardly dulled by the acuter wonder of what he was learning. He saw in a flash that if the family had ceased to consult him it was because some deep tribal instinct warned them that he was no longer on their side; and he recalled, with a start of comprehension, a remark of May's during their drive home from Mrs. Manson Mingott's on the day of the Archery Meeting: "Perhaps, after all, Ellen would be happier with her husband." Even in the tumult of new discoveries Archer remembered his indignant exclamation, and the fact that since then his wife had never named Madame Olenska to him. Her careless allusion had no doubt been the straw held up to see which way the wind blew; the result had	and no one here seems to listen--" "I know: our American stations must surprise you. When you ask for a porter they give you chewing-gum. But if you'll come along I'll extricate you; and you must really lunch with me, you know." The young man, after a just perceptible hesitation, replied, with profuse thanks, and in a tone that did not carry complete conviction, that he was already engaged; but when they had reached the comparative reassurance of the street he asked if he might call that afternoon. Archer, at ease in the midsummer leisure of the office, fixed an hour and scribbled his address, which the Frenchman pocketed with reiterated thanks and a wide flourish of his hat. A horse-car received him, and Archer walked away. Punctually at the hour M. Riviere appeared, shaved, smoothed-out, but still unmistakably drawn and serious. Archer was alone in his office, and the young man, before accepting the seat he proffered, began abruptly: "I believe I saw you, sir, yesterday in Boston." The statement was insignificant enough, and Archer was about to frame an assent when his words were checked by something mysterious yet illuminating in his visitor's insistent gaze. "It is extraordinary, very extraordinary," M. Riviere continued, "that we should have met in the circumstances in which I find myself." "What circumstances?" Archer asked, wondering a little crudely if he needed money. M. Riviere continued to study him with tentative eyes. "I have come, not to look for employment, as I spoke of doing when we last met, but on a special mission--" "Ah--!" Archer exclaimed. In a flash the two meetings had connected themselves in his mind. He paused to take in the situation thus suddenly lighted up for him, and M. Riviere also remained silent, as if aware that what he had said was enough. "A special mission," Archer at length repeated. The young Frenchman, opening his palms, raised them slightly, and the two men continued to look at each other across the office-desk till Archer roused himself to say: "Do sit down" "; whereupon M. Riviere bowed, took a distant chair, and again waited. "It was about this mission that you wanted to consult me?" Archer finally asked. M. Riviere bent his head. "Not in my own behalf: on that score I--I have fully dealt with myself. I should like--if I may--to speak to you about the Countess Olenska." Archer had known for the last few minutes that the words were coming; but when they came they sent the blood rushing to his temples as if he had been caught by a bent-back branch in a thicket. "And on whose behalf," he said, "do you wish to do this?" M. Riviere met the question sturdily. "Well--I might say HERS, if it did not sound like a liberty. Shall I say instead: on behalf of abstract justice?" Archer considered him ironically. "In other words: you are Count Olenski's messenger?" He saw his blush more darkly reflected in M. Riviere's sallow countenance. "Not to YOU, Monsieur. If I come to you, it is on quite other grounds." "What right have you, in the circumstances, to BE on any other ground?" Archer retorted. "If you're an emissary you're an emissary." The young man considered. "My mission is over: as far as the Countess Olenska goes, it has failed." "I can't help that," Archer rejoined on the same note of irony. "No: but you can help--" M. Riviere paused, turned his hat about in his still carefully gloved hands, looked into its lining and then back at Archer's face. "You can help, Monsieur, I am convinced, to make it equally a failure with her family." Archer pushed back his chair and stood up. "Well--and by God I will!" he exclaimed. He stood with his hands in his pockets, staring down wrathfully at the little Frenchman, whose face, though he too had risen, was still an inch or two below the line of Archer's eyes. M. Riviere paled to his normal hue: paler than that his complexion could hardly turn. "Why the devil," Archer explosively continued, "should you have thought--since I suppose you're appealing to me on the ground of my relationship to Madame Olenska--that I should take a view contrary to the rest of her family?" The change of expression in M. Riviere's face was for a time his only answer. His look passed from timidity to absolute distress: for a young man of his usually resourceful mien it would have been difficult to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint to put it on and be gone. Then he spoke with sudden decision. "Monsieur--will you tell me one thing? Is it my right to be here that you question? Or do you perhaps believe the whole matter to be already closed?" His quiet insistence made Archer feel the clumsiness of his own bluster. M. Riviere had succeeded in imposing himself: Archer, reddening slightly, dropped into his chair again, and signed to the young man to be seated. "I beg your pardon: but why isn't the matter closed?" M. Riviere gazed back at him with anguish. "You do, then, agree with the rest of the family that, in face of the new proposals I have brought, it is hardly possible for Madame Olenska not to return to her husband?" "Good God!" Archer exclaimed; and his visitor gave out a low murmur of confirmation. "Before seeing her, I saw--at Count Olenski's request--Mr. Lovell Mingott, with whom I had several talks before going to Boston. I understand that he represents his mother's view; and that Mrs. Manson Mingott's influence is great throughout her family." Archer sat silent, with the sense of clinging to the edge of a sliding precipice. The discovery that he had been excluded from a share in these negotiations, and even from the knowledge that they were on foot, caused him a surprise hardly dulled by the acuter wonder of what he was learning. He saw in a flash that if the family had ceased to consult him it was because some deep tribal instinct warned them that he was no longer on their side; and he recalled, with a start of comprehension, a remark of May's during their drive home from Mrs. Manson Mingott's on the day of the Archery Meeting: "Perhaps, after all, Ellen would be happier with her husband." Even in the tumult of new discoveries Archer remembered his indignant exclamation, and the fact that since then his wife had never named Madame Olenska to him. Her careless allusion had no doubt been the straw held up to see which way the wind blew; the result had been reported to the family, and thereafter Archer had been tacitly omitted from their counsels. He admired the tribal discipline which made May bow to this decision. She would not have done so, he knew, had her conscience protested; but she probably shared the family view that Madame Olenska would be better off as an unhappy wife than as a separated one, and that there was no use in discussing the case with Newland, who had an awkward way of suddenly not seeming to take the most fundamental things for granted. Archer looked up and met his visitor's anxious gaze. "Don't you know, Monsieur--is it possible you don't know--that the family begin to doubt if they have the right to advise the Countess to refuse her husband's last proposals?" "The proposals you brought?" "The proposals I brought." It was on Archer's lips to exclaim that whatever he knew or did not know was no concern of M. Riviere's; but something in the humble and yet courageous tenacity of M. Riviere's gaze made him reject this conclusion, and he met the young man's question with another. "What is your object in speaking to me of this?" He had not to wait a moment for the answer. "To beg you, Monsieur--to beg you with all the force I'm capable of--not to let her go back.--Oh, don't let her!" M. Riviere exclaimed. Archer looked at him with increasing astonishment. There was no mistaking the sincerity of his distress or the strength of his determination: he had evidently resolved to let everything go by the board but the supreme need of thus putting himself on record. Archer considered. "May I ask," he said at length, "if this is the line you took with the Countess Olenska?" M. Riviere reddened, but his eyes did not falter. "No, Monsieur: I accepted my mission in good faith. I really believed--for reasons I need not trouble you with--that it would be better for Madame Olenska to recover her situation, her fortune, the social consideration that her husband's standing gives her." "So I supposed: you could hardly have accepted such a mission otherwise." "I should not have accepted it." "Well, then--?" Archer paused again, and their eyes met in another protracted scrutiny. "Ah, Monsieur, after I had seen her, after I had listened to her, I knew she was better off here." "You knew--?" "Monsieur, I discharged my mission	"And on whose behalf," he said, "do you wish to do this?" M. Riviere met the question sturdily. "Well--I might say HERS, if it did not sound like a liberty. Shall I say instead: on behalf of abstract justice?" Archer considered him ironically. "In other words: you are Count Olenski's messenger?" He saw his blush more darkly reflected in M. Riviere's sallow countenance. "Not to YOU, Monsieur. If I come to you, it is on quite other grounds." "What right have you, in the circumstances, to BE on any other ground?" Archer retorted. "If you're an emissary you're an emissary." The young man considered. "My mission is over: as far as the Countess Olenska goes, it has failed." "I can't help that," Archer rejoined on the same note of irony. "No: but you can help--" M. Riviere paused, turned his hat about in his still carefully gloved hands, looked into its lining and then back at Archer's face. "You can help, Monsieur, I am convinced, to make it equally a failure with her family." Archer pushed back his chair and stood up. "Well--and by God I will!" he exclaimed. He stood with his hands in his pockets, staring down wrathfully at the little Frenchman, whose face, though he too had risen, was still an inch or two below the line of Archer's eyes. M. Riviere paled to his normal hue: paler than that his complexion could hardly turn. "Why the devil," Archer explosively continued, "should you have thought--since I suppose you're appealing to me on the ground of my relationship to Madame Olenska--that I should take a view contrary to the rest of her family?" The change of expression in M. Riviere's face was for a time his only answer. His look passed from timidity to absolute distress: for a young man of his usually resourceful mien it would have been difficult to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint to put it on and be gone. Then he spoke with sudden decision. "Monsieur--will you tell me one thing? Is it my right to be here that you question? Or do you perhaps believe the whole matter to be already closed?" His quiet insistence made Archer feel the clumsiness of his own bluster. M. Riviere had succeeded in imposing himself: Archer, reddening slightly, dropped into his chair again, and signed to the young man to be seated. "I beg your pardon: but why isn't the matter closed?" M. Riviere gazed back at him with anguish. "You do, then, agree with the rest of the family that, in face of the new proposals I have brought, it is hardly possible for Madame Olenska not to return to her husband?" "Good God!" Archer exclaimed; and his visitor gave out a low murmur of confirmation. "Before seeing her, I saw--at Count Olenski's request--Mr. Lovell Mingott, with whom I had several talks before going to Boston. I understand that he represents his mother's view; and that Mrs. Manson Mingott's influence is great throughout her family." Archer sat silent, with the sense of clinging to the edge of a sliding precipice. The discovery that he had been excluded from a share in these negotiations, and even from the knowledge that they were on foot, caused him a surprise hardly dulled by the acuter wonder of what he was learning. He saw in	The Age Of Innocence
"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."	Lucy	gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I	see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills.	I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a	so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob.	Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower	you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with	ants. One of the little boys fell down, and some white bullocks came out of an archway. Indeed, if it had not been for the good advice of an old man who was selling button-hooks, the road might never have got clear. Over such trivialities as these many a valuable hour may slip away, and the traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it. So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy's leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really	good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended	A Room With A View
"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."	Mr. Mcbryde	We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean."	was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one	most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered	dried-up mud. Smoothly the voice in the distance proceeded, leading along the paths of truth, and the airs from the punkah behind her wafted her on. . . . ". . . the prisoner and the guide took you on to the Kawa Dol, no one else being present?" "The most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered the place of answer. "The prisoner followed you, didn't he?" he repeated in the monotonous tones that they both used; they were employing agreed words throughout, so that this part of the proceedings held no surprises. "May I have half a minute before I reply to that, Mr. McBryde?" "Certainly."	Why had she thought the expedition "dull"? Now the sun rose again, the elephant waited, the pale masses of the rock flowed round her and presented the first cave; she entered, and a match was reflected in the polished walls all beautiful and significant, though she had been blind to it at the time. Questions were asked, and to each she found the exact reply; yes, she had noticed the "Tank of the Dagger," but not known its name; yes, Mrs. Moore had been tired after the first cave and sat in the shadow of a great rock, near the dried-up mud. Smoothly the voice in the distance proceeded, leading along the paths of truth, and the airs from the punkah behind her wafted her on. . . . ". . . the prisoner and the guide took you on to the Kawa Dol, no one else being present?" "The most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered the place of answer. "The prisoner followed you, didn't he?" he repeated in the monotonous tones that they both used; they were employing agreed words throughout, so that this part of the proceedings held no surprises. "May I have half a minute before I reply to that, Mr. McBryde?" "Certainly." Her vision was of several caves. She saw herself in one, and she was also outside it, watching its entrance, for Aziz to pass in. She failed to locate him. It was the doubt that had often visited her, but solid and attractive, like the hills, "I am not" Speech was more difficult than vision. "I am not quite sure." "I beg your pardon?" said the Superintendent of Police. "I cannot be sure . . ." "I didn't catch that answer." He looked scared, his mouth shut with a snap. "You are on that landing, or whatever we term it,	because her disaster in the cave was connected, though by a thread, with another part of her life, her engagement to Ronny. She had thought of love just before she went in, and had innocently asked Aziz what marriage was like, and she supposed that her question had roused evil in him. To recount this would have been incredibly painful, it was the one point she wanted to keep obscure; she was willing to give details that would have distressed other girls, but this story of her private failure she dared not allude to, and she dreaded being examined in public in case something came out. But as soon as she rose to reply, and heard the sound of her own voice, she feared not even that. A new and unknown sensation protected her, like magnificent armour. She didn't think what had happened, or even remember in the ordinary way of memory, but she returned to the Marabar Hills, and spoke from them across a sort of darkness to Mr. McBryde. The fatal day recurred, in every detail, but now she was of it and not of it at the same time, and this double relation gave it indescribable splendour. Why had she thought the expedition "dull"? Now the sun rose again, the elephant waited, the pale masses of the rock flowed round her and presented the first cave; she entered, and a match was reflected in the polished walls all beautiful and significant, though she had been blind to it at the time. Questions were asked, and to each she found the exact reply; yes, she had noticed the "Tank of the Dagger," but not known its name; yes, Mrs. Moore had been tired after the first cave and sat in the shadow of a great rock, near the dried-up mud. Smoothly the voice in the distance proceeded, leading along the paths of truth, and the airs from the punkah behind her wafted her on. . . . ". . . the prisoner and the guide took you on to the Kawa Dol, no one else being present?" "The most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered the place of answer. "The prisoner followed you, didn't he?" he repeated in the monotonous tones that they both used; they were employing agreed words throughout, so that this part of the proceedings held no surprises. "May I have half a minute before I reply to that, Mr. McBryde?" "Certainly." Her vision was of several caves. She saw herself in one, and she was also outside it, watching its entrance, for Aziz to pass in. She failed to locate him. It was the doubt that had often visited her, but solid and attractive, like the hills, "I am not" Speech was more difficult than vision. "I am not quite sure." "I beg your pardon?" said the Superintendent of Police. "I cannot be sure . . ." "I didn't catch that answer." He looked scared, his mouth shut with a snap. "You are on that landing, or whatever we term it, and you have entered a cave. I suggest to you that the prisoner followed you." She shook her head. "What do you mean, please?" "No," she said in a flat, unattractive voice. Slight noises began in various parts of the room, but no one yet understood what was occurring except Fielding. He saw that she was going to have a nervous breakdown and that his friend was saved. "What is that, what are you saying? Speak up, please." The Magistrate bent forward. "I'm afraid I have made a mistake." "What nature of mistake?" "Dr. Aziz never followed me into the cave." The Superintendent slammed down his papers, then picked them up and said calmly: "Now, Miss Quested, let us go on. I will read you the words of the deposition which you signed two hours later in my bungalow." "Excuse me, Mr. McBryde, you cannot go on. I am speaking to the witness myself. And the public will be silent. If it continues to talk, I have the court cleared. Miss Quested, address your remarks to me, who am the Magistrate in charge of the case, and realize their extreme gravity. Remember you speak on oath, Miss Quested." "Dr. Aziz	all right, and thank you all, thank you, thank you for your kindness." She had to shout her gratitude, for the chant, Esmiss Esmoor, went on. Suddenly it stopped. It was as if the prayer had been heard, and the relics exhibited. "I apologize for my colleague," said Mr. Amritrao, rather to everyone's surprise. "He is an intimate friend of our client, and his feelings have carried him away." "Mr. Mahmoud Ali will have to apologize in person," the Magistrate said. "Exactly, sir, he must. But we had just learnt that Mrs. Moore had important evidence which she desired to give. She was hurried out of the country by her son before she could give it; and this unhinged Mr. Mahmoud Ali coming as it does upon an attempt to intimidate our only other European witness, Mr. Fielding. Mr. Mahmoud Ali would have said nothing had not Mrs. Moore been claimed as a witness by the police." He sat down. "An extraneous element is being introduced into the case," said the Magistrate. "I must repeat that as a witness Mrs. Moore does not exist. Neither you, Mr. Amritrao, nor, Mr. McBryde, you, have any right to surmise what that lady would have said. She is not here, and consequently she can say nothing." "Well, I withdraw my reference," said the Superintendent wearily. "I would have done so fifteen minutes ago if I had been given the chance. She is not of the least importance to me." "I have already withdrawn it for the defence." He added with forensic humour: "Perhaps you can persuade the gentlemen outside to withdraw it too," for the refrain in the street continued. "I am afraid my powers do not extend so far," said Das, smiling. So peace was restored, and when Adela came to give her evidence the atmosphere was quieter than it had been since the beginning of the trial. Experts were not surprised. There is no stay in your native. He blazes up over a minor point, and has nothing left for the crisis. What he seeks is a grievance, and this he had found in the supposed abduction of an old lady. He would now be less aggrieved when Aziz was deported. But the crisis was still to come. Adela had always meant to tell the truth and nothing but the truth, and she had rehearsed this as a difficult task difficult, because her disaster in the cave was connected, though by a thread, with another part of her life, her engagement to Ronny. She had thought of love just before she went in, and had innocently asked Aziz what marriage was like, and she supposed that her question had roused evil in him. To recount this would have been incredibly painful, it was the one point she wanted to keep obscure; she was willing to give details that would have distressed other girls, but this story of her private failure she dared not allude to, and she dreaded being examined in public in case something came out. But as soon as she rose to reply, and heard the sound of her own voice, she feared not even that. A new and unknown sensation protected her, like magnificent armour. She didn't think what had happened, or even remember in the ordinary way of memory, but she returned to the Marabar Hills, and spoke from them across a sort of darkness to Mr. McBryde. The fatal day recurred, in every detail, but now she was of it and not of it at the same time, and this double relation gave it indescribable splendour. Why had she thought the expedition "dull"? Now the sun rose again, the elephant waited, the pale masses of the rock flowed round her and presented the first cave; she entered, and a match was reflected in the polished walls all beautiful and significant, though she had been blind to it at the time. Questions were asked, and to each she found the exact reply; yes, she had noticed the "Tank of the Dagger," but not known its name; yes, Mrs. Moore had been tired after the first cave and sat in the shadow of a great rock, near the dried-up mud. Smoothly the voice in the distance proceeded, leading along the paths of truth, and the airs from the punkah behind her wafted her on. . . . ". . . the prisoner and the guide took you on to the Kawa Dol, no one else being present?" "The most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered the place of answer. "The prisoner followed you, didn't he?" he repeated in the monotonous tones that they both used; they were employing agreed words throughout, so that this part of the proceedings held no surprises. "May I have half a minute before I reply to that, Mr. McBryde?" "Certainly." Her vision was of several caves. She saw herself in one, and she was also outside it, watching its entrance, for Aziz to pass in. She failed to locate him. It was the doubt that had often visited her, but solid and attractive, like the hills, "I am not" Speech was more difficult than vision. "I am not quite sure." "I beg your pardon?" said the Superintendent of Police. "I cannot be sure . . ." "I didn't catch that answer." He looked scared, his mouth shut with a snap. "You are on that landing, or whatever we term it, and you have entered a cave. I suggest to you that the prisoner followed you." She shook her head. "What do you mean, please?" "No," she said in a flat, unattractive voice. Slight noises began in various parts of the room, but no one yet understood what was occurring except Fielding. He saw that she was going to have a nervous breakdown and that his friend was saved. "What is that, what are you saying? Speak up, please." The Magistrate bent forward. "I'm afraid I have made a mistake." "What nature of mistake?" "Dr. Aziz never followed me into the cave." The Superintendent slammed down his papers, then picked them up and said calmly: "Now, Miss Quested, let us go on. I will read you the words of the deposition which you signed two hours later in my bungalow." "Excuse me, Mr. McBryde, you cannot go on. I am speaking to the witness myself. And the public will be silent. If it continues to talk, I have the court cleared. Miss Quested, address your remarks to me, who am the Magistrate in charge of the case, and realize their extreme gravity. Remember you speak on oath, Miss Quested." "Dr. Aziz never" "I stop these proceedings on medical grounds," cried the Major on a word from Turton, and all the English rose from their chairs at once, large white figures behind which the little magistrate was hidden. The Indians rose too, hundreds of things went on at once, so that afterwards each person gave a different account of the catastrophe. "You withdraw the charge? Answer me," shrieked the representative of Justice. Something that she did not understand took hold of the girl and pulled her through. Though the vision was over, and she had returned to the insipidity of the world, she remembered what she had learnt. Atonement and confession they could wait. It was in hard prosaic tones that she said, "I withdraw everything." "Enough sit down. Mr. McBryde, do you wish to continue in the face of this?" The Superintendent gazed at his witness as if she was a broken machine, and said, "Are you mad?" "Don't question her, sir; you have no longer the right." "Give me time to consider" "Sahib, you will have to withdraw; this becomes a scandal," boomed the Nawab Bahadur suddenly from the back of the court. "He shall not," shouted Mrs. Turton against the gathering tumult. "Call the other witnesses; we're none of us safe" Ronny tried to check her, and she gave him an irritable blow, then screamed insults at Adela. The Superintendent moved to the support of his friends, saying nonchalantly to the Magistrate as he did so, "Right, I withdraw." Mr. Das rose, nearly dead with the strain. He had controlled the case, just controlled it. He had shown that an Indian can preside. To those who could hear him he said, "The prisoner is released without one stain on his character; the question of costs will be decided elsewhere." And then the flimsy framework of the court broke up, the shouts of derision and rage culminated, people screamed and cursed, kissed one another, wept passionately. Here were the English, whom their servants protected, there Aziz fainted in Hamidullah's arms. Victory on this side, defeat on that complete for one moment was the antithesis. Then life returned to its complexities, person after person struggled out of the room to their various purposes, and before long no one remained on the scene of the fantasy but the beautiful naked god. Unaware that anything unusual had occurred, he continued to pull the	if I had been given the chance. She is not of the least importance to me." "I have already withdrawn it for the defence." He added with forensic humour: "Perhaps you can persuade the gentlemen outside to withdraw it too," for the refrain in the street continued. "I am afraid my powers do not extend so far," said Das, smiling. So peace was restored, and when Adela came to give her evidence the atmosphere was quieter than it had been since the beginning of the trial. Experts were not surprised. There is no stay in your native. He blazes up over a minor point, and has nothing left for the crisis. What he seeks is a grievance, and this he had found in the supposed abduction of an old lady. He would now be less aggrieved when Aziz was deported. But the crisis was still to come. Adela had always meant to tell the truth and nothing but the truth, and she had rehearsed this as a difficult task difficult, because her disaster in the cave was connected, though by a thread, with another part of her life, her engagement to Ronny. She had thought of love just before she went in, and had innocently asked Aziz what marriage was like, and she supposed that her question had roused evil in him. To recount this would have been incredibly painful, it was the one point she wanted to keep obscure; she was willing to give details that would have distressed other girls, but this story of her private failure she dared not allude to, and she dreaded being examined in public in case something came out. But as soon as she rose to reply, and heard the sound of her own voice, she feared not even that. A new and unknown sensation protected her, like magnificent armour. She didn't think what had happened, or even remember in the ordinary way of memory, but she returned to the Marabar Hills, and spoke from them across a sort of darkness to Mr. McBryde. The fatal day recurred, in every detail, but now she was of it and not of it at the same time, and this double relation gave it indescribable splendour. Why had she thought the expedition "dull"? Now the sun rose again, the elephant waited, the pale masses of the rock flowed round her and presented the first cave; she entered, and a match was reflected in the polished walls all beautiful and significant, though she had been blind to it at the time. Questions were asked, and to each she found the exact reply; yes, she had noticed the "Tank of the Dagger," but not known its name; yes, Mrs. Moore had been tired after the first cave and sat in the shadow of a great rock, near the dried-up mud. Smoothly the voice in the distance proceeded, leading along the paths of truth, and the airs from the punkah behind her wafted her on. . . . ". . . the prisoner and the guide took you on to the Kawa Dol, no one else being present?" "The most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered the place of answer. "The prisoner followed you, didn't he?" he repeated in the monotonous tones that they both used; they were employing agreed words throughout, so that this part of the proceedings held no surprises. "May I have half a minute before I reply to that, Mr. McBryde?" "Certainly." Her vision was of several caves. She saw herself in one, and she was also outside it, watching its entrance, for Aziz to pass in. She failed to locate him. It was the doubt that had often visited her, but solid and attractive, like the hills, "I am not" Speech was more difficult than vision. "I am not quite sure." "I beg your pardon?" said the Superintendent of Police. "I cannot be sure . . ." "I didn't catch that answer." He looked scared, his mouth shut with a snap. "You are on that landing, or whatever we term it, and you have entered a cave. I suggest to you that the prisoner followed you." She shook her head. "What do you mean, please?" "No," she said in a flat, unattractive voice. Slight noises began in various parts of the room, but no one yet understood what was occurring except Fielding. He saw that she was going to have a nervous breakdown and that his friend was saved. "What is that, what are you saying? Speak up, please." The Magistrate bent forward. "I'm afraid I have made a mistake." "What nature of mistake?" "Dr. Aziz never	A Passage To India
"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."	Mrs. Mann	said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?"	"Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann	farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having	cocked hat; and he became grave. "We are forgetting business, ma'am," said the beadle; "here is your porochial stipend for the month." Mr. Bumble produced some silver money rolled up in paper, from his pocket-book; and requested a receipt: which Mrs. Mann wrote. "It's very much blotted, sir," said the farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having had his face put under the pump, and dried upon Mrs. Mann's gown, he was led into the awful presence of Mr. Bumble, the beadle. The child was pale and thin; his cheeks were sunken; and his eyes large and bright. The scanty parish dress, the livery of his misery,	paupers into open carts in the rainy weather, to prevent their taking cold." "Oh!" said Mrs. Mann. "The opposition coach contracts for these two; and takes them cheap," said Mr. Bumble. "They are both in a very low state, and we find it would come two pound cheaper to move 'em than to bury 'em that is, if we can throw 'em upon another parish, which I think we shall be able to do, if they don't die upon the road to spite us. Ha! ha! ha!" When Mr. Bumble had laughed a little while, his eyes again encountered the cocked hat; and he became grave. "We are forgetting business, ma'am," said the beadle; "here is your porochial stipend for the month." Mr. Bumble produced some silver money rolled up in paper, from his pocket-book; and requested a receipt: which Mrs. Mann wrote. "It's very much blotted, sir," said the farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having had his face put under the pump, and dried upon Mrs. Mann's gown, he was led into the awful presence of Mr. Bumble, the beadle. The child was pale and thin; his cheeks were sunken; and his eyes large and bright. The scanty parish dress, the livery of his misery, hung loosely on his feeble body; and his young limbs had wasted away, like those of an old man. Such was the little being who stood trembling beneath Mr. Bumble's glance; not daring to lift his eyes from the floor; and dreading even to hear the beadle's voice. "Can't you look at the gentleman, you obstinate boy?" said Mrs. Mann. The child meekly raised his eyes, and encountered those of Mr. Bumble. "What's the matter with you, porochial Dick?" inquired Mr. Bumble, with well-timed jocularity. "Nothing, sir," replied the child faintly. "I should think not," said Mrs. Mann, who had	Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "by coach. I and two paupers, Mrs. Mann! A legal action is a coming on, about a settlement; and the board has appointed me me, Mrs. Mann to dispose to the matter before the quarter-sessions at Clerkinwell. And I very much question," added Mr. Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "Oh! you mustn't be too hard upon them, sir," said Mrs. Mann, coaxingly. "The Clerkinwell Sessions have brought it upon themselves, ma'am," replied Mr. Bumble; "and if the Clerkinwell Sessions find that they come off rather worse than they expected, the Clerkinwell Sessions have only themselves to thank." There was so much determination and depth of purpose about the menacing manner in which Mr. Bumble delivered himself of these words, that Mrs. Mann appeared quite awed by them. At length she said, "You're going by coach, sir? I thought it was always usual to send them paupers in carts." "That's when they're ill, Mrs. Mann," said the beadle. "We put the sick paupers into open carts in the rainy weather, to prevent their taking cold." "Oh!" said Mrs. Mann. "The opposition coach contracts for these two; and takes them cheap," said Mr. Bumble. "They are both in a very low state, and we find it would come two pound cheaper to move 'em than to bury 'em that is, if we can throw 'em upon another parish, which I think we shall be able to do, if they don't die upon the road to spite us. Ha! ha! ha!" When Mr. Bumble had laughed a little while, his eyes again encountered the cocked hat; and he became grave. "We are forgetting business, ma'am," said the beadle; "here is your porochial stipend for the month." Mr. Bumble produced some silver money rolled up in paper, from his pocket-book; and requested a receipt: which Mrs. Mann wrote. "It's very much blotted, sir," said the farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having had his face put under the pump, and dried upon Mrs. Mann's gown, he was led into the awful presence of Mr. Bumble, the beadle. The child was pale and thin; his cheeks were sunken; and his eyes large and bright. The scanty parish dress, the livery of his misery, hung loosely on his feeble body; and his young limbs had wasted away, like those of an old man. Such was the little being who stood trembling beneath Mr. Bumble's glance; not daring to lift his eyes from the floor; and dreading even to hear the beadle's voice. "Can't you look at the gentleman, you obstinate boy?" said Mrs. Mann. The child meekly raised his eyes, and encountered those of Mr. Bumble. "What's the matter with you, porochial Dick?" inquired Mr. Bumble, with well-timed jocularity. "Nothing, sir," replied the child faintly. "I should think not," said Mrs. Mann, who had of course laughed very much at Mr. Bumble's humour. "You want for nothing, I'm sure." "I should like" faltered the child. "Hey-day!" interposed Mrs. Mann, "I suppose you're going to say that you _do_ want for something, now? Why, you little wretch" "Stop, Mrs. Mann, stop!" said the beadle, raising his hand with a show of authority. "Like what, sir, eh?" "I should like," faltered the child, "if somebody that can write, would put a few words down for me on a piece of paper, and fold it up and seal it, and keep it for me, after I am laid in the ground." "Why, what does the boy mean?" exclaimed Mr. Bumble, on whom the earnest manner and wan aspect of the child had made some impression: accustomed as he was to such things. "What do you mean, sir?" "I should like," said the child, "to leave my dear love to poor Oliver Twist; and to let him know how often I have sat by myself and cried to think of his wandering about in the dark nights with nobody to help him. And I should like to tell him," said the child pressing his small hands together, and	beadle's mind, too great for utterance. Mr. Bumble stopped not to converse with the small shopkeepers and others who spoke to him, deferentially, as he passed along. He merely returned their salutations with a wave of his hand, and relaxed not in his dignified pace, until he reached the farm where Mrs. Mann tended the infant paupers with parochial care. "Drat that beadle!" said Mrs. Mann, hearing the well-known shaking at the garden-gate. "If it isn't him at this time in the morning! Lauk, Mr. Bumble, only think of its being you! Well, dear me, it _is_ a pleasure, this is! Come into the parlour, sir, please." The first sentence was addressed to Susan; and the exclamations of delight were uttered to Mr. Bumble: as the good lady unlocked the garden-gate: and showed him, with great attention and respect, into the house. "Mrs. Mann," said Mr. Bumble; not sitting upon, or dropping himself into a seat, as any common jackanapes would: but letting himself gradually and slowly down into a chair; "Mrs. Mann, ma'am, good morning." "Well, and good morning to _you_, sir," replied Mrs. Mann, with many smiles; "and hoping you find yourself well, sir!" "So-so, Mrs. Mann," replied the beadle. "A porochial life is not a bed of roses, Mrs. Mann." "Ah, that it isn't indeed, Mr. Bumble," rejoined the lady. And all the infant paupers might have chorussed the rejoinder with great propriety, if they had heard it. "A porochial life, ma'am," continued Mr. Bumble, striking the table with his cane, "is a life of worrit, and vexation, and hardihood; but all public characters, as I may say, must suffer prosecution." Mrs. Mann, not very well knowing what the beadle meant, raised her hands with a look of sympathy, and sighed. "Ah! You may well sigh, Mrs. Mann!" said the beadle. Finding she had done right, Mrs. Mann sighed again: evidently to the satisfaction of the public character: who, repressing a complacent smile by looking sternly at his cocked hat, said, "Mrs. Mann, I am going to London." "Lauk, Mr. Bumble!" cried Mrs. Mann, starting back. "To London, ma'am," resumed the inflexible beadle, "by coach. I and two paupers, Mrs. Mann! A legal action is a coming on, about a settlement; and the board has appointed me me, Mrs. Mann to dispose to the matter before the quarter-sessions at Clerkinwell. And I very much question," added Mr. Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "by coach. I and two paupers, Mrs. Mann! A legal action is a coming on, about a settlement; and the board has appointed me me, Mrs. Mann to dispose to the matter before the quarter-sessions at Clerkinwell. And I very much question," added Mr. Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "Oh! you mustn't be too hard upon them, sir," said Mrs. Mann, coaxingly. "The Clerkinwell Sessions have brought it upon themselves, ma'am," replied Mr. Bumble; "and if the Clerkinwell Sessions find that they come off rather worse than they expected, the Clerkinwell Sessions have only themselves to thank." There was so much determination and depth of purpose about the menacing manner in which Mr. Bumble delivered himself of these words, that Mrs. Mann appeared quite awed by them. At length she said, "You're going by coach, sir? I thought it was always usual to send them paupers in carts." "That's when they're ill, Mrs. Mann," said the beadle. "We put the sick paupers into open carts in the rainy weather, to prevent their taking cold." "Oh!" said Mrs. Mann. "The opposition coach contracts for these two; and takes them cheap," said Mr. Bumble. "They are both in a very low state, and we find it would come two pound cheaper to move 'em than to bury 'em that is, if we can throw 'em upon another parish, which I think we shall be able to do, if they don't die upon the road to spite us. Ha! ha! ha!" When Mr. Bumble had laughed a little while, his eyes again encountered the cocked hat; and he became grave. "We are forgetting business, ma'am," said the beadle; "here is your porochial stipend for the month." Mr. Bumble produced some silver money rolled up in paper, from his pocket-book; and requested a receipt: which Mrs. Mann wrote. "It's very much blotted, sir," said the farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having had his face put under the pump, and dried upon Mrs. Mann's gown, he was led into the awful presence of Mr. Bumble, the beadle. The child was pale and thin; his cheeks were sunken; and his eyes large and bright. The scanty parish dress, the livery of his misery, hung loosely on his feeble body; and his young limbs had wasted away, like those of an old man. Such was the little being who stood trembling beneath Mr. Bumble's glance; not daring to lift his eyes from the floor; and dreading even to hear the beadle's voice. "Can't you look at the gentleman, you obstinate boy?" said Mrs. Mann. The child meekly raised his eyes, and encountered those of Mr. Bumble. "What's the matter with you, porochial Dick?" inquired Mr. Bumble, with well-timed jocularity. "Nothing, sir," replied the child faintly. "I should think not," said Mrs. Mann, who had of course laughed very much at Mr. Bumble's humour. "You want for nothing, I'm sure." "I should like" faltered the child. "Hey-day!" interposed Mrs. Mann, "I suppose you're going to say that you _do_ want for something, now? Why, you little wretch" "Stop, Mrs. Mann, stop!" said the beadle, raising his hand with a show of authority. "Like what, sir, eh?" "I should like," faltered the child, "if somebody that can write, would put a few words down for me on a piece of paper, and fold it up and seal it, and keep it for me, after I am laid in the ground." "Why, what does the boy mean?" exclaimed Mr. Bumble, on whom the earnest manner and wan aspect of the child had made some impression: accustomed as he was to such things. "What do you mean, sir?" "I should like," said the child, "to leave my dear love to poor Oliver Twist; and to let him know how often I have sat by myself and cried to think of his wandering about in the dark nights with nobody to help him. And I should like to tell him," said the child pressing his small hands together, and speaking with great fervour, "that I was glad to die when I was very young; for, perhaps, if I had lived to be a man, and had grown old, my little sister who is in Heaven, might forget me, or be unlike me; and it would be so much happier if we were both children there together." Mr. Bumble surveyed the little speaker, from head to foot, with indescribable astonishment; and, turning to his companion, said, "They're all in one story, Mrs. Mann. That out-dacious Oliver had demogalized them all!" "I couldn't have believed it, sir" said Mrs Mann, holding up her hands, and looking malignantly at Dick. "I never see such a hardened little wretch!" "Take him away, ma'am!" said Mr. Bumble imperiously. "This must be stated to the board, Mrs. Mann." "I hope the gentleman will understand that it isn't my fault, sir?" said Mrs. Mann, whimpering pathetically. "They shall understand that, ma'am; they shall be acquainted with the true state of the case," said Mr. Bumble. "There; take him away, I can't bear the sight on him." Dick was immediately taken away, and locked up in the coal-cellar. Mr. Bumble shortly afterwards took himself off, to prepare for his journey. At six o'clock next morning, Mr. Bumble: having exchanged his cocked hat for a round one, and encased his person in a blue great-coat with a cape to it: took his place on the outside of the coach, accompanied by the criminals whose settlement was disputed; with whom, in due course of time, he arrived in London. He experienced no other crosses on the way, than those which originated in the perverse behaviour of the two paupers, who persisted in shivering, and complaining of the cold, in a manner which, Mr. Bumble declared, caused his teeth to chatter in his head, and made him feel quite uncomfortable; although he had a great-coat on. Having disposed of these evil-minded persons for the night, Mr. Bumble sat himself down in the house at which the coach stopped; and took a temperate dinner of steaks, oyster sauce, and porter. Putting a glass of hot gin-and-water on the chimney-piece, he drew his chair to the fire; and, with sundry moral reflections on the too-prevalent sin of discontent and complaining, composed himself to read the paper. The very first paragraph upon which Mr. Bumble's eye rested, was the following advertisement. "FIVE GUINEAS	life of worrit, and vexation, and hardihood; but all public characters, as I may say, must suffer prosecution." Mrs. Mann, not very well knowing what the beadle meant, raised her hands with a look of sympathy, and sighed. "Ah! You may well sigh, Mrs. Mann!" said the beadle. Finding she had done right, Mrs. Mann sighed again: evidently to the satisfaction of the public character: who, repressing a complacent smile by looking sternly at his cocked hat, said, "Mrs. Mann, I am going to London." "Lauk, Mr. Bumble!" cried Mrs. Mann, starting back. "To London, ma'am," resumed the inflexible beadle, "by coach. I and two paupers, Mrs. Mann! A legal action is a coming on, about a settlement; and the board has appointed me me, Mrs. Mann to dispose to the matter before the quarter-sessions at Clerkinwell. And I very much question," added Mr. Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "by coach. I and two paupers, Mrs. Mann! A legal action is a coming on, about a settlement; and the board has appointed me me, Mrs. Mann to dispose to the matter before the quarter-sessions at Clerkinwell. And I very much question," added Mr. Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "Oh! you mustn't be too hard upon them, sir," said Mrs. Mann, coaxingly. "The Clerkinwell Sessions have brought it upon themselves, ma'am," replied Mr. Bumble; "and if the Clerkinwell Sessions find that they come off rather worse than they expected, the Clerkinwell Sessions have only themselves to thank." There was so much determination and depth of purpose about the menacing manner in which Mr. Bumble delivered himself of these words, that Mrs. Mann appeared quite awed by them. At length she said, "You're going by coach, sir? I thought it was always usual to send them paupers in carts." "That's when they're ill, Mrs. Mann," said the beadle. "We put the sick paupers into open carts in the rainy weather, to prevent their taking cold." "Oh!" said Mrs. Mann. "The opposition coach contracts for these two; and takes them cheap," said Mr. Bumble. "They are both in a very low state, and we find it would come two pound cheaper to move 'em than to bury 'em that is, if we can throw 'em upon another parish, which I think we shall be able to do, if they don't die upon the road to spite us. Ha! ha! ha!" When Mr. Bumble had laughed a little while, his eyes again encountered the cocked hat; and he became grave. "We are forgetting business, ma'am," said the beadle; "here is your porochial stipend for the month." Mr. Bumble produced some silver money rolled up in paper, from his pocket-book; and requested a receipt: which Mrs. Mann wrote. "It's very much blotted, sir," said the farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having had his face put under the pump, and dried upon Mrs. Mann's gown, he was led into the awful presence of Mr. Bumble, the beadle. The child was pale and thin; his cheeks were sunken; and his eyes large and bright. The scanty parish dress, the livery of his misery, hung loosely on his feeble body; and his young limbs had wasted away, like those of an old man. Such was the little being who stood trembling beneath Mr. Bumble's glance; not daring to lift his eyes from the floor; and dreading even to hear the beadle's voice. "Can't you look at the gentleman, you obstinate boy?" said Mrs. Mann. The child meekly raised his eyes, and encountered those of Mr. Bumble. "What's the matter with you, porochial Dick?" inquired Mr. Bumble, with well-timed jocularity. "Nothing, sir," replied the child faintly. "I should think not," said Mrs. Mann, who had of course laughed very much at Mr. Bumble's humour. "You want for nothing, I'm sure." "I should like" faltered the child. "Hey-day!" interposed Mrs. Mann, "I suppose you're going to say that you _do_ want for something, now? Why, you little wretch" "Stop, Mrs. Mann, stop!" said the beadle, raising his hand with a show of authority. "Like what, sir, eh?" "I should like," faltered the child, "if somebody that can write, would put a few words down for me on a piece of paper, and fold it up and seal it, and keep it for me, after I am laid in the ground." "Why, what does the boy mean?" exclaimed Mr. Bumble, on whom the earnest manner and wan aspect of the child had made some impression: accustomed as he was to such things. "What do you mean, sir?" "I should like," said the child, "to leave my dear love to poor Oliver Twist; and to let him know how often I have sat by myself and cried to think of his wandering about in the dark nights with nobody to help him. And I should like to tell him," said the child pressing his small hands together, and speaking with great fervour, "that I was glad to die when I was very young; for, perhaps, if I had lived to be a man, and had grown old, my little sister who is in Heaven, might forget me, or be unlike me; and it would be so much happier if we were both children there together." Mr. Bumble surveyed the little speaker, from head to foot, with indescribable astonishment; and, turning to his companion, said, "They're all in one story, Mrs. Mann. That out-dacious Oliver had demogalized them all!" "I couldn't have believed it, sir" said Mrs Mann, holding up her hands, and looking malignantly at Dick. "I never see such a hardened little wretch!" "Take him away, ma'am!" said Mr. Bumble imperiously. "This must be stated to the board, Mrs. Mann." "I hope the gentleman will understand that it isn't my fault, sir?" said Mrs. Mann, whimpering pathetically. "They shall understand that, ma'am; they shall be acquainted with the true state of the case," said Mr. Bumble. "There; take him away, I can't bear the sight on him." Dick was immediately taken away, and locked up in the coal-cellar. Mr. Bumble shortly afterwards took himself	Oliver Twist
He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.	No speaker	here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at	not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t	so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--"	his pince-nez. "Lucia di Lammermoor. By the Master Donizetti. Unique representation. This evening." "But is there an opera? Right up here?" "Why, yes. These people know how to live. They would sooner have a thing bad than not have it at all. That is why they have got to have so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--" "My dear sister, you can t run on like that. You don t buy a pair of gloves in two hours, much less a baby." "Three hours, then, or four; or make him learn English ways. At Florence we get a nurse--" "But, Harriet," said Miss Abbott, "what if at	certain grace and lightness in his companion which he had never noticed in England. She was appallingly narrow, but her consciousness of wider things gave to her narrowness a pathetic charm. He did not suspect that he was more graceful too. For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better. Citizens came out for a little stroll before dinner. Some of them stood and gazed at the advertisements on the tower. "Surely that isn t an opera-bill?" said Miss Abbott. Philip put on his pince-nez. "Lucia di Lammermoor. By the Master Donizetti. Unique representation. This evening." "But is there an opera? Right up here?" "Why, yes. These people know how to live. They would sooner have a thing bad than not have it at all. That is why they have got to have so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--" "My dear sister, you can t run on like that. You don t buy a pair of gloves in two hours, much less a baby." "Three hours, then, or four; or make him learn English ways. At Florence we get a nurse--" "But, Harriet," said Miss Abbott, "what if at first he was to refuse?" "I don t know the meaning of the word," said Harriet impressively. "I ve told the landlady that Philip and I only want our rooms one night, and we shall keep to it." "I dare say it will be all right. But, as I told you, I thought the man I met on the Rocca a strange, difficult man." "He s insolent to ladies, we know. But my brother can be trusted to bring him to his senses. That woman, Philip, whom you saw will carry the baby to the hotel. Of course you must	between it and the hotel, and the traffic is blocked in a moment. Farther up, where the street empties out by the church, your connections, the Merli and the Capocchi, do likewise. They command the Piazza, you the Siena gate. No one can move in either but he shall be instantly slain, either by bows or by crossbows, or by Greek fire. Beware, however, of the back bedroom windows. For they are menaced by the tower of the Aldobrandeschi, and before now arrows have stuck quivering over the washstand. Guard these windows well, lest there be a repetition of the events of February 1338, when the hotel was surprised from the rear, and your dearest friend--you could just make out that it was he--was thrown at you over the stairs. "It reaches up to heaven," said Philip, "and down to the other place." The summit of the tower was radiant in the sun, while its base was in shadow and pasted over with advertisements. "Is it to be a symbol of the town?" She gave no hint that she understood him. But they remained together at the window because it was a little cooler and so pleasant. Philip found a certain grace and lightness in his companion which he had never noticed in England. She was appallingly narrow, but her consciousness of wider things gave to her narrowness a pathetic charm. He did not suspect that he was more graceful too. For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better. Citizens came out for a little stroll before dinner. Some of them stood and gazed at the advertisements on the tower. "Surely that isn t an opera-bill?" said Miss Abbott. Philip put on his pince-nez. "Lucia di Lammermoor. By the Master Donizetti. Unique representation. This evening." "But is there an opera? Right up here?" "Why, yes. These people know how to live. They would sooner have a thing bad than not have it at all. That is why they have got to have so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--" "My dear sister, you can t run on like that. You don t buy a pair of gloves in two hours, much less a baby." "Three hours, then, or four; or make him learn English ways. At Florence we get a nurse--" "But, Harriet," said Miss Abbott, "what if at first he was to refuse?" "I don t know the meaning of the word," said Harriet impressively. "I ve told the landlady that Philip and I only want our rooms one night, and we shall keep to it." "I dare say it will be all right. But, as I told you, I thought the man I met on the Rocca a strange, difficult man." "He s insolent to ladies, we know. But my brother can be trusted to bring him to his senses. That woman, Philip, whom you saw will carry the baby to the hotel. Of course you must tip her for it. And try, if you can, to get poor Lilia s silver bangles. They were nice quiet things, and will do for Irma. And there is an inlaid box I lent her--lent, not gave--to keep her handkerchiefs in. It s of no real value; but this is our only chance. Don t ask for it; but if you see it lying about, just say--" "No, Harriet; I ll try for the baby, but for nothing else. I promise to do that tomorrow, and to do it in the way you wish. But tonight, as we re all tired, we want a change of topic. We want relaxation. We want to go to the theatre." "Theatres here? And at such a moment?" "We should hardly enjoy it, with the great interview impending," said Miss Abbott, with an anxious glance at Philip. He did not betray her, but said, "Don t you think it s better than sitting in all the evening and getting nervous?" His sister shook her head. "Mother wouldn t like it. It would be most unsuitable--almost irreverent. Besides all that, foreign theatres are notorious. Don t you remember those letters in the Church Family Newspaper	was suffused with pleasure. For an apology, which would have been intolerable eighteen months ago, was gracious and agreeable now. She would not let this pass. "You did not think it a little thing at the time. You told me he had assaulted you." "I lost my temper," said Philip lightly. His vanity had been appeased, and he knew it. This tiny piece of civility had changed his mood. "Did he really--what exactly did he say?" "He said he was sorry--pleasantly, as Italians do say such things. But he never mentioned the baby once." What did the baby matter when the world was suddenly right way up? Philip smiled, and was shocked at himself for smiling, and smiled again. For romance had come back to Italy; there were no cads in her; she was beautiful, courteous, lovable, as of old. And Miss Abbott--she, too, was beautiful in her way, for all her gaucheness and conventionality. She really cared about life, and tried to live it properly. And Harriet--even Harriet tried. This admirable change in Philip proceeds from nothing admirable, and may therefore provoke the gibes of the cynical. But angels and other practical people will accept it reverently, and write it down as good. "The view from the Rocca (small gratuity) is finest at sunset," he murmured, more to himself than to her. "And he never mentioned the baby once," Miss Abbott repeated. But she had returned to the window, and again her finger pursued the delicate curves. He watched her in silence, and was more attracted to her than he had ever been before. She really was the strangest mixture. "The view from the Rocca--wasn t it fine?" "What isn t fine here?" she answered gently, and then added, "I wish I was Harriet," throwing an extraordinary meaning into the words. "Because Harriet--?" She would not go further, but he believed that she had paid homage to the complexity of life. For her, at all events, the expedition was neither easy nor jolly. Beauty, evil, charm, vulgarity, mystery--she also acknowledged this tangle, in spite of herself. And her voice thrilled him when she broke silence with "Mr. Herriton--come here--look at this!" She removed a pile of plates from the Gothic window, and they leant out of it. Close opposite, wedged between mean houses, there rose up one of the great towers. It is your tower: you stretch a barricade between it and the hotel, and the traffic is blocked in a moment. Farther up, where the street empties out by the church, your connections, the Merli and the Capocchi, do likewise. They command the Piazza, you the Siena gate. No one can move in either but he shall be instantly slain, either by bows or by crossbows, or by Greek fire. Beware, however, of the back bedroom windows. For they are menaced by the tower of the Aldobrandeschi, and before now arrows have stuck quivering over the washstand. Guard these windows well, lest there be a repetition of the events of February 1338, when the hotel was surprised from the rear, and your dearest friend--you could just make out that it was he--was thrown at you over the stairs. "It reaches up to heaven," said Philip, "and down to the other place." The summit of the tower was radiant in the sun, while its base was in shadow and pasted over with advertisements. "Is it to be a symbol of the town?" She gave no hint that she understood him. But they remained together at the window because it was a little cooler and so pleasant. Philip found a certain grace and lightness in his companion which he had never noticed in England. She was appallingly narrow, but her consciousness of wider things gave to her narrowness a pathetic charm. He did not suspect that he was more graceful too. For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better. Citizens came out for a little stroll before dinner. Some of them stood and gazed at the advertisements on the tower. "Surely that isn t an opera-bill?" said Miss Abbott. Philip put on his pince-nez. "Lucia di Lammermoor. By the Master Donizetti. Unique representation. This evening." "But is there an opera? Right up here?" "Why, yes. These people know how to live. They would sooner have a thing bad than not have it at all. That is why they have got to have so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--" "My dear sister, you can t run on like that. You don t buy a pair of gloves in two hours, much less a baby." "Three hours, then, or four; or make him learn English ways. At Florence we get a nurse--" "But, Harriet," said Miss Abbott, "what if at first he was to refuse?" "I don t know the meaning of the word," said Harriet impressively. "I ve told the landlady that Philip and I only want our rooms one night, and we shall keep to it." "I dare say it will be all right. But, as I told you, I thought the man I met on the Rocca a strange, difficult man." "He s insolent to ladies, we know. But my brother can be trusted to bring him to his senses. That woman, Philip, whom you saw will carry the baby to the hotel. Of course you must tip her for it. And try, if you can, to get poor Lilia s silver bangles. They were nice quiet things, and will do for Irma. And there is an inlaid box I lent her--lent, not gave--to keep her handkerchiefs in. It s of no real value; but this is our only chance. Don t ask for it; but if you see it lying about, just say--" "No, Harriet; I ll try for the baby, but for nothing else. I promise to do that tomorrow, and to do it in the way you wish. But tonight, as we re all tired, we want a change of topic. We want relaxation. We want to go to the theatre." "Theatres here? And at such a moment?" "We should hardly enjoy it, with the great interview impending," said Miss Abbott, with an anxious glance at Philip. He did not betray her, but said, "Don t you think it s better than sitting in all the evening and getting nervous?" His sister shook her head. "Mother wouldn t like it. It would be most unsuitable--almost irreverent. Besides all that, foreign theatres are notorious. Don t you remember those letters in the Church Family Newspaper ?" "But this is an opera-- Lucia di Lammermoor --Sir Walter Scott--classical, you know." Harriet s face grew resigned. "Certainly one has so few opportunities of hearing music. It is sure to be very bad. But it might be better than sitting idle all the evening. We have no book, and I lost my crochet at Florence." "Good. Miss Abbott, you are coming too?" "It is very kind of you, Mr. Herriton. In some ways I should enjoy it; but--excuse the suggestion--I don t think we ought to go to cheap seats." "Good gracious me!" cried Harriet, "I should never have thought of that. As likely as not, we should have tried to save money and sat among the most awful people. One keeps on forgetting this is Italy." "Unfortunately I have no evening dress; and if the seats--" "Oh, that ll be all right," said Philip, smiling at his timorous, scrupulous women-kind. "We ll go as we are, and buy the best we can get. Monteriano is not formal." So this strenuous day of resolutions, plans, alarms, battles, victories, defeats, truces, ended at the opera. Miss Abbott and Harriet were both a little shame-faced. They thought of their friends at Sawston, who were supposing them to be now tilting against the powers of evil. What would Mrs. Herriton, or Irma, or the curates at the Back Kitchen say if they could see the rescue party at a place of amusement on the very first day of its mission? Philip, too, marvelled at his wish to go. He began to see that he was enjoying his time in Monteriano, in spite of the tiresomeness of his companions and the occasional contrariness of himself. He had been to this theatre many years before, on the occasion of a performance of "La Zia di Carlo." Since then it had been thoroughly done up, in the tints of the beet-root and the tomato, and was in many other ways a credit to the little town. The orchestra had been enlarged, some of the boxes had terra-cotta draperies, and over each box was now suspended an enormous tablet, neatly framed, bearing upon it the number of that box. There was also a drop-scene, representing a pink and purple landscape, wherein sported many a lady lightly clad, and two more ladies lay along the top of the proscenium to steady a large and pallid clock.	to the window, and again her finger pursued the delicate curves. He watched her in silence, and was more attracted to her than he had ever been before. She really was the strangest mixture. "The view from the Rocca--wasn t it fine?" "What isn t fine here?" she answered gently, and then added, "I wish I was Harriet," throwing an extraordinary meaning into the words. "Because Harriet--?" She would not go further, but he believed that she had paid homage to the complexity of life. For her, at all events, the expedition was neither easy nor jolly. Beauty, evil, charm, vulgarity, mystery--she also acknowledged this tangle, in spite of herself. And her voice thrilled him when she broke silence with "Mr. Herriton--come here--look at this!" She removed a pile of plates from the Gothic window, and they leant out of it. Close opposite, wedged between mean houses, there rose up one of the great towers. It is your tower: you stretch a barricade between it and the hotel, and the traffic is blocked in a moment. Farther up, where the street empties out by the church, your connections, the Merli and the Capocchi, do likewise. They command the Piazza, you the Siena gate. No one can move in either but he shall be instantly slain, either by bows or by crossbows, or by Greek fire. Beware, however, of the back bedroom windows. For they are menaced by the tower of the Aldobrandeschi, and before now arrows have stuck quivering over the washstand. Guard these windows well, lest there be a repetition of the events of February 1338, when the hotel was surprised from the rear, and your dearest friend--you could just make out that it was he--was thrown at you over the stairs. "It reaches up to heaven," said Philip, "and down to the other place." The summit of the tower was radiant in the sun, while its base was in shadow and pasted over with advertisements. "Is it to be a symbol of the town?" She gave no hint that she understood him. But they remained together at the window because it was a little cooler and so pleasant. Philip found a certain grace and lightness in his companion which he had never noticed in England. She was appallingly narrow, but her consciousness of wider things gave to her narrowness a pathetic charm. He did not suspect that he was more graceful too. For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better. Citizens came out for a little stroll before dinner. Some of them stood and gazed at the advertisements on the tower. "Surely that isn t an opera-bill?" said Miss Abbott. Philip put on his pince-nez. "Lucia di Lammermoor. By the Master Donizetti. Unique representation. This evening." "But is there an opera? Right up here?" "Why, yes. These people know how to live. They would sooner have a thing bad than not have it at all. That is why they have got to have so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--" "My dear sister, you can t run on like that. You don t buy a pair of gloves in two hours, much less a baby." "Three hours, then, or four; or make him learn English ways. At Florence we get a nurse--" "But, Harriet," said Miss Abbott, "what if at first he was to refuse?" "I don t know the meaning of the word," said Harriet impressively. "I ve told the landlady that Philip and I only want our rooms one night, and we shall keep to it." "I dare say it will be all right. But, as I told you, I thought the man I met on the Rocca a strange, difficult man." "He s insolent to ladies, we know. But my brother can be trusted to bring him to his senses. That woman, Philip, whom you saw will carry the baby to the hotel. Of course you must tip her for it. And try, if you can, to get poor Lilia s silver bangles. They were nice quiet things, and will do for Irma. And there is an inlaid box I lent her--lent, not gave--to keep her handkerchiefs in. It s of no real value; but this is our only chance. Don t ask for it; but if you see it lying about, just say--" "No, Harriet; I ll try for the baby, but for nothing else. I promise to do that tomorrow, and to do it in the way you wish. But tonight, as we re all tired, we want a change of topic. We want relaxation. We want to go to the theatre." "Theatres here? And at such a moment?" "We should hardly enjoy it, with the great interview impending," said Miss Abbott, with an anxious glance at Philip. He did not betray her, but said, "Don t you think it s better than sitting in all the evening and getting nervous?" His sister shook her head. "Mother wouldn t like it. It would be most unsuitable--almost irreverent. Besides all that, foreign theatres are notorious. Don t you remember those letters in the Church Family Newspaper ?" "But this is an opera-- Lucia di Lammermoor --Sir Walter Scott--classical, you know." Harriet s face grew resigned. "Certainly one has so few opportunities of hearing music. It is sure to be very bad. But it might be better than sitting idle all the evening. We have no book, and I lost my crochet at Florence." "Good. Miss Abbott, you are coming too?" "It is very kind of you, Mr. Herriton. In some	Where Angels Fear To Tread
"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"	Mr. Darcy	he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an	other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it	slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther,	steward had occasioned his coming forward a few hours before the rest of the party with whom he had been travelling. "They will join me early to-morrow," he continued, "and among them are some who will claim an acquaintance with you,--Mr. Bingley and his sisters." Elizabeth answered only by a slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther, it was satisfactory; it was gratifying to know that his resentment had not made him think really ill of her. They now walked on in silence; each of them deep in thought. Elizabeth was not comfortable; that was impossible; but she was flattered and pleased. His wish of introducing his	her husband's. Mr. Darcy took her place by her niece, and they walked on together. After a short silence, the lady first spoke. She wished him to know that she had been assured of his absence before she came to the place, and accordingly began by observing, that his arrival had been very unexpected--" "for your housekeeper," she added, "informed us that you would certainly not be here till to-morrow; and indeed, before we left Bakewell, we understood that you were not immediately expected in the country." He acknowledged the truth of it all; and said that business with his steward had occasioned his coming forward a few hours before the rest of the party with whom he had been travelling. "They will join me early to-morrow," he continued, "and among them are some who will claim an acquaintance with you,--Mr. Bingley and his sisters." Elizabeth answered only by a slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther, it was satisfactory; it was gratifying to know that his resentment had not made him think really ill of her. They now walked on in silence; each of them deep in thought. Elizabeth was not comfortable; that was impossible; but she was flattered and pleased. His wish of introducing his sister to her, was a compliment of the highest kind. They soon outstripped the others, and when they had reached the carriage, Mr. and Mrs. Gardiner were half a quarter of a mile behind. He then asked her to walk into the house--but she declared herself not tired, and they stood together on the lawn. At such a time, much might have been said, and silence was very awkward. She wanted to talk, but there seemed an embargo on every subject. At last she recollected that she had been travelling, and they talked of Matlock and Dove Dale with great	with the greatest civility, to fish there as often as he chose, while he continued in the neighbourhood, offering at the same time to supply him with fishing tackle, and pointing out those parts of the stream where there was usually most sport. Mrs. Gardiner, who was walking arm in arm with Elizabeth, gave her a look expressive of her wonder. Elizabeth said nothing, but it gratified her exceedingly; the compliment must be all for herself. Her astonishment, however, was extreme; and continually was she repeating, "Why is he so altered? From what can it proceed? It cannot be for _me_, it cannot be for _my_ sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me." After walking some time in this way, the two ladies in front, the two gentlemen behind, on resuming their places, after descending to the brink of the river for the better inspection of some curious water-plant, there chanced to be a little alteration. It originated in Mrs. Gardiner, who, fatigued by the exercise of the morning, found Elizabeth's arm inadequate to her support, and consequently preferred her husband's. Mr. Darcy took her place by her niece, and they walked on together. After a short silence, the lady first spoke. She wished him to know that she had been assured of his absence before she came to the place, and accordingly began by observing, that his arrival had been very unexpected--" "for your housekeeper," she added, "informed us that you would certainly not be here till to-morrow; and indeed, before we left Bakewell, we understood that you were not immediately expected in the country." He acknowledged the truth of it all; and said that business with his steward had occasioned his coming forward a few hours before the rest of the party with whom he had been travelling. "They will join me early to-morrow," he continued, "and among them are some who will claim an acquaintance with you,--Mr. Bingley and his sisters." Elizabeth answered only by a slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther, it was satisfactory; it was gratifying to know that his resentment had not made him think really ill of her. They now walked on in silence; each of them deep in thought. Elizabeth was not comfortable; that was impossible; but she was flattered and pleased. His wish of introducing his sister to her, was a compliment of the highest kind. They soon outstripped the others, and when they had reached the carriage, Mr. and Mrs. Gardiner were half a quarter of a mile behind. He then asked her to walk into the house--but she declared herself not tired, and they stood together on the lawn. At such a time, much might have been said, and silence was very awkward. She wanted to talk, but there seemed an embargo on every subject. At last she recollected that she had been travelling, and they talked of Matlock and Dove Dale with great perseverance. Yet time and her aunt moved slowly--and her patience and her ideas were nearly worn out before the t?te-?-t?te was over. On Mr. and Mrs. Gardiner's coming up, they were all pressed to go into the house and take some refreshment; but this was declined, and they parted on each side with the utmost politeness. Mr. Darcy handed the ladies into the carriage, and when it drove off, Elizabeth saw him walking slowly towards the house. The observations of her uncle and aunt now began; and each of them pronounced him to be infinitely superior to any thing they had expected. "He is perfectly well behaved, polite, and unassuming," said her uncle. "There _is_ something a little stately in him to be sure," replied her aunt, "but it is confined to his air, and is not unbecoming. I can now say with the housekeeper, that though some people may call him proud, _I_ have seen nothing of it." "I was never more surprised than by his behaviour to us. It was more than civil; it was really attentive; and there was no necessity for such attention. His acquaintance with Elizabeth was very trifling." "To be sure, Lizzy," said her	them, and at no great distance. The walk being here less sheltered than on the other side, allowed them to see him before they met. Elizabeth, however astonished, was at least more prepared for an interview than before, and resolved to appear and to speak with calmness, if he really intended to meet them. For a few moments, indeed, she felt that he would probably strike into some other path. This idea lasted while a turning in the walk concealed him from their view; the turning past, he was immediately before them. With a glance she saw, that he had lost none of his recent civility; and, to imitate his politeness, she began, as they met, to admire the beauty of the place; but she had not got beyond the words "delightful," and "charming," when some unlucky recollections obtruded, and she fancied that praise of Pemberley from her, might be mischievously construed. Her colour changed, and she said no more. Mrs. Gardiner was standing a little behind; and on her pausing, he asked her, if she would do him the honour of introducing him to her friends. This was a stroke of civility for which she was quite unprepared; and she could hardly suppress a smile, at his being now seeking the acquaintance of some of those very people, against whom his pride had revolted, in his offer to herself. "What will be his surprise," thought she, "when he knows who they are! He takes them now for people of fashion." The introduction, however, was immediately made; and as she named their relationship to herself, she stole a sly look at him, to see how he bore it; and was not without the expectation of his decamping as fast as he could from such disgraceful companions. That he was _surprised_ by the connexion was evident; he sustained it however with fortitude, and so far from going away, turned back with them, and entered into conversation with Mr. Gardiner. Elizabeth could not but be pleased, could not but triumph. It was consoling, that he should know she had some relations for whom there was no need to blush. She listened most attentively to all that passed between them, and gloried in every expression, every sentence of her uncle, which marked his intelligence, his taste, or his good manners. The conversation soon turned upon fishing, and she heard Mr. Darcy invite him, with the greatest civility, to fish there as often as he chose, while he continued in the neighbourhood, offering at the same time to supply him with fishing tackle, and pointing out those parts of the stream where there was usually most sport. Mrs. Gardiner, who was walking arm in arm with Elizabeth, gave her a look expressive of her wonder. Elizabeth said nothing, but it gratified her exceedingly; the compliment must be all for herself. Her astonishment, however, was extreme; and continually was she repeating, "Why is he so altered? From what can it proceed? It cannot be for _me_, it cannot be for _my_ sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me." After walking some time in this way, the two ladies in front, the two gentlemen behind, on resuming their places, after descending to the brink of the river for the better inspection of some curious water-plant, there chanced to be a little alteration. It originated in Mrs. Gardiner, who, fatigued by the exercise of the morning, found Elizabeth's arm inadequate to her support, and consequently preferred her husband's. Mr. Darcy took her place by her niece, and they walked on together. After a short silence, the lady first spoke. She wished him to know that she had been assured of his absence before she came to the place, and accordingly began by observing, that his arrival had been very unexpected--" "for your housekeeper," she added, "informed us that you would certainly not be here till to-morrow; and indeed, before we left Bakewell, we understood that you were not immediately expected in the country." He acknowledged the truth of it all; and said that business with his steward had occasioned his coming forward a few hours before the rest of the party with whom he had been travelling. "They will join me early to-morrow," he continued, "and among them are some who will claim an acquaintance with you,--Mr. Bingley and his sisters." Elizabeth answered only by a slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther, it was satisfactory; it was gratifying to know that his resentment had not made him think really ill of her. They now walked on in silence; each of them deep in thought. Elizabeth was not comfortable; that was impossible; but she was flattered and pleased. His wish of introducing his sister to her, was a compliment of the highest kind. They soon outstripped the others, and when they had reached the carriage, Mr. and Mrs. Gardiner were half a quarter of a mile behind. He then asked her to walk into the house--but she declared herself not tired, and they stood together on the lawn. At such a time, much might have been said, and silence was very awkward. She wanted to talk, but there seemed an embargo on every subject. At last she recollected that she had been travelling, and they talked of Matlock and Dove Dale with great perseverance. Yet time and her aunt moved slowly--and her patience and her ideas were nearly worn out before the t?te-?-t?te was over. On Mr. and Mrs. Gardiner's coming up, they were all pressed to go into the house and take some refreshment; but this was declined, and they parted on each side with the utmost politeness. Mr. Darcy handed the ladies into the carriage, and when it drove off, Elizabeth saw him walking slowly towards the house. The observations of her uncle and aunt now began; and each of them pronounced him to be infinitely superior to any thing they had expected. "He is perfectly well behaved, polite, and unassuming," said her uncle. "There _is_ something a little stately in him to be sure," replied her aunt, "but it is confined to his air, and is not unbecoming. I can now say with the housekeeper, that though some people may call him proud, _I_ have seen nothing of it." "I was never more surprised than by his behaviour to us. It was more than civil; it was really attentive; and there was no necessity for such attention. His acquaintance with Elizabeth was very trifling." "To be sure, Lizzy," said her aunt, "he is not so handsome as Wickham; or rather he has not Wickham's countenance, for his features are perfectly good. But how came you to tell us that he was so disagreeable?" Elizabeth excused herself as well as she could; said that she had liked him better when they met in Kent than before, and that she had never seen him so pleasant as this morning. "But perhaps he may be a little whimsical in his civilities," replied her uncle. "Your great men often are; and therefore I shall not take him at his word about fishing, as he might change his mind another day, and warn me off his grounds." Elizabeth felt that they had entirely mistaken his character, but said nothing. "From what we have seen of him," continued Mrs. Gardiner, "I really should not have thought that he could have behaved in so cruel a way by any body, as he has done by poor Wickham. He has not an ill-natured look. On the contrary, there is something pleasing about his mouth when he speaks. And there is something of dignity in his countenance, that would not give one an unfavourable idea of his heart. But to be sure, the good lady who shewed us the house, did give him a most flaming character! I could hardly help laughing aloud sometimes. But he is a liberal master, I suppose, and _that_ in the eye of a servant comprehends every virtue." Elizabeth here felt herself called on to say something in vindication of his behaviour to Wickham; and therefore gave them to understand, in as guarded a manner as she could, that by what she had heard from his relations in Kent, his actions were capable of a very different construction; and that his character was by no means so faulty, nor Wickham's so amiable, as they had been considered in Hertfordshire. In confirmation of this, she related the particulars of all the pecuniary transactions in which they had been connected, without actually naming her authority, but stating it to be such as might be relied on. Mrs. Gardiner was surprised and concerned; but as they were now approaching the scene of her former pleasures, every idea gave way to the charm of recollection; and she was too much engaged in pointing out to her husband all the interesting spots in its environs, to think of any	extreme; and continually was she repeating, "Why is he so altered? From what can it proceed? It cannot be for _me_, it cannot be for _my_ sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me." After walking some time in this way, the two ladies in front, the two gentlemen behind, on resuming their places, after descending to the brink of the river for the better inspection of some curious water-plant, there chanced to be a little alteration. It originated in Mrs. Gardiner, who, fatigued by the exercise of the morning, found Elizabeth's arm inadequate to her support, and consequently preferred her husband's. Mr. Darcy took her place by her niece, and they walked on together. After a short silence, the lady first spoke. She wished him to know that she had been assured of his absence before she came to the place, and accordingly began by observing, that his arrival had been very unexpected--" "for your housekeeper," she added, "informed us that you would certainly not be here till to-morrow; and indeed, before we left Bakewell, we understood that you were not immediately expected in the country." He acknowledged the truth of it all; and said that business with his steward had occasioned his coming forward a few hours before the rest of the party with whom he had been travelling. "They will join me early to-morrow," he continued, "and among them are some who will claim an acquaintance with you,--Mr. Bingley and his sisters." Elizabeth answered only by a slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther, it was satisfactory; it was gratifying to know that his resentment had not made him think really ill of her. They now walked on in silence; each of them deep in thought. Elizabeth was not comfortable; that was impossible; but she was flattered and pleased. His wish of introducing his sister to her, was a compliment of the highest kind. They soon outstripped the others, and when they had reached the carriage, Mr. and Mrs. Gardiner were half a quarter of a mile behind. He then asked her to walk into the house--but she declared herself not tired, and they stood together on the lawn. At such a time, much might have been said, and silence was very awkward. She wanted to talk, but there seemed an embargo on every subject. At last she recollected that she had been travelling, and they talked of Matlock and Dove Dale with great perseverance. Yet time and her aunt moved slowly--and her patience and her ideas were nearly worn out before the t?te-?-t?te was over. On Mr. and Mrs. Gardiner's coming up, they were all pressed to go into the house and take some refreshment; but this was declined, and they parted on each side with the utmost politeness. Mr. Darcy handed the ladies into the carriage, and when it drove off, Elizabeth saw him walking slowly towards the house. The observations of her uncle and aunt now began; and each of them pronounced him to be infinitely superior to any thing they had expected. "He is perfectly well behaved, polite, and unassuming," said her uncle. "There _is_ something a little stately in him to be sure," replied her aunt, "but it is confined to his air, and is not unbecoming. I can now say with the housekeeper, that though some people may call him proud, _I_ have seen nothing of it." "I was never more surprised than by his behaviour to us. It was more than civil; it was really attentive; and there was no necessity for such attention. His acquaintance with Elizabeth was very trifling." "To be sure, Lizzy," said her aunt, "he is not so handsome as Wickham; or rather he has not Wickham's countenance, for his features are perfectly good. But how came you to tell us that he was so disagreeable?" Elizabeth excused herself as well as she could; said that she had liked him better when they met in Kent than before, and	Pride And Prejudice
For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.	No speaker	to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however,	of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing	but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the	there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen,	excited business was going on below, where the victorious tribe was at work, going and coming, and bringing down loads of plunder taken from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen, but the smoke rose in clouds as the work of destruction seemed to be going on. The singing and shouting increased, and once or twice the other prisoners appeared to take an excited interest in the sounds that came up to them; but they only sank directly after into a state of moody apathy, letting their chins go down upon their chests, and many of them dropping off to sleep. The noise and shouting had been going on for some time, and then ceased, to be succeeded by a low, busy murmur, as of a vast swarm of bees; and	_pah_ was formed, right upon the black volcanic sand, over which the sea ran foaming like so much glistening silver. There were about fifty of the enemy busy there running to and fro, and the spectators were not long left in doubt as to what they were doing, for amid a great deal of shouting one of the huge war canoes was run down over the sand and launched, a couple of men being left to keep her by the shore, while their comrades busied themselves in launching others, till every canoe belonging to the conquered tribe was in the water. "That's it, is it?" said Jem. "They came over land, and now they're going back by water. Well, I s'pose, they'll do as they like." "Isn't this nearest one Ngati's canoe, Jem?" "Yes, my lad; that's she. I know her by that handsome face cut in the front. I s'pose poor Ngati's dead." "I'm afraid so," said Don, sadly. "I've been trying to make out his face and Tomati's among the prisoners, but I can't see either." "More can't I, Mas' Don. It's a werry bad job. Lookye yonder now." Don was already looking, for a great deal of excited business was going on below, where the victorious tribe was at work, going and coming, and bringing down loads of plunder taken from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen, but the smoke rose in clouds as the work of destruction seemed to be going on. The singing and shouting increased, and once or twice the other prisoners appeared to take an excited interest in the sounds that came up to them; but they only sank directly after into a state of moody apathy, letting their chins go down upon their chests, and many of them dropping off to sleep. The noise and shouting had been going on for some time, and then ceased, to be succeeded by a low, busy murmur, as of a vast swarm of bees; and now, after sitting very silent and thoughtful, watching the faint smoke which came up from the fire, and eagerly drinking in the various sounds, Don turned his eyes in a curiously furtive manner to steal a look at Jem. He did not move his head, but proceeded with the greatest caution, so as to try and read his companion's countenance, when, to his surprise, he found that Jem was stealing a look at him, and both, as it were, snatched their eyes away, and began looking at the prisoners. But at that time it was as if the eyes of both were filled with some strange attractive force, which made them turn and gaze in a peculiarly hard, wild way. Don seemed to be reading Jem's thoughts as his sight plunged deeply into the eyes of his companion, and as he gazed, he shuddered, and tried to look elsewhere. But he could not look elsewhere, only hard at Jem, who also shuddered, and looked shame-faced and horrified. For they were reading each other's thoughts only too correctly, and the effect of that perusal was to make big drops of perspiration roll down Jem's face, and to turn Don deadly pale.	with the women and children." "And the village--I s'pose they calls this a village; I don't, for there arn't no church--all racked and ruined." They sat together, with their hands tightly bound behind them, gazing at the desolation. The prisoners were all huddled together, perfectly silent, and with a dull, sullen, despairing look in their countenances, which seemed to suggest that they were accepting their fate as a matter of course. It was a horrible scene, so many of the warriors being badly wounded, but they made no complaint; and, truth to tell, most of those who were now helpless prisoners had taken part in raids to inflict the pain they now suffered themselves. The dead had been dragged away before Don woke that morning, but there were hideous traces on the trampled ground, with broken weapons scattered here and there, while the wounded were lying together perfectly untended, many of them bound, to prevent escape--hardly possible even to an uninjured man, for a guard was keeping watch over them ready to advance threateningly, spear in hand, if a prisoner attempted to move. Where Don and Jem were sitting a portion of the great fence was broken, and they could see through it down to the shore. "What a shame it seems on such a glorious morning, Jem!" "Shame! Mas' Don? I should just like to shame 'em. Head hurt much?" "Not so very much, Jem. How is your shoulder?" "Rather pickly." "Rather what?" "Pickly, as if there was vinegar and pepper and salt being rubbed into it. But my old mother used to say that it was a good sign when a cut smarted a lot. So I s'pose my wound's first rate, for it smarts like a furze bush in a fit." "I wish I could bathe it for you, Jem." "Thank ye, Mas' Don. I wish my Sally could do it. More in her way." "We must try and bear it all, I suppose, Jem. How hot the sun is; and, ill as I am, I should be so glad of something to eat and drink." "I'm that hungry, Mas' Don," growled Jem, "that I could eat one o' these here savages. Not all at once, of course." "Look, Jem. What are they doing there?" Don nodded his head in the direction of the broken fence; and together they looked down from the eminence on which the _pah_ was formed, right upon the black volcanic sand, over which the sea ran foaming like so much glistening silver. There were about fifty of the enemy busy there running to and fro, and the spectators were not long left in doubt as to what they were doing, for amid a great deal of shouting one of the huge war canoes was run down over the sand and launched, a couple of men being left to keep her by the shore, while their comrades busied themselves in launching others, till every canoe belonging to the conquered tribe was in the water. "That's it, is it?" said Jem. "They came over land, and now they're going back by water. Well, I s'pose, they'll do as they like." "Isn't this nearest one Ngati's canoe, Jem?" "Yes, my lad; that's she. I know her by that handsome face cut in the front. I s'pose poor Ngati's dead." "I'm afraid so," said Don, sadly. "I've been trying to make out his face and Tomati's among the prisoners, but I can't see either." "More can't I, Mas' Don. It's a werry bad job. Lookye yonder now." Don was already looking, for a great deal of excited business was going on below, where the victorious tribe was at work, going and coming, and bringing down loads of plunder taken from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen, but the smoke rose in clouds as the work of destruction seemed to be going on. The singing and shouting increased, and once or twice the other prisoners appeared to take an excited interest in the sounds that came up to them; but they only sank directly after into a state of moody apathy, letting their chins go down upon their chests, and many of them dropping off to sleep. The noise and shouting had been going on for some time, and then ceased, to be succeeded by a low, busy murmur, as of a vast swarm of bees; and now, after sitting very silent and thoughtful, watching the faint smoke which came up from the fire, and eagerly drinking in the various sounds, Don turned his eyes in a curiously furtive manner to steal a look at Jem. He did not move his head, but proceeded with the greatest caution, so as to try and read his companion's countenance, when, to his surprise, he found that Jem was stealing a look at him, and both, as it were, snatched their eyes away, and began looking at the prisoners. But at that time it was as if the eyes of both were filled with some strange attractive force, which made them turn and gaze in a peculiarly hard, wild way. Don seemed to be reading Jem's thoughts as his sight plunged deeply into the eyes of his companion, and as he gazed, he shuddered, and tried to look elsewhere. But he could not look elsewhere, only hard at Jem, who also shuddered, and looked shame-faced and horrified. For they were reading each other's thoughts only too correctly, and the effect of that perusal was to make big drops of perspiration roll down Jem's face, and to turn Don deadly pale. At last each snatched his eyes away, Jem to watch the prisoners, Don to close his, and sit trembling and listening to the bursts of merriment which came up. At such times, in spite of their efforts, they could not imitate the apathy of the New Zealanders, but gazed wildly at each other, trying to make themselves believe that what they imagined was false, or else the prisoners would have shown some sign of excitement. At last Jem ceased to make any pretence about the matter. He stared speechlessly and full of misery at Don, who let his eyes rest wildly on Jem's for a time before dropping his head upon his chest, and sitting motionless. All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were. The sun was descending rapidly when about half-a-dozen of the conquering tribe came up to the _pah_, with the result that those who were on guard suddenly grew wildly excited, and giving up their duties to the new comers, uttered eager shouts and rushed off in a way that was frantic in the extreme. Don and Jem again exchanged looks full of misery and despair, and then gazed with wonder and loathing at the new comers, who walked slowly about for a few minutes, and then went and leaned their backs against the palisading of the _pah_, and partially supported themselves upon their spears. "Ugh!" ejaculated Jem with a shudder as he turned away. "You wretches! Mas' Don, I felt as I lay here last night, all dull and miserable and sick, and hardly able to bear myself--I felt so miserable because I knew I must have shot some of those chaps." "So did I, Jem," sighed Don; "so did I." "Well, just now, Mas' Don, I'm just 'tother way; ay, for I wish with all my heart I'd shot the lot. Hark, there!" They listened, and could hear a burst of shouting and laughing. "That's them sentries gone down now to the feast. I say, Mas' Don, look at these here fellows." "Yes, Jem, I've been looking at them. It's horrible, and we must escape." They sat gazing at their guards again, to see that they were flushed, their eyes full, heavy, and	conquered tribe was in the water. "That's it, is it?" said Jem. "They came over land, and now they're going back by water. Well, I s'pose, they'll do as they like." "Isn't this nearest one Ngati's canoe, Jem?" "Yes, my lad; that's she. I know her by that handsome face cut in the front. I s'pose poor Ngati's dead." "I'm afraid so," said Don, sadly. "I've been trying to make out his face and Tomati's among the prisoners, but I can't see either." "More can't I, Mas' Don. It's a werry bad job. Lookye yonder now." Don was already looking, for a great deal of excited business was going on below, where the victorious tribe was at work, going and coming, and bringing down loads of plunder taken from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen, but the smoke rose in clouds as the work of destruction seemed to be going on. The singing and shouting increased, and once or twice the other prisoners appeared to take an excited interest in the sounds that came up to them; but they only sank directly after into a state of moody apathy, letting their chins go down upon their chests, and many of them dropping off to sleep. The noise and shouting had been going on for some time, and then ceased, to be succeeded by a low, busy murmur, as of a vast swarm of bees; and now, after sitting very silent and thoughtful, watching the faint smoke which came up from the fire, and eagerly drinking in the various sounds, Don turned his eyes in a curiously furtive manner to steal a look at Jem. He did not move his head, but proceeded with the greatest caution, so as to try and read his companion's countenance, when, to his surprise, he found that Jem was stealing a look at him, and both, as it were, snatched their eyes away, and began looking at the prisoners. But at that time it was as if the eyes of both were filled with some strange attractive force, which made them turn and gaze in a peculiarly hard, wild way. Don seemed to be reading Jem's thoughts as his sight plunged deeply into the eyes of his companion, and as he gazed, he shuddered, and tried to look elsewhere. But he could not look elsewhere, only hard at Jem, who also shuddered, and looked shame-faced and horrified. For they were reading each other's thoughts only too correctly, and the effect of that perusal was to make big drops of perspiration roll down Jem's face, and to turn Don deadly pale. At last each snatched his eyes away, Jem to watch the prisoners, Don to close his, and sit trembling and listening to the bursts of merriment which came up. At such times, in spite of their efforts, they could not imitate the apathy of the New Zealanders, but gazed wildly at each other, trying to make themselves believe that what they imagined was false, or else the prisoners would have shown some sign of excitement. At last Jem ceased to make any pretence about the matter. He stared speechlessly and full of misery at Don, who let his eyes rest wildly on Jem's for a time before dropping his head upon his chest, and sitting motionless. All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were. The sun was descending rapidly when about half-a-dozen of the conquering tribe came up to the	Don Lavington
I cried.	No speaker	"But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued	you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now	you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open.	At last, however, there was the glint of a candle behind the blind, and a face looked out at the upper window. "Go on, you drunken vagabone," said the face. "If you kick up any more row I ll open the kennels and let out forty-three dogs upon you." "If you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open. Mr. Sherman was a lanky, lean old man, with stooping shoulders, a stringy neck, and blue-tinted glasses. "A friend of Mr. Sherlock is always welcome," said he. "Step in, sir. Keep clear of the badger; for he bites. Ah, naughty, naughty, would you take a nip at the gentleman?" This	strange scene at Major Sholto s death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan s chart, here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue. Pinchin Lane was a row of shabby two-storied brick houses in the lower quarter of Lambeth. I had to knock for some time at No. 3 before I could make my impression. At last, however, there was the glint of a candle behind the blind, and a face looked out at the upper window. "Go on, you drunken vagabone," said the face. "If you kick up any more row I ll open the kennels and let out forty-three dogs upon you." "If you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open. Mr. Sherman was a lanky, lean old man, with stooping shoulders, a stringy neck, and blue-tinted glasses. "A friend of Mr. Sherlock is always welcome," said he. "Step in, sir. Keep clear of the badger; for he bites. Ah, naughty, naughty, would you take a nip at the gentleman?" This to a stoat which thrust its wicked head and red eyes between the bars of its cage. "Don t mind that, sir: it s only a slow-worm. It hain t got no fangs, so I gives it the run o the room, for it keeps the beetles down. You must not mind my bein just a little short wi you at first, for I m guyed at by the children, and there s many a one just comes down this lane to knock me up. What was it that Mr. Sherlock Holmes wanted, sir?" "He wanted a dog of yours."	I was introduced, and Mrs. Forrester earnestly begged me to step in and tell her our adventures. I explained, however, the importance of my errand, and promised faithfully to call and report any progress which we might make with the case. As we drove away I stole a glance back, and I still seem to see that little group on the step, the two graceful, clinging figures, the half-opened door, the hall-light shining through stained glass, the barometer, and the bright stair-rods. It was soothing to catch even that passing glimpse of a tranquil English home in the midst of the wild, dark business which had absorbed us. And the more I thought of what had happened, the wilder and darker it grew. I reviewed the whole extraordinary sequence of events as I rattled on through the silent gas-lit streets. There was the original problem: that at least was pretty clear now. The death of Captain Morstan, the sending of the pearls, the advertisement, the letter, we had had light upon all those events. They had only led us, however, to a deeper and far more tragic mystery. The Indian treasure, the curious plan found among Morstan s baggage, the strange scene at Major Sholto s death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan s chart, here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue. Pinchin Lane was a row of shabby two-storied brick houses in the lower quarter of Lambeth. I had to knock for some time at No. 3 before I could make my impression. At last, however, there was the glint of a candle behind the blind, and a face looked out at the upper window. "Go on, you drunken vagabone," said the face. "If you kick up any more row I ll open the kennels and let out forty-three dogs upon you." "If you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open. Mr. Sherman was a lanky, lean old man, with stooping shoulders, a stringy neck, and blue-tinted glasses. "A friend of Mr. Sherlock is always welcome," said he. "Step in, sir. Keep clear of the badger; for he bites. Ah, naughty, naughty, would you take a nip at the gentleman?" This to a stoat which thrust its wicked head and red eyes between the bars of its cage. "Don t mind that, sir: it s only a slow-worm. It hain t got no fangs, so I gives it the run o the room, for it keeps the beetles down. You must not mind my bein just a little short wi you at first, for I m guyed at by the children, and there s many a one just comes down this lane to knock me up. What was it that Mr. Sherlock Holmes wanted, sir?" "He wanted a dog of yours." "Ah! that would be Toby." "Yes, Toby was the name." "Toby lives at No. 7 on the left here." He moved slowly forward with his candle among the queer animal family which he had gathered round him. In the uncertain, shadowy light I could see dimly that there were glancing, glimmering eyes peeping down at us from every cranny and corner. Even the rafters above our heads were lined by solemn fowls, who lazily shifted their weight from one leg to the other as our voices disturbed their slumbers. Toby proved to be an ugly, long-haired, lop-eared creature, half spaniel and half lurcher, brown-and-white in colour, with a very clumsy waddling gait. It accepted after some hesitation a lump of sugar which the old naturalist handed to me, and, having thus sealed an alliance, it followed me to the cab, and made no difficulties about accompanying me. It had just struck three on the Palace clock when I found myself back once more at Pondicherry Lodge. The ex-prize-fighter McMurdo had, I found, been arrested as an accessory, and both he and Mr. Sholto had been marched off to the station. Two constables guarded the narrow gate, but they allowed me	his not too delicate sarcasms." _Wir sind gewohnt das die Menschen verh hnen was sie nicht verstehen._ "Goethe is always pithy." Chapter VII The Episode of the Barrel The police had brought a cab with them, and in this I escorted Miss Morstan back to her home. After the angelic fashion of women, she had borne trouble with a calm face as long as there was some one weaker than herself to support, and I had found her bright and placid by the side of the frightened housekeeper. In the cab, however, she first turned faint, and then burst into a passion of weeping, so sorely had she been tried by the adventures of the night. She has told me since that she thought me cold and distant upon that journey. She little guessed the struggle within my breast, or the effort of self-restraint which held me back. My sympathies and my love went out to her, even as my hand had in the garden. I felt that years of the conventionalities of life could not teach me to know her sweet, brave nature as had this one day of strange experiences. Yet there were two thoughts which sealed the words of affection upon my lips. She was weak and helpless, shaken in mind and nerve. It was to take her at a disadvantage to obtrude love upon her at such a time. Worse still, she was rich. If Holmes s researches were successful, she would be an heiress. Was it fair, was it honourable, that a half-pay surgeon should take such advantage of an intimacy which chance had brought about? Might she not look upon me as a mere vulgar fortune-seeker? I could not bear to risk that such a thought should cross her mind. This Agra treasure intervened like an impassable barrier between us. It was nearly two o clock when we reached Mrs. Cecil Forrester s. The servants had retired hours ago, but Mrs. Forrester had been so interested by the strange message which Miss Morstan had received that she had sat up in the hope of her return. She opened the door herself, a middle-aged, graceful woman, and it gave me joy to see how tenderly her arm stole round the other s waist and how motherly was the voice in which she greeted her. She was clearly no mere paid dependant, but an honoured friend. I was introduced, and Mrs. Forrester earnestly begged me to step in and tell her our adventures. I explained, however, the importance of my errand, and promised faithfully to call and report any progress which we might make with the case. As we drove away I stole a glance back, and I still seem to see that little group on the step, the two graceful, clinging figures, the half-opened door, the hall-light shining through stained glass, the barometer, and the bright stair-rods. It was soothing to catch even that passing glimpse of a tranquil English home in the midst of the wild, dark business which had absorbed us. And the more I thought of what had happened, the wilder and darker it grew. I reviewed the whole extraordinary sequence of events as I rattled on through the silent gas-lit streets. There was the original problem: that at least was pretty clear now. The death of Captain Morstan, the sending of the pearls, the advertisement, the letter, we had had light upon all those events. They had only led us, however, to a deeper and far more tragic mystery. The Indian treasure, the curious plan found among Morstan s baggage, the strange scene at Major Sholto s death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan s chart, here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue. Pinchin Lane was a row of shabby two-storied brick houses in the lower quarter of Lambeth. I had to knock for some time at No. 3 before I could make my impression. At last, however, there was the glint of a candle behind the blind, and a face looked out at the upper window. "Go on, you drunken vagabone," said the face. "If you kick up any more row I ll open the kennels and let out forty-three dogs upon you." "If you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open. Mr. Sherman was a lanky, lean old man, with stooping shoulders, a stringy neck, and blue-tinted glasses. "A friend of Mr. Sherlock is always welcome," said he. "Step in, sir. Keep clear of the badger; for he bites. Ah, naughty, naughty, would you take a nip at the gentleman?" This to a stoat which thrust its wicked head and red eyes between the bars of its cage. "Don t mind that, sir: it s only a slow-worm. It hain t got no fangs, so I gives it the run o the room, for it keeps the beetles down. You must not mind my bein just a little short wi you at first, for I m guyed at by the children, and there s many a one just comes down this lane to knock me up. What was it that Mr. Sherlock Holmes wanted, sir?" "He wanted a dog of yours." "Ah! that would be Toby." "Yes, Toby was the name." "Toby lives at No. 7 on the left here." He moved slowly forward with his candle among the queer animal family which he had gathered round him. In the uncertain, shadowy light I could see dimly that there were glancing, glimmering eyes peeping down at us from every cranny and corner. Even the rafters above our heads were lined by solemn fowls, who lazily shifted their weight from one leg to the other as our voices disturbed their slumbers. Toby proved to be an ugly, long-haired, lop-eared creature, half spaniel and half lurcher, brown-and-white in colour, with a very clumsy waddling gait. It accepted after some hesitation a lump of sugar which the old naturalist handed to me, and, having thus sealed an alliance, it followed me to the cab, and made no difficulties about accompanying me. It had just struck three on the Palace clock when I found myself back once more at Pondicherry Lodge. The ex-prize-fighter McMurdo had, I found, been arrested as an accessory, and both he and Mr. Sholto had been marched off to the station. Two constables guarded the narrow gate, but they allowed me to pass with the dog on my mentioning the detective s name. Holmes was standing on the door-step, with his hands in his pockets, smoking his pipe. "Ah, you have him there!" said he. "Good dog, then! Atheney Jones has gone. We have had an immense display of energy since you left. He has arrested not only friend Thaddeus, but the gatekeeper, the housekeeper, and the Indian servant. We have the place to ourselves, but for a sergeant upstairs. Leave the dog here, and come up." We tied Toby to the hall table, and re-ascended the stairs. The room was as he had left it, save that a sheet had been draped over the central figure. A weary-looking police-sergeant reclined in the corner. "Lend me your bull s-eye, sergeant," said my companion. "Now tie this bit of card round my neck, so as to hang it in front of me. Thank you. Now I must kick off my boots and stockings. Just you carry them down with you, Watson. I am going to do a little climbing. And dip my handkerchief into the creasote. That will do. Now come up into the garret with me for a moment." We clambered up through the hole. Holmes turned his light once more upon the footsteps in the dust. "I wish you particularly to notice these footmarks," he said. "Do you observe anything noteworthy about them?" "They belong," I said, "to a child or a small woman." "Apart from their size, though. Is there nothing else?" "They appear to be much as other footmarks." "Not at all. Look here! This is the print of a right foot in the dust. Now I make one with my naked foot beside it. What is the chief difference?" "Your toes are all cramped together. The other print has each toe distinctly divided." "Quite so. That is the point. Bear that in mind. Now, would you kindly step over to that flap-window and smell the edge of the wood-work? I shall stay here, as I have this handkerchief in my hand." I did as he directed, and was instantly conscious of a strong tarry smell. "That is where he put his foot in getting out. If _you_ can trace him, I should think that Toby will have no difficulty. Now run downstairs, loose the dog, and look out for Blondin." By the time that I got out	an impassable barrier between us. It was nearly two o clock when we reached Mrs. Cecil Forrester s. The servants had retired hours ago, but Mrs. Forrester had been so interested by the strange message which Miss Morstan had received that she had sat up in the hope of her return. She opened the door herself, a middle-aged, graceful woman, and it gave me joy to see how tenderly her arm stole round the other s waist and how motherly was the voice in which she greeted her. She was clearly no mere paid dependant, but an honoured friend. I was introduced, and Mrs. Forrester earnestly begged me to step in and tell her our adventures. I explained, however, the importance of my errand, and promised faithfully to call and report any progress which we might make with the case. As we drove away I stole a glance back, and I still seem to see that little group on the step, the two graceful, clinging figures, the half-opened door, the hall-light shining through stained glass, the barometer, and the bright stair-rods. It was soothing to catch even that passing glimpse of a tranquil English home in the midst of the wild, dark business which had absorbed us. And the more I thought of what had happened, the wilder and darker it grew. I reviewed the whole extraordinary sequence of events as I rattled on through the silent gas-lit streets. There was the original problem: that at least was pretty clear now. The death of Captain Morstan, the sending of the pearls, the advertisement, the letter, we had had light upon all those events. They had only led us, however, to a deeper and far more tragic mystery. The Indian treasure, the curious plan found among Morstan s baggage, the strange scene at Major Sholto s death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan s chart, here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue. Pinchin Lane was a row of shabby two-storied brick houses in the lower quarter of Lambeth. I had to knock for some time at No. 3 before I could make my impression. At last, however, there was the glint of a candle behind the blind, and a face looked out at the upper window. "Go on, you drunken vagabone," said the face. "If you kick up any more row I ll open the kennels and let out forty-three dogs upon you." "If you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open. Mr. Sherman was a lanky, lean old man, with stooping shoulders, a stringy neck, and blue-tinted glasses. "A friend of Mr. Sherlock is always welcome," said he. "Step in, sir. Keep clear of the badger; for he bites. Ah, naughty, naughty, would you take a nip at the gentleman?" This to a stoat which thrust its wicked head and red eyes between the bars of its cage. "Don t mind that, sir: it s only a slow-worm. It hain t got no fangs, so I gives it the run o the room, for it keeps the beetles down. You must not mind my bein just a little short wi you at first, for I m guyed at by the children, and there s many a one just comes down this lane to knock me up. What was it that Mr. Sherlock Holmes wanted, sir?" "He wanted a dog of yours." "Ah! that would be Toby." "Yes, Toby was the name." "Toby lives at No. 7 on the left here." He moved slowly forward with his candle among the queer animal family which he had gathered round him. In the uncertain, shadowy light I could see dimly that there were glancing, glimmering eyes peeping down at us from every cranny and corner. Even the rafters above our heads were lined by solemn fowls, who lazily shifted their weight from one leg to the other as our voices disturbed their slumbers. Toby proved to be an ugly, long-haired, lop-eared creature, half spaniel and half lurcher, brown-and-white in colour, with a very clumsy waddling gait. It accepted after some hesitation a lump of sugar which the old naturalist handed to me, and, having thus sealed an alliance, it followed me to the cab, and made no difficulties about accompanying me. It had just struck three on the Palace clock when I found myself back once more at Pondicherry Lodge. The ex-prize-fighter McMurdo had, I found, been arrested as an accessory, and both he and Mr. Sholto had been marched off to the station. Two constables guarded the narrow gate, but they allowed me to pass with the dog on my mentioning the detective s name. Holmes	The Sign Of The Four
"He's a fine boy."	Jake Barnes	said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is	looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said.	out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was	like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable.	very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for you? Is there anything you would like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole	gets me," Bill said. "He's got this Jewish superiority so strong that he thinks the only emotion he'll get out of the fight will be being bored." "We'll watch him with the glasses," I said. "Oh, to hell with him!" "He spends a lot of time there." "I want him to stay there." In the hotel on the stairs we met Montoya. "Come on," said Montoya. "Do you want to meet Pedro Romero?" "Fine," said Bill. "Let's go see him." We followed Montoya up a flight and down the corridor. "He's in room number eight," Montoya explained. "He's getting dressed for the bull-fight." Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for you? Is there anything you would like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted	"Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. "I'm not worried about how I'll stand it. I'm only afraid I may be bored," Cohn said. "You think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried whether I'll be able to go through with it all right." "You'll be all right. There's nothing but that horse part that will bother you, and they're only in for a few minutes with each bull. Just don't watch when it's bad." "She'll be all right," Mike said. "I'll look after her." "I don't think you'll be bored," Bill said. "I'm going over to the hotel to get the glasses and the wine-skin," I said. "See you back here. Don't get cock-eyed." "I'll come along," Bill said. Brett smiled at us. We walked around through the arcade to avoid the heat of the square. "That Cohn gets me," Bill said. "He's got this Jewish superiority so strong that he thinks the only emotion he'll get out of the fight will be being bored." "We'll watch him with the glasses," I said. "Oh, to hell with him!" "He spends a lot of time there." "I want him to stay there." In the hotel on the stairs we met Montoya. "Come on," said Montoya. "Do you want to meet Pedro Romero?" "Fine," said Bill. "Let's go see him." We followed Montoya up a flight and down the corridor. "He's in room number eight," Montoya explained. "He's getting dressed for the bull-fight." Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for you? Is there anything you would like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men," I said. "Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though." "Did you feel all right?" "I didn't feel badly at all." "Robert Cohn did," Mike put in. "You were quite green, Robert." "The first horse did bother me," Cohn said. "You weren't bored, were you?" asked Bill. Cohn laughed. "No. I wasn't bored. I wish you'd forgive me that." "It's all right," Bill said, "so long as you weren't bored." "He didn't look bored," Mike said. "I thought he was going to be sick." "I never felt that bad. It was just for a minute." "I thought he was going to be sick. You weren't bored, were you, Robert?" "Let up on that, Mike. I said I was sorry I said it." "He was, you know. He was positively green." "Oh, shove it along, Michael." "You mustn't ever get bored at your first bull-fight, Robert," Mike said. "It might make such a mess." "Oh, shove it along, Michael," Brett said. "He said Brett was a sadist," Mike said. "Brett's not a sadist. She's just a lovely, healthy wench." "Are you a sadist, Brett?" I asked. "Hope not." "He said Brett was a sadist just because she has a good, healthy stomach." "Won't be healthy long." Bill got Mike started on something else than Cohn. The waiter brought the absinthe glasses. "Did you really like it?" Bill asked Cohn. "No, I can't say I liked it. I think it's a wonderful show." "Gad, yes! What a spectacle!" Brett said. "I wish they didn't have the horse part," Cohn said. "They're not important,"	think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried whether I'll be able to go through with it all right." "You'll be all right. There's nothing but that horse part that will bother you, and they're only in for a few minutes with each bull. Just don't watch when it's bad." "She'll be all right," Mike said. "I'll look after her." "I don't think you'll be bored," Bill said. "I'm going over to the hotel to get the glasses and the wine-skin," I said. "See you back here. Don't get cock-eyed." "I'll come along," Bill said. Brett smiled at us. We walked around through the arcade to avoid the heat of the square. "That Cohn gets me," Bill said. "He's got this Jewish superiority so strong that he thinks the only emotion he'll get out of the fight will be being bored." "We'll watch him with the glasses," I said. "Oh, to hell with him!" "He spends a lot of time there." "I want him to stay there." In the hotel on the stairs we met Montoya. "Come on," said Montoya. "Do you want to meet Pedro Romero?" "Fine," said Bill. "Let's go see him." We followed Montoya up a flight and down the corridor. "He's in room number eight," Montoya explained. "He's getting dressed for the bull-fight." Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for you? Is there anything you would like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes	The Sun Also Rises
"James and Johnnie will go on like that for hours,"	Ralph Denham	in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester,	said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon	fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go	what point is it right for the individual to assert his will against the will of the State." For some time they continued the argument, and then the intervals between one statement and the next became longer and longer, and they spoke more speculatively and less pugnaciously, and at last fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go on telling her about them, but he checked himself. "I see that it must be difficult to leave them," Katharine continued. His deep pride in his family was more evident to him, at that moment, than ever before, and the idea of living alone in a cottage was ridiculous. All	and Joan had drawn together and stood by the fireplace, slightly raising their skirts above their ankles, and discussing something which had an air of being very serious and very private. They appeared to have forgotten her presence among them. Ralph stood holding the door open for her. "Won t you come up to my room?" he said. And Katharine, glancing back at Joan, who smiled at her in a preoccupied way, followed Ralph upstairs. She was thinking of their argument, and when, after the long climb, he opened his door, she began at once. "The question is, then, at what point is it right for the individual to assert his will against the will of the State." For some time they continued the argument, and then the intervals between one statement and the next became longer and longer, and they spoke more speculatively and less pugnaciously, and at last fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go on telling her about them, but he checked himself. "I see that it must be difficult to leave them," Katharine continued. His deep pride in his family was more evident to him, at that moment, than ever before, and the idea of living alone in a cottage was ridiculous. All that brotherhood and sisterhood, and a common childhood in a common past mean, all the stability, the unambitious comradeship, and tacit understanding of family life at its best, came to his mind, and he thought of them as a company, of which he was the leader, bound on a difficult, dreary, but glorious voyage. And it was Katharine who had opened his eyes to this, he thought. A little dry chirp from the corner of the room now roused her attention. "My tame rook," he explained briefly. "A cat had bitten one of its legs." She looked at the rook,	argument already, apparently, debated, so that the parts had been distributed among the family, in which Ralph took the lead; and Katharine found herself opposed to him and the champion of Johnnie s cause, who, it appeared, always lost his head and got excited in argument with Ralph. "Yes, yes, that s what I mean. She s got it right," he exclaimed, after Katharine had restated his case, and made it more precise. The debate was left almost solely to Katharine and Ralph. They looked into each other s eyes fixedly, like wrestlers trying to see what movement is coming next, and while Ralph spoke, Katharine bit her lower lip, and was always ready with her next point as soon as he had done. They were very well matched, and held the opposite views. But at the most exciting stage of the argument, for no reason that Katharine could see, all chairs were pushed back, and one after another the Denham family got up and went out of the door, as if a bell had summoned them. She was not used to the clockwork regulations of a large family. She hesitated in what she was saying, and rose. Mrs. Denham and Joan had drawn together and stood by the fireplace, slightly raising their skirts above their ankles, and discussing something which had an air of being very serious and very private. They appeared to have forgotten her presence among them. Ralph stood holding the door open for her. "Won t you come up to my room?" he said. And Katharine, glancing back at Joan, who smiled at her in a preoccupied way, followed Ralph upstairs. She was thinking of their argument, and when, after the long climb, he opened his door, she began at once. "The question is, then, at what point is it right for the individual to assert his will against the will of the State." For some time they continued the argument, and then the intervals between one statement and the next became longer and longer, and they spoke more speculatively and less pugnaciously, and at last fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go on telling her about them, but he checked himself. "I see that it must be difficult to leave them," Katharine continued. His deep pride in his family was more evident to him, at that moment, than ever before, and the idea of living alone in a cottage was ridiculous. All that brotherhood and sisterhood, and a common childhood in a common past mean, all the stability, the unambitious comradeship, and tacit understanding of family life at its best, came to his mind, and he thought of them as a company, of which he was the leader, bound on a difficult, dreary, but glorious voyage. And it was Katharine who had opened his eyes to this, he thought. A little dry chirp from the corner of the room now roused her attention. "My tame rook," he explained briefly. "A cat had bitten one of its legs." She looked at the rook, and her eyes went from one object to another. "You sit here and read?" she said, her eyes resting upon his books. He said that he was in the habit of working there at night. "The great advantage of Highgate is the view over London. At night the view from my window is splendid." He was extremely anxious that she should appreciate his view, and she rose to see what was to be seen. It was already dark enough for the turbulent haze to be yellow with the light of street lamps, and she tried to determine the quarters of the city beneath her. The sight of her gazing from his window gave him a peculiar satisfaction. When she turned, at length, he was still sitting motionless in his chair. "It must be late," she said. "I must be going." She settled upon the arm of the chair irresolutely, thinking that she had no wish to go home. William would be there, and he would find some way of making things unpleasant for her, and the memory of their quarrel came back to her. She had noticed Ralph s coldness, too. She looked at him, and from his fixed stare	the whole world to go to Newnham. "Now, just let me hear you decline amo I love," Johnnie demanded. "No, Johnnie, no Greek at meal-times," said Joan, overhearing him instantly. "She s up at all hours of the night over her books, Miss Hilbery, and I m sure that s not the way to pass examinations," she went on, smiling at Katharine, with the worried humorous smile of the elder sister whose younger brothers and sisters have become almost like children of her own. "Joan, you don t really think that amo is Greek?" Ralph asked. "Did I say Greek? Well, never mind. No dead languages at tea-time. My dear boy, don t trouble to make me any toast" "Or if you do, surely there s the toasting-fork somewhere?" said Mrs. Denham, still cherishing the belief that the bread-knife could be spoilt. "Do one of you ring and ask for one," she said, without any conviction that she would be obeyed. "But is Ann coming to be with Uncle Joseph?" she continued. "If so, surely they had better send Amy to us" and in the mysterious delight of learning further details of these arrangements, and suggesting more sensible plans of her own, which, from the aggrieved way in which she spoke, she did not seem to expect any one to adopt, Mrs. Denham completely forgot the presence of a well-dressed visitor, who had to be informed about the amenities of Highgate. As soon as Joan had taken her seat, an argument had sprung up on either side of Katharine, as to whether the Salvation Army has any right to play hymns at street corners on Sunday mornings, thereby making it impossible for James to have his sleep out, and tampering with the rights of individual liberty. "You see, James likes to lie in bed and sleep like a hog," said Johnnie, explaining himself to Katharine, whereupon James fired up and, making her his goal, also exclaimed: "Because Sundays are my one chance in the week of having my sleep out. Johnnie messes with stinking chemicals in the pantry" They appealed to her, and she forgot her cake and began to laugh and talk and argue with sudden animation. The large family seemed to her so warm and various that she forgot to censure them for their taste in pottery. But the personal question between James and Johnnie merged into some argument already, apparently, debated, so that the parts had been distributed among the family, in which Ralph took the lead; and Katharine found herself opposed to him and the champion of Johnnie s cause, who, it appeared, always lost his head and got excited in argument with Ralph. "Yes, yes, that s what I mean. She s got it right," he exclaimed, after Katharine had restated his case, and made it more precise. The debate was left almost solely to Katharine and Ralph. They looked into each other s eyes fixedly, like wrestlers trying to see what movement is coming next, and while Ralph spoke, Katharine bit her lower lip, and was always ready with her next point as soon as he had done. They were very well matched, and held the opposite views. But at the most exciting stage of the argument, for no reason that Katharine could see, all chairs were pushed back, and one after another the Denham family got up and went out of the door, as if a bell had summoned them. She was not used to the clockwork regulations of a large family. She hesitated in what she was saying, and rose. Mrs. Denham and Joan had drawn together and stood by the fireplace, slightly raising their skirts above their ankles, and discussing something which had an air of being very serious and very private. They appeared to have forgotten her presence among them. Ralph stood holding the door open for her. "Won t you come up to my room?" he said. And Katharine, glancing back at Joan, who smiled at her in a preoccupied way, followed Ralph upstairs. She was thinking of their argument, and when, after the long climb, he opened his door, she began at once. "The question is, then, at what point is it right for the individual to assert his will against the will of the State." For some time they continued the argument, and then the intervals between one statement and the next became longer and longer, and they spoke more speculatively and less pugnaciously, and at last fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go on telling her about them, but he checked himself. "I see that it must be difficult to leave them," Katharine continued. His deep pride in his family was more evident to him, at that moment, than ever before, and the idea of living alone in a cottage was ridiculous. All that brotherhood and sisterhood, and a common childhood in a common past mean, all the stability, the unambitious comradeship, and tacit understanding of family life at its best, came to his mind, and he thought of them as a company, of which he was the leader, bound on a difficult, dreary, but glorious voyage. And it was Katharine who had opened his eyes to this, he thought. A little dry chirp from the corner of the room now roused her attention. "My tame rook," he explained briefly. "A cat had bitten one of its legs." She looked at the rook, and her eyes went from one object to another. "You sit here and read?" she said, her eyes resting upon his books. He said that he was in the habit of working there at night. "The great advantage of Highgate is the view over London. At night the view from my window is splendid." He was extremely anxious that she should appreciate his view, and she rose to see what was to be seen. It was already dark enough for the turbulent haze to be yellow with the light of street lamps, and she tried to determine the quarters of the city beneath her. The sight of her gazing from his window gave him a peculiar satisfaction. When she turned, at length, he was still sitting motionless in his chair. "It must be late," she said. "I must be going." She settled upon the arm of the chair irresolutely, thinking that she had no wish to go home. William would be there, and he would find some way of making things unpleasant for her, and the memory of their quarrel came back to her. She had noticed Ralph s coldness, too. She looked at him, and from his fixed stare she thought that he must be working out some theory, some argument. He had thought, perhaps, of some fresh point in his position, as to the bounds of personal liberty. She waited, silently, thinking about liberty. "You ve won again," he said at last, without moving. "I ve won?" she repeated, thinking of the argument. "I wish to God I hadn t asked you here," he burst out. "What do you mean?" "When you re here, it s different I m happy. You ve only to walk to the window you ve only to talk about liberty. When I saw you down there among them all" He stopped short. "You thought how ordinary I was." "I tried to think so. But I thought you more wonderful than ever." An immense relief, and a reluctance to enjoy that relief, conflicted in her heart. She slid down into the chair. "I thought you disliked me," she said. "God knows I tried," he replied. "I ve done my best to see you as you are, without any of this damned romantic nonsense. That was why I asked you here, and it s increased my folly. When you re gone I shall look out of that window and think of you. I shall waste the whole evening thinking of you. I shall waste my whole life, I believe." He spoke with such vehemence that her relief disappeared; she frowned; and her tone changed to one almost of severity. "This is what I foretold. We shall gain nothing but unhappiness. Look at me, Ralph." He looked at her. "I assure you that I m far more ordinary than I appear. Beauty means nothing whatever. In fact, the most beautiful women are generally the most stupid. I m not that, but I m a matter-of-fact, prosaic, rather ordinary character; I order the dinner, I pay the bills, I do the accounts, I wind up the clock, and I never look at a book." "You forget" he began, but she would not let him speak. "You come and see me among flowers and pictures, and think me mysterious, romantic, and all the rest of it. Being yourself very inexperienced and very emotional, you go home and invent a story about me, and now you can t separate me from the person you ve imagined me to be. You call that, I suppose, being in love; as a	Highgate. As soon as Joan had taken her seat, an argument had sprung up on either side of Katharine, as to whether the Salvation Army has any right to play hymns at street corners on Sunday mornings, thereby making it impossible for James to have his sleep out, and tampering with the rights of individual liberty. "You see, James likes to lie in bed and sleep like a hog," said Johnnie, explaining himself to Katharine, whereupon James fired up and, making her his goal, also exclaimed: "Because Sundays are my one chance in the week of having my sleep out. Johnnie messes with stinking chemicals in the pantry" They appealed to her, and she forgot her cake and began to laugh and talk and argue with sudden animation. The large family seemed to her so warm and various that she forgot to censure them for their taste in pottery. But the personal question between James and Johnnie merged into some argument already, apparently, debated, so that the parts had been distributed among the family, in which Ralph took the lead; and Katharine found herself opposed to him and the champion of Johnnie s cause, who, it appeared, always lost his head and got excited in argument with Ralph. "Yes, yes, that s what I mean. She s got it right," he exclaimed, after Katharine had restated his case, and made it more precise. The debate was left almost solely to Katharine and Ralph. They looked into each other s eyes fixedly, like wrestlers trying to see what movement is coming next, and while Ralph spoke, Katharine bit her lower lip, and was always ready with her next point as soon as he had done. They were very well matched, and held the opposite views. But at the most exciting stage of the argument, for no reason that Katharine could see, all chairs were pushed back, and one after another the Denham family got up and went out of the door, as if a bell had summoned them. She was not used to the clockwork regulations of a large family. She hesitated in what she was saying, and rose. Mrs. Denham and Joan had drawn together and stood by the fireplace, slightly raising their skirts above their ankles, and discussing something which had an air of being very serious and very private. They appeared to have forgotten her presence among them. Ralph stood holding the door open for her. "Won t you come up to my room?" he said. And Katharine, glancing back at Joan, who smiled at her in a preoccupied way, followed Ralph upstairs. She was thinking of their argument, and when, after the long climb, he opened his door, she began at once. "The question is, then, at what point is it right for the individual to assert his will against the will of the State." For some time they continued the argument, and then the intervals between one statement and the next became longer and longer, and they spoke more speculatively and less pugnaciously, and at last fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go on telling her about them, but he checked himself. "I see that it must be difficult to leave them," Katharine continued. His deep pride in his family was more evident to him, at that moment, than ever before, and the idea of living alone in a cottage was ridiculous. All that brotherhood and sisterhood, and a common childhood in a common past mean, all the stability, the unambitious comradeship, and tacit understanding of family life at its best, came to his mind, and he thought of them as a company, of which he was the leader, bound on a difficult, dreary, but glorious voyage. And it was Katharine who had opened his eyes to this, he thought. A little dry chirp from the corner of the room now roused her attention. "My tame rook," he explained briefly. "A cat had bitten one of its legs." She looked at the rook, and her eyes went from one object to another. "You sit here and read?" she said, her eyes resting upon his books. He said that he was in the habit of working there at night. "The great advantage of Highgate is the view over London. At night the view from my window is splendid." He was extremely anxious that she should appreciate his view, and she rose to see what was to be seen. It was already dark enough for the turbulent haze to be yellow with the light of street lamps, and she tried to determine the quarters of the city beneath her. The sight of her gazing from his window gave him a peculiar satisfaction. When she turned, at length, he was still sitting motionless in his chair. "It must be late," she said. "I must be going." She settled upon the arm of the chair irresolutely, thinking that she had no wish to go home. William would be there, and he would find some way of making things unpleasant for her, and the memory of their quarrel came back to her. She had noticed Ralph s coldness, too. She looked at him, and from his fixed stare she	Night And Day
he inquired, holding it up. Wilson stared and nodded.	No speaker	It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon.	of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me	came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why	gone to church once. Didn’t you get married in a church? Listen, George, listen to me. Didn’t you get married in a church?” “That was a long time ago.” The effort of answering broke the rhythm of his rocking—for a moment he was silent. Then the same half-knowing, half-bewildered look came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why his wife might have bought the dog-leash. But conceivably Wilson had heard some of these same explanations before, from Myrtle, because he began saying “Oh, my God!” again in a whisper—his comforter left several explanations in the air. “Then he killed her,” said Wilson. His mouth dropped open suddenly. “Who	because the work bench was stained where the body had been lying, so he moved uncomfortably around the office—he knew every object in it before morning—and from time to time sat down beside Wilson trying to keep him more quiet. “Have you got a church you go to sometimes, George? Maybe even if you haven’t been there for a long time? Maybe I could call up the church and get a priest to come over and he could talk to you, see?” “Don’t belong to any.” “You ought to have a church, George, for times like this. You must have gone to church once. Didn’t you get married in a church? Listen, George, listen to me. Didn’t you get married in a church?” “That was a long time ago.” The effort of answering broke the rhythm of his rocking—for a moment he was silent. Then the same half-knowing, half-bewildered look came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why his wife might have bought the dog-leash. But conceivably Wilson had heard some of these same explanations before, from Myrtle, because he began saying “Oh, my God!” again in a whisper—his comforter left several explanations in the air. “Then he killed her,” said Wilson. His mouth dropped open suddenly. “Who did?” “I have a way of finding out.” “You’re morbid, George,” said his friend. “This has been a strain to you and you don’t know what you’re saying. You’d better try and sit quiet till morning.” “He murdered her.” “It was an accident, George.” Wilson shook his head. His eyes narrowed and his mouth widened slightly with the ghost of a superior “Hm!” “I know,” he said definitely. “I’m one of these trusting fellas and I don’t think any harm to nobody, but when I get to know a thing I know it. It was the man in that car.	own place and made a pot of coffee. After that, he stayed there alone with Wilson until dawn. About three o’clock the quality of Wilson’s incoherent muttering changed—he grew quieter and began to talk about the yellow car. He announced that he had a way of finding out whom the yellow car belonged to, and then he blurted out that a couple of months ago his wife had come from the city with her face bruised and her nose swollen. But when he heard himself say this, he flinched and began to cry “Oh, my God!” again in his groaning voice. Michaelis made a clumsy attempt to distract him. “How long have you been married, George? Come on there, try and sit still a minute, and answer my question. How long have you been married?” “Twelve years.” “Ever had any children? Come on, George, sit still—I asked you a question. Did you ever have any children?” The hard brown beetles kept thudding against the dull light, and whenever Michaelis heard a car go tearing along the road outside it sounded to him like the car that hadn’t stopped a few hours before. He didn’t like to go into the garage, because the work bench was stained where the body had been lying, so he moved uncomfortably around the office—he knew every object in it before morning—and from time to time sat down beside Wilson trying to keep him more quiet. “Have you got a church you go to sometimes, George? Maybe even if you haven’t been there for a long time? Maybe I could call up the church and get a priest to come over and he could talk to you, see?” “Don’t belong to any.” “You ought to have a church, George, for times like this. You must have gone to church once. Didn’t you get married in a church? Listen, George, listen to me. Didn’t you get married in a church?” “That was a long time ago.” The effort of answering broke the rhythm of his rocking—for a moment he was silent. Then the same half-knowing, half-bewildered look came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why his wife might have bought the dog-leash. But conceivably Wilson had heard some of these same explanations before, from Myrtle, because he began saying “Oh, my God!” again in a whisper—his comforter left several explanations in the air. “Then he killed her,” said Wilson. His mouth dropped open suddenly. “Who did?” “I have a way of finding out.” “You’re morbid, George,” said his friend. “This has been a strain to you and you don’t know what you’re saying. You’d better try and sit quiet till morning.” “He murdered her.” “It was an accident, George.” Wilson shook his head. His eyes narrowed and his mouth widened slightly with the ghost of a superior “Hm!” “I know,” he said definitely. “I’m one of these trusting fellas and I don’t think any harm to nobody, but when I get to know a thing I know it. It was the man in that car. She ran out to speak to him and he wouldn’t stop.” Michaelis had seen this too, but it hadn’t occurred to him that there was any special significance in it. He believed that Mrs. Wilson had been running away from her husband, rather than trying to stop any particular car. “How could she of been like that?” “She’s a deep one,” said Wilson, as if that answered the question. “Ah-h-h—” He began to rock again, and Michaelis stood twisting the leash in his hand. “Maybe you got some friend that I could telephone for, George?” This was a forlorn hope—he was almost sure that Wilson had no friend: there was not enough of him for his wife. He was glad a little later when he noticed a change in the room, a blue quickening by the window, and realized that dawn wasn’t far off. About five o’clock it was blue enough outside to snap off the light. Wilson’s glazed eyes turned out to the ash-heaps, where small grey clouds took on fantastic shapes and scurried here and there in the faint dawn wind. “I spoke to her,” he muttered, after a long silence. “I told her she might fool me	this afternoon.” “Very well.” “It’s impossible this afternoon. Various—” We talked like that for a while, and then abruptly we weren’t talking any longer. I don’t know which of us hung up with a sharp click, but I know I didn’t care. I couldn’t have talked to her across a tea-table that day if I never talked to her again in this world. I called Gatsby’s house a few minutes later, but the line was busy. I tried four times; finally an exasperated central told me the wire was being kept open for long distance from Detroit. Taking out my timetable, I drew a small circle around the three-fifty train. Then I leaned back in my chair and tried to think. It was just noon. ------------------------------------------------------------------------ When I passed the ash-heaps on the train that morning I had crossed deliberately to the other side of the car. I supposed there’d be a curious crowd around there all day with little boys searching for dark spots in the dust, and some garrulous man telling over and over what had happened, until it became less and less real even to him and he could tell it no longer, and Myrtle Wilson’s tragic achievement was forgotten. Now I want to go back a little and tell what happened at the garage after we left there the night before. They had difficulty in locating the sister, Catherine. She must have broken her rule against drinking that night, for when she arrived she was stupid with liquor and unable to understand that the ambulance had already gone to Flushing. When they convinced her of this, she immediately fainted, as if that was the intolerable part of the affair. Someone, kind or curious, took her in his car and drove her in the wake of her sister’s body. Until long after midnight a changing crowd lapped up against the front of the garage, while George Wilson rocked himself back and forth on the couch inside. For a while the door of the office was open, and everyone who came into the garage glanced irresistibly through it. Finally someone said it was a shame, and closed the door. Michaelis and several other men were with him; first, four or five men, later two or three men. Still later Michaelis had to ask the last stranger to wait there fifteen minutes longer, while he went back to his own place and made a pot of coffee. After that, he stayed there alone with Wilson until dawn. About three o’clock the quality of Wilson’s incoherent muttering changed—he grew quieter and began to talk about the yellow car. He announced that he had a way of finding out whom the yellow car belonged to, and then he blurted out that a couple of months ago his wife had come from the city with her face bruised and her nose swollen. But when he heard himself say this, he flinched and began to cry “Oh, my God!” again in his groaning voice. Michaelis made a clumsy attempt to distract him. “How long have you been married, George? Come on there, try and sit still a minute, and answer my question. How long have you been married?” “Twelve years.” “Ever had any children? Come on, George, sit still—I asked you a question. Did you ever have any children?” The hard brown beetles kept thudding against the dull light, and whenever Michaelis heard a car go tearing along the road outside it sounded to him like the car that hadn’t stopped a few hours before. He didn’t like to go into the garage, because the work bench was stained where the body had been lying, so he moved uncomfortably around the office—he knew every object in it before morning—and from time to time sat down beside Wilson trying to keep him more quiet. “Have you got a church you go to sometimes, George? Maybe even if you haven’t been there for a long time? Maybe I could call up the church and get a priest to come over and he could talk to you, see?” “Don’t belong to any.” “You ought to have a church, George, for times like this. You must have gone to church once. Didn’t you get married in a church? Listen, George, listen to me. Didn’t you get married in a church?” “That was a long time ago.” The effort of answering broke the rhythm of his rocking—for a moment he was silent. Then the same half-knowing, half-bewildered look came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why his wife might have bought the dog-leash. But conceivably Wilson had heard some of these same explanations before, from Myrtle, because he began saying “Oh, my God!” again in a whisper—his comforter left several explanations in the air. “Then he killed her,” said Wilson. His mouth dropped open suddenly. “Who did?” “I have a way of finding out.” “You’re morbid, George,” said his friend. “This has been a strain to you and you don’t know what you’re saying. You’d better try and sit quiet till morning.” “He murdered her.” “It was an accident, George.” Wilson shook his head. His eyes narrowed and his mouth widened slightly with the ghost of a superior “Hm!” “I know,” he said definitely. “I’m one of these trusting fellas and I don’t think any harm to nobody, but when I get to know a thing I know it. It was the man in that car. She ran out to speak to him and he wouldn’t stop.” Michaelis had seen this too, but it hadn’t occurred to him that there was any special significance in it. He believed that Mrs. Wilson had been running away from her husband, rather than trying to stop any particular car. “How could she of been like that?” “She’s a deep one,” said Wilson, as if that answered the question. “Ah-h-h—” He began to rock again, and Michaelis stood twisting the leash in his hand. “Maybe you got some friend that I could telephone for, George?” This was a forlorn hope—he was almost sure that Wilson had no friend: there was not enough of him for his wife. He was glad a little later when he noticed a change in the room, a blue quickening by the window, and realized that dawn wasn’t far off. About five o’clock it was blue enough outside to snap off the light. Wilson’s glazed eyes turned out to the ash-heaps, where small grey clouds took on fantastic shapes and scurried here and there in the faint dawn wind. “I spoke to her,” he muttered, after a long silence. “I told her she might fool me but she couldn’t fool God. I took her to the window” —with an effort he got up and walked to the rear window and leaned with his face pressed against it— “and I said ‘God knows what you’ve been doing, everything you’ve been doing. You may fool me, but you can’t fool God!’ ” Standing behind him, Michaelis saw with a shock that he was looking at the eyes of Doctor T. J. Eckleburg, which had just emerged, pale and enormous, from the dissolving night. “God sees everything,” repeated Wilson. “That’s an advertisement,” Michaelis assured him. Something made him turn away from the window and look back into the room. But Wilson stood there a long time, his face close to the window pane, nodding into the twilight. ------------------------------------------------------------------------ By six o’clock Michaelis was worn out, and grateful for the sound of a car stopping outside. It was one of the watchers of the night before who had promised to come back, so he cooked breakfast for three, which he and the other man ate together. Wilson was quieter now, and Michaelis went home to sleep; when he awoke four hours later and hurried back to the garage, Wilson was gone. His movements—he was on foot all the time—were afterward traced to Port Roosevelt and then to Gad’s Hill, where he bought a sandwich that he didn’t eat, and a cup of coffee. He must have been tired and walking slowly, for he didn’t reach Gad’s Hill until noon. Thus far there was no difficulty in accounting for his time—there were boys who had seen a man “acting sort of crazy,” and motorists at whom he stared oddly from the side of the road. Then for three hours he disappeared from view. The police, on the strength of what he said to Michaelis, that he “had a way of finding out,” supposed that he spent that time going from garage to garage thereabout, inquiring for a yellow car. On the other hand, no garage man who had seen him ever came forward, and perhaps he had an easier, surer way of finding out what he wanted to know. By half-past two he was in West Egg, where he asked someone the way to Gatsby’s house. So by that time he knew Gatsby’s name. ------------------------------------------------------------------------ At two o’clock Gatsby put on his bathing-suit and left word with the butler that if	yellow car belonged to, and then he blurted out that a couple of months ago his wife had come from the city with her face bruised and her nose swollen. But when he heard himself say this, he flinched and began to cry “Oh, my God!” again in his groaning voice. Michaelis made a clumsy attempt to distract him. “How long have you been married, George? Come on there, try and sit still a minute, and answer my question. How long have you been married?” “Twelve years.” “Ever had any children? Come on, George, sit still—I asked you a question. Did you ever have any children?” The hard brown beetles kept thudding against the dull light, and whenever Michaelis heard a car go tearing along the road outside it sounded to him like the car that hadn’t stopped a few hours before. He didn’t like to go into the garage, because the work bench was stained where the body had been lying, so he moved uncomfortably around the office—he knew every object in it before morning—and from time to time sat down beside Wilson trying to keep him more quiet. “Have you got a church you go to sometimes, George? Maybe even if you haven’t been there for a long time? Maybe I could call up the church and get a priest to come over and he could talk to you, see?” “Don’t belong to any.” “You ought to have a church, George, for times like this. You must have gone to church once. Didn’t you get married in a church? Listen, George, listen to me. Didn’t you get married in a church?” “That was a long time ago.” The effort of answering broke the rhythm of his rocking—for a moment he was silent. Then the same half-knowing, half-bewildered look came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why his wife might have bought the dog-leash. But conceivably Wilson had heard some of these same explanations before, from Myrtle, because he began saying “Oh, my God!” again in a whisper—his comforter left several explanations in the air. “Then he killed her,” said Wilson. His mouth dropped open suddenly. “Who did?” “I have a way of finding out.” “You’re morbid, George,” said his friend. “This has been a strain to you and you don’t know what you’re saying. You’d better try and sit quiet till morning.” “He murdered her.” “It was an accident, George.” Wilson shook his head. His eyes narrowed and his mouth widened slightly with the ghost of a superior “Hm!” “I know,” he said definitely. “I’m one of these trusting fellas and I don’t think any harm to nobody, but when I get to know a thing I know it. It was the man in that car. She ran out to speak to him and he wouldn’t stop.” Michaelis had seen this too, but it hadn’t occurred to him that there was any special significance in it. He believed that Mrs. Wilson had been running away from her husband, rather than trying to stop any particular car. “How could she of been like that?” “She’s a deep one,” said Wilson, as if that answered the question. “Ah-h-h—” He began to rock again, and Michaelis stood twisting the leash in his hand. “Maybe you got some friend that I could telephone for, George?” This was a forlorn hope—he was almost sure that Wilson had no friend: there was not enough of him for his wife. He was glad a little later when he noticed a change in the room, a blue quickening by the window, and realized that dawn wasn’t far off. About five o’clock it was blue enough outside to snap off the light. Wilson’s glazed eyes turned out to the ash-heaps, where small grey clouds took on fantastic shapes and scurried here and there in the faint dawn wind. “I spoke to her,”	The Great Gatsby
"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."	Don Lavington	rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you	rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my	like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this	Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head	Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the	as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How dark it is? Where's your hand?" "Gently, my lad; that's my hye. Arn't much use here in the dark, but may want 'em by-and-by. That's better. Thank ye, sir. Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when	Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don." "They won't let us go." "No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they say?" "Dunno what they'll say," said Jem dolefully, "but I know what my Sally will say. I used to talk about going and leaving her, but that was because I too was a hidyut. I didn't want to go and leave her, poor little lass. Too fond on her, Mas' Don. She only shows a bit o' temper." "Jem, she'll think you've run away and deserted her." "Safe, Mas' Don. You see, I made up a bundle o' wittles as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How dark it is? Where's your hand?" "Gently, my lad; that's my hye. Arn't much use here in the dark, but may want 'em by-and-by. That's better. Thank ye, sir. Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started. "No, not yet," grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas' Don." "Let's knock and ask for a pencil and paper to send a message." Jem uttered a loud chuckle as he seated himself on the floor. "I like that, Mas' Don. 'Pon my word I do. Might just as well hit your head again the wall." "Better use yours for a battering ram, Jem," said Don, angrily. "It's thicker than mine." There was silence after this. "He's sulky because of what I've said," thought Don. "Oh, my poor head!" thought Jem. "How it do ache!" Then he began to think about Sally, and what she would say or do when she found that he did not come back. Just at the same time Don was reflecting upon his life of late, and how discontented he had been, and how he had longed to go away, while now he felt as if he would give anything to be back on his old stool in the office, writing hard, and trying his best to be satisfied with what seemed to be a peaceful, happy life. A terrible sensation of despair came over him, and the idea of being dragged off to a ship, and carried right away, was unbearable. What were glorious foreign lands with their wonders to one who would be thought of as a cowardly thief? As he leaned against a wall there in the darkness his busy brain pictured his stern-looking uncle telling his weeping mother that it was a disgrace to her to mourn over the loss of a son who could be guilty of	thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they say?" "Dunno what they'll say," said Jem dolefully, "but I know what my Sally will say. I used to talk about going and leaving her, but that was because I too was a hidyut. I didn't want to go and leave her, poor little lass. Too fond on her, Mas' Don. She only shows a bit o' temper." "Jem, she'll think you've run away and deserted her." "Safe, Mas' Don. You see, I made up a bundle o' wittles as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How dark it is? Where's your hand?" "Gently, my lad; that's my hye. Arn't much use here in the dark, but may want 'em by-and-by. That's better. Thank ye, sir. Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side,	Don Lavington
She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.	No speaker	have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window,	me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You	question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak	men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but	said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, of which she wore several, and ranged them upon the pin cushion. Then she blew into her gloves and said: "It will be a push to catch the morning train, but we must try." "What train?" "The train to Rome." She looked at her gloves critically. The girl received the announcement as easily as it had been given. "When does the train	longer wished to be absolutely truthful. "How are you going to stop him talking about it?" "I have a feeling that talk is a thing he will never do." "I, too, intend to judge him charitably. But unfortunately I have met the type before. They seldom keep their exploits to themselves." "Exploits?" cried Lucy, wincing under the horrible plural. "My poor dear, did you suppose that this was his first? Come here and listen to me. I am only gathering it from his own remarks. Do you remember that day at lunch when he argued with Miss Alan that liking one person is an extra reason for liking another?" "Yes," said Lucy, whom at the time the argument had pleased. "Well, I am no prude. There is no need to call him a wicked young man, but obviously he is thoroughly unrefined. Let us put it down to his deplorable antecedents and education, if you wish. But we are no farther on with our question. What do you propose to do?" An idea rushed across Lucy's brain, which, had she thought of it sooner and made it part of her, might have proved victorious. "I propose to speak to him," said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, of which she wore several, and ranged them upon the pin cushion. Then she blew into her gloves and said: "It will be a push to catch the morning train, but we must try." "What train?" "The train to Rome." She looked at her gloves critically. The girl received the announcement as easily as it had been given. "When does the train to Rome go?" "At eight." "Signora Bertolini would be upset." "We must face that," said Miss Bartlett, not liking to say that she had given notice already. "She will make us pay for a whole week's pension." "I expect she will. However, we shall be much more comfortable at the Vyses' hotel. Isn't afternoon tea given there for nothing?" "Yes, but they pay extra for wine." After this remark she remained motionless and silent. To her tired eyes Charlotte throbbed and swelled like a ghostly figure in a dream. They began to sort their clothes for packing, for there was no time to lose, if they were to catch the train to Rome. Lucy, when admonished, began to move to and fro between the rooms, more conscious of the discomforts of packing by candlelight than of a subtler ill. Charlotte, who was practical without ability, knelt by the side of an empty trunk, vainly endeavouring to pave it with books of varying thickness and size. She gave two or three sighs, for the stooping posture hurt her back, and, for all her diplomacy, she felt that she was growing old. The girl heard her as she entered the room, and	thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all. "At last," thought she, "I shall understand myself. I shan't again be troubled by things that come out of nothing, and mean I don't know what." Miss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage. When it was over she capped it by a story of her own. Lucy became rather hysterical with the delay. In vain she tried to check, or at all events to accelerate, the tale. It was not till a late hour that Miss Bartlett had recovered her luggage and could say in her usual tone of gentle reproach: "Well, dear, I at all events am ready for Bedfordshire. Come into my room, and I will give a good brush to your hair." With some solemnity the door was shut, and a cane chair placed for the girl. Then Miss Bartlett said "So what is to be done?" She was unprepared for the question. It had not occurred to her that she would have to do anything. A detailed exhibition of her emotions was all that she had counted upon. "What is to be done? A point, dearest, which you alone can settle." The rain was streaming down the black windows, and the great room felt damp and chilly, One candle burnt trembling on the chest of drawers close to Miss Bartlett's toque, which cast monstrous and fantastic shadows on the bolted door. A tram roared by in the dark, and Lucy felt unaccountably sad, though she had long since dried her eyes. She lifted them to the ceiling, where the griffins and bassoons were colourless and vague, the very ghosts of joy. "It has been raining for nearly four hours," she said at last. Miss Bartlett ignored the remark. "How do you propose to silence him?" "The driver?" "My dear girl, no; Mr. George Emerson." Lucy began to pace up and down the room. "I don't understand," she said at last. She understood very well, but she no longer wished to be absolutely truthful. "How are you going to stop him talking about it?" "I have a feeling that talk is a thing he will never do." "I, too, intend to judge him charitably. But unfortunately I have met the type before. They seldom keep their exploits to themselves." "Exploits?" cried Lucy, wincing under the horrible plural. "My poor dear, did you suppose that this was his first? Come here and listen to me. I am only gathering it from his own remarks. Do you remember that day at lunch when he argued with Miss Alan that liking one person is an extra reason for liking another?" "Yes," said Lucy, whom at the time the argument had pleased. "Well, I am no prude. There is no need to call him a wicked young man, but obviously he is thoroughly unrefined. Let us put it down to his deplorable antecedents and education, if you wish. But we are no farther on with our question. What do you propose to do?" An idea rushed across Lucy's brain, which, had she thought of it sooner and made it part of her, might have proved victorious. "I propose to speak to him," said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, of which she wore several, and ranged them upon the pin cushion. Then she blew into her gloves and said: "It will be a push to catch the morning train, but we must try." "What train?" "The train to Rome." She looked at her gloves critically. The girl received the announcement as easily as it had been given. "When does the train to Rome go?" "At eight." "Signora Bertolini would be upset." "We must face that," said Miss Bartlett, not liking to say that she had given notice already. "She will make us pay for a whole week's pension." "I expect she will. However, we shall be much more comfortable at the Vyses' hotel. Isn't afternoon tea given there for nothing?" "Yes, but they pay extra for wine." After this remark she remained motionless and silent. To her tired eyes Charlotte throbbed and swelled like a ghostly figure in a dream. They began to sort their clothes for packing, for there was no time to lose, if they were to catch the train to Rome. Lucy, when admonished, began to move to and fro between the rooms, more conscious of the discomforts of packing by candlelight than of a subtler ill. Charlotte, who was practical without ability, knelt by the side of an empty trunk, vainly endeavouring to pave it with books of varying thickness and size. She gave two or three sighs, for the stooping posture hurt her back, and, for all her diplomacy, she felt that she was growing old. The girl heard her as she entered the room, and was seized with one of those emotional impulses to which she could never attribute a cause. She only felt that the candle would burn better, the packing go easier, the world be happier, if she could give and receive some human love. The impulse had come before to-day, but never so strongly. She knelt down by her cousin's side and took her in her arms. Miss Bartlett returned the embrace with tenderness and warmth. But she was not a stupid woman, and she knew perfectly well that Lucy did not love her, but needed her to love. For it was in ominous tones that she said, after a long pause: "Dearest Lucy, how will you ever forgive me?" Lucy was on her guard at once, knowing by bitter experience what forgiving Miss Bartlett meant. Her emotion relaxed, she modified her embrace a little, and she said: "Charlotte dear, what do you mean? As if I have anything to forgive!" "You have a great deal, and I have a very great deal to forgive myself, too. I know well how much I vex you at every turn." "But no--" Miss Bartlett assumed her favourite role, that of the prematurely aged martyr. "Ah, but yes! I feel that our tour together is hardly the success I had hoped. I might have known it would not do. You want someone younger and stronger and more in sympathy with you. I am too uninteresting and old-fashioned--only fit to pack and unpack your things." "Please--" "My only consolation was that you found people more to your taste, and were often able to leave me at home. I had my own poor ideas of what a lady ought to do, but I hope I did not inflict them on you more than was necessary. You had your own way about these rooms, at all events." "You mustn't say these things," said Lucy softly. She still clung to the hope that she and Charlotte loved each other, heart and soul. They continued to pack in silence. "I have been a failure," said Miss Bartlett, as she struggled with the straps of Lucy's trunk instead of strapping her own. "Failed to make you happy; failed in my duty to your mother. She has been so generous to me; I shall never face her again after this disaster." "But mother will understand. It is not your fault, this trouble,	said Lucy, whom at the time the argument had pleased. "Well, I am no prude. There is no need to call him a wicked young man, but obviously he is thoroughly unrefined. Let us put it down to his deplorable antecedents and education, if you wish. But we are no farther on with our question. What do you propose to do?" An idea rushed across Lucy's brain, which, had she thought of it sooner and made it part of her, might have proved victorious. "I propose to speak to him," said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, of which she wore several, and ranged them upon the pin cushion. Then she blew into her gloves and said: "It will be a push to catch the morning train, but we must try." "What train?" "The train to Rome." She looked at her gloves critically. The girl received the announcement as easily as it had been given. "When does the train to Rome go?" "At eight." "Signora Bertolini would be upset." "We must face that," said Miss Bartlett, not liking to say that she had given notice already. "She will make us pay for a whole week's pension." "I expect she will. However, we shall be much more comfortable at the Vyses' hotel. Isn't afternoon tea given there for nothing?" "Yes, but they pay extra for wine." After this remark she remained motionless and silent. To her tired eyes Charlotte throbbed and swelled like a ghostly figure in a dream. They began to sort their clothes for packing, for there was no time to lose, if they were to catch the train to Rome. Lucy, when admonished, began to move to and fro between the rooms, more conscious of the discomforts of packing by candlelight than of a subtler ill. Charlotte, who was practical without ability, knelt by the side of an empty trunk, vainly endeavouring to pave it with books of varying thickness and size. She gave two or three sighs, for the stooping posture hurt her back, and, for all her diplomacy, she felt that she was growing old. The girl heard her as she entered the room, and was seized with one	A Room With A View
"That house being the W s house, I presume,"	Tibby	that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not	can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about	to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either	you, but I don t care. Suppose Queen Victoria gave a dinner-party, and that the guests had been Leighton, Millais, Swinburne, Rossetti, Meredith, Fitzgerald, etc. Do you suppose that the atmosphere of that dinner would have been artistic? Heavens, no! The very chairs on which they sat would have seen to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either case. Give me a cigarette." "You do what you can for the house," said Margaret. "The drawing-room reeks of smoke." "If you smoked too, the house might suddenly turn masculine. Atmosphere is probably a question of touch and go. Even at Queen Victoria s dinner-party--if something had been just a	s, perhaps?" Helen put out her tongue. "Who are the W s?" asked Tibby. "The W s are things I and Meg and Aunt Juley know about and you don t, so there!" "I suppose that ours is a female house," said Margaret, "and one must just accept it. No, Aunt Juley, I don t mean that this house is full of women. I am trying to say something much more clever. I mean that it was irrevocably feminine, even in father s time. Now I m sure you understand! Well, I ll give you another example. It ll shock you, but I don t care. Suppose Queen Victoria gave a dinner-party, and that the guests had been Leighton, Millais, Swinburne, Rossetti, Meredith, Fitzgerald, etc. Do you suppose that the atmosphere of that dinner would have been artistic? Heavens, no! The very chairs on which they sat would have seen to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either case. Give me a cigarette." "You do what you can for the house," said Margaret. "The drawing-room reeks of smoke." "If you smoked too, the house might suddenly turn masculine. Atmosphere is probably a question of touch and go. Even at Queen Victoria s dinner-party--if something had been just a little Different--perhaps if she d worn a clinging Liberty tea-gown instead of a magenta satin." "With an India shawl over her shoulders--" "Fastened at the bosom with a Cairngorm-pin." Bursts of disloyal laughter--you must remember that they are half German--greeted these suggestions, and Margaret said pensively, "How inconceivable it would be if the Royal Family cared about Art." And the conversation drifted away and away, and Helen s cigarette turned to a spot in the darkness, and the great flats opposite were sown with lighted windows which vanished and were relit again, and vanished incessantly. Beyond them the thoroughfare roared	do I," said her sister. "Tibby only cares for cultured females singing Brahms." And when they joined him she said rather sharply: "Why didn t you make that young man welcome, Tibby? You must do the host a little, you know. You ought to have taken his hat and coaxed him into stopping, instead of letting him be swamped by screaming women." Tibby sighed, and drew a long strand of hair over his forehead. "Oh, it s no good looking superior. I mean what I say." "Leave Tibby alone!" said Margaret, who could not bear her brother to be scolded. "Here s the house a regular hen-coop!" grumbled Helen. "Oh, my dear!" protested Mrs. Munt. "How can you say such dreadful things! The number of men you get here has always astonished me. If there is any danger it s the other way round." "Yes, but it s the wrong sort of men, Helen means." "No, I don t," corrected Helen. "We get the right sort of man, but the wrong side of him, and I say that s Tibby s fault. There ought to be a something about the house--an--I don t know what." "A touch of the W s, perhaps?" Helen put out her tongue. "Who are the W s?" asked Tibby. "The W s are things I and Meg and Aunt Juley know about and you don t, so there!" "I suppose that ours is a female house," said Margaret, "and one must just accept it. No, Aunt Juley, I don t mean that this house is full of women. I am trying to say something much more clever. I mean that it was irrevocably feminine, even in father s time. Now I m sure you understand! Well, I ll give you another example. It ll shock you, but I don t care. Suppose Queen Victoria gave a dinner-party, and that the guests had been Leighton, Millais, Swinburne, Rossetti, Meredith, Fitzgerald, etc. Do you suppose that the atmosphere of that dinner would have been artistic? Heavens, no! The very chairs on which they sat would have seen to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either case. Give me a cigarette." "You do what you can for the house," said Margaret. "The drawing-room reeks of smoke." "If you smoked too, the house might suddenly turn masculine. Atmosphere is probably a question of touch and go. Even at Queen Victoria s dinner-party--if something had been just a little Different--perhaps if she d worn a clinging Liberty tea-gown instead of a magenta satin." "With an India shawl over her shoulders--" "Fastened at the bosom with a Cairngorm-pin." Bursts of disloyal laughter--you must remember that they are half German--greeted these suggestions, and Margaret said pensively, "How inconceivable it would be if the Royal Family cared about Art." And the conversation drifted away and away, and Helen s cigarette turned to a spot in the darkness, and the great flats opposite were sown with lighted windows which vanished and were relit again, and vanished incessantly. Beyond them the thoroughfare roared gently--a tide that could never be quiet, while in the east, invisible behind the smokes of Wapping, the moon was rising. "That reminds me, Margaret. We might have taken that young man into the dining-room, at all events. Only the majolica plate--and that is so firmly set in the wall. I am really distressed that he had no tea." For that little incident had impressed the three women more than might be supposed. It remained as a goblin footfall, as a hint that all is not for the best in the best of all possible worlds, and that beneath these superstructures of wealth and art there wanders an ill-fed boy, who has recovered his umbrella indeed, but who has left no address behind him, and no name. CHAPTER VI WE are not concerned with the very poor. They are unthinkable and only to be approached by the statistician or the poet. This story deals with gentlefolk, or with those who are obliged to pretend that they are gentlefolk. The boy, Leonard Bast, stood at the extreme verge of gentility. He was not in the abyss, but he could see it, and at times people whom he knew had dropped in,	ve been!" "Whatever have I done?" "Don t you see that you ve frightened him away? I meant him to stop to tea. You oughtn t to talk about stealing or holes in an umbrella. I saw his nice eyes getting so miserable. No, it s not a bit of good now." For Helen had darted out into the street, shouting, "Oh, do stop!" "I dare say it is all for the best," opined Mrs. Munt. "We know nothing about the young man, Margaret, and your drawing-room is full of very tempting little things." But Helen cried: "Aunt Juley, how can you! You make me more and more ashamed. I d rather he had been a thief and taken all the apostle spoons than that I--Well, I must shut the front-door, I suppose. One more failure for Helen." "Yes, I think the apostle spoons could have gone as rent," said Margaret. Seeing that her aunt did not understand, she added: "You remember rent ? It was one of father s words--Rent to the ideal, to his own faith in human nature. You remember how he would trust strangers, and if they fooled him he would say, It s better to be fooled than to be suspicious --that the confidence trick is the work of man, but the want-of-confidence trick is the work of the devil." "I remember something of the sort now," said Mrs. Munt, rather tartly, for she longed to add, "It was lucky that your father married a wife with money." But this was unkind, and she contented herself with, "Why, he might have stolen the little Ricketts picture as well." "Better that he had," said Helen stoutly. "No, I agree with Aunt Juley," said Margaret. "I d rather mistrust people than lose my little Ricketts. There are limits." Their brother, finding the incident commonplace, had stolen upstairs to see whether there were scones for tea. He warmed the teapot--almost too deftly--rejected the orange pekoe that the parlour-maid had provided, poured in five spoonfuls of a superior blend, filled up with really boiling water, and now called to the ladies to be quick or they would lose the aroma. "All right, Auntie Tibby," called Helen, while Margaret, thoughtful again, said: "In a way, I wish we had a real boy in the house--the kind of boy who cares for men. It would make entertaining so much easier." "So do I," said her sister. "Tibby only cares for cultured females singing Brahms." And when they joined him she said rather sharply: "Why didn t you make that young man welcome, Tibby? You must do the host a little, you know. You ought to have taken his hat and coaxed him into stopping, instead of letting him be swamped by screaming women." Tibby sighed, and drew a long strand of hair over his forehead. "Oh, it s no good looking superior. I mean what I say." "Leave Tibby alone!" said Margaret, who could not bear her brother to be scolded. "Here s the house a regular hen-coop!" grumbled Helen. "Oh, my dear!" protested Mrs. Munt. "How can you say such dreadful things! The number of men you get here has always astonished me. If there is any danger it s the other way round." "Yes, but it s the wrong sort of men, Helen means." "No, I don t," corrected Helen. "We get the right sort of man, but the wrong side of him, and I say that s Tibby s fault. There ought to be a something about the house--an--I don t know what." "A touch of the W s, perhaps?" Helen put out her tongue. "Who are the W s?" asked Tibby. "The W s are things I and Meg and Aunt Juley know about and you don t, so there!" "I suppose that ours is a female house," said Margaret, "and one must just accept it. No, Aunt Juley, I don t mean that this house is full of women. I am trying to say something much more clever. I mean that it was irrevocably feminine, even in father s time. Now I m sure you understand! Well, I ll give you another example. It ll shock you, but I don t care. Suppose Queen Victoria gave a dinner-party, and that the guests had been Leighton, Millais, Swinburne, Rossetti, Meredith, Fitzgerald, etc. Do you suppose that the atmosphere of that dinner would have been artistic? Heavens, no! The very chairs on which they sat would have seen to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either case. Give me a cigarette." "You do what you can for the house," said Margaret. "The drawing-room reeks of smoke." "If you smoked too, the house might suddenly turn masculine. Atmosphere is probably a question of touch and go. Even at Queen Victoria s dinner-party--if something had been just a little Different--perhaps if she d worn a clinging Liberty tea-gown instead of a magenta satin." "With an India shawl over her shoulders--" "Fastened at the bosom with a Cairngorm-pin." Bursts of disloyal laughter--you must remember that they are half German--greeted these suggestions, and Margaret said pensively, "How inconceivable it would be if the Royal Family cared about Art." And the conversation drifted away and away, and Helen s cigarette turned to a spot in the darkness, and the great flats opposite were sown with lighted windows which vanished and were relit again, and vanished incessantly. Beyond them the thoroughfare roared gently--a tide that could never be quiet, while in the east, invisible behind the smokes of Wapping, the moon was rising. "That reminds me, Margaret. We might have taken that young man into the dining-room, at all events. Only the majolica plate--and that is so firmly set in the wall. I am really distressed that he had no tea." For that little incident had impressed the three women more than might be supposed. It remained as a goblin footfall, as a hint that all is not for the best in the best of all possible worlds, and that beneath these superstructures of wealth and art there wanders an ill-fed boy, who has recovered his umbrella indeed, but who has left no address behind him, and no name. CHAPTER VI WE are not concerned with the very poor. They are unthinkable and only to be approached by the statistician or the poet. This story deals with gentlefolk, or with those who are obliged to pretend that they are gentlefolk. The boy, Leonard Bast, stood at the extreme verge of gentility. He was not in the abyss, but he could see it, and at times people whom he knew had dropped in, and counted no more. He knew that he was poor, and would admit it; he would have died sooner than confess any inferiority to the rich. This may be splendid of him. But he was inferior to most rich people, there is not the least doubt of it. He was not as courteous as the average rich man, nor as intelligent, nor as healthy, nor as lovable. His mind and his body had been alike underfed, because he was poor, and because he was modern they were always craving better food. Had he lived some centuries ago, in the brightly coloured civilisations of the past, he would have had a definite status, his rank and his income would have corresponded. But in his day the angel of Democracy had arisen, enshadowing the classes with leathern wings, and proclaiming, "All men are equal--all men, that is to say, who possess umbrellas," and so he was obliged to assert gentility, lest he slip into the abyss where nothing counts, and the statements of Democracy are inaudible. As he walked away from Wickham Place, his first care was to prove that he was as good as the Miss Schlegels. Obscurely wounded in his pride, he tried to wound them in return. They were probably not ladies. Would real ladies have asked him to tea? They were certainly ill-natured and cold. At each step his feeling of superiority increased. Would a real lady have talked about stealing an umbrella? Perhaps they were thieves after all, and if he had gone into the house they would have clapped a chloroformed handkerchief over his face. He walked on complacently as far as the Houses of Parliament. There an empty stomach asserted itself, and told him that he was a fool. "Evening, Mr. Bast." "Evening, Mr. Dealtry." "Nice evening." "Evening." Mr. Dealtry, a fellow clerk, passed on, and Leonard stood wondering whether he would take the tram as far as a penny would take him, or whether he would walk. He decided to walk--it is no good giving in, and he had spent money enough at Queen s Hall--and he walked over Westminster Bridge, in front of St. Thomas s Hospital, and through the immense tunnel that passes under the South-Western main line at Vauxhall. In the tunnel he paused and listened to the roar of the trains. A sharp pain darted through his head, and he	"All right, Auntie Tibby," called Helen, while Margaret, thoughtful again, said: "In a way, I wish we had a real boy in the house--the kind of boy who cares for men. It would make entertaining so much easier." "So do I," said her sister. "Tibby only cares for cultured females singing Brahms." And when they joined him she said rather sharply: "Why didn t you make that young man welcome, Tibby? You must do the host a little, you know. You ought to have taken his hat and coaxed him into stopping, instead of letting him be swamped by screaming women." Tibby sighed, and drew a long strand of hair over his forehead. "Oh, it s no good looking superior. I mean what I say." "Leave Tibby alone!" said Margaret, who could not bear her brother to be scolded. "Here s the house a regular hen-coop!" grumbled Helen. "Oh, my dear!" protested Mrs. Munt. "How can you say such dreadful things! The number of men you get here has always astonished me. If there is any danger it s the other way round." "Yes, but it s the wrong sort of men, Helen means." "No, I don t," corrected Helen. "We get the right sort of man, but the wrong side of him, and I say that s Tibby s fault. There ought to be a something about the house--an--I don t know what." "A touch of the W s, perhaps?" Helen put out her tongue. "Who are the W s?" asked Tibby. "The W s are things I and Meg and Aunt Juley know about and you don t, so there!" "I suppose that ours is a female house," said Margaret, "and one must just accept it. No, Aunt Juley, I don t mean that this house is full of women. I am trying to say something much more clever. I mean that it was irrevocably feminine, even in father s time. Now I m sure you understand! Well, I ll give you another example. It ll shock you, but I don t care. Suppose Queen Victoria gave a dinner-party, and that the guests had been Leighton, Millais, Swinburne, Rossetti, Meredith, Fitzgerald, etc. Do you suppose that the atmosphere of that dinner would have been artistic? Heavens, no! The very chairs on which they sat would have seen to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either case. Give me a cigarette." "You do what you can for the house," said Margaret. "The drawing-room reeks of smoke." "If you smoked too, the house might suddenly turn masculine. Atmosphere is probably a question of touch and go. Even at Queen Victoria s dinner-party--if something had been just a little Different--perhaps if she d worn a clinging Liberty tea-gown instead of a magenta satin." "With an India shawl over her shoulders--" "Fastened at the bosom with a Cairngorm-pin." Bursts of disloyal laughter--you must remember that they are half German--greeted these suggestions, and Margaret said pensively, "How inconceivable it would be if the Royal Family cared about Art." And the conversation drifted away and away, and Helen s cigarette turned to a spot in the darkness, and the great flats opposite were sown with lighted windows which vanished and were relit again, and vanished incessantly. Beyond them the thoroughfare roared gently--a tide that could never be quiet, while in the east, invisible behind the smokes of Wapping, the moon was rising. "That reminds me, Margaret. We might have taken that young man into the dining-room, at all events. Only the majolica plate--and that is so firmly set in the wall. I am really distressed that he had no tea." For that little incident had impressed the three women more than might be supposed. It remained as a goblin footfall, as a hint that all is not for the best in the best of all possible worlds, and that beneath these superstructures of wealth and art there wanders an ill-fed boy, who has recovered his umbrella indeed, but who has left no address behind him, and no name. CHAPTER VI WE are not concerned with the very poor. They are unthinkable and only to be approached by the statistician or the poet. This story deals with gentlefolk, or with those who are obliged to pretend that they are gentlefolk. The boy, Leonard Bast, stood at the extreme verge of gentility. He was not in the abyss, but he could see it, and at times people whom he knew had dropped in, and counted no more. He knew that he was poor, and would admit it; he would have died sooner than confess any inferiority to the rich. This may be splendid of him. But he was inferior to most rich people, there is not the least doubt of it. He was not as courteous as the average rich man, nor as intelligent, nor as healthy, nor as lovable. His mind and his body had been alike underfed, because he was poor, and because he was modern they were always craving better food. Had he lived some centuries ago, in the brightly coloured civilisations of the past, he would have had a definite status, his rank and his income would have corresponded. But in his day the angel of Democracy had arisen, enshadowing the classes with leathern wings, and proclaiming, "All men are equal--all men, that is to say, who possess umbrellas," and so he was obliged to assert gentility, lest he slip into the abyss where nothing counts, and the statements of Democracy are inaudible. As he walked away from Wickham Place, his first care was to prove that he was as	Howards End
"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"	Rev. Cuthbert Eager	his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not	cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I	equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing	is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain	full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he	"How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to	youth. He had suddenly extended his book before Miss Bartlett and Mr. Eager, binding their hands together by a long glossy ribbon of churches, pictures, and views. "This is too much!" cried the chaplain, striking petulantly at one of Fra Angelico's angels. She tore. A shrill cry rose from the vendor. The book it seemed, was more valuable than one would have supposed. "Willingly would I purchase--" began Miss Bartlett. "Ignore him," said Mr. Eager sharply, and they all walked rapidly away from the square. But an Italian can never be ignored, least of all when he has a grievance. His mysterious persecution of Mr. Eager became relentless; the air rang with his threats and lamentations. He appealed to Lucy; would not she intercede? He was poor--he sheltered a family--the tax on bread. He waited, he gibbered, he was recompensed, he was dissatisfied, he did not leave them until he had swept their minds clean of all thoughts whether pleasant or unpleasant. Shopping was the topic that now ensued. Under the chaplain's guidance they selected many hideous presents and mementoes--florid little picture-frames that seemed fashioned in gilded pastry; other little frames, more severe, that stood on little easels, and were carven out of oak; a blotting book of vellum; a Dante of the same material; cheap mosaic brooches, which the maids, next Christmas, would never tell from real; pins, pots, heraldic saucers, brown art-photographs; Eros and Psyche in alabaster; St. Peter to match--all of which would have cost less in London. This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road	brown art-photographs; Eros and Psyche in alabaster; St. Peter to match--all of which would have cost less in London. This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that	A Room With A View
and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.	No speaker	her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the	a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have	thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz,	to ask an educated Indian Moslem how many wives he has appalling, hideous! He was in trouble how to conceal his confusion. "One, one in my own particular case," he sputtered, and let go of her hand. Quite a number of caves were at the top of the track, and thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz, looking again, could not even be sure he had returned to the same group. Caves appeared in every direction it seemed their original spawning place and the orifices were always the same size. He thought, "Merciful Heavens, Miss Quested is lost," then pulled himself together, and began to look for	beauty, thick hair, a fine skin. Probably this man had several wives Mohammedans always insist on their full four, according to Mrs. Turton. And having no one else to speak to on that eternal rock, she gave rein to the subject of marriage and said in her honest, decent, inquisitive way: "Have you one wife or more than one?" The question shocked the young man very much. It challenged a new conviction of his community, and new convictions are more sensitive than old. If she had said, "Do you worship one god or several?" he would not have objected. But to ask an educated Indian Moslem how many wives he has appalling, hideous! He was in trouble how to conceal his confusion. "One, one in my own particular case," he sputtered, and let go of her hand. Quite a number of caves were at the top of the track, and thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz, looking again, could not even be sure he had returned to the same group. Caves appeared in every direction it seemed their original spawning place and the orifices were always the same size. He thought, "Merciful Heavens, Miss Quested is lost," then pulled himself together, and began to look for her calmly. "Shout!" he commanded. When they had done this for awhile, the guide explained that to shout is useless, because a Marabar cave can hear no sound but its own. Aziz wiped his head, and sweat began to stream inside his clothes. The place was so confusing; it was partly a terrace, partly a zigzag, and full of grooves that led this way and that like snake-tracks. He tried to go into every one, but he never knew where he had started. Caves got behind caves or confabulated in pairs, and some were at the entrance of a gully.	survive the honeymoon. "No, I'm all right, thanks," she said, and, her emotions well under control, resumed the climb, though she felt a bit dashed. Aziz held her hand, the guide adhered to the surface like a lizard and scampered about as if governed by a personal centre of gravity. "Are you married, Dr. Aziz?" she asked, stopping again, and frowning. "Yes, indeed, do come and see my wife" for he felt it more artistic to have his wife alive for a moment. "Thank you," she said absently. "She is not in Chandrapore just now." "And have you children?" "Yes, indeed, three," he replied in firmer tones. "Are they a great pleasure to you?" "Why, naturally, I adore them," he laughed. "I suppose so." What a handsome little Oriental he was, and no doubt his wife and children were beautiful too, for people usually get what they already possess. She did not admire him with any personal warmth, for there was nothing of the vagrant in her blood, but she guessed he might attract women of his own race and rank, and she regretted that neither she nor Ronny had physical charm. It does make a difference in a relationship beauty, thick hair, a fine skin. Probably this man had several wives Mohammedans always insist on their full four, according to Mrs. Turton. And having no one else to speak to on that eternal rock, she gave rein to the subject of marriage and said in her honest, decent, inquisitive way: "Have you one wife or more than one?" The question shocked the young man very much. It challenged a new conviction of his community, and new convictions are more sensitive than old. If she had said, "Do you worship one god or several?" he would not have objected. But to ask an educated Indian Moslem how many wives he has appalling, hideous! He was in trouble how to conceal his confusion. "One, one in my own particular case," he sputtered, and let go of her hand. Quite a number of caves were at the top of the track, and thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz, looking again, could not even be sure he had returned to the same group. Caves appeared in every direction it seemed their original spawning place and the orifices were always the same size. He thought, "Merciful Heavens, Miss Quested is lost," then pulled himself together, and began to look for her calmly. "Shout!" he commanded. When they had done this for awhile, the guide explained that to shout is useless, because a Marabar cave can hear no sound but its own. Aziz wiped his head, and sweat began to stream inside his clothes. The place was so confusing; it was partly a terrace, partly a zigzag, and full of grooves that led this way and that like snake-tracks. He tried to go into every one, but he never knew where he had started. Caves got behind caves or confabulated in pairs, and some were at the entrance of a gully. "Come here!" he called gently, and when the guide was in reach, he struck him in the face for a punishment. The man fled, and he was left alone. He thought, "This is the end of my career, my guest is lost." And then he discovered the simple and sufficient explanation of the mystery. Miss Quested wasn't lost. She had joined the people in the car friends of hers, no doubt, Mr. Heaslop perhaps. He had a sudden glimpse of her, far down the gully only a glimpse, but there she was quite plain, framed between rocks, and speaking to another lady. He was so relieved that he did not think her conduct odd. Accustomed to sudden changes of plan, he supposed that she had run down the Kawa Dol impulsively, in the hope of a little drive. He started back alone towards his camp, and almost at once caught sight of something which would have disquieted him very much a moment before: Miss Quested's field-glasses. They were lying at the verge of a cave, half-way down an entrance tunnel. He tried to hang them over his shoulder, but the leather strap had broken, so he put them into his	menu: an English breakfast, porridge and mutton chops, but some Indian dishes to cause conversation, and pan afterwards. He had never liked Miss Quested as much as Mrs. Moore, and had little to say to her, less than ever now that she would marry a British official. Nor had Adela much to say to him. If his mind was with the breakfast, hers was mainly with her marriage. Simla next week, get rid of Antony, a view of Thibet, tiresome wedding bells, Agra in October, see Mrs. Moore comfortably off from Bombay the procession passed before her again, blurred by the heat, and then she turned to the more serious business of her life at Chandrapore. There were real difficulties here Ronny's limitations and her own but she enjoyed facing difficulties, and decided that if she could control her peevishness (always her weak point), and neither rail against Anglo-India nor succumb to it, their married life ought to be happy and profitable. She mustn't be too theoretical; she would deal with each problem as it came up, and trust to Ronny's common sense and her own. Luckily, each had abundance of common sense and good will. But as she toiled over a rock that resembled an inverted saucer, she thought, "What about love?" The rock was nicked by a double row of footholds, and somehow the question was suggested by them. Where had she seen footholds before? Oh yes, they were the pattern traced in the dust by the wheels of the Nawab Bahadur's car. She and Ronny no, they did not love each other. "Do I take you too fast?" enquired Aziz, for she had paused, a doubtful expression on her face. The discovery had come so suddenly that she felt like a mountaineer whose rope had broken. Not to love the man one's going to marry! Not to find it out till this moment! Not even to have asked oneself the question until now! Something else to think out. Vexed rather than appalled, she stood still, her eyes on the sparkling rock. There was esteem and animal contact at dusk, but the emotion that links them was absent. Ought she to break her engagement off? She was inclined to think not it would cause so much trouble to others; besides, she wasn't convinced that love is necessary to a successful union. If love is everything, few marriages would survive the honeymoon. "No, I'm all right, thanks," she said, and, her emotions well under control, resumed the climb, though she felt a bit dashed. Aziz held her hand, the guide adhered to the surface like a lizard and scampered about as if governed by a personal centre of gravity. "Are you married, Dr. Aziz?" she asked, stopping again, and frowning. "Yes, indeed, do come and see my wife" for he felt it more artistic to have his wife alive for a moment. "Thank you," she said absently. "She is not in Chandrapore just now." "And have you children?" "Yes, indeed, three," he replied in firmer tones. "Are they a great pleasure to you?" "Why, naturally, I adore them," he laughed. "I suppose so." What a handsome little Oriental he was, and no doubt his wife and children were beautiful too, for people usually get what they already possess. She did not admire him with any personal warmth, for there was nothing of the vagrant in her blood, but she guessed he might attract women of his own race and rank, and she regretted that neither she nor Ronny had physical charm. It does make a difference in a relationship beauty, thick hair, a fine skin. Probably this man had several wives Mohammedans always insist on their full four, according to Mrs. Turton. And having no one else to speak to on that eternal rock, she gave rein to the subject of marriage and said in her honest, decent, inquisitive way: "Have you one wife or more than one?" The question shocked the young man very much. It challenged a new conviction of his community, and new convictions are more sensitive than old. If she had said, "Do you worship one god or several?" he would not have objected. But to ask an educated Indian Moslem how many wives he has appalling, hideous! He was in trouble how to conceal his confusion. "One, one in my own particular case," he sputtered, and let go of her hand. Quite a number of caves were at the top of the track, and thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz, looking again, could not even be sure he had returned to the same group. Caves appeared in every direction it seemed their original spawning place and the orifices were always the same size. He thought, "Merciful Heavens, Miss Quested is lost," then pulled himself together, and began to look for her calmly. "Shout!" he commanded. When they had done this for awhile, the guide explained that to shout is useless, because a Marabar cave can hear no sound but its own. Aziz wiped his head, and sweat began to stream inside his clothes. The place was so confusing; it was partly a terrace, partly a zigzag, and full of grooves that led this way and that like snake-tracks. He tried to go into every one, but he never knew where he had started. Caves got behind caves or confabulated in pairs, and some were at the entrance of a gully. "Come here!" he called gently, and when the guide was in reach, he struck him in the face for a punishment. The man fled, and he was left alone. He thought, "This is the end of my career, my guest is lost." And then he discovered the simple and sufficient explanation of the mystery. Miss Quested wasn't lost. She had joined the people in the car friends of hers, no doubt, Mr. Heaslop perhaps. He had a sudden glimpse of her, far down the gully only a glimpse, but there she was quite plain, framed between rocks, and speaking to another lady. He was so relieved that he did not think her conduct odd. Accustomed to sudden changes of plan, he supposed that she had run down the Kawa Dol impulsively, in the hope of a little drive. He started back alone towards his camp, and almost at once caught sight of something which would have disquieted him very much a moment before: Miss Quested's field-glasses. They were lying at the verge of a cave, half-way down an entrance tunnel. He tried to hang them over his shoulder, but the leather strap had broken, so he put them into his pocket instead. When he had gone a few steps, he thought she might have dropped something else, so he went back to look. But the previous difficulty recurred: he couldn't identify the cave. Down in the plain he heard the car starting; however, he couldn't catch a second glimpse of that. So he scrambled down the valley-face of the hill towards Mrs. Moore, and here he was more successful: the colour and confusion of his little camp soon appeared, and in the midst of it he saw an Englishman's topi, and beneath it oh joy! smiled not Mr. Heaslop, but Fielding. "Fielding! Oh, I have so wanted you!" he cried, dropping the "Mr." for the first time. And his friend ran to meet him, all so pleasant and jolly, no dignity, shouting explanations and apologies about the train. Fielding had come in the newly arrived car Miss Derek's car that other lady was Miss Derek. Chatter, chatter, all the servants leaving their cooking to listen. Excellent Miss Derek! She had met Fielding by chance at the post office, said, "Why haven't you gone to the Marabar?" heard how he missed the train, offered to run him there and then. Another nice English lady. Where was she? Left with car and chauffeur while Fielding found camp. Car couldn't get up no, of course not hundreds of people must go down to escort Miss Derek and show her the way. The elephant in person. . . . "Aziz, can I have a drink?" "Certainly not." He flew to get one. "Mr. Fielding!" called Mrs. Moore, from her patch of shade; they had not spoken yet, because his arrival had coincided with the torrent from the hill. "Good morning again!" he cried, relieved to find all well. "Mr. Fielding, have you seen Miss Quested?" "But I've only just arrived. Where is she?" "I do not know." "Aziz! Where have you put Miss Quested to?" Aziz, who was returning with a drink in his hand, had to think for a moment. His heart was full of new happiness. The picnic, after a nasty shock or two, had developed into something beyond his dreams, for Fielding had not only come, but brought an uninvited guest. "Oh, she's all right," he said; "she went down to see Miss Derek. Well, here's luck! Chin-chin!" "Here's luck, but chin-chin I do refuse," laughed Fielding, who detested the phrase.	the sparkling rock. There was esteem and animal contact at dusk, but the emotion that links them was absent. Ought she to break her engagement off? She was inclined to think not it would cause so much trouble to others; besides, she wasn't convinced that love is necessary to a successful union. If love is everything, few marriages would survive the honeymoon. "No, I'm all right, thanks," she said, and, her emotions well under control, resumed the climb, though she felt a bit dashed. Aziz held her hand, the guide adhered to the surface like a lizard and scampered about as if governed by a personal centre of gravity. "Are you married, Dr. Aziz?" she asked, stopping again, and frowning. "Yes, indeed, do come and see my wife" for he felt it more artistic to have his wife alive for a moment. "Thank you," she said absently. "She is not in Chandrapore just now." "And have you children?" "Yes, indeed, three," he replied in firmer tones. "Are they a great pleasure to you?" "Why, naturally, I adore them," he laughed. "I suppose so." What a handsome little Oriental he was, and no doubt his wife and children were beautiful too, for people usually get what they already possess. She did not admire him with any personal warmth, for there was nothing of the vagrant in her blood, but she guessed he might attract women of his own race and rank, and she regretted that neither she nor Ronny had physical charm. It does make a difference in a relationship beauty, thick hair, a fine skin. Probably this man had several wives Mohammedans always insist on their full four, according to Mrs. Turton. And having no one else to speak to on that eternal rock, she gave rein to the subject of marriage and said in her honest, decent, inquisitive way: "Have you one wife or more than one?" The question shocked the young man very much. It challenged a new conviction of his community, and new convictions are more sensitive than old. If she had said, "Do you worship one god or several?" he would not have objected. But to ask an educated Indian Moslem how many wives he has appalling, hideous! He was in trouble how to conceal his confusion. "One, one in my own particular case," he sputtered, and let go of her hand. Quite a number of caves were at the top of the track, and thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz, looking again, could not even be sure he had returned to the same group. Caves appeared in every direction it seemed their original spawning place and the orifices were always the same size. He thought, "Merciful Heavens, Miss Quested is lost," then pulled himself together, and began to look for her calmly. "Shout!" he commanded. When they had done this for awhile, the guide explained that to shout is useless, because a Marabar cave can hear no sound but its own. Aziz wiped his head, and sweat began to stream inside his clothes. The place was so confusing; it was partly a terrace, partly a zigzag, and full of grooves that led this way and that like snake-tracks. He tried to go into every one, but he never knew where he had started. Caves got behind caves or confabulated in pairs, and some were at the entrance of a gully. "Come here!" he called gently, and when the guide was in reach, he struck him in the face for a punishment. The man fled, and he was left alone. He thought, "This is the end of my career, my guest is lost." And then he discovered the simple and sufficient explanation of the mystery. Miss Quested wasn't lost. She had joined the people in the car friends of hers, no doubt, Mr. Heaslop perhaps. He had a sudden glimpse of her, far down the gully only a glimpse, but there she was quite plain, framed between rocks, and speaking to another lady. He was so relieved that he did not think her conduct odd. Accustomed to sudden changes of plan, he supposed that she had run down the Kawa Dol impulsively, in the hope of a little drive. He started back alone towards his camp, and almost at once caught sight of something which would have disquieted him very much a moment before: Miss Quested's field-glasses. They were lying at the verge of a cave, half-way down an entrance tunnel. He tried to hang them over his shoulder, but the leather strap had broken, so he put them into his pocket instead. When he had gone a few steps, he thought she might have dropped something else, so he went back to look. But the previous difficulty recurred: he couldn't identify the cave. Down in the plain he heard the car starting; however, he couldn't catch	A Passage To India
she said.	No speaker	Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just	appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with	fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you	slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters	his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was	may do what ever you dreadfully like!” At this then the girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He had it now all vividly before him. “I had reacted--like	breast-pocket. It was not till then that he brought out a curt but resonant “Thank you!” While the others awaited his further pleasure he again bethought himself--then he addressed Lady Grace. “I must let Mr. Bender know----” “Mr. Bender,” Hugh interposed, “does know. He’s at the present moment with the author of that note at Long’s Hotel.” “Then I must now write him” --and his lordship, while he spoke and from where he stood, looked in refined disconnectedness out of the window. “Will you write _there?_” --and his daughter indicated Lady Sandgate’s desk, at which we have seen Mr. Bender so importantly seated. Lord Theign had a start at her again speaking to him; but he bent his view on the convenience awaiting him and then, as to have done with so tiresome a matter, took advantage of it. He went and placed himself, and had reached for paper and a pen when, struck apparently with the display of some incongruous object, he uttered a sharp “Hallo!” “You don’t find things?” Lady Grace asked--as remote from him in one quarter of the room as Hugh was in another. “On the contrary!” he oddly replied. But plainly suppressing any further surprise he committed a few words to paper and put them into an envelope, which he addressed and brought away. “If you like,” said Hugh urbanely, “I’ll carry him that myself.” “But how do you know what it consists of?” “I don’t know. But I risk it.” His lordship weighed the proposition in a high impersonal manner--he even nervously weighed his letter, shaking it with one hand upon the finger-tips of the other; after which, as finally to acquit himself of any measurable obligation, he allowed Hugh, by a surrender of the interesting object, to redeem his offer of service. “Then you’ll learn,” he simply said. “And may _I_ learn?” asked Lady Grace. “You?” The tone made so light of her that it was barely interrogative. “May I go _with_ him?” Her father looked at the question as at some cup of supreme bitterness--a nasty and now quite regular dose with which his lips were familiar, but before which their first movement was always tightly to close. “_With_ me, my lord,” said Hugh at last, thoroughly determined they should open and intensifying the emphasis. He had his effect, and Lord Theign’s answer, addressed to Lady Grace, made indifference very comprehensive. “You may do what ever you dreadfully like!” At this then the girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He had it now all vividly before him. “I had reacted--like a gentleman; but it didn’t thereby follow that I acted--or spoke--like a demagogue; and my mind’s a complete blank on the subject of my having done so.” “So that there only flushes through your conscience,” she suggested, “the fact that he has forced your hand?” Fevered with the sore sense of it his lordship wiped his brow. “He has played me, for spite, his damned impertinent trick!” She found but after a minute--for it wasn’t easy--the right word, or the least wrong, for the situation. “Well, even if he did so diabolically commit you, you still don’t want--do you?--to back out?” Resenting the suggestion, which restored all his nobler form, Lord Theign fairly drew himself up. “When did I ever in all my life back out?” “Never, never in all your life of course!” --she dashed a bucketful at the flare. “And the picture after all----!” “The picture after all” --he took her up in cold grim gallant despair-- “has just been pronounced definitely priceless.” And then to meet her gaping ignorance: “By Mr. Crimble’s latest and apparently greatest adviser, who strongly stamps it a Mantovano and whose practical affidavit I now possess.” Poor Lady Sandgate gaped but the more--she wondered and yearned. “Definitely priceless?” “Definitely priceless.” After which he took from its place of lurking, considerately unfolding it, the goodly slip he had removed from her blotting-book. “Worth even more therefore than what Bender so blatantly offers.” Her attention fell with interest, from the distance at which she stood, on this confirmatory document, her recognition of which was not immediate. “And is that the affidavit?” “This is a cheque to your order, my lady, for ten thousand pounds.” “Ten thousand?” --she echoed it with a shout. “Drawn by some hand unknown,” he went on quietly. “Unknown?” --again, in her muffled joy, she let it sound out. “Which I found there at your desk a moment ago, and thought best, in your interest, to rescue from accident or neglect; even though it be, save for the single stroke of a name begun,” he wound up with his look like a playing searchlight, “unhappily unsigned.” “Unsigned?” --the exhibition of her design, of her defeat, kept shaking her. “Then it isn’t good--?” “It’s a Barmecide feast, my dear!” --he had still, her kind friend, his note of grimness and also his penetration of eye. “But who is it writes you colossal cheques?”	supreme bitterness--a nasty and now quite regular dose with which his lips were familiar, but before which their first movement was always tightly to close. “_With_ me, my lord,” said Hugh at last, thoroughly determined they should open and intensifying the emphasis. He had his effect, and Lord Theign’s answer, addressed to Lady Grace, made indifference very comprehensive. “You may do what ever you dreadfully like!” At this then the girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He	The Outcry
With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.	No speaker	enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word,"	Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his	us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you	said Syme shortly. "Into what sort of devils' parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you have certainly given me by the end of it." "What do you mean?" cried the chaotic Gregory. "What did I promise you?" "A very entertaining evening," said Syme, and he made a military salute with the sword-stick as the steamboat slid away. CHAPTER IV. THE TALE OF A DETECTIVE Gabriel	revolver, waiting on the table. The instant the election was ended and irrevocable, and Syme had received the paper proving his election, they all sprang to their feet, and the fiery groups moved and mixed in the room. Syme found himself, somehow or other, face to face with Gregory, who still regarded him with a stare of stunned hatred. They were silent for many minutes. "You are a devil!" said Gregory at last. "And you are a gentleman," said Syme with gravity. "It was you that entrapped me," began Gregory, shaking from head to foot, "entrapped me into" "Talk sense," said Syme shortly. "Into what sort of devils' parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you have certainly given me by the end of it." "What do you mean?" cried the chaotic Gregory. "What did I promise you?" "A very entertaining evening," said Syme, and he made a military salute with the sword-stick as the steamboat slid away. CHAPTER IV. THE TALE OF A DETECTIVE Gabriel Syme was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion. He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and	are not Thursday." "Comrades," cried Gregory, in a voice like that of a martyr who in an ecstacy of pain has passed beyond pain, "it is nothing to me whether you detest me as a tyrant or detest me as a slave. If you will not take my command, accept my degradation. I kneel to you. I throw myself at your feet. I implore you. Do not elect this man." "Comrade Gregory," said the chairman after a painful pause, "this is really not quite dignified." For the first time in the proceedings there was for a few seconds a real silence. Then Gregory fell back in his seat, a pale wreck of a man, and the chairman repeated, like a piece of clock-work suddenly started again "The question is that Comrade Syme be elected to the post of Thursday on the General Council." The roar rose like the sea, the hands rose like a forest, and three minutes afterwards Mr. Gabriel Syme, of the Secret Police Service, was elected to the post of Thursday on the General Council of the Anarchists of Europe. Everyone in the room seemed to feel the tug waiting on the river, the sword-stick and the revolver, waiting on the table. The instant the election was ended and irrevocable, and Syme had received the paper proving his election, they all sprang to their feet, and the fiery groups moved and mixed in the room. Syme found himself, somehow or other, face to face with Gregory, who still regarded him with a stare of stunned hatred. They were silent for many minutes. "You are a devil!" said Gregory at last. "And you are a gentleman," said Syme with gravity. "It was you that entrapped me," began Gregory, shaking from head to foot, "entrapped me into" "Talk sense," said Syme shortly. "Into what sort of devils' parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you have certainly given me by the end of it." "What do you mean?" cried the chaotic Gregory. "What did I promise you?" "A very entertaining evening," said Syme, and he made a military salute with the sword-stick as the steamboat slid away. CHAPTER IV. THE TALE OF A DETECTIVE Gabriel Syme was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion. He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realisation; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinth and cocoa, of both of which he had a healthy dislike. The more his mother preached a more than Puritan abstinence the more did his father expand into a more than pagan latitude; and by the time the former had come to enforcing vegetarianism, the latter had pretty well reached the point of defending cannibalism. Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible. His hatred of modern lawlessness had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the	Witherspoon had jumped to his feet, his hair and beard all on end, and had said "I move, as an amendment, that Comrade Syme be appointed to the post." "Stop all this, I tell you!" cried Gregory, with frantic face and hands. "Stop it, it is all" The voice of the chairman clove his speech with a cold accent. "Does anyone second this amendment?" he said. A tall, tired man, with melancholy eyes and an American chin beard, was observed on the back bench to be slowly rising to his feet. Gregory had been screaming for some time past; now there was a change in his accent, more shocking than any scream. "I end all this!" he said, in a voice as heavy as stone. "This man cannot be elected. He is a" "Yes," said Syme, quite motionless, "what is he?" Gregory's mouth worked twice without sound; then slowly the blood began to crawl back into his dead face. "He is a man quite inexperienced in our work," he said, and sat down abruptly. Before he had done so, the long, lean man with the American beard was again upon his feet, and was repeating in a high American monotone "I beg to second the election of Comrade Syme." "The amendment will, as usual, be put first," said Mr. Buttons, the chairman, with mechanical rapidity. "The question is that Comrade Syme" Gregory had again sprung to his feet, panting and passionate. "Comrades," he cried out, "I am not a madman." "Oh, oh!" said Mr. Witherspoon. "I am not a madman," reiterated Gregory, with a frightful sincerity which for a moment staggered the room, "but I give you a counsel which you can call mad if you like. No, I will not call it a counsel, for I can give you no reason for it. I will call it a command. Call it a mad command, but act upon it. Strike, but hear me! Kill me, but obey me! Do not elect this man." Truth is so terrible, even in fetters, that for a moment Syme's slender and insane victory swayed like a reed. But you could not have guessed it from Syme's bleak blue eyes. He merely began "Comrade Gregory commands" Then the spell was snapped, and one anarchist called out to Gregory "Who are you? You are not Sunday;" and another anarchist added in a heavier voice, "And you are not Thursday." "Comrades," cried Gregory, in a voice like that of a martyr who in an ecstacy of pain has passed beyond pain, "it is nothing to me whether you detest me as a tyrant or detest me as a slave. If you will not take my command, accept my degradation. I kneel to you. I throw myself at your feet. I implore you. Do not elect this man." "Comrade Gregory," said the chairman after a painful pause, "this is really not quite dignified." For the first time in the proceedings there was for a few seconds a real silence. Then Gregory fell back in his seat, a pale wreck of a man, and the chairman repeated, like a piece of clock-work suddenly started again "The question is that Comrade Syme be elected to the post of Thursday on the General Council." The roar rose like the sea, the hands rose like a forest, and three minutes afterwards Mr. Gabriel Syme, of the Secret Police Service, was elected to the post of Thursday on the General Council of the Anarchists of Europe. Everyone in the room seemed to feel the tug waiting on the river, the sword-stick and the revolver, waiting on the table. The instant the election was ended and irrevocable, and Syme had received the paper proving his election, they all sprang to their feet, and the fiery groups moved and mixed in the room. Syme found himself, somehow or other, face to face with Gregory, who still regarded him with a stare of stunned hatred. They were silent for many minutes. "You are a devil!" said Gregory at last. "And you are a gentleman," said Syme with gravity. "It was you that entrapped me," began Gregory, shaking from head to foot, "entrapped me into" "Talk sense," said Syme shortly. "Into what sort of devils' parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you have certainly given me by the end of it." "What do you mean?" cried the chaotic Gregory. "What did I promise you?" "A very entertaining evening," said Syme, and he made a military salute with the sword-stick as the steamboat slid away. CHAPTER IV. THE TALE OF A DETECTIVE Gabriel Syme was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion. He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realisation; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinth and cocoa, of both of which he had a healthy dislike. The more his mother preached a more than Puritan abstinence the more did his father expand into a more than pagan latitude; and by the time the former had come to enforcing vegetarianism, the latter had pretty well reached the point of defending cannibalism. Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible. His hatred of modern lawlessness had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the broken windows and the bleeding faces. After that he went about as usual quiet, courteous, rather gentle; but there was a spot on his mind that was not sane. He did not regard anarchists, as most of us do, as a handful of morbid men, combining ignorance with intellectualism. He regarded them as a huge and pitiless peril, like a Chinese invasion. He poured perpetually into newspapers and their waste-paper baskets a torrent of tales, verses and violent articles, warning men of this deluge of barbaric denial. But he seemed to be getting no nearer his enemy, and, what was worse, no nearer a living. As he paced the Thames embankment, bitterly biting a cheap cigar and brooding on the advance of Anarchy, there was no anarchist with a bomb in his pocket so savage or so solitary as he. Indeed, he always felt that Government stood alone and desperate, with its back to the wall. He was too quixotic to have cared for it otherwise. He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country. Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton. Also his yellow beard and hair were more unkempt and leonine than when they appeared long afterwards, cut and pointed, on the lawns of Saffron Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a	another anarchist added in a heavier voice, "And you are not Thursday." "Comrades," cried Gregory, in a voice like that of a martyr who in an ecstacy of pain has passed beyond pain, "it is nothing to me whether you detest me as a tyrant or detest me as a slave. If you will not take my command, accept my degradation. I kneel to you. I throw myself at your feet. I implore you. Do not elect this man." "Comrade Gregory," said the chairman after a painful pause, "this is really not quite dignified." For the first time in the proceedings there was for a few seconds a real silence. Then Gregory fell back in his seat, a pale wreck of a man, and the chairman repeated, like a piece of clock-work suddenly started again "The question is that Comrade Syme be elected to the post of Thursday on the General Council." The roar rose like the sea, the hands rose like a forest, and three minutes afterwards Mr. Gabriel Syme, of the Secret Police Service, was elected to the post of Thursday on the General Council of the Anarchists of Europe. Everyone in the room seemed to feel the tug waiting on the river, the sword-stick and the revolver, waiting on the table. The instant the election was ended and irrevocable, and Syme had received the paper proving his election, they all sprang to their feet, and the fiery groups moved and mixed in the room. Syme found himself, somehow or other, face to face with Gregory, who still regarded him with a stare of stunned hatred. They were silent for many minutes. "You are a devil!" said Gregory at last. "And you are a gentleman," said Syme with gravity. "It was you that entrapped me," began Gregory, shaking from head to foot, "entrapped me into" "Talk sense," said Syme shortly. "Into what sort of devils' parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you have certainly given me by the end of it." "What do you mean?" cried the chaotic Gregory. "What did I promise you?" "A very entertaining evening," said Syme, and he made a military salute with the sword-stick as the steamboat slid away. CHAPTER IV. THE TALE OF A DETECTIVE Gabriel Syme was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion. He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realisation; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinth and cocoa, of both of which he had a healthy dislike. The more his mother preached a more than Puritan abstinence the more did his father expand into a more than pagan latitude; and by the time the former had come to enforcing vegetarianism, the latter had pretty well reached the point of defending cannibalism. Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible. His hatred of modern lawlessness had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the broken windows and the bleeding faces. After that he went about as usual quiet, courteous, rather gentle; but there was a spot on his mind that was not sane. He did not regard anarchists, as	The Man Who Was Thursday
said the stranger,	No speaker	ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll	hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It	warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under	ever heard the likes of that?" "It s strange, perhaps, but it s not a crime. Why am I assaulted by a policeman in this fashion?" "Ah! that s a different matter," said Jaffers. "No doubt you are a bit difficult to see in this light, but I got a warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under the table. Then he sprang up again and flung off his coat. "Here, stop that," said Jaffers, suddenly realising what was happening. He gripped at the waistcoat; it struggled, and the shirt slipped out of it and left it limp and empty in his hand. "Hold him!" said Jaffers, loudly.	in a tone of savage expostulation. "The fact is, I m all here head, hands, legs, and all the rest of it, but it happens I m invisible. It s a confounded nuisance, but I am. That s no reason why I should be poked to pieces by every stupid bumpkin in Iping, is it?" The suit of clothes, now all unbuttoned and hanging loosely upon its unseen supports, stood up, arms akimbo. Several other of the men folks had now entered the room, so that it was closely crowded. "Invisible, eh?" said Huxter, ignoring the stranger s abuse. "Who ever heard the likes of that?" "It s strange, perhaps, but it s not a crime. Why am I assaulted by a policeman in this fashion?" "Ah! that s a different matter," said Jaffers. "No doubt you are a bit difficult to see in this light, but I got a warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under the table. Then he sprang up again and flung off his coat. "Here, stop that," said Jaffers, suddenly realising what was happening. He gripped at the waistcoat; it struggled, and the shirt slipped out of it and left it limp and empty in his hand. "Hold him!" said Jaffers, loudly. "Once he gets the things off" "Hold him!" cried everyone, and there was a rush at the fluttering white shirt which was now all that was visible of the stranger. The shirt-sleeve planted a shrewd blow in Hall s face that stopped his open-armed advance, and sent him backward into old Toothsome the sexton, and in another moment the garment was lifted up and became convulsed and vacantly flapping about the arms, even as a shirt that is being thrust over a man s head. Jaffers clutched at it, and only helped to pull it off; he was struck in	as his left. "It s no good," he said, as if sobbing for breath. It was the strangest thing in the world to hear that voice coming as if out of empty space, but the Sussex peasants are perhaps the most matter-of-fact people under the sun. Jaffers got up also and produced a pair of handcuffs. Then he stared. "I say!" said Jaffers, brought up short by a dim realization of the incongruity of the whole business, "Darn it! Can t use em as I can see." The stranger ran his arm down his waistcoat, and as if by a miracle the buttons to which his empty sleeve pointed became undone. Then he said something about his shin, and stooped down. He seemed to be fumbling with his shoes and socks. "Why!" said Huxter, suddenly, "that s not a man at all. It s just empty clothes. Look! You can see down his collar and the linings of his clothes. I could put my arm" He extended his hand; it seemed to meet something in mid-air, and he drew it back with a sharp exclamation. "I wish you d keep your fingers out of my eye," said the aerial voice, in a tone of savage expostulation. "The fact is, I m all here head, hands, legs, and all the rest of it, but it happens I m invisible. It s a confounded nuisance, but I am. That s no reason why I should be poked to pieces by every stupid bumpkin in Iping, is it?" The suit of clothes, now all unbuttoned and hanging loosely upon its unseen supports, stood up, arms akimbo. Several other of the men folks had now entered the room, so that it was closely crowded. "Invisible, eh?" said Huxter, ignoring the stranger s abuse. "Who ever heard the likes of that?" "It s strange, perhaps, but it s not a crime. Why am I assaulted by a policeman in this fashion?" "Ah! that s a different matter," said Jaffers. "No doubt you are a bit difficult to see in this light, but I got a warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under the table. Then he sprang up again and flung off his coat. "Here, stop that," said Jaffers, suddenly realising what was happening. He gripped at the waistcoat; it struggled, and the shirt slipped out of it and left it limp and empty in his hand. "Hold him!" said Jaffers, loudly. "Once he gets the things off" "Hold him!" cried everyone, and there was a rush at the fluttering white shirt which was now all that was visible of the stranger. The shirt-sleeve planted a shrewd blow in Hall s face that stopped his open-armed advance, and sent him backward into old Toothsome the sexton, and in another moment the garment was lifted up and became convulsed and vacantly flapping about the arms, even as a shirt that is being thrust over a man s head. Jaffers clutched at it, and only helped to pull it off; he was struck in the mouth out of the air, and incontinently threw his truncheon and smote Teddy Henfrey savagely upon the crown of his head. "Look out!" said everybody, fencing at random and hitting at nothing. "Hold him! Shut the door! Don t let him loose! I got something! Here he is!" A perfect Babel of noises they made. Everybody, it seemed, was being hit all at once, and Sandy Wadgers, knowing as ever and his wits sharpened by a frightful blow in the nose, reopened the door and led the rout. The others, following incontinently, were jammed for a moment in the corner by the doorway. The hitting continued. Phipps, the Unitarian, had a front tooth broken, and Henfrey was injured in the cartilage of his ear. Jaffers was struck under the jaw, and, turning, caught at something that intervened between him and Huxter in the m l e, and prevented their coming together. He felt a muscular chest, and in another moment the whole mass of struggling, excited men shot out into the crowded hall. "I got him!" shouted Jaffers, choking and reeling through them all, and wrestling with purple face and swelling veins against his unseen enemy. Men staggered right	shouted conflicting information of the recent circumstances. "Ed or no ed," said Jaffers, "I got to rest en, and rest en I _will_." Mr. Hall marched up the steps, marched straight to the door of the parlour and flung it open. "Constable," he said, "do your duty." Jaffers marched in. Hall next, Wadgers last. They saw in the dim light the headless figure facing them, with a gnawed crust of bread in one gloved hand and a chunk of cheese in the other. "That s him!" said Hall. "What the devil s this?" came in a tone of angry expostulation from above the collar of the figure. "You re a damned rum customer, mister," said Mr. Jaffers. "But ed or no ed, the warrant says body, and duty s duty" "Keep off!" said the figure, starting back. Abruptly he whipped down the bread and cheese, and Mr. Hall just grasped the knife on the table in time to save it. Off came the stranger s left glove and was slapped in Jaffers face. In another moment Jaffers, cutting short some statement concerning a warrant, had gripped him by the handless wrist and caught his invisible throat. He got a sounding kick on the shin that made him shout, but he kept his grip. Hall sent the knife sliding along the table to Wadgers, who acted as goal-keeper for the offensive, so to speak, and then stepped forward as Jaffers and the stranger swayed and staggered towards him, clutching and hitting in. A chair stood in the way, and went aside with a crash as they came down together. "Get the feet," said Jaffers between his teeth. Mr. Hall, endeavouring to act on instructions, received a sounding kick in the ribs that disposed of him for a moment, and Mr. Wadgers, seeing the decapitated stranger had rolled over and got the upper side of Jaffers, retreated towards the door, knife in hand, and so collided with Mr. Huxter and the Sidderbridge carter coming to the rescue of law and order. At the same moment down came three or four bottles from the chiffonnier and shot a web of pungency into the air of the room. "I ll surrender," cried the stranger, though he had Jaffers down, and in another moment he stood up panting, a strange figure, headless and handless for he had pulled off his right glove now as well as his left. "It s no good," he said, as if sobbing for breath. It was the strangest thing in the world to hear that voice coming as if out of empty space, but the Sussex peasants are perhaps the most matter-of-fact people under the sun. Jaffers got up also and produced a pair of handcuffs. Then he stared. "I say!" said Jaffers, brought up short by a dim realization of the incongruity of the whole business, "Darn it! Can t use em as I can see." The stranger ran his arm down his waistcoat, and as if by a miracle the buttons to which his empty sleeve pointed became undone. Then he said something about his shin, and stooped down. He seemed to be fumbling with his shoes and socks. "Why!" said Huxter, suddenly, "that s not a man at all. It s just empty clothes. Look! You can see down his collar and the linings of his clothes. I could put my arm" He extended his hand; it seemed to meet something in mid-air, and he drew it back with a sharp exclamation. "I wish you d keep your fingers out of my eye," said the aerial voice, in a tone of savage expostulation. "The fact is, I m all here head, hands, legs, and all the rest of it, but it happens I m invisible. It s a confounded nuisance, but I am. That s no reason why I should be poked to pieces by every stupid bumpkin in Iping, is it?" The suit of clothes, now all unbuttoned and hanging loosely upon its unseen supports, stood up, arms akimbo. Several other of the men folks had now entered the room, so that it was closely crowded. "Invisible, eh?" said Huxter, ignoring the stranger s abuse. "Who ever heard the likes of that?" "It s strange, perhaps, but it s not a crime. Why am I assaulted by a policeman in this fashion?" "Ah! that s a different matter," said Jaffers. "No doubt you are a bit difficult to see in this light, but I got a warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under the table. Then he sprang up again and flung off his coat. "Here, stop that," said Jaffers, suddenly realising what was happening. He gripped at the waistcoat; it struggled, and the shirt slipped out of it and left it limp and empty in his hand. "Hold him!" said Jaffers, loudly. "Once he gets the things off" "Hold him!" cried everyone, and there was a rush at the fluttering white shirt which was now all that was visible of the stranger. The shirt-sleeve planted a shrewd blow in Hall s face that stopped his open-armed advance, and sent him backward into old Toothsome the sexton, and in another moment the garment was lifted up and became convulsed and vacantly flapping about the arms, even as a shirt that is being thrust over a man s head. Jaffers clutched at it, and only helped to pull it off; he was struck in the mouth out of the air, and incontinently threw his truncheon and smote Teddy Henfrey savagely upon the crown of his head. "Look out!" said everybody, fencing at random and hitting at nothing. "Hold him! Shut the door! Don t let him loose! I got something! Here he is!" A perfect Babel of noises they made. Everybody, it seemed, was being hit all at once, and Sandy Wadgers, knowing as ever and his wits sharpened by a frightful blow in the nose, reopened the door and led the rout. The others, following incontinently, were jammed for a moment in the corner by the doorway. The hitting continued. Phipps, the Unitarian, had a front tooth broken, and Henfrey was injured in the cartilage of his ear. Jaffers was struck under the jaw, and, turning, caught at something that intervened between him and Huxter in the m l e, and prevented their coming together. He felt a muscular chest, and in another moment the whole mass of struggling, excited men shot out into the crowded hall. "I got him!" shouted Jaffers, choking and reeling through them all, and wrestling with purple face and swelling veins against his unseen enemy. Men staggered right and left as the extraordinary conflict swayed swiftly towards the house door, and went spinning down the half-dozen steps of the inn. Jaffers cried in a strangled voice holding tight, nevertheless, and making play with his knee spun around, and fell heavily undermost with his head on the gravel. Only then did his fingers relax. There were excited cries of "Hold him!" "Invisible!" and so forth, and a young fellow, a stranger in the place whose name did not come to light, rushed in at once, caught something, missed his hold, and fell over the constable s prostrate body. Half-way across the road a woman screamed as something pushed by her; a dog, kicked apparently, yelped and ran howling into Huxter s yard, and with that the transit of the Invisible Man was accomplished. For a space people stood amazed and gesticulating, and then came panic, and scattered them abroad through the village as a gust scatters dead leaves. But Jaffers lay quite still, face upward and knees bent, at the foot of the steps of the inn. CHAPTER VIII. IN TRANSIT The eighth chapter is exceedingly brief, and relates that Gibbons, the amateur naturalist of the district, while lying out on the spacious open downs without a soul within a couple of miles of him, as he thought, and almost dozing, heard close to him the sound as of a man coughing, sneezing, and then swearing savagely to himself; and looking, beheld nothing. Yet the voice was indisputable. It continued to swear with that breadth and variety that distinguishes the swearing of a cultivated man. It grew to a climax, diminished again, and died away in the distance, going as it seemed to him in the direction of Adderdean. It lifted to a spasmodic sneeze and ended. Gibbons had heard nothing of the morning s occurrences, but the phenomenon was so striking and disturbing that his philosophical tranquillity vanished; he got up hastily, and hurried down the steepness of the hill towards the village, as fast as he could go. CHAPTER IX. MR. THOMAS MARVEL You must picture Mr. Thomas Marvel as a person of copious, flexible visage, a nose of cylindrical protrusion, a liquorish, ample, fluctuating mouth, and a beard of bristling eccentricity. His figure inclined to embonpoint; his short limbs accentuated this inclination. He wore a furry silk hat, and the frequent substitution of twine and shoe-laces	retreated towards the door, knife in hand, and so collided with Mr. Huxter and the Sidderbridge carter coming to the rescue of law and order. At the same moment down came three or four bottles from the chiffonnier and shot a web of pungency into the air of the room. "I ll surrender," cried the stranger, though he had Jaffers down, and in another moment he stood up panting, a strange figure, headless and handless for he had pulled off his right glove now as well as his left. "It s no good," he said, as if sobbing for breath. It was the strangest thing in the world to hear that voice coming as if out of empty space, but the Sussex peasants are perhaps the most matter-of-fact people under the sun. Jaffers got up also and produced a pair of handcuffs. Then he stared. "I say!" said Jaffers, brought up short by a dim realization of the incongruity of the whole business, "Darn it! Can t use em as I can see." The stranger ran his arm down his waistcoat, and as if by a miracle the buttons to which his empty sleeve pointed became undone. Then he said something about his shin, and stooped down. He seemed to be fumbling with his shoes and socks. "Why!" said Huxter, suddenly, "that s not a man at all. It s just empty clothes. Look! You can see down his collar and the linings of his clothes. I could put my arm" He extended his hand; it seemed to meet something in mid-air, and he drew it back with a sharp exclamation. "I wish you d keep your fingers out of my eye," said the aerial voice, in a tone of savage expostulation. "The fact is, I m all here head, hands, legs, and all the rest of it, but it happens I m invisible. It s a confounded nuisance, but I am. That s no reason why I should be poked to pieces by every stupid bumpkin in Iping, is it?" The suit of clothes, now all unbuttoned and hanging loosely upon its unseen supports, stood up, arms akimbo. Several other of the men folks had now entered the room, so that it was closely crowded. "Invisible, eh?" said Huxter, ignoring the stranger s abuse. "Who ever heard the likes of that?" "It s strange, perhaps, but it s not a crime. Why am I assaulted by a policeman in this fashion?" "Ah! that s a different matter," said Jaffers. "No doubt you are a bit difficult to see in this light, but I got a warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under the table. Then he sprang up again and flung off his coat. "Here, stop that," said Jaffers, suddenly realising what was happening. He gripped at the waistcoat; it struggled, and the shirt slipped out of it and left it limp and empty in his hand. "Hold him!" said Jaffers, loudly. "Once he gets the things off" "Hold him!" cried everyone, and there was a rush at the fluttering white shirt which was now all that was visible of the stranger. The shirt-sleeve planted a shrewd blow in Hall s face that stopped his open-armed advance, and sent him backward into old Toothsome the sexton, and in another moment the garment was lifted up and became convulsed and vacantly flapping about the arms, even as a shirt that is being thrust over a man s head. Jaffers clutched at it, and only helped to pull it off; he was struck in the mouth out of the air, and incontinently threw his truncheon and smote Teddy Henfrey savagely upon the crown of his head. "Look out!" said everybody, fencing at random and hitting at nothing. "Hold him! Shut the door! Don t let him loose! I got something! Here he is!" A perfect Babel of noises they made. Everybody, it seemed, was being hit all at once, and Sandy Wadgers, knowing as ever and his wits sharpened by a frightful blow in the nose, reopened the door and led the rout. The others, following incontinently, were jammed for a moment in the corner by the doorway. The hitting continued. Phipps, the Unitarian, had a front tooth broken, and Henfrey was injured in the cartilage of his ear. Jaffers was struck under the jaw, and, turning, caught at something that intervened between him and Huxter in the m l e, and prevented their coming together. He felt a muscular chest, and in another moment the whole mass of struggling, excited men	The Invisible Man
said Marilla severely.	No speaker	speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real	very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course	a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to	I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea	I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead," assured Anne. "But oh, Marilla, will you let me	and anyhow his theology is sound because she questioned him thoroughly on all the points of doctrine. And she knows his wife's people and they are most respectable and the women are all good housekeepers. Mrs. Lynde says that sound doctrine in the man and good housekeeping in the woman make an ideal combination for a minister's family." The new minister and his wife were a young, pleasant-faced couple, still on their honeymoon, and full of all good and beautiful enthusiasms for their chosen lifework. Avonlea opened its heart to them from the start. Old and young liked the frank, cheerful young man with his high ideals, and the bright, gentle little lady who assumed the mistress-ship of the manse. With Mrs. Allan Anne fell promptly and wholeheartedly in love. She had discovered another kindred spirit. "Mrs. Allan is perfectly lovely," she announced one Sunday afternoon. "She's taken our class and she's a splendid teacher. She said right away she didn't think it was fair for the teacher to ask all the questions, and you know, Marilla, that is exactly what I've always thought. She said we could ask her any question we liked and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead," assured Anne. "But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two	Avonlea for eighteen years. He was a widower when he came, and a widower he remained, despite the fact that gossip regularly married him to this, that, or the other one, every year of his sojourn. In the preceding February he had resigned his charge and departed amid the regrets of his people, most of whom had the affection born of long intercourse for their good old minister in spite of his shortcomings as an orator. Since then the Avonlea church had enjoyed a variety of religious dissipation in listening to the many and various candidates and "supplies" who came Sunday after Sunday to preach on trial. These stood or fell by the judgment of the fathers and mothers in Israel; but a certain small, red-haired girl who sat meekly in the corner of the old Cuthbert pew also had her opinions about them and discussed the same in full with Matthew, Marilla always declining from principle to criticize ministers in any shape or form. "I don't think Mr. Smith would have done, Matthew" was Anne's final summing up. "Mrs. Lynde says his delivery was so poor, but I think his worst fault was just like Mr. Bentley's--he had no imagination. And Mr. Terry had too much; he let it run away with him just as I did mine in the matter of the Haunted Wood. Besides, Mrs. Lynde says his theology wasn't sound. Mr. Gresham was a very good man and a very religious man, but he told too many funny stories and made the people laugh in church; he was undignified, and you must have some dignity about a minister, mustn't you, Matthew? I thought Mr. Marshall was decidedly attractive; but Mrs. Lynde says he isn't married, or even engaged, because she made special inquiries about him, and she says it would never do to have a young unmarried minister in Avonlea, because he might marry in the congregation and that would make trouble. Mrs. Lynde is a very farseeing woman, isn't she, Matthew? I'm very glad they've called Mr. Allan. I liked him because his sermon was interesting and he prayed as if he meant it and not just as if he did it because he was in the habit of it. Mrs. Lynde says he isn't perfect, but she says she supposes we couldn't expect a perfect minister for seven hundred and fifty dollars a year, and anyhow his theology is sound because she questioned him thoroughly on all the points of doctrine. And she knows his wife's people and they are most respectable and the women are all good housekeepers. Mrs. Lynde says that sound doctrine in the man and good housekeeping in the woman make an ideal combination for a minister's family." The new minister and his wife were a young, pleasant-faced couple, still on their honeymoon, and full of all good and beautiful enthusiasms for their chosen lifework. Avonlea opened its heart to them from the start. Old and young liked the frank, cheerful young man with his high ideals, and the bright, gentle little lady who assumed the mistress-ship of the manse. With Mrs. Allan Anne fell promptly and wholeheartedly in love. She had discovered another kindred spirit. "Mrs. Allan is perfectly lovely," she announced one Sunday afternoon. "She's taken our class and she's a splendid teacher. She said right away she didn't think it was fair for the teacher to ask all the questions, and you know, Marilla, that is exactly what I've always thought. She said we could ask her any question we liked and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead," assured Anne. "But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two kinds of jelly, red and yellow, and whipped cream and lemon pie, and cherry pie, and three kinds of cookies, and fruit cake, and Marilla's famous yellow plum preserves that she keeps especially for ministers, and pound cake and layer cake, and biscuits as aforesaid; and new bread and old both, in case the minister is dyspeptic and can't eat new. Mrs. Lynde says ministers are dyspeptic, but I don't think Mr. Allan has been a minister long enough for it to have had a bad effect on him. I just grow cold when I think of my layer cake. Oh, Diana, what if it shouldn't be good! I dreamed last night that I was chased all around by a fearful goblin with a big layer cake for a head." "It'll be good, all right," assured Diana, who was a very comfortable sort of friend. "I'm sure that piece of the one you made that we had for lunch in Idlewild two weeks ago was perfectly elegant." "Yes; but cakes have such a terrible habit of turning out bad just when you especially want them to be good," sighed Anne, setting a particularly well-balsamed twig afloat. "However, I suppose I shall just have to trust to Providence and be careful to put in the flour. Oh, look, Diana, what a lovely rainbow! Do you suppose the dryad will come out after we go away and take it for a scarf?" "You know there is no such thing as a dryad," said Diana. Diana's mother had found out about the Haunted Wood and had been decidedly angry over it. As a result Diana had abstained from any further imitative flights of imagination and did not think it prudent to cultivate a spirit of belief even in harmless dryads. "But it's so easy to imagine there is," said Anne. "Every night before I go to bed, I look out of my window and wonder if the dryad is really sitting here, combing her locks with the spring for a mirror. Sometimes I look for her footprints in the dew in the morning. Oh, Diana, don't give up your faith in the dryad!" Wednesday morning came. Anne got up at sunrise because she was too excited to sleep. She had caught a severe cold in the head by reason of her dabbling in the spring on the preceding evening; but nothing short of	habit of it. Mrs. Lynde says he isn't perfect, but she says she supposes we couldn't expect a perfect minister for seven hundred and fifty dollars a year, and anyhow his theology is sound because she questioned him thoroughly on all the points of doctrine. And she knows his wife's people and they are most respectable and the women are all good housekeepers. Mrs. Lynde says that sound doctrine in the man and good housekeeping in the woman make an ideal combination for a minister's family." The new minister and his wife were a young, pleasant-faced couple, still on their honeymoon, and full of all good and beautiful enthusiasms for their chosen lifework. Avonlea opened its heart to them from the start. Old and young liked the frank, cheerful young man with his high ideals, and the bright, gentle little lady who assumed the mistress-ship of the manse. With Mrs. Allan Anne fell promptly and wholeheartedly in love. She had discovered another kindred spirit. "Mrs. Allan is perfectly lovely," she announced one Sunday afternoon. "She's taken our class and she's a splendid teacher. She said right away she didn't think it was fair for the teacher to ask all the questions, and you know, Marilla, that is exactly what I've always thought. She said we could ask her any question we liked and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead," assured Anne. "But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two kinds of jelly, red and yellow, and whipped cream and lemon pie, and cherry pie, and three kinds of cookies, and fruit cake, and Marilla's famous yellow plum preserves that she keeps especially for ministers, and pound cake and layer cake, and biscuits as aforesaid; and new bread and old both, in case the minister is dyspeptic and can't eat new. Mrs. Lynde says ministers are dyspeptic, but I don't think Mr. Allan has been a minister long enough for it to have had a bad effect on him. I just grow cold when I think of my layer cake. Oh, Diana, what if it shouldn't be good! I dreamed last night that I was chased all around by a fearful goblin with a big layer cake for a head." "It'll be good, all right," assured Diana, who was a very comfortable sort of friend. "I'm sure that piece of the one you made that we had for lunch in Idlewild two weeks ago was perfectly elegant." "Yes; but cakes have such a terrible habit of	Anne Of Green Gables
"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."	Dr. Aziz	embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again?	the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full	not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second	"In her letters, in her letters. She loved you." "Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising. Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of	of me when you use it. I shall never want it back. I must give you one little present, and it is all I have got; you are Mrs. Moore's son." "I am that," he murmured to himself; and a part of Aziz' mind that had been hidden seemed to move and force its way to the top. "But you are Heaslop's brother also, and alas, the two nations cannot be friends." "I know. Not yet." "Did your mother speak to you about me?" "Yes." And with a swerve of voice and body that Aziz did not follow he added, "In her letters, in her letters. She loved you." "Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising. Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of his hospitality gushed forth and he began doing the honours of Mau and persuading himself that he understood the wild procession, which increased in lights and sounds as the complications of its ritual developed. There was little need to row, for the freshening gale blew them in the direction they desired. Thorns scratched the keel, they ran into an islet and startled some cranes. The strange temporary life of the August flood-water bore them up and seemed as though it would last for ever. The boat was a rudderless dinghy. Huddled up in the stern, with the spare pair of	the shapeless lumps of the universe. The song became audible through much repetition; the choir was repeating and inverting the names of deities. "Radhakrishna Radhakrishna, Radhakrishna Radhakrishna, Krishnaradha Radhakrishna, Radhakrishna Radhakrishna," they sang, and woke the sleeping sentry in the Guest House; he leant upon his iron-tipped spear. "I must go back now, good night," said Aziz, and held out his hand, completely forgetting that they were not friends, and focusing his heart on something more distant than the caves, something beautiful. His hand was taken, and then he remembered how detestable he had been, and said gently, "Don't you think me unkind any more?" "No." "How can you tell, you strange fellow?" "Not difficult, the one thing I always know." "Can you always tell whether a stranger is your friend?" "Yes." "Then you are an Oriental." He unclasped as he spoke, with a little shudder. Those words he had said them to Mrs. Moore in the mosque in the beginning of the cycle, from which, after so much suffering, he had got free. Never be friends with the English! Mosque, caves, mosque, caves. And here he was starting again. He handed the magic ointment to him. "Take this, think of me when you use it. I shall never want it back. I must give you one little present, and it is all I have got; you are Mrs. Moore's son." "I am that," he murmured to himself; and a part of Aziz' mind that had been hidden seemed to move and force its way to the top. "But you are Heaslop's brother also, and alas, the two nations cannot be friends." "I know. Not yet." "Did your mother speak to you about me?" "Yes." And with a swerve of voice and body that Aziz did not follow he added, "In her letters, in her letters. She loved you." "Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising. Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of his hospitality gushed forth and he began doing the honours of Mau and persuading himself that he understood the wild procession, which increased in lights and sounds as the complications of its ritual developed. There was little need to row, for the freshening gale blew them in the direction they desired. Thorns scratched the keel, they ran into an islet and startled some cranes. The strange temporary life of the August flood-water bore them up and seemed as though it would last for ever. The boat was a rudderless dinghy. Huddled up in the stern, with the spare pair of oars in his arms, the guest asked no questions about details. There was presently a flash of lightning, followed by a second flash little red scratches on the ponderous sky. "Was that the Rajah?" he asked. "What what do you mean?" "Row back." "But there's no Rajah nothing" "Row back, you will see what I mean." Aziz found it hard work against the advancing wind. But he fixed his eyes on the pin of light that marked the Guest House and backed a few strokes. "There . . ." Floating in the darkness was a king, who sat under a canopy, in shining royal robes. . . . "I can't tell you what that is, I'm sure," he whispered. "His Highness is dead. I think we should go back at once." They were close to the promontory of the tombs, and had looked straight into the chhatri of the Rajah's father through an opening in the trees. That was the explanation. He had heard of the image made to imitate life at enormous expense but he had never chanced to see it before, though he frequently rowed on the lake. There was only one spot from which it could be	doctor, who will not hurt you." "I don't mind pain, there is no pain." "No pain?" "Not really." "Excellent news," sneered Aziz. "But there is cruelty." "I have brought you some salve, but how to put it on in your present nervous state becomes a problem," he continued, after a pause. "Please leave it with me." "Certainly not. It returns to my dispensary at once." He stretched forward, and the other retreated to the farther side of a table. "Now, do you want me to treat your stings, or do you prefer an English doctor? There is one at Asirgarh. Asirgarh is forty miles away, and the Ringnod dam broken. Now you see how you are placed. I think I had better see Mr. Fielding about you; this is really great nonsense, your present behaviour." "They are out in a boat," he replied, glancing about him for support. Aziz feigned intense surprise. "They have not gone in the direction of Mau, I hope. On a night like this the people become most fanatical." And, as if to confirm him, there was a sob, as though the lips of a giant had parted; the procession was approaching the Jail. "You should not treat us like this," he challenged, and this time Aziz was checked, for the voice, though frightened, was not weak. "Like what?" "Dr. Aziz, we have done you no harm." "Aha, you know my name, I see. Yes, I am Aziz. No, of course your great friend Miss Quested did me no harm at the Marabar." Drowning his last words, all the guns of the State went off. A rocket from the Jail garden gave the signal. The prisoner had been released, and was kissing the feet of the singers. Rose-leaves fall from the houses, sacred spices and coco-nut are brought forth. . . . It was the half-way moment; the God had extended His temple, and paused exultantly. Mixed and confused in their passage, the rumours of salvation entered the Guest House. They were startled and moved on to the porch, drawn by the sudden illumination. The bronze gun up on the fort kept flashing, the town was a blur of light, in which the houses seemed dancing, and the palace waving little wings. The water below, the hills and sky above, were not involved as yet; there was still only a little light and song struggling among the shapeless lumps of the universe. The song became audible through much repetition; the choir was repeating and inverting the names of deities. "Radhakrishna Radhakrishna, Radhakrishna Radhakrishna, Krishnaradha Radhakrishna, Radhakrishna Radhakrishna," they sang, and woke the sleeping sentry in the Guest House; he leant upon his iron-tipped spear. "I must go back now, good night," said Aziz, and held out his hand, completely forgetting that they were not friends, and focusing his heart on something more distant than the caves, something beautiful. His hand was taken, and then he remembered how detestable he had been, and said gently, "Don't you think me unkind any more?" "No." "How can you tell, you strange fellow?" "Not difficult, the one thing I always know." "Can you always tell whether a stranger is your friend?" "Yes." "Then you are an Oriental." He unclasped as he spoke, with a little shudder. Those words he had said them to Mrs. Moore in the mosque in the beginning of the cycle, from which, after so much suffering, he had got free. Never be friends with the English! Mosque, caves, mosque, caves. And here he was starting again. He handed the magic ointment to him. "Take this, think of me when you use it. I shall never want it back. I must give you one little present, and it is all I have got; you are Mrs. Moore's son." "I am that," he murmured to himself; and a part of Aziz' mind that had been hidden seemed to move and force its way to the top. "But you are Heaslop's brother also, and alas, the two nations cannot be friends." "I know. Not yet." "Did your mother speak to you about me?" "Yes." And with a swerve of voice and body that Aziz did not follow he added, "In her letters, in her letters. She loved you." "Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising. Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of his hospitality gushed forth and he began doing the honours of Mau and persuading himself that he understood the wild procession, which increased in lights and sounds as the complications of its ritual developed. There was little need to row, for the freshening gale blew them in the direction they desired. Thorns scratched the keel, they ran into an islet and startled some cranes. The strange temporary life of the August flood-water bore them up and seemed as though it would last for ever. The boat was a rudderless dinghy. Huddled up in the stern, with the spare pair of oars in his arms, the guest asked no questions about details. There was presently a flash of lightning, followed by a second flash little red scratches on the ponderous sky. "Was that the Rajah?" he asked. "What what do you mean?" "Row back." "But there's no Rajah nothing" "Row back, you will see what I mean." Aziz found it hard work against the advancing wind. But he fixed his eyes on the pin of light that marked the Guest House and backed a few strokes. "There . . ." Floating in the darkness was a king, who sat under a canopy, in shining royal robes. . . . "I can't tell you what that is, I'm sure," he whispered. "His Highness is dead. I think we should go back at once." They were close to the promontory of the tombs, and had looked straight into the chhatri of the Rajah's father through an opening in the trees. That was the explanation. He had heard of the image made to imitate life at enormous expense but he had never chanced to see it before, though he frequently rowed on the lake. There was only one spot from which it could be seen, and Ralph had directed him to it. Hastily he pulled away, feeling that his companion was not so much a visitor as a guide. He remarked, "Shall we go back now?" "There is still the procession." "I'd rather not go nearer they have such strange customs, and might hurt you." "A little nearer." Aziz obeyed. He knew with his heart that this was Mrs. Moore's son, and indeed until his heart was involved he knew nothing. "Radhakrishna Radhakrishna Radhakrishna Radhakrishna Krishnaradha," went the chant, then suddenly changed, and in the interstice he heard, almost certainly, the syllables of salvation that had sounded during his trial at Chandrapore. "Mr. Moore, don't tell anyone that the Rajah is dead. It is a secret still, I am supposed not to say. We pretend he is alive until after the festival, to prevent unhappiness. Do you want to go still nearer?" "Yes." He tried to keep the boat out of the glare of the torches that began to star the other shore. Rockets kept going off, also the guns. Suddenly, closer than he had calculated, the palanquin of Krishna appeared from behind a ruined wall, and descended the carven glistening water-steps. On either side of it the singers tumbled, a woman prominent, a wild and beautiful young saint with flowers in her hair. She was praising God without attributes thus did she apprehend Him. Others praised Him without attributes, seeing Him in this or that organ of the body or manifestation of the sky. Down they rushed to the foreshore and stood in the small waves, and a sacred meal was prepared, of which those who felt worthy partook. Old Godbole detected the boat, which was drifting in on the gale, and he waved his arms whether in wrath or joy Aziz never discovered. Above stood the secular power of Mau elephants, artillery, crowds and high above them a wild tempest started, confined at first to the upper regions of the air. Gusts of wind mixed darkness and light, sheets of rain cut from the north, stopped, cut from the south, began rising from below, and across them struggled the singers, sounding every note but terror, and preparing to throw God away, God Himself, (not that God can be thrown) into the storm. Thus was He thrown year after year, and were others thrown little images of Ganpati, baskets of ten-day corn, tiny	had got free. Never be friends with the English! Mosque, caves, mosque, caves. And here he was starting again. He handed the magic ointment to him. "Take this, think of me when you use it. I shall never want it back. I must give you one little present, and it is all I have got; you are Mrs. Moore's son." "I am that," he murmured to himself; and a part of Aziz' mind that had been hidden seemed to move and force its way to the top. "But you are Heaslop's brother also, and alas, the two nations cannot be friends." "I know. Not yet." "Did your mother speak to you about me?" "Yes." And with a swerve of voice and body that Aziz did not follow he added, "In her letters, in her letters. She loved you." "Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising. Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of his hospitality gushed forth and he began doing the honours of Mau and persuading himself that he understood the wild procession, which increased in lights and sounds as the complications of its ritual developed. There was little need to row, for the freshening gale blew them in the direction they desired. Thorns scratched the keel, they ran into an islet and startled some cranes. The strange temporary life of the August flood-water bore them up and seemed as though it would last for ever. The boat was a rudderless dinghy. Huddled up in the stern, with the spare pair of oars	A Passage To India
We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.	No speaker	him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves	to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and	refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so	green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.”	out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of	child, relinquished by the nurse, rushed across the room and rooted shyly into her mother’s dress. “The bles-sed pre-cious! Did mother get powder on your old yellowy hair? Stand up now, and say—How-de-do.” Gatsby and I in turn leaned down and took the small reluctant hand. Afterward he kept looking at the child with surprise. I don’t think he had ever really believed in its existence before. “I got dressed before luncheon,” said the child, turning eagerly to Daisy. “That’s because your mother wanted to show you off.” Her face bent into the single wrinkle of the small white neck. “You dream, you. You absolute little dream.” “Yes,” admitted the child calmly. “Aunt Jordan’s got on a white dress too.” “How do you like mother’s friends?” Daisy turned her around so that she faced Gatsby. “Do you think they’re pretty?” “Where’s Daddy?” “She doesn’t look like her father,” explained Daisy. “She looks like me. She’s got my hair and shape of the face.” Daisy sat back upon the couch. The nurse took a step forward and held out her hand. “Come, Pammy.” “Goodbye, sweetheart!” With a reluctant backward glance the well-disciplined child held to her nurse’s hand and was pulled out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your	… Yes … I’ll see.” He set down the receiver and came toward us, glistening slightly, to take our stiff straw hats. “Madame expects you in the salon!” he cried, needlessly indicating the direction. In this heat every extra gesture was an affront to the common store of life. The room, shadowed well with awnings, was dark and cool. Daisy and Jordan lay upon an enormous couch, like silver idols weighing down their own white dresses against the singing breeze of the fans. “We can’t move,” they said together. Jordan’s fingers, powdered white over their tan, rested for a moment in mine. “And Mr. Thomas Buchanan, the athlete?” I inquired. Simultaneously I heard his voice, gruff, muffled, husky, at the hall telephone. Gatsby stood in the centre of the crimson carpet and gazed around with fascinated eyes. Daisy watched him and laughed, her sweet, exciting laugh; a tiny gust of powder rose from her bosom into the air. “The rumour is,” whispered Jordan, “that that’s Tom’s girl on the telephone.” We were silent. The voice in the hall rose high with annoyance: “Very well, then, I won’t sell you the car at all … I’m under no obligations to you at all … and as for your bothering me about it at lunch time, I won’t stand that at all!” “Holding down the receiver,” said Daisy cynically. “No, he’s not,” I assured her. “It’s a bona-fide deal. I happen to know about it.” Tom flung open the door, blocked out its space for a moment with his thick body, and hurried into the room. “Mr. Gatsby!” He put out his broad, flat hand with well-concealed dislike. “I’m glad to see you, sir … Nick …” “Make us a cold drink,” cried Daisy. As he left the room again she got up and went over to Gatsby and pulled his face down, kissing him on the mouth. “You know I love you,” she murmured. “You forget there’s a lady present,” said Jordan. Daisy looked around doubtfully. “You kiss Nick too.” “What a low, vulgar girl!” “I don’t care!” cried Daisy, and began to clog on the brick fireplace. Then she remembered the heat and sat down guiltily on the couch just as a freshly laundered nurse leading a little girl came into the room. “Bles-sed pre-cious,” she crooned, holding out her arms. “Come to your own mother that loves you.” The child, relinquished by the nurse, rushed across the room and rooted shyly into her mother’s dress. “The bles-sed pre-cious! Did mother get powder on your old yellowy hair? Stand up now, and say—How-de-do.” Gatsby and I in turn leaned down and took the small reluctant hand. Afterward he kept looking at the child with surprise. I don’t think he had ever really believed in its existence before. “I got dressed before luncheon,” said the child, turning eagerly to Daisy. “That’s because your mother wanted to show you off.” Her face bent into the single wrinkle of the small white neck. “You dream, you. You absolute little dream.” “Yes,” admitted the child calmly. “Aunt Jordan’s got on a white dress too.” “How do you like mother’s friends?” Daisy turned her around so that she faced Gatsby. “Do you think they’re pretty?” “Where’s Daddy?” “She doesn’t look like her father,” explained Daisy. “She looks like me. She’s got my hair and shape of the face.” Daisy sat back upon the couch. The nurse took a step forward and held out her hand. “Come, Pammy.” “Goodbye, sweetheart!” With a reluctant backward glance the well-disciplined child held to her nurse’s hand and was pulled out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms. “Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me	low, vulgar girl!” “I don’t care!” cried Daisy, and began to clog on the brick fireplace. Then she remembered the heat and sat down guiltily on the couch just as a freshly laundered nurse leading a little girl came into the room. “Bles-sed pre-cious,” she crooned, holding out her arms. “Come to your own mother that loves you.” The child, relinquished by the nurse, rushed across the room and rooted shyly into her mother’s dress. “The bles-sed pre-cious! Did mother get powder on your old yellowy hair? Stand up now, and say—How-de-do.” Gatsby and I in turn leaned down and took the small reluctant hand. Afterward he kept looking at the child with surprise. I don’t think he had ever really believed in its existence before. “I got dressed before luncheon,” said the child, turning eagerly to Daisy. “That’s because your mother wanted to show you off.” Her face bent into the single wrinkle of the small white neck. “You dream, you. You absolute little dream.” “Yes,” admitted the child calmly. “Aunt Jordan’s got on a white dress too.” “How do you like mother’s friends?” Daisy turned her around so that she faced Gatsby. “Do you think they’re pretty?” “Where’s Daddy?” “She doesn’t look like her father,” explained Daisy. “She looks like me. She’s got my hair and shape of the face.” Daisy sat back upon the couch. The nurse took a step forward and held out her hand. “Come, Pammy.” “Goodbye, sweetheart!” With a reluctant backward glance the well-disciplined child held to her nurse’s hand and was pulled out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said	The Great Gatsby
"You _would_ like it, wouldn't you?"	Mrs Beaver	come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it."	would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way	* * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they	stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and	the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had to reconnoitre up and down their beds in search of tepid, stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats	loose red pebbles that bruised their feet; after these painful ascents they would lie in the wind till their wet clothes grew cold against their bodies; from these low eminences they could see other hill-tops and the belts of bush through which they had travelled, and the file of porters trailing behind them. As each man and woman arrived he sank on to the dry grass and rested against his load; when the last of them came up with the party Dr Messinger would give the word and they would start off again, descending into the green heart of the forest before them. Tony and Dr Messinger seldom spoke to one another, either when they were marching or at the halts, for they were constantly strained and exhausted. In the evenings after they had washed and changed into dry shirts and flannel trousers, they talked a little, mostly about the number of miles they had done that day, their probable position and the state of their feet. They drank rum and water after their bath; for supper there was usually bully beef stewed with rice and flour dumplings. The Indians ate farine, smoked hog and occasional delicacies picked up by the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had to reconnoitre up and down their beds in search of tepid, stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats all night long nuzzling and flapping against their netting. The Indians would not go hunting in this forest. They said there was no game, but Dr Messinger said it was because they were afraid of the evil spirits of the Pie-wie people. Provisions were not lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a bag of rice. Dr Messinger instituted careful rationing; he served them himself, measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly. "The men must go out and shoot something." But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped	of it, Marjorie's probably going. Well, I can always have sandwiches for dinner here. They make all kinds. Thank God for the little shop round the corner." She was reading a biography of Nelson that had lately appeared; it was very long and would keep her going well into the night. At one o'clock Jenny came in to say good-bye (she had a latch-key of Brenda's), dressed for a cosy lunch. "I got Polly and Souki," she said. "We're going to Daisy's joint. I _wish_ you were coming." "Me? Oh, I'm all right," said Brenda, and she thought, "It might occur to her to sock a girl a meal once in a way." * * * * * They walked for a fortnight, averaging about fifteen miles a day. Sometimes they would do much more and sometimes much less; the Indian who went in front decided the camping places; they depended on water and evil spirits. Dr Messinger made a compass traverse of their route. It gave him something to think about. He took readings every hour from an aneroid. In the evening, if they had halted early enough, he employed the last hours of daylight in elaborating a chart. "_Dry watercourse, three deserted huts, stony ground...._" "We are now in the Amazon system of rivers," he announced with satisfaction one day. "You see, the water is running south." But almost immediately they crossed a stream flowing in the opposite direction. "Very curious," said Dr Messinger. "A discovery of genuine scientific value." Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. "Is there a name for any of these streams?" he asked Rosa. "Macushi people called him Waurupang." "No, not the river where we first camped. _These rivers._" "Yes, Waurupang." "_This river here._" "Macushi people call him all Waurupang." "It's hopeless," said Dr Messinger. When they were near water they forced their way through blind bush; the trail there was grown over and barred by timber; only Indian eyes and Indian memory could trace its course; sometimes they crossed little patches of dry savannah, dun grass growing in tufts from the baked earth; thousands of lizards scampered and darted before their feet and the grass rustled like newspaper; it was burning hot in these enclosed spaces. Sometimes they climbed up into the wind, over loose red pebbles that bruised their feet; after these painful ascents they would lie in the wind till their wet clothes grew cold against their bodies; from these low eminences they could see other hill-tops and the belts of bush through which they had travelled, and the file of porters trailing behind them. As each man and woman arrived he sank on to the dry grass and rested against his load; when the last of them came up with the party Dr Messinger would give the word and they would start off again, descending into the green heart of the forest before them. Tony and Dr Messinger seldom spoke to one another, either when they were marching or at the halts, for they were constantly strained and exhausted. In the evenings after they had washed and changed into dry shirts and flannel trousers, they talked a little, mostly about the number of miles they had done that day, their probable position and the state of their feet. They drank rum and water after their bath; for supper there was usually bully beef stewed with rice and flour dumplings. The Indians ate farine, smoked hog and occasional delicacies picked up by the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had to reconnoitre up and down their beds in search of tepid, stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats all night long nuzzling and flapping against their netting. The Indians would not go hunting in this forest. They said there was no game, but Dr Messinger said it was because they were afraid of the evil spirits of the Pie-wie people. Provisions were not lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a bag of rice. Dr Messinger instituted careful rationing; he served them himself, measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly. "The men must go out and shoot something." But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped on the bank; it would be plenty of time to start hunting and fishing when that had been exhausted. Meanwhile there were canoes to be built. "This is clearly Amazon water," said Dr Messinger. "It probably flows into the Rio Branco or the Rio Negro. The Pie-wies live along the bank, and the City, from all accounts, must be downstream of us, up one of the tributaries. When we reach the first Pie-wie village we will be able to get guides." The canoes were made of woodskin. Three days were spent in finding trees of suitable age and straightness and in felling them. They cut four trees and worked on them where they lay, clearing the bush for a few feet round them. They stripped the bark with their broad-bladed knives; that took another week. They worked patiently but clumsily; one woodskin was split in getting it off the trunk. There was nothing Tony and Dr Messinger could do to help. They spent that week guarding the sugar from the women. As the men moved about the camp and the surrounding bush, their steps were soundless; their bare feet seemed never to disturb the fallen leaves, their bare shoulders made no rustle in the tangled undergrowth; their speech was brief and scarcely audible, they never joined in the chatter and laughter of their women; sometimes they gave little grunts as they worked; only once they were merry, when one of them let his knife slip as he was working on the tree-trunk and cut deeply into the ball of his thumb. Dr Messinger dressed the wound with iodine, lint and bandages. After that the women constantly solicited him, showing him little scratches on their arms and legs and asking for iodine. Two of the trees were finished on one day, then another next day (that was the one which split) and the fourth two days after that; it was a larger tree than the others. When the last fibre was severed, four men got round the trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which the men carried down to the waterside and set afloat, fastening it to a tree with a loop of vine-rope. When all the woodskins were ready it was an easy matter to make canoes of them. Four men held them open while two others fixed the struts.	word and they would start off again, descending into the green heart of the forest before them. Tony and Dr Messinger seldom spoke to one another, either when they were marching or at the halts, for they were constantly strained and exhausted. In the evenings after they had washed and changed into dry shirts and flannel trousers, they talked a little, mostly about the number of miles they had done that day, their probable position and the state of their feet. They drank rum and water after their bath; for supper there was usually bully beef stewed with rice and flour dumplings. The Indians ate farine, smoked hog and occasional delicacies picked up by the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had to reconnoitre up and down their beds in search of tepid, stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats all night long nuzzling and flapping against their netting. The Indians would not go hunting in this forest. They said there was no game, but Dr Messinger said it was because they were afraid of the evil spirits of the Pie-wie people. Provisions were not lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a bag of rice. Dr Messinger instituted careful rationing; he served them himself, measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly. "The men must go out	A Handful Of Dust

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"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."	Gabriel Syme	lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of	do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull	How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that	and was delivered with an extraordinary rapidity of utterance. "I shall approach. Before taking off his hat, I shall take off my own. I shall say," The Marquis de Saint Eustache, I believe.' "He will say," The celebrated Mr. Syme, I presume.' "He will say in the most exquisite French," How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that the Marquis may not say all the forty-three things you have put down for him? In that case, I understand, your own epigrams may appear somewhat more forced." Syme struck the table with a radiant face. "Why, how true that is," he said, "and I never thought of it. Sir,	caf table with his companions, his blue eyes sparkling like the bright sea below, and ordered a bottle of Saumur with a pleased impatience. He was for some reason in a condition of curious hilarity. His spirits were already unnaturally high; they rose as the Saumur sank, and in half an hour his talk was a torrent of nonsense. He professed to be making out a plan of the conversation which was going to ensue between himself and the deadly Marquis. He jotted it down wildly with a pencil. It was arranged like a printed catechism, with questions and answers, and was delivered with an extraordinary rapidity of utterance. "I shall approach. Before taking off his hat, I shall take off my own. I shall say," The Marquis de Saint Eustache, I believe.' "He will say," The celebrated Mr. Syme, I presume.' "He will say in the most exquisite French," How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that the Marquis may not say all the forty-three things you have put down for him? In that case, I understand, your own epigrams may appear somewhat more forced." Syme struck the table with a radiant face. "Why, how true that is," he said, "and I never thought of it. Sir, you have an intellect beyond the common. You will make a name." "Oh, you're as drunk as an owl!" said the Doctor. "It only remains," continued Syme quite unperturbed, "to adopt some other method of breaking the ice (if I may so express it) between myself and the man I wish to kill. And since the course of a dialogue cannot be predicted by one of its parties alone (as you have pointed out with such recondite acumen), the only thing to be done, I suppose, is for the one party, as far as possible, to do all the dialogue	a gentleman. He cannot deny that I am a gentleman. And in order to put the matter of my social position quite beyond a doubt, I propose at the earliest opportunity to knock his hat off. But here we are in the harbour." They went on shore under the strong sun in a sort of daze. Syme, who had now taken the lead as Bull had taken it in London, led them along a kind of marine parade until he came to some caf s, embowered in a bulk of greenery and overlooking the sea. As he went before them his step was slightly swaggering, and he swung his stick like a sword. He was making apparently for the extreme end of the line of caf s, but he stopped abruptly. With a sharp gesture he motioned them to silence, but he pointed with one gloved finger to a caf table under a bank of flowering foliage at which sat the Marquis de St. Eustache, his teeth shining in his thick, black beard, and his bold, brown face shadowed by a light yellow straw hat and outlined against the violet sea. CHAPTER X. THE DUEL Syme sat down at a caf table with his companions, his blue eyes sparkling like the bright sea below, and ordered a bottle of Saumur with a pleased impatience. He was for some reason in a condition of curious hilarity. His spirits were already unnaturally high; they rose as the Saumur sank, and in half an hour his talk was a torrent of nonsense. He professed to be making out a plan of the conversation which was going to ensue between himself and the deadly Marquis. He jotted it down wildly with a pencil. It was arranged like a printed catechism, with questions and answers, and was delivered with an extraordinary rapidity of utterance. "I shall approach. Before taking off his hat, I shall take off my own. I shall say," The Marquis de Saint Eustache, I believe.' "He will say," The celebrated Mr. Syme, I presume.' "He will say in the most exquisite French," How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that the Marquis may not say all the forty-three things you have put down for him? In that case, I understand, your own epigrams may appear somewhat more forced." Syme struck the table with a radiant face. "Why, how true that is," he said, "and I never thought of it. Sir, you have an intellect beyond the common. You will make a name." "Oh, you're as drunk as an owl!" said the Doctor. "It only remains," continued Syme quite unperturbed, "to adopt some other method of breaking the ice (if I may so express it) between myself and the man I wish to kill. And since the course of a dialogue cannot be predicted by one of its parties alone (as you have pointed out with such recondite acumen), the only thing to be done, I suppose, is for the one party, as far as possible, to do all the dialogue by himself. And so I will, by George!" And he stood up suddenly, his yellow hair blowing in the slight sea breeze. A band was playing in a _caf chantant_ hidden somewhere among the trees, and a woman had just stopped singing. On Syme's heated head the bray of the brass band seemed like the jar and jingle of that barrel-organ in Leicester Square, to the tune of which he had once stood up to die. He looked across to the little table where the Marquis sat. The man had two companions now, solemn Frenchmen in frock-coats and silk hats, one of them with the red rosette of the Legion of Honour, evidently people of a solid social position. Besides these black, cylindrical costumes, the Marquis, in his loose straw hat and light spring clothes, looked Bohemian and even barbaric; but he looked the Marquis. Indeed, one might say that he looked the king, with his animal elegance, his scornful eyes, and his proud head lifted against the purple sea. But he was no Christian king, at any rate; he was, rather, some swarthy despot, half Greek, half Asiatic, who in the days when slavery seemed natural looked down on	"is this, that we three are alone on this planet. Gogol has gone, God knows where; perhaps the President has smashed him like a fly. On the Council we are three men against three, like the Romans who held the bridge. But we are worse off than that, first because they can appeal to their organization and we cannot appeal to ours, and second because" "Because one of those other three men," said the Professor, "is not a man." Syme nodded and was silent for a second or two, then he said "My idea is this. We must do something to keep the Marquis in Calais till tomorrow midday. I have turned over twenty schemes in my head. We cannot denounce him as a dynamiter; that is agreed. We cannot get him detained on some trivial charge, for we should have to appear; he knows us, and he would smell a rat. We cannot pretend to keep him on anarchist business; he might swallow much in that way, but not the notion of stopping in Calais while the Czar went safely through Paris. We might try to kidnap him, and lock him up ourselves; but he is a well-known man here. He has a whole bodyguard of friends; he is very strong and brave, and the event is doubtful. The only thing I can see to do is actually to take advantage of the very things that are in the Marquis's favour. I am going to profit by the fact that he is a highly respected nobleman. I am going to profit by the fact that he has many friends and moves in the best society." "What the devil are you talking about?" asked the Professor. "The Symes are first mentioned in the fourteenth century," said Syme; "but there is a tradition that one of them rode behind Bruce at Bannockburn. Since 1350 the tree is quite clear." "He's gone off his head," said the little Doctor, staring. "Our bearings," continued Syme calmly, "are argent a chevron gules charged with three cross crosslets of the field.' The motto varies." The Professor seized Syme roughly by the waistcoat. "We are just inshore," he said. "Are you seasick or joking in the wrong place?" "My remarks are almost painfully practical," answered Syme, in an unhurried manner. "The house of St. Eustache also is very ancient. The Marquis cannot deny that he is a gentleman. He cannot deny that I am a gentleman. And in order to put the matter of my social position quite beyond a doubt, I propose at the earliest opportunity to knock his hat off. But here we are in the harbour." They went on shore under the strong sun in a sort of daze. Syme, who had now taken the lead as Bull had taken it in London, led them along a kind of marine parade until he came to some caf s, embowered in a bulk of greenery and overlooking the sea. As he went before them his step was slightly swaggering, and he swung his stick like a sword. He was making apparently for the extreme end of the line of caf s, but he stopped abruptly. With a sharp gesture he motioned them to silence, but he pointed with one gloved finger to a caf table under a bank of flowering foliage at which sat the Marquis de St. Eustache, his teeth shining in his thick, black beard, and his bold, brown face shadowed by a light yellow straw hat and outlined against the violet sea. CHAPTER X. THE DUEL Syme sat down at a caf table with his companions, his blue eyes sparkling like the bright sea below, and ordered a bottle of Saumur with a pleased impatience. He was for some reason in a condition of curious hilarity. His spirits were already unnaturally high; they rose as the Saumur sank, and in half an hour his talk was a torrent of nonsense. He professed to be making out a plan of the conversation which was going to ensue between himself and the deadly Marquis. He jotted it down wildly with a pencil. It was arranged like a printed catechism, with questions and answers, and was delivered with an extraordinary rapidity of utterance. "I shall approach. Before taking off his hat, I shall take off my own. I shall say," The Marquis de Saint Eustache, I believe.' "He will say," The celebrated Mr. Syme, I presume.' "He will say in the most exquisite French," How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that the Marquis may not say all the forty-three things you have put down for him? In that case, I understand, your own epigrams may appear somewhat more forced." Syme struck the table with a radiant face. "Why, how true that is," he said, "and I never thought of it. Sir, you have an intellect beyond the common. You will make a name." "Oh, you're as drunk as an owl!" said the Doctor. "It only remains," continued Syme quite unperturbed, "to adopt some other method of breaking the ice (if I may so express it) between myself and the man I wish to kill. And since the course of a dialogue cannot be predicted by one of its parties alone (as you have pointed out with such recondite acumen), the only thing to be done, I suppose, is for the one party, as far as possible, to do all the dialogue by himself. And so I will, by George!" And he stood up suddenly, his yellow hair blowing in the slight sea breeze. A band was playing in a _caf chantant_ hidden somewhere among the trees, and a woman had just stopped singing. On Syme's heated head the bray of the brass band seemed like the jar and jingle of that barrel-organ in Leicester Square, to the tune of which he had once stood up to die. He looked across to the little table where the Marquis sat. The man had two companions now, solemn Frenchmen in frock-coats and silk hats, one of them with the red rosette of the Legion of Honour, evidently people of a solid social position. Besides these black, cylindrical costumes, the Marquis, in his loose straw hat and light spring clothes, looked Bohemian and even barbaric; but he looked the Marquis. Indeed, one might say that he looked the king, with his animal elegance, his scornful eyes, and his proud head lifted against the purple sea. But he was no Christian king, at any rate; he was, rather, some swarthy despot, half Greek, half Asiatic, who in the days when slavery seemed natural looked down on the Mediterranean, on his galley and his groaning slaves. Just so, Syme thought, would the brown-gold face of such a tyrant have shown against the dark green olives and the burning blue. "Are you going to address the meeting?" asked the Professor peevishly, seeing that Syme still stood up without moving. Syme drained his last glass of sparkling wine. "I am," he said, pointing across to the Marquis and his companions, "that meeting. That meeting displeases me. I am going to pull that meeting's great ugly, mahogany-coloured nose." He stepped across swiftly, if not quite steadily. The Marquis, seeing him, arched his black Assyrian eyebrows in surprise, but smiled politely. "You are Mr. Syme, I think," he said. Syme bowed. "And you are the Marquis de Saint Eustache," he said gracefully. "Permit me to pull your nose." He leant over to do so, but the Marquis started backwards, upsetting his chair, and the two men in top hats held Syme back by the shoulders. "This man has insulted me!" said Syme, with gestures of explanation. "Insulted you?" cried the gentleman with the red rosette, "when?" "Oh, just now," said Syme recklessly. "He insulted my mother." "Insulted your mother!" exclaimed the gentleman incredulously. "Well, anyhow," said Syme, conceding a point, "my aunt." "But how can the Marquis have insulted your aunt just now?" said the second gentleman with some legitimate wonder. "He has been sitting here all the time." "Ah, it was what he said!" said Syme darkly. "I said nothing at all," said the Marquis, "except something about the band. I only said that I liked Wagner played well." "It was an allusion to my family," said Syme firmly. "My aunt played Wagner badly. It was a painful subject. We are always being insulted about it." "This seems most extraordinary," said the gentleman who was _d cor _, looking doubtfully at the Marquis. "Oh, I assure you," said Syme earnestly, "the whole of your conversation was simply packed with sinister allusions to my aunt's weaknesses." "This is nonsense!" said the second gentleman. "I for one have said nothing for half an hour except that I liked the singing of that girl with black hair." "Well, there you are again!" said Syme indignantly. "My aunt's was red." "It seems to me," said the other, "that you are simply seeking a pretext to insult the Marquis." "By George!" said Syme, facing round	see to do is actually to take advantage of the very things that are in the Marquis's favour. I am going to profit by the fact that he is a highly respected nobleman. I am going to profit by the fact that he has many friends and moves in the best society." "What the devil are you talking about?" asked the Professor. "The Symes are first mentioned in the fourteenth century," said Syme; "but there is a tradition that one of them rode behind Bruce at Bannockburn. Since 1350 the tree is quite clear." "He's gone off his head," said the little Doctor, staring. "Our bearings," continued Syme calmly, "are argent a chevron gules charged with three cross crosslets of the field.' The motto varies." The Professor seized Syme roughly by the waistcoat. "We are just inshore," he said. "Are you seasick or joking in the wrong place?" "My remarks are almost painfully practical," answered Syme, in an unhurried manner. "The house of St. Eustache also is very ancient. The Marquis cannot deny that he is a gentleman. He cannot deny that I am a gentleman. And in order to put the matter of my social position quite beyond a doubt, I propose at the earliest opportunity to knock his hat off. But here we are in the harbour." They went on shore under the strong sun in a sort of daze. Syme, who had now taken the lead as Bull had taken it in London, led them along a kind of marine parade until he came to some caf s, embowered in a bulk of greenery and overlooking the sea. As he went before them his step was slightly swaggering, and he swung his stick like a sword. He was making apparently for the extreme end of the line of caf s, but he stopped abruptly. With a sharp gesture he motioned them to silence, but he pointed with one gloved finger to a caf table under a bank of flowering foliage at which sat the Marquis de St. Eustache, his teeth shining in his thick, black beard, and his bold, brown face shadowed by a light yellow straw hat and outlined against the violet sea. CHAPTER X. THE DUEL Syme sat down at a caf table with his companions, his blue eyes sparkling like the bright sea below, and ordered a bottle of Saumur with a pleased impatience. He was for some reason in a condition of curious hilarity. His spirits were already unnaturally high; they rose as the Saumur sank, and in half an hour his talk was a torrent of nonsense. He professed to be making out a plan of the conversation which was going to ensue between himself and the deadly Marquis. He jotted it down wildly with a pencil. It was arranged like a printed catechism, with questions and answers, and was delivered with an extraordinary rapidity of utterance. "I shall approach. Before taking off his hat, I shall take off my own. I shall say," The Marquis de Saint Eustache, I believe.' "He will say," The celebrated Mr. Syme, I presume.' "He will say in the most exquisite French," How are you?' "I shall reply in the most exquisite Cockney," Oh, just the Syme '" "Oh, shut it," said the man in spectacles. "Pull yourself together, and chuck away that bit of paper. What are you really going to do?" "But it was a lovely catechism," said Syme pathetically.<\|quote\|>"Do let me read it you. It has only forty-three questions and answers, and some of the Marquis's answers are wonderfully witty. I like to be just to my enemy."</\|quote\|>"But what's the good of it all?" asked Dr. Bull in exasperation. "It leads up to my challenge, don't you see," said Syme, beaming. "When the Marquis has given the thirty-ninth reply, which runs" "Has it by any chance occurred to you," asked the Professor, with a ponderous simplicity, "that the Marquis may not say all the forty-three things you have put down for him? In that case, I understand, your own epigrams may appear somewhat more forced." Syme struck the table with a radiant face. "Why, how true that is," he said, "and I never thought of it. Sir, you have an intellect beyond the common. You will make a name." "Oh, you're as drunk as an owl!" said the Doctor. "It only remains," continued Syme quite unperturbed, "to adopt some other method of breaking the ice (if I may so express it) between myself and the man I wish to kill. And since the course of a dialogue cannot be predicted by one of its parties alone (as you have pointed out with such recondite acumen), the only thing to be done, I suppose, is for the one party, as far as possible, to do all the dialogue by himself. And so I will, by George!" And he stood up suddenly, his yellow hair blowing in the slight sea breeze. A band was playing in a _caf chantant_ hidden somewhere among the trees, and a woman had just stopped singing. On Syme's heated head the bray of the brass band seemed like the jar and jingle of that barrel-organ in Leicester Square, to the tune of which he had once stood up to die. He looked across to the little table where the Marquis sat. The man had two companions now, solemn Frenchmen in frock-coats and silk hats, one of them with the red rosette of the Legion of Honour, evidently people of a solid social position. Besides these black, cylindrical costumes, the Marquis, in his loose straw hat and light spring clothes, looked Bohemian and even barbaric; but he looked the Marquis. Indeed, one might say that he looked the king, with his animal elegance, his scornful eyes, and his proud head lifted against the purple sea. But he was no Christian king, at any rate; he was, rather, some swarthy despot, half Greek, half Asiatic, who in the days when slavery seemed natural looked down on the Mediterranean, on his galley and his groaning slaves. Just so, Syme thought, would the brown-gold face of such a tyrant have shown against the dark green olives and the burning blue. "Are you going to address the meeting?" asked the Professor peevishly, seeing that Syme still stood up without moving. Syme drained his last glass of sparkling wine. "I am," he said, pointing across to the Marquis and his companions, "that meeting. That meeting displeases me. I am going to pull that meeting's great ugly, mahogany-coloured nose." He stepped across swiftly, if not quite steadily. The Marquis, seeing him, arched his black Assyrian eyebrows in surprise, but smiled politely. "You are Mr. Syme, I think," he said. Syme bowed. "And you are the Marquis de Saint Eustache," he said gracefully. "Permit me to pull your nose." He leant over to do so, but the Marquis started backwards, upsetting his chair, and the two men in top hats held Syme back	The Man Who Was Thursday
"--he pointed the razor at me--"	No speaker	about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face	Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the	seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful	with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful face?" He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the	laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful face?" He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a	find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it last night," Bill said. "He's a great little confider. He said he had a date with Brett at San Sebastian." "The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful face?" He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered	and Cohn stayed out in the caf quite late, I believe, because I was asleep when they came in. In the morning I bought three tickets for the bus to Burguete. It was scheduled to leave at two o'clock. There was nothing earlier. I was sitting over at the Iru a reading the papers when I saw Robert Cohn coming across the square. He came up to the table and sat down in one of the wicker chairs. "This is a comfortable caf ," he said. "Did you have a good night, Jake?" "I slept like a log." "I didn't sleep very well. Bill and I were out late, too." "Where were you?" "Here. And after it shut we went over to that other caf . The old man there speaks German and English." "The Caf Suizo." "That's it. He seems like a nice old fellow. I think it's a better caf than this one." "It's not so good in the daytime," I said. "Too hot. By the way, I got the bus tickets." "I'm not going up to-day. You and Bill go on ahead." "I've got your ticket." "Give it to me. I'll get the money back." "It's five pesetas." Robert Cohn took out a silver five-peseta piece and gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why," I said. "They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it to Brett." "Why in hell didn't you stay there and meet them then?" I started to say, but I stopped. I thought that idea would come to him by itself, but I do not believe it ever did. He was being confidential now and it was giving him pleasure to be able to talk with the understanding that I knew there was something between him and Brett. "Well, Bill and I will go up right after lunch," I said. "I wish I could go. We've been looking forward to this fishing all winter." He was being sentimental about it. "But I ought to stay. I really ought. As soon as they come I'll bring them right up." "Let's find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it last night," Bill said. "He's a great little confider. He said he had a date with Brett at San Sebastian." "The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful face?" He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to Bill was talking to him in Spanish and Bill was not getting it, so he offered the man one of the bottles of wine. The man waved it away. He said it was too hot and he had drunk too much at lunch. When Bill offered the bottle the second time he took a long drink, and then the bottle went all over that part of the bus. Every one took a drink very politely, and then they made us cork it up and put it away. They all wanted us to drink from their leather wine-bottles. They were peasants going up into the hills. Finally, after a couple more false klaxons, the bus started, and Robert Cohn waved good-by to us, and all the Basques waved good-by to him. As soon as we started out on the road outside of town it was cool. It felt nice riding high up and close under the trees. The bus went quite fast and made a good breeze, and as we went out along the road with the dust powdering the trees and down the hill, we had a fine view, back through the trees, of the town rising up from the bluff above the river. The Basque lying against my knees pointed out the view with the neck of the wine-bottle, and winked at us. He nodded his head. "Pretty nice, eh?" "These Basques are swell people," Bill said. The Basque lying against my legs was tanned the color of saddle-leather. He wore a black smock like all the rest. There were wrinkles in his tanned neck. He turned around and offered his wine-bag to Bill. Bill handed him one of our bottles. The Basque wagged a forefinger at him and handed the bottle back, slapping in the cork with the palm of his hand. He shoved the wine-bag up. "Arriba! Arriba!" he said. "Lift it up." Bill raised the wine-skin and let the stream of wine spurt out and into his mouth, his head tipped back. When he stopped drinking and tipped the leather bottle down a few drops ran down his chin. "No! No!" several Basques said. "Not like that." One snatched the bottle away from the owner, who was himself about to give a demonstration. He was a young fellow and he held the wine-bottle at full arms' length and raised it high up, squeezing the leather bag with his hand so the stream of wine hissed into his mouth. He held the bag	gave it to me. "I ought to stay," he said. "You see I'm afraid there's some sort of misunderstanding." "Why," I said. "They may not come here for three or four days now if they start on parties at San Sebastian." "That's just it," said Robert. "I'm afraid they expected to meet me at San Sebastian, and that's why they stopped over." "What makes you think that?" "Well, I wrote suggesting it to Brett." "Why in hell didn't you stay there and meet them then?" I started to say, but I stopped. I thought that idea would come to him by itself, but I do not believe it ever did. He was being confidential now and it was giving him pleasure to be able to talk with the understanding that I knew there was something between him and Brett. "Well, Bill and I will go up right after lunch," I said. "I wish I could go. We've been looking forward to this fishing all winter." He was being sentimental about it. "But I ought to stay. I really ought. As soon as they come I'll bring them right up." "Let's find Bill." "I want to go over to the barber-shop." "See you at lunch." I found Bill up in his room. He was shaving. "Oh, yes, he told me all about it last night," Bill said. "He's a great little confider. He said he had a date with Brett at San Sebastian." "The lying bastard!" "Oh, no," said Bill. "Don't get sore. Don't get sore at this stage of the trip. How did you ever happen to know this fellow, anyway?" "Don't rub it in." Bill looked around, half-shaved, and then went on talking into the mirror while he lathered his face. "Didn't you send him with a letter to me in New York last winter? Thank God, I'm a travelling man. Haven't you got some more Jewish friends you could bring along?" He rubbed his chin with his thumb, looked at it, and then started scraping again. "You've got some fine ones yourself." "Oh, yes. I've got some darbs. But not alongside of this Robert Cohn. The funny thing is he's nice, too. I like him. But he's just so awful." "He can be damn nice." "I know it. That's the terrible part." I laughed. "Yes. Go on and laugh," said Bill. "You weren't out with him last night until two o'clock." "Was he very bad?" "Awful. What's all this about him and Brett, anyway? Did she ever have anything to do with him?" He raised his chin up and pulled it from side to side. "Sure. She went down to San Sebastian with him." "What a damn-fool thing to do. Why did she do that?" "She wanted to get out of town and she can't go anywhere alone. She said she thought it would be good for him." "What bloody-fool things people do. Why didn't she go off with some of her own people? Or you?" "--he slurred that over--" "or me? Why not me?" He looked at his face carefully in the glass, put a big dab of lather on each cheek-bone. "It's an honest face. It's a face any woman would be safe with." "She'd never seen it." "She should have. All women should see it. It's a face that ought to be thrown on every screen in the country. Every woman ought to be given a copy of this face as she leaves the altar. Mothers should tell their daughters about this face. My son"<\|quote\|>"--he pointed the razor at me--"</\|quote\|>"go west with this face and grow up with the country." He ducked down to the bowl, rinsed his face with cold water, put on some alcohol, and then looked at himself carefully in the glass, pulling down his long upper lip. "My God!" he said, "isn't it an awful face?" He looked in the glass. "And as for this Robert Cohn," Bill said, "he makes me sick, and he can go to hell, and I'm damn glad he's staying here so we won't have him fishing with us." "You're damn right." "We're going trout-fishing. We're going trout-fishing in the Irati River, and we're going to get tight now at lunch on the wine of the country, and then take a swell bus ride." "Come on. Let's go over to the Iru a and start," I said. CHAPTER 11 It was baking hot in the square when we came out after lunch with our bags and the rod-case to go to Burguete. People were on top of the bus, and others were climbing up a ladder. Bill went up and Robert sat beside Bill to save a place for me, and I went back in the hotel to get a couple of bottles of wine to take with us. When I came out the bus was crowded. Men and women were sitting on all the baggage and boxes on top, and the women all had their fans going in the sun. It certainly was hot. Robert climbed down and I fitted into the place he had saved on the one wooden seat that ran across the top. Robert Cohn stood in the shade of the arcade waiting for us start. A Basque with a big leather wine-bag in his lap lay across the top of the bus in front of our seat, leaning back against our legs. He offered the wine-skin to Bill and to me, and when I tipped it up to drink he imitated the sound of a klaxon motor-horn so well and so suddenly that I spilled some of the wine, and everybody laughed. He apologized and made me take another drink. He made the klaxon again a little later, and it fooled me the second time. He was very good at it. The Basques liked it. The man next to	The Sun Also Rises
said the Dodger.	No speaker	repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?"	to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly	too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul	the corners, and knocking up again' the posts, and starting on again as if he was made of iron as well as them, and me with the wipe in my pocket, singing out arter him oh, my eye!" The vivid imagination of Master Bates presented the scene before him in too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul lol loo, gammon and spinnage, the frog he wouldn't, and high cockolorum," said the Dodger: with a slight sneer on his intellectual countenance. This was explanatory, but not satisfactory. Master Bates felt it so; and again said, "What do you mean?" The Dodger made no reply; but putting his hat	ventured to halt beneath a low and dark archway. Having remained silent here, just long enough to recover breath to speak, Master Bates uttered an exclamation of amusement and delight; and, bursting into an uncontrollable fit of laughter, flung himself upon a doorstep, and rolled thereon in a transport of mirth. "What's the matter?" inquired the Dodger. "Ha! ha! ha!" roared Charley Bates. "Hold your noise," remonstrated the Dodger, looking cautiously round. "Do you want to be grabbed, stupid?" "I can't help it," said Charley, "I can't help it! To see him splitting away at that pace, and cutting round the corners, and knocking up again' the posts, and starting on again as if he was made of iron as well as them, and me with the wipe in my pocket, singing out arter him oh, my eye!" The vivid imagination of Master Bates presented the scene before him in too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul lol loo, gammon and spinnage, the frog he wouldn't, and high cockolorum," said the Dodger: with a slight sneer on his intellectual countenance. This was explanatory, but not satisfactory. Master Bates felt it so; and again said, "What do you mean?" The Dodger made no reply; but putting his hat on again, and gathering the skirts of his long-tailed coat under his arm, thrust his tongue into his cheek, slapped the bridge of his nose some half-dozen times in a familiar but expressive manner, and turning on his heel, slunk down the court. Master Bates followed, with a thoughtful countenance. The noise of footsteps on the creaking stairs, a few minutes after the occurrence of this conversation, roused the merry old gentleman as he sat over the fire with a saveloy and a small loaf in his hand; a pocket-knife in his right; and a pewter pot on the trivet.	I do not mean to assert that it is usually the practice of renowned and learned sages, to shorten the road to any great conclusion (their course indeed being rather to lengthen the distance, by various circumlocutions and discursive staggerings, like unto those in which drunken men under the pressure of a too mighty flow of ideas, are prone to indulge); still, I do mean to say, and do say distinctly, that it is the invariable practice of many mighty philosophers, in carrying out their theories, to evince great wisdom and foresight in providing against every possible contingency which can be supposed at all likely to affect themselves. Thus, to do a great right, you may do a little wrong; and you may take any means which the end to be attained, will justify; the amount of the right, or the amount of the wrong, or indeed the distinction between the two, being left entirely to the philosopher concerned, to be settled and determined by his clear, comprehensive, and impartial view of his own particular case. It was not until the two boys had scoured, with great rapidity, through a most intricate maze of narrow streets and courts, that they ventured to halt beneath a low and dark archway. Having remained silent here, just long enough to recover breath to speak, Master Bates uttered an exclamation of amusement and delight; and, bursting into an uncontrollable fit of laughter, flung himself upon a doorstep, and rolled thereon in a transport of mirth. "What's the matter?" inquired the Dodger. "Ha! ha! ha!" roared Charley Bates. "Hold your noise," remonstrated the Dodger, looking cautiously round. "Do you want to be grabbed, stupid?" "I can't help it," said Charley, "I can't help it! To see him splitting away at that pace, and cutting round the corners, and knocking up again' the posts, and starting on again as if he was made of iron as well as them, and me with the wipe in my pocket, singing out arter him oh, my eye!" The vivid imagination of Master Bates presented the scene before him in too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul lol loo, gammon and spinnage, the frog he wouldn't, and high cockolorum," said the Dodger: with a slight sneer on his intellectual countenance. This was explanatory, but not satisfactory. Master Bates felt it so; and again said, "What do you mean?" The Dodger made no reply; but putting his hat on again, and gathering the skirts of his long-tailed coat under his arm, thrust his tongue into his cheek, slapped the bridge of his nose some half-dozen times in a familiar but expressive manner, and turning on his heel, slunk down the court. Master Bates followed, with a thoughtful countenance. The noise of footsteps on the creaking stairs, a few minutes after the occurrence of this conversation, roused the merry old gentleman as he sat over the fire with a saveloy and a small loaf in his hand; a pocket-knife in his right; and a pewter pot on the trivet. There was a rascally smile on his white face as he turned round, and looking sharply out from under his thick red eyebrows, bent his ear towards the door, and listened. "Why, how's this?" muttered the Jew: changing countenance; "only two of 'em? Where's the third? They can't have got into trouble. Hark!" The footsteps approached nearer; they reached the landing. The door was slowly opened; and the Dodger and Charley Bates entered, closing it behind them. CHAPTER XIII. SOME NEW ACQUAINTANCES ARE INTRODUCED TO THE INTELLIGENT READER, CONNECTED WITH WHOM VARIOUS PLEASANT MATTERS ARE RELATED, APPERTAINING TO THIS HISTORY "Where's Oliver?" said the Jew, rising with a menacing look. "Where's the boy?" The young thieves eyed their preceptor as if they were alarmed at his violence; and looked uneasily at each other. But they made no reply. "What's become of the boy?" said the Jew, seizing the Dodger tightly by the collar, and threatening him with horrid imprecations. "Speak out, or I'll throttle you!" Mr. Fagin looked so very much in earnest, that Charley Bates, who deemed it prudent in all cases to be on the safe side, and who conceived it by no means improbable that it might	gentleman. "Why! what's this? Bedwin, look there!" As he spoke, he pointed hastily to the picture over Oliver's head, and then to the boy's face. There was its living copy. The eyes, the head, the mouth; every feature was the same. The expression was, for the instant, so precisely alike, that the minutest line seemed copied with startling accuracy! Oliver knew not the cause of this sudden exclamation; for, not being strong enough to bear the start it gave him, he fainted away. A weakness on his part, which affords the narrative an opportunity of relieving the reader from suspense, in behalf of the two young pupils of the Merry Old Gentleman; and of recording That when the Dodger, and his accomplished friend Master Bates, joined in the hue-and-cry which was raised at Oliver's heels, in consequence of their executing an illegal conveyance of Mr. Brownlow's personal property, as has been already described, they were actuated by a very laudable and becoming regard for themselves; and forasmuch as the freedom of the subject and the liberty of the individual are among the first and proudest boasts of a true-hearted Englishman, so, I need hardly beg the reader to observe, that this action should tend to exalt them in the opinion of all public and patriotic men, in almost as great a degree as this strong proof of their anxiety for their own preservation and safety goes to corroborate and confirm the little code of laws which certain profound and sound-judging philosophers have laid down as the main-springs of all Nature's deeds and actions: the said philosophers very wisely reducing the good lady's proceedings to matters of maxim and theory: and, by a very neat and pretty compliment to her exalted wisdom and understanding, putting entirely out of sight any considerations of heart, or generous impulse and feeling. For, these are matters totally beneath a female who is acknowledged by universal admission to be far above the numerous little foibles and weaknesses of her sex. If I wanted any further proof of the strictly philosophical nature of the conduct of these young gentlemen in their very delicate predicament, I should at once find it in the fact (also recorded in a foregoing part of this narrative), of their quitting the pursuit, when the general attention was fixed upon Oliver; and making immediately for their home by the shortest possible cut. Although I do not mean to assert that it is usually the practice of renowned and learned sages, to shorten the road to any great conclusion (their course indeed being rather to lengthen the distance, by various circumlocutions and discursive staggerings, like unto those in which drunken men under the pressure of a too mighty flow of ideas, are prone to indulge); still, I do mean to say, and do say distinctly, that it is the invariable practice of many mighty philosophers, in carrying out their theories, to evince great wisdom and foresight in providing against every possible contingency which can be supposed at all likely to affect themselves. Thus, to do a great right, you may do a little wrong; and you may take any means which the end to be attained, will justify; the amount of the right, or the amount of the wrong, or indeed the distinction between the two, being left entirely to the philosopher concerned, to be settled and determined by his clear, comprehensive, and impartial view of his own particular case. It was not until the two boys had scoured, with great rapidity, through a most intricate maze of narrow streets and courts, that they ventured to halt beneath a low and dark archway. Having remained silent here, just long enough to recover breath to speak, Master Bates uttered an exclamation of amusement and delight; and, bursting into an uncontrollable fit of laughter, flung himself upon a doorstep, and rolled thereon in a transport of mirth. "What's the matter?" inquired the Dodger. "Ha! ha! ha!" roared Charley Bates. "Hold your noise," remonstrated the Dodger, looking cautiously round. "Do you want to be grabbed, stupid?" "I can't help it," said Charley, "I can't help it! To see him splitting away at that pace, and cutting round the corners, and knocking up again' the posts, and starting on again as if he was made of iron as well as them, and me with the wipe in my pocket, singing out arter him oh, my eye!" The vivid imagination of Master Bates presented the scene before him in too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul lol loo, gammon and spinnage, the frog he wouldn't, and high cockolorum," said the Dodger: with a slight sneer on his intellectual countenance. This was explanatory, but not satisfactory. Master Bates felt it so; and again said, "What do you mean?" The Dodger made no reply; but putting his hat on again, and gathering the skirts of his long-tailed coat under his arm, thrust his tongue into his cheek, slapped the bridge of his nose some half-dozen times in a familiar but expressive manner, and turning on his heel, slunk down the court. Master Bates followed, with a thoughtful countenance. The noise of footsteps on the creaking stairs, a few minutes after the occurrence of this conversation, roused the merry old gentleman as he sat over the fire with a saveloy and a small loaf in his hand; a pocket-knife in his right; and a pewter pot on the trivet. There was a rascally smile on his white face as he turned round, and looking sharply out from under his thick red eyebrows, bent his ear towards the door, and listened. "Why, how's this?" muttered the Jew: changing countenance; "only two of 'em? Where's the third? They can't have got into trouble. Hark!" The footsteps approached nearer; they reached the landing. The door was slowly opened; and the Dodger and Charley Bates entered, closing it behind them. CHAPTER XIII. SOME NEW ACQUAINTANCES ARE INTRODUCED TO THE INTELLIGENT READER, CONNECTED WITH WHOM VARIOUS PLEASANT MATTERS ARE RELATED, APPERTAINING TO THIS HISTORY "Where's Oliver?" said the Jew, rising with a menacing look. "Where's the boy?" The young thieves eyed their preceptor as if they were alarmed at his violence; and looked uneasily at each other. But they made no reply. "What's become of the boy?" said the Jew, seizing the Dodger tightly by the collar, and threatening him with horrid imprecations. "Speak out, or I'll throttle you!" Mr. Fagin looked so very much in earnest, that Charley Bates, who deemed it prudent in all cases to be on the safe side, and who conceived it by no means improbable that it might be his turn to be throttled second, dropped upon his knees, and raised a loud, well-sustained, and continuous roar something between a mad bull and a speaking trumpet. "Will you speak?" thundered the Jew: shaking the Dodger so much that his keeping in the big coat at all, seemed perfectly miraculous. "Why, the traps have got him, and that's all about it," said the Dodger, sullenly. "Come, let go o' me, will you!" And, swinging himself, at one jerk, clean out of the big coat, which he left in the Jew's hands, the Dodger snatched up the toasting fork, and made a pass at the merry old gentleman's waistcoat; which, if it had taken effect, would have let a little more merriment out than could have been easily replaced. The Jew stepped back in this emergency, with more agility than could have been anticipated in a man of his apparent decrepitude; and, seizing up the pot, prepared to hurl it at his assailant's head. But Charley Bates, at this moment, calling his attention by a perfectly terrific howl, he suddenly altered its destination, and flung it full at that young gentleman. "Why, what the blazes is in the wind now!" growled a deep voice. "Who pitched that 'ere at me? It's well it's the beer, and not the pot, as hit me, or I'd have settled somebody. I might have know'd, as nobody but an infernal, rich, plundering, thundering old Jew could afford to throw away any drink but water and not that, unless he done the River Company every quarter. Wot's it all about, Fagin? D me, if my neck-handkercher an't lined with beer! Come in, you sneaking warmint; wot are you stopping outside for, as if you was ashamed of your master! Come in!" The man who growled out these words, was a stoutly-built fellow of about five-and-thirty, in a black velveteen coat, very soiled drab breeches, lace-up half boots, and grey cotton stockings which inclosed a bulky pair of legs, with large swelling calves; the kind of legs, which in such costume, always look in an unfinished and incomplete state without a set of fetters to garnish them. He had a brown hat on his head, and a dirty belcher handkerchief round his neck: with the long frayed ends of which he smeared the beer from his face as he spoke. He disclosed, when he had done	their theories, to evince great wisdom and foresight in providing against every possible contingency which can be supposed at all likely to affect themselves. Thus, to do a great right, you may do a little wrong; and you may take any means which the end to be attained, will justify; the amount of the right, or the amount of the wrong, or indeed the distinction between the two, being left entirely to the philosopher concerned, to be settled and determined by his clear, comprehensive, and impartial view of his own particular case. It was not until the two boys had scoured, with great rapidity, through a most intricate maze of narrow streets and courts, that they ventured to halt beneath a low and dark archway. Having remained silent here, just long enough to recover breath to speak, Master Bates uttered an exclamation of amusement and delight; and, bursting into an uncontrollable fit of laughter, flung himself upon a doorstep, and rolled thereon in a transport of mirth. "What's the matter?" inquired the Dodger. "Ha! ha! ha!" roared Charley Bates. "Hold your noise," remonstrated the Dodger, looking cautiously round. "Do you want to be grabbed, stupid?" "I can't help it," said Charley, "I can't help it! To see him splitting away at that pace, and cutting round the corners, and knocking up again' the posts, and starting on again as if he was made of iron as well as them, and me with the wipe in my pocket, singing out arter him oh, my eye!" The vivid imagination of Master Bates presented the scene before him in too strong colours. As he arrived at this apostrophe, he again rolled upon the door-step, and laughed louder than before. "What'll Fagin say?" inquired the Dodger; taking advantage of the next interval of breathlessness on the part of his friend to propound the question. "What?" repeated Charley Bates. "Ah, what?"<\|quote\|>said the Dodger.</\|quote\|>"Why, what should he say?" inquired Charley: stopping rather suddenly in his merriment; for the Dodger's manner was impressive. "What should he say?" Mr. Dawkins whistled for a couple of minutes; then, taking off his hat, scratched his head, and nodded thrice. "What do you mean?" said Charley. "Toor rul lol loo, gammon and spinnage, the frog he wouldn't, and high cockolorum," said the Dodger: with a slight sneer on his intellectual countenance. This was explanatory, but not satisfactory. Master Bates felt it so; and again said, "What do you mean?" The Dodger made no reply; but putting his hat on again, and gathering the skirts of his long-tailed coat under his arm, thrust his tongue into his cheek, slapped the bridge of his nose some half-dozen times in a familiar but expressive manner, and turning on his heel, slunk down the court. Master Bates followed, with a thoughtful countenance. The noise of footsteps on the creaking stairs, a few minutes after the occurrence of this conversation, roused the merry old gentleman as he sat over the fire with a saveloy and a small loaf in his hand; a pocket-knife in his right; and a pewter pot on the trivet. There was a rascally smile on his white face as he turned round, and looking sharply out from under his thick red eyebrows, bent his ear towards the door, and listened. "Why, how's this?" muttered the Jew: changing countenance; "only two of 'em? Where's the third? They can't have got into trouble. Hark!" The footsteps approached nearer; they reached the landing. The door was slowly opened; and the Dodger and Charley Bates entered, closing it behind them. CHAPTER XIII. SOME NEW ACQUAINTANCES ARE INTRODUCED TO THE INTELLIGENT READER, CONNECTED WITH WHOM VARIOUS PLEASANT MATTERS ARE RELATED, APPERTAINING TO THIS HISTORY "Where's Oliver?" said the Jew, rising with a menacing look. "Where's the boy?" The young thieves eyed their preceptor as if they were alarmed at his violence; and looked uneasily at each other. But they made no reply. "What's become of the boy?" said the Jew, seizing the Dodger tightly by the collar, and threatening him with horrid imprecations. "Speak out, or I'll throttle you!" Mr. Fagin looked so very much in earnest, that Charley Bates, who deemed it prudent in all cases to be on the safe side, and who conceived it by no means improbable that it might be his turn to be throttled second, dropped upon his knees, and raised a loud, well-sustained, and continuous roar something between a mad bull and a speaking trumpet. "Will you speak?" thundered the Jew: shaking the Dodger so much that his keeping in the big coat at all, seemed perfectly miraculous. "Why, the traps have got him, and that's all about it," said the Dodger, sullenly. "Come, let go o' me, will you!" And, swinging himself,	Oliver Twist
"No, no, not that----"	Paul	will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am	helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming	the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that	it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because	sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right	Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so	that the surgeons in the dressing stations amputate on the slightest provocation. Under the great pressure of business that is much simpler than complicated patching. I think of Kemmerich. Whatever happens I will not let them chloroform me, even if I have to crack a couple of their skulls. It is all right. The surgeon pokes around in the wound and a blackness comes before my eyes. "Don't carry on so," he says gruffly, and hacks away. The instruments gleam in the bright light like malevolent animals. The pain is insufferable. Two orderlies hold my arms fast, but I break loose with one of them and try to crash into the surgeon's spectacles just as he notices and springs back. "Chloroform the scoundrel," he roars madly. Then I become quiet. "Pardon me, Herr Doctor, I will keep still, but do not chloroform me." "Well now," he cackles and takes up his instrument again. He is a fair fellow, not more than thirty years old, with scars and disgusting gold spectacles. Now I see that he is tormenting me, he is merely raking about in the wound and looking up surreptitiously at me over his glasses. My hands squeeze around the grips, I'll kick the bucket before he will get a squeak out of me. He has fished out a piece of shell and tosses it to me. Apparently he is pleased at my self-control, for he seems to be more considerate of me now and says: "To-morrow you'll be off home." Then I am put in plaster. When I am back again with Kropp I tell him that apparently a hospital train comes in to-morrow morning. "We must work the army medical sergeant-major so that we can keep together, Albert." I manage to slip the sergeant-major two of my cigars with belly-bands, and then tip the word to him. He smells the cigars and says: "Have you got any more of them?" "Another good handful," I say, "and my comrade," I point to Kropp, "he has some as well. We might possibly be glad to hand them to you out of the window of the hospital train in the morning." He understands, of course, smells them once again and says: "Done." We cannot get a minute's sleep all night. Seven fellows die in our ward. One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?" asks Kropp. "You could hear that well enough for yourself," I growl, "my head----" A door opens in the rear of the car. The sister comes with a light and looks at me. "He has fallen out of bed----" She feels my pulse and smooths my forehead. "You haven't any fever, though." "No." I agree. "Have you been dreaming then?" she asks. "Perhaps----" I evade. The interrogation starts again. She looks at me with her clear eyes, and the more wonderful and sweet she is the less am I able to tell her what I want. I am lifted up into bed again. That will be all right. As soon as she goes I must try to climb down again. If she were an old woman, it might be easier to say what a man wants, but she is so very young, at the most twenty-five, it can't be done, I cannot possibly tell her. Then Albert comes to my rescue, he is not bashful, it makes no difference to him who is upset. He calls to the sister. She turns round. "Sister, he wants----" but no more does Albert know how to express it modestly and decently. Out there we say it in a single word, but here, to such a lady---- All at once he remembers his school days and finishes hastily: "He wants to leave the room, sister." "Ah!" says the sister, "but he shouldn't climb out of his bed with his plaster bandage. What do you want then?" she says, turning to me. I am in mortal terror at this new turn, for I haven't any idea what the things are called professionally. She comes to my help. "Little or big?" This shocking business! I sweat like a pig and say shyly: "Well, only quite a little one----" At any rate, it produces the effect. I get a bottle. After a few hours I am no longer the only one, and by morning we are quite accustomed to it and ask for what we want without any false modesty. The train travels slowly. Sometimes it halts and the dead are unloaded. It halts often. Albert is feverish. I feel miserable and have a good deal of pain, but the worst of it is that apparently there are still lice under the plaster bandage. They itch terribly, and I cannot scratch myself. We sleep through the days. The country glides quietly past the window. The third night we reach Herbstal. I hear from the sister that Albert is to be put off at the next station because of his fever. "How far does the train go?" I ask. "To Cologne." "Albert," I say, "we stick together; you see." On the sister's next round I hold my breath and press it up into my head. My face swells and turns red. She stops. "Are you in pain?" "Yes," I groan, "all of a sudden." She gives me a thermometer and goes on. I would not have been under Kat's tuition if I did not know what to do now. These army thermometers are not made for old soldiers. All one has to do is to drive the quicksilver up and then it stays there without falling again. I	One of them sings hymns in a high cracked tenor before he begins to gurgle. Another has crept out of his bed to the window. He lies in front of it as though he wants to look out for the last time. * * Our stretchers stand on the platform. We wait for the train. It rains and the station has no roof. Our covers are thin. We have waited already two hours. The sergeant-major looks after us like a mother. Although I feel pretty bad I do not let our scheme out of my mind. Occasionally I let him see the packet and give him one cigar in advance. In exchange the sergeant-major covers us over with a water-proof sheet. "Albert, old man," I suddenly bethink myself, "our four poster and the cat----" "And the club chairs," he adds. Yes, the club chairs with red plush. In the evening we used to sit in them like lords, and intended later on to let them out by the hour. One cigarette per hour. It might have turned into a regular business, a real good living. "And our bags of grub, too, Albert." We grow melancholy. We might have made some use of the things. If only the train left one day later Kat would be sure to find us and bring us the stuff. What damned hard luck! In our bellies there is gruel, mean hospital stuff, and in our bags roast pork. But we are so weak that we cannot work up any more excitement about it. The stretchers are sopping wet by the time the train arrives in the morning. The sergeant-major sees to it that we are put in the same car. There is a crowd of red-cross nurses. Kropp is stowed in below. I am lifted up and put into the bed above him. "Good God!" I exclaim suddenly. "What is it?" asks the sister. I cast a glance at the bed. It is covered with clean snow-white linen, that even has the marks of the iron still on it. And my shirt has gone six weeks without being washed and is terribly muddy. "Can't you get in by yourself?" asks the sister gently. "Why yes," I say in a sweat, "but take off the bed cover first." "What for?" I feel like a pig. Must I get in there?-- "It will get----" I hesitate. "A little bit dirty?" she suggests helpfully. "That doesn't matter, we will wash it again afterwards."<\|quote\|>"No, no, not that----"</\|quote\|>I say excitedly. I am not equal to such overwhelming refinement. "When you have been lying out there in the trenches, surely we can wash a sheet," she goes on. I look at her, she is young and crisp, spotless and neat, like everything here; a man cannot realize that it isn't for officers only, and feels himself strange and in some way even alarmed. All the same, the woman is a tormentor, she is going to force me to say it. "It is only----" I try again, surely she must know what I mean. "What is it then?" "Because of the lice," I bawl out at last. She laughs. "Well, they must have a good day for once, too." Now I don't care any more. I scramble into bed and pull up the covers. A hand gropes over the bed-cover. The sergeant-major. He goes off with the cigars. An hour later we notice that we are moving. At night I cannot sleep. Kropp is restless too. The train rides easily over the rails. I cannot realize it all yet; a bed, a train, home. "Albert!" I whisper. "Yes----" "Do you know where the latrine is?" "Over to the right of the door, I think." "I'm going to have a look." It is dark, I grope for the edge of the bed and cautiously try to slide down. But my foot finds no support, I begin to slip, the plaster leg is no help, and with a crash I lie on the floor. "Damn!" I say. "Have you bumped yourself?"	All Quiet on the Western Front
"Why won't you take things easier?"	Anne Shirley	today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem	"You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he	pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you	some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting	"I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh	any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs.	Anne. I suppose you won't be teaching now that you've won the Avery?" "No. I'm going to Redmond in September. Doesn't it seem wonderful? I'll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn't it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can't afford to send him to college next year, after all, so he means to earn his own way through. I expect he'll get the school here if Miss Ames decides to leave." Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn't," said Marilla in a troubled tone. "He's had some real bad spells with his heart this spring and he won't spare himself a mite. I've been real worried about him, but he's some better this while back and we've got a good hired man, so I'm hoping he'll kind of rest and pick up. Maybe he will now you're home. You always cheer him up." Anne leaned across the table and took Marilla's face in her hands. "You are not looking as well yourself as I'd like to see you, Marilla. You look tired. I'm afraid you've been working too hard. You must take a rest, now that I'm home. I'm just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It's not the work--it's my head. I've got a pain so often now--behind my eyes. Doctor Spencer's been fussing with glasses, but they don't do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I'll have to. I can't read or sew with any comfort now. Well, Anne, you've done real well at Queen's I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn't believe in the higher education of women at all; she says it unfits them for woman's true sphere. I don't believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes. "Oh, Marilla," she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look at his face. When you've seen that look as often as I have you'll know what it means." Anne looked at the still face and there beheld the seal of the Great Presence. When the doctor came he said that death had been instantaneous and probably painless, caused in all likelihood by some sudden shock. The secret of the shock was discovered to be in the paper Matthew had held and which Martin had brought from the office that morning. It contained an account of the failure of the Abbey Bank. The news spread quickly through Avonlea, and all day friends and neighbors thronged Green Gables and came and went on errands of kindness for the dead and living. For the first time shy, quiet Matthew Cuthbert was a person of central importance; the white majesty of death had fallen on him and set him apart as one crowned. When the calm night came softly down over Green Gables the old house was hushed and tranquil. In the parlor lay Matthew Cuthbert in his coffin, his long gray hair framing his placid face on which there was a little kindly smile as if he but slept, dreaming pleasant dreams. There were flowers about him--sweet old-fashioned flowers which his mother had planted in the homestead garden in her bridal days and for which Matthew had always had a secret, wordless love. Anne had gathered them and brought them to him, her anguished, tearless eyes burning in her white face. It was the last thing she could do for him. The Barrys and Mrs. Lynde stayed with them that night. Diana, going to the east gable, where Anne was standing at her window, said gently: "Anne dear, would you like to have me sleep with you tonight?" "Thank you, Diana." Anne looked earnestly into her friend's	was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father's and he'd always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he'd think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad's Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers' Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You've been working too hard today, Matthew," she said reproachfully.<\|quote\|>"Why won't you take things easier?"</\|quote\|>"Well now, I can't seem to," said Matthew, as he opened the yard gate to let the cows through. "It's only that I'm getting old, Anne, and keep forgetting it. Well, well, I've always worked pretty hard and I'd rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I'd be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I'd rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that--rather than a dozen boys. Well now, I guess it wasn't a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I'm proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXVII. The Reaper Whose Name Is Death "MATTHEW--Matthew--what is the matter? Matthew, are you sick?" It was Marilla who spoke, alarm in every jerky word. Anne came through the hall, her hands full of white narcissus,--it was long before Anne could love the sight or odor of white narcissus again,--in time to hear her and to see Matthew standing in the porch doorway, a folded paper in his hand, and his face strangely drawn and gray. Anne dropped her flowers and sprang across the kitchen to him at the same moment as Marilla. They were both too late; before they could reach him Matthew had fallen across the threshold. "He's fainted," gasped Marilla. "Anne, run for Martin--quick, quick! He's at the barn." Martin, the hired man, who had just driven home from the post office, started at once for the doctor, calling at Orchard Slope on his way to send Mr. and Mrs. Barry over. Mrs. Lynde, who was there on an errand, came too. They found Anne and Marilla distractedly trying to restore Matthew to consciousness. Mrs. Lynde pushed them gently aside, tried his pulse, and then laid her ear over his heart. She looked at their anxious faces sorrowfully and the tears came into her eyes. "Oh, Marilla," she said gravely. "I don't think--we can do anything for him." "Mrs. Lynde, you don't think--you can't think Matthew is--is--" Anne could not say the dreadful word; she turned sick and pallid. "Child, yes, I'm afraid of it. Look	Anne Of Green Gables
"Yes. I have come from Bill,"	Nance	go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are	you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What	speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it	cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it	It was Nancy. "Put down the light," said the girl, turning away her head. "It hurts my eyes." Oliver saw that she was very pale, and gently inquired if she were ill. The girl threw herself into a chair, with her back towards him: and wrung her hands; but made no reply. "God forgive me!" she cried after a while, "I never thought of this." "Has anything happened?" asked Oliver. "Can I help you? I will if I can. I will, indeed." She rocked herself to and fro; caught her throat; and, uttering a gurgling sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round.	gore; and the words upon them, to be sounded in his ears, as if they were whispered, in hollow murmurs, by the spirits of the dead. In a paroxysm of fear, the boy closed the book, and thrust it from him. Then, falling upon his knees, he prayed Heaven to spare him from such deeds; and rather to will that he should die at once, than be reserved for crimes, so fearful and appalling. By degrees, he grew more calm, and besought, in a low and broken voice, that he might be rescued from his present dangers; and that if any aid were to be raised up for a poor outcast boy who had never known the love of friends or kindred, it might come to him now, when, desolate and deserted, he stood alone in the midst of wickedness and guilt. He had concluded his prayer, but still remained with his head buried in his hands, when a rustling noise aroused him. "What's that!" he cried, starting up, and catching sight of a figure standing by the door. "Who's there?" "Me. Only me," replied a tremulous voice. Oliver raised the candle above his head: and looked towards the door. It was Nancy. "Put down the light," said the girl, turning away her head. "It hurts my eyes." Oliver saw that she was very pale, and gently inquired if she were ill. The girl threw herself into a chair, with her back towards him: and wrung her hands; but made no reply. "God forgive me!" she cried after a while, "I never thought of this." "Has anything happened?" asked Oliver. "Can I help you? I will if I can. I will, indeed." She rocked herself to and fro; caught her throat; and, uttering a gurgling sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud; "for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it." She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to	thinks nothing of blood when his own is up. Whatever falls out, say nothing; and do what he bids you. Mind!" Placing a strong emphasis on the last word, he suffered his features gradually to resolve themselves into a ghastly grin, and, nodding his head, left the room. Oliver leaned his head upon his hand when the old man disappeared, and pondered, with a trembling heart, on the words he had just heard. The more he thought of the Jew's admonition, the more he was at a loss to divine its real purpose and meaning. He could think of no bad object to be attained by sending him to Sikes, which would not be equally well answered by his remaining with Fagin; and after meditating for a long time, concluded that he had been selected to perform some ordinary menial offices for the housebreaker, until another boy, better suited for his purpose could be engaged. He was too well accustomed to suffering, and had suffered too much where he was, to bewail the prospect of change very severely. He remained lost in thought for some minutes; and then, with a heavy sigh, snuffed the candle, and, taking up the book which the Jew had left with him, began to read. He turned over the leaves. Carelessly at first; but, lighting on a passage which attracted his attention, he soon became intent upon the volume. It was a history of the lives and trials of great criminals; and the pages were soiled and thumbed with use. Here, he read of dreadful crimes that made the blood run cold; of secret murders that had been committed by the lonely wayside; of bodies hidden from the eye of man in deep pits and wells: which would not keep them down, deep as they were, but had yielded them up at last, after many years, and so maddened the murderers with the sight, that in their horror they had confessed their guilt, and yelled for the gibbet to end their agony. Here, too, he read of men who, lying in their beds at dead of night, had been tempted (so they said) and led on, by their own bad thoughts, to such dreadful bloodshed as it made the flesh creep, and the limbs quail, to think of. The terrible descriptions were so real and vivid, that the sallow pages seemed to turn red with gore; and the words upon them, to be sounded in his ears, as if they were whispered, in hollow murmurs, by the spirits of the dead. In a paroxysm of fear, the boy closed the book, and thrust it from him. Then, falling upon his knees, he prayed Heaven to spare him from such deeds; and rather to will that he should die at once, than be reserved for crimes, so fearful and appalling. By degrees, he grew more calm, and besought, in a low and broken voice, that he might be rescued from his present dangers; and that if any aid were to be raised up for a poor outcast boy who had never known the love of friends or kindred, it might come to him now, when, desolate and deserted, he stood alone in the midst of wickedness and guilt. He had concluded his prayer, but still remained with his head buried in his hands, when a rustling noise aroused him. "What's that!" he cried, starting up, and catching sight of a figure standing by the door. "Who's there?" "Me. Only me," replied a tremulous voice. Oliver raised the candle above his head: and looked towards the door. It was Nancy. "Put down the light," said the girl, turning away her head. "It hurts my eyes." Oliver saw that she was very pale, and gently inquired if she were ill. The girl threw herself into a chair, with her back towards him: and wrung her hands; but made no reply. "God forgive me!" she cried after a while, "I never thought of this." "Has anything happened?" asked Oliver. "Can I help you? I will if I can. I will, indeed." She rocked herself to and fro; caught her throat; and, uttering a gurgling sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud; "for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it." She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely time to recollect where he was, or how he came there, when the carriage stopped at the house to which the Jew's steps had been directed on the previous evening. For one brief moment, Oliver cast a hurried glance along the empty street, and a cry for help hung upon his lips. But the girl's voice was in his ear, beseeching him in such tones of agony to remember her, that he had not the heart to utter it. While he hesitated, the opportunity was gone; he was already in the house, and the door was shut. "This way," said the girl, releasing her hold for the first time. "Bill!" "Hallo!" replied Sikes: appearing at the head of the stairs, with a candle. "Oh! That's the time of day. Come on!" This was a very strong expression of approbation, an uncommonly hearty welcome, from a person of Mr. Sikes' temperament. Nancy, appearing much gratified thereby, saluted him cordially. "Bull's-eye's gone home with Tom," observed Sikes, as he lighted them up. "He'd have been in the way." "That's right," rejoined Nancy. "So you've got the kid," said Sikes when they had all reached the room: closing the door as he spoke. "Yes, here he is," replied Nancy. "Did he come quiet?" inquired Sikes. "Like a lamb," rejoined Nancy. "I'm glad to hear it," said Sikes, looking grimly at Oliver; "for the sake of his young carcase: as would otherways have suffered for it. Come here, young 'un;	murderers with the sight, that in their horror they had confessed their guilt, and yelled for the gibbet to end their agony. Here, too, he read of men who, lying in their beds at dead of night, had been tempted (so they said) and led on, by their own bad thoughts, to such dreadful bloodshed as it made the flesh creep, and the limbs quail, to think of. The terrible descriptions were so real and vivid, that the sallow pages seemed to turn red with gore; and the words upon them, to be sounded in his ears, as if they were whispered, in hollow murmurs, by the spirits of the dead. In a paroxysm of fear, the boy closed the book, and thrust it from him. Then, falling upon his knees, he prayed Heaven to spare him from such deeds; and rather to will that he should die at once, than be reserved for crimes, so fearful and appalling. By degrees, he grew more calm, and besought, in a low and broken voice, that he might be rescued from his present dangers; and that if any aid were to be raised up for a poor outcast boy who had never known the love of friends or kindred, it might come to him now, when, desolate and deserted, he stood alone in the midst of wickedness and guilt. He had concluded his prayer, but still remained with his head buried in his hands, when a rustling noise aroused him. "What's that!" he cried, starting up, and catching sight of a figure standing by the door. "Who's there?" "Me. Only me," replied a tremulous voice. Oliver raised the candle above his head: and looked towards the door. It was Nancy. "Put down the light," said the girl, turning away her head. "It hurts my eyes." Oliver saw that she was very pale, and gently inquired if she were ill. The girl threw herself into a chair, with her back towards him: and wrung her hands; but made no reply. "God forgive me!" she cried after a while, "I never thought of this." "Has anything happened?" asked Oliver. "Can I help you? I will if I can. I will, indeed." She rocked herself to and fro; caught her throat; and, uttering a gurgling sound, gasped for breath. "Nancy!" cried Oliver, "What is it?" The girl beat her hands upon her knees, and her feet upon the ground; and, suddenly stopping, drew her shawl close round her: and shivered with cold. Oliver stirred the fire. Drawing her chair close to it, she sat there, for a little time, without speaking; but at length she raised her head, and looked round. "I don't know what comes over me sometimes," said she, affecting to busy herself in arranging her dress; "it's this damp dirty room, I think. Now, Nolly, dear, are you ready?" "Am I to go with you?" asked Oliver.<\|quote\|>"Yes. I have come from Bill,"</\|quote\|>replied the girl. "You are to go with me." "What for?" asked Oliver, recoiling. "What for?" echoed the girl, raising her eyes, and averting them again, the moment they encountered the boy's face. "Oh! For no harm." "I don't believe it," said Oliver: who had watched her closely. "Have it your own way," rejoined the girl, affecting to laugh. "For no good, then." Oliver could see that he had some power over the girl's better feelings, and, for an instant, thought of appealing to her compassion for his helpless state. But, then, the thought darted across his mind that it was barely eleven o'clock; and that many people were still in the streets: of whom surely some might be found to give credence to his tale. As the reflection occured to him, he stepped forward: and said, somewhat hastily, that he was ready. Neither his brief consideration, nor its purport, was lost on his companion. She eyed him narrowly, while he spoke; and cast upon him a look of intelligence which sufficiently showed that she guessed what had been passing in his thoughts. "Hush!" said the girl, stooping over him, and pointing to the door as she looked cautiously round. "You can't help yourself. I have tried hard for you, but all to no purpose. You are hedged round and round. If ever you are to get loose from here, this is not the time." Struck by the energy of her manner, Oliver looked up in her face with great surprise. She seemed to speak the truth; her countenance was white and agitated; and she trembled with very earnestness. "I have saved you from being ill-used once, and I will again, and I do now," continued the girl aloud; "for those who would have fetched you, if I had not, would have been far more rough than me. I have promised for your being quiet and silent; if you are not, you will only do harm to yourself and me too, and perhaps be my death. See here! I have borne all this for you already, as true as God sees me show it." She pointed, hastily, to some livid bruises on her neck and arms; and continued, with great rapidity: "Remember this! And don't let me suffer more for you, just now. If I could help you, I would; but I have not the power. They don't mean to harm you; whatever they make you do, is no fault of yours. Hush! Every word from you is a blow for me. Give me your hand. Make haste! Your hand!" She caught the hand which Oliver instinctively placed in hers, and, blowing out the light, drew him after her up the stairs. The door was opened, quickly, by some one shrouded in the darkness, and was as quickly closed, when they had passed out. A hackney-cabriolet was in waiting; with the same vehemence which she had exhibited in addressing Oliver, the girl pulled him in with her, and drew the curtains close. The driver wanted no directions, but lashed his horse into full speed, without the delay of an instant. The girl still held Oliver fast by the hand, and continued to pour into his ear, the warnings and assurances she had already imparted. All was so quick and hurried, that he had scarcely time to recollect where he was, or how he came there, when the carriage stopped at the house to which the Jew's steps had been	Oliver Twist
'I suppose,'	No speaker	own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time	who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He	Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the	iron lantern with a light inside it. It was obviously an antique, and it would seem as if its original use had been in some way semi-religious, for there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme	far in front of his frightened horse. As the car took the corner of the street with a splendid curve, they could just see the other anarchists filling the street and raising their fallen leader. "I can't understand why it has grown so dark," said the Professor at last in a low voice. "Going to be a storm, I think," said Dr. Bull. "I say, it's a pity we haven't got a light on this car, if only to see by." "We have," said the Colonel, and from the floor of the car he fished up a heavy, old-fashioned, carved iron lantern with a light inside it. It was obviously an antique, and it would seem as if its original use had been in some way semi-religious, for there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme seriously, and hung the heavy lantern over the front. There was a certain allegory of their whole position in the contrast between the modern automobile and its strange ecclesiastical lamp. Hitherto they had passed through the quietest part of the town, meeting at most one or two pedestrians, who could give them no hint of the peace or the hostility of the place. Now, however, the windows in the houses began one by one to be lit up, giving a greater sense of habitation and humanity. Dr. Bull turned to the new detective who had led their flight, and permitted	who end in the simple life, had once owned a motor, and he knew all about them. He had leapt at once into the chauffeur's seat, and with flushed face was wrenching and tugging at the disused machinery. He bent his strength upon one handle, and then said quite quietly "I am afraid it's no go." As he spoke, there swept round the corner a man rigid on his rushing horse, with the rush and rigidity of an arrow. He had a smile that thrust out his chin as if it were dislocated. He swept alongside of the stationary car, into which its company had crowded, and laid his hand on the front. It was the Secretary, and his mouth went quite straight in the solemnity of triumph. Syme was leaning hard upon the steering wheel, and there was no sound but the rumble of the other pursuers riding into the town. Then there came quite suddenly a scream of scraping iron, and the car leapt forward. It plucked the Secretary clean out of his saddle, as a knife is whipped out of its sheath, trailed him kicking terribly for twenty yards, and left him flung flat upon the road far in front of his frightened horse. As the car took the corner of the street with a splendid curve, they could just see the other anarchists filling the street and raising their fallen leader. "I can't understand why it has grown so dark," said the Professor at last in a low voice. "Going to be a storm, I think," said Dr. Bull. "I say, it's a pity we haven't got a light on this car, if only to see by." "We have," said the Colonel, and from the floor of the car he fished up a heavy, old-fashioned, carved iron lantern with a light inside it. It was obviously an antique, and it would seem as if its original use had been in some way semi-religious, for there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme seriously, and hung the heavy lantern over the front. There was a certain allegory of their whole position in the contrast between the modern automobile and its strange ecclesiastical lamp. Hitherto they had passed through the quietest part of the town, meeting at most one or two pedestrians, who could give them no hint of the peace or the hostility of the place. Now, however, the windows in the houses began one by one to be lit up, giving a greater sense of habitation and humanity. Dr. Bull turned to the new detective who had led their flight, and permitted himself one of his natural and friendly smiles. "These lights make one feel more cheerful." Inspector Ratcliffe drew his brows together. "There is only one set of lights that make me more cheerful," he said, "and they are those lights of the police station which I can see beyond the town. Please God we may be there in ten minutes." Then all Bull's boiling good sense and optimism broke suddenly out of him. "Oh, this is all raving nonsense!" he cried. "If you really think that ordinary people in ordinary houses are anarchists, you must be madder than an anarchist yourself. If we turned and fought these fellows, the whole town would fight for us." "No," said the other with an immovable simplicity, "the whole town would fight for them. We shall see." While they were speaking the Professor had leant forward with sudden excitement. "What is that noise?" he said. "Oh, the horses behind us, I suppose," said the Colonel. "I thought we had got clear of them." "The horses behind us! No," said the Professor, "it is not horses, and it is not behind us." Almost as he spoke, across the end of the street before them two	as they rode, however, the whole rank still kept well together, and they could see the black vizards of the first line as level as a line of uniforms. But although the main black square was the same, though travelling faster, there was now one sensational difference which they could see clearly upon the slope of the hill, as if upon a slanted map. The bulk of the riders were in one block; but one rider flew far ahead of the column, and with frantic movements of hand and heel urged his horse faster and faster, so that one might have fancied that he was not the pursuer but the pursued. But even at that great distance they could see something so fanatical, so unquestionable in his figure, that they knew it was the Secretary himself. "I am sorry to cut short a cultured discussion," said the Colonel, "but can you lend me your motor-car now, in two minutes?" "I have a suspicion that you are all mad," said Dr. Renard, smiling sociably; "but God forbid that madness should in any way interrupt friendship. Let us go round to the garage." Dr. Renard was a mild man with monstrous wealth; his rooms were like the Musee de Cluny, and he had three motor-cars. These, however, he seemed to use very sparingly, having the simple tastes of the French middle class, and when his impatient friends came to examine them, it took them some time to assure themselves that one of them even could be made to work. This with some difficulty they brought round into the street before the Doctor's house. When they came out of the dim garage they were startled to find that twilight had already fallen with the abruptness of night in the tropics. Either they had been longer in the place than they imagined, or some unusual canopy of cloud had gathered over the town. They looked down the steep streets, and seemed to see a slight mist coming up from the sea. "It is now or never," said Dr. Bull. "I hear horses." "No," corrected the Professor, "a horse." And as they listened, it was evident that the noise, rapidly coming nearer on the rattling stones, was not the noise of the whole cavalcade but that of the one horseman, who had left it far behind the insane Secretary. Syme's family, like most of those who end in the simple life, had once owned a motor, and he knew all about them. He had leapt at once into the chauffeur's seat, and with flushed face was wrenching and tugging at the disused machinery. He bent his strength upon one handle, and then said quite quietly "I am afraid it's no go." As he spoke, there swept round the corner a man rigid on his rushing horse, with the rush and rigidity of an arrow. He had a smile that thrust out his chin as if it were dislocated. He swept alongside of the stationary car, into which its company had crowded, and laid his hand on the front. It was the Secretary, and his mouth went quite straight in the solemnity of triumph. Syme was leaning hard upon the steering wheel, and there was no sound but the rumble of the other pursuers riding into the town. Then there came quite suddenly a scream of scraping iron, and the car leapt forward. It plucked the Secretary clean out of his saddle, as a knife is whipped out of its sheath, trailed him kicking terribly for twenty yards, and left him flung flat upon the road far in front of his frightened horse. As the car took the corner of the street with a splendid curve, they could just see the other anarchists filling the street and raising their fallen leader. "I can't understand why it has grown so dark," said the Professor at last in a low voice. "Going to be a storm, I think," said Dr. Bull. "I say, it's a pity we haven't got a light on this car, if only to see by." "We have," said the Colonel, and from the floor of the car he fished up a heavy, old-fashioned, carved iron lantern with a light inside it. It was obviously an antique, and it would seem as if its original use had been in some way semi-religious, for there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme seriously, and hung the heavy lantern over the front. There was a certain allegory of their whole position in the contrast between the modern automobile and its strange ecclesiastical lamp. Hitherto they had passed through the quietest part of the town, meeting at most one or two pedestrians, who could give them no hint of the peace or the hostility of the place. Now, however, the windows in the houses began one by one to be lit up, giving a greater sense of habitation and humanity. Dr. Bull turned to the new detective who had led their flight, and permitted himself one of his natural and friendly smiles. "These lights make one feel more cheerful." Inspector Ratcliffe drew his brows together. "There is only one set of lights that make me more cheerful," he said, "and they are those lights of the police station which I can see beyond the town. Please God we may be there in ten minutes." Then all Bull's boiling good sense and optimism broke suddenly out of him. "Oh, this is all raving nonsense!" he cried. "If you really think that ordinary people in ordinary houses are anarchists, you must be madder than an anarchist yourself. If we turned and fought these fellows, the whole town would fight for us." "No," said the other with an immovable simplicity, "the whole town would fight for them. We shall see." While they were speaking the Professor had leant forward with sudden excitement. "What is that noise?" he said. "Oh, the horses behind us, I suppose," said the Colonel. "I thought we had got clear of them." "The horses behind us! No," said the Professor, "it is not horses, and it is not behind us." Almost as he spoke, across the end of the street before them two shining and rattling shapes shot past. They were gone almost in a flash, but everyone could see that they were motor-cars, and the Professor stood up with a pale face and swore that they were the other two motor-cars from Dr. Renard's garage. "I tell you they were his," he repeated, with wild eyes, "and they were full of men in masks!" "Absurd!" said the Colonel angrily. "Dr. Renard would never give them his cars." "He may have been forced," said Ratcliffe quietly. "The whole town is on their side." "You still believe that," asked the Colonel incredulously. "You will all believe it soon," said the other with a hopeless calm. There was a puzzled pause for some little time, and then the Colonel began again abruptly "No, I can't believe it. The thing is nonsense. The plain people of a peaceable French town" He was cut short by a bang and a blaze of light, which seemed close to his eyes. As the car sped on it left a floating patch of white smoke behind it, and Syme had heard a shot shriek past his ear. "My God!" said the Colonel, "someone has shot at us." "It need not interrupt conversation," said the gloomy Ratcliffe. "Pray resume your remarks, Colonel. You were talking, I think, about the plain people of a peaceable French town." The staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there," said the pessimist placidly. "They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans	cloud had gathered over the town. They looked down the steep streets, and seemed to see a slight mist coming up from the sea. "It is now or never," said Dr. Bull. "I hear horses." "No," corrected the Professor, "a horse." And as they listened, it was evident that the noise, rapidly coming nearer on the rattling stones, was not the noise of the whole cavalcade but that of the one horseman, who had left it far behind the insane Secretary. Syme's family, like most of those who end in the simple life, had once owned a motor, and he knew all about them. He had leapt at once into the chauffeur's seat, and with flushed face was wrenching and tugging at the disused machinery. He bent his strength upon one handle, and then said quite quietly "I am afraid it's no go." As he spoke, there swept round the corner a man rigid on his rushing horse, with the rush and rigidity of an arrow. He had a smile that thrust out his chin as if it were dislocated. He swept alongside of the stationary car, into which its company had crowded, and laid his hand on the front. It was the Secretary, and his mouth went quite straight in the solemnity of triumph. Syme was leaning hard upon the steering wheel, and there was no sound but the rumble of the other pursuers riding into the town. Then there came quite suddenly a scream of scraping iron, and the car leapt forward. It plucked the Secretary clean out of his saddle, as a knife is whipped out of its sheath, trailed him kicking terribly for twenty yards, and left him flung flat upon the road far in front of his frightened horse. As the car took the corner of the street with a splendid curve, they could just see the other anarchists filling the street and raising their fallen leader. "I can't understand why it has grown so dark," said the Professor at last in a low voice. "Going to be a storm, I think," said Dr. Bull. "I say, it's a pity we haven't got a light on this car, if only to see by." "We have," said the Colonel, and from the floor of the car he fished up a heavy, old-fashioned, carved iron lantern with a light inside it. It was obviously an antique, and it would seem as if its original use had been in some way semi-religious, for there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember."<\|quote\|>'I suppose,'</\|quote\|>"I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme seriously, and hung the heavy lantern over the front. There was a certain allegory of their whole position in the contrast between the modern automobile and its strange ecclesiastical lamp. Hitherto they had passed through the quietest part of the town, meeting at most one or two pedestrians, who could give them no hint of the peace or the hostility of the place. Now, however, the windows in the houses began one by one to be lit up, giving a greater sense of habitation and humanity. Dr. Bull turned to the new detective who had led their flight, and permitted himself one of his natural and friendly smiles. "These lights make one feel more cheerful." Inspector Ratcliffe drew his brows together. "There is only one set of lights that make me more cheerful," he said, "and they are those lights of the police station which I can see beyond the town. Please God we may be there in ten minutes." Then all Bull's boiling good sense and optimism broke suddenly out of him. "Oh, this is all raving nonsense!" he cried. "If you really think that	The Man Who Was Thursday
cried Kemp, and suddenly became full of ideas.	No speaker	"That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once.	must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available	have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you.	happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a	patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF THE INVISIBLE MAN For a space Kemp was too inarticulate to make Adye understand the swift things that had just happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a man in your police station Marvel." "I know," said Adye, "I know. Those books yes. But the tramp...." "Says he hasn t them. But he thinks the tramp has. And you must prevent him from eating or sleeping; day and night the country must be astir for him. Food must be locked up and secured, all food, so that he will have to break his way to it. The houses everywhere must be barred against him. Heaven send us cold nights and rain! The whole country-side must begin hunting and keep hunting. I tell you, Adye, he is a danger,	s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF THE INVISIBLE MAN For a space Kemp was too inarticulate to make Adye understand the swift things that had just happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a man in your police station Marvel." "I know," said Adye, "I know. Those books yes. But the tramp...." "Says he hasn t them. But he thinks the tramp has. And you must prevent him from eating or sleeping; day and night the country must be astir for him. Food must be locked up and secured, all food, so that he will have to break his way to it. The houses everywhere must be barred against him. Heaven send us cold nights and rain! The whole country-side must begin hunting and keep hunting. I tell you, Adye, he is a danger, a disaster; unless he is pinned and secured, it is frightful to think of the things that may happen." "What else can we do?" said Adye. "I must go down at once and begin organising. But why not come? Yes you come too! Come, and we must hold a sort of council of war get Hopps to help and the railway managers. By Jove! it s urgent. Come along tell me as we go. What else is there we can do? Put that stuff down." In another moment Adye was leading the way downstairs. They found the front door open and the policemen standing outside staring at empty air. "He s got away, sir," said one. "We must go to the central station at once," said Adye. "One of you go on down and get a cab to come up and meet us quickly. And now, Kemp, what else?" "Dogs," said Kemp. "Get dogs. They don t see him, but they wind him. Get dogs." "Good," said Adye. "It s not generally known, but the prison officials over at Halstead know a man with bloodhounds. Dogs. What else?" "Bear in mind," said Kemp, "his food shows. After eating, his food	Man as well as we know there is an Invisible Man. And that Invisible Man, Kemp, must now establish a Reign of Terror. Yes; no doubt it s startling. But I mean it. A Reign of Terror. He must take some town like your Burdock and terrify and dominate it. He must issue his orders. He can do that in a thousand ways scraps of paper thrust under doors would suffice. And all who disobey his orders he must kill, and kill all who would defend them." "Humph!" said Kemp, no longer listening to Griffin but to the sound of his front door opening and closing. "It seems to me, Griffin," he said, to cover his wandering attention, "that your confederate would be in a difficult position." "No one would know he was a confederate," said the Invisible Man, eagerly. And then suddenly, "Hush! What s that downstairs?" "Nothing," said Kemp, and suddenly began to speak loud and fast. "I don t agree to this, Griffin," he said. "Understand me, I don t agree to this. Why dream of playing a game against the race? How can you hope to gain happiness? Don t be a lone wolf. Publish your results; take the world take the nation at least into your confidence. Think what you might do with a million helpers" The Invisible Man interrupted arm extended. "There are footsteps coming upstairs," he said in a low voice. "Nonsense," said Kemp. "Let me see," said the Invisible Man, and advanced, arm extended, to the door. And then things happened very swiftly. Kemp hesitated for a second and then moved to intercept him. The Invisible Man started and stood still. "Traitor!" cried the Voice, and suddenly the dressing-gown opened, and sitting down the Unseen began to disrobe. Kemp made three swift steps to the door, and forthwith the Invisible Man his legs had vanished sprang to his feet with a shout. Kemp flung the door open. As it opened, there came a sound of hurrying feet downstairs and voices. With a quick movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF THE INVISIBLE MAN For a space Kemp was too inarticulate to make Adye understand the swift things that had just happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a man in your police station Marvel." "I know," said Adye, "I know. Those books yes. But the tramp...." "Says he hasn t them. But he thinks the tramp has. And you must prevent him from eating or sleeping; day and night the country must be astir for him. Food must be locked up and secured, all food, so that he will have to break his way to it. The houses everywhere must be barred against him. Heaven send us cold nights and rain! The whole country-side must begin hunting and keep hunting. I tell you, Adye, he is a danger, a disaster; unless he is pinned and secured, it is frightful to think of the things that may happen." "What else can we do?" said Adye. "I must go down at once and begin organising. But why not come? Yes you come too! Come, and we must hold a sort of council of war get Hopps to help and the railway managers. By Jove! it s urgent. Come along tell me as we go. What else is there we can do? Put that stuff down." In another moment Adye was leading the way downstairs. They found the front door open and the policemen standing outside staring at empty air. "He s got away, sir," said one. "We must go to the central station at once," said Adye. "One of you go on down and get a cab to come up and meet us quickly. And now, Kemp, what else?" "Dogs," said Kemp. "Get dogs. They don t see him, but they wind him. Get dogs." "Good," said Adye. "It s not generally known, but the prison officials over at Halstead know a man with bloodhounds. Dogs. What else?" "Bear in mind," said Kemp, "his food shows. After eating, his food shows until it is assimilated. So that he has to hide after eating. You must keep on beating. Every thicket, every quiet corner. And put all weapons all implements that might be weapons, away. He can t carry such things for long. And what he can snatch up and strike men with must be hidden away." "Good again," said Adye. "We shall have him yet!" "And on the roads," said Kemp, and hesitated. "Yes?" said Adye. "Powdered glass," said Kemp. "It s cruel, I know. But think of what he may do!" Adye drew the air in sharply between his teeth. "It s unsportsmanlike. I don t know. But I ll have powdered glass got ready. If he goes too far...." "The man s become inhuman, I tell you," said Kemp. "I am as sure he will establish a reign of terror so soon as he has got over the emotions of this escape as I am sure I am talking to you. Our only chance is to be ahead. He has cut himself off from his kind. His blood be upon his own head." CHAPTER XXVI. THE WICKSTEED MURDER The Invisible Man seems to have rushed out of Kemp s house in a state of blind fury. A little child playing near Kemp s gateway was violently caught up and thrown aside, so that its ankle was broken, and thereafter for some hours the Invisible Man passed out of human perceptions. No one knows where he went nor what he did. But one can imagine him hurrying through the hot June forenoon, up the hill and on to the open downland behind Port Burdock, raging and despairing at his intolerable fate, and sheltering at last, heated and weary, amid the thickets of Hintondean, to piece together again his shattered schemes against his species. That seems the most probable refuge for him, for there it was he re-asserted himself in a grimly tragical manner about two in the afternoon. One wonders what his state of mind may have been during that time, and what plans he devised. No doubt he was almost ecstatically exasperated by Kemp s treachery, and though we may be able to understand the motives that led to that deceit, we may still imagine and even sympathise a little with the fury the attempted surprise must have occasioned. Perhaps something of the stunned astonishment of his Oxford	movement Kemp thrust the Invisible Man back, sprang aside, and slammed the door. The key was outside and ready. In another moment Griffin would have been alone in the belvedere study, a prisoner. Save for one little thing. The key had been slipped in hastily that morning. As Kemp slammed the door it fell noisily upon the carpet. Kemp s face became white. He tried to grip the door handle with both hands. For a moment he stood lugging. Then the door gave six inches. But he got it closed again. The second time it was jerked a foot wide, and the dressing-gown came wedging itself into the opening. His throat was gripped by invisible fingers, and he left his hold on the handle to defend himself. He was forced back, tripped and pitched heavily into the corner of the landing. The empty dressing-gown was flung on the top of him. Halfway up the staircase was Colonel Adye, the recipient of Kemp s letter, the chief of the Burdock police. He was staring aghast at the sudden appearance of Kemp, followed by the extraordinary sight of clothing tossing empty in the air. He saw Kemp felled, and struggling to his feet. He saw him rush forward, and go down again, felled like an ox. Then suddenly he was struck violently. By nothing! A vast weight, it seemed, leapt upon him, and he was hurled headlong down the staircase, with a grip on his throat and a knee in his groin. An invisible foot trod on his back, a ghostly patter passed downstairs, he heard the two police officers in the hall shout and run, and the front door of the house slammed violently. He rolled over and sat up staring. He saw, staggering down the staircase, Kemp, dusty and disheveled, one side of his face white from a blow, his lip bleeding, and a pink dressing-gown and some underclothing held in his arms. "My God!" cried Kemp, "the game s up! He s gone!" CHAPTER XXV. THE HUNTING OF THE INVISIBLE MAN For a space Kemp was too inarticulate to make Adye understand the swift things that had just happened. They stood on the landing, Kemp speaking swiftly, the grotesque swathings of Griffin still on his arm. But presently Adye began to grasp something of the situation. "He is mad," said Kemp; "inhuman. He is pure selfishness. He thinks of nothing but his own advantage, his own safety. I have listened to such a story this morning of brutal self-seeking.... He has wounded men. He will kill them unless we can prevent him. He will create a panic. Nothing can stop him. He is going out now furious!" "He must be caught," said Adye. "That is certain." "But how?"<\|quote\|>cried Kemp, and suddenly became full of ideas.</\|quote\|>"You must begin at once. You must set every available man to work; you must prevent his leaving this district. Once he gets away, he may go through the countryside as he wills, killing and maiming. He dreams of a reign of terror! A reign of terror, I tell you. You must set a watch on trains and roads and shipping. The garrison must help. You must wire for help. The only thing that may keep him here is the thought of recovering some books of notes he counts of value. I will tell you of that! There is a man in your police station Marvel." "I know," said Adye, "I know. Those books yes. But the tramp...." "Says he hasn t them. But he thinks the tramp has. And you must prevent him from eating or sleeping; day and night the country must be astir for him. Food must be locked up and secured, all food, so that he will have to break his way to it. The houses everywhere must be barred against him. Heaven send us cold nights and rain! The whole country-side must begin hunting and keep hunting. I tell you, Adye, he is a danger, a disaster; unless he is pinned and secured, it is frightful to think of the things that may happen." "What else can we do?" said Adye. "I must go down at once and begin organising. But why not come? Yes you come too! Come, and we must hold a sort of council of war get Hopps to help and the railway managers. By Jove! it s urgent. Come along tell me as we go. What else is there we can do? Put that stuff down." In another moment Adye was leading the way downstairs. They found the front door open and the policemen standing outside staring at empty air. "He s got away, sir," said one. "We must go to the	The Invisible Man
He looked at us.	No speaker	Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all	that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru	of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow,	time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake," Mike said. He was almost crying. "You know I'm right. Listen, you!" He turned to Cohn: "Go away!	the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake," Mike said. He was almost crying. "You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was	is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett. Brett was talking French and he was talking Spanish and a little English, and laughing. Bill was filling the glasses. "Tell him Brett wants to come into----" "Oh, pipe down, Mike, for Christ's sake!" Romero looked up smiling. "Pipe down! I know that," he said. Just then Montoya came into the room. He started to smile at me, then he saw Pedro Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake," Mike said. He was almost crying. "You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us. We stood in the crowd and watched Don Manuel Orquito, the fireworks king, standing on a little platform, carefully starting the balloons with sticks, standing above the heads of the crowd to launch the balloons off into the wind. The wind brought them all down, and Don Manuel Orquito's face was sweaty in the light of his complicated fireworks that fell into the crowd and charged	saw them unloaded." Pedro Romero leaned forward. "What did you think of them?" "Very nice," I said. "About twenty-six arrobas. Very short horns. Haven't you seen them?" "Oh, yes," said Romero. "They won't weigh twenty-six arrobas," said the critic. "No," said Romero. "They've got bananas for horns," the critic said. "You call them bananas?" asked Romero. He turned to me and smiled. "_You_ wouldn't call them bananas?" "No," I said. "They're horns all right." "They're very short," said Pedro Romero. "Very, very short. Still, they aren't bananas." "I say, Jake," Brett called from the next table, "you _have_ deserted us." "Just temporarily," I said. "We're talking bulls." "You _are_ superior." "Tell him that bulls have no balls," Mike shouted. He was drunk. Romero looked at me inquiringly. "Drunk," I said. "Borracho! Muy borracho!" "You might introduce your friends," Brett said. She had not stopped looking at Pedro Romero. I asked them if they would like to have coffee with us. They both stood up. Romero's face was very brown. He had very nice manners. I introduced them all around and they started to sit down, but there was not enough room, so we all moved over to the big table by the wall to have coffee. Mike ordered a bottle of Fundador and glasses for everybody. There was a lot of drunken talking. "Tell him I think writing is lousy," Bill said. "Go on, tell him. Tell him I'm ashamed of being a writer." Pedro Romero was sitting beside Brett and listening to her. "Go on. Tell him!" Bill said. Romero looked up smiling. "This gentleman," I said, "is a writer." Romero was impressed. "This other one, too," I said, pointing at Cohn. "He looks like Villalta," Romero said, looking at Bill. "Rafael, doesn't he look like Villalta?" "I can't see it," the critic said. "Really," Romero said in Spanish. "He looks a lot like Villalta. What does the drunken one do?" "Nothing." "Is that why he drinks?" "No. He's waiting to marry this lady." "Tell him bulls have no balls!" Mike shouted, very drunk, from the other end of the table. "What does he say?" "He's drunk." "Jake," Mike called. "Tell him bulls have no balls!" "You understand?" I said. "Yes." I was sure he didn't, so it was all right. "Tell him Brett wants to see him put on those green pants." "Pipe down, Mike." "Tell him Brett is dying to know how he can get into those pants." "Pipe down." During this Romero was fingering his glass and talking with Brett. Brett was talking French and he was talking Spanish and a little English, and laughing. Bill was filling the glasses. "Tell him Brett wants to come into----" "Oh, pipe down, Mike, for Christ's sake!" Romero looked up smiling. "Pipe down! I know that," he said. Just then Montoya came into the room. He started to smile at me, then he saw Pedro Romero with a big glass of cognac in his hand, sitting laughing between me and a woman with bare shoulders, at a table full of drunks. He did not even nod. Montoya went out of the room. Mike was on his feet proposing a toast. "Let's all drink to--" he began. "Pedro Romero," I said. Everybody stood up. Romero took it very seriously, and we touched glasses and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake," Mike said. He was almost crying. "You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us. We stood in the crowd and watched Don Manuel Orquito, the fireworks king, standing on a little platform, carefully starting the balloons with sticks, standing above the heads of the crowd to launch the balloons off into the wind. The wind brought them all down, and Don Manuel Orquito's face was sweaty in the light of his complicated fireworks that fell into the crowd and charged and chased, sputtering and cracking, between the legs of the people. The people shouted as each new luminous paper bubble careened, caught fire, and fell. "They're razzing Don Manuel," Bill said. "How do you know he's Don Manuel?" Brett said. "His name's on the programme. Don Manuel Orquito, the pirotecnico of esta ciudad." "Globos illuminados," Mike said. "A collection of globos illuminados. That's what the paper said." The wind blew the band music away. "I say, I wish one would go up," Brett said. "That Don Manuel chap is furious." "He's probably worked for weeks fixing them to go off, spelling out 'Hail to San Fermin,'" Bill said. "Globos illuminados," Mike said. "A bunch of bloody globos illuminados." "Come on," said Brett. "We can't stand here." "Her ladyship wants a drink," Mike said. "How you know things," Brett said. Inside, the caf was crowded and very noisy. No one noticed us come in. We could not find a table. There was a great noise going on. "Come on, let's get out of here," Bill said. Outside the paseo was going in under the arcade. There were some English and Americans from Biarritz in sport clothes scattered at the tables. Some of the women stared at the people going by with lorgnons. We had acquired, at some time, a friend of Bill's from Biarritz. She was staying with another girl at the Grand Hotel. The other girl had a headache and had gone to bed. "Here's the pub," Mike said. It was the Bar Milano, a small, tough bar where you could get food and where they danced in the back room. We all sat down at a table and ordered a bottle of Fundador. The bar was not full. There was nothing going on. "This is a hell of a place," Bill said. "It's too early." "Let's take the bottle and come back later," Bill said. "I don't want to sit here on a night like this." "Let's go and look at the English," Mike said. "I love to look at the English." "They're awful," Bill said. "Where did they all come from?" "They come from Biarritz," Mike said, "They come to see the last day of the quaint little Spanish fiesta." "I'll festa them," Bill said. "You're an extraordinarily beautiful girl." Mike turned to Bill's friend. "When did you come here?" "Come off it, Michael." "I say, she _is_	and drank it down, I rushing it a little because Mike was trying to make it clear that that was not at all what he was going to drink to. But it went off all right, and Pedro Romero shook hands with every one and he and the critic went out together. "My God! he's a lovely boy," Brett said. "And how I would love to see him get into those clothes. He must use a shoe-horn." "I started to tell him," Mike began. "And Jake kept interrupting me. Why do you interrupt me? Do you think you talk Spanish better than I do?" "Oh, shut up, Mike! Nobody interrupted you." "No, I'd like to get this settled." He turned away from me. "Do you think you amount to something, Cohn? Do you think you belong here among us? People who are out to have a good time? For God's sake don't be so noisy, Cohn!" "Oh, cut it out, Mike," Cohn said. "Do you think Brett wants you here? Do you think you add to the party? Why don't you say something?" "I said all I had to say the other night, Mike." "I'm not one of you literary chaps." Mike stood shakily and leaned against the table. "I'm not clever. But I do know when I'm not wanted. Why don't you see when you're not wanted, Cohn? Go away. Go away, for God's sake. Take that sad Jewish face away. Don't you think I'm right?"<\|quote\|>He looked at us.</\|quote\|>"Sure," I said. "Let's all go over to the Iru a." "No. Don't you think I'm right? I love that woman." "Oh, don't start that again. Do shove it along, Michael," Brett said. "Don't you think I'm right, Jake?" Cohn still sat at the table. His face had the sallow, yellow look it got when he was insulted, but somehow he seemed to be enjoying it. The childish, drunken heroics of it. It was his affair with a lady of title. "Jake," Mike said. He was almost crying. "You know I'm right. Listen, you!" He turned to Cohn: "Go away! Go away now!" "But I won't go, Mike," said Cohn. "Then I'll make you!" Mike started toward him around the table. Cohn stood up and took off his glasses. He stood waiting, his face sallow, his hands fairly low, proudly and firmly waiting for the assault, ready to do battle for his lady love. I grabbed Mike. "Come on to the caf ," I said. "You can't hit him here in the hotel." "Good!" said Mike. "Good idea!" We started off. I looked back as Mike stumbled up the stairs and saw Cohn putting his glasses on again. Bill was sitting at the table pouring another glass of Fundador. Brett was sitting looking straight ahead at nothing. Outside on the square it had stopped raining and the moon was trying to get through the clouds. There was a wind blowing. The military band was playing and the crowd was massed on the far side of the square where the fireworks specialist and his son were trying to send up fire balloons. A balloon would start up jerkily, on a great bias, and be torn by the wind or blown against the houses of the square. Some fell into the crowd. The magnesium flared and the fireworks exploded and chased about in the crowd. There was no one dancing in the square. The gravel was too wet. Brett came out with Bill and joined us.	The Sun Also Rises
"What rot,"	Brett Ashley	them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten	been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't	we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but	edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but I thought I ought to bring them." "You bring us. What rot." "Was it really good?" Mike asked. "Did you take many?" "Some days we took a dozen apiece. There was an Englishman up there." "Named Harris," Bill said. "Ever know him, Mike? He was in the war, too." "Fortunate	have them in for?" "To quiet down the bulls and keep them from breaking horns against the stone walls, or goring each other." "Must be swell being a steer." We went down the stairs and out of the door and walked across the square toward the Caf Iru a. There were two lonely looking ticket-houses standing in the square. Their windows, marked SOL, SOL Y SOMBRA, and SOMBRA, were shut. They would not open until the day before the fiesta. Across the square the white wicker tables and chairs of the Iru a extended out beyond the Arcade to the edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but I thought I ought to bring them." "You bring us. What rot." "Was it really good?" Mike asked. "Did you take many?" "Some days we took a dozen apiece. There was an Englishman up there." "Named Harris," Bill said. "Ever know him, Mike? He was in the war, too." "Fortunate fellow," Mike said. "What times we had. How I wish those dear days were back." "Don't be an ass." "Were you in the war, Mike?" Cohn asked. "Was I not." "He was a very distinguished soldier," Brett said. "Tell them about the time your horse bolted down Piccadilly." "I'll not. I've told that four times." "You never told me," Robert Cohn said. "I'll not tell that story. It reflects discredit on me." "Tell them about your medals." "I'll not. That story reflects great discredit on me." "What story's that?" "Brett will tell you. She tells all the stories that reflect	forgave me all my friends. Without his ever saying anything they were simply a little something shameful between us, like the spilling open of the horses in bull-fighting. Bill had gone up-stairs as we came in, and I found him washing and changing in his room. "Well," he said, "talk a lot of Spanish?" "He was telling me about the bulls coming in to-night." "Let's find the gang and go down." "All right. They'll probably be at the caf ." "Have you got tickets?" "Yes. I got them for all the unloadings." "What's it like?" He was pulling his cheek before the glass, looking to see if there were unshaved patches under the line of the jaw. "It's pretty good," I said. "They let the bulls out of the cages one at a time, and they have steers in the corral to receive them and keep them from fighting, and the bulls tear in at the steers and the steers run around like old maids trying to quiet them down." "Do they ever gore the steers?" "Sure. Sometimes they go right after them and kill them." "Can't the steers do anything?" "No. They're trying to make friends." "What do they have them in for?" "To quiet down the bulls and keep them from breaking horns against the stone walls, or goring each other." "Must be swell being a steer." We went down the stairs and out of the door and walked across the square toward the Caf Iru a. There were two lonely looking ticket-houses standing in the square. Their windows, marked SOL, SOL Y SOMBRA, and SOMBRA, were shut. They would not open until the day before the fiesta. Across the square the white wicker tables and chairs of the Iru a extended out beyond the Arcade to the edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but I thought I ought to bring them." "You bring us. What rot." "Was it really good?" Mike asked. "Did you take many?" "Some days we took a dozen apiece. There was an Englishman up there." "Named Harris," Bill said. "Ever know him, Mike? He was in the war, too." "Fortunate fellow," Mike said. "What times we had. How I wish those dear days were back." "Don't be an ass." "Were you in the war, Mike?" Cohn asked. "Was I not." "He was a very distinguished soldier," Brett said. "Tell them about the time your horse bolted down Piccadilly." "I'll not. I've told that four times." "You never told me," Robert Cohn said. "I'll not tell that story. It reflects discredit on me." "Tell them about your medals." "I'll not. That story reflects great discredit on me." "What story's that?" "Brett will tell you. She tells all the stories that reflect discredit on me." "Go on. Tell it, Brett." "Should I?" "I'll tell it myself." "What medals have you got, Mike?" "I haven't got any medals." "You must have some." "I suppose I've the usual medals. But I never sent in for them. One time there was this wopping big dinner and the Prince of Wales was to be there, and the cards said medals will be worn. So naturally I had no medals, and I stopped at my tailor's and he was impressed by the invitation, and I thought that's a good piece of business, and I said to him:" 'You've got to fix me up with some medals.' "He said:" 'What medals, sir?' "And I said:" 'Oh, any medals. Just give me a few medals.' "So he said:" 'What medals _have_ you, sir?' "And I said:" 'How should I know?' "Did he think I spent all my time reading the bloody gazette?" 'Just give me a good lot. Pick them out yourself.' "So he got me some medals, you know, miniature medals, and handed me the box, and I put it in my pocket and forgot it. Well, I went to the dinner, and it was the night they'd	"Yes?" Montoya politely disbelieved. "But he's not aficionado like you." He put his hand on my shoulder again embarrassedly. "Yes," I said. "He's a real aficionado." "But he's not aficionado like you are." Aficion means passion. An aficionado is one who is passionate about the bull-fights. All the good bull-fighters stayed at Montoya's hotel; that is, those with aficion stayed there. The commercial bull-fighters stayed once, perhaps, and then did not come back. The good ones came each year. In Montoya's room were their photographs. The photographs were dedicated to Juanito Montoya or to his sister. The photographs of bull-fighters Montoya had really believed in were framed. Photographs of bull-fighters who had been without aficion Montoya kept in a drawer of his desk. They often had the most flattering inscriptions. But they did not mean anything. One day Montoya took them all out and dropped them in the waste-basket. He did not want them around. We often talked about bulls and bull-fighters. I had stopped at the Montoya for several years. We never talked for very long at a time. It was simply the pleasure of discovering what we each felt. Men would come in from distant towns and before they left Pamplona stop and talk for a few minutes with Montoya about bulls. These men were aficionados. Those who were aficionados could always get rooms even when the hotel was full. Montoya introduced me to some of them. They were always very polite at first, and it amused them very much that I should be an American. Somehow it was taken for granted that an American could not have aficion. He might simulate it or confuse it with excitement, but he could not really have it. When they saw that I had aficion, and there was no password, no set questions that could bring it out, rather it was a sort of oral spiritual examination with the questions always a little on the defensive and never apparent, there was this same embarrassed putting the hand on the shoulder, or a "Buen hombre." But nearly always there was the actual touching. It seemed as though they wanted to touch you to make it certain. Montoya could forgive anything of a bull-fighter who had aficion. He could forgive attacks of nerves, panic, bad unexplainable actions, all sorts of lapses. For one who had aficion he could forgive anything. At once he forgave me all my friends. Without his ever saying anything they were simply a little something shameful between us, like the spilling open of the horses in bull-fighting. Bill had gone up-stairs as we came in, and I found him washing and changing in his room. "Well," he said, "talk a lot of Spanish?" "He was telling me about the bulls coming in to-night." "Let's find the gang and go down." "All right. They'll probably be at the caf ." "Have you got tickets?" "Yes. I got them for all the unloadings." "What's it like?" He was pulling his cheek before the glass, looking to see if there were unshaved patches under the line of the jaw. "It's pretty good," I said. "They let the bulls out of the cages one at a time, and they have steers in the corral to receive them and keep them from fighting, and the bulls tear in at the steers and the steers run around like old maids trying to quiet them down." "Do they ever gore the steers?" "Sure. Sometimes they go right after them and kill them." "Can't the steers do anything?" "No. They're trying to make friends." "What do they have them in for?" "To quiet down the bulls and keep them from breaking horns against the stone walls, or goring each other." "Must be swell being a steer." We went down the stairs and out of the door and walked across the square toward the Caf Iru a. There were two lonely looking ticket-houses standing in the square. Their windows, marked SOL, SOL Y SOMBRA, and SOMBRA, were shut. They would not open until the day before the fiesta. Across the square the white wicker tables and chairs of the Iru a extended out beyond the Arcade to the edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but I thought I ought to bring them." "You bring us. What rot." "Was it really good?" Mike asked. "Did you take many?" "Some days we took a dozen apiece. There was an Englishman up there." "Named Harris," Bill said. "Ever know him, Mike? He was in the war, too." "Fortunate fellow," Mike said. "What times we had. How I wish those dear days were back." "Don't be an ass." "Were you in the war, Mike?" Cohn asked. "Was I not." "He was a very distinguished soldier," Brett said. "Tell them about the time your horse bolted down Piccadilly." "I'll not. I've told that four times." "You never told me," Robert Cohn said. "I'll not tell that story. It reflects discredit on me." "Tell them about your medals." "I'll not. That story reflects great discredit on me." "What story's that?" "Brett will tell you. She tells all the stories that reflect discredit on me." "Go on. Tell it, Brett." "Should I?" "I'll tell it myself." "What medals have you got, Mike?" "I haven't got any medals." "You must have some." "I suppose I've the usual medals. But I never sent in for them. One time there was this wopping big dinner and the Prince of Wales was to be there, and the cards said medals will be worn. So naturally I had no medals, and I stopped at my tailor's and he was impressed by the invitation, and I thought that's a good piece of business, and I said to him:" 'You've got to fix me up with some medals.' "He said:" 'What medals, sir?' "And I said:" 'Oh, any medals. Just give me a few medals.' "So he said:" 'What medals _have_ you, sir?' "And I said:" 'How should I know?' "Did he think I spent all my time reading the bloody gazette?" 'Just give me a good lot. Pick them out yourself.' "So he got me some medals, you know, miniature medals, and handed me the box, and I put it in my pocket and forgot it. Well, I went to the dinner, and it was the night they'd shot Henry Wilson, so the Prince didn't come and the King didn't come, and no one wore any medals, and all these coves were busy taking off their medals, and I had mine in my pocket." He stopped for us to laugh. "Is that all?" "That's all. Perhaps I didn't tell it right." "You didn't," said Brett. "But no matter." We were all laughing. "Ah, yes," said Mike. "I know now. It was a damn dull dinner, and I couldn't stick it, so I left. Later on in the evening I found the box in my pocket." What's this? "I said." Medals? "Bloody military medals? So I cut them all off their backing--you know, they put them on a strip--and gave them all around. Gave one to each girl. Form of souvenir. They thought I was hell's own shakes of a soldier. Give away medals in a night club. Dashing fellow." "Tell the rest," Brett said. "Don't you think that was funny?" Mike asked. We were all laughing. "It was. I swear it was. Any rate, my tailor wrote me and wanted the medals back. Sent a man around. Kept on writing for months. Seems some chap had left them to be cleaned. Frightfully military cove. Set hell's own store by them." Mike paused. "Rotten luck for the tailor," he said. "You don't mean it," Bill said. "I should think it would have been grand for the tailor." "Frightfully good tailor. Never believe it to see me now," Mike said. "I used to pay him a hundred pounds a year just to keep him quiet. So he wouldn't send me any bills. Frightful blow to him when I went bankrupt. It was right after the medals. Gave his letters rather a bitter tone." "How did you go bankrupt?" Bill asked. "Two ways," Mike said. "Gradually and then suddenly." "What brought it on?" "Friends," said Mike. "I had a lot of friends. False friends. Then I had creditors, too. Probably had more creditors than anybody in England." "Tell them about in the court," Brett said. "I don't remember," Mike said. "I was just a little tight." "Tight!" Brett exclaimed. "You were blind!" "Extraordinary thing," Mike said. "Met my former partner the other day. Offered to buy me a drink." "Tell them about your learned counsel," Brett said. "I will not," Mike said. "My learned counsel was blind, too. I say this	to some of them. They were always very polite at first, and it amused them very much that I should be an American. Somehow it was taken for granted that an American could not have aficion. He might simulate it or confuse it with excitement, but he could not really have it. When they saw that I had aficion, and there was no password, no set questions that could bring it out, rather it was a sort of oral spiritual examination with the questions always a little on the defensive and never apparent, there was this same embarrassed putting the hand on the shoulder, or a "Buen hombre." But nearly always there was the actual touching. It seemed as though they wanted to touch you to make it certain. Montoya could forgive anything of a bull-fighter who had aficion. He could forgive attacks of nerves, panic, bad unexplainable actions, all sorts of lapses. For one who had aficion he could forgive anything. At once he forgave me all my friends. Without his ever saying anything they were simply a little something shameful between us, like the spilling open of the horses in bull-fighting. Bill had gone up-stairs as we came in, and I found him washing and changing in his room. "Well," he said, "talk a lot of Spanish?" "He was telling me about the bulls coming in to-night." "Let's find the gang and go down." "All right. They'll probably be at the caf ." "Have you got tickets?" "Yes. I got them for all the unloadings." "What's it like?" He was pulling his cheek before the glass, looking to see if there were unshaved patches under the line of the jaw. "It's pretty good," I said. "They let the bulls out of the cages one at a time, and they have steers in the corral to receive them and keep them from fighting, and the bulls tear in at the steers and the steers run around like old maids trying to quiet them down." "Do they ever gore the steers?" "Sure. Sometimes they go right after them and kill them." "Can't the steers do anything?" "No. They're trying to make friends." "What do they have them in for?" "To quiet down the bulls and keep them from breaking horns against the stone walls, or goring each other." "Must be swell being a steer." We went down the stairs and out of the door and walked across the square toward the Caf Iru a. There were two lonely looking ticket-houses standing in the square. Their windows, marked SOL, SOL Y SOMBRA, and SOMBRA, were shut. They would not open until the day before the fiesta. Across the square the white wicker tables and chairs of the Iru a extended out beyond the Arcade to the edge of the street. I looked for Brett and Mike at the tables. There they were. Brett and Mike and Robert Cohn. Brett was wearing a Basque beret. So was Mike. Robert Cohn was bare-headed and wearing his spectacles. Brett saw us coming and waved. Her eyes crinkled up as we came up to the table. "Hello, you chaps!" she called. Brett was happy. Mike had a way of getting an intensity of feeling into shaking hands. Robert Cohn shook hands because we were back. "Where the hell have you been?" I asked. "I brought them up here," Cohn said.<\|quote\|>"What rot,"</\|quote\|>Brett said. "We'd have gotten here earlier if you hadn't come." "You'd never have gotten here." "What rot! You chaps are brown. Look at Bill." "Did you get good fishing?" Mike asked. "We wanted to join you." "It wasn't bad. We missed you." "I wanted to come," Cohn said, "but I thought I ought to bring them." "You bring us. What rot." "Was it really good?" Mike asked. "Did you take many?" "Some days we took a dozen apiece. There was an Englishman up there." "Named Harris," Bill said. "Ever know him, Mike? He was in the war, too." "Fortunate fellow," Mike said. "What times we had. How I wish those dear days were back." "Don't be an ass." "Were you in the war, Mike?" Cohn asked. "Was I not." "He was a very distinguished soldier," Brett said. "Tell them about the time your horse bolted down Piccadilly." "I'll not. I've told that four times." "You never told me," Robert Cohn said. "I'll not tell that story. It reflects discredit on me." "Tell them about your medals." "I'll not. That story reflects great discredit on me." "What story's that?" "Brett will tell you. She tells all the stories that reflect discredit on me." "Go on. Tell it, Brett." "Should I?" "I'll tell it myself." "What medals have you got, Mike?" "I haven't got any medals." "You must have some." "I suppose I've the usual medals. But I never sent in for them. One time there was this wopping big dinner and the Prince of Wales was to be there, and the cards said medals will be worn. So naturally I had no medals, and I stopped at my tailor's and he was impressed by the invitation, and I thought that's a good piece of business, and I said to him:" 'You've got to fix me up with some medals.' "He said:" 'What medals, sir?' "And I said:" 'Oh, any medals. Just give me a few medals.' "So he said:" 'What medals _have_ you, sir?' "And I said:" 'How should I know?' "Did he think I spent all my time reading the bloody gazette?" 'Just give me a good lot. Pick them out yourself.' "So he got me some medals, you know, miniature medals, and handed me the box, and I put it in my pocket and forgot it. Well, I went to the dinner, and it was the night they'd shot Henry Wilson, so the Prince didn't come and the King didn't come, and no one wore any medals, and all these coves were busy taking off their medals, and I had mine in my pocket." He stopped for us to laugh. "Is that all?" "That's all. Perhaps I didn't tell it right." "You didn't," said Brett. "But no matter." We were all laughing. "Ah, yes," said Mike. "I know now. It was a damn dull dinner, and I couldn't stick it, so I left. Later on in the evening I found the box in my pocket." What's this? "I	The Sun Also Rises
"Come, Sibyl,"	James Vane	search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He	up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations.	with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl.	"I suppose one must be serious sometimes. Good-bye, Mother; I will have my dinner at five o clock. Everything is packed, except my shirts, so you need not trouble." "Good-bye, my son," she answered with a bow of strained stateliness. She was extremely annoyed at the tone he had adopted with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl. He was like a common gardener walking with a rose. Jim frowned from time to time when he caught the inquisitive glance of some stranger. He had that dislike of being stared at, which comes on geniuses late in life and never leaves the commonplace. Sibyl, however, was quite unconscious	is no reason why she should not contract an alliance with him. I trust he is one of the aristocracy. He has all the appearance of it, I must say. It might be a most brilliant marriage for Sibyl. They would make a charming couple. His good looks are really quite remarkable; everybody notices them." The lad muttered something to himself and drummed on the window-pane with his coarse fingers. He had just turned round to say something when the door opened and Sibyl ran in. "How serious you both are!" she cried. "What is the matter?" "Nothing," he answered. "I suppose one must be serious sometimes. Good-bye, Mother; I will have my dinner at five o clock. Everything is packed, except my shirts, so you need not trouble." "Good-bye, my son," she answered with a bow of strained stateliness. She was extremely annoyed at the tone he had adopted with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl. He was like a common gardener walking with a rose. Jim frowned from time to time when he caught the inquisitive glance of some stranger. He had that dislike of being stared at, which comes on geniuses late in life and never leaves the commonplace. Sibyl, however, was quite unconscious of the effect she was producing. Her love was trembling in laughter on her lips. She was thinking of Prince Charming, and, that she might think of him all the more, she did not talk of him, but prattled on about the ship in which Jim was going to sail, about the gold he was certain to find, about the wonderful heiress whose life he was to save from the wicked, red-shirted bushrangers. For he was not to remain a sailor, or a supercargo, or whatever he was going to be. Oh, no! A sailor s existence was dreadful. Fancy	"I hear a gentleman comes every night to the theatre and goes behind to talk to her. Is that right? What about that?" "You are speaking about things you don t understand, James. In the profession we are accustomed to receive a great deal of most gratifying attention. I myself used to receive many bouquets at one time. That was when acting was really understood. As for Sibyl, I do not know at present whether her attachment is serious or not. But there is no doubt that the young man in question is a perfect gentleman. He is always most polite to me. Besides, he has the appearance of being rich, and the flowers he sends are lovely." "You don t know his name, though," said the lad harshly. "No," answered his mother with a placid expression in her face. "He has not yet revealed his real name. I think it is quite romantic of him. He is probably a member of the aristocracy." James Vane bit his lip. "Watch over Sibyl, Mother," he cried, "watch over her." "My son, you distress me very much. Sibyl is always under my special care. Of course, if this gentleman is wealthy, there is no reason why she should not contract an alliance with him. I trust he is one of the aristocracy. He has all the appearance of it, I must say. It might be a most brilliant marriage for Sibyl. They would make a charming couple. His good looks are really quite remarkable; everybody notices them." The lad muttered something to himself and drummed on the window-pane with his coarse fingers. He had just turned round to say something when the door opened and Sibyl ran in. "How serious you both are!" she cried. "What is the matter?" "Nothing," he answered. "I suppose one must be serious sometimes. Good-bye, Mother; I will have my dinner at five o clock. Everything is packed, except my shirts, so you need not trouble." "Good-bye, my son," she answered with a bow of strained stateliness. She was extremely annoyed at the tone he had adopted with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl. He was like a common gardener walking with a rose. Jim frowned from time to time when he caught the inquisitive glance of some stranger. He had that dislike of being stared at, which comes on geniuses late in life and never leaves the commonplace. Sibyl, however, was quite unconscious of the effect she was producing. Her love was trembling in laughter on her lips. She was thinking of Prince Charming, and, that she might think of him all the more, she did not talk of him, but prattled on about the ship in which Jim was going to sail, about the gold he was certain to find, about the wonderful heiress whose life he was to save from the wicked, red-shirted bushrangers. For he was not to remain a sailor, or a supercargo, or whatever he was going to be. Oh, no! A sailor s existence was dreadful. Fancy being cooped up in a horrid ship, with the hoarse, hump-backed waves trying to get in, and a black wind blowing the masts down and tearing the sails into long screaming ribands! He was to leave the vessel at Melbourne, bid a polite good-bye to the captain, and go off at once to the gold-fields. Before a week was over he was to come across a large nugget of pure gold, the largest nugget that had ever been discovered, and bring it down to the coast in a waggon guarded by six mounted policemen. The bushrangers were to attack them three times, and be defeated with immense slaughter. Or, no. He was not to go to the gold-fields at all. They were horrid places, where men got intoxicated, and shot each other in bar-rooms, and used bad language. He was to be a nice sheep-farmer, and one evening, as he was riding home, he was to see the beautiful heiress being carried off by a robber on a black horse, and give chase, and rescue her. Of course, she would fall in love with him, and he with her, and they would get married, and come home, and live in	I would call society so when you have made your fortune, you must come back and assert yourself in London." "Society!" muttered the lad. "I don t want to know anything about that. I should like to make some money to take you and Sibyl off the stage. I hate it." "Oh, Jim!" said Sibyl, laughing, "how unkind of you! But are you really going for a walk with me? That will be nice! I was afraid you were going to say good-bye to some of your friends to Tom Hardy, who gave you that hideous pipe, or Ned Langton, who makes fun of you for smoking it. It is very sweet of you to let me have your last afternoon. Where shall we go? Let us go to the park." "I am too shabby," he answered, frowning. "Only swell people go to the park." "Nonsense, Jim," she whispered, stroking the sleeve of his coat. He hesitated for a moment. "Very well," he said at last, "but don t be too long dressing." She danced out of the door. One could hear her singing as she ran upstairs. Her little feet pattered overhead. He walked up and down the room two or three times. Then he turned to the still figure in the chair. "Mother, are my things ready?" he asked. "Quite ready, James," she answered, keeping her eyes on her work. For some months past she had felt ill at ease when she was alone with this rough stern son of hers. Her shallow secret nature was troubled when their eyes met. She used to wonder if he suspected anything. The silence, for he made no other observation, became intolerable to her. She began to complain. Women defend themselves by attacking, just as they attack by sudden and strange surrenders. "I hope you will be contented, James, with your sea-faring life," she said. "You must remember that it is your own choice. You might have entered a solicitor s office. Solicitors are a very respectable class, and in the country often dine with the best families." "I hate offices, and I hate clerks," he replied. "But you are quite right. I have chosen my own life. All I say is, watch over Sibyl. Don t let her come to any harm. Mother, you must watch over her." "James, you really talk very strangely. Of course I watch over Sibyl." "I hear a gentleman comes every night to the theatre and goes behind to talk to her. Is that right? What about that?" "You are speaking about things you don t understand, James. In the profession we are accustomed to receive a great deal of most gratifying attention. I myself used to receive many bouquets at one time. That was when acting was really understood. As for Sibyl, I do not know at present whether her attachment is serious or not. But there is no doubt that the young man in question is a perfect gentleman. He is always most polite to me. Besides, he has the appearance of being rich, and the flowers he sends are lovely." "You don t know his name, though," said the lad harshly. "No," answered his mother with a placid expression in her face. "He has not yet revealed his real name. I think it is quite romantic of him. He is probably a member of the aristocracy." James Vane bit his lip. "Watch over Sibyl, Mother," he cried, "watch over her." "My son, you distress me very much. Sibyl is always under my special care. Of course, if this gentleman is wealthy, there is no reason why she should not contract an alliance with him. I trust he is one of the aristocracy. He has all the appearance of it, I must say. It might be a most brilliant marriage for Sibyl. They would make a charming couple. His good looks are really quite remarkable; everybody notices them." The lad muttered something to himself and drummed on the window-pane with his coarse fingers. He had just turned round to say something when the door opened and Sibyl ran in. "How serious you both are!" she cried. "What is the matter?" "Nothing," he answered. "I suppose one must be serious sometimes. Good-bye, Mother; I will have my dinner at five o clock. Everything is packed, except my shirts, so you need not trouble." "Good-bye, my son," she answered with a bow of strained stateliness. She was extremely annoyed at the tone he had adopted with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl. He was like a common gardener walking with a rose. Jim frowned from time to time when he caught the inquisitive glance of some stranger. He had that dislike of being stared at, which comes on geniuses late in life and never leaves the commonplace. Sibyl, however, was quite unconscious of the effect she was producing. Her love was trembling in laughter on her lips. She was thinking of Prince Charming, and, that she might think of him all the more, she did not talk of him, but prattled on about the ship in which Jim was going to sail, about the gold he was certain to find, about the wonderful heiress whose life he was to save from the wicked, red-shirted bushrangers. For he was not to remain a sailor, or a supercargo, or whatever he was going to be. Oh, no! A sailor s existence was dreadful. Fancy being cooped up in a horrid ship, with the hoarse, hump-backed waves trying to get in, and a black wind blowing the masts down and tearing the sails into long screaming ribands! He was to leave the vessel at Melbourne, bid a polite good-bye to the captain, and go off at once to the gold-fields. Before a week was over he was to come across a large nugget of pure gold, the largest nugget that had ever been discovered, and bring it down to the coast in a waggon guarded by six mounted policemen. The bushrangers were to attack them three times, and be defeated with immense slaughter. Or, no. He was not to go to the gold-fields at all. They were horrid places, where men got intoxicated, and shot each other in bar-rooms, and used bad language. He was to be a nice sheep-farmer, and one evening, as he was riding home, he was to see the beautiful heiress being carried off by a robber on a black horse, and give chase, and rescue her. Of course, she would fall in love with him, and he with her, and they would get married, and come home, and live in an immense house in London. Yes, there were delightful things in store for him. But he must be very good, and not lose his temper, or spend his money foolishly. She was only a year older than he was, but she knew so much more of life. He must be sure, also, to write to her by every mail, and to say his prayers each night before he went to sleep. God was very good, and would watch over him. She would pray for him, too, and in a few years he would come back quite rich and happy. The lad listened sulkily to her and made no answer. He was heart-sick at leaving home. Yet it was not this alone that made him gloomy and morose. Inexperienced though he was, he had still a strong sense of the danger of Sibyl s position. This young dandy who was making love to her could mean her no good. He was a gentleman, and he hated him for that, hated him through some curious race-instinct for which he could not account, and which for that reason was all the more dominant within him. He was conscious also of the shallowness and vanity of his mother s nature, and in that saw infinite peril for Sibyl and Sibyl s happiness. Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them. His mother! He had something on his mind to ask of her, something that he had brooded on for many months of silence. A chance phrase that he had heard at the theatre, a whispered sneer that had reached his ears one night as he waited at the stage-door, had set loose a train of horrible thoughts. He remembered it as if it had been the lash of a hunting-crop across his face. His brows knit together into a wedge-like furrow, and with a twitch of pain he bit his underlip. "You are not listening to a word I am saying, Jim," cried Sibyl, "and I am making the most delightful plans for your future. Do say something." "What do you want me to say?" "Oh! that you will be a good boy and not forget us," she answered, smiling at him. He shrugged his shoulders. "You are more likely to forget me than I am to forget you, Sibyl." She flushed. "What do you	is no reason why she should not contract an alliance with him. I trust he is one of the aristocracy. He has all the appearance of it, I must say. It might be a most brilliant marriage for Sibyl. They would make a charming couple. His good looks are really quite remarkable; everybody notices them." The lad muttered something to himself and drummed on the window-pane with his coarse fingers. He had just turned round to say something when the door opened and Sibyl ran in. "How serious you both are!" she cried. "What is the matter?" "Nothing," he answered. "I suppose one must be serious sometimes. Good-bye, Mother; I will have my dinner at five o clock. Everything is packed, except my shirts, so you need not trouble." "Good-bye, my son," she answered with a bow of strained stateliness. She was extremely annoyed at the tone he had adopted with her, and there was something in his look that had made her feel afraid. "Kiss me, Mother," said the girl. Her flowerlike lips touched the withered cheek and warmed its frost. "My child! my child!" cried Mrs. Vane, looking up to the ceiling in search of an imaginary gallery.<\|quote\|>"Come, Sibyl,"</\|quote\|>said her brother impatiently. He hated his mother s affectations. They went out into the flickering, wind-blown sunlight and strolled down the dreary Euston Road. The passersby glanced in wonder at the sullen heavy youth who, in coarse, ill-fitting clothes, was in the company of such a graceful, refined-looking girl. He was like a common gardener walking with a rose. Jim frowned from time to time when he caught the inquisitive glance of some stranger. He had that dislike of being stared at, which comes on geniuses late in life and never leaves the commonplace. Sibyl, however, was quite unconscious of the effect she was producing. Her love was trembling in laughter on her lips. She was thinking of Prince Charming, and, that she might think of him all the more, she did not talk of him, but prattled on about the ship in which Jim was going to sail, about the gold he was certain to find, about the wonderful heiress whose life he was to save from the wicked, red-shirted bushrangers. For he was not to remain a sailor, or a supercargo, or whatever he was going to be. Oh, no! A sailor s existence was dreadful. Fancy being cooped up in a horrid ship, with the hoarse, hump-backed waves trying to get in, and a black wind blowing the masts down and tearing the sails into long screaming ribands! He was to leave the vessel at Melbourne, bid a polite good-bye to the captain, and go off at once to the gold-fields. Before a week was over he was to come across a large nugget of pure gold, the largest nugget that had ever been discovered, and bring it down to the coast in a waggon guarded by six mounted policemen. The bushrangers were to attack them three times, and be defeated with immense slaughter. Or, no. He was not to go to the gold-fields at all. They were horrid places, where men got intoxicated, and shot each other in bar-rooms, and used bad language. He was to be a nice sheep-farmer, and one evening, as he was riding home, he was to see the beautiful heiress being carried off by a robber on a black horse, and give chase, and rescue her. Of course, she would fall in love with him, and he with her, and they would get married, and come home, and live in an immense house in London. Yes, there were delightful things in store for him. But he must be very	The Picture Of Dorian Gray
"Memory's short, perhaps,"	The officer in charge of the detachment	said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts;	heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike.	of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant	a hoarse brutal voice. "Look sharp, we want to get rid of these cords; where's your knife?" "Wait a little while, my friends," said the officer sarcastically; "as soon as we get to the ship, you shall have them changed for irons." "Whorrt!" cried Mike. "We were out in search of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant Maoris to attack peaceful settlers. Forward, my lads!" "Here stop!" roared Mike with a savage grin. "What for?" said the officer sternly. "Arn't you going to take them, too?" "Take whom--the Maoris? No; but for you they would have let these people be in peace. Forward!" "No, no; I mean	you will behave as well to them as we have behaved to you. There, go." He finished by pointing away to the north; but instead of going they stood staring till Ngati came forward, and said a few words in their own tongue. The effect was electric; they all shouted, brandished their spears, danced wildly, and ended by throwing down their weapons before the officer, seizing him by the arms, and rubbing noses with him. He submitted laughingly till the Maoris picked up their spears, and stood looking on, apparently quite satisfied that they were safe. "Here, hi, Jack!" cried a hoarse brutal voice. "Look sharp, we want to get rid of these cords; where's your knife?" "Wait a little while, my friends," said the officer sarcastically; "as soon as we get to the ship, you shall have them changed for irons." "Whorrt!" cried Mike. "We were out in search of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant Maoris to attack peaceful settlers. Forward, my lads!" "Here stop!" roared Mike with a savage grin. "What for?" said the officer sternly. "Arn't you going to take them, too?" "Take whom--the Maoris? No; but for you they would have let these people be in peace. Forward!" "No, no; I mean them two," said Mike savagely, as he pointed-- "them two: Don Lavington and Jem Wimble." "Halt!" cried the officer. "Do you know these men?" he said suspiciously. "There, I told you so, Mas' Don," whispered Jem. "I know that man," said Don firmly. "I only know the others by their making us prisoners out in the bush." "Where did you know him?" said the officer-- "Norfolk Island?" "No, sir; at Bristol. He worked as labourer in my uncle's yard." "That's right enough," said Mike; "and him and Jem Wimble was pressed, and went to sea." "Ay, ay!" said the officer	and being a bit of a joker, advanced toward the Maoris, grinding his teeth and rolling his eyes. The savages saw his every act, and there was a slight tremor that seemed to run through them all; but the next instant they had drawn themselves up stern and defiant, ready to meet their fate at the seaman's knife. "No, no. No, pakeha. No kill," said a deep angry voice; and as every one turned, Ngati stalked forward as if to defend his enemies. But at the same moment the man had cut the first Maori's bands, and then went on behind the rank, cutting the line that bound seven, who stood staring wildly. The next minute a seaman came along bearing a sheaf of spears, which he handed, one by one, to the astonished savages, while their wonder reached its height, as the master's mate presented to each a knife, such as were brought for presents to the natives. "Now," said the officer, addressing them, "I don't understand you, and I don't suppose you understand my words; but you do my deeds. Then, in the king's name, you are free; and if you ever take any English prisoners, I hope you will behave as well to them as we have behaved to you. There, go." He finished by pointing away to the north; but instead of going they stood staring till Ngati came forward, and said a few words in their own tongue. The effect was electric; they all shouted, brandished their spears, danced wildly, and ended by throwing down their weapons before the officer, seizing him by the arms, and rubbing noses with him. He submitted laughingly till the Maoris picked up their spears, and stood looking on, apparently quite satisfied that they were safe. "Here, hi, Jack!" cried a hoarse brutal voice. "Look sharp, we want to get rid of these cords; where's your knife?" "Wait a little while, my friends," said the officer sarcastically; "as soon as we get to the ship, you shall have them changed for irons." "Whorrt!" cried Mike. "We were out in search of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant Maoris to attack peaceful settlers. Forward, my lads!" "Here stop!" roared Mike with a savage grin. "What for?" said the officer sternly. "Arn't you going to take them, too?" "Take whom--the Maoris? No; but for you they would have let these people be in peace. Forward!" "No, no; I mean them two," said Mike savagely, as he pointed-- "them two: Don Lavington and Jem Wimble." "Halt!" cried the officer. "Do you know these men?" he said suspiciously. "There, I told you so, Mas' Don," whispered Jem. "I know that man," said Don firmly. "I only know the others by their making us prisoners out in the bush." "Where did you know him?" said the officer-- "Norfolk Island?" "No, sir; at Bristol. He worked as labourer in my uncle's yard." "That's right enough," said Mike; "and him and Jem Wimble was pressed, and went to sea." "Ay, ay!" said the officer quickly. "And they deserted, and took to the bush." "Hah!" ejaculated the officer. "From the sloop of war. The captain asked us to keep an eye open for two lads who had deserted." "Hor--hor--hor!" laughed Mike maliciously; "and now you've got 'em; Mr Gentleman Don and Master Jemmy Wimble." "If your hands warn't tied," cried Jem fiercely, "I'd punch your ugly head!" "Is this true, young man?" said the officer sternly. "Did you desert from His Majesty's sloop?" Don was silent for a moment, and then stepped forward boldly. "Yes!" he said. "Ah, Mas' Don, you've done it now," whispered Jem. "I was cruelly seized, beaten, and dragged away from my home, and Jem here from his young wife. On board ship we were ill-used and persecuted; and I'm not ashamed to own it, I did leave the ship." "Yes, and so did I!" said Jem stoutly. "Humph! Then I'm afraid you will have to go with me as prisoners!" said the officer. "Hor--hor--hor! Here's a game! Prisoners! Cat-o'-nine tails, or hanging." "Silence, you scoundrel!" roared the officer. "Forward with these prisoners." Mike and his companions were marched on out of hearing, and then, after a turn or two, the	close by; for in spite of Jem's reiterated appeals, his companion refused to take to the bush. "No, Jem," Don said stubbornly; "it would be cowardly, and we're cowards enough." "But s'pose they find us out? That there officer's sure to smell as we're salts." "Smell? Nonsense!" "He will, Mas' Don. I'm that soaked with Stockholm tar that I can smell myself like a tub." "Nonsense!" "But if they find out as we deserted, they'll hang us." "I don't believe it, Jem." "Well, you'll see, Mas' Don; so if they hang you, don't you blame me." "Well, Mr Gordon, we must be off," said the officer. "Thank you once more for all your hospitality." "God bless you, sir, and all your men, for saving our lives," said the settler warmly; and there was a chorus of thanks from the other settlers and their wives. "Nonsense, my dear sir; only our duty!" said the officer heartily. "And now about our prisoners. I don't know what to do about the Maoris. I don't want to shoot them, and I certainly don't want to march them with us down to where the ship lies. What would you do, Mr Gordon?" "I should give them a knife apiece, shake hands with them, and let them go." "What, to come back with the said knives, and kill you all when we're gone!" "They will not come back if you take away the scoundrels who led them on," said Don sharply. "How do you know?" said the officer good-humouredly. "Because," said Don, colouring, "I have been living a good deal with them, both with a friendly tribe and as a prisoner." "And they did not eat you?" said the officer laughing. "There, Mas' Don," whispered Jem, "hear that?" "I think you are right, youngster," continued the officer, "and I shall do so. Mr Dillon, bring up the prisoners." This was to a master's mate, who led off a guard, and returned with the captives bound hands behind, and the Maoris looking sullen and haughty, while the three whites appeared at their very worst--a trio of the most vile, unkempt scoundrels possible to see. They were led to the front, scowling at every one in turn, and halted in front of the officer, who, after whispering to the master's mate, gave orders to one of the seamen. This man pulled out his great jack knife, opened it, and being a bit of a joker, advanced toward the Maoris, grinding his teeth and rolling his eyes. The savages saw his every act, and there was a slight tremor that seemed to run through them all; but the next instant they had drawn themselves up stern and defiant, ready to meet their fate at the seaman's knife. "No, no. No, pakeha. No kill," said a deep angry voice; and as every one turned, Ngati stalked forward as if to defend his enemies. But at the same moment the man had cut the first Maori's bands, and then went on behind the rank, cutting the line that bound seven, who stood staring wildly. The next minute a seaman came along bearing a sheaf of spears, which he handed, one by one, to the astonished savages, while their wonder reached its height, as the master's mate presented to each a knife, such as were brought for presents to the natives. "Now," said the officer, addressing them, "I don't understand you, and I don't suppose you understand my words; but you do my deeds. Then, in the king's name, you are free; and if you ever take any English prisoners, I hope you will behave as well to them as we have behaved to you. There, go." He finished by pointing away to the north; but instead of going they stood staring till Ngati came forward, and said a few words in their own tongue. The effect was electric; they all shouted, brandished their spears, danced wildly, and ended by throwing down their weapons before the officer, seizing him by the arms, and rubbing noses with him. He submitted laughingly till the Maoris picked up their spears, and stood looking on, apparently quite satisfied that they were safe. "Here, hi, Jack!" cried a hoarse brutal voice. "Look sharp, we want to get rid of these cords; where's your knife?" "Wait a little while, my friends," said the officer sarcastically; "as soon as we get to the ship, you shall have them changed for irons." "Whorrt!" cried Mike. "We were out in search of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant Maoris to attack peaceful settlers. Forward, my lads!" "Here stop!" roared Mike with a savage grin. "What for?" said the officer sternly. "Arn't you going to take them, too?" "Take whom--the Maoris? No; but for you they would have let these people be in peace. Forward!" "No, no; I mean them two," said Mike savagely, as he pointed-- "them two: Don Lavington and Jem Wimble." "Halt!" cried the officer. "Do you know these men?" he said suspiciously. "There, I told you so, Mas' Don," whispered Jem. "I know that man," said Don firmly. "I only know the others by their making us prisoners out in the bush." "Where did you know him?" said the officer-- "Norfolk Island?" "No, sir; at Bristol. He worked as labourer in my uncle's yard." "That's right enough," said Mike; "and him and Jem Wimble was pressed, and went to sea." "Ay, ay!" said the officer quickly. "And they deserted, and took to the bush." "Hah!" ejaculated the officer. "From the sloop of war. The captain asked us to keep an eye open for two lads who had deserted." "Hor--hor--hor!" laughed Mike maliciously; "and now you've got 'em; Mr Gentleman Don and Master Jemmy Wimble." "If your hands warn't tied," cried Jem fiercely, "I'd punch your ugly head!" "Is this true, young man?" said the officer sternly. "Did you desert from His Majesty's sloop?" Don was silent for a moment, and then stepped forward boldly. "Yes!" he said. "Ah, Mas' Don, you've done it now," whispered Jem. "I was cruelly seized, beaten, and dragged away from my home, and Jem here from his young wife. On board ship we were ill-used and persecuted; and I'm not ashamed to own it, I did leave the ship." "Yes, and so did I!" said Jem stoutly. "Humph! Then I'm afraid you will have to go with me as prisoners!" said the officer. "Hor--hor--hor! Here's a game! Prisoners! Cat-o'-nine tails, or hanging." "Silence, you scoundrel!" roared the officer. "Forward with these prisoners." Mike and his companions were marched on out of hearing, and then, after a turn or two, the officer spoke. "It is true then, my lads, you deserted your ship?" "I was forced to serve, sir, and I left the ship," said Don firmly. "Well, sir, I have but one course to pursue." "Surely you will not take them as prisoners, sir?" cried Gordon warmly-- "as brave, true fellows as ever stepped." "I can believe that," said the officer; "but discipline must be maintained. Look here, my lads: I will serve you if I can. You made a great mistake in deserting. I detest pressing men; but it is done, and it is not my duty to oppose the proceeding. Now, will you take my advice?" "What is it, sir?" "Throw yourself on our captain's mercy. Your ship has sailed for China; we are going home short-handed. Volunteer to serve the king till the ship is paid off, and perhaps you will never hear of having deserted. What do you say?" "The same as Jem Wimble does, sir. I can volunteer, and fight, if you like; but I can't bear to be forced." "Well said!" cried the officer, smiling at Don's bit of grandiloquence; and, an hour later, after an affectionate parting from Ngati, who elected to stay with Gordon, Don and Jem were Jacks once more, marching cheerily with the main body, half a mile behind the guard in charge of the convicts. CHAPTER FIFTY FOUR. HOME. It was a non-adventurous voyage home, after the convicts had been placed in the hands of the authorities at Port Jackson; and one soft summer evening, after a run by coach from Plymouth, two sturdy-looking brown young sailors leaped down in front of the old coaching hotel, and almost ran along the busy Bristol streets to reach the familiar spots where so much of their lives had been passed. Don was panting to get back into his mother's arms, but they had to pass the warehouse, and as they reached the gates Jem began to tremble. "No, no; don't go by, Mas' Don. I dursen't go alone." "What, not to meet your own wife?" "No, Mas' Don; 'tarn't that. I'm feared she's gone no one knows where. Stand by me while I ask, Mas' Don." "No, no, Jem. I must get home." "We've stood by one another, Mas' Don, in many a fight and at sea, and on shore. Don't forsake your mate now." "I'll stay, Jem," said Don. "Mas'	seaman's knife. "No, no. No, pakeha. No kill," said a deep angry voice; and as every one turned, Ngati stalked forward as if to defend his enemies. But at the same moment the man had cut the first Maori's bands, and then went on behind the rank, cutting the line that bound seven, who stood staring wildly. The next minute a seaman came along bearing a sheaf of spears, which he handed, one by one, to the astonished savages, while their wonder reached its height, as the master's mate presented to each a knife, such as were brought for presents to the natives. "Now," said the officer, addressing them, "I don't understand you, and I don't suppose you understand my words; but you do my deeds. Then, in the king's name, you are free; and if you ever take any English prisoners, I hope you will behave as well to them as we have behaved to you. There, go." He finished by pointing away to the north; but instead of going they stood staring till Ngati came forward, and said a few words in their own tongue. The effect was electric; they all shouted, brandished their spears, danced wildly, and ended by throwing down their weapons before the officer, seizing him by the arms, and rubbing noses with him. He submitted laughingly till the Maoris picked up their spears, and stood looking on, apparently quite satisfied that they were safe. "Here, hi, Jack!" cried a hoarse brutal voice. "Look sharp, we want to get rid of these cords; where's your knife?" "Wait a little while, my friends," said the officer sarcastically; "as soon as we get to the ship, you shall have them changed for irons." "Whorrt!" cried Mike. "We were out in search of three convicts who murdered a couple of the guard, and escaped from Norfolk Island in a boat. I have fallen upon you by accident, and I have you safe." "Norfolk Island! Where's Norfolk Island, mate?" said Mike coolly. "Never heard o' no such place," said his vilest-looking companion, gruffly.<\|quote\|>"Memory's short, perhaps,"</\|quote\|>said the officer. "But convicts; we're not convicts," growled Mike. "Gentlemen, p'r'aps, on your travels?" "Yes, that's it," said Mike with effrontery. "Ah! Well then, I shall have to take you on beard His Majesty's ship _Vixen_, where you will probably be hung at the yard-arm for inciting the ignorant Maoris to attack peaceful settlers. Forward, my lads!" "Here stop!" roared Mike with a savage grin. "What for?" said the officer sternly. "Arn't you going to take them, too?" "Take whom--the Maoris? No; but for you they would have let these people be in peace. Forward!" "No, no; I mean them two," said Mike savagely, as he pointed-- "them two: Don Lavington and Jem Wimble." "Halt!" cried the officer. "Do you know these men?" he said suspiciously. "There, I told you so, Mas' Don," whispered Jem. "I know that man," said Don firmly. "I only know the others by their making us prisoners out in the bush." "Where did you know him?" said the officer-- "Norfolk Island?" "No, sir; at Bristol. He worked as labourer in my uncle's yard." "That's right enough," said Mike; "and him and Jem Wimble was pressed, and went to sea." "Ay, ay!" said the officer quickly. "And they deserted, and took to the bush." "Hah!" ejaculated the officer. "From the sloop of war. The captain asked us to keep an eye open for two lads who had deserted." "Hor--hor--hor!" laughed Mike maliciously; "and now you've got 'em; Mr Gentleman Don and Master Jemmy Wimble." "If your hands warn't tied," cried Jem fiercely, "I'd punch your ugly head!" "Is this true, young man?" said the officer sternly. "Did you desert from His Majesty's sloop?" Don was silent for a moment, and then stepped forward boldly. "Yes!" he said. "Ah, Mas' Don, you've done it now," whispered Jem. "I was cruelly seized, beaten, and dragged away from my home, and Jem here from his young wife. On board ship we were ill-used and persecuted; and I'm not ashamed to own it, I did leave the ship." "Yes, and so did I!" said Jem stoutly. "Humph! Then I'm afraid you will have to go with me as prisoners!" said the officer. "Hor--hor--hor! Here's a game! Prisoners! Cat-o'-nine tails, or hanging." "Silence, you scoundrel!" roared the officer. "Forward with these prisoners." Mike and his companions were marched on out of hearing, and then, after a turn or two, the officer spoke. "It is true then, my lads, you deserted your ship?" "I was forced to serve, sir, and I left the ship," said Don firmly. "Well, sir, I have but one course to pursue." "Surely you will not take them as prisoners, sir?" cried Gordon warmly-- "as brave, true fellows as ever stepped." "I can believe that," said the officer; "but discipline must be maintained. Look here, my lads: I will serve you if I can. You made a great mistake in deserting. I detest pressing men; but it is done, and it is not my duty to oppose the proceeding. Now, will you take my advice?" "What is it, sir?" "Throw yourself on our captain's mercy. Your ship has sailed for China; we are going home short-handed. Volunteer	Don Lavington
"Hallo, my little fellow,"	Owl	"Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and	it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin	Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to	which Roo had ever been, and he was very excited. As soon as ever they had sat down he began to talk. "Hallo, Pooh!" he squeaked. "Hallo, Roo!" said Pooh. Roo jumped up and down in his seat for a little while and then began again. "Hallo, Piglet!" he squeaked. Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to say that he could do both at once ... and had to be patted on the back and dried for quite a long time afterwards. When they had all nearly eaten enough, Christopher Robin banged on the table with his spoon, and everybody stopped talking and was very silent, except	_me_ if it rains." But it didn't rain. Christopher Robin had made a long table out of some long pieces of wood, and they all sat round it. Christopher Robin sat at one end, and Pooh sat at the other, and between them on one side were Owl and Eeyore and Piglet, and between them on the other side were Rabbit, and Roo and Kanga. And all Rabbit's friends and relations spread themselves about on the grass, and waited hopefully in case anybody spoke to them, or dropped anything, or asked them the time. It was the first party to which Roo had ever been, and he was very excited. As soon as ever they had sat down he began to talk. "Hallo, Pooh!" he squeaked. "Hallo, Roo!" said Pooh. Roo jumped up and down in his seat for a little while and then began again. "Hallo, Piglet!" he squeaked. Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to say that he could do both at once ... and had to be patted on the back and dried for quite a long time afterwards. When they had all nearly eaten enough, Christopher Robin banged on the table with his spoon, and everybody stopped talking and was very silent, except Roo who was just finishing a loud attack of hiccups and trying to look as if it was one of Rabbit's relations. "This party," said Christopher Robin, "is a party because of what someone did, and we all know who it was, and it's his party, because of what he did, and I've got a present for him and here it is." Then he felt about a little and whispered, "Where is it?" While he was looking, Eeyore coughed in an impressive way and began to speak. "Friends," he said, "including oddments, it is a great pleasure, or perhaps I	hearty whiches?_) And hope he'll be with us for years and years, And grow in health and wisdom and riches! 3 Cheers for Pooh! (_For who?_) For Pooh-- 3 Cheers for Bear! (_For where?_) For Bear-- 3 Cheers for the wonderful Winnie-the-Pooh! (_Just tell me, somebody_--WHAT DID HE DO?) While this was going on inside him, Owl was talking to Eeyore. "Eeyore," said Owl, "Christopher Robin is giving a party." "Very interesting," said Eeyore. "I suppose they will be sending me down the odd bits which got trodden on. Kind and Thoughtful. Not at all, don't mention it." "There is an Invitation for you." "What's that like?" "An Invitation!" "Yes, I heard you. Who dropped it?" "This isn't anything to eat, it's asking you to the party. To-morrow." Eeyore shook his head slowly. "You mean Piglet. The little fellow with the excited ears. That's Piglet. I'll tell him." "No, no!" said Owl, getting quite fussy. "It's you!" "Are you sure?" "Of course I'm sure. Christopher Robin said 'All of them! Tell all of them.'" "All of them, except Eeyore?" "All of them," said Owl sulkily. "Ah!" said Eeyore. "A mistake, no doubt, but still, I shall come. Only don't blame _me_ if it rains." But it didn't rain. Christopher Robin had made a long table out of some long pieces of wood, and they all sat round it. Christopher Robin sat at one end, and Pooh sat at the other, and between them on one side were Owl and Eeyore and Piglet, and between them on the other side were Rabbit, and Roo and Kanga. And all Rabbit's friends and relations spread themselves about on the grass, and waited hopefully in case anybody spoke to them, or dropped anything, or asked them the time. It was the first party to which Roo had ever been, and he was very excited. As soon as ever they had sat down he began to talk. "Hallo, Pooh!" he squeaked. "Hallo, Roo!" said Pooh. Roo jumped up and down in his seat for a little while and then began again. "Hallo, Piglet!" he squeaked. Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to say that he could do both at once ... and had to be patted on the back and dried for quite a long time afterwards. When they had all nearly eaten enough, Christopher Robin banged on the table with his spoon, and everybody stopped talking and was very silent, except Roo who was just finishing a loud attack of hiccups and trying to look as if it was one of Rabbit's relations. "This party," said Christopher Robin, "is a party because of what someone did, and we all know who it was, and it's his party, because of what he did, and I've got a present for him and here it is." Then he felt about a little and whispered, "Where is it?" While he was looking, Eeyore coughed in an impressive way and began to speak. "Friends," he said, "including oddments, it is a great pleasure, or perhaps I had better say it has been a pleasure so far, to see you at my party. What I did was nothing. Any of you--except Rabbit and Owl and Kanga--would have done the same. Oh, and Pooh. My remarks do not, of course, apply to Piglet and Roo, because they are too small. Any of you would have done the same. But it just happened to be Me. It was not, I need hardly say, with an idea of getting what Christopher Robin is looking for now" "--and he put his front leg to his mouth and said in a loud whisper, "Try under the table" "--" "that I did what I did--but because I feel that we should all do what we can to help. I feel that we should all----" "H--hup!" said Roo accidentally. "Roo, dear!" said Kanga reproachfully. "Was it me?" asked Roo, a little surprised. "What's Eeyore talking about?" Piglet whispered to Pooh. "I don't know," said Pooh rather dolefully. "I thought this was _your_ party." "I thought it was _once_. But I suppose it isn't." "I'd sooner it was yours than Eeyore's," said Piglet. "So would I," said Pooh. "H--hup!" said Roo again. "AS--I--WAS--SAYING," said Eeyore	that's what it's for, is it?" said Owl. "Yes, so will you tell Pooh as quickly as you can, and all the others, because it will be to-morrow." "Oh, it will, will it?" said Owl, still being as helpful as possible. "So will you go and tell them, Owl?" Owl tried to think of something very wise to say, but couldn't, so he flew off to tell the others. And the first person he told was Pooh. "Pooh," he said, "Christopher Robin is giving a party." "Oh!" said Pooh. And then seeing that Owl expected him to say something else, he said "Will there be those little cake things with pink sugar icing?" Owl felt that it was rather beneath him to talk about little cake things with pink sugar icing, so he told Pooh exactly what Christopher Robin had said, and flew off to Eeyore. "A party for Me?" thought Pooh to himself. "How grand!" And he began to wonder if all the other animals would know that it was a special Pooh Party, and if Christopher Robin had told them about _The Floating Bear_ and the _Brain of Pooh_ and all the wonderful ships he had invented and sailed on, and he began to think how awful it would be if everybody had forgotten about it, and nobody quite knew what the party was for; and the more he thought like this, the more the party got muddled in his mind, like a dream when nothing goes right. And the dream began to sing itself over in his head until it became a sort of song. It was an ANXIOUS POOH SONG. 3 Cheers for Pooh! (_For Who?_) For Pooh-- (_Why what did he do?_) I thought you knew; He saved his friend from a wetting! 3 Cheers for Bear! (_For where?_) For Bear-- He couldn't swim, But he rescued him! (_He rescued who?_) Oh, listen, do! I am talking of Pooh-- (_Of who?_) Of Pooh! (_I'm sorry I keep forgetting_). Well, Pooh was a Bear of Enormous Brain (_Just say it again!_) Of enormous brain-- (_Of enormous what?_) Well, he ate a lot, And I don't know if he could swim or not, But he managed to float On a sort of boat (_On a sort of what?_) Well, a sort of pot-- So now let's give him three hearty cheers (_So now let's give him three hearty whiches?_) And hope he'll be with us for years and years, And grow in health and wisdom and riches! 3 Cheers for Pooh! (_For who?_) For Pooh-- 3 Cheers for Bear! (_For where?_) For Bear-- 3 Cheers for the wonderful Winnie-the-Pooh! (_Just tell me, somebody_--WHAT DID HE DO?) While this was going on inside him, Owl was talking to Eeyore. "Eeyore," said Owl, "Christopher Robin is giving a party." "Very interesting," said Eeyore. "I suppose they will be sending me down the odd bits which got trodden on. Kind and Thoughtful. Not at all, don't mention it." "There is an Invitation for you." "What's that like?" "An Invitation!" "Yes, I heard you. Who dropped it?" "This isn't anything to eat, it's asking you to the party. To-morrow." Eeyore shook his head slowly. "You mean Piglet. The little fellow with the excited ears. That's Piglet. I'll tell him." "No, no!" said Owl, getting quite fussy. "It's you!" "Are you sure?" "Of course I'm sure. Christopher Robin said 'All of them! Tell all of them.'" "All of them, except Eeyore?" "All of them," said Owl sulkily. "Ah!" said Eeyore. "A mistake, no doubt, but still, I shall come. Only don't blame _me_ if it rains." But it didn't rain. Christopher Robin had made a long table out of some long pieces of wood, and they all sat round it. Christopher Robin sat at one end, and Pooh sat at the other, and between them on one side were Owl and Eeyore and Piglet, and between them on the other side were Rabbit, and Roo and Kanga. And all Rabbit's friends and relations spread themselves about on the grass, and waited hopefully in case anybody spoke to them, or dropped anything, or asked them the time. It was the first party to which Roo had ever been, and he was very excited. As soon as ever they had sat down he began to talk. "Hallo, Pooh!" he squeaked. "Hallo, Roo!" said Pooh. Roo jumped up and down in his seat for a little while and then began again. "Hallo, Piglet!" he squeaked. Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to say that he could do both at once ... and had to be patted on the back and dried for quite a long time afterwards. When they had all nearly eaten enough, Christopher Robin banged on the table with his spoon, and everybody stopped talking and was very silent, except Roo who was just finishing a loud attack of hiccups and trying to look as if it was one of Rabbit's relations. "This party," said Christopher Robin, "is a party because of what someone did, and we all know who it was, and it's his party, because of what he did, and I've got a present for him and here it is." Then he felt about a little and whispered, "Where is it?" While he was looking, Eeyore coughed in an impressive way and began to speak. "Friends," he said, "including oddments, it is a great pleasure, or perhaps I had better say it has been a pleasure so far, to see you at my party. What I did was nothing. Any of you--except Rabbit and Owl and Kanga--would have done the same. Oh, and Pooh. My remarks do not, of course, apply to Piglet and Roo, because they are too small. Any of you would have done the same. But it just happened to be Me. It was not, I need hardly say, with an idea of getting what Christopher Robin is looking for now" "--and he put his front leg to his mouth and said in a loud whisper, "Try under the table" "--" "that I did what I did--but because I feel that we should all do what we can to help. I feel that we should all----" "H--hup!" said Roo accidentally. "Roo, dear!" said Kanga reproachfully. "Was it me?" asked Roo, a little surprised. "What's Eeyore talking about?" Piglet whispered to Pooh. "I don't know," said Pooh rather dolefully. "I thought this was _your_ party." "I thought it was _once_. But I suppose it isn't." "I'd sooner it was yours than Eeyore's," said Piglet. "So would I," said Pooh. "H--hup!" said Roo again. "AS--I--WAS--SAYING," said Eeyore loudly and sternly, "as I was saying when I was interrupted by various Loud Sounds, I feel that----" "Here it is!" cried Christopher Robin excitedly. "Pass it down to silly old Pooh. It's for Pooh." "For Pooh?" said Eeyore. "Of course it is. The best bear in all the world." "I might have known," said Eeyore. "After all, one can't complain. I have my friends. Somebody spoke to me only yesterday. And was it last week or the week before that Rabbit bumped into me and said 'Bother!' The Social Round. Always something going on." Nobody was listening, for they were all saying "Open it, Pooh," "What is it, Pooh?" "I know what it is," "No, you don't" and other helpful remarks of this sort. And of course Pooh was opening it as quickly as ever he could, but without cutting the string, because you never know when a bit of string might be Useful. At last it was undone. When Pooh saw what it was, he nearly fell down, he was so pleased. It was a Special Pencil Case. There were pencils in it marked "B" for Bear, and pencils marked "HB" for Helping Bear, and pencils marked "BB" for Brave Bear. There was a knife for sharpening the pencils, and india-rubber for rubbing out anything which you had spelt wrong, and a ruler for ruling lines for the words to walk on, and inches marked on the ruler in case you wanted to know how many inches anything was, and Blue Pencils and Red Pencils and Green Pencils for saying special things in blue and red and green. And all these lovely things were in little pockets of their own in a Special Case which shut with a click when you clicked it. And they were all for Pooh. "Oh!" said Pooh. "Oh, Pooh!" said everybody else except Eeyore. "Thank-you," growled Pooh. But Eeyore was saying to himself, "This writing business. Pencils and what-not. Over-rated, if you ask me. Silly stuff. Nothing in it." Later on, when they had all said "Good-bye" and "Thank-you" to Christopher Robin, Pooh and Piglet walked home thoughtfully together in the golden evening, and for a long time they were silent. "When you wake up in the morning, Pooh," said Piglet at last, "what's the first thing you say to yourself?" "What's for breakfast?" said Pooh. "What do _you_ say, Piglet?" "I say,	of Pooh-- (_Of who?_) Of Pooh! (_I'm sorry I keep forgetting_). Well, Pooh was a Bear of Enormous Brain (_Just say it again!_) Of enormous brain-- (_Of enormous what?_) Well, he ate a lot, And I don't know if he could swim or not, But he managed to float On a sort of boat (_On a sort of what?_) Well, a sort of pot-- So now let's give him three hearty cheers (_So now let's give him three hearty whiches?_) And hope he'll be with us for years and years, And grow in health and wisdom and riches! 3 Cheers for Pooh! (_For who?_) For Pooh-- 3 Cheers for Bear! (_For where?_) For Bear-- 3 Cheers for the wonderful Winnie-the-Pooh! (_Just tell me, somebody_--WHAT DID HE DO?) While this was going on inside him, Owl was talking to Eeyore. "Eeyore," said Owl, "Christopher Robin is giving a party." "Very interesting," said Eeyore. "I suppose they will be sending me down the odd bits which got trodden on. Kind and Thoughtful. Not at all, don't mention it." "There is an Invitation for you." "What's that like?" "An Invitation!" "Yes, I heard you. Who dropped it?" "This isn't anything to eat, it's asking you to the party. To-morrow." Eeyore shook his head slowly. "You mean Piglet. The little fellow with the excited ears. That's Piglet. I'll tell him." "No, no!" said Owl, getting quite fussy. "It's you!" "Are you sure?" "Of course I'm sure. Christopher Robin said 'All of them! Tell all of them.'" "All of them, except Eeyore?" "All of them," said Owl sulkily. "Ah!" said Eeyore. "A mistake, no doubt, but still, I shall come. Only don't blame _me_ if it rains." But it didn't rain. Christopher Robin had made a long table out of some long pieces of wood, and they all sat round it. Christopher Robin sat at one end, and Pooh sat at the other, and between them on one side were Owl and Eeyore and Piglet, and between them on the other side were Rabbit, and Roo and Kanga. And all Rabbit's friends and relations spread themselves about on the grass, and waited hopefully in case anybody spoke to them, or dropped anything, or asked them the time. It was the first party to which Roo had ever been, and he was very excited. As soon as ever they had sat down he began to talk. "Hallo, Pooh!" he squeaked. "Hallo, Roo!" said Pooh. Roo jumped up and down in his seat for a little while and then began again. "Hallo, Piglet!" he squeaked. Piglet waved a paw at him, being too busy to say anything. "Hallo, Eeyore!" said Roo. Eeyore nodded gloomily at him. "It will rain soon, you see if it doesn't," he said. Roo looked to see if it didn't, and it didn't, so he said "Hallo, Owl!" "--and Owl said<\|quote\|>"Hallo, my little fellow,"</\|quote\|>in a kindly way, and went on telling Christopher Robin about an accident which had nearly happened to a friend of his whom Christopher Robin didn't know, and Kanga said to Roo, "Drink up your milk first, dear, and talk afterwards." So Roo, who was drinking his milk, tried to say that he could do both at once ... and had to be patted on the back and dried for quite a long time afterwards. When they had all nearly eaten enough, Christopher Robin banged on the table with his spoon, and everybody stopped talking and was very silent, except Roo who was just finishing a loud attack of hiccups and trying to look as if it was one of Rabbit's relations. "This party," said Christopher Robin, "is a party because of what someone did, and we all know who it was, and it's his party, because of what he did, and I've got a present for him and here it is." Then he felt about a little and whispered, "Where is it?" While he was looking, Eeyore coughed in an impressive way and began to speak. "Friends," he said, "including oddments, it is a great pleasure, or perhaps I had better say it has been a pleasure so far, to see you at my party. What I did was nothing. Any of you--except Rabbit and Owl and Kanga--would have done the same. Oh, and Pooh. My remarks do not, of course, apply to Piglet and Roo, because they are too small. Any of you would have done the same. But it just happened to be Me. It was not, I need hardly say, with an idea of getting what Christopher Robin is looking for now" "--and he put his front leg to his mouth and said in a loud whisper, "Try under the table" "--" "that I did what I did--but because I feel that we should all do what we can to help. I feel that we should all----" "H--hup!" said Roo accidentally. "Roo, dear!" said Kanga reproachfully. "Was it me?" asked Roo, a little surprised. "What's Eeyore talking about?" Piglet whispered to Pooh. "I don't know," said Pooh rather dolefully. "I	Winnie The Pooh
“Louisville in June! Somebody fainted. Who was it fainted, Tom?”	Daisy	middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A	“Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi,	the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to	of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He	ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private	Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom	the garage the curtains had been moved aside a little, and Myrtle Wilson was peering down at the car. So engrossed was she that she had no consciousness of being observed, and one emotion after another crept into her face like objects into a slowly developing picture. Her expression was curiously familiar—it was an expression I had often seen on women’s faces, but on Myrtle Wilson’s face it seemed purposeless and inexplicable until I realized that her eyes, wide with jealous terror, were fixed not on Tom, but on Jordan Baker, whom she took to be his wife. ------------------------------------------------------------------------ There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control. Instinct made him step on the accelerator with the double purpose of overtaking Daisy and leaving Wilson behind, and we sped along toward Astoria at fifty miles an hour, until, among the spidery girders of the elevated, we came in sight of the easygoing blue coupé. “Those big movies around Fiftieth Street are cool,” suggested Jordan. “I love New York on summer afternoons when everyone’s away. There’s something very sensuous about it—overripe, as if all sorts of funny fruits were going to fall into your hands.” The word “sensuous” had the effect of further disquieting Tom, but before he could invent a protest the coupé came to a stop, and Daisy signalled us to draw up alongside. “Where are we going?” she cried. “How about the movies?” “It’s so hot,” she complained. “You go. We’ll ride around and meet you after.” With an effort her wit rose faintly. “We’ll meet you on some corner. I’ll be the man smoking two cigarettes.” “We can’t argue about it here,” Tom said impatiently, as a truck gave out a cursing whistle behind us. “You follow me to the south side of Central Park, in front of the Plaza.” Several times he turned his head and looked back for their car, and if the traffic delayed them he slowed up until they came into sight. I think he was afraid they would dart down a side-street and out of his life forever. But they didn’t. And we all took the less explicable step of engaging the parlour of a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and went to the table. “Open the whisky, Tom,” she ordered, “and I’ll make you a mint julep. Then you won’t seem so stupid to yourself … Look at the mint!” “Wait a minute,” snapped Tom, “I want to ask Mr. Gatsby one more question.” “Go on,” Gatsby said politely. “What kind of a row are you trying to cause in my house anyhow?” They were out in the open at last and Gatsby was content. “He isn’t causing a row,” Daisy looked desperately from one to the other. “You’re causing a row. Please have a little self-control.” “Self-control!” repeated Tom incredulously. “I suppose the latest thing is to sit back and let Mr. Nobody from Nowhere make love to your wife. Well, if that’s the idea you can count me out … Nowadays people begin by sneering at family life and family institutions, and next they’ll throw everything overboard and have intermarriage between black and white.” Flushed with his impassioned gibberish, he saw himself standing alone on the last barrier of civilization. “We’re all white here,” murmured Jordan. “I know I’m not very popular. I don’t give big parties. I suppose you’ve got to make your house into a pigsty in order to have any friends—in the modern world.” Angry as I was, as we all were, I was tempted to laugh whenever he opened his mouth. The transition from libertine to prig was so complete. “I’ve got something to tell you, old sport—” began Gatsby. But Daisy guessed at his intention. “Please don’t!” she interrupted helplessly. “Please let’s all go home. Why don’t we all go home?” “That’s a good idea,” I got up. “Come on, Tom. Nobody wants a drink.” “I want to know what Mr. Gatsby has to tell me.” “Your wife doesn’t love you,” said Gatsby. “She’s never loved you. She loves me.” “You must be crazy!” exclaimed Tom automatically. Gatsby sprang to his feet, vivid with excitement. “She never loved	a suite in the Plaza Hotel. The prolonged and tumultuous argument that ended by herding us into that room eludes me, though I have a sharp physical memory that, in the course of it, my underwear kept climbing like a damp snake around my legs and intermittent beads of sweat raced cool across my back. The notion originated with Daisy’s suggestion that we hire five bathrooms and take cold baths, and then assumed more tangible form as “a place to have a mint julep.” Each of us said over and over that it was a “crazy idea” —we all talked at once to a baffled clerk and thought, or pretended to think, that we were being very funny … The room was large and stifling, and, though it was already four o’clock, opening the windows admitted only a gust of hot shrubbery from the Park. Daisy went to the mirror and stood with her back to us, fixing her hair. “It’s a swell suite,” whispered Jordan respectfully, and everyone laughed. “Open another window,” commanded Daisy, without turning around. “There aren’t any more.” “Well, we’d better telephone for an axe—” “The thing to do is to forget about the heat,” said Tom impatiently. “You make it ten times worse by crabbing about it.” He unrolled the bottle of whisky from the towel and put it on the table. “Why not let her alone, old sport?” remarked Gatsby. “You’re the one that wanted to come to town.” There was a moment of silence. The telephone book slipped from its nail and splashed to the floor, whereupon Jordan whispered, “Excuse me” —but this time no one laughed. “I’ll pick it up,” I offered. “I’ve got it.” Gatsby examined the parted string, muttered “Hum!” in an interested way, and tossed the book on a chair. “That’s a great expression of yours, isn’t it?” said Tom sharply. “What is?” “All this ‘old sport’ business. Where’d you pick that up?” “Now see here, Tom,” said Daisy, turning around from the mirror, “if you’re going to make personal remarks I won’t stay here a minute. Call up and order some ice for the mint julep.” As Tom took up the receiver the compressed heat exploded into sound and we were listening to the portentous chords of Mendelssohn’s Wedding March from the ballroom below. “Imagine marrying anybody in this heat!” cried Jordan dismally. “Still—I was married in the middle of June,” Daisy remembered.<\|quote\|>“Louisville in June! Somebody fainted. Who was it fainted, Tom?”</\|quote\|>“Biloxi,” he answered shortly. “A man named Biloxi. ‘Blocks’ Biloxi, and he made boxes—that’s a fact—and he was from Biloxi, Tennessee.” “They carried him into my house,” appended Jordan, “because we lived just two doors from the church. And he stayed three weeks, until Daddy told him he had to get out. The day after he left Daddy died.” After a moment she added as if she might have sounded irreverent, “There wasn’t any connection.” “I used to know a Bill Biloxi from Memphis,” I remarked. “That was his cousin. I knew his whole family history before he left. He gave me an aluminium putter that I use today.” The music had died down as the ceremony began and now a long cheer floated in at the window, followed by intermittent cries of “Yea—ea—ea!” and finally by a burst of jazz as the dancing began. “We’re getting old,” said Daisy. “If we were young we’d rise and dance.” “Remember Biloxi,” Jordan warned her. “Where’d you know him, Tom?” “Biloxi?” He concentrated with an effort. “I didn’t know him. He was a friend of Daisy’s.” “He was not,” she denied. “I’d never seen him before. He came down in the private car.” “Well, he said he knew you. He said he was raised in Louisville. Asa Bird brought him around at the last minute and asked if we had room for him.” Jordan smiled. “He was probably bumming his way home. He told me he was president of your class at Yale.” Tom and I looked at each other blankly. “Biloxi?” “First place, we didn’t have any president—” Gatsby’s foot beat a short, restless tattoo and Tom eyed him suddenly. “By the way, Mr. Gatsby, I understand you’re an Oxford man.” “Not exactly.” “Oh, yes, I understand you went to Oxford.” “Yes—I went there.” A pause. Then Tom’s voice, incredulous and insulting: “You must have gone there about the time Biloxi went to New Haven.” Another pause. A waiter knocked and came in with crushed mint and ice but the silence was unbroken by his “thank you” and the soft closing of the door. This tremendous detail was to be cleared up at last. “I told you I went there,” said Gatsby. “I heard you, but I’d like to know when.” “It was in nineteen-nineteen, I only stayed five months. That’s why I can’t really call myself an Oxford man.” Tom glanced around to see if we mirrored his unbelief. But we were all looking at Gatsby. “It was an opportunity they gave to some of the officers after the armistice,” he continued. “We could go to any of the universities in England or France.” I wanted to get up and slap him on the back. I had one of those renewals of complete faith in him that I’d experienced before. Daisy rose, smiling faintly, and	The Great Gatsby
"I had left the Chesilstowe cottage already,"	The Invisible Man	and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened.	a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I	thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going	"I robbed the old man robbed my father." "The money was not his, and he shot himself." CHAPTER XX. AT THE HOUSE IN GREAT PORTLAND STREET For a moment Kemp sat in silence, staring at the back of the headless figure at the window. Then he started, struck by a thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going on steadily, successfully, drawing near an end. I was like a man emerging from a thicket, and suddenly coming on some unmeaning tragedy. I went to bury him. My mind was still on this research, and I did not lift a finger to save his character. I remember the funeral,	flung himself upon that research. And I worked three years, and every mountain of difficulty I toiled over showed another from its summit. The infinite details! And the exasperation! A professor, a provincial professor, always prying." When are you going to publish this work of yours? "was his everlasting question. And the students, the cramped means! Three years I had of it" "And after three years of secrecy and exasperation, I found that to complete it was impossible impossible." "How?" asked Kemp. "Money," said the Invisible Man, and went again to stare out of the window. He turned around abruptly. "I robbed the old man robbed my father." "The money was not his, and he shot himself." CHAPTER XX. AT THE HOUSE IN GREAT PORTLAND STREET For a moment Kemp sat in silence, staring at the back of the headless figure at the window. Then he started, struck by a thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going on steadily, successfully, drawing near an end. I was like a man emerging from a thicket, and suddenly coming on some unmeaning tragedy. I went to bury him. My mind was still on this research, and I did not lift a finger to save his character. I remember the funeral, the cheap hearse, the scant ceremony, the windy frost-bitten hillside, and the old college friend of his who read the service over him a shabby, black, bent old man with a snivelling cold." "I remember walking back to the empty house, through the place that had once been a village and was now patched and tinkered by the jerry builders into the ugly likeness of a town. Every way the roads ran out at last into the desecrated fields and ended in rubble heaps and rank wet weeds. I remember myself as a gaunt black figure, going along the slippery,	"You may well exclaim. I remember that night. It was late at night in the daytime one was bothered with the gaping, silly students and I worked then sometimes till dawn. It came suddenly, splendid and complete in my mind. I was alone; the laboratory was still, with the tall lights burning brightly and silently. In all my great moments I have been alone." One could make an animal a tissue transparent! One could make it invisible! All except the pigments I could be invisible! "I said, suddenly realising what it meant to be an albino with such knowledge. It was overwhelming. I left the filtering I was doing, and went and stared out of the great window at the stars." I could be invisible! "I repeated." "To do such a thing would be to transcend magic. And I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man the mystery, the power, the freedom. Drawbacks I saw none. You have only to think! And I, a shabby, poverty-struck, hemmed-in demonstrator, teaching fools in a provincial college, might suddenly become this. I ask you, Kemp if _you_ ... Anyone, I tell you, would have flung himself upon that research. And I worked three years, and every mountain of difficulty I toiled over showed another from its summit. The infinite details! And the exasperation! A professor, a provincial professor, always prying." When are you going to publish this work of yours? "was his everlasting question. And the students, the cramped means! Three years I had of it" "And after three years of secrecy and exasperation, I found that to complete it was impossible impossible." "How?" asked Kemp. "Money," said the Invisible Man, and went again to stare out of the window. He turned around abruptly. "I robbed the old man robbed my father." "The money was not his, and he shot himself." CHAPTER XX. AT THE HOUSE IN GREAT PORTLAND STREET For a moment Kemp sat in silence, staring at the back of the headless figure at the window. Then he started, struck by a thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going on steadily, successfully, drawing near an end. I was like a man emerging from a thicket, and suddenly coming on some unmeaning tragedy. I went to bury him. My mind was still on this research, and I did not lift a finger to save his character. I remember the funeral, the cheap hearse, the scant ceremony, the windy frost-bitten hillside, and the old college friend of his who read the service over him a shabby, black, bent old man with a snivelling cold." "I remember walking back to the empty house, through the place that had once been a village and was now patched and tinkered by the jerry builders into the ugly likeness of a town. Every way the roads ran out at last into the desecrated fields and ended in rubble heaps and rank wet weeds. I remember myself as a gaunt black figure, going along the slippery, shiny pavement, and the strange sense of detachment I felt from the squalid respectability, the sordid commercialism of the place." "I did not feel a bit sorry for my father. He seemed to me to be the victim of his own foolish sentimentality. The current cant required my attendance at his funeral, but it was really not my affair." "But going along the High Street, my old life came back to me for a space, for I met the girl I had known ten years since. Our eyes met." "Something moved me to turn back and talk to her. She was a very ordinary person." "It was all like a dream, that visit to the old places. I did not feel then that I was lonely, that I had come out from the world into a desolate place. I appreciated my loss of sympathy, but I put it down to the general inanity of things. Re-entering my room seemed like the recovery of reality. There were the things I knew and loved. There stood the apparatus, the experiments arranged and waiting. And now there was scarcely a difficulty left, beyond the planning of details." "I will tell you, Kemp, sooner	from glass to air." "Yes, yes," said Kemp. "But a man s not powdered glass!" "No," said Griffin. "He s more transparent!" "Nonsense!" "That from a doctor! How one forgets! Have you already forgotten your physics, in ten years? Just think of all the things that are transparent and seem not to be so. Paper, for instance, is made up of transparent fibres, and it is white and opaque only for the same reason that a powder of glass is white and opaque. Oil white paper, fill up the interstices between the particles with oil so that there is no longer refraction or reflection except at the surfaces, and it becomes as transparent as glass. And not only paper, but cotton fibre, linen fibre, wool fibre, woody fibre, and _bone_, Kemp, _flesh_, Kemp, _hair_, Kemp, _nails_ and _nerves_, Kemp, in fact the whole fabric of a man except the red of his blood and the black pigment of hair, are all made up of transparent, colourless tissue. So little suffices to make us visible one to the other. For the most part the fibres of a living creature are no more opaque than water." "Great Heavens!" cried Kemp. "Of course, of course! I was thinking only last night of the sea larvae and all jelly-fish!" "_Now_ you have me! And all that I knew and had in mind a year after I left London six years ago. But I kept it to myself. I had to do my work under frightful disadvantages. Oliver, my professor, was a scientific bounder, a journalist by instinct, a thief of ideas he was always prying! And you know the knavish system of the scientific world. I simply would not publish, and let him share my credit. I went on working; I got nearer and nearer making my formula into an experiment, a reality. I told no living soul, because I meant to flash my work upon the world with crushing effect and become famous at a blow. I took up the question of pigments to fill up certain gaps. And suddenly, not by design but by accident, I made a discovery in physiology." "Yes?" "You know the red colouring matter of blood; it can be made white colourless and remain with all the functions it has now!" Kemp gave a cry of incredulous amazement. The Invisible Man rose and began pacing the little study. "You may well exclaim. I remember that night. It was late at night in the daytime one was bothered with the gaping, silly students and I worked then sometimes till dawn. It came suddenly, splendid and complete in my mind. I was alone; the laboratory was still, with the tall lights burning brightly and silently. In all my great moments I have been alone." One could make an animal a tissue transparent! One could make it invisible! All except the pigments I could be invisible! "I said, suddenly realising what it meant to be an albino with such knowledge. It was overwhelming. I left the filtering I was doing, and went and stared out of the great window at the stars." I could be invisible! "I repeated." "To do such a thing would be to transcend magic. And I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man the mystery, the power, the freedom. Drawbacks I saw none. You have only to think! And I, a shabby, poverty-struck, hemmed-in demonstrator, teaching fools in a provincial college, might suddenly become this. I ask you, Kemp if _you_ ... Anyone, I tell you, would have flung himself upon that research. And I worked three years, and every mountain of difficulty I toiled over showed another from its summit. The infinite details! And the exasperation! A professor, a provincial professor, always prying." When are you going to publish this work of yours? "was his everlasting question. And the students, the cramped means! Three years I had of it" "And after three years of secrecy and exasperation, I found that to complete it was impossible impossible." "How?" asked Kemp. "Money," said the Invisible Man, and went again to stare out of the window. He turned around abruptly. "I robbed the old man robbed my father." "The money was not his, and he shot himself." CHAPTER XX. AT THE HOUSE IN GREAT PORTLAND STREET For a moment Kemp sat in silence, staring at the back of the headless figure at the window. Then he started, struck by a thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going on steadily, successfully, drawing near an end. I was like a man emerging from a thicket, and suddenly coming on some unmeaning tragedy. I went to bury him. My mind was still on this research, and I did not lift a finger to save his character. I remember the funeral, the cheap hearse, the scant ceremony, the windy frost-bitten hillside, and the old college friend of his who read the service over him a shabby, black, bent old man with a snivelling cold." "I remember walking back to the empty house, through the place that had once been a village and was now patched and tinkered by the jerry builders into the ugly likeness of a town. Every way the roads ran out at last into the desecrated fields and ended in rubble heaps and rank wet weeds. I remember myself as a gaunt black figure, going along the slippery, shiny pavement, and the strange sense of detachment I felt from the squalid respectability, the sordid commercialism of the place." "I did not feel a bit sorry for my father. He seemed to me to be the victim of his own foolish sentimentality. The current cant required my attendance at his funeral, but it was really not my affair." "But going along the High Street, my old life came back to me for a space, for I met the girl I had known ten years since. Our eyes met." "Something moved me to turn back and talk to her. She was a very ordinary person." "It was all like a dream, that visit to the old places. I did not feel then that I was lonely, that I had come out from the world into a desolate place. I appreciated my loss of sympathy, but I put it down to the general inanity of things. Re-entering my room seemed like the recovery of reality. There were the things I knew and loved. There stood the apparatus, the experiments arranged and waiting. And now there was scarcely a difficulty left, beyond the planning of details." "I will tell you, Kemp, sooner or later, all the complicated processes. We need not go into that now. For the most part, saving certain gaps I chose to remember, they are written in cypher in those books that tramp has hidden. We must hunt him down. We must get those books again. But the essential phase was to place the transparent object whose refractive index was to be lowered between two radiating centres of a sort of ethereal vibration, of which I will tell you more fully later. No, not those R ntgen vibrations I don t know that these others of mine have been described. Yet they are obvious enough. I needed two little dynamos, and these I worked with a cheap gas engine. My first experiment was with a bit of white wool fabric. It was the strangest thing in the world to see it in the flicker of the flashes soft and white, and then to watch it fade like a wreath of smoke and vanish." "I could scarcely believe I had done it. I put my hand into the emptiness, and there was the thing as solid as ever. I felt it awkwardly, and threw it on the floor. I had a little trouble finding it again." "And then came a curious experience. I heard a miaow behind me, and turning, saw a lean white cat, very dirty, on the cistern cover outside the window. A thought came into my head." Everything ready for you, "I said, and went to the window, opened it, and called softly. She came in, purring the poor beast was starving and I gave her some milk. All my food was in a cupboard in the corner of the room. After that she went smelling round the room, evidently with the idea of making herself at home. The invisible rag upset her a bit; you should have seen her spit at it! But I made her comfortable on the pillow of my truckle-bed. And I gave her butter to get her to wash." "And you processed her?" "I processed her. But giving drugs to a cat is no joke, Kemp! And the process failed." "Failed!" "In two particulars. These were the claws and the pigment stuff, what is it? at the back of the eye in a cat. You know?" "_Tapetum_." "Yes, the _tapetum_. It didn t go. After I d given the stuff to bleach	I kept it to myself. I had to do my work under frightful disadvantages. Oliver, my professor, was a scientific bounder, a journalist by instinct, a thief of ideas he was always prying! And you know the knavish system of the scientific world. I simply would not publish, and let him share my credit. I went on working; I got nearer and nearer making my formula into an experiment, a reality. I told no living soul, because I meant to flash my work upon the world with crushing effect and become famous at a blow. I took up the question of pigments to fill up certain gaps. And suddenly, not by design but by accident, I made a discovery in physiology." "Yes?" "You know the red colouring matter of blood; it can be made white colourless and remain with all the functions it has now!" Kemp gave a cry of incredulous amazement. The Invisible Man rose and began pacing the little study. "You may well exclaim. I remember that night. It was late at night in the daytime one was bothered with the gaping, silly students and I worked then sometimes till dawn. It came suddenly, splendid and complete in my mind. I was alone; the laboratory was still, with the tall lights burning brightly and silently. In all my great moments I have been alone." One could make an animal a tissue transparent! One could make it invisible! All except the pigments I could be invisible! "I said, suddenly realising what it meant to be an albino with such knowledge. It was overwhelming. I left the filtering I was doing, and went and stared out of the great window at the stars." I could be invisible! "I repeated." "To do such a thing would be to transcend magic. And I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man the mystery, the power, the freedom. Drawbacks I saw none. You have only to think! And I, a shabby, poverty-struck, hemmed-in demonstrator, teaching fools in a provincial college, might suddenly become this. I ask you, Kemp if _you_ ... Anyone, I tell you, would have flung himself upon that research. And I worked three years, and every mountain of difficulty I toiled over showed another from its summit. The infinite details! And the exasperation! A professor, a provincial professor, always prying." When are you going to publish this work of yours? "was his everlasting question. And the students, the cramped means! Three years I had of it" "And after three years of secrecy and exasperation, I found that to complete it was impossible impossible." "How?" asked Kemp. "Money," said the Invisible Man, and went again to stare out of the window. He turned around abruptly. "I robbed the old man robbed my father." "The money was not his, and he shot himself." CHAPTER XX. AT THE HOUSE IN GREAT PORTLAND STREET For a moment Kemp sat in silence, staring at the back of the headless figure at the window. Then he started, struck by a thought, rose, took the Invisible Man s arm, and turned him away from the outlook. "You are tired," he said, "and while I sit, you walk about. Have my chair." He placed himself between Griffin and the nearest window. For a space Griffin sat silent, and then he resumed abruptly:<\|quote\|>"I had left the Chesilstowe cottage already,"</\|quote\|>he said, "when that happened. It was last December. I had taken a room in London, a large unfurnished room in a big ill-managed lodging-house in a slum near Great Portland Street. The room was soon full of the appliances I had bought with his money; the work was going on steadily, successfully, drawing near an end. I was like a man emerging from a thicket, and suddenly coming on some unmeaning tragedy. I went to bury him. My mind was still on this research, and I did not lift a finger to save his character. I remember the funeral, the cheap hearse, the scant ceremony, the windy frost-bitten hillside, and the old college friend of his who read the service over him a shabby, black, bent old man with a snivelling cold." "I remember walking back to the empty house, through the place that had once been a village and was now patched and tinkered by the jerry builders into the ugly likeness of a town. Every way the roads ran out at last into the desecrated fields and ended in rubble heaps and rank wet weeds. I remember myself as a gaunt black figure, going along the slippery, shiny pavement, and the strange sense of detachment I felt from the squalid respectability, the sordid commercialism of the place." "I did not feel a bit sorry for my father. He seemed to me to be the victim of his own foolish sentimentality. The current cant required my attendance at his funeral, but it was really not my affair." "But going along the High Street, my old life came back to me for a space, for I met the girl I had known ten years	The Invisible Man
"Miss Quested has been insulted in one of the Marabar caves."	Mr. Turton	career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no,"	worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish.	wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you	entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to	comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with	I know nothing." "On what charge do you arrest him?" "I am under instructions not to say." "Don't answer me like that. Produce your warrant." "Sir, excuse me, no warrant is required under these particular circumstances. Refer to Mr. McBryde." "Very well, so we will. Come along, Aziz, old man; nothing to fuss about, some blunder." "Dr. Aziz, will you kindly come? a closed conveyance stands in readiness." The young man sobbed his first sound and tried to escape out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot believe that Dr. Aziz is guilty." He slammed his hand on the table. "That that is a repetition of your insult in an aggravated form." "If I may venture to say so, no," said Fielding, also going white, but sticking to his point. "I make no reflection on the good faith of the two ladies, but the charge they are bringing against Aziz rests upon some mistake, and five minutes will clear it up. The man's manner is perfectly natural; besides, I know him to be incapable of infamy." "It does indeed rest upon a mistake," came the thin, biting voice of the other. "It does indeed. I have had twenty-five years' experience of this country" he paused, and "twenty-five years" seemed to fill the waiting-room with their	it is my duty to employ him, he is my cousin. If money goes, money comes. If money stays, death comes. Did you ever hear that useful Urdu proverb? Probably not, for I have just invented it." "My proverbs are: A penny saved is a penny earned; A stitch in time saves nine; Look before you leap; and the British Empire rests on them. You will never kick us out, you know, until you cease employing M.L.'s and such." "Oh, kick you out? Why should I trouble over that dirty job? Leave it to the politicians. . . . No, when I was a student I got excited over your damned countrymen, certainly; but if they'll let me get on with my profession and not be too rude to me officially, I really don't ask for more." "But you do; you take them to a picnic." "This picnic is nothing to do with English or Indian; it is an expedition of friends." So the cavalcade ended, partly pleasant, partly not; the Brahman cook was picked up, the train arrived, pushing its burning throat over the plain, and the twentieth century took over from the sixteenth. Mrs. Moore entered her carriage, the three men went to theirs, adjusted the shutters, turned on the electric fan and tried to get some sleep. In the twilight, all resembled corpses, and the train itself seemed dead though it moved a coffin from the scientific north which troubled the scenery four times a day. As it left the Marabars, their nasty little cosmos disappeared, and gave place to the Marabars seen from a distance, finite and rather romantic. The train halted once under a pump, to drench the stock of coal in its tender. Then it caught sight of the main line in the distance, took courage, and bumped forward, rounded the civil station, surmounted the level-crossing (the rails were scorching now), and clanked to a stand-still. Chandrapore, Chandrapore! The expedition was over. And as it ended, as they sat up in the gloom and prepared to enter ordinary life, suddenly the long drawn strangeness of the morning snapped. Mr. Haq, the Inspector of Police, flung open the door of their carriage and said in shrill tones: "Dr. Aziz, it is my highly painful duty to arrest you." "Hullo, some mistake," said Fielding, at once taking charge of the situation. "Sir, they are my instructions. I know nothing." "On what charge do you arrest him?" "I am under instructions not to say." "Don't answer me like that. Produce your warrant." "Sir, excuse me, no warrant is required under these particular circumstances. Refer to Mr. McBryde." "Very well, so we will. Come along, Aziz, old man; nothing to fuss about, some blunder." "Dr. Aziz, will you kindly come? a closed conveyance stands in readiness." The young man sobbed his first sound and tried to escape out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot believe that Dr. Aziz is guilty." He slammed his hand on the table. "That that is a repetition of your insult in an aggravated form." "If I may venture to say so, no," said Fielding, also going white, but sticking to his point. "I make no reflection on the good faith of the two ladies, but the charge they are bringing against Aziz rests upon some mistake, and five minutes will clear it up. The man's manner is perfectly natural; besides, I know him to be incapable of infamy." "It does indeed rest upon a mistake," came the thin, biting voice of the other. "It does indeed. I have had twenty-five years' experience of this country" he paused, and "twenty-five years" seemed to fill the waiting-room with their staleness and ungenerosity "and during those twenty-five years I have never known anything but disaster result when English people and Indians attempt to be intimate socially. Intercourse, yes. Courtesy, by all means. Intimacy never, never. The whole weight of my authority is against it. I have been in charge at Chandrapore for six years, and if everything has gone smoothly, if there has been mutual respect and esteem, it is because both peoples kept to this simple rule. New-comers set our traditions aside, and in an instant what you see happens, the work of years is undone and the good name of my District ruined for a generation. I I can't see the end of this day's work, Mr. Fielding. You, who are imbued with modern ideas no doubt you can. I wish I had never lived to see its beginning, I know that. It is the end of me. That a lady, that a young lady engaged to my most valued subordinate that she an English girl fresh from England that I should have lived" Involved in his own emotions, he broke down. What he had said was both dignified and pathetic, but had it anything to do with Aziz? Nothing at all, if Fielding was right. It is impossible to regard a tragedy from two points of view, and whereas Turton had decided to avenge the girl, he hoped to save the man. He wanted to get away and talk to McBryde, who had always been friendly to him, was on the whole sensible, and could, anyhow, be trusted to keep cool. "I came down particularly on your account while poor Heaslop got his mother away. I regarded it as the most friendly thing I could do. I meant to tell you that there will be an informal meeting at the club this evening to discuss the situation, but I am doubtful whether you will care to come. Your visits there are always infrequent." "I shall certainly come, sir, and I am most grateful to you for all the trouble you have taken over me. May I venture to ask where Miss Quested is." He replied with a gesture; she was ill. "Worse and worse, appalling," he said feelingly. But the Collector looked at him sternly, because he was keeping his head. He had not gone mad at the phrase "an English girl fresh from England," he had	out of the opposite door on to the line. "That will compel me to use force," Mr. Haq wailed. "Oh, for God's sake" cried Fielding, his own nerves breaking under the contagion, and pulled him back before a scandal started, and shook him like a baby. A second later, and he would have been out, whistles blowing, a man-hunt. . . . "Dear fellow, we're coming to McBryde together, and enquire what's gone wrong he's a decent fellow, it's all unintentional . . . he'll apologize. Never, never act the criminal." "My children and my name!" he gasped, his wings broken. "Nothing of the sort. Put your hat straight and take my arm. I'll see you through." "Ah, thank God, he comes," the Inspector exclaimed. They emerged into the midday heat, arm in arm. The station was seething. Passengers and porters rushed out of every recess, many Government servants, more police. Ronny escorted Mrs. Moore. Mohammed Latif began wailing. And before they could make their way through the chaos, Fielding was called off by the authoritative tones of Mr. Turton, and Aziz went on to prison alone. CHAPTER XVII The Collector had watched the arrest from the interior of the waiting-room, and throwing open its perforated doors of zinc, he was now revealed like a god in a shrine. When Fielding entered the doors clapped to, and were guarded by a servant, while a punkah, to mark the importance of the moment, flapped dirty petticoats over their heads. The Collector could not speak at first. His face was white, fanatical, and rather beautiful the expression that all English faces were to wear at Chandrapore for many days. Always brave and unselfish, he was now fused by some white and generous heat; he would have killed himself, obviously, if he had thought it right to do so. He spoke at last. "The worst thing in my whole career has happened," he said.<\|quote\|>"Miss Quested has been insulted in one of the Marabar caves."</\|quote\|>"Oh no, oh no, no," gasped the other, feeling sickish. "She escaped by God's grace." "Oh no, no, but not Aziz . . . not Aziz . . ." He nodded. "Absolutely impossible, grotesque." "I called you to preserve you from the odium that would attach to you if you were seen accompanying him to the Police Station," said Turton, paying no attention to his protest, indeed scarcely hearing it. He repeated "Oh no," like a fool. He couldn't frame other words. He felt that a mass of madness had arisen and tried to overwhelm them all; it had to be shoved back into its pit somehow, and he didn't know how to do it, because he did not understand madness: he had always gone about sensibly and quietly until a difficulty came right. "Who lodges this infamous charge?" he asked, pulling himself together. "Miss Derek and the victim herself. . . ." He nearly broke down, unable to repeat the girl's name. "Miss Quested herself definitely accuses him of" He nodded and turned his face away. "Then she's mad." "I cannot pass that last remark," said the Collector, waking up to the knowledge that they differed, and trembling with fury. "You will withdraw it instantly. It is the type of remark you have permitted yourself to make ever since you came to Chandrapore." "I'm excessively sorry, sir; I certainly withdraw it unconditionally." For the man was half mad himself. "Pray, Mr. Fielding, what induced you to speak to me in such a tone?" "The news gave me a very great shock, so I must ask you to forgive me. I cannot	A Passage To India
"Do you read a great deal?"	Korolyov	and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole	not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning	all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to	treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew	saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they	morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for	did not believe, and he looked round at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. The strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a school book was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man. So thought Korolyov, sitting on the planks, and little by little he was possessed by a feeling that this unknown and mysterious force was really close by and looking at him. Meanwhile the east was growing paler, time passed rapidly; when there was not a soul anywhere near, as though everything were dead, the five buildings and their chimneys against the grey background of the dawn had a peculiar look--not the same as by day; one forgot altogether that inside there were steam motors, electricity, telephones, and kept thinking of lake-dwellings, of the Stone Age, feeling the presence of a crude, unconscious force.... And again there came the sound: "Dair ... dair ... dair ... dair ..." twelve times. Then there was stillness, stillness for half a minute, and at the other end of the yard there rang out. "Drin ... drin ... drin...." "Horribly disagreeable," thought Korolyov. "Zhuk ... zhuk ..." there resounded from a third place, abruptly, sharply, as though with annoyance-- "Zhuk ... zhuk...." And it took four minutes to strike twelve. Then there was a hush; and again it seemed as though everything were dead. Korolyov sat a little longer, then went to the house, but sat up for a good while longer. In the adjoining rooms there was whispering, there was a sound of shuffling slippers and bare feet. "Is she having another attack?" thought Korolyov. He went out to have a look at the patient. By now it was quite light in the rooms, and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What will our children and grandchildren do?" asked Liza. "I don't know.... I suppose they will throw it all up and go away." "Go where?" "Where?... Why, where they like," said Korolyov; and he laughed. "There are lots of places a good, intelligent person can go to." He glanced at his watch. "The sun has risen, though," he said. "It is time you were asleep. Undress and sleep soundly. Very glad to have made your acquaintance," he went on, pressing her hand. "You are a good, interesting woman. Good-night!" He went to his room and went to bed. In the morning when the carriage was brought round they all came out on to the steps to see him off. Liza, pale and exhausted, was in a white dress as though for a holiday, with a flower in her hair; she looked at him, as yesterday, sorrowfully and intelligently, smiled and talked, and all with an expression as though she wanted to tell him something special, important--him alone. They could hear the larks trilling and the church bells pealing. The windows in the factory buildings were sparkling gaily, and, driving across the yard and afterwards along the road to the station, Korolyov thought neither of the workpeople nor of lake dwellings, nor of the devil, but thought of the time, perhaps close at hand, when life would be as bright and joyous as that still Sunday morning; and he thought how pleasant it was on such a morning in the spring to drive with three horses in a good carriage, and to bask in the sunshine.	and a faint glimmer of sunlight, piercing through the morning mist, quivered on the floor and on the wall of the drawing-room. The door of Liza's room was open, and she was sitting in a low chair beside her bed, with her hair down, wearing a dressing-gown and wrapped in a shawl. The blinds were down on the windows. "How do you feel?" asked Korolyov. "Well, thank you." He touched her pulse, then straightened her hair, that had fallen over her forehead. "You are not asleep," he said. "It's beautiful weather outside. It's spring. The nightingales are singing, and you sit in the dark and think of something." She listened and looked into his face; her eyes were sorrowful and intelligent, and it was evident she wanted to say something to him. "Does this happen to you often?" he said. She moved her lips, and answered: "Often, I feel wretched almost every night." At that moment the watchman in the yard began striking two o'clock. They heard: "Dair ... dair ..." and she shuddered. "Do those knockings worry you?" he asked. "I don't know. Everything here worries me," she answered, and pondered. "Everything worries me. I hear sympathy in your voice; it seemed to me as soon as I saw you that I could tell you all about it." "Tell me, I beg you." "I want to tell you of my opinion. It seems to me that I have no illness, but that I am weary and frightened, because it is bound to be so and cannot be otherwise. Even the healthiest person can't help being uneasy if, for instance, a robber is moving about under his window. I am constantly being doctored," she went on, looking at her knees, and she gave a shy smile. "I am very grateful, of course, and I do not deny that the treatment is a benefit; but I should like to talk, not with a doctor, but with some intimate friend who would understand me and would convince me that I was right or wrong." "Have you no friends?" asked Korolyov. "I am lonely. I have a mother; I love her, but, all the same, I am lonely. That's how it happens to be.... Lonely people read a great deal, but say little and hear little. Life for them is mysterious; they are mystics and often see the devil where he is not. Lermontov's Tamara was lonely and she saw the devil."<\|quote\|>"Do you read a great deal?"</\|quote\|>"Yes. You see, my whole time is free from morning till night. I read by day, and by night my head is empty; instead of thoughts there are shadows in it." "Do you see anything at night?" asked Korolyov. "No, but I feel...." She smiled again, raised her eyes to the doctor, and looked at him so sorrowfully, so intelligently; and it seemed to him that she trusted him, and that she wanted to speak frankly to him, and that she thought the same as he did. But she was silent, perhaps waiting for him to speak. And he knew what to say to her. It was clear to him that she needed as quickly as possible to give up the five buildings and the million if she had it--to leave that devil that looked out at night; it was clear to him, too, that she thought so herself, and was only waiting for some one she trusted to confirm her. But he did not know how to say it. How? One is shy of asking men under sentence what they have been sentenced for; and in the same way it is awkward to ask very rich people what they want so much money for, why they make such a poor use of their wealth, why they don't give it up, even when they see in it their unhappiness; and if they begin a conversation about it themselves, it is usually embarrassing, awkward, and long. "How is one to say it?" Korolyov wondered. "And is it necessary to speak?" And he said what he meant in a roundabout way: "You in the position of a factory owner and a wealthy heiress are dissatisfied; you don't believe in your right to it; and here now you can't sleep. That, of course, is better than if you were satisfied, slept soundly, and thought everything was satisfactory. Your sleeplessness does you credit; in any case, it is a good sign. In reality, such a conversation as this between us now would have been unthinkable for our parents. At night they did not talk, but slept sound; we, our generation, sleep badly, are restless, but talk a great deal, and are always trying to settle whether we are right or not. For our children or grandchildren that question--whether they are right or not--will have been settled. Things will be clearer for them than for us. Life will be good in fifty years' time; it's only a pity we shall not last out till then. It would be interesting to have a peep at it." "What	The Lady and the Dog and Other Stories (2)
quavered Lucy. A look of contempt came over him, and he said,	No speaker	"I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have	stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--"	that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage.	their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer	moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--" "But why should they, when you have deceived them?" Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth,	with anger, and though her anger passed away soon, her tears remained. "I only wish poets would say this, too: love is of the body; not the body, but of the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul! Your soul, dear Lucy! I hate the word now, because of all the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked--how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love--Marry him; it is one of the moments for which the world was made." She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--" "But why should they, when you have deceived them?" Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She "never exactly understood," she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little	I could teach young people the whole of life, but I know better now, and all my teaching of George has come down to this: beware of muddle. Do you remember in that church, when you pretended to be annoyed with me and weren't? Do you remember before, when you refused the room with the view? Those were muddles--little, but ominous--and I am fearing that you are in one now." She was silent. "Don't trust me, Miss Honeychurch. Though life is very glorious, it is difficult." She was still silent. "'Life' "wrote a friend of mine," 'is a public performance on the violin, in which you must learn the instrument as you go along.' "I think he puts it well. Man has to pick up the use of his functions as he goes along--especially the function of Love." Then he burst out excitedly; "That's it; that's what I mean. You love George!" And after his long preamble, the three words burst against Lucy like waves from the open sea. "But you do," he went on, not waiting for contradiction. "You love the boy body and soul, plainly, directly, as he loves you, and no other word expresses it. You won't marry the other man for his sake." "How dare you!" gasped Lucy, with the roaring of waters in her ears. "Oh, how like a man!--I mean, to suppose that a woman is always thinking about a man." "But you are." She summoned physical disgust. "You're shocked, but I mean to shock you. It's the only hope at times. I can reach you no other way. You must marry, or your life will be wasted. You have gone too far to retreat. I have no time for the tenderness, and the comradeship, and the poetry, and the things that really matter, and for which you marry. I know that, with George, you will find them, and that you love him. Then be his wife. He is already part of you. Though you fly to Greece, and never see him again, or forget his very name, George will work in your thoughts till you die. It isn't possible to love and to part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal." Lucy began to cry with anger, and though her anger passed away soon, her tears remained. "I only wish poets would say this, too: love is of the body; not the body, but of the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul! Your soul, dear Lucy! I hate the word now, because of all the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked--how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love--Marry him; it is one of the moments for which the world was made." She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--" "But why should they, when you have deceived them?" Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She "never exactly understood," she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little company will double Malea and plough the waters of the Saronic gulf. They alone will visit Athens and Delphi, and either shrine of intellectual song--that upon the Acropolis, encircled by blue seas; that under Parnassus, where the eagles build and the bronze charioteer drives undismayed towards infinity. Trembling, anxious, cumbered with much digestive bread, they did proceed to Constantinople, they did go round the world. The rest of us must be contented with a fair, but a less arduous, goal. Italiam petimus: we return to the Pension Bertolini. George said it was his old room. "No, it isn't," said Lucy; "because it is the room I had, and I had your father's room. I forget why; Charlotte made me, for some reason." He knelt on the tiled floor, and laid his face in her lap. "George, you baby, get up." "Why shouldn't I be a baby?" murmured George. Unable to answer this question, she put down his sock, which she was trying to mend, and gazed out through the window. It was evening and again the spring. "Oh, bother Charlotte," she said thoughtfully. "What can such people be made of?" "Same stuff as parsons are made of." "Nonsense!" "Quite right. It is nonsense." "Now you get up off the cold floor, or you'll be starting rheumatism next, and you stop laughing and being so silly." "Why shouldn't I laugh?" he asked, pinning her with his elbows, and advancing his face to hers. "What's there to cry at? Kiss me here." He indicated the spot where a kiss would be welcome. He was a boy after all. When it came to the point, it was she who remembered the past, she into whose soul the iron had entered, she who knew whose room this had been last year. It endeared him to her strangely that he should be sometimes wrong. "Any letters?" he asked. "Just a line from Freddy." "Now kiss me here; then here." Then, threatened again with rheumatism, he strolled to the window, opened it (as the English will), and leant out. There was the parapet, there the river, there to the left the beginnings of the hills. The cab-driver, who at once saluted him with the hiss of a serpent, might be that very Phaethon who had set this happiness in motion twelve months ago. A passion of gratitude--all feelings grow to passions in the South--came over the	woman is always thinking about a man." "But you are." She summoned physical disgust. "You're shocked, but I mean to shock you. It's the only hope at times. I can reach you no other way. You must marry, or your life will be wasted. You have gone too far to retreat. I have no time for the tenderness, and the comradeship, and the poetry, and the things that really matter, and for which you marry. I know that, with George, you will find them, and that you love him. Then be his wife. He is already part of you. Though you fly to Greece, and never see him again, or forget his very name, George will work in your thoughts till you die. It isn't possible to love and to part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal." Lucy began to cry with anger, and though her anger passed away soon, her tears remained. "I only wish poets would say this, too: love is of the body; not the body, but of the body. Ah! the misery that would be saved if we confessed that! Ah! for a little directness to liberate the soul! Your soul, dear Lucy! I hate the word now, because of all the cant with which superstition has wrapped it round. But we have souls. I cannot say how they came nor whither they go, but we have them, and I see you ruining yours. I cannot bear it. It is again the darkness creeping in; it is hell." Then he checked himself. "What nonsense I have talked--how abstract and remote! And I have made you cry! Dear girl, forgive my prosiness; marry my boy. When I think what life is, and how seldom love is answered by love--Marry him; it is one of the moments for which the world was made." She could not understand him; the words were indeed remote. Yet as he spoke the darkness was withdrawn, veil after veil, and she saw to the bottom of her soul. "Then, Lucy--" "You've frightened me," she moaned. "Cecil--Mr. Beebe--the ticket's bought--everything." She fell sobbing into the chair. "I'm caught in the tangle. I must suffer and grow old away from him. I cannot break the whole of life for his sake. They trusted me." A carriage drew up at the front-door. "Give George my love--once only. Tell him" 'muddle.'" Then she arranged her veil, while the tears poured over her cheeks inside. "Lucy--" "No--they are in the hall--oh, please not, Mr. Emerson--they trust me--" "But why should they, when you have deceived them?" Mr. Beebe opened the door, saying: "Here's my mother." "You're not worthy of their trust." "What's that?" said Mr. Beebe sharply. "I was saying, why should you trust her when she deceived you?" "One minute, mother." He came in and shut the door. "I don't follow you, Mr. Emerson. To whom do you refer? Trust whom?" "I mean she has pretended to you that she did not love George. They have loved one another all along." Mr. Beebe looked at the sobbing girl. He was very quiet, and his white face, with its ruddy whiskers, seemed suddenly inhuman. A long black column, he stood and awaited her reply. "I shall never marry him,"<\|quote\|>quavered Lucy. A look of contempt came over him, and he said,</\|quote\|>"Why not?" "Mr. Beebe--I have misled you--I have misled myself--" "Oh, rubbish, Miss Honeychurch!" "It is not rubbish!" said the old man hotly. "It's the part of people that you don't understand." Mr. Beebe laid his hand on the old man's shoulder pleasantly. "Lucy! Lucy!" called voices from the carriage. "Mr. Beebe, could you help me?" He looked amazed at the request, and said in a low, stern voice: "I am more grieved than I can possibly express. It is lamentable, lamentable--incredible." "What's wrong with the boy?" fired up the other again. "Nothing, Mr. Emerson, except that he no longer interests me. Marry George, Miss Honeychurch. He will do admirably." He walked out and left them. They heard him guiding his mother up-stairs. "Lucy!" the voices called. She turned to Mr. Emerson in despair. But his face revived her. It was the face of a saint who understood. "Now it is all dark. Now Beauty and Passion seem never to have existed. I know. But remember the mountains over Florence and the view. Ah, dear, if I were George, and gave you one kiss, it would make you brave. You have to go cold into a battle that needs warmth, out into the muddle that you have made yourself; and your mother and all your friends will despise you, oh, my darling, and rightly, if it is ever right to despise. George still dark, all the tussle and the misery without a word from him. Am I justified?" Into his own eyes tears came. "Yes, for we fight for more than Love or Pleasure; there is Truth. Truth counts, Truth does count." "You kiss me," said the girl. "You kiss me. I will try." He gave her a sense of deities reconciled, a feeling that, in gaining the man she loved, she would gain something for the whole world. Throughout the squalor of her homeward drive--she spoke at once--his salutation remained. He had robbed the body of its taint, the world's taunts of their sting; he had shown her the holiness of direct desire. She "never exactly understood," she would say in after years, "how he managed to strengthen her. It was as if he had made her see the whole of everything at once." Chapter XX: The End of the Middle Ages The Miss Alans did go to Greece, but they went by themselves. They alone of this little company will double Malea and plough the waters of the Saronic gulf. They alone will visit Athens and Delphi, and either shrine of intellectual song--that upon the Acropolis, encircled by blue seas; that under Parnassus, where the eagles build and the bronze charioteer drives undismayed towards infinity. Trembling, anxious, cumbered with much digestive bread, they did proceed to Constantinople, they did go round the world. The rest of us must be contented with a fair, but a less arduous, goal. Italiam petimus: we return to the Pension Bertolini. George said it was his old room. "No, it isn't," said Lucy; "because it is the room I had, and I had your father's room. I forget why; Charlotte made me, for some reason." He knelt on the tiled floor, and laid his face in her lap. "George, you baby, get up." "Why shouldn't I be a baby?" murmured George. Unable to answer this question, she put down his sock, which she was trying to mend, and gazed out through the window. It was evening and again the spring. "Oh, bother Charlotte," she said thoughtfully. "What can such people be made of?" "Same stuff as parsons	A Room With A View
"You monster!"	Charley Bates	eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and	looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other;	he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after	said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something so tremendous in the shrinking off of the three, that the wretched man was willing to propitiate even this lad. Accordingly he nodded, and made as though he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after him, I'll give him up; I will. I tell you out at once. He may kill me for it if he likes, or if he dares, but if I am here I'll give him up. I'd give him up if he was to be boiled alive. Murder! Help! If there's	up the wall behind him: rather trying to turn his head than actually doing it: and said, "Is it the body is it buried?" They shook their heads. "Why isn't it!" he retorted with the same glance behind him. "Wot do they keep such ugly things above the ground for? Who's that knocking?" Crackit intimated, by a motion of his hand as he left the room, that there was nothing to fear; and directly came back with Charley Bates behind him. Sikes sat opposite the door, so that the moment the boy entered the room he encountered his figure. "Toby," said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something so tremendous in the shrinking off of the three, that the wretched man was willing to propitiate even this lad. Accordingly he nodded, and made as though he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after him, I'll give him up; I will. I tell you out at once. He may kill me for it if he likes, or if he dares, but if I am here I'll give him up. I'd give him up if he was to be boiled alive. Murder! Help! If there's the pluck of a man among you three, you'll help me. Murder! Help! Down with him!" Pouring out these cries, and accompanying them with violent gesticulation, the boy actually threw himself, single-handed, upon the strong man, and in the intensity of his energy and the suddenness of his surprise, brought him heavily to the ground. The three spectators seemed quite stupefied. They offered no interference, and the boy and man rolled on the ground together; the former, heedless of the blows that showered upon him, wrenching his hands tighter and tighter in the garments about the murderer's breast, and never	a chair which stood in the middle of the room, but shuddering as he was about to drop into it, and seeming to glance over his shoulder, dragged it back close to the wall as close as it would go and ground it against it and sat down. Not a word had been exchanged. He looked from one to another in silence. If an eye were furtively raised and met his, it was instantly averted. When his hollow voice broke silence, they all three started. They seemed never to have heard its tones before. "How came that dog here?" he asked. "Alone. Three hours ago." "To-night's paper says that Fagin's took. Is it true, or a lie?" "True." They were silent again. "Damn you all!" said Sikes, passing his hand across his forehead. "Have you nothing to say to me?" There was an uneasy movement among them, but nobody spoke. "You that keep this house," said Sikes, turning his face to Crackit, "do you mean to sell me, or to let me lie here till this hunt is over?" "You may stop here, if you think it safe," returned the person addressed, after some hesitation. Sikes carried his eyes slowly up the wall behind him: rather trying to turn his head than actually doing it: and said, "Is it the body is it buried?" They shook their heads. "Why isn't it!" he retorted with the same glance behind him. "Wot do they keep such ugly things above the ground for? Who's that knocking?" Crackit intimated, by a motion of his hand as he left the room, that there was nothing to fear; and directly came back with Charley Bates behind him. Sikes sat opposite the door, so that the moment the boy entered the room he encountered his figure. "Toby," said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something so tremendous in the shrinking off of the three, that the wretched man was willing to propitiate even this lad. Accordingly he nodded, and made as though he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after him, I'll give him up; I will. I tell you out at once. He may kill me for it if he likes, or if he dares, but if I am here I'll give him up. I'd give him up if he was to be boiled alive. Murder! Help! If there's the pluck of a man among you three, you'll help me. Murder! Help! Down with him!" Pouring out these cries, and accompanying them with violent gesticulation, the boy actually threw himself, single-handed, upon the strong man, and in the intensity of his energy and the suddenness of his surprise, brought him heavily to the ground. The three spectators seemed quite stupefied. They offered no interference, and the boy and man rolled on the ground together; the former, heedless of the blows that showered upon him, wrenching his hands tighter and tighter in the garments about the murderer's breast, and never ceasing to call for help with all his might. The contest, however, was too unequal to last long. Sikes had him down, and his knee was on his throat, when Crackit pulled him back with a look of alarm, and pointed to the window. There were lights gleaming below, voices in loud and earnest conversation, the tramp of hurried footsteps endless they seemed in number crossing the nearest wooden bridge. One man on horseback seemed to be among the crowd; for there was the noise of hoofs rattling on the uneven pavement. The gleam of lights increased; the footsteps came more thickly and noisily on. Then, came a loud knocking at the door, and then a hoarse murmur from such a multitude of angry voices as would have made the boldest quail. "Help!" shrieked the boy in a voice that rent the air. "He's here! Break down the door!" "In the King's name," cried the voices without; and the hoarse cry arose again, but louder. "Break down the door!" screamed the boy. "I tell you they'll never open it. Run straight to the room where the light is. Break down the door!" Strokes, thick and heavy, rattled upon the door	without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do you think?" said Chitling. Toby shook his head. "If he had," said Kags, "the dog 'ud want to lead us away to where he did it. No. I think he's got out of the country, and left the dog behind. He must have given him the slip somehow, or he wouldn't be so easy." This solution, appearing the most probable one, was adopted as the right; the dog, creeping under a chair, coiled himself up to sleep, without more notice from anybody. It being now dark, the shutter was closed, and a candle lighted and placed upon the table. The terrible events of the last two days had made a deep impression on all three, increased by the danger and uncertainty of their own position. They drew their chairs closer together, starting at every sound. They spoke little, and that in whispers, and were as silent and awe-stricken as if the remains of the murdered woman lay in the next room. They had sat thus, some time, when suddenly was heard a hurried knocking at the door below. "Young Bates," said Kags, looking angrily round, to check the fear he felt himself. The knocking came again. No, it wasn't he. He never knocked like that. Crackit went to the window, and shaking all over, drew in his head. There was no need to tell them who it was; his pale face was enough. The dog too was on the alert in an instant, and ran whining to the door. "We must let him in," he said, taking up the candle. "Isn't there any help for it?" asked the other man in a hoarse voice. "None. He _must_ come in." "Don't leave us in the dark," said Kags, taking down a candle from the chimney-piece, and lighting it, with such a trembling hand that the knocking was twice repeated before he had finished. Crackit went down to the door, and returned followed by a man with the lower part of his face buried in a handkerchief, and another tied over his head under his hat. He drew them slowly off. Blanched face, sunken eyes, hollow cheeks, beard of three days' growth, wasted flesh, short thick breath; it was the very ghost of Sikes. He laid his hand upon a chair which stood in the middle of the room, but shuddering as he was about to drop into it, and seeming to glance over his shoulder, dragged it back close to the wall as close as it would go and ground it against it and sat down. Not a word had been exchanged. He looked from one to another in silence. If an eye were furtively raised and met his, it was instantly averted. When his hollow voice broke silence, they all three started. They seemed never to have heard its tones before. "How came that dog here?" he asked. "Alone. Three hours ago." "To-night's paper says that Fagin's took. Is it true, or a lie?" "True." They were silent again. "Damn you all!" said Sikes, passing his hand across his forehead. "Have you nothing to say to me?" There was an uneasy movement among them, but nobody spoke. "You that keep this house," said Sikes, turning his face to Crackit, "do you mean to sell me, or to let me lie here till this hunt is over?" "You may stop here, if you think it safe," returned the person addressed, after some hesitation. Sikes carried his eyes slowly up the wall behind him: rather trying to turn his head than actually doing it: and said, "Is it the body is it buried?" They shook their heads. "Why isn't it!" he retorted with the same glance behind him. "Wot do they keep such ugly things above the ground for? Who's that knocking?" Crackit intimated, by a motion of his hand as he left the room, that there was nothing to fear; and directly came back with Charley Bates behind him. Sikes sat opposite the door, so that the moment the boy entered the room he encountered his figure. "Toby," said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something so tremendous in the shrinking off of the three, that the wretched man was willing to propitiate even this lad. Accordingly he nodded, and made as though he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after him, I'll give him up; I will. I tell you out at once. He may kill me for it if he likes, or if he dares, but if I am here I'll give him up. I'd give him up if he was to be boiled alive. Murder! Help! If there's the pluck of a man among you three, you'll help me. Murder! Help! Down with him!" Pouring out these cries, and accompanying them with violent gesticulation, the boy actually threw himself, single-handed, upon the strong man, and in the intensity of his energy and the suddenness of his surprise, brought him heavily to the ground. The three spectators seemed quite stupefied. They offered no interference, and the boy and man rolled on the ground together; the former, heedless of the blows that showered upon him, wrenching his hands tighter and tighter in the garments about the murderer's breast, and never ceasing to call for help with all his might. The contest, however, was too unequal to last long. Sikes had him down, and his knee was on his throat, when Crackit pulled him back with a look of alarm, and pointed to the window. There were lights gleaming below, voices in loud and earnest conversation, the tramp of hurried footsteps endless they seemed in number crossing the nearest wooden bridge. One man on horseback seemed to be among the crowd; for there was the noise of hoofs rattling on the uneven pavement. The gleam of lights increased; the footsteps came more thickly and noisily on. Then, came a loud knocking at the door, and then a hoarse murmur from such a multitude of angry voices as would have made the boldest quail. "Help!" shrieked the boy in a voice that rent the air. "He's here! Break down the door!" "In the King's name," cried the voices without; and the hoarse cry arose again, but louder. "Break down the door!" screamed the boy. "I tell you they'll never open it. Run straight to the room where the light is. Break down the door!" Strokes, thick and heavy, rattled upon the door and lower window-shutters as he ceased to speak, and a loud huzzah burst from the crowd; giving the listener, for the first time, some adequate idea of its immense extent. "Open the door of some place where I can lock this screeching Hell-babe," cried Sikes fiercely; running to and fro, and dragging the boy, now, as easily as if he were an empty sack. "That door. Quick!" He flung him in, bolted it, and turned the key. "Is the downstairs door fast?" "Double-locked and chained," replied Crackit, who, with the other two men, still remained quite helpless and bewildered. "The panels are they strong?" "Lined with sheet-iron." "And the windows too?" "Yes, and the windows." "Damn you!" cried the desperate ruffian, throwing up the sash and menacing the crowd. "Do your worst! I'll cheat you yet!" Of all the terrific yells that ever fell on mortal ears, none could exceed the cry of the infuriated throng. Some shouted to those who were nearest to set the house on fire; others roared to the officers to shoot him dead. Among them all, none showed such fury as the man on horseback, who, throwing himself out of the saddle, and bursting through the crowd as if he were parting water, cried, beneath the window, in a voice that rose above all others, "Twenty guineas to the man who brings a ladder!" The nearest voices took up the cry, and hundreds echoed it. Some called for ladders, some for sledge-hammers; some ran with torches to and fro as if to seek them, and still came back and roared again; some spent their breath in impotent curses and execrations; some pressed forward with the ecstasy of madmen, and thus impeded the progress of those below; some among the boldest attempted to climb up by the water-spout and crevices in the wall; and all waved to and fro, in the darkness beneath, like a field of corn moved by an angry wind: and joined from time to time in one loud furious roar. "The tide," cried the murderer, as he staggered back into the room, and shut the faces out, "the tide was in as I came up. Give me a rope, a long rope. They're all in front. I may drop into the Folly Ditch, and clear off that way. Give me a rope, or I shall do three more murders and kill myself."	the door. "We must let him in," he said, taking up the candle. "Isn't there any help for it?" asked the other man in a hoarse voice. "None. He _must_ come in." "Don't leave us in the dark," said Kags, taking down a candle from the chimney-piece, and lighting it, with such a trembling hand that the knocking was twice repeated before he had finished. Crackit went down to the door, and returned followed by a man with the lower part of his face buried in a handkerchief, and another tied over his head under his hat. He drew them slowly off. Blanched face, sunken eyes, hollow cheeks, beard of three days' growth, wasted flesh, short thick breath; it was the very ghost of Sikes. He laid his hand upon a chair which stood in the middle of the room, but shuddering as he was about to drop into it, and seeming to glance over his shoulder, dragged it back close to the wall as close as it would go and ground it against it and sat down. Not a word had been exchanged. He looked from one to another in silence. If an eye were furtively raised and met his, it was instantly averted. When his hollow voice broke silence, they all three started. They seemed never to have heard its tones before. "How came that dog here?" he asked. "Alone. Three hours ago." "To-night's paper says that Fagin's took. Is it true, or a lie?" "True." They were silent again. "Damn you all!" said Sikes, passing his hand across his forehead. "Have you nothing to say to me?" There was an uneasy movement among them, but nobody spoke. "You that keep this house," said Sikes, turning his face to Crackit, "do you mean to sell me, or to let me lie here till this hunt is over?" "You may stop here, if you think it safe," returned the person addressed, after some hesitation. Sikes carried his eyes slowly up the wall behind him: rather trying to turn his head than actually doing it: and said, "Is it the body is it buried?" They shook their heads. "Why isn't it!" he retorted with the same glance behind him. "Wot do they keep such ugly things above the ground for? Who's that knocking?" Crackit intimated, by a motion of his hand as he left the room, that there was nothing to fear; and directly came back with Charley Bates behind him. Sikes sat opposite the door, so that the moment the boy entered the room he encountered his figure. "Toby," said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something so tremendous in the shrinking off of the three, that the wretched man was willing to propitiate even this lad. Accordingly he nodded, and made as though he would shake hands with him. "Let me go into some other room," said the boy, retreating still farther. "Charley!" said Sikes, stepping forward. "Don't you don't you know me?" "Don't come nearer me," answered the boy, still retreating, and looking, with horror in his eyes, upon the murderer's face.<\|quote\|>"You monster!"</\|quote\|>The man stopped half-way, and they looked at each other; but Sikes's eyes sunk gradually to the ground. "Witness you three," cried the boy shaking his clenched fist, and becoming more and more excited as he spoke. "Witness you three I'm not afraid of him if they come here after him, I'll give him up; I will. I tell you out at once. He may kill me for it if he likes, or if he dares, but if I am here I'll give him up. I'd give him up if he was to be boiled alive. Murder! Help! If there's the pluck of a man among you three, you'll help me. Murder! Help! Down with him!" Pouring out these cries, and accompanying them with violent gesticulation, the boy actually threw himself, single-handed, upon the strong man, and in the intensity of his energy and the suddenness of his surprise, brought him heavily to the ground. The three spectators seemed quite stupefied. They offered no interference, and the boy and man rolled on the ground together; the former, heedless of the blows that showered upon him, wrenching his hands tighter and tighter in the garments about the murderer's breast, and never ceasing to call for help with all his might. The contest, however, was too unequal to last long. Sikes had him down, and his knee was on his throat, when Crackit pulled him back with a look of alarm, and pointed to the window. There were lights gleaming below, voices in loud and earnest conversation, the tramp of hurried footsteps endless they seemed in number crossing the nearest wooden bridge. One man on horseback seemed to be among the crowd; for there was the noise of hoofs rattling on the uneven pavement. The gleam of lights increased; the footsteps came more thickly and noisily on. Then, came a loud knocking at the door, and then a hoarse murmur from such a multitude of angry voices as would have made the boldest quail. "Help!" shrieked the boy in a voice that rent the air. "He's here! Break down the door!" "In the King's name," cried the voices without; and the hoarse cry arose again, but louder. "Break down the door!" screamed the boy. "I tell you they'll never open it. Run straight to the room where the light is. Break down the door!" Strokes, thick and heavy, rattled upon the door and lower window-shutters as he ceased to speak, and a loud huzzah burst from the crowd; giving the listener, for the first time, some adequate idea of its immense extent. "Open the door of some place where I can	Oliver Twist
“Will you write a cheque?”	Lady Sandgate	his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it	her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however,	his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so	you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket	back to his hostess. “Do you call giving me an advantage squeezing me by your sweet modesty for less than I may possibly bear?” “How can I say fairer,” she returned, “than that, with my backing about the other picture, which I’ve passed you my word for, thrown in, I’ll resign myself to whatever you may be disposed--characteristically!--to give for this one.” “If it’s a question of resignation,” said Mr. Bender, “you mean of course what I may be disposed--characteristically!--_not_ to give.” She played on him for an instant all her radiance. “Yes then, you dear sharp rich thing!” “And you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket a large red morocco case.” “Very good, sir,” said Gotch--but with another word for his mistress. “Lord John would like to know--” “Lord John’s there?” she interrupted. Gotch turned to the open door. “Here he is, my lady.” She accommodated herself at once, under Mr. Bender’s eye, to the complication involved in his lordship’s presence. “It’s he who went round to Bond Street.” Mr. Bender stared, but saw the connection. “To stop the show?” And then as the young man was already there: “You’ve stopped the show?” “It’s ‘on’ more than ever!” Lord John responded while Gotch retired: a hurried,	I can move the way I want. But without it I’m held up.” “You shall have it,” she replied, “if I in turn may look to _you_ for a trifle on account.” “Well,” he dryly gloomed at her, “what do you call a trifle?” “I mean” --she waited but an instant-- “what you would feel as one.” “That won’t do. You haven’t the least idea, Lady Sandgate,” he earnestly said, “_how_ I feel at these foolish times. I’ve never got used to them yet.” “Ah, don’t you understand,” she pressed, “that if I give you an advantage I’m completely at your mercy?” “Well, what mercy,” he groaned, “do you deserve?” She waited a little, brightly composed--then she indicated her inner shrine, the whereabouts of her precious picture. “Go and look at her again and you’ll see.” His protest was large, but so, after a moment, was his compliance--his heavy advance upon the other room, from just within the doorway of which the great Lawrence was serenely visible. Mr. Bender gave it his eyes once more--though after the fashion verily of a man for whom it had now no freshness of a glamour, no shade of a secret; then he came back to his hostess. “Do you call giving me an advantage squeezing me by your sweet modesty for less than I may possibly bear?” “How can I say fairer,” she returned, “than that, with my backing about the other picture, which I’ve passed you my word for, thrown in, I’ll resign myself to whatever you may be disposed--characteristically!--to give for this one.” “If it’s a question of resignation,” said Mr. Bender, “you mean of course what I may be disposed--characteristically!--_not_ to give.” She played on him for an instant all her radiance. “Yes then, you dear sharp rich thing!” “And you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket a large red morocco case.” “Very good, sir,” said Gotch--but with another word for his mistress. “Lord John would like to know--” “Lord John’s there?” she interrupted. Gotch turned to the open door. “Here he is, my lady.” She accommodated herself at once, under Mr. Bender’s eye, to the complication involved in his lordship’s presence. “It’s he who went round to Bond Street.” Mr. Bender stared, but saw the connection. “To stop the show?” And then as the young man was already there: “You’ve stopped the show?” “It’s ‘on’ more than ever!” Lord John responded while Gotch retired: a hurried, flurried, breathless Lord John, strikingly different from the backward messenger she had lately seen despatched. “But Theign should be here!” --he addressed her excitedly. “I announce you a call from the Prince.” “The Prince?” --she gasped as for the burden of the honour. “He follows you?” Mr. Bender, with an eagerness and a candour there was no mistaking, recognised on behalf of his ampler action a world of associational advantage and auspicious possibility. “Is the Prince _after_ the thing?” Lord John remained, in spite of this challenge, conscious of nothing but his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come	learned a little better every day what it is.” “You mean,” his companion asked, “the biggest bone of artistic contention----?” “Yes,” --he took it from her-- “the biggest that has been thrown into the arena for quite a while. I guess I can do with it for _that_.” Lady Sandgate, on this, after a moment, renewed her personal advance; it was as if she had now made sure of the soundness of her main bridge. “Well, if it’s the biggest bone I won’t touch it; I’ll leave it to be mauled by my betters. But since his lordship has asked me to name a price, dear Mr. Bender, I’ll name one--and as you prefer big prices I’ll try to make it suit you. Only it won’t be for the portrait of a person nobody is agreed about. The whole world is agreed, you know, about my great-grandmother.” “Oh, shucks, Lady Sandgate!” --and her visitor turned from her with the hunch of overcharged shoulders. But she apparently felt that she held him, or at least that even if such a conviction might be fatuous she must now put it to the touch. “You’ve been delivered into my hands--too charmingly; and you won’t really pretend that you don’t recognise that and in fact rather like it.” He faced about to her again as to a case of coolness unparalleled--though indeed with a quick lapse of real interest in the question of whether he had been artfully practised upon; an indifference to bad debts or peculation like that of some huge hotel or other business involving a margin for waste. He could afford, he could work waste too, clearly--and what was it, that term, you might have felt him ask, but a mean measure, anyway? quite as the “artful,” opposed to his larger game, would be the hiding and pouncing of children at play. “Do I gather that those uncanny words of his were just meant to put me off?” he inquired. And then as she but boldly and smilingly shrugged, repudiating responsibility, “Look here, Lady Sandgate, ain’t you honestly going to help me?” he pursued. This engaged her sincerity without affecting her gaiety. “Mr. Bender, Mr. Bender, I’ll help you if you’ll help _me!_” “You’ll really get me something from him to go on with?” “I’ll get you something from him to go on with.” “That’s all I ask--to get _that_. Then I can move the way I want. But without it I’m held up.” “You shall have it,” she replied, “if I in turn may look to _you_ for a trifle on account.” “Well,” he dryly gloomed at her, “what do you call a trifle?” “I mean” --she waited but an instant-- “what you would feel as one.” “That won’t do. You haven’t the least idea, Lady Sandgate,” he earnestly said, “_how_ I feel at these foolish times. I’ve never got used to them yet.” “Ah, don’t you understand,” she pressed, “that if I give you an advantage I’m completely at your mercy?” “Well, what mercy,” he groaned, “do you deserve?” She waited a little, brightly composed--then she indicated her inner shrine, the whereabouts of her precious picture. “Go and look at her again and you’ll see.” His protest was large, but so, after a moment, was his compliance--his heavy advance upon the other room, from just within the doorway of which the great Lawrence was serenely visible. Mr. Bender gave it his eyes once more--though after the fashion verily of a man for whom it had now no freshness of a glamour, no shade of a secret; then he came back to his hostess. “Do you call giving me an advantage squeezing me by your sweet modesty for less than I may possibly bear?” “How can I say fairer,” she returned, “than that, with my backing about the other picture, which I’ve passed you my word for, thrown in, I’ll resign myself to whatever you may be disposed--characteristically!--to give for this one.” “If it’s a question of resignation,” said Mr. Bender, “you mean of course what I may be disposed--characteristically!--_not_ to give.” She played on him for an instant all her radiance. “Yes then, you dear sharp rich thing!” “And you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket a large red morocco case.” “Very good, sir,” said Gotch--but with another word for his mistress. “Lord John would like to know--” “Lord John’s there?” she interrupted. Gotch turned to the open door. “Here he is, my lady.” She accommodated herself at once, under Mr. Bender’s eye, to the complication involved in his lordship’s presence. “It’s he who went round to Bond Street.” Mr. Bender stared, but saw the connection. “To stop the show?” And then as the young man was already there: “You’ve stopped the show?” “It’s ‘on’ more than ever!” Lord John responded while Gotch retired: a hurried, flurried, breathless Lord John, strikingly different from the backward messenger she had lately seen despatched. “But Theign should be here!” --he addressed her excitedly. “I announce you a call from the Prince.” “The Prince?” --she gasped as for the burden of the honour. “He follows you?” Mr. Bender, with an eagerness and a candour there was no mistaking, recognised on behalf of his ampler action a world of associational advantage and auspicious possibility. “Is the Prince _after_ the thing?” Lord John remained, in spite of this challenge, conscious of nothing but his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come round and congratulate and thank Theign and explain him his reasons.” Their hostess cast about for a sign. “Why Theign is at Kitty’s, worse luck! The Prince calls on him _here?_” “He calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I want to know is what the man’s _after_.” “The man? what man?” his friend scarce paused to ask. “The Prince then--if you allow he _is_ a man! Is he after my picture?” Lord John vividly disclaimed authority. “If you’ll wait, my dear fellow, you’ll see.” “Oh why should he ‘wait’?” burst from their cautious companion--only to be caught up, however, in the next breath, so swift her gracious revolution. “Wait, wait indeed, Mr. Bender--I won’t give you up for any Prince!” With which she appealed again to Lord John. “He wants to ‘congratulate’?” “On Theign’s decision, as I’ve told you--which I announced to Mackintosh, by Theign’s extraordinary order, under his Highness’s nose, and which his Highness, by the same token, took up like a shot.” Her face, as she bethought herself, was convulsed as by some quick perception of what her informant must have done and what therefore the Prince’s interest rested on; all, however, to the effect, given their actual company, of her at once dodging and covering that issue. “The decision to remove the picture?” Lord John also observed a discretion. “He wouldn’t hear of such a thing--says it must stay stock still. So there you are!” This determined in Mr. Bender a not unnatural, in fact quite a clamorous, series of questions. “But _where_ are we, and what has the Prince to do with Lord Theign’s decision when that’s all _I’m_ here for? What in thunder _is_ Lord Theign’s decision--what was his ‘extraordinary order’?” Lord John, too long detained and his hand now on the door, put off this solicitor as he had already been put off. “Lady Sandgate, _you_ tell him! I rush!” Mr. Bender saw him vanish, but all to a	eyes once more--though after the fashion verily of a man for whom it had now no freshness of a glamour, no shade of a secret; then he came back to his hostess. “Do you call giving me an advantage squeezing me by your sweet modesty for less than I may possibly bear?” “How can I say fairer,” she returned, “than that, with my backing about the other picture, which I’ve passed you my word for, thrown in, I’ll resign myself to whatever you may be disposed--characteristically!--to give for this one.” “If it’s a question of resignation,” said Mr. Bender, “you mean of course what I may be disposed--characteristically!--_not_ to give.” She played on him for an instant all her radiance. “Yes then, you dear sharp rich thing!” “And you take in, I assume,” he pursued, “that I’m just going to lean on you, for what I want, with the full weight of a determined man.” “Well,” she laughed, “I promise you I’ll thoroughly obey the direction of your pressure.” “All right then!” And he stopped before her, in his unrest, monumentally pledged, yet still more massively immeasurable. “How’ll you have it?” She bristled as with all the possible beautiful choices; then she shed her selection as a heaving fruit-tree might have dropped some round ripeness. It was for her friend to pick up his plum and his privilege.<\|quote\|>“Will you write a cheque?”</\|quote\|>“Yes, if you want it right away.” To which, however, he added, clapping vainly a breast-pocket: “But my cheque-book’s down in my car.” “At the door?” She scarce required his assent to touch a bell. “I can easily send for it.” And she threw off while they waited: “It’s so sweet your ‘flying round’ with your cheque-book!” He put it with promptitude another way. “It flies round pretty well with _Mr_----!” “Mr. Bender’s cheque-book--in his car,” she went on to Gotch, who had answered her summons. The owner of the interesting object further instructed him: “You’ll find in the pocket a large red morocco case.” “Very good, sir,” said Gotch--but with another word for his mistress. “Lord John would like to know--” “Lord John’s there?” she interrupted. Gotch turned to the open door. “Here he is, my lady.” She accommodated herself at once, under Mr. Bender’s eye, to the complication involved in his lordship’s presence. “It’s he who went round to Bond Street.” Mr. Bender stared, but saw the connection. “To stop the show?” And then as the young man was already there: “You’ve stopped the show?” “It’s ‘on’ more than ever!” Lord John responded while Gotch retired: a hurried, flurried, breathless Lord John, strikingly different from the backward messenger she had lately seen despatched. “But Theign should be here!” --he addressed her excitedly. “I announce you a call from the Prince.” “The Prince?” --she gasped as for the burden of the honour. “He follows you?” Mr. Bender, with an eagerness and a candour there was no mistaking, recognised on behalf of his ampler action a world of associational advantage and auspicious possibility. “Is the Prince _after_ the thing?” Lord John remained, in spite of this challenge, conscious of nothing but his message. “He was there with Mackintosh--to see and admire the picture; which he thinks, by the way, a Mantovano pure and simple!--and did me the honour to remember me. When he heard me report to Mackintosh in his presence the sentiments expressed to me here by our noble friend and of which, embarrassed though I doubtless was,” the young man pursued to Lady Sandgate, “I gave as clear an account as I could, he was so delighted with it that he declared they mustn’t think then of taking the thing off, but must on the contrary keep putting it forward for all it’s worth, and he would come round and congratulate and thank Theign and explain him his reasons.” Their hostess cast about for a sign. “Why Theign is at Kitty’s, worse luck! The Prince calls on him _here?_” “He calls, you see, on _you_, my lady--at five-forty-five; and graciously desired me so to put it you.” “He’s very kind, but” --she took in her condition-- “I’m not even _dressed!_” “You’ll have time” --the young man was a comfort-- “while I rush to Berkeley Square. And pardon me, Bender--though it’s so near--if I just bag your car.” “That’s, that’s it, take his car!” --Lady Sandgate almost swept him away. “You may use my car all right,” Mr. Bender contributed-- “but what I	The Outcry
"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."	Mr. Knightley	with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite	was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting	being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even	her yourself this morning?" cried he. "You have, I believe, and know the whole." "No, I have not; I know nothing; pray tell me." "You are prepared for the worst, I see--and very bad it is. Harriet Smith marries Robert Martin." Emma gave a start, which did not seem like being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even proposed to her again--yet. You only mean, that he intends it." "I mean that he has done it," answered Mr. Knightley, with smiling but determined decision, "and been accepted." "Good God!" she cried.--" "Well!" "--Then having recourse to her workbasket, in excuse for leaning down her face, and concealing all	features, "I am very much afraid, my dear Emma, that you will not smile when you hear it." "Indeed! but why so?--I can hardly imagine that any thing which pleases or amuses you, should not please and amuse me too." "There is one subject," he replied, "I hope but one, on which we do not think alike." He paused a moment, again smiling, with his eyes fixed on her face. "Does nothing occur to you?--Do not you recollect?--Harriet Smith." Her cheeks flushed at the name, and she felt afraid of something, though she knew not what. "Have you heard from her yourself this morning?" cried he. "You have, I believe, and know the whole." "No, I have not; I know nothing; pray tell me." "You are prepared for the worst, I see--and very bad it is. Harriet Smith marries Robert Martin." Emma gave a start, which did not seem like being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even proposed to her again--yet. You only mean, that he intends it." "I mean that he has done it," answered Mr. Knightley, with smiling but determined decision, "and been accepted." "Good God!" she cried.--" "Well!" "--Then having recourse to her workbasket, in excuse for leaning down her face, and concealing all the exquisite feelings of delight and entertainment which she knew she must be expressing, she added, "Well, now tell me every thing; make this intelligible to me. How, where, when?--Let me know it all. I never was more surprized--but it does not make me unhappy, I assure you.--How--how has it been possible?" "It is a very simple story. He went to town on business three days ago, and I got him to take charge of some papers which I was wanting to send to John.--He delivered these papers to John, at his chambers, and was asked by him to join	that would be all over now.--Poor fellow!--No more exploring parties to Donwell made for _her_. Oh! no; there would be a Mrs. Knightley to throw cold water on every thing.--Extremely disagreeable! But she was not at all sorry that she had abused the housekeeper the other day.--Shocking plan, living together. It would never do. She knew a family near Maple Grove who had tried it, and been obliged to separate before the end of the first quarter. CHAPTER XVIII Time passed on. A few more to-morrows, and the party from London would be arriving. It was an alarming change; and Emma was thinking of it one morning, as what must bring a great deal to agitate and grieve her, when Mr. Knightley came in, and distressing thoughts were put by. After the first chat of pleasure he was silent; and then, in a graver tone, began with, "I have something to tell you, Emma; some news." "Good or bad?" said she, quickly, looking up in his face. "I do not know which it ought to be called." "Oh! good I am sure.--I see it in your countenance. You are trying not to smile." "I am afraid," said he, composing his features, "I am very much afraid, my dear Emma, that you will not smile when you hear it." "Indeed! but why so?--I can hardly imagine that any thing which pleases or amuses you, should not please and amuse me too." "There is one subject," he replied, "I hope but one, on which we do not think alike." He paused a moment, again smiling, with his eyes fixed on her face. "Does nothing occur to you?--Do not you recollect?--Harriet Smith." Her cheeks flushed at the name, and she felt afraid of something, though she knew not what. "Have you heard from her yourself this morning?" cried he. "You have, I believe, and know the whole." "No, I have not; I know nothing; pray tell me." "You are prepared for the worst, I see--and very bad it is. Harriet Smith marries Robert Martin." Emma gave a start, which did not seem like being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even proposed to her again--yet. You only mean, that he intends it." "I mean that he has done it," answered Mr. Knightley, with smiling but determined decision, "and been accepted." "Good God!" she cried.--" "Well!" "--Then having recourse to her workbasket, in excuse for leaning down her face, and concealing all the exquisite feelings of delight and entertainment which she knew she must be expressing, she added, "Well, now tell me every thing; make this intelligible to me. How, where, when?--Let me know it all. I never was more surprized--but it does not make me unhappy, I assure you.--How--how has it been possible?" "It is a very simple story. He went to town on business three days ago, and I got him to take charge of some papers which I was wanting to send to John.--He delivered these papers to John, at his chambers, and was asked by him to join their party the same evening to Astley's. They were going to take the two eldest boys to Astley's. The party was to be our brother and sister, Henry, John--and Miss Smith. My friend Robert could not resist. They called for him in their way; were all extremely amused; and my brother asked him to dine with them the next day--which he did--and in the course of that visit (as I understand) he found an opportunity of speaking to Harriet; and certainly did not speak in vain.--She made him, by her acceptance, as happy even as he is deserving. He came down by yesterday's coach, and was with me this morning immediately after breakfast, to report his proceedings, first on my affairs, and then on his own. This is all that I can relate of the how, where, and when. Your friend Harriet will make a much longer history when you see her.--She will give you all the minute particulars, which only woman's language can make interesting.--In our communications we deal only in the great.--However, I must say, that Robert Martin's heart seemed for _him_, and to _me_, very overflowing; and that he did mention, without its being much to the	surprize wherever it spread; and Mr. Weston had his five minutes share of it; but five minutes were enough to familiarise the idea to his quickness of mind.--He saw the advantages of the match, and rejoiced in them with all the constancy of his wife; but the wonder of it was very soon nothing; and by the end of an hour he was not far from believing that he had always foreseen it. "It is to be a secret, I conclude," said he. "These matters are always a secret, till it is found out that every body knows them. Only let me be told when I may speak out.--I wonder whether Jane has any suspicion." He went to Highbury the next morning, and satisfied himself on that point. He told her the news. Was not she like a daughter, his eldest daughter?--he must tell her; and Miss Bates being present, it passed, of course, to Mrs. Cole, Mrs. Perry, and Mrs. Elton, immediately afterwards. It was no more than the principals were prepared for; they had calculated from the time of its being known at Randalls, how soon it would be over Highbury; and were thinking of themselves, as the evening wonder in many a family circle, with great sagacity. In general, it was a very well approved match. Some might think him, and others might think her, the most in luck. One set might recommend their all removing to Donwell, and leaving Hartfield for the John Knightleys; and another might predict disagreements among their servants; but yet, upon the whole, there was no serious objection raised, except in one habitation, the Vicarage.--There, the surprize was not softened by any satisfaction. Mr. Elton cared little about it, compared with his wife; he only hoped "the young lady's pride would now be contented;" and supposed "she had always meant to catch Knightley if she could;" and, on the point of living at Hartfield, could daringly exclaim, "Rather he than I!" "--But Mrs. Elton was very much discomposed indeed.--" "Poor Knightley! poor fellow!--sad business for him." "--She was extremely concerned; for, though very eccentric, he had a thousand good qualities.--How could he be so taken in?--Did not think him at all in love--not in the least.--Poor Knightley!--There would be an end of all pleasant intercourse with him.--How happy he had been to come and dine with them whenever they asked him! But that would be all over now.--Poor fellow!--No more exploring parties to Donwell made for _her_. Oh! no; there would be a Mrs. Knightley to throw cold water on every thing.--Extremely disagreeable! But she was not at all sorry that she had abused the housekeeper the other day.--Shocking plan, living together. It would never do. She knew a family near Maple Grove who had tried it, and been obliged to separate before the end of the first quarter. CHAPTER XVIII Time passed on. A few more to-morrows, and the party from London would be arriving. It was an alarming change; and Emma was thinking of it one morning, as what must bring a great deal to agitate and grieve her, when Mr. Knightley came in, and distressing thoughts were put by. After the first chat of pleasure he was silent; and then, in a graver tone, began with, "I have something to tell you, Emma; some news." "Good or bad?" said she, quickly, looking up in his face. "I do not know which it ought to be called." "Oh! good I am sure.--I see it in your countenance. You are trying not to smile." "I am afraid," said he, composing his features, "I am very much afraid, my dear Emma, that you will not smile when you hear it." "Indeed! but why so?--I can hardly imagine that any thing which pleases or amuses you, should not please and amuse me too." "There is one subject," he replied, "I hope but one, on which we do not think alike." He paused a moment, again smiling, with his eyes fixed on her face. "Does nothing occur to you?--Do not you recollect?--Harriet Smith." Her cheeks flushed at the name, and she felt afraid of something, though she knew not what. "Have you heard from her yourself this morning?" cried he. "You have, I believe, and know the whole." "No, I have not; I know nothing; pray tell me." "You are prepared for the worst, I see--and very bad it is. Harriet Smith marries Robert Martin." Emma gave a start, which did not seem like being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even proposed to her again--yet. You only mean, that he intends it." "I mean that he has done it," answered Mr. Knightley, with smiling but determined decision, "and been accepted." "Good God!" she cried.--" "Well!" "--Then having recourse to her workbasket, in excuse for leaning down her face, and concealing all the exquisite feelings of delight and entertainment which she knew she must be expressing, she added, "Well, now tell me every thing; make this intelligible to me. How, where, when?--Let me know it all. I never was more surprized--but it does not make me unhappy, I assure you.--How--how has it been possible?" "It is a very simple story. He went to town on business three days ago, and I got him to take charge of some papers which I was wanting to send to John.--He delivered these papers to John, at his chambers, and was asked by him to join their party the same evening to Astley's. They were going to take the two eldest boys to Astley's. The party was to be our brother and sister, Henry, John--and Miss Smith. My friend Robert could not resist. They called for him in their way; were all extremely amused; and my brother asked him to dine with them the next day--which he did--and in the course of that visit (as I understand) he found an opportunity of speaking to Harriet; and certainly did not speak in vain.--She made him, by her acceptance, as happy even as he is deserving. He came down by yesterday's coach, and was with me this morning immediately after breakfast, to report his proceedings, first on my affairs, and then on his own. This is all that I can relate of the how, where, and when. Your friend Harriet will make a much longer history when you see her.--She will give you all the minute particulars, which only woman's language can make interesting.--In our communications we deal only in the great.--However, I must say, that Robert Martin's heart seemed for _him_, and to _me_, very overflowing; and that he did mention, without its being much to the purpose, that on quitting their box at Astley's, my brother took charge of Mrs. John Knightley and little John, and he followed with Miss Smith and Henry; and that at one time they were in such a crowd, as to make Miss Smith rather uneasy." He stopped.--Emma dared not attempt any immediate reply. To speak, she was sure would be to betray a most unreasonable degree of happiness. She must wait a moment, or he would think her mad. Her silence disturbed him; and after observing her a little while, he added, "Emma, my love, you said that this circumstance would not now make you unhappy; but I am afraid it gives you more pain than you expected. His situation is an evil--but you must consider it as what satisfies your friend; and I will answer for your thinking better and better of him as you know him more. His good sense and good principles would delight you.--As far as the man is concerned, you could not wish your friend in better hands. His rank in society I would alter if I could, which is saying a great deal I assure you, Emma.--You laugh at me about William Larkins; but I could quite as ill spare Robert Martin." He wanted her to look up and smile; and having now brought herself not to smile too broadly--she did--cheerfully answering, "You need not be at any pains to reconcile me to the match. I think Harriet is doing extremely well. _Her_ connexions may be worse than _his_. In respectability of character, there can be no doubt that they are. I have been silent from surprize merely, excessive surprize. You cannot imagine how suddenly it has come on me! how peculiarly unprepared I was!--for I had reason to believe her very lately more determined against him, much more, than she was before." "You ought to know your friend best," replied Mr. Knightley; "but I should say she was a good-tempered, soft-hearted girl, not likely to be very, very determined against any young man who told her he loved her." Emma could not help laughing as she answered, "Upon my word, I believe you know her quite as well as I do.--But, Mr. Knightley, are you perfectly sure that she has absolutely and downright _accepted_ him. I could suppose she might in time--but can she already?--Did not you misunderstand him?--You were both talking of	he than I!" "--But Mrs. Elton was very much discomposed indeed.--" "Poor Knightley! poor fellow!--sad business for him." "--She was extremely concerned; for, though very eccentric, he had a thousand good qualities.--How could he be so taken in?--Did not think him at all in love--not in the least.--Poor Knightley!--There would be an end of all pleasant intercourse with him.--How happy he had been to come and dine with them whenever they asked him! But that would be all over now.--Poor fellow!--No more exploring parties to Donwell made for _her_. Oh! no; there would be a Mrs. Knightley to throw cold water on every thing.--Extremely disagreeable! But she was not at all sorry that she had abused the housekeeper the other day.--Shocking plan, living together. It would never do. She knew a family near Maple Grove who had tried it, and been obliged to separate before the end of the first quarter. CHAPTER XVIII Time passed on. A few more to-morrows, and the party from London would be arriving. It was an alarming change; and Emma was thinking of it one morning, as what must bring a great deal to agitate and grieve her, when Mr. Knightley came in, and distressing thoughts were put by. After the first chat of pleasure he was silent; and then, in a graver tone, began with, "I have something to tell you, Emma; some news." "Good or bad?" said she, quickly, looking up in his face. "I do not know which it ought to be called." "Oh! good I am sure.--I see it in your countenance. You are trying not to smile." "I am afraid," said he, composing his features, "I am very much afraid, my dear Emma, that you will not smile when you hear it." "Indeed! but why so?--I can hardly imagine that any thing which pleases or amuses you, should not please and amuse me too." "There is one subject," he replied, "I hope but one, on which we do not think alike." He paused a moment, again smiling, with his eyes fixed on her face. "Does nothing occur to you?--Do not you recollect?--Harriet Smith." Her cheeks flushed at the name, and she felt afraid of something, though she knew not what. "Have you heard from her yourself this morning?" cried he. "You have, I believe, and know the whole." "No, I have not; I know nothing; pray tell me." "You are prepared for the worst, I see--and very bad it is. Harriet Smith marries Robert Martin." Emma gave a start, which did not seem like being prepared--and her eyes, in eager gaze, said, "No, this is impossible!" but her lips were closed. "It is so, indeed," continued Mr. Knightley; "I have it from Robert Martin himself. He left me not half an hour ago." She was still looking at him with the most speaking amazement.<\|quote\|>"You like it, my Emma, as little as I feared.--I wish our opinions were the same. But in time they will. Time, you may be sure, will make one or the other of us think differently; and, in the meanwhile, we need not talk much on the subject."</\|quote\|>"You mistake me, you quite mistake me," she replied, exerting herself. "It is not that such a circumstance would now make me unhappy, but I cannot believe it. It seems an impossibility!--You cannot mean to say, that Harriet Smith has accepted Robert Martin. You cannot mean that he has even proposed to her again--yet. You only mean, that he intends it." "I mean that he has done it," answered Mr. Knightley, with smiling but determined decision, "and been accepted." "Good God!" she cried.--" "Well!" "--Then having recourse to her workbasket, in excuse for leaning down her face, and concealing all the exquisite feelings of delight and entertainment which she knew she must be expressing, she added, "Well, now tell me every thing; make this intelligible to me. How, where, when?--Let me know it all. I never was more surprized--but it does not make me unhappy, I assure you.--How--how has it been possible?" "It is a very simple story. He went to town on business three days ago, and I got him to take charge of some papers which I was wanting to send to John.--He delivered these papers to John, at his chambers, and was asked by him to join their party the same evening to Astley's. They were going to take the two eldest boys to Astley's. The party was to be our brother and sister, Henry, John--and Miss Smith. My friend Robert could not resist. They called for him in their way; were all extremely amused; and my brother asked him to dine with them the next day--which he did--and in the course of that visit (as I understand) he found an opportunity of speaking to Harriet; and certainly did not speak in vain.--She made him, by her acceptance, as happy even as he is deserving. He came down by yesterday's coach, and was with me this morning immediately after breakfast, to report his proceedings, first on my affairs, and then on his own. This is all that I can relate of the how, where, and when.	Emma
The colour rushed into her cheeks as she spoke.	No speaker	for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing	hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips	ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to	I am not competent." "You are right, Fanny, to protest against such an office, but you need not be afraid. It is a subject on which I should never ask advice; it is the sort of subject on which it had better never be asked; and few, I imagine, do ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to think it most improbable: the chances grow less and less; and even if it should, there will be nothing to be remembered by either you or me that we need be afraid of, for I can never be ashamed of my own scruples; and if they are removed, it must	grieves me to the soul." "The effect of education," said Fanny gently. Edmund could not but agree to it. "Yes, that uncle and aunt! They have injured the finest mind; for sometimes, Fanny, I own to you, it does appear more than manner: it appears as if the mind itself was tainted." Fanny imagined this to be an appeal to her judgment, and therefore, after a moment's consideration, said, "If you only want me as a listener, cousin, I will be as useful as I can; but I am not qualified for an adviser. Do not ask advice of _me_. I am not competent." "You are right, Fanny, to protest against such an office, but you need not be afraid. It is a subject on which I should never ask advice; it is the sort of subject on which it had better never be asked; and few, I imagine, do ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to think it most improbable: the chances grow less and less; and even if it should, there will be nothing to be remembered by either you or me that we need be afraid of, for I can never be ashamed of my own scruples; and if they are removed, it must be by changes that will only raise her character the more by the recollection of the faults she once had. You are the only being upon earth to whom I should say what I have said; but you have always known my opinion of her; you can bear me witness, Fanny, that I have never been blinded. How many a time have we talked over her little errors! You need not fear me; I have almost given up every serious idea of her; but I must be a blockhead indeed, if, whatever befell me, I could think of your kindness	I leave home." Fanny struggled for speech, and said, "I am very sorry that anything has occurred to distress you. This ought to be a day of pleasure. My uncle meant it so." "Oh yes, yes! and it will be a day of pleasure. It will all end right. I am only vexed for a moment. In fact, it is not that I consider the ball as ill-timed; what does it signify? But, Fanny," stopping her, by taking her hand, and speaking low and seriously, "you know what all this means. You see how it is; and could tell me, perhaps better than I could tell you, how and why I am vexed. Let me talk to you a little. You are a kind, kind listener. I have been pained by her manner this morning, and cannot get the better of it. I know her disposition to be as sweet and faultless as your own, but the influence of her former companions makes her seem gives to her conversation, to her professed opinions, sometimes a tinge of wrong. She does not _think_ evil, but she speaks it, speaks it in playfulness; and though I know it to be playfulness, it grieves me to the soul." "The effect of education," said Fanny gently. Edmund could not but agree to it. "Yes, that uncle and aunt! They have injured the finest mind; for sometimes, Fanny, I own to you, it does appear more than manner: it appears as if the mind itself was tainted." Fanny imagined this to be an appeal to her judgment, and therefore, after a moment's consideration, said, "If you only want me as a listener, cousin, I will be as useful as I can; but I am not qualified for an adviser. Do not ask advice of _me_. I am not competent." "You are right, Fanny, to protest against such an office, but you need not be afraid. It is a subject on which I should never ask advice; it is the sort of subject on which it had better never be asked; and few, I imagine, do ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to think it most improbable: the chances grow less and less; and even if it should, there will be nothing to be remembered by either you or me that we need be afraid of, for I can never be ashamed of my own scruples; and if they are removed, it must be by changes that will only raise her character the more by the recollection of the faults she once had. You are the only being upon earth to whom I should say what I have said; but you have always known my opinion of her; you can bear me witness, Fanny, that I have never been blinded. How many a time have we talked over her little errors! You need not fear me; I have almost given up every serious idea of her; but I must be a blockhead indeed, if, whatever befell me, I could think of your kindness and sympathy without the sincerest gratitude." He had said enough to shake the experience of eighteen. He had said enough to give Fanny some happier feelings than she had lately known, and with a brighter look, she answered, "Yes, cousin, I am convinced that _you_ would be incapable of anything else, though perhaps some might not. I cannot be afraid of hearing anything you wish to say. Do not check yourself. Tell me whatever you like." They were now on the second floor, and the appearance of a housemaid prevented any farther conversation. For Fanny's present comfort it was concluded, perhaps, at the happiest moment: had he been able to talk another five minutes, there is no saying that he might not have talked away all Miss Crawford's faults and his own despondence. But as it was, they parted with looks on his side of grateful affection, and with some very precious sensations on hers. She had felt nothing like it for hours. Since the first joy from Mr. Crawford's note to William had worn away, she had been in a state absolutely the reverse; there had been no comfort around, no hope within her. Now everything was smiling. William's	though the housekeeper might, Fanny was worn down at last to think everything an evil belonging to the ball, and when sent off with a parting worry to dress, moved as languidly towards her own room, and felt as incapable of happiness as if she had been allowed no share in it. As she walked slowly upstairs she thought of yesterday; it had been about the same hour that she had returned from the Parsonage, and found Edmund in the East room. "Suppose I were to find him there again to-day!" said she to herself, in a fond indulgence of fancy. "Fanny," said a voice at that moment near her. Starting and looking up, she saw, across the lobby she had just reached, Edmund himself, standing at the head of a different staircase. He came towards her. "You look tired and fagged, Fanny. You have been walking too far." "No, I have not been out at all." "Then you have had fatigues within doors, which are worse. You had better have gone out." Fanny, not liking to complain, found it easiest to make no answer; and though he looked at her with his usual kindness, she believed he had soon ceased to think of her countenance. He did not appear in spirits: something unconnected with her was probably amiss. They proceeded upstairs together, their rooms being on the same floor above. "I come from Dr. Grant's," said Edmund presently. "You may guess my errand there, Fanny." And he looked so conscious, that Fanny could think but of one errand, which turned her too sick for speech. "I wished to engage Miss Crawford for the two first dances," was the explanation that followed, and brought Fanny to life again, enabling her, as she found she was expected to speak, to utter something like an inquiry as to the result. "Yes," he answered, "she is engaged to me; but" (with a smile that did not sit easy) "she says it is to be the last time that she ever will dance with me. She is not serious. I think, I hope, I am sure she is not serious; but I would rather not hear it. She never has danced with a clergyman, she says, and she never _will_. For my own sake, I could wish there had been no ball just at I mean not this very week, this very day; to-morrow I leave home." Fanny struggled for speech, and said, "I am very sorry that anything has occurred to distress you. This ought to be a day of pleasure. My uncle meant it so." "Oh yes, yes! and it will be a day of pleasure. It will all end right. I am only vexed for a moment. In fact, it is not that I consider the ball as ill-timed; what does it signify? But, Fanny," stopping her, by taking her hand, and speaking low and seriously, "you know what all this means. You see how it is; and could tell me, perhaps better than I could tell you, how and why I am vexed. Let me talk to you a little. You are a kind, kind listener. I have been pained by her manner this morning, and cannot get the better of it. I know her disposition to be as sweet and faultless as your own, but the influence of her former companions makes her seem gives to her conversation, to her professed opinions, sometimes a tinge of wrong. She does not _think_ evil, but she speaks it, speaks it in playfulness; and though I know it to be playfulness, it grieves me to the soul." "The effect of education," said Fanny gently. Edmund could not but agree to it. "Yes, that uncle and aunt! They have injured the finest mind; for sometimes, Fanny, I own to you, it does appear more than manner: it appears as if the mind itself was tainted." Fanny imagined this to be an appeal to her judgment, and therefore, after a moment's consideration, said, "If you only want me as a listener, cousin, I will be as useful as I can; but I am not qualified for an adviser. Do not ask advice of _me_. I am not competent." "You are right, Fanny, to protest against such an office, but you need not be afraid. It is a subject on which I should never ask advice; it is the sort of subject on which it had better never be asked; and few, I imagine, do ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to think it most improbable: the chances grow less and less; and even if it should, there will be nothing to be remembered by either you or me that we need be afraid of, for I can never be ashamed of my own scruples; and if they are removed, it must be by changes that will only raise her character the more by the recollection of the faults she once had. You are the only being upon earth to whom I should say what I have said; but you have always known my opinion of her; you can bear me witness, Fanny, that I have never been blinded. How many a time have we talked over her little errors! You need not fear me; I have almost given up every serious idea of her; but I must be a blockhead indeed, if, whatever befell me, I could think of your kindness and sympathy without the sincerest gratitude." He had said enough to shake the experience of eighteen. He had said enough to give Fanny some happier feelings than she had lately known, and with a brighter look, she answered, "Yes, cousin, I am convinced that _you_ would be incapable of anything else, though perhaps some might not. I cannot be afraid of hearing anything you wish to say. Do not check yourself. Tell me whatever you like." They were now on the second floor, and the appearance of a housemaid prevented any farther conversation. For Fanny's present comfort it was concluded, perhaps, at the happiest moment: had he been able to talk another five minutes, there is no saying that he might not have talked away all Miss Crawford's faults and his own despondence. But as it was, they parted with looks on his side of grateful affection, and with some very precious sensations on hers. She had felt nothing like it for hours. Since the first joy from Mr. Crawford's note to William had worn away, she had been in a state absolutely the reverse; there had been no comfort around, no hope within her. Now everything was smiling. William's good fortune returned again upon her mind, and seemed of greater value than at first. The ball, too such an evening of pleasure before her! It was now a real animation; and she began to dress for it with much of the happy flutter which belongs to a ball. All went well: she did not dislike her own looks; and when she came to the necklaces again, her good fortune seemed complete, for upon trial the one given her by Miss Crawford would by no means go through the ring of the cross. She had, to oblige Edmund, resolved to wear it; but it was too large for the purpose. His, therefore, must be worn; and having, with delightful feelings, joined the chain and the cross those memorials of the two most beloved of her heart, those dearest tokens so formed for each other by everything real and imaginary and put them round her neck, and seen and felt how full of William and Edmund they were, she was able, without an effort, to resolve on wearing Miss Crawford's necklace too. She acknowledged it to be right. Miss Crawford had a claim; and when it was no longer to encroach on, to interfere with the stronger claims, the truer kindness of another, she could do her justice even with pleasure to herself. The necklace really looked very well; and Fanny left her room at last, comfortably satisfied with herself and all about her. Her aunt Bertram had recollected her on this occasion with an unusual degree of wakefulness. It had really occurred to her, unprompted, that Fanny, preparing for a ball, might be glad of better help than the upper housemaid's, and when dressed herself, she actually sent her own maid to assist her; too late, of course, to be of any use. Mrs. Chapman had just reached the attic floor, when Miss Price came out of her room completely dressed, and only civilities were necessary; but Fanny felt her aunt's attention almost as much as Lady Bertram or Mrs. Chapman could do themselves. CHAPTER XXVIII Her uncle and both her aunts were in the drawing-room when Fanny went down. To the former she was an interesting object, and he saw with pleasure the general elegance of her appearance, and her being in remarkably good looks. The neatness and propriety of her dress was all that he would allow himself	I know it to be playfulness, it grieves me to the soul." "The effect of education," said Fanny gently. Edmund could not but agree to it. "Yes, that uncle and aunt! They have injured the finest mind; for sometimes, Fanny, I own to you, it does appear more than manner: it appears as if the mind itself was tainted." Fanny imagined this to be an appeal to her judgment, and therefore, after a moment's consideration, said, "If you only want me as a listener, cousin, I will be as useful as I can; but I am not qualified for an adviser. Do not ask advice of _me_. I am not competent." "You are right, Fanny, to protest against such an office, but you need not be afraid. It is a subject on which I should never ask advice; it is the sort of subject on which it had better never be asked; and few, I imagine, do ask it, but when they want to be influenced against their conscience. I only want to talk to you." "One thing more. Excuse the liberty; but take care _how_ you talk to me. Do not tell me anything now, which hereafter you may be sorry for. The time may come"<\|quote\|>The colour rushed into her cheeks as she spoke.</\|quote\|>"Dearest Fanny!" cried Edmund, pressing her hand to his lips with almost as much warmth as if it had been Miss Crawford's, "you are all considerate thought! But it is unnecessary here. The time will never come. No such time as you allude to will ever come. I begin to think it most improbable: the chances grow less and less; and even if it should, there will be nothing to be remembered by either you or me that we need be afraid of, for I can never be ashamed of my own scruples; and if they are removed, it must be by changes that will only raise her character the more by the recollection of the faults she once had. You are the only being upon earth to whom I should say what I have said; but you have always known my opinion of her; you can bear me witness, Fanny, that I have never been blinded. How many a time have we talked over her little errors! You need not fear me; I have almost given up every serious idea of her; but I must be a blockhead indeed, if, whatever befell me, I could think of your kindness and sympathy without the sincerest gratitude." He had said enough to shake the experience of eighteen. He had said enough to give Fanny some happier feelings than she had lately known, and with a brighter look, she answered, "Yes, cousin, I am convinced that _you_ would be incapable of anything else, though perhaps some might not. I cannot be afraid of hearing anything you wish to say. Do not check yourself. Tell me whatever you like." They were now on the second floor, and the appearance of a housemaid prevented any farther conversation. For Fanny's present comfort it was concluded, perhaps, at the happiest moment: had he been able to talk another five minutes, there is no saying that he might not have talked away all Miss Crawford's faults and his own despondence. But as it was, they parted with looks on his side of grateful affection, and with some very precious sensations on hers. She had felt nothing like it for hours. Since the first joy from Mr. Crawford's note to William had worn away, she had been in a state absolutely the reverse; there had been no comfort around, no	Mansfield Park
"You are certainly a model client. You have the correct intuition. Let us see, now."	Mr. Sherlock Holmes	a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers	here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave	appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the	"But would he come?" she asked, with something appealing in her voice and expression. "I should be proud and happy," said I, fervently, "if I can be of any service." "You are both very kind," she answered. "I have led a retired life, and have no friends whom I could appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the twirl of the final _s_. They are undoubtedly by the same person. I should not like to suggest false hopes, Miss Morstan, but is there any resemblance between this hand and that of your father?" "Nothing could be more unlike." "I expected to hear you say so. We shall look	pillar from the left outside the Lyceum Theatre to-night at seven o clock. If you are distrustful, bring two friends. You are a wronged woman, and shall have justice. Do not bring police. If you do, all will be in vain. Your unknown friend. "Well, really, this is a very pretty little mystery. What do you intend to do, Miss Morstan?" "That is exactly what I want to ask you." "Then we shall most certainly go. You and I and yes, why, Dr. Watson is the very man. Your correspondent says two friends. He and I have worked together before." "But would he come?" she asked, with something appealing in her voice and expression. "I should be proud and happy," said I, fervently, "if I can be of any service." "You are both very kind," she answered. "I have led a retired life, and have no friends whom I could appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the twirl of the final _s_. They are undoubtedly by the same person. I should not like to suggest false hopes, Miss Morstan, but is there any resemblance between this hand and that of your father?" "Nothing could be more unlike." "I expected to hear you say so. We shall look out for you, then, at six. Pray allow me to keep the papers. I may look into the matter before then. It is only half-past three. _Au revoir_, then." "_Au revoir_," said our visitor, and, with a bright, kindly glance from one to the other of us, she replaced her pearl-box in her bosom and hurried away. Standing at the window, I watched her walking briskly down the street, until the grey turban and white feather were but a speck in the sombre crowd. "What a very attractive woman!" I exclaimed, turning to my companion. He had lit his pipe	governess. By her advice I published my address in the advertisement column. The same day there arrived through the post a small card-board box addressed to me, which I found to contain a very large and lustrous pearl. No word of writing was enclosed. Since then every year upon the same date there has always appeared a similar box, containing a similar pearl, without any clue as to the sender. They have been pronounced by an expert to be of a rare variety and of considerable value. You can see for yourselves that they are very handsome." She opened a flat box as she spoke, and showed me six of the finest pearls that I had ever seen. "Your statement is most interesting," said Sherlock Holmes. "Has anything else occurred to you?" "Yes, and no later than to-day. That is why I have come to you. This morning I received this letter, which you will perhaps read for yourself." "Thank you," said Holmes. "The envelope too, please. Postmark, London, S.W. Date, July 7. Hum! Man s thumb-mark on corner, probably postman. Best quality paper. Envelopes at sixpence a packet. Particular man in his stationery. No address." Be at the third pillar from the left outside the Lyceum Theatre to-night at seven o clock. If you are distrustful, bring two friends. You are a wronged woman, and shall have justice. Do not bring police. If you do, all will be in vain. Your unknown friend. "Well, really, this is a very pretty little mystery. What do you intend to do, Miss Morstan?" "That is exactly what I want to ask you." "Then we shall most certainly go. You and I and yes, why, Dr. Watson is the very man. Your correspondent says two friends. He and I have worked together before." "But would he come?" she asked, with something appealing in her voice and expression. "I should be proud and happy," said I, fervently, "if I can be of any service." "You are both very kind," she answered. "I have led a retired life, and have no friends whom I could appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the twirl of the final _s_. They are undoubtedly by the same person. I should not like to suggest false hopes, Miss Morstan, but is there any resemblance between this hand and that of your father?" "Nothing could be more unlike." "I expected to hear you say so. We shall look out for you, then, at six. Pray allow me to keep the papers. I may look into the matter before then. It is only half-past three. _Au revoir_, then." "_Au revoir_," said our visitor, and, with a bright, kindly glance from one to the other of us, she replaced her pearl-box in her bosom and hurried away. Standing at the window, I watched her walking briskly down the street, until the grey turban and white feather were but a speck in the sombre crowd. "What a very attractive woman!" I exclaimed, turning to my companion. He had lit his pipe again, and was leaning back with drooping eyelids. "Is she?" he said, languidly. "I did not observe." "You really are an automaton, a calculating-machine!" I cried. "There is something positively inhuman in you at times." He smiled gently. "It is of the first importance," he said, "not to allow your judgment to be biased by personal qualities. A client is to me a mere unit, a factor in a problem. The emotional qualities are antagonistic to clear reasoning. I assure you that the most winning woman I ever knew was hanged for poisoning three little children for their insurance-money, and the most repellant man of my acquaintance is a philanthropist who has spent nearly a quarter of a million upon the London poor." "In this case, however" "I never make exceptions. An exception disproves the rule. Have you ever had occasion to study character in handwriting? What do you make of this fellow s scribble?" "It is legible and regular," I answered. "A man of business habits and some force of character." Holmes shook his head. "Look at his long letters," he said. "They hardly rise above the common herd. That _d_ might be an _a_, and that _l_ an	dead, and I had no relative in England. I was placed, however, in a comfortable boarding establishment at Edinburgh, and there I remained until I was seventeen years of age. In the year 1878 my father, who was senior captain of his regiment, obtained twelve months leave and came home. He telegraphed to me from London that he had arrived all safe, and directed me to come down at once, giving the Langham Hotel as his address. His message, as I remember, was full of kindness and love. On reaching London I drove to the Langham, and was informed that Captain Morstan was staying there, but that he had gone out the night before and had not yet returned. I waited all day without news of him. That night, on the advice of the manager of the hotel, I communicated with the police, and next morning we advertised in all the papers. Our inquiries led to no result; and from that day to this no word has ever been heard of my unfortunate father. He came home with his heart full of hope, to find some peace, some comfort, and instead" She put her hand to her throat, and a choking sob cut short the sentence. "The date?" asked Holmes, opening his note-book. "He disappeared upon the 3rd of December, 1878, nearly ten years ago." "His luggage?" "Remained at the hotel. There was nothing in it to suggest a clue, some clothes, some books, and a considerable number of curiosities from the Andaman Islands. He had been one of the officers in charge of the convict-guard there." "Had he any friends in town?" "Only one that we know of, Major Sholto, of his own regiment, the 34th Bombay Infantry. The major had retired some little time before, and lived at Upper Norwood. We communicated with him, of course, but he did not even know that his brother officer was in England." "A singular case," remarked Holmes. "I have not yet described to you the most singular part. About six years ago to be exact, upon the 4th of May, 1882 an advertisement appeared in the _Times_ asking for the address of Miss Mary Morstan and stating that it would be to her advantage to come forward. There was no name or address appended. I had at that time just entered the family of Mrs. Cecil Forrester in the capacity of governess. By her advice I published my address in the advertisement column. The same day there arrived through the post a small card-board box addressed to me, which I found to contain a very large and lustrous pearl. No word of writing was enclosed. Since then every year upon the same date there has always appeared a similar box, containing a similar pearl, without any clue as to the sender. They have been pronounced by an expert to be of a rare variety and of considerable value. You can see for yourselves that they are very handsome." She opened a flat box as she spoke, and showed me six of the finest pearls that I had ever seen. "Your statement is most interesting," said Sherlock Holmes. "Has anything else occurred to you?" "Yes, and no later than to-day. That is why I have come to you. This morning I received this letter, which you will perhaps read for yourself." "Thank you," said Holmes. "The envelope too, please. Postmark, London, S.W. Date, July 7. Hum! Man s thumb-mark on corner, probably postman. Best quality paper. Envelopes at sixpence a packet. Particular man in his stationery. No address." Be at the third pillar from the left outside the Lyceum Theatre to-night at seven o clock. If you are distrustful, bring two friends. You are a wronged woman, and shall have justice. Do not bring police. If you do, all will be in vain. Your unknown friend. "Well, really, this is a very pretty little mystery. What do you intend to do, Miss Morstan?" "That is exactly what I want to ask you." "Then we shall most certainly go. You and I and yes, why, Dr. Watson is the very man. Your correspondent says two friends. He and I have worked together before." "But would he come?" she asked, with something appealing in her voice and expression. "I should be proud and happy," said I, fervently, "if I can be of any service." "You are both very kind," she answered. "I have led a retired life, and have no friends whom I could appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the twirl of the final _s_. They are undoubtedly by the same person. I should not like to suggest false hopes, Miss Morstan, but is there any resemblance between this hand and that of your father?" "Nothing could be more unlike." "I expected to hear you say so. We shall look out for you, then, at six. Pray allow me to keep the papers. I may look into the matter before then. It is only half-past three. _Au revoir_, then." "_Au revoir_," said our visitor, and, with a bright, kindly glance from one to the other of us, she replaced her pearl-box in her bosom and hurried away. Standing at the window, I watched her walking briskly down the street, until the grey turban and white feather were but a speck in the sombre crowd. "What a very attractive woman!" I exclaimed, turning to my companion. He had lit his pipe again, and was leaning back with drooping eyelids. "Is she?" he said, languidly. "I did not observe." "You really are an automaton, a calculating-machine!" I cried. "There is something positively inhuman in you at times." He smiled gently. "It is of the first importance," he said, "not to allow your judgment to be biased by personal qualities. A client is to me a mere unit, a factor in a problem. The emotional qualities are antagonistic to clear reasoning. I assure you that the most winning woman I ever knew was hanged for poisoning three little children for their insurance-money, and the most repellant man of my acquaintance is a philanthropist who has spent nearly a quarter of a million upon the London poor." "In this case, however" "I never make exceptions. An exception disproves the rule. Have you ever had occasion to study character in handwriting? What do you make of this fellow s scribble?" "It is legible and regular," I answered. "A man of business habits and some force of character." Holmes shook his head. "Look at his long letters," he said. "They hardly rise above the common herd. That _d_ might be an _a_, and that _l_ an _e_. Men of character always differentiate their long letters, however illegibly they may write. There is vacillation in his _k_ s and self-esteem in his capitals. I am going out now. I have some few references to make. Let me recommend this book, one of the most remarkable ever penned. It is Winwood Reade s Martyrdom of Man. I shall be back in an hour." I sat in the window with the volume in my hand, but my thoughts were far from the daring speculations of the writer. My mind ran upon our late visitor, her smiles, the deep rich tones of her voice, the strange mystery which overhung her life. If she were seventeen at the time of her father s disappearance she must be seven-and-twenty now, a sweet age, when youth has lost its self-consciousness and become a little sobered by experience. So I sat and mused, until such dangerous thoughts came into my head that I hurried away to my desk and plunged furiously into the latest treatise upon pathology. What was I, an army surgeon with a weak leg and a weaker banking-account, that I should dare to think of such things? She was a unit, a factor, nothing more. If my future were black, it was better surely to face it like a man than to attempt to brighten it by mere will-o -the-wisps of the imagination. Chapter III In Quest of a Solution It was half-past five before Holmes returned. He was bright, eager, and in excellent spirits, a mood which in his case alternated with fits of the blackest depression. "There is no great mystery in this matter," he said, taking the cup of tea which I had poured out for him. "The facts appear to admit of only one explanation." "What! you have solved it already?" "Well, that would be too much to say. I have discovered a suggestive fact, that is all. It is, however, _very_ suggestive. The details are still to be added. I have just found, on consulting the back files of the _Times_, that Major Sholto, of Upper Norword, late of the 34th Bombay Infantry, died upon the 28th of April, 1882." "I may be very obtuse, Holmes, but I fail to see what this suggests." "No? You surprise me. Look at it in this way, then. Captain Morstan disappears. The only person in London whom he could	by an expert to be of a rare variety and of considerable value. You can see for yourselves that they are very handsome." She opened a flat box as she spoke, and showed me six of the finest pearls that I had ever seen. "Your statement is most interesting," said Sherlock Holmes. "Has anything else occurred to you?" "Yes, and no later than to-day. That is why I have come to you. This morning I received this letter, which you will perhaps read for yourself." "Thank you," said Holmes. "The envelope too, please. Postmark, London, S.W. Date, July 7. Hum! Man s thumb-mark on corner, probably postman. Best quality paper. Envelopes at sixpence a packet. Particular man in his stationery. No address." Be at the third pillar from the left outside the Lyceum Theatre to-night at seven o clock. If you are distrustful, bring two friends. You are a wronged woman, and shall have justice. Do not bring police. If you do, all will be in vain. Your unknown friend. "Well, really, this is a very pretty little mystery. What do you intend to do, Miss Morstan?" "That is exactly what I want to ask you." "Then we shall most certainly go. You and I and yes, why, Dr. Watson is the very man. Your correspondent says two friends. He and I have worked together before." "But would he come?" she asked, with something appealing in her voice and expression. "I should be proud and happy," said I, fervently, "if I can be of any service." "You are both very kind," she answered. "I have led a retired life, and have no friends whom I could appeal to. If I am here at six it will do, I suppose?" "You must not be later," said Holmes. "There is one other point, however. Is this handwriting the same as that upon the pearl-box addresses?" "I have them here," she answered, producing half a dozen pieces of paper.<\|quote\|>"You are certainly a model client. You have the correct intuition. Let us see, now."</\|quote\|>He spread out the papers upon the table, and gave little darting glances from one to the other. "They are disguised hands, except the letter," he said, presently, "but there can be no question as to the authorship. See how the irrepressible Greek _e_ will break out, and see the twirl of the final _s_. They are undoubtedly by the same person. I should not like to suggest false hopes, Miss Morstan, but is there any resemblance between this hand and that of your father?" "Nothing could be more unlike." "I expected to hear you say so. We shall look out for you, then, at six. Pray allow me to keep the papers. I may look into the matter before then. It is only half-past three. _Au revoir_, then." "_Au revoir_," said our visitor, and, with a bright, kindly glance from one to the other of us, she replaced her pearl-box in her bosom and hurried away. Standing at the window, I watched her walking briskly down the street, until the grey turban and white feather were but a speck in the sombre crowd. "What a very attractive woman!" I exclaimed, turning to my companion. He had lit his pipe again, and was leaning back with drooping eyelids. "Is she?" he said, languidly. "I did not observe." "You really are an automaton, a calculating-machine!" I cried. "There is something positively inhuman in you at times." He smiled gently. "It is of the first importance," he said, "not to allow your judgment to be biased by personal qualities. A client is to me a mere unit, a factor in a problem. The emotional qualities are antagonistic to clear reasoning. I assure you that the most winning woman I ever knew was hanged for poisoning three little children for their insurance-money, and the most repellant man of my acquaintance is a philanthropist who has spent nearly	The Sign Of The Four
"No,"	Mr. Lucian Gregory	to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a	here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the	see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a	tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of	the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what	the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink	with grave eyes. "My dear Miss Gregory," said Syme gently, "there are many kinds of sincerity and insincerity. When you say thank you' for the salt, do you mean what you say? No. When you say the world is round,' do you mean what you say? No. It is true, but you don't mean it. Now, sometimes a man like your brother really finds a thing he does mean. It may be only a half-truth, quarter-truth, tenth-truth; but then he says more than he means from sheer force of meaning it." She was looking at him from under level brows; her face was grave and open, and there had fallen upon it the shadow of that unreasoning responsibility which is at the bottom of the most frivolous woman, the maternal watch which is as old as the world. "Is he really an anarchist, then?" she asked. "Only in that sense I speak of," replied Syme; "or if you prefer it, in that nonsense." She drew her broad brows together and said abruptly "He wouldn't really use bombs or that sort of thing?" Syme broke into a great laugh, that seemed too large for his slight and somewhat dandified figure. "Good Lord, no!" he said, "that has to be done anonymously." And at that the corners of her own mouth broke into a smile, and she thought with a simultaneous pleasure of Gregory's absurdity and of his safety. Syme strolled with her to a seat in the corner of the garden, and continued to pour out his opinions. For he was a sincere man, and in spite of his superficial airs and graces, at root a humble one. And it is always the humble man who talks too much; the proud man watches himself too closely. He defended respectability with violence and exaggeration. He grew passionate in his praise of tidiness and propriety. All the time there was a smell of lilac all round him. Once he heard very faintly in some distant street a barrel-organ begin to play, and it seemed to him that his heroic words were moving to a tiny tune from under or beyond the world. He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And in no other sense," he asked, "you think me serious? You think me a _fl neur_ who lets fall occasional truths. You do not think that in a deeper, a more deadly sense, I am serious." Syme struck his stick violently on the stones of the road. "Serious!" he cried. "Good Lord! is this street serious? Are these damned Chinese lanterns serious? Is the whole caboodle serious? One comes here and talks a pack of bosh, and perhaps some sense as well, but I should think very little of a man who didn't keep something in the background of his life that was more serious than all this talking something more serious, whether it was religion or only drink." "Very well," said Gregory, his face darkening, "you shall see something more serious than either drink or religion." Syme stood waiting with his usual air of mildness until Gregory again opened his lips. "You spoke just now of having a religion. Is it really true that you have one?" "Oh," said Syme with a beaming smile, "we are all Catholics now." "Then may I ask you to swear by whatever gods or saints your religion involves that you will not reveal what I am now going to tell you to any son of Adam, and especially not to the police? Will you swear that! If you will take upon yourself this awful abnegation if you will consent to burden your soul with a vow that you should never make and a knowledge you should never dream about, I will promise you in return" "You will promise me in return?" inquired Syme, as the other paused. "I will promise you a very entertaining evening." Syme suddenly took off his hat. "Your offer," he said, "is far too idiotic to be declined. You say that a poet is always an anarchist. I disagree; but I hope at least that he is always a sportsman. Permit me, here and now, to swear as a Christian, and promise as a good comrade and a fellow-artist, that I will not report anything of this, whatever it is, to the police. And now, in the name of Colney Hatch, what is it?" "I think," said Gregory, with placid irrelevancy, "that we will call a cab." He gave two long whistles, and a hansom came rattling down the road. The two got into it in silence. Gregory gave through the trap the address of an obscure public-house on the Chiswick bank of the river. The cab whisked itself away again, and in it these two fantastics quitted their fantastic town. CHAPTER II. THE SECRET OF GABRIEL SYME The cab pulled up before a particularly dreary and greasy beershop, into which Gregory rapidly conducted his companion. They seated themselves in a close and dim sort of bar-parlour, at a stained wooden table with one wooden leg. The room was so small and dark, that very little could be seen of the attendant who was summoned, beyond a vague and dark impression of something bulky and bearded. "Will you take a little supper?" asked Gregory politely. "The _p t de foie gras_ is not good here, but I can recommend the game." Syme received the	very faintly in some distant street a barrel-organ begin to play, and it seemed to him that his heroic words were moving to a tiny tune from under or beyond the world. He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp, whose gleam gilded the leaves of the tree that bent out over the fence behind him. About a foot from the lamp-post stood a figure almost as rigid and motionless as the lamp-post itself. The tall hat and long frock coat were black; the face, in an abrupt shadow, was almost as dark. Only a fringe of fiery hair against the light, and also something aggressive in the attitude, proclaimed that it was the poet Gregory. He had something of the look of a masked bravo waiting sword in hand for his foe. He made a sort of doubtful salute, which Syme somewhat more formally returned. "I was waiting for you," said Gregory. "Might I have a moment's conversation?" "Certainly. About what?" asked Syme in a sort of weak wonder. Gregory struck out with his stick at the lamp-post, and then at the tree. "About _this_ and _this_," he cried; "about order and anarchy. There is your precious order, that lean, iron lamp, ugly and barren; and there is anarchy, rich, living, reproducing itself there is anarchy, splendid in green and gold." "All the same," replied Syme patiently, "just at present you only see the tree by the light of the lamp. I wonder when you would ever see the lamp by the light of the tree." Then after a pause he said, "But may I ask if you have been standing out here in the dark only to resume our little argument?"<\|quote\|>"No,"</\|quote\|>cried out Gregory, in a voice that rang down the street, "I did not stand here to resume our argument, but to end it for ever." The silence fell again, and Syme, though he understood nothing, listened instinctively for something serious. Gregory began in a smooth voice and with a rather bewildering smile. "Mr. Syme," he said, "this evening you succeeded in doing something rather remarkable. You did something to me that no man born of woman has ever succeeded in doing before." "Indeed!" "Now I remember," resumed Gregory reflectively, "one other person succeeded in doing it. The captain of a penny steamer (if I remember correctly) at Southend. You have irritated me." "I am very sorry," replied Syme with gravity. "I am afraid my fury and your insult are too shocking to be wiped out even with an apology," said Gregory very calmly. "No duel could wipe it out. If I struck you dead I could not wipe it out. There is only one way by which that insult can be erased, and that way I choose. I am going, at the possible sacrifice of my life and honour, to _prove_ to you that you were wrong in what you said." "In what I said?" "You said I was not serious about being an anarchist." "There are degrees of seriousness," replied Syme. "I have never doubted that you were perfectly sincere in this sense, that you thought what you said well worth saying, that you thought a paradox might wake men up to a neglected truth." Gregory stared at him steadily and painfully. "And	The Man Who Was Thursday
"No one."	Margaret	"All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting	of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is	"Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of	to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery,	"She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with	noun--" "without planning one s actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait." "I believe you would never have told me." "Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with her plans, not bitter or excitable, neither asserting innocence nor confessing guilt, merely desiring freedom and the company of those who would not blame her. She had been through--how much? Margaret did not know. But it was enough to part her from old habits as well as old friends. "Tell me about yourself," said Helen, who had chosen her books, and was lingering over the furniture. "There s nothing to tell." "But your marriage has been happy, Meg?" "Yes, but I don t feel inclined to talk." "You feel as I do." "Not that, but I can t." "No more can I. It is a nuisance, but no good trying." Something had come between them. Perhaps it was Society, which henceforward would exclude Helen. Perhaps it was a third life, already potent as a spirit. They could find no meeting-place. Both suffered acutely, and were not comforted by the knowledge that affection survived. "Look here, Meg, is the coast clear?" "You mean that you want to go away from me?" "I suppose so--dear old lady! it isn t any use. I knew we should have nothing to say. Give my love to Aunt Juley and Tibby, and take more yourself	back into the car. "Now, Henry, you," she said gently. None of her bitterness had been directed at him. "Go away now, dear. I shall want your advice later, no doubt. Forgive me if I have been cross. But, seriously, you must go." He was too stupid to leave her. Now it was Mr. Mansbridge who called in a low voice to him. "I shall soon find you down at Dolly s," she called, as the gate at last clanged between them. The fly moved out of the way, the motor backed, turned a little, backed again, and turned in the narrow road. A string of farm carts came up in the middle; but she waited through all, for there was no hurry. When all was over and the car had started, she opened the door. "Oh, my darling!" she said. "My darling, forgive me." Helen was standing in the hall. CHAPTER XXXVII Margaret bolted the door on the inside. Then she would have kissed her sister, but Helen, in a dignified voice, that came strangely from her, said: "Convenient! You did not tell me that the books were unpacked. I have found nearly everything that I want." "I told you nothing that was true." "It has been a great surprise, certainly. Has Aunt Juley been ill?" "Helen, you wouldn t think I d invent that?" "I suppose not," said Helen, turning away, and crying a very little. "But one loses faith in everything after this." "We thought it was illness, but even then--I haven t behaved worthily." Helen selected another book. "I ought not to have consulted any one. What would our father have thought of me?" She did not think of questioning her sister, or of rebuking her. Both might be necessary in the future, but she had first to purge a greater crime than any that Helen could have committed--that want of confidence that is the work of the devil. "Yes, I am annoyed," replied Helen. "My wishes should have been respected. I would have gone through this meeting if it was necessary, but after Aunt Juley recovered, it was not necessary. Planning my life, as I now have to do." "Come away from those books," called Margaret. "Helen, do talk to me." "I was just saying that I have stopped living haphazard. One can t go through a great deal of --" "--she left out the noun--" "without planning one s actions in advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait." "I believe you would never have told me." "Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with her plans, not bitter or excitable, neither asserting innocence nor confessing guilt, merely desiring freedom and the company of those who would not blame her. She had been through--how much? Margaret did not know. But it was enough to part her from old habits as well as old friends. "Tell me about yourself," said Helen, who had chosen her books, and was lingering over the furniture. "There s nothing to tell." "But your marriage has been happy, Meg?" "Yes, but I don t feel inclined to talk." "You feel as I do." "Not that, but I can t." "No more can I. It is a nuisance, but no good trying." Something had come between them. Perhaps it was Society, which henceforward would exclude Helen. Perhaps it was a third life, already potent as a spirit. They could find no meeting-place. Both suffered acutely, and were not comforted by the knowledge that affection survived. "Look here, Meg, is the coast clear?" "You mean that you want to go away from me?" "I suppose so--dear old lady! it isn t any use. I knew we should have nothing to say. Give my love to Aunt Juley and Tibby, and take more yourself than I can say. Promise to come and see me in Munich later." "Certainly, dearest." "For that is all we can do." It seemed so. Most ghastly of all was Helen s common sense; Monica had been extraordinarily good for her. "I am glad to have seen you and the things." She looked at the bookcase lovingly, as if she was saying farewell to the past. Margaret unbolted the door. She remarked: "The car has gone, and here s your cab." She led the way to it, glancing at the leaves and the sky. The spring had never seemed more beautiful. The driver, who was leaning on the gate, called out, "Please, lady, a message," and handed her Henry s visiting-card through the bars. "How did this come?" she asked. Crane had returned with it almost at once. She read the card with annoyance. It was covered with instructions in domestic French. When she and her sister had talked she was to come back for the night to Dolly s. "Il faut dormir sur ce sujet." while Helen was to be found une comfortable chambre a l hotel. The final sentence displeased her greatly until she remembered that the Charles s had only one spare room, and so could not invite a third guest. "Henry would have done what he could," she interpreted. Helen had not followed her into the garden. The door once open, she lost her inclination to fly. She remained in the hall, going from bookcase to table. She grew more like the old Helen, irresponsible and charming. "This IS Mr. Wilcox s house?" she inquired. "Surely you remember Howards End?" "Remember? I who remember everything! But it looks to be ours now." "Miss Avery was extraordinary," said Margaret, her own spirits lightening a little. Again she was invaded by a slight feeling of disloyalty. But it brought her relief, and she yielded to it. "She loved Mrs. Wilcox, and would rather furnish her home with our things than think of it empty. In consequence here are all the library books." "Not all the books. She hasn t unpacked the Art books, in which she may show her sense. And we never used to have the sword here." "The sword looks well, though." "Magnificent." "Yes, doesn t it?" "Where s the piano, Meg?" "I warehoused that in London. Why?" "Nothing." "Curious, too, that the carpet fits." "The	advance. I am going to have a child in June, and in the first place conversations, discussions, excitement, are not good for me. I will go through them if necessary, but only then. In the second place I have no right to trouble people. I cannot fit in with England as I know it. I have done something that the English never pardon. It would not be right for them to pardon it. So I must live where I am not known." "But why didn t you tell me, dearest?" "Yes," replied Helen judicially. "I might have, but decided to wait." "I believe you would never have told me." "Oh yes, I should. We have taken a flat in Munich." Margaret glanced out of the window. "By we I mean myself and Monica. But for her, I am and have been and always wish to be alone." "I have not heard of Monica." "You wouldn t have. She s an Italian--by birth at least. She makes her living by journalism. I met her originally on Garda. Monica is much the best person to see me through." "You are very fond of her, then." "She has been extraordinarily sensible with me." Margaret guessed at Monica s type--"Italiano Inglesiato" they had named it--the crude feminist of the South, whom one respects but avoids. And Helen had turned to it in her need! "You must not think that we shall never meet," said Helen, with a measured kindness. "I shall always have a room for you when you can be spared, and the longer you can be with me the better. But you haven t understood yet, Meg, and of course it is very difficult for you. This is a shock to you. It isn t to me, who have been thinking over our futures for many months, and they won t be changed by a slight contretemps, such as this. I cannot live in England." "Helen, you ve not forgiven me for my treachery. You COULDN T talk like this to me if you had." "Oh, Meg dear, why do we talk at all?" She dropped a book and sighed wearily. Then, recovering herself, she said: "Tell me, how is it that all the books are down here?" "Series of mistakes." "And a great deal of furniture has been unpacked." "All." "Who lives here, then?"<\|quote\|>"No one."</\|quote\|>"I suppose you are letting it, though." "The house is dead," said Margaret, with a frown. "Why worry on about it?" "But I am interested. You talk as if I had lost all my interest in life. I am still Helen, I hope. Now this hasn t the feel of a dead house. The hall seems more alive even than in the old days, when it held the Wilcoxes own things." "Interested, are you? Very well, I must tell you, I suppose. My husband lent it on condition we--but by a mistake all our things were unpacked, and Miss Avery, instead of--" She stopped. "Look here, I can t go on like this. I warn you I won t. Helen, why should you be so miserably unkind to me, simply because you hate Henry?" "I don t hate him now," said Helen. "I have stopped being a schoolgirl, and, Meg, once again, I m not being unkind. But as for fitting in with your English life--no, put it out of your head at once. Imagine a visit from me at Ducie Street! It s unthinkable." Margaret could not contradict her. It was appalling to see her quietly moving forward with her plans, not bitter or excitable, neither asserting innocence nor confessing guilt, merely desiring freedom and the company of those who would not blame her. She had been through--how much? Margaret did not know. But it was enough to part her from old habits as well as old friends. "Tell me about yourself," said Helen, who had chosen her books, and was lingering over the furniture. "There s nothing to tell." "But your marriage has been happy, Meg?" "Yes, but I don t feel inclined to talk." "You feel as I do." "Not that, but I can t." "No more can I. It is	Howards End
That alters everything.'	No speaker	and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You	Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had	in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would	us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of	who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with	chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could not be! Surely no woman as beautiful as Mary Cavendish could be a murderess. Yet beautiful women had been known	right to criticize my actions?" "It will be the talk of the village! My mother was only buried on Saturday, and here you are gadding about with the fellow." "Oh," she shrugged her shoulders, "if it is only village gossip that you mind!" "But it isn't. I've had enough of the fellow hanging about. He's a Polish Jew, anyway." "A tinge of Jewish blood is not a bad thing. It leavens the" she looked at him "stolid stupidity of the ordinary Englishman." Fire in her eyes, ice in her voice. I did not wonder that the blood rose to John's face in a crimson tide. "Mary!" "Well?" Her tone did not change. The pleading died out of his voice. "Am I to understand that you will continue to see Bauerstein against my express wishes?" "If I choose." "You defy me?" "No, but I deny your right to criticize my actions. Have _you_ no friends of whom I should disapprove?" John fell back a pace. The colour ebbed slowly from his face. "What do you mean?" he said, in an unsteady voice. "You see!" said Mary quietly. "You _do_ see, don't you, that _you_ have no right to dictate to _me_ as to the choice of my friends?" John glanced at her pleadingly, a stricken look on his face. "No right? Have I _no_ right, Mary?" he said unsteadily. He stretched out his hands. "Mary" For a moment, I thought she wavered. A softer expression came over her face, then suddenly she turned almost fiercely away. "None!" She was walking away when John sprang after her, and caught her by the arm. "Mary" his voice was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could not be! Surely no woman as beautiful as Mary Cavendish could be a murderess. Yet beautiful women had been known to poison. And suddenly I remembered that first conversation at tea on the day of my arrival, and the gleam in her eyes as she had said that poison was a woman's weapon. How agitated she had been on that fatal Tuesday evening! Had Mrs. Inglethorp discovered something between her and Bauerstein, and threatened to tell her husband? Was it to stop that denunciation that the crime had been committed? Then I remembered that enigmatical conversation between Poirot and Evelyn Howard. Was this what they had meant? Was this the monstrous possibility that Evelyn had tried not to believe? Yes, it all fitted in. No wonder Miss Howard had suggested "hushing it up." Now I understood that unfinished sentence of hers: "Emily herself " And in my heart I agreed with her. Would not Mrs. Inglethorp have preferred to go unavenged rather than have such terrible dishonour fall upon the name of Cavendish. "There's another thing," said John suddenly, and the unexpected sound of his voice made me start guiltily. "Something which makes me doubt if what you say can be true." "What's that?" I asked, thankful that he had gone away from the subject of how the poison could have been introduced into the cocoa. "Why, the fact that Bauerstein demanded a post-mortem. He needn't have done so. Little Wilkins would have been quite content to let it go at heart disease." "Yes," I said doubtfully. "But we don't know. Perhaps he thought it safer in the long run. Someone might have talked afterwards. Then the Home Office might have ordered exhumation. The whole thing would have come out, then, and he would have been in an awkward position, for no one would have believed that a man of his reputation could have been deceived into calling it heart disease." "Yes, that's possible," admitted John. "Still," he added, "I'm blest if I can see what his motive could have been." I trembled. "Look here," I said, "I may be altogether wrong. And, remember, all this is in confidence." "Oh, of course that goes without saying." We had walked, as we talked, and now we passed through the little gate into the garden. Voices rose near at hand, for tea was spread out under the sycamore-tree, as it had been on the day of my arrival. Cynthia was back from the hospital, and I placed my chair beside her, and	was very quiet now "are you in love with this fellow Bauerstein?" She hesitated, and suddenly there swept across her face a strange expression, old as the hills, yet with something eternally young about it. So might some Egyptian sphinx have smiled. She freed herself quietly from his arm, and spoke over her shoulder. "Perhaps," she said; and then swiftly passed out of the little glade, leaving John standing there as though he had been turned to stone. Rather ostentatiously, I stepped forward, crackling some dead branches with my feet as I did so. John turned. Luckily, he took it for granted that I had only just come upon the scene. "Hullo, Hastings. Have you seen the little fellow safely back to his cottage? Quaint little chap! Is he any good, though, really?" "He was considered one of the finest detectives of his day." "Oh, well, I suppose there must be something in it, then. What a rotten world it is, though!" "You find it so?" I asked. "Good Lord, yes! There's this terrible business to start with. Scotland Yard men in and out of the house like a jack-in-the-box! Never know where they won't turn up next. Screaming headlines in every paper in the country damn all journalists, I say! Do you know there was a whole crowd staring in at the lodge gates this morning. Sort of Madame Tussaud's chamber of horrors business that can be seen for nothing. Pretty thick, isn't it?" "Cheer up, John!" I said soothingly. "It can't last for ever." "Can't it, though? It can last long enough for us never to be able to hold up our heads again." "No, no, you're getting morbid on the subject." "Enough to make a man morbid, to be stalked by beastly journalists and stared at by gaping moon-faced idiots, wherever he goes! But there's worse than that." "What?" John lowered his voice: "Have you ever thought, Hastings it's a nightmare to me who did it? I can't help feeling sometimes it must have been an accident. Because because who could have done it? Now Inglethorp's out of the way, there's no one else; no one, I mean, except one of us." Yes, indeed, that was nightmare enough for any man! One of us? Yes, surely it must be so, unless - A new idea suggested itself to my mind. Rapidly, I considered it. The light increased. Poirot's mysterious doings, his hints they all fitted in. Fool that I was not to have thought of this possibility before, and what a relief for us all. "No, John," I said, "it isn't one of us. How could it be?" "I know, but, still, who else is there?" "Can't you guess?" "No." I looked cautiously round, and lowered my voice. "Dr. Bauerstein!" I whispered. "Impossible!" "Not at all." "But what earthly interest could he have in my mother's death?" "That I don't see," I confessed, "but I'll tell you this: Poirot thinks so." "Poirot? Does he? How do you know?" I told him of Poirot's intense excitement on hearing that Dr. Bauerstein had been at Styles on the fatal night, and added: "He said twice:"<\|quote\|>That alters everything.'</\|quote\|>"And I've been thinking. You know Inglethorp said he had put down the coffee in the hall? Well, it was just then that Bauerstein arrived. Isn't it possible that, as Inglethorp brought him through the hall, the doctor dropped something into the coffee in passing?" "H'm," said John. "It would have been very risky." "Yes, but it was possible." "And then, how could he know it was her coffee? No, old fellow, I don't think that will wash." But I had remembered something else. "You're quite right. That wasn't how it was done. Listen." And I then told him of the cocoa sample which Poirot had taken to be analysed. John interrupted just as I had done. "But, look here, Bauerstein had had it analysed already?" "Yes, yes, that's the point. I didn't see it either until now. Don't you understand? Bauerstein had it analysed that's just it! If Bauerstein's the murderer, nothing could be simpler than for him to substitute some ordinary cocoa for his sample, and send that to be tested. And of course they would find no strychnine! But no one would dream of suspecting Bauerstein, or think of taking another sample except Poirot," I added, with belated recognition. "Yes, but what about the bitter taste that cocoa won't disguise?" "Well, we've only his word for that. And there are other possibilities. He's admittedly one of the world's greatest toxicologists" "One of the world's greatest what? Say it again." "He knows more about poisons than almost anybody," I explained. "Well, my idea is, that perhaps he's found some way of making strychnine tasteless. Or it may not have been strychnine at all, but some obscure drug no one has ever heard of, which produces much the same symptoms." "H'm, yes, that might be," said John. "But look here, how could he have got at the cocoa? That wasn't downstairs?" "No, it wasn't," I admitted reluctantly. And then, suddenly, a dreadful possibility flashed through my mind. I hoped and prayed it would not occur to John also. I glanced sideways at him. He was frowning perplexedly, and I drew a deep breath of relief, for the terrible thought that had flashed across my mind was this: that Dr. Bauerstein might have had an accomplice. Yet surely it could	The Mysterious Affair At Styles
"Go first to the Caffe Garibaldi,"	Mr. Herriton	not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this	difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by	on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble	cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We	consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them." Gino had stooped down by the way, and	at the frontier. As it was, they had been stopped in a simpler manner a few miles out of the town. As yet he could scarcely survey the thing. It was too great. Round the Italian baby who had died in the mud there centred deep passions and high hopes. People had been wicked or wrong in the matter; no one save himself had been trivial. Now the baby had gone, but there remained this vast apparatus of pride and pity and love. For the dead, who seemed to take away so much, really take with them nothing that is ours. The passion they have aroused lives after them, easy to transmute or to transfer, but well-nigh impossible to destroy. And Philip knew that he was still voyaging on the same magnificent, perilous sea, with the sun or the clouds above him, and the tides below. The course of the moment--that, at all events, was certain. He and no one else must take the news to Gino. It was easy to talk of Harriet s crime--easy also to blame the negligent Perfetta or Mrs. Herriton at home. Every one had contributed--even Miss Abbott and Irma. If one chose, one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them." Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip. "It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he	He began to crawl through the mud, touching first this, then that, grasping the cushions by mistake, listening for the faintest whisper that might guide him. He tried to light a match, holding the box in his teeth and striking at it with the uninjured hand. At last he succeeded, and the light fell upon the bundle which he was seeking. It had rolled off the road into the wood a little way, and had fallen across a great rut. So tiny it was that had it fallen lengthways it would have disappeared, and he might never have found it. "I stole it! I and the idiot--no one was there." She burst out laughing. He sat down and laid it on his knee. Then he tried to cleanse the face from the mud and the rain and the tears. His arm, he supposed, was broken, but he could still move it a little, and for the moment he forgot all pain. He was listening--not for a cry, but for the tick of a heart or the slightest tremor of breath. "Where are you?" called a voice. It was Miss Abbott, against whose carriage they had collided. She had relit one of the lamps, and was picking her way towards him. "Silence!" he called again, and again they obeyed. He shook the bundle; he breathed into it; he opened his coat and pressed it against him. Then he listened, and heard nothing but the rain and the panting horses, and Harriet, who was somewhere chuckling to herself in the dark. Miss Abbott approached, and took it gently from him. The face was already chilly, but thanks to Philip it was no longer wet. Nor would it again be wetted by any tear. Chapter 9 The details of Harriet s crime were never known. In her illness she spoke more of the inlaid box that she lent to Lilia--lent, not given--than of recent troubles. It was clear that she had gone prepared for an interview with Gino, and finding him out, she had yielded to a grotesque temptation. But how far this was the result of ill-temper, to what extent she had been fortified by her religion, when and how she had met the poor idiot--these questions were never answered, nor did they interest Philip greatly. Detection was certain: they would have been arrested by the police of Florence or Milan, or at the frontier. As it was, they had been stopped in a simpler manner a few miles out of the town. As yet he could scarcely survey the thing. It was too great. Round the Italian baby who had died in the mud there centred deep passions and high hopes. People had been wicked or wrong in the matter; no one save himself had been trivial. Now the baby had gone, but there remained this vast apparatus of pride and pity and love. For the dead, who seemed to take away so much, really take with them nothing that is ours. The passion they have aroused lives after them, easy to transmute or to transfer, but well-nigh impossible to destroy. And Philip knew that he was still voyaging on the same magnificent, perilous sea, with the sun or the clouds above him, and the tides below. The course of the moment--that, at all events, was certain. He and no one else must take the news to Gino. It was easy to talk of Harriet s crime--easy also to blame the negligent Perfetta or Mrs. Herriton at home. Every one had contributed--even Miss Abbott and Irma. If one chose, one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them." Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip. "It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a new one. "Gino!" He stopped for a moment; then he came nearer. Philip stood his ground. "You are to do what you like with me, Gino. Your son is dead, Gino. He died in my arms, remember. It does not excuse me; but he did die in my arms." The left hand came forward, slowly this time. It hovered before Philip like an insect. Then it descended and gripped him by his broken elbow. Philip struck out with all the strength of his other arm. Gino fell to the blow without a cry or a word. "You brute!" exclaimed the Englishman. "Kill me if you like! But just you leave my broken arm alone." Then he was seized with remorse, and knelt beside his adversary and tried to revive him. He managed to raise him up, and propped his body against his own. He passed his arm round him. Again he was filled with pity and tenderness. He awaited the revival without fear, sure that both of them were safe at last. Gino recovered suddenly. His lips moved. For one blessed moment it seemed that he was going to speak. But he scrambled up in silence, remembering everything, and he made not towards Philip, but towards the lamp. "Do what you like; but think first--" The lamp was tossed across the room, out through the loggia. It broke against one of the trees below. Philip began to cry out in the dark. Gino approached from behind and gave him a sharp pinch. Philip spun round with a yell. He had only been pinched on the back, but he knew what was in store for him. He struck out, exhorting the devil to fight him, to kill him, to do anything but this. Then he stumbled to the door. It was open. He lost his head, and, instead of turning down the stairs, he ran across the landing into the room opposite. There he lay down on the floor between the stove and the skirting-board. His senses grew sharper. He could hear Gino coming in on tiptoe. He even knew what was passing in his mind, how now he was at fault, now he was hopeful, now he was wondering whether after all the victim had not escaped down the stairs.	to a grotesque temptation. But how far this was the result of ill-temper, to what extent she had been fortified by her religion, when and how she had met the poor idiot--these questions were never answered, nor did they interest Philip greatly. Detection was certain: they would have been arrested by the police of Florence or Milan, or at the frontier. As it was, they had been stopped in a simpler manner a few miles out of the town. As yet he could scarcely survey the thing. It was too great. Round the Italian baby who had died in the mud there centred deep passions and high hopes. People had been wicked or wrong in the matter; no one save himself had been trivial. Now the baby had gone, but there remained this vast apparatus of pride and pity and love. For the dead, who seemed to take away so much, really take with them nothing that is ours. The passion they have aroused lives after them, easy to transmute or to transfer, but well-nigh impossible to destroy. And Philip knew that he was still voyaging on the same magnificent, perilous sea, with the sun or the clouds above him, and the tides below. The course of the moment--that, at all events, was certain. He and no one else must take the news to Gino. It was easy to talk of Harriet s crime--easy also to blame the negligent Perfetta or Mrs. Herriton at home. Every one had contributed--even Miss Abbott and Irma. If one chose, one might consider the catastrophe composite or the work of fate. But Philip did not so choose. It was his own fault, due to acknowledged weakness in his own character. Therefore he, and no one else, must take the news of it to Gino. Nothing prevented him. Miss Abbott was engaged with Harriet, and people had sprung out of the darkness and were conducting them towards some cottage. Philip had only to get into the uninjured carriage and order the driver to return. He was back at Monteriano after a two hours absence. Perfetta was in the house now, and greeted him cheerfully. Pain, physical and mental, had made him stupid. It was some time before he realized that she had never missed the child. Gino was still out. The woman took him to the reception-room, just as she had taken Miss Abbott in the morning, and dusted a circle for him on one of the horsehair chairs. But it was dark now, so she left the guest a little lamp. "I will be as quick as I can," she told him. "But there are many streets in Monteriano; he is sometimes difficult to find. I could not find him this morning."<\|quote\|>"Go first to the Caffe Garibaldi,"</\|quote\|>said Philip, remembering that this was the hour appointed by his friends of yesterday. He occupied the time he was left alone not in thinking--there was nothing to think about; he simply had to tell a few facts--but in trying to make a sling for his broken arm. The trouble was in the elbow-joint, and as long as he kept this motionless he could go on as usual. But inflammation was beginning, and the slightest jar gave him agony. The sling was not fitted before Gino leapt up the stairs, crying-- "So you are back! How glad I am! We are all waiting--" Philip had seen too much to be nervous. In low, even tones he told what had happened; and the other, also perfectly calm, heard him to the end. In the silence Perfetta called up that she had forgotten the baby s evening milk; she must fetch it. When she had gone Gino took up the lamp without a word, and they went into the other room. "My sister is ill," said Philip, "and Miss Abbott is guiltless. I should be glad if you did not have to trouble them." Gino had stooped down by the way, and was feeling the place where his son had lain. Now and then he frowned a little and glanced at Philip. "It is through me," he continued. "It happened because I was cowardly and idle. I have come to know what you will do." Gino had left the rug, and began to pat the table from the end, as if he was blind. The action was so uncanny that Philip was driven to intervene. "Gently, man, gently; he is not here." He went up and touched him on the shoulder. He twitched away, and began to pass his hands over things more rapidly--over the table, the chairs, the entire floor, the walls as high as he could reach them. Philip had not presumed to comfort him. But now the tension was too great--he tried. "Break down, Gino; you must break down. Scream and curse and give in for a little; you must break down." There was no reply, and no cessation of the sweeping hands. "It is time to be unhappy. Break down or you will be ill like my sister. You will go--" The tour of the room was over. He had touched everything in it except Philip. Now he approached him. He face was that of a man who has lost his old reason for life and seeks a new one. "Gino!" He stopped for a moment; then he came nearer. Philip stood his ground. "You are to do what you like with me, Gino. Your son is dead, Gino. He died in my arms, remember. It does not excuse me; but he did die in my arms." The left hand came forward, slowly this time. It hovered before Philip like an insect. Then it descended and gripped him by his broken elbow. Philip struck out with all the strength	Where Angels Fear To Tread
Brett said.	No speaker	one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come	_me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What	blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat	you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I	than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of	steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said. "I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?" "Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them." "You wouldn't read any letters, darling. You wouldn't read mine." "I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said.	had fallen. Suddenly the bull left off and made for the other steer which had been standing at the far end, his head swinging, watching it all. The steer ran awkwardly and the bull caught him, hooked him lightly in the flank, and then turned away and looked up at the crowd on the walls, his crest of muscle rising. The steer came up to him and made as though to nose at him and the bull hooked perfunctorily. The next time he nosed at the steer and then the two of them trotted over to the other bull. When the next bull came out, all three, the two bulls and the steer, stood together, their heads side by side, their horns against the newcomer. In a few minutes the steer picked the new bull up, quieted him down, and made him one of the herd. When the last two bulls had been unloaded the herd were all together. The steer who had been gored had gotten to his feet and stood against the stone wall. None of the bulls came near him, and he did not attempt to join the herd. We climbed down from the wall with the crowd, and had a last look at the bulls through the loopholes in the wall of the corral. They were all quiet now, their heads down. We got a carriage outside and rode up to the caf . Mike and Bill came in half an hour later. They had stopped on the way for several drinks. We were sitting in the caf . "That's an extraordinary business," Brett said. "Will those last ones fight as well as the first?" Robert Cohn asked. "They seemed to quiet down awfully fast." "They all know each other," I said. "They're only dangerous when they're alone, or only two or three of them together." "What do you mean, dangerous?" Bill said. "They all looked dangerous to me." "They only want to kill when they're alone. Of course, if you went in there you'd probably detach one of them from the herd, and he'd be dangerous." "That's too complicated," Bill said. "Don't you ever detach me from the herd, Mike." "I say," Mike said, "they _were_ fine bulls, weren't they? Did you see their horns?" "Did I not," said Brett. "I had no idea what they were like." "Did you see the one hit that steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said. "I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?" "Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them." "You wouldn't read any letters, darling. You wouldn't read mine." "I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he must behave or get out." "Yes," I said, "it would be nice for me to tell him." "Look, Brett. Tell Jake what Robert calls you. That is perfect, you know." "Oh, no. I can't." "Go on. We're all friends. Aren't we all friends, Jake?" "I can't tell him. It's too ridiculous." "I'll tell him." "You won't, Michael. Don't be an ass." "He calls her Circe," Mike said. "He claims she turns men into swine. Damn good. I wish I were one of these literary chaps." "He'd be good, you know," Brett said. "He writes a good letter." "I know," I said. "He wrote me from San Sebastian." "That was nothing," Brett said. "He can write a damned amusing letter." "She made me write that. She was supposed to be ill." "I damned well was, too." "Come on," I said, "we must go in and eat." "How should I meet Cohn?" Mike said. "Just act as though nothing had happened." "It's quite all right with me," Mike said. "I'm not embarrassed." "If he says anything, just say you were tight." "Quite. And the funny thing is I think I was tight." "Come on," Brett said. "Are these poisonous things paid for? I must bathe before dinner." We walked across the square. It was dark and all around the square were the lights from the caf s under the arcades. We walked across the gravel under the trees to the hotel. They went up-stairs and I stopped to speak with Montoya. "Well, how did you like the bulls?" he asked. "Good. They were nice bulls." "They're all right" "--Montoya shook his head--" "but they're not too good." "What didn't you like about them?" "I don't know. They just didn't give me the feeling that they were so good." "I know what you mean." "They're all right." "Yes. They're all right." "How did your friends like them?" "Fine." "Good," Montoya said. I went up-stairs. Bill was in his room standing on the balcony looking out at the square. I stood beside him. "Where's Cohn?" "Up-stairs in his room." "How does he feel?" "Like hell, naturally. Mike was awful. He's terrible when he's tight." "He wasn't so tight." "The hell he wasn't. I know what we had before we came to the caf ." "He sobered up afterward." "Good. He was terrible. I don't like Cohn, God knows, and I think it was a silly trick for him to go down to San Sebastian, but nobody has any business to talk like Mike." "How'd you like the bulls?" "Grand. It's grand the way they bring them out." "To-morrow come the Miuras." "When does the fiesta start?" "Day after to-morrow." "We've got to keep Mike from getting so tight. That kind of stuff is terrible." "We'd better get cleaned up for supper."	you ever detach me from the herd, Mike." "I say," Mike said, "they _were_ fine bulls, weren't they? Did you see their horns?" "Did I not," said Brett. "I had no idea what they were like." "Did you see the one hit that steer?" Mike asked. "That was extraordinary." "It's no life being a steer," Robert Cohn said. "Don't you think so?" Mike said. "I would have thought you'd loved being a steer, Robert." "What do you mean, Mike?" "They lead such a quiet life. They never say anything and they're always hanging about so." We were embarrassed. Bill laughed. Robert Cohn was angry. Mike went on talking. "I should think you'd love it. You'd never have to say a word. Come on, Robert. Do say something. Don't just sit there." "I said something, Mike. Don't you remember? About the steers." "Oh, say something more. Say something funny. Can't you see we're all having a good time here?" "Come off it, Michael. You're drunk," Brett said. "I'm not drunk. I'm quite serious. _Is_ Robert Cohn going to follow Brett around like a steer all the time?" "Shut up, Michael. Try and show a little breeding." "Breeding be damned. Who has any breeding, anyway, except the bulls? Aren't the bulls lovely? Don't you like them, Bill? Why don't you say something, Robert? Don't sit there looking like a bloody funeral. What if Brett did sleep with you? She's slept with lots of better people than you." "Shut up," Cohn said. He stood up. "Shut up, Mike." "Oh, don't stand up and act as though you were going to hit me. That won't make any difference to me. Tell me, Robert. Why do you follow Brett around like a poor bloody steer? Don't you know you're not wanted? I know when I'm not wanted. Why don't you know when you're not wanted? You came down to San Sebastian where you weren't wanted, and followed Brett around like a bloody steer. Do you think that's right?" "Shut up. You're drunk." "Perhaps I am drunk. Why aren't you drunk? Why don't you ever get drunk, Robert? You know you didn't have a good time at San Sebastian because none of our friends would invite you on any of the parties. You can't blame them hardly. Can you? I asked them to. They wouldn't do it. You can't blame them, now. Can you? Now, answer me. Can you blame them?" "Go to hell, Mike." "I can't blame them. Can you blame them? Why do you follow Brett around? Haven't you any manners? How do you think it makes _me_ feel?" "You're a splendid one to talk about manners,"<\|quote\|>Brett said.</\|quote\|>"You've such lovely manners." "Come on, Robert," Bill said. "What do you follow her around for?" Bill stood up and took hold of Cohn. "Don't go," Mike said. "Robert Cohn's going to buy a drink." Bill went off with Cohn. Cohn's face was sallow. Mike went on talking. I sat and listened for a while. Brett looked disgusted. "I say, Michael, you might not be such a bloody ass," she interrupted. "I'm not saying he's not right, you know." She turned to me. The emotion left Mike's voice. We were all friends together. "I'm not so damn drunk as I sounded," he said. "I know you're not," Brett said. "We're none of us sober," I said. "I didn't say anything I didn't mean." "But you put it so badly," Brett laughed. "He was an ass, though. He came down to San Sebastian where he damn well wasn't wanted. He hung around Brett and just _looked_ at her. It made me damned well sick." "He did behave very badly," Brett said. "Mark you. Brett's had affairs with men before. She tells me all about everything. She gave me this chap Cohn's letters to read. I wouldn't read them." "Damned noble of you." "No, listen, Jake. Brett's gone off with men. But they weren't ever Jews, and they didn't come and hang about afterward." "Damned good chaps," Brett said. "It's all rot to talk about it. Michael and I understand each other." "She gave me Robert Cohn's letters. I wouldn't read them." "You wouldn't read any letters, darling. You wouldn't read mine." "I can't read letters," Mike said. "Funny, isn't it?" "You can't read anything." "No. You're wrong there. I read quite a bit. I read when I'm at home." "You'll be writing next," Brett said. "Come on, Michael. Do buck up. You've got to go through with this thing now. He's here. Don't spoil the fiesta." "Well, let him behave, then." "He'll behave. I'll tell him." "You tell him, Jake. Tell him either he	The Sun Also Rises
"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"	Helen	landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very	long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His	Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I	is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in	want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if	towards the Grammar, and soon he was turning over the pages, raising his eyebrows scornfully, perhaps at human nature, perhaps at Chinese. To him thus employed Helen returned. She had pulled herself together, but the grave appeal had not vanished from her eyes. "Now for the explanation," she said. "Why didn t I begin with it? I have found out something about Mr. Wilcox. He has behaved very wrongly indeed, and ruined two people s lives. It all came on me very suddenly last night; I am very much upset, and I do not know what to do. Mrs. Bast--" "Oh, those people!" Helen seemed silenced. "Shall I lock the door again?" "No thanks, Tibbikins. You re being very good to me. I want to tell you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if his sister had not been ceaselessly beautiful. "You see, Helen--have a cigarette--I don t see what I m to do." "Then there s nothing to be done. I dare say you are right. Let them marry. There remains the question of compensation." "Do you want me to adjudicate that too? Had you not better consult an expert?" "This part is in confidence," said Helen. "It has nothing to do with Meg, and do not mention it to her. The compensation--I do not see who is to pay it if I don t, and I have already decided on the minimum sum. As soon as possible I am placing it to your account, and when I am in Germany you will pay it over for me. I shall never forget your kindness, Tibbikins, if you do this." "What is the sum?" "Five thousand." "Good God alive!" said Tibby, and went crimson. "Now, what is the good of driblets? To go through life having done one thing--to have raised one person from the abyss; not these puny gifts of shillings and blankets--making the grey more grey. No doubt people will think me extraordinary." "I don t care an iota what people think!"	I could get away." "So I surmise. Why?" "I don t know what s to be done, Tibby. I am very much upset at a piece of news that concerns Meg, and do not want to face her, and I am not going back to Wickham Place. I stopped here to tell you this." The landlady came in with the cutlets. Tibby put a marker in the leaves of his Chinese Grammar and helped them. Oxford--the Oxford of the vacation--dreamed and rustled outside, and indoors the little fire was coated with grey where the sunshine touched it. Helen continued her odd story. "Give Meg my love and say that I want to be alone. I mean to go to Munich or else Bonn." "Such a message is easily given," said her brother. "As regards Wickham Place and my share of the furniture, you and she are to do exactly as you like. My own feeling is that everything may just as well be sold. What does one want with dusty economic books, which have made the world no better, or with mother s hideous chiffoniers? I have also another commission for you. I want you to deliver a letter." She got up. "I haven t written it yet. Why shouldn t I post it, though?" She sat down again. "My head is rather wretched. I hope that none of your friends are likely to come in." Tibby locked the door. His friends often found it in this condition. Then he asked whether anything had gone wrong at Evie s wedding. "Not there," said Helen, and burst into tears. He had known her hysterical--it was one of her aspects with which he had no concern--and yet these tears touched him as something unusual. They were nearer the things that did concern him, such as music. He laid down his knife and looked at her curiously. Then, as she continued to sob, he went on with his lunch. The time came for the second course, and she was still crying. Apple Charlotte was to follow, which spoils by waiting. "Do you mind Mrs. Martlett coming in?" he asked, "or shall I take it from her at the door?" "Could I bathe my eyes, Tibby?" He took her to his bedroom, and introduced the pudding in her absence. Having helped himself, he put it down to warm in the hearth. His hand stretched towards the Grammar, and soon he was turning over the pages, raising his eyebrows scornfully, perhaps at human nature, perhaps at Chinese. To him thus employed Helen returned. She had pulled herself together, but the grave appeal had not vanished from her eyes. "Now for the explanation," she said. "Why didn t I begin with it? I have found out something about Mr. Wilcox. He has behaved very wrongly indeed, and ruined two people s lives. It all came on me very suddenly last night; I am very much upset, and I do not know what to do. Mrs. Bast--" "Oh, those people!" Helen seemed silenced. "Shall I lock the door again?" "No thanks, Tibbikins. You re being very good to me. I want to tell you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if his sister had not been ceaselessly beautiful. "You see, Helen--have a cigarette--I don t see what I m to do." "Then there s nothing to be done. I dare say you are right. Let them marry. There remains the question of compensation." "Do you want me to adjudicate that too? Had you not better consult an expert?" "This part is in confidence," said Helen. "It has nothing to do with Meg, and do not mention it to her. The compensation--I do not see who is to pay it if I don t, and I have already decided on the minimum sum. As soon as possible I am placing it to your account, and when I am in Germany you will pay it over for me. I shall never forget your kindness, Tibbikins, if you do this." "What is the sum?" "Five thousand." "Good God alive!" said Tibby, and went crimson. "Now, what is the good of driblets? To go through life having done one thing--to have raised one person from the abyss; not these puny gifts of shillings and blankets--making the grey more grey. No doubt people will think me extraordinary." "I don t care an iota what people think!" cried he, heated to unusual manliness of diction. "But it s half what you have." "Not nearly half." She spread out her hands over her soiled skirt. "I have far too much, and we settled at Chelsea last spring that three hundred a year is necessary to set a man on his feet. What I give will bring in a hundred and fifty between two. It isn t enough." He could not recover. He was not angry or even shocked, and he saw that Helen would still have plenty to live on. But it amazed him to think what haycocks people can make of their lives. His delicate intonations would not work, and he could only blurt out that the five thousand pounds would mean a great deal of bother for him personally. "I didn t expect you to understand me." "I? I understand nobody." "But you ll do it?" "Apparently." "I leave you two commissions, then. The first concerns Mr. Wilcox, and you are to use your discretion. The second concerns the money, and is to be mentioned to no one, and carried out literally. You will send a hundred pounds on account to-morrow." He walked with her to the station, passing through those streets whose serried beauty never bewildered him and never fatigued. The lovely creature raised domes and spires into the cloudless blue, and only the ganglion of vulgarity round Carfax showed how evanescent was the phantom, how faint its claim to represent England. Helen, rehearsing her commission, noticed nothing; the Basts were in her brain, and she retold the crisis in a meditative way, which might have made other men curious. She was seeing whether it would hold. He asked her once why she had taken the Basts right into the heart of Evie s wedding. She stopped like a frightened animal and said, "Does that seem to you so odd?" Her eyes, the hand laid on the mouth, quite haunted him, until they were absorbed into the figure of St. Mary the Virgin, before whom he paused for a moment on the walk home. It is convenient to follow him in the discharge of his duties. Margaret summoned him the next day. She was terrified at Helen s flight, and he had to say that she had called in at Oxford. Then she said: "Did she seem worried at any rumour about Henry?" He answered,	you the story before I go abroad, you must do exactly what you like--treat it as part of the furniture. Meg cannot have heard it yet, I think. But I cannot face her and tell her that the man she is going to marry has misconducted himself. I don t even know whether she ought to be told. Knowing as she does that I dislike him, she will suspect me, and think that I want to ruin her match. I simply don t know what to make of such a thing. I trust your judgment. What would you do?" "I gather he has had a mistress," said Tibby. Helen flushed with shame and anger. "And ruined two people s lives. And goes about saying that personal actions count for nothing, and there always will be rich and poor. He met her when he was trying to get rich out in Cyprus--I don t wish to make him worse than he is, and no doubt she was ready enough to meet him. But there it is. They met. He goes his way and she goes hers. What do you suppose is the end of such women?" He conceded that it was a bad business. "They end in two ways: Either they sink till the lunatic asylums and the workhouses are full of them, and cause Mr. Wilcox to write letters to the papers complaining of our national degeneracy, or else they entrap a boy into marriage before it is too late. She--I can t blame her." "But this isn t all," she continued after a long pause, during which the landlady served them with coffee.<\|quote\|>"I come now to the business that took us to Oniton. We went all three. Acting on Mr. Wilcox s advice, the man throws up a secure situation and takes an insecure one, from which he is dismissed. There are certain excuses, but in the main Mr. Wilcox is to blame, as Meg herself admitted. It is only common justice that he should employ the man himself. But he meets the woman, and, like the cur that he is, he refuses, and tries to get rid of them. He makes Meg write. Two notes came from her late that evening--one for me, one for Leonard, dismissing him with barely a reason. I couldn t understand. Then it comes out that Mrs. Bast had spoken to Mr. Wilcox on the lawn while we left her to get rooms, and was still speaking about him when Leonard came back to her. This Leonard knew all along. He thought it natural he should be ruined twice. Natural! Could you have contained yourself?"</\|quote\|>"It is certainly a very bad business," said Tibby. His reply seemed to calm his sister. "I was afraid that I saw it out of proportion. But you are right outside it, and you must know. In a day or two--or perhaps a week--take whatever steps you think fit. I leave it in your hands." She concluded her charge. "The facts as they touch Meg are all before you," she added; and Tibby sighed and felt it rather hard that, because of his open mind, he should be empanelled to serve as a juror. He had never been interested in human beings, for which one must blame him, but he had had rather too much of them at Wickham Place. Just as some people cease to attend when books are mentioned, so Tibby s attention wandered when "personal relations" came under discussion. Ought Margaret to know what Helen knew the Basts to know? Similar questions had vexed him from infancy, and at Oxford he had learned to say that the importance of human beings has been vastly overrated by specialists. The epigram, with its faint whiff of the eighties, meant nothing. But he might have let it off now if his sister had not been ceaselessly beautiful. "You see, Helen--have a cigarette--I don t see what I m to do." "Then there s nothing to be done. I dare say you are right. Let them marry. There remains the question of compensation." "Do you want me to adjudicate that too? Had you not better consult an expert?" "This part is in confidence," said Helen. "It has nothing to do with Meg, and do not mention it to her. The compensation--I	Howards End
"Good afternoon,"	The Invisible Man	was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him	by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with	a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to	up to his face just as she had seen him hold the serviette before. The shadows, she fancied, had tricked her. "Would you mind, sir, this man a-coming to look at the clock, sir?" she said, recovering from the momentary shock. "Look at the clock?" he said, staring round in a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to be mine for my own private use." "I thought, sir," said Mrs. Hall, "you d prefer the clock" "Certainly," said the stranger, "certainly but, as a rule, I like to be alone and undisturbed." "But I m really glad to have the clock seen to," he said, seeing a certain	just been lighting the bar lamp, and her eyes were dazzled. But for a second it seemed to her that the man she looked at had an enormous mouth wide open a vast and incredible mouth that swallowed the whole of the lower portion of his face. It was the sensation of a moment: the white-bound head, the monstrous goggle eyes, and this huge yawn below it. Then he stirred, started up in his chair, put up his hand. She opened the door wide, so that the room was lighter, and she saw him more clearly, with the muffler held up to his face just as she had seen him hold the serviette before. The shadows, she fancied, had tricked her. "Would you mind, sir, this man a-coming to look at the clock, sir?" she said, recovering from the momentary shock. "Look at the clock?" he said, staring round in a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to be mine for my own private use." "I thought, sir," said Mrs. Hall, "you d prefer the clock" "Certainly," said the stranger, "certainly but, as a rule, I like to be alone and undisturbed." "But I m really glad to have the clock seen to," he said, seeing a certain hesitation in Mr. Henfrey s manner. "Very glad." Mr. Henfrey had intended to apologise and withdraw, but this anticipation reassured him. The stranger turned round with his back to the fireplace and put his hands behind his back. "And presently," he said, "when the clock-mending is over, I think I should like to have some tea. But not till the clock-mending is over." Mrs. Hall was about to leave the room she made no conversational advances this time, because she did not want to be snubbed in front of Mr. Henfrey when her visitor asked her if she had made	courage to go in and ask her visitor if he would take some tea, Teddy Henfrey, the clock-jobber, came into the bar. "My sakes! Mrs. Hall," said he, "but this is terrible weather for thin boots!" The snow outside was falling faster. Mrs. Hall agreed, and then noticed he had his bag with him. "Now you re here, Mr. Teddy," said she, "I d be glad if you d give th old clock in the parlour a bit of a look. Tis going, and it strikes well and hearty; but the hour-hand won t do nuthin but point at six." And leading the way, she went across to the parlour door and rapped and entered. Her visitor, she saw as she opened the door, was seated in the armchair before the fire, dozing it would seem, with his bandaged head drooping on one side. The only light in the room was the red glow from the fire which lit his eyes like adverse railway signals, but left his downcast face in darkness and the scanty vestiges of the day that came in through the open door. Everything was ruddy, shadowy, and indistinct to her, the more so since she had just been lighting the bar lamp, and her eyes were dazzled. But for a second it seemed to her that the man she looked at had an enormous mouth wide open a vast and incredible mouth that swallowed the whole of the lower portion of his face. It was the sensation of a moment: the white-bound head, the monstrous goggle eyes, and this huge yawn below it. Then he stirred, started up in his chair, put up his hand. She opened the door wide, so that the room was lighter, and she saw him more clearly, with the muffler held up to his face just as she had seen him hold the serviette before. The shadows, she fancied, had tricked her. "Would you mind, sir, this man a-coming to look at the clock, sir?" she said, recovering from the momentary shock. "Look at the clock?" he said, staring round in a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to be mine for my own private use." "I thought, sir," said Mrs. Hall, "you d prefer the clock" "Certainly," said the stranger, "certainly but, as a rule, I like to be alone and undisturbed." "But I m really glad to have the clock seen to," he said, seeing a certain hesitation in Mr. Henfrey s manner. "Very glad." Mr. Henfrey had intended to apologise and withdraw, but this anticipation reassured him. The stranger turned round with his back to the fireplace and put his hands behind his back. "And presently," he said, "when the clock-mending is over, I think I should like to have some tea. But not till the clock-mending is over." Mrs. Hall was about to leave the room she made no conversational advances this time, because she did not want to be snubbed in front of Mr. Henfrey when her visitor asked her if she had made any arrangements about his boxes at Bramblehurst. She told him she had mentioned the matter to the postman, and that the carrier could bring them over on the morrow. "You are certain that is the earliest?" he said. She was certain, with a marked coldness. "I should explain," he added, "what I was really too cold and fatigued to do before, that I am an experimental investigator." "Indeed, sir," said Mrs. Hall, much impressed. "And my baggage contains apparatus and appliances." "Very useful things indeed they are, sir," said Mrs. Hall. "And I m very naturally anxious to get on with my inquiries." "Of course, sir." "My reason for coming to Iping," he proceeded, with a certain deliberation of manner, "was ... a desire for solitude. I do not wish to be disturbed in my work. In addition to my work, an accident" "I thought as much," said Mrs. Hall to herself. "necessitates a certain retirement. My eyes are sometimes so weak and painful that I have to shut myself up in the dark for hours together. Lock myself up. Sometimes now and then. Not at present, certainly. At such times the slightest disturbance, the entry of a stranger into	through his muffler, eyeing her quietly through his impenetrable glasses. "But they take long enough to get well, don t they? ... There was my sister s son, Tom, jest cut his arm with a scythe, tumbled on it in the ayfield, and, bless me! he was three months tied up sir. You d hardly believe it. It s regular given me a dread of a scythe, sir." "I can quite understand that," said the visitor. "He was afraid, one time, that he d have to have an op ration he was that bad, sir." The visitor laughed abruptly, a bark of a laugh that he seemed to bite and kill in his mouth. "_Was_ he?" he said. "He was, sir. And no laughing matter to them as had the doing for him, as I had my sister being took up with her little ones so much. There was bandages to do, sir, and bandages to undo. So that if I may make so bold as to say it, sir" "Will you get me some matches?" said the visitor, quite abruptly. "My pipe is out." Mrs. Hall was pulled up suddenly. It was certainly rude of him, after telling him all she had done. She gasped at him for a moment, and remembered the two sovereigns. She went for the matches. "Thanks," he said concisely, as she put them down, and turned his shoulder upon her and stared out of the window again. It was altogether too discouraging. Evidently he was sensitive on the topic of operations and bandages. She did not "make so bold as to say," however, after all. But his snubbing way had irritated her, and Millie had a hot time of it that afternoon. The visitor remained in the parlour until four o clock, without giving the ghost of an excuse for an intrusion. For the most part he was quite still during that time; it would seem he sat in the growing darkness smoking in the firelight perhaps dozing. Once or twice a curious listener might have heard him at the coals, and for the space of five minutes he was audible pacing the room. He seemed to be talking to himself. Then the armchair creaked as he sat down again. CHAPTER II. MR. TEDDY HENFREY S FIRST IMPRESSIONS At four o clock, when it was fairly dark and Mrs. Hall was screwing up her courage to go in and ask her visitor if he would take some tea, Teddy Henfrey, the clock-jobber, came into the bar. "My sakes! Mrs. Hall," said he, "but this is terrible weather for thin boots!" The snow outside was falling faster. Mrs. Hall agreed, and then noticed he had his bag with him. "Now you re here, Mr. Teddy," said she, "I d be glad if you d give th old clock in the parlour a bit of a look. Tis going, and it strikes well and hearty; but the hour-hand won t do nuthin but point at six." And leading the way, she went across to the parlour door and rapped and entered. Her visitor, she saw as she opened the door, was seated in the armchair before the fire, dozing it would seem, with his bandaged head drooping on one side. The only light in the room was the red glow from the fire which lit his eyes like adverse railway signals, but left his downcast face in darkness and the scanty vestiges of the day that came in through the open door. Everything was ruddy, shadowy, and indistinct to her, the more so since she had just been lighting the bar lamp, and her eyes were dazzled. But for a second it seemed to her that the man she looked at had an enormous mouth wide open a vast and incredible mouth that swallowed the whole of the lower portion of his face. It was the sensation of a moment: the white-bound head, the monstrous goggle eyes, and this huge yawn below it. Then he stirred, started up in his chair, put up his hand. She opened the door wide, so that the room was lighter, and she saw him more clearly, with the muffler held up to his face just as she had seen him hold the serviette before. The shadows, she fancied, had tricked her. "Would you mind, sir, this man a-coming to look at the clock, sir?" she said, recovering from the momentary shock. "Look at the clock?" he said, staring round in a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to be mine for my own private use." "I thought, sir," said Mrs. Hall, "you d prefer the clock" "Certainly," said the stranger, "certainly but, as a rule, I like to be alone and undisturbed." "But I m really glad to have the clock seen to," he said, seeing a certain hesitation in Mr. Henfrey s manner. "Very glad." Mr. Henfrey had intended to apologise and withdraw, but this anticipation reassured him. The stranger turned round with his back to the fireplace and put his hands behind his back. "And presently," he said, "when the clock-mending is over, I think I should like to have some tea. But not till the clock-mending is over." Mrs. Hall was about to leave the room she made no conversational advances this time, because she did not want to be snubbed in front of Mr. Henfrey when her visitor asked her if she had made any arrangements about his boxes at Bramblehurst. She told him she had mentioned the matter to the postman, and that the carrier could bring them over on the morrow. "You are certain that is the earliest?" he said. She was certain, with a marked coldness. "I should explain," he added, "what I was really too cold and fatigued to do before, that I am an experimental investigator." "Indeed, sir," said Mrs. Hall, much impressed. "And my baggage contains apparatus and appliances." "Very useful things indeed they are, sir," said Mrs. Hall. "And I m very naturally anxious to get on with my inquiries." "Of course, sir." "My reason for coming to Iping," he proceeded, with a certain deliberation of manner, "was ... a desire for solitude. I do not wish to be disturbed in my work. In addition to my work, an accident" "I thought as much," said Mrs. Hall to herself. "necessitates a certain retirement. My eyes are sometimes so weak and painful that I have to shut myself up in the dark for hours together. Lock myself up. Sometimes now and then. Not at present, certainly. At such times the slightest disturbance, the entry of a stranger into the room, is a source of excruciating annoyance to me it is well these things should be understood." "Certainly, sir," said Mrs. Hall. "And if I might make so bold as to ask" "That I think, is all," said the stranger, with that quietly irresistible air of finality he could assume at will. Mrs. Hall reserved her question and sympathy for a better occasion. After Mrs. Hall had left the room, he remained standing in front of the fire, glaring, so Mr. Henfrey puts it, at the clock-mending. Mr. Henfrey not only took off the hands of the clock, and the face, but extracted the works; and he tried to work in as slow and quiet and unassuming a manner as possible. He worked with the lamp close to him, and the green shade threw a brilliant light upon his hands, and upon the frame and wheels, and left the rest of the room shadowy. When he looked up, coloured patches swam in his eyes. Being constitutionally of a curious nature, he had removed the works a quite unnecessary proceeding with the idea of delaying his departure and perhaps falling into conversation with the stranger. But the stranger stood there, perfectly silent and still. So still, it got on Henfrey s nerves. He felt alone in the room and looked up, and there, grey and dim, was the bandaged head and huge blue lenses staring fixedly, with a mist of green spots drifting in front of them. It was so uncanny to Henfrey that for a minute they remained staring blankly at one another. Then Henfrey looked down again. Very uncomfortable position! One would like to say something. Should he remark that the weather was very cold for the time of year? He looked up as if to take aim with that introductory shot. "The weather" he began. "Why don t you finish and go?" said the rigid figure, evidently in a state of painfully suppressed rage. "All you ve got to do is to fix the hour-hand on its axle. You re simply humbugging" "Certainly, sir one minute more. I overlooked" and Mr. Henfrey finished and went. But he went feeling excessively annoyed. "Damn it!" said Mr. Henfrey to himself, trudging down the village through the thawing snow; "a man must do a clock at times, surely." And again, "Can t a man look at you? Ugly!" And yet	would seem he sat in the growing darkness smoking in the firelight perhaps dozing. Once or twice a curious listener might have heard him at the coals, and for the space of five minutes he was audible pacing the room. He seemed to be talking to himself. Then the armchair creaked as he sat down again. CHAPTER II. MR. TEDDY HENFREY S FIRST IMPRESSIONS At four o clock, when it was fairly dark and Mrs. Hall was screwing up her courage to go in and ask her visitor if he would take some tea, Teddy Henfrey, the clock-jobber, came into the bar. "My sakes! Mrs. Hall," said he, "but this is terrible weather for thin boots!" The snow outside was falling faster. Mrs. Hall agreed, and then noticed he had his bag with him. "Now you re here, Mr. Teddy," said she, "I d be glad if you d give th old clock in the parlour a bit of a look. Tis going, and it strikes well and hearty; but the hour-hand won t do nuthin but point at six." And leading the way, she went across to the parlour door and rapped and entered. Her visitor, she saw as she opened the door, was seated in the armchair before the fire, dozing it would seem, with his bandaged head drooping on one side. The only light in the room was the red glow from the fire which lit his eyes like adverse railway signals, but left his downcast face in darkness and the scanty vestiges of the day that came in through the open door. Everything was ruddy, shadowy, and indistinct to her, the more so since she had just been lighting the bar lamp, and her eyes were dazzled. But for a second it seemed to her that the man she looked at had an enormous mouth wide open a vast and incredible mouth that swallowed the whole of the lower portion of his face. It was the sensation of a moment: the white-bound head, the monstrous goggle eyes, and this huge yawn below it. Then he stirred, started up in his chair, put up his hand. She opened the door wide, so that the room was lighter, and she saw him more clearly, with the muffler held up to his face just as she had seen him hold the serviette before. The shadows, she fancied, had tricked her. "Would you mind, sir, this man a-coming to look at the clock, sir?" she said, recovering from the momentary shock. "Look at the clock?" he said, staring round in a drowsy manner, and speaking over his hand, and then, getting more fully awake, "certainly." Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, "taken aback."<\|quote\|>"Good afternoon,"</\|quote\|>said the stranger, regarding him as Mr. Henfrey says, with a vivid sense of the dark spectacles "like a lobster." "I hope," said Mr. Henfrey, "that it s no intrusion." "None whatever," said the stranger. "Though, I understand," he said turning to Mrs. Hall, "that this room is really to be mine for my own private use." "I thought, sir," said Mrs. Hall, "you d prefer the clock" "Certainly," said the stranger, "certainly but, as a rule, I like to be alone and undisturbed." "But I m really glad to have the clock seen to," he said, seeing a certain hesitation in Mr. Henfrey s manner. "Very glad." Mr. Henfrey had intended to apologise and withdraw, but this anticipation reassured him. The stranger turned round with his back to the fireplace and put his hands behind his back. "And presently," he said, "when the clock-mending is over, I think I should like to have some tea. But not till the clock-mending is over." Mrs. Hall was about to leave the room she made no conversational advances this time, because she did not want to be snubbed in front of Mr. Henfrey when her visitor asked her if she had made any arrangements about his boxes at Bramblehurst. She told him she had mentioned the matter to the postman, and that the carrier could bring them over on the morrow. "You are certain that is the earliest?" he said. She was certain, with a marked coldness. "I should explain," he added, "what I was really too cold and fatigued to do before, that I am an experimental investigator." "Indeed, sir," said Mrs. Hall, much impressed. "And my baggage contains apparatus and appliances." "Very useful things indeed they are, sir," said Mrs. Hall. "And I m very naturally anxious to get on with my inquiries." "Of course, sir." "My reason for coming to Iping," he proceeded, with a certain deliberation of manner, "was ... a desire for solitude. I do not wish to be disturbed in my work. In addition to my work, an accident" "I thought as much," said Mrs. Hall to herself. "necessitates a certain retirement. My eyes are sometimes so weak and painful that I have to shut myself up in the dark for hours together. Lock myself up. Sometimes now and then. Not at present, certainly. At such times the slightest disturbance, the entry of a stranger into the room, is a source of excruciating annoyance to me it is well these things should be understood." "Certainly, sir," said Mrs. Hall. "And if I might make so bold as to ask" "That I think, is all," said the stranger, with that quietly irresistible air of finality he could	The Invisible Man
murmured Dorian.	No speaker	we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really	"It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the	shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever	pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the	you, Duchess," laughed Dorian. "Oh! my maid does that already, Mr. Gray, when she is annoyed with me." "And what does she get annoyed with you about, Duchess?" "For the most trivial things, Mr. Gray, I assure you. Usually because I come in at ten minutes to nine and tell her that I must be dressed by half-past eight." "How unreasonable of her! You should give her warning." "I daren t, Mr. Gray. Why, she invents hats for me. You remember the one I wore at Lady Hilstone s garden-party? You don t, but it is nice of you to pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess	practical." "They are more cunning than practical. When they make up their ledger, they balance stupidity by wealth, and vice by hypocrisy." "Still, we have done great things." "Great things have been thrust on us, Gladys." "We have carried their burden." "Only as far as the Stock Exchange." She shook her head. "I believe in the race," she cried. "It represents the survival of the pushing." "It has development." "Decay fascinates me more." "What of art?" she asked. "It is a malady." "Love?" "An illusion." "Religion?" "The fashionable substitute for belief." "You are a sceptic." "Never! Scepticism is the beginning of faith." "What are you?" "To define is to limit." "Give me a clue." "Threads snap. You would lose your way in the labyrinth." "You bewilder me. Let us talk of some one else." "Our host is a delightful topic. Years ago he was christened Prince Charming." "Ah! don t remind me of that," cried Dorian Gray. "Our host is rather horrid this evening," answered the duchess, colouring. "I believe he thinks that Monmouth married me on purely scientific principles as the best specimen he could find of a modern butterfly." "Well, I hope he won t stick pins into you, Duchess," laughed Dorian. "Oh! my maid does that already, Mr. Gray, when she is annoyed with me." "And what does she get annoyed with you about, Duchess?" "For the most trivial things, Mr. Gray, I assure you. Usually because I come in at ten minutes to nine and tell her that I must be dressed by half-past eight." "How unreasonable of her! You should give her warning." "I daren t, Mr. Gray. Why, she invents hats for me. You remember the one I wore at Lady Hilstone s garden-party? You don t, but it is nice of you to pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess sighed. "I am searching for peace," she said, "and if I don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating." "If he were not, there would be no battle." "Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That a burnt child loves the fire." "I am not even singed. My wings are untouched." "You use them for everything, except flight." "Courage has passed from men to women. It is a new experience for us." "You have a rival." "Who?" He laughed. "Lady Narborough," he whispered. "She perfectly adores him." "You fill me with apprehension. The appeal to antiquity is fatal to us who are romanticists." "Romanticists! You have all the methods of science." "Men have educated us." "But	I asked one of the gardeners what it was called. He told me it was a fine specimen of _Robinsoniana_, or something dreadful of that kind. It is a sad truth, but we have lost the faculty of giving lovely names to things. Names are everything. I never quarrel with actions. My one quarrel is with words. That is the reason I hate vulgar realism in literature. The man who could call a spade a spade should be compelled to use one. It is the only thing he is fit for." "Then what should we call you, Harry?" she asked. "His name is Prince Paradox," said Dorian. "I recognize him in a flash," exclaimed the duchess. "I won t hear of it," laughed Lord Henry, sinking into a chair. "From a label there is no escape! I refuse the title." "Royalties may not abdicate," fell as a warning from pretty lips. "You wish me to defend my throne, then?" "Yes." "I give the truths of to-morrow." "I prefer the mistakes of to-day," she answered. "You disarm me, Gladys," he cried, catching the wilfulness of her mood. "Of your shield, Harry, not of your spear." "I never tilt against beauty," he said, with a wave of his hand. "That is your error, Harry, believe me. You value beauty far too much." "How can you say that? I admit that I think that it is better to be beautiful than to be good. But on the other hand, no one is more ready than I am to acknowledge that it is better to be good than to be ugly." "Ugliness is one of the seven deadly sins, then?" cried the duchess. "What becomes of your simile about the orchid?" "Ugliness is one of the seven deadly virtues, Gladys. You, as a good Tory, must not underrate them. Beer, the Bible, and the seven deadly virtues have made our England what she is." "You don t like your country, then?" she asked. "I live in it." "That you may censure it the better." "Would you have me take the verdict of Europe on it?" he inquired. "What do they say of us?" "That Tartuffe has emigrated to England and opened a shop." "Is that yours, Harry?" "I give it to you." "I could not use it. It is too true." "You need not be afraid. Our countrymen never recognize a description." "They are practical." "They are more cunning than practical. When they make up their ledger, they balance stupidity by wealth, and vice by hypocrisy." "Still, we have done great things." "Great things have been thrust on us, Gladys." "We have carried their burden." "Only as far as the Stock Exchange." She shook her head. "I believe in the race," she cried. "It represents the survival of the pushing." "It has development." "Decay fascinates me more." "What of art?" she asked. "It is a malady." "Love?" "An illusion." "Religion?" "The fashionable substitute for belief." "You are a sceptic." "Never! Scepticism is the beginning of faith." "What are you?" "To define is to limit." "Give me a clue." "Threads snap. You would lose your way in the labyrinth." "You bewilder me. Let us talk of some one else." "Our host is a delightful topic. Years ago he was christened Prince Charming." "Ah! don t remind me of that," cried Dorian Gray. "Our host is rather horrid this evening," answered the duchess, colouring. "I believe he thinks that Monmouth married me on purely scientific principles as the best specimen he could find of a modern butterfly." "Well, I hope he won t stick pins into you, Duchess," laughed Dorian. "Oh! my maid does that already, Mr. Gray, when she is annoyed with me." "And what does she get annoyed with you about, Duchess?" "For the most trivial things, Mr. Gray, I assure you. Usually because I come in at ten minutes to nine and tell her that I must be dressed by half-past eight." "How unreasonable of her! You should give her warning." "I daren t, Mr. Gray. Why, she invents hats for me. You remember the one I wore at Lady Hilstone s garden-party? You don t, but it is nice of you to pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess sighed. "I am searching for peace," she said, "and if I don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating." "If he were not, there would be no battle." "Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That a burnt child loves the fire." "I am not even singed. My wings are untouched." "You use them for everything, except flight." "Courage has passed from men to women. It is a new experience for us." "You have a rival." "Who?" He laughed. "Lady Narborough," he whispered. "She perfectly adores him." "You fill me with apprehension. The appeal to antiquity is fatal to us who are romanticists." "Romanticists! You have all the methods of science." "Men have educated us." "But not explained you." "Describe us as a sex," was her challenge. "Sphinxes without secrets." She looked at him, smiling. "How long Mr. Gray is!" she said. "Let us go and help him. I have not yet told him the colour of my frock." "Ah! you must suit your frock to his flowers, Gladys." "That would be a premature surrender." "Romantic art begins with its climax." "I must keep an opportunity for retreat." "In the Parthian manner?" "They found safety in the desert. I could not do that." "Women are not always allowed a choice," he answered, but hardly had he finished the sentence before from the far end of the conservatory came a stifled groan, followed by the dull sound of a heavy fall. Everybody started up. The duchess stood motionless in horror. And with fear in his eyes, Lord Henry rushed through the flapping palms to find Dorian Gray lying face downwards on the tiled floor in a deathlike swoon. He was carried at once into the blue drawing-room and laid upon one of the sofas. After a short time, he came to himself and looked round with a dazed expression. "What has happened?" he asked. "Oh! I remember. Am I safe here, Harry?" He began to tremble. "My dear Dorian," answered Lord Henry, "you merely fainted. That was all. You must have overtired yourself. You had better not come down to dinner. I will take your place." "No, I will come down," he said, struggling to his feet. "I would rather come down. I must not be alone." He went to his room and dressed. There was a wild recklessness of gaiety in his manner as he sat at table, but now and then a thrill of terror ran through him when he remembered that, pressed against the window of the conservatory, like a white handkerchief, he had seen the face of James Vane watching him. CHAPTER XVIII. The next day he did not leave the house, and, indeed, spent most of the time in his own room, sick with a wild terror of dying, and yet indifferent to life itself. The consciousness of being hunted, snared, tracked down, had begun to dominate him. If the tapestry did but tremble in the wind, he shook. The dead leaves that were blown against the leaded panes seemed to him like his own wasted resolutions and wild regrets. When he	the best specimen he could find of a modern butterfly." "Well, I hope he won t stick pins into you, Duchess," laughed Dorian. "Oh! my maid does that already, Mr. Gray, when she is annoyed with me." "And what does she get annoyed with you about, Duchess?" "For the most trivial things, Mr. Gray, I assure you. Usually because I come in at ten minutes to nine and tell her that I must be dressed by half-past eight." "How unreasonable of her! You should give her warning." "I daren t, Mr. Gray. Why, she invents hats for me. You remember the one I wore at Lady Hilstone s garden-party? You don t, but it is nice of you to pretend that you do. Well, she made it out of nothing. All good hats are made out of nothing." "Like all good reputations, Gladys," interrupted Lord Henry. "Every effect that one produces gives one an enemy. To be popular one must be a mediocrity." "Not with women," said the duchess, shaking her head; "and women rule the world. I assure you we can t bear mediocrities. We women, as some one says, love with our ears, just as you men love with your eyes, if you ever love at all." "It seems to me that we never do anything else,"<\|quote\|>murmured Dorian.</\|quote\|>"Ah! then, you never really love, Mr. Gray," answered the duchess with mock sadness. "My dear Gladys!" cried Lord Henry. "How can you say that? Romance lives by repetition, and repetition converts an appetite into an art. Besides, each time that one loves is the only time one has ever loved. Difference of object does not alter singleness of passion. It merely intensifies it. We can have in life but one great experience at best, and the secret of life is to reproduce that experience as often as possible." "Even when one has been wounded by it, Harry?" asked the duchess after a pause. "Especially when one has been wounded by it," answered Lord Henry. The duchess turned and looked at Dorian Gray with a curious expression in her eyes. "What do you say to that, Mr. Gray?" she inquired. Dorian hesitated for a moment. Then he threw his head back and laughed. "I always agree with Harry, Duchess." "Even when he is wrong?" "Harry is never wrong, Duchess." "And does his philosophy make you happy?" "I have never searched for happiness. Who wants happiness? I have searched for pleasure." "And found it, Mr. Gray?" "Often. Too often." The duchess sighed. "I am searching for peace," she said, "and if I don t go and dress, I shall have none this evening." "Let me get you some orchids, Duchess," cried Dorian, starting to his feet and walking down the conservatory. "You are flirting disgracefully with him," said Lord Henry to his cousin. "You had better take care. He is very fascinating." "If he were not, there would be no battle." "Greek meets Greek, then?" "I am on the side of the Trojans. They fought for a woman." "They were defeated." "There are worse things than capture," she answered. "You gallop with a loose rein." "Pace gives life," was the _riposte_. "I shall write it in my diary to-night." "What?" "That a burnt child loves the fire." "I am not even singed. My wings are untouched." "You use them for everything, except flight." "Courage has passed from men to women. It is a new experience for us." "You have a rival."	The Picture Of Dorian Gray
"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."	Mrs. Norris	it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very	manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence;	as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so	from finding herself without employment or utility amongst them, as without a companion in uneasiness; quite as far from having no demand on her leisure as on her compassion. The gloom of her first anticipations was proved to have been unfounded. She was occasionally useful to all; she was perhaps as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so am I still; and as soon as I am a little more at leisure, _I_ mean to look in at their rehearsals too. What is the play about, Fanny? you have never told me." "Oh! sister, pray do not ask her now; for Fanny is not one of those who	the others aspired at nothing beyond his remembering the catchword, and the first line of his speech, and being able to follow the prompter through the rest. Fanny, in her pity and kindheartedness, was at great pains to teach him how to learn, giving him all the helps and directions in her power, trying to make an artificial memory for him, and learning every word of his part herself, but without his being much the forwarder. Many uncomfortable, anxious, apprehensive feelings she certainly had; but with all these, and other claims on her time and attention, she was as far from finding herself without employment or utility amongst them, as without a companion in uneasiness; quite as far from having no demand on her leisure as on her compassion. The gloom of her first anticipations was proved to have been unfounded. She was occasionally useful to all; she was perhaps as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so am I still; and as soon as I am a little more at leisure, _I_ mean to look in at their rehearsals too. What is the play about, Fanny? you have never told me." "Oh! sister, pray do not ask her now; for Fanny is not one of those who can talk and work at the same time. It is about Lovers' Vows." "I believe," said Fanny to her aunt Bertram, "there will be three acts rehearsed to-morrow evening, and that will give you an opportunity of seeing all the actors at once." "You had better stay till the curtain is hung," interposed Mrs. Norris; "the curtain will be hung in a day or two there is very little sense in a play without a curtain and I am much mistaken if you do not find it draw up into very handsome festoons." Lady Bertram seemed quite resigned to waiting.	talent and taste than Mr. Yates. She did not like him as a man, but she must admit him to be the best actor, and on this point there were not many who differed from her. Mr. Yates, indeed, exclaimed against his tameness and insipidity; and the day came at last, when Mr. Rushworth turned to her with a black look, and said, "Do you think there is anything so very fine in all this? For the life and soul of me, I cannot admire him; and, between ourselves, to see such an undersized, little, mean-looking man, set up for a fine actor, is very ridiculous in my opinion." From this moment there was a return of his former jealousy, which Maria, from increasing hopes of Crawford, was at little pains to remove; and the chances of Mr. Rushworth's ever attaining to the knowledge of his two-and-forty speeches became much less. As to his ever making anything _tolerable_ of them, nobody had the smallest idea of that except his mother; _she_, indeed, regretted that his part was not more considerable, and deferred coming over to Mansfield till they were forward enough in their rehearsal to comprehend all his scenes; but the others aspired at nothing beyond his remembering the catchword, and the first line of his speech, and being able to follow the prompter through the rest. Fanny, in her pity and kindheartedness, was at great pains to teach him how to learn, giving him all the helps and directions in her power, trying to make an artificial memory for him, and learning every word of his part herself, but without his being much the forwarder. Many uncomfortable, anxious, apprehensive feelings she certainly had; but with all these, and other claims on her time and attention, she was as far from finding herself without employment or utility amongst them, as without a companion in uneasiness; quite as far from having no demand on her leisure as on her compassion. The gloom of her first anticipations was proved to have been unfounded. She was occasionally useful to all; she was perhaps as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so am I still; and as soon as I am a little more at leisure, _I_ mean to look in at their rehearsals too. What is the play about, Fanny? you have never told me." "Oh! sister, pray do not ask her now; for Fanny is not one of those who can talk and work at the same time. It is about Lovers' Vows." "I believe," said Fanny to her aunt Bertram, "there will be three acts rehearsed to-morrow evening, and that will give you an opportunity of seeing all the actors at once." "You had better stay till the curtain is hung," interposed Mrs. Norris; "the curtain will be hung in a day or two there is very little sense in a play without a curtain and I am much mistaken if you do not find it draw up into very handsome festoons." Lady Bertram seemed quite resigned to waiting. Fanny did not share her aunt's composure: she thought of the morrow a great deal, for if the three acts were rehearsed, Edmund and Miss Crawford would then be acting together for the first time; the third act would bring a scene between them which interested her most particularly, and which she was longing and dreading to see how they would perform. The whole subject of it was love a marriage of love was to be described by the gentleman, and very little short of a declaration of love be made by the lady. She had read and read the scene again with many painful, many wondering emotions, and looked forward to their representation of it as a circumstance almost too interesting. She did not _believe_ they had yet rehearsed it, even in private. The morrow came, the plan for the evening continued, and Fanny's consideration of it did not become less agitated. She worked very diligently under her aunt's directions, but her diligence and her silence concealed a very absent, anxious mind; and about noon she made her escape with her work to the East room, that she might have no concern in another, and, as she deemed it,	scene-painter's slow progress, and to feel the miseries of waiting. He had learned his part all his parts, for he took every trifling one that could be united with the Butler, and began to be impatient to be acting; and every day thus unemployed was tending to increase his sense of the insignificance of all his parts together, and make him more ready to regret that some other play had not been chosen. Fanny, being always a very courteous listener, and often the only listener at hand, came in for the complaints and the distresses of most of them. _She_ knew that Mr. Yates was in general thought to rant dreadfully; that Mr. Yates was disappointed in Henry Crawford; that Tom Bertram spoke so quick he would be unintelligible; that Mrs. Grant spoiled everything by laughing; that Edmund was behindhand with his part, and that it was misery to have anything to do with Mr. Rushworth, who was wanting a prompter through every speech. She knew, also, that poor Mr. Rushworth could seldom get anybody to rehearse with him: _his_ complaint came before her as well as the rest; and so decided to her eye was her cousin Maria's avoidance of him, and so needlessly often the rehearsal of the first scene between her and Mr. Crawford, that she had soon all the terror of other complaints from _him_. So far from being all satisfied and all enjoying, she found everybody requiring something they had not, and giving occasion of discontent to the others. Everybody had a part either too long or too short; nobody would attend as they ought; nobody would remember on which side they were to come in; nobody but the complainer would observe any directions. Fanny believed herself to derive as much innocent enjoyment from the play as any of them; Henry Crawford acted well, and it was a pleasure to _her_ to creep into the theatre, and attend the rehearsal of the first act, in spite of the feelings it excited in some speeches for Maria. Maria, she also thought, acted well, too well; and after the first rehearsal or two, Fanny began to be their only audience; and sometimes as prompter, sometimes as spectator, was often very useful. As far as she could judge, Mr. Crawford was considerably the best actor of all: he had more confidence than Edmund, more judgment than Tom, more talent and taste than Mr. Yates. She did not like him as a man, but she must admit him to be the best actor, and on this point there were not many who differed from her. Mr. Yates, indeed, exclaimed against his tameness and insipidity; and the day came at last, when Mr. Rushworth turned to her with a black look, and said, "Do you think there is anything so very fine in all this? For the life and soul of me, I cannot admire him; and, between ourselves, to see such an undersized, little, mean-looking man, set up for a fine actor, is very ridiculous in my opinion." From this moment there was a return of his former jealousy, which Maria, from increasing hopes of Crawford, was at little pains to remove; and the chances of Mr. Rushworth's ever attaining to the knowledge of his two-and-forty speeches became much less. As to his ever making anything _tolerable_ of them, nobody had the smallest idea of that except his mother; _she_, indeed, regretted that his part was not more considerable, and deferred coming over to Mansfield till they were forward enough in their rehearsal to comprehend all his scenes; but the others aspired at nothing beyond his remembering the catchword, and the first line of his speech, and being able to follow the prompter through the rest. Fanny, in her pity and kindheartedness, was at great pains to teach him how to learn, giving him all the helps and directions in her power, trying to make an artificial memory for him, and learning every word of his part herself, but without his being much the forwarder. Many uncomfortable, anxious, apprehensive feelings she certainly had; but with all these, and other claims on her time and attention, she was as far from finding herself without employment or utility amongst them, as without a companion in uneasiness; quite as far from having no demand on her leisure as on her compassion. The gloom of her first anticipations was proved to have been unfounded. She was occasionally useful to all; she was perhaps as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so am I still; and as soon as I am a little more at leisure, _I_ mean to look in at their rehearsals too. What is the play about, Fanny? you have never told me." "Oh! sister, pray do not ask her now; for Fanny is not one of those who can talk and work at the same time. It is about Lovers' Vows." "I believe," said Fanny to her aunt Bertram, "there will be three acts rehearsed to-morrow evening, and that will give you an opportunity of seeing all the actors at once." "You had better stay till the curtain is hung," interposed Mrs. Norris; "the curtain will be hung in a day or two there is very little sense in a play without a curtain and I am much mistaken if you do not find it draw up into very handsome festoons." Lady Bertram seemed quite resigned to waiting. Fanny did not share her aunt's composure: she thought of the morrow a great deal, for if the three acts were rehearsed, Edmund and Miss Crawford would then be acting together for the first time; the third act would bring a scene between them which interested her most particularly, and which she was longing and dreading to see how they would perform. The whole subject of it was love a marriage of love was to be described by the gentleman, and very little short of a declaration of love be made by the lady. She had read and read the scene again with many painful, many wondering emotions, and looked forward to their representation of it as a circumstance almost too interesting. She did not _believe_ they had yet rehearsed it, even in private. The morrow came, the plan for the evening continued, and Fanny's consideration of it did not become less agitated. She worked very diligently under her aunt's directions, but her diligence and her silence concealed a very absent, anxious mind; and about noon she made her escape with her work to the East room, that she might have no concern in another, and, as she deemed it, most unnecessary rehearsal of the first act, which Henry Crawford was just proposing, desirous at once of having her time to herself, and of avoiding the sight of Mr. Rushworth. A glimpse, as she passed through the hall, of the two ladies walking up from the Parsonage made no change in her wish of retreat, and she worked and meditated in the East room, undisturbed, for a quarter of an hour, when a gentle tap at the door was followed by the entrance of Miss Crawford. "Am I right? Yes; this is the East room. My dear Miss Price, I beg your pardon, but I have made my way to you on purpose to entreat your help." Fanny, quite surprised, endeavoured to shew herself mistress of the room by her civilities, and looked at the bright bars of her empty grate with concern. "Thank you; I am quite warm, very warm. Allow me to stay here a little while, and do have the goodness to hear me my third act. I have brought my book, and if you would but rehearse it with me, I should be _so_ obliged! I came here to-day intending to rehearse it with Edmund by ourselves against the evening, but he is not in the way; and if he _were_, I do not think I could go through it with _him_, till I have hardened myself a little; for really there is a speech or two. You will be so good, won't you?" Fanny was most civil in her assurances, though she could not give them in a very steady voice. "Have you ever happened to look at the part I mean?" continued Miss Crawford, opening her book. "Here it is. I did not think much of it at first but, upon my word. There, look at _that_ speech, and _that_, and _that_. How am I ever to look him in the face and say such things? Could you do it? But then he is your cousin, which makes all the difference. You must rehearse it with me, that I may fancy _you_ him, and get on by degrees. You _have_ a look of _his_ sometimes." "Have I? I will do my best with the greatest readiness; but I must _read_ the part, for I can say very little of it." "_None_ of it, I suppose. You are to have the book, of course. Now	As to his ever making anything _tolerable_ of them, nobody had the smallest idea of that except his mother; _she_, indeed, regretted that his part was not more considerable, and deferred coming over to Mansfield till they were forward enough in their rehearsal to comprehend all his scenes; but the others aspired at nothing beyond his remembering the catchword, and the first line of his speech, and being able to follow the prompter through the rest. Fanny, in her pity and kindheartedness, was at great pains to teach him how to learn, giving him all the helps and directions in her power, trying to make an artificial memory for him, and learning every word of his part herself, but without his being much the forwarder. Many uncomfortable, anxious, apprehensive feelings she certainly had; but with all these, and other claims on her time and attention, she was as far from finding herself without employment or utility amongst them, as without a companion in uneasiness; quite as far from having no demand on her leisure as on her compassion. The gloom of her first anticipations was proved to have been unfounded. She was occasionally useful to all; she was perhaps as much at peace as any. There was a great deal of needlework to be done, moreover, in which her help was wanted; and that Mrs. Norris thought her quite as well off as the rest, was evident by the manner in which she claimed it "Come, Fanny," she cried,<\|quote\|>"these are fine times for you, but you must not be always walking from one room to the other, and doing the lookings-on at your ease, in this way; I want you here. I have been slaving myself till I can hardly stand, to contrive Mr. Rushworth's cloak without sending for any more satin; and now I think you may give me your help in putting it together. There are but three seams; you may do them in a trice. It would be lucky for me if I had nothing but the executive part to do. _You_ are best off, I can tell you: but if nobody did more than _you_, we should not get on very fast."</\|quote\|>Fanny took the work very quietly, without attempting any defence; but her kinder aunt Bertram observed on her behalf "One cannot wonder, sister, that Fanny _should_ be delighted: it is all new to her, you know; you and I used to be very fond of a play ourselves, and so am I still; and as soon as I am a little more at leisure, _I_ mean to look in at their rehearsals too. What is the play about, Fanny? you have never told me." "Oh! sister, pray do not ask her now; for Fanny is not one of those who can talk and work at the same time. It is about Lovers' Vows." "I believe," said Fanny to her aunt Bertram, "there will be three acts rehearsed to-morrow evening, and that will give you an opportunity of seeing all the actors at once." "You had better stay till the curtain is hung," interposed Mrs. Norris; "the curtain will be hung in a day or two there is very little sense in a play without a curtain and I am much mistaken if you do not find it draw up into very handsome festoons." Lady Bertram seemed quite resigned to waiting. Fanny did not share her aunt's composure: she thought of the morrow a great deal, for if the three acts were rehearsed, Edmund and Miss Crawford would then be acting together for the first time; the third act would bring a scene between them which interested her most particularly, and which she was longing and dreading to see how they would perform. The whole subject of it was love a marriage of love was to be described by the gentleman, and very little short of a declaration of love be made by the lady. She had read and read the scene again with many painful, many wondering emotions, and looked forward to their representation of it as a circumstance almost too interesting. She did not _believe_ they had yet rehearsed it, even in private. The morrow came, the plan for the evening continued, and Fanny's consideration of it did not become less agitated. She worked very diligently under her aunt's directions, but her diligence and her silence concealed a very absent, anxious mind; and about noon she made her escape with her work to the East room, that she might have no concern in another, and, as she deemed it, most unnecessary rehearsal of the first act, which Henry Crawford was just proposing, desirous at once of having her time to herself, and of avoiding the sight of Mr. Rushworth. A glimpse, as she passed through the hall, of the two ladies	Mansfield Park
"I am sorry for it,"	Edmund	very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in	you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_	"I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the	you _will_ when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your _father's_ judgment, I am convinced." "We see things very differently," cried Maria. "I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the rest of the party." This picture of her consequence had some effect, for no one loved better to lead than Maria; and with far more good-humour she answered, "I am much obliged to you, Edmund; you mean very well, I am sure: but I still think you see things too	a pink satin cloak." Edmund could not answer him. In a few minutes Mr. Bertram was called out of the room to satisfy some doubts of the carpenter; and being accompanied by Mr. Yates, and followed soon afterwards by Mr. Rushworth, Edmund almost immediately took the opportunity of saying, "I cannot, before Mr. Yates, speak what I feel as to this play, without reflecting on his friends at Ecclesford; but I must now, my dear Maria, tell _you_, that I think it exceedingly unfit for private representation, and that I hope you will give it up. I cannot but suppose you _will_ when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your _father's_ judgment, I am convinced." "We see things very differently," cried Maria. "I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the rest of the party." This picture of her consequence had some effect, for no one loved better to lead than Maria; and with far more good-humour she answered, "I am much obliged to you, Edmund; you mean very well, I am sure: but I still think you see things too strongly; and I really cannot undertake to harangue all the rest upon a subject of this kind. _There_ would be the greatest indecorum, I think." "Do you imagine that I could have such an idea in my head? No; let your conduct be the only harangue. Say that, on examining the part, you feel yourself unequal to it; that you find it requiring more exertion and confidence than you can be supposed to have. Say this with firmness, and it will be quite enough. All who can distinguish will understand your motive. The play will be given up, and your	Mr. Yates. "After all our debatings and difficulties, we find there is nothing that will suit us altogether so well, nothing so unexceptionable, as Lovers' Vows. The wonder is that it should not have been thought of before. My stupidity was abominable, for here we have all the advantage of what I saw at Ecclesford; and it is so useful to have anything of a model! We have cast almost every part." "But what do you do for women?" said Edmund gravely, and looking at Maria. Maria blushed in spite of herself as she answered, "I take the part which Lady Ravenshaw was to have done, and" (with a bolder eye) "Miss Crawford is to be Amelia." "I should not have thought it the sort of play to be so easily filled up, with _us_," replied Edmund, turning away to the fire, where sat his mother, aunt, and Fanny, and seating himself with a look of great vexation. Mr. Rushworth followed him to say, "I come in three times, and have two-and-forty speeches. That's something, is not it? But I do not much like the idea of being so fine. I shall hardly know myself in a blue dress and a pink satin cloak." Edmund could not answer him. In a few minutes Mr. Bertram was called out of the room to satisfy some doubts of the carpenter; and being accompanied by Mr. Yates, and followed soon afterwards by Mr. Rushworth, Edmund almost immediately took the opportunity of saying, "I cannot, before Mr. Yates, speak what I feel as to this play, without reflecting on his friends at Ecclesford; but I must now, my dear Maria, tell _you_, that I think it exceedingly unfit for private representation, and that I hope you will give it up. I cannot but suppose you _will_ when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your _father's_ judgment, I am convinced." "We see things very differently," cried Maria. "I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the rest of the party." This picture of her consequence had some effect, for no one loved better to lead than Maria; and with far more good-humour she answered, "I am much obliged to you, Edmund; you mean very well, I am sure: but I still think you see things too strongly; and I really cannot undertake to harangue all the rest upon a subject of this kind. _There_ would be the greatest indecorum, I think." "Do you imagine that I could have such an idea in my head? No; let your conduct be the only harangue. Say that, on examining the part, you feel yourself unequal to it; that you find it requiring more exertion and confidence than you can be supposed to have. Say this with firmness, and it will be quite enough. All who can distinguish will understand your motive. The play will be given up, and your delicacy honoured as it ought." "Do not act anything improper, my dear," said Lady Bertram. "Sir Thomas would not like it. Fanny, ring the bell; I must have my dinner. To be sure, Julia is dressed by this time." "I am convinced, madam," said Edmund, preventing Fanny, "that Sir Thomas would not like it." "There, my dear, do you hear what Edmund says?" "If I were to decline the part," said Maria, with renewed zeal, "Julia would certainly take it." "What!" cried Edmund, "if she knew your reasons!" "Oh! she might think the difference between us the difference in our situations that _she_ need not be so scrupulous as _I_ might feel necessary. I am sure she would argue so. No; you must excuse me; I cannot retract my consent; it is too far settled, everybody would be so disappointed, Tom would be quite angry; and if we are so very nice, we shall never act anything." "I was just going to say the very same thing," said Mrs. Norris. "If every play is to be objected to, you will act nothing, and the preparations will be all so much money thrown away, and I am sure _that_ would be	would certainly make. CHAPTER XV Miss Crawford accepted the part very readily; and soon after Miss Bertram's return from the Parsonage, Mr. Rushworth arrived, and another character was consequently cast. He had the offer of Count Cassel and Anhalt, and at first did not know which to chuse, and wanted Miss Bertram to direct him; but upon being made to understand the different style of the characters, and which was which, and recollecting that he had once seen the play in London, and had thought Anhalt a very stupid fellow, he soon decided for the Count. Miss Bertram approved the decision, for the less he had to learn the better; and though she could not sympathise in his wish that the Count and Agatha might be to act together, nor wait very patiently while he was slowly turning over the leaves with the hope of still discovering such a scene, she very kindly took his part in hand, and curtailed every speech that admitted being shortened; besides pointing out the necessity of his being very much dressed, and chusing his colours. Mr. Rushworth liked the idea of his finery very well, though affecting to despise it; and was too much engaged with what his own appearance would be to think of the others, or draw any of those conclusions, or feel any of that displeasure which Maria had been half prepared for. Thus much was settled before Edmund, who had been out all the morning, knew anything of the matter; but when he entered the drawing-room before dinner, the buzz of discussion was high between Tom, Maria, and Mr. Yates; and Mr. Rushworth stepped forward with great alacrity to tell him the agreeable news. "We have got a play," said he. "It is to be Lovers' Vows; and I am to be Count Cassel, and am to come in first with a blue dress and a pink satin cloak, and afterwards am to have another fine fancy suit, by way of a shooting-dress. I do not know how I shall like it." Fanny's eyes followed Edmund, and her heart beat for him as she heard this speech, and saw his look, and felt what his sensations must be. "Lovers' Vows!" in a tone of the greatest amazement, was his only reply to Mr. Rushworth, and he turned towards his brother and sisters as if hardly doubting a contradiction. "Yes," cried Mr. Yates. "After all our debatings and difficulties, we find there is nothing that will suit us altogether so well, nothing so unexceptionable, as Lovers' Vows. The wonder is that it should not have been thought of before. My stupidity was abominable, for here we have all the advantage of what I saw at Ecclesford; and it is so useful to have anything of a model! We have cast almost every part." "But what do you do for women?" said Edmund gravely, and looking at Maria. Maria blushed in spite of herself as she answered, "I take the part which Lady Ravenshaw was to have done, and" (with a bolder eye) "Miss Crawford is to be Amelia." "I should not have thought it the sort of play to be so easily filled up, with _us_," replied Edmund, turning away to the fire, where sat his mother, aunt, and Fanny, and seating himself with a look of great vexation. Mr. Rushworth followed him to say, "I come in three times, and have two-and-forty speeches. That's something, is not it? But I do not much like the idea of being so fine. I shall hardly know myself in a blue dress and a pink satin cloak." Edmund could not answer him. In a few minutes Mr. Bertram was called out of the room to satisfy some doubts of the carpenter; and being accompanied by Mr. Yates, and followed soon afterwards by Mr. Rushworth, Edmund almost immediately took the opportunity of saying, "I cannot, before Mr. Yates, speak what I feel as to this play, without reflecting on his friends at Ecclesford; but I must now, my dear Maria, tell _you_, that I think it exceedingly unfit for private representation, and that I hope you will give it up. I cannot but suppose you _will_ when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your _father's_ judgment, I am convinced." "We see things very differently," cried Maria. "I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the rest of the party." This picture of her consequence had some effect, for no one loved better to lead than Maria; and with far more good-humour she answered, "I am much obliged to you, Edmund; you mean very well, I am sure: but I still think you see things too strongly; and I really cannot undertake to harangue all the rest upon a subject of this kind. _There_ would be the greatest indecorum, I think." "Do you imagine that I could have such an idea in my head? No; let your conduct be the only harangue. Say that, on examining the part, you feel yourself unequal to it; that you find it requiring more exertion and confidence than you can be supposed to have. Say this with firmness, and it will be quite enough. All who can distinguish will understand your motive. The play will be given up, and your delicacy honoured as it ought." "Do not act anything improper, my dear," said Lady Bertram. "Sir Thomas would not like it. Fanny, ring the bell; I must have my dinner. To be sure, Julia is dressed by this time." "I am convinced, madam," said Edmund, preventing Fanny, "that Sir Thomas would not like it." "There, my dear, do you hear what Edmund says?" "If I were to decline the part," said Maria, with renewed zeal, "Julia would certainly take it." "What!" cried Edmund, "if she knew your reasons!" "Oh! she might think the difference between us the difference in our situations that _she_ need not be so scrupulous as _I_ might feel necessary. I am sure she would argue so. No; you must excuse me; I cannot retract my consent; it is too far settled, everybody would be so disappointed, Tom would be quite angry; and if we are so very nice, we shall never act anything." "I was just going to say the very same thing," said Mrs. Norris. "If every play is to be objected to, you will act nothing, and the preparations will be all so much money thrown away, and I am sure _that_ would be a discredit to us all. I do not know the play; but, as Maria says, if there is anything a little too warm (and it is so with most of them) it can be easily left out. We must not be over-precise, Edmund. As Mr. Rushworth is to act too, there can be no harm. I only wish Tom had known his own mind when the carpenters began, for there was the loss of half a day's work about those side-doors. The curtain will be a good job, however. The maids do their work very well, and I think we shall be able to send back some dozens of the rings. There is no occasion to put them so very close together. I _am_ of some use, I hope, in preventing waste and making the most of things. There should always be one steady head to superintend so many young ones. I forgot to tell Tom of something that happened to me this very day. I had been looking about me in the poultry-yard, and was just coming out, when who should I see but Dick Jackson making up to the servants' hall-door with two bits of deal board in his hand, bringing them to father, you may be sure; mother had chanced to send him of a message to father, and then father had bid him bring up them two bits of board, for he could not no how do without them. I knew what all this meant, for the servants' dinner-bell was ringing at the very moment over our heads; and as I hate such encroaching people (the Jacksons are very encroaching, I have always said so: just the sort of people to get all they can), I said to the boy directly (a great lubberly fellow of ten years old, you know, who ought to be ashamed of himself), _I'll_ take the boards to your father, Dick, so get you home again as fast as you can.' The boy looked very silly, and turned away without offering a word, for I believe I might speak pretty sharp; and I dare say it will cure him of coming marauding about the house for one while. I hate such greediness so good as your father is to the family, employing the man all the year round!" Nobody was at the trouble of an answer; the others soon returned; and	stupidity was abominable, for here we have all the advantage of what I saw at Ecclesford; and it is so useful to have anything of a model! We have cast almost every part." "But what do you do for women?" said Edmund gravely, and looking at Maria. Maria blushed in spite of herself as she answered, "I take the part which Lady Ravenshaw was to have done, and" (with a bolder eye) "Miss Crawford is to be Amelia." "I should not have thought it the sort of play to be so easily filled up, with _us_," replied Edmund, turning away to the fire, where sat his mother, aunt, and Fanny, and seating himself with a look of great vexation. Mr. Rushworth followed him to say, "I come in three times, and have two-and-forty speeches. That's something, is not it? But I do not much like the idea of being so fine. I shall hardly know myself in a blue dress and a pink satin cloak." Edmund could not answer him. In a few minutes Mr. Bertram was called out of the room to satisfy some doubts of the carpenter; and being accompanied by Mr. Yates, and followed soon afterwards by Mr. Rushworth, Edmund almost immediately took the opportunity of saying, "I cannot, before Mr. Yates, speak what I feel as to this play, without reflecting on his friends at Ecclesford; but I must now, my dear Maria, tell _you_, that I think it exceedingly unfit for private representation, and that I hope you will give it up. I cannot but suppose you _will_ when you have read it carefully over. Read only the first act aloud to either your mother or aunt, and see how you can approve it. It will not be necessary to send you to your _father's_ judgment, I am convinced." "We see things very differently," cried Maria. "I am perfectly acquainted with the play, I assure you; and with a very few omissions, and so forth, which will be made, of course, I can see nothing objectionable in it; and _I_ am not the _only_ young woman you find who thinks it very fit for private representation."<\|quote\|>"I am sorry for it,"</\|quote\|>was his answer; "but in this matter it is _you_ who are to lead. _You_ must set the example. If others have blundered, it is your place to put them right, and shew them what true delicacy is. In all points of decorum _your_ conduct must be law to the rest of the party." This picture of her consequence had some effect, for no one loved better to lead than Maria; and with far more good-humour she answered, "I am much obliged to you, Edmund; you mean very well, I am sure: but I still think you see things too strongly; and I really cannot undertake to harangue all the rest upon a subject of this kind. _There_ would be the greatest indecorum, I think." "Do you imagine that I could have such an idea in my head? No; let your conduct be the only harangue. Say that, on examining the part, you feel yourself unequal to it; that you find it requiring more exertion and confidence than you can be supposed to have. Say this with firmness, and it will be quite enough. All who can distinguish will understand your motive. The play will be given up, and your delicacy honoured as it ought." "Do not act anything improper, my dear," said Lady Bertram. "Sir Thomas would not like it. Fanny, ring the bell; I must have my dinner. To be sure, Julia is dressed by this time." "I am convinced, madam," said Edmund, preventing Fanny, "that Sir Thomas would not like it." "There, my dear, do you hear what Edmund says?" "If I were to decline the part," said Maria, with renewed zeal, "Julia would certainly take it." "What!" cried Edmund, "if she knew your reasons!" "Oh! she might think the difference between us the difference in our situations that _she_ need not be so scrupulous as _I_ might feel necessary. I am sure she would argue so. No; you must excuse me; I cannot retract my consent; it is too far settled, everybody would be so disappointed, Tom would be quite angry; and if we are so very nice, we shall never act anything." "I was just going to say the very same thing," said Mrs. Norris. "If every play is to be objected to, you will act nothing, and the preparations will be all so much money thrown away, and I am sure _that_ would be a discredit to us all. I do not know the play; but, as Maria	Mansfield Park
"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."	Elinor	to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might.	make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven	honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission;	prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister. "A letter of proper submission!" repeated he; "would they have me beg my mother s pardon for Robert s ingratitude to _her_, and breach of honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour. "And	a line has been received from him on the occasion. Perhaps, however, he is kept silent by his fear of offending, and I shall, therefore, give him a hint, by a line to Oxford, that his sister and I both think a letter of proper submission from him, addressed perhaps to Fanny, and by her shown to her mother, might not be taken amiss; for we all know the tenderness of Mrs. Ferrars s heart, and that she wishes for nothing so much as to be on good terms with her children." This paragraph was of some importance to the prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister. "A letter of proper submission!" repeated he; "would they have me beg my mother s pardon for Robert s ingratitude to _her_, and breach of honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour. "And if they really _do_ interest themselves," said Marianne, in her new character of candour, "in bringing about a reconciliation, I shall think that even John and Fanny are not entirely without merit." After a visit on Colonel Brandon s side of only three or four days, the two gentlemen quitted Barton together. They were to go immediately to Delaford, that Edward might have some personal knowledge of his future home, and assist his patron and friend in deciding on what improvements were needed to it; and from thence, after staying there a couple of nights, he was to proceed on	send for him to Barton, and Miss Marianne must try to comfort him." Mr. Dashwood s strains were more solemn. Mrs. Ferrars was the most unfortunate of women poor Fanny had suffered agonies of sensibility and he considered the existence of each, under such a blow, with grateful wonder. Robert s offence was unpardonable, but Lucy s was infinitely worse. Neither of them were ever again to be mentioned to Mrs. Ferrars; and even, if she might hereafter be induced to forgive her son, his wife should never be acknowledged as her daughter, nor be permitted to appear in her presence. The secrecy with which everything had been carried on between them, was rationally treated as enormously heightening the crime, because, had any suspicion of it occurred to the others, proper measures would have been taken to prevent the marriage; and he called on Elinor to join with him in regretting that Lucy s engagement with Edward had not rather been fulfilled, than that she should thus be the means of spreading misery farther in the family. He thus continued: "Mrs. Ferrars has never yet mentioned Edward s name, which does not surprise us; but, to our great astonishment, not a line has been received from him on the occasion. Perhaps, however, he is kept silent by his fear of offending, and I shall, therefore, give him a hint, by a line to Oxford, that his sister and I both think a letter of proper submission from him, addressed perhaps to Fanny, and by her shown to her mother, might not be taken amiss; for we all know the tenderness of Mrs. Ferrars s heart, and that she wishes for nothing so much as to be on good terms with her children." This paragraph was of some importance to the prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister. "A letter of proper submission!" repeated he; "would they have me beg my mother s pardon for Robert s ingratitude to _her_, and breach of honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour. "And if they really _do_ interest themselves," said Marianne, in her new character of candour, "in bringing about a reconciliation, I shall think that even John and Fanny are not entirely without merit." After a visit on Colonel Brandon s side of only three or four days, the two gentlemen quitted Barton together. They were to go immediately to Delaford, that Edward might have some personal knowledge of his future home, and assist his patron and friend in deciding on what improvements were needed to it; and from thence, after staying there a couple of nights, he was to proceed on his journey to town. CHAPTER L. After a proper resistance on the part of Mrs. Ferrars, just so violent and so steady as to preserve her from that reproach which she always seemed fearful of incurring, the reproach of being too amiable, Edward was admitted to her presence, and pronounced to be again her son. Her family had of late been exceedingly fluctuating. For many years of her life she had had two sons; but the crime and annihilation of Edward a few weeks ago, had robbed her of one; the similar annihilation of Robert had left her for a fortnight without any; and now, by the resuscitation of Edward, she had one again. In spite of his being allowed once more to live, however, he did not feel the continuance of his existence secure, till he had revealed his present engagement; for the publication of that circumstance, he feared, might give a sudden turn to his constitution, and carry him off as rapidly as before. With apprehensive caution therefore it was revealed, and he was listened to with unexpected calmness. Mrs. Ferrars at first reasonably endeavoured to dissuade him from marrying Miss Dashwood, by every argument in her power;	what had passed; and the first hours of his visit were consequently spent in hearing and in wondering. Every thing was explained to him by Mrs. Dashwood, and he found fresh reason to rejoice in what he had done for Mr. Ferrars, since eventually it promoted the interest of Elinor. It would be needless to say, that the gentlemen advanced in the good opinion of each other, as they advanced in each other s acquaintance, for it could not be otherwise. Their resemblance in good principles and good sense, in disposition and manner of thinking, would probably have been sufficient to unite them in friendship, without any other attraction; but their being in love with two sisters, and two sisters fond of each other, made that mutual regard inevitable and immediate, which might otherwise have waited the effect of time and judgment. The letters from town, which a few days before would have made every nerve in Elinor s body thrill with transport, now arrived to be read with less emotion than mirth. Mrs. Jennings wrote to tell the wonderful tale, to vent her honest indignation against the jilting girl, and pour forth her compassion towards poor Mr. Edward, who, she was sure, had quite doted upon the worthless hussy, and was now, by all accounts, almost broken-hearted, at Oxford. "I do think," she continued, "nothing was ever carried on so sly; for it was but two days before Lucy called and sat a couple of hours with me. Not a soul suspected anything of the matter, not even Nancy, who, poor soul! came crying to me the day after, in a great fright for fear of Mrs. Ferrars, as well as not knowing how to get to Plymouth; for Lucy it seems borrowed all her money before she went off to be married, on purpose we suppose to make a show with, and poor Nancy had not seven shillings in the world; so I was very glad to give her five guineas to take her down to Exeter, where she thinks of staying three or four weeks with Mrs. Burgess, in hopes, as I tell her, to fall in with the Doctor again. And I must say that Lucy s crossness not to take them along with them in the chaise is worse than all. Poor Mr. Edward! I cannot get him out of my head, but you must send for him to Barton, and Miss Marianne must try to comfort him." Mr. Dashwood s strains were more solemn. Mrs. Ferrars was the most unfortunate of women poor Fanny had suffered agonies of sensibility and he considered the existence of each, under such a blow, with grateful wonder. Robert s offence was unpardonable, but Lucy s was infinitely worse. Neither of them were ever again to be mentioned to Mrs. Ferrars; and even, if she might hereafter be induced to forgive her son, his wife should never be acknowledged as her daughter, nor be permitted to appear in her presence. The secrecy with which everything had been carried on between them, was rationally treated as enormously heightening the crime, because, had any suspicion of it occurred to the others, proper measures would have been taken to prevent the marriage; and he called on Elinor to join with him in regretting that Lucy s engagement with Edward had not rather been fulfilled, than that she should thus be the means of spreading misery farther in the family. He thus continued: "Mrs. Ferrars has never yet mentioned Edward s name, which does not surprise us; but, to our great astonishment, not a line has been received from him on the occasion. Perhaps, however, he is kept silent by his fear of offending, and I shall, therefore, give him a hint, by a line to Oxford, that his sister and I both think a letter of proper submission from him, addressed perhaps to Fanny, and by her shown to her mother, might not be taken amiss; for we all know the tenderness of Mrs. Ferrars s heart, and that she wishes for nothing so much as to be on good terms with her children." This paragraph was of some importance to the prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister. "A letter of proper submission!" repeated he; "would they have me beg my mother s pardon for Robert s ingratitude to _her_, and breach of honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour. "And if they really _do_ interest themselves," said Marianne, in her new character of candour, "in bringing about a reconciliation, I shall think that even John and Fanny are not entirely without merit." After a visit on Colonel Brandon s side of only three or four days, the two gentlemen quitted Barton together. They were to go immediately to Delaford, that Edward might have some personal knowledge of his future home, and assist his patron and friend in deciding on what improvements were needed to it; and from thence, after staying there a couple of nights, he was to proceed on his journey to town. CHAPTER L. After a proper resistance on the part of Mrs. Ferrars, just so violent and so steady as to preserve her from that reproach which she always seemed fearful of incurring, the reproach of being too amiable, Edward was admitted to her presence, and pronounced to be again her son. Her family had of late been exceedingly fluctuating. For many years of her life she had had two sons; but the crime and annihilation of Edward a few weeks ago, had robbed her of one; the similar annihilation of Robert had left her for a fortnight without any; and now, by the resuscitation of Edward, she had one again. In spite of his being allowed once more to live, however, he did not feel the continuance of his existence secure, till he had revealed his present engagement; for the publication of that circumstance, he feared, might give a sudden turn to his constitution, and carry him off as rapidly as before. With apprehensive caution therefore it was revealed, and he was listened to with unexpected calmness. Mrs. Ferrars at first reasonably endeavoured to dissuade him from marrying Miss Dashwood, by every argument in her power; told him, that in Miss Morton he would have a woman of higher rank and larger fortune; and enforced the assertion, by observing that Miss Morton was the daughter of a nobleman with thirty thousand pounds, while Miss Dashwood was only the daughter of a private gentleman with no more than _three;_ but when she found that, though perfectly admitting the truth of her representation, he was by no means inclined to be guided by it, she judged it wisest, from the experience of the past, to submit and therefore, after such an ungracious delay as she owed to her own dignity, and as served to prevent every suspicion of good-will, she issued her decree of consent to the marriage of Edward and Elinor. What she would engage to do towards augmenting their income was next to be considered; and here it plainly appeared, that though Edward was now her only son, he was by no means her eldest; for while Robert was inevitably endowed with a thousand pounds a-year, not the smallest objection was made against Edward s taking orders for the sake of two hundred and fifty at the utmost; nor was anything promised either for the present or in future, beyond the ten thousand pounds, which had been given with Fanny. It was as much, however, as was desired, and more than was expected, by Edward and Elinor; and Mrs. Ferrars herself, by her shuffling excuses, seemed the only person surprised at her not giving more. With an income quite sufficient to their wants thus secured to them, they had nothing to wait for after Edward was in possession of the living, but the readiness of the house, to which Colonel Brandon, with an eager desire for the accommodation of Elinor, was making considerable improvements; and after waiting some time for their completion, after experiencing, as usual, a thousand disappointments and delays from the unaccountable dilatoriness of the workmen, Elinor, as usual, broke through the first positive resolution of not marrying till every thing was ready, and the ceremony took place in Barton church early in the autumn. The first month after their marriage was spent with their friend at the Mansion-house; from whence they could superintend the progress of the Parsonage, and direct every thing as they liked on the spot; could chuse papers, project shrubberies, and invent a sweep. Mrs. Jennings s prophecies, though rather	might hereafter be induced to forgive her son, his wife should never be acknowledged as her daughter, nor be permitted to appear in her presence. The secrecy with which everything had been carried on between them, was rationally treated as enormously heightening the crime, because, had any suspicion of it occurred to the others, proper measures would have been taken to prevent the marriage; and he called on Elinor to join with him in regretting that Lucy s engagement with Edward had not rather been fulfilled, than that she should thus be the means of spreading misery farther in the family. He thus continued: "Mrs. Ferrars has never yet mentioned Edward s name, which does not surprise us; but, to our great astonishment, not a line has been received from him on the occasion. Perhaps, however, he is kept silent by his fear of offending, and I shall, therefore, give him a hint, by a line to Oxford, that his sister and I both think a letter of proper submission from him, addressed perhaps to Fanny, and by her shown to her mother, might not be taken amiss; for we all know the tenderness of Mrs. Ferrars s heart, and that she wishes for nothing so much as to be on good terms with her children." This paragraph was of some importance to the prospects and conduct of Edward. It determined him to attempt a reconciliation, though not exactly in the manner pointed out by their brother and sister. "A letter of proper submission!" repeated he; "would they have me beg my mother s pardon for Robert s ingratitude to _her_, and breach of honour to _me?_ I can make no submission. I am grown neither humble nor penitent by what has passed. I am grown very happy; but that would not interest. I know of no submission that _is_ proper for me to make." "You may certainly ask to be forgiven," said Elinor,<\|quote\|>"because you have offended; and I should think you might _now_ venture so far as to profess some concern for having ever formed the engagement which drew on you your mother s anger."</\|quote\|>He agreed that he might. "And when she has forgiven you, perhaps a little humility may be convenient while acknowledging a second engagement, almost as imprudent in _her_ eyes as the first." He had nothing to urge against it, but still resisted the idea of a letter of proper submission; and therefore, to make it easier to him, as he declared a much greater willingness to make mean concessions by word of mouth than on paper, it was resolved that, instead of writing to Fanny, he should go to London, and personally intreat her good offices in his favour. "And if they really _do_ interest themselves," said Marianne, in her new character of candour, "in bringing about a reconciliation, I shall think that even John and Fanny are not entirely without merit." After a visit on Colonel Brandon s side of only three or four days, the two gentlemen quitted Barton together. They were to go immediately to Delaford, that Edward might have some personal knowledge of his future home, and assist his patron and friend in deciding on what improvements were needed to it; and from thence, after staying there a couple of nights, he was to proceed on his journey to town. CHAPTER L. After a proper resistance on the part of Mrs. Ferrars, just so violent and so steady as to preserve her from that reproach which she always seemed fearful of incurring, the reproach of being too amiable, Edward was admitted to her presence, and pronounced to be again her son. Her family had of late been exceedingly fluctuating. For many years of her life she had had two sons; but the crime and annihilation of Edward a few weeks ago, had robbed her of one; the similar annihilation of Robert had left her for a fortnight without any; and now, by the resuscitation of Edward, she had one again. In spite of his being allowed once more to live, however, he did not feel the continuance of his existence secure, till he had revealed his present engagement; for the publication of that circumstance, he feared, might give a sudden turn to his constitution, and carry him off as rapidly as before. With apprehensive caution therefore it was revealed, and he was listened to with unexpected calmness. Mrs. Ferrars at first reasonably endeavoured to dissuade him from marrying Miss Dashwood, by every argument in her power; told him, that in Miss Morton he would have a woman of higher rank and larger fortune; and enforced the assertion, by observing that Miss Morton was the daughter of a nobleman with thirty thousand pounds,	Sense And Sensibility
"Undoubtedly,"	Margaret	come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably	clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and	they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as	I saw playing in the stacks last week?" The child hung his head. "Well, run away and do it again." "Nice little boy," whispered Helen. "I say, what s your name? Mine s Helen." "Tom." That was Helen all over. The Wilcoxes, too, would ask a child its name, but they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as she sipped the milk. "But you said that the house was dead not half an hour ago." "Meaning that I was dead. I felt it." "Yes, the house has a surer life than we, even if it was empty, and, as it is, I can t get over that for	send you?" said Margaret, rather sharply. "Yes, please." "Then take it back and say we require no milk." While she called to Helen, "No, it s not the siege, but possibly an attempt to provision us against one." "But I like milk," cried Helen. "Why send it away?" "Do you? Oh, very well. But we ve nothing to put it in, and he wants the can." "Please, I m to call in the morning for the can," said the boy. "The house will be locked up then." "In the morning would I bring eggs too?" "Are you the boy whom I saw playing in the stacks last week?" The child hung his head. "Well, run away and do it again." "Nice little boy," whispered Helen. "I say, what s your name? Mine s Helen." "Tom." That was Helen all over. The Wilcoxes, too, would ask a child its name, but they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as she sipped the milk. "But you said that the house was dead not half an hour ago." "Meaning that I was dead. I felt it." "Yes, the house has a surer life than we, even if it was empty, and, as it is, I can t get over that for thirty years the sun has never shone full on our furniture. After all, Wickham Place was a grave. Meg, I ve a startling idea." "What is it?" "Drink some milk to steady you." Margaret obeyed. "No, I won t tell you yet," said Helen, "because you may laugh or be angry. Let s go upstairs first and give the rooms an airing." They opened window after window, till the inside, too, was rustling to the spring. Curtains blew, picture frames tapped cheerfully. Helen uttered cries of excitement as she found this bed obviously in its right place, that in its	wild." "Tibby is moderately a dear now," said Helen. "There! I knew you d say that in the end. Of course he s a dear." A bell rang. "Listen! what s that?" Helen said, "Perhaps the Wilcoxes are beginning the siege." "What nonsense--listen!" And the triviality faded from their faces, though it left something behind--the knowledge that they never could be parted because their love was rooted in common things. Explanations and appeals had failed; they had tried for a common meeting-ground, and had only made each other unhappy. And all the time their salvation was lying round them--the past sanctifying the present; the present, with wild heart-throb, declaring that there would after all be a future with laughter and the voices of children. Helen, still smiling, came up to her sister. She said, "It is always Meg." They looked into each other s eyes. The inner life had paid. Solemnly the clapper tolled. No one was in the front. Margaret went to the kitchen, and struggled between packing-cases to the window. Their visitor was only a little boy with a tin can. And triviality returned. "Little boy, what do you want?" "Please, I am the milk." "Did Miss Avery send you?" said Margaret, rather sharply. "Yes, please." "Then take it back and say we require no milk." While she called to Helen, "No, it s not the siege, but possibly an attempt to provision us against one." "But I like milk," cried Helen. "Why send it away?" "Do you? Oh, very well. But we ve nothing to put it in, and he wants the can." "Please, I m to call in the morning for the can," said the boy. "The house will be locked up then." "In the morning would I bring eggs too?" "Are you the boy whom I saw playing in the stacks last week?" The child hung his head. "Well, run away and do it again." "Nice little boy," whispered Helen. "I say, what s your name? Mine s Helen." "Tom." That was Helen all over. The Wilcoxes, too, would ask a child its name, but they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as she sipped the milk. "But you said that the house was dead not half an hour ago." "Meaning that I was dead. I felt it." "Yes, the house has a surer life than we, even if it was empty, and, as it is, I can t get over that for thirty years the sun has never shone full on our furniture. After all, Wickham Place was a grave. Meg, I ve a startling idea." "What is it?" "Drink some milk to steady you." Margaret obeyed. "No, I won t tell you yet," said Helen, "because you may laugh or be angry. Let s go upstairs first and give the rooms an airing." They opened window after window, till the inside, too, was rustling to the spring. Curtains blew, picture frames tapped cheerfully. Helen uttered cries of excitement as she found this bed obviously in its right place, that in its wrong one. She was angry with Miss Avery for not having moved the wardrobes up. "Then one would see really." She admired the view. She was the Helen who had written the memorable letters four years ago. As they leant out, looking westward, she said: "About my idea. Couldn t you and I camp out in this house for the night?" "I don t think we could well do that," said Margaret. "Here are beds, tables, towels--" "I know; but the house isn t supposed to be slept in, and Henry s suggestion was--" "I require no suggestions. I shall not alter anything in my plans. But it would give me so much pleasure to have one night here with you. It will be something to look back on. Oh, Meg lovey, do let s!" "But, Helen, my pet," said Margaret, "we can t without getting Henry s leave. Of course, he would give it, but you said yourself that you couldn t visit at Ducie Street now, and this is equally intimate." "Ducie Street is his house. This is ours. Our furniture, our sort of people coming to the door. Do let us camp out, just one night, and	that we had it in London, but this floor ought to be bare. It is far too beautiful." "You still have a mania for under-furnishing. Would you care to come into the dining-room before you start? There s no carpet there." They went in, and each minute their talk became more natural. "Oh, WHAT a place for mother s chiffonier!" cried Helen. "Look at the chairs, though." "Oh, look at them! Wickham Place faced north, didn t it?" "North-west." "Anyhow, it is thirty years since any of those chairs have felt the sun. Feel. Their dear little backs are quite warm." "But why has Miss Avery made them set to partners? I shall just--" "Over here, Meg. Put it so that any one sitting will see the lawn." Margaret moved a chair. Helen sat down in it. "Ye--es. The window s too high." "Try a drawing-room chair." "No, I don t like the drawing-room so much. The beam has been match-boarded. It would have been so beautiful otherwise." "Helen, what a memory you have for some things! You re perfectly right. It s a room that men have spoilt through trying to make it nice for women. Men don t know what we want--" "And never will." "I don t agree. In two thousand years they ll know. Look where Tibby spilt the soup." "Coffee. It was coffee surely." Helen shook her head. "Impossible. Tibby was far too young to be given coffee at that time." "Was father alive?" "Yes." "Then you re right and it must have been soup. I was thinking of much later--that unsuccessful visit of Aunt Juley s, when she didn t realise that Tibby had grown up. It was coffee then, for he threw it down on purpose. There was some rhyme, Tea, coffee--coffee tea, that she said to him every morning at breakfast. Wait a minute--how did it go?" "I know--no, I don t. What a detestable boy Tibby was!" "But the rhyme was simply awful. No decent person could put up with it." "Ah, that greengage-tree," cried Helen, as if the garden was also part of their childhood. "Why do I connect it with dumb-bells? And there come the chickens. The grass wants cutting. I love yellow-hammers." Margaret interrupted her. "I have got it," she announced. " Tea, tea, coffee, tea, Or chocolaritee.'" "That every morning for three weeks. No wonder Tibby was wild." "Tibby is moderately a dear now," said Helen. "There! I knew you d say that in the end. Of course he s a dear." A bell rang. "Listen! what s that?" Helen said, "Perhaps the Wilcoxes are beginning the siege." "What nonsense--listen!" And the triviality faded from their faces, though it left something behind--the knowledge that they never could be parted because their love was rooted in common things. Explanations and appeals had failed; they had tried for a common meeting-ground, and had only made each other unhappy. And all the time their salvation was lying round them--the past sanctifying the present; the present, with wild heart-throb, declaring that there would after all be a future with laughter and the voices of children. Helen, still smiling, came up to her sister. She said, "It is always Meg." They looked into each other s eyes. The inner life had paid. Solemnly the clapper tolled. No one was in the front. Margaret went to the kitchen, and struggled between packing-cases to the window. Their visitor was only a little boy with a tin can. And triviality returned. "Little boy, what do you want?" "Please, I am the milk." "Did Miss Avery send you?" said Margaret, rather sharply. "Yes, please." "Then take it back and say we require no milk." While she called to Helen, "No, it s not the siege, but possibly an attempt to provision us against one." "But I like milk," cried Helen. "Why send it away?" "Do you? Oh, very well. But we ve nothing to put it in, and he wants the can." "Please, I m to call in the morning for the can," said the boy. "The house will be locked up then." "In the morning would I bring eggs too?" "Are you the boy whom I saw playing in the stacks last week?" The child hung his head. "Well, run away and do it again." "Nice little boy," whispered Helen. "I say, what s your name? Mine s Helen." "Tom." That was Helen all over. The Wilcoxes, too, would ask a child its name, but they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as she sipped the milk. "But you said that the house was dead not half an hour ago." "Meaning that I was dead. I felt it." "Yes, the house has a surer life than we, even if it was empty, and, as it is, I can t get over that for thirty years the sun has never shone full on our furniture. After all, Wickham Place was a grave. Meg, I ve a startling idea." "What is it?" "Drink some milk to steady you." Margaret obeyed. "No, I won t tell you yet," said Helen, "because you may laugh or be angry. Let s go upstairs first and give the rooms an airing." They opened window after window, till the inside, too, was rustling to the spring. Curtains blew, picture frames tapped cheerfully. Helen uttered cries of excitement as she found this bed obviously in its right place, that in its wrong one. She was angry with Miss Avery for not having moved the wardrobes up. "Then one would see really." She admired the view. She was the Helen who had written the memorable letters four years ago. As they leant out, looking westward, she said: "About my idea. Couldn t you and I camp out in this house for the night?" "I don t think we could well do that," said Margaret. "Here are beds, tables, towels--" "I know; but the house isn t supposed to be slept in, and Henry s suggestion was--" "I require no suggestions. I shall not alter anything in my plans. But it would give me so much pleasure to have one night here with you. It will be something to look back on. Oh, Meg lovey, do let s!" "But, Helen, my pet," said Margaret, "we can t without getting Henry s leave. Of course, he would give it, but you said yourself that you couldn t visit at Ducie Street now, and this is equally intimate." "Ducie Street is his house. This is ours. Our furniture, our sort of people coming to the door. Do let us camp out, just one night, and Tom shall feed us on eggs and milk. Why not? It s a moon." Margaret hesitated. "I feel Charles wouldn t like it," she said at last. "Even our furniture annoyed him, and I was going to clear it out when Aunt Juley s illness prevented me. I sympathise with Charles. He feels it s his mother s house. He loves it in rather an untaking way. Henry I could answer for--not Charles." "I know he won t like it," said Helen. "But I am going to pass out of their lives. What difference will it make in the long run if they say, And she even spent the night at Howards End ?" "How do you know you ll pass out of their lives? We have thought that twice before." "Because my plans--" "--which you change in a moment." "Then because my life is great and theirs are little," said Helen, taking fire. "I know of things they can t know of, and so do you. We know that there s poetry. We know that there s death. They can only take them on hearsay. We know this is our house, because it feels ours. Oh, they may take the title-deeds and the door-keys, but for this one night we are at home." "It would be lovely to have you once more alone," said Margaret. "It may be a chance in a thousand." "Yes, and we could talk." She dropped her voice. "It won t be a very glorious story. But under that wych-elm--honestly, I see little happiness ahead. Cannot I have this one night with you?" "I needn t say how much it would mean to me." "Then let us." "It is no good hesitating. Shall I drive down to Hilton now and get leave?" "Oh, we don t want leave." But Margaret was a loyal wife. In spite of imagination and poetry--perhaps on account of them--she could sympathise with the technical attitude that Henry would adopt. If possible, she would be technical, too. A night s lodging--and they demanded no more--need not involve the discussion of general principles. "Charles may say no," grumbled Helen. "We shan t consult him." "Go if you like; I should have stopped without leave." It was the touch of selfishness, which was not enough to mar Helen s character, and even added to its beauty. She would have stopped without leave and	Wilcoxes are beginning the siege." "What nonsense--listen!" And the triviality faded from their faces, though it left something behind--the knowledge that they never could be parted because their love was rooted in common things. Explanations and appeals had failed; they had tried for a common meeting-ground, and had only made each other unhappy. And all the time their salvation was lying round them--the past sanctifying the present; the present, with wild heart-throb, declaring that there would after all be a future with laughter and the voices of children. Helen, still smiling, came up to her sister. She said, "It is always Meg." They looked into each other s eyes. The inner life had paid. Solemnly the clapper tolled. No one was in the front. Margaret went to the kitchen, and struggled between packing-cases to the window. Their visitor was only a little boy with a tin can. And triviality returned. "Little boy, what do you want?" "Please, I am the milk." "Did Miss Avery send you?" said Margaret, rather sharply. "Yes, please." "Then take it back and say we require no milk." While she called to Helen, "No, it s not the siege, but possibly an attempt to provision us against one." "But I like milk," cried Helen. "Why send it away?" "Do you? Oh, very well. But we ve nothing to put it in, and he wants the can." "Please, I m to call in the morning for the can," said the boy. "The house will be locked up then." "In the morning would I bring eggs too?" "Are you the boy whom I saw playing in the stacks last week?" The child hung his head. "Well, run away and do it again." "Nice little boy," whispered Helen. "I say, what s your name? Mine s Helen." "Tom." That was Helen all over. The Wilcoxes, too, would ask a child its name, but they never told their names in return. "Tom, this one here is Margaret. And at home we ve another called Tibby." "Mine are lop-eareds," replied Tom, supposing Tibby to be a rabbit. "You re a very good and rather a clever little boy. Mind you come again.--Isn t he charming?"<\|quote\|>"Undoubtedly,"</\|quote\|>said Margaret. "He is probably the son of Madge, and Madge is dreadful. But this place has wonderful powers." "What do you mean?" "I don t know." "Because I probably agree with you." "It kills what is dreadful and makes what is beautiful live." "I do agree," said Helen, as she sipped the milk. "But you said that the house was dead not half an hour ago." "Meaning that I was dead. I felt it." "Yes, the house has a surer life than we, even if it was empty, and, as it is, I can t get over that for thirty years the sun has never shone full on our furniture. After all, Wickham Place was a grave. Meg, I ve a startling idea." "What is it?" "Drink some milk to steady you." Margaret obeyed. "No, I won t tell you yet," said Helen, "because you may laugh or be angry. Let s go upstairs first and give the rooms an airing." They opened window after window, till the inside, too, was rustling to the spring. Curtains blew, picture frames tapped cheerfully. Helen uttered cries of excitement as she found this bed obviously in its right place, that in its wrong one. She was angry with Miss Avery for not having moved the wardrobes up. "Then one would see really." She admired the view.	Howards End
"Nussu will bring you out some suitable dinner upon a bicycle,"	The Nawab Badahur	me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who	and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity.	the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did	Nawab Bahadur. "Then hop in: I've no notion who you are." "Heh no, what about my dinner? I can't be left alone all the night." Trying to look and feel like a European, the chauffeur interposed aggressively. He still wore a topi, despite the darkness, and his face, to which the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did not know to whom he belonged. For a little he was vexed by opposite currents in his blood, then they blended, and he belonged to no one but himself. But Miss Derek was in tearing spirits. She had succeeded in stealing the Mudkul car. Her Maharajah would be awfully sick,	inside. "Mr. Heaslop, Miss Quested, what are you holding up an innocent female for?" "We've had a breakdown." "But how putrid!" "We ran into a hyena!" "How absolutely rotten!" "Can you give us a lift?" "Yes, indeed." "Take me too," said the Nawab Bahadur. "Heh, what about me?" cried Mr. Harris. "Now what's all this? I'm not an omnibus," said Miss Derek with decision. "I've a harmonium and two dogs in here with me as it is. I'll take three of you if one'll sit in front and nurse a pug. No more." "I will sit in front," said the Nawab Bahadur. "Then hop in: I've no notion who you are." "Heh no, what about my dinner? I can't be left alone all the night." Trying to look and feel like a European, the chauffeur interposed aggressively. He still wore a topi, despite the darkness, and his face, to which the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did not know to whom he belonged. For a little he was vexed by opposite currents in his blood, then they blended, and he belonged to no one but himself. But Miss Derek was in tearing spirits. She had succeeded in stealing the Mudkul car. Her Maharajah would be awfully sick, but she didn't mind, he could sack her if he liked. "I don't believe in these people letting you down," she said. "If I didn't snatch like the devil, I should be nowhere. He doesn't want the car, silly fool! Surely it's to the credit of his State I should be seen about in it at Chandrapore during my leave. He ought to look at it that way. Anyhow he's got to look at it that way. My Maharani's different my Maharani's a dear. That's her fox terrier, poor little devil. I fished them out both with the driver. Imagine	nullahs and headlights dazzle them. "Excellent, a hyena," said the Indian with an angry irony and a gesture at the night. "Mr. Harris!" "Half a mo-ment. Give me ten minutes' time." "Sahib says hyena." "Don't worry Mr. Harris. He saved us from a nasty smash. Harris, well done!" "A smash, sahib, that would not have taken place had he obeyed and taken us Gangavati side, instead of Marabar." "My fault that. I told him to come this way because the road's better. Mr. Lesley has made it pukka right up to the hills." "Ah, now I begin to understand." Seeming to pull himself together, he apologized slowly and elaborately for the accident. Ronny murmured, "Not at all," but apologies were his due, and should have started sooner: because English people are so calm at a crisis, it is not to be assumed that they are unimportant. The Nawab Bahadur had not come out very well. At that moment a large car approached from the opposite direction. Ronny advanced a few steps down the road, and with authority in his voice and gesture stopped it. It bore the inscription "Mudkul State" across its bonnet. All friskiness and friendliness, Miss Derek sat inside. "Mr. Heaslop, Miss Quested, what are you holding up an innocent female for?" "We've had a breakdown." "But how putrid!" "We ran into a hyena!" "How absolutely rotten!" "Can you give us a lift?" "Yes, indeed." "Take me too," said the Nawab Bahadur. "Heh, what about me?" cried Mr. Harris. "Now what's all this? I'm not an omnibus," said Miss Derek with decision. "I've a harmonium and two dogs in here with me as it is. I'll take three of you if one'll sit in front and nurse a pug. No more." "I will sit in front," said the Nawab Bahadur. "Then hop in: I've no notion who you are." "Heh no, what about my dinner? I can't be left alone all the night." Trying to look and feel like a European, the chauffeur interposed aggressively. He still wore a topi, despite the darkness, and his face, to which the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did not know to whom he belonged. For a little he was vexed by opposite currents in his blood, then they blended, and he belonged to no one but himself. But Miss Derek was in tearing spirits. She had succeeded in stealing the Mudkul car. Her Maharajah would be awfully sick, but she didn't mind, he could sack her if he liked. "I don't believe in these people letting you down," she said. "If I didn't snatch like the devil, I should be nowhere. He doesn't want the car, silly fool! Surely it's to the credit of his State I should be seen about in it at Chandrapore during my leave. He ought to look at it that way. Anyhow he's got to look at it that way. My Maharani's different my Maharani's a dear. That's her fox terrier, poor little devil. I fished them out both with the driver. Imagine taking dogs to a Chiefs' Conference! As sensible as taking Chiefs, perhaps." She shrieked with laughter. "The harmonium the harmonium's my little mistake, I own. They rather had me over the harmonium. I meant it to stop on the train. Oh lor'!" Ronny laughed with restraint. He did not approve of English people taking service under the Native States, where they obtain a certain amount of influence, but at the expense of the general prestige. The humorous triumphs of a free lance are of no assistance to an administrator, and he told the young lady that she would outdo Indians at their own game if she went on much longer. "They always sack me before that happens, and then I get another job. The whole of India seethes with Maharanis and Ranis and Begums who clamour for such as me." "Really. I had no idea." "How could you have any idea, Mr. Heaslop? What should he know about Maharanis, Miss Quested? Nothing. At least I should hope not." "I understand those big people are not particularly interesting," said Adela, quietly, disliking the young woman's tone. Her hand touched Ronny's again in the darkness, and to the animal thrill there was	over . . . oh yes, the danger is past, let us smoke cigarettes, let us do anything we please. Oh yes . . . enjoy ourselves oh my merciful God . . ." His words died into Arabic again. "Wasn't the bridge. We skidded." "We didn't skid," said Adela, who had seen the cause of the accident, and thought everyone must have seen it too. "We ran into an animal." A loud cry broke from the old man: his terror was disproportionate and ridiculous. "An animal?" "A large animal rushed up out of the dark on the right and hit us." "By Jove, she's right," Ronny exclaimed. "The paint's gone." "By Jove, sir, your lady is right," echoed the Eurasian. Just by the hinges of the door was a dent, and the door opened with difficulty. "Of course I'm right. I saw its hairy back quite plainly." "I say, Adela, what was it?" "I don't know the animals any better than the birds here too big for a goat." "Exactly, too big for a goat . . ." said the old man. Ronny said, "Let's go into this; let's look for its tracks." "Exactly; you wish to borrow this electric torch." The English people walked a few steps back into the darkness, united and happy. Thanks to their youth and upbringing, they were not upset by the accident. They traced back the writhing of the tyres to the source of their disturbance. It was just after the exit from a bridge; the animal had probably come up out of the nullah. Steady and smooth ran the marks of the car, ribbons neatly nicked with lozenges, then all went mad. Certainly some external force had impinged, but the road had been used by too many objects for any one track to be legible, and the torch created such high lights and black shadows that they could not interpret what it revealed. Moreover, Adela in her excitement knelt and swept her skirts about, until it was she if anyone who appeared to have attacked the car. The incident was a great relief to them both. They forgot their abortive personal relationship, and felt adventurous as they muddled about in the dust. "I believe it was a buffalo," she called to their host, who had not accompanied them. "Exactly." "Unless it was a hyena." Ronny approved this last conjecture. Hyenas prowl in nullahs and headlights dazzle them. "Excellent, a hyena," said the Indian with an angry irony and a gesture at the night. "Mr. Harris!" "Half a mo-ment. Give me ten minutes' time." "Sahib says hyena." "Don't worry Mr. Harris. He saved us from a nasty smash. Harris, well done!" "A smash, sahib, that would not have taken place had he obeyed and taken us Gangavati side, instead of Marabar." "My fault that. I told him to come this way because the road's better. Mr. Lesley has made it pukka right up to the hills." "Ah, now I begin to understand." Seeming to pull himself together, he apologized slowly and elaborately for the accident. Ronny murmured, "Not at all," but apologies were his due, and should have started sooner: because English people are so calm at a crisis, it is not to be assumed that they are unimportant. The Nawab Bahadur had not come out very well. At that moment a large car approached from the opposite direction. Ronny advanced a few steps down the road, and with authority in his voice and gesture stopped it. It bore the inscription "Mudkul State" across its bonnet. All friskiness and friendliness, Miss Derek sat inside. "Mr. Heaslop, Miss Quested, what are you holding up an innocent female for?" "We've had a breakdown." "But how putrid!" "We ran into a hyena!" "How absolutely rotten!" "Can you give us a lift?" "Yes, indeed." "Take me too," said the Nawab Bahadur. "Heh, what about me?" cried Mr. Harris. "Now what's all this? I'm not an omnibus," said Miss Derek with decision. "I've a harmonium and two dogs in here with me as it is. I'll take three of you if one'll sit in front and nurse a pug. No more." "I will sit in front," said the Nawab Bahadur. "Then hop in: I've no notion who you are." "Heh no, what about my dinner? I can't be left alone all the night." Trying to look and feel like a European, the chauffeur interposed aggressively. He still wore a topi, despite the darkness, and his face, to which the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did not know to whom he belonged. For a little he was vexed by opposite currents in his blood, then they blended, and he belonged to no one but himself. But Miss Derek was in tearing spirits. She had succeeded in stealing the Mudkul car. Her Maharajah would be awfully sick, but she didn't mind, he could sack her if he liked. "I don't believe in these people letting you down," she said. "If I didn't snatch like the devil, I should be nowhere. He doesn't want the car, silly fool! Surely it's to the credit of his State I should be seen about in it at Chandrapore during my leave. He ought to look at it that way. Anyhow he's got to look at it that way. My Maharani's different my Maharani's a dear. That's her fox terrier, poor little devil. I fished them out both with the driver. Imagine taking dogs to a Chiefs' Conference! As sensible as taking Chiefs, perhaps." She shrieked with laughter. "The harmonium the harmonium's my little mistake, I own. They rather had me over the harmonium. I meant it to stop on the train. Oh lor'!" Ronny laughed with restraint. He did not approve of English people taking service under the Native States, where they obtain a certain amount of influence, but at the expense of the general prestige. The humorous triumphs of a free lance are of no assistance to an administrator, and he told the young lady that she would outdo Indians at their own game if she went on much longer. "They always sack me before that happens, and then I get another job. The whole of India seethes with Maharanis and Ranis and Begums who clamour for such as me." "Really. I had no idea." "How could you have any idea, Mr. Heaslop? What should he know about Maharanis, Miss Quested? Nothing. At least I should hope not." "I understand those big people are not particularly interesting," said Adela, quietly, disliking the young woman's tone. Her hand touched Ronny's again in the darkness, and to the animal thrill there was now added a coincidence of opinion. "Ah, there you're wrong. They're priceless." "I would scarcely call her wrong," broke out the Nawab Bahadur, from his isolation on the front seat, whither they had relegated him. "A Native State, a Hindu State, the wife of a ruler of a Hindu State, may beyond doubt be a most excellent lady, and let it not be for a moment supposed that I suggest anything against the character of Her Highness the Maharani of Mudkul. But I fear she will be uneducated, I fear she will be superstitious. Indeed, how could she be otherwise? What opportunity of education has such a lady had? Oh, superstition is terrible, terrible! oh, it is the great defect in our Indian character!" and as if to point his criticism, the lights of the civil station appeared on a rise to the right. He grew more and more voluble. "Oh, it is the duty of each and every citizen to shake superstition off, and though I have little experience of Hindu States, and none of this particular one, namely Mudkul (the Ruler, I fancy, has a salute of but eleven guns) yet I cannot imagine that they have been as successful as British India, where we see reason and orderliness spreading in every direction, like a most health-giving flood!" Miss Derek said "Golly!" Undeterred by the expletive, the old man swept on. His tongue had been loosed and his mind had several points to make. He wanted to endorse Miss Quested's remark that big people are not interesting, because he was bigger himself than many an independent chief; at the same time, he must neither remind nor inform her that he was big, lest she felt she had committed a discourtesy. This was the groundwork of his oration; worked in with it was his gratitude to Miss Derek for the lift, his willingness to hold a repulsive dog in his arms, and his general regret for the trouble he had caused the human race during the evening. Also he wanted to be dropped near the city to get hold of his cleaner, and to see what mischief his grandson was up to. As he wove all these anxieties into a single rope, he suspected that his audience felt no interest, and that the City Magistrate fondled either maiden behind the cover of the harmonium, but good breeding compelled him	out of the nullah. Steady and smooth ran the marks of the car, ribbons neatly nicked with lozenges, then all went mad. Certainly some external force had impinged, but the road had been used by too many objects for any one track to be legible, and the torch created such high lights and black shadows that they could not interpret what it revealed. Moreover, Adela in her excitement knelt and swept her skirts about, until it was she if anyone who appeared to have attacked the car. The incident was a great relief to them both. They forgot their abortive personal relationship, and felt adventurous as they muddled about in the dust. "I believe it was a buffalo," she called to their host, who had not accompanied them. "Exactly." "Unless it was a hyena." Ronny approved this last conjecture. Hyenas prowl in nullahs and headlights dazzle them. "Excellent, a hyena," said the Indian with an angry irony and a gesture at the night. "Mr. Harris!" "Half a mo-ment. Give me ten minutes' time." "Sahib says hyena." "Don't worry Mr. Harris. He saved us from a nasty smash. Harris, well done!" "A smash, sahib, that would not have taken place had he obeyed and taken us Gangavati side, instead of Marabar." "My fault that. I told him to come this way because the road's better. Mr. Lesley has made it pukka right up to the hills." "Ah, now I begin to understand." Seeming to pull himself together, he apologized slowly and elaborately for the accident. Ronny murmured, "Not at all," but apologies were his due, and should have started sooner: because English people are so calm at a crisis, it is not to be assumed that they are unimportant. The Nawab Bahadur had not come out very well. At that moment a large car approached from the opposite direction. Ronny advanced a few steps down the road, and with authority in his voice and gesture stopped it. It bore the inscription "Mudkul State" across its bonnet. All friskiness and friendliness, Miss Derek sat inside. "Mr. Heaslop, Miss Quested, what are you holding up an innocent female for?" "We've had a breakdown." "But how putrid!" "We ran into a hyena!" "How absolutely rotten!" "Can you give us a lift?" "Yes, indeed." "Take me too," said the Nawab Bahadur. "Heh, what about me?" cried Mr. Harris. "Now what's all this? I'm not an omnibus," said Miss Derek with decision. "I've a harmonium and two dogs in here with me as it is. I'll take three of you if one'll sit in front and nurse a pug. No more." "I will sit in front," said the Nawab Bahadur. "Then hop in: I've no notion who you are." "Heh no, what about my dinner? I can't be left alone all the night." Trying to look and feel like a European, the chauffeur interposed aggressively. He still wore a topi, despite the darkness, and his face, to which the Ruling Race had contributed little beyond bad teeth, peered out of it pathetically, and seemed to say, "What's it all about? Don't worry me so, you blacks and whites. Here I am, stuck in dam India same as you, and you got to fit me in better than this."<\|quote\|>"Nussu will bring you out some suitable dinner upon a bicycle,"</\|quote\|>said the Nawab Bahadur, who had regained his usual dignity. "I shall despatch him with all possible speed. Meanwhile, repair my car." They sped off, and Mr. Harris, after a reproachful glance, squatted down upon his hams. When English and Indians were both present, he grew self-conscious, because he did not know to whom he belonged. For a little he was vexed by opposite currents in his blood, then they blended, and he belonged to no one but himself. But Miss Derek was in tearing spirits. She had succeeded in stealing the Mudkul car. Her Maharajah would be awfully sick, but she didn't mind, he could sack her if he liked. "I don't believe in these people letting you down," she said. "If I didn't snatch like the devil, I should be nowhere. He doesn't want the car, silly fool! Surely it's to the credit of his State I should be seen about in it at Chandrapore during my leave. He ought to look at it that way. Anyhow he's got to look at it that way. My Maharani's different my Maharani's a dear. That's her fox terrier, poor little devil. I fished them out both with the driver. Imagine taking dogs to a Chiefs' Conference! As sensible as taking Chiefs, perhaps." She shrieked with laughter. "The harmonium the harmonium's my little mistake, I own. They rather had me over the harmonium. I meant it to stop on the train. Oh lor'!" Ronny laughed with restraint. He did not approve of English people taking service under the Native States, where they obtain a certain amount of influence, but at the expense of the general prestige. The humorous triumphs of a free lance are of no assistance to an administrator, and he told the young lady that she would outdo Indians at their own game if she went on much longer. "They always sack me before that happens, and then I get another job. The whole of India seethes with Maharanis and Ranis and Begums who clamour for such as me." "Really. I had no idea." "How could you have any idea, Mr. Heaslop? What should he know about Maharanis, Miss Quested? Nothing. At least I should hope not." "I understand those big people are not particularly interesting," said Adela, quietly, disliking the young woman's tone. Her hand touched Ronny's again in the darkness, and to the animal thrill there was now added a coincidence of opinion. "Ah, there you're wrong. They're priceless." "I would scarcely call her wrong," broke out the Nawab Bahadur, from his isolation on the front seat, whither they had relegated him. "A Native State, a Hindu State, the wife of a ruler of a Hindu State, may beyond doubt be a most excellent lady, and let it not be for a moment supposed that I suggest anything against the character of Her Highness the Maharani of Mudkul. But I fear she will be uneducated, I fear she will be superstitious. Indeed, how could she be otherwise? What opportunity of education has such a lady had? Oh, superstition is terrible, terrible! oh, it is the great defect in our Indian character!" and as if to point his criticism, the lights of the civil station appeared on a rise	A Passage To India
"Oh!"	Anne Shirley	eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of	size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely	you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him	seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps	name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to	just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said: "We're pretty near home now. That's Green Gables over--" "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and	behind them the child had not spoken. She could keep silence, it was evident, as energetically as she could talk. "I guess you're feeling pretty tired and hungry," Matthew ventured to say at last, accounting for her long visitation of dumbness with the only reason he could think of. "But we haven't very far to go now--only another mile." She came out of her reverie with a deep sigh and looked at him with the dreamy gaze of a soul that had been wondering afar, star-led. "Oh, Mr. Cuthbert," she whispered, "that place we came through--that white place--what was it?" "Well now, you must mean the Avenue," said Matthew after a few moments' profound reflection. "It is a kind of pretty place." "Pretty? Oh, _pretty_ doesn't seem the right word to use. Nor beautiful, either. They don't go far enough. Oh, it was wonderful--wonderful. It's the first thing I ever saw that couldn't be improved upon by imagination. It just satisfies me here" "--she put one hand on her breast--" "it made a queer funny ache and yet it was a pleasant ache. Did you ever have an ache like that, Mr. Cuthbert?" "Well now, I just can't recollect that I ever had." "I have it lots of time--whenever I see anything royally beautiful. But they shouldn't call that lovely place the Avenue. There is no meaning in a name like that. They should call it--let me see--the White Way of Delight. Isn't that a nice imaginative name? When I don't like the name of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I'm glad and I'm sorry. I'm sorry because this drive has been so pleasant and I'm always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it's so often the case that it isn't pleasanter. That has been my experience anyhow. But I'm glad to think of getting home. You see, I've never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said: "We're pretty near home now. That's Green Gables over--" "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow up, for I've pinched myself so many times today. Every little while a horrible sickening feeling would come over me and I'd be so afraid it was all a dream. Then I'd pinch myself to see if it was real--until suddenly I remembered that even supposing it was only a dream I'd better go on dreaming as long as I could; so I stopped pinching. But it _is_ real and we're nearly home." With a sigh of rapture she relapsed into silence. Matthew stirred uneasily. He felt glad that it would be Marilla and not he who would have to tell this waif of the world that the home she longed for was not to be hers after all. They drove over Lynde's Hollow, where it was already quite dark, but not so dark that Mrs. Rachel could not see them from her window vantage, and up the hill and into the long lane of Green Gables. By the time they arrived at the house Matthew was shrinking from the approaching revelation with an energy he did not understand. It was not of Marilla or himself he was thinking of the trouble this mistake was probably going to make for them, but of the child's disappointment. When he thought of that rapt light being quenched in her eyes he had an uncomfortable feeling that he was going to assist at murdering something--much the same feeling that came over him when he had to kill a lamb or calf or any other innocent little creature. The yard was quite dark as they turned into it and the poplar leaves were rustling silkily all round it. "Listen to the trees talking in their sleep," she whispered, as he lifted her to the ground. "What nice dreams they must have!" Then, holding tightly to	of a place or a person I always imagine a new one and always think of them so. There was a girl at the asylum whose name was Hepzibah Jenkins, but I always imagined her as Rosalia DeVere. Other people may call that place the Avenue, but I shall always call it the White Way of Delight. Have we really only another mile to go before we get home? I'm glad and I'm sorry. I'm sorry because this drive has been so pleasant and I'm always sorry when pleasant things end. Something still pleasanter may come after, but you can never be sure. And it's so often the case that it isn't pleasanter. That has been my experience anyhow. But I'm glad to think of getting home. You see, I've never had a real home since I can remember. It gives me that pleasant ache again just to think of coming to a really truly home. Oh, isn't that pretty!" They had driven over the crest of a hill. Below them was a pond, looking almost like a river so long and winding was it. A bridge spanned it midway and from there to its lower end, where an amber-hued belt of sand-hills shut it in from the dark blue gulf beyond, the water was a glory of many shifting hues--the most spiritual shadings of crocus and rose and ethereal green, with other elusive tintings for which no name has ever been found. Above the bridge the pond ran up into fringing groves of fir and maple and lay all darkly translucent in their wavering shadows. Here and there a wild plum leaned out from the bank like a white-clad girl tip-toeing to her own reflection. From the marsh at the head of the pond came the clear, mournfully-sweet chorus of the frogs. There was a little gray house peering around a white apple orchard on a slope beyond and, although it was not yet quite dark, a light was shining from one of its windows. "That's Barry's pond," said Matthew. "Oh, I don't like that name, either. I shall call it--let me see--the Lake of Shining Waters. Yes, that is the right name for it. I know because of the thrill. When I hit on a name that suits exactly it gives me a thrill. Do things ever give you a thrill?" Matthew ruminated. "Well now, yes. It always kind of gives me a thrill to see them ugly white grubs that spade up in the cucumber beds. I hate the look of them." "Oh, I don't think that can be exactly the same kind of a thrill. Do you think it can? There doesn't seem to be much connection between grubs and lakes of shining waters, does there? But why do other people call it Barry's pond?" "I reckon because Mr. Barry lives up there in that house. Orchard Slope's the name of his place. If it wasn't for that big bush behind it you could see Green Gables from here. But we have to go over the bridge and round by the road, so it's near half a mile further." "Has Mr. Barry any little girls? Well, not so very little either--about my size." "He's got one about eleven. Her name is Diana."<\|quote\|>"Oh!"</\|quote\|>with a long indrawing of breath. "What a perfectly lovely name!" "Well now, I dunno. There's something dreadful heathenish about it, seems to me. I'd ruther Jane or Mary or some sensible name like that. But when Diana was born there was a schoolmaster boarding there and they gave him the naming of her and he called her Diana." "I wish there had been a schoolmaster like that around when I was born, then. Oh, here we are at the bridge. I'm going to shut my eyes tight. I'm always afraid going over bridges. I can't help imagining that perhaps just as we get to the middle, they'll crumple up like a jack-knife and nip us. So I shut my eyes. But I always have to open them for all when I think we're getting near the middle. Because, you see, if the bridge _did_ crumple up I'd want to _see_ it crumple. What a jolly rumble it makes! I always like the rumble part of it. Isn't it splendid there are so many things to like in this world? There we're over. Now I'll look back. Good night, dear Lake of Shining Waters. I always say good night to the things I love, just as I would to people. I think they like it. That water looks as if it was smiling at me." When they had driven up the further hill and around a corner Matthew said: "We're pretty near home now. That's Green Gables over--" "Oh, don't tell me," she interrupted breathlessly, catching at his partially raised arm and shutting her eyes that she might not see his gesture. "Let me guess. I'm sure I'll guess right." She opened her eyes and looked about her. They were on the crest of a hill. The sun had set some time since, but the landscape was still clear in the mellow afterlight. To the west a dark church spire rose up against a marigold sky. Below was a little valley and beyond a long, gently-rising slope with snug farmsteads scattered along it. From one to another the child's eyes darted, eager and wistful. At last they lingered on one away to the left, far back from the road, dimly white with blossoming trees in the twilight of the surrounding woods. Over it, in the stainless southwest sky, a great crystal-white star was shining like a lamp of guidance and promise. "That's it, isn't it?" she said, pointing. Matthew slapped the reins on the sorrel's back delightedly. "Well now, you've guessed it! But I reckon Mrs. Spencer described it so's you could tell." "No, she didn't--really she didn't. All she said might just as well have been about most of those other places. I hadn't any real idea what it looked like. But just as soon as I saw it I felt it was home. Oh, it seems as if I must be in a dream. Do you know, my arm must be black and blue from the elbow	Anne Of Green Gables
"You oughtn't to do it."	Jake Barnes	"I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm	that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't	help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's	In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me.	Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the	"Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt	they doing at this fiesta?" "Come on," Mike said. "Just us three. We're going to festa the bloody English. I hope you're not English? I'm Scotch. I hate the English. I'm going to festa them. Come on, Bill." Through the window we saw them, all three arm in arm, going toward the caf . Rockets were going up in the square. "I'm going to sit here," Brett said. "I'll stay with you," Cohn said. "Oh, don't!" Brett said. "For God's sake, go off somewhere. Can't you see Jake and I want to talk?" "I didn't," Cohn said. "I thought I'd sit here because I felt a little tight." "What a hell of a reason for sitting with any one. If you're tight, go to bed. Go on to bed." "Was I rude enough to him?" Brett asked. Cohn was gone. "My God! I'm so sick of him!" "He doesn't add much to the gayety." "He depresses me so." "He's behaved very badly." "Damned badly. He had a chance to behave so well." "He's probably waiting just outside the door now." "Yes. He would. You know I do know how he feels. He can't believe it didn't mean anything." "I know." "Nobody else would behave as badly. Oh, I'm so sick of the whole thing. And Michael. Michael's been lovely, too." "It's been damned hard on Mike." "Yes. But he didn't need to be a swine." "Everybody behaves badly," I said. "Give them the proper chance." "You wouldn't behave badly." Brett looked at me. "I'd be as big an ass as Cohn," I said. "Darling, don't let's talk a lot of rot." "All right. Talk about anything you like." "Don't be difficult. You're the only person I've got, and I feel rather awful to-night." "You've got Mike." "Yes, Mike. Hasn't he been pretty?" "Well," I said, "it's been damned hard on Mike, having Cohn around and seeing him with you." "Don't I know it, darling? Please don't make me feel any worse than I do." Brett was nervous as I had never seen her before. She kept looking away from me and looking ahead at the wall. "Want to go for a walk?" "Yes. Come on." I corked up the Fundador bottle and gave it to the bartender. "Let's have one more drink of that," Brett said. "My nerves are rotten." We each drank a glass of the smooth amontillado brandy. "Come on," said Brett. As we came out the door I saw Cohn walk out from under the arcade. "He _was_ there," Brett said. "He can't be away from you." "Poor devil!" "I'm not sorry for him. I hate him, myself." "I hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do you mind?" "No. I like it." He spread his hand flat on the table. "Tell me I live for always, and be a millionaire." He was still very polite, but he was surer of himself. "Look," he said, "do you see any bulls in my hand?" He laughed. His hand was very fine and the wrist was small. "There are thousands of bulls," Brett said. She was not at all nervous now. She looked lovely. "Good," Romero laughed. "At a thousand duros apiece," he said to me in Spanish. "Tell me some more." "It's a good hand," Brett said. "I think he'll live a long time." "Say it to me. Not to your friend." "I said you'd live a long time." "I know it," Romero said. "I'm never going to die." I tapped with my finger-tips on the table. Romero saw it. He shook his head. "No. Don't do that. The bulls are my best friends." I translated to Brett. "You kill your friends?" she asked. "Always," he said in English, and laughed. "So they don't kill me." He looked at her across the table. "You know English well." "Yes," he said. "Pretty well, sometimes. But I must not let anybody know. It would be very bad, a torero who speaks English." "Why?" asked Brett. "It would be bad. The people would not like it. Not yet." "Why not?" "They would not like it. Bull-fighters are not like that." "What are bull-fighters like?" He laughed and tipped his hat down over his eyes and changed the angle of his cigar and the expression of his face. "Like at the table," he said. I glanced over. He had mimicked exactly the expression of Nacional. He smiled, his face natural again. "No. I must forget English." "Don't forget it, yet," Brett said. "No?" "No." "All right." He laughed again. "I would like a hat like that," Brett said. "Good. I'll get you one." "Right. See that you	hate him, too," she shivered. "I hate his damned suffering." We walked arm in arm down the side street away from the crowd and the lights of the square. The street was dark and wet, and we walked along it to the fortifications at the edge of town. We passed wine-shops with light coming out from their doors onto the black, wet street, and sudden bursts of music. "Want to go in?" "No." We walked out across the wet grass and onto the stone wall of the fortifications. I spread a newspaper on the stone and Brett sat down. Across the plain it was dark, and we could see the mountains. The wind was high up and took the clouds across the moon. Below us were the dark pits of the fortifications. Behind were the trees and the shadow of the cathedral, and the town silhouetted against the moon. "Don't feel bad," I said. "I feel like hell," Brett said. "Don't let's talk." We looked out at the plain. The long lines of trees were dark in the moonlight. There were the lights of a car on the road climbing the mountain. Up on the top of the mountain we saw the lights of the fort. Below to the left was the river. It was high from the rain, and black and smooth. Trees were dark along the banks. We sat and looked out. Brett stared straight ahead. Suddenly she shivered. "It's cold." "Want to walk back?" "Through the park." We climbed down. It was clouding over again. In the park it was dark under the trees. "Do you still love me, Jake?" "Yes," I said. "Because I'm a goner," Brett said. "How?" "I'm a goner. I'm mad about the Romero boy. I'm in love with him, I think." "I wouldn't be if I were you." "I can't help it. I'm a goner. It's tearing me all up inside." "Don't do it." "I can't help it. I've never been able to help anything." "You ought to stop it." "How can I stop it? I can't stop things. Feel that?" Her hand was trembling. "I'm like that all through."<\|quote\|>"You oughtn't to do it."</\|quote\|>"I can't help it. I'm a goner now, anyway. Don't you see the difference?" "No." "I've got to do something. I've got to do something I really want to do. I've lost my self-respect." "You don't have to do that." "Oh, darling, don't be difficult. What do you think it's meant to have that damned Jew about, and Mike the way he's acted?" "Sure." "I can't just stay tight all the time." "No." "Oh, darling, please stay by me. Please stay by me and see me through this." "Sure." "I don't say it's right. It is right though for me. God knows, I've never felt such a bitch." "What do you want me to do?" "Come on," Brett said. "Let's go and find him." Together we walked down the gravel path in the park in the dark, under the trees and then out from under the trees and past the gate into the street that led into town. Pedro Romero was in the caf . He was at a table with other bull-fighters and bull-fight critics. They were smoking cigars. When we came in they looked up. Romero smiled and bowed. We sat down at a table half-way down the room. "Ask him to come over and have a drink." "Not yet. He'll come over." "I can't look at him." "He's nice to look at," I said. "I've always done just what I wanted." "I know." "I do feel such a bitch." "Well," I said. "My God!" said Brett, "the things a woman goes through." "Yes?" "Oh, I do feel such a bitch." I looked across at the table. Pedro Romero smiled. He said something to the other people at his table, and stood up. He came over to our table. I stood up and we shook hands. "Won't you have a drink?" "You must have a drink with me," he said. He seated himself, asking Brett's permission without saying anything. He had very nice manners. But he kept on smoking his cigar. It went well with his face. "You like cigars?" I asked. "Oh, yes. I always smoke cigars." It was part of his system of authority. It made him seem older. I noticed his skin. It was clear and smooth and very brown. There was a triangular scar on his cheek-bone. I saw he was watching Brett. He felt there was something between them. He must have felt it when Brett gave him her hand. He was being very careful. I think he was sure, but he did not want to make any mistake. "You fight to-morrow?" I said. "Yes," he said. "Algabeno was hurt to-day in Madrid. Did you hear?" "No," I said. "Badly?" He shook his head. "Nothing. Here," he showed his hand. Brett reached out and spread the fingers apart. "Oh!" he said in English, "you tell fortunes?" "Sometimes. Do	The Sun Also Rises
"Jem, are you mad?"	Don Lavington	What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar.	Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I	in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could	a light, quick. I must have fallen and hurt myself; my face bleeds." "Oh, my poor dear lad!" "Eh? What do you mean? You're playing tricks, Jem, and it's too bad. Get a light." "My hands is tied fast behind me, Mas' Don," groaned Jem, "and we're pitched down here in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured	this?" "Jem!" "Yes." "What does it mean? Why is it so dark? Where are we?" "Don't ask everything at once, my lad, and I'll try to tell you." "Has the candle gone out, Jem? Are we in the big cellar?" "Yes, my lad," groaned Jem, "we're in a big cellar." "Can't you find the candle?" said Don, with his head humming and the mental confusion on the increase. "There's a flint and steel on the ledge over the door." "Is there, my lad? I didn't know it," muttered Jem. "Jem, are you there?" "Yes, yes, my lad, I'm here." "Get a light, quick. I must have fallen and hurt myself; my face bleeds." "Oh, my poor dear lad!" "Eh? What do you mean? You're playing tricks, Jem, and it's too bad. Get a light." "My hands is tied fast behind me, Mas' Don," groaned Jem, "and we're pitched down here in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured Don Lavington's brain. He could think now, and he saw once more the dark lane, the swinging lanthorn, and felt, as it were, the struggle going on; and then, sitting up with his hands to his throbbing head, he listened to a low moaning sound close at hand. "Jem," he said. "Jem! Why don't you speak?" There was no answer, for it was poor Jem's turn now; the injuries he had received in his desperate struggle for liberty had had their effect, and he lay there insensible to the great trouble which had come upon him, while it grew more	light," said the officer, and the lanthorn was held close to Don's face. "Well, if the boy can fight like that," said the officer, "he shall." "Let us go," cried Don. "Help! He--" A jacket was thrown over his head, as the officer said mockingly,-- "He shall fight for his Majesty the king. Now, my lads, quick. Some one coming, and the wrong sort." Don felt himself lifted off his feet, and half smothered by the hot jacket which seemed to keep him from breathing, he was hurried along two or three of the lanes, growing more faint and dizzy every moment, till in the midst of a curious nightmare-like sensation, lights began suddenly to dance before his eyes; then all was darkness, and he knew no more till he seemed to wake up from a curious sensation of sickness, and to be listening to Jem Wimble, who would keep on saying in a stupid, aggravating manner,--"Mas' Don, are you there?" The question must have been repeated many times before Don could get rid of the dizzy feeling of confusion and reply,--"Yes; what do you want?" "Oh, my poor lad!" groaned Jem. "Here, can you come to me and untie this?" "Jem!" "Yes." "What does it mean? Why is it so dark? Where are we?" "Don't ask everything at once, my lad, and I'll try to tell you." "Has the candle gone out, Jem? Are we in the big cellar?" "Yes, my lad," groaned Jem, "we're in a big cellar." "Can't you find the candle?" said Don, with his head humming and the mental confusion on the increase. "There's a flint and steel on the ledge over the door." "Is there, my lad? I didn't know it," muttered Jem. "Jem, are you there?" "Yes, yes, my lad, I'm here." "Get a light, quick. I must have fallen and hurt myself; my face bleeds." "Oh, my poor dear lad!" "Eh? What do you mean? You're playing tricks, Jem, and it's too bad. Get a light." "My hands is tied fast behind me, Mas' Don," groaned Jem, "and we're pitched down here in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured Don Lavington's brain. He could think now, and he saw once more the dark lane, the swinging lanthorn, and felt, as it were, the struggle going on; and then, sitting up with his hands to his throbbing head, he listened to a low moaning sound close at hand. "Jem," he said. "Jem! Why don't you speak?" There was no answer, for it was poor Jem's turn now; the injuries he had received in his desperate struggle for liberty had had their effect, and he lay there insensible to the great trouble which had come upon him, while it grew more terrible to Don, in the darkness of that cellar, with every breath he drew. CHAPTER TWELVE. PRISONERS. "What's the matter?" cried Don, starting up, as there was the sound of bolts being shot back, and a light shone in upon the darkness. Don could hardly believe it possible, but it was quite true. In spite of pain and anxiety, weariness had mastered him, and he had been asleep. As the light shone in, Don could see Jem lying, apparently asleep, but in a very uncomfortable position, and that they were in a low, arched cellar, one which at some time had been used for storing casks; for in one corner there were some mouldy staves, and, close by, a barrel, whose hoops seemed to have slipped down, so that it was in a state of collapse. He had no time to see more, for half a dozen well-armed sailors came in after a bluff-looking man, who crossed at once to the prisoners. "Hold the lanthorn here," he said sharply. "Now let's have a look at you." He examined their injuries in an experienced way, roughly, but not unkindly. "All right, my lad," he said to Don; "you will not die	of?" cried Jem sharply. "Being civil," said one of the men with a laugh. "There, no nonsense. Come quiet." He might just as well have said that to an angry bull, for as he and his companion seized Jem by the arms, they found for themselves how strong those arms were, one being sent staggering against Don, and the other being lifted off his legs and dropped upon his back. "Now, Mas' Don, run!" shouted Jem. But before the words were well out of his lips, the party closed in upon him, paying no heed to Don, who in accordance with Jem's command had rushed off in retreat. A few moments later he stopped, for Jem was not with him, but struggling with all his might in the midst of the knot of men who were trying to hold him. "Mas' Don! Help, help!" roared Jem; and Don dashed at the gang, his fists clenched, teeth set, and a curious singing noise in his ears. But as he reached the spot where his companion was making a desperate struggle for his liberty, Jem shouted again,-- "No, no! Mas' Don; run for it, my lad, and get help if you can." Like a flash it occurred to Don that long before he could get help Jem would be overpowered and carried off, and with the natural fighting instinct fully raised, he struck out with all his might as he strove to get to the poor fellow, who was writhing and heaving, and giving his captors a tremendous task to hold him. "Here, give him something to keep him quiet," growled a voice. "No, no; get hold of his hands; that's right. Serve this cockerel the same. Down with him, quick!" cried the officer sharply; and in obedience to his words the men hung on to poor Jem so tenaciously that he was dragged down on the rough pavement, and a couple of men sat panting upon him while his wrists were secured, and his voice silenced by a great bandage right over his mouth. "You cowards!" Jem tried to roar, as, breathless with exertion, bleeding from a sharp back-handed blow across the mouth, and giddy with excitement and the effects of a rough encounter between his head and the wall, Don made one more attempt to drag himself free, and then stood panting and mastered by two strong men. "Show the light," said the officer, and the lanthorn was held close to Don's face. "Well, if the boy can fight like that," said the officer, "he shall." "Let us go," cried Don. "Help! He--" A jacket was thrown over his head, as the officer said mockingly,-- "He shall fight for his Majesty the king. Now, my lads, quick. Some one coming, and the wrong sort." Don felt himself lifted off his feet, and half smothered by the hot jacket which seemed to keep him from breathing, he was hurried along two or three of the lanes, growing more faint and dizzy every moment, till in the midst of a curious nightmare-like sensation, lights began suddenly to dance before his eyes; then all was darkness, and he knew no more till he seemed to wake up from a curious sensation of sickness, and to be listening to Jem Wimble, who would keep on saying in a stupid, aggravating manner,--"Mas' Don, are you there?" The question must have been repeated many times before Don could get rid of the dizzy feeling of confusion and reply,--"Yes; what do you want?" "Oh, my poor lad!" groaned Jem. "Here, can you come to me and untie this?" "Jem!" "Yes." "What does it mean? Why is it so dark? Where are we?" "Don't ask everything at once, my lad, and I'll try to tell you." "Has the candle gone out, Jem? Are we in the big cellar?" "Yes, my lad," groaned Jem, "we're in a big cellar." "Can't you find the candle?" said Don, with his head humming and the mental confusion on the increase. "There's a flint and steel on the ledge over the door." "Is there, my lad? I didn't know it," muttered Jem. "Jem, are you there?" "Yes, yes, my lad, I'm here." "Get a light, quick. I must have fallen and hurt myself; my face bleeds." "Oh, my poor dear lad!" "Eh? What do you mean? You're playing tricks, Jem, and it's too bad. Get a light." "My hands is tied fast behind me, Mas' Don," groaned Jem, "and we're pitched down here in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured Don Lavington's brain. He could think now, and he saw once more the dark lane, the swinging lanthorn, and felt, as it were, the struggle going on; and then, sitting up with his hands to his throbbing head, he listened to a low moaning sound close at hand. "Jem," he said. "Jem! Why don't you speak?" There was no answer, for it was poor Jem's turn now; the injuries he had received in his desperate struggle for liberty had had their effect, and he lay there insensible to the great trouble which had come upon him, while it grew more terrible to Don, in the darkness of that cellar, with every breath he drew. CHAPTER TWELVE. PRISONERS. "What's the matter?" cried Don, starting up, as there was the sound of bolts being shot back, and a light shone in upon the darkness. Don could hardly believe it possible, but it was quite true. In spite of pain and anxiety, weariness had mastered him, and he had been asleep. As the light shone in, Don could see Jem lying, apparently asleep, but in a very uncomfortable position, and that they were in a low, arched cellar, one which at some time had been used for storing casks; for in one corner there were some mouldy staves, and, close by, a barrel, whose hoops seemed to have slipped down, so that it was in a state of collapse. He had no time to see more, for half a dozen well-armed sailors came in after a bluff-looking man, who crossed at once to the prisoners. "Hold the lanthorn here," he said sharply. "Now let's have a look at you." He examined their injuries in an experienced way, roughly, but not unkindly. "All right, my lad," he said to Don; "you will not die this time. Now you." He spent longer over Jem, who roused up and looked at him curiously, as if he did not quite understand. "Been rather rough with this one, my lads." "Couldn't help it," said one of the sailors; "he fote so hard. So did this young chap too." "Nothing wrong with him, I daresay," said the bluff man. "No bones broken. All right in a day or two." Don had been silent while Jem was examined, for he felt that this man was either a doctor, or one who knew something about surgery; but as soon as he had finished, the boy, whose indignation had been growing, turned to him haughtily. "Now, sir!" he exclaimed, "have the goodness to explain the meaning of this outrage." "Cock-a-doodle-doo!" cried the bluff man. "It is nothing to laugh at, sir. I insist upon knowing why we have been ill-used and dragged here by your men." "Well crowed, my young cockerel," said the bluff man, laughing. "They said you fought well with your fists, so you can with your tongue." "Insulting us now you have us down will not save you," cried Don fiercely. "No, my lord," said the bluff man, as Jem rose up, shook his head, and stood by Don. The men laughed. "You coward!" cried Don in hot anger; "but you shall all suffer for it. My uncle will set the law to work, and have you all punished." "Really, this is growing serious," said the bluff man in mock alarm. "You will find it no laughing matter. You have made a mistake this time; so now let us go at once." "Well, I would with pleasure, my noble captain," said the bluff man, with mock solemnity; "but his Majesty is in sore need just now of some dashing young fellows who can fight; and he said to our first lieutenant, `short of men, Mr Morrison? Dear me, are you? Well then, the best thing you can do is to send round Bristol city, and persuade a few of the brave and daring young fellows there to come on board my good ship _Great Briton_, and help me till I've settled my quarrel with my enemies,' so we have persuaded you." "You are adding insult to what you have done, sir. Now let us pass. You and your miserable press-gang shall smart for this. Stand aside, sir." "What, after	the effects of a rough encounter between his head and the wall, Don made one more attempt to drag himself free, and then stood panting and mastered by two strong men. "Show the light," said the officer, and the lanthorn was held close to Don's face. "Well, if the boy can fight like that," said the officer, "he shall." "Let us go," cried Don. "Help! He--" A jacket was thrown over his head, as the officer said mockingly,-- "He shall fight for his Majesty the king. Now, my lads, quick. Some one coming, and the wrong sort." Don felt himself lifted off his feet, and half smothered by the hot jacket which seemed to keep him from breathing, he was hurried along two or three of the lanes, growing more faint and dizzy every moment, till in the midst of a curious nightmare-like sensation, lights began suddenly to dance before his eyes; then all was darkness, and he knew no more till he seemed to wake up from a curious sensation of sickness, and to be listening to Jem Wimble, who would keep on saying in a stupid, aggravating manner,--"Mas' Don, are you there?" The question must have been repeated many times before Don could get rid of the dizzy feeling of confusion and reply,--"Yes; what do you want?" "Oh, my poor lad!" groaned Jem. "Here, can you come to me and untie this?" "Jem!" "Yes." "What does it mean? Why is it so dark? Where are we?" "Don't ask everything at once, my lad, and I'll try to tell you." "Has the candle gone out, Jem? Are we in the big cellar?" "Yes, my lad," groaned Jem, "we're in a big cellar." "Can't you find the candle?" said Don, with his head humming and the mental confusion on the increase. "There's a flint and steel on the ledge over the door." "Is there, my lad? I didn't know it," muttered Jem. "Jem, are you there?" "Yes, yes, my lad, I'm here." "Get a light, quick. I must have fallen and hurt myself; my face bleeds." "Oh, my poor dear lad!" "Eh? What do you mean? You're playing tricks, Jem, and it's too bad. Get a light." "My hands is tied fast behind me, Mas' Don," groaned Jem, "and we're pitched down here in a cellar." "What?" "Oh, dear! Oh, dear! I don't mind for myself," groaned Jem, in his despair, "but what will she do?" "Jem!" "I often said I wished I could be took away, but I didn't mean it, Mas' Don; I didn't mean it. What will my Sally do?"<\|quote\|>"Jem, are you mad?"</\|quote\|>shouted Don. "This darkness--this cellar. It's all black, and I can't think; my head aches, and it's all strange. Don't play tricks. Try and open the door and let's go." "What, don't you know what it all means, Mas' Don?" groaned Jem. "No, I don't seem as if I could think. What does it mean?" "Mean, my lad? Why, the press-gang's got us, and unless we can let 'em know at home, we shall be took aboard ship and sent off to sea." "What?" The light had come--the mental light which drove away the cloud of darkness which had obscured Don Lavington's brain. He could think now, and he saw once more the dark lane, the swinging lanthorn, and felt, as it were, the struggle going on; and then, sitting up with his hands to his throbbing head, he listened to a low moaning sound close at hand. "Jem," he said. "Jem! Why don't you speak?" There was no answer, for it was poor Jem's turn now; the injuries he had received in his desperate struggle for liberty had had their effect, and he lay there insensible to the great trouble which had come upon him, while it grew more terrible to Don, in the darkness of that cellar, with every breath he drew. CHAPTER TWELVE. PRISONERS. "What's the matter?" cried Don, starting up, as there was the sound of bolts being shot back, and a light shone in upon the	Don Lavington
"How long have you been married?"	Helen	to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did	I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will	but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!"	ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just	pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to his eyes. "You ought to know my ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just nothing at all," he said "agricultural labourers and that sort." "So! From which part?" "Lincolnshire mostly, but my mother s father--he, oddly enough, came from these parts round here." "From this very Shropshire. Yes, that is odd. My mother s people were Lancashire. But why do your brother and your sisters object to Mrs. Bast?" "Oh, I don t know." "Excuse me, you do know. I am not a baby. I can bear anything you tell me, and the more you tell the more I shall be able to help. Have they heard anything against her?" He was silent. "I	was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and that her sister did not like her either. Helen was certainly lonely. She, who gave away so much, was receiving too little. Leonard was pleased to think that he could spare her vexation by holding his tongue and concealing what he knew about Mr. Wilcox. Jacky had announced her discovery when he fetched her from the lawn. After the first shock, he did not mind for himself. By now he had no illusions about his wife, and this was only one new stain on the face of a love that had never been pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to his eyes. "You ought to know my ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just nothing at all," he said "agricultural labourers and that sort." "So! From which part?" "Lincolnshire mostly, but my mother s father--he, oddly enough, came from these parts round here." "From this very Shropshire. Yes, that is odd. My mother s people were Lancashire. But why do your brother and your sisters object to Mrs. Bast?" "Oh, I don t know." "Excuse me, you do know. I am not a baby. I can bear anything you tell me, and the more you tell the more I shall be able to help. Have they heard anything against her?" He was silent. "I think I have guessed now," said Helen very gravely. "I don t think so, Miss Schlegel; I hope not." "We must be honest, even over these things. I have guessed. I am frightfully, dreadfully sorry, but it does not make the least difference to me. I shall feel just the same to both of you. I blame, not your wife for these things, but men." Leonard left it at that--so long as she did not guess the man. She stood at the window and slowly pulled up the blinds. The hotel looked over a dark square. The mists had begun. When she turned back to him her eyes were shining. "Don t you worry," he pleaded. "I can t bear that. We shall be all right if I get work. If I could only get work--something regular to do. Then it wouldn t be so bad again. I don t trouble after books as I used. I can imagine that with regular work we should settle down again. It stops one thinking." "Settle down to what?" "Oh, just settle down." "And that s to be life!" said Helen, with a catch in her throat. "How can you, with all the	middle of their heads, and then it s a waste of time to blame them. There s a nightmare of a theory that says a special race is being born which will rule the rest of us in the future just because it lacks the little thing that says I. Had you heard that?" "I get no time for reading." "Had you thought it, then? That there are two kinds of people--our kind, who live straight from the middle of their heads, and the other kind who can t, because their heads have no middle? They can t say I. They AREN T in fact, and so they re supermen. Pierpont Morgan has never said I in his life." Leonard roused himself. If his benefactress wanted intellectual conversation, she must have it. She was more important than his ruined past. "I never got on to Nietzsche," he said. "But I always understood that those supermen were rather what you may call egoists." "Oh no, that s wrong," replied Helen. "No superman ever said I want, because I want must lead to the question, Who am I? and so to Pity and to Justice. He only says want. Want Europe, if he s Napoleon; want wives, if he s Bluebeard; want Botticelli, if he s Pierpont Morgan. Never the I ; and if you could pierce through the superman, you d find panic and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed. "All presentable people say I." "But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and that her sister did not like her either. Helen was certainly lonely. She, who gave away so much, was receiving too little. Leonard was pleased to think that he could spare her vexation by holding his tongue and concealing what he knew about Mr. Wilcox. Jacky had announced her discovery when he fetched her from the lawn. After the first shock, he did not mind for himself. By now he had no illusions about his wife, and this was only one new stain on the face of a love that had never been pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to his eyes. "You ought to know my ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just nothing at all," he said "agricultural labourers and that sort." "So! From which part?" "Lincolnshire mostly, but my mother s father--he, oddly enough, came from these parts round here." "From this very Shropshire. Yes, that is odd. My mother s people were Lancashire. But why do your brother and your sisters object to Mrs. Bast?" "Oh, I don t know." "Excuse me, you do know. I am not a baby. I can bear anything you tell me, and the more you tell the more I shall be able to help. Have they heard anything against her?" He was silent. "I think I have guessed now," said Helen very gravely. "I don t think so, Miss Schlegel; I hope not." "We must be honest, even over these things. I have guessed. I am frightfully, dreadfully sorry, but it does not make the least difference to me. I shall feel just the same to both of you. I blame, not your wife for these things, but men." Leonard left it at that--so long as she did not guess the man. She stood at the window and slowly pulled up the blinds. The hotel looked over a dark square. The mists had begun. When she turned back to him her eyes were shining. "Don t you worry," he pleaded. "I can t bear that. We shall be all right if I get work. If I could only get work--something regular to do. Then it wouldn t be so bad again. I don t trouble after books as I used. I can imagine that with regular work we should settle down again. It stops one thinking." "Settle down to what?" "Oh, just settle down." "And that s to be life!" said Helen, with a catch in her throat. "How can you, with all the beautiful things to see and do--with music--with walking at night--" "Walking is well enough when a man s in work," he answered. "Oh, I did talk a lot of nonsense once, but there s nothing like a bailiff in the house to drive it out of you. When I saw him fingering my Ruskins and Stevensons, I seemed to see life straight and real, and it isn t a pretty sight. My books are back again, thanks to you, but they ll never be the same to me again, and I shan t ever again think night in the woods is wonderful." "Why not?" asked Helen, throwing up the window. "Because I see one must have money." "Well, you re wrong." "I wish I was wrong, but--the clergyman--he has money of his own, or else he s paid; the poet or the musician--just the same; the tramp--he s no different. The tramp goes to the workhouse in the end, and is paid for with other people s money. Miss Schlegel, the real thing s money, and all the rest is a dream." "You re still wrong. You ve forgotten Death." Leonard could not understand. "If we lived forever, what you say would be true. But we have to die, we have to leave life presently. Injustice and greed would be the real thing if we lived for ever. As it is, we must hold to other things, because Death is coming. I love Death--not morbidly, but because He explains. He shows me the emptiness of Money. Death and Money are the eternal foes. Not Death and Life. Never mind what lies behind Death, Mr. Bast, but be sure that the poet and the musician and the tramp will be happier in it than the man who has never learnt to say, I am I." "I wonder." "We are all in a mist--I know, but I can help you this far--men like the Wilcoxes are deeper in the mist than any. Sane, sound Englishmen! building up empires, levelling all the world into what they call common sense. But mention Death to them and they re offended, because Death s really Imperial, and He cries out against them for ever." "I am as afraid of Death as any one." "But not of the idea of Death." "But what is the difference?" "Infinite difference," said Helen, more gravely than before. Leonard looked at	and emptiness in the middle."" Leonard was silent for a moment. Then he said: "May I take it, Miss Schlegel, that you and I are both the sort that say I ?" "Of course." "And your sister, too?" "Of course," repeated Helen, a little sharply. She was annoyed with Margaret, but did not want her discussed. "All presentable people say I." "But Mr. Wilcox--he is not perhaps--" "I don t know that it s any good discussing Mr. Wilcox either." "Quite so, quite so," he agreed. Helen asked herself why she had snubbed him. Once or twice during the day she had encouraged him to criticise, and then had pulled him up short. Was she afraid of him presuming? If so, it was disgusting of her. But he was thinking the snub quite natural. Everything she did was natural, and incapable of causing offence. While the Miss Schlegels were together he had felt them scarcely human--a sort of admonitory whirligig. But a Miss Schlegel alone was different. She was in Helen s case unmarried, in Margaret s about to be married, in neither case an echo of her sister. A light had fallen at last into this rich upper world, and he saw that it was full of men and women, some of whom were more friendly to him than others. Helen had become "his" Miss Schlegel, who scolded him and corresponded with him, and had swept down yesterday with grateful vehemence. Margaret, though not unkind, was severe and remote. He would not presume to help her, for instance. He had never liked her, and began to think that his original impression was true, and that her sister did not like her either. Helen was certainly lonely. She, who gave away so much, was receiving too little. Leonard was pleased to think that he could spare her vexation by holding his tongue and concealing what he knew about Mr. Wilcox. Jacky had announced her discovery when he fetched her from the lawn. After the first shock, he did not mind for himself. By now he had no illusions about his wife, and this was only one new stain on the face of a love that had never been pure. To keep perfection perfect, that should be his ideal, if the future gave him time to have ideals. Helen, and Margaret for Helen s sake, must not know. Helen disconcerted him by turning the conversation to his wife. "Mrs. Bast--does she ever say I ?" she asked, half mischievously, and then, "Is she very tired?" "It s better she stops in her room," said Leonard. "Shall I sit up with her?" "No, thank you; she does not need company." "Mr. Bast, what kind of woman is your wife?" Leonard blushed up to his eyes. "You ought to know my ways by now. Does that question offend you?" "No, oh no, Miss Schlegel, no." "Because I love honesty. Don t pretend your marriage has been a happy one. You and she can have nothing in common." He did not deny it, but said shyly: "I suppose that s pretty obvious; but Jacky never meant to do anybody any harm. When things went wrong, or I heard things, I used to think it was her fault, but, looking back, it s more mine. I needn t have married her, but as I have I must stick to her and keep her."<\|quote\|>"How long have you been married?"</\|quote\|>"Nearly three years." "What did your people say?" "They will not have anything to do with us. They had a sort of family council when they heard I was married, and cut us off altogether." Helen began to pace up and down the room. "My good boy, what a mess!" she said gently. "Who are your people?" He could answer this. His parents, who were dead, had been in trade; his sisters had married commercial travellers; his brother was a lay-reader. "And your grandparents?" Leonard told her a secret that he had held shameful up to now. "They were just nothing at all," he said "agricultural labourers and that sort." "So! From which part?" "Lincolnshire mostly, but my mother s father--he, oddly enough, came from these parts round here." "From this very Shropshire. Yes, that is odd. My mother s people were Lancashire. But why do your brother and your sisters object to Mrs. Bast?" "Oh, I don t know." "Excuse me, you do know. I am not a baby. I can bear anything you tell me, and the more you tell the more I shall be able to help. Have they heard anything against her?" He was silent. "I think I have guessed now," said Helen very gravely. "I don t think so, Miss Schlegel; I hope not." "We must be honest, even over these things. I have guessed. I am frightfully, dreadfully sorry, but it does not make the least difference to me. I shall feel just the same to both of you. I blame, not your wife for these things, but men." Leonard left it at that--so long as she did not guess the	Howards End
"I deserve neither such praise nor such censure,"	Elizabeth	no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_	a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I	for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards	rather right than pleasant that she should go down stairs herself. On entering the drawing-room she found the whole party at loo, and was immediately invited to join them; but suspecting them to be playing high she declined it, and making her sister the excuse, said she would amuse herself for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards a table where a few books were lying. He immediately offered to fetch her others; all that his library afforded. "And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than	their chance of marrying men of any consideration in the world," replied Darcy. To this speech Bingley made no answer; but his sisters gave it their hearty assent, and indulged their mirth for some time at the expense of their dear friend's vulgar relations. With a renewal of tenderness, however, they repaired to her room on leaving the dining-parlour, and sat with her till summoned to coffee. She was still very poorly, and Elizabeth would not quit her at all, till late in the evening, when she had the comfort of seeing her asleep, and when it appeared to her rather right than pleasant that she should go down stairs herself. On entering the drawing-room she found the whole party at loo, and was immediately invited to join them; but suspecting them to be playing high she declined it, and making her sister the excuse, said she would amuse herself for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards a table where a few books were lying. He immediately offered to fetch her others; all that his library afforded. "And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than I ever look into." Elizabeth assured him that she could suit herself perfectly with those in the room. "I am astonished," said Miss Bingley, "that my father should have left so small a collection of books.--What a delightful library you have at Pemberley, Mr. Darcy!" "It ought to be good," he replied, "it has been the work of many generations." "And then you have added so much to it yourself, you are always buying books." "I cannot comprehend the neglect of a family library in such days as these." "Neglect! I am sure you neglect nothing that can add to	her ancles in dirt, and alone, quite alone! what could she mean by it? It seems to me to shew an abominable sort of conceited independence, a most country town indifference to decorum." "It shews an affection for her sister that is very pleasing," said Bingley. "I am afraid, Mr. Darcy," observed Miss Bingley, in a half whisper, "that this adventure has rather affected your admiration of her fine eyes." "Not at all," he replied; "they were brightened by the exercise." "--A short pause followed this speech, and Mrs. Hurst began again. "I have an excessive regard for Jane Bennet, she is really a very sweet girl, and I wish with all my heart she were well settled. But with such a father and mother, and such low connections, I am afraid there is no chance of it." "I think I have heard you say, that their uncle is an attorney in Meryton." "Yes; and they have another, who lives somewhere near Cheapside." "That is capital," added her sister, and they both laughed heartily. "If they had uncles enough to fill _all_ Cheapside," cried Bingley, "it would not make them one jot less agreeable." "But it must very materially lessen their chance of marrying men of any consideration in the world," replied Darcy. To this speech Bingley made no answer; but his sisters gave it their hearty assent, and indulged their mirth for some time at the expense of their dear friend's vulgar relations. With a renewal of tenderness, however, they repaired to her room on leaving the dining-parlour, and sat with her till summoned to coffee. She was still very poorly, and Elizabeth would not quit her at all, till late in the evening, when she had the comfort of seeing her asleep, and when it appeared to her rather right than pleasant that she should go down stairs herself. On entering the drawing-room she found the whole party at loo, and was immediately invited to join them; but suspecting them to be playing high she declined it, and making her sister the excuse, said she would amuse herself for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards a table where a few books were lying. He immediately offered to fetch her others; all that his library afforded. "And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than I ever look into." Elizabeth assured him that she could suit herself perfectly with those in the room. "I am astonished," said Miss Bingley, "that my father should have left so small a collection of books.--What a delightful library you have at Pemberley, Mr. Darcy!" "It ought to be good," he replied, "it has been the work of many generations." "And then you have added so much to it yourself, you are always buying books." "I cannot comprehend the neglect of a family library in such days as these." "Neglect! I am sure you neglect nothing that can add to the beauties of that noble place. Charles, when you build _your_ house, I wish it may be half as delightful as Pemberley." "I wish it may." "But I would really advise you to make your purchase in that neighbourhood, and take Pemberley for a kind of model. There is not a finer county in England than Derbyshire." "With all my heart; I will buy Pemberley itself if Darcy will sell it." "I am talking of possibilities, Charles." "Upon my word, Caroline, I should think it more possible to get Pemberley by purchase than by imitation." Elizabeth was so much caught by what passed, as to leave her very little attention for her book; and soon laying it wholly aside, she drew near the card-table, and stationed herself between Mr. Bingley and his eldest sister, to observe the game. "Is Miss Darcy much grown since the spring?" said Miss Bingley; "will she be as tall as I am?" "I think she will. She is now about Miss Elizabeth Bennet's height, or rather taller." "How I long to see her again! I never met with anybody who delighted me so much. Such a countenance, such manners! and so extremely accomplished for her	how much they were grieved, how shocking it was to have a bad cold, and how excessively they disliked being ill themselves; and then thought no more of the matter: and their indifference towards Jane when not immediately before them, restored Elizabeth to the enjoyment of all her original dislike. Their brother, indeed, was the only one of the party whom she could regard with any complacency. His anxiety for Jane was evident, and his attentions to herself most pleasing, and they prevented her feeling herself so much an intruder as she believed she was considered by the others. She had very little notice from any but him. Miss Bingley was engrossed by Mr. Darcy, her sister scarcely less so; and as for Mr. Hurst, by whom Elizabeth sat, he was an indolent man, who lived only to eat, drink, and play at cards, who when he found her prefer a plain dish to a ragout, had nothing to say to her. When dinner was over, she returned directly to Jane, and Miss Bingley began abusing her as soon as she was out of the room. Her manners were pronounced to be very bad indeed, a mixture of pride and impertinence; she had no conversation, no style, no taste, no beauty. Mrs. Hurst thought the same, and added, "She has nothing, in short, to recommend her, but being an excellent walker. I shall never forget her appearance this morning. She really looked almost wild." "She did indeed, Louisa. I could hardly keep my countenance. Very nonsensical to come at all! Why must _she_ be scampering about the country, because her sister had a cold? Her hair so untidy, so blowsy!" "Yes, and her petticoat; I hope you saw her petticoat, six inches deep in mud, I am absolutely certain; and the gown which had been let down to hide it, not doing its office." "Your picture may be very exact, Louisa," said Bingley; "but this was all lost upon me. I thought Miss Elizabeth Bennet looked remarkably well, when she came into the room this morning. Her dirty petticoat quite escaped my notice." "_You_ observed it, Mr. Darcy, I am sure," said Miss Bingley; "and I am inclined to think that you would not wish to see _your sister_ make such an exhibition." "Certainly not." "To walk three miles, or four miles, or five miles, or whatever it is, above her ancles in dirt, and alone, quite alone! what could she mean by it? It seems to me to shew an abominable sort of conceited independence, a most country town indifference to decorum." "It shews an affection for her sister that is very pleasing," said Bingley. "I am afraid, Mr. Darcy," observed Miss Bingley, in a half whisper, "that this adventure has rather affected your admiration of her fine eyes." "Not at all," he replied; "they were brightened by the exercise." "--A short pause followed this speech, and Mrs. Hurst began again. "I have an excessive regard for Jane Bennet, she is really a very sweet girl, and I wish with all my heart she were well settled. But with such a father and mother, and such low connections, I am afraid there is no chance of it." "I think I have heard you say, that their uncle is an attorney in Meryton." "Yes; and they have another, who lives somewhere near Cheapside." "That is capital," added her sister, and they both laughed heartily. "If they had uncles enough to fill _all_ Cheapside," cried Bingley, "it would not make them one jot less agreeable." "But it must very materially lessen their chance of marrying men of any consideration in the world," replied Darcy. To this speech Bingley made no answer; but his sisters gave it their hearty assent, and indulged their mirth for some time at the expense of their dear friend's vulgar relations. With a renewal of tenderness, however, they repaired to her room on leaving the dining-parlour, and sat with her till summoned to coffee. She was still very poorly, and Elizabeth would not quit her at all, till late in the evening, when she had the comfort of seeing her asleep, and when it appeared to her rather right than pleasant that she should go down stairs herself. On entering the drawing-room she found the whole party at loo, and was immediately invited to join them; but suspecting them to be playing high she declined it, and making her sister the excuse, said she would amuse herself for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards a table where a few books were lying. He immediately offered to fetch her others; all that his library afforded. "And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than I ever look into." Elizabeth assured him that she could suit herself perfectly with those in the room. "I am astonished," said Miss Bingley, "that my father should have left so small a collection of books.--What a delightful library you have at Pemberley, Mr. Darcy!" "It ought to be good," he replied, "it has been the work of many generations." "And then you have added so much to it yourself, you are always buying books." "I cannot comprehend the neglect of a family library in such days as these." "Neglect! I am sure you neglect nothing that can add to the beauties of that noble place. Charles, when you build _your_ house, I wish it may be half as delightful as Pemberley." "I wish it may." "But I would really advise you to make your purchase in that neighbourhood, and take Pemberley for a kind of model. There is not a finer county in England than Derbyshire." "With all my heart; I will buy Pemberley itself if Darcy will sell it." "I am talking of possibilities, Charles." "Upon my word, Caroline, I should think it more possible to get Pemberley by purchase than by imitation." Elizabeth was so much caught by what passed, as to leave her very little attention for her book; and soon laying it wholly aside, she drew near the card-table, and stationed herself between Mr. Bingley and his eldest sister, to observe the game. "Is Miss Darcy much grown since the spring?" said Miss Bingley; "will she be as tall as I am?" "I think she will. She is now about Miss Elizabeth Bennet's height, or rather taller." "How I long to see her again! I never met with anybody who delighted me so much. Such a countenance, such manners! and so extremely accomplished for her age! Her performance on the piano-forte is exquisite." "It is amazing to me," said Bingley, "how young ladies can have patience to be so very accomplished, as they all are." "All young ladies accomplished! My dear Charles, what do you mean?" "Yes, all of them, I think. They all paint tables, cover skreens and net purses. I scarcely know any one who cannot do all this, and I am sure I never heard a young lady spoken of for the first time, without being informed that she was very accomplished." "Your list of the common extent of accomplishments," said Darcy, "has too much truth. The word is applied to many a woman who deserves it no otherwise than by netting a purse, or covering a skreen. But I am very far from agreeing with you in your estimation of ladies in general. I cannot boast of knowing more than half a dozen, in the whole range of my acquaintance, that are really accomplished." "Nor I, I am sure," said Miss Bingley. "Then," observed Elizabeth, "you must comprehend a great deal in your idea of an accomplished woman." "Yes; I do comprehend a great deal in it." "Oh! certainly," cried his faithful assistant, "no one can be really esteemed accomplished, who does not greatly surpass what is usually met with. A woman must have a thorough knowledge of music, singing, drawing, dancing, and the modern languages, to deserve the word; and besides all this, she must possess a certain something in her air and manner of walking, the tone of her voice, her address and expressions, or the word will be but half deserved." "All this she must possess," added Darcy, "and to all this she must yet add something more substantial, in the improvement of her mind by extensive reading." "I am no longer surprised at your knowing _only_ six accomplished women. I rather wonder now at your knowing _any_." "Are you so severe upon your own sex, as to doubt the possibility of all this?" "_I_ never saw such a woman. _I_ never saw such capacity, and taste, and application, and elegance, as you describe, united." Mrs. Hurst and Miss Bingley both cried out against the injustice of her implied doubt, and were both protesting that they knew many women who answered this description, when Mr. Hurst called them to order, with bitter complaints of their inattention to what	afraid there is no chance of it." "I think I have heard you say, that their uncle is an attorney in Meryton." "Yes; and they have another, who lives somewhere near Cheapside." "That is capital," added her sister, and they both laughed heartily. "If they had uncles enough to fill _all_ Cheapside," cried Bingley, "it would not make them one jot less agreeable." "But it must very materially lessen their chance of marrying men of any consideration in the world," replied Darcy. To this speech Bingley made no answer; but his sisters gave it their hearty assent, and indulged their mirth for some time at the expense of their dear friend's vulgar relations. With a renewal of tenderness, however, they repaired to her room on leaving the dining-parlour, and sat with her till summoned to coffee. She was still very poorly, and Elizabeth would not quit her at all, till late in the evening, when she had the comfort of seeing her asleep, and when it appeared to her rather right than pleasant that she should go down stairs herself. On entering the drawing-room she found the whole party at loo, and was immediately invited to join them; but suspecting them to be playing high she declined it, and making her sister the excuse, said she would amuse herself for the short time she could stay below with a book. Mr. Hurst looked at her with astonishment. "Do you prefer reading to cards?" said he; "that is rather singular." "Miss Eliza Bennet," said Miss Bingley, "despises cards. She is a great reader and has no pleasure in anything else."<\|quote\|>"I deserve neither such praise nor such censure,"</\|quote\|>cried Elizabeth; "I am _not_ a great reader, and I have pleasure in many things." "In nursing your sister I am sure you have pleasure," said Bingley; "and I hope it will soon be increased by seeing her quite well." Elizabeth thanked him from her heart, and then walked towards a table where a few books were lying. He immediately offered to fetch her others; all that his library afforded. "And I wish my collection were larger for your benefit and my own credit; but I am an idle fellow, and though I have not many, I have more than I ever look into." Elizabeth assured him that she could suit herself perfectly with those in the room. "I am astonished," said Miss Bingley, "that my father should have left so small a collection of books.--What a delightful library you have at Pemberley, Mr. Darcy!" "It ought to be good," he replied, "it has been the work of many generations." "And then you have added so much to it yourself, you are always buying books." "I cannot comprehend the neglect of a family library in such days as these." "Neglect! I am sure you neglect nothing that can add to the beauties of that noble place. Charles, when you build _your_ house, I wish it may be half as delightful as Pemberley." "I wish it may." "But I would really advise you to make your purchase in that neighbourhood, and take Pemberley for a kind of model. There is not a finer county in England than Derbyshire." "With all my heart; I will buy Pemberley itself if Darcy will sell it." "I am talking of possibilities, Charles." "Upon my word, Caroline, I should think it more possible to get Pemberley by purchase than by imitation." Elizabeth was so much caught by what passed, as to leave her very little attention for her book; and soon laying it wholly aside, she drew near the card-table, and stationed herself between Mr. Bingley and his eldest sister, to observe the game. "Is Miss Darcy much grown since the spring?" said Miss Bingley; "will she be as tall as I am?" "I think she will. She is now about Miss Elizabeth Bennet's height, or rather taller." "How I long to see her again! I never met with anybody who delighted me so much. Such a countenance, such manners! and so extremely accomplished for her age! Her performance on the piano-forte is exquisite." "It is amazing to me," said Bingley, "how young ladies can have patience to be so very accomplished, as they all are." "All young ladies accomplished! My dear Charles, what do you mean?" "Yes, all of them, I think. They all paint tables, cover skreens and net purses. I scarcely know any one who cannot do all this, and I am sure I never heard a young lady spoken of for the first time, without being informed that she was very accomplished." "Your list of the common extent of accomplishments," said Darcy, "has too much truth. The word is applied to many a woman who deserves it no otherwise than by netting a purse, or	Pride And Prejudice
Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.	No speaker	very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well,	we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with	Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed	others! Affectation of candour is common enough;--one meets it every where. But to be candid without ostentation or design--to take the good of every body's character and make it still better, and say nothing of the bad--belongs to you alone. And so, you like this man's sisters too, do you? Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed I rather believe he _did_--I heard something about it--but I hardly know what--something about Mr. Robinson." "Perhaps you mean what I overheard between him and Mr. Robinson; did not I mention it to you? Mr. Robinson's asking him how he liked our Meryton assemblies, and whether he did not think	You have liked many a stupider person." "Dear Lizzy!" "Oh! you are a great deal too apt you know, to like people in general. You never see a fault in any body. All the world are good and agreeable in your eyes. I never heard you speak ill of a human being in my life." "I would wish not to be hasty in censuring any one; but I always speak what I think." "I know you do; and it is _that_ which makes the wonder. With _your_ good sense, to be so honestly blind to the follies and nonsense of others! Affectation of candour is common enough;--one meets it every where. But to be candid without ostentation or design--to take the good of every body's character and make it still better, and say nothing of the bad--belongs to you alone. And so, you like this man's sisters too, do you? Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed I rather believe he _did_--I heard something about it--but I hardly know what--something about Mr. Robinson." "Perhaps you mean what I overheard between him and Mr. Robinson; did not I mention it to you? Mr. Robinson's asking him how he liked our Meryton assemblies, and whether he did not think there were a great many pretty women in the room, and _which_ he thought the prettiest? and his answering immediately to the last question--Oh! the eldest Miss Bennet beyond a doubt, there cannot be two opinions on that point." "Upon my word!--Well, that was very decided indeed--that does seem as if----but however, it may all come to nothing you know." "_My_ overhearings were more to the purpose than _yours_, Eliza," said Charlotte. "Mr. Darcy is not so well worth listening to as his friend, is he?--Poor Eliza!--to be only just _tolerable_." "I beg you would not put it into Lizzy's	you had been there, my dear, to have given him one of your set downs. I quite detest the man." CHAPTER IV. When Jane and Elizabeth were alone, the former, who had been cautious in her praise of Mr. Bingley before, expressed to her sister how very much she admired him. "He is just what a young man ought to be," said she, "sensible, good humoured, lively; and I never saw such happy manners!--so much ease, with such perfect good breeding!" "He is also handsome," replied Elizabeth, "which a young man ought likewise to be, if he possibly can. His character is thereby complete." "I was very much flattered by his asking me to dance a second time. I did not expect such a compliment." "Did not you? _I_ did for you. But that is one great difference between us. Compliments always take _you_ by surprise, and _me_ never. What could be more natural than his asking you again? He could not help seeing that you were about five times as pretty as every other woman in the room. No thanks to his gallantry for that. Well, he certainly is very agreeable, and I give you leave to like him. You have liked many a stupider person." "Dear Lizzy!" "Oh! you are a great deal too apt you know, to like people in general. You never see a fault in any body. All the world are good and agreeable in your eyes. I never heard you speak ill of a human being in my life." "I would wish not to be hasty in censuring any one; but I always speak what I think." "I know you do; and it is _that_ which makes the wonder. With _your_ good sense, to be so honestly blind to the follies and nonsense of others! Affectation of candour is common enough;--one meets it every where. But to be candid without ostentation or design--to take the good of every body's character and make it still better, and say nothing of the bad--belongs to you alone. And so, you like this man's sisters too, do you? Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed I rather believe he _did_--I heard something about it--but I hardly know what--something about Mr. Robinson." "Perhaps you mean what I overheard between him and Mr. Robinson; did not I mention it to you? Mr. Robinson's asking him how he liked our Meryton assemblies, and whether he did not think there were a great many pretty women in the room, and _which_ he thought the prettiest? and his answering immediately to the last question--Oh! the eldest Miss Bennet beyond a doubt, there cannot be two opinions on that point." "Upon my word!--Well, that was very decided indeed--that does seem as if----but however, it may all come to nothing you know." "_My_ overhearings were more to the purpose than _yours_, Eliza," said Charlotte. "Mr. Darcy is not so well worth listening to as his friend, is he?--Poor Eliza!--to be only just _tolerable_." "I beg you would not put it into Lizzy's head to be vexed by his ill-treatment; for he is such a disagreeable man that it would be quite a misfortune to be liked by him. Mrs. Long told me last night that he sat close to her for half an hour without once opening his lips." "Are you quite sure, Ma'am?--is not there a little mistake?" said Jane.--" "I certainly saw Mr. Darcy speaking to her." "Aye--because she asked him at last how he liked Netherfield, and he could not help answering her;--but she said he seemed very angry at being spoke to." "Miss Bingley told me," said Jane, "that he never speaks much unless among his intimate acquaintance. With _them_ he is remarkably agreeable." "I do not believe a word of it, my dear. If he had been so very agreeable he would have talked to Mrs. Long. But I can guess how it was; every body says that he is ate up with pride, and I dare say he had heard somehow that Mrs. Long does not keep a carriage, and had come to the ball in a hack chaise." "I do not mind his not talking to Mrs. Long," said Miss Lucas, "but I wish he	of an evening which had raised such splendid expectations. He had rather hoped that all his wife's views on the stranger would be disappointed; but he soon found that he had a very different story to hear. "Oh! my dear Mr. Bennet," as she entered the room, "we have had a most delightful evening, a most excellent ball. I wish you had been there. Jane was so admired, nothing could be like it. Every body said how well she looked; and Mr. Bingley thought her quite beautiful, and danced with her twice. Only think of _that_ my dear; he actually danced with her twice; and she was the only creature in the room that he asked a second time. First of all, he asked Miss Lucas. I was so vexed to see him stand up with her; but, however, he did not admire her at all: indeed, nobody can, you know; and he seemed quite struck with Jane as she was going down the dance. So, he enquired who she was, and got introduced, and asked her for the two next. Then, the two third he danced with Miss King, and the two fourth with Maria Lucas, and the two fifth with Jane again, and the two sixth with Lizzy, and the Boulanger----" "If he had had any compassion for _me_," cried her husband impatiently, "he would not have danced half so much! For God's sake, say no more of his partners. Oh! that he had sprained his ancle in the first dance!" "Oh! my dear," continued Mrs. Bennet, "I am quite delighted with him. He is so excessively handsome! and his sisters are charming women. I never in my life saw any thing more elegant than their dresses. I dare say the lace upon Mrs. Hurst's gown----" Here she was interrupted again. Mr. Bennet protested against any description of finery. She was therefore obliged to seek another branch of the subject, and related, with much bitterness of spirit and some exaggeration, the shocking rudeness of Mr. Darcy. "But I can assure you," she added, "that Lizzy does not lose much by not suiting _his_ fancy; for he is a most disagreeable, horrid man, not at all worth pleasing. So high and so conceited that there was no enduring him! He walked here, and he walked there, fancying himself so very great! Not handsome enough to dance with! I wish you had been there, my dear, to have given him one of your set downs. I quite detest the man." CHAPTER IV. When Jane and Elizabeth were alone, the former, who had been cautious in her praise of Mr. Bingley before, expressed to her sister how very much she admired him. "He is just what a young man ought to be," said she, "sensible, good humoured, lively; and I never saw such happy manners!--so much ease, with such perfect good breeding!" "He is also handsome," replied Elizabeth, "which a young man ought likewise to be, if he possibly can. His character is thereby complete." "I was very much flattered by his asking me to dance a second time. I did not expect such a compliment." "Did not you? _I_ did for you. But that is one great difference between us. Compliments always take _you_ by surprise, and _me_ never. What could be more natural than his asking you again? He could not help seeing that you were about five times as pretty as every other woman in the room. No thanks to his gallantry for that. Well, he certainly is very agreeable, and I give you leave to like him. You have liked many a stupider person." "Dear Lizzy!" "Oh! you are a great deal too apt you know, to like people in general. You never see a fault in any body. All the world are good and agreeable in your eyes. I never heard you speak ill of a human being in my life." "I would wish not to be hasty in censuring any one; but I always speak what I think." "I know you do; and it is _that_ which makes the wonder. With _your_ good sense, to be so honestly blind to the follies and nonsense of others! Affectation of candour is common enough;--one meets it every where. But to be candid without ostentation or design--to take the good of every body's character and make it still better, and say nothing of the bad--belongs to you alone. And so, you like this man's sisters too, do you? Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed I rather believe he _did_--I heard something about it--but I hardly know what--something about Mr. Robinson." "Perhaps you mean what I overheard between him and Mr. Robinson; did not I mention it to you? Mr. Robinson's asking him how he liked our Meryton assemblies, and whether he did not think there were a great many pretty women in the room, and _which_ he thought the prettiest? and his answering immediately to the last question--Oh! the eldest Miss Bennet beyond a doubt, there cannot be two opinions on that point." "Upon my word!--Well, that was very decided indeed--that does seem as if----but however, it may all come to nothing you know." "_My_ overhearings were more to the purpose than _yours_, Eliza," said Charlotte. "Mr. Darcy is not so well worth listening to as his friend, is he?--Poor Eliza!--to be only just _tolerable_." "I beg you would not put it into Lizzy's head to be vexed by his ill-treatment; for he is such a disagreeable man that it would be quite a misfortune to be liked by him. Mrs. Long told me last night that he sat close to her for half an hour without once opening his lips." "Are you quite sure, Ma'am?--is not there a little mistake?" said Jane.--" "I certainly saw Mr. Darcy speaking to her." "Aye--because she asked him at last how he liked Netherfield, and he could not help answering her;--but she said he seemed very angry at being spoke to." "Miss Bingley told me," said Jane, "that he never speaks much unless among his intimate acquaintance. With _them_ he is remarkably agreeable." "I do not believe a word of it, my dear. If he had been so very agreeable he would have talked to Mrs. Long. But I can guess how it was; every body says that he is ate up with pride, and I dare say he had heard somehow that Mrs. Long does not keep a carriage, and had come to the ball in a hack chaise." "I do not mind his not talking to Mrs. Long," said Miss Lucas, "but I wish he had danced with Eliza." "Another time, Lizzy," said her mother, "I would not dance with _him_, if I were you." "I believe, Ma'am, I may safely promise you _never_ to dance with him." "His pride," said Miss Lucas, "does not offend _me_ so much as pride often does, because there is an excuse for it. One cannot wonder that so very fine a young man, with family, fortune, every thing in his favour, should think highly of himself. If I may so express it, he has a _right_ to be proud." "That is very true," replied Elizabeth, "and I could easily forgive _his_ pride, if he had not mortified _mine_." "Pride," observed Mary, who piqued herself upon the solidity of her reflections, "is a very common failing I believe. By all that I have ever read, I am convinced that it is very common indeed, that human nature is particularly prone to it, and that there are very few of us who do not cherish a feeling of self-complacency on the score of some quality or other, real or imaginary. Vanity and pride are different things, though the words are often used synonimously. A person may be proud without being vain. Pride relates more to our opinion of ourselves, vanity to what we would have others think of us." "If I were as rich as Mr. Darcy," cried a young Lucas who came with his sisters, "I should not care how proud I was. I would keep a pack of foxhounds, and drink a bottle of wine every day." "Then you would drink a great deal more than you ought," said Mrs. Bennet; "and if I were to see you at it I should take away your bottle directly." The boy protested that she should not; she continued to declare that she would, and the argument ended only with the visit. CHAPTER VI. The ladies of Longbourn soon waited on those of Netherfield. The visit was returned in due form. Miss Bennet's pleasing manners grew on the good will of Mrs. Hurst and Miss Bingley; and though the mother was found to be intolerable and the younger sisters not worth speaking to, a wish of being better acquainted with _them_, was expressed towards the two eldest. By Jane this attention was received with the greatest pleasure; but Elizabeth still saw superciliousness in their treatment of every body, hardly excepting even	"He is also handsome," replied Elizabeth, "which a young man ought likewise to be, if he possibly can. His character is thereby complete." "I was very much flattered by his asking me to dance a second time. I did not expect such a compliment." "Did not you? _I_ did for you. But that is one great difference between us. Compliments always take _you_ by surprise, and _me_ never. What could be more natural than his asking you again? He could not help seeing that you were about five times as pretty as every other woman in the room. No thanks to his gallantry for that. Well, he certainly is very agreeable, and I give you leave to like him. You have liked many a stupider person." "Dear Lizzy!" "Oh! you are a great deal too apt you know, to like people in general. You never see a fault in any body. All the world are good and agreeable in your eyes. I never heard you speak ill of a human being in my life." "I would wish not to be hasty in censuring any one; but I always speak what I think." "I know you do; and it is _that_ which makes the wonder. With _your_ good sense, to be so honestly blind to the follies and nonsense of others! Affectation of candour is common enough;--one meets it every where. But to be candid without ostentation or design--to take the good of every body's character and make it still better, and say nothing of the bad--belongs to you alone. And so, you like this man's sisters too, do you? Their manners are not equal to his." "Certainly not; at first. But they are very pleasing women when you converse with them. Miss Bingley is to live with her brother and keep his house; and I am much mistaken if we shall not find a very charming neighbour in her."<\|quote\|>Elizabeth listened in silence, but was not convinced; their behaviour at the assembly had not been calculated to please in general; and with more quickness of observation and less pliancy of temper than her sister, and with a judgment too unassailed by any attention to herself, she was very little disposed to approve them. They were in fact very fine ladies; not deficient in good humour when they were pleased, nor in the power of being agreeable where they chose it; but proud and conceited. They were rather handsome, had been educated in one of the first private seminaries in town, had a fortune of twenty thousand pounds, were in the habit of spending more than they ought, and of associating with people of rank; and were therefore in every respect entitled to think well of themselves, and meanly of others. They were of a respectable family in the north of England; a circumstance more deeply impressed on their memories than that their brother's fortune and their own had been acquired by trade. Mr. Bingley inherited property to the amount of nearly an hundred thousand pounds from his father, who had intended to purchase an estate, but did not live to do it.--Mr. Bingley intended it likewise, and sometimes made choice of his county; but as he was now provided with a good house and the liberty of a manor, it was doubtful to many of those who best knew the easiness of his temper, whether he might not spend the remainder of his days at Netherfield, and leave the next generation to purchase. His sisters were very anxious for his having an estate of his own; but though he was now established only as a tenant, Miss Bingley was by no means unwilling to preside at his table, nor was Mrs. Hurst, who had married a man of more fashion than fortune, less disposed to consider his house as her home when it suited her. Mr. Bingley had not been of age two years, when he was tempted by an accidental recommendation to look at Netherfield House. He did look at it and into it for half an hour, was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately. Between him and Darcy there was a very steady friendship, in spite of a great opposition of character.--Bingley was endeared to Darcy by the easiness, openness, ductility of his temper, though no disposition could offer a greater contrast to his own, and though with his own he never appeared dissatisfied. On the strength of Darcy's regard Bingley had the firmest reliance, and of his judgment the highest opinion. In understanding Darcy was the superior. Bingley was by no means deficient, but Darcy was clever. He was at the same time haughty, reserved, and fastidious, and his manners, though well bred, were not inviting. In that respect his friend had greatly the advantage. Bingley was sure of being liked wherever he appeared, Darcy was continually giving offence. The manner in which they spoke of the Meryton assembly was sufficiently characteristic. Bingley had never met with pleasanter people or prettier girls in his life; every body had been most kind and attentive to him, there had been no formality, no stiffness, he had soon felt acquainted with all the room; and as to Miss Bennet, he could not conceive an angel more beautiful. Darcy, on the contrary, had seen a collection of people in whom there was little beauty and no fashion, for none of whom he had felt the smallest interest, and from none received either attention or pleasure. Miss Bennet he acknowledged to be pretty, but she smiled too much. Mrs. Hurst and her sister allowed it to be so--but still they admired her and liked her, and pronounced her to be a sweet girl, and one whom they should not object to know more of. Miss Bennet was therefore established as a sweet girl, and their brother felt authorised by such commendation to think of her as he chose. CHAPTER V. Within a short walk of Longbourn lived a family with whom the Bennets were particularly intimate. Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King, during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and unshackled by business, occupy himself solely in being civil to all the world. For though elated by his rank, it did not render him supercilious; on the contrary, he was all attention to every body. By nature inoffensive, friendly and obliging, his presentation at St. James's had made him courteous. Lady Lucas was a very good kind of woman, not too clever to be a valuable neighbour to Mrs. Bennet.--They had several children. The eldest of them, a sensible, intelligent young woman, about twenty-seven, was Elizabeth's intimate friend. That the Miss Lucases and the Miss Bennets should meet to talk over a ball was absolutely necessary; and the morning after the assembly brought the former to Longbourn to hear and to communicate.</\|quote\|>"_You_ began the evening well, Charlotte," said Mrs. Bennet with civil self-command to Miss Lucas. "_You_ were Mr. Bingley's first choice." "Yes;--but he seemed to like his second better." "Oh!--you mean Jane, I suppose--because he danced with her twice. To be sure that _did_ seem as if he admired her--indeed I rather believe he _did_--I heard something about it--but I hardly know what--something about Mr. Robinson." "Perhaps you mean what I overheard between him and Mr. Robinson; did not I mention it to you? Mr. Robinson's asking him how he liked our Meryton assemblies, and whether he did not think there were a great many pretty women in the room, and _which_ he thought the prettiest? and his answering immediately to the last question--Oh! the eldest Miss Bennet beyond a doubt, there cannot be two opinions on that point." "Upon my word!--Well, that was very decided indeed--that does seem as if----but however, it may all come to nothing you know." "_My_ overhearings were more to the purpose than _yours_, Eliza," said Charlotte. "Mr. Darcy is not so well worth listening to as his friend, is he?--Poor Eliza!--to be only just _tolerable_." "I beg you would not put it into Lizzy's head to be vexed by his ill-treatment; for he is such a disagreeable man that it would be quite a misfortune to be liked by him. Mrs. Long told me last night that he sat close to her for half an hour without once opening his lips." "Are you quite sure, Ma'am?--is not there a little mistake?" said Jane.--" "I certainly saw Mr. Darcy speaking to her." "Aye--because she asked him at last how he liked Netherfield, and he could not help answering her;--but she said he seemed very angry at being spoke to." "Miss Bingley told me," said Jane, "that he never speaks much unless among his intimate acquaintance. With _them_ he is remarkably agreeable." "I do not believe a word of it, my dear. If	Pride And Prejudice
"The peasant!"	Gabriel Syme	shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not	on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages."	followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the	and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor	they felt that they had come to the end of their story. They turned and faced the town. That town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they	string of men ran shouting along the sea-front. Syme snatched a sword, and took it in his teeth; he stuck two others under his arm-pits, took a fourth in his left hand and the lantern in his right, and leapt off the high parade on to the beach below. The others leapt after him, with a common acceptance of such decisive action, leaving the debris and the gathering mob above them. "We have one more chance," said Syme, taking the steel out of his mouth. "Whatever all this pandemonium means, I suppose the police station will help us. We can't get there, for they hold the way. But there's a pier or breakwater runs out into the sea just here, which we could defend longer than anything else, like Horatius and his bridge. We must defend it till the Gendarmerie turn out. Keep after me." They followed him as he went crunching down the beach, and in a second or two their boots broke not on the sea gravel, but on broad, flat stones. They marched down a long, low jetty, running out in one arm into the dim, boiling sea, and when they came to the end of it they felt that they had come to the end of their story. They turned and faced the town. That town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But	we must kill a tidy number of them." "I won't 'ave it," said Dr. Bull, growing more vulgar in the sincerity of his virtue. "The poor chaps may be making a mistake. Give the Colonel a chance." "Shall we go back, then?" asked the Professor. "No," said Ratcliffe in a cold voice, "the street behind us is held too. In fact, I seem to see there another friend of yours, Syme." Syme spun round smartly, and stared backwards at the track which they had travelled. He saw an irregular body of horsemen gathering and galloping towards them in the gloom. He saw above the foremost saddle the silver gleam of a sword, and then as it grew nearer the silver gleam of an old man's hair. The next moment, with shattering violence, he had swung the motor round and sent it dashing down the steep side street to the sea, like a man that desired only to die. "What the devil is up?" cried the Professor, seizing his arm. "The morning star has fallen!" said Syme, as his own car went down the darkness like a falling star. The others did not understand his words, but when they looked back at the street above they saw the hostile cavalry coming round the corner and down the slopes after them; and foremost of all rode the good innkeeper, flushed with the fiery innocence of the evening light. "The world is insane!" said the Professor, and buried his face in his hands. "No," said Dr. Bull in adamantine humility, "it is I." "What are we going to do?" asked the Professor. "At this moment," said Syme, with a scientific detachment, "I think we are going to smash into a lamppost." The next instant the automobile had come with a catastrophic jar against an iron object. The instant after that four men had crawled out from under a chaos of metal, and a tall lean lamp-post that had stood up straight on the edge of the marine parade stood out, bent and twisted, like the branch of a broken tree. "Well, we smashed something," said the Professor, with a faint smile. "That's some comfort." "You're becoming an anarchist," said Syme, dusting his clothes with his instinct of daintiness. "Everyone is," said Ratcliffe. As they spoke, the white-haired horseman and his followers came thundering from above, and almost at the same moment a dark string of men ran shouting along the sea-front. Syme snatched a sword, and took it in his teeth; he stuck two others under his arm-pits, took a fourth in his left hand and the lantern in his right, and leapt off the high parade on to the beach below. The others leapt after him, with a common acceptance of such decisive action, leaving the debris and the gathering mob above them. "We have one more chance," said Syme, taking the steel out of his mouth. "Whatever all this pandemonium means, I suppose the police station will help us. We can't get there, for they hold the way. But there's a pier or breakwater runs out into the sea just here, which we could defend longer than anything else, like Horatius and his bridge. We must defend it till the Gendarmerie turn out. Keep after me." They followed him as he went crunching down the beach, and in a second or two their boots broke not on the sea gravel, but on broad, flat stones. They marched down a long, low jetty, running out in one arm into the dim, boiling sea, and when they came to the end of it they felt that they had come to the end of their story. They turned and faced the town. That town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the Professor, with his back turned. "I also am holding hard on to the thing I never saw." All of a sudden Syme, who was standing as if blind with introspective thought, swung round and cried out, like a man waking from sleep "Where is the Colonel? I thought he was with us!" "The Colonel! Yes," cried Bull, "where on earth is the Colonel?" "He went to speak to Renard," said the Professor. "We cannot leave him among all those beasts," cried Syme. "Let us die like gentlemen if" "Do not pity the Colonel," said Ratcliffe, with a pale sneer. "He is extremely comfortable. He is" "No! no! no!" cried Syme in a kind of frenzy, "not the Colonel too! I will never believe it!" "Will you believe your eyes?" asked the other, and pointed to the beach. Many of their pursuers had waded into the water shaking their fists, but the sea was rough, and they could not reach the pier. Two or three figures, however, stood on the beginning of the stone footway, and seemed to be cautiously advancing down it. The glare of a chance lantern lit up the faces of the two foremost. One face wore a black half-mask, and under it the mouth was twisting about in such a madness of nerves that the black tuft of beard wriggled round and round like a restless, living thing. The other was the red face and white moustache of Colonel Ducroix. They were in earnest consultation. "Yes, he is gone too," said the Professor, and sat down on a stone. "Everything's gone. I'm gone! I can't trust my own bodily machinery. I feel as if my own hand might fly up and strike me." "When my hand flies up," said Syme, "it will strike somebody else," and he strode along the pier towards the Colonel, the sword in one hand and the lantern in the other. As if to destroy the last hope or doubt, the Colonel, who saw him coming, pointed his revolver at him and fired. The shot missed Syme, but struck his sword, breaking it short at the hilt. Syme rushed on, and swung the iron lantern above his head. "Judas	the corner and down the slopes after them; and foremost of all rode the good innkeeper, flushed with the fiery innocence of the evening light. "The world is insane!" said the Professor, and buried his face in his hands. "No," said Dr. Bull in adamantine humility, "it is I." "What are we going to do?" asked the Professor. "At this moment," said Syme, with a scientific detachment, "I think we are going to smash into a lamppost." The next instant the automobile had come with a catastrophic jar against an iron object. The instant after that four men had crawled out from under a chaos of metal, and a tall lean lamp-post that had stood up straight on the edge of the marine parade stood out, bent and twisted, like the branch of a broken tree. "Well, we smashed something," said the Professor, with a faint smile. "That's some comfort." "You're becoming an anarchist," said Syme, dusting his clothes with his instinct of daintiness. "Everyone is," said Ratcliffe. As they spoke, the white-haired horseman and his followers came thundering from above, and almost at the same moment a dark string of men ran shouting along the sea-front. Syme snatched a sword, and took it in his teeth; he stuck two others under his arm-pits, took a fourth in his left hand and the lantern in his right, and leapt off the high parade on to the beach below. The others leapt after him, with a common acceptance of such decisive action, leaving the debris and the gathering mob above them. "We have one more chance," said Syme, taking the steel out of his mouth. "Whatever all this pandemonium means, I suppose the police station will help us. We can't get there, for they hold the way. But there's a pier or breakwater runs out into the sea just here, which we could defend longer than anything else, like Horatius and his bridge. We must defend it till the Gendarmerie turn out. Keep after me." They followed him as he went crunching down the beach, and in a second or two their boots broke not on the sea gravel, but on broad, flat stones. They marched down a long, low jetty, running out in one arm into the dim, boiling sea, and when they came to the end of it they felt that they had come to the end of their story. They turned and faced the town. That town was transfigured with uproar. All along the high parade from which they had just descended was a dark and roaring stream of humanity, with tossing arms and fiery faces, groping and glaring towards them. The long dark line was dotted with torches and lanterns; but even where no flame lit up a furious face, they could see in the farthest figure, in the most shadowy gesture, an organised hate. It was clear that they were the accursed of all men, and they knew not why. Two or three men, looking little and black like monkeys, leapt over the edge as they had done and dropped on to the beach. These came ploughing down the deep sand, shouting horribly, and strove to wade into the sea at random. The example was followed, and the whole black mass of men began to run and drip over the edge like black treacle. Foremost among the men on the beach Syme saw the peasant who had driven their cart. He splashed into the surf on a huge cart-horse, and shook his axe at them.<\|quote\|>"The peasant!"</\|quote\|>cried Syme. "They have not risen since the Middle Ages." "Even if the police do come now," said the Professor mournfully, "they can do nothing with this mob." "Nonsense!" said Bull desperately; "there must be some people left in the town who are human." "No," said the hopeless Inspector, "the human being will soon be extinct. We are the last of mankind." "It may be," said the Professor absently. Then he added in his dreamy voice, "What is all that at the end of the 'Dunciad'?" 'Nor public flame; nor private, dares to shine; Nor human light is left, nor glimpse divine! Lo! thy dread Empire, Chaos, is restored; Light dies before thine uncreating word: Thy hand, great Anarch, lets the curtain fall; And universal darkness buries all.'" "Stop!" cried Bull suddenly, "the gendarmes are out." The low lights of the police station were indeed blotted and broken with hurrying figures, and they heard through the darkness the clash and jingle of a disciplined cavalry. "They are charging the mob!" cried Bull in ecstacy or alarm. "No," said Syme, "they are formed along the parade." "They have unslung their carbines," cried Bull dancing with excitement. "Yes," said Ratcliffe, "and they are going to fire on us." As he spoke there came a long crackle of musketry, and bullets seemed to hop like hailstones on the stones in front of them. "The gendarmes have joined them!" cried the Professor, and struck his forehead. "I am in the padded cell," said Bull solidly. There was a long silence, and then Ratcliffe said, looking out over the swollen sea, all a sort of grey purple "What does it matter who is mad or who is sane? We shall all be dead soon." Syme turned to him and said "You are quite hopeless, then?" Mr. Ratcliffe kept a stony silence; then at last he said quietly "No; oddly enough I am not quite hopeless. There is one insane little hope that I cannot get out of my mind. The power of this whole planet is against us, yet I cannot help wondering whether this one silly little hope is hopeless yet." "In what or whom is your hope?" asked Syme with curiosity. "In a man I never saw," said the other, looking at the leaden sea. "I know what you mean," said Syme in a low voice, "the man in the dark room. But Sunday must have killed him by now." "Perhaps," said the other steadily; "but if so, he was the only man whom Sunday found it hard to kill." "I heard what you said," said the	The Man Who Was Thursday
"Did you see the show?"	Jake Barnes	the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were	of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?"	crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been	It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the	street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf	at the hotel. It was the first meal of the prices being doubled for the fiesta, and there were several new courses. After the dinner we were out in the town. I remember resolving that I would stay up all night to watch the bulls go through the streets at six o'clock in the morning, and being so sleepy that I went to bed around four o'clock. The others stayed up. My own room was locked and I could not find the key, so I went up-stairs and slept on one of the beds in Cohn's room. The fiesta was going on outside in the night, but I was too sleepy for it to keep me awake. When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. They would race through the streets and out to the bull-ring. I had been sleeping heavily and I woke feeling I was too late. I put on a coat of Cohn's and went out on the balcony. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. "I'm not worried about how I'll stand it. I'm only afraid I may be bored," Cohn said. "You think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried	just passed out on Anis del Mono." As he said Anis del Mono one of the men at the table looked up, brought out a bottle from inside his smock, and handed it to me. "No," I said. "No, thanks!" "Yes. Yes. Arriba! Up with the bottle!" I took a drink. It tasted of licorice and warmed all the way. I could feel it warming in my stomach. "Where the hell is Cohn?" "I don't know," Mike said. "I'll ask. Where is the drunken comrade?" he asked in Spanish. "You want to see him?" "Yes," I said. "Not me," said Mike. "This gent." The Anis del Mono man wiped his mouth and stood up. "Come on." In a back room Robert Cohn was sleeping quietly on some wine-casks. It was almost too dark to see his face. They had covered him with a coat and another coat was folded under his head. Around his neck and on his chest was a big wreath of twisted garlics. "Let him sleep," the man whispered. "He's all right." Two hours later Cohn appeared. He came into the front room still with the wreath of garlics around his neck. The Spaniards shouted when he came in. Cohn wiped his eyes and grinned. "I must have been sleeping," he said. "Oh, not at all," Brett said. "You were only dead," Bill said. "Aren't we going to go and have some supper?" Cohn asked. "Do you want to eat?" "Yes. Why not? I'm hungry." "Eat those garlics, Robert," Mike said. "I say. Do eat those garlics." Cohn stood there. His sleep had made him quite all right. "Do let's go and eat," Brett said. "I must get a bath." "Come on," Bill said. "Let's translate Brett to the hotel." We said good-bye to many people and shook hands with many people and went out. Outside it was dark. "What time is it do you suppose?" Cohn asked. "It's to-morrow," Mike said. "You've been asleep two days." "No," said Cohn, "what time is it?" "It's ten o'clock." "What a lot we've drunk." "You mean what a lot _we've_ drunk. You went to sleep." Going down the dark streets to the hotel we saw the sky-rockets going up in the square. Down the side streets that led to the square we saw the square solid with people, those in the centre all dancing. It was a big meal at the hotel. It was the first meal of the prices being doubled for the fiesta, and there were several new courses. After the dinner we were out in the town. I remember resolving that I would stay up all night to watch the bulls go through the streets at six o'clock in the morning, and being so sleepy that I went to bed around four o'clock. The others stayed up. My own room was locked and I could not find the key, so I went up-stairs and slept on one of the beds in Cohn's room. The fiesta was going on outside in the night, but I was too sleepy for it to keep me awake. When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. They would race through the streets and out to the bull-ring. I had been sleeping heavily and I woke feeling I was too late. I put on a coat of Cohn's and went out on the balcony. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. "I'm not worried about how I'll stand it. I'm only afraid I may be bored," Cohn said. "You think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried whether I'll be able to go through with it all right." "You'll be all right. There's nothing but that horse part that will bother you, and they're only in for a few minutes with each bull. Just don't watch when it's bad." "She'll be all right," Mike said. "I'll look after her." "I don't think you'll be bored," Bill said. "I'm going over to the hotel to get the glasses and the wine-skin," I said. "See you back here. Don't get cock-eyed." "I'll come along," Bill said. Brett smiled at us. We walked around through the arcade to avoid the heat of the square. "That Cohn gets me," Bill said. "He's got this Jewish superiority so strong that he thinks the only emotion he'll get out of the fight will be being bored." "We'll watch him with the glasses," I said. "Oh, to hell with him!" "He spends a lot of time there." "I want him to stay there." In the hotel on the stairs we met Montoya. "Come on," said Montoya. "Do you want to meet Pedro Romero?" "Fine," said Bill. "Let's go see him." We followed Montoya up a flight and down the corridor. "He's in room number eight," Montoya explained. "He's getting dressed for the bull-fight." Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for	bulls go through the streets at six o'clock in the morning, and being so sleepy that I went to bed around four o'clock. The others stayed up. My own room was locked and I could not find the key, so I went up-stairs and slept on one of the beds in Cohn's room. The fiesta was going on outside in the night, but I was too sleepy for it to keep me awake. When I woke it was the sound of the rocket exploding that announced the release of the bulls from the corrals at the edge of town. They would race through the streets and out to the bull-ring. I had been sleeping heavily and I woke feeling I was too late. I put on a coat of Cohn's and went out on the balcony. Down below the narrow street was empty. All the balconies were crowded with people. Suddenly a crowd came down the street. They were all running, packed close together. They passed along and up the street toward the bull-ring and behind them came more men running faster, and then some stragglers who were really running. Behind them was a little bare space, and then the bulls galloping, tossing their heads up and down. It all went out of sight around the corner. One man fell, rolled to the gutter, and lay quiet. But the bulls went right on and did not notice him. They were all running together. After they went out of sight a great roar came from the bull-ring. It kept on. Then finally the pop of the rocket that meant the bulls had gotten through the people in the ring and into the corrals. I went back in the room and got into bed. I had been standing on the stone balcony in bare feet. I knew our crowd must have all been out at the bull-ring. Back in bed, I went to sleep. Cohn woke me when he came in. He started to undress and went over and closed the window because the people on the balcony of the house just across the street were looking in.<\|quote\|>"Did you see the show?"</\|quote\|>I asked. "Yes. We were all there." "Anybody get hurt?" "One of the bulls got into the crowd in the ring and tossed six or eight people." "How did Brett like it?" "It was all so sudden there wasn't any time for it to bother anybody." "I wish I'd been up." "We didn't know where you were. We went to your room but it was locked." "Where did you stay up?" "We danced at some club." "I got sleepy," I said. "My gosh! I'm sleepy now," Cohn said. "Doesn't this thing ever stop?" "Not for a week." Bill opened the door and put his head in. "Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. "I'm not worried about how I'll stand it. I'm only afraid I may be bored," Cohn said. "You think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried whether I'll be able to go through with it all right." "You'll be all right. There's nothing but that horse part that will bother you, and they're only in for a few minutes with each bull. Just don't watch when it's bad." "She'll be all right," Mike said. "I'll look after her." "I don't think you'll be bored," Bill said. "I'm going over	The Sun Also Rises
said Brett.	No speaker	knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's	corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in."	bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have	up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a	buenos," I said. "Is there an Englishwoman here? I would like to see this English lady." "Muy buenos. Yes, there is a female English. Certainly you can see her if she wishes to see you." "She wishes to see me." "The chica will ask her." "It is very hot." "It is very hot in the summer in Madrid." "And how cold in winter." "Yes, it is very cold in winter." Did I want to stay myself in person in the Hotel Montana? Of that as yet I was undecided, but it would give me pleasure if my bags were brought up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh,	taxi and we climbed up through the gardens, by the empty palace and the unfinished church on the edge of the cliff, and on up until we were in the high, hot, modern town. The taxi coasted down a smooth street to the Puerta del Sol, and then through the traffic and out into the Carrera San Jeronimo. All the shops had their awnings down against the heat. The windows on the sunny side of the street were shuttered. The taxi stopped at the curb. I saw the sign HOTEL MONTANA on the second floor. The taxi-driver carried the bags in and left them by the elevator. I could not make the elevator work, so I walked up. On the second floor up was a cut brass sign: HOTEL MONTANA. I rang and no one came to the door. I rang again and a maid with a sullen face opened the door. "Is Lady Ashley here?" I asked. She looked at me dully. "Is an Englishwoman here?" She turned and called some one inside. A very fat woman came to the door. Her hair was gray and stiffly oiled in scallops around her face. She was short and commanding. "Muy buenos," I said. "Is there an Englishwoman here? I would like to see this English lady." "Muy buenos. Yes, there is a female English. Certainly you can see her if she wishes to see you." "She wishes to see me." "The chica will ask her." "It is very hot." "It is very hot in the summer in Madrid." "And how cold in winter." "Yes, it is very cold in winter." Did I want to stay myself in person in the Hotel Montana? Of that as yet I was undecided, but it would give me pleasure if my bags were brought up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go	"A telegram for you, sir." I poked my finger along under the fold that was fastened down, spread it open, and read it. It had been forwarded from Paris: COULD YOU COME HOTEL MONTANA MADRID AM RATHER IN TROUBLE BRETT. I tipped the concierge and read the message again. A postman was coming along the sidewalk. He turned in the hotel. He had a big moustache and looked very military. He came out of the hotel again. The concierge was just behind him. "Here's another telegram for you, sir." "Thank you," I said. I opened it. It was forwarded from Pamplona. COULD YOU COME HOTEL MONTANA MADRID AM RATHER IN TROUBLE BRETT. The concierge stood there waiting for another tip, probably. "What time is there a train for Madrid?" "It left at nine this morning. There is a slow train at eleven, and the Sud Express at ten to-night." "Get me a berth on the Sud Express. Do you want the money now?" "Just as you wish," he said. "I will have it put on the bill." "Do that." Well, that meant San Sebastian all shot to hell. I suppose, vaguely, I had expected something of the sort. I saw the concierge standing in the doorway. "Bring me a telegram form, please." He brought it and I took out my fountain-pen and printed: LADY ASHLEY HOTEL MONTANA MADRID ARRIVING SUD EXPRESS TOMORROW LOVE JAKE. That seemed to handle it. That was it. Send a girl off with one man. Introduce her to another to go off with him. Now go and bring her back. And sign the wire with love. That was it all right. I went in to lunch. I did not sleep much that night on the Sud Express. In the morning I had breakfast in the dining-car and watched the rock and pine country between Avila and Escorial. I saw the Escorial out of the window, gray and long and cold in the sun, and did not give a damn about it. I saw Madrid come up over the plain, a compact white sky-line on the top of a little cliff away off across the sun-hardened country. The Norte station in Madrid is the end of the line. All trains finish there. They don't go on anywhere. Outside were cabs and taxis and a line of hotel runners. It was like a country town. I took a taxi and we climbed up through the gardens, by the empty palace and the unfinished church on the edge of the cliff, and on up until we were in the high, hot, modern town. The taxi coasted down a smooth street to the Puerta del Sol, and then through the traffic and out into the Carrera San Jeronimo. All the shops had their awnings down against the heat. The windows on the sunny side of the street were shuttered. The taxi stopped at the curb. I saw the sign HOTEL MONTANA on the second floor. The taxi-driver carried the bags in and left them by the elevator. I could not make the elevator work, so I walked up. On the second floor up was a cut brass sign: HOTEL MONTANA. I rang and no one came to the door. I rang again and a maid with a sullen face opened the door. "Is Lady Ashley here?" I asked. She looked at me dully. "Is an Englishwoman here?" She turned and called some one inside. A very fat woman came to the door. Her hair was gray and stiffly oiled in scallops around her face. She was short and commanding. "Muy buenos," I said. "Is there an Englishwoman here? I would like to see this English lady." "Muy buenos. Yes, there is a female English. Certainly you can see her if she wishes to see you." "She wishes to see me." "The chica will ask her." "It is very hot." "It is very hot in the summer in Madrid." "And how cold in winter." "Yes, it is very cold in winter." Did I want to stay myself in person in the Hotel Montana? Of that as yet I was undecided, but it would give me pleasure if my bags were brought up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good." She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her. "Don't let's ever talk about it. Please don't let's ever talk about it." "Dear Brett." "I'm going back to Mike." I could feel her crying as I held her close. "He's so damned nice and he's so awful. He's my sort of thing." She would not look up. I stroked her hair. I could feel her shaking. "I won't be one of those bitches," she said. "But, oh, Jake, please let's never talk about it." We left the Hotel Montana. The woman who ran the hotel would not let me pay the bill. The bill had been paid. "Oh, well. Let it go," Brett said. "It doesn't matter now." We rode in a taxi down to the Palace Hotel, left the bags, arranged for berths on the Sud Express for the night, and went into the bar of the hotel for a cocktail. We sat on high stools at the bar while the barman shook the Martinis in a large nickelled shaker. "It's funny what a wonderful gentility you get in the bar of a big hotel," I said. "Barmen and jockeys are the only people who are polite any more." "No matter how vulgar a hotel is, the bar is always nice." "It's odd." "Bartenders have always been fine." "You know," Brett said, "it's quite true. He is only nineteen. Isn't it amazing?" We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid. "I like an olive in a Martini," I said to	by the empty palace and the unfinished church on the edge of the cliff, and on up until we were in the high, hot, modern town. The taxi coasted down a smooth street to the Puerta del Sol, and then through the traffic and out into the Carrera San Jeronimo. All the shops had their awnings down against the heat. The windows on the sunny side of the street were shuttered. The taxi stopped at the curb. I saw the sign HOTEL MONTANA on the second floor. The taxi-driver carried the bags in and left them by the elevator. I could not make the elevator work, so I walked up. On the second floor up was a cut brass sign: HOTEL MONTANA. I rang and no one came to the door. I rang again and a maid with a sullen face opened the door. "Is Lady Ashley here?" I asked. She looked at me dully. "Is an Englishwoman here?" She turned and called some one inside. A very fat woman came to the door. Her hair was gray and stiffly oiled in scallops around her face. She was short and commanding. "Muy buenos," I said. "Is there an Englishwoman here? I would like to see this English lady." "Muy buenos. Yes, there is a female English. Certainly you can see her if she wishes to see you." "She wishes to see me." "The chica will ask her." "It is very hot." "It is very hot in the summer in Madrid." "And how cold in winter." "Yes, it is very cold in winter." Did I want to stay myself in person in the Hotel Montana? Of that as yet I was undecided, but it would give me pleasure if my bags were brought up from the ground floor in order that they might not be stolen. Nothing was ever stolen in the Hotel Montana. In other fondas, yes. Not here. No. The personages of this establishment were rigidly selectioned. I was happy to hear it. Nevertheless I would welcome the upbringal of my bags. The maid came in and said that the female English wanted to see the male English now, at once. "Good," I said. "You see. It is as I said." "Clearly." I followed the maid's back down a long, dark corridor. At the end she knocked on a door. "Hello,"<\|quote\|>said Brett.</\|quote\|>"Is it you, Jake?" "It's me." "Come in. Come in." I opened the door. The maid closed it after me. Brett was in bed. She had just been brushing her hair and held the brush in her hand. The room was in that disorder produced only by those who have always had servants. "Darling!" Brett said. I went over to the bed and put my arms around her. She kissed me, and while she kissed me I could feel she was thinking of something else. She was trembling in my arms. She felt very small. "Darling! I've had such a hell of a time." "Tell me about it." "Nothing to tell. He only left yesterday. I made him go." "Why didn't you keep him?" "I don't know. It isn't the sort of thing one does. I don't think I hurt him any." "You were probably damn good for him." "He shouldn't be living with any one. I realized that right away." "No." "Oh, hell!" she said, "let's not talk about it. Let's never talk about it." "All right." "It was rather a knock his being ashamed of me. He was ashamed of me for a while, you know." "No." "Oh, yes. They ragged him about me at the caf , I guess. He wanted me to grow my hair out. Me, with long hair. I'd look so like hell." "It's funny." "He said it would make me more womanly. I'd look a fright." "What happened?" "Oh, he got over that. He wasn't ashamed of me long." "What was it about being in trouble?" "I didn't know whether I could make him go, and I didn't have a sou to go away and leave him. He tried to give me a lot of money, you know. I told him I had scads of it. He knew that was a lie. I couldn't take his money, you know." "No." "Oh, let's not talk about it. There were some funny things, though. Do give me a cigarette." I lit the cigarette. "He learned his English as a waiter in Gib." "Yes." "He wanted to marry me, finally." "Really?" "Of course. I can't even marry Mike." "Maybe he thought that would make him Lord Ashley." "No. It wasn't that. He really wanted to marry me. So I couldn't go away from him, he said. He wanted to make it sure I could never go away from him. After I'd gotten more womanly, of course." "You ought to feel set up." "I do. I'm all right again. He's wiped out that damned Cohn." "Good." "You know I'd have lived with him if I hadn't seen it was bad for him. We got along damned well." "Outside of your personal appearance." "Oh, he'd have gotten used to that." She put out the cigarette. "I'm thirty-four, you know. I'm not going to be one of these bitches that ruins children." "No." "I'm not going to be that way. I feel rather good, you know. I feel rather set up." "Good." She looked away. I thought she was looking for another cigarette. Then I saw she was crying. I could feel her crying. Shaking and crying. She wouldn't look up. I put my arms around her. "Don't let's ever talk about it. Please don't	The Sun Also Rises
"It is things going right,"	Gabriel Syme	too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical!	unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going	and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory	the poet will be discontented even in the streets of heaven. The poet is always in revolt." "There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory superciliously, "the examples you choose" "I beg your pardon," said Syme grimly, "I forgot we had abolished all conventions." For the first time a red patch appeared on Gregory's forehead. "You don't expect me," he said, "to revolutionise society on this lawn?" Syme looked straight into his eyes and smiled	I have the sense of hairbreadth escape. And when I hear the guard shout out the word Victoria,' it is not an unmeaning word. It is to me the cry of a herald announcing conquest. It is to me indeed Victoria'; it is the victory of Adam." Gregory wagged his heavy, red head with a slow and sad smile. "And even then," he said, "we poets always ask the question, And what is Victoria now that you have got there?' You think Victoria is like the New Jerusalem. We know that the New Jerusalem will only be like Victoria. Yes, the poet will be discontented even in the streets of heaven. The poet is always in revolt." "There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory superciliously, "the examples you choose" "I beg your pardon," said Syme grimly, "I forgot we had abolished all conventions." For the first time a red patch appeared on Gregory's forehead. "You don't expect me," he said, "to revolutionise society on this lawn?" Syme looked straight into his eyes and smiled sweetly. "No, I don't," he said; "but I suppose that if you were serious about your anarchism, that is exactly what you would do." Gregory's big bull's eyes blinked suddenly like those of an angry lion, and one could almost fancy that his red mane rose. "Don't you think, then," he said in a dangerous voice, "that I am serious about my anarchism?" "I beg your pardon?" said Syme. "Am I not serious about my anarchism?" cried Gregory, with knotted fists. "My dear fellow!" said Syme, and strolled away. With surprise, but with a curious pleasure, he found Rosamond Gregory	poetry. The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it. We feel it is epical when man with one wild arrow strikes a distant bird. Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street or to Bagdad. But man is a magician, and his whole magic is in this, that he does say Victoria, and lo! it is Victoria. No, take your books of mere poetry and prose; let me read a time table, with tears of pride. Take your Byron, who commemorates the defeats of man; give me Bradshaw, who commemorates his victories. Give me Bradshaw, I say!" "Must you go?" inquired Gregory sarcastically. "I tell you," went on Syme with passion, "that every time a train comes in I feel that it has broken past batteries of besiegers, and that man has won a battle against chaos. You say contemptuously that when one has left Sloane Square one must come to Victoria. I say that one might do a thousand things instead, and that whenever I really come there I have the sense of hairbreadth escape. And when I hear the guard shout out the word Victoria,' it is not an unmeaning word. It is to me the cry of a herald announcing conquest. It is to me indeed Victoria'; it is the victory of Adam." Gregory wagged his heavy, red head with a slow and sad smile. "And even then," he said, "we poets always ask the question, And what is Victoria now that you have got there?' You think Victoria is like the New Jerusalem. We know that the New Jerusalem will only be like Victoria. Yes, the poet will be discontented even in the streets of heaven. The poet is always in revolt." "There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory superciliously, "the examples you choose" "I beg your pardon," said Syme grimly, "I forgot we had abolished all conventions." For the first time a red patch appeared on Gregory's forehead. "You don't expect me," he said, "to revolutionise society on this lawn?" Syme looked straight into his eyes and smiled sweetly. "No, I don't," he said; "but I suppose that if you were serious about your anarchism, that is exactly what you would do." Gregory's big bull's eyes blinked suddenly like those of an angry lion, and one could almost fancy that his red mane rose. "Don't you think, then," he said in a dangerous voice, "that I am serious about my anarchism?" "I beg your pardon?" said Syme. "Am I not serious about my anarchism?" cried Gregory, with knotted fists. "My dear fellow!" said Syme, and strolled away. With surprise, but with a curious pleasure, he found Rosamond Gregory still in his company. "Mr. Syme," she said, "do the people who talk like you and my brother often mean what they say? Do you mean what you say now?" Syme smiled. "Do you?" he asked. "What do you mean?" asked the girl, with grave eyes. "My dear Miss Gregory," said Syme gently, "there are many kinds of sincerity and insincerity. When you say thank you' for the salt, do you mean what you say? No. When you say the world is round,' do you mean what you say? No. It is true, but you don't mean it. Now, sometimes a man like your brother really finds a thing he does mean. It may be only a half-truth, quarter-truth, tenth-truth; but then he says more than he means from sheer force of meaning it." She was looking at him from under level brows; her face was grave and open, and there had fallen upon it the shadow of that unreasoning responsibility which is at the bottom of the most frivolous woman, the maternal watch which is as old as the world. "Is he really an anarchist, then?" she asked. "Only in that sense I speak of," replied Syme; "or if	if he had that moment fallen out of that impossible sky. In fact, Mr. Lucian Gregory, the anarchic poet, connected the two events. "It may well be," he said, in his sudden lyrical manner, "it may well be on such a night of clouds and cruel colours that there is brought forth upon the earth such a portent as a respectable poet. You say you are a poet of law; I say you are a contradiction in terms. I only wonder there were not comets and earthquakes on the night you appeared in this garden." The man with the meek blue eyes and the pale, pointed beard endured these thunders with a certain submissive solemnity. The third party of the group, Gregory's sister Rosamond, who had her brother's braids of red hair, but a kindlier face underneath them, laughed with such mixture of admiration and disapproval as she gave commonly to the family oracle. Gregory resumed in high oratorical good humour. "An artist is identical with an anarchist," he cried. "You might transpose the words anywhere. An anarchist is an artist. The man who throws a bomb is an artist, because he prefers a great moment to everything. He sees how much more valuable is one burst of blazing light, one peal of perfect thunder, than the mere common bodies of a few shapeless policemen. An artist disregards all governments, abolishes all conventions. The poet delights in disorder only. If it were not so, the most poetical thing in the world would be the Underground Railway." "So it is," said Mr. Syme. "Nonsense!" said Gregory, who was very rational when anyone else attempted paradox. "Why do all the clerks and navvies in the railway trains look so sad and tired, so very sad and tired? I will tell you. It is because they know that the train is going right. It is because they know that whatever place they have taken a ticket for that place they will reach. It is because after they have passed Sloane Square they know that the next station must be Victoria, and nothing but Victoria. Oh, their wild rapture! oh, their eyes like stars and their souls again in Eden, if the next station were unaccountably Baker Street!" "It is you who are unpoetical," replied the poet Syme. "If what you say of clerks is true, they can only be as prosaic as your poetry. The rare, strange thing is to hit the mark; the gross, obvious thing is to miss it. We feel it is epical when man with one wild arrow strikes a distant bird. Is it not also epical when man with one wild engine strikes a distant station? Chaos is dull; because in chaos the train might indeed go anywhere, to Baker Street or to Bagdad. But man is a magician, and his whole magic is in this, that he does say Victoria, and lo! it is Victoria. No, take your books of mere poetry and prose; let me read a time table, with tears of pride. Take your Byron, who commemorates the defeats of man; give me Bradshaw, who commemorates his victories. Give me Bradshaw, I say!" "Must you go?" inquired Gregory sarcastically. "I tell you," went on Syme with passion, "that every time a train comes in I feel that it has broken past batteries of besiegers, and that man has won a battle against chaos. You say contemptuously that when one has left Sloane Square one must come to Victoria. I say that one might do a thousand things instead, and that whenever I really come there I have the sense of hairbreadth escape. And when I hear the guard shout out the word Victoria,' it is not an unmeaning word. It is to me the cry of a herald announcing conquest. It is to me indeed Victoria'; it is the victory of Adam." Gregory wagged his heavy, red head with a slow and sad smile. "And even then," he said, "we poets always ask the question, And what is Victoria now that you have got there?' You think Victoria is like the New Jerusalem. We know that the New Jerusalem will only be like Victoria. Yes, the poet will be discontented even in the streets of heaven. The poet is always in revolt." "There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory superciliously, "the examples you choose" "I beg your pardon," said Syme grimly, "I forgot we had abolished all conventions." For the first time a red patch appeared on Gregory's forehead. "You don't expect me," he said, "to revolutionise society on this lawn?" Syme looked straight into his eyes and smiled sweetly. "No, I don't," he said; "but I suppose that if you were serious about your anarchism, that is exactly what you would do." Gregory's big bull's eyes blinked suddenly like those of an angry lion, and one could almost fancy that his red mane rose. "Don't you think, then," he said in a dangerous voice, "that I am serious about my anarchism?" "I beg your pardon?" said Syme. "Am I not serious about my anarchism?" cried Gregory, with knotted fists. "My dear fellow!" said Syme, and strolled away. With surprise, but with a curious pleasure, he found Rosamond Gregory still in his company. "Mr. Syme," she said, "do the people who talk like you and my brother often mean what they say? Do you mean what you say now?" Syme smiled. "Do you?" he asked. "What do you mean?" asked the girl, with grave eyes. "My dear Miss Gregory," said Syme gently, "there are many kinds of sincerity and insincerity. When you say thank you' for the salt, do you mean what you say? No. When you say the world is round,' do you mean what you say? No. It is true, but you don't mean it. Now, sometimes a man like your brother really finds a thing he does mean. It may be only a half-truth, quarter-truth, tenth-truth; but then he says more than he means from sheer force of meaning it." She was looking at him from under level brows; her face was grave and open, and there had fallen upon it the shadow of that unreasoning responsibility which is at the bottom of the most frivolous woman, the maternal watch which is as old as the world. "Is he really an anarchist, then?" she asked. "Only in that sense I speak of," replied Syme; "or if you prefer it, in that nonsense." She drew her broad brows together and said abruptly "He wouldn't really use bombs or that sort of thing?" Syme broke into a great laugh, that seemed too large for his slight and somewhat dandified figure. "Good Lord, no!" he said, "that has to be done anonymously." And at that the corners of her own mouth broke into a smile, and she thought with a simultaneous pleasure of Gregory's absurdity and of his safety. Syme strolled with her to a seat in the corner of the garden, and continued to pour out his opinions. For he was a sincere man, and in spite of his superficial airs and graces, at root a humble one. And it is always the humble man who talks too much; the proud man watches himself too closely. He defended respectability with violence and exaggeration. He grew passionate in his praise of tidiness and propriety. All the time there was a smell of lilac all round him. Once he heard very faintly in some distant street a barrel-organ begin to play, and it seemed to him that his heroic words were moving to a tiny tune from under or beyond the world. He stared and talked at the girl's red hair and amused face for what seemed to be a few minutes; and then, feeling that the groups in such a place should mix, rose to his feet. To his astonishment, he discovered the whole garden empty. Everyone had gone long ago, and he went himself with a rather hurried apology. He left with a sense of champagne in his head, which he could not afterwards explain. In the wild events which were to follow this girl had no part at all; he never saw her again until all his tale was over. And yet, in some indescribable way, she kept recurring like a motive in music through all his mad adventures afterwards, and the glory of her strange hair ran like a red thread through those dark and ill-drawn tapestries of the night. For what followed was so improbable, that it might well have been a dream. When Syme went out into the starlit street, he found it for the moment empty. Then he realised (in some odd way) that the silence was rather a living silence than a dead one. Directly outside the door stood a street lamp,	take your books of mere poetry and prose; let me read a time table, with tears of pride. Take your Byron, who commemorates the defeats of man; give me Bradshaw, who commemorates his victories. Give me Bradshaw, I say!" "Must you go?" inquired Gregory sarcastically. "I tell you," went on Syme with passion, "that every time a train comes in I feel that it has broken past batteries of besiegers, and that man has won a battle against chaos. You say contemptuously that when one has left Sloane Square one must come to Victoria. I say that one might do a thousand things instead, and that whenever I really come there I have the sense of hairbreadth escape. And when I hear the guard shout out the word Victoria,' it is not an unmeaning word. It is to me the cry of a herald announcing conquest. It is to me indeed Victoria'; it is the victory of Adam." Gregory wagged his heavy, red head with a slow and sad smile. "And even then," he said, "we poets always ask the question, And what is Victoria now that you have got there?' You think Victoria is like the New Jerusalem. We know that the New Jerusalem will only be like Victoria. Yes, the poet will be discontented even in the streets of heaven. The poet is always in revolt." "There again," said Syme irritably, "what is there poetical about being in revolt? You might as well say that it is poetical to be sea-sick. Being sick is a revolt. Both being sick and being rebellious may be the wholesome thing on certain desperate occasions; but I'm hanged if I can see why they are poetical. Revolt in the abstract is revolting. It's mere vomiting." The girl winced for a flash at the unpleasant word, but Syme was too hot to heed her.<\|quote\|>"It is things going right,"</\|quote\|>he cried, "that is poetical! Our digestions, for instance, going sacredly and silently right, that is the foundation of all poetry. Yes, the most poetical thing, more poetical than the flowers, more poetical than the stars the most poetical thing in the world is not being sick." "Really," said Gregory superciliously, "the examples you choose" "I beg your pardon," said Syme grimly, "I forgot we had abolished all conventions." For the first time a red patch appeared on Gregory's forehead. "You don't expect me," he said, "to revolutionise society on this lawn?" Syme looked straight into his eyes and smiled sweetly. "No, I don't," he said; "but I suppose that if you were serious about your anarchism, that is exactly what you would do." Gregory's big bull's eyes blinked suddenly like those of an angry lion, and one could almost fancy that his red mane rose. "Don't you think, then," he said in a dangerous voice, "that I am serious about my anarchism?" "I beg your pardon?" said Syme. "Am I not serious about my anarchism?" cried Gregory, with knotted fists. "My dear fellow!" said Syme, and strolled away. With surprise, but with a curious pleasure, he found Rosamond Gregory still in his company. "Mr. Syme," she said, "do the people who talk like you and my brother often mean what they say? Do you mean what you say now?" Syme smiled. "Do you?" he asked. "What do you mean?" asked the girl, with grave eyes. "My dear Miss Gregory," said Syme gently, "there are many kinds of sincerity and insincerity. When you say thank you' for the salt, do you mean what you say? No. When you say the world is round,' do you mean what you say? No. It is true, but you don't mean it. Now, sometimes a man like your brother really finds a thing he does mean. It may be only a half-truth, quarter-truth, tenth-truth; but then he says more than he means from sheer force of meaning it." She was looking at him from under level brows; her face was grave and open, and there had fallen upon it the shadow of that unreasoning responsibility which is at the bottom of the most frivolous woman, the maternal watch which is as old as the world. "Is he really an anarchist, then?" she asked. "Only in that sense I speak of," replied Syme; "or if you prefer it, in that nonsense." She drew her broad brows together and said abruptly "He wouldn't really use bombs or that sort of thing?" Syme broke into a great laugh, that seemed too large for his slight and somewhat dandified figure. "Good Lord, no!" he said, "that has to be done anonymously." And at that the corners of her own mouth broke into a smile, and she thought with a simultaneous pleasure of Gregory's absurdity and of his safety. Syme strolled with her to a seat in the corner of the garden, and continued to pour out his opinions. For he was a sincere man, and in spite of his superficial airs and graces, at root a humble one. And it is always the humble man who talks too much; the proud man watches himself too closely. He defended respectability with violence and exaggeration. He grew passionate in his praise of tidiness and propriety. All the time there was a smell of lilac all round him. Once he	The Man Who Was Thursday
"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"	Edna Pontellier	caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her	deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into	be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or,	which was left untold. "If I were young and in love with a man," said Mademoiselle, turning on the stool and pressing her wiry hands between her knees as she looked down at Edna, who sat on the floor holding the letter, "it seems to me he would have to be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or, I shall set my heart upon this musician, whose fame is on every tongue?' Or, This financier, who controls the world's money markets?'" "You are purposely misunderstanding me, _ma reine_. Are you in love with Robert?" "Yes," said Edna. It was the first time she had admitted it, and a	tell me?" She went and grasped Mademoiselle's hands up from the keys. "Oh! unkind! malicious! Why did you not tell me?" "That he was coming back? No great news, _ma foi_. I wonder he did not come long ago." "But when, when?" cried Edna, impatiently. "He does not say when." "He says very soon.' You know as much about it as I do; it is all in the letter." "But why? Why is he coming? Oh, if I thought" and she snatched the letter from the floor and turned the pages this way and that way, looking for the reason, which was left untold. "If I were young and in love with a man," said Mademoiselle, turning on the stool and pressing her wiry hands between her knees as she looked down at Edna, who sat on the floor holding the letter, "it seems to me he would have to be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or, I shall set my heart upon this musician, whose fame is on every tongue?' Or, This financier, who controls the world's money markets?'" "You are purposely misunderstanding me, _ma reine_. Are you in love with Robert?" "Yes," said Edna. It was the first time she had admitted it, and a glow overspread her face, blotching it with red spots. "Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth.	and sputtered. Edna went forward and opened the stove door, and Mademoiselle rising, took a letter from under the bust of Beethoven and handed it to Edna. "Another! so soon!" she exclaimed, her eyes filled with delight. "Tell me, Mademoiselle, does he know that I see his letters?" "Never in the world! He would be angry and would never write to me again if he thought so. Does he write to you? Never a line. Does he send you a message? Never a word. It is because he loves you, poor fool, and is trying to forget you, since you are not free to listen to him or to belong to him." "Why do you show me his letters, then?" "Haven't you begged for them? Can I refuse you anything? Oh! you cannot deceive me," and Mademoiselle approached her beloved instrument and began to play. Edna did not at once read the letter. She sat holding it in her hand, while the music penetrated her whole being like an effulgence, warming and brightening the dark places of her soul. It prepared her for joy and exultation. "Oh!" she exclaimed, letting the letter fall to the floor. "Why did you not tell me?" She went and grasped Mademoiselle's hands up from the keys. "Oh! unkind! malicious! Why did you not tell me?" "That he was coming back? No great news, _ma foi_. I wonder he did not come long ago." "But when, when?" cried Edna, impatiently. "He does not say when." "He says very soon.' You know as much about it as I do; it is all in the letter." "But why? Why is he coming? Oh, if I thought" and she snatched the letter from the floor and turned the pages this way and that way, looking for the reason, which was left untold. "If I were young and in love with a man," said Mademoiselle, turning on the stool and pressing her wiry hands between her knees as she looked down at Edna, who sat on the floor holding the letter, "it seems to me he would have to be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or, I shall set my heart upon this musician, whose fame is on every tongue?' Or, This financier, who controls the world's money markets?'" "You are purposely misunderstanding me, _ma reine_. Are you in love with Robert?" "Yes," said Edna. It was the first time she had admitted it, and a glow overspread her face, blotching it with red spots. "Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because" "Because you do, in short," laughed Mademoiselle. "What will you do when he comes back?" she asked. "Do? Nothing, except feel glad and happy to be alive." She was already glad and happy to be alive at the mere thought of his return. The murky, lowering sky, which had depressed her a few hours before, seemed bracing and invigorating as she splashed through the streets on her way home. She stopped at a confectioner's and ordered a huge box of bonbons for the children in Iberville. She slipped a card in the box, on which she scribbled a tender message and sent an abundance of kisses. Before dinner in the evening Edna wrote a charming letter to her husband, telling him of her intention to move for a while into the little house around the block, and to give a farewell dinner before leaving, regretting that he was not there to share it, to help out with the menu and assist her in entertaining the guests. Her letter was brilliant and brimming with cheerfulness. XXVII "What is the matter with you?" asked Arobin that evening. "I never found you in such a happy mood." Edna was tired by that	your husband's," returned Mademoiselle, with a shrug and a malicious elevation of the eyebrows. "Oh! I see there is no deceiving you. Then let me tell you: It is a caprice. I have a little money of my own from my mother's estate, which my father sends me by driblets. I won a large sum this winter on the races, and I am beginning to sell my sketches. Laidpore is more and more pleased with my work; he says it grows in force and individuality. I cannot judge of that myself, but I feel that I have gained in ease and confidence. However, as I said, I have sold a good many through Laidpore. I can live in the tiny house for little or nothing, with one servant. Old Celestine, who works occasionally for me, says she will come stay with me and do my work. I know I shall like it, like the feeling of freedom and independence." "What does your husband say?" "I have not told him yet. I only thought of it this morning. He will think I am demented, no doubt. Perhaps you think so." Mademoiselle shook her head slowly. "Your reason is not yet clear to me," she said. Neither was it quite clear to Edna herself; but it unfolded itself as she sat for a while in silence. Instinct had prompted her to put away her husband's bounty in casting off her allegiance. She did not know how it would be when he returned. There would have to be an understanding, an explanation. Conditions would some way adjust themselves, she felt; but whatever came, she had resolved never again to belong to another than herself. "I shall give a grand dinner before I leave the old house!" Edna exclaimed. "You will have to come to it, Mademoiselle. I will give you everything that you like to eat and to drink. We shall sing and laugh and be merry for once." And she uttered a sigh that came from the very depths of her being. If Mademoiselle happened to have received a letter from Robert during the interval of Edna's visits, she would give her the letter unsolicited. And she would seat herself at the piano and play as her humor prompted her while the young woman read the letter. The little stove was roaring; it was red-hot, and the chocolate in the tin sizzled and sputtered. Edna went forward and opened the stove door, and Mademoiselle rising, took a letter from under the bust of Beethoven and handed it to Edna. "Another! so soon!" she exclaimed, her eyes filled with delight. "Tell me, Mademoiselle, does he know that I see his letters?" "Never in the world! He would be angry and would never write to me again if he thought so. Does he write to you? Never a line. Does he send you a message? Never a word. It is because he loves you, poor fool, and is trying to forget you, since you are not free to listen to him or to belong to him." "Why do you show me his letters, then?" "Haven't you begged for them? Can I refuse you anything? Oh! you cannot deceive me," and Mademoiselle approached her beloved instrument and began to play. Edna did not at once read the letter. She sat holding it in her hand, while the music penetrated her whole being like an effulgence, warming and brightening the dark places of her soul. It prepared her for joy and exultation. "Oh!" she exclaimed, letting the letter fall to the floor. "Why did you not tell me?" She went and grasped Mademoiselle's hands up from the keys. "Oh! unkind! malicious! Why did you not tell me?" "That he was coming back? No great news, _ma foi_. I wonder he did not come long ago." "But when, when?" cried Edna, impatiently. "He does not say when." "He says very soon.' You know as much about it as I do; it is all in the letter." "But why? Why is he coming? Oh, if I thought" and she snatched the letter from the floor and turned the pages this way and that way, looking for the reason, which was left untold. "If I were young and in love with a man," said Mademoiselle, turning on the stool and pressing her wiry hands between her knees as she looked down at Edna, who sat on the floor holding the letter, "it seems to me he would have to be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or, I shall set my heart upon this musician, whose fame is on every tongue?' Or, This financier, who controls the world's money markets?'" "You are purposely misunderstanding me, _ma reine_. Are you in love with Robert?" "Yes," said Edna. It was the first time she had admitted it, and a glow overspread her face, blotching it with red spots. "Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because" "Because you do, in short," laughed Mademoiselle. "What will you do when he comes back?" she asked. "Do? Nothing, except feel glad and happy to be alive." She was already glad and happy to be alive at the mere thought of his return. The murky, lowering sky, which had depressed her a few hours before, seemed bracing and invigorating as she splashed through the streets on her way home. She stopped at a confectioner's and ordered a huge box of bonbons for the children in Iberville. She slipped a card in the box, on which she scribbled a tender message and sent an abundance of kisses. Before dinner in the evening Edna wrote a charming letter to her husband, telling him of her intention to move for a while into the little house around the block, and to give a farewell dinner before leaving, regretting that he was not there to share it, to help out with the menu and assist her in entertaining the guests. Her letter was brilliant and brimming with cheerfulness. XXVII "What is the matter with you?" asked Arobin that evening. "I never found you in such a happy mood." Edna was tired by that time, and was reclining on the lounge before the fire. "Don't you know the weather prophet has told us we shall see the sun pretty soon?" "Well, that ought to be reason enough," he acquiesced. "You wouldn't give me another if I sat here all night imploring you." He sat close to her on a low tabouret, and as he spoke his fingers lightly touched the hair that fell a little over her forehead. She liked the touch of his fingers through her hair, and closed her eyes sensitively. "One of these days," she said, "I'm going to pull myself together for a while and think try to determine what character of a woman I am; for, candidly, I don't know. By all the codes which I am acquainted with, I am a devilishly wicked specimen of the sex. But some way I can't convince myself that I am. I must think about it." "Don't. What's the use? Why should you bother thinking about it when I can tell you what manner of woman you are." His fingers strayed occasionally down to her warm, smooth cheeks and firm chin, which was growing a little full and double. "Oh, yes! You will tell me that I am adorable; everything that is captivating. Spare yourself the effort." "No; I shan't tell you anything of the sort, though I shouldn't be lying if I did." "Do you know Mademoiselle Reisz?" she asked irrelevantly. "The pianist? I know her by sight. I've heard her play." "She says queer things sometimes in a bantering way that you don't notice at the time and you find yourself thinking about afterward." "For instance?" "Well, for instance, when I left her to-day, she put her arms around me and felt my shoulder blades, to see if my wings were strong, she said." The bird that would soar above the level plain of tradition and prejudice must have strong wings. It is a sad spectacle to see the weaklings bruised, exhausted, fluttering back to earth.'" "Whither would you soar?" "I'm not thinking of any extraordinary flights. I only half comprehend her." "I've heard she's partially demented," said Arobin. "She seems to me wonderfully sane," Edna replied. "I'm told she's extremely disagreeable and unpleasant. Why have you introduced her at a moment when I desired to talk of you?" "Oh! talk of me if you like," cried Edna, clasping her	you like to eat and to drink. We shall sing and laugh and be merry for once." And she uttered a sigh that came from the very depths of her being. If Mademoiselle happened to have received a letter from Robert during the interval of Edna's visits, she would give her the letter unsolicited. And she would seat herself at the piano and play as her humor prompted her while the young woman read the letter. The little stove was roaring; it was red-hot, and the chocolate in the tin sizzled and sputtered. Edna went forward and opened the stove door, and Mademoiselle rising, took a letter from under the bust of Beethoven and handed it to Edna. "Another! so soon!" she exclaimed, her eyes filled with delight. "Tell me, Mademoiselle, does he know that I see his letters?" "Never in the world! He would be angry and would never write to me again if he thought so. Does he write to you? Never a line. Does he send you a message? Never a word. It is because he loves you, poor fool, and is trying to forget you, since you are not free to listen to him or to belong to him." "Why do you show me his letters, then?" "Haven't you begged for them? Can I refuse you anything? Oh! you cannot deceive me," and Mademoiselle approached her beloved instrument and began to play. Edna did not at once read the letter. She sat holding it in her hand, while the music penetrated her whole being like an effulgence, warming and brightening the dark places of her soul. It prepared her for joy and exultation. "Oh!" she exclaimed, letting the letter fall to the floor. "Why did you not tell me?" She went and grasped Mademoiselle's hands up from the keys. "Oh! unkind! malicious! Why did you not tell me?" "That he was coming back? No great news, _ma foi_. I wonder he did not come long ago." "But when, when?" cried Edna, impatiently. "He does not say when." "He says very soon.' You know as much about it as I do; it is all in the letter." "But why? Why is he coming? Oh, if I thought" and she snatched the letter from the floor and turned the pages this way and that way, looking for the reason, which was left untold. "If I were young and in love with a man," said Mademoiselle, turning on the stool and pressing her wiry hands between her knees as she looked down at Edna, who sat on the floor holding the letter, "it seems to me he would have to be some _grand esprit;_ a man with lofty aims and ability to reach them; one who stood high enough to attract the notice of his fellow-men. It seems to me if I were young and in love I should never deem a man of ordinary caliber worthy of my devotion."<\|quote\|>"Now it is you who are telling lies and seeking to deceive me, Mademoiselle; or else you have never been in love, and know nothing about it. Why,"</\|quote\|>went on Edna, clasping her knees and looking up into Mademoiselle's twisted face, "do you suppose a woman knows why she loves? Does she select? Does she say to herself: Go to! Here is a distinguished statesman with presidential possibilities; I shall proceed to fall in love with him.' Or, I shall set my heart upon this musician, whose fame is on every tongue?' Or, This financier, who controls the world's money markets?'" "You are purposely misunderstanding me, _ma reine_. Are you in love with Robert?" "Yes," said Edna. It was the first time she had admitted it, and a glow overspread her face, blotching it with red spots. "Why?" asked her companion. "Why do you love him when you ought not to?" Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands. "Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because" "Because you do, in short," laughed Mademoiselle. "What will you do when he comes back?" she asked. "Do? Nothing, except feel glad	The Awakening
"Fair, or not fair,"	Bill Sikes	it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I	fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think	the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!"	inquired Sikes, stepping forward as the Jew seized the note. "That's mine, Fagin." "No, no, my dear," said the Jew. "Mine, Bill, mine. You shall have the books." "If that ain't mine!" said Bill Sikes, putting on his hat with a determined air; "mine and Nancy's that is; I'll take the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!" With this gentle remonstrance, Mr. Sikes plucked the note from between the Jew's finger and thumb; and looking the old man coolly in the face, folded it up small, and tied it in his neckerchief. "That's for our share of the trouble," said Sikes; "and not half enough, neither. You	Nothing but a gentleman, Fagin!" "Delighted to see you looking so well, my dear," said the Jew, bowing with mock humility. "The Artful shall give you another suit, my dear, for fear you should spoil that Sunday one. Why didn't you write, my dear, and say you were coming? We'd have got something warm for supper." At his, Master Bates roared again: so loud, that Fagin himself relaxed, and even the Dodger smiled; but as the Artful drew forth the five-pound note at that instant, it is doubtful whether the sally of the discovery awakened his merriment. "Hallo, what's that?" inquired Sikes, stepping forward as the Jew seized the note. "That's mine, Fagin." "No, no, my dear," said the Jew. "Mine, Bill, mine. You shall have the books." "If that ain't mine!" said Bill Sikes, putting on his hat with a determined air; "mine and Nancy's that is; I'll take the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!" With this gentle remonstrance, Mr. Sikes plucked the note from between the Jew's finger and thumb; and looking the old man coolly in the face, folded it up small, and tied it in his neckerchief. "That's for our share of the trouble," said Sikes; "and not half enough, neither. You may keep the books, if you're fond of reading. If you ain't, sell 'em." "They're very pretty," said Charley Bates: who, with sundry grimaces, had been affecting to read one of the volumes in question; "beautiful writing, isn't is, Oliver?" At sight of the dismayed look with which Oliver regarded his tormentors, Master Bates, who was blessed with a lively sense of the ludicrous, fell into another ectasy, more boisterous than the first. "They belong to the old gentleman," said Oliver, wringing his hands; "to the good, kind, old gentleman who took me into his house, and had me nursed,	were received with a shout of laughter. "Oh, my wig, my wig!" cried Master Charles Bates, from whose lungs the laughter had proceeded: "here he is! oh, cry, here he is! Oh, Fagin, look at him! Fagin, do look at him! I can't bear it; it is such a jolly game, I can't bear it. Hold me, somebody, while I laugh it out." With this irrepressible ebullition of mirth, Master Bates laid himself flat on the floor: and kicked convulsively for five minutes, in an ectasy of facetious joy. Then jumping to his feet, he snatched the cleft stick from the Dodger; and, advancing to Oliver, viewed him round and round; while the Jew, taking off his nightcap, made a great number of low bows to the bewildered boy. The Artful, meantime, who was of a rather saturnine disposition, and seldom gave way to merriment when it interfered with business, rifled Oliver's pockets with steady assiduity. "Look at his togs, Fagin!" said Charley, putting the light so close to his new jacket as nearly to set him on fire. "Look at his togs! Superfine cloth, and the heavy swell cut! Oh, my eye, what a game! And his books, too! Nothing but a gentleman, Fagin!" "Delighted to see you looking so well, my dear," said the Jew, bowing with mock humility. "The Artful shall give you another suit, my dear, for fear you should spoil that Sunday one. Why didn't you write, my dear, and say you were coming? We'd have got something warm for supper." At his, Master Bates roared again: so loud, that Fagin himself relaxed, and even the Dodger smiled; but as the Artful drew forth the five-pound note at that instant, it is doubtful whether the sally of the discovery awakened his merriment. "Hallo, what's that?" inquired Sikes, stepping forward as the Jew seized the note. "That's mine, Fagin." "No, no, my dear," said the Jew. "Mine, Bill, mine. You shall have the books." "If that ain't mine!" said Bill Sikes, putting on his hat with a determined air; "mine and Nancy's that is; I'll take the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!" With this gentle remonstrance, Mr. Sikes plucked the note from between the Jew's finger and thumb; and looking the old man coolly in the face, folded it up small, and tied it in his neckerchief. "That's for our share of the trouble," said Sikes; "and not half enough, neither. You may keep the books, if you're fond of reading. If you ain't, sell 'em." "They're very pretty," said Charley Bates: who, with sundry grimaces, had been affecting to read one of the volumes in question; "beautiful writing, isn't is, Oliver?" At sight of the dismayed look with which Oliver regarded his tormentors, Master Bates, who was blessed with a lively sense of the ludicrous, fell into another ectasy, more boisterous than the first. "They belong to the old gentleman," said Oliver, wringing his hands; "to the good, kind, old gentleman who took me into his house, and had me nursed, when I was near dying of the fever. Oh, pray send them back; send him back the books and money. Keep me here all my life long; but pray, pray send them back. He'll think I stole them; the old lady: all of them who were so kind to me: will think I stole them. Oh, do have mercy upon me, and send them back!" With these words, which were uttered with all the energy of passionate grief, Oliver fell upon his knees at the Jew's feet; and beat his hands together, in perfect desperation. "The boy's right," remarked Fagin, looking covertly round, and knitting his shaggy eyebrows into a hard knot. "You're right, Oliver, you're right; they _will_ think you have stolen 'em. Ha! ha!" chuckled the Jew, rubbing his hands, "it couldn't have happened better, if we had chosen our time!" "Of course it couldn't," replied Sikes; "I know'd that, directly I see him coming through Clerkenwell, with the books under his arm. It's all right enough. They're soft-hearted psalm-singers, or they wouldn't have taken him in at all; and they'll ask no questions after him, fear they should be obliged to prosecute, and so get him lagged.	hold much the same position in society as Mr. Sikes himself. At length they turned into a very filthy narrow street, nearly full of old-clothes shops; the dog running forward, as if conscious that there was no further occasion for his keeping on guard, stopped before the door of a shop that was closed and apparently untenanted; the house was in a ruinous condition, and on the door was nailed a board, intimating that it was to let: which looked as if it had hung there for many years. "All right," cried Sikes, glancing cautiously about. Nancy stooped below the shutters, and Oliver heard the sound of a bell. They crossed to the opposite side of the street, and stood for a few moments under a lamp. A noise, as if a sash window were gently raised, was heard; and soon afterwards the door softly opened. Mr. Sikes then seized the terrified boy by the collar with very little ceremony; and all three were quickly inside the house. The passage was perfectly dark. They waited, while the person who had let them in, chained and barred the door. "Anybody here?" inquired Sikes. "No," replied a voice, which Oliver thought he had heard before. "Is the old 'un here?" asked the robber. "Yes," replied the voice, "and precious down in the mouth he has been. Won't he be glad to see you? Oh, no!" The style of this reply, as well as the voice which delivered it, seemed familiar to Oliver's ears: but it was impossible to distinguish even the form of the speaker in the darkness. "Let's have a glim," said Sikes, "or we shall go breaking our necks, or treading on the dog. Look after your legs if you do!" "Stand still a moment, and I'll get you one," replied the voice. The receding footsteps of the speaker were heard; and, in another minute, the form of Mr. John Dawkins, otherwise the Artful Dodger, appeared. He bore in his right hand a tallow candle stuck in the end of a cleft stick. The young gentleman did not stop to bestow any other mark of recognition upon Oliver than a humourous grin; but, turning away, beckoned the visitors to follow him down a flight of stairs. They crossed an empty kitchen; and, opening the door of a low earthy-smelling room, which seemed to have been built in a small back-yard, were received with a shout of laughter. "Oh, my wig, my wig!" cried Master Charles Bates, from whose lungs the laughter had proceeded: "here he is! oh, cry, here he is! Oh, Fagin, look at him! Fagin, do look at him! I can't bear it; it is such a jolly game, I can't bear it. Hold me, somebody, while I laugh it out." With this irrepressible ebullition of mirth, Master Bates laid himself flat on the floor: and kicked convulsively for five minutes, in an ectasy of facetious joy. Then jumping to his feet, he snatched the cleft stick from the Dodger; and, advancing to Oliver, viewed him round and round; while the Jew, taking off his nightcap, made a great number of low bows to the bewildered boy. The Artful, meantime, who was of a rather saturnine disposition, and seldom gave way to merriment when it interfered with business, rifled Oliver's pockets with steady assiduity. "Look at his togs, Fagin!" said Charley, putting the light so close to his new jacket as nearly to set him on fire. "Look at his togs! Superfine cloth, and the heavy swell cut! Oh, my eye, what a game! And his books, too! Nothing but a gentleman, Fagin!" "Delighted to see you looking so well, my dear," said the Jew, bowing with mock humility. "The Artful shall give you another suit, my dear, for fear you should spoil that Sunday one. Why didn't you write, my dear, and say you were coming? We'd have got something warm for supper." At his, Master Bates roared again: so loud, that Fagin himself relaxed, and even the Dodger smiled; but as the Artful drew forth the five-pound note at that instant, it is doubtful whether the sally of the discovery awakened his merriment. "Hallo, what's that?" inquired Sikes, stepping forward as the Jew seized the note. "That's mine, Fagin." "No, no, my dear," said the Jew. "Mine, Bill, mine. You shall have the books." "If that ain't mine!" said Bill Sikes, putting on his hat with a determined air; "mine and Nancy's that is; I'll take the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!" With this gentle remonstrance, Mr. Sikes plucked the note from between the Jew's finger and thumb; and looking the old man coolly in the face, folded it up small, and tied it in his neckerchief. "That's for our share of the trouble," said Sikes; "and not half enough, neither. You may keep the books, if you're fond of reading. If you ain't, sell 'em." "They're very pretty," said Charley Bates: who, with sundry grimaces, had been affecting to read one of the volumes in question; "beautiful writing, isn't is, Oliver?" At sight of the dismayed look with which Oliver regarded his tormentors, Master Bates, who was blessed with a lively sense of the ludicrous, fell into another ectasy, more boisterous than the first. "They belong to the old gentleman," said Oliver, wringing his hands; "to the good, kind, old gentleman who took me into his house, and had me nursed, when I was near dying of the fever. Oh, pray send them back; send him back the books and money. Keep me here all my life long; but pray, pray send them back. He'll think I stole them; the old lady: all of them who were so kind to me: will think I stole them. Oh, do have mercy upon me, and send them back!" With these words, which were uttered with all the energy of passionate grief, Oliver fell upon his knees at the Jew's feet; and beat his hands together, in perfect desperation. "The boy's right," remarked Fagin, looking covertly round, and knitting his shaggy eyebrows into a hard knot. "You're right, Oliver, you're right; they _will_ think you have stolen 'em. Ha! ha!" chuckled the Jew, rubbing his hands, "it couldn't have happened better, if we had chosen our time!" "Of course it couldn't," replied Sikes; "I know'd that, directly I see him coming through Clerkenwell, with the books under his arm. It's all right enough. They're soft-hearted psalm-singers, or they wouldn't have taken him in at all; and they'll ask no questions after him, fear they should be obliged to prosecute, and so get him lagged. He's safe enough." Oliver had looked from one to the other, while these words were being spoken, as if he were bewildered, and could scarecely understand what passed; but when Bill Sikes concluded, he jumped suddenly to his feet, and tore wildly from the room: uttering shrieks for help, which made the bare old house echo to the roof. "Keep back the dog, Bill!" cried Nancy, springing before the door, and closing it, as the Jew and his two pupils darted out in pursuit. "Keep back the dog; he'll tear the boy to pieces." "Serve him right!" cried Sikes, struggling to disengage himself from the girl's grasp. "Stand off from me, or I'll split your head against the wall." "I don't care for that, Bill, I don't care for that," screamed the girl, struggling violently with the man, "the child shan't be torn down by the dog, unless you kill me first." "Shan't he!" said Sikes, setting his teeth. "I'll soon do that, if you don't keep off." The housebreaker flung the girl from him to the further end of the room, just as the Jew and the two boys returned, dragging Oliver among them. "What's the matter here!" said Fagin, looking round. "The girl's gone mad, I think," replied Sikes, savagely. "No, she hasn't," said Nancy, pale and breathless from the scuffle; "no, she hasn't, Fagin; don't think it." "Then keep quiet, will you?" said the Jew, with a threatening look. "No, I won't do that, neither," replied Nancy, speaking very loud. "Come! What do you think of that?" Mr. Fagin was sufficiently well acquainted with the manners and customs of that particular species of humanity to which Nancy belonged, to feel tolerably certain that it would be rather unsafe to prolong any conversation with her, at present. With the view of diverting the attention of the company, he turned to Oliver. "So you wanted to get away, my dear, did you?" said the Jew, taking up a jagged and knotted club which lay in a corner of the fireplace; "eh?" Oliver made no reply. But he watched the Jew's motions, and breathed quickly. "Wanted to get assistance; called for the police; did you?" sneered the Jew, catching the boy by the arm. "We'll cure you of that, my young master." The Jew inflicted a smart blow on Oliver's shoulders with the club; and was raising it for a	lungs the laughter had proceeded: "here he is! oh, cry, here he is! Oh, Fagin, look at him! Fagin, do look at him! I can't bear it; it is such a jolly game, I can't bear it. Hold me, somebody, while I laugh it out." With this irrepressible ebullition of mirth, Master Bates laid himself flat on the floor: and kicked convulsively for five minutes, in an ectasy of facetious joy. Then jumping to his feet, he snatched the cleft stick from the Dodger; and, advancing to Oliver, viewed him round and round; while the Jew, taking off his nightcap, made a great number of low bows to the bewildered boy. The Artful, meantime, who was of a rather saturnine disposition, and seldom gave way to merriment when it interfered with business, rifled Oliver's pockets with steady assiduity. "Look at his togs, Fagin!" said Charley, putting the light so close to his new jacket as nearly to set him on fire. "Look at his togs! Superfine cloth, and the heavy swell cut! Oh, my eye, what a game! And his books, too! Nothing but a gentleman, Fagin!" "Delighted to see you looking so well, my dear," said the Jew, bowing with mock humility. "The Artful shall give you another suit, my dear, for fear you should spoil that Sunday one. Why didn't you write, my dear, and say you were coming? We'd have got something warm for supper." At his, Master Bates roared again: so loud, that Fagin himself relaxed, and even the Dodger smiled; but as the Artful drew forth the five-pound note at that instant, it is doubtful whether the sally of the discovery awakened his merriment. "Hallo, what's that?" inquired Sikes, stepping forward as the Jew seized the note. "That's mine, Fagin." "No, no, my dear," said the Jew. "Mine, Bill, mine. You shall have the books." "If that ain't mine!" said Bill Sikes, putting on his hat with a determined air; "mine and Nancy's that is; I'll take the boy back again." The Jew started. Oliver started too, though from a very different cause; for he hoped that the dispute might really end in his being taken back. "Come! Hand over, will you?" said Sikes. "This is hardly fair, Bill; hardly fair, is it, Nancy?" inquired the Jew.<\|quote\|>"Fair, or not fair,"</\|quote\|>retorted Sikes, "hand over, I tell you! Do you think Nancy and me has got nothing else to do with our precious time but to spend it in scouting arter, and kidnapping, every young boy as gets grabbed through you? Give it here, you avaricious old skeleton, give it here!" With this gentle remonstrance, Mr. Sikes plucked the note from between the Jew's finger and thumb; and looking the old man coolly in the face, folded it up small, and tied it in his neckerchief. "That's for our share of the trouble," said Sikes; "and not half enough, neither. You may keep the books, if you're fond of reading. If you ain't, sell 'em." "They're very pretty," said Charley Bates: who, with sundry grimaces, had been affecting to read one of the volumes in question; "beautiful writing, isn't is, Oliver?" At sight of the dismayed look with which Oliver regarded his tormentors, Master Bates, who was blessed with a lively sense of the ludicrous, fell into another ectasy, more boisterous than the first. "They belong to the old gentleman," said Oliver, wringing his hands; "to the good, kind, old gentleman who took me into his house, and had me nursed, when I was near dying of the fever. Oh, pray send them back; send him back the books and money. Keep me here all my life long; but pray, pray send them back. He'll think I stole them; the old lady: all of them who were so kind to me: will think I stole them. Oh, do have mercy upon me, and send them back!" With these words, which were uttered with all the energy of passionate grief, Oliver fell upon his knees at the Jew's feet; and beat his hands together, in perfect desperation. "The boy's right," remarked Fagin, looking covertly round, and knitting his shaggy eyebrows into a hard knot. "You're right, Oliver, you're right; they _will_ think you have stolen 'em. Ha! ha!" chuckled the Jew, rubbing his hands, "it couldn't have happened better, if we had chosen	Oliver Twist
"I m not so sure about that. I should say she has a good deal of literary feeling."	William Rodney	or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You	if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education	a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering	that he could never do without her good opinion. She veered round upon him a moment later, as if, when her train of thought was ended, she became aware of his presence. "Have you finished your letter?" she asked. He thought he heard faint amusement in her tone, but not a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering or the strange silence which drove home to her the distance between them. As she pulled one book forward and then another she thought ironically of her own certainty not an hour ago; how it had vanished in a moment, how she was merely marking time as best she could,	some excuse for a good laugh, or opening for a confession, he was disconcerted by what he saw. Katharine seemed equally oblivious of what was bad or of what was good in him. Her expression suggested concentration upon something entirely remote from her surroundings. The carelessness of her attitude seemed to him rather masculine than feminine. His impulse to break up the constraint was chilled, and once more the exasperating sense of his own impotency returned to him. He could not help contrasting Katharine with his vision of the engaging, whimsical Cassandra; Katharine undemonstrative, inconsiderate, silent, and yet so notable that he could never do without her good opinion. She veered round upon him a moment later, as if, when her train of thought was ended, she became aware of his presence. "Have you finished your letter?" she asked. He thought he heard faint amusement in her tone, but not a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering or the strange silence which drove home to her the distance between them. As she pulled one book forward and then another she thought ironically of her own certainty not an hour ago; how it had vanished in a moment, how she was merely marking time as best she could, not knowing in the least where they stood, what they felt, or whether William loved her or not. More and more the condition of Mary s mind seemed to her wonderful and enviable if, indeed, it could be quite as she figured it if, indeed, simplicity existed for any one of the daughters of women. "Swift," she said, at last, taking out a volume at haphazard to settle this question at least. "Let us have some Swift." Rodney took the book, held it in front of him, inserted one finger between the pages, but said nothing. His face wore a	a stranger. The head bent over the paper, thoughtful as usual, had now a composure which seemed somehow to place it at a distance, like a face seen talking to some one else behind glass. He wrote on, without raising his eyes. She would have spoken, but could not bring herself to ask him for signs of affection which she had no right to claim. The conviction that he was thus strange to her filled her with despondency, and illustrated quite beyond doubt the infinite loneliness of human beings. She had never felt the truth of this so strongly before. She looked away into the fire; it seemed to her that even physically they were now scarcely within speaking distance; and spiritually there was certainly no human being with whom she could claim comradeship; no dream that satisfied her as she was used to be satisfied; nothing remained in whose reality she could believe, save those abstract ideas figures, laws, stars, facts, which she could hardly hold to for lack of knowledge and a kind of shame. When Rodney owned to himself the folly of this prolonged silence, and the meanness of such devices, and looked up ready to seek some excuse for a good laugh, or opening for a confession, he was disconcerted by what he saw. Katharine seemed equally oblivious of what was bad or of what was good in him. Her expression suggested concentration upon something entirely remote from her surroundings. The carelessness of her attitude seemed to him rather masculine than feminine. His impulse to break up the constraint was chilled, and once more the exasperating sense of his own impotency returned to him. He could not help contrasting Katharine with his vision of the engaging, whimsical Cassandra; Katharine undemonstrative, inconsiderate, silent, and yet so notable that he could never do without her good opinion. She veered round upon him a moment later, as if, when her train of thought was ended, she became aware of his presence. "Have you finished your letter?" she asked. He thought he heard faint amusement in her tone, but not a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering or the strange silence which drove home to her the distance between them. As she pulled one book forward and then another she thought ironically of her own certainty not an hour ago; how it had vanished in a moment, how she was merely marking time as best she could, not knowing in the least where they stood, what they felt, or whether William loved her or not. More and more the condition of Mary s mind seemed to her wonderful and enviable if, indeed, it could be quite as she figured it if, indeed, simplicity existed for any one of the daughters of women. "Swift," she said, at last, taking out a volume at haphazard to settle this question at least. "Let us have some Swift." Rodney took the book, held it in front of him, inserted one finger between the pages, but said nothing. His face wore a queer expression of deliberation, as if he were weighing one thing with another, and would not say anything until his mind were made up. Katharine, taking her chair beside him, noted his silence and looked at him with sudden apprehension. What she hoped or feared, she could not have said; a most irrational and indefensible desire for some assurance of his affection was, perhaps, uppermost in her mind. Peevishness, complaints, exacting cross-examination she was used to, but this attitude of composed quiet, which seemed to come from the consciousness of power within, puzzled her. She did not know what was going to happen next. At last William spoke. "I think it s a little odd, don t you?" he said, in a voice of detached reflection. "Most people, I mean, would be seriously upset if their marriage was put off for six months or so. But we aren t; now how do you account for that?" She looked at him and observed his judicial attitude as of one holding far aloof from emotion. "I attribute it," he went on, without waiting for her to answer, "to the fact that neither of us is in the least romantic about the other.	in some mood. "We ve struck up a friendship," he added. "She s at home, I think," Katharine replied. "They keep her too much at home," said William. "Why don t you ask her to stay with you, and let her hear a little good music? I ll just finish what I was saying, if you don t mind, because I m particularly anxious that she should hear to-morrow." Katharine sank back in her chair, and Rodney took the paper on his knees, and went on with his sentence. "Style, you know, is what we tend to neglect" "; but he was far more conscious of Katharine s eye upon him than of what he was saying about style. He knew that she was looking at him, but whether with irritation or indifference he could not guess. In truth, she had fallen sufficiently into his trap to feel uncomfortably roused and disturbed and unable to proceed on the lines laid down for herself. This indifferent, if not hostile, attitude on William s part made it impossible to break off without animosity, largely and completely. Infinitely preferable was Mary s state, she thought, where there was a simple thing to do and one did it. In fact, she could not help supposing that some littleness of nature had a part in all the refinements, reserves, and subtleties of feeling for which her friends and family were so distinguished. For example, although she liked Cassandra well enough, her fantastic method of life struck her as purely frivolous; now it was socialism, now it was silkworms, now it was music which last she supposed was the cause of William s sudden interest in her. Never before had William wasted the minutes of her presence in writing his letters. With a curious sense of light opening where all, hitherto, had been opaque, it dawned upon her that, after all, possibly, yes, probably, nay, certainly, the devotion which she had almost wearily taken for granted existed in a much slighter degree than she had suspected, or existed no longer. She looked at him attentively as if this discovery of hers must show traces in his face. Never had she seen so much to respect in his appearance, so much that attracted her by its sensitiveness and intelligence, although she saw these qualities as if they were those one responds to, dumbly, in the face of a stranger. The head bent over the paper, thoughtful as usual, had now a composure which seemed somehow to place it at a distance, like a face seen talking to some one else behind glass. He wrote on, without raising his eyes. She would have spoken, but could not bring herself to ask him for signs of affection which she had no right to claim. The conviction that he was thus strange to her filled her with despondency, and illustrated quite beyond doubt the infinite loneliness of human beings. She had never felt the truth of this so strongly before. She looked away into the fire; it seemed to her that even physically they were now scarcely within speaking distance; and spiritually there was certainly no human being with whom she could claim comradeship; no dream that satisfied her as she was used to be satisfied; nothing remained in whose reality she could believe, save those abstract ideas figures, laws, stars, facts, which she could hardly hold to for lack of knowledge and a kind of shame. When Rodney owned to himself the folly of this prolonged silence, and the meanness of such devices, and looked up ready to seek some excuse for a good laugh, or opening for a confession, he was disconcerted by what he saw. Katharine seemed equally oblivious of what was bad or of what was good in him. Her expression suggested concentration upon something entirely remote from her surroundings. The carelessness of her attitude seemed to him rather masculine than feminine. His impulse to break up the constraint was chilled, and once more the exasperating sense of his own impotency returned to him. He could not help contrasting Katharine with his vision of the engaging, whimsical Cassandra; Katharine undemonstrative, inconsiderate, silent, and yet so notable that he could never do without her good opinion. She veered round upon him a moment later, as if, when her train of thought was ended, she became aware of his presence. "Have you finished your letter?" she asked. He thought he heard faint amusement in her tone, but not a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering or the strange silence which drove home to her the distance between them. As she pulled one book forward and then another she thought ironically of her own certainty not an hour ago; how it had vanished in a moment, how she was merely marking time as best she could, not knowing in the least where they stood, what they felt, or whether William loved her or not. More and more the condition of Mary s mind seemed to her wonderful and enviable if, indeed, it could be quite as she figured it if, indeed, simplicity existed for any one of the daughters of women. "Swift," she said, at last, taking out a volume at haphazard to settle this question at least. "Let us have some Swift." Rodney took the book, held it in front of him, inserted one finger between the pages, but said nothing. His face wore a queer expression of deliberation, as if he were weighing one thing with another, and would not say anything until his mind were made up. Katharine, taking her chair beside him, noted his silence and looked at him with sudden apprehension. What she hoped or feared, she could not have said; a most irrational and indefensible desire for some assurance of his affection was, perhaps, uppermost in her mind. Peevishness, complaints, exacting cross-examination she was used to, but this attitude of composed quiet, which seemed to come from the consciousness of power within, puzzled her. She did not know what was going to happen next. At last William spoke. "I think it s a little odd, don t you?" he said, in a voice of detached reflection. "Most people, I mean, would be seriously upset if their marriage was put off for six months or so. But we aren t; now how do you account for that?" She looked at him and observed his judicial attitude as of one holding far aloof from emotion. "I attribute it," he went on, without waiting for her to answer, "to the fact that neither of us is in the least romantic about the other. That may be partly, no doubt, because we ve known each other so long; but I m inclined to think there s more in it than that. There s something temperamental. I think you re a trifle cold, and I suspect I m a trifle self-absorbed. If that were so it goes a long way to explaining our odd lack of illusion about each other. I m not saying that the most satisfactory marriages aren t founded upon this sort of understanding. But certainly it struck me as odd this morning, when Wilson told me, how little upset I felt. By the way, you re sure we haven t committed ourselves to that house?" "I ve kept the letters, and I ll go through them to-morrow; but I m certain we re on the safe side." "Thanks. As to the psychological problem," he continued, as if the question interested him in a detached way, "there s no doubt, I think, that either of us is capable of feeling what, for reasons of simplicity, I call romance for a third person at least, I ve little doubt in my own case." It was, perhaps, the first time in all her knowledge of him that Katharine had known William enter thus deliberately and without sign of emotion upon a statement of his own feelings. He was wont to discourage such intimate discussions by a little laugh or turn of the conversation, as much as to say that men, or men of the world, find such topics a little silly, or in doubtful taste. His obvious wish to explain something puzzled her, interested her, and neutralized the wound to her vanity. For some reason, too, she felt more at ease with him than usual; or her ease was more the ease of equality she could not stop to think of that at the moment though. His remarks interested her too much for the light that they threw upon certain problems of her own. "What is this romance?" she mused. "Ah, that s the question. I ve never come across a definition that satisfied me, though there are some very good ones" he glanced in the direction of his books. "It s not altogether knowing the other person, perhaps it s ignorance," she hazarded. "Some authorities say it s a question of distance romance in literature, that is" "Possibly, in the case of art.	into the fire; it seemed to her that even physically they were now scarcely within speaking distance; and spiritually there was certainly no human being with whom she could claim comradeship; no dream that satisfied her as she was used to be satisfied; nothing remained in whose reality she could believe, save those abstract ideas figures, laws, stars, facts, which she could hardly hold to for lack of knowledge and a kind of shame. When Rodney owned to himself the folly of this prolonged silence, and the meanness of such devices, and looked up ready to seek some excuse for a good laugh, or opening for a confession, he was disconcerted by what he saw. Katharine seemed equally oblivious of what was bad or of what was good in him. Her expression suggested concentration upon something entirely remote from her surroundings. The carelessness of her attitude seemed to him rather masculine than feminine. His impulse to break up the constraint was chilled, and once more the exasperating sense of his own impotency returned to him. He could not help contrasting Katharine with his vision of the engaging, whimsical Cassandra; Katharine undemonstrative, inconsiderate, silent, and yet so notable that he could never do without her good opinion. She veered round upon him a moment later, as if, when her train of thought was ended, she became aware of his presence. "Have you finished your letter?" she asked. He thought he heard faint amusement in her tone, but not a trace of jealousy. "No, I m not going to write any more to-night," he said. "I m not in the mood for it for some reason. I can t say what I want to say." "Cassandra won t know if it s well written or badly written," Katharine remarked.<\|quote\|>"I m not so sure about that. I should say she has a good deal of literary feeling."</\|quote\|>"Perhaps," said Katharine indifferently. "You ve been neglecting my education lately, by the way. I wish you d read something. Let me choose a book." So speaking, she went across to his bookshelves and began looking in a desultory way among his books. Anything, she thought, was better than bickering or the strange silence which drove home to her the distance between them. As she pulled one book forward and then another she thought ironically of her own certainty not an hour ago; how it had vanished in a moment, how she was merely marking time as best she could, not knowing in the least where they stood, what they felt, or whether William loved her or not. More and more the condition of Mary s mind seemed to her wonderful and enviable if, indeed, it could be quite as she figured it if, indeed, simplicity existed for any one of the daughters of women. "Swift," she said, at last, taking out a volume at haphazard to settle this question at least. "Let us have some Swift." Rodney took the book, held it in front of him, inserted one finger between the pages, but said nothing. His face wore a queer expression of deliberation, as if he were weighing one thing with another, and would not say anything until his mind were made up. Katharine, taking her chair beside him, noted his silence and looked at him with sudden apprehension. What she hoped or feared, she could not have said; a most irrational and indefensible desire for some assurance of his affection was, perhaps, uppermost in her mind. Peevishness, complaints, exacting cross-examination she was used to, but this attitude of composed quiet, which seemed to come from the consciousness of power within, puzzled her. She did not know	Night And Day
"I can't pledge myself till I've seen the Countess Olenska,"	Newland Archer	against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr.	you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you.	was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner	no more than the vague charge of an angry blackguard." "Yes; but it might make some unpleasant talk if he really defends the suit." "Unpleasant--!" said Archer explosively. Mr. Letterblair looked at him from under enquiring eyebrows, and the young man, aware of the uselessness of trying to explain what was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner a cautious and apprehensive gaze. Archer understood that he ran the risk of having his mandate withdrawn, and for some obscure reason he disliked the prospect. Now that the job had been thrust on him he did not propose to relinquish it; and, to guard against the possibility, he saw	though," Mr. Letterblair continued, "that she attaches no importance to the money. Therefore, as the family say, why not let well enough alone?" Archer had gone to the house an hour earlier in full agreement with Mr. Letterblair's view; but put into words by this selfish, well-fed and supremely indifferent old man it suddenly became the Pharisaic voice of a society wholly absorbed in barricading itself against the unpleasant. "I think that's for her to decide." "H'm--have you considered the consequences if she decides for divorce?" "You mean the threat in her husband's letter? What weight would that carry? It's no more than the vague charge of an angry blackguard." "Yes; but it might make some unpleasant talk if he really defends the suit." "Unpleasant--!" said Archer explosively. Mr. Letterblair looked at him from under enquiring eyebrows, and the young man, aware of the uselessness of trying to explain what was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner a cautious and apprehensive gaze. Archer understood that he ran the risk of having his mandate withdrawn, and for some obscure reason he disliked the prospect. Now that the job had been thrust on him he did not propose to relinquish it; and, to guard against the possibility, he saw that he must reassure the unimaginative old man who was the legal conscience of the Mingotts. "You may be sure, sir, that I shan't commit myself till I've reported to you; what I meant was that I'd rather not give an opinion till I've heard what Madame Olenska has to say." Mr. Letterblair nodded approvingly at an excess of caution worthy of the best New York tradition, and the young man, glancing at his watch, pleaded an engagement and took leave. XII. Old-fashioned New York dined at seven, and the habit of after-dinner calls, though derided in Archer's set, still	in San Francisco--an incident less publicly humiliating to the family than the sale of the cellar. After a velvety oyster soup came shad and cucumbers, then a young broiled turkey with corn fritters, followed by a canvas-back with currant jelly and a celery mayonnaise. Mr. Letterblair, who lunched on a sandwich and tea, dined deliberately and deeply, and insisted on his guest's doing the same. Finally, when the closing rites had been accomplished, the cloth was removed, cigars were lit, and Mr. Letterblair, leaning back in his chair and pushing the port westward, said, spreading his back agreeably to the coal fire behind him: "The whole family are against a divorce. And I think rightly." Archer instantly felt himself on the other side of the argument. "But why, sir? If there ever was a case--" "Well--what's the use? SHE'S here--he's there; the Atlantic's between them. She'll never get back a dollar more of her money than what he's voluntarily returned to her: their damned heathen marriage settlements take precious good care of that. As things go over there, Olenski's acted generously: he might have turned her out without a penny." The young man knew this and was silent. "I understand, though," Mr. Letterblair continued, "that she attaches no importance to the money. Therefore, as the family say, why not let well enough alone?" Archer had gone to the house an hour earlier in full agreement with Mr. Letterblair's view; but put into words by this selfish, well-fed and supremely indifferent old man it suddenly became the Pharisaic voice of a society wholly absorbed in barricading itself against the unpleasant. "I think that's for her to decide." "H'm--have you considered the consequences if she decides for divorce?" "You mean the threat in her husband's letter? What weight would that carry? It's no more than the vague charge of an angry blackguard." "Yes; but it might make some unpleasant talk if he really defends the suit." "Unpleasant--!" said Archer explosively. Mr. Letterblair looked at him from under enquiring eyebrows, and the young man, aware of the uselessness of trying to explain what was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner a cautious and apprehensive gaze. Archer understood that he ran the risk of having his mandate withdrawn, and for some obscure reason he disliked the prospect. Now that the job had been thrust on him he did not propose to relinquish it; and, to guard against the possibility, he saw that he must reassure the unimaginative old man who was the legal conscience of the Mingotts. "You may be sure, sir, that I shan't commit myself till I've reported to you; what I meant was that I'd rather not give an opinion till I've heard what Madame Olenska has to say." Mr. Letterblair nodded approvingly at an excess of caution worthy of the best New York tradition, and the young man, glancing at his watch, pleaded an engagement and took leave. XII. Old-fashioned New York dined at seven, and the habit of after-dinner calls, though derided in Archer's set, still generally prevailed. As the young man strolled up Fifth Avenue from Waverley Place, the long thoroughfare was deserted but for a group of carriages standing before the Reggie Chiverses' (where there was a dinner for the Duke), and the occasional figure of an elderly gentleman in heavy overcoat and muffler ascending a brownstone doorstep and disappearing into a gas-lit hall. Thus, as Archer crossed Washington Square, he remarked that old Mr. du Lac was calling on his cousins the Dagonets, and turning down the corner of West Tenth Street he saw Mr. Skipworth, of his own firm, obviously bound on a visit to the Miss Lannings. A little farther up Fifth Avenue, Beaufort appeared on his doorstep, darkly projected against a blaze of light, descended to his private brougham, and rolled away to a mysterious and probably unmentionable destination. It was not an Opera night, and no one was giving a party, so that Beaufort's outing was undoubtedly of a clandestine nature. Archer connected it in his mind with a little house beyond Lexington Avenue in which beribboned window curtains and flower-boxes had recently appeared, and before whose newly painted door the canary-coloured brougham of Miss Fanny Ring was frequently	they were sedulously abetted by their mothers, aunts and other elderly female relatives, who all shared Mrs. Archer's belief that when "such things happened" it was undoubtedly foolish of the man, but somehow always criminal of the woman. All the elderly ladies whom Archer knew regarded any woman who loved imprudently as necessarily unscrupulous and designing, and mere simple-minded man as powerless in her clutches. The only thing to do was to persuade him, as early as possible, to marry a nice girl, and then trust to her to look after him. In the complicated old European communities, Archer began to guess, love-problems might be less simple and less easily classified. Rich and idle and ornamental societies must produce many more such situations; and there might even be one in which a woman naturally sensitive and aloof would yet, from the force of circumstances, from sheer defencelessness and loneliness, be drawn into a tie inexcusable by conventional standards. On reaching home he wrote a line to the Countess Olenska, asking at what hour of the next day she could receive him, and despatched it by a messenger-boy, who returned presently with a word to the effect that she was going to Skuytercliff the next morning to stay over Sunday with the van der Luydens, but that he would find her alone that evening after dinner. The note was written on a rather untidy half-sheet, without date or address, but her hand was firm and free. He was amused at the idea of her week-ending in the stately solitude of Skuytercliff, but immediately afterward felt that there, of all places, she would most feel the chill of minds rigorously averted from the "unpleasant." He was at Mr. Letterblair's punctually at seven, glad of the pretext for excusing himself soon after dinner. He had formed his own opinion from the papers entrusted to him, and did not especially want to go into the matter with his senior partner. Mr. Letterblair was a widower, and they dined alone, copiously and slowly, in a dark shabby room hung with yellowing prints of "The Death of Chatham" and "The Coronation of Napoleon." On the sideboard, between fluted Sheraton knife-cases, stood a decanter of Haut Brion, and another of the old Lanning port (the gift of a client), which the wastrel Tom Lanning had sold off a year or two before his mysterious and discreditable death in San Francisco--an incident less publicly humiliating to the family than the sale of the cellar. After a velvety oyster soup came shad and cucumbers, then a young broiled turkey with corn fritters, followed by a canvas-back with currant jelly and a celery mayonnaise. Mr. Letterblair, who lunched on a sandwich and tea, dined deliberately and deeply, and insisted on his guest's doing the same. Finally, when the closing rites had been accomplished, the cloth was removed, cigars were lit, and Mr. Letterblair, leaning back in his chair and pushing the port westward, said, spreading his back agreeably to the coal fire behind him: "The whole family are against a divorce. And I think rightly." Archer instantly felt himself on the other side of the argument. "But why, sir? If there ever was a case--" "Well--what's the use? SHE'S here--he's there; the Atlantic's between them. She'll never get back a dollar more of her money than what he's voluntarily returned to her: their damned heathen marriage settlements take precious good care of that. As things go over there, Olenski's acted generously: he might have turned her out without a penny." The young man knew this and was silent. "I understand, though," Mr. Letterblair continued, "that she attaches no importance to the money. Therefore, as the family say, why not let well enough alone?" Archer had gone to the house an hour earlier in full agreement with Mr. Letterblair's view; but put into words by this selfish, well-fed and supremely indifferent old man it suddenly became the Pharisaic voice of a society wholly absorbed in barricading itself against the unpleasant. "I think that's for her to decide." "H'm--have you considered the consequences if she decides for divorce?" "You mean the threat in her husband's letter? What weight would that carry? It's no more than the vague charge of an angry blackguard." "Yes; but it might make some unpleasant talk if he really defends the suit." "Unpleasant--!" said Archer explosively. Mr. Letterblair looked at him from under enquiring eyebrows, and the young man, aware of the uselessness of trying to explain what was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner a cautious and apprehensive gaze. Archer understood that he ran the risk of having his mandate withdrawn, and for some obscure reason he disliked the prospect. Now that the job had been thrust on him he did not propose to relinquish it; and, to guard against the possibility, he saw that he must reassure the unimaginative old man who was the legal conscience of the Mingotts. "You may be sure, sir, that I shan't commit myself till I've reported to you; what I meant was that I'd rather not give an opinion till I've heard what Madame Olenska has to say." Mr. Letterblair nodded approvingly at an excess of caution worthy of the best New York tradition, and the young man, glancing at his watch, pleaded an engagement and took leave. XII. Old-fashioned New York dined at seven, and the habit of after-dinner calls, though derided in Archer's set, still generally prevailed. As the young man strolled up Fifth Avenue from Waverley Place, the long thoroughfare was deserted but for a group of carriages standing before the Reggie Chiverses' (where there was a dinner for the Duke), and the occasional figure of an elderly gentleman in heavy overcoat and muffler ascending a brownstone doorstep and disappearing into a gas-lit hall. Thus, as Archer crossed Washington Square, he remarked that old Mr. du Lac was calling on his cousins the Dagonets, and turning down the corner of West Tenth Street he saw Mr. Skipworth, of his own firm, obviously bound on a visit to the Miss Lannings. A little farther up Fifth Avenue, Beaufort appeared on his doorstep, darkly projected against a blaze of light, descended to his private brougham, and rolled away to a mysterious and probably unmentionable destination. It was not an Opera night, and no one was giving a party, so that Beaufort's outing was undoubtedly of a clandestine nature. Archer connected it in his mind with a little house beyond Lexington Avenue in which beribboned window curtains and flower-boxes had recently appeared, and before whose newly painted door the canary-coloured brougham of Miss Fanny Ring was frequently seen to wait. Beyond the small and slippery pyramid which composed Mrs. Archer's world lay the almost unmapped quarter inhabited by artists, musicians and "people who wrote." These scattered fragments of humanity had never shown any desire to be amalgamated with the social structure. In spite of odd ways they were said to be, for the most part, quite respectable; but they preferred to keep to themselves. Medora Manson, in her prosperous days, had inaugurated a "literary salon"; but it had soon died out owing to the reluctance of the literary to frequent it. Others had made the same attempt, and there was a household of Blenkers--an intense and voluble mother, and three blowsy daughters who imitated her--where one met Edwin Booth and Patti and William Winter, and the new Shakespearian actor George Rignold, and some of the magazine editors and musical and literary critics. Mrs. Archer and her group felt a certain timidity concerning these persons. They were odd, they were uncertain, they had things one didn't know about in the background of their lives and minds. Literature and art were deeply respected in the Archer set, and Mrs. Archer was always at pains to tell her children how much more agreeable and cultivated society had been when it included such figures as Washington Irving, Fitz-Greene Halleck and the poet of "The Culprit Fay." The most celebrated authors of that generation had been "gentlemen"; perhaps the unknown persons who succeeded them had gentlemanly sentiments, but their origin, their appearance, their hair, their intimacy with the stage and the Opera, made any old New York criterion inapplicable to them. "When I was a girl," Mrs. Archer used to say, "we knew everybody between the Battery and Canal Street; and only the people one knew had carriages. It was perfectly easy to place any one then; now one can't tell, and I prefer not to try." Only old Catherine Mingott, with her absence of moral prejudices and almost parvenu indifference to the subtler distinctions, might have bridged the abyss; but she had never opened a book or looked at a picture, and cared for music only because it reminded her of gala nights at the Italiens, in the days of her triumph at the Tuileries. Possibly Beaufort, who was her match in daring, would have succeeded in bringing about a fusion; but his grand house and silk-stockinged footmen were an obstacle	and insisted on his guest's doing the same. Finally, when the closing rites had been accomplished, the cloth was removed, cigars were lit, and Mr. Letterblair, leaning back in his chair and pushing the port westward, said, spreading his back agreeably to the coal fire behind him: "The whole family are against a divorce. And I think rightly." Archer instantly felt himself on the other side of the argument. "But why, sir? If there ever was a case--" "Well--what's the use? SHE'S here--he's there; the Atlantic's between them. She'll never get back a dollar more of her money than what he's voluntarily returned to her: their damned heathen marriage settlements take precious good care of that. As things go over there, Olenski's acted generously: he might have turned her out without a penny." The young man knew this and was silent. "I understand, though," Mr. Letterblair continued, "that she attaches no importance to the money. Therefore, as the family say, why not let well enough alone?" Archer had gone to the house an hour earlier in full agreement with Mr. Letterblair's view; but put into words by this selfish, well-fed and supremely indifferent old man it suddenly became the Pharisaic voice of a society wholly absorbed in barricading itself against the unpleasant. "I think that's for her to decide." "H'm--have you considered the consequences if she decides for divorce?" "You mean the threat in her husband's letter? What weight would that carry? It's no more than the vague charge of an angry blackguard." "Yes; but it might make some unpleasant talk if he really defends the suit." "Unpleasant--!" said Archer explosively. Mr. Letterblair looked at him from under enquiring eyebrows, and the young man, aware of the uselessness of trying to explain what was in his mind, bowed acquiescently while his senior continued: "Divorce is always unpleasant." "You agree with me?" Mr. Letterblair resumed, after a waiting silence. "Naturally," said Archer. "Well, then, I may count on you; the Mingotts may count on you; to use your influence against the idea?" Archer hesitated.<\|quote\|>"I can't pledge myself till I've seen the Countess Olenska,"</\|quote\|>he said at length. "Mr. Archer, I don't understand you. Do you want to marry into a family with a scandalous divorce-suit hanging over it?" "I don't think that has anything to do with the case." Mr. Letterblair put down his glass of port and fixed on his young partner a cautious and apprehensive gaze. Archer understood that he ran the risk of having his mandate withdrawn, and for some obscure reason he disliked the prospect. Now that the job had been thrust on him he did not propose to relinquish it; and, to guard against the possibility, he saw that he must reassure the unimaginative old man who was the legal conscience of the Mingotts. "You may be sure, sir, that I shan't commit myself till I've reported to you; what I meant was that I'd rather not give an opinion till I've heard what Madame Olenska has to say." Mr. Letterblair nodded approvingly at an excess of caution worthy of the best New York tradition, and the young man, glancing at his watch, pleaded an engagement and took leave. XII. Old-fashioned New York dined at seven, and the habit of after-dinner calls, though derided in Archer's set, still generally prevailed. As the young man strolled up Fifth Avenue from Waverley Place, the long thoroughfare was deserted but for a group of carriages standing before the Reggie Chiverses' (where there was a dinner for the Duke), and the occasional figure of an elderly gentleman in heavy overcoat and muffler ascending a brownstone doorstep and disappearing	The Age Of Innocence
This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.	No speaker	keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him.	but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as	but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am	off, and I think I am equal to as much as Maria, even without help." "But, Julia, Mr. Rushworth will be here in a moment with the key. Do wait for Mr. Rushworth." "Not I, indeed. I have had enough of the family for one morning. Why, child, I have but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am not obliged to punish myself for _her_ sins. The mother I could not avoid, as long as my tiresome aunt was dancing about with the housekeeper, but the son I _can_ get away from." And she immediately scrambled across the fence, and walked away, not attending to Fanny's last question	Crawford had left it, but that it was impossible for Edmund to forget her so entirely. She was again roused from disagreeable musings by sudden footsteps: somebody was coming at a quick pace down the principal walk. She expected Mr. Rushworth, but it was Julia, who, hot and out of breath, and with a look of disappointment, cried out on seeing her, "Heyday! Where are the others? I thought Maria and Mr. Crawford were with you." Fanny explained. "A pretty trick, upon my word! I cannot see them anywhere," looking eagerly into the park. "But they cannot be very far off, and I think I am equal to as much as Maria, even without help." "But, Julia, Mr. Rushworth will be here in a moment with the key. Do wait for Mr. Rushworth." "Not I, indeed. I have had enough of the family for one morning. Why, child, I have but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am not obliged to punish myself for _her_ sins. The mother I could not avoid, as long as my tiresome aunt was dancing about with the housekeeper, but the son I _can_ get away from." And she immediately scrambled across the fence, and walked away, not attending to Fanny's last question of whether she had seen anything of Miss Crawford and Edmund. The sort of dread in which Fanny now sat of seeing Mr. Rushworth prevented her thinking so much of their continued absence, however, as she might have done. She felt that he had been very ill-used, and was quite unhappy in having to communicate what had passed. He joined her within five minutes after Julia's exit; and though she made the best of the story, he was evidently mortified and displeased in no common degree. At first he scarcely said anything; his looks only expressed his extreme surprise and	tell him that he will find us near that knoll: the grove of oak on the knoll." Fanny, feeling all this to be wrong, could not help making an effort to prevent it. "You will hurt yourself, Miss Bertram," she cried; "you will certainly hurt yourself against those spikes; you will tear your gown; you will be in danger of slipping into the ha-ha. You had better not go." Her cousin was safe on the other side while these words were spoken, and, smiling with all the good-humour of success, she said, "Thank you, my dear Fanny, but I and my gown are alive and well, and so good-bye." Fanny was again left to her solitude, and with no increase of pleasant feelings, for she was sorry for almost all that she had seen and heard, astonished at Miss Bertram, and angry with Mr. Crawford. By taking a circuitous, and, as it appeared to her, very unreasonable direction to the knoll, they were soon beyond her eye; and for some minutes longer she remained without sight or sound of any companion. She seemed to have the little wood all to herself. She could almost have thought that Edmund and Miss Crawford had left it, but that it was impossible for Edmund to forget her so entirely. She was again roused from disagreeable musings by sudden footsteps: somebody was coming at a quick pace down the principal walk. She expected Mr. Rushworth, but it was Julia, who, hot and out of breath, and with a look of disappointment, cried out on seeing her, "Heyday! Where are the others? I thought Maria and Mr. Crawford were with you." Fanny explained. "A pretty trick, upon my word! I cannot see them anywhere," looking eagerly into the park. "But they cannot be very far off, and I think I am equal to as much as Maria, even without help." "But, Julia, Mr. Rushworth will be here in a moment with the key. Do wait for Mr. Rushworth." "Not I, indeed. I have had enough of the family for one morning. Why, child, I have but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am not obliged to punish myself for _her_ sins. The mother I could not avoid, as long as my tiresome aunt was dancing about with the housekeeper, but the son I _can_ get away from." And she immediately scrambled across the fence, and walked away, not attending to Fanny's last question of whether she had seen anything of Miss Crawford and Edmund. The sort of dread in which Fanny now sat of seeing Mr. Rushworth prevented her thinking so much of their continued absence, however, as she might have done. She felt that he had been very ill-used, and was quite unhappy in having to communicate what had passed. He joined her within five minutes after Julia's exit; and though she made the best of the story, he was evidently mortified and displeased in no common degree. At first he scarcely said anything; his looks only expressed his extreme surprise and vexation, and he walked to the gate and stood there, without seeming to know what to do. "They desired me to stay my cousin Maria charged me to say that you would find them at that knoll, or thereabouts." "I do not believe I shall go any farther," said he sullenly; "I see nothing of them. By the time I get to the knoll they may be gone somewhere else. I have had walking enough." And he sat down with a most gloomy countenance by Fanny. "I am very sorry," said she; "it is very unlucky." And she longed to be able to say something more to the purpose. After an interval of silence, "I think they might as well have staid for me," said he. "Miss Bertram thought you would follow her." "I should not have had to follow her if she had staid." This could not be denied, and Fanny was silenced. After another pause, he went on "Pray, Miss Price, are you such a great admirer of this Mr. Crawford as some people are? For my part, I can see nothing in him." "I do not think him at all handsome." "Handsome! Nobody can call such an	If other people think Sotherton improved, I have no doubt that you will." "I am afraid I am not quite so much the man of the world as might be good for me in some points. My feelings are not quite so evanescent, nor my memory of the past under such easy dominion as one finds to be the case with men of the world." This was followed by a short silence. Miss Bertram began again. "You seemed to enjoy your drive here very much this morning. I was glad to see you so well entertained. You and Julia were laughing the whole way." "Were we? Yes, I believe we were; but I have not the least recollection at what. Oh! I believe I was relating to her some ridiculous stories of an old Irish groom of my uncle's. Your sister loves to laugh." "You think her more light-hearted than I am?" "More easily amused," he replied; "consequently, you know," smiling, "better company. I could not have hoped to entertain you with Irish anecdotes during a ten miles' drive." "Naturally, I believe, I am as lively as Julia, but I have more to think of now." "You have, undoubtedly; and there are situations in which very high spirits would denote insensibility. Your prospects, however, are too fair to justify want of spirits. You have a very smiling scene before you." "Do you mean literally or figuratively? Literally, I conclude. Yes, certainly, the sun shines, and the park looks very cheerful. But unluckily that iron gate, that ha-ha, give me a feeling of restraint and hardship. I cannot get out,' as the starling said." As she spoke, and it was with expression, she walked to the gate: he followed her. "Mr. Rushworth is so long fetching this key!" "And for the world you would not get out without the key and without Mr. Rushworth's authority and protection, or I think you might with little difficulty pass round the edge of the gate, here, with my assistance; I think it might be done, if you really wished to be more at large, and could allow yourself to think it not prohibited." "Prohibited! nonsense! I certainly can get out that way, and I will. Mr. Rushworth will be here in a moment, you know; we shall not be out of sight." "Or if we are, Miss Price will be so good as to tell him that he will find us near that knoll: the grove of oak on the knoll." Fanny, feeling all this to be wrong, could not help making an effort to prevent it. "You will hurt yourself, Miss Bertram," she cried; "you will certainly hurt yourself against those spikes; you will tear your gown; you will be in danger of slipping into the ha-ha. You had better not go." Her cousin was safe on the other side while these words were spoken, and, smiling with all the good-humour of success, she said, "Thank you, my dear Fanny, but I and my gown are alive and well, and so good-bye." Fanny was again left to her solitude, and with no increase of pleasant feelings, for she was sorry for almost all that she had seen and heard, astonished at Miss Bertram, and angry with Mr. Crawford. By taking a circuitous, and, as it appeared to her, very unreasonable direction to the knoll, they were soon beyond her eye; and for some minutes longer she remained without sight or sound of any companion. She seemed to have the little wood all to herself. She could almost have thought that Edmund and Miss Crawford had left it, but that it was impossible for Edmund to forget her so entirely. She was again roused from disagreeable musings by sudden footsteps: somebody was coming at a quick pace down the principal walk. She expected Mr. Rushworth, but it was Julia, who, hot and out of breath, and with a look of disappointment, cried out on seeing her, "Heyday! Where are the others? I thought Maria and Mr. Crawford were with you." Fanny explained. "A pretty trick, upon my word! I cannot see them anywhere," looking eagerly into the park. "But they cannot be very far off, and I think I am equal to as much as Maria, even without help." "But, Julia, Mr. Rushworth will be here in a moment with the key. Do wait for Mr. Rushworth." "Not I, indeed. I have had enough of the family for one morning. Why, child, I have but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am not obliged to punish myself for _her_ sins. The mother I could not avoid, as long as my tiresome aunt was dancing about with the housekeeper, but the son I _can_ get away from." And she immediately scrambled across the fence, and walked away, not attending to Fanny's last question of whether she had seen anything of Miss Crawford and Edmund. The sort of dread in which Fanny now sat of seeing Mr. Rushworth prevented her thinking so much of their continued absence, however, as she might have done. She felt that he had been very ill-used, and was quite unhappy in having to communicate what had passed. He joined her within five minutes after Julia's exit; and though she made the best of the story, he was evidently mortified and displeased in no common degree. At first he scarcely said anything; his looks only expressed his extreme surprise and vexation, and he walked to the gate and stood there, without seeming to know what to do. "They desired me to stay my cousin Maria charged me to say that you would find them at that knoll, or thereabouts." "I do not believe I shall go any farther," said he sullenly; "I see nothing of them. By the time I get to the knoll they may be gone somewhere else. I have had walking enough." And he sat down with a most gloomy countenance by Fanny. "I am very sorry," said she; "it is very unlucky." And she longed to be able to say something more to the purpose. After an interval of silence, "I think they might as well have staid for me," said he. "Miss Bertram thought you would follow her." "I should not have had to follow her if she had staid." This could not be denied, and Fanny was silenced. After another pause, he went on "Pray, Miss Price, are you such a great admirer of this Mr. Crawford as some people are? For my part, I can see nothing in him." "I do not think him at all handsome." "Handsome! Nobody can call such an undersized man handsome. He is not five foot nine. I should not wonder if he is not more than five foot eight. I think he is an ill-looking fellow. In my opinion, these Crawfords are no addition at all. We did very well without them." A small sigh escaped Fanny here, and she did not know how to contradict him. "If I had made any difficulty about fetching the key, there might have been some excuse, but I went the very moment she said she wanted it." "Nothing could be more obliging than your manner, I am sure, and I dare say you walked as fast as you could; but still it is some distance, you know, from this spot to the house, quite into the house; and when people are waiting, they are bad judges of time, and every half minute seems like five." He got up and walked to the gate again, and "wished he had had the key about him at the time." Fanny thought she discerned in his standing there an indication of relenting, which encouraged her to another attempt, and she said, therefore, "It is a pity you should not join them. They expected to have a better view of the house from that part of the park, and will be thinking how it may be improved; and nothing of that sort, you know, can be settled without you." She found herself more successful in sending away than in retaining a companion. Mr. Rushworth was worked on. "Well," said he, "if you really think I had better go: it would be foolish to bring the key for nothing." And letting himself out, he walked off without farther ceremony. Fanny's thoughts were now all engrossed by the two who had left her so long ago, and getting quite impatient, she resolved to go in search of them. She followed their steps along the bottom walk, and had just turned up into another, when the voice and the laugh of Miss Crawford once more caught her ear; the sound approached, and a few more windings brought them before her. They were just returned into the wilderness from the park, to which a sidegate, not fastened, had tempted them very soon after their leaving her, and they had been across a portion of the park into the very avenue which Fanny had been hoping the whole morning to	are alive and well, and so good-bye." Fanny was again left to her solitude, and with no increase of pleasant feelings, for she was sorry for almost all that she had seen and heard, astonished at Miss Bertram, and angry with Mr. Crawford. By taking a circuitous, and, as it appeared to her, very unreasonable direction to the knoll, they were soon beyond her eye; and for some minutes longer she remained without sight or sound of any companion. She seemed to have the little wood all to herself. She could almost have thought that Edmund and Miss Crawford had left it, but that it was impossible for Edmund to forget her so entirely. She was again roused from disagreeable musings by sudden footsteps: somebody was coming at a quick pace down the principal walk. She expected Mr. Rushworth, but it was Julia, who, hot and out of breath, and with a look of disappointment, cried out on seeing her, "Heyday! Where are the others? I thought Maria and Mr. Crawford were with you." Fanny explained. "A pretty trick, upon my word! I cannot see them anywhere," looking eagerly into the park. "But they cannot be very far off, and I think I am equal to as much as Maria, even without help." "But, Julia, Mr. Rushworth will be here in a moment with the key. Do wait for Mr. Rushworth." "Not I, indeed. I have had enough of the family for one morning. Why, child, I have but this moment escaped from his horrible mother. Such a penance as I have been enduring, while you were sitting here so composed and so happy! It might have been as well, perhaps, if you had been in my place, but you always contrive to keep out of these scrapes."<\|quote\|>This was a most unjust reflection, but Fanny could allow for it, and let it pass: Julia was vexed, and her temper was hasty; but she felt that it would not last, and therefore, taking no notice, only asked her if she had not seen Mr. Rushworth.</\|quote\|>"Yes, yes, we saw him. He was posting away as if upon life and death, and could but just spare time to tell us his errand, and where you all were." "It is a pity he should have so much trouble for nothing." "_That_ is Miss Maria's concern. I am not obliged to punish myself for _her_ sins. The mother I could not avoid, as long as my tiresome aunt was dancing about with the housekeeper, but the son I _can_ get away from." And she immediately scrambled across the fence, and walked away, not attending to Fanny's last question of whether she had seen anything of Miss Crawford and Edmund. The sort of dread in which Fanny now sat of seeing Mr. Rushworth prevented her thinking so much of their continued absence, however, as she might have done. She felt that he had been very ill-used, and was quite unhappy in having to communicate what had passed. He joined her within five minutes after Julia's exit; and though she made the best of the story, he was evidently mortified and displeased in no common degree. At first he scarcely said anything; his looks only expressed his extreme surprise and vexation, and he walked to the gate and stood there, without seeming to know what to do. "They desired me to stay my cousin Maria charged me to say that you would find them at that knoll, or thereabouts." "I do not believe I shall go any	Mansfield Park
"Good night, sir,"	Count Mippipopolous	"Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went	let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and	office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table,	night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a	"Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room.	She gave me her hand as she stepped down. Her hand was shaky. "I say, do I look too much of a mess?" She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room. The letters were from the States. One was a bank statement. It showed a balance of $2432.60. I got out my check-book and deducted four checks drawn since the first of the month, and discovered I had a balance of $1832.60. I wrote this on the back of the statement. The other letter was a wedding announcement. Mr. and Mrs. Aloysius Kirby announce the marriage of their daughter Katherine--I knew neither the girl nor the man she was marrying. They must be circularizing the town. It was a funny name. I felt sure I could remember anybody with a name like Aloysius. It was a good Catholic name. There was a crest on the announcement. Like Zizi the Greek duke. And that count. The count was funny. Brett had a title, too. Lady Ashley. To hell with Brett. To hell with you, Lady Ashley. I lit the lamp beside the bed, turned off the gas, and opened the wide windows. The bed was far back from the windows, and I sat with the windows open and undressed by the bed. Outside a night train, running on the street-car tracks, went by carrying vegetables to the markets. They were noisy at	but it always gets to be." "That's my fault. Don't we pay for all the things we do, though?" She had been looking into my eyes all the time. Her eyes had different depths, sometimes they seemed perfectly flat. Now you could see all the way into them. "When I think of the hell I've put chaps through. I'm paying for it all now." "Don't talk like a fool," I said. "Besides, what happened to me is supposed to be funny. I never think about it." "Oh, no. I'll lay you don't." "Well, let's shut up about it." "I laughed about it too, myself, once." She wasn't looking at me. "A friend of my brother's came home that way from Mons. It seemed like a hell of a joke. Chaps never know anything, do they?" "No," I said. "Nobody ever knows anything." I was pretty well through with the subject. At one time or another I had probably considered it from most of its various angles, including the one that certain injuries or imperfections are a subject of merriment while remaining quite serious for the person possessing them. "It's funny," I said. "It's very funny. And it's a lot of fun, too, to be in love." "Do you think so?" her eyes looked flat again. "I don't mean fun that way. In a way it's an enjoyable feeling." "No," she said. "I think it's hell on earth." "It's good to see each other." "No. I don't think it is." "Don't you want to?" "I have to." We were sitting now like two strangers. On the right was the Parc Montsouris. The restaurant where they have the pool of live trout and where you can sit and look out over the park was closed and dark. The driver leaned his head around. "Where do you want to go?" I asked. Brett turned her head away. "Oh, go to the Select." "Caf Select," I told the driver. "Boulevard Montparnasse." We drove straight down, turning around the Lion de Belfort that guards the passing Montrouge trams. Brett looked straight ahead. On the Boulevard Raspail, with the lights of Montparnasse in sight, Brett said: "Would you mind very much if I asked you to do something?" "Don't be silly." "Kiss me just once more before we get there." When the taxi stopped I got out and paid. Brett came out putting on her hat. She gave me her hand as she stepped down. Her hand was shaky. "I say, do I look too much of a mess?" She pulled her man's felt hat down and started in for the bar. Inside, against the bar and at tables, were most of the crowd who a been at the dance. "Hello, you chaps," Brett said. "I'm going to have a drink." "Oh, Brett! Brett!" the little Greek portrait-painter, who called himself a duke, and whom everybody called Zizi, pushed up to her. "I got something fine to tell you." "Hello, Zizi," Brett said. "I want you to meet a friend," Zizi said. A fat man came up. "Count Mippipopolous, meet my friend Lady Ashley." "How do you do?" said Brett. "Well, does your Ladyship have a good time here in Paris?" asked Count Mippipopolous, who wore an elk's tooth on his watch-chain. "Rather," said Brett. "Paris is a fine town all right," said the count. "But I guess you have pretty big doings yourself over in London." "Oh, yes," said Brett. "Enormous." Braddocks called to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room. The letters were from the States. One was a bank statement. It showed a balance of $2432.60. I got out my check-book and deducted four checks drawn since the first of the month, and discovered I had a balance of $1832.60. I wrote this on the back of the statement. The other letter was a wedding announcement. Mr. and Mrs. Aloysius Kirby announce the marriage of their daughter Katherine--I knew neither the girl nor the man she was marrying. They must be circularizing the town. It was a funny name. I felt sure I could remember anybody with a name like Aloysius. It was a good Catholic name. There was a crest on the announcement. Like Zizi the Greek duke. And that count. The count was funny. Brett had a title, too. Lady Ashley. To hell with Brett. To hell with you, Lady Ashley. I lit the lamp beside the bed, turned off the gas, and opened the wide windows. The bed was far back from the windows, and I sat with the windows open and undressed by the bed. Outside a night train, running on the street-car tracks, went by carrying vegetables to the markets. They were noisy at night when you could not sleep. Undressing, I looked at myself in the mirror of the big armoire beside the bed. That was a typically French way to furnish a room. Practical, too, I suppose. Of all the ways to be wounded. I suppose it was funny. I put on my pajamas and got into bed. I had the two bull-fight papers, and I took their wrappers off. One was orange. The other yellow. They would both have the same news, so whichever I read first would spoil the other. _Le Toril_ was the better paper, so I started to read it. I read it all the way through, including the Petite Correspondance and the Cornigrams. I blew out the lamp. Perhaps I would be able to sleep. My head started to work. The old grievance. Well, it was a rotten way to be wounded and flying on a joke front like the Italian. In the Italian hospital we were going to form a society. It had a funny name in Italian. I wonder what became of the others, the Italians. That was in the Ospedale Maggiore in Milano, Padiglione Ponte. The next building was the Padiglione Zonda. There was a statue of Ponte, or maybe it was Zonda. That was where the liaison colonel came to visit me. That was funny. That was about the first funny thing. I was all bandaged up. But they had told him about it. Then he made that wonderful speech: "You, a foreigner, an Englishman" (any foreigner was an Englishman) "have given more than your life." What a speech! I would like to have it illuminated to hang in the office. He never laughed. He was putting himself in my place, I guess. "Che mala fortuna! Che mala fortuna!" I never used to realize it, I guess. I try and play it along and just not make trouble for people. Probably I never would have had any trouble if I hadn't run into Brett when they shipped me to England. I suppose she only wanted what she couldn't have. Well, people were that way. To hell with people. The Catholic Church had an awfully good way of handling all that. Good advice, anyway. Not to think about it. Oh, it was swell advice. Try and take it sometime. Try and take it. I lay awake thinking and my mind jumping around. Then I	to me from a table. "Barnes," he said, "have a drink. That girl of yours got in a frightful row." "What about?" "Something the patronne's daughter said. A corking row. She was rather splendid, you know. Showed her yellow card and demanded the patronne's daughter's too. I say it was a row." "What finally happened?" "Oh, some one took her home. Not a bad-looking girl. Wonderful command of the idiom. Do stay and have a drink." "No," I said. "I must shove off. Seen Cohn?" "He went home with Frances," Mrs. Braddock put in. "Poor chap, he looks awfully down," Braddocks said. "I dare say he is," said Mrs. Braddocks. "I have to shove off," I said. "Good night." I said good night to Brett at the bar. The count was buying champagne. "Will you take a glass of wine with us, sir?" he asked. "No. Thanks awfully. I have to go." "Really going?" Brett asked. "Yes," I said. "I've got a rotten headache." "I'll see you to-morrow?" "Come in at the office." "Hardly." "Well, where will I see you?" "Anywhere around five o'clock." "Make it the other side of town then." "Good. I'll be at the Crillon at five." "Try and be there," I said. "Don't worry," Brett said. "I've never let you down, have I?" "Heard from Mike?" "Letter to-day."<\|quote\|>"Good night, sir,"</\|quote\|>said the count. I went out onto the sidewalk and walked down toward the Boulevard St. Michel, passed the tables of the Rotonde, still crowded, looked across the street at the Dome, its tables running out to the edge of the pavement. Some one waved at me from a table, I did not see who it was and went on. I wanted to get home. The Boulevard Montparnasse was deserted. Lavigne's was closed tight, and they were stacking the tables outside the Closerie des Lilas. I passed Ney's statue standing among the new-leaved chestnut-trees in the arc-light. There was a faded purple wreath leaning against the base. I stopped and read the inscription: from the Bonapartist Groups, some date; I forget. He looked very fine, Marshal Ney in his top-boots, gesturing with his sword among the green new horse-chestnut leaves. My flat was just across the street, a little way down the Boulevard St. Michel. There was a light in the concierge's room and I knocked on the door and she gave me my mail. I wished her good night and went up-stairs. There were two letters and some papers. I looked at them under the gas-light in the dining-room. The letters were from the States. One	The Sun Also Rises
Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:	No speaker	our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I	account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth	Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces	until they came to Gulnare; and when they drew near to the window, and she beheld them, she rose to them and met them with joy. On their seeing her, they knew her, and they went in to her and embraced her, weeping violently; and they said to her: "O Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces of gold. Then he treated me with attention, and forsook all his favourites for my sake, and was diverted by his regard for me from everything that he possessed and what was in his city." And when her brother heard her words, he said: "Praise be to God who hath	each month; but the loveliness of thy face is perfect every day. Its abode is in the heart of one sign at a time; but thine abode is in all hearts at once. [Illustration] _And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated._ Afterward, there came forth from the sea a grizzly-haired old woman, and with her five damsels, resembling moons and bearing a likeness to the damsel whose name was Gulnare. Then the king saw the young man and the old woman and the damsels walk upon the surface of the water until they came to Gulnare; and when they drew near to the window, and she beheld them, she rose to them and met them with joy. On their seeing her, they knew her, and they went in to her and embraced her, weeping violently; and they said to her: "O Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces of gold. Then he treated me with attention, and forsook all his favourites for my sake, and was diverted by his regard for me from everything that he possessed and what was in his city." And when her brother heard her words, he said: "Praise be to God who hath reunited us! But it is my desire, O my sister, that thou wouldst arise and go with us to our country and our family." So when the king heard the words of her brother, his reason fled in consequence of his fear lest the damsel should accept the proposal of her kindred, and he could not prevent her, though he was inflamed with love of her; wherefore he became perplexed in violent fear of her separation. But as to the damsel Gulnare, on hearing the words of her brother she said: "By Allah, O my brother, the man who purchased	of aloes-wood and, having lighted a fire in a perfuming-vessel, threw into it that bit, and she proceeded to speak words which no one understood; whereupon a great smoke arose, while the king looked on. After this, she said to the king: "O my lord, arise and conceal thyself in a closet, that I may shew thee my brother and my mother and my family without their seeing thee; for I desire to bring them, and thou shalt see in this place, at this time, a wonder, and shalt marvel at the various shapes and strange forms that God hath created." So the king arose immediately, and entered a closet, and looked to see what she would do. And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, and there came forth from it a young man of comely form, of beautiful countenance, like the moon at the full, with shining forehead, and red cheeks, and hair resembling pearls and jewels; he was, of all the creation, the most like to his sister, and the tongue of the case itself seemed to recite in his praise these verses:-- The moon becometh perfect once in each month; but the loveliness of thy face is perfect every day. Its abode is in the heart of one sign at a time; but thine abode is in all hearts at once. [Illustration] _And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated._ Afterward, there came forth from the sea a grizzly-haired old woman, and with her five damsels, resembling moons and bearing a likeness to the damsel whose name was Gulnare. Then the king saw the young man and the old woman and the damsels walk upon the surface of the water until they came to Gulnare; and when they drew near to the window, and she beheld them, she rose to them and met them with joy. On their seeing her, they knew her, and they went in to her and embraced her, weeping violently; and they said to her: "O Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces of gold. Then he treated me with attention, and forsook all his favourites for my sake, and was diverted by his regard for me from everything that he possessed and what was in his city." And when her brother heard her words, he said: "Praise be to God who hath reunited us! But it is my desire, O my sister, that thou wouldst arise and go with us to our country and our family." So when the king heard the words of her brother, his reason fled in consequence of his fear lest the damsel should accept the proposal of her kindred, and he could not prevent her, though he was inflamed with love of her; wherefore he became perplexed in violent fear of her separation. But as to the damsel Gulnare, on hearing the words of her brother she said: "By Allah, O my brother, the man who purchased me is the king of this city, and he is a great king, and a man of wisdom, generous, of the utmost liberality. He hath treated me with honour, and he is a person of kindness, and of great wealth, but hath no male child nor a female. He hath shewn me favour too, and acted well to me in every respect; and from the day when I came to him to the present time, I have not heard from him a word to grieve my heart; but he hath not ceased to treat me with courtesy, and I am living with him in the most perfect of enjoyments. Moreover, if I quitted him, he would perish: for he can never endure my separation even for a single hour. I also, if I quitted him, should die of my love for him in consequence of his kindness to me during the period of my residence with him; for if my father were living, my condition with him would not be like my condition with this great, glorious king. God (whose name be exalted!) afflicted me not, but compensated me well; and as the king hath not a male child nor	into the sea from this window, and gone to my mother and my people. I was ashamed, however, to go to them; for they would imagine evil of me, and would not believe me, even though I should swear to them, were I to tell them that a king had purchased me with his money, and chosen me in preference to his other wives and all that his right hand possessed. This is my story, and peace be on thee!" And when he heard her words, he thanked her, and kissed her between the eyes, and said to her: "By Allah, O my mistress, and light of my eyes, I cannot endure separation from thee for one hour; and if thou quit me, I shall die instantly. How then shall the affair be?" She answered: "O my master, the time of the birth is near, and my family must come." "And how," said the king, "do they walk in the sea without being wetted?" She answered: "We walk in the sea as ye walk upon the land, through the influence of the names engraved upon the seal of Solomon, the son of David, upon both of whom be peace! But, O King, when my family and my brethren come, I will inform them that thou boughtest me with thy money, and hast treated me with beneficence, and it will be meet that thou confirm my assertion to them. They will also see thy state with their eyes, and will know that thou art a king, the son of a king." And thereupon the king said: "O my mistress, do what seemeth fit to thee, and what thou wishest; for I will comply with thy desire in all that thou wilt do." And the damsel said: "Know, O King of the age, that we walk in the sea with our eyes open, and see what is in it, and we see the sun, and the moon, and the stars, and the sky as on the face of the earth, and this hurteth us not. Know also, that in the sea are many peoples and various forms of all the kinds that are on the land; and know, moreover, that all that is on the land, in comparison with what is in the sea, is a very small matter." And the king wondered at her words. Then the damsel took a bit of aloes-wood and, having lighted a fire in a perfuming-vessel, threw into it that bit, and she proceeded to speak words which no one understood; whereupon a great smoke arose, while the king looked on. After this, she said to the king: "O my lord, arise and conceal thyself in a closet, that I may shew thee my brother and my mother and my family without their seeing thee; for I desire to bring them, and thou shalt see in this place, at this time, a wonder, and shalt marvel at the various shapes and strange forms that God hath created." So the king arose immediately, and entered a closet, and looked to see what she would do. And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, and there came forth from it a young man of comely form, of beautiful countenance, like the moon at the full, with shining forehead, and red cheeks, and hair resembling pearls and jewels; he was, of all the creation, the most like to his sister, and the tongue of the case itself seemed to recite in his praise these verses:-- The moon becometh perfect once in each month; but the loveliness of thy face is perfect every day. Its abode is in the heart of one sign at a time; but thine abode is in all hearts at once. [Illustration] _And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated._ Afterward, there came forth from the sea a grizzly-haired old woman, and with her five damsels, resembling moons and bearing a likeness to the damsel whose name was Gulnare. Then the king saw the young man and the old woman and the damsels walk upon the surface of the water until they came to Gulnare; and when they drew near to the window, and she beheld them, she rose to them and met them with joy. On their seeing her, they knew her, and they went in to her and embraced her, weeping violently; and they said to her: "O Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces of gold. Then he treated me with attention, and forsook all his favourites for my sake, and was diverted by his regard for me from everything that he possessed and what was in his city." And when her brother heard her words, he said: "Praise be to God who hath reunited us! But it is my desire, O my sister, that thou wouldst arise and go with us to our country and our family." So when the king heard the words of her brother, his reason fled in consequence of his fear lest the damsel should accept the proposal of her kindred, and he could not prevent her, though he was inflamed with love of her; wherefore he became perplexed in violent fear of her separation. But as to the damsel Gulnare, on hearing the words of her brother she said: "By Allah, O my brother, the man who purchased me is the king of this city, and he is a great king, and a man of wisdom, generous, of the utmost liberality. He hath treated me with honour, and he is a person of kindness, and of great wealth, but hath no male child nor a female. He hath shewn me favour too, and acted well to me in every respect; and from the day when I came to him to the present time, I have not heard from him a word to grieve my heart; but he hath not ceased to treat me with courtesy, and I am living with him in the most perfect of enjoyments. Moreover, if I quitted him, he would perish: for he can never endure my separation even for a single hour. I also, if I quitted him, should die of my love for him in consequence of his kindness to me during the period of my residence with him; for if my father were living, my condition with him would not be like my condition with this great, glorious king. God (whose name be exalted!) afflicted me not, but compensated me well; and as the king hath not a male child nor a female, I beg God to bless me with a son that may inherit of this great king these palaces and possessions." And when her brother, and the daughters of her uncle, heard her words, their eyes became cheerful thereat, and they said to her: "O Gulnare, thou art acquainted with our affection for thee, and thou art assured that thou art the dearest of all persons to us, and art certain that we desire for thee comfort, without trouble or toil. Therefore if thou be not in a state of comfort, arise and accompany us to our country and our family; but if thou be comfortable here, in honour and happiness, this is our desire and wish." And Gulnare replied: "By Allah, I am in a state of the utmost enjoyment, in honour and desirable happiness." So when the king heard these words from her, he rejoiced, and he thanked her for them; his love for her penetrated to his heart's core, and he knew that she loved him as he loved her, and that she desired to remain with him to see his child which she was to bring to him. Then the damsel Gulnare of the Sea gave orders to the female slaves to bring forward viands of all kinds; and Gulnare herself was the person who superintended the preparation of the viands in the kitchen. So the female slaves brought to them the viands, and the sweetmeats, and the fruits; and she ate with her family. But afterward they said to her: "O Gulnare, thy master is a man who is a stranger to us, and we have entered his abode without his permission, and thou praisest to us his excellence, and hast also brought to us his food, and we have eaten, but have not seen him, nor hath he seen us, nor come into our presence, nor eaten with us, that the bond of bread and salt might be established between us." And they all desisted from eating, and were enraged at her, and fire began to issue from their mouths as from cressets. So when the king beheld this, his reason fled, in consequence of the violence of his fear of them. Then Gulnare rose to them, and soothed their hearts; after which she walked along until she entered the closet in which was the king her master; and she said to him:	closet, that I may shew thee my brother and my mother and my family without their seeing thee; for I desire to bring them, and thou shalt see in this place, at this time, a wonder, and shalt marvel at the various shapes and strange forms that God hath created." So the king arose immediately, and entered a closet, and looked to see what she would do. And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated, and there came forth from it a young man of comely form, of beautiful countenance, like the moon at the full, with shining forehead, and red cheeks, and hair resembling pearls and jewels; he was, of all the creation, the most like to his sister, and the tongue of the case itself seemed to recite in his praise these verses:-- The moon becometh perfect once in each month; but the loveliness of thy face is perfect every day. Its abode is in the heart of one sign at a time; but thine abode is in all hearts at once. [Illustration] _And she proceeded to burn perfume and repeat spells until the sea foamed and was agitated._ Afterward, there came forth from the sea a grizzly-haired old woman, and with her five damsels, resembling moons and bearing a likeness to the damsel whose name was Gulnare. Then the king saw the young man and the old woman and the damsels walk upon the surface of the water until they came to Gulnare; and when they drew near to the window, and she beheld them, she rose to them and met them with joy. On their seeing her, they knew her, and they went in to her and embraced her, weeping violently; and they said to her: "O Gulnare, how is it that thou leavest us for four years, and we know not the place in which thou art? By Allah, we had no delight in food nor in drink a single day, weeping night and day on account of the excess of our longing to see thee."<\|quote\|>Then the damsel began to kiss the hand of her brother, and the hand of her mother, and so also the hands of the daughters of her uncle, and they sat with her awhile, asking her respecting her state, and the things that had happened to her, and her present condition. So she said to them:</\|quote\|>"Know ye, that when I quitted you, and came forth from the sea, I sat upon the shore of an island, and a man took me, and sold me to a merchant, and the merchant brought me to this city, and sold me to its king for ten thousand pieces of gold. Then he treated me with attention, and forsook all his favourites for my sake, and was diverted by his regard for me from everything that he possessed and what was in his city." And when her brother heard her words, he said: "Praise be to God who hath reunited us! But it is my desire, O my sister, that thou wouldst arise and go with us to our country and our family." So when the king heard the words of her brother, his reason fled in consequence of his fear lest the damsel should accept the proposal of her kindred, and he could not prevent her, though he was inflamed with love of her; wherefore he became perplexed in violent fear of her separation. But as to the damsel Gulnare, on hearing the words of her brother she said: "By Allah, O my brother, the man who purchased me is the king of this city, and he is a great king, and a man of wisdom, generous, of the utmost liberality. He hath treated me with honour, and he is a person of kindness, and of great wealth, but hath no male child nor a female. He hath shewn me favour too, and acted well to me in every respect; and from the day when I came to him to the present time, I have not heard from him a word to grieve my heart; but he hath not ceased to treat me with courtesy, and I am living with him in the most perfect of enjoyments. Moreover, if I quitted him, he would perish: for he can never endure my separation even for a single hour. I also, if I quitted him, should die of my love for him in consequence of his kindness to me during the period of my residence with him; for if my father were living, my condition with him would not be like my condition with this great, glorious king. God (whose name be exalted!) afflicted me not, but compensated me well; and as the king hath not a male child nor a female, I beg God to bless me with a son that may inherit of this great king these palaces and possessions." And when her brother, and the daughters of her uncle, heard her words, their eyes became cheerful thereat, and they said to her: "O Gulnare, thou art acquainted with our affection for thee, and thou art assured that thou art the dearest of all persons to us, and art certain that we desire for thee comfort, without trouble or toil. Therefore if thou be not in a state of comfort, arise and accompany us to our country and our family; but if thou be comfortable here, in honour and happiness, this is our desire and wish." And Gulnare replied: "By Allah, I am in a state of the utmost enjoyment, in honour and desirable happiness." So when the king heard these words from her, he rejoiced, and he thanked her for them; his love for her penetrated to his heart's core, and he knew that she loved him as he loved her, and that she desired to remain	Arabian Nights (9)
Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.	No speaker	are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later,	detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to	Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my	witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?" "Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself." "That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer,	marvellous flowers, which will surprise her when she reappears." Winsett remained on his feet. "I'm afraid I must be off. Please tell Madame Olenska that we shall all feel lost when she abandons our street. This house has been an oasis." "Ah, but she won't abandon YOU. Poetry and art are the breath of life to her. It IS poetry you write, Mr. Winsett?" "Well, no; but I sometimes read it," said Winsett, including the group in a general nod and slipping out of the room. "A caustic spirit--un peu sauvage. But so witty; Dr. Carver, you DO think him witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?" "Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself." "That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer, who read on it, in Gothic characters: +---------------------------+ \| Agathon Carver \| \| The Valley of Love \| \| Kittasquattamy, N. Y. \| +---------------------------+ Dr. Carver bowed himself out, and Mrs. Manson, with a sigh that might have been either of regret or relief, again waved Archer to a seat. "Ellen will be down in a moment; and before she comes, I am so glad of this quiet moment with you." Archer murmured his pleasure at their meeting, and the Marchioness continued, in her low sighing accents: "I know everything, dear Mr. Archer--my child has told me all you have	her hand. "Dear Mr. Archer--almost my cousin Newland!" she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?" Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! But I see you do know Mr. Winsett." "Oh, yes--I reached him some time ago; but not by that route," Winsett said with his dry smile. The Marchioness shook her head reprovingly. "How do you know, Mr. Winsett? The spirit bloweth where it listeth." "List--oh, list!" interjected Dr. Carver in a stentorian murmur. "But do sit down, Mr. Archer. We four have been having a delightful little dinner together, and my child has gone up to dress. She expects you; she will be down in a moment. We were just admiring these marvellous flowers, which will surprise her when she reappears." Winsett remained on his feet. "I'm afraid I must be off. Please tell Madame Olenska that we shall all feel lost when she abandons our street. This house has been an oasis." "Ah, but she won't abandon YOU. Poetry and art are the breath of life to her. It IS poetry you write, Mr. Winsett?" "Well, no; but I sometimes read it," said Winsett, including the group in a general nod and slipping out of the room. "A caustic spirit--un peu sauvage. But so witty; Dr. Carver, you DO think him witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?" "Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself." "That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer, who read on it, in Gothic characters: +---------------------------+ \| Agathon Carver \| \| The Valley of Love \| \| Kittasquattamy, N. Y. \| +---------------------------+ Dr. Carver bowed himself out, and Mrs. Manson, with a sigh that might have been either of regret or relief, again waved Archer to a seat. "Ellen will be down in a moment; and before she comes, I am so glad of this quiet moment with you." Archer murmured his pleasure at their meeting, and the Marchioness continued, in her low sighing accents: "I know everything, dear Mr. Archer--my child has told me all you have done for her. Your wise advice: your courageous firmness--thank heaven it was not too late!" The young man listened with considerable embarrassment. Was there any one, he wondered, to whom Madame Olenska had not proclaimed his intervention in her private affairs? "Madame Olenska exaggerates; I simply gave her a legal opinion, as she asked me to." "Ah, but in doing it--in doing it you were the unconscious instrument of--of--what word have we moderns for Providence, Mr. Archer?" cried the lady, tilting her head on one side and drooping her lids mysteriously. "Little did you know that at that very moment I was being appealed to: being approached, in fact--from the other side of the Atlantic!" She glanced over her shoulder, as though fearful of being overheard, and then, drawing her chair nearer, and raising a tiny ivory fan to her lips, breathed behind it: "By the Count himself--my poor, mad, foolish Olenski; who asks only to take her back on her own terms." "Good God!" Archer exclaimed, springing up. "You are horrified? Yes, of course; I understand. I don't defend poor Stanislas, though he has always called me his best friend. He does not defend himself--he casts himself at her	to curiosity. The overcoats were in fact the very strangest he had ever seen under a polite roof; and it took but a glance to assure himself that neither of them belonged to Julius Beaufort. One was a shaggy yellow ulster of "reach-me-down" cut, the other a very old and rusty cloak with a cape--something like what the French called a "Macfarlane." This garment, which appeared to be made for a person of prodigious size, had evidently seen long and hard wear, and its greenish-black folds gave out a moist sawdusty smell suggestive of prolonged sessions against bar-room walls. On it lay a ragged grey scarf and an odd felt hat of semiclerical shape. Archer raised his eyebrows enquiringly at Nastasia, who raised hers in return with a fatalistic "Gia!" as she threw open the drawing-room door. The young man saw at once that his hostess was not in the room; then, with surprise, he discovered another lady standing by the fire. This lady, who was long, lean and loosely put together, was clad in raiment intricately looped and fringed, with plaids and stripes and bands of plain colour disposed in a design to which the clue seemed missing. Her hair, which had tried to turn white and only succeeded in fading, was surmounted by a Spanish comb and black lace scarf, and silk mittens, visibly darned, covered her rheumatic hands. Beside her, in a cloud of cigar-smoke, stood the owners of the two overcoats, both in morning clothes that they had evidently not taken off since morning. In one of the two, Archer, to his surprise, recognised Ned Winsett; the other and older, who was unknown to him, and whose gigantic frame declared him to be the wearer of the "Macfarlane," had a feebly leonine head with crumpled grey hair, and moved his arms with large pawing gestures, as though he were distributing lay blessings to a kneeling multitude. These three persons stood together on the hearth-rug, their eyes fixed on an extraordinarily large bouquet of crimson roses, with a knot of purple pansies at their base, that lay on the sofa where Madame Olenska usually sat. "What they must have cost at this season--though of course it's the sentiment one cares about!" the lady was saying in a sighing staccato as Archer came in. The three turned with surprise at his appearance, and the lady, advancing, held out her hand. "Dear Mr. Archer--almost my cousin Newland!" she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?" Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! But I see you do know Mr. Winsett." "Oh, yes--I reached him some time ago; but not by that route," Winsett said with his dry smile. The Marchioness shook her head reprovingly. "How do you know, Mr. Winsett? The spirit bloweth where it listeth." "List--oh, list!" interjected Dr. Carver in a stentorian murmur. "But do sit down, Mr. Archer. We four have been having a delightful little dinner together, and my child has gone up to dress. She expects you; she will be down in a moment. We were just admiring these marvellous flowers, which will surprise her when she reappears." Winsett remained on his feet. "I'm afraid I must be off. Please tell Madame Olenska that we shall all feel lost when she abandons our street. This house has been an oasis." "Ah, but she won't abandon YOU. Poetry and art are the breath of life to her. It IS poetry you write, Mr. Winsett?" "Well, no; but I sometimes read it," said Winsett, including the group in a general nod and slipping out of the room. "A caustic spirit--un peu sauvage. But so witty; Dr. Carver, you DO think him witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?" "Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself." "That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer, who read on it, in Gothic characters: +---------------------------+ \| Agathon Carver \| \| The Valley of Love \| \| Kittasquattamy, N. Y. \| +---------------------------+ Dr. Carver bowed himself out, and Mrs. Manson, with a sigh that might have been either of regret or relief, again waved Archer to a seat. "Ellen will be down in a moment; and before she comes, I am so glad of this quiet moment with you." Archer murmured his pleasure at their meeting, and the Marchioness continued, in her low sighing accents: "I know everything, dear Mr. Archer--my child has told me all you have done for her. Your wise advice: your courageous firmness--thank heaven it was not too late!" The young man listened with considerable embarrassment. Was there any one, he wondered, to whom Madame Olenska had not proclaimed his intervention in her private affairs? "Madame Olenska exaggerates; I simply gave her a legal opinion, as she asked me to." "Ah, but in doing it--in doing it you were the unconscious instrument of--of--what word have we moderns for Providence, Mr. Archer?" cried the lady, tilting her head on one side and drooping her lids mysteriously. "Little did you know that at that very moment I was being appealed to: being approached, in fact--from the other side of the Atlantic!" She glanced over her shoulder, as though fearful of being overheard, and then, drawing her chair nearer, and raising a tiny ivory fan to her lips, breathed behind it: "By the Count himself--my poor, mad, foolish Olenski; who asks only to take her back on her own terms." "Good God!" Archer exclaimed, springing up. "You are horrified? Yes, of course; I understand. I don't defend poor Stanislas, though he has always called me his best friend. He does not defend himself--he casts himself at her feet: in my person." She tapped her emaciated bosom. "I have his letter here." "A letter?--Has Madame Olenska seen it?" Archer stammered, his brain whirling with the shock of the announcement. The Marchioness Manson shook her head softly. "Time--time; I must have time. I know my Ellen--haughty, intractable; shall I say, just a shade unforgiving?" "But, good heavens, to forgive is one thing; to go back into that hell--" "Ah, yes," the Marchioness acquiesced. "So she describes it--my sensitive child! But on the material side, Mr. Archer, if one may stoop to consider such things; do you know what she is giving up? Those roses there on the sofa--acres like them, under glass and in the open, in his matchless terraced gardens at Nice! Jewels--historic pearls: the Sobieski emeralds--sables,--but she cares nothing for all these! Art and beauty, those she does care for, she lives for, as I always have; and those also surrounded her. Pictures, priceless furniture, music, brilliant conversation--ah, that, my dear young man, if you'll excuse me, is what you've no conception of here! And she had it all; and the homage of the greatest. She tells me she is not thought handsome in New York--good heavens! Her portrait has been painted nine times; the greatest artists in Europe have begged for the privilege. Are these things nothing? And the remorse of an adoring husband?" As the Marchioness Manson rose to her climax her face assumed an expression of ecstatic retrospection which would have moved Archer's mirth had he not been numb with amazement. He would have laughed if any one had foretold to him that his first sight of poor Medora Manson would have been in the guise of a messenger of Satan; but he was in no mood for laughing now, and she seemed to him to come straight out of the hell from which Ellen Olenska had just escaped. "She knows nothing yet--of all this?" he asked abruptly. Mrs. Manson laid a purple finger on her lips. "Nothing directly--but does she suspect? Who can tell? The truth is, Mr. Archer, I have been waiting to see you. From the moment I heard of the firm stand you had taken, and of your influence over her, I hoped it might be possible to count on your support--to convince you ..." "That she ought to go back? I would rather see her dead!" cried the young	blessings to a kneeling multitude. These three persons stood together on the hearth-rug, their eyes fixed on an extraordinarily large bouquet of crimson roses, with a knot of purple pansies at their base, that lay on the sofa where Madame Olenska usually sat. "What they must have cost at this season--though of course it's the sentiment one cares about!" the lady was saying in a sighing staccato as Archer came in. The three turned with surprise at his appearance, and the lady, advancing, held out her hand. "Dear Mr. Archer--almost my cousin Newland!" she said. "I am the Marchioness Manson." Archer bowed, and she continued: "My Ellen has taken me in for a few days. I came from Cuba, where I have been spending the winter with Spanish friends--such delightful distinguished people: the highest nobility of old Castile--how I wish you could know them! But I was called away by our dear great friend here, Dr. Carver. You don't know Dr. Agathon Carver, founder of the Valley of Love Community?" Dr. Carver inclined his leonine head, and the Marchioness continued: "Ah, New York--New York--how little the life of the spirit has reached it! But I see you do know Mr. Winsett." "Oh, yes--I reached him some time ago; but not by that route," Winsett said with his dry smile. The Marchioness shook her head reprovingly. "How do you know, Mr. Winsett? The spirit bloweth where it listeth." "List--oh, list!" interjected Dr. Carver in a stentorian murmur. "But do sit down, Mr. Archer. We four have been having a delightful little dinner together, and my child has gone up to dress. She expects you; she will be down in a moment. We were just admiring these marvellous flowers, which will surprise her when she reappears." Winsett remained on his feet. "I'm afraid I must be off. Please tell Madame Olenska that we shall all feel lost when she abandons our street. This house has been an oasis." "Ah, but she won't abandon YOU. Poetry and art are the breath of life to her. It IS poetry you write, Mr. Winsett?" "Well, no; but I sometimes read it," said Winsett, including the group in a general nod and slipping out of the room. "A caustic spirit--un peu sauvage. But so witty; Dr. Carver, you DO think him witty?" "I never think of wit," said Dr. Carver severely. "Ah--ah--you never think of wit! How merciless he is to us weak mortals, Mr. Archer! But he lives only in the life of the spirit; and tonight he is mentally preparing the lecture he is to deliver presently at Mrs. Blenker's. Dr. Carver, would there be time, before you start for the Blenkers' to explain to Mr. Archer your illuminating discovery of the Direct Contact? But no; I see it is nearly nine o'clock, and we have no right to detain you while so many are waiting for your message."<\|quote\|>Dr. Carver looked slightly disappointed at this conclusion, but, having compared his ponderous gold time-piece with Madame Olenska's little travelling-clock, he reluctantly gathered up his mighty limbs for departure.</\|quote\|>"I shall see you later, dear friend?" he suggested to the Marchioness, who replied with a smile: "As soon as Ellen's carriage comes I will join you; I do hope the lecture won't have begun." Dr. Carver looked thoughtfully at Archer. "Perhaps, if this young gentleman is interested in my experiences, Mrs. Blenker might allow you to bring him with you?" "Oh, dear friend, if it were possible--I am sure she would be too happy. But I fear my Ellen counts on Mr. Archer herself." "That," said Dr. Carver, "is unfortunate--but here is my card." He handed it to Archer, who read on it, in Gothic characters: +---------------------------+ \| Agathon Carver \| \| The Valley of Love \| \| Kittasquattamy, N. Y. \| +---------------------------+ Dr. Carver bowed himself out, and Mrs. Manson, with a sigh that might have been either of regret or relief, again waved Archer to a seat. "Ellen will be down in a moment; and before she comes, I am so glad of this quiet moment with you." Archer murmured his pleasure at their meeting, and the Marchioness continued, in her low sighing accents: "I know everything, dear Mr. Archer--my child has told me all you have done for her. Your wise advice: your courageous firmness--thank heaven it was not too late!" The young man listened with considerable embarrassment. Was there any one, he wondered, to whom Madame Olenska had not proclaimed his intervention in her private affairs? "Madame Olenska exaggerates; I simply gave her a legal opinion, as she asked me to." "Ah, but in doing it--in doing it you were the unconscious instrument of--of--what word have we moderns for Providence, Mr. Archer?" cried the lady, tilting her head on one side and drooping her lids mysteriously. "Little did you know that at that very moment I was being appealed to: being approached, in fact--from the other side of the Atlantic!" She glanced over her shoulder, as though fearful of being overheard, and then, drawing her chair nearer, and raising a tiny ivory fan to her lips, breathed behind it: "By the Count himself--my poor, mad, foolish Olenski; who asks only to take her back on her own terms." "Good God!" Archer exclaimed, springing up. "You are horrified? Yes, of course; I understand. I don't defend poor Stanislas, though he has always called me his best friend. He does not defend himself--he casts himself at her feet: in my person." She tapped her emaciated bosom. "I have his letter here." "A letter?--Has Madame Olenska seen it?" Archer stammered, his brain whirling with the shock of the announcement. The Marchioness Manson shook her head softly. "Time--time; I must have time. I know my Ellen--haughty, intractable; shall I say, just a shade unforgiving?" "But, good heavens, to forgive is one thing; to go back into that hell--" "Ah, yes," the Marchioness acquiesced. "So she describes it--my sensitive	The Age Of Innocence
"What did he say?"	Brett Ashley	Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I	my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well	said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man	me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good,	talking with Brett, who was sitting on a high stool, her legs crossed. She had no stockings on. "It's good to see you, Jake," Michael said. "I'm a little tight you know. Amazing, isn't it? Did you see my nose?" There was a patch of dried blood on the bridge of his nose. "An old lady's bags did that," Mike said. "I reached up to help her with them and they fell on me." Brett gestured at him from the bar with her cigarette-holder and wrinkled the corners of her eyes. "An old lady," said Mike. "Her bags _fell_ on me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are	right off the Place Contrescarpe, walking along smooth narrow streets with high old houses on both sides. Some of the houses jutted out toward the street. Others were cut back. We came onto the Rue du Pot de Fer and followed it along until it brought us to the rigid north and south of the Rue Saint Jacques and then walked south, past Val de Gr ce, set back behind the courtyard and the iron fence, to the Boulevard du Port Royal. "What do you want to do?" I asked. "Go up to the caf and see Brett and Mike?" "Why not?" We walked along Port Royal until it became Montparnasse, and then on past the Lilas, Lavigne's, and all the little caf s, Damoy's, crossed the street to the Rotonde, past its lights and tables to the Select. Michael came toward us from the tables. He was tanned and healthy-looking. "Hel-lo, Jake," he said. "Hel-lo! Hel-lo! How are you, old lad?" "You look very fit, Mike." "Oh, I am. I'm frightfully fit. I've done nothing but walk. Walk all day long. One drink a day with my mother at tea." Bill had gone into the bar. He was standing talking with Brett, who was sitting on a high stool, her legs crossed. She had no stockings on. "It's good to see you, Jake," Michael said. "I'm a little tight you know. Amazing, isn't it? Did you see my nose?" There was a patch of dried blood on the bridge of his nose. "An old lady's bags did that," Mike said. "I reached up to help her with them and they fell on me." Brett gestured at him from the bar with her cigarette-holder and wrinkled the corners of her eyes. "An old lady," said Mike. "Her bags _fell_ on me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from	the bill, chalked up the same as ever on a slate, that was doubtless one of the "quaint" features, paid it, shook hands, and went out. "You never come here any more, Monsieur Barnes," Madame Lecomte said. "Too many compatriots." "Come at lunch-time. It's not crowded then." "Good. I'll be down soon." We walked along under the trees that grew out over the river on the Quai d'Orl ans side of the island. Across the river were the broken walls of old houses that were being torn down. "They're going to cut a street through." "They would," Bill said. We walked on and circled the island. The river was dark and a bateau mouche went by, all bright with lights, going fast and quiet up and out of sight under the bridge. Down the river was Notre Dame squatting against the night sky. We crossed to the left bank of the Seine by the wooden foot-bridge from the Quai de Bethune, and stopped on the bridge and looked down the river at Notre Dame. Standing on the bridge the island looked dark, the houses were high against the sky, and the trees were shadows. "It's pretty grand," Bill said. "God, I love to get back." We leaned on the wooden rail of the bridge and looked up the river to the lights of the big bridges. Below the water was smooth and black. It made no sound against the piles of the bridge. A man and a girl passed us. They were walking with their arms around each other. We crossed the bridge and walked up the Rue du Cardinal Lemoine. It was steep walking, and we went all the way up to the Place Contrescarpe. The arc-light shone through the leaves of the trees in the square, and underneath the trees was an S bus ready to start. Music came out of the door of the Negre Joyeux. Through the window of the Caf Aux Amateurs I saw the long zinc bar. Outside on the terrace working people were drinking. In the open kitchen of the Amateurs a girl was cooking potato-chips in oil. There was an iron pot of stew. The girl ladled some onto a plate for an old man who stood holding a bottle of red wine in one hand. "Want to have a drink?" "No," said Bill. "I don't need it." We turned to the right off the Place Contrescarpe, walking along smooth narrow streets with high old houses on both sides. Some of the houses jutted out toward the street. Others were cut back. We came onto the Rue du Pot de Fer and followed it along until it brought us to the rigid north and south of the Rue Saint Jacques and then walked south, past Val de Gr ce, set back behind the courtyard and the iron fence, to the Boulevard du Port Royal. "What do you want to do?" I asked. "Go up to the caf and see Brett and Mike?" "Why not?" We walked along Port Royal until it became Montparnasse, and then on past the Lilas, Lavigne's, and all the little caf s, Damoy's, crossed the street to the Rotonde, past its lights and tables to the Select. Michael came toward us from the tables. He was tanned and healthy-looking. "Hel-lo, Jake," he said. "Hel-lo! Hel-lo! How are you, old lad?" "You look very fit, Mike." "Oh, I am. I'm frightfully fit. I've done nothing but walk. Walk all day long. One drink a day with my mother at tea." Bill had gone into the bar. He was standing talking with Brett, who was sitting on a high stool, her legs crossed. She had no stockings on. "It's good to see you, Jake," Michael said. "I'm a little tight you know. Amazing, isn't it? Did you see my nose?" There was a patch of dried blood on the bridge of his nose. "An old lady's bags did that," Mike said. "I reached up to help her with them and they fell on me." Brett gestured at him from the bar with her cigarette-holder and wrinkled the corners of her eyes. "An old lady," said Mike. "Her bags _fell_ on me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand." "You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?" "Don't talk like a fool." "I'm a little tight, you know. I wouldn't ask you like this if I weren't. You're sure you don't mind?" "Oh, shut up, Michael," Brett said. "How can the man say he'd mind now? I'll ask him later." "But you don't mind, do you?" "Don't ask that again unless you want to make me sore. Bill and I go down on the morning of the 25th." "By the way, where is Bill?" Brett asked. "He's out at Chantilly dining with some people." "He's a good chap." "Splendid chap," said Mike. "He is, you know." "You don't remember him," Brett said. "I do. Remember him perfectly. Look, Jake, we'll come down the night of the 25th. Brett can't get up in the morning." "Indeed not!" "If our money comes and you're sure you don't mind." "It will come, all right. I'll see to that." "Tell me what tackle to send for." "Get two or three rods with reels, and lines, and some flies." "I won't fish," Brett put in. "Get two rods, then, and Bill won't have to buy one." "Right," said Mike. "I'll send a wire to the keeper." "Won't it be splendid," Brett said. "Spain! We _will_ have fun." "The 25th. When is that?" "Saturday." "We _will_ have to get ready." "I say," said Mike, "I'm going to the barber's." "I must bathe," said Brett. "Walk up to the hotel with me, Jake. Be a good chap." "We _have_ got the loveliest hotel," Mike said. "I think it's a brothel!" "We left our bags	along smooth narrow streets with high old houses on both sides. Some of the houses jutted out toward the street. Others were cut back. We came onto the Rue du Pot de Fer and followed it along until it brought us to the rigid north and south of the Rue Saint Jacques and then walked south, past Val de Gr ce, set back behind the courtyard and the iron fence, to the Boulevard du Port Royal. "What do you want to do?" I asked. "Go up to the caf and see Brett and Mike?" "Why not?" We walked along Port Royal until it became Montparnasse, and then on past the Lilas, Lavigne's, and all the little caf s, Damoy's, crossed the street to the Rotonde, past its lights and tables to the Select. Michael came toward us from the tables. He was tanned and healthy-looking. "Hel-lo, Jake," he said. "Hel-lo! Hel-lo! How are you, old lad?" "You look very fit, Mike." "Oh, I am. I'm frightfully fit. I've done nothing but walk. Walk all day long. One drink a day with my mother at tea." Bill had gone into the bar. He was standing talking with Brett, who was sitting on a high stool, her legs crossed. She had no stockings on. "It's good to see you, Jake," Michael said. "I'm a little tight you know. Amazing, isn't it? Did you see my nose?" There was a patch of dried blood on the bridge of his nose. "An old lady's bags did that," Mike said. "I reached up to help her with them and they fell on me." Brett gestured at him from the bar with her cigarette-holder and wrinkled the corners of her eyes. "An old lady," said Mike. "Her bags _fell_ on me. Let's go in and see Brett. I say, she is a piece." "You _are_ a lovely lady, Brett. Where did you get that hat?" "Chap bought it for me. Don't you like it?" "It's a dreadful hat. Do get a good hat." "Oh, we've so much money now," Brett said. "I say, haven't you met Bill yet? You _are_ a lovely host, Jake." She turned to Mike. "This is Bill Gorton. This drunkard is Mike Campbell. Mr. Campbell is an undischarged bankrupt." "Aren't I, though? You know I met my ex-partner yesterday in London. Chap who did me in."<\|quote\|>"What did he say?"</\|quote\|>"Bought me a drink. I thought I might as well take it. I say, Brett, you _are_ a lovely piece. Don't you think she's beautiful?" "Beautiful. With this nose?" "It's a lovely nose. Go on, point it at me. Isn't she a lovely piece?" "Couldn't we have kept the man in Scotland?" "I say, Brett, let's turn in early." "Don't be indecent, Michael. Remember there are ladies at this bar." "Isn't she a lovely piece? Don't you think so, Jake?" "There's a fight to-night," Bill said. "Like to go?" "Fight," said Mike. "Who's fighting?" "Ledoux and somebody." "He's very good, Ledoux," Mike said. "I'd like to see it, rather" "--he was making an effort to pull himself together--" "but I can't go. I had a date with this thing here. I say, Brett, do get a new hat." Brett pulled the felt hat down far over one eye and smiled out from under it. "You two run along to the fight. I'll have to be taking Mr. Campbell home directly." "I'm not tight," Mike said. "Perhaps just a little. I say, Brett, you are a lovely piece." "Go on to the fight," Brett said. "Mr. Campbell's getting difficult. What are these outbursts of affection, Michael?" "I say, you are a lovely piece." We said good night. "I'm sorry I can't go," Mike said. Brett laughed. I looked back from the door. Mike had one hand on the bar and was leaning toward Brett, talking. Brett was looking at him quite coolly, but the corners of her eyes were smiling. Outside on the pavement I said: "Do you want to go to the fight?" "Sure," said Bill. "If we don't have to walk." "Mike was pretty excited about his girl friend," I said in the taxi. "Well," said Bill. "You can't blame him such a hell of a lot." CHAPTER 9 The Ledoux-Kid Francis fight was the night of the 20th of June. It was a good fight. The morning after the fight I had a letter from Robert Cohn, written from Hendaye. He was having a very quiet time, he said, bathing, playing some golf and much bridge. Hendaye had a splendid beach, but he was anxious to start on the fishing-trip. When would I be down? If I would buy him a double-tapered line he would pay me when I came down. That same morning I wrote Cohn from the office that Bill and I would leave Paris on the 25th unless I wired him otherwise, and would meet him at Bayonne, where we could get a bus over the mountains to Pamplona. The same evening about seven o'clock I stopped in at the Select to see Michael and Brett. They were not there, and I went over to the Dingo. They were inside sitting at the bar. "Hello, darling." Brett put out her hand. "Hello, Jake," Mike said. "I understand I was tight last night." "Weren't you, though," Brett said. "Disgraceful business." "Look," said Mike, "when do you go down to Spain? Would you mind if we came down with you?" "It would be grand." "You wouldn't mind, really? I've been at Pamplona, you know. Brett's mad to go. You're sure we wouldn't just be a bloody nuisance?" "Don't talk like a fool." "I'm a little tight, you know. I wouldn't	The Sun Also Rises
"Here! Give us some water for him; he has run himself faint."	Kags	lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up,	to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after	his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled	with their eyes fixed upon the floor, a pattering noise was heard upon the stairs, and Sikes's dog bounded into the room. They ran to the window, downstairs, and into the street. The dog had jumped in at an open window; he made no attempt to follow them, nor was his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled with strangers come on here, where he's been many a time and often. But where can he have come from first, and how comes he here alone without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do	along amongst 'em; I can see the people jumping up, one behind another, and snarling with their teeth and making at him; I can see the blood upon his hair and beard, and hear the cries with which the women worked themselves into the centre of the crowd at the street corner, and swore they'd tear his heart out!" The horror-stricken witness of this scene pressed his hands upon his ears, and with his eyes closed got up and paced violently to and fro, like one distracted. While he was thus engaged, and the two men sat by in silence with their eyes fixed upon the floor, a pattering noise was heard upon the stairs, and Sikes's dog bounded into the room. They ran to the window, downstairs, and into the street. The dog had jumped in at an open window; he made no attempt to follow them, nor was his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled with strangers come on here, where he's been many a time and often. But where can he have come from first, and how comes he here alone without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do you think?" said Chitling. Toby shook his head. "If he had," said Kags, "the dog 'ud want to lead us away to where he did it. No. I think he's got out of the country, and left the dog behind. He must have given him the slip somehow, or he wouldn't be so easy." This solution, appearing the most probable one, was adopted as the right; the dog, creeping under a chair, coiled himself up to sleep, without more notice from anybody. It being now dark, the shutter was closed, and a candle lighted and placed upon the table. The	come over here afore dark, but he'll be here soon," replied Chitling. "There's nowhere else to go to now, for the people at the Cripples are all in custody, and the bar of the ken I went up there and see it with my own eyes is filled with traps." "This is a smash," observed Toby, biting his lips. "There's more than one will go with this." "The sessions are on," said Kags: "if they get the inquest over, and Bolter turns King's evidence: as of course he will, from what he's said already: they can prove Fagin an accessory before the fact, and get the trial on on Friday, and he'll swing in six days from this, by G !" "You should have heard the people groan," said Chitling; "the officers fought like devils, or they'd have torn him away. He was down once, but they made a ring round him, and fought their way along. You should have seen how he looked about him, all muddy and bleeding, and clung to them as if they were his dearest friends. I can see 'em now, not able to stand upright with the pressing of the mob, and draggin him along amongst 'em; I can see the people jumping up, one behind another, and snarling with their teeth and making at him; I can see the blood upon his hair and beard, and hear the cries with which the women worked themselves into the centre of the crowd at the street corner, and swore they'd tear his heart out!" The horror-stricken witness of this scene pressed his hands upon his ears, and with his eyes closed got up and paced violently to and fro, like one distracted. While he was thus engaged, and the two men sat by in silence with their eyes fixed upon the floor, a pattering noise was heard upon the stairs, and Sikes's dog bounded into the room. They ran to the window, downstairs, and into the street. The dog had jumped in at an open window; he made no attempt to follow them, nor was his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled with strangers come on here, where he's been many a time and often. But where can he have come from first, and how comes he here alone without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do you think?" said Chitling. Toby shook his head. "If he had," said Kags, "the dog 'ud want to lead us away to where he did it. No. I think he's got out of the country, and left the dog behind. He must have given him the slip somehow, or he wouldn't be so easy." This solution, appearing the most probable one, was adopted as the right; the dog, creeping under a chair, coiled himself up to sleep, without more notice from anybody. It being now dark, the shutter was closed, and a candle lighted and placed upon the table. The terrible events of the last two days had made a deep impression on all three, increased by the danger and uncertainty of their own position. They drew their chairs closer together, starting at every sound. They spoke little, and that in whispers, and were as silent and awe-stricken as if the remains of the murdered woman lay in the next room. They had sat thus, some time, when suddenly was heard a hurried knocking at the door below. "Young Bates," said Kags, looking angrily round, to check the fear he felt himself. The knocking came again. No, it wasn't he. He never knocked like that. Crackit went to the window, and shaking all over, drew in his head. There was no need to tell them who it was; his pale face was enough. The dog too was on the alert in an instant, and ran whining to the door. "We must let him in," he said, taking up the candle. "Isn't there any help for it?" asked the other man in a hoarse voice. "None. He _must_ come in." "Don't leave us in the dark," said Kags, taking down a candle from the chimney-piece, and lighting it, with such a	assembled three men, who, regarding each other every now and then with looks expressive of perplexity and expectation, sat for some time in profound and gloomy silence. One of these was Toby Crackit, another Mr. Chitling, and the third a robber of fifty years, whose nose had been almost beaten in, in some old scuffle, and whose face bore a frightful scar which might probably be traced to the same occasion. This man was a returned transport, and his name was Kags. "I wish," said Toby turning to Mr. Chitling, "that you had picked out some other crib when the two old ones got too warm, and had not come here, my fine feller." "Why didn't you, blunder-head!" said Kags. "Well, I thought you'd have been a little more glad to see me than this," replied Mr. Chitling, with a melancholy air. "Why, look'e, young gentleman," said Toby, "when a man keeps himself so very ex-clusive as I have done, and by that means has a snug house over his head with nobody a prying and smelling about it, it's rather a startling thing to have the honour of a wisit from a young gentleman (however respectable and pleasant a person he may be to play cards with at conweniency) circumstanced as you are." "Especially, when the exclusive young man has got a friend stopping with him, that's arrived sooner than was expected from foreign parts, and is too modest to want to be presented to the Judges on his return," added Mr. Kags. There was a short silence, after which Toby Crackit, seeming to abandon as hopeless any further effort to maintain his usual devil-may-care swagger, turned to Chitling and said, "When was Fagin took then?" "Just at dinner-time two o'clock this afternoon. Charley and I made our lucky up the wash-us chimney, and Bolter got into the empty water-butt, head downwards; but his legs were so precious long that they stuck out at the top, and so they took him too." "And Bet?" "Poor Bet! She went to see the Body, to speak to who it was," replied Chitling, his countenance falling more and more, "and went off mad, screaming and raving, and beating her head against the boards; so they put a strait-weskut on her and took her to the hospital and there she is." "Wot's come of young Bates?" demanded Kags. "He hung about, not to come over here afore dark, but he'll be here soon," replied Chitling. "There's nowhere else to go to now, for the people at the Cripples are all in custody, and the bar of the ken I went up there and see it with my own eyes is filled with traps." "This is a smash," observed Toby, biting his lips. "There's more than one will go with this." "The sessions are on," said Kags: "if they get the inquest over, and Bolter turns King's evidence: as of course he will, from what he's said already: they can prove Fagin an accessory before the fact, and get the trial on on Friday, and he'll swing in six days from this, by G !" "You should have heard the people groan," said Chitling; "the officers fought like devils, or they'd have torn him away. He was down once, but they made a ring round him, and fought their way along. You should have seen how he looked about him, all muddy and bleeding, and clung to them as if they were his dearest friends. I can see 'em now, not able to stand upright with the pressing of the mob, and draggin him along amongst 'em; I can see the people jumping up, one behind another, and snarling with their teeth and making at him; I can see the blood upon his hair and beard, and hear the cries with which the women worked themselves into the centre of the crowd at the street corner, and swore they'd tear his heart out!" The horror-stricken witness of this scene pressed his hands upon his ears, and with his eyes closed got up and paced violently to and fro, like one distracted. While he was thus engaged, and the two men sat by in silence with their eyes fixed upon the floor, a pattering noise was heard upon the stairs, and Sikes's dog bounded into the room. They ran to the window, downstairs, and into the street. The dog had jumped in at an open window; he made no attempt to follow them, nor was his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled with strangers come on here, where he's been many a time and often. But where can he have come from first, and how comes he here alone without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do you think?" said Chitling. Toby shook his head. "If he had," said Kags, "the dog 'ud want to lead us away to where he did it. No. I think he's got out of the country, and left the dog behind. He must have given him the slip somehow, or he wouldn't be so easy." This solution, appearing the most probable one, was adopted as the right; the dog, creeping under a chair, coiled himself up to sleep, without more notice from anybody. It being now dark, the shutter was closed, and a candle lighted and placed upon the table. The terrible events of the last two days had made a deep impression on all three, increased by the danger and uncertainty of their own position. They drew their chairs closer together, starting at every sound. They spoke little, and that in whispers, and were as silent and awe-stricken as if the remains of the murdered woman lay in the next room. They had sat thus, some time, when suddenly was heard a hurried knocking at the door below. "Young Bates," said Kags, looking angrily round, to check the fear he felt himself. The knocking came again. No, it wasn't he. He never knocked like that. Crackit went to the window, and shaking all over, drew in his head. There was no need to tell them who it was; his pale face was enough. The dog too was on the alert in an instant, and ran whining to the door. "We must let him in," he said, taking up the candle. "Isn't there any help for it?" asked the other man in a hoarse voice. "None. He _must_ come in." "Don't leave us in the dark," said Kags, taking down a candle from the chimney-piece, and lighting it, with such a trembling hand that the knocking was twice repeated before he had finished. Crackit went down to the door, and returned followed by a man with the lower part of his face buried in a handkerchief, and another tied over his head under his hat. He drew them slowly off. Blanched face, sunken eyes, hollow cheeks, beard of three days' growth, wasted flesh, short thick breath; it was the very ghost of Sikes. He laid his hand upon a chair which stood in the middle of the room, but shuddering as he was about to drop into it, and seeming to glance over his shoulder, dragged it back close to the wall as close as it would go and ground it against it and sat down. Not a word had been exchanged. He looked from one to another in silence. If an eye were furtively raised and met his, it was instantly averted. When his hollow voice broke silence, they all three started. They seemed never to have heard its tones before. "How came that dog here?" he asked. "Alone. Three hours ago." "To-night's paper says that Fagin's took. Is it true, or a lie?" "True." They were silent again. "Damn you all!" said Sikes, passing his hand across his forehead. "Have you nothing to say to me?" There was an uneasy movement among them, but nobody spoke. "You that keep this house," said Sikes, turning his face to Crackit, "do you mean to sell me, or to let me lie here till this hunt is over?" "You may stop here, if you think it safe," returned the person addressed, after some hesitation. Sikes carried his eyes slowly up the wall behind him: rather trying to turn his head than actually doing it: and said, "Is it the body is it buried?" They shook their heads. "Why isn't it!" he retorted with the same glance behind him. "Wot do they keep such ugly things above the ground for? Who's that knocking?" Crackit intimated, by a motion of his hand as he left the room, that there was nothing to fear; and directly came back with Charley Bates behind him. Sikes sat opposite the door, so that the moment the boy entered the room he encountered his figure. "Toby," said the boy falling back, as Sikes turned his eyes towards him, "why didn't you tell me this, downstairs?" There had been something	hopeless any further effort to maintain his usual devil-may-care swagger, turned to Chitling and said, "When was Fagin took then?" "Just at dinner-time two o'clock this afternoon. Charley and I made our lucky up the wash-us chimney, and Bolter got into the empty water-butt, head downwards; but his legs were so precious long that they stuck out at the top, and so they took him too." "And Bet?" "Poor Bet! She went to see the Body, to speak to who it was," replied Chitling, his countenance falling more and more, "and went off mad, screaming and raving, and beating her head against the boards; so they put a strait-weskut on her and took her to the hospital and there she is." "Wot's come of young Bates?" demanded Kags. "He hung about, not to come over here afore dark, but he'll be here soon," replied Chitling. "There's nowhere else to go to now, for the people at the Cripples are all in custody, and the bar of the ken I went up there and see it with my own eyes is filled with traps." "This is a smash," observed Toby, biting his lips. "There's more than one will go with this." "The sessions are on," said Kags: "if they get the inquest over, and Bolter turns King's evidence: as of course he will, from what he's said already: they can prove Fagin an accessory before the fact, and get the trial on on Friday, and he'll swing in six days from this, by G !" "You should have heard the people groan," said Chitling; "the officers fought like devils, or they'd have torn him away. He was down once, but they made a ring round him, and fought their way along. You should have seen how he looked about him, all muddy and bleeding, and clung to them as if they were his dearest friends. I can see 'em now, not able to stand upright with the pressing of the mob, and draggin him along amongst 'em; I can see the people jumping up, one behind another, and snarling with their teeth and making at him; I can see the blood upon his hair and beard, and hear the cries with which the women worked themselves into the centre of the crowd at the street corner, and swore they'd tear his heart out!" The horror-stricken witness of this scene pressed his hands upon his ears, and with his eyes closed got up and paced violently to and fro, like one distracted. While he was thus engaged, and the two men sat by in silence with their eyes fixed upon the floor, a pattering noise was heard upon the stairs, and Sikes's dog bounded into the room. They ran to the window, downstairs, and into the street. The dog had jumped in at an open window; he made no attempt to follow them, nor was his master to be seen. "What's the meaning of this?" said Toby when they had returned. "He can't be coming here. I I hope not." "If he was coming here, he'd have come with the dog," said Kags, stooping down to examine the animal, who lay panting on the floor.<\|quote\|>"Here! Give us some water for him; he has run himself faint."</\|quote\|>"He's drunk it all up, every drop," said Chitling after watching the dog some time in silence. "Covered with mud lame half blind he must have come a long way." "Where can he have come from!" exclaimed Toby. "He's been to the other kens of course, and finding them filled with strangers come on here, where he's been many a time and often. But where can he have come from first, and how comes he here alone without the other!" "He" (none of them called the murderer by his old name) "He can't have made away with himself. What do you think?" said Chitling. Toby shook his head. "If he had," said Kags, "the dog 'ud want to lead us away to where he did it. No. I think he's got out of the country, and left the dog behind. He must have given him the slip somehow, or he wouldn't be so easy." This solution, appearing the most probable one, was adopted as the right; the dog, creeping under a chair, coiled himself up to sleep, without more notice from anybody. It being now dark, the shutter was closed, and a candle lighted and placed upon the table. The terrible events of the last two days had made a deep impression on all three, increased by the danger and uncertainty of their own position. They drew their chairs closer together, starting at every sound. They spoke little, and that in whispers, and were as silent and awe-stricken as if the remains of the murdered woman lay in the next room. They had sat thus, some time, when suddenly was heard a hurried knocking at the door below. "Young Bates," said Kags, looking angrily round, to check the fear he felt himself. The knocking came again. No, it wasn't he. He never	Oliver Twist
the count reached down and gave the bottles a twirl.	No speaker	is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to	them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time."	much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The	"You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held	you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My	to Brett and to me. "We'll want to ride out to the Bois for dinner?" "If you like," Brett said. "I couldn't eat a thing." "I always like a good meal," said the count. "Should I bring the wine in, sir?" asked the chauffeur. "Yes. Bring it in, Henry," said the count. He took out a heavy pigskin cigar-case and offered it to me. "Like to try a real American cigar?" "Thanks," I said. "I'll finish the cigarette." He cut off the end of his cigar with a gold cutter he wore on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs	put them on. I stood up. "Don't look like that, darling." "How do you want me to look?" "Oh, don't be a fool. I'm going away to-morrow." "To-morrow?" "Yes. Didn't I say so? I am." "Let's have a drink, then. The count will be back." "Yes. He should be back. You know he's extraordinary about buying champagne. It means any amount to him." We went into the dining-room. I took up the brandy bottle and poured Brett a drink and one for myself. There was a ring at the bell-pull. I went to the door and there was the count. Behind him was the chauffeur carrying a basket of champagne. "Where should I have him put it, sir?" asked the count. "In the kitchen," Brett said. "Put it in there, Henry," the count motioned. "Now go down and get the ice." He stood looking after the basket inside the kitchen door. "I think you'll find that's very good wine," he said. "I know we don't get much of a chance to judge good wine in the States now, but I got this from a friend of mine that's in the business." "Oh, you always have some one in the trade," Brett said. "This fellow raises the grapes. He's got thousands of acres of them." "What's his name?" asked Brett. "Veuve Cliquot?" "No," said the count. "Mumms. He's a baron." "Isn't it wonderful," said Brett. "We all have titles. Why haven't you a title, Jake?" "I assure you, sir," the count put his hand on my arm. "It never does a man any good. Most of the time it costs you money." "Oh, I don't know. It's damned useful sometimes," Brett said. "I've never known it to do me any good." "You haven't used it properly. I've had hell's own amount of credit on mine." "Do sit down, count," I said. "Let me take that stick." The count was looking at Brett across the table under the gas-light. She was smoking a cigarette and flicking the ashes on the rug. She saw me notice it. "I say, Jake, I don't want to ruin your rugs. Can't you give a chap an ash-tray?" I found some ash-trays and spread them around. The chauffeur came up with a bucket full of salted ice. "Put two bottles in it, Henry," the count called. "Anything else, sir?" "No. Wait down in the car." He turned to Brett and to me. "We'll want to ride out to the Bois for dinner?" "If you like," Brett said. "I couldn't eat a thing." "I always like a good meal," said the count. "Should I bring the wine in, sir?" asked the chauffeur. "Yes. Bring it in, Henry," said the count. He took out a heavy pigskin cigar-case and offered it to me. "Like to try a real American cigar?" "Thanks," I said. "I'll finish the cigarette." He cut off the end of his cigar with a gold cutter he wore on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped were two raised white welts. "See on the back where they come out." Above the small of the back were the same two scars, raised as thick as a finger. "I say. Those are something." "Clean through." The count was tucking in his shirt. "Where did you get those?" I asked. "In Abyssinia. When I was twenty-one years old." "What were you doing?" asked Brett. "Were you in the army?" "I was on a business trip, my dear." "I told you he was one of us. Didn't I?" Brett turned to me. "I love you, count. You're a darling." "You make me very happy, my dear. But it isn't true." "Don't be an ass." "You see, Mr. Barnes, it is because I have lived very much that now I can enjoy everything so well. Don't you find it like that?" "Yes. Absolutely." "I know," said the count. "That is the secret. You must get to know the values." "Doesn't anything ever happen to your values?" Brett asked. "No. Not any more." "Never fall in love?" "Always," said the count. "I am always in love." "What does that do to your values?" "That, too, has got a place in my values." "You haven't any values. You're dead, that's all." "No, my dear. You're not right. I'm not dead at all." We drank three bottles of the champagne and the count left the basket in my kitchen. We dined at a restaurant in the Bois. It was a good dinner. Food had an excellent place in the count's values. So did wine. The count was in fine form during the meal. So was Brett. It was a good party. "Where would you like to go?" asked the count after dinner. We were the only people left in the restaurant. The two waiters were standing over against the door. They wanted to go home. "We might go up on the hill," Brett said. "Haven't we had a splendid party?" The count was beaming. He was very happy. "You are very nice people," he said. He was smoking a cigar again. "Why don't you get married, you two?" "We want to lead our own lives," I said. "We have our careers," Brett said. "Come on. Let's get out of this." "Have another brandy," the count said. "Get it on the hill." "No. Have it here where it is quiet." "You and your quiet,"	you give a chap an ash-tray?" I found some ash-trays and spread them around. The chauffeur came up with a bucket full of salted ice. "Put two bottles in it, Henry," the count called. "Anything else, sir?" "No. Wait down in the car." He turned to Brett and to me. "We'll want to ride out to the Bois for dinner?" "If you like," Brett said. "I couldn't eat a thing." "I always like a good meal," said the count. "Should I bring the wine in, sir?" asked the chauffeur. "Yes. Bring it in, Henry," said the count. He took out a heavy pigskin cigar-case and offered it to me. "Like to try a real American cigar?" "Thanks," I said. "I'll finish the cigarette." He cut off the end of his cigar with a gold cutter he wore on one end of his watch-chain. "I like a cigar to really draw," said the count "Half the cigars you smoke don't draw." He lit the cigar, puffed at it, looking across the table at Brett. "And when you're divorced, Lady Ashley, then you won't have a title." "No. What a pity." "No," said the count. "You don't need a title. You got class all over you." "Thanks. Awfully decent of you." "I'm not joking you," the count blew a cloud of smoke. "You got the most class of anybody I ever seen. You got it. That's all." "Nice of you," said Brett. "Mummy would be pleased. Couldn't you write it out, and I'll send it in a letter to her." "I'd tell her, too," said the count. "I'm not joking you. I never joke people. Joke people and you make enemies. That's what I always say." "You're right," Brett said. "You're terribly right. I always joke people and I haven't a friend in the world. Except Jake here." "You don't joke him." "That's it." "Do you, now?" asked the count. "Do you joke him?" Brett looked at me and wrinkled up the corners of her eyes. "No," she said. "I wouldn't joke him." "See," said the count. "You don't joke him." "This is a hell of a dull talk," Brett said. "How about some of that champagne?" The count reached down and twirled the bottles in the shiny bucket. "It isn't cold, yet. You're always drinking, my dear. Why don't you just talk?" "I've talked too ruddy much. I've talked myself all out to Jake." "I should like to hear you really talk, my dear. When you talk to me you never finish your sentences at all." "Leave 'em for you to finish. Let any one finish them as they like." "It is a very interesting system,"<\|quote\|>the count reached down and gave the bottles a twirl.</\|quote\|>"Still I would like to hear you talk some time." "Isn't he a fool?" Brett asked. "Now," the count brought up a bottle. "I think this is cool." I brought a towel and he wiped the bottle dry and held it up. "I like to drink champagne from magnums. The wine is better but it would have been too hard to cool." He held the bottle, looking at it. I put out the glasses. "I say. You might open it," Brett suggested. "Yes, my dear. Now I'll open it." It was amazing champagne. "I say that is wine," Brett held up her glass. "We ought to toast something. 'Here's to royalty.'" "This wine is too good for toast-drinking, my dear. You don't want to mix emotions up with a wine like that. You lose the taste." Brett's glass was empty. "You ought to write a book on wines, count," I said. "Mr. Barnes," answered the count, "all I want out of wines is to enjoy them." "Let's enjoy a little more of this," Brett pushed her glass forward. The count poured very carefully. "There, my dear. Now you enjoy that slowly, and then you can get drunk." "Drunk? Drunk?" "My dear, you are charming when you are drunk." "Listen to the man." "Mr. Barnes," the count poured my glass full. "She is the only lady I have ever known who was as charming when she was drunk as when she was sober." "You haven't been around much, have you?" "Yes, my dear. I have been around very much. I have been around a very great deal." "Drink your wine," said Brett. "We've all been around. I dare say Jake here has seen as much as you have." "My dear, I am sure Mr. Barnes has seen a lot. Don't think I don't think so, sir. I have seen a lot, too." "Of course you have, my dear," Brett said. "I was only ragging." "I have been in seven wars and four revolutions," the count said. "Soldiering?" Brett asked. "Sometimes, my dear. And I have got arrow wounds. Have you ever seen arrow wounds?" "Let's have a look at them." The count stood up, unbuttoned his vest, and opened his shirt. He pulled up the undershirt onto his chest and stood, his chest black, and big stomach muscles bulging under the light. "You see them?" Below the line where his ribs stopped	The Sun Also Rises
“and if you want another look at her I’ll presently come and take one too.”	Lord John	the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to	but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added	at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye,	“Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at	been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young	Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other	than--ah more than can be estimated off-hand.” It made Lord Theign turn round. “But a fine Moretto has a very great rarity and a very great interest.” “Yes--but not on the whole the same amount of either.” “No, not on the whole the same amount of either!” --Mr. Bender judiciously echoed it. “But how,” he freely pursued, “are you going to find out?” “Have I your permission, Lord Theign,” Hugh brightly asked, “to attempt to find out?” The question produced on his lordship’s part a visible, a natural anxiety. “What would it be your idea then to _do_ with my property?” “Nothing at all here--it could all be done, I think, at Verona. What besets, what quite haunts me,” Hugh explained, “is the vivid image of a Mantovano--one of the glories of the short list--in a private collection in that place. The conviction grows in me that the two portraits must be of the same original. In fact I’ll bet my head,” the young man quite ardently wound up, “that the wonderful subject of the Verona picture, a very great person clearly, is none other than the very great person of yours.” Lord Theign had listened with interest. “Mayn’t he be that and yet from another hand?” “It isn’t another hand” --oh Hugh was quite positive. “It’s the hand of the very same painter.” “How can you prove it’s the same?” “Only by the most intimate internal evidence, I admit--and evidence that of course has to be estimated.” “Then who,” Lord Theign asked, “is to estimate it?” “Well,” --Hugh was all ready-- “will you let Pap-pendick, one of the first authorities in Europe, a good friend of mine, in fact more or less my master, and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, in the light of certain new tips that I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things to which the objection wouldn’t apply.” “You see how it applies--in the case of the Moret-to--for _him_. A mere Moretto,” said Lord Theign, “is too cheap--for a Yankee ‘on the spend.’” “Then the Mantovano wouldn’t be.” “It remains to be proved that it _is_ a Mantovano.” “Well,” said Lord John, “go into it.” “Hanged if I won’t!” his friend broke out after a moment. “It _would_ suit me. I mean” --the explanation came after a brief intensity of thought-- “the possible size of his cheque would.” “Oh,” said Lord John gaily, “I guess there’s no limit to the possible size of his cheque!” “Yes, it would suit me, it would suit me!” the elder man, standing there, audibly mused. But his air changed and a lighter question came up to him as he saw his daughter reappear at the door from the terrace. “Well, the infant horde?” he immediately put to her. Lady Grace came in, dutifully accounting for them. “They’ve marched off--in a huge procession.” “Thank goodness! And our friends?” “All playing tennis,” she said-- “save those who are sitting it out.” To which she added, as to explain her return: “Mr. Crimble has gone?” Lord John took upon him to say. “He’s in the library, to which you addressed him--making discoveries.” “Not then, I hope,” she smiled, “to our disadvantage!” “To your very great honour and glory.” Lord John clearly valued the effect he might produce. “Your Moretto of Brescia--do you know what it really and spendidly is?” And then as the girl, in her surprise, but wondered: “A Mantovano, neither more nor less. Ever so much more swagger.” “A Mantovano?” Lady Grace echoed. “Why, how tremendously jolly!” Her father was struck. “Do you know the artist--of whom I had never heard?” “Yes, something of the little that _is_ known.” And she rejoiced as her knowledge came to her. “He’s a tremendous swell, because, great as he was, there are but seven proved examples----” “With this of yours,” Lord John broke in, “there are eight.” “Then why haven’t I known about him?” Lord Theign put it as if so many other people were guilty for this. His daughter was the first to plead for the vague body. “Why, I suppose in order that you should have exactly this pleasure, father.” “Oh, pleasures not desired are like acquaintances not sought--they rather bore one!” Lord Theign sighed. With which	and who is generally to be found at Brussels? I happen to know he knows your picture--he once spoke to me of it; and he’ll go and look again at the Verona one, he’ll go and judge our issue, if I apply to him, in the light of certain new tips that I shall be able to give him.” Lord Theign appeared to wonder. “If you ‘apply’ to him?” “Like a shot, I believe, if I ask it of him--as a service.” “A service to _you?_ He’ll be very obliging,” his lordship smiled. “Well, I’ve obliged _him!_” Hugh readily retorted. “The obligation will be to we” --Lord Theign spoke more formally. “Well, the satisfaction,” said Hugh, “will be to all of us. The things Pappendick has seen he intensely, ineffaceably keeps in mind, to every detail; so that he’ll tell me--as no one else really can--if the Verona man is _your_ man.” “But then,” asked Mr. Bender, “we’ve got to believe anyway what he says?” “The market,” said Lord John with emphasis, “would have to believe it--that’s the point.” “Oh,” Hugh returned lightly, “the market will have nothing to do with it, I hope; but I think you’ll feel when he has spoken that you really know where you are.” Mr. Bender couldn’t doubt of that. “Oh, if he gives us a bigger thing we won’t complain. Only, how long will it take him to get there? I want him to start right away.” “Well, as I’m sure he’ll be deeply interested----” “We _may_” --Mr. Bender took it straight up-- “get news next week?” Hugh addressed his reply to Lord Theign; it was already a little too much as if he and the American between them were snatching the case from that possessor’s hands. “The day I hear from Pappendick you shall have a full report. And,” he conscientiously added, “if I’m proved to have been unfortunately wrong----!” His lordship easily pointed the moral. “You’ll have caused me some inconvenience.” “Of course I shall,” the young man unreservedly agreed-- “like a wanton meddling ass!” His candour, his freedom had decidedly a note of their own. “But my conviction, after those moments with your picture, was too strong for me not to speak--and, since you allow it, I face the danger and risk the test.” “I allow it of course in the form of business.” This produced in Hugh a certain blankness. “‘Business’?” “If I consent to the inquiry I pay for the inquiry.” Hugh demurred. “Even if I turn out mistaken?” “You make me in any event your proper charge.” The young man thought again, and then as for vague accommodation: “Oh, my charge won’t be high!” “Ah,” Mr. Bender protested, “it ought to be handsome if the thing’s marked _up_!” After which he looked at his watch. “But I guess I’ve got to go, Lord Theign, though your lovely old Duchess--for it’s to _her_ I’ve lost my heart--does cry out for me again.” “You’ll find her then still there,” Lord John observed with emphasis, but with his eyes for the time on Lord Theign;<\|quote\|>“and if you want another look at her I’ll presently come and take one too.”</\|quote\|>“I’ll order your car to the garden-front,” Lord Theign added to this; “you’ll reach it from the saloon, but I’ll see you again first.” Mr. Bender glared as with the round full force of his pair of motor lamps. “Well, if you’re ready to talk about anything, I am. Good-bye, Mr. Crimble.” “Good-bye, Mr. Bender.” But Hugh, addressing their host while his fellow-guest returned to the saloon, broke into the familiarity of confidence. “As if you _could_ be ready to ‘talk’!” This produced on the part of the others present a mute exchange that could only have denoted surprise at all the irrepressible young outsider thus projected upon them took for granted. “I’ve an idea,” said Lord John to his friend, “that you’re quite ready to talk with _me_.” Hugh then, with his appetite so richly quickened, could but rejoice. “Lady Grace spoke to me of things in the library.” “You’ll find it _that_ way” --Lord Theign gave the indication. “Thanks,” said Hugh elatedly, and hastened away. Lord John, when he had gone, found relief in a quick comment. “Very sharp, no doubt--but he wants taking down.” The master of Dedborough wouldn’t have put it so crudely, but the young expert did bring certain things home. “The people my daughters, in the exercise of a wild freedom, do pick up----!” “Well, don’t you see that all you’ve got to do--on the question we’re dealing with--is to claim your very own wild freedom? Surely I’m right in feeling you,” Lord John further remarked, “to have jumped at once to my idea that Bender is heaven-sent--and at what they call the psychologic moment, don’t they?--to point that moral. Why look anywhere else for a sum of money that--smaller or greater--you can find with perfect ease in that extraordinarily bulging pocket?” Lord Theign, slowly pacing the hall again, threw up his hands. “Ah, with ‘perfect ease’ can scarcely be said!” “Why not?--when he absolutely thrusts his dirty dollars down your throat.” “Oh, I’m not talking of ease to _him_,” Lord Theign returned-- “I’m talking of ease to myself. I shall have to make a sacrifice.” “Why not then--for so great a convenience--gallantly make it?” “Ah, my dear chap, if you want me to sell my Sir Joshua----!” But the horror in the words said enough, and Lord John felt its chill. “I don’t make a point of that--God forbid! But there are other things to which the objection wouldn’t apply.” “You see how it applies--in the case of the Moret-to--for _him_. A mere Moretto,” said Lord Theign, “is too cheap--for a Yankee ‘on the spend.’” “Then the Mantovano wouldn’t be.” “It remains to be proved that it _is_ a Mantovano.” “Well,” said Lord John,	The Outcry
"I know, but she tells it to you."	Cyril Fielding	her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring:	in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow,	followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's.	grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated.	You do know that for a certainty?" "You have never explained to me what's in your mind here. Why on earth do you want to see her?" "On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated. "His own people seem in touch with him all right." "Well, when he's done with them." "I wouldn't keep you waiting; good heavens, you take precedence of any Indian visitor, of course. I meant what's the good. Why mix yourself up with pitch?" "I say he's innocent" "Innocence or guilt, why mix yourself up? What's the good?" "Oh, good, good," he cried, feeling that every earth was being stopped. "One's got to breathe occasionally, at least I have. I mayn't see her, and now I mayn't see him. I promised him to come up here with him to you, but	to you once before, you're a schoolmaster, and consequently you come across these people at their best. That's what puts you wrong. They can be charming as boys. But I know them as they really are, after they have developed into men. Look at this, for instance." He held up Aziz' pocket-case. "I am going through the contents. They are not edifying. Here is a letter from a friend who apparently keeps a brothel." "I don't want to hear his private letters." "It'll have to be quoted in Court, as bearing on his morals. He was fixing up to see women at Calcutta." "Oh, that'll do, that'll do." McBryde stopped, naively puzzled. It was obvious to him that any two sahibs ought to pool all they knew about any Indian, and he could not think where the objection came in. "I dare say you have the right to throw stones at a young man for doing that, but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?" "You have never explained to me what's in your mind here. Why on earth do you want to see her?" "On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated. "His own people seem in touch with him all right." "Well, when he's done with them." "I wouldn't keep you waiting; good heavens, you take precedence of any Indian visitor, of course. I meant what's the good. Why mix yourself up with pitch?" "I say he's innocent" "Innocence or guilt, why mix yourself up? What's the good?" "Oh, good, good," he cried, feeling that every earth was being stopped. "One's got to breathe occasionally, at least I have. I mayn't see her, and now I mayn't see him. I promised him to come up here with him to you, but Turton called me off before I could get two steps." "Sort of all-white thing the Burra Sahib would do," he muttered sentimentally. And trying not to sound patronizing, he stretched his hand over the table, and said: "We shall all have to hang together, old man, I'm afraid. I'm your junior in years, I know, but very much your senior in service; you don't happen to know this poisonous country as well as I do, and you must take it from me that the general situation is going to be nasty at Chandrapore during the next few weeks, very nasty indeed." "So I have just told you." "But at a time like this there's no room for well personal views. The man who doesn't toe the line is lost." "I see what you mean." "No, you don't see entirely. He not only loses himself, he weakens his friends. If you leave the line, you leave a gap in the line. These jackals" he pointed at the lawyers' cards "are looking with all their eyes for a gap." "Can I visit Aziz?" was his answer. "No." Now that he knew of Turton's attitude, the policeman had no doubts. "You may see	you went off to locate the camp, and almost at once she heard stones falling on the Kawa Dol and saw Miss Quested running straight down the face of a precipice. Well. She climbed up a sort of gully to her, and found her practically done for her helmet off" "Was a guide not with her?" interrupted Fielding. "No. She had got among some cactuses. Miss Derek saved her life coming just then she was beginning to fling herself about. She helped her down to the car. Miss Quested couldn't stand the Indian driver, cried," Keep him away' "and it was that that put our friend on the track of what had happened. They made straight for our bungalow, and are there now. That's the story as far as I know it yet. She sent the driver to join you. I think she behaved with great sense." "I suppose there's no possibility of my seeing Miss Quested?" he asked suddenly. "I hardly think that would do. Surely." "I was afraid you'ld say that. I should very much like to." "She is in no state to see anyone. Besides, you don't know her well." "Hardly at all. . . . But you see I believe she's under some hideous delusion, and that that wretched boy is innocent." The policeman started in surprise, and a shadow passed over his face, for he could not bear his dispositions to be upset. "I had no idea that was in your mind," he said, and looked for support at the signed deposition, which lay before him. "Those field-glasses upset me for a minute, but I've thought since: it's impossible that, having attempted to assault her, he would put her glasses into his pocket." "Quite possible, I'm afraid; when an Indian goes bad, he goes not only very bad, but very queer." "I don't follow." "How should you? When you think of crime you think of English crime. The psychology here is different. I dare say you'll tell me next that he was quite normal when he came down from the hill to greet you. No reason he should not be. Read any of the Mutiny records; which, rather than the Bhagavad Gita, should be your Bible in this country. Though I'm not sure that the one and the other are not closely connected. Am I not being beastly? But, you see, Fielding, as I've said to you once before, you're a schoolmaster, and consequently you come across these people at their best. That's what puts you wrong. They can be charming as boys. But I know them as they really are, after they have developed into men. Look at this, for instance." He held up Aziz' pocket-case. "I am going through the contents. They are not edifying. Here is a letter from a friend who apparently keeps a brothel." "I don't want to hear his private letters." "It'll have to be quoted in Court, as bearing on his morals. He was fixing up to see women at Calcutta." "Oh, that'll do, that'll do." McBryde stopped, naively puzzled. It was obvious to him that any two sahibs ought to pool all they knew about any Indian, and he could not think where the objection came in. "I dare say you have the right to throw stones at a young man for doing that, but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?" "You have never explained to me what's in your mind here. Why on earth do you want to see her?" "On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated. "His own people seem in touch with him all right." "Well, when he's done with them." "I wouldn't keep you waiting; good heavens, you take precedence of any Indian visitor, of course. I meant what's the good. Why mix yourself up with pitch?" "I say he's innocent" "Innocence or guilt, why mix yourself up? What's the good?" "Oh, good, good," he cried, feeling that every earth was being stopped. "One's got to breathe occasionally, at least I have. I mayn't see her, and now I mayn't see him. I promised him to come up here with him to you, but Turton called me off before I could get two steps." "Sort of all-white thing the Burra Sahib would do," he muttered sentimentally. And trying not to sound patronizing, he stretched his hand over the table, and said: "We shall all have to hang together, old man, I'm afraid. I'm your junior in years, I know, but very much your senior in service; you don't happen to know this poisonous country as well as I do, and you must take it from me that the general situation is going to be nasty at Chandrapore during the next few weeks, very nasty indeed." "So I have just told you." "But at a time like this there's no room for well personal views. The man who doesn't toe the line is lost." "I see what you mean." "No, you don't see entirely. He not only loses himself, he weakens his friends. If you leave the line, you leave a gap in the line. These jackals" he pointed at the lawyers' cards "are looking with all their eyes for a gap." "Can I visit Aziz?" was his answer. "No." Now that he knew of Turton's attitude, the policeman had no doubts. "You may see him on a magistrate's order, but on my own responsibility I don't feel justified. It might lead to more complications." He paused, reflecting that if he had been either ten years younger or ten years longer in India, he would have responded to McBryde's appeal. The bit between his teeth, he then said, "To whom do I apply for an order?" "City Magistrate." "That sounds comfortable!" "Yes, one can't very well worry poor Heaslop." More "evidence" appeared at this moment the table-drawer from Aziz' bungalow, borne with triumph in a corporal's arms. "Photographs of women. Ah!" "That's his wife," said Fielding, wincing. "How do you know that?" "He told me." McBryde gave a faint, incredulous smile, and started rummaging in the drawer. His face became inquisitive and slightly bestial. "Wife indeed, I know those wives!" he was thinking. Aloud he said: "Well, you must trot off now, old man, and the Lord help us, the Lord help us all. . ." As if his prayer had been heard, there was a sudden rackety-dacket on a temple bell. CHAPTER XIX Hamidullah was the next stage. He was waiting outside the Superintendent's office, and sprang up respectfully when he saw Fielding. To the Englishman's passionate "It's all a mistake," he answered, "Ah, ah, has some evidence come?" "It will come," said Fielding, holding his hand. "Ah, yes, Mr. Fielding; but when once an Indian has been arrested, we do not know where it will stop." His manner was deferential. "You are very good to greet me in this public fashion, I appreciate it; but, Mr. Fielding, nothing convinces a magistrate except evidence. Did Mr. McBryde make any remark when my card came in? Do you think my application annoyed him, will prejudice him against my friend at all? If so, I will gladly retire." "He's not annoyed, and if he was, what does it matter?" "Ah, it's all very well for you to speak like that, but we have to live in this country." The leading barrister of Chandrapore, with the dignified manner and Cambridge degree, had been rattled. He too loved Aziz, and knew he was calumniated; but faith did not rule his heart, and he prated of "policy" and "evidence" in a way that saddened the Englishman. Fielding, too, had his anxieties he didn't like the field-glasses or the discrepancy over the guide but he relegated them to the edge	letters." "It'll have to be quoted in Court, as bearing on his morals. He was fixing up to see women at Calcutta." "Oh, that'll do, that'll do." McBryde stopped, naively puzzled. It was obvious to him that any two sahibs ought to pool all they knew about any Indian, and he could not think where the objection came in. "I dare say you have the right to throw stones at a young man for doing that, but I haven't. I did the same at his age." So had the Superintendent of Police, but he considered that the conversation had taken a turn that was undesirable. He did not like Fielding's next remark either. "Miss Quested really cannot be seen? You do know that for a certainty?" "You have never explained to me what's in your mind here. Why on earth do you want to see her?" "On the off chance of her recanting before you send in that report and he's committed for trial, and the whole thing goes to blazes. Old man, don't argue about this, but do of your goodness just ring up your wife or Miss Derek and enquire. It'll cost you nothing." "It's no use ringing up them," he replied, stretching out for the telephone. "Callendar settles a question like that, of course. You haven't grasped that she's seriously ill." "He's sure to refuse, it's all he exists for," said the other desperately. The expected answer came back: the Major would not hear of the patient being troubled. "I only wanted to ask her whether she is certain, dead certain, that it was Aziz who followed her into the cave." "Possibly my wife might ask her that much." "But _I_ wanted to ask her. I want someone who believes in him to ask her." "What difference does that make?" "She is among people who disbelieve in Indians." "Well, she tells her own story, doesn't she?"<\|quote\|>"I know, but she tells it to you."</\|quote\|>McBryde raised his eyebrows, murmuring: "A bit too finespun. Anyhow, Callendar won't hear of you seeing her. I'm sorry to say he gave a bad account just now. He says that she is by no means out of danger." They were silent. Another card was brought into the office Hamidullah's. The opposite army was gathering. "I must put this report through now, Fielding." "I wish you wouldn't." "How can I not?" "I feel that things are rather unsatisfactory as well as most disastrous. We are heading for a most awful smash. I can see your prisoner, I suppose." He hesitated. "His own people seem in touch with him all right." "Well, when he's done with them." "I wouldn't keep you waiting; good heavens, you take precedence of any Indian visitor, of course. I meant what's the good. Why mix yourself up with pitch?" "I say he's innocent" "Innocence or guilt, why mix yourself up? What's the good?" "Oh, good, good," he cried, feeling that every earth was being stopped. "One's got to breathe occasionally, at least I have. I mayn't see her, and now I mayn't see him. I promised him to come up here with him to you, but Turton called me off before I could get two steps." "Sort of all-white thing the Burra Sahib would do," he muttered sentimentally. And trying not to sound patronizing, he stretched his hand over the table, and said: "We shall all have to hang together, old man, I'm afraid. I'm your junior in years, I know, but very much your senior in service; you don't happen to know this poisonous country as well as I do, and you must take it from me that the general situation is going to be nasty at Chandrapore during the next few weeks, very nasty indeed." "So I have just told you." "But at a time like this there's no room for well personal views. The man who doesn't toe the line is lost." "I see what you mean." "No, you don't see entirely. He not only loses himself, he weakens his friends. If you leave the line, you leave a gap in the line. These jackals" he pointed at the lawyers' cards "are looking with all their eyes for a gap." "Can I visit Aziz?" was his answer. "No." Now that he knew of Turton's attitude, the policeman had no doubts. "You may see him on a magistrate's order, but on my own responsibility I don't feel justified. It might lead to more complications." He paused, reflecting that if he	A Passage To India
she added.	No speaker	"No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish.	that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought	pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I	Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his.	exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of	to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a	the impression that she was snubbing George, added: "I agree with you, Mr. Vyse. You had much better not play. Much better not." Minnie, rushing in where Cecil feared to tread, announced that she would play. "I shall miss every ball anyway, so what does it matter?" But Sunday intervened and stamped heavily upon the kindly suggestion. "Then it will have to be Lucy," said Mrs. Honeychurch; "you must fall back on Lucy. There is no other way out of it. Lucy, go and change your frock." Lucy's Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon. As she changed her frock, she wondered whether Cecil was sneering at her; really she must overhaul herself and settle everything up before she married him. Mr. Floyd was her partner. She liked music, but how much better tennis seemed. How much better to run about in comfortable clothes than to sit at the piano and feel girt under the arms. Once more music appeared to her the employment of a child. George served, and surprised her by his anxiety to win. She remembered how he had sighed among the tombs at Santa Croce because things wouldn't fit; how after the death of that obscure Italian he had leant over the parapet by the Arno and said to her: "I shall want to live, I tell you." He wanted to live now, to win at tennis, to stand for all he was worth in the sun--the sun which had begun to decline and was shining in her eyes; and he did win. Ah, how beautiful the Weald looked! The hills stood out above its radiance, as Fiesole stands above the Tuscan Plain, and the South Downs, if one chose, were the mountains of Carrara. She might be forgetting her Italy, but she was noticing more things in her England. One could play a new game with the view, and try to find in its innumerable folds some town or village that would do for Florence. Ah, how beautiful the Weald looked! But now Cecil claimed her. He chanced to be in a lucid critical mood, and would not sympathize with exaltation. He had been rather a nuisance all through the tennis, for the novel that he was reading was so bad that he was obliged to read it aloud to others. He would stroll round the precincts of the court and call out: "I say, listen to this, Lucy. Three split infinitives." "Dreadful!" said Lucy, and missed her stroke. When they had finished their set, he still went on reading; there was some murder scene, and really everyone must listen to it. Freddy and Mr. Floyd were obliged to hunt for a lost ball in the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to resemble each other, like human crowds--and that the power they have over us is sometimes supernatural, for the same reason." Lucy's lips parted. "For a crowd is more than the people who make it up. Something gets added to it--no one knows how--just as something has got added to those hills." He pointed with his racquet to the South Downs. "What a splendid idea!" she murmured. "I shall enjoy hearing your father talk again. I'm so sorry he's not so well." "No, he isn't well." "There's an absurd account of a view in this book," said Cecil. "Also that men fall into two classes--those who forget views and those who remember them, even in small rooms." "Mr. Emerson, have you any brothers or sisters?" "None. Why?" "You spoke of" 'us.'" "My mother, I was meaning." Cecil closed the novel with a bang. "Oh, Cecil--how you made me jump!" "I will inflict Joseph Emery Prank on you no longer." "I can just remember us all three going into the country for the day and seeing as far as Hindhead. It is the first thing that I remember." Cecil got up; the man was ill-bred--he hadn't put on his coat after tennis--he didn't do. He would have strolled away if Lucy had not stopped him. "Cecil, do read the thing about the view." "Not while Mr. Emerson is here to entertain us." "No--read away. I think nothing's funnier than to hear silly things read out loud. If Mr. Emerson thinks us frivolous, he can go." This struck Cecil as subtle, and pleased him. It put their visitor in the position of a prig. Somewhat mollified, he sat down again. "Mr. Emerson, go and find tennis balls." She opened the book. Cecil must have his reading and anything else that he liked. But her attention wandered to George's mother, who--according to Mr. Eager--had been murdered in the sight of God and--according to her son--had seen as far as Hindhead. "Am I really to go?" asked George. "No, of course not really," she answered. "Chapter two," said Cecil, yawning. "Find me chapter two, if it isn't bothering you." Chapter two was found, and she glanced at its opening sentences. She thought she had gone mad. "Here--hand me the book." She heard her voice saying: "It isn't worth reading--it's too silly to read--I never saw such rubbish--it oughtn't to be allowed to be printed." He took the book from her. "'Leonora,'" he read, "'sat pensive and alone. Before her lay the rich champaign of Tuscany, dotted over with many a smiling village. The season was spring.'" Miss Lavish knew, somehow, and had printed the past in draggled prose, for Cecil to read and for George to hear. "'A golden haze,'" he read. He read: "'Afar off the towers of Florence, while the bank on which she sat was carpeted with violets. All unobserved Antonio stole up behind her--'" Lest Cecil should see her face she turned to George and saw his face. He read: "'There came from his lips no wordy protestation such as formal lovers use. No eloquence was his, nor did he suffer from the lack of it. He simply enfolded her in his manly arms.'" "This isn't the passage I wanted," he informed	the laurels, but the other two acquiesced. "The scene is laid in Florence." "What fun, Cecil! Read away. Come, Mr. Emerson, sit down after all your energy." She had "forgiven" George, as she put it, and she made a point of being pleasant to him. He jumped over the net and sat down at her feet asking: "You--and are you tired?" "Of course I'm not!" "Do you mind being beaten?" She was going to answer, "No," when it struck her that she did mind, so she answered, "Yes." She added merrily, "I don't see you're such a splendid player, though. The light was behind you, and it was in my eyes." "I never said I was." "Why, you did!" "You didn't attend." "You said--oh, don't go in for accuracy at this house. We all exaggerate, and we get very angry with people who don't." "'The scene is laid in Florence,'" repeated Cecil, with an upward note. Lucy recollected herself. "'Sunset. Leonora was speeding--'" Lucy interrupted. "Leonora? Is Leonora the heroine? Who's the book by?" "Joseph Emery Prank." 'Sunset. Leonora speeding across the square. Pray the saints she might not arrive too late. Sunset--the sunset of Italy. Under Orcagna's Loggia--the Loggia de' Lanzi, as we sometimes call it now--'" Lucy burst into laughter. "'Joseph Emery Prank' "indeed! Why it's Miss Lavish! It's Miss Lavish's novel, and she's publishing it under somebody else's name." "Who may Miss Lavish be?" "Oh, a dreadful person--Mr. Emerson, you remember Miss Lavish?" Excited by her pleasant afternoon, she clapped her hands. George looked up. "Of course I do. I saw her the day I arrived at Summer Street. It was she who told me that you lived here." "Weren't you pleased?" She meant "to see Miss Lavish," but when he bent down to the grass without replying, it struck her that she could mean something else. She watched his head, which was almost resting against her knee, and she thought that the ears were reddening. "No wonder the novel's bad,"<\|quote\|>she added.</\|quote\|>"I never liked Miss Lavish. But I suppose one ought to read it as one's met her." "All modern books are bad," said Cecil, who was annoyed at her inattention, and vented his annoyance on literature. "Every one writes for money in these days." "Oh, Cecil--!" "It is so. I will inflict Joseph Emery Prank on you no longer." Cecil, this afternoon seemed such a twittering sparrow. The ups and downs in his voice were noticeable, but they did not affect her. She had dwelt amongst melody and movement, and her nerves refused to answer to the clang of his. Leaving him to be annoyed, she gazed at the black head again. She did not want to stroke it, but she saw herself wanting to stroke it; the sensation was curious. "How do you like this view of ours, Mr. Emerson?" "I never notice much difference in views." "What do you mean?" "Because they're all alike. Because all that matters in them is distance and air." "H'm!" said Cecil, uncertain whether the remark was striking or not. "My father" "--he looked up at her (and he was a little flushed)--" "says that there is only one perfect view--the view of the sky straight over our heads, and that all these views on earth are but bungled copies of it." "I expect your father has been reading Dante," said Cecil, fingering the novel, which alone permitted him to lead the conversation. "He told us another day that views are really crowds--crowds of trees and houses and hills--and are bound to	A Room With A View
"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."	Fagin	it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as	to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr.	reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why	pitched over upon the floor; where (the accident abating nothing of his merriment) he lay at full length until his laugh was over, when he resumed his former position, and began another laugh. "Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?" "Ah, to be sure, my dear," replied the Jew. "You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?" "I mean	Ha! ha! Is that it, my dear?" "Not a bit of it," replied the Dodger, stopping the subject of discourse as Mr. Chitling was about to reply. "What do _you_ say, Charley?" "_I_ should say," replied Master Bates, with a grin, "that he was uncommon sweet upon Betsy. See how he's a-blushing! Oh, my eye! here's a merry-go-rounder! Tommy Chitling's in love! Oh, Fagin, Fagin! what a spree!" Thoroughly overpowered with the notion of Mr. Chitling being the victim of the tender passion, Master Bates threw himself back in his chair with such violence, that he lost his balance, and pitched over upon the floor; where (the accident abating nothing of his merriment) he lay at full length until his laugh was over, when he resumed his former position, and began another laugh. "Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?" "Ah, to be sure, my dear," replied the Jew. "You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?" "I mean to say that I shouldn't," replied Tom, angrily. "There, now. Ah! Who'll say as much as that, I should like to know; eh, Fagin?" "Nobody, my dear," replied the Jew; "not a soul, Tom. I don't know one of 'em that would do it besides you; not one of 'em, my dear." "I might have got clear off, if I'd split upon her; mightn't I, Fagin?" angrily pursued the poor half-witted dupe. "A word from me would have done it; wouldn't it, Fagin?" "To be sure it would, my dear," replied the Jew. "But I didn't blab it; did I,	'ere Dodger has such a run of luck that there's no standing again' him." "Ha! ha! my dear," replied the Jew, "you must get up very early in the morning, to win against the Dodger." "Morning!" said Charley Bates; "you must put your boots on over-night, and have a telescope at each eye, and a opera-glass between your shoulders, if you want to come over him." Mr. Dawkins received these handsome compliments with much philosophy, and offered to cut any gentleman in company, for the first picture-card, at a shilling at a time. Nobody accepting the challenge, and his pipe being by this time smoked out, he proceeded to amuse himself by sketching a ground-plan of Newgate on the table with the piece of chalk which had served him in lieu of counters; whistling, meantime, with peculiar shrillness. "How precious dull you are, Tommy!" said the Dodger, stopping short when there had been a long silence; and addressing Mr. Chitling. "What do you think he's thinking of, Fagin?" "How should I know, my dear?" replied the Jew, looking round as he plied the bellows. "About his losses, maybe; or the little retirement in the country that he's just left, eh? Ha! ha! Is that it, my dear?" "Not a bit of it," replied the Dodger, stopping the subject of discourse as Mr. Chitling was about to reply. "What do _you_ say, Charley?" "_I_ should say," replied Master Bates, with a grin, "that he was uncommon sweet upon Betsy. See how he's a-blushing! Oh, my eye! here's a merry-go-rounder! Tommy Chitling's in love! Oh, Fagin, Fagin! what a spree!" Thoroughly overpowered with the notion of Mr. Chitling being the victim of the tender passion, Master Bates threw himself back in his chair with such violence, that he lost his balance, and pitched over upon the floor; where (the accident abating nothing of his merriment) he lay at full length until his laugh was over, when he resumed his former position, and began another laugh. "Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?" "Ah, to be sure, my dear," replied the Jew. "You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?" "I mean to say that I shouldn't," replied Tom, angrily. "There, now. Ah! Who'll say as much as that, I should like to know; eh, Fagin?" "Nobody, my dear," replied the Jew; "not a soul, Tom. I don't know one of 'em that would do it besides you; not one of 'em, my dear." "I might have got clear off, if I'd split upon her; mightn't I, Fagin?" angrily pursued the poor half-witted dupe. "A word from me would have done it; wouldn't it, Fagin?" "To be sure it would, my dear," replied the Jew. "But I didn't blab it; did I, Fagin?" demanded Tom, pouring question upon question with great volubility. "No, no, to be sure," replied the Jew; "you were too stout-hearted for that. A deal too stout, my dear!" "Perhaps I was," rejoined Tom, looking round; "and if I was, what's to laugh at, in that; eh, Fagin?" The Jew, perceiving that Mr. Chitling was considerably roused, hastened to assure him that nobody was laughing; and to prove the gravity of the company, appealed to Master Bates, the principal offender. But, unfortunately, Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar, that the abused Mr. Chitling, without any preliminary ceremonies, rushed across the room and aimed a blow at the offender; who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell	his neighbour's cards. It being a cold night, the Dodger wore his hat, as, indeed, was often his custom within doors. He also sustained a clay pipe between his teeth, which he only removed for a brief space when he deemed it necessary to apply for refreshment to a quart pot upon the table, which stood ready filled with gin-and-water for the accommodation of the company. Master Bates was also attentive to the play; but being of a more excitable nature than his accomplished friend, it was observable that he more frequently applied himself to the gin-and-water, and moreover indulged in many jests and irrelevant remarks, all highly unbecoming a scientific rubber. Indeed, the Artful, presuming upon their close attachment, more than once took occasion to reason gravely with his companion upon these improprieties; all of which remonstrances, Master Bates received in extremely good part; merely requesting his friend to be "blowed," or to insert his head in a sack, or replying with some other neatly-turned witticism of a similar kind, the happy application of which, excited considerable admiration in the mind of Mr. Chitling. It was remarkable that the latter gentleman and his partner invariably lost; and that the circumstance, so far from angering Master Bates, appeared to afford him the highest amusement, inasmuch as he laughed most uproariously at the end of every deal, and protested that he had never seen such a jolly game in all his born days. "That's two doubles and the rub," said Mr. Chitling, with a very long face, as he drew half-a-crown from his waistcoat-pocket. "I never see such a feller as you, Jack; you win everything. Even when we've good cards, Charley and I can't make nothing of 'em." Either the master or the manner of this remark, which was made very ruefully, delighted Charley Bates so much, that his consequent shout of laughter roused the Jew from his reverie, and induced him to inquire what was the matter. "Matter, Fagin!" cried Charley. "I wish you had watched the play. Tommy Chitling hasn't won a point; and I went partners with him against the Artfull and dumb." "Ay, ay!" said the Jew, with a grin, which sufficiently demonstrated that he was at no loss to understand the reason. "Try 'em again, Tom; try 'em again." "No more of it for me, thank 'ee, Fagin," replied Mr. Chitling; "I've had enough. That 'ere Dodger has such a run of luck that there's no standing again' him." "Ha! ha! my dear," replied the Jew, "you must get up very early in the morning, to win against the Dodger." "Morning!" said Charley Bates; "you must put your boots on over-night, and have a telescope at each eye, and a opera-glass between your shoulders, if you want to come over him." Mr. Dawkins received these handsome compliments with much philosophy, and offered to cut any gentleman in company, for the first picture-card, at a shilling at a time. Nobody accepting the challenge, and his pipe being by this time smoked out, he proceeded to amuse himself by sketching a ground-plan of Newgate on the table with the piece of chalk which had served him in lieu of counters; whistling, meantime, with peculiar shrillness. "How precious dull you are, Tommy!" said the Dodger, stopping short when there had been a long silence; and addressing Mr. Chitling. "What do you think he's thinking of, Fagin?" "How should I know, my dear?" replied the Jew, looking round as he plied the bellows. "About his losses, maybe; or the little retirement in the country that he's just left, eh? Ha! ha! Is that it, my dear?" "Not a bit of it," replied the Dodger, stopping the subject of discourse as Mr. Chitling was about to reply. "What do _you_ say, Charley?" "_I_ should say," replied Master Bates, with a grin, "that he was uncommon sweet upon Betsy. See how he's a-blushing! Oh, my eye! here's a merry-go-rounder! Tommy Chitling's in love! Oh, Fagin, Fagin! what a spree!" Thoroughly overpowered with the notion of Mr. Chitling being the victim of the tender passion, Master Bates threw himself back in his chair with such violence, that he lost his balance, and pitched over upon the floor; where (the accident abating nothing of his merriment) he lay at full length until his laugh was over, when he resumed his former position, and began another laugh. "Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?" "Ah, to be sure, my dear," replied the Jew. "You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?" "I mean to say that I shouldn't," replied Tom, angrily. "There, now. Ah! Who'll say as much as that, I should like to know; eh, Fagin?" "Nobody, my dear," replied the Jew; "not a soul, Tom. I don't know one of 'em that would do it besides you; not one of 'em, my dear." "I might have got clear off, if I'd split upon her; mightn't I, Fagin?" angrily pursued the poor half-witted dupe. "A word from me would have done it; wouldn't it, Fagin?" "To be sure it would, my dear," replied the Jew. "But I didn't blab it; did I, Fagin?" demanded Tom, pouring question upon question with great volubility. "No, no, to be sure," replied the Jew; "you were too stout-hearted for that. A deal too stout, my dear!" "Perhaps I was," rejoined Tom, looking round; "and if I was, what's to laugh at, in that; eh, Fagin?" The Jew, perceiving that Mr. Chitling was considerably roused, hastened to assure him that nobody was laughing; and to prove the gravity of the company, appealed to Master Bates, the principal offender. But, unfortunately, Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar, that the abused Mr. Chitling, without any preliminary ceremonies, rushed across the room and aimed a blow at the offender; who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell was rung again, with some impatience, while the party were in darkness. After a short pause, the Dodger reappeared, and whispered Fagin mysteriously. "What!" cried the Jew, "alone?" The Dodger nodded in the affirmative, and, shading the flame of the candle with his hand, gave Charley Bates a private intimation, in dumb show, that he had better not be funny just then. Having performed this friendly office, he fixed his eyes on the Jew's face, and awaited his directions. The old man bit his yellow fingers, and meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room. "Yes," said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed. There was no sound of their whereabout, when the Dodger descended the stairs, bearing the light in his hand, and followed by a man in a coarse smock-frock; who, after casting a hurried glance round the room, pulled off a large wrapper which had concealed the lower portion of his face, and disclosed: all haggard, unwashed, and unshorn: the features of flash Toby Crackit. "How are you, Faguey?" said this worthy, nodding to the Jew. "Pop that shawl away in my castor, Dodger, so that I may know where to find it when I cut; that's the time of day! You'll be a fine young cracksman afore the old file now." With these words he pulled up the smock-frock; and, winding it round his middle, drew a chair to the fire, and placed his feet upon the hob. "See there, Faguey," he said, pointing disconsolately to his top boots; "not a drop of Day and Martin since you know when; not a bubble of blacking, by Jove! But don't look at me in that way, man. All in good time. I can't talk about business till I've eat and drank; so produce the sustainance, and let's have a quiet fill-out for the first time these three days!" The Jew motioned to the Dodger to place what eatables there were, upon the table; and, seating himself opposite the housebreaker, waited his	Jew from his reverie, and induced him to inquire what was the matter. "Matter, Fagin!" cried Charley. "I wish you had watched the play. Tommy Chitling hasn't won a point; and I went partners with him against the Artfull and dumb." "Ay, ay!" said the Jew, with a grin, which sufficiently demonstrated that he was at no loss to understand the reason. "Try 'em again, Tom; try 'em again." "No more of it for me, thank 'ee, Fagin," replied Mr. Chitling; "I've had enough. That 'ere Dodger has such a run of luck that there's no standing again' him." "Ha! ha! my dear," replied the Jew, "you must get up very early in the morning, to win against the Dodger." "Morning!" said Charley Bates; "you must put your boots on over-night, and have a telescope at each eye, and a opera-glass between your shoulders, if you want to come over him." Mr. Dawkins received these handsome compliments with much philosophy, and offered to cut any gentleman in company, for the first picture-card, at a shilling at a time. Nobody accepting the challenge, and his pipe being by this time smoked out, he proceeded to amuse himself by sketching a ground-plan of Newgate on the table with the piece of chalk which had served him in lieu of counters; whistling, meantime, with peculiar shrillness. "How precious dull you are, Tommy!" said the Dodger, stopping short when there had been a long silence; and addressing Mr. Chitling. "What do you think he's thinking of, Fagin?" "How should I know, my dear?" replied the Jew, looking round as he plied the bellows. "About his losses, maybe; or the little retirement in the country that he's just left, eh? Ha! ha! Is that it, my dear?" "Not a bit of it," replied the Dodger, stopping the subject of discourse as Mr. Chitling was about to reply. "What do _you_ say, Charley?" "_I_ should say," replied Master Bates, with a grin, "that he was uncommon sweet upon Betsy. See how he's a-blushing! Oh, my eye! here's a merry-go-rounder! Tommy Chitling's in love! Oh, Fagin, Fagin! what a spree!" Thoroughly overpowered with the notion of Mr. Chitling being the victim of the tender passion, Master Bates threw himself back in his chair with such violence, that he lost his balance, and pitched over upon the floor; where (the accident abating nothing of his merriment) he lay at full length until his laugh was over, when he resumed his former position, and began another laugh. "Never mind him, my dear," said the Jew, winking at Mr. Dawkins, and giving Master Bates a reproving tap with the nozzle of the bellows. "Betsy's a fine girl. Stick up to her, Tom. Stick up to her." "What I mean to say, Fagin," replied Mr. Chitling, very red in the face, "is, that that isn't anything to anybody here." "No more it is," replied the Jew;<\|quote\|>"Charley will talk. Don't mind him, my dear; don't mind him. Betsy's a fine girl. Do as she bids you, Tom, and you will make your fortune."</\|quote\|>"So I _do_ do as she bids me," replied Mr. Chitling; "I shouldn't have been milled, if it hadn't been for her advice. But it turned out a good job for you; didn't it, Fagin! And what's six weeks of it? It must come, some time or another, and why not in the winter time when you don't want to go out a-walking so much; eh, Fagin?" "Ah, to be sure, my dear," replied the Jew. "You wouldn't mind it again, Tom, would you," asked the Dodger, winking upon Charley and the Jew, "if Bet was all right?" "I mean to say that I shouldn't," replied Tom, angrily. "There, now. Ah! Who'll say as much as that, I should like to know; eh, Fagin?" "Nobody, my dear," replied the Jew; "not a soul, Tom. I don't know one of 'em that would do it besides you; not one of 'em, my dear." "I might have got clear off, if I'd split upon her; mightn't I, Fagin?" angrily pursued the poor half-witted dupe. "A word from me would have done it; wouldn't it, Fagin?" "To be sure it would, my dear," replied the Jew. "But I didn't blab it; did I, Fagin?" demanded Tom, pouring question upon question with great volubility. "No, no, to be sure," replied the Jew; "you were too stout-hearted for that. A deal too stout, my dear!" "Perhaps I was," rejoined Tom, looking round; "and if I was, what's to laugh at, in that; eh, Fagin?" The Jew, perceiving that Mr. Chitling was considerably roused, hastened to assure him that nobody was laughing; and to prove the gravity of the company, appealed to Master Bates, the principal offender. But, unfortunately, Charley, in opening his mouth to reply that he was never more serious in his life, was unable to prevent the escape of such a violent roar, that the abused Mr. Chitling, without any preliminary ceremonies, rushed across the room and aimed a blow at the offender; who, being skilful in evading pursuit, ducked to avoid it, and chose his time so well that it lighted on the chest of the merry old gentleman, and caused him to stagger to the wall, where he stood panting for breath, while Mr. Chitling looked on in intense dismay. "Hark!" cried the Dodger at this moment, "I heard the tinkler." Catching up the light, he crept softly upstairs. The bell was rung again, with some impatience, while the party were in darkness. After a short pause, the Dodger reappeared, and whispered Fagin mysteriously. "What!" cried the Jew, "alone?" The Dodger nodded in the affirmative, and, shading the flame of the candle with his hand, gave Charley Bates a private intimation, in dumb show, that he had better not be funny just then. Having performed this friendly office, he fixed his eyes on the Jew's face, and awaited his directions. The old man bit his yellow fingers, and meditated for some seconds; his face working with agitation the while, as if he dreaded something, and feared to know the worst. At length he raised his head. "Where is he?" he asked. The Dodger pointed to the floor above, and made a gesture, as if to leave the room. "Yes," said the Jew, answering the mute inquiry; "bring him down. Hush! Quiet, Charley! Gently, Tom! Scarce, scarce!" This brief direction to Charley Bates, and his recent antagonist, was softly and immediately obeyed.	Oliver Twist
said Kovrin.	No speaker	their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide	did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked	thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius	had grown irritable, capricious, quarrelsome and uninteresting. She could not laugh or sing; at dinner she ate nothing; did not sleep for nights together, expecting something awful, and was so worn out that on one occasion she lay in a dead faint from dinner-time till evening. During the service she thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius and in bringing civilisation to ruin. If only you knew," Kovrin said with annoyance, "how grateful I am to you." He felt intense irritation, and to avoid saying too much, he got up quickly and went into the house. It was still, and the fragrance of the tobacco plant and	even rudely, never looked at him but with irony and hatred, while Yegor Semyonitch was overcome with confusion and cleared his throat guiltily, though he was not conscious of any fault in himself. At a loss to understand why their charming and affectionate relations had changed so abruptly, Tanya huddled up to her father and looked anxiously in his face; she wanted to understand and could not understand, and all that was clear to her was that their relations were growing worse and worse every day, that of late her father had begun to look much older, and her husband had grown irritable, capricious, quarrelsome and uninteresting. She could not laugh or sing; at dinner she ate nothing; did not sleep for nights together, expecting something awful, and was so worn out that on one occasion she lay in a dead faint from dinner-time till evening. During the service she thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius and in bringing civilisation to ruin. If only you knew," Kovrin said with annoyance, "how grateful I am to you." He felt intense irritation, and to avoid saying too much, he got up quickly and went into the house. It was still, and the fragrance of the tobacco plant and the marvel of Peru floated in at the open window. The moonlight lay in green patches on the floor and on the piano in the big dark dining-room. Kovrin remembered the raptures of the previous summer when there had been the same scent of the marvel of Peru and the moon had shone in at the window. To bring back the mood of last year he went quickly to his study, lighted a strong cigar, and told the footman to bring him some wine. But the cigar left a bitter and disgusting taste in his mouth, and the wine had	step. "Drink it yourself; I don't want it." Tanya exchanged a troubled glance with her father, and said in a guilty voice: "You notice yourself that milk does you good." "Yes, a great deal of good!" Kovrin laughed. "I congratulate you: I have gained a pound in weight since Friday." He pressed his head tightly in his hands and said miserably: "Why, why have you cured me? Preparations of bromide, idleness, hot baths, supervision, cowardly consternation at every mouthful, at every step--all this will reduce me at last to idiocy. I went out of my mind, I had megalomania; but then I was cheerful, confident, and even happy; I was interesting and original. Now I have become more sensible and stolid, but I am just like every one else: I am--mediocrity; I am weary of life.... Oh, how cruelly you have treated me!... I saw hallucinations, but what harm did that do to any one? I ask, what harm did that do any one?" "Goodness knows what you are saying!" sighed Yegor Semyonitch. "It's positively wearisome to listen to it." "Then don't listen." The presence of other people, especially Yegor Semyonitch, irritated Kovrin now; he answered him drily, coldly, and even rudely, never looked at him but with irony and hatred, while Yegor Semyonitch was overcome with confusion and cleared his throat guiltily, though he was not conscious of any fault in himself. At a loss to understand why their charming and affectionate relations had changed so abruptly, Tanya huddled up to her father and looked anxiously in his face; she wanted to understand and could not understand, and all that was clear to her was that their relations were growing worse and worse every day, that of late her father had begun to look much older, and her husband had grown irritable, capricious, quarrelsome and uninteresting. She could not laugh or sing; at dinner she ate nothing; did not sleep for nights together, expecting something awful, and was so worn out that on one occasion she lay in a dead faint from dinner-time till evening. During the service she thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius and in bringing civilisation to ruin. If only you knew," Kovrin said with annoyance, "how grateful I am to you." He felt intense irritation, and to avoid saying too much, he got up quickly and went into the house. It was still, and the fragrance of the tobacco plant and the marvel of Peru floated in at the open window. The moonlight lay in green patches on the floor and on the piano in the big dark dining-room. Kovrin remembered the raptures of the previous summer when there had been the same scent of the marvel of Peru and the moon had shone in at the window. To bring back the mood of last year he went quickly to his study, lighted a strong cigar, and told the footman to bring him some wine. But the cigar left a bitter and disgusting taste in his mouth, and the wine had not the same flavour as it had the year before. And so great is the effect of giving up a habit, the cigar and the two gulps of wine made him giddy, and brought on palpitations of the heart, so that he was obliged to take bromide. Before going to bed, Tanya said to him: "Father adores you. You are cross with him about something, and it is killing him. Look at him; he is ageing, not from day to day, but from hour to hour. I entreat you, Andryusha, for God's sake, for the sake of your dead father, for the sake of my peace of mind, be affectionate to him." "I can't, I don't want to." "But why?" asked Tanya, beginning to tremble all over. "Explain why." "Because he is antipathetic to me, that's all," said Kovrin carelessly; and he shrugged his shoulders. "But we won't talk about him: he is your father." "I can't understand, I can't," said Tanya, pressing her hands to her temples and staring at a fixed point. "Something incomprehensible, awful, is going on in the house. You have changed, grown unlike yourself.... You, clever, extraordinary man as you are, are irritated over trifles,	of my mind" ; but he could only move his lips and smile bitterly. At nine o'clock in the morning they put on his jacket and fur coat, wrapped him up in a shawl, and took him in a carriage to a doctor. VIII Summer had come again, and the doctor advised their going into the country. Kovrin had recovered; he had left off seeing the black monk, and he had only to get up his strength. Staying at his father-in-law's, he drank a great deal of milk, worked for only two hours out of the twenty-four, and neither smoked nor drank wine. On the evening before Elijah's Day they had an evening service in the house. When the deacon was handing the priest the censer the immense old room smelt like a graveyard, and Kovrin felt bored. He went out into the garden. Without noticing the gorgeous flowers, he walked about the garden, sat down on a seat, then strolled about the park; reaching the river, he went down and then stood lost in thought, looking at the water. The sullen pines with their shaggy roots, which had seen him a year before so young, so joyful and confident, were not whispering now, but standing mute and motionless, as though they did not recognise him. And, indeed, his head was closely cropped, his beautiful long hair was gone, his step was lagging, his face was fuller and paler than last summer. He crossed by the footbridge to the other side. Where the year before there had been rye the oats stood, reaped, and lay in rows. The sun had set and there was a broad stretch of glowing red on the horizon, a sign of windy weather next day. It was still. Looking in the direction from which the year before the black monk had first appeared, Kovrin stood for twenty minutes, till the evening glow had begun to fade.... When, listless and dissatisfied, he returned home the service was over. Yegor Semyonitch and Tanya were sitting on the steps of the verandah, drinking tea. They were talking of something, but, seeing Kovrin, ceased at once, and he concluded from their faces that their talk had been about him. "I believe it is time for you to have your milk," Tanya said to her husband. "No, it is not time yet ..." he said, sitting down on the bottom step. "Drink it yourself; I don't want it." Tanya exchanged a troubled glance with her father, and said in a guilty voice: "You notice yourself that milk does you good." "Yes, a great deal of good!" Kovrin laughed. "I congratulate you: I have gained a pound in weight since Friday." He pressed his head tightly in his hands and said miserably: "Why, why have you cured me? Preparations of bromide, idleness, hot baths, supervision, cowardly consternation at every mouthful, at every step--all this will reduce me at last to idiocy. I went out of my mind, I had megalomania; but then I was cheerful, confident, and even happy; I was interesting and original. Now I have become more sensible and stolid, but I am just like every one else: I am--mediocrity; I am weary of life.... Oh, how cruelly you have treated me!... I saw hallucinations, but what harm did that do to any one? I ask, what harm did that do any one?" "Goodness knows what you are saying!" sighed Yegor Semyonitch. "It's positively wearisome to listen to it." "Then don't listen." The presence of other people, especially Yegor Semyonitch, irritated Kovrin now; he answered him drily, coldly, and even rudely, never looked at him but with irony and hatred, while Yegor Semyonitch was overcome with confusion and cleared his throat guiltily, though he was not conscious of any fault in himself. At a loss to understand why their charming and affectionate relations had changed so abruptly, Tanya huddled up to her father and looked anxiously in his face; she wanted to understand and could not understand, and all that was clear to her was that their relations were growing worse and worse every day, that of late her father had begun to look much older, and her husband had grown irritable, capricious, quarrelsome and uninteresting. She could not laugh or sing; at dinner she ate nothing; did not sleep for nights together, expecting something awful, and was so worn out that on one occasion she lay in a dead faint from dinner-time till evening. During the service she thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius and in bringing civilisation to ruin. If only you knew," Kovrin said with annoyance, "how grateful I am to you." He felt intense irritation, and to avoid saying too much, he got up quickly and went into the house. It was still, and the fragrance of the tobacco plant and the marvel of Peru floated in at the open window. The moonlight lay in green patches on the floor and on the piano in the big dark dining-room. Kovrin remembered the raptures of the previous summer when there had been the same scent of the marvel of Peru and the moon had shone in at the window. To bring back the mood of last year he went quickly to his study, lighted a strong cigar, and told the footman to bring him some wine. But the cigar left a bitter and disgusting taste in his mouth, and the wine had not the same flavour as it had the year before. And so great is the effect of giving up a habit, the cigar and the two gulps of wine made him giddy, and brought on palpitations of the heart, so that he was obliged to take bromide. Before going to bed, Tanya said to him: "Father adores you. You are cross with him about something, and it is killing him. Look at him; he is ageing, not from day to day, but from hour to hour. I entreat you, Andryusha, for God's sake, for the sake of your dead father, for the sake of my peace of mind, be affectionate to him." "I can't, I don't want to." "But why?" asked Tanya, beginning to tremble all over. "Explain why." "Because he is antipathetic to me, that's all," said Kovrin carelessly; and he shrugged his shoulders. "But we won't talk about him: he is your father." "I can't understand, I can't," said Tanya, pressing her hands to her temples and staring at a fixed point. "Something incomprehensible, awful, is going on in the house. You have changed, grown unlike yourself.... You, clever, extraordinary man as you are, are irritated over trifles, meddle in paltry nonsense.... Such trivial things excite you, that sometimes one is simply amazed and can't believe that it is you. Come, come, don't be angry, don't be angry," she went on, kissing his hands, frightened of her own words. "You are clever, kind, noble. You will be just to father. He is so good." "He is not good; he is just good-natured. Burlesque old uncles like your father, with well-fed, good-natured faces, extraordinarily hospitable and queer, at one time used to touch me and amuse me in novels and in farces and in life; now I dislike them. They are egoists to the marrow of their bones. What disgusts me most of all is their being so well-fed, and that purely bovine, purely hoggish optimism of a full stomach." Tanya sat down on the bed and laid her head on the pillow. "This is torture," she said, and from her voice it was evident that she was utterly exhausted, and that it was hard for her to speak. "Not one moment of peace since the winter.... Why, it's awful! My God! I am wretched." "Oh, of course, I am Herod, and you and your father are the innocents. Of course." His face seemed to Tanya ugly and unpleasant. Hatred and an ironical expression did not suit him. And, indeed, she had noticed before that there was something lacking in his face, as though ever since his hair had been cut his face had changed, too. She wanted to say something wounding to him, but immediately she caught herself in this antagonistic feeling, she was frightened and went out of the bedroom. IX Kovrin received a professorship at the University. The inaugural address was fixed for the second of December, and a notice to that effect was hung up in the corridor at the University. But on the day appointed he informed the students' inspector, by telegram, that he was prevented by illness from giving the lecture. He had hæmorrhage from the throat. He was often spitting blood, but it happened two or three times a month that there was a considerable loss of blood, and then he grew extremely weak and sank into a drowsy condition. This illness did not particularly frighten him, as he knew that his mother had lived for ten years or longer suffering from the same disease, and the doctors assured him that there	over. Yegor Semyonitch and Tanya were sitting on the steps of the verandah, drinking tea. They were talking of something, but, seeing Kovrin, ceased at once, and he concluded from their faces that their talk had been about him. "I believe it is time for you to have your milk," Tanya said to her husband. "No, it is not time yet ..." he said, sitting down on the bottom step. "Drink it yourself; I don't want it." Tanya exchanged a troubled glance with her father, and said in a guilty voice: "You notice yourself that milk does you good." "Yes, a great deal of good!" Kovrin laughed. "I congratulate you: I have gained a pound in weight since Friday." He pressed his head tightly in his hands and said miserably: "Why, why have you cured me? Preparations of bromide, idleness, hot baths, supervision, cowardly consternation at every mouthful, at every step--all this will reduce me at last to idiocy. I went out of my mind, I had megalomania; but then I was cheerful, confident, and even happy; I was interesting and original. Now I have become more sensible and stolid, but I am just like every one else: I am--mediocrity; I am weary of life.... Oh, how cruelly you have treated me!... I saw hallucinations, but what harm did that do to any one? I ask, what harm did that do any one?" "Goodness knows what you are saying!" sighed Yegor Semyonitch. "It's positively wearisome to listen to it." "Then don't listen." The presence of other people, especially Yegor Semyonitch, irritated Kovrin now; he answered him drily, coldly, and even rudely, never looked at him but with irony and hatred, while Yegor Semyonitch was overcome with confusion and cleared his throat guiltily, though he was not conscious of any fault in himself. At a loss to understand why their charming and affectionate relations had changed so abruptly, Tanya huddled up to her father and looked anxiously in his face; she wanted to understand and could not understand, and all that was clear to her was that their relations were growing worse and worse every day, that of late her father had begun to look much older, and her husband had grown irritable, capricious, quarrelsome and uninteresting. She could not laugh or sing; at dinner she ate nothing; did not sleep for nights together, expecting something awful, and was so worn out that on one occasion she lay in a dead faint from dinner-time till evening. During the service she thought her father was crying, and now while the three of them were sitting together on the terrace she made an effort not to think of it. "How fortunate Buddha, Mahomed, and Shakespeare were that their kind relations and doctors did not cure them of their ecstasy and their inspiration,"<\|quote\|>said Kovrin.</\|quote\|>"If Mahomed had taken bromide for his nerves, had worked only two hours out of the twenty-four, and had drunk milk, that remarkable man would have left no more trace after him than his dog. Doctors and kind relations will succeed in stupefying mankind, in making mediocrity pass for genius and in bringing civilisation to ruin. If only you knew," Kovrin said with annoyance, "how grateful I am to you." He felt intense irritation, and to avoid saying too much, he got up quickly and went into the house. It was still, and the fragrance of the tobacco plant and the marvel of Peru floated in at the open window. The moonlight lay in green patches on the floor and on the piano in the big dark dining-room. Kovrin remembered the raptures of the previous summer when there had been the same scent of the marvel of Peru and the moon had shone in at the window. To bring back the mood of last year he went quickly to his study, lighted a strong cigar, and told the footman to bring him some wine. But the cigar left a bitter and disgusting taste in his mouth, and the wine had not the same flavour as it had the year before. And so great is the effect of giving up a habit, the cigar and the two gulps of wine made him giddy, and brought on palpitations of the heart, so that he was obliged to take bromide. Before going to bed, Tanya said to him: "Father adores you. You are cross with him about something, and it is killing him. Look at him; he is ageing, not from day to day, but from hour to hour. I entreat you, Andryusha, for God's sake, for the sake of your dead father, for the sake of my peace of mind, be affectionate to him." "I can't, I don't want to." "But why?" asked Tanya, beginning to tremble all over. "Explain why." "Because he is antipathetic to me, that's all," said Kovrin carelessly; and he shrugged his shoulders. "But we won't talk about him: he is your father." "I can't understand, I can't," said Tanya, pressing her hands to her temples and staring at a fixed point. "Something incomprehensible, awful, is going on in the house. You have changed, grown unlike yourself.... You, clever, extraordinary man as you are, are irritated over trifles, meddle in paltry nonsense.... Such trivial things excite you, that sometimes one is simply amazed and can't believe that it is you. Come, come, don't be angry, don't be angry," she went on, kissing his hands, frightened of her own words. "You are clever, kind, noble. You will be just to father. He is so good." "He is not good; he is just good-natured. Burlesque old uncles like your father, with well-fed, good-natured faces, extraordinarily hospitable and queer, at one time used to touch me and amuse me in novels and in farces and in life; now I dislike them. They are egoists to the marrow of their bones. What disgusts me most of all is their being so well-fed, and that purely bovine, purely hoggish optimism of a full stomach." Tanya sat down on the bed and laid her head on the pillow. "This is torture," she said, and from her voice it was evident that she was utterly exhausted, and that it was hard for her to speak. "Not one moment of peace since the winter.... Why, it's	The Lady and the Dog and Other Stories (6)
"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"	Mrs. Hilbery	brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a	I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who	remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of	alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best	the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub	spot of ground where Shakespeare had undoubtedly stood, where his very bones lay directly beneath one s feet, was so absorbing to her on this particular occasion that she greeted her daughter with the exclamation: "D you think he ever passed this house?" The question, for the moment, seemed to Katharine to have reference to Ralph Denham. "On his way to Blackfriars, I mean," Mrs. Hilbery continued, "for you know the latest discovery is that he owned a house there." Katharine still looked about her in perplexity, and Mrs. Hilbery added: "Which is a proof that he wasn t as poor as they ve sometimes said. I should like to think that he had enough, though I don t in the least want him to be rich." Then, perceiving her daughter s expression of perplexity, Mrs. Hilbery burst out laughing. "My dear, I m not talking about _your_ William, though that s another reason for liking him. I m talking, I m thinking, I m dreaming of _my_ William William Shakespeare, of course. Isn t it odd," she mused, standing at the window and tapping gently upon the pane, "that for all one can see, that dear old thing in the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but another of exquisite beauty as she justly observed, looking up for a second to ask Katharine who that was? "Mary Datchet," Katharine replied briefly. "Ah I half wish I d called you Mary, but it wouldn t have gone with Hilbery, and it wouldn t have gone with Rodney. Now this isn t the passage I wanted. (I never can find what I want.) But it s spring; it s the daffodils; it s the green fields; it s the birds." She was cut short in her quotation by another imperative telephone-bell. Once more Katharine left the room. "My dear child, how odious the triumphs of science are!" Mrs. Hilbery exclaimed on her return. "They ll be linking us with the moon next but who was that?" "William," Katharine replied yet more briefly. "I ll forgive William anything, for I m certain that there aren t any Williams in the moon. I hope he s coming to luncheon?" "He s	Mrs. Hilbery, these early spring days were chiefly upsetting inasmuch as they caused a general quickening of her emotional powers, which, as far as the past was concerned, had never suffered much diminution. But in the spring her desire for expression invariably increased. She was haunted by the ghosts of phrases. She gave herself up to a sensual delight in the combinations of words. She sought them in the pages of her favorite authors. She made them for herself on scraps of paper, and rolled them on her tongue when there seemed no occasion for such eloquence. She was upheld in these excursions by the certainty that no language could outdo the splendor of her father s memory, and although her efforts did not notably further the end of his biography, she was under the impression of living more in his shade at such times than at others. No one can escape the power of language, let alone those of English birth brought up from childhood, as Mrs. Hilbery had been, to disport themselves now in the Saxon plainness, now in the Latin splendor of the tongue, and stored with memories, as she was, of old poets exuberating in an infinity of vocables. Even Katharine was slightly affected against her better judgment by her mother s enthusiasm. Not that her judgment could altogether acquiesce in the necessity for a study of Shakespeare s sonnets as a preliminary to the fifth chapter of her grandfather s biography. Beginning with a perfectly frivolous jest, Mrs. Hilbery had evolved a theory that Anne Hathaway had a way, among other things, of writing Shakespeare s sonnets; the idea, struck out to enliven a party of professors, who forwarded a number of privately printed manuals within the next few days for her instruction, had submerged her in a flood of Elizabethan literature; she had come half to believe in her joke, which was, she said, at least as good as other people s facts, and all her fancy for the time being centered upon Stratford-on-Avon. She had a plan, she told Katharine, when, rather later than usual, Katharine came into the room the morning after her walk by the river, for visiting Shakespeare s tomb. Any fact about the poet had become, for the moment, of far greater interest to her than the immediate present, and the certainty that there was existing in England a spot of ground where Shakespeare had undoubtedly stood, where his very bones lay directly beneath one s feet, was so absorbing to her on this particular occasion that she greeted her daughter with the exclamation: "D you think he ever passed this house?" The question, for the moment, seemed to Katharine to have reference to Ralph Denham. "On his way to Blackfriars, I mean," Mrs. Hilbery continued, "for you know the latest discovery is that he owned a house there." Katharine still looked about her in perplexity, and Mrs. Hilbery added: "Which is a proof that he wasn t as poor as they ve sometimes said. I should like to think that he had enough, though I don t in the least want him to be rich." Then, perceiving her daughter s expression of perplexity, Mrs. Hilbery burst out laughing. "My dear, I m not talking about _your_ William, though that s another reason for liking him. I m talking, I m thinking, I m dreaming of _my_ William William Shakespeare, of course. Isn t it odd," she mused, standing at the window and tapping gently upon the pane, "that for all one can see, that dear old thing in the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but another of exquisite beauty as she justly observed, looking up for a second to ask Katharine who that was? "Mary Datchet," Katharine replied briefly. "Ah I half wish I d called you Mary, but it wouldn t have gone with Hilbery, and it wouldn t have gone with Rodney. Now this isn t the passage I wanted. (I never can find what I want.) But it s spring; it s the daffodils; it s the green fields; it s the birds." She was cut short in her quotation by another imperative telephone-bell. Once more Katharine left the room. "My dear child, how odious the triumphs of science are!" Mrs. Hilbery exclaimed on her return. "They ll be linking us with the moon next but who was that?" "William," Katharine replied yet more briefly. "I ll forgive William anything, for I m certain that there aren t any Williams in the moon. I hope he s coming to luncheon?" "He s coming to tea." "Well, that s better than nothing, and I promise to leave you alone." "There s no need for you to do that," said Katharine. She swept her hand over the faded sheet, and drew herself up squarely to the table as if she refused to waste time any longer. The gesture was not lost upon her mother. It hinted at the existence of something stern and unapproachable in her daughter s character, which struck chill upon her, as the sight of poverty, or drunkenness, or the logic with which Mr. Hilbery sometimes thought good to demolish her certainty of an approaching millennium struck chill upon her. She went back to her own table, and putting on her spectacles with a curious expression of quiet humility, addressed herself for the first time that morning to the task before her. The shock with an unsympathetic world had a sobering effect on her. For once, her industry surpassed her daughter s. Katharine could not reduce the world to that particular perspective in which Harriet Martineau, for instance, was a figure of solid importance, and possessed of a genuine relationship to this figure or to that date. Singularly enough, the sharp call of the telephone-bell still echoed in her ear, and her body and mind were in a state of tension, as if, at any moment, she might hear another summons of greater interest to her than the whole of the nineteenth century. She did not clearly realize what this call was to be; but when the ears have got into the habit of listening, they go on listening involuntarily, and thus Katharine spent the greater part of the morning in listening to a variety of sounds in the back streets of Chelsea. For the first time in her life, probably, she wished that Mrs. Hilbery would not keep so closely to her work. A quotation from Shakespeare would not have come amiss. Now and again she heard a sigh from her mother s table, but that was the only proof she gave of her existence, and Katharine did not think of connecting it with the square aspect of her own position at the table, or, perhaps, she would have thrown her pen down and told her mother the reason of her restlessness. The only writing she managed to accomplish in the course of the morning was one letter, addressed to	as they ve sometimes said. I should like to think that he had enough, though I don t in the least want him to be rich." Then, perceiving her daughter s expression of perplexity, Mrs. Hilbery burst out laughing. "My dear, I m not talking about _your_ William, though that s another reason for liking him. I m talking, I m thinking, I m dreaming of _my_ William William Shakespeare, of course. Isn t it odd," she mused, standing at the window and tapping gently upon the pane, "that for all one can see, that dear old thing in the blue bonnet, crossing the road with her basket on her arm, has never heard that there was such a person? Yet it all goes on: lawyers hurrying to their work, cabmen squabbling for their fares, little boys rolling their hoops, little girls throwing bread to the gulls, as if there weren t a Shakespeare in the world. I should like to stand at that crossing all day long and say: People, read Shakespeare!" Katharine sat down at her table and opened a long dusty envelope. As Shelley was mentioned in the course of the letter as if he were alive, it had, of course, considerable value. Her immediate task was to decide whether the whole letter should be printed, or only the paragraph which mentioned Shelley s name, and she reached out for a pen and held it in readiness to do justice upon the sheet. Her pen, however, remained in the air. Almost surreptitiously she slipped a clean sheet in front of her, and her hand, descending, began drawing square boxes halved and quartered by straight lines, and then circles which underwent the same process of dissection. "Katharine! I ve hit upon a brilliant idea!" Mrs. Hilbery exclaimed<\|quote\|>"to lay out, say, a hundred pounds or so on copies of Shakespeare, and give them to working men. Some of your clever friends who get up meetings might help us, Katharine. And that might lead to a playhouse, where we could all take parts. You d be Rosalind but you ve a dash of the old nurse in you. Your father s Hamlet, come to years of discretion; and I m well, I m a bit of them all; I m quite a large bit of the fool, but the fools in Shakespeare say all the clever things. Now who shall William be? A hero? Hotspur? Henry the Fifth? No, William s got a touch of Hamlet in him, too. I can fancy that William talks to himself when he s alone. Ah, Katharine, you must say very beautiful things when you re together!"</\|quote\|>she added wistfully, with a glance at her daughter, who had told her nothing about the dinner the night before. "Oh, we talk a lot of nonsense," said Katharine, hiding her slip of paper as her mother stood by her, and spreading the old letter about Shelley in front of her. "It won t seem to you nonsense in ten years time," said Mrs. Hilbery. "Believe me, Katharine, you ll look back on these days afterwards; you ll remember all the silly things you ve said; and you ll find that your life has been built on them. The best of life is built on what we say when we re in love. It isn t nonsense, Katharine," she urged, "it s the truth, it s the only truth." Katharine was on the point of interrupting her mother, and then she was on the point of confiding in her. They came strangely close together sometimes. But, while she hesitated and sought for words not too direct, her mother had recourse to Shakespeare, and turned page after page, set upon finding some quotation which said all this about love far, far better than she could. Accordingly, Katharine did nothing but scrub one of her circles an intense black with her pencil, in the midst of which process the telephone-bell rang, and she left the room to answer it. When she returned, Mrs. Hilbery had found not the passage she wanted, but another of exquisite beauty as she justly observed, looking up for a second to ask Katharine who that was? "Mary Datchet," Katharine replied briefly. "Ah I half wish I d called you Mary, but it wouldn t have gone with Hilbery, and it wouldn t have gone with Rodney. Now this isn t the passage I wanted. (I never can find what I want.) But it s spring; it s the daffodils; it s the green fields; it s the birds." She was cut short in her quotation by another imperative telephone-bell. Once more Katharine left the room. "My dear child, how odious the triumphs of science are!" Mrs. Hilbery exclaimed on her return. "They ll be linking us with the moon next but who was that?" "William," Katharine replied yet more briefly. "I ll forgive William anything, for I m certain that there aren t any Williams in the moon. I hope he s coming to luncheon?" "He s coming to tea." "Well, that s better than nothing, and I promise to leave you alone." "There s no need for you to do that," said Katharine. She swept her hand over the faded sheet, and drew herself up squarely to the table as if she refused to waste time any longer. The gesture was not lost upon her mother. It hinted at the existence of something stern and unapproachable in her daughter s character, which struck chill upon her, as the sight of poverty, or drunkenness, or the logic with which Mr. Hilbery sometimes thought good to demolish her certainty of an approaching millennium struck chill upon her. She	Night And Day
They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.	No speaker	the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried.	us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince	than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of	arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick s four-in-hand came between, and when it had left the space clear, the carriage had swept out of the park. "He is gone," murmured Sibyl sadly. "I wish you had seen him." "I wish I had, for as sure as there is a God in heaven, if he ever	in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies." "He is a gentleman," said the lad sullenly. "A prince!" she cried musically. "What more do you want?" "He wants to enslave you." "I shudder at the thought of being free." "I want you to beware of him." "To see him is to worship him; to know him is to trust him." "Sibyl, you are mad about him." She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick s four-in-hand came between, and when it had left the space clear, the carriage had swept out of the park. "He is gone," murmured Sibyl sadly. "I wish you had seen him." "I wish I had, for as sure as there is a God in heaven, if he ever does you any wrong, I shall kill him." She looked at him in horror. He repeated his words. They cut the air like a dagger. The people round began to gape. A lady standing close to her tittered. "Come away, Jim; come away," she whispered. He followed her doggedly as she passed through the crowd. He felt glad at what he had said. When they reached the Achilles Statue, she turned round. There was pity in her eyes that became laughter on her lips. She shook her head at him. "You are foolish, Jim, utterly foolish; a bad-tempered boy, that	is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am to play Juliet. Oh! how I shall play it! Fancy, Jim, to be in love and play Juliet! To have him sitting there! To play for his delight! I am afraid I may frighten the company, frighten or enthrall them. To be in love is to surpass one s self. Poor dreadful Mr. Isaacs will be shouting" genius "to his loafers at the bar. He has preached me as a dogma; to-night he will announce me as a revelation. I feel it. And it is all his, his only, Prince Charming, my wonderful lover, my god of graces. But I am poor beside him. Poor? What does that matter? When poverty creeps in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies." "He is a gentleman," said the lad sullenly. "A prince!" she cried musically. "What more do you want?" "He wants to enslave you." "I shudder at the thought of being free." "I want you to beware of him." "To see him is to worship him; to know him is to trust him." "Sibyl, you are mad about him." She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick s four-in-hand came between, and when it had left the space clear, the carriage had swept out of the park. "He is gone," murmured Sibyl sadly. "I wish you had seen him." "I wish I had, for as sure as there is a God in heaven, if he ever does you any wrong, I shall kill him." She looked at him in horror. He repeated his words. They cut the air like a dagger. The people round began to gape. A lady standing close to her tittered. "Come away, Jim; come away," she whispered. He followed her doggedly as she passed through the crowd. He felt glad at what he had said. When they reached the Achilles Statue, she turned round. There was pity in her eyes that became laughter on her lips. She shook her head at him. "You are foolish, Jim, utterly foolish; a bad-tempered boy, that is all. How can you say such horrible things? You don t know what you are talking about. You are simply jealous and unkind. Ah! I wish you would fall in love. Love makes people good, and what you said was wicked." "I am sixteen," he answered, "and I know what I am about. Mother is no help to you. She doesn t understand how to look after you. I wish now that I was not going to Australia at all. I have a great mind to chuck the whole thing up. I would, if my articles hadn t been signed." "Oh, don t be so serious, Jim. You are like one of the heroes of those silly melodramas Mother used to be so fond of acting in. I am not going to quarrel with you. I have seen him, and oh! to see him is perfect happiness. We won t quarrel. I know you would never harm any one I love, would you?" "Not as long as you love him, I suppose," was the sullen answer. "I shall love him for ever!" she cried. "And he?" "For ever, too!" "He had better." She shrank from him. Then she laughed	write to her by every mail, and to say his prayers each night before he went to sleep. God was very good, and would watch over him. She would pray for him, too, and in a few years he would come back quite rich and happy. The lad listened sulkily to her and made no answer. He was heart-sick at leaving home. Yet it was not this alone that made him gloomy and morose. Inexperienced though he was, he had still a strong sense of the danger of Sibyl s position. This young dandy who was making love to her could mean her no good. He was a gentleman, and he hated him for that, hated him through some curious race-instinct for which he could not account, and which for that reason was all the more dominant within him. He was conscious also of the shallowness and vanity of his mother s nature, and in that saw infinite peril for Sibyl and Sibyl s happiness. Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them. His mother! He had something on his mind to ask of her, something that he had brooded on for many months of silence. A chance phrase that he had heard at the theatre, a whispered sneer that had reached his ears one night as he waited at the stage-door, had set loose a train of horrible thoughts. He remembered it as if it had been the lash of a hunting-crop across his face. His brows knit together into a wedge-like furrow, and with a twitch of pain he bit his underlip. "You are not listening to a word I am saying, Jim," cried Sibyl, "and I am making the most delightful plans for your future. Do say something." "What do you want me to say?" "Oh! that you will be a good boy and not forget us," she answered, smiling at him. He shrugged his shoulders. "You are more likely to forget me than I am to forget you, Sibyl." She flushed. "What do you mean, Jim?" she asked. "You have a new friend, I hear. Who is he? Why have you not told me about him? He means you no good." "Stop, Jim!" she exclaimed. "You must not say anything against him. I love him." "Why, you don t even know his name," answered the lad. "Who is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am to play Juliet. Oh! how I shall play it! Fancy, Jim, to be in love and play Juliet! To have him sitting there! To play for his delight! I am afraid I may frighten the company, frighten or enthrall them. To be in love is to surpass one s self. Poor dreadful Mr. Isaacs will be shouting" genius "to his loafers at the bar. He has preached me as a dogma; to-night he will announce me as a revelation. I feel it. And it is all his, his only, Prince Charming, my wonderful lover, my god of graces. But I am poor beside him. Poor? What does that matter? When poverty creeps in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies." "He is a gentleman," said the lad sullenly. "A prince!" she cried musically. "What more do you want?" "He wants to enslave you." "I shudder at the thought of being free." "I want you to beware of him." "To see him is to worship him; to know him is to trust him." "Sibyl, you are mad about him." She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick s four-in-hand came between, and when it had left the space clear, the carriage had swept out of the park. "He is gone," murmured Sibyl sadly. "I wish you had seen him." "I wish I had, for as sure as there is a God in heaven, if he ever does you any wrong, I shall kill him." She looked at him in horror. He repeated his words. They cut the air like a dagger. The people round began to gape. A lady standing close to her tittered. "Come away, Jim; come away," she whispered. He followed her doggedly as she passed through the crowd. He felt glad at what he had said. When they reached the Achilles Statue, she turned round. There was pity in her eyes that became laughter on her lips. She shook her head at him. "You are foolish, Jim, utterly foolish; a bad-tempered boy, that is all. How can you say such horrible things? You don t know what you are talking about. You are simply jealous and unkind. Ah! I wish you would fall in love. Love makes people good, and what you said was wicked." "I am sixteen," he answered, "and I know what I am about. Mother is no help to you. She doesn t understand how to look after you. I wish now that I was not going to Australia at all. I have a great mind to chuck the whole thing up. I would, if my articles hadn t been signed." "Oh, don t be so serious, Jim. You are like one of the heroes of those silly melodramas Mother used to be so fond of acting in. I am not going to quarrel with you. I have seen him, and oh! to see him is perfect happiness. We won t quarrel. I know you would never harm any one I love, would you?" "Not as long as you love him, I suppose," was the sullen answer. "I shall love him for ever!" she cried. "And he?" "For ever, too!" "He had better." She shrank from him. Then she laughed and put her hand on his arm. He was merely a boy. At the Marble Arch they hailed an omnibus, which left them close to their shabby home in the Euston Road. It was after five o clock, and Sibyl had to lie down for a couple of hours before acting. Jim insisted that she should do so. He said that he would sooner part with her when their mother was not present. She would be sure to make a scene, and he detested scenes of every kind. In Sybil s own room they parted. There was jealousy in the lad s heart, and a fierce murderous hatred of the stranger who, as it seemed to him, had come between them. Yet, when her arms were flung round his neck, and her fingers strayed through his hair, he softened and kissed her with real affection. There were tears in his eyes as he went downstairs. His mother was waiting for him below. She grumbled at his unpunctuality, as he entered. He made no answer, but sat down to his meagre meal. The flies buzzed round the table and crawled over the stained cloth. Through the rumble of omnibuses, and the clatter of street-cabs, he could hear the droning voice devouring each minute that was left to him. After some time, he thrust away his plate and put his head in his hands. He felt that he had a right to know. It should have been told to him before, if it was as he suspected. Leaden with fear, his mother watched him. Words dropped mechanically from her lips. A tattered lace handkerchief twitched in her fingers. When the clock struck six, he got up and went to the door. Then he turned back and looked at her. Their eyes met. In hers he saw a wild appeal for mercy. It enraged him. "Mother, I have something to ask you," he said. Her eyes wandered vaguely about the room. She made no answer. "Tell me the truth. I have a right to know. Were you married to my father?" She heaved a deep sigh. It was a sigh of relief. The terrible moment, the moment that night and day, for weeks and months, she had dreaded, had come at last, and yet she felt no terror. Indeed, in some measure it was a disappointment to her. The vulgar directness of the	she exclaimed. "You must not say anything against him. I love him." "Why, you don t even know his name," answered the lad. "Who is he? I have a right to know." "He is called Prince Charming. Don t you like the name. Oh! you silly boy! you should never forget it. If you only saw him, you would think him the most wonderful person in the world. Some day you will meet him when you come back from Australia. You will like him so much. Everybody likes him, and I ... love him. I wish you could come to the theatre to-night. He is going to be there, and I am to play Juliet. Oh! how I shall play it! Fancy, Jim, to be in love and play Juliet! To have him sitting there! To play for his delight! I am afraid I may frighten the company, frighten or enthrall them. To be in love is to surpass one s self. Poor dreadful Mr. Isaacs will be shouting" genius "to his loafers at the bar. He has preached me as a dogma; to-night he will announce me as a revelation. I feel it. And it is all his, his only, Prince Charming, my wonderful lover, my god of graces. But I am poor beside him. Poor? What does that matter? When poverty creeps in at the door, love flies in through the window. Our proverbs want rewriting. They were made in winter, and it is summer now; spring-time for me, I think, a very dance of blossoms in blue skies." "He is a gentleman," said the lad sullenly. "A prince!" she cried musically. "What more do you want?" "He wants to enslave you." "I shudder at the thought of being free." "I want you to beware of him." "To see him is to worship him; to know him is to trust him." "Sibyl, you are mad about him." She laughed and took his arm. "You dear old Jim, you talk as if you were a hundred. Some day you will be in love yourself. Then you will know what it is. Don t look so sulky. Surely you should be glad to think that, though you are going away, you leave me happier than I have ever been before. Life has been hard for us both, terribly hard and difficult. But it will be different now. You are going to a new world, and I have found one. Here are two chairs; let us sit down and see the smart people go by."<\|quote\|>They took their seats amidst a crowd of watchers. The tulip-beds across the road flamed like throbbing rings of fire. A white dust tremulous cloud of orris-root it seemed hung in the panting air. The brightly coloured parasols danced and dipped like monstrous butterflies. She made her brother talk of himself, his hopes, his prospects. He spoke slowly and with effort. They passed words to each other as players at a game pass counters. Sibyl felt oppressed. She could not communicate her joy. A faint smile curving that sullen mouth was all the echo she could win. After some time she became silent. Suddenly she caught a glimpse of golden hair and laughing lips, and in an open carriage with two ladies Dorian Gray drove past. She started to her feet.</\|quote\|>"There he is!" she cried. "Who?" said Jim Vane. "Prince Charming," she answered, looking after the victoria. He jumped up and seized her roughly by the arm. "Show him to me. Which is he? Point him out. I must see him!" he exclaimed; but at that moment the Duke of Berwick s four-in-hand came between, and when it had left the space clear, the carriage had swept out of the park. "He is gone," murmured Sibyl sadly. "I wish you had seen him." "I wish I had, for as sure as there is a God in heaven, if he ever does you any wrong, I shall kill him." She looked at him in horror. He repeated his words. They cut the air like a dagger. The people round began to gape. A lady standing close to her tittered. "Come away, Jim; come away," she whispered. He followed her doggedly as she passed through the crowd. He felt glad at what he had said. When they reached the Achilles Statue, she turned round. There was pity in her eyes that became laughter on her lips. She shook her head at him. "You are foolish, Jim, utterly foolish; a bad-tempered boy, that is all. How can you say such horrible things? You don t know what you are talking about. You are simply jealous and unkind. Ah! I wish you would fall in love. Love makes people good, and what you said was wicked." "I am sixteen," he answered, "and I know what I	The Picture Of Dorian Gray
said the pessimist placidly.	No speaker	we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of	Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road	get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a	staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans became doubtful, and he brought it finally to a standstill just at the corner of a side street that ran down very steeply to the sea. The town was mostly	abruptly "No, I can't believe it. The thing is nonsense. The plain people of a peaceable French town" He was cut short by a bang and a blaze of light, which seemed close to his eyes. As the car sped on it left a floating patch of white smoke behind it, and Syme had heard a shot shriek past his ear. "My God!" said the Colonel, "someone has shot at us." "It need not interrupt conversation," said the gloomy Ratcliffe. "Pray resume your remarks, Colonel. You were talking, I think, about the plain people of a peaceable French town." The staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans became doubtful, and he brought it finally to a standstill just at the corner of a side street that ran down very steeply to the sea. The town was mostly in shadow, but the sun had not sunk; wherever its level light could break through, it painted everything a burning gold. Up this side street the last sunset light shone as sharp and narrow as the shaft of artificial light at the theatre. It struck the car of the five friends, and lit it like a burning chariot. But the rest of the street, especially the two ends of it, was in the deepest twilight, and for some seconds they could see nothing. Then Syme, whose eyes were the keenest, broke into a little bitter whistle, and said, "It is	would fight for them. We shall see." While they were speaking the Professor had leant forward with sudden excitement. "What is that noise?" he said. "Oh, the horses behind us, I suppose," said the Colonel. "I thought we had got clear of them." "The horses behind us! No," said the Professor, "it is not horses, and it is not behind us." Almost as he spoke, across the end of the street before them two shining and rattling shapes shot past. They were gone almost in a flash, but everyone could see that they were motor-cars, and the Professor stood up with a pale face and swore that they were the other two motor-cars from Dr. Renard's garage. "I tell you they were his," he repeated, with wild eyes, "and they were full of men in masks!" "Absurd!" said the Colonel angrily. "Dr. Renard would never give them his cars." "He may have been forced," said Ratcliffe quietly. "The whole town is on their side." "You still believe that," asked the Colonel incredulously. "You will all believe it soon," said the other with a hopeless calm. There was a puzzled pause for some little time, and then the Colonel began again abruptly "No, I can't believe it. The thing is nonsense. The plain people of a peaceable French town" He was cut short by a bang and a blaze of light, which seemed close to his eyes. As the car sped on it left a floating patch of white smoke behind it, and Syme had heard a shot shriek past his ear. "My God!" said the Colonel, "someone has shot at us." "It need not interrupt conversation," said the gloomy Ratcliffe. "Pray resume your remarks, Colonel. You were talking, I think, about the plain people of a peaceable French town." The staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans became doubtful, and he brought it finally to a standstill just at the corner of a side street that ran down very steeply to the sea. The town was mostly in shadow, but the sun had not sunk; wherever its level light could break through, it painted everything a burning gold. Up this side street the last sunset light shone as sharp and narrow as the shaft of artificial light at the theatre. It struck the car of the five friends, and lit it like a burning chariot. But the rest of the street, especially the two ends of it, was in the deepest twilight, and for some seconds they could see nothing. Then Syme, whose eyes were the keenest, broke into a little bitter whistle, and said, "It is quite true. There is a crowd or an army or some such thing across the end of that street." "Well, if there is," said Bull impatiently, "it must be something else a sham fight or the mayor's birthday or something. I cannot and will not believe that plain, jolly people in a place like this walk about with dynamite in their pockets. Get on a bit, Syme, and let us look at them." The car crawled about a hundred yards farther, and then they were all startled by Dr. Bull breaking into a high crow of laughter. "Why, you silly mugs!" he cried, "what did I tell you. That crowd's as law-abiding as a cow, and if it weren't, it's on our side." "How do you know?" asked the professor, staring. "You blind bat," cried Bull, "don't you see who is leading them?" They peered again, and then the Colonel, with a catch in his voice, cried out "Why, it's Renard!" There was, indeed, a rank of dim figures running across the road, and they could not be clearly seen; but far enough in front to catch the accident of the evening light was stalking up and down the unmistakable	there was a rude moulding of a cross upon one of its sides. "Where on earth did you get that?" asked the Professor. "I got it where I got the car," answered the Colonel, chuckling, "from my best friend. While our friend here was fighting with the steering wheel, I ran up the front steps of the house and spoke to Renard, who was standing in his own porch, you will remember." 'I suppose,' "I said," 'there's no time to get a lamp.' "He looked up, blinking amiably at the beautiful arched ceiling of his own front hall. From this was suspended, by chains of exquisite ironwork, this lantern, one of the hundred treasures of his treasure house. By sheer force he tore the lamp out of his own ceiling, shattering the painted panels, and bringing down two blue vases with his violence. Then he handed me the iron lantern, and I put it in the car. Was I not right when I said that Dr. Renard was worth knowing?" "You were," said Syme seriously, and hung the heavy lantern over the front. There was a certain allegory of their whole position in the contrast between the modern automobile and its strange ecclesiastical lamp. Hitherto they had passed through the quietest part of the town, meeting at most one or two pedestrians, who could give them no hint of the peace or the hostility of the place. Now, however, the windows in the houses began one by one to be lit up, giving a greater sense of habitation and humanity. Dr. Bull turned to the new detective who had led their flight, and permitted himself one of his natural and friendly smiles. "These lights make one feel more cheerful." Inspector Ratcliffe drew his brows together. "There is only one set of lights that make me more cheerful," he said, "and they are those lights of the police station which I can see beyond the town. Please God we may be there in ten minutes." Then all Bull's boiling good sense and optimism broke suddenly out of him. "Oh, this is all raving nonsense!" he cried. "If you really think that ordinary people in ordinary houses are anarchists, you must be madder than an anarchist yourself. If we turned and fought these fellows, the whole town would fight for us." "No," said the other with an immovable simplicity, "the whole town would fight for them. We shall see." While they were speaking the Professor had leant forward with sudden excitement. "What is that noise?" he said. "Oh, the horses behind us, I suppose," said the Colonel. "I thought we had got clear of them." "The horses behind us! No," said the Professor, "it is not horses, and it is not behind us." Almost as he spoke, across the end of the street before them two shining and rattling shapes shot past. They were gone almost in a flash, but everyone could see that they were motor-cars, and the Professor stood up with a pale face and swore that they were the other two motor-cars from Dr. Renard's garage. "I tell you they were his," he repeated, with wild eyes, "and they were full of men in masks!" "Absurd!" said the Colonel angrily. "Dr. Renard would never give them his cars." "He may have been forced," said Ratcliffe quietly. "The whole town is on their side." "You still believe that," asked the Colonel incredulously. "You will all believe it soon," said the other with a hopeless calm. There was a puzzled pause for some little time, and then the Colonel began again abruptly "No, I can't believe it. The thing is nonsense. The plain people of a peaceable French town" He was cut short by a bang and a blaze of light, which seemed close to his eyes. As the car sped on it left a floating patch of white smoke behind it, and Syme had heard a shot shriek past his ear. "My God!" said the Colonel, "someone has shot at us." "It need not interrupt conversation," said the gloomy Ratcliffe. "Pray resume your remarks, Colonel. You were talking, I think, about the plain people of a peaceable French town." The staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans became doubtful, and he brought it finally to a standstill just at the corner of a side street that ran down very steeply to the sea. The town was mostly in shadow, but the sun had not sunk; wherever its level light could break through, it painted everything a burning gold. Up this side street the last sunset light shone as sharp and narrow as the shaft of artificial light at the theatre. It struck the car of the five friends, and lit it like a burning chariot. But the rest of the street, especially the two ends of it, was in the deepest twilight, and for some seconds they could see nothing. Then Syme, whose eyes were the keenest, broke into a little bitter whistle, and said, "It is quite true. There is a crowd or an army or some such thing across the end of that street." "Well, if there is," said Bull impatiently, "it must be something else a sham fight or the mayor's birthday or something. I cannot and will not believe that plain, jolly people in a place like this walk about with dynamite in their pockets. Get on a bit, Syme, and let us look at them." The car crawled about a hundred yards farther, and then they were all startled by Dr. Bull breaking into a high crow of laughter. "Why, you silly mugs!" he cried, "what did I tell you. That crowd's as law-abiding as a cow, and if it weren't, it's on our side." "How do you know?" asked the professor, staring. "You blind bat," cried Bull, "don't you see who is leading them?" They peered again, and then the Colonel, with a catch in his voice, cried out "Why, it's Renard!" There was, indeed, a rank of dim figures running across the road, and they could not be clearly seen; but far enough in front to catch the accident of the evening light was stalking up and down the unmistakable Dr. Renard, in a white hat, stroking his long brown beard, and holding a revolver in his left hand. "What a fool I've been!" exclaimed the Colonel. "Of course, the dear old boy has turned out to help us." Dr. Bull was bubbling over with laughter, swinging the sword in his hand as carelessly as a cane. He jumped out of the car and ran across the intervening space, calling out "Dr. Renard! Dr. Renard!" An instant after Syme thought his own eyes had gone mad in his head. For the philanthropic Dr. Renard had deliberately raised his revolver and fired twice at Bull, so that the shots rang down the road. Almost at the same second as the puff of white cloud went up from this atrocious explosion a long puff of white cloud went up also from the cigarette of the cynical Ratcliffe. Like all the rest he turned a little pale, but he smiled. Dr. Bull, at whom the bullets had been fired, just missing his scalp, stood quite still in the middle of the road without a sign of fear, and then turned very slowly and crawled back to the car, and climbed in with two holes through his hat. "Well," said the cigarette smoker slowly, "what do you think now?" "I think," said Dr. Bull with precision, "that I am lying in bed at No. 217 Peabody Buildings, and that I shall soon wake up with a jump; or, if that's not it, I think that I am sitting in a small cushioned cell in Hanwell, and that the doctor can't make much of my case. But if you want to know what I don't think, I'll tell you. I don't think what you think. I don't think, and I never shall think, that the mass of ordinary men are a pack of dirty modern thinkers. No, sir, I'm a democrat, and I still don't believe that Sunday could convert one average navvy or counter-jumper. No, I may be mad, but humanity isn't." Syme turned his bright blue eyes on Bull with an earnestness which he did not commonly make clear. "You are a very fine fellow," he said. "You can believe in a sanity which is not merely your sanity. And you're right enough about humanity, about peasants and people like that jolly old innkeeper. But you're not right about Renard. I suspected him	that noise?" he said. "Oh, the horses behind us, I suppose," said the Colonel. "I thought we had got clear of them." "The horses behind us! No," said the Professor, "it is not horses, and it is not behind us." Almost as he spoke, across the end of the street before them two shining and rattling shapes shot past. They were gone almost in a flash, but everyone could see that they were motor-cars, and the Professor stood up with a pale face and swore that they were the other two motor-cars from Dr. Renard's garage. "I tell you they were his," he repeated, with wild eyes, "and they were full of men in masks!" "Absurd!" said the Colonel angrily. "Dr. Renard would never give them his cars." "He may have been forced," said Ratcliffe quietly. "The whole town is on their side." "You still believe that," asked the Colonel incredulously. "You will all believe it soon," said the other with a hopeless calm. There was a puzzled pause for some little time, and then the Colonel began again abruptly "No, I can't believe it. The thing is nonsense. The plain people of a peaceable French town" He was cut short by a bang and a blaze of light, which seemed close to his eyes. As the car sped on it left a floating patch of white smoke behind it, and Syme had heard a shot shriek past his ear. "My God!" said the Colonel, "someone has shot at us." "It need not interrupt conversation," said the gloomy Ratcliffe. "Pray resume your remarks, Colonel. You were talking, I think, about the plain people of a peaceable French town." The staring Colonel was long past minding satire. He rolled his eyes all round the street. "It is extraordinary," he said, "most extraordinary." "A fastidious person," said Syme, "might even call it unpleasant. However, I suppose those lights out in the field beyond this street are the Gendarmerie. We shall soon get there." "No," said Inspector Ratcliffe, "we shall never get there." He had been standing up and looking keenly ahead of him. Now he sat down and smoothed his sleek hair with a weary gesture. "What do you mean?" asked Bull sharply. "I mean that we shall never get there,"<\|quote\|>said the pessimist placidly.</\|quote\|>"They have two rows of armed men across the road already; I can see them from here. The town is in arms, as I said it was. I can only wallow in the exquisite comfort of my own exactitude." And Ratcliffe sat down comfortably in the car and lit a cigarette, but the others rose excitedly and stared down the road. Syme had slowed down the car as their plans became doubtful, and he brought it finally to a standstill just at the corner of a side street that ran down very steeply to the sea. The town was mostly in shadow, but the sun had not sunk; wherever its level light could break through, it painted everything a burning gold. Up this side street the last sunset light shone as sharp and narrow as the shaft of artificial light at the theatre. It struck the car of the five friends, and lit it like a burning chariot. But the rest of the street, especially the two ends of it, was in the deepest twilight, and for some seconds they could see nothing. Then Syme, whose eyes were the keenest, broke into a little bitter whistle, and said, "It is quite true. There is a crowd or an army or some such thing across the end of that street." "Well, if there is," said Bull impatiently, "it must be something else a sham fight or the mayor's birthday or something. I cannot and will not believe that plain, jolly people in a place like this walk about with dynamite in their pockets. Get on a bit, Syme, and let us look at them." The car crawled about a hundred yards farther, and then they were all startled by Dr. Bull breaking into a high crow of laughter. "Why, you silly mugs!" he cried, "what did I tell you. That crowd's as law-abiding as a cow, and if it weren't, it's on our side." "How do you know?" asked the professor, staring. "You blind bat," cried Bull, "don't you see who is leading them?" They peered again, and then the Colonel, with a catch in his voice, cried out "Why, it's Renard!" There was, indeed, a rank of dim figures running across the road, and they could not be clearly seen; but far enough in front to catch the accident of the evening light was stalking up and down the unmistakable Dr. Renard, in a white hat, stroking his long brown beard, and holding a revolver in his left hand. "What a fool I've been!" exclaimed the Colonel. "Of course, the dear old boy has turned out to help us." Dr. Bull was bubbling over with laughter, swinging the sword in his hand as carelessly as a cane. He jumped out of the car and ran across the intervening space, calling out "Dr. Renard! Dr. Renard!" An instant after Syme thought his own eyes had gone mad in his head. For the philanthropic Dr. Renard had deliberately raised his revolver and fired twice at Bull, so that the shots rang down the road. Almost at the same second as the puff of white cloud went up from this atrocious explosion	The Man Who Was Thursday
Catherine, a little doubtful of this, could not help answering,	No speaker	pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have	not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a	arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine	to be out of the scrape. It must be the dullest thing in the world, for there is not a soul at Clifton at this time of year. Belle went with your brother, and John drove Maria." Catherine spoke the pleasure she really felt on hearing this part of the arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine was still unconvinced; but glad that Anne should have the friendship of an Emily and a Sophia to console her, she bade her adieu without much uneasiness, and returned home, pleased that the party had not been prevented by her refusing to join it, and very heartily wishing that it	having occasion for some indispensable yard of ribbon which must be bought without a moment s delay, walked out into the town, and in Bond Street overtook the second Miss Thorpe as she was loitering towards Edgar s Buildings between two of the sweetest girls in the world, who had been her dear friends all the morning. From her, she soon learned that the party to Clifton had taken place. "They set off at eight this morning," said Miss Anne, "and I am sure I do not envy them their drive. I think you and I are very well off to be out of the scrape. It must be the dullest thing in the world, for there is not a soul at Clifton at this time of year. Belle went with your brother, and John drove Maria." Catherine spoke the pleasure she really felt on hearing this part of the arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine was still unconvinced; but glad that Anne should have the friendship of an Emily and a Sophia to console her, she bade her adieu without much uneasiness, and returned home, pleased that the party had not been prevented by her refusing to join it, and very heartily wishing that it might be too pleasant to allow either James or Isabella to resent her resistance any longer. CHAPTER 15 Early the next day, a note from Isabella, speaking peace and tenderness in every line, and entreating the immediate presence of her friend on a matter of the utmost importance, hastened Catherine, in the happiest state of confidence and curiosity, to Edgar s Buildings. The two youngest Miss Thorpes were by themselves in the parlour; and, on Anne s quitting it to call her sister, Catherine took the opportunity of asking the other for some particulars of their yesterday s party. Maria	was no effort to Catherine to believe that Henry Tilney could never be wrong. His manner might sometimes surprise, but his meaning must always be just: and what she did not understand, she was almost as ready to admire, as what she did. The whole walk was delightful, and though it ended too soon, its conclusion was delightful too; her friends attended her into the house, and Miss Tilney, before they parted, addressing herself with respectful form, as much to Mrs. Allen as to Catherine, petitioned for the pleasure of her company to dinner on the day after the next. No difficulty was made on Mrs. Allen s side, and the only difficulty on Catherine s was in concealing the excess of her pleasure. The morning had passed away so charmingly as to banish all her friendship and natural affection, for no thought of Isabella or James had crossed her during their walk. When the Tilneys were gone, she became amiable again, but she was amiable for some time to little effect; Mrs. Allen had no intelligence to give that could relieve her anxiety; she had heard nothing of any of them. Towards the end of the morning, however, Catherine, having occasion for some indispensable yard of ribbon which must be bought without a moment s delay, walked out into the town, and in Bond Street overtook the second Miss Thorpe as she was loitering towards Edgar s Buildings between two of the sweetest girls in the world, who had been her dear friends all the morning. From her, she soon learned that the party to Clifton had taken place. "They set off at eight this morning," said Miss Anne, "and I am sure I do not envy them their drive. I think you and I are very well off to be out of the scrape. It must be the dullest thing in the world, for there is not a soul at Clifton at this time of year. Belle went with your brother, and John drove Maria." Catherine spoke the pleasure she really felt on hearing this part of the arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine was still unconvinced; but glad that Anne should have the friendship of an Emily and a Sophia to console her, she bade her adieu without much uneasiness, and returned home, pleased that the party had not been prevented by her refusing to join it, and very heartily wishing that it might be too pleasant to allow either James or Isabella to resent her resistance any longer. CHAPTER 15 Early the next day, a note from Isabella, speaking peace and tenderness in every line, and entreating the immediate presence of her friend on a matter of the utmost importance, hastened Catherine, in the happiest state of confidence and curiosity, to Edgar s Buildings. The two youngest Miss Thorpes were by themselves in the parlour; and, on Anne s quitting it to call her sister, Catherine took the opportunity of asking the other for some particulars of their yesterday s party. Maria desired no greater pleasure than to speak of it; and Catherine immediately learnt that it had been altogether the most delightful scheme in the world, that nobody could imagine how charming it had been, and that it had been more delightful than anybody could conceive. Such was the information of the first five minutes; the second unfolded thus much in detail that they had driven directly to the York Hotel, ate some soup, and bespoke an early dinner, walked down to the pump-room, tasted the water, and laid out some shillings in purses and spars; thence adjourned to eat ice at a pastry-cook s, and hurrying back to the hotel, swallowed their dinner in haste, to prevent being in the dark; and then had a delightful drive back, only the moon was not up, and it rained a little, and Mr. Morland s horse was so tired he could hardly get it along. Catherine listened with heartfelt satisfaction. It appeared that Blaize Castle had never been thought of; and, as for all the rest, there was nothing to regret for half an instant. Maria s intelligence concluded with a tender effusion of pity for her sister Anne, whom she represented	pages in each, with a frontispiece to the first, of two tombstones and a lantern do you understand? And you, Miss Morland my stupid sister has mistaken all your clearest expressions. You talked of expected horrors in London and instead of instantly conceiving, as any rational creature would have done, that such words could relate only to a circulating library, she immediately pictured to herself a mob of three thousand men assembling in St. George s Fields, the Bank attacked, the Tower threatened, the streets of London flowing with blood, a detachment of the Twelfth Light Dragoons (the hopes of the nation) called up from Northampton to quell the insurgents, and the gallant Captain Frederick Tilney, in the moment of charging at the head of his troop, knocked off his horse by a brickbat from an upper window. Forgive her stupidity. The fears of the sister have added to the weakness of the woman; but she is by no means a simpleton in general." Catherine looked grave. "And now, Henry," said Miss Tilney, "that you have made us understand each other, you may as well make Miss Morland understand yourself unless you mean to have her think you intolerably rude to your sister, and a great brute in your opinion of women in general. Miss Morland is not used to your odd ways." "I shall be most happy to make her better acquainted with them." "No doubt; but that is no explanation of the present." "What am I to do?" "You know what you ought to do. Clear your character handsomely before her. Tell her that you think very highly of the understanding of women." "Miss Morland, I think very highly of the understanding of all the women in the world especially of those whoever they may be with whom I happen to be in company." "That is not enough. Be more serious." "Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much that they never find it necessary to use more than half." "We shall get nothing more serious from him now, Miss Morland. He is not in a sober mood. But I do assure you that he must be entirely misunderstood, if he can ever appear to say an unjust thing of any woman at all, or an unkind one of me." It was no effort to Catherine to believe that Henry Tilney could never be wrong. His manner might sometimes surprise, but his meaning must always be just: and what she did not understand, she was almost as ready to admire, as what she did. The whole walk was delightful, and though it ended too soon, its conclusion was delightful too; her friends attended her into the house, and Miss Tilney, before they parted, addressing herself with respectful form, as much to Mrs. Allen as to Catherine, petitioned for the pleasure of her company to dinner on the day after the next. No difficulty was made on Mrs. Allen s side, and the only difficulty on Catherine s was in concealing the excess of her pleasure. The morning had passed away so charmingly as to banish all her friendship and natural affection, for no thought of Isabella or James had crossed her during their walk. When the Tilneys were gone, she became amiable again, but she was amiable for some time to little effect; Mrs. Allen had no intelligence to give that could relieve her anxiety; she had heard nothing of any of them. Towards the end of the morning, however, Catherine, having occasion for some indispensable yard of ribbon which must be bought without a moment s delay, walked out into the town, and in Bond Street overtook the second Miss Thorpe as she was loitering towards Edgar s Buildings between two of the sweetest girls in the world, who had been her dear friends all the morning. From her, she soon learned that the party to Clifton had taken place. "They set off at eight this morning," said Miss Anne, "and I am sure I do not envy them their drive. I think you and I are very well off to be out of the scrape. It must be the dullest thing in the world, for there is not a soul at Clifton at this time of year. Belle went with your brother, and John drove Maria." Catherine spoke the pleasure she really felt on hearing this part of the arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine was still unconvinced; but glad that Anne should have the friendship of an Emily and a Sophia to console her, she bade her adieu without much uneasiness, and returned home, pleased that the party had not been prevented by her refusing to join it, and very heartily wishing that it might be too pleasant to allow either James or Isabella to resent her resistance any longer. CHAPTER 15 Early the next day, a note from Isabella, speaking peace and tenderness in every line, and entreating the immediate presence of her friend on a matter of the utmost importance, hastened Catherine, in the happiest state of confidence and curiosity, to Edgar s Buildings. The two youngest Miss Thorpes were by themselves in the parlour; and, on Anne s quitting it to call her sister, Catherine took the opportunity of asking the other for some particulars of their yesterday s party. Maria desired no greater pleasure than to speak of it; and Catherine immediately learnt that it had been altogether the most delightful scheme in the world, that nobody could imagine how charming it had been, and that it had been more delightful than anybody could conceive. Such was the information of the first five minutes; the second unfolded thus much in detail that they had driven directly to the York Hotel, ate some soup, and bespoke an early dinner, walked down to the pump-room, tasted the water, and laid out some shillings in purses and spars; thence adjourned to eat ice at a pastry-cook s, and hurrying back to the hotel, swallowed their dinner in haste, to prevent being in the dark; and then had a delightful drive back, only the moon was not up, and it rained a little, and Mr. Morland s horse was so tired he could hardly get it along. Catherine listened with heartfelt satisfaction. It appeared that Blaize Castle had never been thought of; and, as for all the rest, there was nothing to regret for half an instant. Maria s intelligence concluded with a tender effusion of pity for her sister Anne, whom she represented as insupportably cross, from being excluded the party. "She will never forgive me, I am sure; but, you know, how could I help it? John would have me go, for he vowed he would not drive her, because she had such thick ankles. I dare say she will not be in good humour again this month; but I am determined I will not be cross; it is not a little matter that puts me out of temper." Isabella now entered the room with so eager a step, and a look of such happy importance, as engaged all her friend s notice. Maria was without ceremony sent away, and Isabella, embracing Catherine, thus began: "Yes, my dear Catherine, it is so indeed; your penetration has not deceived you. Oh! That arch eye of yours! It sees through everything." Catherine replied only by a look of wondering ignorance. "Nay, my beloved, sweetest friend," continued the other, "compose yourself. I am amazingly agitated, as you perceive. Let us sit down and talk in comfort. Well, and so you guessed it the moment you had my note? Sly creature! Oh! My dear Catherine, you alone, who know my heart, can judge of my present happiness. Your brother is the most charming of men. I only wish I were more worthy of him. But what will your excellent father and mother say? Oh! Heavens! When I think of them I am so agitated!" Catherine s understanding began to awake: an idea of the truth suddenly darted into her mind; and, with the natural blush of so new an emotion, she cried out, "Good heaven! My dear Isabella, what do you mean? Can you can you really be in love with James?" This bold surmise, however, she soon learnt comprehended but half the fact. The anxious affection, which she was accused of having continually watched in Isabella s every look and action, had, in the course of their yesterday s party, received the delightful confession of an equal love. Her heart and faith were alike engaged to James. Never had Catherine listened to anything so full of interest, wonder, and joy. Her brother and her friend engaged! New to such circumstances, the importance of it appeared unspeakably great, and she contemplated it as one of those grand events, of which the ordinary course of life can hardly afford a return. The strength of her feelings she	do. Clear your character handsomely before her. Tell her that you think very highly of the understanding of women." "Miss Morland, I think very highly of the understanding of all the women in the world especially of those whoever they may be with whom I happen to be in company." "That is not enough. Be more serious." "Miss Morland, no one can think more highly of the understanding of women than I do. In my opinion, nature has given them so much that they never find it necessary to use more than half." "We shall get nothing more serious from him now, Miss Morland. He is not in a sober mood. But I do assure you that he must be entirely misunderstood, if he can ever appear to say an unjust thing of any woman at all, or an unkind one of me." It was no effort to Catherine to believe that Henry Tilney could never be wrong. His manner might sometimes surprise, but his meaning must always be just: and what she did not understand, she was almost as ready to admire, as what she did. The whole walk was delightful, and though it ended too soon, its conclusion was delightful too; her friends attended her into the house, and Miss Tilney, before they parted, addressing herself with respectful form, as much to Mrs. Allen as to Catherine, petitioned for the pleasure of her company to dinner on the day after the next. No difficulty was made on Mrs. Allen s side, and the only difficulty on Catherine s was in concealing the excess of her pleasure. The morning had passed away so charmingly as to banish all her friendship and natural affection, for no thought of Isabella or James had crossed her during their walk. When the Tilneys were gone, she became amiable again, but she was amiable for some time to little effect; Mrs. Allen had no intelligence to give that could relieve her anxiety; she had heard nothing of any of them. Towards the end of the morning, however, Catherine, having occasion for some indispensable yard of ribbon which must be bought without a moment s delay, walked out into the town, and in Bond Street overtook the second Miss Thorpe as she was loitering towards Edgar s Buildings between two of the sweetest girls in the world, who had been her dear friends all the morning. From her, she soon learned that the party to Clifton had taken place. "They set off at eight this morning," said Miss Anne, "and I am sure I do not envy them their drive. I think you and I are very well off to be out of the scrape. It must be the dullest thing in the world, for there is not a soul at Clifton at this time of year. Belle went with your brother, and John drove Maria." Catherine spoke the pleasure she really felt on hearing this part of the arrangement. "Oh! yes," rejoined the other, "Maria is gone. She was quite wild to go. She thought it would be something very fine. I cannot say I admire her taste; and for my part, I was determined from the first not to go, if they pressed me ever so much."<\|quote\|>Catherine, a little doubtful of this, could not help answering,</\|quote\|>"I wish you could have gone too. It is a pity you could not all go." "Thank you; but it is quite a matter of indifference to me. Indeed, I would not have gone on any account. I was saying so to Emily and Sophia when you overtook us." Catherine was still unconvinced; but glad that Anne should have the friendship of an Emily and a Sophia to console her, she bade her adieu without much uneasiness, and returned home, pleased that the party had not been prevented by her refusing to join it, and very heartily wishing that it might be too pleasant to allow either James or Isabella to resent her resistance any longer. CHAPTER 15 Early the next day, a note from Isabella, speaking peace and tenderness in every line, and entreating the immediate presence of her friend on a matter of the utmost importance, hastened Catherine, in the happiest state of confidence and curiosity, to Edgar s Buildings. The two youngest Miss Thorpes were by themselves in the parlour; and, on Anne s quitting it to call her sister, Catherine took the opportunity of asking the other for some particulars of their yesterday s party. Maria desired no greater pleasure than to speak of it; and Catherine immediately learnt that it had been altogether the most delightful scheme in the world, that nobody could imagine how charming it had been, and that it had been more delightful than anybody could conceive. Such was the information of the first five minutes; the second unfolded thus much in detail that they had driven directly to the York Hotel, ate some soup, and bespoke an early dinner, walked down to the pump-room, tasted the water, and laid out some shillings in purses and spars; thence adjourned to eat ice at a pastry-cook s, and hurrying back to the hotel, swallowed their dinner in haste, to prevent being in the dark; and then had a delightful drive back, only the moon was not up, and it rained a little, and Mr. Morland s horse was so tired he could hardly get it along. Catherine listened with heartfelt satisfaction. It appeared that Blaize Castle had never been thought of; and, as for all the rest, there was nothing to regret for half an instant. Maria s intelligence concluded with a tender effusion of pity for her sister Anne, whom she represented as insupportably cross, from being excluded the	Northanger Abbey
"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."	Ned Winsett	at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and	he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here,	two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed.	what Janey called his "clever people" with whom he cared to probe into things a little deeper than the average level of club and chop-house banter. He had caught sight, across the house, of Winsett's shabby round-shouldered back, and had once noticed his eyes turned toward the Beaufort box. The two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed. What the devil did Ned Winsett want with Ellen Olenska's name? And above all, why did he couple it with Lefferts's? It was unlike Winsett to manifest such curiosity; but after all, Archer remembered, he was a journalist. "It's not for an interview, I hope?" he laughed. "Well--not for the	how to take care of herself a good deal better than the ingenuous May imagined. She had Beaufort at her feet, Mr. van der Luyden hovering above her like a protecting deity, and any number of candidates (Lawrence Lefferts among them) waiting their opportunity in the middle distance. Yet he never saw her, or exchanged a word with her, without feeling that, after all, May's ingenuousness almost amounted to a gift of divination. Ellen Olenska was lonely and she was unhappy. XIV. As he came out into the lobby Archer ran across his friend Ned Winsett, the only one among what Janey called his "clever people" with whom he cared to probe into things a little deeper than the average level of club and chop-house banter. He had caught sight, across the house, of Winsett's shabby round-shouldered back, and had once noticed his eyes turned toward the Beaufort box. The two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed. What the devil did Ned Winsett want with Ellen Olenska's name? And above all, why did he couple it with Lefferts's? It was unlike Winsett to manifest such curiosity; but after all, Archer remembered, he was a journalist. "It's not for an interview, I hope?" he laughed. "Well--not for the press; just for myself," Winsett rejoined. "The fact is she's a neighbour of mine--queer quarter for such a beauty to settle in--and she's been awfully kind to my little boy, who fell down her area chasing his kitten, and gave himself a nasty cut. She rushed in bareheaded, carrying him in her arms, with his knee all beautifully bandaged, and was so sympathetic and beautiful that my wife was too dazzled to ask her name." A pleasant glow dilated Archer's heart. There was nothing extraordinary in the tale: any woman would have done as much for a neighbour's child. But	letter from May Welland in which, with characteristic candour, she had asked him to "be kind to Ellen" in their absence. "She likes you and admires you so much--and you know, though she doesn't show it, she's still very lonely and unhappy. I don't think Granny understands her, or uncle Lovell Mingott either; they really think she's much worldlier and fonder of society than she is. And I can quite see that New York must seem dull to her, though the family won't admit it. I think she's been used to lots of things we haven't got; wonderful music, and picture shows, and celebrities--artists and authors and all the clever people you admire. Granny can't understand her wanting anything but lots of dinners and clothes--but I can see that you're almost the only person in New York who can talk to her about what she really cares for." His wise May--how he had loved her for that letter! But he had not meant to act on it; he was too busy, to begin with, and he did not care, as an engaged man, to play too conspicuously the part of Madame Olenska's champion. He had an idea that she knew how to take care of herself a good deal better than the ingenuous May imagined. She had Beaufort at her feet, Mr. van der Luyden hovering above her like a protecting deity, and any number of candidates (Lawrence Lefferts among them) waiting their opportunity in the middle distance. Yet he never saw her, or exchanged a word with her, without feeling that, after all, May's ingenuousness almost amounted to a gift of divination. Ellen Olenska was lonely and she was unhappy. XIV. As he came out into the lobby Archer ran across his friend Ned Winsett, the only one among what Janey called his "clever people" with whom he cared to probe into things a little deeper than the average level of club and chop-house banter. He had caught sight, across the house, of Winsett's shabby round-shouldered back, and had once noticed his eyes turned toward the Beaufort box. The two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed. What the devil did Ned Winsett want with Ellen Olenska's name? And above all, why did he couple it with Lefferts's? It was unlike Winsett to manifest such curiosity; but after all, Archer remembered, he was a journalist. "It's not for an interview, I hope?" he laughed. "Well--not for the press; just for myself," Winsett rejoined. "The fact is she's a neighbour of mine--queer quarter for such a beauty to settle in--and she's been awfully kind to my little boy, who fell down her area chasing his kitten, and gave himself a nasty cut. She rushed in bareheaded, carrying him in her arms, with his knee all beautifully bandaged, and was so sympathetic and beautiful that my wife was too dazzled to ask her name." A pleasant glow dilated Archer's heart. There was nothing extraordinary in the tale: any woman would have done as much for a neighbour's child. But it was just like Ellen, he felt, to have rushed in bareheaded, carrying the boy in her arms, and to have dazzled poor Mrs. Winsett into forgetting to ask who she was. "That is the Countess Olenska--a granddaughter of old Mrs. Mingott's." "Whew--a Countess!" whistled Ned Winsett. "Well, I didn't know Countesses were so neighbourly. Mingotts ain't." "They would be, if you'd let them." "Ah, well--" It was their old interminable argument as to the obstinate unwillingness of the "clever people" to frequent the fashionable, and both men knew that there was no use in prolonging it. "I wonder," Winsett broke off, "how a Countess happens to live in our slum?" "Because she doesn't care a hang about where she lives--or about any of our little social sign-posts," said Archer, with a secret pride in his own picture of her. "H'm--been in bigger places, I suppose," the other commented. "Well, here's my corner." He slouched off across Broadway, and Archer stood looking after him and musing on his last words. Ned Winsett had those flashes of penetration; they were the most interesting thing about him, and always made Archer wonder why they had allowed him to accept failure so stolidly	his wife and daughter should always go with him on his annual journey to the south. To preserve an unbroken domesticity was essential to his peace of mind; he would not have known where his hair-brushes were, or how to provide stamps for his letters, if Mrs. Welland had not been there to tell him. As all the members of the family adored each other, and as Mr. Welland was the central object of their idolatry, it never occurred to his wife and May to let him go to St. Augustine alone; and his sons, who were both in the law, and could not leave New York during the winter, always joined him for Easter and travelled back with him. It was impossible for Archer to discuss the necessity of May's accompanying her father. The reputation of the Mingotts' family physician was largely based on the attack of pneumonia which Mr. Welland had never had; and his insistence on St. Augustine was therefore inflexible. Originally, it had been intended that May's engagement should not be announced till her return from Florida, and the fact that it had been made known sooner could not be expected to alter Mr. Welland's plans. Archer would have liked to join the travellers and have a few weeks of sunshine and boating with his betrothed; but he too was bound by custom and conventions. Little arduous as his professional duties were, he would have been convicted of frivolity by the whole Mingott clan if he had suggested asking for a holiday in mid-winter; and he accepted May's departure with the resignation which he perceived would have to be one of the principal constituents of married life. He was conscious that Madame Olenska was looking at him under lowered lids. "I have done what you wished--what you advised," she said abruptly. "Ah--I'm glad," he returned, embarrassed by her broaching the subject at such a moment. "I understand--that you were right," she went on a little breathlessly; "but sometimes life is difficult ... perplexing..." "I know." "And I wanted to tell you that I DO feel you were right; and that I'm grateful to you," she ended, lifting her opera-glass quickly to her eyes as the door of the box opened and Beaufort's resonant voice broke in on them. Archer stood up, and left the box and the theatre. Only the day before he had received a letter from May Welland in which, with characteristic candour, she had asked him to "be kind to Ellen" in their absence. "She likes you and admires you so much--and you know, though she doesn't show it, she's still very lonely and unhappy. I don't think Granny understands her, or uncle Lovell Mingott either; they really think she's much worldlier and fonder of society than she is. And I can quite see that New York must seem dull to her, though the family won't admit it. I think she's been used to lots of things we haven't got; wonderful music, and picture shows, and celebrities--artists and authors and all the clever people you admire. Granny can't understand her wanting anything but lots of dinners and clothes--but I can see that you're almost the only person in New York who can talk to her about what she really cares for." His wise May--how he had loved her for that letter! But he had not meant to act on it; he was too busy, to begin with, and he did not care, as an engaged man, to play too conspicuously the part of Madame Olenska's champion. He had an idea that she knew how to take care of herself a good deal better than the ingenuous May imagined. She had Beaufort at her feet, Mr. van der Luyden hovering above her like a protecting deity, and any number of candidates (Lawrence Lefferts among them) waiting their opportunity in the middle distance. Yet he never saw her, or exchanged a word with her, without feeling that, after all, May's ingenuousness almost amounted to a gift of divination. Ellen Olenska was lonely and she was unhappy. XIV. As he came out into the lobby Archer ran across his friend Ned Winsett, the only one among what Janey called his "clever people" with whom he cared to probe into things a little deeper than the average level of club and chop-house banter. He had caught sight, across the house, of Winsett's shabby round-shouldered back, and had once noticed his eyes turned toward the Beaufort box. The two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed. What the devil did Ned Winsett want with Ellen Olenska's name? And above all, why did he couple it with Lefferts's? It was unlike Winsett to manifest such curiosity; but after all, Archer remembered, he was a journalist. "It's not for an interview, I hope?" he laughed. "Well--not for the press; just for myself," Winsett rejoined. "The fact is she's a neighbour of mine--queer quarter for such a beauty to settle in--and she's been awfully kind to my little boy, who fell down her area chasing his kitten, and gave himself a nasty cut. She rushed in bareheaded, carrying him in her arms, with his knee all beautifully bandaged, and was so sympathetic and beautiful that my wife was too dazzled to ask her name." A pleasant glow dilated Archer's heart. There was nothing extraordinary in the tale: any woman would have done as much for a neighbour's child. But it was just like Ellen, he felt, to have rushed in bareheaded, carrying the boy in her arms, and to have dazzled poor Mrs. Winsett into forgetting to ask who she was. "That is the Countess Olenska--a granddaughter of old Mrs. Mingott's." "Whew--a Countess!" whistled Ned Winsett. "Well, I didn't know Countesses were so neighbourly. Mingotts ain't." "They would be, if you'd let them." "Ah, well--" It was their old interminable argument as to the obstinate unwillingness of the "clever people" to frequent the fashionable, and both men knew that there was no use in prolonging it. "I wonder," Winsett broke off, "how a Countess happens to live in our slum?" "Because she doesn't care a hang about where she lives--or about any of our little social sign-posts," said Archer, with a secret pride in his own picture of her. "H'm--been in bigger places, I suppose," the other commented. "Well, here's my corner." He slouched off across Broadway, and Archer stood looking after him and musing on his last words. Ned Winsett had those flashes of penetration; they were the most interesting thing about him, and always made Archer wonder why they had allowed him to accept failure so stolidly at an age when most men are still struggling. Archer had known that Winsett had a wife and child, but he had never seen them. The two men always met at the Century, or at some haunt of journalists and theatrical people, such as the restaurant where Winsett had proposed to go for a bock. He had given Archer to understand that his wife was an invalid; which might be true of the poor lady, or might merely mean that she was lacking in social gifts or in evening clothes, or in both. Winsett himself had a savage abhorrence of social observances: Archer, who dressed in the evening because he thought it cleaner and more comfortable to do so, and who had never stopped to consider that cleanliness and comfort are two of the costliest items in a modest budget, regarded Winsett's attitude as part of the boring "Bohemian" pose that always made fashionable people, who changed their clothes without talking about it, and were not forever harping on the number of servants one kept, seem so much simpler and less self-conscious than the others. Nevertheless, he was always stimulated by Winsett, and whenever he caught sight of the journalist's lean bearded face and melancholy eyes he would rout him out of his corner and carry him off for a long talk. Winsett was not a journalist by choice. He was a pure man of letters, untimely born in a world that had no need of letters; but after publishing one volume of brief and exquisite literary appreciations, of which one hundred and twenty copies were sold, thirty given away, and the balance eventually destroyed by the publishers (as per contract) to make room for more marketable material, he had abandoned his real calling, and taken a sub-editorial job on a women's weekly, where fashion-plates and paper patterns alternated with New England love-stories and advertisements of temperance drinks. On the subject of "Hearth-fires" (as the paper was called) he was inexhaustibly entertaining; but beneath his fun lurked the sterile bitterness of the still young man who has tried and given up. His conversation always made Archer take the measure of his own life, and feel how little it contained; but Winsett's, after all, contained still less, and though their common fund of intellectual interests and curiosities made their talks exhilarating, their exchange of views usually remained within the limits of	accepted May's departure with the resignation which he perceived would have to be one of the principal constituents of married life. He was conscious that Madame Olenska was looking at him under lowered lids. "I have done what you wished--what you advised," she said abruptly. "Ah--I'm glad," he returned, embarrassed by her broaching the subject at such a moment. "I understand--that you were right," she went on a little breathlessly; "but sometimes life is difficult ... perplexing..." "I know." "And I wanted to tell you that I DO feel you were right; and that I'm grateful to you," she ended, lifting her opera-glass quickly to her eyes as the door of the box opened and Beaufort's resonant voice broke in on them. Archer stood up, and left the box and the theatre. Only the day before he had received a letter from May Welland in which, with characteristic candour, she had asked him to "be kind to Ellen" in their absence. "She likes you and admires you so much--and you know, though she doesn't show it, she's still very lonely and unhappy. I don't think Granny understands her, or uncle Lovell Mingott either; they really think she's much worldlier and fonder of society than she is. And I can quite see that New York must seem dull to her, though the family won't admit it. I think she's been used to lots of things we haven't got; wonderful music, and picture shows, and celebrities--artists and authors and all the clever people you admire. Granny can't understand her wanting anything but lots of dinners and clothes--but I can see that you're almost the only person in New York who can talk to her about what she really cares for." His wise May--how he had loved her for that letter! But he had not meant to act on it; he was too busy, to begin with, and he did not care, as an engaged man, to play too conspicuously the part of Madame Olenska's champion. He had an idea that she knew how to take care of herself a good deal better than the ingenuous May imagined. She had Beaufort at her feet, Mr. van der Luyden hovering above her like a protecting deity, and any number of candidates (Lawrence Lefferts among them) waiting their opportunity in the middle distance. Yet he never saw her, or exchanged a word with her, without feeling that, after all, May's ingenuousness almost amounted to a gift of divination. Ellen Olenska was lonely and she was unhappy. XIV. As he came out into the lobby Archer ran across his friend Ned Winsett, the only one among what Janey called his "clever people" with whom he cared to probe into things a little deeper than the average level of club and chop-house banter. He had caught sight, across the house, of Winsett's shabby round-shouldered back, and had once noticed his eyes turned toward the Beaufort box. The two men shook hands, and Winsett proposed a bock at a little German restaurant around the corner. Archer, who was not in the mood for the kind of talk they were likely to get there, declined on the plea that he had work to do at home; and Winsett said:<\|quote\|>"Oh, well so have I for that matter, and I'll be the Industrious Apprentice too."</\|quote\|>They strolled along together, and presently Winsett said: "Look here, what I'm really after is the name of the dark lady in that swell box of yours--with the Beauforts, wasn't she? The one your friend Lefferts seems so smitten by." Archer, he could not have said why, was slightly annoyed. What the devil did Ned Winsett want with Ellen Olenska's name? And above all, why did he couple it with Lefferts's? It was unlike Winsett to manifest such curiosity; but after all, Archer remembered, he was a journalist. "It's not for an interview, I hope?" he laughed. "Well--not for the press; just for myself," Winsett rejoined. "The fact is she's a neighbour of mine--queer quarter for such a beauty to settle in--and she's been awfully kind to my little boy, who fell down her area chasing his kitten, and gave himself a nasty cut. She rushed in bareheaded, carrying him in her arms, with his knee all beautifully bandaged, and was so sympathetic and beautiful that my wife was too dazzled to ask her name." A pleasant glow dilated Archer's heart. There was nothing extraordinary in the tale: any woman would have done as much for a neighbour's child. But it was just like Ellen, he felt, to have rushed in bareheaded, carrying the boy in her arms, and to have dazzled poor Mrs. Winsett into forgetting to ask who she was. "That is the Countess Olenska--a granddaughter of old Mrs. Mingott's." "Whew--a Countess!" whistled Ned Winsett. "Well, I didn't know Countesses were so neighbourly. Mingotts ain't." "They would be, if you'd let them." "Ah, well--" It was their old interminable argument as to the obstinate unwillingness of the "clever people" to frequent the fashionable, and both men knew that there was no use in prolonging it. "I wonder," Winsett broke off, "how a Countess happens to live in our slum?" "Because she doesn't care a hang about where she lives--or about any of our little social sign-posts," said Archer, with a secret pride in his own picture of her. "H'm--been in bigger places, I suppose," the other commented. "Well, here's my corner." He slouched off across Broadway, and Archer stood looking after him and musing on his last words. Ned Winsett had those flashes of penetration; they were the most interesting thing about him, and always made Archer wonder why they had allowed him to accept failure so stolidly at an age when most men are still struggling. Archer had known that Winsett had a wife and child, but he had never seen them. The two men always met at the Century, or at some haunt of journalists and theatrical people, such as the restaurant where Winsett had proposed to go for a bock. He had given Archer to understand that his wife was an invalid; which might be true of the poor lady, or might merely mean that she was lacking in social gifts or in evening clothes, or in both. Winsett himself had a savage abhorrence of social observances: Archer, who dressed in the evening because he thought it cleaner and more comfortable to do so, and who had never stopped to consider that cleanliness and comfort are two of the costliest items in a modest budget, regarded Winsett's attitude	The Age Of Innocence
"Ah, you've taught me what an ugly word that is,"	Ellen Olenska	that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away	hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter	groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down	I WAS lonely; I WAS afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light." Her tone and her look still enveloped her in a soft inaccessibility, and Archer groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down headlong into darkness. If he could have got her in his arms again he might have swept away her arguments; but she still held him at a distance by something inscrutably aloof in her look and attitude, and by his own awed sense of her sincerity. At length he began	her way was when she pondered a question. "He's waiting for you now at Mrs. Struthers's; why don't you go to him?" Archer sneered. She turned to ring the bell. "I shall not go out this evening; tell the carriage to go and fetch the Signora Marchesa," she said when the maid came. After the door had closed again Archer continued to look at her with bitter eyes. "Why this sacrifice? Since you tell me that you're lonely I've no right to keep you from your friends." She smiled a little under her wet lashes. "I shan't be lonely now. I WAS lonely; I WAS afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light." Her tone and her look still enveloped her in a soft inaccessibility, and Archer groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down headlong into darkness. If he could have got her in his arms again he might have swept away her arguments; but she still held him at a distance by something inscrutably aloof in her look and attitude, and by his own awed sense of her sincerity. At length he began to plead again. "If we do this now it will be worse afterward--worse for every one--" "No--no--no!" she almost screamed, as if he frightened her. At that moment the bell sent a long tinkle through the house. They had heard no carriage stopping at the door, and they stood motionless, looking at each other with startled eyes. Outside, Nastasia's step crossed the hall, the outer door opened, and a moment later she came in carrying a telegram which she handed to the Countess Olenska. "The lady was very happy at the flowers," Nastasia said, smoothing her apron. "She thought it	in a low even voice, without tears or visible agitation; and each word, as it dropped from her, fell into his breast like burning lead. He sat bowed over, his head between his hands, staring at the hearthrug, and at the tip of the satin shoe that showed under her dress. Suddenly he knelt down and kissed the shoe. She bent over him, laying her hands on his shoulders, and looking at him with eyes so deep that he remained motionless under her gaze. "Ah, don't let us undo what you've done!" she cried. "I can't go back now to that other way of thinking. I can't love you unless I give you up." His arms were yearning up to her; but she drew away, and they remained facing each other, divided by the distance that her words had created. Then, abruptly, his anger overflowed. "And Beaufort? Is he to replace me?" As the words sprang out he was prepared for an answering flare of anger; and he would have welcomed it as fuel for his own. But Madame Olenska only grew a shade paler, and stood with her arms hanging down before her, and her head slightly bent, as her way was when she pondered a question. "He's waiting for you now at Mrs. Struthers's; why don't you go to him?" Archer sneered. She turned to ring the bell. "I shall not go out this evening; tell the carriage to go and fetch the Signora Marchesa," she said when the maid came. After the door had closed again Archer continued to look at her with bitter eyes. "Why this sacrifice? Since you tell me that you're lonely I've no right to keep you from your friends." She smiled a little under her wet lashes. "I shan't be lonely now. I WAS lonely; I WAS afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light." Her tone and her look still enveloped her in a soft inaccessibility, and Archer groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down headlong into darkness. If he could have got her in his arms again he might have swept away her arguments; but she still held him at a distance by something inscrutably aloof in her look and attitude, and by his own awed sense of her sincerity. At length he began to plead again. "If we do this now it will be worse afterward--worse for every one--" "No--no--no!" she almost screamed, as if he frightened her. At that moment the bell sent a long tinkle through the house. They had heard no carriage stopping at the door, and they stood motionless, looking at each other with startled eyes. Outside, Nastasia's step crossed the hall, the outer door opened, and a moment later she came in carrying a telegram which she handed to the Countess Olenska. "The lady was very happy at the flowers," Nastasia said, smoothing her apron. "She thought it was her signor marito who had sent them, and she cried a little and said it was a folly." Her mistress smiled and took the yellow envelope. She tore it open and carried it to the lamp; then, when the door had closed again, she handed the telegram to Archer. It was dated from St. Augustine, and addressed to the Countess Olenska. In it he read: "Granny's telegram successful. Papa and Mamma agree marriage after Easter. Am telegraphing Newland. Am too happy for words and love you dearly. Your grateful May." Half an hour later, when Archer unlocked his own front-door, he found a similar envelope on the hall-table on top of his pile of notes and letters. The message inside the envelope was also from May Welland, and ran as follows: "Parents consent wedding Tuesday after Easter at twelve Grace Church eight bridesmaids please see Rector so happy love May." Archer crumpled up the yellow sheet as if the gesture could annihilate the news it contained. Then he pulled out a small pocket-diary and turned over the pages with trembling fingers; but he did not find what he wanted, and cramming the telegram into his pocket he mounted the	your marriage; but do you see me marrying May after this?" She stood silent, resting her thin elbows on the mantelpiece, her profile reflected in the glass behind her. One of the locks of her chignon had become loosened and hung on her neck; she looked haggard and almost old. "I don't see you," she said at length, "putting that question to May. Do you?" He gave a reckless shrug. "It's too late to do anything else." "You say that because it's the easiest thing to say at this moment--not because it's true. In reality it's too late to do anything but what we'd both decided on." "Ah, I don't understand you!" She forced a pitiful smile that pinched her face instead of smoothing it. "You don't understand because you haven't yet guessed how you've changed things for me: oh, from the first--long before I knew all you'd done." "All I'd done?" "Yes. I was perfectly unconscious at first that people here were shy of me--that they thought I was a dreadful sort of person. It seems they had even refused to meet me at dinner. I found that out afterward; and how you'd made your mother go with you to the van der Luydens'; and how you'd insisted on announcing your engagement at the Beaufort ball, so that I might have two families to stand by me instead of one--" At that he broke into a laugh. "Just imagine," she said, "how stupid and unobservant I was! I knew nothing of all this till Granny blurted it out one day. New York simply meant peace and freedom to me: it was coming home. And I was so happy at being among my own people that every one I met seemed kind and good, and glad to see me. But from the very beginning," she continued, "I felt there was no one as kind as you; no one who gave me reasons that I understood for doing what at first seemed so hard and--unnecessary. The very good people didn't convince me; I felt they'd never been tempted. But you knew; you understood; you had felt the world outside tugging at one with all its golden hands--and yet you hated the things it asks of one; you hated happiness bought by disloyalty and cruelty and indifference. That was what I'd never known before--and it's better than anything I've known." She spoke in a low even voice, without tears or visible agitation; and each word, as it dropped from her, fell into his breast like burning lead. He sat bowed over, his head between his hands, staring at the hearthrug, and at the tip of the satin shoe that showed under her dress. Suddenly he knelt down and kissed the shoe. She bent over him, laying her hands on his shoulders, and looking at him with eyes so deep that he remained motionless under her gaze. "Ah, don't let us undo what you've done!" she cried. "I can't go back now to that other way of thinking. I can't love you unless I give you up." His arms were yearning up to her; but she drew away, and they remained facing each other, divided by the distance that her words had created. Then, abruptly, his anger overflowed. "And Beaufort? Is he to replace me?" As the words sprang out he was prepared for an answering flare of anger; and he would have welcomed it as fuel for his own. But Madame Olenska only grew a shade paler, and stood with her arms hanging down before her, and her head slightly bent, as her way was when she pondered a question. "He's waiting for you now at Mrs. Struthers's; why don't you go to him?" Archer sneered. She turned to ring the bell. "I shall not go out this evening; tell the carriage to go and fetch the Signora Marchesa," she said when the maid came. After the door had closed again Archer continued to look at her with bitter eyes. "Why this sacrifice? Since you tell me that you're lonely I've no right to keep you from your friends." She smiled a little under her wet lashes. "I shan't be lonely now. I WAS lonely; I WAS afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light." Her tone and her look still enveloped her in a soft inaccessibility, and Archer groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down headlong into darkness. If he could have got her in his arms again he might have swept away her arguments; but she still held him at a distance by something inscrutably aloof in her look and attitude, and by his own awed sense of her sincerity. At length he began to plead again. "If we do this now it will be worse afterward--worse for every one--" "No--no--no!" she almost screamed, as if he frightened her. At that moment the bell sent a long tinkle through the house. They had heard no carriage stopping at the door, and they stood motionless, looking at each other with startled eyes. Outside, Nastasia's step crossed the hall, the outer door opened, and a moment later she came in carrying a telegram which she handed to the Countess Olenska. "The lady was very happy at the flowers," Nastasia said, smoothing her apron. "She thought it was her signor marito who had sent them, and she cried a little and said it was a folly." Her mistress smiled and took the yellow envelope. She tore it open and carried it to the lamp; then, when the door had closed again, she handed the telegram to Archer. It was dated from St. Augustine, and addressed to the Countess Olenska. In it he read: "Granny's telegram successful. Papa and Mamma agree marriage after Easter. Am telegraphing Newland. Am too happy for words and love you dearly. Your grateful May." Half an hour later, when Archer unlocked his own front-door, he found a similar envelope on the hall-table on top of his pile of notes and letters. The message inside the envelope was also from May Welland, and ran as follows: "Parents consent wedding Tuesday after Easter at twelve Grace Church eight bridesmaids please see Rector so happy love May." Archer crumpled up the yellow sheet as if the gesture could annihilate the news it contained. Then he pulled out a small pocket-diary and turned over the pages with trembling fingers; but he did not find what he wanted, and cramming the telegram into his pocket he mounted the stairs. A light was shining through the door of the little hall-room which served Janey as a dressing-room and boudoir, and her brother rapped impatiently on the panel. The door opened, and his sister stood before him in her immemorial purple flannel dressing-gown, with her hair "on pins." Her face looked pale and apprehensive. "Newland! I hope there's no bad news in that telegram? I waited on purpose, in case--" (No item of his correspondence was safe from Janey.) He took no notice of her question. "Look here--what day is Easter this year?" She looked shocked at such unchristian ignorance. "Easter? Newland! Why, of course, the first week in April. Why?" "The first week?" He turned again to the pages of his diary, calculating rapidly under his breath. "The first week, did you say?" He threw back his head with a long laugh. "For mercy's sake what's the matter?" "Nothing's the matter, except that I'm going to be married in a month." Janey fell upon his neck and pressed him to her purple flannel breast. "Oh Newland, how wonderful! I'm so glad! But, dearest, why do you keep on laughing? Do hush, or you'll wake Mamma." Book II XIX. The day was fresh, with a lively spring wind full of dust. All the old ladies in both families had got out their faded sables and yellowing ermines, and the smell of camphor from the front pews almost smothered the faint spring scent of the lilies banking the altar. Newland Archer, at a signal from the sexton, had come out of the vestry and placed himself with his best man on the chancel step of Grace Church. The signal meant that the brougham bearing the bride and her father was in sight; but there was sure to be a considerable interval of adjustment and consultation in the lobby, where the bridesmaids were already hovering like a cluster of Easter blossoms. During this unavoidable lapse of time the bridegroom, in proof of his eagerness, was expected to expose himself alone to the gaze of the assembled company; and Archer had gone through this formality as resignedly as through all the others which made of a nineteenth century New York wedding a rite that seemed to belong to the dawn of history. Everything was equally easy--or equally painful, as one chose to put it--in the path he was committed to tread, and he	they remained facing each other, divided by the distance that her words had created. Then, abruptly, his anger overflowed. "And Beaufort? Is he to replace me?" As the words sprang out he was prepared for an answering flare of anger; and he would have welcomed it as fuel for his own. But Madame Olenska only grew a shade paler, and stood with her arms hanging down before her, and her head slightly bent, as her way was when she pondered a question. "He's waiting for you now at Mrs. Struthers's; why don't you go to him?" Archer sneered. She turned to ring the bell. "I shall not go out this evening; tell the carriage to go and fetch the Signora Marchesa," she said when the maid came. After the door had closed again Archer continued to look at her with bitter eyes. "Why this sacrifice? Since you tell me that you're lonely I've no right to keep you from your friends." She smiled a little under her wet lashes. "I shan't be lonely now. I WAS lonely; I WAS afraid. But the emptiness and the darkness are gone; when I turn back into myself now I'm like a child going at night into a room where there's always a light." Her tone and her look still enveloped her in a soft inaccessibility, and Archer groaned out again: "I don't understand you!" "Yet you understand May!" He reddened under the retort, but kept his eyes on her. "May is ready to give me up." "What! Three days after you've entreated her on your knees to hasten your marriage?" "She's refused; that gives me the right--"<\|quote\|>"Ah, you've taught me what an ugly word that is,"</\|quote\|>she said. He turned away with a sense of utter weariness. He felt as though he had been struggling for hours up the face of a steep precipice, and now, just as he had fought his way to the top, his hold had given way and he was pitching down headlong into darkness. If he could have got her in his arms again he might have swept away her arguments; but she still held him at a distance by something inscrutably aloof in her look and attitude, and by his own awed sense of her sincerity. At length he began to plead again. "If we do this now it will be worse afterward--worse for every one--" "No--no--no!" she almost screamed, as if he frightened her. At that moment the bell sent a long tinkle through the house. They had heard no carriage stopping at the door, and they stood motionless, looking at each other with startled eyes. Outside, Nastasia's step crossed the hall, the outer door opened, and a moment later she came in carrying a telegram which she handed to the Countess Olenska. "The lady was very happy at the flowers," Nastasia said, smoothing her apron. "She thought it was her signor marito who had sent them, and she cried a little and said it was a folly." Her mistress smiled and took the yellow envelope. She tore it open and carried it to the lamp; then, when the door had closed again, she handed the telegram to Archer. It was dated from St. Augustine, and addressed to the Countess Olenska. In it he read: "Granny's telegram successful. Papa and Mamma agree marriage after Easter. Am telegraphing Newland. Am too happy for words and love you dearly. Your grateful May." Half an hour later, when Archer unlocked his own front-door, he found a similar envelope on the hall-table on top of his pile of notes and letters. The message inside the envelope was also from May Welland, and ran as follows: "Parents consent wedding Tuesday after Easter	The Age Of Innocence
"For they must have been seen together,"	Sir Walter Elliot	so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's,	after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby	of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it:	year; but he never came. The following spring he was seen again in town, found equally agreeable, again encouraged, invited, and expected, and again he did not come; and the next tidings were that he was married. Instead of pushing his fortune in the line marked out for the heir of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it: all acquaintance between them had ceased. This very awkward history of Mr Elliot was still, after an interval of several years, felt with anger by Elizabeth, who had liked the man for himself, and still more for being her father's heir, and whose strong family pride could see only in	sought the acquaintance, and though his overtures had not been met with any warmth, he had persevered in seeking it, making allowance for the modest drawing-back of youth; and, in one of their spring excursions to London, when Elizabeth was in her first bloom, Mr Elliot had been forced into the introduction. He was at that time a very young man, just engaged in the study of the law; and Elizabeth found him extremely agreeable, and every plan in his favour was confirmed. He was invited to Kellynch Hall; he was talked of and expected all the rest of the year; but he never came. The following spring he was seen again in town, found equally agreeable, again encouraged, invited, and expected, and again he did not come; and the next tidings were that he was married. Instead of pushing his fortune in the line marked out for the heir of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it: all acquaintance between them had ceased. This very awkward history of Mr Elliot was still, after an interval of several years, felt with anger by Elizabeth, who had liked the man for himself, and still more for being her father's heir, and whose strong family pride could see only in him a proper match for Sir Walter Elliot's eldest daughter. There was not a baronet from A to Z whom her feelings could have so willingly acknowledged as an equal. Yet so miserably had he conducted himself, that though she was at this present time (the summer of 1814) wearing black ribbons for his wife, she could not admit him to be worth thinking of again. The disgrace of his first marriage might, perhaps, as there was no reason to suppose it perpetuated by offspring, have been got over, had he not done worse; but he had, as by the	have rejoiced to be certain of being properly solicited by baronet-blood within the next twelvemonth or two. Then might she again take up the book of books with as much enjoyment as in her early youth, but now she liked it not. Always to be presented with the date of her own birth and see no marriage follow but that of a youngest sister, made the book an evil; and more than once, when her father had left it open on the table near her, had she closed it, with averted eyes, and pushed it away. She had had a disappointment, moreover, which that book, and especially the history of her own family, must ever present the remembrance of. The heir presumptive, the very William Walter Elliot, Esq., whose rights had been so generously supported by her father, had disappointed her. She had, while a very young girl, as soon as she had known him to be, in the event of her having no brother, the future baronet, meant to marry him, and her father had always meant that she should. He had not been known to them as a boy; but soon after Lady Elliot's death, Sir Walter had sought the acquaintance, and though his overtures had not been met with any warmth, he had persevered in seeking it, making allowance for the modest drawing-back of youth; and, in one of their spring excursions to London, when Elizabeth was in her first bloom, Mr Elliot had been forced into the introduction. He was at that time a very young man, just engaged in the study of the law; and Elizabeth found him extremely agreeable, and every plan in his favour was confirmed. He was invited to Kellynch Hall; he was talked of and expected all the rest of the year; but he never came. The following spring he was seen again in town, found equally agreeable, again encouraged, invited, and expected, and again he did not come; and the next tidings were that he was married. Instead of pushing his fortune in the line marked out for the heir of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it: all acquaintance between them had ceased. This very awkward history of Mr Elliot was still, after an interval of several years, felt with anger by Elizabeth, who had liked the man for himself, and still more for being her father's heir, and whose strong family pride could see only in him a proper match for Sir Walter Elliot's eldest daughter. There was not a baronet from A to Z whom her feelings could have so willingly acknowledged as an equal. Yet so miserably had he conducted himself, that though she was at this present time (the summer of 1814) wearing black ribbons for his wife, she could not admit him to be worth thinking of again. The disgrace of his first marriage might, perhaps, as there was no reason to suppose it perpetuated by offspring, have been got over, had he not done worse; but he had, as by the accustomary intervention of kind friends, they had been informed, spoken most disrespectfully of them all, most slightingly and contemptuously of the very blood he belonged to, and the honours which were hereafter to be his own. This could not be pardoned. Such were Elizabeth Elliot's sentiments and sensations; such the cares to alloy, the agitations to vary, the sameness and the elegance, the prosperity and the nothingness of her scene of life; such the feelings to give interest to a long, uneventful residence in one country circle, to fill the vacancies which there were no habits of utility abroad, no talents or accomplishments for home, to occupy. But now, another occupation and solicitude of mind was beginning to be added to these. Her father was growing distressed for money. She knew, that when he now took up the Baronetage, it was to drive the heavy bills of his tradespeople, and the unwelcome hints of Mr Shepherd, his agent, from his thoughts. The Kellynch property was good, but not equal to Sir Walter's apprehension of the state required in its possessor. While Lady Elliot lived, there had been method, moderation, and economy, which had just kept him within his income; but	own), there could be nothing in them, now that she was faded and thin, to excite his esteem. He had never indulged much hope, he had now none, of ever reading her name in any other page of his favourite work. All equality of alliance must rest with Elizabeth, for Mary had merely connected herself with an old country family of respectability and large fortune, and had therefore given all the honour and received none: Elizabeth would, one day or other, marry suitably. It sometimes happens that a woman is handsomer at twenty-nine than she was ten years before; and, generally speaking, if there has been neither ill health nor anxiety, it is a time of life at which scarcely any charm is lost. It was so with Elizabeth, still the same handsome Miss Elliot that she had begun to be thirteen years ago, and Sir Walter might be excused, therefore, in forgetting her age, or, at least, be deemed only half a fool, for thinking himself and Elizabeth as blooming as ever, amidst the wreck of the good looks of everybody else; for he could plainly see how old all the rest of his family and acquaintance were growing. Anne haggard, Mary coarse, every face in the neighbourhood worsting, and the rapid increase of the crow's foot about Lady Russell's temples had long been a distress to him. Elizabeth did not quite equal her father in personal contentment. Thirteen years had seen her mistress of Kellynch Hall, presiding and directing with a self-possession and decision which could never have given the idea of her being younger than she was. For thirteen years had she been doing the honours, and laying down the domestic law at home, and leading the way to the chaise and four, and walking immediately after Lady Russell out of all the drawing-rooms and dining-rooms in the country. Thirteen winters' revolving frosts had seen her opening every ball of credit which a scanty neighbourhood afforded, and thirteen springs shewn their blossoms, as she travelled up to London with her father, for a few weeks' annual enjoyment of the great world. She had the remembrance of all this, she had the consciousness of being nine-and-twenty to give her some regrets and some apprehensions; she was fully satisfied of being still quite as handsome as ever, but she felt her approach to the years of danger, and would have rejoiced to be certain of being properly solicited by baronet-blood within the next twelvemonth or two. Then might she again take up the book of books with as much enjoyment as in her early youth, but now she liked it not. Always to be presented with the date of her own birth and see no marriage follow but that of a youngest sister, made the book an evil; and more than once, when her father had left it open on the table near her, had she closed it, with averted eyes, and pushed it away. She had had a disappointment, moreover, which that book, and especially the history of her own family, must ever present the remembrance of. The heir presumptive, the very William Walter Elliot, Esq., whose rights had been so generously supported by her father, had disappointed her. She had, while a very young girl, as soon as she had known him to be, in the event of her having no brother, the future baronet, meant to marry him, and her father had always meant that she should. He had not been known to them as a boy; but soon after Lady Elliot's death, Sir Walter had sought the acquaintance, and though his overtures had not been met with any warmth, he had persevered in seeking it, making allowance for the modest drawing-back of youth; and, in one of their spring excursions to London, when Elizabeth was in her first bloom, Mr Elliot had been forced into the introduction. He was at that time a very young man, just engaged in the study of the law; and Elizabeth found him extremely agreeable, and every plan in his favour was confirmed. He was invited to Kellynch Hall; he was talked of and expected all the rest of the year; but he never came. The following spring he was seen again in town, found equally agreeable, again encouraged, invited, and expected, and again he did not come; and the next tidings were that he was married. Instead of pushing his fortune in the line marked out for the heir of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it: all acquaintance between them had ceased. This very awkward history of Mr Elliot was still, after an interval of several years, felt with anger by Elizabeth, who had liked the man for himself, and still more for being her father's heir, and whose strong family pride could see only in him a proper match for Sir Walter Elliot's eldest daughter. There was not a baronet from A to Z whom her feelings could have so willingly acknowledged as an equal. Yet so miserably had he conducted himself, that though she was at this present time (the summer of 1814) wearing black ribbons for his wife, she could not admit him to be worth thinking of again. The disgrace of his first marriage might, perhaps, as there was no reason to suppose it perpetuated by offspring, have been got over, had he not done worse; but he had, as by the accustomary intervention of kind friends, they had been informed, spoken most disrespectfully of them all, most slightingly and contemptuously of the very blood he belonged to, and the honours which were hereafter to be his own. This could not be pardoned. Such were Elizabeth Elliot's sentiments and sensations; such the cares to alloy, the agitations to vary, the sameness and the elegance, the prosperity and the nothingness of her scene of life; such the feelings to give interest to a long, uneventful residence in one country circle, to fill the vacancies which there were no habits of utility abroad, no talents or accomplishments for home, to occupy. But now, another occupation and solicitude of mind was beginning to be added to these. Her father was growing distressed for money. She knew, that when he now took up the Baronetage, it was to drive the heavy bills of his tradespeople, and the unwelcome hints of Mr Shepherd, his agent, from his thoughts. The Kellynch property was good, but not equal to Sir Walter's apprehension of the state required in its possessor. While Lady Elliot lived, there had been method, moderation, and economy, which had just kept him within his income; but with her had died all such right-mindedness, and from that period he had been constantly exceeding it. It had not been possible for him to spend less; he had done nothing but what Sir Walter Elliot was imperiously called on to do; but blameless as he was, he was not only growing dreadfully in debt, but was hearing of it so often, that it became vain to attempt concealing it longer, even partially, from his daughter. He had given her some hints of it the last spring in town; he had gone so far even as to say, "Can we retrench? Does it occur to you that there is any one article in which we can retrench?" and Elizabeth, to do her justice, had, in the first ardour of female alarm, set seriously to think what could be done, and had finally proposed these two branches of economy, to cut off some unnecessary charities, and to refrain from new furnishing the drawing-room; to which expedients she afterwards added the happy thought of their taking no present down to Anne, as had been the usual yearly custom. But these measures, however good in themselves, were insufficient for the real extent of the evil, the whole of which Sir Walter found himself obliged to confess to her soon afterwards. Elizabeth had nothing to propose of deeper efficacy. She felt herself ill-used and unfortunate, as did her father; and they were neither of them able to devise any means of lessening their expenses without compromising their dignity, or relinquishing their comforts in a way not to be borne. There was only a small part of his estate that Sir Walter could dispose of; but had every acre been alienable, it would have made no difference. He had condescended to mortgage as far as he had the power, but he would never condescend to sell. No; he would never disgrace his name so far. The Kellynch estate should be transmitted whole and entire, as he had received it. Their two confidential friends, Mr Shepherd, who lived in the neighbouring market town, and Lady Russell, were called to advise them; and both father and daughter seemed to expect that something should be struck out by one or the other to remove their embarrassments and reduce their expenditure, without involving the loss of any indulgence of taste or pride. Chapter 2 Mr Shepherd, a civil, cautious	meant to marry him, and her father had always meant that she should. He had not been known to them as a boy; but soon after Lady Elliot's death, Sir Walter had sought the acquaintance, and though his overtures had not been met with any warmth, he had persevered in seeking it, making allowance for the modest drawing-back of youth; and, in one of their spring excursions to London, when Elizabeth was in her first bloom, Mr Elliot had been forced into the introduction. He was at that time a very young man, just engaged in the study of the law; and Elizabeth found him extremely agreeable, and every plan in his favour was confirmed. He was invited to Kellynch Hall; he was talked of and expected all the rest of the year; but he never came. The following spring he was seen again in town, found equally agreeable, again encouraged, invited, and expected, and again he did not come; and the next tidings were that he was married. Instead of pushing his fortune in the line marked out for the heir of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth. Sir Walter had resented it. As the head of the house, he felt that he ought to have been consulted, especially after taking the young man so publicly by the hand;<\|quote\|>"For they must have been seen together,"</\|quote\|>he observed, "once at Tattersall's, and twice in the lobby of the House of Commons." His disapprobation was expressed, but apparently very little regarded. Mr Elliot had attempted no apology, and shewn himself as unsolicitous of being longer noticed by the family, as Sir Walter considered him unworthy of it: all acquaintance between them had ceased. This very awkward history of Mr Elliot was still, after an interval of several years, felt with anger by Elizabeth, who had liked the man for himself, and still more for being her father's heir, and whose strong family pride could see only in him a proper match for Sir Walter Elliot's eldest daughter. There was not a baronet from A to Z whom her feelings could have so willingly acknowledged as an equal. Yet so miserably had he conducted himself, that though she was at this present time (the summer of 1814) wearing black ribbons for his wife, she could not admit him to be worth thinking of again. The disgrace of his first marriage might, perhaps, as there was no reason to suppose it perpetuated by offspring, have been got over, had he not done worse; but he had, as by the accustomary intervention of kind friends, they had been informed, spoken most disrespectfully of them all, most slightingly and contemptuously of the very blood he belonged to, and the honours which were hereafter to be his own. This could not be pardoned. Such were Elizabeth Elliot's sentiments and sensations; such the cares to alloy, the agitations to vary, the sameness and the elegance, the prosperity and the nothingness of her scene of life; such the feelings to give interest to a long, uneventful residence in one country circle, to fill the vacancies which there were no habits of utility abroad, no talents or accomplishments for home, to occupy. But now, another occupation and solicitude of mind was beginning to be added to these. Her father was growing distressed for money. She knew, that when he now took up the Baronetage, it was to drive the	Persuasion
she went on nervously.	No speaker	about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to	things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself	at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such	but because they can't conceal it when they do," he thought. "Not badsome," said Ivan Petrovitch. Then Ekaterina Ivanovna played long and noisily on the piano, and when she finished she was profusely thanked and warmly praised. "It's a good thing I did not marry her," thought Startsev. She looked at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such emotion. For goodness' sake let us go into the garden." They went into the garden and sat down on the seat under the old maple, just as they had done four years before. It was dark. "How are you getting on?" asked Ekaterina Ivanovna. "Oh, all right; I am jogging	her faint smile, her voice, and soon afterwards he disliked her clothes, too, the low chair in which she was sitting; he disliked something in the past when he had almost married her. He thought of his love, of the dreams and the hopes which had troubled him four years before--and he felt awkward. They had tea with cakes. Then Vera Iosifovna read aloud a novel; she read of things that never happen in real life, and Startsev listened, looked at her handsome grey head, and waited for her to finish. "People are not stupid because they can't write novels, but because they can't conceal it when they do," he thought. "Not badsome," said Ivan Petrovitch. Then Ekaterina Ivanovna played long and noisily on the piano, and when she finished she was profusely thanked and warmly praised. "It's a good thing I did not marry her," thought Startsev. She looked at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such emotion. For goodness' sake let us go into the garden." They went into the garden and sat down on the seat under the old maple, just as they had done four years before. It was dark. "How are you getting on?" asked Ekaterina Ivanovna. "Oh, all right; I am jogging along," answered Startsev. And he could think of nothing more. They were silent. "I feel so excited!" said Ekaterina Ivanovna, and she hid her face in her hands. "But don't pay attention to it. I am so happy to be at home; I am so glad to see every one. I can't get used to it. So many memories! I thought we should talk without stopping till morning." Now he saw her face near, her shining eyes, and in the darkness she looked younger than in the room, and even her old childish expression seemed to have come back to	and looking much older, shook Startsev's hand, sighed affectedly, and said: "You don't care to pay attentions to me, doctor. You never come and see us; I am too old for you. But now some one young has come; perhaps she will be more fortunate." And Kitten? She had grown thinner, paler, had grown handsomer and more graceful; but now she was Ekaterina Ivanovna, not Kitten; she had lost the freshness and look of childish naïveté. And in her expression and manners there was something new--guilty and diffident, as though she did not feel herself at home here in the Turkins' house. "How many summers, how many winters!" she said, giving Startsev her hand, and he could see that her heart was beating with excitement; and looking at him intently and curiously, she went on: "How much stouter you are! You look sunburnt and more manly, but on the whole you have changed very little." Now, too, he thought her attractive, very attractive, but there was something lacking in her, or else something superfluous--he could not himself have said exactly what it was, but something prevented him from feeling as before. He did not like her pallor, her new expression, her faint smile, her voice, and soon afterwards he disliked her clothes, too, the low chair in which she was sitting; he disliked something in the past when he had almost married her. He thought of his love, of the dreams and the hopes which had troubled him four years before--and he felt awkward. They had tea with cakes. Then Vera Iosifovna read aloud a novel; she read of things that never happen in real life, and Startsev listened, looked at her handsome grey head, and waited for her to finish. "People are not stupid because they can't write novels, but because they can't conceal it when they do," he thought. "Not badsome," said Ivan Petrovitch. Then Ekaterina Ivanovna played long and noisily on the piano, and when she finished she was profusely thanked and warmly praised. "It's a good thing I did not marry her," thought Startsev. She looked at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such emotion. For goodness' sake let us go into the garden." They went into the garden and sat down on the seat under the old maple, just as they had done four years before. It was dark. "How are you getting on?" asked Ekaterina Ivanovna. "Oh, all right; I am jogging along," answered Startsev. And he could think of nothing more. They were silent. "I feel so excited!" said Ekaterina Ivanovna, and she hid her face in her hands. "But don't pay attention to it. I am so happy to be at home; I am so glad to see every one. I can't get used to it. So many memories! I thought we should talk without stopping till morning." Now he saw her face near, her shining eyes, and in the darkness she looked younger than in the room, and even her old childish expression seemed to have come back to her. And indeed she was looking at him with naïve curiosity, as though she wanted to get a closer view and understanding of the man who had loved her so ardently, with such tenderness, and so unsuccessfully; her eyes thanked him for that love. And he remembered all that had been, every minute detail; how he had wandered about the cemetery, how he had returned home in the morning exhausted, and he suddenly felt sad and regretted the past. A warmth began glowing in his heart. "Do you remember how I took you to the dance at the club?" he asked. "It was dark and rainy then ..." The warmth was glowing now in his heart, and he longed to talk, to rail at life.... "Ech!" he said with a sigh. "You ask how I am living. How do we live here? Why, not at all. We grow old, we grow stout, we grow slack. Day after day passes; life slips by without colour, without expressions, without thoughts.... In the daytime working for gain, and in the evening the club, the company of card-players, alcoholic, raucous-voiced gentlemen whom I can't endure. What is there nice in it?" "Well, you have	at tea or supper, Startsev observed in company that one should work, and that one ought not to live without working, every one took this as a reproach, and began to get angry and argue aggressively. With all that, the inhabitants did nothing, absolutely nothing, and took no interest in anything, and it was quite impossible to think of anything to say. And Startsev avoided conversation, and confined himself to eating and playing _vint_; and when there was a family festivity in some household and he was invited to a meal, then he sat and ate in silence, looking at his plate. And everything that was said at the time was uninteresting, unjust, and stupid; he felt irritated and disturbed, but held his tongue, and, because he sat glumly silent and looked at his plate, he was nicknamed in the town "the haughty Pole," though he never had been a Pole. All such entertainments as theatres and concerts he declined, but he played _vint_ every evening for three hours with enjoyment. He had another diversion to which he took imperceptibly, little by little: in the evening he would take out of his pockets the notes he had gained by his practice, and sometimes there were stuffed in his pockets notes--yellow and green, and smelling of scent and vinegar and incense and fish oil--up to the value of seventy roubles; and when they amounted to some hundreds he took them to the Mutual Credit Bank and deposited the money there to his account. He was only twice at the Turkins' in the course of the four years after Ekaterina Ivanovna had gone away, on each occasion at the invitation of Vera Iosifovna, who was still undergoing treatment for migraine. Every summer Ekaterina Ivanovna came to stay with her parents, but he did not once see her; it somehow never happened. But now four years had passed. One still, warm morning a letter was brought to the hospital. Vera Iosifovna wrote to Dmitri Ionitch that she was missing him very much, and begged him to come and see them, and to relieve her sufferings; and, by the way, it was her birthday. Below was a postscript: "I join in mother's request.--K." Startsev considered, and in the evening he went to the Turkins'. "How do you do, if you please?" Ivan Petrovitch met him, smiling with his eyes only. "Bongjour." Vera Iosifovna, white-haired and looking much older, shook Startsev's hand, sighed affectedly, and said: "You don't care to pay attentions to me, doctor. You never come and see us; I am too old for you. But now some one young has come; perhaps she will be more fortunate." And Kitten? She had grown thinner, paler, had grown handsomer and more graceful; but now she was Ekaterina Ivanovna, not Kitten; she had lost the freshness and look of childish naïveté. And in her expression and manners there was something new--guilty and diffident, as though she did not feel herself at home here in the Turkins' house. "How many summers, how many winters!" she said, giving Startsev her hand, and he could see that her heart was beating with excitement; and looking at him intently and curiously, she went on: "How much stouter you are! You look sunburnt and more manly, but on the whole you have changed very little." Now, too, he thought her attractive, very attractive, but there was something lacking in her, or else something superfluous--he could not himself have said exactly what it was, but something prevented him from feeling as before. He did not like her pallor, her new expression, her faint smile, her voice, and soon afterwards he disliked her clothes, too, the low chair in which she was sitting; he disliked something in the past when he had almost married her. He thought of his love, of the dreams and the hopes which had troubled him four years before--and he felt awkward. They had tea with cakes. Then Vera Iosifovna read aloud a novel; she read of things that never happen in real life, and Startsev listened, looked at her handsome grey head, and waited for her to finish. "People are not stupid because they can't write novels, but because they can't conceal it when they do," he thought. "Not badsome," said Ivan Petrovitch. Then Ekaterina Ivanovna played long and noisily on the piano, and when she finished she was profusely thanked and warmly praised. "It's a good thing I did not marry her," thought Startsev. She looked at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such emotion. For goodness' sake let us go into the garden." They went into the garden and sat down on the seat under the old maple, just as they had done four years before. It was dark. "How are you getting on?" asked Ekaterina Ivanovna. "Oh, all right; I am jogging along," answered Startsev. And he could think of nothing more. They were silent. "I feel so excited!" said Ekaterina Ivanovna, and she hid her face in her hands. "But don't pay attention to it. I am so happy to be at home; I am so glad to see every one. I can't get used to it. So many memories! I thought we should talk without stopping till morning." Now he saw her face near, her shining eyes, and in the darkness she looked younger than in the room, and even her old childish expression seemed to have come back to her. And indeed she was looking at him with naïve curiosity, as though she wanted to get a closer view and understanding of the man who had loved her so ardently, with such tenderness, and so unsuccessfully; her eyes thanked him for that love. And he remembered all that had been, every minute detail; how he had wandered about the cemetery, how he had returned home in the morning exhausted, and he suddenly felt sad and regretted the past. A warmth began glowing in his heart. "Do you remember how I took you to the dance at the club?" he asked. "It was dark and rainy then ..." The warmth was glowing now in his heart, and he longed to talk, to rail at life.... "Ech!" he said with a sigh. "You ask how I am living. How do we live here? Why, not at all. We grow old, we grow stout, we grow slack. Day after day passes; life slips by without colour, without expressions, without thoughts.... In the daytime working for gain, and in the evening the club, the company of card-players, alcoholic, raucous-voiced gentlemen whom I can't endure. What is there nice in it?" "Well, you have work--a noble object in life. You used to be so fond of talking of your hospital. I was such a queer girl then; I imagined myself such a great pianist. Nowadays all young ladies play the piano, and I played, too, like everybody else, and there was nothing special about me. I am just such a pianist as my mother is an authoress. And of course I didn't understand you then, but afterwards in Moscow I often thought of you. I thought of no one but you. What happiness to be a district doctor; to help the suffering; to be serving the people! What happiness!" Ekaterina Ivanovna repeated with enthusiasm. "When I thought of you in Moscow, you seemed to me so ideal, so lofty...." Startsev thought of the notes he used to take out of his pockets in the evening with such pleasure, and the glow in his heart was quenched. He got up to go into the house. She took his arm. "You are the best man I've known in my life," she went on. "We will see each other and talk, won't we? Promise me. I am not a pianist; I am not in error about myself now, and I will not play before you or talk of music." When they had gone into the house, and when Startsev saw in the lamplight her face, and her sad, grateful, searching eyes fixed upon him, he felt uneasy and thought again: "It's a good thing I did not marry her then." He began taking leave. "You have no human right to go before supper," said Ivan Petrovitch as he saw him off. "It's extremely perpendicular on your part. Well, now, perform!" he added, addressing Pava in the hall. Pava, no longer a boy, but a young man with moustaches, threw himself into an attitude, flung up his arm, and said in a tragic voice: "Unhappy woman, die!" All this irritated Startsev. Getting into his carriage, and looking at the dark house and garden which had once been so precious and so dear, he thought of everything at once--Vera Iosifovna's novels and Kitten's noisy playing, and Ivan Petrovitch's jokes and Pava's tragic posturing, and thought if the most talented people in the town were so futile, what must the town be? Three days later Pava brought a letter from Ekaterina Ivanovna. "You don't come and see us--why?" she wrote	with her parents, but he did not once see her; it somehow never happened. But now four years had passed. One still, warm morning a letter was brought to the hospital. Vera Iosifovna wrote to Dmitri Ionitch that she was missing him very much, and begged him to come and see them, and to relieve her sufferings; and, by the way, it was her birthday. Below was a postscript: "I join in mother's request.--K." Startsev considered, and in the evening he went to the Turkins'. "How do you do, if you please?" Ivan Petrovitch met him, smiling with his eyes only. "Bongjour." Vera Iosifovna, white-haired and looking much older, shook Startsev's hand, sighed affectedly, and said: "You don't care to pay attentions to me, doctor. You never come and see us; I am too old for you. But now some one young has come; perhaps she will be more fortunate." And Kitten? She had grown thinner, paler, had grown handsomer and more graceful; but now she was Ekaterina Ivanovna, not Kitten; she had lost the freshness and look of childish naïveté. And in her expression and manners there was something new--guilty and diffident, as though she did not feel herself at home here in the Turkins' house. "How many summers, how many winters!" she said, giving Startsev her hand, and he could see that her heart was beating with excitement; and looking at him intently and curiously, she went on: "How much stouter you are! You look sunburnt and more manly, but on the whole you have changed very little." Now, too, he thought her attractive, very attractive, but there was something lacking in her, or else something superfluous--he could not himself have said exactly what it was, but something prevented him from feeling as before. He did not like her pallor, her new expression, her faint smile, her voice, and soon afterwards he disliked her clothes, too, the low chair in which she was sitting; he disliked something in the past when he had almost married her. He thought of his love, of the dreams and the hopes which had troubled him four years before--and he felt awkward. They had tea with cakes. Then Vera Iosifovna read aloud a novel; she read of things that never happen in real life, and Startsev listened, looked at her handsome grey head, and waited for her to finish. "People are not stupid because they can't write novels, but because they can't conceal it when they do," he thought. "Not badsome," said Ivan Petrovitch. Then Ekaterina Ivanovna played long and noisily on the piano, and when she finished she was profusely thanked and warmly praised. "It's a good thing I did not marry her," thought Startsev. She looked at him, and evidently expected him to ask her to go into the garden, but he remained silent. "Let us have a talk," she said, going up to him. "How are you getting on? What are you doing? How are things? I have been thinking about you all these days,"<\|quote\|>she went on nervously.</\|quote\|>"I wanted to write to you, wanted to come myself to see you at Dyalizh. I quite made up my mind to go, but afterwards I thought better of it. God knows what your attitude is towards me now; I have been looking forward to seeing you to-day with such emotion. For goodness' sake let us go into the garden." They went into the garden and sat down on the seat under the old maple, just as they had done four years before. It was dark. "How are you getting on?" asked Ekaterina Ivanovna. "Oh, all right; I am jogging along," answered Startsev. And he could think of nothing more. They were silent. "I feel so excited!" said Ekaterina Ivanovna, and she hid her face in her hands. "But don't pay attention to it. I am so happy to be at home; I am so glad to see every one. I can't get used to it. So many memories! I thought we should talk without stopping till morning." Now he saw her face near, her shining eyes, and in the darkness she looked younger than in the room, and even her old childish expression seemed to have come back to her. And indeed she was looking at him with naïve curiosity, as though she wanted to get a closer view and understanding of the man who had loved her so ardently, with such tenderness, and so unsuccessfully; her eyes thanked him for that love. And he remembered all that had been, every minute detail; how he had wandered about the cemetery, how he had returned home in the morning exhausted, and he suddenly felt sad and regretted the past. A warmth began glowing in his heart. "Do you remember how I took you to the dance at the club?" he asked. "It was dark and rainy then ..." The warmth was glowing now in his heart, and he longed to talk, to rail at life.... "Ech!" he said with a sigh. "You ask how I am living. How do we live here? Why, not at all. We grow old, we grow stout, we grow slack. Day after day passes; life slips by without colour, without expressions, without thoughts.... In the daytime working for gain, and in the evening the club, the company of card-players, alcoholic, raucous-voiced gentlemen whom I can't endure. What is there nice in it?" "Well, you have work--a noble object in life. You used to be so fond of talking of your hospital. I was such a queer girl then; I imagined myself such a great pianist. Nowadays all	The Lady and the Dog and Other Stories (4)
"No, no, my man, of course not."	Josiah Christmas	any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of	as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might	turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work,	sir, and I've been thinking, sir, as he must have took that money when Master Don here was up in the warehouse along o' me." "I daresay we shall find all out by-and-by, Wimble," said the old merchant, coldly. "That will do, now." Jem looked uneasily at Don, as he turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work, Wimble, which you do understand, and not meddle with things that are beyond you." "Certainly, sir, certainly," said Jem, quickly. "Just going, sir;" and giving Don a sympathetic look, he hurried out, but had hardly closed the door before he opened it again. "Beg pardon, sir, Mrs Lavington, sir, and	writing, Jem made a series of gesticulations with his hat, supplemented by some exceedingly queer grimaces, all meant as a kind of silent language, which was very expressive, but quite incomprehensible to Don. "Well?" said Uncle Josiah, sharply. "Beg pardon, sir! Thought you'd like to hear how we got on?" "Well?" "Went pretty quiet, sir, till we got about half-way there, and then he begun kicking like mad--leastways he didn't kick, because his legs was tied, but he let go all he could, and it was hard work to hold the ladder." "And he is now safely locked up?" "Yes, sir, and I've been thinking, sir, as he must have took that money when Master Don here was up in the warehouse along o' me." "I daresay we shall find all out by-and-by, Wimble," said the old merchant, coldly. "That will do, now." Jem looked uneasily at Don, as he turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work, Wimble, which you do understand, and not meddle with things that are beyond you." "Certainly, sir, certainly," said Jem, quickly. "Just going, sir;" and giving Don a sympathetic look, he hurried out, but had hardly closed the door before he opened it again. "Beg pardon, sir, Mrs Lavington, sir, and Miss Kitty." Don started from his stool, crimson with mortification. His mother! What would Uncle Josiah say? Jem Wimble gave Don another look full of condolence before he closed the door, leaving Mrs Lavington and her niece in the office. Mrs Lavington's face was full of anxiety and care, as she glanced from her son to her brother and back again, while Kitty's was as full of indignant reproof as she darted an angry look at Don, and then frowned and looked straight down at the floor. "Well?" said the old merchant, coldly, "why have you come? You know I	sat there with the most uncompromising of expressions on his face, and Don dared not speak. He dared not trust himself for very shame, as the incident had so upset him, that he felt sure that he must break down and cry like a child if he attempted to explain. After a time there was the sound of voices talking and laughing, and the click of the heavy latch of the gate. Then through the open windows came the deep _burr burr_ of Jem's bass, and the shrill inquiring tones of Sally Wimble, as she eagerly questioned her lord. Then there were steps, some of which passed the office door; and Don, as he sat with his head bent over a ledger, knew exactly whose steps those were, and where the makers of those steps were going to the different warehouses in the great yard. Directly after Jem's foot was heard, and he tapped at the door, pushed it a little way, and waited. "Come in," said Uncle Josiah, sharply. Jem entered, doffing his cocked hat, and casting a sympathising look at Don, who raised his head. Then seeing that his employer was deeply immersed in the letter he was writing, Jem made a series of gesticulations with his hat, supplemented by some exceedingly queer grimaces, all meant as a kind of silent language, which was very expressive, but quite incomprehensible to Don. "Well?" said Uncle Josiah, sharply. "Beg pardon, sir! Thought you'd like to hear how we got on?" "Well?" "Went pretty quiet, sir, till we got about half-way there, and then he begun kicking like mad--leastways he didn't kick, because his legs was tied, but he let go all he could, and it was hard work to hold the ladder." "And he is now safely locked up?" "Yes, sir, and I've been thinking, sir, as he must have took that money when Master Don here was up in the warehouse along o' me." "I daresay we shall find all out by-and-by, Wimble," said the old merchant, coldly. "That will do, now." Jem looked uneasily at Don, as he turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work, Wimble, which you do understand, and not meddle with things that are beyond you." "Certainly, sir, certainly," said Jem, quickly. "Just going, sir;" and giving Don a sympathetic look, he hurried out, but had hardly closed the door before he opened it again. "Beg pardon, sir, Mrs Lavington, sir, and Miss Kitty." Don started from his stool, crimson with mortification. His mother! What would Uncle Josiah say? Jem Wimble gave Don another look full of condolence before he closed the door, leaving Mrs Lavington and her niece in the office. Mrs Lavington's face was full of anxiety and care, as she glanced from her son to her brother and back again, while Kitty's was as full of indignant reproof as she darted an angry look at Don, and then frowned and looked straight down at the floor. "Well?" said the old merchant, coldly, "why have you come? You know I do not like you to bring Kitty here to the business place." "I--I heard--" faltered Mrs Lavington, who stood in great awe of her brother when he was in one of his stern moods. "Heard? Well, what did you hear?" "Such terrible news, Josiah." "Well, well, what?" "Oh, my brother!" she exclaimed, wildly, as she stepped forward and caught his hand, "tell me it is not true." "How can I tell you what is not true when I don't know what you are talking about," cried the old man, impatiently. "My dear Laura, do you think I have not worries enough without your coming here?" "Yes, yes; I know, dear." "And you ought to know that I shall do what is just and right." "I am sure of that, Josiah, but I felt obliged to come. Kitty and I were out shopping, and we met a crowd." "Then you should have turned down a side street." "But they were your men in the midst, and directly after I saw little Sally Wimble following." "Oh, she was, was she?" cried the old man, glad of some one on whom to vent his spleen. "That woman goes. How dare she leave the	way to the ladder sides. Cut the rope. Mr Christmas will not mind." The men grinned, and set to work so handily that in a few moments Mike was securely bound. "Now then," said the constable, "I'll have one round his middle; give me a piece of rope; I'll soon do that." He seized the rope, and, without rising, rapidly secured it to one side of the ladder. "Now," he said, "raise that end." This was done, the rope passed under Mike, drawn up on the other side, hauled upon till Mike yelled for mercy, and then knotted twice. "There, my lads," said the constable, rising; "now turn him over." The ladder was seized, turned, and there lay Mike on his back, safely secured. "Here, undo these," he said, sullenly. "I'll walk." "Too late, Mike, my boy. Now then, a couple of men head and tail. Let the ladder hang at arm's length. Best have given in quietly, and not have made yourself a show, Mike." "Don't I tell you I'll walk?" growled the prisoner. "And let us have all our trouble for nothing? No, my lad, it's too late. Ready there! Up with him. Good morning, sir. March!" The men lent themselves eagerly to the task, for Mike was thoroughly disliked; and a few minutes later there was a crowd gathering and following Mike Bannock as he was borne off, spread-eagled and half tipsy, to ponder on the theft and his chances in the cold damp place known in Bristol as the lock-up. Don Lavington stood in the office, waiting for his uncle to speak. CHAPTER FIVE. A STUBBORN DISPOSITION. "Stop!" Don had taken his hat, and, seeing his uncle apparently immersed in a letter, was about to yield to his curiosity and follow the constable, when, as he reached the door, his uncle's word thundered out and made him turn and go on with his writing in response to a severe look and a pointing finger. From time to time the boy looked up furtively as he sat, and wondered why his uncle did not say anything more about the money. But the time glided on, and the struggle between his desire to speak out frankly and his indignant wounded pride continued. A dozen times over he was on the point of crossing to the stern-looking old man, and begging him to listen and believe, but Uncle Josiah sat there with the most uncompromising of expressions on his face, and Don dared not speak. He dared not trust himself for very shame, as the incident had so upset him, that he felt sure that he must break down and cry like a child if he attempted to explain. After a time there was the sound of voices talking and laughing, and the click of the heavy latch of the gate. Then through the open windows came the deep _burr burr_ of Jem's bass, and the shrill inquiring tones of Sally Wimble, as she eagerly questioned her lord. Then there were steps, some of which passed the office door; and Don, as he sat with his head bent over a ledger, knew exactly whose steps those were, and where the makers of those steps were going to the different warehouses in the great yard. Directly after Jem's foot was heard, and he tapped at the door, pushed it a little way, and waited. "Come in," said Uncle Josiah, sharply. Jem entered, doffing his cocked hat, and casting a sympathising look at Don, who raised his head. Then seeing that his employer was deeply immersed in the letter he was writing, Jem made a series of gesticulations with his hat, supplemented by some exceedingly queer grimaces, all meant as a kind of silent language, which was very expressive, but quite incomprehensible to Don. "Well?" said Uncle Josiah, sharply. "Beg pardon, sir! Thought you'd like to hear how we got on?" "Well?" "Went pretty quiet, sir, till we got about half-way there, and then he begun kicking like mad--leastways he didn't kick, because his legs was tied, but he let go all he could, and it was hard work to hold the ladder." "And he is now safely locked up?" "Yes, sir, and I've been thinking, sir, as he must have took that money when Master Don here was up in the warehouse along o' me." "I daresay we shall find all out by-and-by, Wimble," said the old merchant, coldly. "That will do, now." Jem looked uneasily at Don, as he turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work, Wimble, which you do understand, and not meddle with things that are beyond you." "Certainly, sir, certainly," said Jem, quickly. "Just going, sir;" and giving Don a sympathetic look, he hurried out, but had hardly closed the door before he opened it again. "Beg pardon, sir, Mrs Lavington, sir, and Miss Kitty." Don started from his stool, crimson with mortification. His mother! What would Uncle Josiah say? Jem Wimble gave Don another look full of condolence before he closed the door, leaving Mrs Lavington and her niece in the office. Mrs Lavington's face was full of anxiety and care, as she glanced from her son to her brother and back again, while Kitty's was as full of indignant reproof as she darted an angry look at Don, and then frowned and looked straight down at the floor. "Well?" said the old merchant, coldly, "why have you come? You know I do not like you to bring Kitty here to the business place." "I--I heard--" faltered Mrs Lavington, who stood in great awe of her brother when he was in one of his stern moods. "Heard? Well, what did you hear?" "Such terrible news, Josiah." "Well, well, what?" "Oh, my brother!" she exclaimed, wildly, as she stepped forward and caught his hand, "tell me it is not true." "How can I tell you what is not true when I don't know what you are talking about," cried the old man, impatiently. "My dear Laura, do you think I have not worries enough without your coming here?" "Yes, yes; I know, dear." "And you ought to know that I shall do what is just and right." "I am sure of that, Josiah, but I felt obliged to come. Kitty and I were out shopping, and we met a crowd." "Then you should have turned down a side street." "But they were your men in the midst, and directly after I saw little Sally Wimble following." "Oh, she was, was she?" cried the old man, glad of some one on whom to vent his spleen. "That woman goes. How dare she leave the gates when her husband is out? I shall be having the place robbed again." "Yes, that is what she said, Josiah--that you had been robbed, and that Don--my boy--oh, no, no, no; say it is not true." Mrs Lavington looked wildly from one to the other, but there was a dead silence, and in a few minutes the poor woman's manner had entirely changed. When she first spoke it was as the timid, shrinking, affectionate woman; now it was as the mother speaking in defence of her child. "I say it is not true," she cried. "You undertook to be a father to my poor boy, and now you charge him with having robbed you." "Laura, be calm," said the old merchant, quietly; "and you had better take Kitty back home and wait." "You have always been too stern and harsh with the poor boy," continued Mrs Lavington, without heeding him. "I was foolish ever to come and trust to you. How dare you charge him with such a crime?" "I did not charge him with any crime, my dear Laura," said the old merchant, gravely. "Then it is not true?" "It is true that I have been robbed, and that the man whom Lindon has persisted in making his companion, in spite of all I have said to the contrary, has charged him with the base, contemptible crime of robbing the master who trusted him." "But it is not true, Josiah; and that is what you always do, treat my poor boy as if he were your servant instead of your nephew--your sister's boy." "I treat Lindon as if he were my son when we are at home," said the old man, quietly. "When we are here at the office I treat him as my clerk, and I trust him to look after my interests, and to defend me from dishonest people." Don looked up, and it was on his lips to say, "Indeed, uncle, I always have done so," when the old man's next words seemed to chill and harden him. "But instead of doing his duty by me, I have constantly had to reprove him for making a companion of a man whom I weakly, and against my better judgment, allowed in the yard; and the result is I have been robbed, and this man accuses Lindon of committing the robbery, and bribing him to silence." "But	the deep _burr burr_ of Jem's bass, and the shrill inquiring tones of Sally Wimble, as she eagerly questioned her lord. Then there were steps, some of which passed the office door; and Don, as he sat with his head bent over a ledger, knew exactly whose steps those were, and where the makers of those steps were going to the different warehouses in the great yard. Directly after Jem's foot was heard, and he tapped at the door, pushed it a little way, and waited. "Come in," said Uncle Josiah, sharply. Jem entered, doffing his cocked hat, and casting a sympathising look at Don, who raised his head. Then seeing that his employer was deeply immersed in the letter he was writing, Jem made a series of gesticulations with his hat, supplemented by some exceedingly queer grimaces, all meant as a kind of silent language, which was very expressive, but quite incomprehensible to Don. "Well?" said Uncle Josiah, sharply. "Beg pardon, sir! Thought you'd like to hear how we got on?" "Well?" "Went pretty quiet, sir, till we got about half-way there, and then he begun kicking like mad--leastways he didn't kick, because his legs was tied, but he let go all he could, and it was hard work to hold the ladder." "And he is now safely locked up?" "Yes, sir, and I've been thinking, sir, as he must have took that money when Master Don here was up in the warehouse along o' me." "I daresay we shall find all out by-and-by, Wimble," said the old merchant, coldly. "That will do, now." Jem looked uneasily at Don, as he turned his hat round to make sure which was the right way on, and moved slowly toward the door. "Which, begging your pardon, sir, you don't think now as--" "Well?" said the old merchant, sharply, for Jem had stopped. "Think as Mrs Wimble picked up any of the money, sir?"<\|quote\|>"No, no, my man, of course not."</\|quote\|>"Thankye, sir, I'm glad of that; and if I might make so bold, sir, about Master Don--" "What do you wish to say, man?" "Oh, nothing, sir, only I'm quite sure, sir, as it was all Mike Bannock's doing, and--" "I think you had better go on with your work, Wimble, which you do understand, and not meddle with things that are beyond you." "Certainly, sir, certainly," said Jem, quickly. "Just going, sir;" and giving Don a sympathetic look, he hurried out, but had hardly closed the door before he opened it again. "Beg pardon, sir, Mrs Lavington, sir, and Miss Kitty." Don started from his stool, crimson with mortification. His mother! What would Uncle Josiah say? Jem Wimble gave Don another look full of condolence before he closed the door, leaving Mrs Lavington and her niece in the office. Mrs Lavington's face was full of anxiety and care, as she glanced from her son to her brother and back again, while Kitty's was as full of indignant reproof as she darted an angry look at Don, and then frowned and looked straight down at the floor. "Well?" said the old merchant, coldly, "why have you come? You know I do not like you to bring Kitty here to the business place." "I--I heard--" faltered Mrs Lavington, who stood in great awe of her brother when he was in one of his stern moods. "Heard? Well, what did you hear?" "Such terrible news, Josiah." "Well, well, what?" "Oh, my brother!" she exclaimed, wildly, as she stepped forward and caught his hand, "tell me it is not true." "How can I tell you what is not true when I don't know what you are talking about," cried the old man, impatiently. "My dear Laura, do you think I have not worries enough without your coming here?" "Yes, yes; I know, dear." "And you ought to know that I shall do what is just and right." "I am sure of that, Josiah, but I felt obliged to come. Kitty and I were out shopping, and we met a crowd." "Then you should have turned down a side street." "But they were your men in the midst, and directly after I saw little Sally Wimble following." "Oh, she was, was she?" cried the old man, glad of some one on whom to vent his spleen. "That woman goes. How dare she leave the gates when her husband is out? I shall be having the place robbed again." "Yes, that is what she said, Josiah--that you had been robbed, and that Don--my boy--oh, no, no, no; say it is not true." Mrs Lavington looked wildly from one to the other, but there was a dead silence, and in a few minutes the poor woman's manner had entirely changed. When she first spoke it was as the timid, shrinking, affectionate woman; now it was as the mother speaking in defence of her child. "I say it is not true," she cried. "You undertook to be a father to my poor boy, and now you charge him with having robbed you." "Laura, be calm," said the old merchant, quietly; "and you had better take Kitty back home and wait." "You have always been too stern and harsh with	Don Lavington
"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"	Mrs. Costello	dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all	fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls	Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins	girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were "tremendous flirts." If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate	have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began earnestly, and with a desire for trustworthy information--" "you really think that--" But he paused again. "Think what, sir?" said his aunt. "That she is the sort of young lady who expects a man, sooner or later, to carry her off?" "I haven t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were "tremendous flirts." If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate her justly. Though he was impatient to see her, he hardly knew what he should say to her about his aunt s refusal to become acquainted with her; but he discovered, promptly enough, that with Miss Daisy Miller there was no great need of walking on tiptoe. He found her that evening in the garden, wandering about in the warm starlight like an indolent sylph, and swinging to and fro the largest fan he had ever beheld. It was ten o clock. He had dined with his aunt, had been sitting with her since dinner, and had just taken leave	about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me." "You had better have said at first," said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." "It was to guarantee my respectability," said Winterbourne. "And pray who is to guarantee hers?" "Ah, you are cruel!" said the young man. "She s a very nice young girl." "You don t say that as if you believed it," Mrs. Costello observed. "She is completely uncultivated," Winterbourne went on. "But she is wonderfully pretty, and, in short, she is very nice. To prove that I believe it, I am going to take her to the Chateau de Chillon." "You two are going off there together? I should say it proved just the contrary. How long had you known her, may I ask, when this interesting project was formed? You haven t been twenty-four hours in the house." "I have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began earnestly, and with a desire for trustworthy information--" "you really think that--" But he paused again. "Think what, sir?" said his aunt. "That she is the sort of young lady who expects a man, sooner or later, to carry her off?" "I haven t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were "tremendous flirts." If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate her justly. Though he was impatient to see her, he hardly knew what he should say to her about his aunt s refusal to become acquainted with her; but he discovered, promptly enough, that with Miss Daisy Miller there was no great need of walking on tiptoe. He found her that evening in the garden, wandering about in the warm starlight like an indolent sylph, and swinging to and fro the largest fan he had ever beheld. It was ten o clock. He had dined with his aunt, had been sitting with her since dinner, and had just taken leave of her till the morrow. Miss Daisy Miller seemed very glad to see him; she declared it was the longest evening she had ever passed. "Have you been all alone?" he asked. "I have been walking round with mother. But mother gets tired walking round," she answered. "Has she gone to bed?" "No; she doesn t like to go to bed," said the young girl. "She doesn t sleep--not three hours. She says she doesn t know how she lives. She s dreadfully nervous. I guess she sleeps more than she thinks. She s gone somewhere after Randolph; she wants to try to get him to go to bed. He doesn t like to go to bed." "Let us hope she will persuade him," observed Winterbourne. "She will talk to him all she can; but he doesn t like her to talk to him," said Miss Daisy, opening her fan. "She s going to try to get Eugenio to talk to him. But he isn t afraid of Eugenio. Eugenio s a splendid courier, but he can t make much impression on Randolph! I don t believe he ll go to bed before eleven." It appeared that Randolph s vigil	those who, as she said, were nearer to her. He had imbibed at Geneva the idea that one must always be attentive to one s aunt. Mrs. Costello had not seen him for many years, and she was greatly pleased with him, manifesting her approbation by initiating him into many of the secrets of that social sway which, as she gave him to understand, she exerted in the American capital. She admitted that she was very exclusive; but, if he were acquainted with New York, he would see that one had to be. And her picture of the minutely hierarchical constitution of the society of that city, which she presented to him in many different lights, was, to Winterbourne s imagination, almost oppressively striking. He immediately perceived, from her tone, that Miss Daisy Miller s place in the social scale was low. "I am afraid you don t approve of them," he said. "They are very common," Mrs. Costello declared. "They are the sort of Americans that one does one s duty by not--not accepting." "Ah, you don t accept them?" said the young man. "I can t, my dear Frederick. I would if I could, but I can t." "The young girl is very pretty," said Winterbourne in a moment. "Of course she s pretty. But she is very common." "I see what you mean, of course," said Winterbourne after another pause. "She has that charming look that they all have," his aunt resumed. "I can t think where they pick it up; and she dresses in perfection--no, you don t know how well she dresses. I can t think where they get their taste." "But, my dear aunt, she is not, after all, a Comanche savage." "She is a young lady," said Mrs. Costello, "who has an intimacy with her mamma s courier." "An intimacy with the courier?" the young man demanded. "Oh, the mother is just as bad! They treat the courier like a familiar friend--like a gentleman. I shouldn t wonder if he dines with them. Very likely they have never seen a man with such good manners, such fine clothes, so like a gentleman. He probably corresponds to the young lady s idea of a count. He sits with them in the garden in the evening. I think he smokes." Winterbourne listened with interest to these disclosures; they helped him to make up his mind about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me." "You had better have said at first," said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." "It was to guarantee my respectability," said Winterbourne. "And pray who is to guarantee hers?" "Ah, you are cruel!" said the young man. "She s a very nice young girl." "You don t say that as if you believed it," Mrs. Costello observed. "She is completely uncultivated," Winterbourne went on. "But she is wonderfully pretty, and, in short, she is very nice. To prove that I believe it, I am going to take her to the Chateau de Chillon." "You two are going off there together? I should say it proved just the contrary. How long had you known her, may I ask, when this interesting project was formed? You haven t been twenty-four hours in the house." "I have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began earnestly, and with a desire for trustworthy information--" "you really think that--" But he paused again. "Think what, sir?" said his aunt. "That she is the sort of young lady who expects a man, sooner or later, to carry her off?" "I haven t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were "tremendous flirts." If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate her justly. Though he was impatient to see her, he hardly knew what he should say to her about his aunt s refusal to become acquainted with her; but he discovered, promptly enough, that with Miss Daisy Miller there was no great need of walking on tiptoe. He found her that evening in the garden, wandering about in the warm starlight like an indolent sylph, and swinging to and fro the largest fan he had ever beheld. It was ten o clock. He had dined with his aunt, had been sitting with her since dinner, and had just taken leave of her till the morrow. Miss Daisy Miller seemed very glad to see him; she declared it was the longest evening she had ever passed. "Have you been all alone?" he asked. "I have been walking round with mother. But mother gets tired walking round," she answered. "Has she gone to bed?" "No; she doesn t like to go to bed," said the young girl. "She doesn t sleep--not three hours. She says she doesn t know how she lives. She s dreadfully nervous. I guess she sleeps more than she thinks. She s gone somewhere after Randolph; she wants to try to get him to go to bed. He doesn t like to go to bed." "Let us hope she will persuade him," observed Winterbourne. "She will talk to him all she can; but he doesn t like her to talk to him," said Miss Daisy, opening her fan. "She s going to try to get Eugenio to talk to him. But he isn t afraid of Eugenio. Eugenio s a splendid courier, but he can t make much impression on Randolph! I don t believe he ll go to bed before eleven." It appeared that Randolph s vigil was in fact triumphantly prolonged, for Winterbourne strolled about with the young girl for some time without meeting her mother. "I have been looking round for that lady you want to introduce me to," his companion resumed. "She s your aunt." Then, on Winterbourne s admitting the fact and expressing some curiosity as to how she had learned it, she said she had heard all about Mrs. Costello from the chambermaid. She was very quiet and very comme il faut; she wore white puffs; she spoke to no one, and she never dined at the table d hote. Every two days she had a headache. "I think that s a lovely description, headache and all!" said Miss Daisy, chattering along in her thin, gay voice. "I want to know her ever so much. I know just what YOUR aunt would be; I know I should like her. She would be very exclusive. I like a lady to be exclusive; I m dying to be exclusive myself. Well, we ARE exclusive, mother and I. We don t speak to everyone--or they don t speak to us. I suppose it s about the same thing. Anyway, I shall be ever so glad to know your aunt." Winterbourne was embarrassed. "She would be most happy," he said; "but I am afraid those headaches will interfere." The young girl looked at him through the dusk. "But I suppose she doesn t have a headache every day," she said sympathetically. Winterbourne was silent a moment. "She tells me she does," he answered at last, not knowing what to say. Miss Daisy Miller stopped and stood looking at him. Her prettiness was still visible in the darkness; she was opening and closing her enormous fan. "She doesn t want to know me!" she said suddenly. "Why don t you say so? You needn t be afraid. I m not afraid!" And she gave a little laugh. Winterbourne fancied there was a tremor in her voice; he was touched, shocked, mortified by it. "My dear young lady," he protested, "she knows no one. It s her wretched health." The young girl walked on a few steps, laughing still. "You needn t be afraid," she repeated. "Why should she want to know me?" Then she paused again; she was close to the parapet of the garden, and in front of her was the starlit lake. There was a	savage." "She is a young lady," said Mrs. Costello, "who has an intimacy with her mamma s courier." "An intimacy with the courier?" the young man demanded. "Oh, the mother is just as bad! They treat the courier like a familiar friend--like a gentleman. I shouldn t wonder if he dines with them. Very likely they have never seen a man with such good manners, such fine clothes, so like a gentleman. He probably corresponds to the young lady s idea of a count. He sits with them in the garden in the evening. I think he smokes." Winterbourne listened with interest to these disclosures; they helped him to make up his mind about Miss Daisy. Evidently she was rather wild. "Well," he said, "I am not a courier, and yet she was very charming to me." "You had better have said at first," said Mrs. Costello with dignity, "that you had made her acquaintance." "We simply met in the garden, and we talked a bit." "Tout bonnement! And pray what did you say?" "I said I should take the liberty of introducing her to my admirable aunt." "I am much obliged to you." "It was to guarantee my respectability," said Winterbourne. "And pray who is to guarantee hers?" "Ah, you are cruel!" said the young man. "She s a very nice young girl." "You don t say that as if you believed it," Mrs. Costello observed. "She is completely uncultivated," Winterbourne went on. "But she is wonderfully pretty, and, in short, she is very nice. To prove that I believe it, I am going to take her to the Chateau de Chillon." "You two are going off there together? I should say it proved just the contrary. How long had you known her, may I ask, when this interesting project was formed? You haven t been twenty-four hours in the house." "I have known her half an hour!" said Winterbourne, smiling. "Dear me!" cried Mrs. Costello. "What a dreadful girl!" Her nephew was silent for some moments. "You really think, then," he began earnestly, and with a desire for trustworthy information--" "you really think that--" But he paused again. "Think what, sir?" said his aunt. "That she is the sort of young lady who expects a man, sooner or later, to carry her off?" "I haven t the least idea what such young ladies expect a man to do. But I really think that you had better not meddle with little American girls that are uncultivated, as you call them. You have lived too long out of the country. You will be sure to make some great mistake. You are too innocent." "My dear aunt, I am not so innocent," said Winterbourne, smiling and curling his mustache. "You are guilty too, then!" Winterbourne continued to curl his mustache meditatively. "You won t let the poor girl know you then?" he asked at last. "Is it literally true that she is going to the Chateau de Chillon with you?" "I think that she fully intends it." "Then, my dear Frederick," said Mrs. Costello,<\|quote\|>"I must decline the honor of her acquaintance. I am an old woman, but I am not too old, thank Heaven, to be shocked!"</\|quote\|>"But don t they all do these things--the young girls in America?" Winterbourne inquired. Mrs. Costello stared a moment. "I should like to see my granddaughters do them!" she declared grimly. This seemed to throw some light upon the matter, for Winterbourne remembered to have heard that his pretty cousins in New York were "tremendous flirts." If, therefore, Miss Daisy Miller exceeded the liberal margin allowed to these young ladies, it was probable that anything might be expected of her. Winterbourne was impatient to see her again, and he was vexed with himself that, by instinct, he should not appreciate her justly. Though he was impatient to see her, he hardly knew what he should say to her about his aunt s refusal to become acquainted with her; but he discovered, promptly enough, that with Miss Daisy Miller there was no great need of walking on tiptoe. He found her that evening in the garden, wandering about in the warm starlight like an indolent sylph, and swinging to and fro the largest fan he had ever beheld. It was ten o clock. He had dined with his aunt, had been sitting with her since dinner, and had just taken leave of her till the morrow. Miss Daisy Miller seemed very glad to see him; she declared it was the longest evening she had ever passed. "Have you been all alone?" he asked. "I have been walking round with mother. But mother gets tired walking round," she answered. "Has she gone to bed?" "No; she doesn t like to go to bed," said the young girl. "She doesn t sleep--not three hours. She says she doesn t know how she lives. She s dreadfully nervous. I guess she sleeps more than she thinks. She s gone somewhere after Randolph; she wants to try to get him to go to bed. He doesn t like to go to bed." "Let us hope she will persuade him," observed Winterbourne. "She will talk to him all she can; but he doesn t like her to	Daisy Miller
"Isn't that perhaps the reason?"	Ellen Olenska	and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great	hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves	of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless	he said, "New York laid itself out for you. The van der Luydens do nothing by halves." "No: how kind they are! It was such a nice party. Every one seems to have such an esteem for them." The terms were hardly adequate; she might have spoken in that way of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless Japanese cups and little covered dishes, placing the tray on a low table. "But you'll explain these things to me--you'll tell me all I ought to know," Madame Olenska continued, leaning forward to hand him his cup. "It's you who are telling me; opening my eyes to things I'd looked	wondered if she did not begin to see what a powerful engine it was, and how nearly it had crushed her. The Lovell Mingotts' dinner, patched up in extremis out of all sorts of social odds and ends, ought to have taught her the narrowness of her escape; but either she had been all along unaware of having skirted disaster, or else she had lost sight of it in the triumph of the van der Luyden evening. Archer inclined to the former theory; he fancied that her New York was still completely undifferentiated, and the conjecture nettled him. "Last night," he said, "New York laid itself out for you. The van der Luydens do nothing by halves." "No: how kind they are! It was such a nice party. Every one seems to have such an esteem for them." The terms were hardly adequate; she might have spoken in that way of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless Japanese cups and little covered dishes, placing the tray on a low table. "But you'll explain these things to me--you'll tell me all I ought to know," Madame Olenska continued, leaning forward to hand him his cup. "It's you who are telling me; opening my eyes to things I'd looked at so long that I'd ceased to see them." She detached a small gold cigarette-case from one of her bracelets, held it out to him, and took a cigarette herself. On the chimney were long spills for lighting them. "Ah, then we can both help each other. But I want help so much more. You must tell me just what to do." It was on the tip of his tongue to reply: "Don't be seen driving about the streets with Beaufort--" but he was being too deeply drawn into the atmosphere of the room, which was her atmosphere, and to	be allowed to stay in this one." She appeared to dismiss both Beaufort and himself from her mind, and went on: "I've never been in a city where there seems to be such a feeling against living in des quartiers excentriques. What does it matter where one lives? I'm told this street is respectable." "It's not fashionable." "Fashionable! Do you all think so much of that? Why not make one's own fashions? But I suppose I've lived too independently; at any rate, I want to do what you all do--I want to feel cared for and safe." He was touched, as he had been the evening before when she spoke of her need of guidance. "That's what your friends want you to feel. New York's an awfully safe place," he added with a flash of sarcasm. "Yes, isn't it? One feels that," she cried, missing the mockery. "Being here is like--like--being taken on a holiday when one has been a good little girl and done all one's lessons." The analogy was well meant, but did not altogether please him. He did not mind being flippant about New York, but disliked to hear any one else take the same tone. He wondered if she did not begin to see what a powerful engine it was, and how nearly it had crushed her. The Lovell Mingotts' dinner, patched up in extremis out of all sorts of social odds and ends, ought to have taught her the narrowness of her escape; but either she had been all along unaware of having skirted disaster, or else she had lost sight of it in the triumph of the van der Luyden evening. Archer inclined to the former theory; he fancied that her New York was still completely undifferentiated, and the conjecture nettled him. "Last night," he said, "New York laid itself out for you. The van der Luydens do nothing by halves." "No: how kind they are! It was such a nice party. Every one seems to have such an esteem for them." The terms were hardly adequate; she might have spoken in that way of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless Japanese cups and little covered dishes, placing the tray on a low table. "But you'll explain these things to me--you'll tell me all I ought to know," Madame Olenska continued, leaning forward to hand him his cup. "It's you who are telling me; opening my eyes to things I'd looked at so long that I'd ceased to see them." She detached a small gold cigarette-case from one of her bracelets, held it out to him, and took a cigarette herself. On the chimney were long spills for lighting them. "Ah, then we can both help each other. But I want help so much more. You must tell me just what to do." It was on the tip of his tongue to reply: "Don't be seen driving about the streets with Beaufort--" but he was being too deeply drawn into the atmosphere of the room, which was her atmosphere, and to give advice of that sort would have been like telling some one who was bargaining for attar-of-roses in Samarkand that one should always be provided with arctics for a New York winter. New York seemed much farther off than Samarkand, and if they were indeed to help each other she was rendering what might prove the first of their mutual services by making him look at his native city objectively. Viewed thus, as through the wrong end of a telescope, it looked disconcertingly small and distant; but then from Samarkand it would. A flame darted from the logs and she bent over the fire, stretching her thin hands so close to it that a faint halo shone about the oval nails. The light touched to russet the rings of dark hair escaping from her braids, and made her pale face paler. "There are plenty of people to tell you what to do," Archer rejoined, obscurely envious of them. "Oh--all my aunts? And my dear old Granny?" She considered the idea impartially. "They're all a little vexed with me for setting up for myself--poor Granny especially. She wanted to keep me with her; but I had to be free--" He was	him, and in its light he saw Julius Beaufort's compact English brougham, drawn by a big roan, and the banker descending from it, and helping out Madame Olenska. Beaufort stood, hat in hand, saying something which his companion seemed to negative; then they shook hands, and he jumped into his carriage while she mounted the steps. When she entered the room she showed no surprise at seeing Archer there; surprise seemed the emotion that she was least addicted to. "How do you like my funny house?" she asked. "To me it's like heaven." As she spoke she untied her little velvet bonnet and tossing it away with her long cloak stood looking at him with meditative eyes. "You've arranged it delightfully," he rejoined, alive to the flatness of the words, but imprisoned in the conventional by his consuming desire to be simple and striking. "Oh, it's a poor little place. My relations despise it. But at any rate it's less gloomy than the van der Luydens'." The words gave him an electric shock, for few were the rebellious spirits who would have dared to call the stately home of the van der Luydens gloomy. Those privileged to enter it shivered there, and spoke of it as "handsome." But suddenly he was glad that she had given voice to the general shiver. "It's delicious--what you've done here," he repeated. "I like the little house," she admitted; "but I suppose what I like is the blessedness of its being here, in my own country and my own town; and then, of being alone in it." She spoke so low that he hardly heard the last phrase; but in his awkwardness he took it up. "You like so much to be alone?" "Yes; as long as my friends keep me from feeling lonely." She sat down near the fire, said: "Nastasia will bring the tea presently," and signed to him to return to his armchair, adding: "I see you've already chosen your corner." Leaning back, she folded her arms behind her head, and looked at the fire under drooping lids. "This is the hour I like best--don't you?" A proper sense of his dignity caused him to answer: "I was afraid you'd forgotten the hour. Beaufort must have been very engrossing." She looked amused. "Why--have you waited long? Mr. Beaufort took me to see a number of houses--since it seems I'm not to be allowed to stay in this one." She appeared to dismiss both Beaufort and himself from her mind, and went on: "I've never been in a city where there seems to be such a feeling against living in des quartiers excentriques. What does it matter where one lives? I'm told this street is respectable." "It's not fashionable." "Fashionable! Do you all think so much of that? Why not make one's own fashions? But I suppose I've lived too independently; at any rate, I want to do what you all do--I want to feel cared for and safe." He was touched, as he had been the evening before when she spoke of her need of guidance. "That's what your friends want you to feel. New York's an awfully safe place," he added with a flash of sarcasm. "Yes, isn't it? One feels that," she cried, missing the mockery. "Being here is like--like--being taken on a holiday when one has been a good little girl and done all one's lessons." The analogy was well meant, but did not altogether please him. He did not mind being flippant about New York, but disliked to hear any one else take the same tone. He wondered if she did not begin to see what a powerful engine it was, and how nearly it had crushed her. The Lovell Mingotts' dinner, patched up in extremis out of all sorts of social odds and ends, ought to have taught her the narrowness of her escape; but either she had been all along unaware of having skirted disaster, or else she had lost sight of it in the triumph of the van der Luyden evening. Archer inclined to the former theory; he fancied that her New York was still completely undifferentiated, and the conjecture nettled him. "Last night," he said, "New York laid itself out for you. The van der Luydens do nothing by halves." "No: how kind they are! It was such a nice party. Every one seems to have such an esteem for them." The terms were hardly adequate; she might have spoken in that way of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless Japanese cups and little covered dishes, placing the tray on a low table. "But you'll explain these things to me--you'll tell me all I ought to know," Madame Olenska continued, leaning forward to hand him his cup. "It's you who are telling me; opening my eyes to things I'd looked at so long that I'd ceased to see them." She detached a small gold cigarette-case from one of her bracelets, held it out to him, and took a cigarette herself. On the chimney were long spills for lighting them. "Ah, then we can both help each other. But I want help so much more. You must tell me just what to do." It was on the tip of his tongue to reply: "Don't be seen driving about the streets with Beaufort--" but he was being too deeply drawn into the atmosphere of the room, which was her atmosphere, and to give advice of that sort would have been like telling some one who was bargaining for attar-of-roses in Samarkand that one should always be provided with arctics for a New York winter. New York seemed much farther off than Samarkand, and if they were indeed to help each other she was rendering what might prove the first of their mutual services by making him look at his native city objectively. Viewed thus, as through the wrong end of a telescope, it looked disconcertingly small and distant; but then from Samarkand it would. A flame darted from the logs and she bent over the fire, stretching her thin hands so close to it that a faint halo shone about the oval nails. The light touched to russet the rings of dark hair escaping from her braids, and made her pale face paler. "There are plenty of people to tell you what to do," Archer rejoined, obscurely envious of them. "Oh--all my aunts? And my dear old Granny?" She considered the idea impartially. "They're all a little vexed with me for setting up for myself--poor Granny especially. She wanted to keep me with her; but I had to be free--" He was impressed by this light way of speaking of the formidable Catherine, and moved by the thought of what must have given Madame Olenska this thirst for even the loneliest kind of freedom. But the idea of Beaufort gnawed him. "I think I understand how you feel," he said. "Still, your family can advise you; explain differences; show you the way." She lifted her thin black eyebrows. "Is New York such a labyrinth? I thought it so straight up and down--like Fifth Avenue. And with all the cross streets numbered!" She seemed to guess his faint disapproval of this, and added, with the rare smile that enchanted her whole face: "If you knew how I like it for just THAT--the straight-up-and-downness, and the big honest labels on everything!" He saw his chance. "Everything may be labelled--but everybody is not." "Perhaps. I may simplify too much--but you'll warn me if I do." She turned from the fire to look at him. "There are only two people here who make me feel as if they understood what I mean and could explain things to me: you and Mr. Beaufort." Archer winced at the joining of the names, and then, with a quick readjustment, understood, sympathised and pitied. So close to the powers of evil she must have lived that she still breathed more freely in their air. But since she felt that he understood her also, his business would be to make her see Beaufort as he really was, with all he represented--and abhor it. He answered gently: "I understand. But just at first don't let go of your old friends' hands: I mean the older women, your Granny Mingott, Mrs. Welland, Mrs. van der Luyden. They like and admire you--they want to help you." She shook her head and sighed. "Oh, I know--I know! But on condition that they don't hear anything unpleasant. Aunt Welland put it in those very words when I tried.... Does no one want to know the truth here, Mr. Archer? The real loneliness is living among all these kind people who only ask one to pretend!" She lifted her hands to her face, and he saw her thin shoulders shaken by a sob. "Madame Olenska!--Oh, don't, Ellen," he cried, starting up and bending over her. He drew down one of her hands, clasping and chafing it like a child's while he murmured reassuring words; but in a	to be such a feeling against living in des quartiers excentriques. What does it matter where one lives? I'm told this street is respectable." "It's not fashionable." "Fashionable! Do you all think so much of that? Why not make one's own fashions? But I suppose I've lived too independently; at any rate, I want to do what you all do--I want to feel cared for and safe." He was touched, as he had been the evening before when she spoke of her need of guidance. "That's what your friends want you to feel. New York's an awfully safe place," he added with a flash of sarcasm. "Yes, isn't it? One feels that," she cried, missing the mockery. "Being here is like--like--being taken on a holiday when one has been a good little girl and done all one's lessons." The analogy was well meant, but did not altogether please him. He did not mind being flippant about New York, but disliked to hear any one else take the same tone. He wondered if she did not begin to see what a powerful engine it was, and how nearly it had crushed her. The Lovell Mingotts' dinner, patched up in extremis out of all sorts of social odds and ends, ought to have taught her the narrowness of her escape; but either she had been all along unaware of having skirted disaster, or else she had lost sight of it in the triumph of the van der Luyden evening. Archer inclined to the former theory; he fancied that her New York was still completely undifferentiated, and the conjecture nettled him. "Last night," he said, "New York laid itself out for you. The van der Luydens do nothing by halves." "No: how kind they are! It was such a nice party. Every one seems to have such an esteem for them." The terms were hardly adequate; she might have spoken in that way of a tea-party at the dear old Miss Lannings'. "The van der Luydens," said Archer, feeling himself pompous as he spoke, "are the most powerful influence in New York society. Unfortunately--owing to her health--they receive very seldom." She unclasped her hands from behind her head, and looked at him meditatively.<\|quote\|>"Isn't that perhaps the reason?"</\|quote\|>"The reason--?" "For their great influence; that they make themselves so rare." He coloured a little, stared at her--and suddenly felt the penetration of the remark. At a stroke she had pricked the van der Luydens and they collapsed. He laughed, and sacrificed them. Nastasia brought the tea, with handleless Japanese cups and little covered dishes, placing the tray on a low table. "But you'll explain these things to me--you'll tell me all I ought to know," Madame Olenska continued, leaning forward to hand him his cup. "It's you who are telling me; opening my eyes to things I'd looked at so long that I'd ceased to see them." She detached a small gold cigarette-case from one of her bracelets, held it out to him, and took a cigarette herself. On the chimney were long spills for lighting them. "Ah, then we can both help each other. But I want help so much more. You must tell me just what to do." It was on the tip of his tongue to reply: "Don't be seen driving about the streets with Beaufort--" but he was being too deeply drawn into the atmosphere of the room, which was her atmosphere, and to give advice of that sort would have been like telling some one who was bargaining for attar-of-roses in Samarkand that one should always be provided with arctics for a New York winter. New York seemed much farther off than Samarkand, and if they were indeed to help each other she was rendering what might prove the first of their mutual services by making him look at his native city objectively. Viewed thus, as through the wrong end of a telescope, it looked disconcertingly small and distant; but then from Samarkand it would. A flame darted from the logs and she bent over the fire, stretching her thin hands so close to it that a faint halo shone about the oval nails. The light touched to russet the rings of dark hair escaping from her braids, and made her pale face paler. "There are plenty of people to tell you what to do," Archer rejoined, obscurely envious of them. "Oh--all my aunts? And my dear old Granny?" She considered the idea impartially. "They're all a little vexed with me for setting up for myself--poor Granny especially. She wanted to keep me with her; but I had to be free--" He was impressed by this light way of speaking of the formidable Catherine, and moved by the thought of what must have given Madame Olenska this thirst for even the loneliest kind of freedom. But the idea of Beaufort gnawed him. "I think I understand how you feel," he said. "Still, your family can advise you; explain differences; show you the way." She lifted her thin black eyebrows. "Is New York such a labyrinth? I thought it so straight up and down--like Fifth Avenue. And with all the cross streets numbered!" She seemed to guess his faint disapproval of this, and added, with the rare smile that enchanted her whole face: "If you knew how I like it	The Age Of Innocence
"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"	Gabriel Syme	himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a	be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling	as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his	that lower room he stood stricken and rooted to the spot. At a small table, close up to the blank window and the white street of snow, sat the old anarchist Professor over a glass of milk, with his lifted livid face and pendent eyelids. For an instant Syme stood as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his eyes and beard, they added their unremitting futility to his already irritated nerves; and by the time that he had come at a swinging pace to the beginning of Fleet Street, he lost patience, and finding a Sunday teashop, turned into it to take shelter. He ordered another cup of	The wine, the common food, the familiar place, the faces of natural and talkative men, made him almost feel as if the Council of the Seven Days had been a bad dream; and although he knew it was nevertheless an objective reality, it was at least a distant one. Tall houses and populous streets lay between him and his last sight of the shameful seven; he was free in free London, and drinking wine among the free. With a somewhat easier action, he took his hat and stick and strolled down the stair into the shop below. When he entered that lower room he stood stricken and rooted to the spot. At a small table, close up to the blank window and the white street of snow, sat the old anarchist Professor over a glass of milk, with his lifted livid face and pendent eyelids. For an instant Syme stood as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his eyes and beard, they added their unremitting futility to his already irritated nerves; and by the time that he had come at a swinging pace to the beginning of Fleet Street, he lost patience, and finding a Sunday teashop, turned into it to take shelter. He ordered another cup of black coffee as an excuse. Scarcely had he done so, when Professor de Worms hobbled heavily into the shop, sat down with difficulty and ordered a glass of milk. Syme's walking-stick had fallen from his hand with a great clang, which confessed the concealed steel. But the Professor did not look round. Syme, who was commonly a cool character, was literally gaping as a rustic gapes at a conjuring trick. He had seen no cab following; he had heard no wheels outside the shop; to all mortal appearances the man had come on foot. But the old man could only	trance. He was not inclined, however, to feel in this case any very compassionate concern. On the contrary, he rather congratulated himself that the Professor's stroke and his elaborate and limping walk would make it easy to escape from him and leave him miles behind. For Syme thirsted first and last to get clear of the whole poisonous atmosphere, if only for an hour. Then he could collect his thoughts, formulate his policy, and decide finally whether he should or should not keep faith with Gregory. He strolled away through the dancing snow, turned up two or three streets, down through two or three others, and entered a small Soho restaurant for lunch. He partook reflectively of four small and quaint courses, drank half a bottle of red wine, and ended up over black coffee and a black cigar, still thinking. He had taken his seat in the upper room of the restaurant, which was full of the chink of knives and the chatter of foreigners. He remembered that in old days he had imagined that all these harmless and kindly aliens were anarchists. He shuddered, remembering the real thing. But even the shudder had the delightful shame of escape. The wine, the common food, the familiar place, the faces of natural and talkative men, made him almost feel as if the Council of the Seven Days had been a bad dream; and although he knew it was nevertheless an objective reality, it was at least a distant one. Tall houses and populous streets lay between him and his last sight of the shameful seven; he was free in free London, and drinking wine among the free. With a somewhat easier action, he took his hat and stick and strolled down the stair into the shop below. When he entered that lower room he stood stricken and rooted to the spot. At a small table, close up to the blank window and the white street of snow, sat the old anarchist Professor over a glass of milk, with his lifted livid face and pendent eyelids. For an instant Syme stood as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his eyes and beard, they added their unremitting futility to his already irritated nerves; and by the time that he had come at a swinging pace to the beginning of Fleet Street, he lost patience, and finding a Sunday teashop, turned into it to take shelter. He ordered another cup of black coffee as an excuse. Scarcely had he done so, when Professor de Worms hobbled heavily into the shop, sat down with difficulty and ordered a glass of milk. Syme's walking-stick had fallen from his hand with a great clang, which confessed the concealed steel. But the Professor did not look round. Syme, who was commonly a cool character, was literally gaping as a rustic gapes at a conjuring trick. He had seen no cab following; he had heard no wheels outside the shop; to all mortal appearances the man had come on foot. But the old man could only walk like a snail, and Syme had walked like the wind. He started up and snatched his stick, half crazy with the contradiction in mere arithmetic, and swung out of the swinging doors, leaving his coffee untasted. An omnibus going to the Bank went rattling by with an unusual rapidity. He had a violent run of a hundred yards to reach it; but he managed to spring, swaying upon the splash-board and, pausing for an instant to pant, he climbed on to the top. When he had been seated for about half a minute, he heard behind him a sort of heavy and asthmatic breathing. Turning sharply, he saw rising gradually higher and higher up the omnibus steps a top hat soiled and dripping with snow, and under the shadow of its brim the short-sighted face and shaky shoulders of Professor de Worms. He let himself into a seat with characteristic care, and wrapped himself up to the chin in the mackintosh rug. Every movement of the old man's tottering figure and vague hands, every uncertain gesture and panic-stricken pause, seemed to put it beyond question that he was helpless, that he was in the last imbecility of the body.	meant that while Sunday could not denounce him like Gogol, he still could not trust him like the others. The other four got to their feet grumbling more or less, and betook themselves elsewhere to find lunch, for it was already well past midday. The Professor went last, very slowly and painfully. Syme sat long after the rest had gone, revolving his strange position. He had escaped a thunderbolt, but he was still under a cloud. At last he rose and made his way out of the hotel into Leicester Square. The bright, cold day had grown increasingly colder, and when he came out into the street he was surprised by a few flakes of snow. While he still carried the sword-stick and the rest of Gregory's portable luggage, he had thrown the cloak down and left it somewhere, perhaps on the steam-tug, perhaps on the balcony. Hoping, therefore, that the snow-shower might be slight, he stepped back out of the street for a moment and stood up under the doorway of a small and greasy hair-dresser's shop, the front window of which was empty, except for a sickly wax lady in evening dress. Snow, however, began to thicken and fall fast; and Syme, having found one glance at the wax lady quite sufficient to depress his spirits, stared out instead into the white and empty street. He was considerably astonished to see, standing quite still outside the shop and staring into the window, a man. His top hat was loaded with snow like the hat of Father Christmas, the white drift was rising round his boots and ankles; but it seemed as if nothing could tear him away from the contemplation of the colourless wax doll in dirty evening dress. That any human being should stand in such weather looking into such a shop was a matter of sufficient wonder to Syme; but his idle wonder turned suddenly into a personal shock; for he realised that the man standing there was the paralytic old Professor de Worms. It scarcely seemed the place for a person of his years and infirmities. Syme was ready to believe anything about the perversions of this dehumanized brotherhood; but even he could not believe that the Professor had fallen in love with that particular wax lady. He could only suppose that the man's malady (whatever it was) involved some momentary fits of rigidity or trance. He was not inclined, however, to feel in this case any very compassionate concern. On the contrary, he rather congratulated himself that the Professor's stroke and his elaborate and limping walk would make it easy to escape from him and leave him miles behind. For Syme thirsted first and last to get clear of the whole poisonous atmosphere, if only for an hour. Then he could collect his thoughts, formulate his policy, and decide finally whether he should or should not keep faith with Gregory. He strolled away through the dancing snow, turned up two or three streets, down through two or three others, and entered a small Soho restaurant for lunch. He partook reflectively of four small and quaint courses, drank half a bottle of red wine, and ended up over black coffee and a black cigar, still thinking. He had taken his seat in the upper room of the restaurant, which was full of the chink of knives and the chatter of foreigners. He remembered that in old days he had imagined that all these harmless and kindly aliens were anarchists. He shuddered, remembering the real thing. But even the shudder had the delightful shame of escape. The wine, the common food, the familiar place, the faces of natural and talkative men, made him almost feel as if the Council of the Seven Days had been a bad dream; and although he knew it was nevertheless an objective reality, it was at least a distant one. Tall houses and populous streets lay between him and his last sight of the shameful seven; he was free in free London, and drinking wine among the free. With a somewhat easier action, he took his hat and stick and strolled down the stair into the shop below. When he entered that lower room he stood stricken and rooted to the spot. At a small table, close up to the blank window and the white street of snow, sat the old anarchist Professor over a glass of milk, with his lifted livid face and pendent eyelids. For an instant Syme stood as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his eyes and beard, they added their unremitting futility to his already irritated nerves; and by the time that he had come at a swinging pace to the beginning of Fleet Street, he lost patience, and finding a Sunday teashop, turned into it to take shelter. He ordered another cup of black coffee as an excuse. Scarcely had he done so, when Professor de Worms hobbled heavily into the shop, sat down with difficulty and ordered a glass of milk. Syme's walking-stick had fallen from his hand with a great clang, which confessed the concealed steel. But the Professor did not look round. Syme, who was commonly a cool character, was literally gaping as a rustic gapes at a conjuring trick. He had seen no cab following; he had heard no wheels outside the shop; to all mortal appearances the man had come on foot. But the old man could only walk like a snail, and Syme had walked like the wind. He started up and snatched his stick, half crazy with the contradiction in mere arithmetic, and swung out of the swinging doors, leaving his coffee untasted. An omnibus going to the Bank went rattling by with an unusual rapidity. He had a violent run of a hundred yards to reach it; but he managed to spring, swaying upon the splash-board and, pausing for an instant to pant, he climbed on to the top. When he had been seated for about half a minute, he heard behind him a sort of heavy and asthmatic breathing. Turning sharply, he saw rising gradually higher and higher up the omnibus steps a top hat soiled and dripping with snow, and under the shadow of its brim the short-sighted face and shaky shoulders of Professor de Worms. He let himself into a seat with characteristic care, and wrapped himself up to the chin in the mackintosh rug. Every movement of the old man's tottering figure and vague hands, every uncertain gesture and panic-stricken pause, seemed to put it beyond question that he was helpless, that he was in the last imbecility of the body. He moved by inches, he let himself down with little gasps of caution. And yet, unless the philosophical entities called time and space have no vestige even of a practical existence, it appeared quite unquestionable that he had run after the omnibus. Syme sprang erect upon the rocking car, and after staring wildly at the wintry sky, that grew gloomier every moment, he ran down the steps. He had repressed an elemental impulse to leap over the side. Too bewildered to look back or to reason, he rushed into one of the little courts at the side of Fleet Street as a rabbit rushes into a hole. He had a vague idea, if this incomprehensible old Jack-in-the-box was really pursuing him, that in that labyrinth of little streets he could soon throw him off the scent. He dived in and out of those crooked lanes, which were more like cracks than thoroughfares; and by the time that he had completed about twenty alternate angles and described an unthinkable polygon, he paused to listen for any sound of pursuit. There was none; there could not in any case have been much, for the little streets were thick with the soundless snow. Somewhere behind Red Lion Court, however, he noticed a place where some energetic citizen had cleared away the snow for a space of about twenty yards, leaving the wet, glistening cobble-stones. He thought little of this as he passed it, only plunging into yet another arm of the maze. But when a few hundred yards farther on he stood still again to listen, his heart stood still also, for he heard from that space of rugged stones the clinking crutch and labouring feet of the infernal cripple. The sky above was loaded with the clouds of snow, leaving London in a darkness and oppression premature for that hour of the evening. On each side of Syme the walls of the alley were blind and featureless; there was no little window or any kind of eve. He felt a new impulse to break out of this hive of houses, and to get once more into the open and lamp-lit street. Yet he rambled and dodged for a long time before he struck the main thoroughfare. When he did so, he struck it much farther up than he had fancied. He came out into what seemed the vast and void of Ludgate	found one glance at the wax lady quite sufficient to depress his spirits, stared out instead into the white and empty street. He was considerably astonished to see, standing quite still outside the shop and staring into the window, a man. His top hat was loaded with snow like the hat of Father Christmas, the white drift was rising round his boots and ankles; but it seemed as if nothing could tear him away from the contemplation of the colourless wax doll in dirty evening dress. That any human being should stand in such weather looking into such a shop was a matter of sufficient wonder to Syme; but his idle wonder turned suddenly into a personal shock; for he realised that the man standing there was the paralytic old Professor de Worms. It scarcely seemed the place for a person of his years and infirmities. Syme was ready to believe anything about the perversions of this dehumanized brotherhood; but even he could not believe that the Professor had fallen in love with that particular wax lady. He could only suppose that the man's malady (whatever it was) involved some momentary fits of rigidity or trance. He was not inclined, however, to feel in this case any very compassionate concern. On the contrary, he rather congratulated himself that the Professor's stroke and his elaborate and limping walk would make it easy to escape from him and leave him miles behind. For Syme thirsted first and last to get clear of the whole poisonous atmosphere, if only for an hour. Then he could collect his thoughts, formulate his policy, and decide finally whether he should or should not keep faith with Gregory. He strolled away through the dancing snow, turned up two or three streets, down through two or three others, and entered a small Soho restaurant for lunch. He partook reflectively of four small and quaint courses, drank half a bottle of red wine, and ended up over black coffee and a black cigar, still thinking. He had taken his seat in the upper room of the restaurant, which was full of the chink of knives and the chatter of foreigners. He remembered that in old days he had imagined that all these harmless and kindly aliens were anarchists. He shuddered, remembering the real thing. But even the shudder had the delightful shame of escape. The wine, the common food, the familiar place, the faces of natural and talkative men, made him almost feel as if the Council of the Seven Days had been a bad dream; and although he knew it was nevertheless an objective reality, it was at least a distant one. Tall houses and populous streets lay between him and his last sight of the shameful seven; he was free in free London, and drinking wine among the free. With a somewhat easier action, he took his hat and stick and strolled down the stair into the shop below. When he entered that lower room he stood stricken and rooted to the spot. At a small table, close up to the blank window and the white street of snow, sat the old anarchist Professor over a glass of milk, with his lifted livid face and pendent eyelids. For an instant Syme stood as rigid as the stick he leant upon. Then with a gesture as of blind hurry, he brushed past the Professor, dashing open the door and slamming it behind him, and stood outside in the snow. "Can that old corpse be following me?" he asked himself, biting his yellow moustache.<\|quote\|>"I stopped too long up in that room, so that even such leaden feet could catch me up. One comfort is, with a little brisk walking I can put a man like that as far away as Timbuctoo. Or am I too fanciful? Was he really following me? Surely Sunday would not be such a fool as to send a lame man?"</\|quote\|>He set off at a smart pace, twisting and whirling his stick, in the direction of Covent Garden. As he crossed the great market the snow increased, growing blinding and bewildering as the afternoon began to darken. The snow-flakes tormented him like a swarm of silver bees. Getting into his eyes and beard, they added their unremitting futility to his already irritated nerves; and by the time that he had come at a swinging pace to the beginning of Fleet Street, he lost patience, and finding a Sunday teashop, turned into it to take shelter. He ordered another cup of black coffee as an excuse. Scarcely had he done so, when Professor de Worms hobbled heavily into the shop, sat down with difficulty and ordered a glass of milk. Syme's walking-stick had fallen from his hand with a great clang, which confessed the concealed steel. But the Professor did not look round. Syme, who was commonly a cool character, was literally gaping as a rustic gapes at a conjuring trick. He had seen no cab following; he had heard no wheels outside the shop; to all mortal appearances the man had come on foot. But the old man could only walk like a snail, and Syme had walked like the wind. He started up and snatched his stick, half crazy with the contradiction in mere arithmetic, and swung out of the swinging doors, leaving his coffee untasted. An omnibus going to the Bank went rattling by with an unusual rapidity. He had a violent run of a hundred yards to reach it; but he managed to spring, swaying upon the splash-board and, pausing for an instant to pant, he climbed on to the top. When he had been seated for about half a minute, he heard behind him a sort of heavy and asthmatic breathing. Turning sharply, he saw rising gradually higher and higher up the omnibus steps a top hat soiled and dripping with snow, and under the shadow of its brim the short-sighted face and shaky shoulders of Professor de Worms. He let himself into a seat with characteristic care, and wrapped himself up to the chin in the mackintosh rug. Every movement of the old man's tottering figure and vague hands, every uncertain gesture and panic-stricken pause, seemed to put it beyond question that he was helpless, that he was in the last imbecility of the body. He moved by inches, he let himself down with little gasps of caution. And yet, unless the philosophical entities called time and space have no vestige even of a practical existence, it appeared quite unquestionable that he had run after the omnibus. Syme sprang erect upon the rocking car, and after staring wildly at the wintry sky, that grew gloomier every moment, he ran down the steps. He had repressed an elemental impulse to leap over the side.	The Man Who Was Thursday
I continued,	No speaker	"Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to	face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early	that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had	to Polina as the recollection of her returned to me. She was still in her old place still making not a sound. Yet her eyes had followed every one of my movements. Somehow in her face there was a strange expression an expression which I did not like. I think that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had so often indulged in of late merriment which had broken forth always at the time of my most passionate explanations. At length she ceased, and frowned at me from under her eyebrows. "I am _not_ going to take your money," she said contemptuously. "Why not?" I cried. "Why not, Polina?"	the pile in order, and to sort the notes, and to mass the gold in a separate heap. That done, I left everything where it lay, and proceeded to pace the room with rapid strides as I lost myself in thought. Then I darted to the table once more, and began to recount the money; until all of a sudden, as though I had remembered something, I rushed to the door, and closed and double-locked it. Finally I came to a meditative halt before my little trunk. "Shall I put the money there until tomorrow?" I asked, turning sharply round to Polina as the recollection of her returned to me. She was still in her old place still making not a sound. Yet her eyes had followed every one of my movements. Somehow in her face there was a strange expression an expression which I did not like. I think that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had so often indulged in of late merriment which had broken forth always at the time of my most passionate explanations. At length she ceased, and frowned at me from under her eyebrows. "I am _not_ going to take your money," she said contemptuously. "Why not?" I cried. "Why not, Polina?" "Because I am not in the habit of receiving money for nothing." "But I am offering it to you as a _friend_. In the same way I would offer you my very life." Upon this she threw me a long, questioning glance, as though she were seeking to probe me to the depths. "You are giving too much for me," she remarked with a smile. "The beloved of De Griers is not worth fifty thousand francs." "Oh Polina, how can you speak so?" I exclaimed reproachfully. "Am _I_ De Griers?" "You?" she cried with her eyes suddenly flashing. "Why, I	end of the Avenue when there _did_ come upon me a fear of being robbed or murdered. With each step the fear increased until, in my terror, I almost started to run. Suddenly, as I issued from the Avenue, there burst upon me the lights of the hotel, sparkling with a myriad lamps! Yes, thanks be to God, I had reached home! Running up to my room, I flung open the door of it. Polina was still on the sofa, with a lighted candle in front of her, and her hands clasped. As I entered she stared at me in astonishment (for, at the moment, I must have presented a strange spectacle). All I did, however, was to halt before her, and fling upon the table my burden of wealth. XV I remember, too, how, without moving from her place, or changing her attitude, she gazed into my face. "I have won two hundred thousand francs!" cried I as I pulled out my last sheaf of bank-notes. The pile of paper currency occupied the whole table. I could not withdraw my eyes from it. Consequently, for a moment or two Polina escaped my mind. Then I set myself to arrange the pile in order, and to sort the notes, and to mass the gold in a separate heap. That done, I left everything where it lay, and proceeded to pace the room with rapid strides as I lost myself in thought. Then I darted to the table once more, and began to recount the money; until all of a sudden, as though I had remembered something, I rushed to the door, and closed and double-locked it. Finally I came to a meditative halt before my little trunk. "Shall I put the money there until tomorrow?" I asked, turning sharply round to Polina as the recollection of her returned to me. She was still in her old place still making not a sound. Yet her eyes had followed every one of my movements. Somehow in her face there was a strange expression an expression which I did not like. I think that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had so often indulged in of late merriment which had broken forth always at the time of my most passionate explanations. At length she ceased, and frowned at me from under her eyebrows. "I am _not_ going to take your money," she said contemptuously. "Why not?" I cried. "Why not, Polina?" "Because I am not in the habit of receiving money for nothing." "But I am offering it to you as a _friend_. In the same way I would offer you my very life." Upon this she threw me a long, questioning glance, as though she were seeking to probe me to the depths. "You are giving too much for me," she remarked with a smile. "The beloved of De Griers is not worth fifty thousand francs." "Oh Polina, how can you speak so?" I exclaimed reproachfully. "Am _I_ De Griers?" "You?" she cried with her eyes suddenly flashing. "Why, I _hate_ you! Yes, yes, I _hate_ you! I love you no more than I do De Griers." Then she buried her face in her hands, and relapsed into hysterics. I darted to her side. Somehow I had an intuition of something having happened to her which had nothing to do with myself. She was like a person temporarily insane. "Buy me, would you, would you? Would you buy me for fifty thousand francs as De Griers did?" she gasped between her convulsive sobs. I clasped her in my arms, kissed her hands and feet, and fell upon my knees before her. Presently the hysterical fit passed away, and, laying her hands upon my shoulders, she gazed for a while into my face, as though trying to read it something I said to her, but it was clear that she did not hear it. Her face looked so dark and despondent that I began to fear for her reason. At length she drew me towards herself a trustful smile playing over her features; and then, as suddenly, she pushed me away again as she eyed me dimly. Finally she threw herself upon me in an embrace. "You love me?" she said.	them. All of a sudden I heard exclamations arising that the whole thing was a marvel, since the red was turning up for the fourteenth time! "Monsieur a gagn cent mille florins," a voice exclaimed beside me. I awoke to my senses. What? I had won a hundred thousand florins? If so, what more did I need to win? I grasped the banknotes, stuffed them into my pockets, raked in the gold without counting it, and started to leave the Casino. As I passed through the salons people smiled to see my bulging pockets and unsteady gait, for the weight which I was carrying must have amounted to half a pood! Several hands I saw stretched out in my direction, and as I passed I filled them with all the money that I could grasp in my own. At length two Jews stopped me near the exit. "You are a bold young fellow," one said, "but mind you depart early tomorrow as early as you can for if you do not you will lose everything that you have won." But I did not heed them. The Avenue was so dark that it was barely possible to distinguish one s hand before one s face, while the distance to the hotel was half a verst or so; but I feared neither pickpockets nor highwaymen. Indeed, never since my boyhood have I done that. Also, I cannot remember what I thought about on the way. I only felt a sort of fearful pleasure the pleasure of success, of conquest, of power (how can I best express it?). Likewise, before me there flitted the image of Polina; and I kept remembering, and reminding myself, that it was to _her_ I was going, that it was in _her_ presence I should soon be standing, that it was _she_ to whom I should soon be able to relate and show everything. Scarcely once did I recall what she had lately said to me, or the reason why I had left her, or all those varied sensations which I had been experiencing a bare hour and a half ago. No, those sensations seemed to be things of the past, to be things which had righted themselves and grown old, to be things concerning which we needed to trouble ourselves no longer, since, for us, life was about to begin anew. Yet I had just reached the end of the Avenue when there _did_ come upon me a fear of being robbed or murdered. With each step the fear increased until, in my terror, I almost started to run. Suddenly, as I issued from the Avenue, there burst upon me the lights of the hotel, sparkling with a myriad lamps! Yes, thanks be to God, I had reached home! Running up to my room, I flung open the door of it. Polina was still on the sofa, with a lighted candle in front of her, and her hands clasped. As I entered she stared at me in astonishment (for, at the moment, I must have presented a strange spectacle). All I did, however, was to halt before her, and fling upon the table my burden of wealth. XV I remember, too, how, without moving from her place, or changing her attitude, she gazed into my face. "I have won two hundred thousand francs!" cried I as I pulled out my last sheaf of bank-notes. The pile of paper currency occupied the whole table. I could not withdraw my eyes from it. Consequently, for a moment or two Polina escaped my mind. Then I set myself to arrange the pile in order, and to sort the notes, and to mass the gold in a separate heap. That done, I left everything where it lay, and proceeded to pace the room with rapid strides as I lost myself in thought. Then I darted to the table once more, and began to recount the money; until all of a sudden, as though I had remembered something, I rushed to the door, and closed and double-locked it. Finally I came to a meditative halt before my little trunk. "Shall I put the money there until tomorrow?" I asked, turning sharply round to Polina as the recollection of her returned to me. She was still in her old place still making not a sound. Yet her eyes had followed every one of my movements. Somehow in her face there was a strange expression an expression which I did not like. I think that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had so often indulged in of late merriment which had broken forth always at the time of my most passionate explanations. At length she ceased, and frowned at me from under her eyebrows. "I am _not_ going to take your money," she said contemptuously. "Why not?" I cried. "Why not, Polina?" "Because I am not in the habit of receiving money for nothing." "But I am offering it to you as a _friend_. In the same way I would offer you my very life." Upon this she threw me a long, questioning glance, as though she were seeking to probe me to the depths. "You are giving too much for me," she remarked with a smile. "The beloved of De Griers is not worth fifty thousand francs." "Oh Polina, how can you speak so?" I exclaimed reproachfully. "Am _I_ De Griers?" "You?" she cried with her eyes suddenly flashing. "Why, I _hate_ you! Yes, yes, I _hate_ you! I love you no more than I do De Griers." Then she buried her face in her hands, and relapsed into hysterics. I darted to her side. Somehow I had an intuition of something having happened to her which had nothing to do with myself. She was like a person temporarily insane. "Buy me, would you, would you? Would you buy me for fifty thousand francs as De Griers did?" she gasped between her convulsive sobs. I clasped her in my arms, kissed her hands and feet, and fell upon my knees before her. Presently the hysterical fit passed away, and, laying her hands upon my shoulders, she gazed for a while into my face, as though trying to read it something I said to her, but it was clear that she did not hear it. Her face looked so dark and despondent that I began to fear for her reason. At length she drew me towards herself a trustful smile playing over her features; and then, as suddenly, she pushed me away again as she eyed me dimly. Finally she threw herself upon me in an embrace. "You love me?" she said. "_Do_ you? you who were willing even to quarrel with the Baron at my bidding?" Then she laughed laughed as though something dear, but laughable, had recurred to her memory. Yes, she laughed and wept at the same time. What was I to do? I was like a man in a fever. I remember that she began to say something to me though _what_ I do not know, since she spoke with a feverish lisp, as though she were trying to tell me something very quickly. At intervals, too, she would break off into the smile which I was beginning to dread. "No, no!" she kept repeating. "_You_ are my dear one; _you_ are the man I trust." Again she laid her hands upon my shoulders, and again she gazed at me as she reiterated: "You love me, you love me? Will you _always_ love me?" I could not take my eyes off her. Never before had I seen her in this mood of humility and affection. True, the mood was the outcome of hysteria; but ! All of a sudden she noticed my ardent gaze, and smiled slightly. The next moment, for no apparent reason, she began to talk of Astley. She continued talking and talking about him, but I could not make out all she said more particularly when she was endeavouring to tell me of something or other which had happened recently. On the whole, she appeared to be laughing at Astley, for she kept repeating that he was waiting for her, and did I know whether, even at that moment, he was not standing beneath the window? "Yes, yes, he is there," she said. "Open the window, and see if he is not." She pushed me in that direction; yet, no sooner did I make a movement to obey her behest than she burst into laughter, and I remained beside her, and she embraced me. "Shall we go away tomorrow?" presently she asked, as though some disturbing thought had recurred to her recollection. "How would it be if we were to try and overtake Grandmamma? I think we should do so at Berlin. And what think you she would have to say to us when we caught her up, and her eyes first lit upon us? What, too, about Mr. Astley? _He_ would not leap from the Shlangenberg for my sake! No! Of that I am	at the moment, I must have presented a strange spectacle). All I did, however, was to halt before her, and fling upon the table my burden of wealth. XV I remember, too, how, without moving from her place, or changing her attitude, she gazed into my face. "I have won two hundred thousand francs!" cried I as I pulled out my last sheaf of bank-notes. The pile of paper currency occupied the whole table. I could not withdraw my eyes from it. Consequently, for a moment or two Polina escaped my mind. Then I set myself to arrange the pile in order, and to sort the notes, and to mass the gold in a separate heap. That done, I left everything where it lay, and proceeded to pace the room with rapid strides as I lost myself in thought. Then I darted to the table once more, and began to recount the money; until all of a sudden, as though I had remembered something, I rushed to the door, and closed and double-locked it. Finally I came to a meditative halt before my little trunk. "Shall I put the money there until tomorrow?" I asked, turning sharply round to Polina as the recollection of her returned to me. She was still in her old place still making not a sound. Yet her eyes had followed every one of my movements. Somehow in her face there was a strange expression an expression which I did not like. I think that I shall not be wrong if I say that it indicated sheer hatred. Impulsively I approached her. "Polina," I said, "here are twenty-five thousand florins fifty thousand francs, or more. Take them, and tomorrow throw them in De Griers face." She returned no answer. "Or, if you should prefer,"<\|quote\|>I continued,</\|quote\|>"let me take them to him myself tomorrow yes, early tomorrow morning. Shall I?" Then all at once she burst out laughing, and laughed for a long while. With astonishment and a feeling of offence I gazed at her. Her laughter was too like the derisive merriment which she had so often indulged in of late merriment which had broken forth always at the time of my most passionate explanations. At length she ceased, and frowned at me from under her eyebrows. "I am _not_ going to take your money," she said contemptuously. "Why not?" I cried. "Why not, Polina?" "Because I am not in the habit of receiving money for nothing." "But I am offering it to you as a _friend_. In the same way I would offer you my very life." Upon this she threw me a long, questioning glance, as though she were seeking to probe me to the depths. "You are giving too much for me," she remarked with a smile. "The beloved of De Griers is not worth fifty thousand francs." "Oh Polina, how can you speak so?" I exclaimed reproachfully. "Am _I_ De Griers?" "You?" she cried with her eyes suddenly flashing. "Why, I _hate_ you! Yes, yes, I _hate_ you! I love you no more than	The Gambler
he added, in a more serious tone,	No speaker	live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I	sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I	should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made	to distinction." "But how may it rise? How may my honesty at least rise to any distinction?" This was not so very easy a question to answer, and occasioned an "Oh!" of some length from the fair lady before she could add, "You ought to be in parliament, or you should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound	even respect you. I have a much greater respect for those that are honest and rich." "Your degree of respect for honesty, rich or poor, is precisely what I have no manner of concern with. I do not mean to be poor. Poverty is exactly what I have determined against. Honesty, in the something between, in the middle state of worldly circumstances, is all that I am anxious for your not looking down on." "But I do look down upon it, if it might have been higher. I must look down upon anything contented with obscurity when it might rise to distinction." "But how may it rise? How may my honesty at least rise to any distinction?" This was not so very easy a question to answer, and occasioned an "Oh!" of some length from the fair lady before she could add, "You ought to be in parliament, or you should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound of the great clock at Mansfield Park, striking three, made her feel that she had really been much longer absent than usual, and brought the previous self-inquiry of whether she should take leave or not just then, and how, to a very speedy issue. With undoubting decision she directly began her adieus; and Edmund began at the same time to recollect that his mother had been inquiring for her, and that he had walked down to the Parsonage on purpose to bring her back. Fanny's hurry increased; and without in the least expecting Edmund's attendance, she would have hastened away	I ever heard of. It certainly may secure all the myrtle and turkey part of it." "You intend to be very rich?" said Edmund, with a look which, to Fanny's eye, had a great deal of serious meaning. "To be sure. Do not you? Do not we all?" "I cannot intend anything which it must be so completely beyond my power to command. Miss Crawford may chuse her degree of wealth. She has only to fix on her number of thousands a year, and there can be no doubt of their coming. My intentions are only not to be poor." "By moderation and economy, and bringing down your wants to your income, and all that. I understand you and a very proper plan it is for a person at your time of life, with such limited means and indifferent connexions. What can _you_ want but a decent maintenance? You have not much time before you; and your relations are in no situation to do anything for you, or to mortify you by the contrast of their own wealth and consequence. Be honest and poor, by all means but I shall not envy you; I do not much think I shall even respect you. I have a much greater respect for those that are honest and rich." "Your degree of respect for honesty, rich or poor, is precisely what I have no manner of concern with. I do not mean to be poor. Poverty is exactly what I have determined against. Honesty, in the something between, in the middle state of worldly circumstances, is all that I am anxious for your not looking down on." "But I do look down upon it, if it might have been higher. I must look down upon anything contented with obscurity when it might rise to distinction." "But how may it rise? How may my honesty at least rise to any distinction?" This was not so very easy a question to answer, and occasioned an "Oh!" of some length from the fair lady before she could add, "You ought to be in parliament, or you should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound of the great clock at Mansfield Park, striking three, made her feel that she had really been much longer absent than usual, and brought the previous self-inquiry of whether she should take leave or not just then, and how, to a very speedy issue. With undoubting decision she directly began her adieus; and Edmund began at the same time to recollect that his mother had been inquiring for her, and that he had walked down to the Parsonage on purpose to bring her back. Fanny's hurry increased; and without in the least expecting Edmund's attendance, she would have hastened away alone; but the general pace was quickened, and they all accompanied her into the house, through which it was necessary to pass. Dr. Grant was in the vestibule, and as they stopt to speak to him she found, from Edmund's manner, that he _did_ mean to go with her. He too was taking leave. She could not but be thankful. In the moment of parting, Edmund was invited by Dr. Grant to eat his mutton with him the next day; and Fanny had barely time for an unpleasant feeling on the occasion, when Mrs. Grant, with sudden recollection, turned to her and asked for the pleasure of her company too. This was so new an attention, so perfectly new a circumstance in the events of Fanny's life, that she was all surprise and embarrassment; and while stammering out her great obligation, and her "but she did not suppose it would be in her power," was looking at Edmund for his opinion and help. But Edmund, delighted with her having such an happiness offered, and ascertaining with half a look, and half a sentence, that she had no objection but on her aunt's account, could not imagine that his mother would	But I have long thought Mr. Bertram one of the worst subjects to work on, in any little manoeuvre against common sense, that a woman could be plagued with. I had very little hope of _him_ from the first; but you, Mrs. Grant, my sister, my own sister, I think I had a right to alarm you a little." "Do not flatter yourself, my dearest Mary. You have not the smallest chance of moving me. I have my alarms, but they are quite in a different quarter; and if I could have altered the weather, you would have had a good sharp east wind blowing on you the whole time for here are some of my plants which Robert _will_ leave out because the nights are so mild, and I know the end of it will be, that we shall have a sudden change of weather, a hard frost setting in all at once, taking everybody (at least Robert) by surprise, and I shall lose every one; and what is worse, cook has just been telling me that the turkey, which I particularly wished not to be dressed till Sunday, because I know how much more Dr. Grant would enjoy it on Sunday after the fatigues of the day, will not keep beyond to-morrow. These are something like grievances, and make me think the weather most unseasonably close." "The sweets of housekeeping in a country village!" said Miss Crawford archly. "Commend me to the nurseryman and the poulterer." "My dear child, commend Dr. Grant to the deanery of Westminster or St. Paul's, and I should be as glad of your nurseryman and poulterer as you could be. But we have no such people in Mansfield. What would you have me do?" "Oh! you can do nothing but what you do already: be plagued very often, and never lose your temper." "Thank you; but there is no escaping these little vexations, Mary, live where we may; and when you are settled in town and I come to see you, I dare say I shall find you with yours, in spite of the nurseryman and the poulterer, perhaps on their very account. Their remoteness and unpunctuality, or their exorbitant charges and frauds, will be drawing forth bitter lamentations." "I mean to be too rich to lament or to feel anything of the sort. A large income is the best recipe for happiness I ever heard of. It certainly may secure all the myrtle and turkey part of it." "You intend to be very rich?" said Edmund, with a look which, to Fanny's eye, had a great deal of serious meaning. "To be sure. Do not you? Do not we all?" "I cannot intend anything which it must be so completely beyond my power to command. Miss Crawford may chuse her degree of wealth. She has only to fix on her number of thousands a year, and there can be no doubt of their coming. My intentions are only not to be poor." "By moderation and economy, and bringing down your wants to your income, and all that. I understand you and a very proper plan it is for a person at your time of life, with such limited means and indifferent connexions. What can _you_ want but a decent maintenance? You have not much time before you; and your relations are in no situation to do anything for you, or to mortify you by the contrast of their own wealth and consequence. Be honest and poor, by all means but I shall not envy you; I do not much think I shall even respect you. I have a much greater respect for those that are honest and rich." "Your degree of respect for honesty, rich or poor, is precisely what I have no manner of concern with. I do not mean to be poor. Poverty is exactly what I have determined against. Honesty, in the something between, in the middle state of worldly circumstances, is all that I am anxious for your not looking down on." "But I do look down upon it, if it might have been higher. I must look down upon anything contented with obscurity when it might rise to distinction." "But how may it rise? How may my honesty at least rise to any distinction?" This was not so very easy a question to answer, and occasioned an "Oh!" of some length from the fair lady before she could add, "You ought to be in parliament, or you should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound of the great clock at Mansfield Park, striking three, made her feel that she had really been much longer absent than usual, and brought the previous self-inquiry of whether she should take leave or not just then, and how, to a very speedy issue. With undoubting decision she directly began her adieus; and Edmund began at the same time to recollect that his mother had been inquiring for her, and that he had walked down to the Parsonage on purpose to bring her back. Fanny's hurry increased; and without in the least expecting Edmund's attendance, she would have hastened away alone; but the general pace was quickened, and they all accompanied her into the house, through which it was necessary to pass. Dr. Grant was in the vestibule, and as they stopt to speak to him she found, from Edmund's manner, that he _did_ mean to go with her. He too was taking leave. She could not but be thankful. In the moment of parting, Edmund was invited by Dr. Grant to eat his mutton with him the next day; and Fanny had barely time for an unpleasant feeling on the occasion, when Mrs. Grant, with sudden recollection, turned to her and asked for the pleasure of her company too. This was so new an attention, so perfectly new a circumstance in the events of Fanny's life, that she was all surprise and embarrassment; and while stammering out her great obligation, and her "but she did not suppose it would be in her power," was looking at Edmund for his opinion and help. But Edmund, delighted with her having such an happiness offered, and ascertaining with half a look, and half a sentence, that she had no objection but on her aunt's account, could not imagine that his mother would make any difficulty of sparing her, and therefore gave his decided open advice that the invitation should be accepted; and though Fanny would not venture, even on his encouragement, to such a flight of audacious independence, it was soon settled, that if nothing were heard to the contrary, Mrs. Grant might expect her. "And you know what your dinner will be," said Mrs. Grant, smiling "the turkey, and I assure you a very fine one; for, my dear," turning to her husband, "cook insists upon the turkey's being dressed to-morrow." "Very well, very well," cried Dr. Grant, "all the better; I am glad to hear you have anything so good in the house. But Miss Price and Mr. Edmund Bertram, I dare say, would take their chance. We none of us want to hear the bill of fare. A friendly meeting, and not a fine dinner, is all we have in view. A turkey, or a goose, or a leg of mutton, or whatever you and your cook chuse to give us." The two cousins walked home together; and, except in the immediate discussion of this engagement, which Edmund spoke of with the warmest satisfaction, as so particularly desirable for her in the intimacy which he saw with so much pleasure established, it was a silent walk; for having finished that subject, he grew thoughtful and indisposed for any other. CHAPTER XXIII "But why should Mrs. Grant ask Fanny?" said Lady Bertram. "How came she to think of asking Fanny? Fanny never dines there, you know, in this sort of way. I cannot spare her, and I am sure she does not want to go. Fanny, you do not want to go, do you?" "If you put such a question to her," cried Edmund, preventing his cousin's speaking, "Fanny will immediately say No; but I am sure, my dear mother, she would like to go; and I can see no reason why she should not." "I cannot imagine why Mrs. Grant should think of asking her? She never did before. She used to ask your sisters now and then, but she never asked Fanny." "If you cannot do without me, ma'am" said Fanny, in a self-denying tone. "But my mother will have my father with her all the evening." "To be sure, so I shall." "Suppose you take my father's opinion, ma'am." "That's well thought of. So I will, Edmund.	to be too rich to lament or to feel anything of the sort. A large income is the best recipe for happiness I ever heard of. It certainly may secure all the myrtle and turkey part of it." "You intend to be very rich?" said Edmund, with a look which, to Fanny's eye, had a great deal of serious meaning. "To be sure. Do not you? Do not we all?" "I cannot intend anything which it must be so completely beyond my power to command. Miss Crawford may chuse her degree of wealth. She has only to fix on her number of thousands a year, and there can be no doubt of their coming. My intentions are only not to be poor." "By moderation and economy, and bringing down your wants to your income, and all that. I understand you and a very proper plan it is for a person at your time of life, with such limited means and indifferent connexions. What can _you_ want but a decent maintenance? You have not much time before you; and your relations are in no situation to do anything for you, or to mortify you by the contrast of their own wealth and consequence. Be honest and poor, by all means but I shall not envy you; I do not much think I shall even respect you. I have a much greater respect for those that are honest and rich." "Your degree of respect for honesty, rich or poor, is precisely what I have no manner of concern with. I do not mean to be poor. Poverty is exactly what I have determined against. Honesty, in the something between, in the middle state of worldly circumstances, is all that I am anxious for your not looking down on." "But I do look down upon it, if it might have been higher. I must look down upon anything contented with obscurity when it might rise to distinction." "But how may it rise? How may my honesty at least rise to any distinction?" This was not so very easy a question to answer, and occasioned an "Oh!" of some length from the fair lady before she could add, "You ought to be in parliament, or you should have gone into the army ten years ago." "_That_ is not much to the purpose now; and as to my being in parliament, I believe I must wait till there is an especial assembly for the representation of younger sons who have little to live on. No, Miss Crawford,"<\|quote\|>he added, in a more serious tone,</\|quote\|>"there _are_ distinctions which I should be miserable if I thought myself without any chance absolutely without chance or possibility of obtaining but they are of a different character." A look of consciousness as he spoke, and what seemed a consciousness of manner on Miss Crawford's side as she made some laughing answer, was sorrowfull food for Fanny's observation; and finding herself quite unable to attend as she ought to Mrs. Grant, by whose side she was now following the others, she had nearly resolved on going home immediately, and only waited for courage to say so, when the sound of the great clock at Mansfield Park, striking three, made her feel that she had really been much longer absent than usual, and brought the previous self-inquiry of whether she should take leave or not just then, and how, to a very speedy issue. With undoubting decision she directly began her adieus; and Edmund began at the same time to recollect that his mother had been inquiring for her, and that he had walked down to the Parsonage on purpose to bring her back. Fanny's hurry increased; and without in the least expecting Edmund's attendance, she would have hastened away alone; but the general pace was quickened, and they all accompanied her into the house, through which it was necessary to pass. Dr. Grant was in the vestibule, and as they stopt to speak to him she found, from Edmund's manner, that he _did_ mean to go with her. He too was taking leave. She could not but be thankful. In the moment of parting, Edmund was invited by Dr. Grant to eat his mutton with him the next day; and Fanny had barely time for an unpleasant feeling on the occasion, when Mrs. Grant, with sudden recollection, turned to her and asked for the pleasure of her company too. This was so new an attention, so perfectly new a circumstance in the events of Fanny's life, that she was all surprise and embarrassment; and while stammering out her great obligation, and her "but she did not suppose it would be in her power," was looking at Edmund for his opinion and help. But Edmund, delighted with her having such an happiness offered, and ascertaining with half a look, and half a sentence, that she had no objection but on her aunt's account, could not imagine that his mother would make any difficulty of sparing her, and	Mansfield Park
"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."	Mary Crawford	she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With	think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I	what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is	of life. The _manners_ I speak of might rather be called _conduct_, perhaps, the result of good principles; the effect, in short, of those doctrines which it is their duty to teach and recommend; and it will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is only to prevent my saying a _bon_ _mot_, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out." A general silence succeeded. Each was thoughtful.	preaching only that a good clergyman will be useful in his parish and his neighbourhood, where the parish and neighbourhood are of a size capable of knowing his private character, and observing his general conduct, which in London can rarely be the case. The clergy are lost there in the crowds of their parishioners. They are known to the largest part only as preachers. And with regard to their influencing public manners, Miss Crawford must not misunderstand me, or suppose I mean to call them the arbiters of good-breeding, the regulators of refinement and courtesy, the masters of the ceremonies of life. The _manners_ I speak of might rather be called _conduct_, perhaps, the result of good principles; the effect, in short, of those doctrines which it is their duty to teach and recommend; and it will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is only to prevent my saying a _bon_ _mot_, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out." A general silence succeeded. Each was thoughtful. Fanny made the first interruption by saying, "I wonder that I should be tired with only walking in this sweet wood; but the next time we come to a seat, if it is not disagreeable to you, I should be glad to sit down for a little while." "My dear Fanny," cried Edmund, immediately drawing her arm within his, "how thoughtless I have been! I hope you are not very tired. Perhaps," turning to Miss Crawford, "my other companion may do me the honour of taking an arm." "Thank you, but I am not at all tired." She took it,	he ought not to appear." "_You_ assign greater consequence to the clergyman than one has been used to hear given, or than I can quite comprehend. One does not see much of this influence and importance in society, and how can it be acquired where they are so seldom seen themselves? How can two sermons a week, even supposing them worth hearing, supposing the preacher to have the sense to prefer Blair's to his own, do all that you speak of? govern the conduct and fashion the manners of a large congregation for the rest of the week? One scarcely sees a clergyman out of his pulpit." "_You_ are speaking of London, _I_ am speaking of the nation at large." "The metropolis, I imagine, is a pretty fair sample of the rest." "Not, I should hope, of the proportion of virtue to vice throughout the kingdom. We do not look in great cities for our best morality. It is not there that respectable people of any denomination can do most good; and it certainly is not there that the influence of the clergy can be most felt. A fine preacher is followed and admired; but it is not in fine preaching only that a good clergyman will be useful in his parish and his neighbourhood, where the parish and neighbourhood are of a size capable of knowing his private character, and observing his general conduct, which in London can rarely be the case. The clergy are lost there in the crowds of their parishioners. They are known to the largest part only as preachers. And with regard to their influencing public manners, Miss Crawford must not misunderstand me, or suppose I mean to call them the arbiters of good-breeding, the regulators of refinement and courtesy, the masters of the ceremonies of life. The _manners_ I speak of might rather be called _conduct_, perhaps, the result of good principles; the effect, in short, of those doctrines which it is their duty to teach and recommend; and it will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is only to prevent my saying a _bon_ _mot_, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out." A general silence succeeded. Each was thoughtful. Fanny made the first interruption by saying, "I wonder that I should be tired with only walking in this sweet wood; but the next time we come to a seat, if it is not disagreeable to you, I should be glad to sit down for a little while." "My dear Fanny," cried Edmund, immediately drawing her arm within his, "how thoughtless I have been! I hope you are not very tired. Perhaps," turning to Miss Crawford, "my other companion may do me the honour of taking an arm." "Thank you, but I am not at all tired." She took it, however, as she spoke, and the gratification of having her do so, of feeling such a connexion for the first time, made him a little forgetful of Fanny. "You scarcely touch me," said he. "You do not make me of any use. What a difference in the weight of a woman's arm from that of a man! At Oxford I have been a good deal used to have a man lean on me for the length of a street, and you are only a fly in the comparison." "I am really not tired, which I almost wonder at; for we must have walked at least a mile in this wood. Do not you think we have?" "Not half a mile," was his sturdy answer; for he was not yet so much in love as to measure distance, or reckon time, with feminine lawlessness. "Oh! you do not consider how much we have wound about. We have taken such a very serpentine course, and the wood itself must be half a mile long in a straight line, for we have never seen the end of it yet since we left the first great path." "But if you remember, before we left	were all agreed in turning joyfully through it, and leaving the unmitigated glare of day behind. A considerable flight of steps landed them in the wilderness, which was a planted wood of about two acres, and though chiefly of larch and laurel, and beech cut down, and though laid out with too much regularity, was darkness and shade, and natural beauty, compared with the bowling-green and the terrace. They all felt the refreshment of it, and for some time could only walk and admire. At length, after a short pause, Miss Crawford began with, "So you are to be a clergyman, Mr. Bertram. This is rather a surprise to me." "Why should it surprise you? You must suppose me designed for some profession, and might perceive that I am neither a lawyer, nor a soldier, nor a sailor." "Very true; but, in short, it had not occurred to me. And you know there is generally an uncle or a grandfather to leave a fortune to the second son." "A very praiseworthy practice," said Edmund, "but not quite universal. I am one of the exceptions, and _being_ one, must do something for myself." "But why are you to be a clergyman? I thought _that_ was always the lot of the youngest, where there were many to chuse before him." "Do you think the church itself never chosen, then?" "_Never_ is a black word. But yes, in the _never_ of conversation, which means _not_ _very_ _often_, I do think it. For what is to be done in the church? Men love to distinguish themselves, and in either of the other lines distinction may be gained, but not in the church. A clergyman is nothing." "The _nothing_ of conversation has its gradations, I hope, as well as the _never_. A clergyman cannot be high in state or fashion. He must not head mobs, or set the ton in dress. But I cannot call that situation nothing which has the charge of all that is of the first importance to mankind, individually or collectively considered, temporally and eternally, which has the guardianship of religion and morals, and consequently of the manners which result from their influence. No one here can call the _office_ nothing. If the man who holds it is so, it is by the neglect of his duty, by foregoing its just importance, and stepping out of his place to appear what he ought not to appear." "_You_ assign greater consequence to the clergyman than one has been used to hear given, or than I can quite comprehend. One does not see much of this influence and importance in society, and how can it be acquired where they are so seldom seen themselves? How can two sermons a week, even supposing them worth hearing, supposing the preacher to have the sense to prefer Blair's to his own, do all that you speak of? govern the conduct and fashion the manners of a large congregation for the rest of the week? One scarcely sees a clergyman out of his pulpit." "_You_ are speaking of London, _I_ am speaking of the nation at large." "The metropolis, I imagine, is a pretty fair sample of the rest." "Not, I should hope, of the proportion of virtue to vice throughout the kingdom. We do not look in great cities for our best morality. It is not there that respectable people of any denomination can do most good; and it certainly is not there that the influence of the clergy can be most felt. A fine preacher is followed and admired; but it is not in fine preaching only that a good clergyman will be useful in his parish and his neighbourhood, where the parish and neighbourhood are of a size capable of knowing his private character, and observing his general conduct, which in London can rarely be the case. The clergy are lost there in the crowds of their parishioners. They are known to the largest part only as preachers. And with regard to their influencing public manners, Miss Crawford must not misunderstand me, or suppose I mean to call them the arbiters of good-breeding, the regulators of refinement and courtesy, the masters of the ceremonies of life. The _manners_ I speak of might rather be called _conduct_, perhaps, the result of good principles; the effect, in short, of those doctrines which it is their duty to teach and recommend; and it will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is only to prevent my saying a _bon_ _mot_, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out." A general silence succeeded. Each was thoughtful. Fanny made the first interruption by saying, "I wonder that I should be tired with only walking in this sweet wood; but the next time we come to a seat, if it is not disagreeable to you, I should be glad to sit down for a little while." "My dear Fanny," cried Edmund, immediately drawing her arm within his, "how thoughtless I have been! I hope you are not very tired. Perhaps," turning to Miss Crawford, "my other companion may do me the honour of taking an arm." "Thank you, but I am not at all tired." She took it, however, as she spoke, and the gratification of having her do so, of feeling such a connexion for the first time, made him a little forgetful of Fanny. "You scarcely touch me," said he. "You do not make me of any use. What a difference in the weight of a woman's arm from that of a man! At Oxford I have been a good deal used to have a man lean on me for the length of a street, and you are only a fly in the comparison." "I am really not tired, which I almost wonder at; for we must have walked at least a mile in this wood. Do not you think we have?" "Not half a mile," was his sturdy answer; for he was not yet so much in love as to measure distance, or reckon time, with feminine lawlessness. "Oh! you do not consider how much we have wound about. We have taken such a very serpentine course, and the wood itself must be half a mile long in a straight line, for we have never seen the end of it yet since we left the first great path." "But if you remember, before we left that first great path, we saw directly to the end of it. We looked down the whole vista, and saw it closed by iron gates, and it could not have been more than a furlong in length." "Oh! I know nothing of your furlongs, but I am sure it is a very long wood, and that we have been winding in and out ever since we came into it; and therefore, when I say that we have walked a mile in it, I must speak within compass." "We have been exactly a quarter of an hour here," said Edmund, taking out his watch. "Do you think we are walking four miles an hour?" "Oh! do not attack me with your watch. A watch is always too fast or too slow. I cannot be dictated to by a watch." A few steps farther brought them out at the bottom of the very walk they had been talking of; and standing back, well shaded and sheltered, and looking over a ha-ha into the park, was a comfortable-sized bench, on which they all sat down. "I am afraid you are very tired, Fanny," said Edmund, observing her; "why would not you speak sooner? This will be a bad day's amusement for you if you are to be knocked up. Every sort of exercise fatigues her so soon, Miss Crawford, except riding." "How abominable in you, then, to let me engross her horse as I did all last week! I am ashamed of you and of myself, but it shall never happen again." "_Your_ attentiveness and consideration makes me more sensible of my own neglect. Fanny's interest seems in safer hands with you than with me." "That she should be tired now, however, gives me no surprise; for there is nothing in the course of one's duties so fatiguing as what we have been doing this morning: seeing a great house, dawdling from one room to another, straining one's eyes and one's attention, hearing what one does not understand, admiring what one does not care for. It is generally allowed to be the greatest bore in the world, and Miss Price has found it so, though she did not know it." "I shall soon be rested," said Fanny; "to sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment." After sitting a little while Miss Crawford was	black word. But yes, in the _never_ of conversation, which means _not_ _very_ _often_, I do think it. For what is to be done in the church? Men love to distinguish themselves, and in either of the other lines distinction may be gained, but not in the church. A clergyman is nothing." "The _nothing_ of conversation has its gradations, I hope, as well as the _never_. A clergyman cannot be high in state or fashion. He must not head mobs, or set the ton in dress. But I cannot call that situation nothing which has the charge of all that is of the first importance to mankind, individually or collectively considered, temporally and eternally, which has the guardianship of religion and morals, and consequently of the manners which result from their influence. No one here can call the _office_ nothing. If the man who holds it is so, it is by the neglect of his duty, by foregoing its just importance, and stepping out of his place to appear what he ought not to appear." "_You_ assign greater consequence to the clergyman than one has been used to hear given, or than I can quite comprehend. One does not see much of this influence and importance in society, and how can it be acquired where they are so seldom seen themselves? How can two sermons a week, even supposing them worth hearing, supposing the preacher to have the sense to prefer Blair's to his own, do all that you speak of? govern the conduct and fashion the manners of a large congregation for the rest of the week? One scarcely sees a clergyman out of his pulpit." "_You_ are speaking of London, _I_ am speaking of the nation at large." "The metropolis, I imagine, is a pretty fair sample of the rest." "Not, I should hope, of the proportion of virtue to vice throughout the kingdom. We do not look in great cities for our best morality. It is not there that respectable people of any denomination can do most good; and it certainly is not there that the influence of the clergy can be most felt. A fine preacher is followed and admired; but it is not in fine preaching only that a good clergyman will be useful in his parish and his neighbourhood, where the parish and neighbourhood are of a size capable of knowing his private character, and observing his general conduct, which in London can rarely be the case. The clergy are lost there in the crowds of their parishioners. They are known to the largest part only as preachers. And with regard to their influencing public manners, Miss Crawford must not misunderstand me, or suppose I mean to call them the arbiters of good-breeding, the regulators of refinement and courtesy, the masters of the ceremonies of life. The _manners_ I speak of might rather be called _conduct_, perhaps, the result of good principles; the effect, in short, of those doctrines which it is their duty to teach and recommend; and it will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation." "Certainly," said Fanny, with gentle earnestness. "There," cried Miss Crawford, "you have quite convinced Miss Price already." "I wish I could convince Miss Crawford too." "I do not think you ever will," said she, with an arch smile;<\|quote\|>"I am just as much surprised now as I was at first that you should intend to take orders. You really are fit for something better. Come, do change your mind. It is not too late. Go into the law."</\|quote\|>"Go into the law! With as much ease as I was told to go into this wilderness." "Now you are going to say something about law being the worst wilderness of the two, but I forestall you; remember, I have forestalled you." "You need not hurry when the object is only to prevent my saying a _bon_ _mot_, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out." A general silence succeeded. Each was thoughtful. Fanny made the first interruption by saying, "I wonder that I should be tired with only walking in this sweet wood; but the next time we come to a seat, if it is not disagreeable to you, I should be glad to sit down for a little while." "My dear Fanny," cried Edmund, immediately drawing her arm within his, "how thoughtless I have been! I hope you are not very tired. Perhaps," turning to Miss Crawford, "my other companion may do me the honour of taking an arm." "Thank you, but I am not at all tired." She took it, however, as she spoke, and the gratification of having her do	Mansfield Park
M. Riviere took this onslaught with a disconcerting humility.	No speaker	you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to	to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are	to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint	Olenska--that I should take a view contrary to the rest of her family?" The change of expression in M. Riviere's face was for a time his only answer. His look passed from timidity to absolute distress: for a young man of his usually resourceful mien it would have been difficult to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint to put it on and be gone. Then he spoke with sudden decision. "Monsieur--will you tell me one thing? Is it my right to be here that you question? Or do you perhaps believe the whole matter to be already closed?" His quiet insistence made Archer feel the clumsiness of	I am convinced, to make it equally a failure with her family." Archer pushed back his chair and stood up. "Well--and by God I will!" he exclaimed. He stood with his hands in his pockets, staring down wrathfully at the little Frenchman, whose face, though he too had risen, was still an inch or two below the line of Archer's eyes. M. Riviere paled to his normal hue: paler than that his complexion could hardly turn. "Why the devil," Archer explosively continued, "should you have thought--since I suppose you're appealing to me on the ground of my relationship to Madame Olenska--that I should take a view contrary to the rest of her family?" The change of expression in M. Riviere's face was for a time his only answer. His look passed from timidity to absolute distress: for a young man of his usually resourceful mien it would have been difficult to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint to put it on and be gone. Then he spoke with sudden decision. "Monsieur--will you tell me one thing? Is it my right to be here that you question? Or do you perhaps believe the whole matter to be already closed?" His quiet insistence made Archer feel the clumsiness of his own bluster. M. Riviere had succeeded in imposing himself: Archer, reddening slightly, dropped into his chair again, and signed to the young man to be seated. "I beg your pardon: but why isn't the matter closed?" M. Riviere gazed back at him with anguish. "You do, then, agree with the rest of the family that, in face of the new proposals I have brought, it is hardly possible for Madame Olenska not to return to her husband?" "Good God!" Archer exclaimed; and his visitor gave out a low murmur of confirmation. "Before seeing her, I saw--at Count Olenski's request--Mr.	Archer had known for the last few minutes that the words were coming; but when they came they sent the blood rushing to his temples as if he had been caught by a bent-back branch in a thicket. "And on whose behalf," he said, "do you wish to do this?" M. Riviere met the question sturdily. "Well--I might say HERS, if it did not sound like a liberty. Shall I say instead: on behalf of abstract justice?" Archer considered him ironically. "In other words: you are Count Olenski's messenger?" He saw his blush more darkly reflected in M. Riviere's sallow countenance. "Not to YOU, Monsieur. If I come to you, it is on quite other grounds." "What right have you, in the circumstances, to BE on any other ground?" Archer retorted. "If you're an emissary you're an emissary." The young man considered. "My mission is over: as far as the Countess Olenska goes, it has failed." "I can't help that," Archer rejoined on the same note of irony. "No: but you can help--" M. Riviere paused, turned his hat about in his still carefully gloved hands, looked into its lining and then back at Archer's face. "You can help, Monsieur, I am convinced, to make it equally a failure with her family." Archer pushed back his chair and stood up. "Well--and by God I will!" he exclaimed. He stood with his hands in his pockets, staring down wrathfully at the little Frenchman, whose face, though he too had risen, was still an inch or two below the line of Archer's eyes. M. Riviere paled to his normal hue: paler than that his complexion could hardly turn. "Why the devil," Archer explosively continued, "should you have thought--since I suppose you're appealing to me on the ground of my relationship to Madame Olenska--that I should take a view contrary to the rest of her family?" The change of expression in M. Riviere's face was for a time his only answer. His look passed from timidity to absolute distress: for a young man of his usually resourceful mien it would have been difficult to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint to put it on and be gone. Then he spoke with sudden decision. "Monsieur--will you tell me one thing? Is it my right to be here that you question? Or do you perhaps believe the whole matter to be already closed?" His quiet insistence made Archer feel the clumsiness of his own bluster. M. Riviere had succeeded in imposing himself: Archer, reddening slightly, dropped into his chair again, and signed to the young man to be seated. "I beg your pardon: but why isn't the matter closed?" M. Riviere gazed back at him with anguish. "You do, then, agree with the rest of the family that, in face of the new proposals I have brought, it is hardly possible for Madame Olenska not to return to her husband?" "Good God!" Archer exclaimed; and his visitor gave out a low murmur of confirmation. "Before seeing her, I saw--at Count Olenski's request--Mr. Lovell Mingott, with whom I had several talks before going to Boston. I understand that he represents his mother's view; and that Mrs. Manson Mingott's influence is great throughout her family." Archer sat silent, with the sense of clinging to the edge of a sliding precipice. The discovery that he had been excluded from a share in these negotiations, and even from the knowledge that they were on foot, caused him a surprise hardly dulled by the acuter wonder of what he was learning. He saw in a flash that if the family had ceased to consult him it was because some deep tribal instinct warned them that he was no longer on their side; and he recalled, with a start of comprehension, a remark of May's during their drive home from Mrs. Manson Mingott's on the day of the Archery Meeting: "Perhaps, after all, Ellen would be happier with her husband." Even in the tumult of new discoveries Archer remembered his indignant exclamation, and the fact that since then his wife had never named Madame Olenska to him. Her careless allusion had no doubt been the straw held up to see which way the wind blew; the result had	and no one here seems to listen--" "I know: our American stations must surprise you. When you ask for a porter they give you chewing-gum. But if you'll come along I'll extricate you; and you must really lunch with me, you know." The young man, after a just perceptible hesitation, replied, with profuse thanks, and in a tone that did not carry complete conviction, that he was already engaged; but when they had reached the comparative reassurance of the street he asked if he might call that afternoon. Archer, at ease in the midsummer leisure of the office, fixed an hour and scribbled his address, which the Frenchman pocketed with reiterated thanks and a wide flourish of his hat. A horse-car received him, and Archer walked away. Punctually at the hour M. Riviere appeared, shaved, smoothed-out, but still unmistakably drawn and serious. Archer was alone in his office, and the young man, before accepting the seat he proffered, began abruptly: "I believe I saw you, sir, yesterday in Boston." The statement was insignificant enough, and Archer was about to frame an assent when his words were checked by something mysterious yet illuminating in his visitor's insistent gaze. "It is extraordinary, very extraordinary," M. Riviere continued, "that we should have met in the circumstances in which I find myself." "What circumstances?" Archer asked, wondering a little crudely if he needed money. M. Riviere continued to study him with tentative eyes. "I have come, not to look for employment, as I spoke of doing when we last met, but on a special mission--" "Ah--!" Archer exclaimed. In a flash the two meetings had connected themselves in his mind. He paused to take in the situation thus suddenly lighted up for him, and M. Riviere also remained silent, as if aware that what he had said was enough. "A special mission," Archer at length repeated. The young Frenchman, opening his palms, raised them slightly, and the two men continued to look at each other across the office-desk till Archer roused himself to say: "Do sit down" "; whereupon M. Riviere bowed, took a distant chair, and again waited. "It was about this mission that you wanted to consult me?" Archer finally asked. M. Riviere bent his head. "Not in my own behalf: on that score I--I have fully dealt with myself. I should like--if I may--to speak to you about the Countess Olenska." Archer had known for the last few minutes that the words were coming; but when they came they sent the blood rushing to his temples as if he had been caught by a bent-back branch in a thicket. "And on whose behalf," he said, "do you wish to do this?" M. Riviere met the question sturdily. "Well--I might say HERS, if it did not sound like a liberty. Shall I say instead: on behalf of abstract justice?" Archer considered him ironically. "In other words: you are Count Olenski's messenger?" He saw his blush more darkly reflected in M. Riviere's sallow countenance. "Not to YOU, Monsieur. If I come to you, it is on quite other grounds." "What right have you, in the circumstances, to BE on any other ground?" Archer retorted. "If you're an emissary you're an emissary." The young man considered. "My mission is over: as far as the Countess Olenska goes, it has failed." "I can't help that," Archer rejoined on the same note of irony. "No: but you can help--" M. Riviere paused, turned his hat about in his still carefully gloved hands, looked into its lining and then back at Archer's face. "You can help, Monsieur, I am convinced, to make it equally a failure with her family." Archer pushed back his chair and stood up. "Well--and by God I will!" he exclaimed. He stood with his hands in his pockets, staring down wrathfully at the little Frenchman, whose face, though he too had risen, was still an inch or two below the line of Archer's eyes. M. Riviere paled to his normal hue: paler than that his complexion could hardly turn. "Why the devil," Archer explosively continued, "should you have thought--since I suppose you're appealing to me on the ground of my relationship to Madame Olenska--that I should take a view contrary to the rest of her family?" The change of expression in M. Riviere's face was for a time his only answer. His look passed from timidity to absolute distress: for a young man of his usually resourceful mien it would have been difficult to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint to put it on and be gone. Then he spoke with sudden decision. "Monsieur--will you tell me one thing? Is it my right to be here that you question? Or do you perhaps believe the whole matter to be already closed?" His quiet insistence made Archer feel the clumsiness of his own bluster. M. Riviere had succeeded in imposing himself: Archer, reddening slightly, dropped into his chair again, and signed to the young man to be seated. "I beg your pardon: but why isn't the matter closed?" M. Riviere gazed back at him with anguish. "You do, then, agree with the rest of the family that, in face of the new proposals I have brought, it is hardly possible for Madame Olenska not to return to her husband?" "Good God!" Archer exclaimed; and his visitor gave out a low murmur of confirmation. "Before seeing her, I saw--at Count Olenski's request--Mr. Lovell Mingott, with whom I had several talks before going to Boston. I understand that he represents his mother's view; and that Mrs. Manson Mingott's influence is great throughout her family." Archer sat silent, with the sense of clinging to the edge of a sliding precipice. The discovery that he had been excluded from a share in these negotiations, and even from the knowledge that they were on foot, caused him a surprise hardly dulled by the acuter wonder of what he was learning. He saw in a flash that if the family had ceased to consult him it was because some deep tribal instinct warned them that he was no longer on their side; and he recalled, with a start of comprehension, a remark of May's during their drive home from Mrs. Manson Mingott's on the day of the Archery Meeting: "Perhaps, after all, Ellen would be happier with her husband." Even in the tumult of new discoveries Archer remembered his indignant exclamation, and the fact that since then his wife had never named Madame Olenska to him. Her careless allusion had no doubt been the straw held up to see which way the wind blew; the result had been reported to the family, and thereafter Archer had been tacitly omitted from their counsels. He admired the tribal discipline which made May bow to this decision. She would not have done so, he knew, had her conscience protested; but she probably shared the family view that Madame Olenska would be better off as an unhappy wife than as a separated one, and that there was no use in discussing the case with Newland, who had an awkward way of suddenly not seeming to take the most fundamental things for granted. Archer looked up and met his visitor's anxious gaze. "Don't you know, Monsieur--is it possible you don't know--that the family begin to doubt if they have the right to advise the Countess to refuse her husband's last proposals?" "The proposals you brought?" "The proposals I brought." It was on Archer's lips to exclaim that whatever he knew or did not know was no concern of M. Riviere's; but something in the humble and yet courageous tenacity of M. Riviere's gaze made him reject this conclusion, and he met the young man's question with another. "What is your object in speaking to me of this?" He had not to wait a moment for the answer. "To beg you, Monsieur--to beg you with all the force I'm capable of--not to let her go back.--Oh, don't let her!" M. Riviere exclaimed. Archer looked at him with increasing astonishment. There was no mistaking the sincerity of his distress or the strength of his determination: he had evidently resolved to let everything go by the board but the supreme need of thus putting himself on record. Archer considered. "May I ask," he said at length, "if this is the line you took with the Countess Olenska?" M. Riviere reddened, but his eyes did not falter. "No, Monsieur: I accepted my mission in good faith. I really believed--for reasons I need not trouble you with--that it would be better for Madame Olenska to recover her situation, her fortune, the social consideration that her husband's standing gives her." "So I supposed: you could hardly have accepted such a mission otherwise." "I should not have accepted it." "Well, then--?" Archer paused again, and their eyes met in another protracted scrutiny. "Ah, Monsieur, after I had seen her, after I had listened to her, I knew she was better off here." "You knew--?" "Monsieur, I discharged my mission	"And on whose behalf," he said, "do you wish to do this?" M. Riviere met the question sturdily. "Well--I might say HERS, if it did not sound like a liberty. Shall I say instead: on behalf of abstract justice?" Archer considered him ironically. "In other words: you are Count Olenski's messenger?" He saw his blush more darkly reflected in M. Riviere's sallow countenance. "Not to YOU, Monsieur. If I come to you, it is on quite other grounds." "What right have you, in the circumstances, to BE on any other ground?" Archer retorted. "If you're an emissary you're an emissary." The young man considered. "My mission is over: as far as the Countess Olenska goes, it has failed." "I can't help that," Archer rejoined on the same note of irony. "No: but you can help--" M. Riviere paused, turned his hat about in his still carefully gloved hands, looked into its lining and then back at Archer's face. "You can help, Monsieur, I am convinced, to make it equally a failure with her family." Archer pushed back his chair and stood up. "Well--and by God I will!" he exclaimed. He stood with his hands in his pockets, staring down wrathfully at the little Frenchman, whose face, though he too had risen, was still an inch or two below the line of Archer's eyes. M. Riviere paled to his normal hue: paler than that his complexion could hardly turn. "Why the devil," Archer explosively continued, "should you have thought--since I suppose you're appealing to me on the ground of my relationship to Madame Olenska--that I should take a view contrary to the rest of her family?" The change of expression in M. Riviere's face was for a time his only answer. His look passed from timidity to absolute distress: for a young man of his usually resourceful mien it would have been difficult to appear more disarmed and defenceless. "Oh, Monsieur--" "I can't imagine," Archer continued, "why you should have come to me when there are others so much nearer to the Countess; still less why you thought I should be more accessible to the arguments I suppose you were sent over with."<\|quote\|>M. Riviere took this onslaught with a disconcerting humility.</\|quote\|>"The arguments I want to present to you, Monsieur, are my own and not those I was sent over with." "Then I see still less reason for listening to them." M. Riviere again looked into his hat, as if considering whether these last words were not a sufficiently broad hint to put it on and be gone. Then he spoke with sudden decision. "Monsieur--will you tell me one thing? Is it my right to be here that you question? Or do you perhaps believe the whole matter to be already closed?" His quiet insistence made Archer feel the clumsiness of his own bluster. M. Riviere had succeeded in imposing himself: Archer, reddening slightly, dropped into his chair again, and signed to the young man to be seated. "I beg your pardon: but why isn't the matter closed?" M. Riviere gazed back at him with anguish. "You do, then, agree with the rest of the family that, in face of the new proposals I have brought, it is hardly possible for Madame Olenska not to return to her husband?" "Good God!" Archer exclaimed; and his visitor gave out a low murmur of confirmation. "Before seeing her, I saw--at Count Olenski's request--Mr. Lovell Mingott, with whom I had several talks before going to Boston. I understand that he represents his mother's view; and that Mrs. Manson Mingott's influence is great throughout her family." Archer sat silent, with the sense of clinging to the edge of a sliding precipice. The discovery that he had been excluded from a share in these negotiations, and even from the knowledge that they were on foot, caused him a surprise hardly dulled by the acuter wonder of what he was learning. He saw in	The Age Of Innocence
"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."	Lucy	gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I	see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills.	I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a	so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob.	Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower	you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with	ants. One of the little boys fell down, and some white bullocks came out of an archway. Indeed, if it had not been for the good advice of an old man who was selling button-hooks, the road might never have got clear. Over such trivialities as these many a valuable hour may slip away, and the traveller who has gone to Italy to study the tactile values of Giotto, or the corruption of the Papacy, may return remembering nothing but the blue sky and the men and women who live under it. So it was as well that Miss Bartlett should tap and come in, and having commented on Lucy's leaving the door unlocked, and on her leaning out of the window before she was fully dressed, should urge her to hasten herself, or the best of the day would be gone. By the time Lucy was ready her cousin had done her breakfast, and was listening to the clever lady among the crumbs. A conversation then ensued, on not unfamiliar lines. Miss Bartlett was, after all, a wee bit tired, and thought they had better spend the morning settling in; unless Lucy would at all like to go out? Lucy would rather like to go out, as it was her first day in Florence, but, of course, she could go alone. Miss Bartlett could not allow this. Of course she would accompany Lucy everywhere. Oh, certainly not; Lucy would stop with her cousin. Oh, no! that would never do. Oh, yes! At this point the clever lady broke in. "If it is Mrs. Grundy who is troubling you, I do assure you that you can neglect the good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended against circlets of heaven. Lucy thought she had never seen anything more beautiful; but Miss Lavish, with a shriek of dismay, dragged her forward, declaring that they were out of their path now by at least a mile. The hour was approaching at which the continental breakfast begins, or rather ceases, to tell, and the ladies bought some hot chestnut paste out of a little shop, because it looked so typical. It tasted partly of the paper in which it was wrapped, partly of hair oil, partly of the great unknown. But it gave them strength to drift into another Piazza, large and dusty, on the farther side of which rose a black-and-white facade of surpassing ugliness. Miss Lavish spoke to it dramatically. It was Santa Croce. The adventure was over. "Stop a minute; let those two people go on, or I shall have to speak to them. I do detest conventional intercourse. Nasty! they are going into the church, too. Oh, the Britisher abroad!" "We sat opposite them at dinner last night. They have given us their rooms. They were so very kind." "Look at their figures!" laughed Miss Lavish. "They walk through my Italy like a pair of cows. It's very naughty of me, but I would like to set an examination paper at Dover, and turn back every tourist who couldn't pass it." "What would you ask us?" Miss Lavish laid her hand pleasantly on Lucy's arm, as if to suggest that she, at all events, would get full marks. In this exalted mood they reached the steps of the great church, and were about to enter it when Miss Lavish stopped, squeaked, flung up her arms, and cried: "There goes my local-colour box! I must have a word with him!" And in a moment she was away over the Piazza, her military cloak flapping in the wind; nor did she slacken speed till she caught up an old man with white whiskers, and nipped him playfully upon the arm. Lucy waited for nearly ten minutes. Then she began to get tired. The beggars worried her, the dust blew in her eyes, and she remembered that a young girl ought not to loiter in public places. She descended slowly into the Piazza with the intention of rejoining Miss Lavish, who was really	good person. Being English, Miss Honeychurch will be perfectly safe. Italians understand. A dear friend of mine, Contessa Baroncelli, has two daughters, and when she cannot send a maid to school with them, she lets them go in sailor-hats instead. Every one takes them for English, you see, especially if their hair is strained tightly behind." Miss Bartlett was unconvinced by the safety of Contessa Baroncelli's daughters. She was determined to take Lucy herself, her head not being so very bad. The clever lady then said that she was going to spend a long morning in Santa Croce, and if Lucy would come too, she would be delighted. "I will take you by a dear dirty back way, Miss Honeychurch, and if you bring me luck, we shall have an adventure." Lucy said that this was most kind, and at once opened the Baedeker, to see where Santa Croce was. "Tut, tut! Miss Lucy! I hope we shall soon emancipate you from Baedeker. He does but touch the surface of things. As to the true Italy--he does not even dream of it. The true Italy is only to be found by patient observation." This sounded very interesting, and Lucy hurried over her breakfast, and started with her new friend in high spirits. Italy was coming at last. The Cockney Signora and her works had vanished like a bad dream. Miss Lavish--for that was the clever lady's name--turned to the right along the sunny Lung' Arno. How delightfully warm! But a wind down the side streets cut like a knife, didn't it? Ponte alle Grazie--particularly interesting, mentioned by Dante. San Miniato--beautiful as well as interesting; the crucifix that kissed a murderer--Miss Honeychurch would remember the story. The men on the river were fishing. (Untrue; but then, so is most information.) Then Miss Lavish darted under the archway of the white bullocks, and she stopped, and she cried: "A smell! a true Florentine smell! Every city, let me teach you, has its own smell." "Is it a very nice smell?" said Lucy, who had inherited from her mother a distaste to dirt. "One doesn't come to Italy for niceness," was the retort; "one comes for life. Buon giorno! Buon giorno!" bowing right and left. "Look at that adorable wine-cart! How the driver stares at us, dear, simple soul!" So Miss Lavish proceeded through the streets of the city of Florence, short, fidgety, and playful as a kitten, though without a kitten's grace. It was a treat for the girl to be with any one so clever and so cheerful; and a blue military cloak, such as an Italian officer wears, only increased the sense of festivity. "Buon giorno! Take the word of an old woman, Miss Lucy: you will never repent of a little civility to your inferiors. That is the true democracy. Though I am a real Radical as well. There, now you're shocked." "Indeed, I'm not!" exclaimed Lucy. "We are Radicals, too, out and out. My father always voted for Mr. Gladstone, until he was so dreadful about Ireland." "I see, I see. And now you have gone over to the enemy."<\|quote\|>"Oh, please--! If my father was alive, I am sure he would vote Radical again now that Ireland is all right. And as it is, the glass over our front door was broken last election, and Freddy is sure it was the Tories; but mother says nonsense, a tramp."</\|quote\|>"Shameful! A manufacturing district, I suppose?" "No--in the Surrey hills. About five miles from Dorking, looking over the Weald." Miss Lavish seemed interested, and slackened her trot. "What a delightful part; I know it so well. It is full of the very nicest people. Do you know Sir Harry Otway--a Radical if ever there was?" "Very well indeed." "And old Mrs. Butterworth the philanthropist?" "Why, she rents a field of us! How funny!" Miss Lavish looked at the narrow ribbon of sky, and murmured: "Oh, you have property in Surrey?" "Hardly any," said Lucy, fearful of being thought a snob. "Only thirty acres--just the garden, all downhill, and some fields." Miss Lavish was not disgusted, and said it was just the size of her aunt's Suffolk estate. Italy receded. They tried to remember the last name of Lady Louisa someone, who had taken a house near Summer Street the other year, but she had not liked it, which was odd of her. And just as Miss Lavish had got the name, she broke off and exclaimed: "Bless us! Bless us and save us! We've lost the way." Certainly they had seemed a long time in reaching Santa Croce, the tower of which had been plainly visible from the landing window. But Miss Lavish had said so much about knowing her Florence by heart, that Lucy had followed her with no misgivings. "Lost! lost! My dear Miss Lucy, during our political diatribes we have taken a wrong turning. How those horrid Conservatives would jeer at us! What are we to do? Two lone females in an unknown town. Now, this is what I call an adventure." Lucy, who wanted to see Santa Croce, suggested, as a possible solution, that they should ask the way there. "Oh, but that is the word of a craven! And no, you are not, not, NOT to look at your Baedeker. Give it to me; I shan't let you carry it. We will simply drift." Accordingly they drifted through a series of those grey-brown streets, neither commodious nor picturesque, in which the eastern quarter of the city abounds. Lucy soon lost interest in the discontent of Lady Louisa, and became discontented herself. For one ravishing moment Italy appeared. She stood in the Square of the Annunziata and saw in the living terra-cotta those divine babies whom no cheap reproduction can ever stale. There they stood, with their shining limbs bursting from the garments of charity, and their strong white arms extended	A Room With A View
"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."	Mr. Mcbryde	We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean."	was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one	most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered	dried-up mud. Smoothly the voice in the distance proceeded, leading along the paths of truth, and the airs from the punkah behind her wafted her on. . . . ". . . the prisoner and the guide took you on to the Kawa Dol, no one else being present?" "The most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered the place of answer. "The prisoner followed you, didn't he?" he repeated in the monotonous tones that they both used; they were employing agreed words throughout, so that this part of the proceedings held no surprises. "May I have half a minute before I reply to that, Mr. McBryde?" "Certainly."	Why had she thought the expedition "dull"? Now the sun rose again, the elephant waited, the pale masses of the rock flowed round her and presented the first cave; she entered, and a match was reflected in the polished walls all beautiful and significant, though she had been blind to it at the time. Questions were asked, and to each she found the exact reply; yes, she had noticed the "Tank of the Dagger," but not known its name; yes, Mrs. Moore had been tired after the first cave and sat in the shadow of a great rock, near the dried-up mud. Smoothly the voice in the distance proceeded, leading along the paths of truth, and the airs from the punkah behind her wafted her on. . . . ". . . the prisoner and the guide took you on to the Kawa Dol, no one else being present?" "The most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered the place of answer. "The prisoner followed you, didn't he?" he repeated in the monotonous tones that they both used; they were employing agreed words throughout, so that this part of the proceedings held no surprises. "May I have half a minute before I reply to that, Mr. McBryde?" "Certainly." Her vision was of several caves. She saw herself in one, and she was also outside it, watching its entrance, for Aziz to pass in. She failed to locate him. It was the doubt that had often visited her, but solid and attractive, like the hills, "I am not" Speech was more difficult than vision. "I am not quite sure." "I beg your pardon?" said the Superintendent of Police. "I cannot be sure . . ." "I didn't catch that answer." He looked scared, his mouth shut with a snap. "You are on that landing, or whatever we term it,	because her disaster in the cave was connected, though by a thread, with another part of her life, her engagement to Ronny. She had thought of love just before she went in, and had innocently asked Aziz what marriage was like, and she supposed that her question had roused evil in him. To recount this would have been incredibly painful, it was the one point she wanted to keep obscure; she was willing to give details that would have distressed other girls, but this story of her private failure she dared not allude to, and she dreaded being examined in public in case something came out. But as soon as she rose to reply, and heard the sound of her own voice, she feared not even that. A new and unknown sensation protected her, like magnificent armour. She didn't think what had happened, or even remember in the ordinary way of memory, but she returned to the Marabar Hills, and spoke from them across a sort of darkness to Mr. McBryde. The fatal day recurred, in every detail, but now she was of it and not of it at the same time, and this double relation gave it indescribable splendour. Why had she thought the expedition "dull"? Now the sun rose again, the elephant waited, the pale masses of the rock flowed round her and presented the first cave; she entered, and a match was reflected in the polished walls all beautiful and significant, though she had been blind to it at the time. Questions were asked, and to each she found the exact reply; yes, she had noticed the "Tank of the Dagger," but not known its name; yes, Mrs. Moore had been tired after the first cave and sat in the shadow of a great rock, near the dried-up mud. Smoothly the voice in the distance proceeded, leading along the paths of truth, and the airs from the punkah behind her wafted her on. . . . ". . . the prisoner and the guide took you on to the Kawa Dol, no one else being present?" "The most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered the place of answer. "The prisoner followed you, didn't he?" he repeated in the monotonous tones that they both used; they were employing agreed words throughout, so that this part of the proceedings held no surprises. "May I have half a minute before I reply to that, Mr. McBryde?" "Certainly." Her vision was of several caves. She saw herself in one, and she was also outside it, watching its entrance, for Aziz to pass in. She failed to locate him. It was the doubt that had often visited her, but solid and attractive, like the hills, "I am not" Speech was more difficult than vision. "I am not quite sure." "I beg your pardon?" said the Superintendent of Police. "I cannot be sure . . ." "I didn't catch that answer." He looked scared, his mouth shut with a snap. "You are on that landing, or whatever we term it, and you have entered a cave. I suggest to you that the prisoner followed you." She shook her head. "What do you mean, please?" "No," she said in a flat, unattractive voice. Slight noises began in various parts of the room, but no one yet understood what was occurring except Fielding. He saw that she was going to have a nervous breakdown and that his friend was saved. "What is that, what are you saying? Speak up, please." The Magistrate bent forward. "I'm afraid I have made a mistake." "What nature of mistake?" "Dr. Aziz never followed me into the cave." The Superintendent slammed down his papers, then picked them up and said calmly: "Now, Miss Quested, let us go on. I will read you the words of the deposition which you signed two hours later in my bungalow." "Excuse me, Mr. McBryde, you cannot go on. I am speaking to the witness myself. And the public will be silent. If it continues to talk, I have the court cleared. Miss Quested, address your remarks to me, who am the Magistrate in charge of the case, and realize their extreme gravity. Remember you speak on oath, Miss Quested." "Dr. Aziz	all right, and thank you all, thank you, thank you for your kindness." She had to shout her gratitude, for the chant, Esmiss Esmoor, went on. Suddenly it stopped. It was as if the prayer had been heard, and the relics exhibited. "I apologize for my colleague," said Mr. Amritrao, rather to everyone's surprise. "He is an intimate friend of our client, and his feelings have carried him away." "Mr. Mahmoud Ali will have to apologize in person," the Magistrate said. "Exactly, sir, he must. But we had just learnt that Mrs. Moore had important evidence which she desired to give. She was hurried out of the country by her son before she could give it; and this unhinged Mr. Mahmoud Ali coming as it does upon an attempt to intimidate our only other European witness, Mr. Fielding. Mr. Mahmoud Ali would have said nothing had not Mrs. Moore been claimed as a witness by the police." He sat down. "An extraneous element is being introduced into the case," said the Magistrate. "I must repeat that as a witness Mrs. Moore does not exist. Neither you, Mr. Amritrao, nor, Mr. McBryde, you, have any right to surmise what that lady would have said. She is not here, and consequently she can say nothing." "Well, I withdraw my reference," said the Superintendent wearily. "I would have done so fifteen minutes ago if I had been given the chance. She is not of the least importance to me." "I have already withdrawn it for the defence." He added with forensic humour: "Perhaps you can persuade the gentlemen outside to withdraw it too," for the refrain in the street continued. "I am afraid my powers do not extend so far," said Das, smiling. So peace was restored, and when Adela came to give her evidence the atmosphere was quieter than it had been since the beginning of the trial. Experts were not surprised. There is no stay in your native. He blazes up over a minor point, and has nothing left for the crisis. What he seeks is a grievance, and this he had found in the supposed abduction of an old lady. He would now be less aggrieved when Aziz was deported. But the crisis was still to come. Adela had always meant to tell the truth and nothing but the truth, and she had rehearsed this as a difficult task difficult, because her disaster in the cave was connected, though by a thread, with another part of her life, her engagement to Ronny. She had thought of love just before she went in, and had innocently asked Aziz what marriage was like, and she supposed that her question had roused evil in him. To recount this would have been incredibly painful, it was the one point she wanted to keep obscure; she was willing to give details that would have distressed other girls, but this story of her private failure she dared not allude to, and she dreaded being examined in public in case something came out. But as soon as she rose to reply, and heard the sound of her own voice, she feared not even that. A new and unknown sensation protected her, like magnificent armour. She didn't think what had happened, or even remember in the ordinary way of memory, but she returned to the Marabar Hills, and spoke from them across a sort of darkness to Mr. McBryde. The fatal day recurred, in every detail, but now she was of it and not of it at the same time, and this double relation gave it indescribable splendour. Why had she thought the expedition "dull"? Now the sun rose again, the elephant waited, the pale masses of the rock flowed round her and presented the first cave; she entered, and a match was reflected in the polished walls all beautiful and significant, though she had been blind to it at the time. Questions were asked, and to each she found the exact reply; yes, she had noticed the "Tank of the Dagger," but not known its name; yes, Mrs. Moore had been tired after the first cave and sat in the shadow of a great rock, near the dried-up mud. Smoothly the voice in the distance proceeded, leading along the paths of truth, and the airs from the punkah behind her wafted her on. . . . ". . . the prisoner and the guide took you on to the Kawa Dol, no one else being present?" "The most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered the place of answer. "The prisoner followed you, didn't he?" he repeated in the monotonous tones that they both used; they were employing agreed words throughout, so that this part of the proceedings held no surprises. "May I have half a minute before I reply to that, Mr. McBryde?" "Certainly." Her vision was of several caves. She saw herself in one, and she was also outside it, watching its entrance, for Aziz to pass in. She failed to locate him. It was the doubt that had often visited her, but solid and attractive, like the hills, "I am not" Speech was more difficult than vision. "I am not quite sure." "I beg your pardon?" said the Superintendent of Police. "I cannot be sure . . ." "I didn't catch that answer." He looked scared, his mouth shut with a snap. "You are on that landing, or whatever we term it, and you have entered a cave. I suggest to you that the prisoner followed you." She shook her head. "What do you mean, please?" "No," she said in a flat, unattractive voice. Slight noises began in various parts of the room, but no one yet understood what was occurring except Fielding. He saw that she was going to have a nervous breakdown and that his friend was saved. "What is that, what are you saying? Speak up, please." The Magistrate bent forward. "I'm afraid I have made a mistake." "What nature of mistake?" "Dr. Aziz never followed me into the cave." The Superintendent slammed down his papers, then picked them up and said calmly: "Now, Miss Quested, let us go on. I will read you the words of the deposition which you signed two hours later in my bungalow." "Excuse me, Mr. McBryde, you cannot go on. I am speaking to the witness myself. And the public will be silent. If it continues to talk, I have the court cleared. Miss Quested, address your remarks to me, who am the Magistrate in charge of the case, and realize their extreme gravity. Remember you speak on oath, Miss Quested." "Dr. Aziz never" "I stop these proceedings on medical grounds," cried the Major on a word from Turton, and all the English rose from their chairs at once, large white figures behind which the little magistrate was hidden. The Indians rose too, hundreds of things went on at once, so that afterwards each person gave a different account of the catastrophe. "You withdraw the charge? Answer me," shrieked the representative of Justice. Something that she did not understand took hold of the girl and pulled her through. Though the vision was over, and she had returned to the insipidity of the world, she remembered what she had learnt. Atonement and confession they could wait. It was in hard prosaic tones that she said, "I withdraw everything." "Enough sit down. Mr. McBryde, do you wish to continue in the face of this?" The Superintendent gazed at his witness as if she was a broken machine, and said, "Are you mad?" "Don't question her, sir; you have no longer the right." "Give me time to consider" "Sahib, you will have to withdraw; this becomes a scandal," boomed the Nawab Bahadur suddenly from the back of the court. "He shall not," shouted Mrs. Turton against the gathering tumult. "Call the other witnesses; we're none of us safe" Ronny tried to check her, and she gave him an irritable blow, then screamed insults at Adela. The Superintendent moved to the support of his friends, saying nonchalantly to the Magistrate as he did so, "Right, I withdraw." Mr. Das rose, nearly dead with the strain. He had controlled the case, just controlled it. He had shown that an Indian can preside. To those who could hear him he said, "The prisoner is released without one stain on his character; the question of costs will be decided elsewhere." And then the flimsy framework of the court broke up, the shouts of derision and rage culminated, people screamed and cursed, kissed one another, wept passionately. Here were the English, whom their servants protected, there Aziz fainted in Hamidullah's arms. Victory on this side, defeat on that complete for one moment was the antithesis. Then life returned to its complexities, person after person struggled out of the room to their various purposes, and before long no one remained on the scene of the fantasy but the beautiful naked god. Unaware that anything unusual had occurred, he continued to pull the	if I had been given the chance. She is not of the least importance to me." "I have already withdrawn it for the defence." He added with forensic humour: "Perhaps you can persuade the gentlemen outside to withdraw it too," for the refrain in the street continued. "I am afraid my powers do not extend so far," said Das, smiling. So peace was restored, and when Adela came to give her evidence the atmosphere was quieter than it had been since the beginning of the trial. Experts were not surprised. There is no stay in your native. He blazes up over a minor point, and has nothing left for the crisis. What he seeks is a grievance, and this he had found in the supposed abduction of an old lady. He would now be less aggrieved when Aziz was deported. But the crisis was still to come. Adela had always meant to tell the truth and nothing but the truth, and she had rehearsed this as a difficult task difficult, because her disaster in the cave was connected, though by a thread, with another part of her life, her engagement to Ronny. She had thought of love just before she went in, and had innocently asked Aziz what marriage was like, and she supposed that her question had roused evil in him. To recount this would have been incredibly painful, it was the one point she wanted to keep obscure; she was willing to give details that would have distressed other girls, but this story of her private failure she dared not allude to, and she dreaded being examined in public in case something came out. But as soon as she rose to reply, and heard the sound of her own voice, she feared not even that. A new and unknown sensation protected her, like magnificent armour. She didn't think what had happened, or even remember in the ordinary way of memory, but she returned to the Marabar Hills, and spoke from them across a sort of darkness to Mr. McBryde. The fatal day recurred, in every detail, but now she was of it and not of it at the same time, and this double relation gave it indescribable splendour. Why had she thought the expedition "dull"? Now the sun rose again, the elephant waited, the pale masses of the rock flowed round her and presented the first cave; she entered, and a match was reflected in the polished walls all beautiful and significant, though she had been blind to it at the time. Questions were asked, and to each she found the exact reply; yes, she had noticed the "Tank of the Dagger," but not known its name; yes, Mrs. Moore had been tired after the first cave and sat in the shadow of a great rock, near the dried-up mud. Smoothly the voice in the distance proceeded, leading along the paths of truth, and the airs from the punkah behind her wafted her on. . . . ". . . the prisoner and the guide took you on to the Kawa Dol, no one else being present?" "The most wonderfully shaped of those hills. Yes." As she spoke, she created the Kawa Dol, saw the niches up the curve of the stone, and felt the heat strike her face. And something caused her to add: "No one else was present to my knowledge. We appeared to be alone."<\|quote\|>"Very well, there is a ledge half-way up the hill, or broken ground rather, with caves scattered near the beginning of a nullah."</\|quote\|>"I know where you mean." "You went alone into one of those caves?" "That is quite correct." "And the prisoner followed you." "Now we've got 'im," from the Major. She was silent. The court, the place of question, awaited her reply. But she could not give it until Aziz entered the place of answer. "The prisoner followed you, didn't he?" he repeated in the monotonous tones that they both used; they were employing agreed words throughout, so that this part of the proceedings held no surprises. "May I have half a minute before I reply to that, Mr. McBryde?" "Certainly." Her vision was of several caves. She saw herself in one, and she was also outside it, watching its entrance, for Aziz to pass in. She failed to locate him. It was the doubt that had often visited her, but solid and attractive, like the hills, "I am not" Speech was more difficult than vision. "I am not quite sure." "I beg your pardon?" said the Superintendent of Police. "I cannot be sure . . ." "I didn't catch that answer." He looked scared, his mouth shut with a snap. "You are on that landing, or whatever we term it, and you have entered a cave. I suggest to you that the prisoner followed you." She shook her head. "What do you mean, please?" "No," she said in a flat, unattractive voice. Slight noises began in various parts of the room, but no one yet understood what was occurring except Fielding. He saw that she was going to have a nervous breakdown and that his friend was saved. "What is that, what are you saying? Speak up, please." The Magistrate bent forward. "I'm afraid I have made a mistake." "What nature of mistake?" "Dr. Aziz never	A Passage To India
"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."	Mrs. Mann	said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?"	"Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann	farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having	cocked hat; and he became grave. "We are forgetting business, ma'am," said the beadle; "here is your porochial stipend for the month." Mr. Bumble produced some silver money rolled up in paper, from his pocket-book; and requested a receipt: which Mrs. Mann wrote. "It's very much blotted, sir," said the farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having had his face put under the pump, and dried upon Mrs. Mann's gown, he was led into the awful presence of Mr. Bumble, the beadle. The child was pale and thin; his cheeks were sunken; and his eyes large and bright. The scanty parish dress, the livery of his misery,	paupers into open carts in the rainy weather, to prevent their taking cold." "Oh!" said Mrs. Mann. "The opposition coach contracts for these two; and takes them cheap," said Mr. Bumble. "They are both in a very low state, and we find it would come two pound cheaper to move 'em than to bury 'em that is, if we can throw 'em upon another parish, which I think we shall be able to do, if they don't die upon the road to spite us. Ha! ha! ha!" When Mr. Bumble had laughed a little while, his eyes again encountered the cocked hat; and he became grave. "We are forgetting business, ma'am," said the beadle; "here is your porochial stipend for the month." Mr. Bumble produced some silver money rolled up in paper, from his pocket-book; and requested a receipt: which Mrs. Mann wrote. "It's very much blotted, sir," said the farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having had his face put under the pump, and dried upon Mrs. Mann's gown, he was led into the awful presence of Mr. Bumble, the beadle. The child was pale and thin; his cheeks were sunken; and his eyes large and bright. The scanty parish dress, the livery of his misery, hung loosely on his feeble body; and his young limbs had wasted away, like those of an old man. Such was the little being who stood trembling beneath Mr. Bumble's glance; not daring to lift his eyes from the floor; and dreading even to hear the beadle's voice. "Can't you look at the gentleman, you obstinate boy?" said Mrs. Mann. The child meekly raised his eyes, and encountered those of Mr. Bumble. "What's the matter with you, porochial Dick?" inquired Mr. Bumble, with well-timed jocularity. "Nothing, sir," replied the child faintly. "I should think not," said Mrs. Mann, who had	Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "by coach. I and two paupers, Mrs. Mann! A legal action is a coming on, about a settlement; and the board has appointed me me, Mrs. Mann to dispose to the matter before the quarter-sessions at Clerkinwell. And I very much question," added Mr. Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "Oh! you mustn't be too hard upon them, sir," said Mrs. Mann, coaxingly. "The Clerkinwell Sessions have brought it upon themselves, ma'am," replied Mr. Bumble; "and if the Clerkinwell Sessions find that they come off rather worse than they expected, the Clerkinwell Sessions have only themselves to thank." There was so much determination and depth of purpose about the menacing manner in which Mr. Bumble delivered himself of these words, that Mrs. Mann appeared quite awed by them. At length she said, "You're going by coach, sir? I thought it was always usual to send them paupers in carts." "That's when they're ill, Mrs. Mann," said the beadle. "We put the sick paupers into open carts in the rainy weather, to prevent their taking cold." "Oh!" said Mrs. Mann. "The opposition coach contracts for these two; and takes them cheap," said Mr. Bumble. "They are both in a very low state, and we find it would come two pound cheaper to move 'em than to bury 'em that is, if we can throw 'em upon another parish, which I think we shall be able to do, if they don't die upon the road to spite us. Ha! ha! ha!" When Mr. Bumble had laughed a little while, his eyes again encountered the cocked hat; and he became grave. "We are forgetting business, ma'am," said the beadle; "here is your porochial stipend for the month." Mr. Bumble produced some silver money rolled up in paper, from his pocket-book; and requested a receipt: which Mrs. Mann wrote. "It's very much blotted, sir," said the farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having had his face put under the pump, and dried upon Mrs. Mann's gown, he was led into the awful presence of Mr. Bumble, the beadle. The child was pale and thin; his cheeks were sunken; and his eyes large and bright. The scanty parish dress, the livery of his misery, hung loosely on his feeble body; and his young limbs had wasted away, like those of an old man. Such was the little being who stood trembling beneath Mr. Bumble's glance; not daring to lift his eyes from the floor; and dreading even to hear the beadle's voice. "Can't you look at the gentleman, you obstinate boy?" said Mrs. Mann. The child meekly raised his eyes, and encountered those of Mr. Bumble. "What's the matter with you, porochial Dick?" inquired Mr. Bumble, with well-timed jocularity. "Nothing, sir," replied the child faintly. "I should think not," said Mrs. Mann, who had of course laughed very much at Mr. Bumble's humour. "You want for nothing, I'm sure." "I should like" faltered the child. "Hey-day!" interposed Mrs. Mann, "I suppose you're going to say that you _do_ want for something, now? Why, you little wretch" "Stop, Mrs. Mann, stop!" said the beadle, raising his hand with a show of authority. "Like what, sir, eh?" "I should like," faltered the child, "if somebody that can write, would put a few words down for me on a piece of paper, and fold it up and seal it, and keep it for me, after I am laid in the ground." "Why, what does the boy mean?" exclaimed Mr. Bumble, on whom the earnest manner and wan aspect of the child had made some impression: accustomed as he was to such things. "What do you mean, sir?" "I should like," said the child, "to leave my dear love to poor Oliver Twist; and to let him know how often I have sat by myself and cried to think of his wandering about in the dark nights with nobody to help him. And I should like to tell him," said the child pressing his small hands together, and	beadle's mind, too great for utterance. Mr. Bumble stopped not to converse with the small shopkeepers and others who spoke to him, deferentially, as he passed along. He merely returned their salutations with a wave of his hand, and relaxed not in his dignified pace, until he reached the farm where Mrs. Mann tended the infant paupers with parochial care. "Drat that beadle!" said Mrs. Mann, hearing the well-known shaking at the garden-gate. "If it isn't him at this time in the morning! Lauk, Mr. Bumble, only think of its being you! Well, dear me, it _is_ a pleasure, this is! Come into the parlour, sir, please." The first sentence was addressed to Susan; and the exclamations of delight were uttered to Mr. Bumble: as the good lady unlocked the garden-gate: and showed him, with great attention and respect, into the house. "Mrs. Mann," said Mr. Bumble; not sitting upon, or dropping himself into a seat, as any common jackanapes would: but letting himself gradually and slowly down into a chair; "Mrs. Mann, ma'am, good morning." "Well, and good morning to _you_, sir," replied Mrs. Mann, with many smiles; "and hoping you find yourself well, sir!" "So-so, Mrs. Mann," replied the beadle. "A porochial life is not a bed of roses, Mrs. Mann." "Ah, that it isn't indeed, Mr. Bumble," rejoined the lady. And all the infant paupers might have chorussed the rejoinder with great propriety, if they had heard it. "A porochial life, ma'am," continued Mr. Bumble, striking the table with his cane, "is a life of worrit, and vexation, and hardihood; but all public characters, as I may say, must suffer prosecution." Mrs. Mann, not very well knowing what the beadle meant, raised her hands with a look of sympathy, and sighed. "Ah! You may well sigh, Mrs. Mann!" said the beadle. Finding she had done right, Mrs. Mann sighed again: evidently to the satisfaction of the public character: who, repressing a complacent smile by looking sternly at his cocked hat, said, "Mrs. Mann, I am going to London." "Lauk, Mr. Bumble!" cried Mrs. Mann, starting back. "To London, ma'am," resumed the inflexible beadle, "by coach. I and two paupers, Mrs. Mann! A legal action is a coming on, about a settlement; and the board has appointed me me, Mrs. Mann to dispose to the matter before the quarter-sessions at Clerkinwell. And I very much question," added Mr. Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "by coach. I and two paupers, Mrs. Mann! A legal action is a coming on, about a settlement; and the board has appointed me me, Mrs. Mann to dispose to the matter before the quarter-sessions at Clerkinwell. And I very much question," added Mr. Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "Oh! you mustn't be too hard upon them, sir," said Mrs. Mann, coaxingly. "The Clerkinwell Sessions have brought it upon themselves, ma'am," replied Mr. Bumble; "and if the Clerkinwell Sessions find that they come off rather worse than they expected, the Clerkinwell Sessions have only themselves to thank." There was so much determination and depth of purpose about the menacing manner in which Mr. Bumble delivered himself of these words, that Mrs. Mann appeared quite awed by them. At length she said, "You're going by coach, sir? I thought it was always usual to send them paupers in carts." "That's when they're ill, Mrs. Mann," said the beadle. "We put the sick paupers into open carts in the rainy weather, to prevent their taking cold." "Oh!" said Mrs. Mann. "The opposition coach contracts for these two; and takes them cheap," said Mr. Bumble. "They are both in a very low state, and we find it would come two pound cheaper to move 'em than to bury 'em that is, if we can throw 'em upon another parish, which I think we shall be able to do, if they don't die upon the road to spite us. Ha! ha! ha!" When Mr. Bumble had laughed a little while, his eyes again encountered the cocked hat; and he became grave. "We are forgetting business, ma'am," said the beadle; "here is your porochial stipend for the month." Mr. Bumble produced some silver money rolled up in paper, from his pocket-book; and requested a receipt: which Mrs. Mann wrote. "It's very much blotted, sir," said the farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having had his face put under the pump, and dried upon Mrs. Mann's gown, he was led into the awful presence of Mr. Bumble, the beadle. The child was pale and thin; his cheeks were sunken; and his eyes large and bright. The scanty parish dress, the livery of his misery, hung loosely on his feeble body; and his young limbs had wasted away, like those of an old man. Such was the little being who stood trembling beneath Mr. Bumble's glance; not daring to lift his eyes from the floor; and dreading even to hear the beadle's voice. "Can't you look at the gentleman, you obstinate boy?" said Mrs. Mann. The child meekly raised his eyes, and encountered those of Mr. Bumble. "What's the matter with you, porochial Dick?" inquired Mr. Bumble, with well-timed jocularity. "Nothing, sir," replied the child faintly. "I should think not," said Mrs. Mann, who had of course laughed very much at Mr. Bumble's humour. "You want for nothing, I'm sure." "I should like" faltered the child. "Hey-day!" interposed Mrs. Mann, "I suppose you're going to say that you _do_ want for something, now? Why, you little wretch" "Stop, Mrs. Mann, stop!" said the beadle, raising his hand with a show of authority. "Like what, sir, eh?" "I should like," faltered the child, "if somebody that can write, would put a few words down for me on a piece of paper, and fold it up and seal it, and keep it for me, after I am laid in the ground." "Why, what does the boy mean?" exclaimed Mr. Bumble, on whom the earnest manner and wan aspect of the child had made some impression: accustomed as he was to such things. "What do you mean, sir?" "I should like," said the child, "to leave my dear love to poor Oliver Twist; and to let him know how often I have sat by myself and cried to think of his wandering about in the dark nights with nobody to help him. And I should like to tell him," said the child pressing his small hands together, and speaking with great fervour, "that I was glad to die when I was very young; for, perhaps, if I had lived to be a man, and had grown old, my little sister who is in Heaven, might forget me, or be unlike me; and it would be so much happier if we were both children there together." Mr. Bumble surveyed the little speaker, from head to foot, with indescribable astonishment; and, turning to his companion, said, "They're all in one story, Mrs. Mann. That out-dacious Oliver had demogalized them all!" "I couldn't have believed it, sir" said Mrs Mann, holding up her hands, and looking malignantly at Dick. "I never see such a hardened little wretch!" "Take him away, ma'am!" said Mr. Bumble imperiously. "This must be stated to the board, Mrs. Mann." "I hope the gentleman will understand that it isn't my fault, sir?" said Mrs. Mann, whimpering pathetically. "They shall understand that, ma'am; they shall be acquainted with the true state of the case," said Mr. Bumble. "There; take him away, I can't bear the sight on him." Dick was immediately taken away, and locked up in the coal-cellar. Mr. Bumble shortly afterwards took himself off, to prepare for his journey. At six o'clock next morning, Mr. Bumble: having exchanged his cocked hat for a round one, and encased his person in a blue great-coat with a cape to it: took his place on the outside of the coach, accompanied by the criminals whose settlement was disputed; with whom, in due course of time, he arrived in London. He experienced no other crosses on the way, than those which originated in the perverse behaviour of the two paupers, who persisted in shivering, and complaining of the cold, in a manner which, Mr. Bumble declared, caused his teeth to chatter in his head, and made him feel quite uncomfortable; although he had a great-coat on. Having disposed of these evil-minded persons for the night, Mr. Bumble sat himself down in the house at which the coach stopped; and took a temperate dinner of steaks, oyster sauce, and porter. Putting a glass of hot gin-and-water on the chimney-piece, he drew his chair to the fire; and, with sundry moral reflections on the too-prevalent sin of discontent and complaining, composed himself to read the paper. The very first paragraph upon which Mr. Bumble's eye rested, was the following advertisement. "FIVE GUINEAS	life of worrit, and vexation, and hardihood; but all public characters, as I may say, must suffer prosecution." Mrs. Mann, not very well knowing what the beadle meant, raised her hands with a look of sympathy, and sighed. "Ah! You may well sigh, Mrs. Mann!" said the beadle. Finding she had done right, Mrs. Mann sighed again: evidently to the satisfaction of the public character: who, repressing a complacent smile by looking sternly at his cocked hat, said, "Mrs. Mann, I am going to London." "Lauk, Mr. Bumble!" cried Mrs. Mann, starting back. "To London, ma'am," resumed the inflexible beadle, "by coach. I and two paupers, Mrs. Mann! A legal action is a coming on, about a settlement; and the board has appointed me me, Mrs. Mann to dispose to the matter before the quarter-sessions at Clerkinwell. And I very much question," added Mr. Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "by coach. I and two paupers, Mrs. Mann! A legal action is a coming on, about a settlement; and the board has appointed me me, Mrs. Mann to dispose to the matter before the quarter-sessions at Clerkinwell. And I very much question," added Mr. Bumble, drawing himself up, "whether the Clerkinwell Sessions will not find themselves in the wrong box before they have done with me." "Oh! you mustn't be too hard upon them, sir," said Mrs. Mann, coaxingly. "The Clerkinwell Sessions have brought it upon themselves, ma'am," replied Mr. Bumble; "and if the Clerkinwell Sessions find that they come off rather worse than they expected, the Clerkinwell Sessions have only themselves to thank." There was so much determination and depth of purpose about the menacing manner in which Mr. Bumble delivered himself of these words, that Mrs. Mann appeared quite awed by them. At length she said, "You're going by coach, sir? I thought it was always usual to send them paupers in carts." "That's when they're ill, Mrs. Mann," said the beadle. "We put the sick paupers into open carts in the rainy weather, to prevent their taking cold." "Oh!" said Mrs. Mann. "The opposition coach contracts for these two; and takes them cheap," said Mr. Bumble. "They are both in a very low state, and we find it would come two pound cheaper to move 'em than to bury 'em that is, if we can throw 'em upon another parish, which I think we shall be able to do, if they don't die upon the road to spite us. Ha! ha! ha!" When Mr. Bumble had laughed a little while, his eyes again encountered the cocked hat; and he became grave. "We are forgetting business, ma'am," said the beadle; "here is your porochial stipend for the month." Mr. Bumble produced some silver money rolled up in paper, from his pocket-book; and requested a receipt: which Mrs. Mann wrote. "It's very much blotted, sir," said the farmer of infants; "but it's formal enough, I dare say. Thank you, Mr. Bumble, sir, I am very much obliged to you, I'm sure." Mr. Bumble nodded, blandly, in acknowledgment of Mrs. Mann's curtsey; and inquired how the children were. "Bless their dear little hearts!" said Mrs. Mann with emotion,<\|quote\|>"they're as well as can be, the dears! Of course, except the two that died last week. And little Dick."</\|quote\|>"Isn't that boy no better?" inquired Mr. Bumble. Mrs. Mann shook her head. "He's a ill-conditioned, wicious, bad-disposed porochial child that," said Mr. Bumble angrily. "Where is he?" "I'll bring him to you in one minute, sir," replied Mrs. Mann. "Here, you Dick!" After some calling, Dick was discovered. Having had his face put under the pump, and dried upon Mrs. Mann's gown, he was led into the awful presence of Mr. Bumble, the beadle. The child was pale and thin; his cheeks were sunken; and his eyes large and bright. The scanty parish dress, the livery of his misery, hung loosely on his feeble body; and his young limbs had wasted away, like those of an old man. Such was the little being who stood trembling beneath Mr. Bumble's glance; not daring to lift his eyes from the floor; and dreading even to hear the beadle's voice. "Can't you look at the gentleman, you obstinate boy?" said Mrs. Mann. The child meekly raised his eyes, and encountered those of Mr. Bumble. "What's the matter with you, porochial Dick?" inquired Mr. Bumble, with well-timed jocularity. "Nothing, sir," replied the child faintly. "I should think not," said Mrs. Mann, who had of course laughed very much at Mr. Bumble's humour. "You want for nothing, I'm sure." "I should like" faltered the child. "Hey-day!" interposed Mrs. Mann, "I suppose you're going to say that you _do_ want for something, now? Why, you little wretch" "Stop, Mrs. Mann, stop!" said the beadle, raising his hand with a show of authority. "Like what, sir, eh?" "I should like," faltered the child, "if somebody that can write, would put a few words down for me on a piece of paper, and fold it up and seal it, and keep it for me, after I am laid in the ground." "Why, what does the boy mean?" exclaimed Mr. Bumble, on whom the earnest manner and wan aspect of the child had made some impression: accustomed as he was to such things. "What do you mean, sir?" "I should like," said the child, "to leave my dear love to poor Oliver Twist; and to let him know how often I have sat by myself and cried to think of his wandering about in the dark nights with nobody to help him. And I should like to tell him," said the child pressing his small hands together, and speaking with great fervour, "that I was glad to die when I was very young; for, perhaps, if I had lived to be a man, and had grown old, my little sister who is in Heaven, might forget me, or be unlike me; and it would be so much happier if we were both children there together." Mr. Bumble surveyed the little speaker, from head to foot, with indescribable astonishment; and, turning to his companion, said, "They're all in one story, Mrs. Mann. That out-dacious Oliver had demogalized them all!" "I couldn't have believed it, sir" said Mrs Mann, holding up her hands, and looking malignantly at Dick. "I never see such a hardened little wretch!" "Take him away, ma'am!" said Mr. Bumble imperiously. "This must be stated to the board, Mrs. Mann." "I hope the gentleman will understand that it isn't my fault, sir?" said Mrs. Mann, whimpering pathetically. "They shall understand that, ma'am; they shall be acquainted with the true state of the case," said Mr. Bumble. "There; take him away, I can't bear the sight on him." Dick was immediately taken away, and locked up in the coal-cellar. Mr. Bumble shortly afterwards took himself	Oliver Twist
He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.	No speaker	here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at	not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t	so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--"	his pince-nez. "Lucia di Lammermoor. By the Master Donizetti. Unique representation. This evening." "But is there an opera? Right up here?" "Why, yes. These people know how to live. They would sooner have a thing bad than not have it at all. That is why they have got to have so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--" "My dear sister, you can t run on like that. You don t buy a pair of gloves in two hours, much less a baby." "Three hours, then, or four; or make him learn English ways. At Florence we get a nurse--" "But, Harriet," said Miss Abbott, "what if at	certain grace and lightness in his companion which he had never noticed in England. She was appallingly narrow, but her consciousness of wider things gave to her narrowness a pathetic charm. He did not suspect that he was more graceful too. For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better. Citizens came out for a little stroll before dinner. Some of them stood and gazed at the advertisements on the tower. "Surely that isn t an opera-bill?" said Miss Abbott. Philip put on his pince-nez. "Lucia di Lammermoor. By the Master Donizetti. Unique representation. This evening." "But is there an opera? Right up here?" "Why, yes. These people know how to live. They would sooner have a thing bad than not have it at all. That is why they have got to have so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--" "My dear sister, you can t run on like that. You don t buy a pair of gloves in two hours, much less a baby." "Three hours, then, or four; or make him learn English ways. At Florence we get a nurse--" "But, Harriet," said Miss Abbott, "what if at first he was to refuse?" "I don t know the meaning of the word," said Harriet impressively. "I ve told the landlady that Philip and I only want our rooms one night, and we shall keep to it." "I dare say it will be all right. But, as I told you, I thought the man I met on the Rocca a strange, difficult man." "He s insolent to ladies, we know. But my brother can be trusted to bring him to his senses. That woman, Philip, whom you saw will carry the baby to the hotel. Of course you must	between it and the hotel, and the traffic is blocked in a moment. Farther up, where the street empties out by the church, your connections, the Merli and the Capocchi, do likewise. They command the Piazza, you the Siena gate. No one can move in either but he shall be instantly slain, either by bows or by crossbows, or by Greek fire. Beware, however, of the back bedroom windows. For they are menaced by the tower of the Aldobrandeschi, and before now arrows have stuck quivering over the washstand. Guard these windows well, lest there be a repetition of the events of February 1338, when the hotel was surprised from the rear, and your dearest friend--you could just make out that it was he--was thrown at you over the stairs. "It reaches up to heaven," said Philip, "and down to the other place." The summit of the tower was radiant in the sun, while its base was in shadow and pasted over with advertisements. "Is it to be a symbol of the town?" She gave no hint that she understood him. But they remained together at the window because it was a little cooler and so pleasant. Philip found a certain grace and lightness in his companion which he had never noticed in England. She was appallingly narrow, but her consciousness of wider things gave to her narrowness a pathetic charm. He did not suspect that he was more graceful too. For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better. Citizens came out for a little stroll before dinner. Some of them stood and gazed at the advertisements on the tower. "Surely that isn t an opera-bill?" said Miss Abbott. Philip put on his pince-nez. "Lucia di Lammermoor. By the Master Donizetti. Unique representation. This evening." "But is there an opera? Right up here?" "Why, yes. These people know how to live. They would sooner have a thing bad than not have it at all. That is why they have got to have so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--" "My dear sister, you can t run on like that. You don t buy a pair of gloves in two hours, much less a baby." "Three hours, then, or four; or make him learn English ways. At Florence we get a nurse--" "But, Harriet," said Miss Abbott, "what if at first he was to refuse?" "I don t know the meaning of the word," said Harriet impressively. "I ve told the landlady that Philip and I only want our rooms one night, and we shall keep to it." "I dare say it will be all right. But, as I told you, I thought the man I met on the Rocca a strange, difficult man." "He s insolent to ladies, we know. But my brother can be trusted to bring him to his senses. That woman, Philip, whom you saw will carry the baby to the hotel. Of course you must tip her for it. And try, if you can, to get poor Lilia s silver bangles. They were nice quiet things, and will do for Irma. And there is an inlaid box I lent her--lent, not gave--to keep her handkerchiefs in. It s of no real value; but this is our only chance. Don t ask for it; but if you see it lying about, just say--" "No, Harriet; I ll try for the baby, but for nothing else. I promise to do that tomorrow, and to do it in the way you wish. But tonight, as we re all tired, we want a change of topic. We want relaxation. We want to go to the theatre." "Theatres here? And at such a moment?" "We should hardly enjoy it, with the great interview impending," said Miss Abbott, with an anxious glance at Philip. He did not betray her, but said, "Don t you think it s better than sitting in all the evening and getting nervous?" His sister shook her head. "Mother wouldn t like it. It would be most unsuitable--almost irreverent. Besides all that, foreign theatres are notorious. Don t you remember those letters in the Church Family Newspaper	was suffused with pleasure. For an apology, which would have been intolerable eighteen months ago, was gracious and agreeable now. She would not let this pass. "You did not think it a little thing at the time. You told me he had assaulted you." "I lost my temper," said Philip lightly. His vanity had been appeased, and he knew it. This tiny piece of civility had changed his mood. "Did he really--what exactly did he say?" "He said he was sorry--pleasantly, as Italians do say such things. But he never mentioned the baby once." What did the baby matter when the world was suddenly right way up? Philip smiled, and was shocked at himself for smiling, and smiled again. For romance had come back to Italy; there were no cads in her; she was beautiful, courteous, lovable, as of old. And Miss Abbott--she, too, was beautiful in her way, for all her gaucheness and conventionality. She really cared about life, and tried to live it properly. And Harriet--even Harriet tried. This admirable change in Philip proceeds from nothing admirable, and may therefore provoke the gibes of the cynical. But angels and other practical people will accept it reverently, and write it down as good. "The view from the Rocca (small gratuity) is finest at sunset," he murmured, more to himself than to her. "And he never mentioned the baby once," Miss Abbott repeated. But she had returned to the window, and again her finger pursued the delicate curves. He watched her in silence, and was more attracted to her than he had ever been before. She really was the strangest mixture. "The view from the Rocca--wasn t it fine?" "What isn t fine here?" she answered gently, and then added, "I wish I was Harriet," throwing an extraordinary meaning into the words. "Because Harriet--?" She would not go further, but he believed that she had paid homage to the complexity of life. For her, at all events, the expedition was neither easy nor jolly. Beauty, evil, charm, vulgarity, mystery--she also acknowledged this tangle, in spite of herself. And her voice thrilled him when she broke silence with "Mr. Herriton--come here--look at this!" She removed a pile of plates from the Gothic window, and they leant out of it. Close opposite, wedged between mean houses, there rose up one of the great towers. It is your tower: you stretch a barricade between it and the hotel, and the traffic is blocked in a moment. Farther up, where the street empties out by the church, your connections, the Merli and the Capocchi, do likewise. They command the Piazza, you the Siena gate. No one can move in either but he shall be instantly slain, either by bows or by crossbows, or by Greek fire. Beware, however, of the back bedroom windows. For they are menaced by the tower of the Aldobrandeschi, and before now arrows have stuck quivering over the washstand. Guard these windows well, lest there be a repetition of the events of February 1338, when the hotel was surprised from the rear, and your dearest friend--you could just make out that it was he--was thrown at you over the stairs. "It reaches up to heaven," said Philip, "and down to the other place." The summit of the tower was radiant in the sun, while its base was in shadow and pasted over with advertisements. "Is it to be a symbol of the town?" She gave no hint that she understood him. But they remained together at the window because it was a little cooler and so pleasant. Philip found a certain grace and lightness in his companion which he had never noticed in England. She was appallingly narrow, but her consciousness of wider things gave to her narrowness a pathetic charm. He did not suspect that he was more graceful too. For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better. Citizens came out for a little stroll before dinner. Some of them stood and gazed at the advertisements on the tower. "Surely that isn t an opera-bill?" said Miss Abbott. Philip put on his pince-nez. "Lucia di Lammermoor. By the Master Donizetti. Unique representation. This evening." "But is there an opera? Right up here?" "Why, yes. These people know how to live. They would sooner have a thing bad than not have it at all. That is why they have got to have so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--" "My dear sister, you can t run on like that. You don t buy a pair of gloves in two hours, much less a baby." "Three hours, then, or four; or make him learn English ways. At Florence we get a nurse--" "But, Harriet," said Miss Abbott, "what if at first he was to refuse?" "I don t know the meaning of the word," said Harriet impressively. "I ve told the landlady that Philip and I only want our rooms one night, and we shall keep to it." "I dare say it will be all right. But, as I told you, I thought the man I met on the Rocca a strange, difficult man." "He s insolent to ladies, we know. But my brother can be trusted to bring him to his senses. That woman, Philip, whom you saw will carry the baby to the hotel. Of course you must tip her for it. And try, if you can, to get poor Lilia s silver bangles. They were nice quiet things, and will do for Irma. And there is an inlaid box I lent her--lent, not gave--to keep her handkerchiefs in. It s of no real value; but this is our only chance. Don t ask for it; but if you see it lying about, just say--" "No, Harriet; I ll try for the baby, but for nothing else. I promise to do that tomorrow, and to do it in the way you wish. But tonight, as we re all tired, we want a change of topic. We want relaxation. We want to go to the theatre." "Theatres here? And at such a moment?" "We should hardly enjoy it, with the great interview impending," said Miss Abbott, with an anxious glance at Philip. He did not betray her, but said, "Don t you think it s better than sitting in all the evening and getting nervous?" His sister shook her head. "Mother wouldn t like it. It would be most unsuitable--almost irreverent. Besides all that, foreign theatres are notorious. Don t you remember those letters in the Church Family Newspaper ?" "But this is an opera-- Lucia di Lammermoor --Sir Walter Scott--classical, you know." Harriet s face grew resigned. "Certainly one has so few opportunities of hearing music. It is sure to be very bad. But it might be better than sitting idle all the evening. We have no book, and I lost my crochet at Florence." "Good. Miss Abbott, you are coming too?" "It is very kind of you, Mr. Herriton. In some ways I should enjoy it; but--excuse the suggestion--I don t think we ought to go to cheap seats." "Good gracious me!" cried Harriet, "I should never have thought of that. As likely as not, we should have tried to save money and sat among the most awful people. One keeps on forgetting this is Italy." "Unfortunately I have no evening dress; and if the seats--" "Oh, that ll be all right," said Philip, smiling at his timorous, scrupulous women-kind. "We ll go as we are, and buy the best we can get. Monteriano is not formal." So this strenuous day of resolutions, plans, alarms, battles, victories, defeats, truces, ended at the opera. Miss Abbott and Harriet were both a little shame-faced. They thought of their friends at Sawston, who were supposing them to be now tilting against the powers of evil. What would Mrs. Herriton, or Irma, or the curates at the Back Kitchen say if they could see the rescue party at a place of amusement on the very first day of its mission? Philip, too, marvelled at his wish to go. He began to see that he was enjoying his time in Monteriano, in spite of the tiresomeness of his companions and the occasional contrariness of himself. He had been to this theatre many years before, on the occasion of a performance of "La Zia di Carlo." Since then it had been thoroughly done up, in the tints of the beet-root and the tomato, and was in many other ways a credit to the little town. The orchestra had been enlarged, some of the boxes had terra-cotta draperies, and over each box was now suspended an enormous tablet, neatly framed, bearing upon it the number of that box. There was also a drop-scene, representing a pink and purple landscape, wherein sported many a lady lightly clad, and two more ladies lay along the top of the proscenium to steady a large and pallid clock.	to the window, and again her finger pursued the delicate curves. He watched her in silence, and was more attracted to her than he had ever been before. She really was the strangest mixture. "The view from the Rocca--wasn t it fine?" "What isn t fine here?" she answered gently, and then added, "I wish I was Harriet," throwing an extraordinary meaning into the words. "Because Harriet--?" She would not go further, but he believed that she had paid homage to the complexity of life. For her, at all events, the expedition was neither easy nor jolly. Beauty, evil, charm, vulgarity, mystery--she also acknowledged this tangle, in spite of herself. And her voice thrilled him when she broke silence with "Mr. Herriton--come here--look at this!" She removed a pile of plates from the Gothic window, and they leant out of it. Close opposite, wedged between mean houses, there rose up one of the great towers. It is your tower: you stretch a barricade between it and the hotel, and the traffic is blocked in a moment. Farther up, where the street empties out by the church, your connections, the Merli and the Capocchi, do likewise. They command the Piazza, you the Siena gate. No one can move in either but he shall be instantly slain, either by bows or by crossbows, or by Greek fire. Beware, however, of the back bedroom windows. For they are menaced by the tower of the Aldobrandeschi, and before now arrows have stuck quivering over the washstand. Guard these windows well, lest there be a repetition of the events of February 1338, when the hotel was surprised from the rear, and your dearest friend--you could just make out that it was he--was thrown at you over the stairs. "It reaches up to heaven," said Philip, "and down to the other place." The summit of the tower was radiant in the sun, while its base was in shadow and pasted over with advertisements. "Is it to be a symbol of the town?" She gave no hint that she understood him. But they remained together at the window because it was a little cooler and so pleasant. Philip found a certain grace and lightness in his companion which he had never noticed in England. She was appallingly narrow, but her consciousness of wider things gave to her narrowness a pathetic charm. He did not suspect that he was more graceful too. For our vanity is such that we hold our own characters immutable, and we are slow to acknowledge that they have changed, even for the better. Citizens came out for a little stroll before dinner. Some of them stood and gazed at the advertisements on the tower. "Surely that isn t an opera-bill?" said Miss Abbott. Philip put on his pince-nez. "Lucia di Lammermoor. By the Master Donizetti. Unique representation. This evening." "But is there an opera? Right up here?" "Why, yes. These people know how to live. They would sooner have a thing bad than not have it at all. That is why they have got to have so much that is good. However bad the performance is tonight, it will be alive. Italians don t love music silently, like the beastly Germans. The audience takes its share--sometimes more." "Can t we go?" He turned on her, but not unkindly. "But we re here to rescue a child!"<\|quote\|>He cursed himself for the remark. All the pleasure and the light went out of her face, and she became again Miss Abbott of Sawston--good, oh, most undoubtedly good, but most appallingly dull. Dull and remorseful: it is a deadly combination, and he strove against it in vain till he was interrupted by the opening of the dining-room door. They started as guiltily as if they had been flirting. Their interview had taken such an unexpected course. Anger, cynicism, stubborn morality--all had ended in a feeling of good-will towards each other and towards the city which had received them. And now Harriet was here--acrid, indissoluble, large; the same in Italy as in England--changing her disposition never, and her atmosphere under protest. Yet even Harriet was human, and the better for a little tea. She did not scold Philip for finding Gino out, as she might reasonably have done. She showered civilities on Miss Abbott, exclaiming again and again that Caroline s visit was one of the most fortunate coincidences in the world. Caroline did not contradict her.</\|quote\|>"You see him tomorrow at ten, Philip. Well, don t forget the blank cheque. Say an hour for the business. No, Italians are so slow; say two. Twelve o clock. Lunch. Well--then it s no good going till the evening train. I can manage the baby as far as Florence--" "My dear sister, you can t run on like that. You don t buy a pair of gloves in two hours, much less a baby." "Three hours, then, or four; or make him learn English ways. At Florence we get a nurse--" "But, Harriet," said Miss Abbott, "what if at first he was to refuse?" "I don t know the meaning of the word," said Harriet impressively. "I ve told the landlady that Philip and I only want our rooms one night, and we shall keep to it." "I dare say it will be all right. But, as I told you, I thought the man I met on the Rocca a strange, difficult man." "He s insolent to ladies, we know. But my brother can be trusted to bring him to his senses. That woman, Philip, whom you saw will carry the baby to the hotel. Of course you must tip her for it. And try, if you can, to get poor Lilia s silver bangles. They were nice quiet things, and will do for Irma. And there is an inlaid box I lent her--lent, not gave--to keep her handkerchiefs in. It s of no real value; but this is our only chance. Don t ask for it; but if you see it lying about, just say--" "No, Harriet; I ll try for the baby, but for nothing else. I promise to do that tomorrow, and to do it in the way you wish. But tonight, as we re all tired, we want a change of topic. We want relaxation. We want to go to the theatre." "Theatres here? And at such a moment?" "We should hardly enjoy it, with the great interview impending," said Miss Abbott, with an anxious glance at Philip. He did not betray her, but said, "Don t you think it s better than sitting in all the evening and getting nervous?" His sister shook her head. "Mother wouldn t like it. It would be most unsuitable--almost irreverent. Besides all that, foreign theatres are notorious. Don t you remember those letters in the Church Family Newspaper ?" "But this is an opera-- Lucia di Lammermoor --Sir Walter Scott--classical, you know." Harriet s face grew resigned. "Certainly one has so few opportunities of hearing music. It is sure to be very bad. But it might be better than sitting idle all the evening. We have no book, and I lost my crochet at Florence." "Good. Miss Abbott, you are coming too?" "It is very kind of you, Mr. Herriton. In some	Where Angels Fear To Tread
"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"	Mr. Darcy	he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an	other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it	slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther,	steward had occasioned his coming forward a few hours before the rest of the party with whom he had been travelling. "They will join me early to-morrow," he continued, "and among them are some who will claim an acquaintance with you,--Mr. Bingley and his sisters." Elizabeth answered only by a slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther, it was satisfactory; it was gratifying to know that his resentment had not made him think really ill of her. They now walked on in silence; each of them deep in thought. Elizabeth was not comfortable; that was impossible; but she was flattered and pleased. His wish of introducing his	her husband's. Mr. Darcy took her place by her niece, and they walked on together. After a short silence, the lady first spoke. She wished him to know that she had been assured of his absence before she came to the place, and accordingly began by observing, that his arrival had been very unexpected--" "for your housekeeper," she added, "informed us that you would certainly not be here till to-morrow; and indeed, before we left Bakewell, we understood that you were not immediately expected in the country." He acknowledged the truth of it all; and said that business with his steward had occasioned his coming forward a few hours before the rest of the party with whom he had been travelling. "They will join me early to-morrow," he continued, "and among them are some who will claim an acquaintance with you,--Mr. Bingley and his sisters." Elizabeth answered only by a slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther, it was satisfactory; it was gratifying to know that his resentment had not made him think really ill of her. They now walked on in silence; each of them deep in thought. Elizabeth was not comfortable; that was impossible; but she was flattered and pleased. His wish of introducing his sister to her, was a compliment of the highest kind. They soon outstripped the others, and when they had reached the carriage, Mr. and Mrs. Gardiner were half a quarter of a mile behind. He then asked her to walk into the house--but she declared herself not tired, and they stood together on the lawn. At such a time, much might have been said, and silence was very awkward. She wanted to talk, but there seemed an embargo on every subject. At last she recollected that she had been travelling, and they talked of Matlock and Dove Dale with great	with the greatest civility, to fish there as often as he chose, while he continued in the neighbourhood, offering at the same time to supply him with fishing tackle, and pointing out those parts of the stream where there was usually most sport. Mrs. Gardiner, who was walking arm in arm with Elizabeth, gave her a look expressive of her wonder. Elizabeth said nothing, but it gratified her exceedingly; the compliment must be all for herself. Her astonishment, however, was extreme; and continually was she repeating, "Why is he so altered? From what can it proceed? It cannot be for _me_, it cannot be for _my_ sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me." After walking some time in this way, the two ladies in front, the two gentlemen behind, on resuming their places, after descending to the brink of the river for the better inspection of some curious water-plant, there chanced to be a little alteration. It originated in Mrs. Gardiner, who, fatigued by the exercise of the morning, found Elizabeth's arm inadequate to her support, and consequently preferred her husband's. Mr. Darcy took her place by her niece, and they walked on together. After a short silence, the lady first spoke. She wished him to know that she had been assured of his absence before she came to the place, and accordingly began by observing, that his arrival had been very unexpected--" "for your housekeeper," she added, "informed us that you would certainly not be here till to-morrow; and indeed, before we left Bakewell, we understood that you were not immediately expected in the country." He acknowledged the truth of it all; and said that business with his steward had occasioned his coming forward a few hours before the rest of the party with whom he had been travelling. "They will join me early to-morrow," he continued, "and among them are some who will claim an acquaintance with you,--Mr. Bingley and his sisters." Elizabeth answered only by a slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther, it was satisfactory; it was gratifying to know that his resentment had not made him think really ill of her. They now walked on in silence; each of them deep in thought. Elizabeth was not comfortable; that was impossible; but she was flattered and pleased. His wish of introducing his sister to her, was a compliment of the highest kind. They soon outstripped the others, and when they had reached the carriage, Mr. and Mrs. Gardiner were half a quarter of a mile behind. He then asked her to walk into the house--but she declared herself not tired, and they stood together on the lawn. At such a time, much might have been said, and silence was very awkward. She wanted to talk, but there seemed an embargo on every subject. At last she recollected that she had been travelling, and they talked of Matlock and Dove Dale with great perseverance. Yet time and her aunt moved slowly--and her patience and her ideas were nearly worn out before the t?te-?-t?te was over. On Mr. and Mrs. Gardiner's coming up, they were all pressed to go into the house and take some refreshment; but this was declined, and they parted on each side with the utmost politeness. Mr. Darcy handed the ladies into the carriage, and when it drove off, Elizabeth saw him walking slowly towards the house. The observations of her uncle and aunt now began; and each of them pronounced him to be infinitely superior to any thing they had expected. "He is perfectly well behaved, polite, and unassuming," said her uncle. "There _is_ something a little stately in him to be sure," replied her aunt, "but it is confined to his air, and is not unbecoming. I can now say with the housekeeper, that though some people may call him proud, _I_ have seen nothing of it." "I was never more surprised than by his behaviour to us. It was more than civil; it was really attentive; and there was no necessity for such attention. His acquaintance with Elizabeth was very trifling." "To be sure, Lizzy," said her	them, and at no great distance. The walk being here less sheltered than on the other side, allowed them to see him before they met. Elizabeth, however astonished, was at least more prepared for an interview than before, and resolved to appear and to speak with calmness, if he really intended to meet them. For a few moments, indeed, she felt that he would probably strike into some other path. This idea lasted while a turning in the walk concealed him from their view; the turning past, he was immediately before them. With a glance she saw, that he had lost none of his recent civility; and, to imitate his politeness, she began, as they met, to admire the beauty of the place; but she had not got beyond the words "delightful," and "charming," when some unlucky recollections obtruded, and she fancied that praise of Pemberley from her, might be mischievously construed. Her colour changed, and she said no more. Mrs. Gardiner was standing a little behind; and on her pausing, he asked her, if she would do him the honour of introducing him to her friends. This was a stroke of civility for which she was quite unprepared; and she could hardly suppress a smile, at his being now seeking the acquaintance of some of those very people, against whom his pride had revolted, in his offer to herself. "What will be his surprise," thought she, "when he knows who they are! He takes them now for people of fashion." The introduction, however, was immediately made; and as she named their relationship to herself, she stole a sly look at him, to see how he bore it; and was not without the expectation of his decamping as fast as he could from such disgraceful companions. That he was _surprised_ by the connexion was evident; he sustained it however with fortitude, and so far from going away, turned back with them, and entered into conversation with Mr. Gardiner. Elizabeth could not but be pleased, could not but triumph. It was consoling, that he should know she had some relations for whom there was no need to blush. She listened most attentively to all that passed between them, and gloried in every expression, every sentence of her uncle, which marked his intelligence, his taste, or his good manners. The conversation soon turned upon fishing, and she heard Mr. Darcy invite him, with the greatest civility, to fish there as often as he chose, while he continued in the neighbourhood, offering at the same time to supply him with fishing tackle, and pointing out those parts of the stream where there was usually most sport. Mrs. Gardiner, who was walking arm in arm with Elizabeth, gave her a look expressive of her wonder. Elizabeth said nothing, but it gratified her exceedingly; the compliment must be all for herself. Her astonishment, however, was extreme; and continually was she repeating, "Why is he so altered? From what can it proceed? It cannot be for _me_, it cannot be for _my_ sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me." After walking some time in this way, the two ladies in front, the two gentlemen behind, on resuming their places, after descending to the brink of the river for the better inspection of some curious water-plant, there chanced to be a little alteration. It originated in Mrs. Gardiner, who, fatigued by the exercise of the morning, found Elizabeth's arm inadequate to her support, and consequently preferred her husband's. Mr. Darcy took her place by her niece, and they walked on together. After a short silence, the lady first spoke. She wished him to know that she had been assured of his absence before she came to the place, and accordingly began by observing, that his arrival had been very unexpected--" "for your housekeeper," she added, "informed us that you would certainly not be here till to-morrow; and indeed, before we left Bakewell, we understood that you were not immediately expected in the country." He acknowledged the truth of it all; and said that business with his steward had occasioned his coming forward a few hours before the rest of the party with whom he had been travelling. "They will join me early to-morrow," he continued, "and among them are some who will claim an acquaintance with you,--Mr. Bingley and his sisters." Elizabeth answered only by a slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther, it was satisfactory; it was gratifying to know that his resentment had not made him think really ill of her. They now walked on in silence; each of them deep in thought. Elizabeth was not comfortable; that was impossible; but she was flattered and pleased. His wish of introducing his sister to her, was a compliment of the highest kind. They soon outstripped the others, and when they had reached the carriage, Mr. and Mrs. Gardiner were half a quarter of a mile behind. He then asked her to walk into the house--but she declared herself not tired, and they stood together on the lawn. At such a time, much might have been said, and silence was very awkward. She wanted to talk, but there seemed an embargo on every subject. At last she recollected that she had been travelling, and they talked of Matlock and Dove Dale with great perseverance. Yet time and her aunt moved slowly--and her patience and her ideas were nearly worn out before the t?te-?-t?te was over. On Mr. and Mrs. Gardiner's coming up, they were all pressed to go into the house and take some refreshment; but this was declined, and they parted on each side with the utmost politeness. Mr. Darcy handed the ladies into the carriage, and when it drove off, Elizabeth saw him walking slowly towards the house. The observations of her uncle and aunt now began; and each of them pronounced him to be infinitely superior to any thing they had expected. "He is perfectly well behaved, polite, and unassuming," said her uncle. "There _is_ something a little stately in him to be sure," replied her aunt, "but it is confined to his air, and is not unbecoming. I can now say with the housekeeper, that though some people may call him proud, _I_ have seen nothing of it." "I was never more surprised than by his behaviour to us. It was more than civil; it was really attentive; and there was no necessity for such attention. His acquaintance with Elizabeth was very trifling." "To be sure, Lizzy," said her aunt, "he is not so handsome as Wickham; or rather he has not Wickham's countenance, for his features are perfectly good. But how came you to tell us that he was so disagreeable?" Elizabeth excused herself as well as she could; said that she had liked him better when they met in Kent than before, and that she had never seen him so pleasant as this morning. "But perhaps he may be a little whimsical in his civilities," replied her uncle. "Your great men often are; and therefore I shall not take him at his word about fishing, as he might change his mind another day, and warn me off his grounds." Elizabeth felt that they had entirely mistaken his character, but said nothing. "From what we have seen of him," continued Mrs. Gardiner, "I really should not have thought that he could have behaved in so cruel a way by any body, as he has done by poor Wickham. He has not an ill-natured look. On the contrary, there is something pleasing about his mouth when he speaks. And there is something of dignity in his countenance, that would not give one an unfavourable idea of his heart. But to be sure, the good lady who shewed us the house, did give him a most flaming character! I could hardly help laughing aloud sometimes. But he is a liberal master, I suppose, and _that_ in the eye of a servant comprehends every virtue." Elizabeth here felt herself called on to say something in vindication of his behaviour to Wickham; and therefore gave them to understand, in as guarded a manner as she could, that by what she had heard from his relations in Kent, his actions were capable of a very different construction; and that his character was by no means so faulty, nor Wickham's so amiable, as they had been considered in Hertfordshire. In confirmation of this, she related the particulars of all the pecuniary transactions in which they had been connected, without actually naming her authority, but stating it to be such as might be relied on. Mrs. Gardiner was surprised and concerned; but as they were now approaching the scene of her former pleasures, every idea gave way to the charm of recollection; and she was too much engaged in pointing out to her husband all the interesting spots in its environs, to think of any	extreme; and continually was she repeating, "Why is he so altered? From what can it proceed? It cannot be for _me_, it cannot be for _my_ sake that his manners are thus softened. My reproofs at Hunsford could not work such a change as this. It is impossible that he should still love me." After walking some time in this way, the two ladies in front, the two gentlemen behind, on resuming their places, after descending to the brink of the river for the better inspection of some curious water-plant, there chanced to be a little alteration. It originated in Mrs. Gardiner, who, fatigued by the exercise of the morning, found Elizabeth's arm inadequate to her support, and consequently preferred her husband's. Mr. Darcy took her place by her niece, and they walked on together. After a short silence, the lady first spoke. She wished him to know that she had been assured of his absence before she came to the place, and accordingly began by observing, that his arrival had been very unexpected--" "for your housekeeper," she added, "informed us that you would certainly not be here till to-morrow; and indeed, before we left Bakewell, we understood that you were not immediately expected in the country." He acknowledged the truth of it all; and said that business with his steward had occasioned his coming forward a few hours before the rest of the party with whom he had been travelling. "They will join me early to-morrow," he continued, "and among them are some who will claim an acquaintance with you,--Mr. Bingley and his sisters." Elizabeth answered only by a slight bow. Her thoughts were instantly driven back to the time when Mr. Bingley's name had been last mentioned between them; and if she might judge from his complexion, _his_ mind was not very differently engaged. "There is also one other person in the party," he continued after a pause,<\|quote\|>"who more particularly wishes to be known to you,--Will you allow me, or do I ask too much, to introduce my sister to your acquaintance during your stay at Lambton?"</\|quote\|>The surprise of such an application was great indeed; it was too great for her to know in what manner she acceded to it. She immediately felt that whatever desire Miss Darcy might have of being acquainted with her, must be the work of her brother, and without looking farther, it was satisfactory; it was gratifying to know that his resentment had not made him think really ill of her. They now walked on in silence; each of them deep in thought. Elizabeth was not comfortable; that was impossible; but she was flattered and pleased. His wish of introducing his sister to her, was a compliment of the highest kind. They soon outstripped the others, and when they had reached the carriage, Mr. and Mrs. Gardiner were half a quarter of a mile behind. He then asked her to walk into the house--but she declared herself not tired, and they stood together on the lawn. At such a time, much might have been said, and silence was very awkward. She wanted to talk, but there seemed an embargo on every subject. At last she recollected that she had been travelling, and they talked of Matlock and Dove Dale with great perseverance. Yet time and her aunt moved slowly--and her patience and her ideas were nearly worn out before the t?te-?-t?te was over. On Mr. and Mrs. Gardiner's coming up, they were all pressed to go into the house and take some refreshment; but this was declined, and they parted on each side with the utmost politeness. Mr. Darcy handed the ladies into the carriage, and when it drove off, Elizabeth saw him walking slowly towards the house. The observations of her uncle and aunt now began; and each of them pronounced him to be infinitely superior to any thing they had expected. "He is perfectly well behaved, polite, and unassuming," said her uncle. "There _is_ something a little stately in him to be sure," replied her aunt, "but it is confined to his air, and is not unbecoming. I can now say with the housekeeper, that though some people may call him proud, _I_ have seen nothing of it." "I was never more surprised than by his behaviour to us. It was more than civil; it was really attentive; and there was no necessity for such attention. His acquaintance with Elizabeth was very trifling." "To be sure, Lizzy," said her aunt, "he is not so handsome as Wickham; or rather he has not Wickham's countenance, for his features are perfectly good. But how came you to tell us that he was so disagreeable?" Elizabeth excused herself as well as she could; said that she had liked him better when they met in Kent than before, and	Pride And Prejudice
For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.	No speaker	to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however,	of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing	but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the	there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen,	excited business was going on below, where the victorious tribe was at work, going and coming, and bringing down loads of plunder taken from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen, but the smoke rose in clouds as the work of destruction seemed to be going on. The singing and shouting increased, and once or twice the other prisoners appeared to take an excited interest in the sounds that came up to them; but they only sank directly after into a state of moody apathy, letting their chins go down upon their chests, and many of them dropping off to sleep. The noise and shouting had been going on for some time, and then ceased, to be succeeded by a low, busy murmur, as of a vast swarm of bees; and	_pah_ was formed, right upon the black volcanic sand, over which the sea ran foaming like so much glistening silver. There were about fifty of the enemy busy there running to and fro, and the spectators were not long left in doubt as to what they were doing, for amid a great deal of shouting one of the huge war canoes was run down over the sand and launched, a couple of men being left to keep her by the shore, while their comrades busied themselves in launching others, till every canoe belonging to the conquered tribe was in the water. "That's it, is it?" said Jem. "They came over land, and now they're going back by water. Well, I s'pose, they'll do as they like." "Isn't this nearest one Ngati's canoe, Jem?" "Yes, my lad; that's she. I know her by that handsome face cut in the front. I s'pose poor Ngati's dead." "I'm afraid so," said Don, sadly. "I've been trying to make out his face and Tomati's among the prisoners, but I can't see either." "More can't I, Mas' Don. It's a werry bad job. Lookye yonder now." Don was already looking, for a great deal of excited business was going on below, where the victorious tribe was at work, going and coming, and bringing down loads of plunder taken from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen, but the smoke rose in clouds as the work of destruction seemed to be going on. The singing and shouting increased, and once or twice the other prisoners appeared to take an excited interest in the sounds that came up to them; but they only sank directly after into a state of moody apathy, letting their chins go down upon their chests, and many of them dropping off to sleep. The noise and shouting had been going on for some time, and then ceased, to be succeeded by a low, busy murmur, as of a vast swarm of bees; and now, after sitting very silent and thoughtful, watching the faint smoke which came up from the fire, and eagerly drinking in the various sounds, Don turned his eyes in a curiously furtive manner to steal a look at Jem. He did not move his head, but proceeded with the greatest caution, so as to try and read his companion's countenance, when, to his surprise, he found that Jem was stealing a look at him, and both, as it were, snatched their eyes away, and began looking at the prisoners. But at that time it was as if the eyes of both were filled with some strange attractive force, which made them turn and gaze in a peculiarly hard, wild way. Don seemed to be reading Jem's thoughts as his sight plunged deeply into the eyes of his companion, and as he gazed, he shuddered, and tried to look elsewhere. But he could not look elsewhere, only hard at Jem, who also shuddered, and looked shame-faced and horrified. For they were reading each other's thoughts only too correctly, and the effect of that perusal was to make big drops of perspiration roll down Jem's face, and to turn Don deadly pale.	with the women and children." "And the village--I s'pose they calls this a village; I don't, for there arn't no church--all racked and ruined." They sat together, with their hands tightly bound behind them, gazing at the desolation. The prisoners were all huddled together, perfectly silent, and with a dull, sullen, despairing look in their countenances, which seemed to suggest that they were accepting their fate as a matter of course. It was a horrible scene, so many of the warriors being badly wounded, but they made no complaint; and, truth to tell, most of those who were now helpless prisoners had taken part in raids to inflict the pain they now suffered themselves. The dead had been dragged away before Don woke that morning, but there were hideous traces on the trampled ground, with broken weapons scattered here and there, while the wounded were lying together perfectly untended, many of them bound, to prevent escape--hardly possible even to an uninjured man, for a guard was keeping watch over them ready to advance threateningly, spear in hand, if a prisoner attempted to move. Where Don and Jem were sitting a portion of the great fence was broken, and they could see through it down to the shore. "What a shame it seems on such a glorious morning, Jem!" "Shame! Mas' Don? I should just like to shame 'em. Head hurt much?" "Not so very much, Jem. How is your shoulder?" "Rather pickly." "Rather what?" "Pickly, as if there was vinegar and pepper and salt being rubbed into it. But my old mother used to say that it was a good sign when a cut smarted a lot. So I s'pose my wound's first rate, for it smarts like a furze bush in a fit." "I wish I could bathe it for you, Jem." "Thank ye, Mas' Don. I wish my Sally could do it. More in her way." "We must try and bear it all, I suppose, Jem. How hot the sun is; and, ill as I am, I should be so glad of something to eat and drink." "I'm that hungry, Mas' Don," growled Jem, "that I could eat one o' these here savages. Not all at once, of course." "Look, Jem. What are they doing there?" Don nodded his head in the direction of the broken fence; and together they looked down from the eminence on which the _pah_ was formed, right upon the black volcanic sand, over which the sea ran foaming like so much glistening silver. There were about fifty of the enemy busy there running to and fro, and the spectators were not long left in doubt as to what they were doing, for amid a great deal of shouting one of the huge war canoes was run down over the sand and launched, a couple of men being left to keep her by the shore, while their comrades busied themselves in launching others, till every canoe belonging to the conquered tribe was in the water. "That's it, is it?" said Jem. "They came over land, and now they're going back by water. Well, I s'pose, they'll do as they like." "Isn't this nearest one Ngati's canoe, Jem?" "Yes, my lad; that's she. I know her by that handsome face cut in the front. I s'pose poor Ngati's dead." "I'm afraid so," said Don, sadly. "I've been trying to make out his face and Tomati's among the prisoners, but I can't see either." "More can't I, Mas' Don. It's a werry bad job. Lookye yonder now." Don was already looking, for a great deal of excited business was going on below, where the victorious tribe was at work, going and coming, and bringing down loads of plunder taken from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen, but the smoke rose in clouds as the work of destruction seemed to be going on. The singing and shouting increased, and once or twice the other prisoners appeared to take an excited interest in the sounds that came up to them; but they only sank directly after into a state of moody apathy, letting their chins go down upon their chests, and many of them dropping off to sleep. The noise and shouting had been going on for some time, and then ceased, to be succeeded by a low, busy murmur, as of a vast swarm of bees; and now, after sitting very silent and thoughtful, watching the faint smoke which came up from the fire, and eagerly drinking in the various sounds, Don turned his eyes in a curiously furtive manner to steal a look at Jem. He did not move his head, but proceeded with the greatest caution, so as to try and read his companion's countenance, when, to his surprise, he found that Jem was stealing a look at him, and both, as it were, snatched their eyes away, and began looking at the prisoners. But at that time it was as if the eyes of both were filled with some strange attractive force, which made them turn and gaze in a peculiarly hard, wild way. Don seemed to be reading Jem's thoughts as his sight plunged deeply into the eyes of his companion, and as he gazed, he shuddered, and tried to look elsewhere. But he could not look elsewhere, only hard at Jem, who also shuddered, and looked shame-faced and horrified. For they were reading each other's thoughts only too correctly, and the effect of that perusal was to make big drops of perspiration roll down Jem's face, and to turn Don deadly pale. At last each snatched his eyes away, Jem to watch the prisoners, Don to close his, and sit trembling and listening to the bursts of merriment which came up. At such times, in spite of their efforts, they could not imitate the apathy of the New Zealanders, but gazed wildly at each other, trying to make themselves believe that what they imagined was false, or else the prisoners would have shown some sign of excitement. At last Jem ceased to make any pretence about the matter. He stared speechlessly and full of misery at Don, who let his eyes rest wildly on Jem's for a time before dropping his head upon his chest, and sitting motionless. All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were. The sun was descending rapidly when about half-a-dozen of the conquering tribe came up to the _pah_, with the result that those who were on guard suddenly grew wildly excited, and giving up their duties to the new comers, uttered eager shouts and rushed off in a way that was frantic in the extreme. Don and Jem again exchanged looks full of misery and despair, and then gazed with wonder and loathing at the new comers, who walked slowly about for a few minutes, and then went and leaned their backs against the palisading of the _pah_, and partially supported themselves upon their spears. "Ugh!" ejaculated Jem with a shudder as he turned away. "You wretches! Mas' Don, I felt as I lay here last night, all dull and miserable and sick, and hardly able to bear myself--I felt so miserable because I knew I must have shot some of those chaps." "So did I, Jem," sighed Don; "so did I." "Well, just now, Mas' Don, I'm just 'tother way; ay, for I wish with all my heart I'd shot the lot. Hark, there!" They listened, and could hear a burst of shouting and laughing. "That's them sentries gone down now to the feast. I say, Mas' Don, look at these here fellows." "Yes, Jem, I've been looking at them. It's horrible, and we must escape." They sat gazing at their guards again, to see that they were flushed, their eyes full, heavy, and	conquered tribe was in the water. "That's it, is it?" said Jem. "They came over land, and now they're going back by water. Well, I s'pose, they'll do as they like." "Isn't this nearest one Ngati's canoe, Jem?" "Yes, my lad; that's she. I know her by that handsome face cut in the front. I s'pose poor Ngati's dead." "I'm afraid so," said Don, sadly. "I've been trying to make out his face and Tomati's among the prisoners, but I can't see either." "More can't I, Mas' Don. It's a werry bad job. Lookye yonder now." Don was already looking, for a great deal of excited business was going on below, where the victorious tribe was at work, going and coming, and bringing down loads of plunder taken from the various huts. One man bore a bundle of spears, another some stone tomahawks, which were rattled into the bottom of the canoes. Then paddles, and bundles of hempen garments were carried down, with other objects of value in the savage eye. This went on for hours amidst a great deal of shouting and laughter, till a large amount of spoil was loaded into the canoes, one being filled up and deep in the water. Then there seemed to be a pause, the canoes being secured to trees growing close down to the shore, and the party busy there a short time before absent. "Coming to fetch us now, I suppose, Mas' Don," said Jem. "Wonder whether they've got your pistol and cutlash." But no one but the guards came in sight, and a couple of weary hours passed, during which the other prisoners sat crouched together, talking in a low tone, apparently quite indifferent to their fate; and this indifference seemed so great that some of the thoughtless children began to laugh and talk aloud.<\|quote\|>For some time this was passed over unnoticed; but at last one of the guards, a tall Maori, whose face was so lined in curves that it seemed to be absolutely blue, walked slowly over to the merry group, spear in hand, to give one child a poke with the butt, another a sharp blow over the head, evidently with the intention of producing silence; but in the case of the younger children his movements had the opposite effect, and this roused the ire of some of the women, who spoke out angrily enough to make the tall, blue-faced savage give a threatening gesture with his spear.</\|quote\|>Just at that moment, however, a loud shouting and singing arose, which took the man's attention, and he and his fellows mounted on a stage at one corner of the _pah_ to stand leaning upon their spears, gazing down at the festivities being carried on at the edge of the sands below. For some time past it had seemed to Don that the plundering party had fired the village, for a tall column of smoke had risen up, and this had died down and risen again as combustible matter had caught. The fire was too far below to be seen, but the smoke rose in clouds as the work of destruction seemed to be going on. The singing and shouting increased, and once or twice the other prisoners appeared to take an excited interest in the sounds that came up to them; but they only sank directly after into a state of moody apathy, letting their chins go down upon their chests, and many of them dropping off to sleep. The noise and shouting had been going on for some time, and then ceased, to be succeeded by a low, busy murmur, as of a vast swarm of bees; and now, after sitting very silent and thoughtful, watching the faint smoke which came up from the fire, and eagerly drinking in the various sounds, Don turned his eyes in a curiously furtive manner to steal a look at Jem. He did not move his head, but proceeded with the greatest caution, so as to try and read his companion's countenance, when, to his surprise, he found that Jem was stealing a look at him, and both, as it were, snatched their eyes away, and began looking at the prisoners. But at that time it was as if the eyes of both were filled with some strange attractive force, which made them turn and gaze in a peculiarly hard, wild way. Don seemed to be reading Jem's thoughts as his sight plunged deeply into the eyes of his companion, and as he gazed, he shuddered, and tried to look elsewhere. But he could not look elsewhere, only hard at Jem, who also shuddered, and looked shame-faced and horrified. For they were reading each other's thoughts only too correctly, and the effect of that perusal was to make big drops of perspiration roll down Jem's face, and to turn Don deadly pale. At last each snatched his eyes away, Jem to watch the prisoners, Don to close his, and sit trembling and listening to the bursts of merriment which came up. At such times, in spite of their efforts, they could not imitate the apathy of the New Zealanders, but gazed wildly at each other, trying to make themselves believe that what they imagined was false, or else the prisoners would have shown some sign of excitement. At last Jem ceased to make any pretence about the matter. He stared speechlessly and full of misery at Don, who let his eyes rest wildly on Jem's for a time before dropping his head upon his chest, and sitting motionless. All through the rest of that hour, and hour after hour, till towards evening, did the wretched prisoners sit in despair and misery without food or water; and the sounds of merriment and feasting came loudly to where they were. The sun was descending rapidly when about half-a-dozen of the conquering tribe came up to the	Don Lavington
I cried.	No speaker	"But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued	you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now	you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open.	At last, however, there was the glint of a candle behind the blind, and a face looked out at the upper window. "Go on, you drunken vagabone," said the face. "If you kick up any more row I ll open the kennels and let out forty-three dogs upon you." "If you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open. Mr. Sherman was a lanky, lean old man, with stooping shoulders, a stringy neck, and blue-tinted glasses. "A friend of Mr. Sherlock is always welcome," said he. "Step in, sir. Keep clear of the badger; for he bites. Ah, naughty, naughty, would you take a nip at the gentleman?" This	strange scene at Major Sholto s death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan s chart, here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue. Pinchin Lane was a row of shabby two-storied brick houses in the lower quarter of Lambeth. I had to knock for some time at No. 3 before I could make my impression. At last, however, there was the glint of a candle behind the blind, and a face looked out at the upper window. "Go on, you drunken vagabone," said the face. "If you kick up any more row I ll open the kennels and let out forty-three dogs upon you." "If you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open. Mr. Sherman was a lanky, lean old man, with stooping shoulders, a stringy neck, and blue-tinted glasses. "A friend of Mr. Sherlock is always welcome," said he. "Step in, sir. Keep clear of the badger; for he bites. Ah, naughty, naughty, would you take a nip at the gentleman?" This to a stoat which thrust its wicked head and red eyes between the bars of its cage. "Don t mind that, sir: it s only a slow-worm. It hain t got no fangs, so I gives it the run o the room, for it keeps the beetles down. You must not mind my bein just a little short wi you at first, for I m guyed at by the children, and there s many a one just comes down this lane to knock me up. What was it that Mr. Sherlock Holmes wanted, sir?" "He wanted a dog of yours."	I was introduced, and Mrs. Forrester earnestly begged me to step in and tell her our adventures. I explained, however, the importance of my errand, and promised faithfully to call and report any progress which we might make with the case. As we drove away I stole a glance back, and I still seem to see that little group on the step, the two graceful, clinging figures, the half-opened door, the hall-light shining through stained glass, the barometer, and the bright stair-rods. It was soothing to catch even that passing glimpse of a tranquil English home in the midst of the wild, dark business which had absorbed us. And the more I thought of what had happened, the wilder and darker it grew. I reviewed the whole extraordinary sequence of events as I rattled on through the silent gas-lit streets. There was the original problem: that at least was pretty clear now. The death of Captain Morstan, the sending of the pearls, the advertisement, the letter, we had had light upon all those events. They had only led us, however, to a deeper and far more tragic mystery. The Indian treasure, the curious plan found among Morstan s baggage, the strange scene at Major Sholto s death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan s chart, here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue. Pinchin Lane was a row of shabby two-storied brick houses in the lower quarter of Lambeth. I had to knock for some time at No. 3 before I could make my impression. At last, however, there was the glint of a candle behind the blind, and a face looked out at the upper window. "Go on, you drunken vagabone," said the face. "If you kick up any more row I ll open the kennels and let out forty-three dogs upon you." "If you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open. Mr. Sherman was a lanky, lean old man, with stooping shoulders, a stringy neck, and blue-tinted glasses. "A friend of Mr. Sherlock is always welcome," said he. "Step in, sir. Keep clear of the badger; for he bites. Ah, naughty, naughty, would you take a nip at the gentleman?" This to a stoat which thrust its wicked head and red eyes between the bars of its cage. "Don t mind that, sir: it s only a slow-worm. It hain t got no fangs, so I gives it the run o the room, for it keeps the beetles down. You must not mind my bein just a little short wi you at first, for I m guyed at by the children, and there s many a one just comes down this lane to knock me up. What was it that Mr. Sherlock Holmes wanted, sir?" "He wanted a dog of yours." "Ah! that would be Toby." "Yes, Toby was the name." "Toby lives at No. 7 on the left here." He moved slowly forward with his candle among the queer animal family which he had gathered round him. In the uncertain, shadowy light I could see dimly that there were glancing, glimmering eyes peeping down at us from every cranny and corner. Even the rafters above our heads were lined by solemn fowls, who lazily shifted their weight from one leg to the other as our voices disturbed their slumbers. Toby proved to be an ugly, long-haired, lop-eared creature, half spaniel and half lurcher, brown-and-white in colour, with a very clumsy waddling gait. It accepted after some hesitation a lump of sugar which the old naturalist handed to me, and, having thus sealed an alliance, it followed me to the cab, and made no difficulties about accompanying me. It had just struck three on the Palace clock when I found myself back once more at Pondicherry Lodge. The ex-prize-fighter McMurdo had, I found, been arrested as an accessory, and both he and Mr. Sholto had been marched off to the station. Two constables guarded the narrow gate, but they allowed me	his not too delicate sarcasms." _Wir sind gewohnt das die Menschen verh hnen was sie nicht verstehen._ "Goethe is always pithy." Chapter VII The Episode of the Barrel The police had brought a cab with them, and in this I escorted Miss Morstan back to her home. After the angelic fashion of women, she had borne trouble with a calm face as long as there was some one weaker than herself to support, and I had found her bright and placid by the side of the frightened housekeeper. In the cab, however, she first turned faint, and then burst into a passion of weeping, so sorely had she been tried by the adventures of the night. She has told me since that she thought me cold and distant upon that journey. She little guessed the struggle within my breast, or the effort of self-restraint which held me back. My sympathies and my love went out to her, even as my hand had in the garden. I felt that years of the conventionalities of life could not teach me to know her sweet, brave nature as had this one day of strange experiences. Yet there were two thoughts which sealed the words of affection upon my lips. She was weak and helpless, shaken in mind and nerve. It was to take her at a disadvantage to obtrude love upon her at such a time. Worse still, she was rich. If Holmes s researches were successful, she would be an heiress. Was it fair, was it honourable, that a half-pay surgeon should take such advantage of an intimacy which chance had brought about? Might she not look upon me as a mere vulgar fortune-seeker? I could not bear to risk that such a thought should cross her mind. This Agra treasure intervened like an impassable barrier between us. It was nearly two o clock when we reached Mrs. Cecil Forrester s. The servants had retired hours ago, but Mrs. Forrester had been so interested by the strange message which Miss Morstan had received that she had sat up in the hope of her return. She opened the door herself, a middle-aged, graceful woman, and it gave me joy to see how tenderly her arm stole round the other s waist and how motherly was the voice in which she greeted her. She was clearly no mere paid dependant, but an honoured friend. I was introduced, and Mrs. Forrester earnestly begged me to step in and tell her our adventures. I explained, however, the importance of my errand, and promised faithfully to call and report any progress which we might make with the case. As we drove away I stole a glance back, and I still seem to see that little group on the step, the two graceful, clinging figures, the half-opened door, the hall-light shining through stained glass, the barometer, and the bright stair-rods. It was soothing to catch even that passing glimpse of a tranquil English home in the midst of the wild, dark business which had absorbed us. And the more I thought of what had happened, the wilder and darker it grew. I reviewed the whole extraordinary sequence of events as I rattled on through the silent gas-lit streets. There was the original problem: that at least was pretty clear now. The death of Captain Morstan, the sending of the pearls, the advertisement, the letter, we had had light upon all those events. They had only led us, however, to a deeper and far more tragic mystery. The Indian treasure, the curious plan found among Morstan s baggage, the strange scene at Major Sholto s death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan s chart, here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue. Pinchin Lane was a row of shabby two-storied brick houses in the lower quarter of Lambeth. I had to knock for some time at No. 3 before I could make my impression. At last, however, there was the glint of a candle behind the blind, and a face looked out at the upper window. "Go on, you drunken vagabone," said the face. "If you kick up any more row I ll open the kennels and let out forty-three dogs upon you." "If you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open. Mr. Sherman was a lanky, lean old man, with stooping shoulders, a stringy neck, and blue-tinted glasses. "A friend of Mr. Sherlock is always welcome," said he. "Step in, sir. Keep clear of the badger; for he bites. Ah, naughty, naughty, would you take a nip at the gentleman?" This to a stoat which thrust its wicked head and red eyes between the bars of its cage. "Don t mind that, sir: it s only a slow-worm. It hain t got no fangs, so I gives it the run o the room, for it keeps the beetles down. You must not mind my bein just a little short wi you at first, for I m guyed at by the children, and there s many a one just comes down this lane to knock me up. What was it that Mr. Sherlock Holmes wanted, sir?" "He wanted a dog of yours." "Ah! that would be Toby." "Yes, Toby was the name." "Toby lives at No. 7 on the left here." He moved slowly forward with his candle among the queer animal family which he had gathered round him. In the uncertain, shadowy light I could see dimly that there were glancing, glimmering eyes peeping down at us from every cranny and corner. Even the rafters above our heads were lined by solemn fowls, who lazily shifted their weight from one leg to the other as our voices disturbed their slumbers. Toby proved to be an ugly, long-haired, lop-eared creature, half spaniel and half lurcher, brown-and-white in colour, with a very clumsy waddling gait. It accepted after some hesitation a lump of sugar which the old naturalist handed to me, and, having thus sealed an alliance, it followed me to the cab, and made no difficulties about accompanying me. It had just struck three on the Palace clock when I found myself back once more at Pondicherry Lodge. The ex-prize-fighter McMurdo had, I found, been arrested as an accessory, and both he and Mr. Sholto had been marched off to the station. Two constables guarded the narrow gate, but they allowed me to pass with the dog on my mentioning the detective s name. Holmes was standing on the door-step, with his hands in his pockets, smoking his pipe. "Ah, you have him there!" said he. "Good dog, then! Atheney Jones has gone. We have had an immense display of energy since you left. He has arrested not only friend Thaddeus, but the gatekeeper, the housekeeper, and the Indian servant. We have the place to ourselves, but for a sergeant upstairs. Leave the dog here, and come up." We tied Toby to the hall table, and re-ascended the stairs. The room was as he had left it, save that a sheet had been draped over the central figure. A weary-looking police-sergeant reclined in the corner. "Lend me your bull s-eye, sergeant," said my companion. "Now tie this bit of card round my neck, so as to hang it in front of me. Thank you. Now I must kick off my boots and stockings. Just you carry them down with you, Watson. I am going to do a little climbing. And dip my handkerchief into the creasote. That will do. Now come up into the garret with me for a moment." We clambered up through the hole. Holmes turned his light once more upon the footsteps in the dust. "I wish you particularly to notice these footmarks," he said. "Do you observe anything noteworthy about them?" "They belong," I said, "to a child or a small woman." "Apart from their size, though. Is there nothing else?" "They appear to be much as other footmarks." "Not at all. Look here! This is the print of a right foot in the dust. Now I make one with my naked foot beside it. What is the chief difference?" "Your toes are all cramped together. The other print has each toe distinctly divided." "Quite so. That is the point. Bear that in mind. Now, would you kindly step over to that flap-window and smell the edge of the wood-work? I shall stay here, as I have this handkerchief in my hand." I did as he directed, and was instantly conscious of a strong tarry smell. "That is where he put his foot in getting out. If _you_ can trace him, I should think that Toby will have no difficulty. Now run downstairs, loose the dog, and look out for Blondin." By the time that I got out	an impassable barrier between us. It was nearly two o clock when we reached Mrs. Cecil Forrester s. The servants had retired hours ago, but Mrs. Forrester had been so interested by the strange message which Miss Morstan had received that she had sat up in the hope of her return. She opened the door herself, a middle-aged, graceful woman, and it gave me joy to see how tenderly her arm stole round the other s waist and how motherly was the voice in which she greeted her. She was clearly no mere paid dependant, but an honoured friend. I was introduced, and Mrs. Forrester earnestly begged me to step in and tell her our adventures. I explained, however, the importance of my errand, and promised faithfully to call and report any progress which we might make with the case. As we drove away I stole a glance back, and I still seem to see that little group on the step, the two graceful, clinging figures, the half-opened door, the hall-light shining through stained glass, the barometer, and the bright stair-rods. It was soothing to catch even that passing glimpse of a tranquil English home in the midst of the wild, dark business which had absorbed us. And the more I thought of what had happened, the wilder and darker it grew. I reviewed the whole extraordinary sequence of events as I rattled on through the silent gas-lit streets. There was the original problem: that at least was pretty clear now. The death of Captain Morstan, the sending of the pearls, the advertisement, the letter, we had had light upon all those events. They had only led us, however, to a deeper and far more tragic mystery. The Indian treasure, the curious plan found among Morstan s baggage, the strange scene at Major Sholto s death, the rediscovery of the treasure immediately followed by the murder of the discoverer, the very singular accompaniments to the crime, the footsteps, the remarkable weapons, the words upon the card, corresponding with those upon Captain Morstan s chart, here was indeed a labyrinth in which a man less singularly endowed than my fellow-lodger might well despair of ever finding the clue. Pinchin Lane was a row of shabby two-storied brick houses in the lower quarter of Lambeth. I had to knock for some time at No. 3 before I could make my impression. At last, however, there was the glint of a candle behind the blind, and a face looked out at the upper window. "Go on, you drunken vagabone," said the face. "If you kick up any more row I ll open the kennels and let out forty-three dogs upon you." "If you ll let one out it s just what I have come for," said I. "Go on!" yelled the voice. "So help me gracious, I have a wiper in the bag, an I ll drop it on your ead if you don t hook it." "But I want a dog,"<\|quote\|>I cried.</\|quote\|>"I won t be argued with!" shouted Mr. Sherman. "Now stand clear, for when I say three, down goes the wiper." "Mr. Sherlock Holmes" I began, but the words had a most magical effect, for the window instantly slammed down, and within a minute the door was unbarred and open. Mr. Sherman was a lanky, lean old man, with stooping shoulders, a stringy neck, and blue-tinted glasses. "A friend of Mr. Sherlock is always welcome," said he. "Step in, sir. Keep clear of the badger; for he bites. Ah, naughty, naughty, would you take a nip at the gentleman?" This to a stoat which thrust its wicked head and red eyes between the bars of its cage. "Don t mind that, sir: it s only a slow-worm. It hain t got no fangs, so I gives it the run o the room, for it keeps the beetles down. You must not mind my bein just a little short wi you at first, for I m guyed at by the children, and there s many a one just comes down this lane to knock me up. What was it that Mr. Sherlock Holmes wanted, sir?" "He wanted a dog of yours." "Ah! that would be Toby." "Yes, Toby was the name." "Toby lives at No. 7 on the left here." He moved slowly forward with his candle among the queer animal family which he had gathered round him. In the uncertain, shadowy light I could see dimly that there were glancing, glimmering eyes peeping down at us from every cranny and corner. Even the rafters above our heads were lined by solemn fowls, who lazily shifted their weight from one leg to the other as our voices disturbed their slumbers. Toby proved to be an ugly, long-haired, lop-eared creature, half spaniel and half lurcher, brown-and-white in colour, with a very clumsy waddling gait. It accepted after some hesitation a lump of sugar which the old naturalist handed to me, and, having thus sealed an alliance, it followed me to the cab, and made no difficulties about accompanying me. It had just struck three on the Palace clock when I found myself back once more at Pondicherry Lodge. The ex-prize-fighter McMurdo had, I found, been arrested as an accessory, and both he and Mr. Sholto had been marched off to the station. Two constables guarded the narrow gate, but they allowed me to pass with the dog on my mentioning the detective s name. Holmes	The Sign Of The Four
"He's a fine boy."	Jake Barnes	said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is	looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said.	out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was	like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable.	very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for you? Is there anything you would like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole	gets me," Bill said. "He's got this Jewish superiority so strong that he thinks the only emotion he'll get out of the fight will be being bored." "We'll watch him with the glasses," I said. "Oh, to hell with him!" "He spends a lot of time there." "I want him to stay there." In the hotel on the stairs we met Montoya. "Come on," said Montoya. "Do you want to meet Pedro Romero?" "Fine," said Bill. "Let's go see him." We followed Montoya up a flight and down the corridor. "He's in room number eight," Montoya explained. "He's getting dressed for the bull-fight." Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for you? Is there anything you would like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted	"Where were you, Jake?" "I saw them go through from the balcony. How was it?" "Grand." "Where you going?" "To sleep." No one was up before noon. We ate at tables set out under the arcade. The town was full of people. We had to wait for a table. After lunch we went over to the Iru a. It had filled up, and as the time for the bull-fight came it got fuller, and the tables were crowded closer. There was a close, crowded hum that came every day before the bull-fight. The caf did not make this same noise at any other time, no matter how crowded it was. This hum went on, and we were in it and a part of it. I had taken six seats for all the fights. Three of them were barreras, the first row at the ring-side, and three were sobrepuertos, seats with wooden backs, half-way up the amphitheatre. Mike thought Brett had best sit high up for her first time, and Cohn wanted to sit with them. Bill and I were going to sit in the barreras, and I gave the extra ticket to a waiter to sell. Bill said something to Cohn about what to do and how to look so he would not mind the horses. Bill had seen one season of bull-fights. "I'm not worried about how I'll stand it. I'm only afraid I may be bored," Cohn said. "You think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried whether I'll be able to go through with it all right." "You'll be all right. There's nothing but that horse part that will bother you, and they're only in for a few minutes with each bull. Just don't watch when it's bad." "She'll be all right," Mike said. "I'll look after her." "I don't think you'll be bored," Bill said. "I'm going over to the hotel to get the glasses and the wine-skin," I said. "See you back here. Don't get cock-eyed." "I'll come along," Bill said. Brett smiled at us. We walked around through the arcade to avoid the heat of the square. "That Cohn gets me," Bill said. "He's got this Jewish superiority so strong that he thinks the only emotion he'll get out of the fight will be being bored." "We'll watch him with the glasses," I said. "Oh, to hell with him!" "He spends a lot of time there." "I want him to stay there." In the hotel on the stairs we met Montoya. "Come on," said Montoya. "Do you want to meet Pedro Romero?" "Fine," said Bill. "Let's go see him." We followed Montoya up a flight and down the corridor. "He's in room number eight," Montoya explained. "He's getting dressed for the bull-fight." Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for you? Is there anything you would like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes touched. The heels touched. The balls of the feet touched. Then the music broke wildly and the step was finished and they were all dancing on up the street. "Here come the gentry," Bill said. They were crossing the street "Hello, men," I said. "Hello, gents!" said Brett. "You saved us seats? How nice." "I say," Mike said, "that Romero what'shisname is somebody. Am I wrong?" "Oh, isn't he lovely," Brett said. "And those green trousers." "Brett never took her eyes off them." "I say, I must borrow your glasses to-morrow." "How did it go?" "Wonderfully! Simply perfect. I say, it is a spectacle!" "How about the horses?" "I couldn't help looking at them." "She couldn't take her eyes off them," Mike said. "She's an extraordinary wench." "They do have some rather awful things happen to them," Brett said. "I couldn't look away, though." "Did you feel all right?" "I didn't feel badly at all." "Robert Cohn did," Mike put in. "You were quite green, Robert." "The first horse did bother me," Cohn said. "You weren't bored, were you?" asked Bill. Cohn laughed. "No. I wasn't bored. I wish you'd forgive me that." "It's all right," Bill said, "so long as you weren't bored." "He didn't look bored," Mike said. "I thought he was going to be sick." "I never felt that bad. It was just for a minute." "I thought he was going to be sick. You weren't bored, were you, Robert?" "Let up on that, Mike. I said I was sorry I said it." "He was, you know. He was positively green." "Oh, shove it along, Michael." "You mustn't ever get bored at your first bull-fight, Robert," Mike said. "It might make such a mess." "Oh, shove it along, Michael," Brett said. "He said Brett was a sadist," Mike said. "Brett's not a sadist. She's just a lovely, healthy wench." "Are you a sadist, Brett?" I asked. "Hope not." "He said Brett was a sadist just because she has a good, healthy stomach." "Won't be healthy long." Bill got Mike started on something else than Cohn. The waiter brought the absinthe glasses. "Did you really like it?" Bill asked Cohn. "No, I can't say I liked it. I think it's a wonderful show." "Gad, yes! What a spectacle!" Brett said. "I wish they didn't have the horse part," Cohn said. "They're not important,"	think so?" "Don't look at the horses, after the bull hits them," I said to Brett. "Watch the charge and see the picador try and keep the bull off, but then don't look again until the horse is dead if it's been hit." "I'm a little nervy about it," Brett said. "I'm worried whether I'll be able to go through with it all right." "You'll be all right. There's nothing but that horse part that will bother you, and they're only in for a few minutes with each bull. Just don't watch when it's bad." "She'll be all right," Mike said. "I'll look after her." "I don't think you'll be bored," Bill said. "I'm going over to the hotel to get the glasses and the wine-skin," I said. "See you back here. Don't get cock-eyed." "I'll come along," Bill said. Brett smiled at us. We walked around through the arcade to avoid the heat of the square. "That Cohn gets me," Bill said. "He's got this Jewish superiority so strong that he thinks the only emotion he'll get out of the fight will be being bored." "We'll watch him with the glasses," I said. "Oh, to hell with him!" "He spends a lot of time there." "I want him to stay there." In the hotel on the stairs we met Montoya. "Come on," said Montoya. "Do you want to meet Pedro Romero?" "Fine," said Bill. "Let's go see him." We followed Montoya up a flight and down the corridor. "He's in room number eight," Montoya explained. "He's getting dressed for the bull-fight." Montoya knocked on the door and opened it. It was a gloomy room with a little light coming in from the window on the narrow street. There were two beds separated by a monastic partition. The electric light was on. The boy stood very straight and unsmiling in his bull-fighting clothes. His jacket hung over the back of a chair. They were just finishing winding his sash. His black hair shone under the electric light. He wore a white linen shirt and the sword-handler finished his sash and stood up and stepped back. Pedro Romero nodded, seeming very far away and dignified when we shook hands. Montoya said something about what great aficionados we were, and that we wanted to wish him luck. Romero listened very seriously. Then he turned to me. He was the best-looking boy I have ever seen. "You go to the bull-fight," he said in English. "You know English," I said, feeling like an idiot. "No," he answered, and smiled. One of three men who had been sitting on the beds came up and asked us if we spoke French. "Would you like me to interpret for you? Is there anything you would like to ask Pedro Romero?" We thanked him. What was there that you would like to ask? The boy was nineteen years old, alone except for his sword-handler, and the three hangers-on, and the bull-fight was to commence in twenty minutes. We wished him "Mucha suerte," shook hands, and went out. He was standing, straight and handsome and altogether by himself, alone in the room with the hangers-on as we shut the door. "He's a fine boy, don't you think so?" Montoya asked. "He's a good-looking kid," I said. "He looks like a torero," Montoya said. "He has the type."<\|quote\|>"He's a fine boy."</\|quote\|>"We'll see how he is in the ring," Montoya said. We found the big leather wine-bottle leaning against the wall in my room, took it and the field-glasses, locked the door, and went down-stairs. It was a good bull-light. Bill and I were very excited about Pedro Romero. Montoya was sitting about ten places away. After Romero had killed his first bull Montoya caught my eye and nodded his head. This was a real one. There had not been a real one for a long time. Of the other two matadors, one was very fair and the other was passable. But there was no comparison with Romero, although neither of his bulls was much. Several times during the bull-fight I looked up at Mike and Brett and Cohn, with the glasses. They seemed to be all right. Brett did not look upset. All three were leaning forward on the concrete railing in front of them. "Let me take the glasses," Bill said. "Does Cohn look bored?" I asked. "That kike!" Outside the ring, after the bull-fight was over, you could not move in the crowd. We could not make our way through but had to be moved with the whole thing, slowly, as a glacier, back to town. We had that disturbed emotional feeling that always comes after a bull-fight, and the feeling of elation that comes after a good bull-fight. The fiesta was going on. The drums pounded and the pipe music was shrill, and everywhere the flow of the crowd was broken by patches of dancers. The dancers were in a crowd, so you did not see the intricate play of the feet. All you saw was the heads and shoulders going up and down, up and down. Finally, we got out of the crowd and made for the caf . The waiter saved chairs for the others, and we each ordered an absinthe and watched the crowd in the square and the dancers. "What do you suppose that dance is?" Bill asked. "It's a sort of jota." "They're not all the same," Bill said. "They dance differently to all the different tunes." "It's swell dancing." In front of us on a clear part of the street a company of boys were dancing. The steps were very intricate and their faces were intent and concentrated. They all looked down while they danced. Their rope-soled shoes tapped and spatted on the pavement. The toes	The Sun Also Rises
"James and Johnnie will go on like that for hours,"	Ralph Denham	in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester,	said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon	fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go	what point is it right for the individual to assert his will against the will of the State." For some time they continued the argument, and then the intervals between one statement and the next became longer and longer, and they spoke more speculatively and less pugnaciously, and at last fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go on telling her about them, but he checked himself. "I see that it must be difficult to leave them," Katharine continued. His deep pride in his family was more evident to him, at that moment, than ever before, and the idea of living alone in a cottage was ridiculous. All	and Joan had drawn together and stood by the fireplace, slightly raising their skirts above their ankles, and discussing something which had an air of being very serious and very private. They appeared to have forgotten her presence among them. Ralph stood holding the door open for her. "Won t you come up to my room?" he said. And Katharine, glancing back at Joan, who smiled at her in a preoccupied way, followed Ralph upstairs. She was thinking of their argument, and when, after the long climb, he opened his door, she began at once. "The question is, then, at what point is it right for the individual to assert his will against the will of the State." For some time they continued the argument, and then the intervals between one statement and the next became longer and longer, and they spoke more speculatively and less pugnaciously, and at last fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go on telling her about them, but he checked himself. "I see that it must be difficult to leave them," Katharine continued. His deep pride in his family was more evident to him, at that moment, than ever before, and the idea of living alone in a cottage was ridiculous. All that brotherhood and sisterhood, and a common childhood in a common past mean, all the stability, the unambitious comradeship, and tacit understanding of family life at its best, came to his mind, and he thought of them as a company, of which he was the leader, bound on a difficult, dreary, but glorious voyage. And it was Katharine who had opened his eyes to this, he thought. A little dry chirp from the corner of the room now roused her attention. "My tame rook," he explained briefly. "A cat had bitten one of its legs." She looked at the rook,	argument already, apparently, debated, so that the parts had been distributed among the family, in which Ralph took the lead; and Katharine found herself opposed to him and the champion of Johnnie s cause, who, it appeared, always lost his head and got excited in argument with Ralph. "Yes, yes, that s what I mean. She s got it right," he exclaimed, after Katharine had restated his case, and made it more precise. The debate was left almost solely to Katharine and Ralph. They looked into each other s eyes fixedly, like wrestlers trying to see what movement is coming next, and while Ralph spoke, Katharine bit her lower lip, and was always ready with her next point as soon as he had done. They were very well matched, and held the opposite views. But at the most exciting stage of the argument, for no reason that Katharine could see, all chairs were pushed back, and one after another the Denham family got up and went out of the door, as if a bell had summoned them. She was not used to the clockwork regulations of a large family. She hesitated in what she was saying, and rose. Mrs. Denham and Joan had drawn together and stood by the fireplace, slightly raising their skirts above their ankles, and discussing something which had an air of being very serious and very private. They appeared to have forgotten her presence among them. Ralph stood holding the door open for her. "Won t you come up to my room?" he said. And Katharine, glancing back at Joan, who smiled at her in a preoccupied way, followed Ralph upstairs. She was thinking of their argument, and when, after the long climb, he opened his door, she began at once. "The question is, then, at what point is it right for the individual to assert his will against the will of the State." For some time they continued the argument, and then the intervals between one statement and the next became longer and longer, and they spoke more speculatively and less pugnaciously, and at last fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go on telling her about them, but he checked himself. "I see that it must be difficult to leave them," Katharine continued. His deep pride in his family was more evident to him, at that moment, than ever before, and the idea of living alone in a cottage was ridiculous. All that brotherhood and sisterhood, and a common childhood in a common past mean, all the stability, the unambitious comradeship, and tacit understanding of family life at its best, came to his mind, and he thought of them as a company, of which he was the leader, bound on a difficult, dreary, but glorious voyage. And it was Katharine who had opened his eyes to this, he thought. A little dry chirp from the corner of the room now roused her attention. "My tame rook," he explained briefly. "A cat had bitten one of its legs." She looked at the rook, and her eyes went from one object to another. "You sit here and read?" she said, her eyes resting upon his books. He said that he was in the habit of working there at night. "The great advantage of Highgate is the view over London. At night the view from my window is splendid." He was extremely anxious that she should appreciate his view, and she rose to see what was to be seen. It was already dark enough for the turbulent haze to be yellow with the light of street lamps, and she tried to determine the quarters of the city beneath her. The sight of her gazing from his window gave him a peculiar satisfaction. When she turned, at length, he was still sitting motionless in his chair. "It must be late," she said. "I must be going." She settled upon the arm of the chair irresolutely, thinking that she had no wish to go home. William would be there, and he would find some way of making things unpleasant for her, and the memory of their quarrel came back to her. She had noticed Ralph s coldness, too. She looked at him, and from his fixed stare	the whole world to go to Newnham. "Now, just let me hear you decline amo I love," Johnnie demanded. "No, Johnnie, no Greek at meal-times," said Joan, overhearing him instantly. "She s up at all hours of the night over her books, Miss Hilbery, and I m sure that s not the way to pass examinations," she went on, smiling at Katharine, with the worried humorous smile of the elder sister whose younger brothers and sisters have become almost like children of her own. "Joan, you don t really think that amo is Greek?" Ralph asked. "Did I say Greek? Well, never mind. No dead languages at tea-time. My dear boy, don t trouble to make me any toast" "Or if you do, surely there s the toasting-fork somewhere?" said Mrs. Denham, still cherishing the belief that the bread-knife could be spoilt. "Do one of you ring and ask for one," she said, without any conviction that she would be obeyed. "But is Ann coming to be with Uncle Joseph?" she continued. "If so, surely they had better send Amy to us" and in the mysterious delight of learning further details of these arrangements, and suggesting more sensible plans of her own, which, from the aggrieved way in which she spoke, she did not seem to expect any one to adopt, Mrs. Denham completely forgot the presence of a well-dressed visitor, who had to be informed about the amenities of Highgate. As soon as Joan had taken her seat, an argument had sprung up on either side of Katharine, as to whether the Salvation Army has any right to play hymns at street corners on Sunday mornings, thereby making it impossible for James to have his sleep out, and tampering with the rights of individual liberty. "You see, James likes to lie in bed and sleep like a hog," said Johnnie, explaining himself to Katharine, whereupon James fired up and, making her his goal, also exclaimed: "Because Sundays are my one chance in the week of having my sleep out. Johnnie messes with stinking chemicals in the pantry" They appealed to her, and she forgot her cake and began to laugh and talk and argue with sudden animation. The large family seemed to her so warm and various that she forgot to censure them for their taste in pottery. But the personal question between James and Johnnie merged into some argument already, apparently, debated, so that the parts had been distributed among the family, in which Ralph took the lead; and Katharine found herself opposed to him and the champion of Johnnie s cause, who, it appeared, always lost his head and got excited in argument with Ralph. "Yes, yes, that s what I mean. She s got it right," he exclaimed, after Katharine had restated his case, and made it more precise. The debate was left almost solely to Katharine and Ralph. They looked into each other s eyes fixedly, like wrestlers trying to see what movement is coming next, and while Ralph spoke, Katharine bit her lower lip, and was always ready with her next point as soon as he had done. They were very well matched, and held the opposite views. But at the most exciting stage of the argument, for no reason that Katharine could see, all chairs were pushed back, and one after another the Denham family got up and went out of the door, as if a bell had summoned them. She was not used to the clockwork regulations of a large family. She hesitated in what she was saying, and rose. Mrs. Denham and Joan had drawn together and stood by the fireplace, slightly raising their skirts above their ankles, and discussing something which had an air of being very serious and very private. They appeared to have forgotten her presence among them. Ralph stood holding the door open for her. "Won t you come up to my room?" he said. And Katharine, glancing back at Joan, who smiled at her in a preoccupied way, followed Ralph upstairs. She was thinking of their argument, and when, after the long climb, he opened his door, she began at once. "The question is, then, at what point is it right for the individual to assert his will against the will of the State." For some time they continued the argument, and then the intervals between one statement and the next became longer and longer, and they spoke more speculatively and less pugnaciously, and at last fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go on telling her about them, but he checked himself. "I see that it must be difficult to leave them," Katharine continued. His deep pride in his family was more evident to him, at that moment, than ever before, and the idea of living alone in a cottage was ridiculous. All that brotherhood and sisterhood, and a common childhood in a common past mean, all the stability, the unambitious comradeship, and tacit understanding of family life at its best, came to his mind, and he thought of them as a company, of which he was the leader, bound on a difficult, dreary, but glorious voyage. And it was Katharine who had opened his eyes to this, he thought. A little dry chirp from the corner of the room now roused her attention. "My tame rook," he explained briefly. "A cat had bitten one of its legs." She looked at the rook, and her eyes went from one object to another. "You sit here and read?" she said, her eyes resting upon his books. He said that he was in the habit of working there at night. "The great advantage of Highgate is the view over London. At night the view from my window is splendid." He was extremely anxious that she should appreciate his view, and she rose to see what was to be seen. It was already dark enough for the turbulent haze to be yellow with the light of street lamps, and she tried to determine the quarters of the city beneath her. The sight of her gazing from his window gave him a peculiar satisfaction. When she turned, at length, he was still sitting motionless in his chair. "It must be late," she said. "I must be going." She settled upon the arm of the chair irresolutely, thinking that she had no wish to go home. William would be there, and he would find some way of making things unpleasant for her, and the memory of their quarrel came back to her. She had noticed Ralph s coldness, too. She looked at him, and from his fixed stare she thought that he must be working out some theory, some argument. He had thought, perhaps, of some fresh point in his position, as to the bounds of personal liberty. She waited, silently, thinking about liberty. "You ve won again," he said at last, without moving. "I ve won?" she repeated, thinking of the argument. "I wish to God I hadn t asked you here," he burst out. "What do you mean?" "When you re here, it s different I m happy. You ve only to walk to the window you ve only to talk about liberty. When I saw you down there among them all" He stopped short. "You thought how ordinary I was." "I tried to think so. But I thought you more wonderful than ever." An immense relief, and a reluctance to enjoy that relief, conflicted in her heart. She slid down into the chair. "I thought you disliked me," she said. "God knows I tried," he replied. "I ve done my best to see you as you are, without any of this damned romantic nonsense. That was why I asked you here, and it s increased my folly. When you re gone I shall look out of that window and think of you. I shall waste the whole evening thinking of you. I shall waste my whole life, I believe." He spoke with such vehemence that her relief disappeared; she frowned; and her tone changed to one almost of severity. "This is what I foretold. We shall gain nothing but unhappiness. Look at me, Ralph." He looked at her. "I assure you that I m far more ordinary than I appear. Beauty means nothing whatever. In fact, the most beautiful women are generally the most stupid. I m not that, but I m a matter-of-fact, prosaic, rather ordinary character; I order the dinner, I pay the bills, I do the accounts, I wind up the clock, and I never look at a book." "You forget" he began, but she would not let him speak. "You come and see me among flowers and pictures, and think me mysterious, romantic, and all the rest of it. Being yourself very inexperienced and very emotional, you go home and invent a story about me, and now you can t separate me from the person you ve imagined me to be. You call that, I suppose, being in love; as a	Highgate. As soon as Joan had taken her seat, an argument had sprung up on either side of Katharine, as to whether the Salvation Army has any right to play hymns at street corners on Sunday mornings, thereby making it impossible for James to have his sleep out, and tampering with the rights of individual liberty. "You see, James likes to lie in bed and sleep like a hog," said Johnnie, explaining himself to Katharine, whereupon James fired up and, making her his goal, also exclaimed: "Because Sundays are my one chance in the week of having my sleep out. Johnnie messes with stinking chemicals in the pantry" They appealed to her, and she forgot her cake and began to laugh and talk and argue with sudden animation. The large family seemed to her so warm and various that she forgot to censure them for their taste in pottery. But the personal question between James and Johnnie merged into some argument already, apparently, debated, so that the parts had been distributed among the family, in which Ralph took the lead; and Katharine found herself opposed to him and the champion of Johnnie s cause, who, it appeared, always lost his head and got excited in argument with Ralph. "Yes, yes, that s what I mean. She s got it right," he exclaimed, after Katharine had restated his case, and made it more precise. The debate was left almost solely to Katharine and Ralph. They looked into each other s eyes fixedly, like wrestlers trying to see what movement is coming next, and while Ralph spoke, Katharine bit her lower lip, and was always ready with her next point as soon as he had done. They were very well matched, and held the opposite views. But at the most exciting stage of the argument, for no reason that Katharine could see, all chairs were pushed back, and one after another the Denham family got up and went out of the door, as if a bell had summoned them. She was not used to the clockwork regulations of a large family. She hesitated in what she was saying, and rose. Mrs. Denham and Joan had drawn together and stood by the fireplace, slightly raising their skirts above their ankles, and discussing something which had an air of being very serious and very private. They appeared to have forgotten her presence among them. Ralph stood holding the door open for her. "Won t you come up to my room?" he said. And Katharine, glancing back at Joan, who smiled at her in a preoccupied way, followed Ralph upstairs. She was thinking of their argument, and when, after the long climb, he opened his door, she began at once. "The question is, then, at what point is it right for the individual to assert his will against the will of the State." For some time they continued the argument, and then the intervals between one statement and the next became longer and longer, and they spoke more speculatively and less pugnaciously, and at last fell silent. Katharine went over the argument in her mind, remembering how, now and then, it had been set conspicuously on the right course by some remark offered either by James or by Johnnie. "Your brothers are very clever," she said. "I suppose you re in the habit of arguing?"<\|quote\|>"James and Johnnie will go on like that for hours,"</\|quote\|>Ralph replied. "So will Hester, if you start her upon Elizabethan dramatists." "And the little girl with the pigtail?" "Molly? She s only ten. But they re always arguing among themselves." He was immensely pleased by Katharine s praise of his brothers and sisters. He would have liked to go on telling her about them, but he checked himself. "I see that it must be difficult to leave them," Katharine continued. His deep pride in his family was more evident to him, at that moment, than ever before, and the idea of living alone in a cottage was ridiculous. All that brotherhood and sisterhood, and a common childhood in a common past mean, all the stability, the unambitious comradeship, and tacit understanding of family life at its best, came to his mind, and he thought of them as a company, of which he was the leader, bound on a difficult, dreary, but glorious voyage. And it was Katharine who had opened his eyes to this, he thought. A little dry chirp from the corner of the room now roused her attention. "My tame rook," he explained briefly. "A cat had bitten one of its legs." She looked at the rook, and her eyes went from one object to another. "You sit here and read?" she said, her eyes resting upon his books. He said that he was in the habit of working there at night. "The great advantage of Highgate is the view over London. At night the view from my window is splendid." He was extremely anxious that she should appreciate his view, and she rose to see what was to be seen. It was already dark enough for the turbulent haze to be yellow with the light of street lamps, and she tried to determine the quarters of the city beneath her. The sight of her gazing from his window gave him a peculiar satisfaction. When she turned, at length, he was still sitting motionless in his chair. "It must be late," she said. "I must be going." She settled upon the arm of the chair irresolutely, thinking that she had no wish to go home. William would be there, and he would find some way of making things unpleasant for her, and the memory of their quarrel came back to her. She had noticed Ralph s coldness, too. She looked at him, and from his fixed stare she	Night And Day
he inquired, holding it up. Wilson stared and nodded.	No speaker	It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon.	of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me	came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why	gone to church once. Didn’t you get married in a church? Listen, George, listen to me. Didn’t you get married in a church?” “That was a long time ago.” The effort of answering broke the rhythm of his rocking—for a moment he was silent. Then the same half-knowing, half-bewildered look came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why his wife might have bought the dog-leash. But conceivably Wilson had heard some of these same explanations before, from Myrtle, because he began saying “Oh, my God!” again in a whisper—his comforter left several explanations in the air. “Then he killed her,” said Wilson. His mouth dropped open suddenly. “Who	because the work bench was stained where the body had been lying, so he moved uncomfortably around the office—he knew every object in it before morning—and from time to time sat down beside Wilson trying to keep him more quiet. “Have you got a church you go to sometimes, George? Maybe even if you haven’t been there for a long time? Maybe I could call up the church and get a priest to come over and he could talk to you, see?” “Don’t belong to any.” “You ought to have a church, George, for times like this. You must have gone to church once. Didn’t you get married in a church? Listen, George, listen to me. Didn’t you get married in a church?” “That was a long time ago.” The effort of answering broke the rhythm of his rocking—for a moment he was silent. Then the same half-knowing, half-bewildered look came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why his wife might have bought the dog-leash. But conceivably Wilson had heard some of these same explanations before, from Myrtle, because he began saying “Oh, my God!” again in a whisper—his comforter left several explanations in the air. “Then he killed her,” said Wilson. His mouth dropped open suddenly. “Who did?” “I have a way of finding out.” “You’re morbid, George,” said his friend. “This has been a strain to you and you don’t know what you’re saying. You’d better try and sit quiet till morning.” “He murdered her.” “It was an accident, George.” Wilson shook his head. His eyes narrowed and his mouth widened slightly with the ghost of a superior “Hm!” “I know,” he said definitely. “I’m one of these trusting fellas and I don’t think any harm to nobody, but when I get to know a thing I know it. It was the man in that car.	own place and made a pot of coffee. After that, he stayed there alone with Wilson until dawn. About three o’clock the quality of Wilson’s incoherent muttering changed—he grew quieter and began to talk about the yellow car. He announced that he had a way of finding out whom the yellow car belonged to, and then he blurted out that a couple of months ago his wife had come from the city with her face bruised and her nose swollen. But when he heard himself say this, he flinched and began to cry “Oh, my God!” again in his groaning voice. Michaelis made a clumsy attempt to distract him. “How long have you been married, George? Come on there, try and sit still a minute, and answer my question. How long have you been married?” “Twelve years.” “Ever had any children? Come on, George, sit still—I asked you a question. Did you ever have any children?” The hard brown beetles kept thudding against the dull light, and whenever Michaelis heard a car go tearing along the road outside it sounded to him like the car that hadn’t stopped a few hours before. He didn’t like to go into the garage, because the work bench was stained where the body had been lying, so he moved uncomfortably around the office—he knew every object in it before morning—and from time to time sat down beside Wilson trying to keep him more quiet. “Have you got a church you go to sometimes, George? Maybe even if you haven’t been there for a long time? Maybe I could call up the church and get a priest to come over and he could talk to you, see?” “Don’t belong to any.” “You ought to have a church, George, for times like this. You must have gone to church once. Didn’t you get married in a church? Listen, George, listen to me. Didn’t you get married in a church?” “That was a long time ago.” The effort of answering broke the rhythm of his rocking—for a moment he was silent. Then the same half-knowing, half-bewildered look came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why his wife might have bought the dog-leash. But conceivably Wilson had heard some of these same explanations before, from Myrtle, because he began saying “Oh, my God!” again in a whisper—his comforter left several explanations in the air. “Then he killed her,” said Wilson. His mouth dropped open suddenly. “Who did?” “I have a way of finding out.” “You’re morbid, George,” said his friend. “This has been a strain to you and you don’t know what you’re saying. You’d better try and sit quiet till morning.” “He murdered her.” “It was an accident, George.” Wilson shook his head. His eyes narrowed and his mouth widened slightly with the ghost of a superior “Hm!” “I know,” he said definitely. “I’m one of these trusting fellas and I don’t think any harm to nobody, but when I get to know a thing I know it. It was the man in that car. She ran out to speak to him and he wouldn’t stop.” Michaelis had seen this too, but it hadn’t occurred to him that there was any special significance in it. He believed that Mrs. Wilson had been running away from her husband, rather than trying to stop any particular car. “How could she of been like that?” “She’s a deep one,” said Wilson, as if that answered the question. “Ah-h-h—” He began to rock again, and Michaelis stood twisting the leash in his hand. “Maybe you got some friend that I could telephone for, George?” This was a forlorn hope—he was almost sure that Wilson had no friend: there was not enough of him for his wife. He was glad a little later when he noticed a change in the room, a blue quickening by the window, and realized that dawn wasn’t far off. About five o’clock it was blue enough outside to snap off the light. Wilson’s glazed eyes turned out to the ash-heaps, where small grey clouds took on fantastic shapes and scurried here and there in the faint dawn wind. “I spoke to her,” he muttered, after a long silence. “I told her she might fool me	this afternoon.” “Very well.” “It’s impossible this afternoon. Various—” We talked like that for a while, and then abruptly we weren’t talking any longer. I don’t know which of us hung up with a sharp click, but I know I didn’t care. I couldn’t have talked to her across a tea-table that day if I never talked to her again in this world. I called Gatsby’s house a few minutes later, but the line was busy. I tried four times; finally an exasperated central told me the wire was being kept open for long distance from Detroit. Taking out my timetable, I drew a small circle around the three-fifty train. Then I leaned back in my chair and tried to think. It was just noon. ------------------------------------------------------------------------ When I passed the ash-heaps on the train that morning I had crossed deliberately to the other side of the car. I supposed there’d be a curious crowd around there all day with little boys searching for dark spots in the dust, and some garrulous man telling over and over what had happened, until it became less and less real even to him and he could tell it no longer, and Myrtle Wilson’s tragic achievement was forgotten. Now I want to go back a little and tell what happened at the garage after we left there the night before. They had difficulty in locating the sister, Catherine. She must have broken her rule against drinking that night, for when she arrived she was stupid with liquor and unable to understand that the ambulance had already gone to Flushing. When they convinced her of this, she immediately fainted, as if that was the intolerable part of the affair. Someone, kind or curious, took her in his car and drove her in the wake of her sister’s body. Until long after midnight a changing crowd lapped up against the front of the garage, while George Wilson rocked himself back and forth on the couch inside. For a while the door of the office was open, and everyone who came into the garage glanced irresistibly through it. Finally someone said it was a shame, and closed the door. Michaelis and several other men were with him; first, four or five men, later two or three men. Still later Michaelis had to ask the last stranger to wait there fifteen minutes longer, while he went back to his own place and made a pot of coffee. After that, he stayed there alone with Wilson until dawn. About three o’clock the quality of Wilson’s incoherent muttering changed—he grew quieter and began to talk about the yellow car. He announced that he had a way of finding out whom the yellow car belonged to, and then he blurted out that a couple of months ago his wife had come from the city with her face bruised and her nose swollen. But when he heard himself say this, he flinched and began to cry “Oh, my God!” again in his groaning voice. Michaelis made a clumsy attempt to distract him. “How long have you been married, George? Come on there, try and sit still a minute, and answer my question. How long have you been married?” “Twelve years.” “Ever had any children? Come on, George, sit still—I asked you a question. Did you ever have any children?” The hard brown beetles kept thudding against the dull light, and whenever Michaelis heard a car go tearing along the road outside it sounded to him like the car that hadn’t stopped a few hours before. He didn’t like to go into the garage, because the work bench was stained where the body had been lying, so he moved uncomfortably around the office—he knew every object in it before morning—and from time to time sat down beside Wilson trying to keep him more quiet. “Have you got a church you go to sometimes, George? Maybe even if you haven’t been there for a long time? Maybe I could call up the church and get a priest to come over and he could talk to you, see?” “Don’t belong to any.” “You ought to have a church, George, for times like this. You must have gone to church once. Didn’t you get married in a church? Listen, George, listen to me. Didn’t you get married in a church?” “That was a long time ago.” The effort of answering broke the rhythm of his rocking—for a moment he was silent. Then the same half-knowing, half-bewildered look came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why his wife might have bought the dog-leash. But conceivably Wilson had heard some of these same explanations before, from Myrtle, because he began saying “Oh, my God!” again in a whisper—his comforter left several explanations in the air. “Then he killed her,” said Wilson. His mouth dropped open suddenly. “Who did?” “I have a way of finding out.” “You’re morbid, George,” said his friend. “This has been a strain to you and you don’t know what you’re saying. You’d better try and sit quiet till morning.” “He murdered her.” “It was an accident, George.” Wilson shook his head. His eyes narrowed and his mouth widened slightly with the ghost of a superior “Hm!” “I know,” he said definitely. “I’m one of these trusting fellas and I don’t think any harm to nobody, but when I get to know a thing I know it. It was the man in that car. She ran out to speak to him and he wouldn’t stop.” Michaelis had seen this too, but it hadn’t occurred to him that there was any special significance in it. He believed that Mrs. Wilson had been running away from her husband, rather than trying to stop any particular car. “How could she of been like that?” “She’s a deep one,” said Wilson, as if that answered the question. “Ah-h-h—” He began to rock again, and Michaelis stood twisting the leash in his hand. “Maybe you got some friend that I could telephone for, George?” This was a forlorn hope—he was almost sure that Wilson had no friend: there was not enough of him for his wife. He was glad a little later when he noticed a change in the room, a blue quickening by the window, and realized that dawn wasn’t far off. About five o’clock it was blue enough outside to snap off the light. Wilson’s glazed eyes turned out to the ash-heaps, where small grey clouds took on fantastic shapes and scurried here and there in the faint dawn wind. “I spoke to her,” he muttered, after a long silence. “I told her she might fool me but she couldn’t fool God. I took her to the window” —with an effort he got up and walked to the rear window and leaned with his face pressed against it— “and I said ‘God knows what you’ve been doing, everything you’ve been doing. You may fool me, but you can’t fool God!’ ” Standing behind him, Michaelis saw with a shock that he was looking at the eyes of Doctor T. J. Eckleburg, which had just emerged, pale and enormous, from the dissolving night. “God sees everything,” repeated Wilson. “That’s an advertisement,” Michaelis assured him. Something made him turn away from the window and look back into the room. But Wilson stood there a long time, his face close to the window pane, nodding into the twilight. ------------------------------------------------------------------------ By six o’clock Michaelis was worn out, and grateful for the sound of a car stopping outside. It was one of the watchers of the night before who had promised to come back, so he cooked breakfast for three, which he and the other man ate together. Wilson was quieter now, and Michaelis went home to sleep; when he awoke four hours later and hurried back to the garage, Wilson was gone. His movements—he was on foot all the time—were afterward traced to Port Roosevelt and then to Gad’s Hill, where he bought a sandwich that he didn’t eat, and a cup of coffee. He must have been tired and walking slowly, for he didn’t reach Gad’s Hill until noon. Thus far there was no difficulty in accounting for his time—there were boys who had seen a man “acting sort of crazy,” and motorists at whom he stared oddly from the side of the road. Then for three hours he disappeared from view. The police, on the strength of what he said to Michaelis, that he “had a way of finding out,” supposed that he spent that time going from garage to garage thereabout, inquiring for a yellow car. On the other hand, no garage man who had seen him ever came forward, and perhaps he had an easier, surer way of finding out what he wanted to know. By half-past two he was in West Egg, where he asked someone the way to Gatsby’s house. So by that time he knew Gatsby’s name. ------------------------------------------------------------------------ At two o’clock Gatsby put on his bathing-suit and left word with the butler that if	yellow car belonged to, and then he blurted out that a couple of months ago his wife had come from the city with her face bruised and her nose swollen. But when he heard himself say this, he flinched and began to cry “Oh, my God!” again in his groaning voice. Michaelis made a clumsy attempt to distract him. “How long have you been married, George? Come on there, try and sit still a minute, and answer my question. How long have you been married?” “Twelve years.” “Ever had any children? Come on, George, sit still—I asked you a question. Did you ever have any children?” The hard brown beetles kept thudding against the dull light, and whenever Michaelis heard a car go tearing along the road outside it sounded to him like the car that hadn’t stopped a few hours before. He didn’t like to go into the garage, because the work bench was stained where the body had been lying, so he moved uncomfortably around the office—he knew every object in it before morning—and from time to time sat down beside Wilson trying to keep him more quiet. “Have you got a church you go to sometimes, George? Maybe even if you haven’t been there for a long time? Maybe I could call up the church and get a priest to come over and he could talk to you, see?” “Don’t belong to any.” “You ought to have a church, George, for times like this. You must have gone to church once. Didn’t you get married in a church? Listen, George, listen to me. Didn’t you get married in a church?” “That was a long time ago.” The effort of answering broke the rhythm of his rocking—for a moment he was silent. Then the same half-knowing, half-bewildered look came back into his faded eyes. “Look in the drawer there,” he said, pointing at the desk. “Which drawer?” “That drawer—that one.” Michaelis opened the drawer nearest his hand. There was nothing in it but a small, expensive dog-leash, made of leather and braided silver. It was apparently new. “This?”<\|quote\|>he inquired, holding it up. Wilson stared and nodded.</\|quote\|>“I found it yesterday afternoon. She tried to tell me about it, but I knew it was something funny.” “You mean your wife bought it?” “She had it wrapped in tissue paper on her bureau.” Michaelis didn’t see anything odd in that, and he gave Wilson a dozen reasons why his wife might have bought the dog-leash. But conceivably Wilson had heard some of these same explanations before, from Myrtle, because he began saying “Oh, my God!” again in a whisper—his comforter left several explanations in the air. “Then he killed her,” said Wilson. His mouth dropped open suddenly. “Who did?” “I have a way of finding out.” “You’re morbid, George,” said his friend. “This has been a strain to you and you don’t know what you’re saying. You’d better try and sit quiet till morning.” “He murdered her.” “It was an accident, George.” Wilson shook his head. His eyes narrowed and his mouth widened slightly with the ghost of a superior “Hm!” “I know,” he said definitely. “I’m one of these trusting fellas and I don’t think any harm to nobody, but when I get to know a thing I know it. It was the man in that car. She ran out to speak to him and he wouldn’t stop.” Michaelis had seen this too, but it hadn’t occurred to him that there was any special significance in it. He believed that Mrs. Wilson had been running away from her husband, rather than trying to stop any particular car. “How could she of been like that?” “She’s a deep one,” said Wilson, as if that answered the question. “Ah-h-h—” He began to rock again, and Michaelis stood twisting the leash in his hand. “Maybe you got some friend that I could telephone for, George?” This was a forlorn hope—he was almost sure that Wilson had no friend: there was not enough of him for his wife. He was glad a little later when he noticed a change in the room, a blue quickening by the window, and realized that dawn wasn’t far off. About five o’clock it was blue enough outside to snap off the light. Wilson’s glazed eyes turned out to the ash-heaps, where small grey clouds took on fantastic shapes and scurried here and there in the faint dawn wind. “I spoke to her,”	The Great Gatsby
"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."	Don Lavington	rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you	rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my	like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this	Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head	Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the	as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How dark it is? Where's your hand?" "Gently, my lad; that's my hye. Arn't much use here in the dark, but may want 'em by-and-by. That's better. Thank ye, sir. Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when	Wait till you get at the French; then you may talk like that." He caught Don by the hips, and with a dexterous Cornish wrestling trick, raised him from the ground, and then threw him lightly beside Jem. "You'll do," he said. "I thought we'd let you go, because you're such a boy, but you've got the pluck of a man, and you'll soon grow." He stepped quickly to the entrance, and Don struggled to his feet, and dashed at him again, but only flung himself against the door, which was banged in his face, and locked. "The cowards!" panted Don, as he stood there in the darkness. "Why, Jem!" "Yes, Mas' Don." "They won't let us go." "No, Mas' Don, that they won't." "I never thought the press-gang would dare to do such a thing as this." "I did, sir. They'd press the monkeys out of a wild beast show if they got the chance." "But what are we to do?" "I d'know, sir." "We must let my uncle know at once." "Yes, sir, I would," said Jem grimly; "I'd holloa." "Don't be stupid. What's the good?" "Not a bit, sir." "But my uncle--my mother, what will they think?" "I'll tell yer, sir." "Yes?" "They'll think you've run away, so as not to have to go 'fore the magistrates." "Jem, what are you saying? Think I'm a thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they say?" "Dunno what they'll say," said Jem dolefully, "but I know what my Sally will say. I used to talk about going and leaving her, but that was because I too was a hidyut. I didn't want to go and leave her, poor little lass. Too fond on her, Mas' Don. She only shows a bit o' temper." "Jem, she'll think you've run away and deserted her." "Safe, Mas' Don. You see, I made up a bundle o' wittles as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How dark it is? Where's your hand?" "Gently, my lad; that's my hye. Arn't much use here in the dark, but may want 'em by-and-by. That's better. Thank ye, sir. Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side, and I'll show you that you are wrong." "Can't show me, my lad. You may make me feel, but you did that just now when you hit me on the nose. Well? Fun' it?" "No, not yet," said Don, as he crept slowly along from the doorway; and then carefully on and on, till he must have come to the place from which they started. "No, not yet," grumbled Jem. "Nor more you won't if you go on for ever." "I'm afraid you're right, Jem." "I'm right, and I arn't afraid," said Jem; "leastwise, save that my head's going on aching for ever." Don felt all round the cellar again, and then heaved a sigh. "Yes; there's only one door, Jem. Could we break it down?" "I could if I'd some of the cooper's tools," said Jem, quietly; "but you can't break strong doors with your fisties, and you can't get out of brick cellars with your teeth." "Of course, we're underground." "Ay! No doubt about that, Mas' Don." "Let's knock and ask for a pencil and paper to send a message." Jem uttered a loud chuckle as he seated himself on the floor. "I like that, Mas' Don. 'Pon my word I do. Might just as well hit your head again the wall." "Better use yours for a battering ram, Jem," said Don, angrily. "It's thicker than mine." There was silence after this. "He's sulky because of what I've said," thought Don. "Oh, my poor head!" thought Jem. "How it do ache!" Then he began to think about Sally, and what she would say or do when she found that he did not come back. Just at the same time Don was reflecting upon his life of late, and how discontented he had been, and how he had longed to go away, while now he felt as if he would give anything to be back on his old stool in the office, writing hard, and trying his best to be satisfied with what seemed to be a peaceful, happy life. A terrible sensation of despair came over him, and the idea of being dragged off to a ship, and carried right away, was unbearable. What were glorious foreign lands with their wonders to one who would be thought of as a cowardly thief? As he leaned against a wall there in the darkness his busy brain pictured his stern-looking uncle telling his weeping mother that it was a disgrace to her to mourn over the loss of a son who could be guilty of	thief?" "I didn't say that, sir; but so sure as you don't go home, they'll think you've cut away." "Jem!" cried Don in a despairing voice, as he recalled the bundle he had made up, and the drawer left open. "Well, sir, you was allus a-wanting to go abroad, and get away from the desk," said Jem ill-naturedly-- "oh, how my head do ache!--and now you've got your chance." "But that was all nonsense, Jem. I was only thinking then like a stupid, discontented boy. I don't want to go. What will they say?" "Dunno what they'll say," said Jem dolefully, "but I know what my Sally will say. I used to talk about going and leaving her, but that was because I too was a hidyut. I didn't want to go and leave her, poor little lass. Too fond on her, Mas' Don. She only shows a bit o' temper." "Jem, she'll think you've run away and deserted her." "Safe, Mas' Don. You see, I made up a bundle o' wittles as if I was a-going, and she saw me take it out under my arm, and she called to me to stop, but I wouldn't, because I was so waxy." "And I made up a bundle too, Jem. I--I did half think of going away." "Then you've done it now, my lad. My Sally will think I've forsook her." "And they at home will think of me as a thief. Oh, fool--fool--fool!" "What's the use o' calling yourself a fool, Mas' Don, when you means me all the time? Oh, my head, my head!" "Jem, we must escape." "Escape? I on'y wish we could. Oh, my head: how it do ache." "They will take us off to the tender, and then away in some ship, and they will not know at home where we are gone Jem, get up." "What's the good, sir? My head feels like feet, and if I tried to stand up I should go down flop!" "Let me help you, Jem. Here, give me your hand. How dark it is? Where's your hand?" "Gently, my lad; that's my hye. Arn't much use here in the dark, but may want 'em by-and-by. That's better. Thank ye, sir. Here, hold tight." "Can't you stand, Jem?" "Stand, sir? Yes: but what's the matter? It's like being in a round-about at the fair." "You'll be better soon." "Better, sir? Well, I can't be worse. Oh, my head, my head! I wish I'd got him as did it headed up in one of our barrels, I'd give him such a roll up and down the ware'us floor as 'ud make him as giddy as me." "Now try and think, Jem," said Don excitedly. "They must not believe at home that we are such cowards as to run away." "No, sir; my Sally mustn't think that." "Then what shall we do?" "Try to get out, sir, of course." "Can you walk?" "Well, sir, if I can't, I'll crawl. What yer going to do?" "Try the door. Perhaps they have left it unlocked." "Not likely," said Jem. "Wish I'd got a candle. It's like being a rat in a box trap. It _is_ dark." "This way, Jem. Your hand." "All right, sir. Frontards: my hands don't grow out o' my back." "That's it. Now together. Let's get to the wall." There was a rustling noise and then a rattle. "Phew! Shins!" cried Jem.<\|quote\|>"Oh, dear me. That's barrel staves, I know the feel on 'em. Such sharp edges, Mas' Don. Mind you don't tread on the edge of a hoop, or it'll fly up and hit you right in the middle."</\|quote\|>_Flip_! "There, I told you so. Hurt you much, my lad?" "Not very much, Jem. Now then; feel your way with me. Let's go all round the place, perhaps there's another way out." "All right, sir. Well, it might be, but I say as it couldn't be darker than this if you was brown sugar, and shut up in a barrel in the middle o' the night." "Now I am touching the wall, Jem," said Don. "I'm going to feel all round. Can you hear anything?" "Only you speaking, my lad." "Come along then." "All right, Mas' Don. My head aches as if it was a tub with the cooper at work hammering of it." Don went slowly along the side of the great cellar, guiding himself in the intense darkness by running: his hands over the damp bricks; but there was nothing but bare wall till he had passed down two sides, and was half-way along the third, when he uttered a hasty ejaculation. "It's all right, Jem. Here is a way into another cellar." "Mind how you go, sir. Steady." "Yes, but make haste." "There's a door," whispered Don. "Loose my hand." He hastily felt all over the door, but it was perfectly blank, not so much as a keyhole to be found, and though he pressed and strained at it, he could make no impression. "It's no use, Jem. Let's try the other door." "I don't believe there are no other door," said Jem. "That's the way out." "No, no; the way out is on the other side." "This here is t'other side," said Jem, "only we arn't over there now." "I'm sure it can't be." "And I'm sure it can be, my lad. Nothing arn't more puzzling than being shut up in the dark. You loses yourself directly, and then you can't find yourself again." "But the door where the men went out is over there." "Yah! That it arn't," cried Jem. "Don't throw your fisties about that how. That's my nose." "I'm very sorry, Jem. I did not mean--" "Course you didn't, but that's what I said. When you're in the dark you don't know where you are, nor where any one else is." "Let's try down that other side,	Don Lavington
She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.	No speaker	have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window,	me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You	question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak	men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but	said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, of which she wore several, and ranged them upon the pin cushion. Then she blew into her gloves and said: "It will be a push to catch the morning train, but we must try." "What train?" "The train to Rome." She looked at her gloves critically. The girl received the announcement as easily as it had been given. "When does the train	longer wished to be absolutely truthful. "How are you going to stop him talking about it?" "I have a feeling that talk is a thing he will never do." "I, too, intend to judge him charitably. But unfortunately I have met the type before. They seldom keep their exploits to themselves." "Exploits?" cried Lucy, wincing under the horrible plural. "My poor dear, did you suppose that this was his first? Come here and listen to me. I am only gathering it from his own remarks. Do you remember that day at lunch when he argued with Miss Alan that liking one person is an extra reason for liking another?" "Yes," said Lucy, whom at the time the argument had pleased. "Well, I am no prude. There is no need to call him a wicked young man, but obviously he is thoroughly unrefined. Let us put it down to his deplorable antecedents and education, if you wish. But we are no farther on with our question. What do you propose to do?" An idea rushed across Lucy's brain, which, had she thought of it sooner and made it part of her, might have proved victorious. "I propose to speak to him," said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, of which she wore several, and ranged them upon the pin cushion. Then she blew into her gloves and said: "It will be a push to catch the morning train, but we must try." "What train?" "The train to Rome." She looked at her gloves critically. The girl received the announcement as easily as it had been given. "When does the train to Rome go?" "At eight." "Signora Bertolini would be upset." "We must face that," said Miss Bartlett, not liking to say that she had given notice already. "She will make us pay for a whole week's pension." "I expect she will. However, we shall be much more comfortable at the Vyses' hotel. Isn't afternoon tea given there for nothing?" "Yes, but they pay extra for wine." After this remark she remained motionless and silent. To her tired eyes Charlotte throbbed and swelled like a ghostly figure in a dream. They began to sort their clothes for packing, for there was no time to lose, if they were to catch the train to Rome. Lucy, when admonished, began to move to and fro between the rooms, more conscious of the discomforts of packing by candlelight than of a subtler ill. Charlotte, who was practical without ability, knelt by the side of an empty trunk, vainly endeavouring to pave it with books of varying thickness and size. She gave two or three sighs, for the stooping posture hurt her back, and, for all her diplomacy, she felt that she was growing old. The girl heard her as she entered the room, and	thought not so much of what had happened as of how she should describe it. All her sensations, her spasms of courage, her moments of unreasonable joy, her mysterious discontent, should be carefully laid before her cousin. And together in divine confidence they would disentangle and interpret them all. "At last," thought she, "I shall understand myself. I shan't again be troubled by things that come out of nothing, and mean I don't know what." Miss Alan asked her to play. She refused vehemently. Music seemed to her the employment of a child. She sat close to her cousin, who, with commendable patience, was listening to a long story about lost luggage. When it was over she capped it by a story of her own. Lucy became rather hysterical with the delay. In vain she tried to check, or at all events to accelerate, the tale. It was not till a late hour that Miss Bartlett had recovered her luggage and could say in her usual tone of gentle reproach: "Well, dear, I at all events am ready for Bedfordshire. Come into my room, and I will give a good brush to your hair." With some solemnity the door was shut, and a cane chair placed for the girl. Then Miss Bartlett said "So what is to be done?" She was unprepared for the question. It had not occurred to her that she would have to do anything. A detailed exhibition of her emotions was all that she had counted upon. "What is to be done? A point, dearest, which you alone can settle." The rain was streaming down the black windows, and the great room felt damp and chilly, One candle burnt trembling on the chest of drawers close to Miss Bartlett's toque, which cast monstrous and fantastic shadows on the bolted door. A tram roared by in the dark, and Lucy felt unaccountably sad, though she had long since dried her eyes. She lifted them to the ceiling, where the griffins and bassoons were colourless and vague, the very ghosts of joy. "It has been raining for nearly four hours," she said at last. Miss Bartlett ignored the remark. "How do you propose to silence him?" "The driver?" "My dear girl, no; Mr. George Emerson." Lucy began to pace up and down the room. "I don't understand," she said at last. She understood very well, but she no longer wished to be absolutely truthful. "How are you going to stop him talking about it?" "I have a feeling that talk is a thing he will never do." "I, too, intend to judge him charitably. But unfortunately I have met the type before. They seldom keep their exploits to themselves." "Exploits?" cried Lucy, wincing under the horrible plural. "My poor dear, did you suppose that this was his first? Come here and listen to me. I am only gathering it from his own remarks. Do you remember that day at lunch when he argued with Miss Alan that liking one person is an extra reason for liking another?" "Yes," said Lucy, whom at the time the argument had pleased. "Well, I am no prude. There is no need to call him a wicked young man, but obviously he is thoroughly unrefined. Let us put it down to his deplorable antecedents and education, if you wish. But we are no farther on with our question. What do you propose to do?" An idea rushed across Lucy's brain, which, had she thought of it sooner and made it part of her, might have proved victorious. "I propose to speak to him," said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, of which she wore several, and ranged them upon the pin cushion. Then she blew into her gloves and said: "It will be a push to catch the morning train, but we must try." "What train?" "The train to Rome." She looked at her gloves critically. The girl received the announcement as easily as it had been given. "When does the train to Rome go?" "At eight." "Signora Bertolini would be upset." "We must face that," said Miss Bartlett, not liking to say that she had given notice already. "She will make us pay for a whole week's pension." "I expect she will. However, we shall be much more comfortable at the Vyses' hotel. Isn't afternoon tea given there for nothing?" "Yes, but they pay extra for wine." After this remark she remained motionless and silent. To her tired eyes Charlotte throbbed and swelled like a ghostly figure in a dream. They began to sort their clothes for packing, for there was no time to lose, if they were to catch the train to Rome. Lucy, when admonished, began to move to and fro between the rooms, more conscious of the discomforts of packing by candlelight than of a subtler ill. Charlotte, who was practical without ability, knelt by the side of an empty trunk, vainly endeavouring to pave it with books of varying thickness and size. She gave two or three sighs, for the stooping posture hurt her back, and, for all her diplomacy, she felt that she was growing old. The girl heard her as she entered the room, and was seized with one of those emotional impulses to which she could never attribute a cause. She only felt that the candle would burn better, the packing go easier, the world be happier, if she could give and receive some human love. The impulse had come before to-day, but never so strongly. She knelt down by her cousin's side and took her in her arms. Miss Bartlett returned the embrace with tenderness and warmth. But she was not a stupid woman, and she knew perfectly well that Lucy did not love her, but needed her to love. For it was in ominous tones that she said, after a long pause: "Dearest Lucy, how will you ever forgive me?" Lucy was on her guard at once, knowing by bitter experience what forgiving Miss Bartlett meant. Her emotion relaxed, she modified her embrace a little, and she said: "Charlotte dear, what do you mean? As if I have anything to forgive!" "You have a great deal, and I have a very great deal to forgive myself, too. I know well how much I vex you at every turn." "But no--" Miss Bartlett assumed her favourite role, that of the prematurely aged martyr. "Ah, but yes! I feel that our tour together is hardly the success I had hoped. I might have known it would not do. You want someone younger and stronger and more in sympathy with you. I am too uninteresting and old-fashioned--only fit to pack and unpack your things." "Please--" "My only consolation was that you found people more to your taste, and were often able to leave me at home. I had my own poor ideas of what a lady ought to do, but I hope I did not inflict them on you more than was necessary. You had your own way about these rooms, at all events." "You mustn't say these things," said Lucy softly. She still clung to the hope that she and Charlotte loved each other, heart and soul. They continued to pack in silence. "I have been a failure," said Miss Bartlett, as she struggled with the straps of Lucy's trunk instead of strapping her own. "Failed to make you happy; failed in my duty to your mother. She has been so generous to me; I shall never face her again after this disaster." "But mother will understand. It is not your fault, this trouble,	said Lucy, whom at the time the argument had pleased. "Well, I am no prude. There is no need to call him a wicked young man, but obviously he is thoroughly unrefined. Let us put it down to his deplorable antecedents and education, if you wish. But we are no farther on with our question. What do you propose to do?" An idea rushed across Lucy's brain, which, had she thought of it sooner and made it part of her, might have proved victorious. "I propose to speak to him," said she. Miss Bartlett uttered a cry of genuine alarm. "You see, Charlotte, your kindness--I shall never forget it. But--as you said--it is my affair. Mine and his." "And you are going to IMPLORE him, to BEG him to keep silence?" "Certainly not. There would be no difficulty. Whatever you ask him he answers, yes or no; then it is over. I have been frightened of him. But now I am not one little bit." "But we fear him for you, dear. You are so young and inexperienced, you have lived among such nice people, that you cannot realize what men can be--how they can take a brutal pleasure in insulting a woman whom her sex does not protect and rally round. This afternoon, for example, if I had not arrived, what would have happened?" "I can't think," said Lucy gravely. Something in her voice made Miss Bartlett repeat her question, intoning it more vigorously. "What would have happened if I hadn't arrived?" "I can't think," said Lucy again. "When he insulted you, how would you have replied?" "I hadn't time to think. You came." "Yes, but won't you tell me now what you would have done?" "I should have--"<\|quote\|>She checked herself, and broke the sentence off. She went up to the dripping window and strained her eyes into the darkness. She could not think what she would have done.</\|quote\|>"Come away from the window, dear," said Miss Bartlett. "You will be seen from the road." Lucy obeyed. She was in her cousin's power. She could not modulate out the key of self-abasement in which she had started. Neither of them referred again to her suggestion that she should speak to George and settle the matter, whatever it was, with him. Miss Bartlett became plaintive. "Oh, for a real man! We are only two women, you and I. Mr. Beebe is hopeless. There is Mr. Eager, but you do not trust him. Oh, for your brother! He is young, but I know that his sister's insult would rouse in him a very lion. Thank God, chivalry is not yet dead. There are still left some men who can reverence woman." As she spoke, she pulled off her rings, of which she wore several, and ranged them upon the pin cushion. Then she blew into her gloves and said: "It will be a push to catch the morning train, but we must try." "What train?" "The train to Rome." She looked at her gloves critically. The girl received the announcement as easily as it had been given. "When does the train to Rome go?" "At eight." "Signora Bertolini would be upset." "We must face that," said Miss Bartlett, not liking to say that she had given notice already. "She will make us pay for a whole week's pension." "I expect she will. However, we shall be much more comfortable at the Vyses' hotel. Isn't afternoon tea given there for nothing?" "Yes, but they pay extra for wine." After this remark she remained motionless and silent. To her tired eyes Charlotte throbbed and swelled like a ghostly figure in a dream. They began to sort their clothes for packing, for there was no time to lose, if they were to catch the train to Rome. Lucy, when admonished, began to move to and fro between the rooms, more conscious of the discomforts of packing by candlelight than of a subtler ill. Charlotte, who was practical without ability, knelt by the side of an empty trunk, vainly endeavouring to pave it with books of varying thickness and size. She gave two or three sighs, for the stooping posture hurt her back, and, for all her diplomacy, she felt that she was growing old. The girl heard her as she entered the room, and was seized with one	A Room With A View
"That house being the W s house, I presume,"	Tibby	that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not	can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about	to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either	you, but I don t care. Suppose Queen Victoria gave a dinner-party, and that the guests had been Leighton, Millais, Swinburne, Rossetti, Meredith, Fitzgerald, etc. Do you suppose that the atmosphere of that dinner would have been artistic? Heavens, no! The very chairs on which they sat would have seen to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either case. Give me a cigarette." "You do what you can for the house," said Margaret. "The drawing-room reeks of smoke." "If you smoked too, the house might suddenly turn masculine. Atmosphere is probably a question of touch and go. Even at Queen Victoria s dinner-party--if something had been just a	s, perhaps?" Helen put out her tongue. "Who are the W s?" asked Tibby. "The W s are things I and Meg and Aunt Juley know about and you don t, so there!" "I suppose that ours is a female house," said Margaret, "and one must just accept it. No, Aunt Juley, I don t mean that this house is full of women. I am trying to say something much more clever. I mean that it was irrevocably feminine, even in father s time. Now I m sure you understand! Well, I ll give you another example. It ll shock you, but I don t care. Suppose Queen Victoria gave a dinner-party, and that the guests had been Leighton, Millais, Swinburne, Rossetti, Meredith, Fitzgerald, etc. Do you suppose that the atmosphere of that dinner would have been artistic? Heavens, no! The very chairs on which they sat would have seen to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either case. Give me a cigarette." "You do what you can for the house," said Margaret. "The drawing-room reeks of smoke." "If you smoked too, the house might suddenly turn masculine. Atmosphere is probably a question of touch and go. Even at Queen Victoria s dinner-party--if something had been just a little Different--perhaps if she d worn a clinging Liberty tea-gown instead of a magenta satin." "With an India shawl over her shoulders--" "Fastened at the bosom with a Cairngorm-pin." Bursts of disloyal laughter--you must remember that they are half German--greeted these suggestions, and Margaret said pensively, "How inconceivable it would be if the Royal Family cared about Art." And the conversation drifted away and away, and Helen s cigarette turned to a spot in the darkness, and the great flats opposite were sown with lighted windows which vanished and were relit again, and vanished incessantly. Beyond them the thoroughfare roared	do I," said her sister. "Tibby only cares for cultured females singing Brahms." And when they joined him she said rather sharply: "Why didn t you make that young man welcome, Tibby? You must do the host a little, you know. You ought to have taken his hat and coaxed him into stopping, instead of letting him be swamped by screaming women." Tibby sighed, and drew a long strand of hair over his forehead. "Oh, it s no good looking superior. I mean what I say." "Leave Tibby alone!" said Margaret, who could not bear her brother to be scolded. "Here s the house a regular hen-coop!" grumbled Helen. "Oh, my dear!" protested Mrs. Munt. "How can you say such dreadful things! The number of men you get here has always astonished me. If there is any danger it s the other way round." "Yes, but it s the wrong sort of men, Helen means." "No, I don t," corrected Helen. "We get the right sort of man, but the wrong side of him, and I say that s Tibby s fault. There ought to be a something about the house--an--I don t know what." "A touch of the W s, perhaps?" Helen put out her tongue. "Who are the W s?" asked Tibby. "The W s are things I and Meg and Aunt Juley know about and you don t, so there!" "I suppose that ours is a female house," said Margaret, "and one must just accept it. No, Aunt Juley, I don t mean that this house is full of women. I am trying to say something much more clever. I mean that it was irrevocably feminine, even in father s time. Now I m sure you understand! Well, I ll give you another example. It ll shock you, but I don t care. Suppose Queen Victoria gave a dinner-party, and that the guests had been Leighton, Millais, Swinburne, Rossetti, Meredith, Fitzgerald, etc. Do you suppose that the atmosphere of that dinner would have been artistic? Heavens, no! The very chairs on which they sat would have seen to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either case. Give me a cigarette." "You do what you can for the house," said Margaret. "The drawing-room reeks of smoke." "If you smoked too, the house might suddenly turn masculine. Atmosphere is probably a question of touch and go. Even at Queen Victoria s dinner-party--if something had been just a little Different--perhaps if she d worn a clinging Liberty tea-gown instead of a magenta satin." "With an India shawl over her shoulders--" "Fastened at the bosom with a Cairngorm-pin." Bursts of disloyal laughter--you must remember that they are half German--greeted these suggestions, and Margaret said pensively, "How inconceivable it would be if the Royal Family cared about Art." And the conversation drifted away and away, and Helen s cigarette turned to a spot in the darkness, and the great flats opposite were sown with lighted windows which vanished and were relit again, and vanished incessantly. Beyond them the thoroughfare roared gently--a tide that could never be quiet, while in the east, invisible behind the smokes of Wapping, the moon was rising. "That reminds me, Margaret. We might have taken that young man into the dining-room, at all events. Only the majolica plate--and that is so firmly set in the wall. I am really distressed that he had no tea." For that little incident had impressed the three women more than might be supposed. It remained as a goblin footfall, as a hint that all is not for the best in the best of all possible worlds, and that beneath these superstructures of wealth and art there wanders an ill-fed boy, who has recovered his umbrella indeed, but who has left no address behind him, and no name. CHAPTER VI WE are not concerned with the very poor. They are unthinkable and only to be approached by the statistician or the poet. This story deals with gentlefolk, or with those who are obliged to pretend that they are gentlefolk. The boy, Leonard Bast, stood at the extreme verge of gentility. He was not in the abyss, but he could see it, and at times people whom he knew had dropped in,	ve been!" "Whatever have I done?" "Don t you see that you ve frightened him away? I meant him to stop to tea. You oughtn t to talk about stealing or holes in an umbrella. I saw his nice eyes getting so miserable. No, it s not a bit of good now." For Helen had darted out into the street, shouting, "Oh, do stop!" "I dare say it is all for the best," opined Mrs. Munt. "We know nothing about the young man, Margaret, and your drawing-room is full of very tempting little things." But Helen cried: "Aunt Juley, how can you! You make me more and more ashamed. I d rather he had been a thief and taken all the apostle spoons than that I--Well, I must shut the front-door, I suppose. One more failure for Helen." "Yes, I think the apostle spoons could have gone as rent," said Margaret. Seeing that her aunt did not understand, she added: "You remember rent ? It was one of father s words--Rent to the ideal, to his own faith in human nature. You remember how he would trust strangers, and if they fooled him he would say, It s better to be fooled than to be suspicious --that the confidence trick is the work of man, but the want-of-confidence trick is the work of the devil." "I remember something of the sort now," said Mrs. Munt, rather tartly, for she longed to add, "It was lucky that your father married a wife with money." But this was unkind, and she contented herself with, "Why, he might have stolen the little Ricketts picture as well." "Better that he had," said Helen stoutly. "No, I agree with Aunt Juley," said Margaret. "I d rather mistrust people than lose my little Ricketts. There are limits." Their brother, finding the incident commonplace, had stolen upstairs to see whether there were scones for tea. He warmed the teapot--almost too deftly--rejected the orange pekoe that the parlour-maid had provided, poured in five spoonfuls of a superior blend, filled up with really boiling water, and now called to the ladies to be quick or they would lose the aroma. "All right, Auntie Tibby," called Helen, while Margaret, thoughtful again, said: "In a way, I wish we had a real boy in the house--the kind of boy who cares for men. It would make entertaining so much easier." "So do I," said her sister. "Tibby only cares for cultured females singing Brahms." And when they joined him she said rather sharply: "Why didn t you make that young man welcome, Tibby? You must do the host a little, you know. You ought to have taken his hat and coaxed him into stopping, instead of letting him be swamped by screaming women." Tibby sighed, and drew a long strand of hair over his forehead. "Oh, it s no good looking superior. I mean what I say." "Leave Tibby alone!" said Margaret, who could not bear her brother to be scolded. "Here s the house a regular hen-coop!" grumbled Helen. "Oh, my dear!" protested Mrs. Munt. "How can you say such dreadful things! The number of men you get here has always astonished me. If there is any danger it s the other way round." "Yes, but it s the wrong sort of men, Helen means." "No, I don t," corrected Helen. "We get the right sort of man, but the wrong side of him, and I say that s Tibby s fault. There ought to be a something about the house--an--I don t know what." "A touch of the W s, perhaps?" Helen put out her tongue. "Who are the W s?" asked Tibby. "The W s are things I and Meg and Aunt Juley know about and you don t, so there!" "I suppose that ours is a female house," said Margaret, "and one must just accept it. No, Aunt Juley, I don t mean that this house is full of women. I am trying to say something much more clever. I mean that it was irrevocably feminine, even in father s time. Now I m sure you understand! Well, I ll give you another example. It ll shock you, but I don t care. Suppose Queen Victoria gave a dinner-party, and that the guests had been Leighton, Millais, Swinburne, Rossetti, Meredith, Fitzgerald, etc. Do you suppose that the atmosphere of that dinner would have been artistic? Heavens, no! The very chairs on which they sat would have seen to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either case. Give me a cigarette." "You do what you can for the house," said Margaret. "The drawing-room reeks of smoke." "If you smoked too, the house might suddenly turn masculine. Atmosphere is probably a question of touch and go. Even at Queen Victoria s dinner-party--if something had been just a little Different--perhaps if she d worn a clinging Liberty tea-gown instead of a magenta satin." "With an India shawl over her shoulders--" "Fastened at the bosom with a Cairngorm-pin." Bursts of disloyal laughter--you must remember that they are half German--greeted these suggestions, and Margaret said pensively, "How inconceivable it would be if the Royal Family cared about Art." And the conversation drifted away and away, and Helen s cigarette turned to a spot in the darkness, and the great flats opposite were sown with lighted windows which vanished and were relit again, and vanished incessantly. Beyond them the thoroughfare roared gently--a tide that could never be quiet, while in the east, invisible behind the smokes of Wapping, the moon was rising. "That reminds me, Margaret. We might have taken that young man into the dining-room, at all events. Only the majolica plate--and that is so firmly set in the wall. I am really distressed that he had no tea." For that little incident had impressed the three women more than might be supposed. It remained as a goblin footfall, as a hint that all is not for the best in the best of all possible worlds, and that beneath these superstructures of wealth and art there wanders an ill-fed boy, who has recovered his umbrella indeed, but who has left no address behind him, and no name. CHAPTER VI WE are not concerned with the very poor. They are unthinkable and only to be approached by the statistician or the poet. This story deals with gentlefolk, or with those who are obliged to pretend that they are gentlefolk. The boy, Leonard Bast, stood at the extreme verge of gentility. He was not in the abyss, but he could see it, and at times people whom he knew had dropped in, and counted no more. He knew that he was poor, and would admit it; he would have died sooner than confess any inferiority to the rich. This may be splendid of him. But he was inferior to most rich people, there is not the least doubt of it. He was not as courteous as the average rich man, nor as intelligent, nor as healthy, nor as lovable. His mind and his body had been alike underfed, because he was poor, and because he was modern they were always craving better food. Had he lived some centuries ago, in the brightly coloured civilisations of the past, he would have had a definite status, his rank and his income would have corresponded. But in his day the angel of Democracy had arisen, enshadowing the classes with leathern wings, and proclaiming, "All men are equal--all men, that is to say, who possess umbrellas," and so he was obliged to assert gentility, lest he slip into the abyss where nothing counts, and the statements of Democracy are inaudible. As he walked away from Wickham Place, his first care was to prove that he was as good as the Miss Schlegels. Obscurely wounded in his pride, he tried to wound them in return. They were probably not ladies. Would real ladies have asked him to tea? They were certainly ill-natured and cold. At each step his feeling of superiority increased. Would a real lady have talked about stealing an umbrella? Perhaps they were thieves after all, and if he had gone into the house they would have clapped a chloroformed handkerchief over his face. He walked on complacently as far as the Houses of Parliament. There an empty stomach asserted itself, and told him that he was a fool. "Evening, Mr. Bast." "Evening, Mr. Dealtry." "Nice evening." "Evening." Mr. Dealtry, a fellow clerk, passed on, and Leonard stood wondering whether he would take the tram as far as a penny would take him, or whether he would walk. He decided to walk--it is no good giving in, and he had spent money enough at Queen s Hall--and he walked over Westminster Bridge, in front of St. Thomas s Hospital, and through the immense tunnel that passes under the South-Western main line at Vauxhall. In the tunnel he paused and listened to the roar of the trains. A sharp pain darted through his head, and he	"All right, Auntie Tibby," called Helen, while Margaret, thoughtful again, said: "In a way, I wish we had a real boy in the house--the kind of boy who cares for men. It would make entertaining so much easier." "So do I," said her sister. "Tibby only cares for cultured females singing Brahms." And when they joined him she said rather sharply: "Why didn t you make that young man welcome, Tibby? You must do the host a little, you know. You ought to have taken his hat and coaxed him into stopping, instead of letting him be swamped by screaming women." Tibby sighed, and drew a long strand of hair over his forehead. "Oh, it s no good looking superior. I mean what I say." "Leave Tibby alone!" said Margaret, who could not bear her brother to be scolded. "Here s the house a regular hen-coop!" grumbled Helen. "Oh, my dear!" protested Mrs. Munt. "How can you say such dreadful things! The number of men you get here has always astonished me. If there is any danger it s the other way round." "Yes, but it s the wrong sort of men, Helen means." "No, I don t," corrected Helen. "We get the right sort of man, but the wrong side of him, and I say that s Tibby s fault. There ought to be a something about the house--an--I don t know what." "A touch of the W s, perhaps?" Helen put out her tongue. "Who are the W s?" asked Tibby. "The W s are things I and Meg and Aunt Juley know about and you don t, so there!" "I suppose that ours is a female house," said Margaret, "and one must just accept it. No, Aunt Juley, I don t mean that this house is full of women. I am trying to say something much more clever. I mean that it was irrevocably feminine, even in father s time. Now I m sure you understand! Well, I ll give you another example. It ll shock you, but I don t care. Suppose Queen Victoria gave a dinner-party, and that the guests had been Leighton, Millais, Swinburne, Rossetti, Meredith, Fitzgerald, etc. Do you suppose that the atmosphere of that dinner would have been artistic? Heavens, no! The very chairs on which they sat would have seen to that. So with our house--it must be feminine, and all we can do is to see that it isn t effeminate. Just as another house that I can mention, but won t, sounded irrevocably masculine, and all its inmates can do is to see that it isn t brutal."<\|quote\|>"That house being the W s house, I presume,"</\|quote\|>said Tibby. "You re not going to be told about the W s, my child," Helen cried, "so don t you think it. And on the other hand, I don t the least mind if you find out, so don t you think you ve done anything clever, in either case. Give me a cigarette." "You do what you can for the house," said Margaret. "The drawing-room reeks of smoke." "If you smoked too, the house might suddenly turn masculine. Atmosphere is probably a question of touch and go. Even at Queen Victoria s dinner-party--if something had been just a little Different--perhaps if she d worn a clinging Liberty tea-gown instead of a magenta satin." "With an India shawl over her shoulders--" "Fastened at the bosom with a Cairngorm-pin." Bursts of disloyal laughter--you must remember that they are half German--greeted these suggestions, and Margaret said pensively, "How inconceivable it would be if the Royal Family cared about Art." And the conversation drifted away and away, and Helen s cigarette turned to a spot in the darkness, and the great flats opposite were sown with lighted windows which vanished and were relit again, and vanished incessantly. Beyond them the thoroughfare roared gently--a tide that could never be quiet, while in the east, invisible behind the smokes of Wapping, the moon was rising. "That reminds me, Margaret. We might have taken that young man into the dining-room, at all events. Only the majolica plate--and that is so firmly set in the wall. I am really distressed that he had no tea." For that little incident had impressed the three women more than might be supposed. It remained as a goblin footfall, as a hint that all is not for the best in the best of all possible worlds, and that beneath these superstructures of wealth and art there wanders an ill-fed boy, who has recovered his umbrella indeed, but who has left no address behind him, and no name. CHAPTER VI WE are not concerned with the very poor. They are unthinkable and only to be approached by the statistician or the poet. This story deals with gentlefolk, or with those who are obliged to pretend that they are gentlefolk. The boy, Leonard Bast, stood at the extreme verge of gentility. He was not in the abyss, but he could see it, and at times people whom he knew had dropped in, and counted no more. He knew that he was poor, and would admit it; he would have died sooner than confess any inferiority to the rich. This may be splendid of him. But he was inferior to most rich people, there is not the least doubt of it. He was not as courteous as the average rich man, nor as intelligent, nor as healthy, nor as lovable. His mind and his body had been alike underfed, because he was poor, and because he was modern they were always craving better food. Had he lived some centuries ago, in the brightly coloured civilisations of the past, he would have had a definite status, his rank and his income would have corresponded. But in his day the angel of Democracy had arisen, enshadowing the classes with leathern wings, and proclaiming, "All men are equal--all men, that is to say, who possess umbrellas," and so he was obliged to assert gentility, lest he slip into the abyss where nothing counts, and the statements of Democracy are inaudible. As he walked away from Wickham Place, his first care was to prove that he was as	Howards End
"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"	Rev. Cuthbert Eager	his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not	cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I	equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing	is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain	full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he	"How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to	youth. He had suddenly extended his book before Miss Bartlett and Mr. Eager, binding their hands together by a long glossy ribbon of churches, pictures, and views. "This is too much!" cried the chaplain, striking petulantly at one of Fra Angelico's angels. She tore. A shrill cry rose from the vendor. The book it seemed, was more valuable than one would have supposed. "Willingly would I purchase--" began Miss Bartlett. "Ignore him," said Mr. Eager sharply, and they all walked rapidly away from the square. But an Italian can never be ignored, least of all when he has a grievance. His mysterious persecution of Mr. Eager became relentless; the air rang with his threats and lamentations. He appealed to Lucy; would not she intercede? He was poor--he sheltered a family--the tax on bread. He waited, he gibbered, he was recompensed, he was dissatisfied, he did not leave them until he had swept their minds clean of all thoughts whether pleasant or unpleasant. Shopping was the topic that now ensued. Under the chaplain's guidance they selected many hideous presents and mementoes--florid little picture-frames that seemed fashioned in gilded pastry; other little frames, more severe, that stood on little easels, and were carven out of oak; a blotting book of vellum; a Dante of the same material; cheap mosaic brooches, which the maids, next Christmas, would never tell from real; pins, pots, heraldic saucers, brown art-photographs; Eros and Psyche in alabaster; St. Peter to match--all of which would have cost less in London. This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!" "It is indeed," replied the girl, with a gravity that sounded sympathetic. "What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress. "I don't know what I think, nor what I want." "Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow." "Thank you, Charlotte," said Lucy, and pondered over the offer. There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road	brown art-photographs; Eros and Psyche in alabaster; St. Peter to match--all of which would have cost less in London. This successful morning left no pleasant impressions on Lucy. She had been a little frightened, both by Miss Lavish and by Mr. Eager, she knew not why. And as they frightened her, she had, strangely enough, ceased to respect them. She doubted that Miss Lavish was a great artist. She doubted that Mr. Eager was as full of spirituality and culture as she had been led to suppose. They were tried by some new test, and they were found wanting. As for Charlotte--as for Charlotte she was exactly the same. It might be possible to be nice to her; it was impossible to love her. "The son of a labourer; I happen to know it for a fact. A mechanic of some sort himself when he was young; then he took to writing for the Socialistic Press. I came across him at Brixton." They were talking about the Emersons. "How wonderfully people rise in these days!" sighed Miss Bartlett, fingering a model of the leaning Tower of Pisa. "Generally," replied Mr. Eager, "one has only sympathy for their success. The desire for education and for social advance--in these things there is something not wholly vile. There are some working men whom one would be very willing to see out here in Florence--little as they would make of it." "Is he a journalist now?" Miss Bartlett asked. "He is not; he made an advantageous marriage." He uttered this remark with a voice full of meaning, and ended with a sigh. "Oh, so he has a wife." "Dead, Miss Bartlett, dead. I wonder--yes I wonder how he has the effrontery to look me in the face, to dare to claim acquaintance with me. He was in my London parish long ago. The other day in Santa Croce, when he was with Miss Honeychurch, I snubbed him. Let him beware that he does not get more than a snub." "What?" cried Lucy, flushing. "Exposure!" hissed Mr. Eager. He tried to change the subject; but in scoring a dramatic point he had interested his audience more than he had intended. Miss Bartlett was full of very natural curiosity. Lucy, though she wished never to see the Emersons again, was not disposed to condemn them on a single word. "Do you mean," she asked, "that he is an irreligious man? We know that already." "Lucy, dear--" said Miss Bartlett, gently reproving her cousin's penetration. "I should be astonished if you knew all. The boy--an innocent child at the time--I will exclude. God knows what his education and his inherited qualities may have made him." "Perhaps," said Miss Bartlett, "it is something that we had better not hear." "To speak plainly," said Mr. Eager, "it is. I will say no more." For the first time Lucy's rebellious thoughts swept out in words--for the first time in her life. "You have said very little." "It was my intention to say very little," was his frigid reply. He gazed indignantly at the girl, who met him with equal indignation. She turned towards him from the shop counter; her breast heaved quickly. He observed her brow, and the sudden strength of her lips. It was intolerable that she should disbelieve him. "Murder, if you want to know," he cried angrily. "That man murdered his wife!" "How?" she retorted.<\|quote\|>"To all intents and purposes he murdered her. That day in Santa Croce--did they say anything against me?"</\|quote\|>"Not a word, Mr. Eager--not a single word." "Oh, I thought they had been libelling me to you. But I suppose it is only their personal charms that makes you defend them." "I'm not defending them," said Lucy, losing her courage, and relapsing into the old chaotic methods. "They're nothing to me." "How could you think she was defending them?" said Miss Bartlett, much discomfited by the unpleasant scene. The shopman was possibly listening. "She will find it difficult. For that man has murdered his wife in the sight of God." The addition of God was striking. But the chaplain was really trying to qualify a rash remark. A silence followed which might have been impressive, but was merely awkward. Then Miss Bartlett hastily purchased the Leaning Tower, and led the way into the street. "I must be going," said he, shutting his eyes and taking out his watch. Miss Bartlett thanked him for his kindness, and spoke with enthusiasm of the approaching drive. "Drive? Oh, is our drive to come off?" Lucy was recalled to her manners, and after a little exertion the complacency of Mr. Eager was restored. "Bother the drive!" exclaimed the girl, as soon as he had departed. "It is just the drive we had arranged with Mr. Beebe without any fuss at all. Why should he invite us in that absurd manner? We might as well invite him. We are each paying for ourselves." Miss Bartlett, who had intended to lament over the Emersons, was launched by this remark into unexpected thoughts. "If that is so, dear--if the drive we and Mr. Beebe are going with Mr. Eager is really the same as the one we are going with Mr. Beebe, then I foresee a sad kettle of fish." "How?" "Because Mr. Beebe has asked Eleanor Lavish to come, too." "That will mean another carriage." "Far worse. Mr. Eager does not like Eleanor. She knows it herself. The truth must be told; she is too unconventional for him." They were now in the newspaper-room at the English bank. Lucy stood by the central table, heedless of Punch and the Graphic, trying to answer, or at all events to formulate the questions rioting in her brain. The well-known world had broken up, and there emerged Florence, a magic city where people thought and did the most extraordinary things. Murder, accusations of murder, a lady clinging to one man and being rude to another--were these the daily incidents of her streets? Was there more in her frank beauty than met the eye--the power, perhaps, to evoke passions, good and bad, and to bring them speedily to a fulfillment? Happy Charlotte, who, though greatly troubled over things that	A Room With A View
and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.	No speaker	her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the	a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have	thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz,	to ask an educated Indian Moslem how many wives he has appalling, hideous! He was in trouble how to conceal his confusion. "One, one in my own particular case," he sputtered, and let go of her hand. Quite a number of caves were at the top of the track, and thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz, looking again, could not even be sure he had returned to the same group. Caves appeared in every direction it seemed their original spawning place and the orifices were always the same size. He thought, "Merciful Heavens, Miss Quested is lost," then pulled himself together, and began to look for	beauty, thick hair, a fine skin. Probably this man had several wives Mohammedans always insist on their full four, according to Mrs. Turton. And having no one else to speak to on that eternal rock, she gave rein to the subject of marriage and said in her honest, decent, inquisitive way: "Have you one wife or more than one?" The question shocked the young man very much. It challenged a new conviction of his community, and new convictions are more sensitive than old. If she had said, "Do you worship one god or several?" he would not have objected. But to ask an educated Indian Moslem how many wives he has appalling, hideous! He was in trouble how to conceal his confusion. "One, one in my own particular case," he sputtered, and let go of her hand. Quite a number of caves were at the top of the track, and thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz, looking again, could not even be sure he had returned to the same group. Caves appeared in every direction it seemed their original spawning place and the orifices were always the same size. He thought, "Merciful Heavens, Miss Quested is lost," then pulled himself together, and began to look for her calmly. "Shout!" he commanded. When they had done this for awhile, the guide explained that to shout is useless, because a Marabar cave can hear no sound but its own. Aziz wiped his head, and sweat began to stream inside his clothes. The place was so confusing; it was partly a terrace, partly a zigzag, and full of grooves that led this way and that like snake-tracks. He tried to go into every one, but he never knew where he had started. Caves got behind caves or confabulated in pairs, and some were at the entrance of a gully.	survive the honeymoon. "No, I'm all right, thanks," she said, and, her emotions well under control, resumed the climb, though she felt a bit dashed. Aziz held her hand, the guide adhered to the surface like a lizard and scampered about as if governed by a personal centre of gravity. "Are you married, Dr. Aziz?" she asked, stopping again, and frowning. "Yes, indeed, do come and see my wife" for he felt it more artistic to have his wife alive for a moment. "Thank you," she said absently. "She is not in Chandrapore just now." "And have you children?" "Yes, indeed, three," he replied in firmer tones. "Are they a great pleasure to you?" "Why, naturally, I adore them," he laughed. "I suppose so." What a handsome little Oriental he was, and no doubt his wife and children were beautiful too, for people usually get what they already possess. She did not admire him with any personal warmth, for there was nothing of the vagrant in her blood, but she guessed he might attract women of his own race and rank, and she regretted that neither she nor Ronny had physical charm. It does make a difference in a relationship beauty, thick hair, a fine skin. Probably this man had several wives Mohammedans always insist on their full four, according to Mrs. Turton. And having no one else to speak to on that eternal rock, she gave rein to the subject of marriage and said in her honest, decent, inquisitive way: "Have you one wife or more than one?" The question shocked the young man very much. It challenged a new conviction of his community, and new convictions are more sensitive than old. If she had said, "Do you worship one god or several?" he would not have objected. But to ask an educated Indian Moslem how many wives he has appalling, hideous! He was in trouble how to conceal his confusion. "One, one in my own particular case," he sputtered, and let go of her hand. Quite a number of caves were at the top of the track, and thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz, looking again, could not even be sure he had returned to the same group. Caves appeared in every direction it seemed their original spawning place and the orifices were always the same size. He thought, "Merciful Heavens, Miss Quested is lost," then pulled himself together, and began to look for her calmly. "Shout!" he commanded. When they had done this for awhile, the guide explained that to shout is useless, because a Marabar cave can hear no sound but its own. Aziz wiped his head, and sweat began to stream inside his clothes. The place was so confusing; it was partly a terrace, partly a zigzag, and full of grooves that led this way and that like snake-tracks. He tried to go into every one, but he never knew where he had started. Caves got behind caves or confabulated in pairs, and some were at the entrance of a gully. "Come here!" he called gently, and when the guide was in reach, he struck him in the face for a punishment. The man fled, and he was left alone. He thought, "This is the end of my career, my guest is lost." And then he discovered the simple and sufficient explanation of the mystery. Miss Quested wasn't lost. She had joined the people in the car friends of hers, no doubt, Mr. Heaslop perhaps. He had a sudden glimpse of her, far down the gully only a glimpse, but there she was quite plain, framed between rocks, and speaking to another lady. He was so relieved that he did not think her conduct odd. Accustomed to sudden changes of plan, he supposed that she had run down the Kawa Dol impulsively, in the hope of a little drive. He started back alone towards his camp, and almost at once caught sight of something which would have disquieted him very much a moment before: Miss Quested's field-glasses. They were lying at the verge of a cave, half-way down an entrance tunnel. He tried to hang them over his shoulder, but the leather strap had broken, so he put them into his	menu: an English breakfast, porridge and mutton chops, but some Indian dishes to cause conversation, and pan afterwards. He had never liked Miss Quested as much as Mrs. Moore, and had little to say to her, less than ever now that she would marry a British official. Nor had Adela much to say to him. If his mind was with the breakfast, hers was mainly with her marriage. Simla next week, get rid of Antony, a view of Thibet, tiresome wedding bells, Agra in October, see Mrs. Moore comfortably off from Bombay the procession passed before her again, blurred by the heat, and then she turned to the more serious business of her life at Chandrapore. There were real difficulties here Ronny's limitations and her own but she enjoyed facing difficulties, and decided that if she could control her peevishness (always her weak point), and neither rail against Anglo-India nor succumb to it, their married life ought to be happy and profitable. She mustn't be too theoretical; she would deal with each problem as it came up, and trust to Ronny's common sense and her own. Luckily, each had abundance of common sense and good will. But as she toiled over a rock that resembled an inverted saucer, she thought, "What about love?" The rock was nicked by a double row of footholds, and somehow the question was suggested by them. Where had she seen footholds before? Oh yes, they were the pattern traced in the dust by the wheels of the Nawab Bahadur's car. She and Ronny no, they did not love each other. "Do I take you too fast?" enquired Aziz, for she had paused, a doubtful expression on her face. The discovery had come so suddenly that she felt like a mountaineer whose rope had broken. Not to love the man one's going to marry! Not to find it out till this moment! Not even to have asked oneself the question until now! Something else to think out. Vexed rather than appalled, she stood still, her eyes on the sparkling rock. There was esteem and animal contact at dusk, but the emotion that links them was absent. Ought she to break her engagement off? She was inclined to think not it would cause so much trouble to others; besides, she wasn't convinced that love is necessary to a successful union. If love is everything, few marriages would survive the honeymoon. "No, I'm all right, thanks," she said, and, her emotions well under control, resumed the climb, though she felt a bit dashed. Aziz held her hand, the guide adhered to the surface like a lizard and scampered about as if governed by a personal centre of gravity. "Are you married, Dr. Aziz?" she asked, stopping again, and frowning. "Yes, indeed, do come and see my wife" for he felt it more artistic to have his wife alive for a moment. "Thank you," she said absently. "She is not in Chandrapore just now." "And have you children?" "Yes, indeed, three," he replied in firmer tones. "Are they a great pleasure to you?" "Why, naturally, I adore them," he laughed. "I suppose so." What a handsome little Oriental he was, and no doubt his wife and children were beautiful too, for people usually get what they already possess. She did not admire him with any personal warmth, for there was nothing of the vagrant in her blood, but she guessed he might attract women of his own race and rank, and she regretted that neither she nor Ronny had physical charm. It does make a difference in a relationship beauty, thick hair, a fine skin. Probably this man had several wives Mohammedans always insist on their full four, according to Mrs. Turton. And having no one else to speak to on that eternal rock, she gave rein to the subject of marriage and said in her honest, decent, inquisitive way: "Have you one wife or more than one?" The question shocked the young man very much. It challenged a new conviction of his community, and new convictions are more sensitive than old. If she had said, "Do you worship one god or several?" he would not have objected. But to ask an educated Indian Moslem how many wives he has appalling, hideous! He was in trouble how to conceal his confusion. "One, one in my own particular case," he sputtered, and let go of her hand. Quite a number of caves were at the top of the track, and thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz, looking again, could not even be sure he had returned to the same group. Caves appeared in every direction it seemed their original spawning place and the orifices were always the same size. He thought, "Merciful Heavens, Miss Quested is lost," then pulled himself together, and began to look for her calmly. "Shout!" he commanded. When they had done this for awhile, the guide explained that to shout is useless, because a Marabar cave can hear no sound but its own. Aziz wiped his head, and sweat began to stream inside his clothes. The place was so confusing; it was partly a terrace, partly a zigzag, and full of grooves that led this way and that like snake-tracks. He tried to go into every one, but he never knew where he had started. Caves got behind caves or confabulated in pairs, and some were at the entrance of a gully. "Come here!" he called gently, and when the guide was in reach, he struck him in the face for a punishment. The man fled, and he was left alone. He thought, "This is the end of my career, my guest is lost." And then he discovered the simple and sufficient explanation of the mystery. Miss Quested wasn't lost. She had joined the people in the car friends of hers, no doubt, Mr. Heaslop perhaps. He had a sudden glimpse of her, far down the gully only a glimpse, but there she was quite plain, framed between rocks, and speaking to another lady. He was so relieved that he did not think her conduct odd. Accustomed to sudden changes of plan, he supposed that she had run down the Kawa Dol impulsively, in the hope of a little drive. He started back alone towards his camp, and almost at once caught sight of something which would have disquieted him very much a moment before: Miss Quested's field-glasses. They were lying at the verge of a cave, half-way down an entrance tunnel. He tried to hang them over his shoulder, but the leather strap had broken, so he put them into his pocket instead. When he had gone a few steps, he thought she might have dropped something else, so he went back to look. But the previous difficulty recurred: he couldn't identify the cave. Down in the plain he heard the car starting; however, he couldn't catch a second glimpse of that. So he scrambled down the valley-face of the hill towards Mrs. Moore, and here he was more successful: the colour and confusion of his little camp soon appeared, and in the midst of it he saw an Englishman's topi, and beneath it oh joy! smiled not Mr. Heaslop, but Fielding. "Fielding! Oh, I have so wanted you!" he cried, dropping the "Mr." for the first time. And his friend ran to meet him, all so pleasant and jolly, no dignity, shouting explanations and apologies about the train. Fielding had come in the newly arrived car Miss Derek's car that other lady was Miss Derek. Chatter, chatter, all the servants leaving their cooking to listen. Excellent Miss Derek! She had met Fielding by chance at the post office, said, "Why haven't you gone to the Marabar?" heard how he missed the train, offered to run him there and then. Another nice English lady. Where was she? Left with car and chauffeur while Fielding found camp. Car couldn't get up no, of course not hundreds of people must go down to escort Miss Derek and show her the way. The elephant in person. . . . "Aziz, can I have a drink?" "Certainly not." He flew to get one. "Mr. Fielding!" called Mrs. Moore, from her patch of shade; they had not spoken yet, because his arrival had coincided with the torrent from the hill. "Good morning again!" he cried, relieved to find all well. "Mr. Fielding, have you seen Miss Quested?" "But I've only just arrived. Where is she?" "I do not know." "Aziz! Where have you put Miss Quested to?" Aziz, who was returning with a drink in his hand, had to think for a moment. His heart was full of new happiness. The picnic, after a nasty shock or two, had developed into something beyond his dreams, for Fielding had not only come, but brought an uninvited guest. "Oh, she's all right," he said; "she went down to see Miss Derek. Well, here's luck! Chin-chin!" "Here's luck, but chin-chin I do refuse," laughed Fielding, who detested the phrase.	the sparkling rock. There was esteem and animal contact at dusk, but the emotion that links them was absent. Ought she to break her engagement off? She was inclined to think not it would cause so much trouble to others; besides, she wasn't convinced that love is necessary to a successful union. If love is everything, few marriages would survive the honeymoon. "No, I'm all right, thanks," she said, and, her emotions well under control, resumed the climb, though she felt a bit dashed. Aziz held her hand, the guide adhered to the surface like a lizard and scampered about as if governed by a personal centre of gravity. "Are you married, Dr. Aziz?" she asked, stopping again, and frowning. "Yes, indeed, do come and see my wife" for he felt it more artistic to have his wife alive for a moment. "Thank you," she said absently. "She is not in Chandrapore just now." "And have you children?" "Yes, indeed, three," he replied in firmer tones. "Are they a great pleasure to you?" "Why, naturally, I adore them," he laughed. "I suppose so." What a handsome little Oriental he was, and no doubt his wife and children were beautiful too, for people usually get what they already possess. She did not admire him with any personal warmth, for there was nothing of the vagrant in her blood, but she guessed he might attract women of his own race and rank, and she regretted that neither she nor Ronny had physical charm. It does make a difference in a relationship beauty, thick hair, a fine skin. Probably this man had several wives Mohammedans always insist on their full four, according to Mrs. Turton. And having no one else to speak to on that eternal rock, she gave rein to the subject of marriage and said in her honest, decent, inquisitive way: "Have you one wife or more than one?" The question shocked the young man very much. It challenged a new conviction of his community, and new convictions are more sensitive than old. If she had said, "Do you worship one god or several?" he would not have objected. But to ask an educated Indian Moslem how many wives he has appalling, hideous! He was in trouble how to conceal his confusion. "One, one in my own particular case," he sputtered, and let go of her hand. Quite a number of caves were at the top of the track, and thinking, "Damn the English even at their best," he plunged into one of them to recover his balance. She followed at her leisure, quite unconscious that she had said the wrong thing, and not seeing him, she also went into a cave, thinking with half her mind "sight-seeing bores me,"<\|quote\|>and wondering with the other half about marriage. CHAPTER XVI He waited in his cave a minute, and lit a cigarette, so that he could remark on rejoining her, "I bolted in to get out of the draught," or something of the sort. When he returned, he found the guide, alone, with his head on one side. He had heard a noise, he said, and then Aziz heard it too: the noise of a motor-car. They were now on the outer shoulder of the Kawa Dol, and by scrambling twenty yards they got a glimpse of the plain. A car was coming towards the hills down the Chandrapore road. But they could not get a good view of it, because the precipitous bastion curved at the top, so that the base was not easily seen and the car disappeared as it came nearer. No doubt it would stop almost exactly beneath them, at the place where the pukka road degenerated into a path, and the elephant had turned to sidle into the hills. He ran back, to tell the strange news to his guest. The guide explained that she had gone into a cave.</\|quote\|>"Which cave?" He indicated the group vaguely. "You should have kept her in sight, it was your duty," said Aziz severely. "Here are twelve caves at least. How am I to know which contains my guest? Which is the cave I was in myself?" The same vague gesture. And Aziz, looking again, could not even be sure he had returned to the same group. Caves appeared in every direction it seemed their original spawning place and the orifices were always the same size. He thought, "Merciful Heavens, Miss Quested is lost," then pulled himself together, and began to look for her calmly. "Shout!" he commanded. When they had done this for awhile, the guide explained that to shout is useless, because a Marabar cave can hear no sound but its own. Aziz wiped his head, and sweat began to stream inside his clothes. The place was so confusing; it was partly a terrace, partly a zigzag, and full of grooves that led this way and that like snake-tracks. He tried to go into every one, but he never knew where he had started. Caves got behind caves or confabulated in pairs, and some were at the entrance of a gully. "Come here!" he called gently, and when the guide was in reach, he struck him in the face for a punishment. The man fled, and he was left alone. He thought, "This is the end of my career, my guest is lost." And then he discovered the simple and sufficient explanation of the mystery. Miss Quested wasn't lost. She had joined the people in the car friends of hers, no doubt, Mr. Heaslop perhaps. He had a sudden glimpse of her, far down the gully only a glimpse, but there she was quite plain, framed between rocks, and speaking to another lady. He was so relieved that he did not think her conduct odd. Accustomed to sudden changes of plan, he supposed that she had run down the Kawa Dol impulsively, in the hope of a little drive. He started back alone towards his camp, and almost at once caught sight of something which would have disquieted him very much a moment before: Miss Quested's field-glasses. They were lying at the verge of a cave, half-way down an entrance tunnel. He tried to hang them over his shoulder, but the leather strap had broken, so he put them into his pocket instead. When he had gone a few steps, he thought she might have dropped something else, so he went back to look. But the previous difficulty recurred: he couldn't identify the cave. Down in the plain he heard the car starting; however, he couldn't catch	A Passage To India
she said.	No speaker	Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just	appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with	fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you	slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters	his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was	may do what ever you dreadfully like!” At this then the girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He had it now all vividly before him. “I had reacted--like	breast-pocket. It was not till then that he brought out a curt but resonant “Thank you!” While the others awaited his further pleasure he again bethought himself--then he addressed Lady Grace. “I must let Mr. Bender know----” “Mr. Bender,” Hugh interposed, “does know. He’s at the present moment with the author of that note at Long’s Hotel.” “Then I must now write him” --and his lordship, while he spoke and from where he stood, looked in refined disconnectedness out of the window. “Will you write _there?_” --and his daughter indicated Lady Sandgate’s desk, at which we have seen Mr. Bender so importantly seated. Lord Theign had a start at her again speaking to him; but he bent his view on the convenience awaiting him and then, as to have done with so tiresome a matter, took advantage of it. He went and placed himself, and had reached for paper and a pen when, struck apparently with the display of some incongruous object, he uttered a sharp “Hallo!” “You don’t find things?” Lady Grace asked--as remote from him in one quarter of the room as Hugh was in another. “On the contrary!” he oddly replied. But plainly suppressing any further surprise he committed a few words to paper and put them into an envelope, which he addressed and brought away. “If you like,” said Hugh urbanely, “I’ll carry him that myself.” “But how do you know what it consists of?” “I don’t know. But I risk it.” His lordship weighed the proposition in a high impersonal manner--he even nervously weighed his letter, shaking it with one hand upon the finger-tips of the other; after which, as finally to acquit himself of any measurable obligation, he allowed Hugh, by a surrender of the interesting object, to redeem his offer of service. “Then you’ll learn,” he simply said. “And may _I_ learn?” asked Lady Grace. “You?” The tone made so light of her that it was barely interrogative. “May I go _with_ him?” Her father looked at the question as at some cup of supreme bitterness--a nasty and now quite regular dose with which his lips were familiar, but before which their first movement was always tightly to close. “_With_ me, my lord,” said Hugh at last, thoroughly determined they should open and intensifying the emphasis. He had his effect, and Lord Theign’s answer, addressed to Lady Grace, made indifference very comprehensive. “You may do what ever you dreadfully like!” At this then the girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He had it now all vividly before him. “I had reacted--like a gentleman; but it didn’t thereby follow that I acted--or spoke--like a demagogue; and my mind’s a complete blank on the subject of my having done so.” “So that there only flushes through your conscience,” she suggested, “the fact that he has forced your hand?” Fevered with the sore sense of it his lordship wiped his brow. “He has played me, for spite, his damned impertinent trick!” She found but after a minute--for it wasn’t easy--the right word, or the least wrong, for the situation. “Well, even if he did so diabolically commit you, you still don’t want--do you?--to back out?” Resenting the suggestion, which restored all his nobler form, Lord Theign fairly drew himself up. “When did I ever in all my life back out?” “Never, never in all your life of course!” --she dashed a bucketful at the flare. “And the picture after all----!” “The picture after all” --he took her up in cold grim gallant despair-- “has just been pronounced definitely priceless.” And then to meet her gaping ignorance: “By Mr. Crimble’s latest and apparently greatest adviser, who strongly stamps it a Mantovano and whose practical affidavit I now possess.” Poor Lady Sandgate gaped but the more--she wondered and yearned. “Definitely priceless?” “Definitely priceless.” After which he took from its place of lurking, considerately unfolding it, the goodly slip he had removed from her blotting-book. “Worth even more therefore than what Bender so blatantly offers.” Her attention fell with interest, from the distance at which she stood, on this confirmatory document, her recognition of which was not immediate. “And is that the affidavit?” “This is a cheque to your order, my lady, for ten thousand pounds.” “Ten thousand?” --she echoed it with a shout. “Drawn by some hand unknown,” he went on quietly. “Unknown?” --again, in her muffled joy, she let it sound out. “Which I found there at your desk a moment ago, and thought best, in your interest, to rescue from accident or neglect; even though it be, save for the single stroke of a name begun,” he wound up with his look like a playing searchlight, “unhappily unsigned.” “Unsigned?” --the exhibition of her design, of her defeat, kept shaking her. “Then it isn’t good--?” “It’s a Barmecide feast, my dear!” --he had still, her kind friend, his note of grimness and also his penetration of eye. “But who is it writes you colossal cheques?”	supreme bitterness--a nasty and now quite regular dose with which his lips were familiar, but before which their first movement was always tightly to close. “_With_ me, my lord,” said Hugh at last, thoroughly determined they should open and intensifying the emphasis. He had his effect, and Lord Theign’s answer, addressed to Lady Grace, made indifference very comprehensive. “You may do what ever you dreadfully like!” At this then the girl, with an air that seemed to present her choice as absolutely taken, reached the door which Hugh had come across to open for her. Here she paused as for another, a last look at her father, and her expression seemed to say to him unaidedly that, much as she would have preferred to proceed to her act without this gross disorder, she could yet find inspiration too in the very difficulty and the old faiths themselves that he left her to struggle with. All this made for depth and beauty in her serious young face--as it had indeed a force that, not indistinguishably, after an instant, his lordship lost any wish for longer exposure to. His shift of his attitude before she went out was fairly an evasion; if the extent of the levity of one of his daughter’s made him afraid, what might have been his present strange sense but a fear of the other from the extent of her gravity? Lady Grace passes from us at any rate in her laced and pearled and plumed slimness and her pale concentration--leaving her friend a moment, however, with his hand on the door. “You thanked me just now for Bardi’s opinion after all,” Hugh said with a smile; “and it seems to me that--after all as well--I’ve grounds for thanking you!” On which he left his benefactor alone. “Tit for tat!” There broke from Lord Theign, in his solitude, with the young man out of earshot, that vague ironic comment; which only served his turn, none the less, till, bethinking himself, he had gone back to the piece of furniture used for his late scribble and come away from it again the next minute delicately holding a fair slip that we naturally recognise as Mr. Bender’s forgotten cheque. This apparently surprising value he now studied at his ease and to the point of its even drawing from him an articulate “What in damnation--?” His speculation dropped before the return of his hostess, whose approach through the other room fell upon his ear and whom he awaited after a quick thrust of the cheque into his waistcoat. Lady Sandgate appeared now in due--that is in the most happily adjusted--splendour; she had changed her dress for something smarter and more appropriate to the entertainment of Princes, “Tea will be downstairs,”<\|quote\|>she said.</\|quote\|>“But you’re alone?” “I’ve just parted,” her friend replied, “with Grace and Mr. Crimble.” “‘Parted’ with them?” --the ambiguity struck her. “Well, they’ve gone out together to flaunt their monstrous connection!” “You speak,” she laughed, “as if it were too gross--I They’re surely coming back?” “Back to you, if you like--but not to me.” “Ah, what are you and I,” she tenderly argued, “but one and the same quantity? And though you may not as yet absolutely rejoice in--well, whatever they’re doing,” she cheerfully added, “you’ll get beautifully used to it.” “That’s just what I’m afraid of--what such horrid matters make of one!” “At the worst then, you see” --she maintained her optimism-- “the recipient of royal attentions!” “Oh,” said her companion, whom his honour seemed to leave comparatively cold, “it’s simply as if the gracious Personage were coming to condole!” Impatient of the lapse of time, in any case, she assured herself again of the hour. “Well, if he only does come!” “John--the wretch!” Lord Theign returned-- “will take care of that: he has nailed him and will bring him.” “What was it then,” his friend found occasion in the particular tone of this reference to demand, “what was it that, when you sent him off, John spoke of you in Bond Street as specifically intending?” Oh he saw it now all lucidly--if not rather luridly--and thereby the more tragically. “He described me in his nasty rage as consistently--well, heroic!” “His rage” --she pieced it sympathetically out-- “at your destroying his cherished credit with Bender?” Lord Theign was more and more possessed of this view of the manner of it. “I had come between him and some profit that he doesn’t confess to, but that made him viciously and vindictively serve me up there, as he caught the chance, to the Prince--and the People!” She cast about, in her intimate interest, as for some closer conception of it. “By saying that you had remarked here that you offered the People the picture--?” “As a sacrifice--yes!--to morbid, though respectable scruples.” To which he sharply added, as if struck with her easy grasp of the scene: “But I hope you’ve nothing to call a memory for any such extravagance?” Lady Sandgate waited--then boldly took her line. “None whatever! You had reacted against Bender--but you hadn’t gone so far as _that!_” He	The Outcry
With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.	No speaker	enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word,"	Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his	us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you	said Syme shortly. "Into what sort of devils' parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you have certainly given me by the end of it." "What do you mean?" cried the chaotic Gregory. "What did I promise you?" "A very entertaining evening," said Syme, and he made a military salute with the sword-stick as the steamboat slid away. CHAPTER IV. THE TALE OF A DETECTIVE Gabriel	revolver, waiting on the table. The instant the election was ended and irrevocable, and Syme had received the paper proving his election, they all sprang to their feet, and the fiery groups moved and mixed in the room. Syme found himself, somehow or other, face to face with Gregory, who still regarded him with a stare of stunned hatred. They were silent for many minutes. "You are a devil!" said Gregory at last. "And you are a gentleman," said Syme with gravity. "It was you that entrapped me," began Gregory, shaking from head to foot, "entrapped me into" "Talk sense," said Syme shortly. "Into what sort of devils' parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you have certainly given me by the end of it." "What do you mean?" cried the chaotic Gregory. "What did I promise you?" "A very entertaining evening," said Syme, and he made a military salute with the sword-stick as the steamboat slid away. CHAPTER IV. THE TALE OF A DETECTIVE Gabriel Syme was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion. He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and	are not Thursday." "Comrades," cried Gregory, in a voice like that of a martyr who in an ecstacy of pain has passed beyond pain, "it is nothing to me whether you detest me as a tyrant or detest me as a slave. If you will not take my command, accept my degradation. I kneel to you. I throw myself at your feet. I implore you. Do not elect this man." "Comrade Gregory," said the chairman after a painful pause, "this is really not quite dignified." For the first time in the proceedings there was for a few seconds a real silence. Then Gregory fell back in his seat, a pale wreck of a man, and the chairman repeated, like a piece of clock-work suddenly started again "The question is that Comrade Syme be elected to the post of Thursday on the General Council." The roar rose like the sea, the hands rose like a forest, and three minutes afterwards Mr. Gabriel Syme, of the Secret Police Service, was elected to the post of Thursday on the General Council of the Anarchists of Europe. Everyone in the room seemed to feel the tug waiting on the river, the sword-stick and the revolver, waiting on the table. The instant the election was ended and irrevocable, and Syme had received the paper proving his election, they all sprang to their feet, and the fiery groups moved and mixed in the room. Syme found himself, somehow or other, face to face with Gregory, who still regarded him with a stare of stunned hatred. They were silent for many minutes. "You are a devil!" said Gregory at last. "And you are a gentleman," said Syme with gravity. "It was you that entrapped me," began Gregory, shaking from head to foot, "entrapped me into" "Talk sense," said Syme shortly. "Into what sort of devils' parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you have certainly given me by the end of it." "What do you mean?" cried the chaotic Gregory. "What did I promise you?" "A very entertaining evening," said Syme, and he made a military salute with the sword-stick as the steamboat slid away. CHAPTER IV. THE TALE OF A DETECTIVE Gabriel Syme was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion. He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realisation; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinth and cocoa, of both of which he had a healthy dislike. The more his mother preached a more than Puritan abstinence the more did his father expand into a more than pagan latitude; and by the time the former had come to enforcing vegetarianism, the latter had pretty well reached the point of defending cannibalism. Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible. His hatred of modern lawlessness had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the	Witherspoon had jumped to his feet, his hair and beard all on end, and had said "I move, as an amendment, that Comrade Syme be appointed to the post." "Stop all this, I tell you!" cried Gregory, with frantic face and hands. "Stop it, it is all" The voice of the chairman clove his speech with a cold accent. "Does anyone second this amendment?" he said. A tall, tired man, with melancholy eyes and an American chin beard, was observed on the back bench to be slowly rising to his feet. Gregory had been screaming for some time past; now there was a change in his accent, more shocking than any scream. "I end all this!" he said, in a voice as heavy as stone. "This man cannot be elected. He is a" "Yes," said Syme, quite motionless, "what is he?" Gregory's mouth worked twice without sound; then slowly the blood began to crawl back into his dead face. "He is a man quite inexperienced in our work," he said, and sat down abruptly. Before he had done so, the long, lean man with the American beard was again upon his feet, and was repeating in a high American monotone "I beg to second the election of Comrade Syme." "The amendment will, as usual, be put first," said Mr. Buttons, the chairman, with mechanical rapidity. "The question is that Comrade Syme" Gregory had again sprung to his feet, panting and passionate. "Comrades," he cried out, "I am not a madman." "Oh, oh!" said Mr. Witherspoon. "I am not a madman," reiterated Gregory, with a frightful sincerity which for a moment staggered the room, "but I give you a counsel which you can call mad if you like. No, I will not call it a counsel, for I can give you no reason for it. I will call it a command. Call it a mad command, but act upon it. Strike, but hear me! Kill me, but obey me! Do not elect this man." Truth is so terrible, even in fetters, that for a moment Syme's slender and insane victory swayed like a reed. But you could not have guessed it from Syme's bleak blue eyes. He merely began "Comrade Gregory commands" Then the spell was snapped, and one anarchist called out to Gregory "Who are you? You are not Sunday;" and another anarchist added in a heavier voice, "And you are not Thursday." "Comrades," cried Gregory, in a voice like that of a martyr who in an ecstacy of pain has passed beyond pain, "it is nothing to me whether you detest me as a tyrant or detest me as a slave. If you will not take my command, accept my degradation. I kneel to you. I throw myself at your feet. I implore you. Do not elect this man." "Comrade Gregory," said the chairman after a painful pause, "this is really not quite dignified." For the first time in the proceedings there was for a few seconds a real silence. Then Gregory fell back in his seat, a pale wreck of a man, and the chairman repeated, like a piece of clock-work suddenly started again "The question is that Comrade Syme be elected to the post of Thursday on the General Council." The roar rose like the sea, the hands rose like a forest, and three minutes afterwards Mr. Gabriel Syme, of the Secret Police Service, was elected to the post of Thursday on the General Council of the Anarchists of Europe. Everyone in the room seemed to feel the tug waiting on the river, the sword-stick and the revolver, waiting on the table. The instant the election was ended and irrevocable, and Syme had received the paper proving his election, they all sprang to their feet, and the fiery groups moved and mixed in the room. Syme found himself, somehow or other, face to face with Gregory, who still regarded him with a stare of stunned hatred. They were silent for many minutes. "You are a devil!" said Gregory at last. "And you are a gentleman," said Syme with gravity. "It was you that entrapped me," began Gregory, shaking from head to foot, "entrapped me into" "Talk sense," said Syme shortly. "Into what sort of devils' parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you have certainly given me by the end of it." "What do you mean?" cried the chaotic Gregory. "What did I promise you?" "A very entertaining evening," said Syme, and he made a military salute with the sword-stick as the steamboat slid away. CHAPTER IV. THE TALE OF A DETECTIVE Gabriel Syme was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion. He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realisation; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinth and cocoa, of both of which he had a healthy dislike. The more his mother preached a more than Puritan abstinence the more did his father expand into a more than pagan latitude; and by the time the former had come to enforcing vegetarianism, the latter had pretty well reached the point of defending cannibalism. Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible. His hatred of modern lawlessness had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the broken windows and the bleeding faces. After that he went about as usual quiet, courteous, rather gentle; but there was a spot on his mind that was not sane. He did not regard anarchists, as most of us do, as a handful of morbid men, combining ignorance with intellectualism. He regarded them as a huge and pitiless peril, like a Chinese invasion. He poured perpetually into newspapers and their waste-paper baskets a torrent of tales, verses and violent articles, warning men of this deluge of barbaric denial. But he seemed to be getting no nearer his enemy, and, what was worse, no nearer a living. As he paced the Thames embankment, bitterly biting a cheap cigar and brooding on the advance of Anarchy, there was no anarchist with a bomb in his pocket so savage or so solitary as he. Indeed, he always felt that Government stood alone and desperate, with its back to the wall. He was too quixotic to have cared for it otherwise. He walked on the Embankment once under a dark red sunset. The red river reflected the red sky, and they both reflected his anger. The sky, indeed, was so swarthy, and the light on the river relatively so lurid, that the water almost seemed of fiercer flame than the sunset it mirrored. It looked like a stream of literal fire winding under the vast caverns of a subterranean country. Syme was shabby in those days. He wore an old-fashioned black chimney-pot hat; he was wrapped in a yet more old-fashioned cloak, black and ragged; and the combination gave him the look of the early villains in Dickens and Bulwer Lytton. Also his yellow beard and hair were more unkempt and leonine than when they appeared long afterwards, cut and pointed, on the lawns of Saffron Park. A long, lean, black cigar, bought in Soho for twopence, stood out from between his tightened teeth, and altogether he looked a very satisfactory specimen of the anarchists upon whom he had vowed a holy war. Perhaps this was why a policeman on the Embankment spoke to him, and said "Good evening." Syme, at a crisis of his morbid fears for humanity, seemed stung by the mere stolidity of the automatic official, a mere bulk of blue in the twilight. "A good evening is it?" he said sharply. "You fellows would call the end of the world a	another anarchist added in a heavier voice, "And you are not Thursday." "Comrades," cried Gregory, in a voice like that of a martyr who in an ecstacy of pain has passed beyond pain, "it is nothing to me whether you detest me as a tyrant or detest me as a slave. If you will not take my command, accept my degradation. I kneel to you. I throw myself at your feet. I implore you. Do not elect this man." "Comrade Gregory," said the chairman after a painful pause, "this is really not quite dignified." For the first time in the proceedings there was for a few seconds a real silence. Then Gregory fell back in his seat, a pale wreck of a man, and the chairman repeated, like a piece of clock-work suddenly started again "The question is that Comrade Syme be elected to the post of Thursday on the General Council." The roar rose like the sea, the hands rose like a forest, and three minutes afterwards Mr. Gabriel Syme, of the Secret Police Service, was elected to the post of Thursday on the General Council of the Anarchists of Europe. Everyone in the room seemed to feel the tug waiting on the river, the sword-stick and the revolver, waiting on the table. The instant the election was ended and irrevocable, and Syme had received the paper proving his election, they all sprang to their feet, and the fiery groups moved and mixed in the room. Syme found himself, somehow or other, face to face with Gregory, who still regarded him with a stare of stunned hatred. They were silent for many minutes. "You are a devil!" said Gregory at last. "And you are a gentleman," said Syme with gravity. "It was you that entrapped me," began Gregory, shaking from head to foot, "entrapped me into" "Talk sense," said Syme shortly. "Into what sort of devils' parliament have you entrapped me, if it comes to that? You made me swear before I made you. Perhaps we are both doing what we think right. But what we think right is so damned different that there can be nothing between us in the way of concession. There is nothing possible between us but honour and death," and he pulled the great cloak about his shoulders and picked up the flask from the table. "The boat is quite ready," said Mr. Buttons, bustling up. "Be good enough to step this way."<\|quote\|>With a gesture that revealed the shop-walker, he led Syme down a short, iron-bound passage, the still agonised Gregory following feverishly at their heels. At the end of the passage was a door, which Buttons opened sharply, showing a sudden blue and silver picture of the moonlit river, that looked like a scene in a theatre. Close to the opening lay a dark, dwarfish steam-launch, like a baby dragon with one red eye. Almost in the act of stepping on board, Gabriel Syme turned to the gaping Gregory.</\|quote\|>"You have kept your word," he said gently, with his face in shadow. "You are a man of honour, and I thank you. You have kept it even down to a small particular. There was one special thing you promised me at the beginning of the affair, and which you have certainly given me by the end of it." "What do you mean?" cried the chaotic Gregory. "What did I promise you?" "A very entertaining evening," said Syme, and he made a military salute with the sword-stick as the steamboat slid away. CHAPTER IV. THE TALE OF A DETECTIVE Gabriel Syme was not merely a detective who pretended to be a poet; he was really a poet who had become a detective. Nor was his hatred of anarchy hypocritical. He was one of those who are driven early in life into too conservative an attitude by the bewildering folly of most revolutionists. He had not attained it by any tame tradition. His respectability was spontaneous and sudden, a rebellion against rebellion. He came of a family of cranks, in which all the oldest people had all the newest notions. One of his uncles always walked about without a hat, and another had made an unsuccessful attempt to walk about with a hat and nothing else. His father cultivated art and self-realisation; his mother went in for simplicity and hygiene. Hence the child, during his tenderer years, was wholly unacquainted with any drink between the extremes of absinth and cocoa, of both of which he had a healthy dislike. The more his mother preached a more than Puritan abstinence the more did his father expand into a more than pagan latitude; and by the time the former had come to enforcing vegetarianism, the latter had pretty well reached the point of defending cannibalism. Being surrounded with every conceivable kind of revolt from infancy, Gabriel had to revolt into something, so he revolted into the only thing left sanity. But there was just enough in him of the blood of these fanatics to make even his protest for common sense a little too fierce to be sensible. His hatred of modern lawlessness had been crowned also by an accident. It happened that he was walking in a side street at the instant of a dynamite outrage. He had been blind and deaf for a moment, and then seen, the smoke clearing, the broken windows and the bleeding faces. After that he went about as usual quiet, courteous, rather gentle; but there was a spot on his mind that was not sane. He did not regard anarchists, as	The Man Who Was Thursday
said the stranger,	No speaker	ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll	hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It	warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under	ever heard the likes of that?" "It s strange, perhaps, but it s not a crime. Why am I assaulted by a policeman in this fashion?" "Ah! that s a different matter," said Jaffers. "No doubt you are a bit difficult to see in this light, but I got a warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under the table. Then he sprang up again and flung off his coat. "Here, stop that," said Jaffers, suddenly realising what was happening. He gripped at the waistcoat; it struggled, and the shirt slipped out of it and left it limp and empty in his hand. "Hold him!" said Jaffers, loudly.	in a tone of savage expostulation. "The fact is, I m all here head, hands, legs, and all the rest of it, but it happens I m invisible. It s a confounded nuisance, but I am. That s no reason why I should be poked to pieces by every stupid bumpkin in Iping, is it?" The suit of clothes, now all unbuttoned and hanging loosely upon its unseen supports, stood up, arms akimbo. Several other of the men folks had now entered the room, so that it was closely crowded. "Invisible, eh?" said Huxter, ignoring the stranger s abuse. "Who ever heard the likes of that?" "It s strange, perhaps, but it s not a crime. Why am I assaulted by a policeman in this fashion?" "Ah! that s a different matter," said Jaffers. "No doubt you are a bit difficult to see in this light, but I got a warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under the table. Then he sprang up again and flung off his coat. "Here, stop that," said Jaffers, suddenly realising what was happening. He gripped at the waistcoat; it struggled, and the shirt slipped out of it and left it limp and empty in his hand. "Hold him!" said Jaffers, loudly. "Once he gets the things off" "Hold him!" cried everyone, and there was a rush at the fluttering white shirt which was now all that was visible of the stranger. The shirt-sleeve planted a shrewd blow in Hall s face that stopped his open-armed advance, and sent him backward into old Toothsome the sexton, and in another moment the garment was lifted up and became convulsed and vacantly flapping about the arms, even as a shirt that is being thrust over a man s head. Jaffers clutched at it, and only helped to pull it off; he was struck in	as his left. "It s no good," he said, as if sobbing for breath. It was the strangest thing in the world to hear that voice coming as if out of empty space, but the Sussex peasants are perhaps the most matter-of-fact people under the sun. Jaffers got up also and produced a pair of handcuffs. Then he stared. "I say!" said Jaffers, brought up short by a dim realization of the incongruity of the whole business, "Darn it! Can t use em as I can see." The stranger ran his arm down his waistcoat, and as if by a miracle the buttons to which his empty sleeve pointed became undone. Then he said something about his shin, and stooped down. He seemed to be fumbling with his shoes and socks. "Why!" said Huxter, suddenly, "that s not a man at all. It s just empty clothes. Look! You can see down his collar and the linings of his clothes. I could put my arm" He extended his hand; it seemed to meet something in mid-air, and he drew it back with a sharp exclamation. "I wish you d keep your fingers out of my eye," said the aerial voice, in a tone of savage expostulation. "The fact is, I m all here head, hands, legs, and all the rest of it, but it happens I m invisible. It s a confounded nuisance, but I am. That s no reason why I should be poked to pieces by every stupid bumpkin in Iping, is it?" The suit of clothes, now all unbuttoned and hanging loosely upon its unseen supports, stood up, arms akimbo. Several other of the men folks had now entered the room, so that it was closely crowded. "Invisible, eh?" said Huxter, ignoring the stranger s abuse. "Who ever heard the likes of that?" "It s strange, perhaps, but it s not a crime. Why am I assaulted by a policeman in this fashion?" "Ah! that s a different matter," said Jaffers. "No doubt you are a bit difficult to see in this light, but I got a warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under the table. Then he sprang up again and flung off his coat. "Here, stop that," said Jaffers, suddenly realising what was happening. He gripped at the waistcoat; it struggled, and the shirt slipped out of it and left it limp and empty in his hand. "Hold him!" said Jaffers, loudly. "Once he gets the things off" "Hold him!" cried everyone, and there was a rush at the fluttering white shirt which was now all that was visible of the stranger. The shirt-sleeve planted a shrewd blow in Hall s face that stopped his open-armed advance, and sent him backward into old Toothsome the sexton, and in another moment the garment was lifted up and became convulsed and vacantly flapping about the arms, even as a shirt that is being thrust over a man s head. Jaffers clutched at it, and only helped to pull it off; he was struck in the mouth out of the air, and incontinently threw his truncheon and smote Teddy Henfrey savagely upon the crown of his head. "Look out!" said everybody, fencing at random and hitting at nothing. "Hold him! Shut the door! Don t let him loose! I got something! Here he is!" A perfect Babel of noises they made. Everybody, it seemed, was being hit all at once, and Sandy Wadgers, knowing as ever and his wits sharpened by a frightful blow in the nose, reopened the door and led the rout. The others, following incontinently, were jammed for a moment in the corner by the doorway. The hitting continued. Phipps, the Unitarian, had a front tooth broken, and Henfrey was injured in the cartilage of his ear. Jaffers was struck under the jaw, and, turning, caught at something that intervened between him and Huxter in the m l e, and prevented their coming together. He felt a muscular chest, and in another moment the whole mass of struggling, excited men shot out into the crowded hall. "I got him!" shouted Jaffers, choking and reeling through them all, and wrestling with purple face and swelling veins against his unseen enemy. Men staggered right	shouted conflicting information of the recent circumstances. "Ed or no ed," said Jaffers, "I got to rest en, and rest en I _will_." Mr. Hall marched up the steps, marched straight to the door of the parlour and flung it open. "Constable," he said, "do your duty." Jaffers marched in. Hall next, Wadgers last. They saw in the dim light the headless figure facing them, with a gnawed crust of bread in one gloved hand and a chunk of cheese in the other. "That s him!" said Hall. "What the devil s this?" came in a tone of angry expostulation from above the collar of the figure. "You re a damned rum customer, mister," said Mr. Jaffers. "But ed or no ed, the warrant says body, and duty s duty" "Keep off!" said the figure, starting back. Abruptly he whipped down the bread and cheese, and Mr. Hall just grasped the knife on the table in time to save it. Off came the stranger s left glove and was slapped in Jaffers face. In another moment Jaffers, cutting short some statement concerning a warrant, had gripped him by the handless wrist and caught his invisible throat. He got a sounding kick on the shin that made him shout, but he kept his grip. Hall sent the knife sliding along the table to Wadgers, who acted as goal-keeper for the offensive, so to speak, and then stepped forward as Jaffers and the stranger swayed and staggered towards him, clutching and hitting in. A chair stood in the way, and went aside with a crash as they came down together. "Get the feet," said Jaffers between his teeth. Mr. Hall, endeavouring to act on instructions, received a sounding kick in the ribs that disposed of him for a moment, and Mr. Wadgers, seeing the decapitated stranger had rolled over and got the upper side of Jaffers, retreated towards the door, knife in hand, and so collided with Mr. Huxter and the Sidderbridge carter coming to the rescue of law and order. At the same moment down came three or four bottles from the chiffonnier and shot a web of pungency into the air of the room. "I ll surrender," cried the stranger, though he had Jaffers down, and in another moment he stood up panting, a strange figure, headless and handless for he had pulled off his right glove now as well as his left. "It s no good," he said, as if sobbing for breath. It was the strangest thing in the world to hear that voice coming as if out of empty space, but the Sussex peasants are perhaps the most matter-of-fact people under the sun. Jaffers got up also and produced a pair of handcuffs. Then he stared. "I say!" said Jaffers, brought up short by a dim realization of the incongruity of the whole business, "Darn it! Can t use em as I can see." The stranger ran his arm down his waistcoat, and as if by a miracle the buttons to which his empty sleeve pointed became undone. Then he said something about his shin, and stooped down. He seemed to be fumbling with his shoes and socks. "Why!" said Huxter, suddenly, "that s not a man at all. It s just empty clothes. Look! You can see down his collar and the linings of his clothes. I could put my arm" He extended his hand; it seemed to meet something in mid-air, and he drew it back with a sharp exclamation. "I wish you d keep your fingers out of my eye," said the aerial voice, in a tone of savage expostulation. "The fact is, I m all here head, hands, legs, and all the rest of it, but it happens I m invisible. It s a confounded nuisance, but I am. That s no reason why I should be poked to pieces by every stupid bumpkin in Iping, is it?" The suit of clothes, now all unbuttoned and hanging loosely upon its unseen supports, stood up, arms akimbo. Several other of the men folks had now entered the room, so that it was closely crowded. "Invisible, eh?" said Huxter, ignoring the stranger s abuse. "Who ever heard the likes of that?" "It s strange, perhaps, but it s not a crime. Why am I assaulted by a policeman in this fashion?" "Ah! that s a different matter," said Jaffers. "No doubt you are a bit difficult to see in this light, but I got a warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under the table. Then he sprang up again and flung off his coat. "Here, stop that," said Jaffers, suddenly realising what was happening. He gripped at the waistcoat; it struggled, and the shirt slipped out of it and left it limp and empty in his hand. "Hold him!" said Jaffers, loudly. "Once he gets the things off" "Hold him!" cried everyone, and there was a rush at the fluttering white shirt which was now all that was visible of the stranger. The shirt-sleeve planted a shrewd blow in Hall s face that stopped his open-armed advance, and sent him backward into old Toothsome the sexton, and in another moment the garment was lifted up and became convulsed and vacantly flapping about the arms, even as a shirt that is being thrust over a man s head. Jaffers clutched at it, and only helped to pull it off; he was struck in the mouth out of the air, and incontinently threw his truncheon and smote Teddy Henfrey savagely upon the crown of his head. "Look out!" said everybody, fencing at random and hitting at nothing. "Hold him! Shut the door! Don t let him loose! I got something! Here he is!" A perfect Babel of noises they made. Everybody, it seemed, was being hit all at once, and Sandy Wadgers, knowing as ever and his wits sharpened by a frightful blow in the nose, reopened the door and led the rout. The others, following incontinently, were jammed for a moment in the corner by the doorway. The hitting continued. Phipps, the Unitarian, had a front tooth broken, and Henfrey was injured in the cartilage of his ear. Jaffers was struck under the jaw, and, turning, caught at something that intervened between him and Huxter in the m l e, and prevented their coming together. He felt a muscular chest, and in another moment the whole mass of struggling, excited men shot out into the crowded hall. "I got him!" shouted Jaffers, choking and reeling through them all, and wrestling with purple face and swelling veins against his unseen enemy. Men staggered right and left as the extraordinary conflict swayed swiftly towards the house door, and went spinning down the half-dozen steps of the inn. Jaffers cried in a strangled voice holding tight, nevertheless, and making play with his knee spun around, and fell heavily undermost with his head on the gravel. Only then did his fingers relax. There were excited cries of "Hold him!" "Invisible!" and so forth, and a young fellow, a stranger in the place whose name did not come to light, rushed in at once, caught something, missed his hold, and fell over the constable s prostrate body. Half-way across the road a woman screamed as something pushed by her; a dog, kicked apparently, yelped and ran howling into Huxter s yard, and with that the transit of the Invisible Man was accomplished. For a space people stood amazed and gesticulating, and then came panic, and scattered them abroad through the village as a gust scatters dead leaves. But Jaffers lay quite still, face upward and knees bent, at the foot of the steps of the inn. CHAPTER VIII. IN TRANSIT The eighth chapter is exceedingly brief, and relates that Gibbons, the amateur naturalist of the district, while lying out on the spacious open downs without a soul within a couple of miles of him, as he thought, and almost dozing, heard close to him the sound as of a man coughing, sneezing, and then swearing savagely to himself; and looking, beheld nothing. Yet the voice was indisputable. It continued to swear with that breadth and variety that distinguishes the swearing of a cultivated man. It grew to a climax, diminished again, and died away in the distance, going as it seemed to him in the direction of Adderdean. It lifted to a spasmodic sneeze and ended. Gibbons had heard nothing of the morning s occurrences, but the phenomenon was so striking and disturbing that his philosophical tranquillity vanished; he got up hastily, and hurried down the steepness of the hill towards the village, as fast as he could go. CHAPTER IX. MR. THOMAS MARVEL You must picture Mr. Thomas Marvel as a person of copious, flexible visage, a nose of cylindrical protrusion, a liquorish, ample, fluctuating mouth, and a beard of bristling eccentricity. His figure inclined to embonpoint; his short limbs accentuated this inclination. He wore a furry silk hat, and the frequent substitution of twine and shoe-laces	retreated towards the door, knife in hand, and so collided with Mr. Huxter and the Sidderbridge carter coming to the rescue of law and order. At the same moment down came three or four bottles from the chiffonnier and shot a web of pungency into the air of the room. "I ll surrender," cried the stranger, though he had Jaffers down, and in another moment he stood up panting, a strange figure, headless and handless for he had pulled off his right glove now as well as his left. "It s no good," he said, as if sobbing for breath. It was the strangest thing in the world to hear that voice coming as if out of empty space, but the Sussex peasants are perhaps the most matter-of-fact people under the sun. Jaffers got up also and produced a pair of handcuffs. Then he stared. "I say!" said Jaffers, brought up short by a dim realization of the incongruity of the whole business, "Darn it! Can t use em as I can see." The stranger ran his arm down his waistcoat, and as if by a miracle the buttons to which his empty sleeve pointed became undone. Then he said something about his shin, and stooped down. He seemed to be fumbling with his shoes and socks. "Why!" said Huxter, suddenly, "that s not a man at all. It s just empty clothes. Look! You can see down his collar and the linings of his clothes. I could put my arm" He extended his hand; it seemed to meet something in mid-air, and he drew it back with a sharp exclamation. "I wish you d keep your fingers out of my eye," said the aerial voice, in a tone of savage expostulation. "The fact is, I m all here head, hands, legs, and all the rest of it, but it happens I m invisible. It s a confounded nuisance, but I am. That s no reason why I should be poked to pieces by every stupid bumpkin in Iping, is it?" The suit of clothes, now all unbuttoned and hanging loosely upon its unseen supports, stood up, arms akimbo. Several other of the men folks had now entered the room, so that it was closely crowded. "Invisible, eh?" said Huxter, ignoring the stranger s abuse. "Who ever heard the likes of that?" "It s strange, perhaps, but it s not a crime. Why am I assaulted by a policeman in this fashion?" "Ah! that s a different matter," said Jaffers. "No doubt you are a bit difficult to see in this light, but I got a warrant and it s all correct. What I m after ain t no invisibility, it s burglary. There s a house been broke into and money took." "Well?" "And circumstances certainly point" "Stuff and nonsense!" said the Invisible Man. "I hope so, sir; but I ve got my instructions." "Well,"<\|quote\|>said the stranger,</\|quote\|>"I ll come. I ll _come_. But no handcuffs." "It s the regular thing," said Jaffers. "No handcuffs," stipulated the stranger. "Pardon me," said Jaffers. Abruptly the figure sat down, and before any one could realise was was being done, the slippers, socks, and trousers had been kicked off under the table. Then he sprang up again and flung off his coat. "Here, stop that," said Jaffers, suddenly realising what was happening. He gripped at the waistcoat; it struggled, and the shirt slipped out of it and left it limp and empty in his hand. "Hold him!" said Jaffers, loudly. "Once he gets the things off" "Hold him!" cried everyone, and there was a rush at the fluttering white shirt which was now all that was visible of the stranger. The shirt-sleeve planted a shrewd blow in Hall s face that stopped his open-armed advance, and sent him backward into old Toothsome the sexton, and in another moment the garment was lifted up and became convulsed and vacantly flapping about the arms, even as a shirt that is being thrust over a man s head. Jaffers clutched at it, and only helped to pull it off; he was struck in the mouth out of the air, and incontinently threw his truncheon and smote Teddy Henfrey savagely upon the crown of his head. "Look out!" said everybody, fencing at random and hitting at nothing. "Hold him! Shut the door! Don t let him loose! I got something! Here he is!" A perfect Babel of noises they made. Everybody, it seemed, was being hit all at once, and Sandy Wadgers, knowing as ever and his wits sharpened by a frightful blow in the nose, reopened the door and led the rout. The others, following incontinently, were jammed for a moment in the corner by the doorway. The hitting continued. Phipps, the Unitarian, had a front tooth broken, and Henfrey was injured in the cartilage of his ear. Jaffers was struck under the jaw, and, turning, caught at something that intervened between him and Huxter in the m l e, and prevented their coming together. He felt a muscular chest, and in another moment the whole mass of struggling, excited men	The Invisible Man
said Marilla severely.	No speaker	speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real	very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course	a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to	I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea	I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead," assured Anne. "But oh, Marilla, will you let me	and anyhow his theology is sound because she questioned him thoroughly on all the points of doctrine. And she knows his wife's people and they are most respectable and the women are all good housekeepers. Mrs. Lynde says that sound doctrine in the man and good housekeeping in the woman make an ideal combination for a minister's family." The new minister and his wife were a young, pleasant-faced couple, still on their honeymoon, and full of all good and beautiful enthusiasms for their chosen lifework. Avonlea opened its heart to them from the start. Old and young liked the frank, cheerful young man with his high ideals, and the bright, gentle little lady who assumed the mistress-ship of the manse. With Mrs. Allan Anne fell promptly and wholeheartedly in love. She had discovered another kindred spirit. "Mrs. Allan is perfectly lovely," she announced one Sunday afternoon. "She's taken our class and she's a splendid teacher. She said right away she didn't think it was fair for the teacher to ask all the questions, and you know, Marilla, that is exactly what I've always thought. She said we could ask her any question we liked and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead," assured Anne. "But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two	Avonlea for eighteen years. He was a widower when he came, and a widower he remained, despite the fact that gossip regularly married him to this, that, or the other one, every year of his sojourn. In the preceding February he had resigned his charge and departed amid the regrets of his people, most of whom had the affection born of long intercourse for their good old minister in spite of his shortcomings as an orator. Since then the Avonlea church had enjoyed a variety of religious dissipation in listening to the many and various candidates and "supplies" who came Sunday after Sunday to preach on trial. These stood or fell by the judgment of the fathers and mothers in Israel; but a certain small, red-haired girl who sat meekly in the corner of the old Cuthbert pew also had her opinions about them and discussed the same in full with Matthew, Marilla always declining from principle to criticize ministers in any shape or form. "I don't think Mr. Smith would have done, Matthew" was Anne's final summing up. "Mrs. Lynde says his delivery was so poor, but I think his worst fault was just like Mr. Bentley's--he had no imagination. And Mr. Terry had too much; he let it run away with him just as I did mine in the matter of the Haunted Wood. Besides, Mrs. Lynde says his theology wasn't sound. Mr. Gresham was a very good man and a very religious man, but he told too many funny stories and made the people laugh in church; he was undignified, and you must have some dignity about a minister, mustn't you, Matthew? I thought Mr. Marshall was decidedly attractive; but Mrs. Lynde says he isn't married, or even engaged, because she made special inquiries about him, and she says it would never do to have a young unmarried minister in Avonlea, because he might marry in the congregation and that would make trouble. Mrs. Lynde is a very farseeing woman, isn't she, Matthew? I'm very glad they've called Mr. Allan. I liked him because his sermon was interesting and he prayed as if he meant it and not just as if he did it because he was in the habit of it. Mrs. Lynde says he isn't perfect, but she says she supposes we couldn't expect a perfect minister for seven hundred and fifty dollars a year, and anyhow his theology is sound because she questioned him thoroughly on all the points of doctrine. And she knows his wife's people and they are most respectable and the women are all good housekeepers. Mrs. Lynde says that sound doctrine in the man and good housekeeping in the woman make an ideal combination for a minister's family." The new minister and his wife were a young, pleasant-faced couple, still on their honeymoon, and full of all good and beautiful enthusiasms for their chosen lifework. Avonlea opened its heart to them from the start. Old and young liked the frank, cheerful young man with his high ideals, and the bright, gentle little lady who assumed the mistress-ship of the manse. With Mrs. Allan Anne fell promptly and wholeheartedly in love. She had discovered another kindred spirit. "Mrs. Allan is perfectly lovely," she announced one Sunday afternoon. "She's taken our class and she's a splendid teacher. She said right away she didn't think it was fair for the teacher to ask all the questions, and you know, Marilla, that is exactly what I've always thought. She said we could ask her any question we liked and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead," assured Anne. "But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two kinds of jelly, red and yellow, and whipped cream and lemon pie, and cherry pie, and three kinds of cookies, and fruit cake, and Marilla's famous yellow plum preserves that she keeps especially for ministers, and pound cake and layer cake, and biscuits as aforesaid; and new bread and old both, in case the minister is dyspeptic and can't eat new. Mrs. Lynde says ministers are dyspeptic, but I don't think Mr. Allan has been a minister long enough for it to have had a bad effect on him. I just grow cold when I think of my layer cake. Oh, Diana, what if it shouldn't be good! I dreamed last night that I was chased all around by a fearful goblin with a big layer cake for a head." "It'll be good, all right," assured Diana, who was a very comfortable sort of friend. "I'm sure that piece of the one you made that we had for lunch in Idlewild two weeks ago was perfectly elegant." "Yes; but cakes have such a terrible habit of turning out bad just when you especially want them to be good," sighed Anne, setting a particularly well-balsamed twig afloat. "However, I suppose I shall just have to trust to Providence and be careful to put in the flour. Oh, look, Diana, what a lovely rainbow! Do you suppose the dryad will come out after we go away and take it for a scarf?" "You know there is no such thing as a dryad," said Diana. Diana's mother had found out about the Haunted Wood and had been decidedly angry over it. As a result Diana had abstained from any further imitative flights of imagination and did not think it prudent to cultivate a spirit of belief even in harmless dryads. "But it's so easy to imagine there is," said Anne. "Every night before I go to bed, I look out of my window and wonder if the dryad is really sitting here, combing her locks with the spring for a mirror. Sometimes I look for her footprints in the dew in the morning. Oh, Diana, don't give up your faith in the dryad!" Wednesday morning came. Anne got up at sunrise because she was too excited to sleep. She had caught a severe cold in the head by reason of her dabbling in the spring on the preceding evening; but nothing short of	habit of it. Mrs. Lynde says he isn't perfect, but she says she supposes we couldn't expect a perfect minister for seven hundred and fifty dollars a year, and anyhow his theology is sound because she questioned him thoroughly on all the points of doctrine. And she knows his wife's people and they are most respectable and the women are all good housekeepers. Mrs. Lynde says that sound doctrine in the man and good housekeeping in the woman make an ideal combination for a minister's family." The new minister and his wife were a young, pleasant-faced couple, still on their honeymoon, and full of all good and beautiful enthusiasms for their chosen lifework. Avonlea opened its heart to them from the start. Old and young liked the frank, cheerful young man with his high ideals, and the bright, gentle little lady who assumed the mistress-ship of the manse. With Mrs. Allan Anne fell promptly and wholeheartedly in love. She had discovered another kindred spirit. "Mrs. Allan is perfectly lovely," she announced one Sunday afternoon. "She's taken our class and she's a splendid teacher. She said right away she didn't think it was fair for the teacher to ask all the questions, and you know, Marilla, that is exactly what I've always thought. She said we could ask her any question we liked and I asked ever so many. I'm good at asking questions, Marilla." "I believe you" was Marilla's emphatic comment. "Nobody else asked any except Ruby Gillis, and she asked if there was to be a Sunday-school picnic this summer. I didn't think that was a very proper question to ask because it hadn't any connection with the lesson--the lesson was about Daniel in the lions' den--but Mrs. Allan just smiled and said she thought there would be. Mrs. Allan has a lovely smile; she has such _exquisite_ dimples in her cheeks. I wish I had dimples in my cheeks, Marilla. I'm not half so skinny as I was when I came here, but I have no dimples yet. If I had perhaps I could influence people for good. Mrs. Allan said we ought always to try to influence other people for good. She talked so nice about everything. I never knew before that religion was such a cheerful thing. I always thought it was kind of melancholy, but Mrs. Allan's isn't, and I'd like to be a Christian if I could be one like her. I wouldn't want to be one like Mr. Superintendent Bell." "It's very naughty of you to speak so about Mr. Bell,"<\|quote\|>said Marilla severely.</\|quote\|>"Mr. Bell is a real good man." "Oh, of course he's good," agreed Anne, "but he doesn't seem to get any comfort out of it. If I could be good I'd dance and sing all day because I was glad of it. I suppose Mrs. Allan is too old to dance and sing and of course it wouldn't be dignified in a minister's wife. But I can just feel she's glad she's a Christian and that she'd be one even if she could get to heaven without it." "I suppose we must have Mr. and Mrs. Allan up to tea someday soon," said Marilla reflectively. "They've been most everywhere but here. Let me see. Next Wednesday would be a good time to have them. But don't say a word to Matthew about it, for if he knew they were coming he'd find some excuse to be away that day. He'd got so used to Mr. Bentley he didn't mind him, but he's going to find it hard to get acquainted with a new minister, and a new minister's wife will frighten him to death." "I'll be as secret as the dead," assured Anne. "But oh, Marilla, will you let me make a cake for the occasion? I'd love to do something for Mrs. Allan, and you know I can make a pretty good cake by this time." "You can make a layer cake," promised Marilla. Monday and Tuesday great preparations went on at Green Gables. Having the minister and his wife to tea was a serious and important undertaking, and Marilla was determined not to be eclipsed by any of the Avonlea housekeepers. Anne was wild with excitement and delight. She talked it all over with Diana Tuesday night in the twilight, as they sat on the big red stones by the Dryad's Bubble and made rainbows in the water with little twigs dipped in fir balsam. "Everything is ready, Diana, except my cake which I'm to make in the morning, and the baking-powder biscuits which Marilla will make just before teatime. I assure you, Diana, that Marilla and I have had a busy two days of it. It's such a responsibility having a minister's family to tea. I never went through such an experience before. You should just see our pantry. It's a sight to behold. We're going to have jellied chicken and cold tongue. We're to have two kinds of jelly, red and yellow, and whipped cream and lemon pie, and cherry pie, and three kinds of cookies, and fruit cake, and Marilla's famous yellow plum preserves that she keeps especially for ministers, and pound cake and layer cake, and biscuits as aforesaid; and new bread and old both, in case the minister is dyspeptic and can't eat new. Mrs. Lynde says ministers are dyspeptic, but I don't think Mr. Allan has been a minister long enough for it to have had a bad effect on him. I just grow cold when I think of my layer cake. Oh, Diana, what if it shouldn't be good! I dreamed last night that I was chased all around by a fearful goblin with a big layer cake for a head." "It'll be good, all right," assured Diana, who was a very comfortable sort of friend. "I'm sure that piece of the one you made that we had for lunch in Idlewild two weeks ago was perfectly elegant." "Yes; but cakes have such a terrible habit of	Anne Of Green Gables
"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."	Dr. Aziz	embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again?	the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full	not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second	"In her letters, in her letters. She loved you." "Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising. Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of	of me when you use it. I shall never want it back. I must give you one little present, and it is all I have got; you are Mrs. Moore's son." "I am that," he murmured to himself; and a part of Aziz' mind that had been hidden seemed to move and force its way to the top. "But you are Heaslop's brother also, and alas, the two nations cannot be friends." "I know. Not yet." "Did your mother speak to you about me?" "Yes." And with a swerve of voice and body that Aziz did not follow he added, "In her letters, in her letters. She loved you." "Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising. Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of his hospitality gushed forth and he began doing the honours of Mau and persuading himself that he understood the wild procession, which increased in lights and sounds as the complications of its ritual developed. There was little need to row, for the freshening gale blew them in the direction they desired. Thorns scratched the keel, they ran into an islet and startled some cranes. The strange temporary life of the August flood-water bore them up and seemed as though it would last for ever. The boat was a rudderless dinghy. Huddled up in the stern, with the spare pair of	the shapeless lumps of the universe. The song became audible through much repetition; the choir was repeating and inverting the names of deities. "Radhakrishna Radhakrishna, Radhakrishna Radhakrishna, Krishnaradha Radhakrishna, Radhakrishna Radhakrishna," they sang, and woke the sleeping sentry in the Guest House; he leant upon his iron-tipped spear. "I must go back now, good night," said Aziz, and held out his hand, completely forgetting that they were not friends, and focusing his heart on something more distant than the caves, something beautiful. His hand was taken, and then he remembered how detestable he had been, and said gently, "Don't you think me unkind any more?" "No." "How can you tell, you strange fellow?" "Not difficult, the one thing I always know." "Can you always tell whether a stranger is your friend?" "Yes." "Then you are an Oriental." He unclasped as he spoke, with a little shudder. Those words he had said them to Mrs. Moore in the mosque in the beginning of the cycle, from which, after so much suffering, he had got free. Never be friends with the English! Mosque, caves, mosque, caves. And here he was starting again. He handed the magic ointment to him. "Take this, think of me when you use it. I shall never want it back. I must give you one little present, and it is all I have got; you are Mrs. Moore's son." "I am that," he murmured to himself; and a part of Aziz' mind that had been hidden seemed to move and force its way to the top. "But you are Heaslop's brother also, and alas, the two nations cannot be friends." "I know. Not yet." "Did your mother speak to you about me?" "Yes." And with a swerve of voice and body that Aziz did not follow he added, "In her letters, in her letters. She loved you." "Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising. Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of his hospitality gushed forth and he began doing the honours of Mau and persuading himself that he understood the wild procession, which increased in lights and sounds as the complications of its ritual developed. There was little need to row, for the freshening gale blew them in the direction they desired. Thorns scratched the keel, they ran into an islet and startled some cranes. The strange temporary life of the August flood-water bore them up and seemed as though it would last for ever. The boat was a rudderless dinghy. Huddled up in the stern, with the spare pair of oars in his arms, the guest asked no questions about details. There was presently a flash of lightning, followed by a second flash little red scratches on the ponderous sky. "Was that the Rajah?" he asked. "What what do you mean?" "Row back." "But there's no Rajah nothing" "Row back, you will see what I mean." Aziz found it hard work against the advancing wind. But he fixed his eyes on the pin of light that marked the Guest House and backed a few strokes. "There . . ." Floating in the darkness was a king, who sat under a canopy, in shining royal robes. . . . "I can't tell you what that is, I'm sure," he whispered. "His Highness is dead. I think we should go back at once." They were close to the promontory of the tombs, and had looked straight into the chhatri of the Rajah's father through an opening in the trees. That was the explanation. He had heard of the image made to imitate life at enormous expense but he had never chanced to see it before, though he frequently rowed on the lake. There was only one spot from which it could be	doctor, who will not hurt you." "I don't mind pain, there is no pain." "No pain?" "Not really." "Excellent news," sneered Aziz. "But there is cruelty." "I have brought you some salve, but how to put it on in your present nervous state becomes a problem," he continued, after a pause. "Please leave it with me." "Certainly not. It returns to my dispensary at once." He stretched forward, and the other retreated to the farther side of a table. "Now, do you want me to treat your stings, or do you prefer an English doctor? There is one at Asirgarh. Asirgarh is forty miles away, and the Ringnod dam broken. Now you see how you are placed. I think I had better see Mr. Fielding about you; this is really great nonsense, your present behaviour." "They are out in a boat," he replied, glancing about him for support. Aziz feigned intense surprise. "They have not gone in the direction of Mau, I hope. On a night like this the people become most fanatical." And, as if to confirm him, there was a sob, as though the lips of a giant had parted; the procession was approaching the Jail. "You should not treat us like this," he challenged, and this time Aziz was checked, for the voice, though frightened, was not weak. "Like what?" "Dr. Aziz, we have done you no harm." "Aha, you know my name, I see. Yes, I am Aziz. No, of course your great friend Miss Quested did me no harm at the Marabar." Drowning his last words, all the guns of the State went off. A rocket from the Jail garden gave the signal. The prisoner had been released, and was kissing the feet of the singers. Rose-leaves fall from the houses, sacred spices and coco-nut are brought forth. . . . It was the half-way moment; the God had extended His temple, and paused exultantly. Mixed and confused in their passage, the rumours of salvation entered the Guest House. They were startled and moved on to the porch, drawn by the sudden illumination. The bronze gun up on the fort kept flashing, the town was a blur of light, in which the houses seemed dancing, and the palace waving little wings. The water below, the hills and sky above, were not involved as yet; there was still only a little light and song struggling among the shapeless lumps of the universe. The song became audible through much repetition; the choir was repeating and inverting the names of deities. "Radhakrishna Radhakrishna, Radhakrishna Radhakrishna, Krishnaradha Radhakrishna, Radhakrishna Radhakrishna," they sang, and woke the sleeping sentry in the Guest House; he leant upon his iron-tipped spear. "I must go back now, good night," said Aziz, and held out his hand, completely forgetting that they were not friends, and focusing his heart on something more distant than the caves, something beautiful. His hand was taken, and then he remembered how detestable he had been, and said gently, "Don't you think me unkind any more?" "No." "How can you tell, you strange fellow?" "Not difficult, the one thing I always know." "Can you always tell whether a stranger is your friend?" "Yes." "Then you are an Oriental." He unclasped as he spoke, with a little shudder. Those words he had said them to Mrs. Moore in the mosque in the beginning of the cycle, from which, after so much suffering, he had got free. Never be friends with the English! Mosque, caves, mosque, caves. And here he was starting again. He handed the magic ointment to him. "Take this, think of me when you use it. I shall never want it back. I must give you one little present, and it is all I have got; you are Mrs. Moore's son." "I am that," he murmured to himself; and a part of Aziz' mind that had been hidden seemed to move and force its way to the top. "But you are Heaslop's brother also, and alas, the two nations cannot be friends." "I know. Not yet." "Did your mother speak to you about me?" "Yes." And with a swerve of voice and body that Aziz did not follow he added, "In her letters, in her letters. She loved you." "Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising. Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of his hospitality gushed forth and he began doing the honours of Mau and persuading himself that he understood the wild procession, which increased in lights and sounds as the complications of its ritual developed. There was little need to row, for the freshening gale blew them in the direction they desired. Thorns scratched the keel, they ran into an islet and startled some cranes. The strange temporary life of the August flood-water bore them up and seemed as though it would last for ever. The boat was a rudderless dinghy. Huddled up in the stern, with the spare pair of oars in his arms, the guest asked no questions about details. There was presently a flash of lightning, followed by a second flash little red scratches on the ponderous sky. "Was that the Rajah?" he asked. "What what do you mean?" "Row back." "But there's no Rajah nothing" "Row back, you will see what I mean." Aziz found it hard work against the advancing wind. But he fixed his eyes on the pin of light that marked the Guest House and backed a few strokes. "There . . ." Floating in the darkness was a king, who sat under a canopy, in shining royal robes. . . . "I can't tell you what that is, I'm sure," he whispered. "His Highness is dead. I think we should go back at once." They were close to the promontory of the tombs, and had looked straight into the chhatri of the Rajah's father through an opening in the trees. That was the explanation. He had heard of the image made to imitate life at enormous expense but he had never chanced to see it before, though he frequently rowed on the lake. There was only one spot from which it could be seen, and Ralph had directed him to it. Hastily he pulled away, feeling that his companion was not so much a visitor as a guide. He remarked, "Shall we go back now?" "There is still the procession." "I'd rather not go nearer they have such strange customs, and might hurt you." "A little nearer." Aziz obeyed. He knew with his heart that this was Mrs. Moore's son, and indeed until his heart was involved he knew nothing. "Radhakrishna Radhakrishna Radhakrishna Radhakrishna Krishnaradha," went the chant, then suddenly changed, and in the interstice he heard, almost certainly, the syllables of salvation that had sounded during his trial at Chandrapore. "Mr. Moore, don't tell anyone that the Rajah is dead. It is a secret still, I am supposed not to say. We pretend he is alive until after the festival, to prevent unhappiness. Do you want to go still nearer?" "Yes." He tried to keep the boat out of the glare of the torches that began to star the other shore. Rockets kept going off, also the guns. Suddenly, closer than he had calculated, the palanquin of Krishna appeared from behind a ruined wall, and descended the carven glistening water-steps. On either side of it the singers tumbled, a woman prominent, a wild and beautiful young saint with flowers in her hair. She was praising God without attributes thus did she apprehend Him. Others praised Him without attributes, seeing Him in this or that organ of the body or manifestation of the sky. Down they rushed to the foreshore and stood in the small waves, and a sacred meal was prepared, of which those who felt worthy partook. Old Godbole detected the boat, which was drifting in on the gale, and he waved his arms whether in wrath or joy Aziz never discovered. Above stood the secular power of Mau elephants, artillery, crowds and high above them a wild tempest started, confined at first to the upper regions of the air. Gusts of wind mixed darkness and light, sheets of rain cut from the north, stopped, cut from the south, began rising from below, and across them struggled the singers, sounding every note but terror, and preparing to throw God away, God Himself, (not that God can be thrown) into the storm. Thus was He thrown year after year, and were others thrown little images of Ganpati, baskets of ten-day corn, tiny	had got free. Never be friends with the English! Mosque, caves, mosque, caves. And here he was starting again. He handed the magic ointment to him. "Take this, think of me when you use it. I shall never want it back. I must give you one little present, and it is all I have got; you are Mrs. Moore's son." "I am that," he murmured to himself; and a part of Aziz' mind that had been hidden seemed to move and force its way to the top. "But you are Heaslop's brother also, and alas, the two nations cannot be friends." "I know. Not yet." "Did your mother speak to you about me?" "Yes." And with a swerve of voice and body that Aziz did not follow he added, "In her letters, in her letters. She loved you." "Yes, your mother was my best friend in all the world." He was silent, puzzled by his own great gratitude. What did this eternal goodness of Mrs. Moore amount to? To nothing, if brought to the test of thought. She had not borne witness in his favour, nor visited him in the prison, yet she had stolen to the depths of his heart, and he always adored her. "This is our monsoon, the best weather," he said, while the lights of the procession waved as though embroidered on an agitated curtain.<\|quote\|>"How I wish she could have seen them, our rains. Now is the time when all things are happy, young and old. They are happy out there with their savage noise, though we cannot follow them; the tanks are all full so they dance, and this is India. I wish you were not with officials, then I would show you my country, but I cannot. Perhaps I will just take you out on the water now, for one short half-hour."</\|quote\|>Was the cycle beginning again? His heart was too full to draw back. He must slip out in the darkness, and do this one act of homage to Mrs. Moore's son. He knew where the oars were hidden to deter the visitors from going out and he brought the second pair, in case they met the other boat; the Fieldings had pushed themselves out with long poles, and might get into difficulties, for the wind was rising. Once on the water, he became easy. One kind action was with him always a channel for another, and soon the torrent of his hospitality gushed forth and he began doing the honours of Mau and persuading himself that he understood the wild procession, which increased in lights and sounds as the complications of its ritual developed. There was little need to row, for the freshening gale blew them in the direction they desired. Thorns scratched the keel, they ran into an islet and startled some cranes. The strange temporary life of the August flood-water bore them up and seemed as though it would last for ever. The boat was a rudderless dinghy. Huddled up in the stern, with the spare pair of oars	A Passage To India
We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.	No speaker	him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves	to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and	refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so	green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.”	out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of	child, relinquished by the nurse, rushed across the room and rooted shyly into her mother’s dress. “The bles-sed pre-cious! Did mother get powder on your old yellowy hair? Stand up now, and say—How-de-do.” Gatsby and I in turn leaned down and took the small reluctant hand. Afterward he kept looking at the child with surprise. I don’t think he had ever really believed in its existence before. “I got dressed before luncheon,” said the child, turning eagerly to Daisy. “That’s because your mother wanted to show you off.” Her face bent into the single wrinkle of the small white neck. “You dream, you. You absolute little dream.” “Yes,” admitted the child calmly. “Aunt Jordan’s got on a white dress too.” “How do you like mother’s friends?” Daisy turned her around so that she faced Gatsby. “Do you think they’re pretty?” “Where’s Daddy?” “She doesn’t look like her father,” explained Daisy. “She looks like me. She’s got my hair and shape of the face.” Daisy sat back upon the couch. The nurse took a step forward and held out her hand. “Come, Pammy.” “Goodbye, sweetheart!” With a reluctant backward glance the well-disciplined child held to her nurse’s hand and was pulled out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your	… Yes … I’ll see.” He set down the receiver and came toward us, glistening slightly, to take our stiff straw hats. “Madame expects you in the salon!” he cried, needlessly indicating the direction. In this heat every extra gesture was an affront to the common store of life. The room, shadowed well with awnings, was dark and cool. Daisy and Jordan lay upon an enormous couch, like silver idols weighing down their own white dresses against the singing breeze of the fans. “We can’t move,” they said together. Jordan’s fingers, powdered white over their tan, rested for a moment in mine. “And Mr. Thomas Buchanan, the athlete?” I inquired. Simultaneously I heard his voice, gruff, muffled, husky, at the hall telephone. Gatsby stood in the centre of the crimson carpet and gazed around with fascinated eyes. Daisy watched him and laughed, her sweet, exciting laugh; a tiny gust of powder rose from her bosom into the air. “The rumour is,” whispered Jordan, “that that’s Tom’s girl on the telephone.” We were silent. The voice in the hall rose high with annoyance: “Very well, then, I won’t sell you the car at all … I’m under no obligations to you at all … and as for your bothering me about it at lunch time, I won’t stand that at all!” “Holding down the receiver,” said Daisy cynically. “No, he’s not,” I assured her. “It’s a bona-fide deal. I happen to know about it.” Tom flung open the door, blocked out its space for a moment with his thick body, and hurried into the room. “Mr. Gatsby!” He put out his broad, flat hand with well-concealed dislike. “I’m glad to see you, sir … Nick …” “Make us a cold drink,” cried Daisy. As he left the room again she got up and went over to Gatsby and pulled his face down, kissing him on the mouth. “You know I love you,” she murmured. “You forget there’s a lady present,” said Jordan. Daisy looked around doubtfully. “You kiss Nick too.” “What a low, vulgar girl!” “I don’t care!” cried Daisy, and began to clog on the brick fireplace. Then she remembered the heat and sat down guiltily on the couch just as a freshly laundered nurse leading a little girl came into the room. “Bles-sed pre-cious,” she crooned, holding out her arms. “Come to your own mother that loves you.” The child, relinquished by the nurse, rushed across the room and rooted shyly into her mother’s dress. “The bles-sed pre-cious! Did mother get powder on your old yellowy hair? Stand up now, and say—How-de-do.” Gatsby and I in turn leaned down and took the small reluctant hand. Afterward he kept looking at the child with surprise. I don’t think he had ever really believed in its existence before. “I got dressed before luncheon,” said the child, turning eagerly to Daisy. “That’s because your mother wanted to show you off.” Her face bent into the single wrinkle of the small white neck. “You dream, you. You absolute little dream.” “Yes,” admitted the child calmly. “Aunt Jordan’s got on a white dress too.” “How do you like mother’s friends?” Daisy turned her around so that she faced Gatsby. “Do you think they’re pretty?” “Where’s Daddy?” “She doesn’t look like her father,” explained Daisy. “She looks like me. She’s got my hair and shape of the face.” Daisy sat back upon the couch. The nurse took a step forward and held out her hand. “Come, Pammy.” “Goodbye, sweetheart!” With a reluctant backward glance the well-disciplined child held to her nurse’s hand and was pulled out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it … High in a white palace the king’s daughter, the golden girl … Tom came out of the house wrapping a quart bottle in a towel, followed by Daisy and Jordan wearing small tight hats of metallic cloth and carrying light capes over their arms. “Shall we all go in my car?” suggested Gatsby. He felt the hot, green leather of the seat. “I ought to have left it in the shade.” “Is it standard shift?” demanded Tom. “Yes.” “Well, you take my coupé and let me drive your car to town.” The suggestion was distasteful to Gatsby. “I don’t think there’s much gas,” he objected. “Plenty of gas,” said Tom boisterously. He looked at the gauge. “And if it runs out I can stop at a drugstore. You can buy anything at a drugstore nowadays.” A pause followed this apparently pointless remark. Daisy looked at Tom frowning, and an indefinable expression, at once definitely unfamiliar and vaguely recognizable, as if I had only heard it described in words, passed over Gatsby’s face. “Come on, Daisy,” said Tom, pressing her with his hand toward Gatsby’s car. “I’ll take you in this circus wagon.” He opened the door, but she moved out from the circle of his arm. “You take Nick and Jordan. We’ll follow you in the coupé.” She walked close to Gatsby, touching his coat with her hand. Jordan and Tom and I got into the front seat of Gatsby’s car, Tom pushed the unfamiliar gears tentatively, and we shot off into the oppressive heat, leaving them out of sight behind. “Did you see that?” demanded Tom. “See what?” He looked at me	low, vulgar girl!” “I don’t care!” cried Daisy, and began to clog on the brick fireplace. Then she remembered the heat and sat down guiltily on the couch just as a freshly laundered nurse leading a little girl came into the room. “Bles-sed pre-cious,” she crooned, holding out her arms. “Come to your own mother that loves you.” The child, relinquished by the nurse, rushed across the room and rooted shyly into her mother’s dress. “The bles-sed pre-cious! Did mother get powder on your old yellowy hair? Stand up now, and say—How-de-do.” Gatsby and I in turn leaned down and took the small reluctant hand. Afterward he kept looking at the child with surprise. I don’t think he had ever really believed in its existence before. “I got dressed before luncheon,” said the child, turning eagerly to Daisy. “That’s because your mother wanted to show you off.” Her face bent into the single wrinkle of the small white neck. “You dream, you. You absolute little dream.” “Yes,” admitted the child calmly. “Aunt Jordan’s got on a white dress too.” “How do you like mother’s friends?” Daisy turned her around so that she faced Gatsby. “Do you think they’re pretty?” “Where’s Daddy?” “She doesn’t look like her father,” explained Daisy. “She looks like me. She’s got my hair and shape of the face.” Daisy sat back upon the couch. The nurse took a step forward and held out her hand. “Come, Pammy.” “Goodbye, sweetheart!” With a reluctant backward glance the well-disciplined child held to her nurse’s hand and was pulled out the door, just as Tom came back, preceding four gin rickeys that clicked full of ice. Gatsby took up his drink. “They certainly look cool,” he said, with visible tension. We drank in long, greedy swallows. “I read somewhere that the sun’s getting hotter every year,” said Tom genially. “It seems that pretty soon the earth’s going to fall into the sun—or wait a minute—it’s just the opposite—the sun’s getting colder every year. “Come outside,” he suggested to Gatsby, “I’d like you to have a look at the place.” I went with them out to the veranda. On the green Sound, stagnant in the heat, one small sail crawled slowly toward the fresher sea. Gatsby’s eyes followed it momentarily; he raised his hand and pointed across the bay. “I’m right across from you.” “So you are.” Our eyes lifted over the rose-beds and the hot lawn and the weedy refuse of the dog-days alongshore. Slowly the white wings of the boat moved against the blue cool limit of the sky. Ahead lay the scalloped ocean and the abounding blessed isles. “There’s sport for you,” said Tom, nodding. “I’d like to be out there with him for about an hour.”<\|quote\|>We had luncheon in the dining-room, darkened too against the heat, and drank down nervous gaiety with the cold ale.</\|quote\|>“What’ll we do with ourselves this afternoon?” cried Daisy, “and the day after that, and the next thirty years?” “Don’t be morbid,” Jordan said. “Life starts all over again when it gets crisp in the fall.” “But it’s so hot,” insisted Daisy, on the verge of tears, “and everything’s so confused. Let’s all go to town!” Her voice struggled on through the heat, beating against it, moulding its senselessness into forms. “I’ve heard of making a garage out of a stable,” Tom was saying to Gatsby, “but I’m the first man who ever made a stable out of a garage.” “Who wants to go to town?” demanded Daisy insistently. Gatsby’s eyes floated toward her. “Ah,” she cried, “you look so cool.” Their eyes met, and they stared together at each other, alone in space. With an effort she glanced down at the table. “You always look so cool,” she repeated. She had told him that she loved him, and Tom Buchanan saw. He was astounded. His mouth opened a little, and he looked at Gatsby, and then back at Daisy as if he had just recognized her as someone he knew a long time ago. “You resemble the advertisement of the man,” she went on innocently. “You know the advertisement of the man—” “All right,” broke in Tom quickly, “I’m perfectly willing to go to town. Come on—we’re all going to town.” He got up, his eyes still flashing between Gatsby and his wife. No one moved. “Come on!” His temper cracked a little. “What’s the matter, anyhow? If we’re going to town, let’s start.” His hand, trembling with his effort at self-control, bore to his lips the last of his glass of ale. Daisy’s voice got us to our feet and out on to the blazing gravel drive. “Are we just going to go?” she objected. “Like this? Aren’t we going to let anyone smoke a cigarette first?” “Everybody smoked all through lunch.” “Oh, let’s have fun,” she begged him. “It’s too hot to fuss.” He didn’t answer. “Have it your own way,” she said. “Come on, Jordan.” They went upstairs to get ready while we three men stood there shuffling the hot pebbles with our feet. A silver curve of the moon hovered already in the western sky. Gatsby started to speak, changed his mind, but not before Tom wheeled and faced him expectantly. “Have you got your stables here?” asked Gatsby with an effort. “About a quarter of a mile down the road.” “Oh.” A pause. “I don’t see the idea of going to town,” broke out Tom savagely. “Women get these notions in their heads—” “Shall we take anything to drink?” called Daisy from an upper window. “I’ll get some whisky,” answered Tom. He went inside. Gatsby turned to me rigidly: “I can’t say anything in his house, old sport.” “She’s got an indiscreet voice,” I remarked. “It’s full of—” I hesitated. “Her voice is full of money,” he said	The Great Gatsby
"You _would_ like it, wouldn't you?"	Mrs Beaver	come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it."	would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way	* * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they	stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and	the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had to reconnoitre up and down their beds in search of tepid, stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats	loose red pebbles that bruised their feet; after these painful ascents they would lie in the wind till their wet clothes grew cold against their bodies; from these low eminences they could see other hill-tops and the belts of bush through which they had travelled, and the file of porters trailing behind them. As each man and woman arrived he sank on to the dry grass and rested against his load; when the last of them came up with the party Dr Messinger would give the word and they would start off again, descending into the green heart of the forest before them. Tony and Dr Messinger seldom spoke to one another, either when they were marching or at the halts, for they were constantly strained and exhausted. In the evenings after they had washed and changed into dry shirts and flannel trousers, they talked a little, mostly about the number of miles they had done that day, their probable position and the state of their feet. They drank rum and water after their bath; for supper there was usually bully beef stewed with rice and flour dumplings. The Indians ate farine, smoked hog and occasional delicacies picked up by the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had to reconnoitre up and down their beds in search of tepid, stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats all night long nuzzling and flapping against their netting. The Indians would not go hunting in this forest. They said there was no game, but Dr Messinger said it was because they were afraid of the evil spirits of the Pie-wie people. Provisions were not lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a bag of rice. Dr Messinger instituted careful rationing; he served them himself, measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly. "The men must go out and shoot something." But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped	of it, Marjorie's probably going. Well, I can always have sandwiches for dinner here. They make all kinds. Thank God for the little shop round the corner." She was reading a biography of Nelson that had lately appeared; it was very long and would keep her going well into the night. At one o'clock Jenny came in to say good-bye (she had a latch-key of Brenda's), dressed for a cosy lunch. "I got Polly and Souki," she said. "We're going to Daisy's joint. I _wish_ you were coming." "Me? Oh, I'm all right," said Brenda, and she thought, "It might occur to her to sock a girl a meal once in a way." * * * * * They walked for a fortnight, averaging about fifteen miles a day. Sometimes they would do much more and sometimes much less; the Indian who went in front decided the camping places; they depended on water and evil spirits. Dr Messinger made a compass traverse of their route. It gave him something to think about. He took readings every hour from an aneroid. In the evening, if they had halted early enough, he employed the last hours of daylight in elaborating a chart. "_Dry watercourse, three deserted huts, stony ground...._" "We are now in the Amazon system of rivers," he announced with satisfaction one day. "You see, the water is running south." But almost immediately they crossed a stream flowing in the opposite direction. "Very curious," said Dr Messinger. "A discovery of genuine scientific value." Next day they waded through four streams at intervals of two miles, running alternately north and south. The chart began to have a mythical appearance. "Is there a name for any of these streams?" he asked Rosa. "Macushi people called him Waurupang." "No, not the river where we first camped. _These rivers._" "Yes, Waurupang." "_This river here._" "Macushi people call him all Waurupang." "It's hopeless," said Dr Messinger. When they were near water they forced their way through blind bush; the trail there was grown over and barred by timber; only Indian eyes and Indian memory could trace its course; sometimes they crossed little patches of dry savannah, dun grass growing in tufts from the baked earth; thousands of lizards scampered and darted before their feet and the grass rustled like newspaper; it was burning hot in these enclosed spaces. Sometimes they climbed up into the wind, over loose red pebbles that bruised their feet; after these painful ascents they would lie in the wind till their wet clothes grew cold against their bodies; from these low eminences they could see other hill-tops and the belts of bush through which they had travelled, and the file of porters trailing behind them. As each man and woman arrived he sank on to the dry grass and rested against his load; when the last of them came up with the party Dr Messinger would give the word and they would start off again, descending into the green heart of the forest before them. Tony and Dr Messinger seldom spoke to one another, either when they were marching or at the halts, for they were constantly strained and exhausted. In the evenings after they had washed and changed into dry shirts and flannel trousers, they talked a little, mostly about the number of miles they had done that day, their probable position and the state of their feet. They drank rum and water after their bath; for supper there was usually bully beef stewed with rice and flour dumplings. The Indians ate farine, smoked hog and occasional delicacies picked up by the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had to reconnoitre up and down their beds in search of tepid, stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats all night long nuzzling and flapping against their netting. The Indians would not go hunting in this forest. They said there was no game, but Dr Messinger said it was because they were afraid of the evil spirits of the Pie-wie people. Provisions were not lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a bag of rice. Dr Messinger instituted careful rationing; he served them himself, measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly. "The men must go out and shoot something." But they received the orders with expressionless, downcast faces and remained in camp. "No birds, no animals here," explained Rosa. "All gone. Maybe they get some fish." But the Indians could not be persuaded to exert themselves. They could see the sacks and bales of food heaped on the bank; it would be plenty of time to start hunting and fishing when that had been exhausted. Meanwhile there were canoes to be built. "This is clearly Amazon water," said Dr Messinger. "It probably flows into the Rio Branco or the Rio Negro. The Pie-wies live along the bank, and the City, from all accounts, must be downstream of us, up one of the tributaries. When we reach the first Pie-wie village we will be able to get guides." The canoes were made of woodskin. Three days were spent in finding trees of suitable age and straightness and in felling them. They cut four trees and worked on them where they lay, clearing the bush for a few feet round them. They stripped the bark with their broad-bladed knives; that took another week. They worked patiently but clumsily; one woodskin was split in getting it off the trunk. There was nothing Tony and Dr Messinger could do to help. They spent that week guarding the sugar from the women. As the men moved about the camp and the surrounding bush, their steps were soundless; their bare feet seemed never to disturb the fallen leaves, their bare shoulders made no rustle in the tangled undergrowth; their speech was brief and scarcely audible, they never joined in the chatter and laughter of their women; sometimes they gave little grunts as they worked; only once they were merry, when one of them let his knife slip as he was working on the tree-trunk and cut deeply into the ball of his thumb. Dr Messinger dressed the wound with iodine, lint and bandages. After that the women constantly solicited him, showing him little scratches on their arms and legs and asking for iodine. Two of the trees were finished on one day, then another next day (that was the one which split) and the fourth two days after that; it was a larger tree than the others. When the last fibre was severed, four men got round the trunk and lifted the skin clear. It curled up again at once, making a hollow cylinder, which the men carried down to the waterside and set afloat, fastening it to a tree with a loop of vine-rope. When all the woodskins were ready it was an easy matter to make canoes of them. Four men held them open while two others fixed the struts.	word and they would start off again, descending into the green heart of the forest before them. Tony and Dr Messinger seldom spoke to one another, either when they were marching or at the halts, for they were constantly strained and exhausted. In the evenings after they had washed and changed into dry shirts and flannel trousers, they talked a little, mostly about the number of miles they had done that day, their probable position and the state of their feet. They drank rum and water after their bath; for supper there was usually bully beef stewed with rice and flour dumplings. The Indians ate farine, smoked hog and occasional delicacies picked up by the way--armadillo, iguana, fat white grubs from the palm trees. The women had some dried fish with them that lasted for eight days; the smell grew stronger every day until the stuff was eaten; then it still hung about them and the stores, but grew fainter until it merged into the general, indefinable smell of the camp. There were no Indians living in this country. In the last five days of the march they suffered from lack of water. The streams they came to were mostly dry; they had to reconnoitre up and down their beds in search of tepid, stagnant puddles. But after two weeks they came to a river once more, flowing deep and swift to the south-east. This was the border of the Pie-wie country and Dr Messinger marked the place where they stopped Second Base Camp. The cabouri fly infested this stream in clouds. * * * * * "John, I think it's time you had a holiday." "A holiday what from, mumsy?" "A change... I'm going to California in July. To the Fischbaums--Mrs Arnold Fischbaum, not the one who lives in Paris. I think it would do you good to come with me." "Yes, mumsy."<\|quote\|>"You _would_ like it, wouldn't you?"</\|quote\|>"Me? Yes, I'd like it." "You've picked up that way of talking from Brenda. It sounds ridiculous in a man." "Sorry, mumsy." "All right then, that's settled." * * * * * At sunset the cabouri fly disappeared. Until then, through the day, it was necessary to keep covered; they settled on any exposed flesh like house-flies upon jam; it was only when they were gorged that their bite was perceptible; they left behind a crimson, smarting circle with a black dot at its centre. Tony and Dr Messinger wore cotton gloves which they had brought for the purpose, and muslin veils, hanging down under their hats. Later they employed two women to squat beside their hammocks and fan them with leafy boughs; the slightest breeze was enough to disperse the flies, but as soon as Tony and Dr Messinger dozed the women would lay aside their work, and they woke instantly, stung in a hundred places. The Indians bore the insects as cows bear horse-flies; passively with occasional fretful outbursts when they would slap their shoulders and thighs. After dark there was some relief, for there were few mosquitoes at this camp, but they could hear the vampire bats all night long nuzzling and flapping against their netting. The Indians would not go hunting in this forest. They said there was no game, but Dr Messinger said it was because they were afraid of the evil spirits of the Pie-wie people. Provisions were not lasting as well as Dr Messinger had calculated. During the march it had been difficult to keep a proper guard over the stores. They were short of a bag of farine, half a bag of sugar and a bag of rice. Dr Messinger instituted careful rationing; he served them himself, measuring everything strictly in an enamel cup; even so, the women managed to get to the sugar behind his back. He and Tony had finished the rum, except for one bottle which was kept in case of emergency. "We can't go on breaking into tinned stores," said Dr Messinger peevishly. "The men must go out	A Handful Of Dust